Category of creative works based on stylistic and/or thematic criteria
POPULARITY
Viele versuchen sich an den Größen der Videospielwelt zu orientierten - und scheitern daran! Oft sind die Ideen nur ein reiner Copypaste von bekannten Größen wie zum Beispiel Zelda. Diese sogenannten "Zeldalikes" sind sogar ein eigenes Subgenre, doch gehen sie oft in der Masse unter. Pipistrello and the Cursed Yoyo hingegen strotz nur so vor eigenen Ideen und einen eigenen, kapitalismuskritischen Charme! Dazu verkörpert es noch die Coolness eines Yoyos.
Haifilme sind ein beliebtes Subgenre des Horrorfilms, allerdings nur selten von Qualität gesegnet. Da müssen wir sprechen! Als Gast haben wir in Michael Wenger vom Sharkproject einen wahren Kenner dieser wunderschönen Tiere in unser Studio 52 geholt. Wir sprechen über seine Top- und Flopfilme mit den Knorpelfischen, die Arbeit von Sharkproject und ein kleines Haiquiz gibt es auch noch zum Abschluss. Haben wir erwähnt dass wir zusammen mit dem Kino Odeon und Sharkproject am 20. Juli eine Openairvorführung von Jaws (Der weisse Hai) in Brugg zeigen? Zum 50. Jubiläum? Wir wünschen wunderbare Unterhaltung!https://www.sharkproject.orghttps://odeon-brugg.ch/20-7-2130-jaws/?anchor=%23preview-13686-regular&referer=%2FKommentare, Feedback oder eure Ideen für weitere Episoden könnt ihr uns gerne über die sozialen Netzwerke oder per Mail an info@cine-swiss.ch zukommen lassen, folgt uns damit ihr nichts verpasst, abonniert und empfiehlt uns gerne weiter! Dangge! Supporte uns unter:https://podcasters.spotify.com/pod/show/cineswiss/subscribe Für exklusive Folgen oder einfach so hier: https://www.buymeacoffee.com/cineswiss https://outnow.chhttps://www.excelsior-brugg.ch/de/home https://odeon-brugg.ch/ https://www.youtube.com/@cineswiss https://www.facebook.com/cineswiss https://instagram.com/cineswiss?igshid=1cjo0dgnqvsrd https://boxd.it/10TmB https://www.cine-swiss.ch
Thank you to our sponsor World Anvil! Check out World Anvil to use their Worldbuilding, Writing, and Game Master tools for free! If you like what you see, use code "RAMBLE" at checkout for 51% off a yearly subscription! https://www.worldanvil.com/?c=2ToRamble⭐️ Exclusive Book Club! Join/Support on Patreon
Episode #30! CINEMA SUBGENRE #2: SUBMERGED, where submarine film expert BEN LEWANDOWSKI and myself list off our top ten favorite SUBMARINE FILMS! We go deep on the subject and drill down on the facts! There are many great films set in underwater vessels and we discuss the best ones! Check it out and let us know what you think!
The gang of thugs dons their most practical jungle gear and reluctantly boards the biotech boat for Gareth Edwards' Jurassic World Rebirth. Scarlett Johansson leads a mission to harvest dinosaur DNA in what Universal hopes is the beginning of a new trilogy—but does this franchise still have life in its genetic code, or has it gone full dino-extinct?In this episode, Pete Wright, Steve Sarmento, Tommy Metz III, Justin “JJ” Jaeger, and Mandy Kaplan unpack everything from ADR overload and missing velociraptors to why this script might have been written by a chatty AI trained exclusively on soft reboots and midday sarcasm. They examine the film's visual flatness, its confused tone, the tragic misuse of Mahershala Ali, and the shocking absence of smart kids—the emotional compass of the good Jurassic movies.There's plenty of laughter, frustration, and jalapeño cheddar popcorn as the panel debates whether the soul of this franchise can ever be resurrected. Spoiler alert: if dinosaurs had a peanut allergy, this movie would be their Snickers bar.Film SundriesWatch this on Apple or Amazon, or find other places at JustWatchTheatrical trailerLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsMovies We LikeThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdFlickchartCheck out poster artwork for movies we've discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.
⭐️ Exclusive Book Club! Join/Support on Patreon
Jesse Woodson James, geboren 1847 in Missouri, ist einer der berühmtesten Revolverhelden des Wilden Westens. Schon zu Lebzeiten wurde er Dank des Wohlwollens eines Zeitungsredakteurs zur Legende. Trotz zahlloser Überfälle und Morde wurde er zum Helden stilisiert, zu einem Robin Hood des Wilden Westens, dessen Tod seinen Legendenstatus nur unterstrich. Aber in Andrew Dominiks Film The Assassination of Jesse James aus dem Jahr 2007 geht es nicht nur um den berühmten Kriminellen, sondern auch - wie der ganze Titel offenbart - um seinen Mörder, den Feigling Robert Ford. Dieser stößt als großer Bewunderer und Verehrer zusammen mit seinem Bruder zu Jesses Bande, als diese bereits nur noch ein Schatten ihrer einstigen Größe ist. Gemeinsam begehen sie in den 1880er Jahren Raubzüge, überfallen Eisenbahnen, vor allem sind sie aber ständig auf der Flucht vor dem Gesetz, verschanzen sich in den Farmen bei ihren Familien und versuchen, soweit es geht inkognito zu leben. Jesse James wird dabei mehr und mehr von seinem Misstrauen geleitet. Überall wittert er Betrug und Verrat und hat auch keine Skrupel dabei, die Verdächtigen eigenhändig umzubringen. Nicht ganz zu Unrecht, erodiert die Bande doch aus dem Inneren heraus. Schließlich wird es Robert sein, der Jesse an seine Häscher verrät und sogar eigenhändig erschießt. Und so wird er selbst zur Legende, wenn auch anders, als er es sich vorgestellt hat. Und damit haben wir fast drei Stunden Western vor uns; Revionist Western, Anti-Western, Post Western oder wie auch immer man dieses spezielle Subgenre bezeichnen will. In elegischen Bildern erzählt, düster, grimmig, realistisch und melancholisch. Johannes, gelingt es Andrew Dominik dem Genre und der Legende um Jesse James und seinen Mörder eine neue Perspektive zu abzuringen?
This Pride Month edition of Sitting in the Dark shines a lavender light on the long-standing but often invisible relationship between horror cinema and queer identity. Host Kynan Dias traces horror's appeal to outsiders—particularly LGBTQ+ viewers—who find coded representation in monsters, victims, and the margins of genre storytelling.The episode dives deep into three genre-defining films.The Bride of Frankenstein (1935)James Whale's campy sequel is reevaluated as a foundational queer text. The panel explores how Whale, an out gay director, infused the film with coded themes of same-sex companionship, rejection, and theatricality. From Dr. Pretorius's foppish villainy to the Bride's brief, iconic scream, the film is bursting with subtext—much of it retroactively interpreted through the lens of queer longing and societal othering. The group also riffs on Whale's tonal whiplash, Elsa Lanchester's cultural impact, and why “We belong dead” might be the most tragic queer line in horror history.A Nightmare on Elm Street 2: Freddy's Revenge (1985)Often derided as a messy sequel, this film is now embraced by many as a camp classic of queer horror. The conversation covers the now-notorious creative denials around its subtext, the dynamic between actor Mark Patton and the filmmakers, and the striking presence of a “final boy” whose journey blurs lines between possession, repression, and queer awakening. The film's overt homoeroticism—locker rooms, leather bars, and sweaty dance sequences—is discussed not just for laughs, but as meaningful queer coding in the Reagan-era horror landscape. The panel also reckons with Freddy as a metaphor for internalized shame, and what it means when a horror film can't quite let its subtext become text.Titane (2021)Winner of the Palme d'Or and easily the most divisive film of the trio, Titane pushes the panel into complex conversations about gender fluidity, body horror, and the relationship between performance and identity. Is this a trans allegory? A critique of binaries? Or just a deeply weird tale of trauma and transformation? The hosts wrestle with the film's ambiguity, discussing its uncompromising visuals, unexpectedly tender surrogate father-son relationship, and what it means to build a chosen family amidst radical bodily change. Some saw it as alienating; others, transcendent. All agreed: this one will be analyzed for decades.This episode doesn't wrap everything up with a rainbow bow—and that's the point. Horror isn't tidy, and queerness rarely comes with clean lines or clear labels. But if you've ever felt like the monster, the final someone, or the person who's just a little too into the firetruck, this conversation might feel like coming home. Or at least like sitting in the dark with people who see what you see.Film SundriesThe List on LetterboxdWatch the movies discussed:The Bride of Frankenstien: Apple • Amazon • LetterboxdA Nightmare on Elm Street 2: Freddy's Revenge: Apple • Amazon • LetterboxdTitane: Apple • Amazon • Letterboxd (00:00) - Welcome to Sitting in the Dark (07:05) - Coded Queer Horror (10:03) - Dealing with the Morality Police (16:21) - Bride of Frankenstein (35:14) - A Nightmare on Elm Street Part 2: Freddy's Revenge (53:55) - Titane (01:21:46) - Coming Attractions: The Drac Pack Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.
Wes Anderson's The Phoenician Scheme crash-lands into theaters with a symmetry—and we're here to unpack the wreckage. Benicio Del Toro plays Anatole “Zsa-Zsa” Korda, a morally exhausted arms dealer who survives a plane crash and decides, rather abruptly, to become a better man. His daughter, a nun (played with unsettling calm by Mia Threapleton), may be his salvation. Or his reckoning. Or both. Along for the ride: Michael Cera as a soft-spoken entomologist, a council of multinational bureaucrats with murderous intent, and Bill Murray as God (in grayscale, naturally).Pete Wright hosts this morally ambiguous briefing with fellow operatives Tommy Metz III and Steve Sarmento, as they parse Anderson's most spiritually ambitious and physically violent film to date. There are questions—big ones. Is this Cain and Abel by way of a TWA departure lounge? Why does forgiveness feel like a conference call?We dig into the film's sumptuous craft, its emotional architecture, and the performances that hold it all together with linen thread and murmured apologies. If you've ever wanted to see a man seek redemption through dinner parties, aerial espionage, and awkward family reunions, this one's for you.Film SundriesWatch this on Apple or find other places at JustWatchTheatrical trailerLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsMovies We LikeThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdFlickchartCheck out poster artwork for movies we've discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.
“When you're scared all the time, you reach a point when you wish you were dead.”Talking About Takeshi Kitano's Sonatine with our guest, Production Designer Liz BischofProduction designer Liz Bischof joins Movies We Like to discuss Sonatine, Beat Takeshi's 1993 meditative yakuza film that masterfully blends moments of shocking violence with poetic contemplation. As a special guest who has worked on projects ranging from Broadway's Aladdin to Apple TV+'s See, Bischof brings unique insights into the film's visual language and thoughtful approach to production design.In our wide-ranging conversation, Bischof shares her journey from props maker for international opera companies to production designer for film and television. She discusses her recent work on A Nice Indian Boy and upcoming thriller Getaway starring Jason Biggs in his directorial debut, before diving deep into why Takeshi Kitano's Sonatine left such a lasting impression on her when she first saw it at the Rotterdam Film Festival. The film's minimalist aesthetic, strategic use of color (particularly in the red and blue motifs), and carefully composed shots that often feel like still life paintings exemplify what draws her to this unique take on the yakuza genre.The discussion explores how Kitano, primarily known as a comedian in Japan at the time, crafted this deliberately paced crime drama about a tired gangster (played by Kitano himself) sent to Okinawa. The film's remarkable middle section, where the characters retreat to a beach and briefly recapture moments of childhood play, provides a stark contrast to the inevitable violence that bookends the story. Bischof particularly appreciates how the film's production design reinforces themes through its use of gritty, fluorescent-lit spaces in the city scenes versus the poetic beauty of the beach sequences.Sonatine remains a masterpiece of 90s Japanese cinema that rewards patient viewers with its unique blend of violence, humor, and existential meditation. Our conversation with Liz Bischof illuminates how the film's thoughtful design choices and visual poetry continue to influence and inspire filmmakers and designers nearly 30 years after its release.Film SundriesWatch this episode on YouTube!Find Liz on her website, her Instagram, or on IMDbWatch this on Apple or Amazon, or find other places at LetterboxdTheatrical trailer Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.
Pete Wright hosts a brutally personal Mother's Day episode of Sitting in the Dark, joined by regular co-conspirators Kyle Olson, Kynan Dias, and Tommy Metz III, as they dig into three films that ask a profoundly unsettling question: What if Mom is the monster?We start with Run (2020), a film that's more “Lifetime original” than it has any right to be. It's clean, tight, and distressingly effective. Sarah Paulson's performance is terrifying not because she twirls her mustache but because she doesn't have one. And newcomer Kiera Allen rolls (yes, rolls) away with the movie by doing exactly what her character does best—staying two clever steps ahead.Next, Goodnight Mommy (2014). Austrian, austere, and absolutely harrowing. It's a film about maternal misrecognition, grief-fueled delusion, and the dangers of not labeling your twins' toothbrushes. There's a twist, and if you see it coming, that won't make the third act any less of a gut punch. It's what happens when grief curdles, and no one's left to explain bedtime.And then: mother! (2017). Darren Aronofsky's symphonic descent into allegorical madness. Sure, it's “about” the Bible. It's also about climate change. It's about patriarchy, artistic ego, and the cosmic price of hospitality. Or maybe it's just a guy on a cocaine bender writing a play he'll never finish. Whether you think it's pretentious or profound (hint: it's both), one thing is clear—Jennifer Lawrence earns every ounce of your attention and maybe a few gallons of blood.Across these three films, the panel explores how motherhood in horror isn't just about nurture gone wrong. It's about architecture—both of the home and the psyche. It's about women who are worshipped, consumed, blamed, and erased. And yes, sometimes it's about cockroaches.Films Discussed:Run (2020) – dir. Aneesh ChagantyGoodnight Mommy (2014) – dir. Veronika Franz & Severin Fialamother! (2017) – dir. Darren AronofskyComing AttractionsFor Pride Month, Kynan's curating a trio of queer-coded and queer-explicit horror: from the monstrous repression of Nightmare on Elm Street 2, to the camp and creaturehood of Bride of Frankenstein, to the raw queer body-horror ballet of Titane. You won't want to miss it.Film SundriesThe List on LetterboxdWatch the movies discussed:Run: Apple • Hulu • LetterboxdGoodnight Mommy: Apple • Amazon • Letterboxdmother!: Apple • Amazon • Letterboxd (00:00) - Welcome to Sitting in the Dark (08:05) - The Horror Bond of Motherhood (15:41) - Run (32:43) - Goodnight Mommy (49:39) - Mother! (01:09:49) - Coming attractions Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.
Are you tired of superheroes who always do the right thing? Exhausted by teams that save the day and, dare we say it, have a plan? This month, The Film Board dives into Marvel's Thunderbolts—the super squad you get when you order the Avengers from the bargain bin. Pete Wright is joined by Mandy Kaplan, Justin Jaeger, Tommy Metz III, and Steve Sarmento for a roundtable that spoils everything, celebrates Florence Pugh's star turn, and debates whether more MCU movies should end with a hug instead of a fistfight.We dig into the surprising emotional depth, the ensemble's knack for both grounded action and found-family pathos, and a Taskmaster controversy that set the chat ablaze. The conversation covers what works for Marvel die-hards and superhero newbies alike, why Florence Pugh and Lewis Pullman might be the new MVPs of the MCU, and how Jake Schreier's direction finds the sweet spot between earnest and absurd. Along the way, you'll hear our takes on trauma, group dynamics, and Julia Louis-Dreyfus's master class in playing Marvel's most maladaptive Nick Fury. This is a rare comic book movie that's as interested in grief and group therapy as it is in punching things.Film SundriesWatch this on Apple or find other places at JustWatchTheatrical trailerLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsMovies We LikeThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdFlickchartCheck out poster artwork for movies we've discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.
"Schon wieder ein neuer Extraction-Shooter?" Das ist die übliche Reaktion auf eine Ankündigung eines neuen Titels aus dem Subgenre. Doch auf den zweiten Blick stellen wir fest, dass es kaum erfolgreiche Extraction-Shooter auf dem Markt gibt. In diesem Jahr erwartet uns mit ARC Raiders und Marathon nochmals vielversprechender Nachschub. Aber blüht den beiden Spielen dasselbe Schicksal wie Rainbow Six: Exctraction, DMZ aus Call of Duty und Hazard Zone aus Battlefield 2042?In Ausgabe 167 des PC Games Podcast quatschen Moderator Michi Grünwald und Redakteur Carlo Siebenhüner über die beiden anstehenden Shooter, aber auch über die großen Schwierigkeiten, die das Subgenre immer wieder mit sich bringt. Bis auf Hunt: Showdown und Escape from Tarkov verschwinden die meisten Titel nämlich recht schnell in der Bedeutungslosigkeit. Deswegen stellen wir uns die Frage, ob und wie ARC Raiders oder Marathon diesen Bann brechen können.Lasst uns gerne in den Kommentaren wissen, wie ihr zum Thema Extraction-Shooter steht. Welcher ist euer Favorit und was erhofft ihr euch von zukünftigen Spielen des Genres? Ihr könnt diese und ältere Folgen des PC Games Podcast ab sofort übrigens auch auf unserem YouTube-Kanal anhören. Wir wünschen euch viel Spaß mit der aktuellen Ausgabe!Der PC Games Podcast - der offizielle Videospielpodcast der PC Games - erscheint seit über einem Jahrzehnt regelmäßig und liefert dabei wöchentlich gleich mehrere Talks zum riesigen Thema Videospiele.Unser Moderationsteam, Michi Grünwald und Vivi Ziermann, deckt dabei etliche Bereiche ab: Review-Gespräche und Previews zu brandaktuellen Games, nostalgische Rückblicke, Reports, Interviews und vieles mehr. Dabei gibt es natürlich auch immer mal wieder spannende Insights in die Spielebranche und in die Redaktion des ältesten, noch aktiven Videospielmagazins Deutschlands - seit 1992 am Start!Unser Spiele-Podcast ist vollkommen kostenlos zugänglich und neben unseren Webseiten auch auf allen großen Podcast-Plattformen - von Apple Music bis hin zu Spotify - zu finden.
“All your followers are blind, Too much heaven on their minds, It was beautiful but now it's sour, Yes it's all gone sour.”Talking About Jesus Christ Superstar with our guest, editor Lucy DonaldsonFilm editor Lucy Donaldson joins Andy Nelson and Pete Wright to discuss Norman Jewison's bold 1973 musical adaptation Jesus Christ Superstar and share insights from her impressive editing career. From working on acclaimed projects like Ma to recent hits like A Haunting in Venice, Donaldson brings her expert perspective to analyzing what makes this unconventional rock opera work so magnificently on screen.In this entertaining and insightful conversation, Donaldson opens up about her journey in the film industry, from her early days at the National Film and Television School to assisting on major productions at Blumhouse before landing breakthrough editing opportunities. The discussion explores the collaborative nature of film editing, working with directors, and how test screenings help shape the final cut. The conversation then dives deep into Jesus Christ Superstar, examining how Jewison's creative vision of hippie performers telling the Biblical story in the Israeli desert creates a uniquely compelling cinematic experience. From the magnetic performances of Ted Neely as Jesus and Carl Anderson as Judas to the bold editing choices and striking cinematography, the group analyzes what makes this controversial film continue to resonate decades later.With its daring artistic choices, memorable musical numbers, and raw emotional power, Jesus Christ Superstar remains a fascinating piece of cinema that challenges conventional storytelling. Through Donaldson's thoughtful analysis and personal connection to the film, we gain new appreciation for this groundbreaking rock opera that shouldn't work on paper but absolutely triumphs on screen. This engaging discussion with a talented editor offers wonderful insights into both the craft of film editing and the enduring impact of bold artistic vision.Film SundriesWatch the conversation on YouTubeLucy's WebsiteWatch this on Apple or Amazon, or find other places at LetterboxdTheatrical trailerOriginal Material Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.
Time to discuss the film that inspired this month's theme, Mikey Chu returns to unravel the secrets of The Empty Man directed by David Prior. The boys discuss how this film evolves from an urban legend to pure cosmic horror, as well as theorize on what actually happened. Thought + concentration + time = podcast!New episodes drop every Tuesday, subscribe so you don't miss out. Rate us 5 stars while you're at it! Next week, we uncover the mysteries behind The Empty Man. Enter The Phantom Zone to access all sorts of bonus goodies like our monthly side show "Watching the Watchlist", movie commentaries, and polls to help shape the podcast: https://patreon.com/spectercinemaHaunt Mikey on social media:LetterboxdYouTubeHaunt Garrett on social media:TikTokTwitterBlueskyInstagramLetterboxdYouTubeHaunt DeVaughn on social media:BlueskyTwitterTikTokInstagramLetterboxdYouTubeSpecter Cinema Club Original Theme by Andrey Kinnard
Feste Kameraperspektiven, eine Story voller Symbole und melancholisch-düstere Atmosphäre: Post Trauma spricht mit seiner gesamten Aura die Fans von klassischem Survival Horror an. Während es im Blockbuster-Segment eher in 3rd-Person-Action-Horror geht, ist es ausgerechnet die Indie-Szene, die dieses Subgenre am Leben erhält. Post Trauma wurde zu weiten Teilen von einer einzigen Person entwickelt, und reiht sich damit zu anderen vergleichbaren Titeln, wie Crow Country, Hollowbody oder Mute House. Damit sind die Erwartungen gesetzt - und sie werden schnell gebrochen, wie Micha, Benny und Björn feststellen: Denn im Gegensatz zu den großen Vorbildern Silent Hill und Resident Evil setzt Post Trauma vor allem auf Rätsel. Viele, viele Rätsel. Werden die Kämpfe gegen Monster damit zum unnötigen Ballast? Oder kommt dadurch die Atmosphäre und metaphorische Geschichte nur noch besser zur Geltung? Erfahrt mehr im Cast! Diese Folge ist eine Kooperation mit Ink Ribbon Radio, dem umfangreichsten Podcast über Horrorspiele im deutschsprachigen Raum. Das Projekt von Björn und Benny findet ihr hier: https://ink-ribbon-radio.letscast.fm
So, noch eine Straße hier, dann die neuen Bauernhäuser da und dort drüben kommt der Marktplatz hin - was soll das heißen: "Elisabeth Müller ist unglücklich mit dem Blick aus ihrem Haus?!" Der jüngere Jochen und Aufbaukönigin Géraldine kennen solche Probleme in all den unterschiedlichen Skalierungen, die uns Aufbauspiele bieten. Und um die soll es diesmal gehen, samt Sub-Genres und unseren Wünschen für die ein oder andere Weiterentwicklung. Wenn ihr demnächst in euren Aufbaustädten gemeinsam mit Géraldine durch die Straßen radeln könnt, wisst ihr wieso! Viel Spaß bei der Städteplanung, Jochen & Géraldine Wenn ihr uns unterstützen möchtet, schaut doch mal hier vorbei: https://www.gamespodcast.de/abo/ Timecodes: 00:00:00 - Einleitung 00:07:07 - Frühe Beispiele und Qualitätskriterien 00:17:39 - Subgenres, aktuelle Trends und Nachahmer 00:44:41 - Early Access, Seasons, persistente Städte, Militär, Story und Deko 01:19:05 - Setting, Erkundung aus der Ego-Perspektive, Wünsche ans Genre und Spiele, auf die wir uns freuen In dieser Sendung zu hören: Jochen Redinger & Géraldine Hohmann
Episode 4 of Cue the Commentary explores Tik Tok, highlighting some of the subgenres and trends that are garnering many views. The music used is “Four Way” by William Ross from the Free Music Archive (freemusicarchive.org), modified under a Creative Commons Attribution 4.0 International Public License.
Welcome, you depraved ghouls and ghost enthusiasts, to another episode of Sitting in the Dark—the podcast where we ask the truly vital horror questions, like, “Is this house cursed by restless spirits, or is it just what happens when unresolved trauma and black mold get into a knife fight?” This week, host Tommy Metz III is joined by fellow ghost provocateurs Pete Wright, Kynan Dias, and Kyle Olson to dig into haunted house horror—though not just your average “the walls are bleeding, but let's still stay the night” tales. No, we're talking haunted spaces—as in, Session 9, Ouija: Origin of Evil, and The Others—three films that prove the scariest thing in any building isn't the wallpaper peeling off the walls… it's the emotional wreckage you brought with you.Tommy kicks things off with a haunted homage to asbestos removal (yes, really), leading a deep dive into Brad Anderson's Session 9—the only film that will make you afraid of abandoned hospitals and David Caruso's dramatic whisper-acting. Then it's on to Mike Flanagan's miraculous studio rescue, Ouija: Origin of Evil—the rare horror prequel that's smarter than its brand deal, sharper than its title suggests, and way too good to be based on a board game. Finally, the gang closes the coffin lid on Alejandro Amenábar's The Others, Nicole Kidman's masterclass in weaponized repression, ghostly guilt, and why sunlight is overrated anyway.Along the way, expect critical mass levels of hot takes on ghost psychology, asbestos-based metaphors, PG-13 trauma horror, and why the real haunted house is sometimes the one you build inside your own mind. So pull the blackout curtains tight, polish your crucifixes, and maybe call your therapist—because tonight, we're not just sitting in the dark. We are the dark.Film SundriesThe List on LetterboxdWatch the movies discussed:Session 9: Apple • Amazon • LetterboxdOuija: Origin of Evil: Apple • Amazon • LetterboxdThe Others: Apple • Amazon • Letterboxd (00:00) - Welcome to Sitting in the Dark (07:32) - Do you LOVE Ghost Stories (10:02) - Thinking about Haunted House Tales (16:28) - Session 9 (24:20) - Mysterious Peanut Butter (26:04) - Session 9 (35:43) - Ouija: Origin of Evil (55:16) - The Others Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.
Sometimes when you podcast with the devil, it follows you home... We're discussing Ryan Coogler's southern gothic sensation Sinners, which happen to fall perfeclty into our theme this month. The boys discuss racial assimilation, black joy, Coogler's remix of vampire lore, and the power of music. This is a spoiler-filled discussion, so please do yourself a favor and see the film in theaters! New episodes drop every Tuesday, subscribe so you don't miss out. Rate us 5 stars while you're at it! Next week, we uncover the mysteries behind The Empty Man. Enter The Phantom Zone to access all sorts of bonus goodies like our monthly side show "Watching the Watchlist", movie commentaries, and polls to help shape the podcast: https://patreon.com/spectercinemaHaunt Garrett on social media:TikTokTwitterBlueskyInstagramLetterboxdYouTubeHaunt DeVaughn on social media:BlueskyTwitterTikTokInstagramLetterboxdYouTubeSpecter Cinema Club Original Theme by Andrey Kinnard
Try to keep your horniness in check as the boys discus Lifeforce directed by Tobe Hooper. We're talking Hooper's unique career, vampire lore, and how the government and military will never be more powerful than boners. Prepare for love on a level you've never felt before!New episodes drop every Tuesday, subscribe so you don't miss out. Rate us 5 stars while you're at it! Next week, we uncover the secrets of The Empty Man. Enter The Phantom Zone to access all sorts of bonus goodies like our monthly side show "Watching the Watchlist", movie commentaries, and polls to help shape the podcast: https://patreon.com/spectercinemaHaunt Garrett on social media:TikTokTwitterBlueskyInstagramLetterboxdYouTubeHaunt DeVaughn on social media:BlueskyTwitterTikTokInstagramLetterboxdYouTubeSpecter Cinema Club Original Theme by Andrey Kinnard
“There's something in the atmosphere that makes everything seem exaggerated.”Talking About Powell & Pressburger's 1947 film Black Narcissus with our guest, screenwriter James HandelIn this episode of Movies We Like, screenwriter James Handel joins hosts Andy Nelson and Pete Wright to discuss Michael Powell and Emeric Pressburger's 1947 masterpiece Black Narcissus, along with Handel's fascinating career writing genre-bending films like The Last Horror Movie, The Hoarder, and his latest psychological dramedy The Trouble with Jessica.From Philosophy to FilmBefore diving into Black Narcissus, Handel shares candid insights about his journey from philosophy student to screenwriter, starting with an unproduced vampire script and eventually leading to successful collaborations with directors Julian Richards and Matt Winn. He discusses how his background in philosophy influences his approach to moral dilemmas and character psychology in his screenplays, particularly evident in The Trouble with Jessica's darkly comic exploration of ethics and human nature.A Masterpiece of Psychological DramaThe conversation then turns to Black Narcissus, examining how Powell and Pressburger crafted this visually stunning psychological drama about Anglican nuns attempting to establish a convent in the Himalayas. The group discusses the film's groundbreaking technical achievements, with Jack Cardiff's Oscar-winning Technicolor cinematography bringing the entirely studio-shot production to vivid life. They explore how the film masterfully depicts the psychological deterioration of the nuns as they struggle with repressed desires, loss of faith, and the overwhelming power of their environment, all while maintaining a remarkable balance between expressionism and restraint.Black Narcissus remains a masterclass in psychological storytelling and visual craftsmanship, demonstrating how thoughtful restraint and artistic innovation can create an unforgettable cinematic experience. We thoroughly enjoyed diving deep into this classic with James Handel, whose own work carries forward the tradition of examining complex moral questions through compelling drama.Film SundriesWatch our conversation on YouTube!Watch this on Apple or Amazon, or find other places at LetterboxdScript OptionsTheatrical trailerOriginal Material Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.
3 targets on the Kill List, 3 podcasting boys just trying to make a living. The boys are joined by All-Star Specter Jay Krieger (Genre Haze, Safe Room Podcasts) to discuss the part domestic drama/part hitman thriller/part cult ritual/ film by Ben Wheatley. Over the top violence, dark comedy, and confronting the darkness within. Abracadabra!New episodes drop every Tuesday, subscribe so you don't miss out. Rate us 5 stars while you're at it! Next week, we're getting real horny in space talkin Lifeforce. Enter The Phantom Zone to access all sorts of bonus goodies like our monthly side show "Watching the Watchlist", movie commentaries, and polls to help shape the podcast: https://patreon.com/spectercinemaHaunt Jay on social media:BlueskySafe Room PodcastHaunt Garrett on social media:TikTokTwitterBlueskyInstagramLetterboxdYouTubeHaunt DeVaughn on social media:BlueskyTwitterTikTokInstagramLetterboxdYouTubeSpecter Cinema Club Original Theme by Andrey Kinnard
Send us a textIn Episode 195 of Book Talk, Etc., Tina and Hannah dive into the world of historical fiction and what defines the genre. We discuss our favorite historical fiction sub-genres, explore the historical settings we love, how often we reach for historical fiction, and what keeps us coming back to stories set in the past.If you enjoy our commercial-free podcast, please consider supporting us on Patreon! Your membership will give you access to our exclusive bonus episodes, including Niche Novels, Books We DNFed, and What's in the Mailbag! Plus, you'll receive invites to monthly events like Mood Reader Happy Hour and Bookstore Browsing, and a private Facebook group and Discord server where you can interact with other fans of the show... all for just $5 a month!If you prefer other shopping options, you can find today's books on Bookshop.org or Blackwell's. Purchasing through these links supports us with a small commission, at no extra cost to you.Loving LatelyElf - Glow Reviver Lip Oil (T)Kondo and Kezumi - Series (H)Community ReadWild Dark Shore (T+H)Book TalkCurrently Reading Episode - Season 7, Episode 3In Memoriam | Alice Winn10 Popular Historical Fiction Sub-Genres See What I Have Done | Sarah SchmidtCursed Bread | Sophie MackintoshThe Quiet Librarian | Allen EskinsHistorical Fiction Beyond WWIIClear | Carys Davies (T)The Inheritance | Trisha SakhlechaThe Witching Tide | Margaret Meyer (H)The Good People | Hannah KentThe Unexpected Diva | Tiffany L. Warren (T)Heaven & Earth Grocery Store | James McBride (H)Shelf AdditionsSupport the showLet's Connect... Email us at booktalketc@gmailBTE on YoutubeTina's TikTok , IG @tbretc YT @tbretcHannah's TikTok , IG @hanpickedbooksJonathan IG @infiltrate_jayPodcast IG @booktalketcRenee's Substack Newsletter , IG@Itsbooktalk
For nearly a century, horror films have told us a story—one of terror, of survival, of the inevitable confrontation between innocence and brutality. But there's one story, in particular, that has evolved in ways both subtle and seismic: the story of the Final Girl.It begins in the shadows, in the screams of Janet Leigh, in the wide, terror-stricken eyes of Jamie Lee Curtis. The Final Girl is the last one standing, the one who fights back, who outwits the killer, who survives. But survival is never just survival, is it? It's transformation.It's a reckoning. And it's a mirror reflecting the anxieties of the era.In this episode of Sitting in the Dark, Kyle Olson takes us on a journey—a journey that moves from the early days of horror's damsels-in-distress to the fierce, unrelenting heroines of the modern era. With Pete Wright, Tommy Metz III, and Kynan Dias by his side, the discussion turns to three films that redefine the trope for the 21st century: Prey (2022), Sweetheart (2019), and The Invisible Man (2020).What do these films tell us about the evolution of gender in horror? How does the Final Girl of today differ from her predecessors? And perhaps most intriguingly, why are these stories—stories written by men—resonating so deeply with audiences yearning for something different?From the jungles of Prey to the desolate island of Sweetheart to the omnipresent, unseen menace of The Invisible Man, this is an exploration of fear, of power, and of the ghosts that refuse to be ignored. Because in horror, as in life, survival is never just about making it to the end. It's about what you become along the way.Film SundriesWatch the movies discussed:Sweetheart: Apple • Amazon • LetterboxdThe Invisible Man: Apple • Amazon • LetterboxdPrey: Apple • Amazon • LetterboxdHer Body, Himself: Gender in the Slasher Film by Carol J. Clover (00:00) - Welcome to Sitting in the Dark (07:20) - Sweetheart (21:22) - Prey (42:38) - The Invisible Man (01:04:05) - Coming Attractions Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.
Worum geht's? 1990 erscheint mit F-Zero ein Launch-Titel für das brandneue Super Nintendo, der nicht nur als technisches Schaufenster für das neue Mode-7-Scrolling dient, sondern auch ein neues Subgenre im Rennspielbereich definiert: futuristische High-Speed-Rennen mit schwebenden Gleitern auf halsbrecherischen Strecken. Als Spieler steuert man eines von vier Fahrzeugen durch Loopings, Schikanen und Energiezonen – begleitet von einem ikonischen Soundtrack und minimalistischem, aber prägnantem Design. Gunnar und Fabian sprechen in dieser Folge über die Entstehung des Spiels, die Bedeutung für Nintendos 16-Bit-Start und wie F-Zero mit Tempo, Stil und Präzision den Grundstein für eine langlebige Serie legte. Infos zum Spiel: Thema: F-Zero Erscheinungstermin: November 21, 1990 (Japan), USA 1991, EU 1992 Plattform: SNES Entwickler: Nintendo EAD Publisher: Nintendo Genre: Rennspiel Designer: Takaya Imamura, Shigeru Miyamoto u.a. Music: Yumiko Kanki, Naoto Ishida Produktions-Credits: Sprecher, Redaktion: Fabian Käufer, Gunnar Lott Audioproduktion: Sascha Blach, Christian Schmidt Titelgrafik: Paul Schmidt Intro & Outro: Nino Kerl (Ansage); trash80.com (Musik)
Wir besprechen und reviewen darin ein aktuelles (Indie)-Spiel, einen Underdog oder ein übersehenes Kleinod und schauen uns an, in welchem Subgenre es sich bewegt. Welche Spiele führten zu diesen Mechaniken, was sind die Inspirationen und die "Verwandten", die den Weg hin zu diesem aktuellen Titel geebnet haben.
Talking About Michael Schaack's Felidae with our guests, Deaf Crocodile's Dennis Bartok and Craig RogersJoin us for a fascinating conversation with Dennis Bartok and Craig Rogers, co-founders of Deaf Crocodile Films, as we explore their journey in film restoration and distribution, culminating in their latest release—the 1994 German animated noir Felidae. From their early days working together at Cinelicious Pictures to launching Deaf Crocodile during the pandemic, these passionate film preservationists have rescued nearly 70 films from obscurity thus far.The heart of our discussion centers on Felidae, a dark animated detective story following Francis, a cat who moves to a new neighborhood only to find himself embroiled in a series of gruesome murders. The film, based on the first of Akif Pirinçci's novel series, pushes boundaries with its mature themes, graphic violence, and surprising commentary on eugenics. We dive deep into the challenging restoration process, including the race against time to preserve the deteriorating original negative, and the fascinating history of this ambitious international animation project that featured Boy George on its soundtrack.Beyond Felidae, Dennis and Craig share incredible stories about their other restorations, including the rediscovery of Solomon King, a lost 1974 black action film they found through its soundtrack album. They discuss their philosophy on film restoration, the challenges of securing rights to forgotten films, and their commitment to preserving cinema history while making these works accessible to modern audiences.This episode offers a rare glimpse into the world of film restoration and distribution, highlighting how passionate individuals are working to save important pieces of cinema history. Felidae stands as a prime example of their work—a unique, challenging animated film that deserves to be rediscovered by modern audiences, and we had a wonderful time discussing it with these dedicated film preservationists.Film SundriesCheck out Deaf Crocodile!Tune in to The Official Deaf Crocodile PodcastFind Deaf Crocodile on Instagram, Bluesky, and TwitterFind Dennis on IMDbListen to Pete's and Andy's conversation about Gangs of Wasseypur Part 1 and Part 2 on The Next Reel Film PodcastListen to Pete's and Andy's conversation about Dead Mountaineer's Hotel on The Next Reel Film PodcastListen to Pete's and Andy's conversation about Kin-Dza-Dza! on The Next Reel Film PodcastWatch our conversation on YouTube!Find other places to watch this at JustWatchScript OptionsTheatrical trailer (restoration version)Original MaterialLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.
Order up! get it whiles it's Hot!
This week on Horror Joy, Brian and Jeff traverse the eerie corridors of liminality in horror. They kick off with a deep dive into the Apple TV series Severance, exploring how its portrayal of work-life separation raises existential and psychological questions. Is it a thriller, or horror? Moving forward, they venture into the unsettling realm of analog horror, with a focus on YouTube creators like Kane Pixels and Alex Kister.Join us as we travel deeper in the backrooms of liminal horror and the analog threat:·We'll discuss how liminality works in Gothic literature·We'll analyze what Severance tells us about the value of labor and the role that religious language plays in the trust/fear/disgust of corporate overlords·We'll question how authenticity is found in the gritty videos of analog horror and the terror of a found footage retelling of Biblical stories·We'll find joy in the mystery box of Severance and the labor of love of analog horrorFrom grainy VHS aesthetics to biblical retellings, they examine how these themes distort reality and evoke a primal fear of the unknown. Join them in exploring the blurred lines of identity, the nature of labor, and the unsettling nostalgia of analog media.SeveranceKiller tapes and Shattered Screens by Caetlin Benson-AllotThe BackroomsThe Mandela CatalogExploring Liminal Spaces in Gothic Literature: The Role of Transition andBoundary in Frankenstein, Dracula, and the Works of Edgar Allan Poe by Mariyam FarzandArts of Wonder by Jeffrey L. Kosky “What Is Analog Horror? The Subgenre of 'Skinamarink' Explained.” By Samuel Williamson. Collider. 7 Feb. 2023The Ritual Process by Victor TurnerWalter BenjaminAlienation in laborLimbo 00:00-02:18 Hosts Introduction and Episode Overview02:19 Deep Dive into Severance03:52 Liminality in Gothic Literature05:27 Severance: Themes and Analysis07:12 The Horror of Modern Workspaces16:23 Rituals and Symbolism in Severance24:51 Helly R's Role and Corporate Religion27:30 Exploring the Horrors of Severance28:40 The Liminality in Severance and Analog Horror30:45 Analog Horror: A Dive into the Genre35:08 The Mandela Catalog and Biblical Narratives37:28 Medieval Drama and Modern Analog Horror47:23 Finding Joy in Horror52:09 Conclusion and Final Thoughts
“I thought I saw a specter at your shoulder.”Ian Seabrook, acclaimed underwater cinematographer behind upcoming Last Breath and next year's live-action Moana, joins us to dive deep into the 1965 James Bond classic Thunderball. With decades of experience filming beneath the waves, including recent work on Indiana Jones and the Dial of Destiny, Old, and Jungle Cruise, Seabrook shares fascinating insights about his journey from amateur underwater photographer to Hollywood cinematographer, and why Thunderball remains such an influential film in his career.From the groundbreaking 10-minute underwater battle sequence to the technological innovations that made filming underwater possible in the 1960s, we explore how Thunderball pushed the boundaries of what could be achieved on camera beneath the waves. Seabrook offers unique perspective on how underwater filming has evolved from the days of pure practical effects to modern CGI, while discussing his work on recent films like Last Breath and the vital importance of creating safe, comfortable environments for actors working underwater. The conversation spans everything from early influences like National Geographic magazines to legendary underwater filmmaker Ricou Browning (who directed Thunderball's underwater sequences and famously played the Creature in Creature from the Black Lagoon) to the challenges of directing actors underwater and building trust with performers who may be facing their fears in an unfamiliar environment.Whether you're a James Bond fan or simply interested in the craft of filmmaking, this discussion illuminates why Thunderball remains a landmark achievement in underwater cinematography. Ian's passion for his craft and deep knowledge of both the technical and artistic aspects of underwater filming made for an engaging conversation about this classic film that helped establish underwater action sequences in modern cinema.LinksFind Ian on his website, on IMDb, or on InstagramWatch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerOriginal Material and on AudibleLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.
Welcome to Sitting in the Dark, the podcast that illuminates the shadowy corners of horror cinema. This month, your host, Kynan Dias, and a coven of his most insightful monster aficionados – Pete Wright, Kyle Olson, and Tommy Metz III – go under the sheets into a chillingly erotic realm: the intersection of horror and sex.Now, we're not talking about the gratuitous, the exploitative. No, this is a deeper dive, a plunge into the murky waters where fear and desire intertwine. Think of it as the uncanny valley of emotion – that unsettling space where repulsion and attraction collide.Our cinematic subjects? A trio of films that span decades and genres, each offering a unique perspective on this monstrous ménage à trois. First, we confront the hallucinatory, emotionally raw world of Andrzej Żuławski's Possession. Isabelle Adjani's Cannes-winning performance anchors this psychosexual nightmare, a film that pushes the boundaries of body horror and marital breakdown. Prepare for tentacles. Prepare for existential dread. Prepare to question everything you thought you knew about love and divorce.Next, we shapeshift into Mike Nichols' Wolf, a film that explores the beast within. Jack Nicholson's transformation from corporate drone to lycanthrope becomes a metaphor for unleashed primal instincts.Finally, we sink our teeth into Karen Kusama's Jennifer's Body. This darkly comedic horror-satire tackles the complexities of female desire and monstrous appetites. Megan Fox, as the titular Jennifer, embodies the seductive power of the demonic feminine, a force that both allures and devours.Film SundriesPossession: Apple • Amazon • JustWatchWolf: Apple • Amazon • JustWatchJennifer's Body: Apple • Amazon • JustWatch (00:00) - Welcome to Sitting in the Dark (03:22) - Sexy, Sexy Monsters (07:22) - Possession (26:04) - Wolf (47:59) - Jennifer's Body (01:11:54) - Coming Attractions: Last Woman Standing Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.
Enigmatic whispers in the Oregon woods. A father's love, twisted and gnarled. This isn't your grandmother's werewolf story. Because she probably killed the wolf and made his pelt into a coat, AmIRight?Pete, Tommy, and Steve venture into the shadowy heart of Leigh Whannell's Wolfman, a film that dares to ask: what if the monster within isn't just fur and fangs, but the inherited burden of family, the gnawing anxieties of parenthood, and the terrifying erosion of self? Forget silver bullets and full moons. This is a descent into the primal, a claustrophobic exploration of generational trauma played out in a remote farmhouse, where the walls close in as quickly as the darkness.And yet, the crew wrestles with the film's unrealized potential on almost every point, the tantalizing promise of thematic depth ultimately yielding to a sense of hollowness. So, is it a poignant meditation on the fragility of connection? Or a missed opportunity?Ok, it's mostly the second one. Mostly. Listen in to learn just how much, though!Film SundriesWatch this on Apple or find other places at JustWatchTheatrical trailerLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsMovies We LikeThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdFlickchartCheck out poster artwork for movies we've discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.
Stephen, Jake & Ryan enter the arena to definitively decide if sci-fi, epic fantasy or grimdark has the best characters! Which genre do you support? Next Up: Hyperion by Dan Simmons Check us out on YouTube: https://youtube.com/c/FantologyPodcast Chat with us more and support in the links below https://www.fantologybooks.com https://discordapp.com/invite/k5efNbG https://www.patreon.com/fantology_books http://www.audibletrial.com/Fantology https://www.redbubble.com/people/fantology/shop Music Credit: Nathan Towns, see more at https://nathantownscomposer.com/
Talking About Inglourious Basterds with our guest, cinematographer Shane HurlbutIn this engaging episode of Movies We Like, acclaimed cinematographer Shane Hurlbut joins hosts Andy Nelson and Pete Wright to discuss Quentin Tarantino's masterpiece Inglourious Basterds and share fascinating stories from his illustrious career behind the camera. From his humble beginnings on a farm in upstate New York to becoming one of Hollywood's most innovative cinematographers, Hurlbut's journey is filled with determination, creativity, and a fearless approach to his craft.The conversation delves deep into what makes Inglourious Basterds a cinematographic triumph, with Hurlbut breaking down the brilliant work of Robert Richardson and how the film's visual style enhances its storytelling. He discusses the importance of tension-building in Tarantino's work, the strategic use of lighting, and how the film's iconic scenes were crafted to maximize dramatic impact. The discussion also explores the significance of color, particularly the use of red throughout the film, and how it ties into the narrative themes.Hurlbut shares incredible behind-the-scenes stories from his own career, including his innovative work on films like Drumline, Terminator Salvation, and The Babysitter. He details how he overcame challenging shooting conditions, developed creative solutions to technical problems, and established strong collaborative relationships with directors like McG and Charles Stone III. His anecdotes about transforming limited resources into cinematic gold provide valuable insights into the art of cinematography.Inglourious Basterds stands as a testament to the power of masterful filmmaking, where every technical element serves the story's emotional core. Our conversation with Shane Hurlbut not only illuminated the brilliant craftsmanship behind this modern classic but also demonstrated how passion, innovation, and fearless creativity continue to push the boundaries of cinematic storytelling.Film SundriesFind Shane on his website, Facebook, Instagram, and IMDbLearn more about Filmmakers Academy on their YouTube channelWatch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.
What makes a single movie become a phenomenon? What is it about certain films—films that arrive in theaters, scare the daylights out of us, and then stay with us—that transforms them into franchises spanning decades? Why does one horror film birth sequels, spin-offs, reboots, and even TV shows, while others fade quietly into obscurity?Picture this: a young boy receives a doll for his birthday, only to discover it's inhabited by the spirit of a serial killer. Elsewhere, a teenager falls asleep, only to find herself hunted by a burned man in a striped sweater who kills through dreams. And, in another corner of horror lore, a puzzle box opens the doors to a realm of sadistic creatures who blur the line between pleasure and pain. These, taken on their own, sound mostly ridiculous.Child's Play, A Nightmare on Elm Street, and Hellraiser. These three films became more than just singular stories—they evolved into worlds. Worlds filled with iconic characters like Chucky, Freddy Krueger, and Pinhead, names that transcend the genre to become part of pop culture itself. But how?Why do some horror films captivate us so deeply that we want to revisit their worlds, again and again? Why do we keep coming back to the dolls, the dream-demons, and the interdimensional sadists? Unforgettable villains? Unique and terrifying concepts? Marketing? Or is it something deeper—something they reflect about us, about our society, about our fears?Today, we're going to explore this question by diving into these three legendary horror films as we take on First Frights this month on Sitting in the Dark with Pete Wright, Kynan Dias, Kyle Olson, and Tommy Metz III. (00:00) - Welcome to Sitting in the Dark (04:39) - First Frights (08:05) - A Nightmare on Elm Street (26:20) - Hellraiser (46:59) - Child's Play (01:06:28) - Coming Attractions: Sexy, Sexy Monsters! Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.
Is Amazon's $250 million Christmas blockbuster Red One a fresh take on holiday magic, or a cynical cash grab? Join Pete and guest Matthew Fox as they unwrap this action-packed holiday film starring Dwayne "The Rock" Johnson and Chris Evans. From buff Santas to beach-fighting snowmen, this episode explores how Hollywood's attempt to "Marvelize" Christmas might have missed the spirit of the season.Did Red One forget what makes Christmas special? We dive deep into how the movie's attempt to universalize Santa Claus across all cultures reveals a concerning lack of cultural awareness. The hosts explore why forcing Christmas onto everyone – including those who don't celebrate it – feels particularly tone-deaf in our current social climate.What happens when you mix Marvel-style action with holiday mythology? We examine how J.K. Simmons' surprisingly buff Santa and the movie's fresh take on Krampus reshape traditional Christmas lore. The discussion weighs whether these creative choices enhance or diminish the heart of Christmas storytelling.This episode brought to you by:LevelUp LightsaberAudible Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsMovies We LikeThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdFlickchartCheck out poster artwork for movies we've discussed on our Pinterest pagePeteJJOceanSteveTommyAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.
This week, Gare, Steph and I chose our own genres to pick books from, and tried to guess what each other picked based on our choices! Listen and you can play along with us!Kate's PicksThe PredictionFatal IntrusionDead MoneySteph's PicksA Step Past DarknessJane DoeThe Mindfuck SeriesGare's PicksThe Girls Are All So Nice HereTell Me EverythingOnly If You're Lucky
Im März 1933 erschien mit „The Tower of the Elephant“ eine der beliebtesten Erzählungen aus dem Bereich der „Sword and Sorcery“, jenem Subgenre der Fantasyliteratur, in welchem schwertschwingende Helden (und Antihelden) spannende Abenteuer in einer Welt voller Magie (ja), Gewalt (oft) und Exotik (meistens) erleben. Im Gegensatz zur High Fantasy wird dieses Subgenre gerne als „minderwertig“ betrachtet, was der Sache aber nicht gerecht wird, wie ich finde. Natürlich geht es hier weniger um komplexe Intrigen und weltverändernde Geschehnisse, sondern eher um die persönlichen Kämpfe und Abenteuer eines Protagonisten.
In this final Halloween-themed episode of Screams in Focus, hosts Diana and Renee dive into their favorite horror TV shows and movies. Starting with the hot series From and the iconic The Walking Dead, they discuss how zombie horror became mainstream and why it's one of their favorite subgenres. They also explore classics like Halloween and Night of the Living Dead and modern hits like Stranger Things, Fear Street, and A Quiet Place: Day One. Diana and Renee share personal anecdotes, talk about trends in the horror genre including major actors in horror roles, and family-friendly options like Ghostbusters. Diana and Renee also chat about The Servant, I Am Legend, and comedy horror favorites like Shaun of the Dead. Plus, they offer fresh horror recommendations and reflect on how the genre has evolved emotionally and culturally. Check out earlier episodes for more spooky insights! Chapters & Timestamps: 00:00 – Introduction to Screams in Focus 02:10 – TV Series That Keep Us Hooked (From and The Walking Dead) 08:21 – Diving into Horror Movies 16:13 – The Walking Dead and Zombie Phenomenon 21:48 – Horror Movie Inspirations and Spin-offs 22:33 – Classic Horror Films and Their Impact 23:29 – Zombie Movies: World War Z to Train to Busan 24:05 – Comedy Horror: Shaun of the Dead and More 24:57 – Family-Friendly Horror Films 26:45 – Least Favorite Horror Films 30:48 – Screaming Moments in Horror 36:08 – Fresh Screen Segment: Latest TV and Movies 38:31 – Final Thoughts and Farewell Renee Hansen: https://linktr.ee/renee.hansen Follow and subscribe to Screens in Focus. Website: www.screensinfocus.com Email: screensinfocus@gmail.com X https://x.com/screensinfocus Instagram: https://www.instagram.com/screensinfocuspodcast/ Facebook: https://www.facebook.com/screensinfocus Feedback and TV/Movie Recommendations: Google voice (669) 223-8542 Free background music from JewelBeat.com: www.jewelbeat.com
Throwback Trivia Question
Throwback Trivia Answer
K-pop has taken the world by storm in the last decade, but you may not have heard of K hip-hop, a subgenre that is stacking up millions of streams.
In this episode, Bill and Chris discuss analog horror, a subgenre of horror fiction that originated online in the late 2000s and early 2010s. They review various web series and YouTube channels that fall under the analog horror genre, including Arcadia TV, CH/SS, Channel 7 Restored, FNAF VHS, Winter of 83, Where the Fuck Are We?, and Marble Hornets. They highlight the unique storytelling techniques and themes explored in each series, such as parallel dimensions, mental health, extraterrestrials, and alternate history. In this part of the conversation, Prof. Christopher Bricklemyer and Bill discuss various examples of analog horror, including Marble Hornets, Local 58, Gemini Home Entertainment, and more. They touch on the use of bad lighting and loud noises in Marble Hornets, the slow pacing of some analog horror series, and the importance of creating an authentic VHS aesthetic. They also mention other analog horror series like The Real, Murohai, and Godzilla-based ones. The conversation highlights the diverse range of storytelling and artistic styles within the analog horror genre. The conversation covers various analog horror series and movies, with a focus on their unique storytelling and immersive experiences. The discussion includes recommendations for specific series and creators, such as Monument Mythos, Surreal Broadcast, CHSS, FNAF VHS, Winter of 83 Eventide Media Center, Midwest Angelica, Local 58, The Mandela Catalog, The Tangy Virus, Omega Mart, Vita Carnis, The Oldest View, The Back Rooms, and Greylock. The hosts also reminisce about past episodes and segments, including a tribute to the late Robert Loggia.
The monsters are no longer in the closet! This week, Peaches and Michael dig into a “fearz” subgenre that's near and dear to their hearts – QUEER HORROR! In addition to discussing how they've watched the cultural conversation around LGBTQIA+ representation in genre shift in real time, our hosts delve into the very real catharsis fright cinema provides for those who have faced the true horrors of society. Joining the conversation is acclaimed author Dr. Heather O. Petrocelli, whose life work has led to the definitive empirical study that links queer spectator ship and the horror genre. Then, celebrated author and playwright Sean Abley stops by to discuss penning one of the first “out” columns in Fangoria, as well as his years in the making work on a true encyclopedia of Queer Horror films. From Clive Barker's bloodletting to the trans male fascination with werewolves and beyond, this episode has it all! GO!
This month join Maddie, Rachel A, and Stefanie as they discuss the subgenres of Mystery. They hit on Noir, Cozy, Paranormal, and Thriller, and talk about books with twists you won't see coming.
Welcome to the Boomcast. Episode #22 is the first in an ongoing series called MOVIE SUBGENRE, in which fellow cinephile BEN LEWANDOWSKI and myself examine similarly themed films. Today we list our TOP 10 HIJACKING FILMS! This show will have you flying high! I know that was bad but it had to be done. The act of hijacking a plane has always made for great action/drama in cinema and Ben and I look back at some of our favorites. Enjoy!
Fun With Dumb Ep #284: All the way from Sydney Australia, we're joined by Audiophile/Radio Host/DJ/Content Creator Derrick Gee as we talk about the coining sub-genres, finding music gems, and the business of Kpop. Thank You To Our Sponsor Zocdoc: https://www.zocdoc.com/dumb Join Our Patreon: https://patreon.com/funwithdumb Business Inquiries: dfd@dumbfoundead.com More FWD: https://linktr.ee/funwithdumb Hosted By Jonnie "Dumbfoundead" Park Dumbfoundead: @dumbfoundead https://www.instagram.com/dumbfoundead Follow Rek: https://www.instagram.com/rekstizzy Follow Derrick Gee: https://www.instagram.com/gee_derrick/ Intro Animation by: @yeetheeast Intro Song by: @sweater_beats Fun With Dumb Producers: Jonnie "Dumbfoundead" Park Dave Wu Alex the Intern Special Thanks to Our Patreon Family Members: Jessica A Walker Justin S Andrew Y Jason Y Allen L Julio Obvious Lee Chris M Davis Learn more about your ad choices. Visit megaphone.fm/adchoices