brand of antiseptic and cleaning supplies
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2 episodes with Dettol
3 episodes with Dettol
2 episodes with Dettol
2 episodes with Dettol
2 episodes with Dettol
Send us a textLovdev forgets he's meant to be doing a show in Manchester, reflects on how even the garden fights back, and talks about his long-standing love affair with century-old antiseptic Dettol. He asks why all pyramids look the same, shares a spooky attic story that had someone running for their life, and wonders—have you ever kept up an accent for way too long? Today's weird news comes all the way from India! Support the show
The Dettol Northern League heads into Round 7 with a full slate of matches taking place across the northern regions of the North Island - including Northland, Auckland, Waikato, and the Bay of Plenty. Former All White and football commentator Chris Milicich joined D'Arcy Waldegrave to preview all the upcoming action. LISTEN ABOVE See omnystudio.com/listener for privacy information.
Guest Suggestion Form: https://forms.gle/bnaeY3FpoFU9ZjA47Disclaimer: This video is intended solely for educational purposes and opinions shared by the guest are her personal views. We do not intent to defame or harm any person/ brand/ product/ country/ profession mentioned in the video. Our goal is to provide information to help audience make informed choices.Order 'Build, Don't Talk' (in English) here: https://amzn.eu/d/eCfijRuOrder 'Build Don't Talk' (in Hindi) here: https://amzn.eu/d/4wZISO0Follow Our Whatsapp Channel: https://www.whatsapp.com/channel/0029VaokF5x0bIdi3Qn9ef2JSubscribe To Our Other YouTube Channels:-https://www.youtube.com/@rajshamaniclipshttps://www.youtube.com/@RajShamani.ShortsTimestamps(00:00) - Intro(02:15) - Misconceptions About Sensitive Skin(04:46) - How to Treat Sensitive Skin & Triggers(06:44) - Sunlight Effects on Skin: Tan vs. Burn(08:25) - North vs. South Skin Problems(09:34) - Genetic Factors in Skin Health(12:02) - Fairness Obsession(22:40) - Best Time to Get Sunlight(25:13) - Long-Term Damage from Sunlight(26:12) - How AC Affects Your Skin(27:25) - Hard Water & Dead Sea Bath Water (33:10) - Skincare Routine for Different Weather(35:50) - Best Moisturizers for Skin(38:34) - Ingredients to Avoid(44:21) - Brain-Nerve Link to Sensitive Skin(45:27) - Ingredients You Shouldn't Use Without Medical Advice(48:20) - Skincare Trends to Avoid(55:47) - Why Sensitive Skin Is Misdiagnosed(56:40) - How to Treat Sensitive Skin(57:32) - Best Ways to Treat Blackheads(58:54) - Skin Damage from Daily Makeup Application(1:00:51) - How to Identify Healthy Skin(1:05:40) - Drinking Water for Glowing Skin(1:08:14) - Important Facts About Skin(1:10:23) - Dos and Don'ts for Sensitive Skin(1:12:40) - Behind the Scenes(1:13:28) - OutroIn our first episode of our special series with sensitive skin expert Cetaphil we have Dr. Manjot Marwah, a renowned dermatologist and hair transplant surgeon, break down the most common misconceptions about skincare, especially for sensitive skin.. She also addresses India's fairness obsession, warning against the misuse of steroids for instant results, which can cause long-term damage.In this episode, Dr Marwah dives into skincare fundamentals and why skincare routines should change with the seasons, the importance of sunscreen, and the truth behind popular trends like clean beauty, retinoids, and sheet masks. Shr debunks myths around alcohol and parabens in skincare, explains why homemade masks can disrupt the skin's pH balance, and discusses the real impact of makeup on skin health. She also shares insights on how water quality, air conditioning, and diet affect skin, emphasizing the need for proper hydration and moisturization.Dr. Marwah also highlights the dangers of skincare fads, from using Dettol in bath water to over-experimenting with products. Whether it's avoiding smoking and alcohol or simply using the right moisturizers, small habits can slow aging and maintain healthy skin. Subscribe for more episodes!Follow Dr. Manjot Marwah Here:Instagram: https://www.instagram.com/dr.manjot_md/Follow Cetaphil Here: Instagram : https://www.instagram.com/cetaphil_india/YouTube: www.youtube.com/@UCLyDt3WdxLnnzElXQiv2vVw LinkedIn: https://www.linkedin.com/company/cetaphilskincare/To Know More,Follow Raj Shamani On ⤵︎Instagram @RajShamanihttps://www.instagram.com/rajshamani/Twitter @RajShamanihttps://twitter.com/rajshamaniFacebook @ShamaniRajhttps://www.facebook.com/shamanirajLinkedIn - Raj Shamanihttps://www.linkedin.com/in/rajshamani/#Podcast #FiguringOut #RajShamani #skincare #skincareroutine About Figuring OutFiguring Out Podcast is a Candid Conversations University where Raj Shamani brings raw conversations with the Top 1% in India.
In today's episode, join me as I dive into the latest fragrance release from Dior, 'Jador' l'OR Alongside this, I'll share insights into other beauty products that have been staples in my regimen over the years. Stay tuned until the end for a spine-tingling beauty-related story sourced straight from Reddit. Don't miss out! Join me as i discuss: 0:05 Intro0:25 Jadore L'Or by Dior2:17 Dettol body wash 4:45 Clean Skin Club Clean² Pads 2.0 5:19 Reddit story- My Skin is Cracking and burning 7:00 My thoughts about the reddit story8:30 Eyeshadow i used for this episode 9:00 End Highlighted Products on ShopMy:1 Dior Jadore L'OR Parfum2 Dettol antibacterial body wash3 Skin clean Face Pads Send me a textSupport the showLets stay connectedDon't forget to rate, subscribe, and review the podcast. Share your thoughts by tagging @wellnykbybella #wellnykpodcast #wellnykbybella #wellnyk Watch me on Youtube: https://www.youtube.com/@Wellnykbella Shop my favorite products and podcast discounts on https://shopmy.us/bella. Connect with me on Instagram @ wellnykbybella.Hosted on Buzzsprout. See https://www.buzzsprout.com/privacy for more information
In this episode, Anita is joined by Bruce Charlesworth, the Chief Medical Officer at Reckitt. Bruce shares his fascinating career journey, starting from his early days as an anaesthesiologist to his leadership roles in healthcare. He talks about how his unique experiences and entrepreneurship helped him transition into the pharmaceutical and medical device industries, working for major companies like AstraZeneca, Pfizer, and now Reckitt. Bruce discusses his commitment to innovation at Reckitt, especially during the challenges of the COVID-19 pandemic and his role in managing claims for well-known brands like Gaviscon and Dettol. Be sure to like and subscribe for more insightful conversations with industry leaders.
Once again the Old Fellas get painted in gold, 007-style. The Attricks recycle a Grammy or three, Mr Analovski gets named Contortionist of the Week, and Jerry's butt transfigurates into the 5th Dimension! Someone! Dettol!
In their recently released earnings report, Reckitt Benckiser Group presented data which suggested a stable financial performance amidst challenging market conditions. CEO Kris Licht emphasized during the earnings call, that from his view, "we are not seeing any wider impact on the equity of our nutrition brands from this litigation." This statement provided clear insight into the company dynamics at the start of 2024, with the company reportedly maintaining its forward momentum despite external pressures.The Group's financial performance was marked by a 1.5% like-for-like net revenue growth, reinforcing its apparent financial steadiness. The company articulated its approach to sustaining competitiveness through innovation as a key driver, with offerings such as products within the Finish line, Lysol laundry sanitizer, Lysol Air Sanitizer, and innovations in intimate wellness including the Durex Invisible. These products were cited as significant contributors to the company's growth. Licht further highlighted the company's strategic adaptability in his remark, "Sometimes we find that we are not competitive enough, and then we will make adjustments. And that's sort of the nature of competition in that space."Analysing the overview provided by Reckitt Benckiser Group, it becomes noticeable that the company has been able to comprehend consumer preferences effectively. Their power brands like Dettol, Lysol, Durex, and Finish have reportedly seen volume growth, indicating consumers' trust in their quality. Furthermore, the company's strategy outlined on the earnings call indicated plans for continued investments to support growth, with a particular focus on OTC franchise, Intimate Wellness, and Finish. Also, the company acknowledged that there will be increased efforts directed towards enhancing the resilience and agility of its supply chain.In consideration of the information provided on the earnings call, Reckitt Benckiser's financial performance in Q1 2024 appears to be characterized by a consistent growth approach and strategic foresight. The company seems to be maintaining a focus on innovation, understanding consumer trends, and implementing strategic initiatives. However, it is essential to note that external factors and market dynamics exert influence on outcomes and so the current positive outlook should be tempered with a degree of caution as the business environment continues to evolve. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.theprompt.email
SUKHLEEN ANEJA | CHIEF EXECUTIVE OFFICER OF THE GOOD GLAMM GROUP Passionate business builder leading Good Glamm Brand and a Purpose Driven Business leader with a passion for consumer marketing, Sukhleen has an extensive experience managing diverse businesses across FTSE Top 10 and Fortune 100 companies - Unilever, L'Oreal and RB Sh has a Strong track record of performance by creating category growth platforms, brand campaigns focused on driving behavior change, building high performance teams and creating Innovation funnels both upstream and downstream on iconic Global Power brands like Dettol, Garnier, Durex and Lakme. She has been the Economic Times ‘40 Under 40' Top Professionals list in India and Impact Top 50 most influential women in businessAmongst many others.
Interviews with pioneers in business and social impact - Business Fights Poverty Spotlight
Meet Social Impact Pioneer - Hamzah Sarwar as he shares the challenges of combining personal and business purpose. Hamzah takes us on his personal journey, exploring the challenges of trying to create social good, whilst providing for his family. Hamzah is now the Global Social Impact and Partnerships Director at Reckitt, who are a global health, hygiene, and nutrition business, with a presence in over 45 countries and a portfolio including household names such as: Dettol, Harpic, Strepsils, Nurofen, Lemsip, and Durex. Today Hamzah's role extends beyond mere business operations to cultivating meaningful societal change. His journey, however, isn't just a story of open doors and opportunities. It's a tale of passion, resilience, and commitment to social innovation. With over 13 years of cross-functional leadership in marketing, insights & evaluation, brand purpose, and social impact, Hamzah is a living testament to the power of aligning corporate strategies with societal needs. Our conversation centres on the essence of corporate and personal purpose. We delve into how these concepts can drive a business forward and also create a tangible impact in the world. Hamzah, an award-winning practitioner, is celebrated by the Schwab Foundation for Social Entrepreneurship and the World Economic Forum as one of the top global social innovators. His accolades include being a finalist in the Corporate Social Intrapreneur award for 2024, a Global Fellowship at the League of Intrapreneurs, a One Young World ambassador, and a member of the BMW Foundation responsible leaders' network. Get ready for a practical conversation on how to realise your own personal purpose and a pick-me-up on empowerment. One person can make a difference…and Hamzah humbly explains how. Links: DRUM, Reckitt's Hamzah Sarwar explores the innovation behind winning an award for community engagement: https://www.thedrum.com/tv/video/reckitts-hamzah-sarwar-explores-the-innovation-behind-winning-an-award-for-community-engagement Reckitt and social impact: https://reckitt.com/our-stories/2023/better-lives-for-8-million-people-our-biggest-impact-ever/ Reckitt, Fight For Access social impact investment fund: https://reckitt.com/our-impact/fairer-society/fight-for-access-fund/ Reckitt, WINFund: https://reckitt.com/media-landing/press-releases/2023/increasing-access-to-healthcare-and-climate-finance/ Reckitt, Dettol, The Hygiene Quest: https://www.dettol.com.au/hygiene-quest/ One Young World: https://www.oneyoungworld.com League of Intrapreneurs: https://www.leagueofintrapreneurs.com WEF, 10 Million Social Enterprises, 2024: https://www.weforum.org/agenda/2024/01/10-million-reasons-for-the-private-sector-to-invest-in-social-enterprise/ Kate Raworth, Donut economics: https://www.kateraworth.com/doughnut/
Now we have your attention, you dirty bastard, come check out the preview where we're all in pain and have used plenty of Dettol... To wash away the pain of how rubbish we are. Not other reasons...
In this new CHUNKEY Bitesize version with the powers of Mystic Meg we will be asking Does snow last as long as it used to, and what do you feed birds with now that they've stopped putting rind on bacon. In the show – 50s food, Greggs steak n bake, Dr Wolves, Rupert Murdock, Dettol, ABBA, Steph's Packed lunch, competitions, Joyce, charities and a whole lot more. https://t.co/Db2LfYZTHB Twitter: @MikeKellyDisco Ko-fi: ko-fi.com/mikedjkelly mike.djkelly@gmail.com
Welcome back to this season of SheepDip - themed Workplace Wellness.With a different expert on each show, you will be inspired by their insights and walk away with practical advice on how to create a healthy, sustainable culture for teams to thrive.Our second guest is Flick Wileman, Global Wellbeing & Engagement Lead at Reckitt, which pursues a cleaner, healthier world through brands such as as Dettol, Durex and Nurofen.Hear Flick's incredible journey from a fascinating, and different, childhood, through quitting university after 6 months to a senior global role at a household name company employing over 40,000 people.Flick's passion for equality, diversity and inclusion comes through loud and clear throughout the interview and she shares truly practical advice on steps to take for your teams' wellbeing. Purpose is central to all of Flick's strategies. And, it all starts, every time, with WHY. She may have left her first degree course within the first year, but she is now somehow studying, in her own time and through self investment, a BSc in Business Psychology. She runs to feed her body and mind, since she listens to a podcast whilst doing so.
Hi, thanks for stopping by! You're listening to #TheBarbershopWithShantanuS2: #RaisersEdge. In today's episode, we have a one-on-one conversation, just like Season 1, with Arjun Purkayastha. Here's a little about who Arjun is SVP at Reckitt. In a dual role:
Episode 160 of A History of Rock Music in Five Hundred Songs looks at “Flowers in the Rain" by the Move, their transition into ELO, and the career of Roy Wood. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-minute bonus episode available, on "The Chipmunk Song" by Canned Heat. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Note I say "And on its first broadcast, as George Martin's theme tune for the new station faded, Tony Blackburn reached for a record." -- I should point out that after Martin's theme fades, Blackburn talks over a brief snatch of a piece by Johnny Dankworth. Resources As so many of the episodes recently have had no Mixcloud due to the number of songs by one artist, I've decided to start splitting the mixes of the recordings excerpted in the podcasts into two parts. Here's part one . I had problems uploading part two, but will attempt to get that up shortly. There are not many books about Roy Wood, and I referred to both of the two that seem to exist -- this biography by John van der Kiste, and this album guide by James R Turner. I also referred to this biography of Jeff Lynne by van der Kiste, The Electric Light Orchestra Story by Bev Bevan, and Mr Big by Don Arden with Mick Wall. Most of the more comprehensive compilations of the Move's material are out of print, but this single-CD-plus-DVD anthology is the best compilation that's in print. This is the one collection of Wood's solo and Wizzard hits that seems currently in print, and for those who want to investigate further, this cheap box set has the last Move album, the first ELO album, the first Wizzard album, Wood's solo Boulders, and a later Wood solo album, for the price of a single CD. Transcript Before I start, a brief note. This episode deals with organised crime, and so contains some mild descriptions of violence, and also has some mention of mental illness and drug use, though not much of any of those things. And it's probably also important to warn people that towards the end there's some Christmas music, including excerpts of a song that is inescapable at this time of year in the UK, so those who work in retail environments and the like may want to listen to this later, at a point when they're not totally sick of hearing Christmas records. Most of the time, the identity of the party in government doesn't make that much of a difference to people's everyday lives. At least in Britain, there tends to be a consensus ideology within the limits of which governments of both main parties tend to work. They will make a difference at the margins, and be more or less competent, and more or less conservative or left-wing, more or less liberal or authoritarian, but life will, broadly speaking, continue along much as before for most people. Some will be a little better or worse off, but in general steering the ship of state is a matter of a lot of tiny incremental changes, not of sudden u-turns. But there have been a handful of governments that have made big, noticeable, changes to the structure of society, reforms that for better or worse affect the lives of every person in the country. Since the end of the Second World War there have been two UK governments that made economic changes of this nature. The Labour government under Clement Atlee which came into power in 1945, and which dramatically expanded the welfare state, introduced the National Health Service, and nationalised huge swathes of major industries, created the post-war social democratic consensus which would be kept to with only minor changes by successive governments of both major parties for decades. The next government to make changes to the economy of such a radical nature was the Conservative government which came to power under Margaret Thatcher in 1979, which started the process of unravelling that social democratic consensus and replacing it with a far more hypercapitalist economic paradigm, which would last for the next several decades. It's entirely possible that the current Conservative government, in leaving the EU, has made a similarly huge change, but we won't know that until we have enough distance from the event to know what long-term changes it's caused. Those are economic changes. Arguably at least as impactful was the Labour government led by Harold Wilson that came to power in 1964, which did not do much to alter the economic consensus, but revolutionised the social order at least as much. Largely because of the influence of Roy Jenkins, the Home Secretary for much of that time, between 1964 and the end of the sixties, Britain abolished the death penalty for murder, decriminalised some sex acts between men in private, abolished corporal punishment in prisons, legalised abortion in certain circumstances, and got rid of censorship in the theatre. They also vastly increased spending on education, and made many other changes. By the end of their term, Britain had gone from being a country with laws reflecting a largely conservative, authoritarian, worldview to one whose laws were some of the most liberal in Europe, and society had started changing to match. There were exceptions, though, and that government did make some changes that were illiberal. They brought in increased restrictions on immigration, starting a worrying trend that continues to this day of governments getting ever crueler to immigrants, and they added LSD to the list of illegal drugs. And they brought in the Marine Broadcasting Offences Act, banning the pirate stations. We've mentioned pirate radio stations very briefly, but never properly explained them. In Britain, at this point, there was a legal monopoly on broadcasting. Only the BBC could run a radio station in the UK, and thanks to agreements with the Musicians' Union, the BBC could only play a very small amount of recorded music, with everything else having to be live performances or spoken word. And because it had a legal obligation to provide something for everyone, that meant the tiny amount of recorded music that was played on the radio had to cover all genres, meaning that even while Britain was going through the most important changes in its musical history, pop records were limited to an hour or two a week on British radio. Obviously, that wasn't going to last while there was money to be made, and the record companies in particular wanted to have somewhere to showcase their latest releases. At the start of the sixties, Radio Luxembourg had become popular, broadcasting from continental Europe but largely playing shows that had been pre-recorded in London. But of course, that was far enough away that it made listening to the transmissions difficult. But a solution presented itself: [Excerpt: The Fortunes, "Caroline"] Radio Caroline still continues to this day, largely as an Internet-based radio station, but in the mid-sixties it was something rather different. It was one of a handful of radio stations -- the pirate stations -- that broadcast from ships in international waters. The ships would stay three miles off the coast of Britain, close enough for their broadcasts to be clearly heard in much of the country, but outside Britain's territorial waters. They soon became hugely popular, with Radio Caroline and Radio London the two most popular, and introduced DJs like Tony Blackburn, Dave Lee Travis, Kenny Everett, and John Peel to the airwaves of Britain. The stations ran on bribery and advertising, and if you wanted a record to get into the charts one of the things you had to do was bribe one of the big pirate stations to playlist it, and with this corruption came violence, which came to a head when as we heard in the episode on “Here Comes the Night”, in 1966 Major Oliver Smedley, a failed right-wing politician and one of the directors of Radio Caroline, got a gang of people to board an abandoned sea fort from which a rival station was broadcasting and retrieve some equipment he claimed belonged to him. The next day, Reginald Calvert, the owner of the rival station, went to Smedley's home to confront him, and Smedley shot him dead, claiming self-defence. The jury in Smedley's subsequent trial took only a minute to find him not guilty and award him two hundred and fifty guineas to cover his costs. This was the last straw for the government, which was already concerned that the pirates' transmitters were interfering with emergency services transmissions, and that proper royalties weren't being paid for the music broadcast (though since much of the music was only on there because of payola, this seems a little bit of a moot point). They introduced legislation which banned anyone in the UK from supplying the pirate ships with records or other supplies, or advertising on the stations. They couldn't do anything about the ships themselves, because they were outside British jurisdiction, but they could make sure that nobody could associate with them while remaining in the UK. The BBC was to regain its monopoly (though in later years some commercial radio stations were allowed to operate). But as well as the stick, they needed the carrot. The pirate stations *had* been filling a real need, and the biggest of them were getting millions of listeners every day. So the arrangements with the Musicians' Union and the record labels were changed, and certain BBC stations were now allowed to play a lot more recorded music per day. I haven't been able to find accurate figures anywhere -- a lot of these things were confidential agreements -- but it seems to have been that the so-called "needle time" rules were substantially relaxed, allowing the BBC to separate what had previously been the Light Programme -- a single radio station that played all kinds of popular music, much of it live performances -- into two radio stations that were each allowed to play as much as twelve hours of recorded music per day, which along with live performances and between-track commentary from DJs was enough to allow a full broadcast schedule. One of these stations, Radio 2, was aimed at older listeners, and to start with mostly had programmes of what we would now refer to as Muzak, mixed in with the pop music of an older generation -- crooners and performers like Englebert Humperdinck. But another, Radio 1, was aimed at a younger audience and explicitly modelled on the pirate stations, and featured many of the DJs who had made their names on those stations. And on its first broadcast, as George Martin's theme tune for the new station faded, Tony Blackburn reached for a record. At different times Blackburn has said either that he was just desperately reaching for whatever record came to hand or that he made a deliberate choice because the record he chose had such a striking opening that it would be the perfect way to start a new station: [Excerpt: Tony Blackburn first radio show into "Flowers in the Rain" by the Move] You may remember me talking in the episode on "Here Comes the Night" about how in 1964 Dick Rowe of Decca, the manager Larry Page, and the publicist and co-owner of Radio Caroline Phil Solomon were all trying to promote something called Brumbeat as the answer to Merseybeat – Brummies, for those who don't know, are people from Birmingham. Brumbeat never took off the way Merseybeat did, but several bands did get a chance to make records, among them Gerry Levene and the Avengers: [Excerpt: Gerry Levene and the Avengers, "Dr. Feelgood"] That was the only single the Avengers made, and the B-side wasn't even them playing, but a bunch of session musicians under the direction of Bert Berns, and the group split up soon afterwards, but several of the members would go on to have rather important careers. According to some sources, one of their early drummers was John Bohnam, who you can be pretty sure will be turning up later in the story, while the drummer on that track was Graeme Edge, who would later go on to co-found the Moody Blues. But today it's the guitarist we'll be looking at. Roy Wood had started playing music when he was very young -- he'd had drum lessons when he was five years old, the only formal musical tuition he ever had, and he'd played harmonica around working men's clubs as a kid. And as a small child he'd loved classical music, particularly Tchaikovsky and Elgar. But it wasn't until he was twelve that he decided that he wanted to be a guitarist. He went to see the Shadows play live, and was inspired by the sound of Hank Marvin's guitar, which he later described as sounding "like it had been dipped in Dettol or something": [Excerpt: The Shadows, "Apache"] He started begging his parents for a guitar, and got one for his thirteenth birthday -- and by the time he was fourteen he was already in a band, the Falcons, whose members were otherwise eighteen to twenty years old, but who needed a lead guitarist who could play like Marvin. Wood had picked up the guitar almost preternaturally quickly, as he would later pick up every instrument he turned his hand to, and he'd also got the equipment. His friend Jeff Lynne later said "I first saw Roy playing in a church hall in Birmingham and I think his group was called the Falcons. And I could tell he was dead posh because he had a Fender Stratocaster and a Vox AC30 amplifier. The business at the time. I mean, if you've got those, that's it, you're made." It was in the Falcons that Wood had first started trying to write songs, at first instrumentals in the style of the Shadows, but then after the Beatles hit the charts he realised it was possible for band members to write their own material, and started hesitantly trying to write a few actual songs. Wood had moved on from the Falcons to Gerry Levene's band, one of the biggest local bands in Birmingham, when he was sixteen, which is also when he left formal education, dropping out from art school -- he's later said that he wasn't expelled as such, but that he and the school came to a mutual agreement that he wouldn't go back there. And when Gerry Levene and the Avengers fell apart after their one chance at success hadn't worked out, he moved on again to an even bigger band. Mike Sheridan and the Night Riders had had two singles out already, both produced by Cliff Richard's producer Norrie Paramor, and while they hadn't charted they were clearly going places. They needed a new guitarist, and Wood was by far the best of the dozen or so people who auditioned, even though Sheridan was very hesitant at first -- the Night Riders were playing cabaret, and all dressed smartly at all times, and this sixteen-year-old guitarist had turned up wearing clothes made by his sister and ludicrous pointy shoes. He was the odd man out, but he was so good that none of the other players could hold a candle to him, and he was in the Night Riders by the time of their third single, "What a Sweet Thing That Was": [Excerpt: Mike Sheridan and the Night Riders, "What a Sweet Thing That Was"] Sheridan later said "Roy was and still is, in my opinion, an unbelievable talent. As stubborn as a mule and a complete extrovert. Roy changed the group by getting us into harmonies and made us realize there was better material around with more than three chords to play. This was our turning point and we became a group's group and a bigger name." -- though there are few other people who would describe Wood as extroverted, most people describing him as painfully shy off-stage. "What a Sweet Thing That Was" didn't have any success, and nor did its follow-up, "Here I Stand", which came out in January 1965. But by that point, Wood had got enough of a reputation that he was already starting to guest on records by other bands on the Birmingham scene, like "Pretty Things" by Danny King and the Mayfair Set: [Excerpt: Danny King and the Mayfair Set, "Pretty Things"] After their fourth single was a flop, Mike Sheridan and the Night Riders changed their name to Mike Sheridan's Lot, and the B-side of their first single under the new name was a Roy Wood song, the first time one of his songs was recorded. Unfortunately the song, modelled on "It's Not Unusual" by Tom Jones, didn't come off very well, and Sheridan blamed himself for what everyone was agreed was a lousy sounding record: [Excerpt: Mike Sheridan's Lot, "Make Them Understand"] Mike Sheridan's Lot put out one final single, but the writing was on the wall for the group. Wood left, and soon after so did Sheridan himself. The remaining members regrouped under the name The Idle Race, with Wood's friend Jeff Lynne as their new singer and guitarist. But Wood wouldn't remain without a band for long. He'd recently started hanging out with another band, Carl Wayne and the Vikings, who had also released a couple of singles, on Pye: [Excerpt: Carl Wayne and the Vikings, "What's the Matter Baby"] But like almost every band from Birmingham up to this point, the Vikings' records had done very little, and their drummer had quit, and been replaced by Bev Bevan, who had been in yet another band that had gone nowhere, Denny Laine and the Diplomats, who had released one single under the name of their lead singer Nicky James, featuring the Breakaways, the girl group who would later sing on "Hey Joe", on backing vocals: [Excerpt: Nicky James, "My Colour is Blue"] Bevan had joined Carl Wayne's group, and they'd recorded one track together, a cover version of "My Girl", which was only released in the US, and which sank without a trace: [Excerpt: Carl Wayne and the Vikings, "My Girl"] It was around this time that Wood started hanging around with the Vikings, and they would all complain about how if you were playing the Birmingham circuit you were stuck just playing cover versions, and couldn't do anything more interesting. They were also becoming more acutely aware of how successful they *could* have been, because one of the Brumbeat bands had become really big. The Moody Blues, a supergroup of players from the best bands in Birmingham who featured Bev Bevan's old bandmate Denny Laine and Wood's old colleague Graeme Edge, had just hit number one with their version of "Go Now": [Excerpt: The Moody Blues, "Go Now"] So they knew the potential for success was there, but they were all feeling trapped. But then Ace Kefford, the bass player for the Vikings, went to see Davy Jones and the Lower Third playing a gig: [Excerpt: Davy Jones and the Lower Third, "You've Got a Habit of Leaving"] Also at the gig was Trevor Burton, the guitarist for Danny King and the Mayfair Set. The two of them got chatting to Davy Jones after the gig, and eventually the future David Bowie told them that the two of them should form their own band if they were feeling constricted in their current groups. They decided to do just that, and they persuaded Carl Wayne from Kefford's band to join them, and got in Wood. Now they just needed a drummer. Their first choice was John Bonham, the former drummer for Gerry Levene and the Avengers who was now drumming in a band with Kefford's uncle and Nicky James from the Diplomats. But Bonham and Wayne didn't get on, and so Bonham decided to remain in the group he was in, and instead they turned to Bev Bevan, the Vikings' new drummer. (Of the other two members of the Vikings, one went on to join Mike Sheridan's Lot in place of Wood, before leaving at the same time as Sheridan and being replaced by Lynne, while the other went on to join Mike Sheridan's New Lot, the group Sheridan formed after leaving his old group. The Birmingham beat group scene seems to have only had about as many people as there were bands, with everyone ending up a member of twenty different groups). The new group called themselves the Move, because they were all moving on from other groups, and it was a big move for all of them. Many people advised them not to get together, saying they were better off where they were, or taking on offers they'd got from more successful groups -- Carl Wayne had had an offer from a group called the Spectres, who would later become famous as Status Quo, while Wood had been tempted by Tony Rivers and the Castaways, a group who at the time were signed to Immediate Records, and who did Beach Boys soundalikes and covers: [Excerpt: Tony Rivers and the Castaways, "Girl Don't Tell Me"] Wood was a huge fan of the Beach Boys and would have fit in with Rivers, but decided he'd rather try something truly new. After their first gig, most of the people who had warned against the group changed their minds. Bevan's best friend, Bobby Davis, told Bevan that while he'd disliked all the other groups Bevan had played in, he liked this one. (Davis would later become a famous comedian, and have a top five single himself in the seventies, produced by Jeff Lynne and with Bevan on the drums, under his stage name Jasper Carrott): [Excerpt: Jasper Carrott, "Funky Moped"] Most of their early sets were cover versions, usually of soul and Motown songs, but reworked in the group's unique style. All five of the band could sing, four of them well enough to be lead vocalists in their own right (Bevan would add occasional harmonies or sing novelty numbers) and so they became known for their harmonies -- Wood talked at the time about how he wanted the band to have Beach Boys harmonies but over instruments that sounded like the Who. And while they were mostly doing cover versions live, Wood was busily writing songs. Their first recording session was for local radio, and at that session they did cover versions of songs by Brenda Lee, the Isley Brothers, the Orlons, the Marvelettes, and Betty Everett, but they also performed four songs written by Wood, with each member of the front line taking a lead vocal, like this one with Kefford singing: [Excerpt: The Move, "You're the One I Need"] The group were soon signed by Tony Secunda, the manager of the Moody Blues, who set about trying to get the group as much publicity as possible. While Carl Wayne, as the only member who didn't play an instrument, ended up the lead singer on most of the group's early records, Secunda started promoting Kefford, who was younger and more conventionally attractive than Wayne, and who had originally put the group together, as the face of the group, while Wood was doing most of the heavy lifting with the music. Wood quickly came to dislike performing live, and to wish he could take the same option as Brian Wilson and stay home and write songs and make records while the other four went out and performed, so Kefford and Wayne taking the spotlight from him didn't bother him at the time, but it set the group up for constant conflicts about who was actually the leader of the group. Wood was also uncomfortable with the image that Secunda set up for the group. Secunda decided that the group needed to be promoted as "bad boys", and so he got them to dress up as 1930s gangsters, and got them to do things like smash busts of Hitler, or the Rhodesian dictator Ian Smith, on stage. He got them to smash TVs on stage too, and in one publicity stunt he got them to smash up a car, while strippers took their clothes off nearby -- claiming that this was to show that people were more interested in violence than in sex. Wood, who was a very quiet, unassuming, introvert, didn't like this sort of thing, but went along with it. Secunda got the group a regular slot at the Marquee club, which lasted several months until, in one of Secunda's ideas for publicity, Carl Wayne let off smoke bombs on stage which set fire to the stage. The manager came up to try to stop the fire, and Wayne tossed the manager's wig into the flames, and the group were banned from the club (though the ban was later lifted). In another publicity stunt, at the time of the 1966 General Election, the group were photographed with "Vote Tory" posters, and issued an invitation to Edward Heath, the leader of the Conservative Party and a keen amateur musician, to join them on stage on keyboards. Sir Edward didn't respond to the invitation. All this publicity led to record company interest. Joe Boyd tried to sign the group to Elektra Records, but much as with The Pink Floyd around the same time, Jac Holzman wasn't interested. Instead they signed with a new production company set up by Denny Cordell, the producer of the Moody Blues' hits. The contract they signed was written on the back of a nude model, as yet another of Secunda's publicity schemes. The group's first single, "Night of Fear" was written by Wood and an early sign of his interest in incorporating classical music into rock: [Excerpt: The Move, "Night of Fear"] Secunda claimed in the publicity that that song was inspired by taking bad acid and having a bad trip, but in truth Wood was more inspired by brown ale than by brown acid -- he and Bev Bevan would never do any drugs other than alcohol. Wayne did take acid once, but didn't like it, though Burton and Kefford would become regular users of most drugs that were going. In truth, the song was not about anything more than being woken up in the middle of the night by an unexpected sound and then being unable to get back to sleep because you're scared of what might be out there. The track reached number two on the charts in the UK, being kept off the top by "I'm a Believer" by the Monkees, and was soon followed up by another song which again led to assumptions of drug use. "I Can Hear the Grass Grow" wasn't about grass the substance, but was inspired by a letter to Health and Efficiency, a magazine which claimed to be about the nudist lifestyle as an excuse for printing photos of naked people at a time before pornography laws were liberalised. The letter was from a reader saying that he listened to pop music on the radio because "where I live it's so quiet I can hear the grass grow!" Wood took that line and turned it into the group's next single, which reached number five: [Excerpt: The Move, "I Can Hear the Grass Grow"] Shortly after that, the group played two big gigs at Alexandra Palace. The first was the Fourteen-Hour Technicolor Dream, which we talked about in the Pink Floyd episode. There Wood had one of the biggest thrills of his life when he walked past John Lennon, who saluted him and then turned to a friend and said "He's brilliant!" -- in the seventies Lennon would talk about how Wood was one of his two favourite British songwriters, and would call the Move "the Hollies with balls". The other gig they played at Alexandra Palace was a "Free the Pirates" benefit show, sponsored by Radio Caroline, to protest the imposition of the Marine Broadcasting (Offences) Act. Despite that, it was, of course, the group's next single that was the first one to be played on Radio One. And that single was also the one which kickstarted Roy Wood's musical ambitions. The catalyst for this was Tony Visconti. Visconti was a twenty-three-year-old American who had been in the music business since he was sixteen, working the typical kind of jobs that working musicians do, like being for a time a member of a latter-day incarnation of the Crew-Cuts, the white vocal group who had had hits in the fifties with covers of "Sh'Boom" and “Earth Angel”. He'd also recorded two singles as a duo with his wife Siegrid, which had gone nowhere: [Excerpt: Tony and Siegrid, "Up Here"] Visconti had been working for the Richmond Organisation as a staff songwriter when he'd met the Move's producer Denny Cordell. Cordell was in the US to promote a new single he had released with a group called Procol Harum, "A Whiter Shade of Pale", and Visconti became the first American to hear the record, which of course soon became a massive hit: [Excerpt: Procol Harum, "A Whiter Shade of Pale"] While he was in New York, Cordell also wanted to record a backing track for one of his other hit acts, Georgie Fame. He told Visconti that he'd booked several of the best session players around, like the jazz trumpet legend Clark Terry, and thought it would be a fun session. Visconti asked to look at the charts for the song, out of professional interest, and Cordell was confused -- what charts? The musicians would just make up an arrangement, wouldn't they? Visconti asked what he was talking about, and Cordell talked about how you made records -- you just got the musicians to come into the studio, hung around while they smoked a few joints and worked out what they were going to play, and then got on with it. It wouldn't take more than about twelve hours to get a single recorded that way. Visconti was horrified, and explained that that might be how they did things in London, but if Cordell tried to make a record that way in New York, with an eight-piece group of session musicians who charged union scale, and would charge double scale for arranging work on top, then he'd bankrupt himself. Cordell went pale and said that the session was in an hour, what was he going to do? Luckily, Cordell had a copy of the demo with him, and Visconti, who unlike Cordell was a trained musician, quickly sat down and wrote an arrangement for him, sketching out parts for guitar, bass, drums, piano, sax, and trumpets. The resulting arrangement wasn't perfect -- Visconti had to write the whole thing in less than an hour with no piano to hand -- but it was good enough that Cordell's production assistant on the track, Harvey Brooks of the group Electric Flag, who also played bass on the track, could tweak it in the studio, and the track was recorded quickly, saving Cordell a fortune: [Excerpt: Georgie Fame, "Because I Love You"] One of the other reasons Cordell had been in the US was that he was looking for a production assistant to work with him in the UK to help translate his ideas into language the musicians could understand. According to Visconti he said that he was going to try asking Phil Spector to be his assistant, and Artie Butler if Spector said no. Astonishingly, assuming he did ask them, neither Phil Spector nor Artie Butler (who was the arranger for records like "Leader of the Pack" and "I'm a Believer" among many, many, others, and who around this time was the one who suggested to Louis Armstrong that he should record "What a Wonderful World") wanted to fly over to the UK to work as Denny Cordell's assistant, and so Cordell turned back to Visconti and invited him to come over to the UK. The main reason Cordell needed an assistant was that he had too much work on his hands -- he was currently in the middle of recording albums for three major hit groups -- Procol Harum, The Move, and Manfred Mann -- and he physically couldn't be in multiple studios at once. Visconti's first work for him was on a Manfred Mann session, where they were recording the Randy Newman song "So Long Dad" for their next single. Cordell produced the rhythm track then left for a Procol Harum session, leaving Visconti to guide the group through the overdubs, including all the vocal parts and the lead instruments: [Excerpt: Manfred Mann, "So Long Dad"] The next Move single, "Flowers in the Rain", was the first one to benefit from Visconti's arrangement ideas. The band had recorded the track, and Cordell had been unhappy with both the song and performance, thinking it was very weak compared to their earlier singles -- not the first time that Cordell would have a difference of opinion with the band, who he thought of as a mediocre pop group, while they thought of themselves as a heavy rock band who were being neutered in the studio by their producer. In particular, Cordell didn't like that the band fell slightly out of time in the middle eight of the track. He decided to scrap it, and get the band to record something else. Visconti, though, thought the track could be saved. He told Cordell that what they needed to do was to beat the Beatles, by using a combination of instruments they hadn't thought of. He scored for a quartet of wind instruments -- oboe, flute, clarinet, and French horn, in imitation of Mendelssohn: [Excerpt: The Move, "Flowers in the Rain"] And then, to cover up the slight sloppiness on the middle eight, Visconti had the wind instruments on that section recorded at half speed, so when played back at normal speed they'd sound like pixies and distract from the rhythm section: [Excerpt: The Move, "Flowers in the Rain"] Visconti's instincts were right. The single went to number two, kept off the top spot by Englebert Humperdinck, who spent 1967 keeping pretty much every major British band off number one, and thanks in part to it being the first track played on Radio 1, but also because it was one of the biggest hits of 1967, it's been the single of the Move's that's had the most airplay over the years. Unfortunately, none of the band ever saw a penny in royalties from it. It was because of another of Tony Secunda's bright ideas. Harold Wilson, the Prime Minister at the time, was very close to his advisor Marcia Williams, who started out as his secretary, rose to be his main political advisor, and ended up being elevated to the peerage as Baroness Falkender. There were many, many rumours that Williams was corrupt -- rumours that were squashed by both Wilson and Williams frequently issuing libel writs against newspapers that mentioned them -- though it later turned out that at least some of these were the work of Britain's security services, who believed Wilson to be working for the KGB (and indeed Williams had first met Wilson at a dinner with Khrushchev, though Wilson was very much not a Communist) and were trying to destabilise his government as a result. Their personal closeness also led to persistent rumours that Wilson and Williams were having an affair. And Tony Secunda decided that the best way to promote "Flowers in the Rain" was to print a postcard with a cartoon of Wilson and Williams on it, and send it out. Including sticking a copy through the door of ten Downing St, the Prime Minister's official residence. This backfired *spectacularly*. Wilson sued the Move for libel, even though none of them had known of their manager's plans, and as a result of the settlement it became illegal for any publication to print the offending image (though it can easily be found on the Internet now of course), everyone involved with the record was placed under a permanent legal injunction to never discuss the details of the case, and every penny in performance or songwriting royalties the track earned would go to charities of Harold Wilson's choice. In the 1990s newspaper reports said that the group had up to that point lost out on two hundred thousand pounds in royalties as a result of Secunda's stunt, and given the track's status as a perennial favourite, it's likely they've missed out on a similar amount in the decades since. Incidentally, while every member of the band was banned from ever describing the postcard, I'm not, and since Wilson and Williams are now both dead it's unlikely they'll ever sue me. The postcard is a cartoon in the style of Aubrey Beardsley, and shows Wilson as a grotesque naked homunculus sat on a bed, with Williams naked save for a diaphonous nightgown through which can clearly be seen her breasts and genitals, wearing a Marie Antoinette style wig and eyemask and holding a fan coquettishly, while Wilson's wife peers at them through a gap in the curtains. The text reads "Disgusting Depraved Despicable, though Harold maybe is the only way to describe "Flowers in the Rain" The Move, released Aug 23" The stunt caused huge animosity between the group and Secunda, not only because of the money they lost but also because despite Secunda's attempts to associate them with the Conservative party the previous year, Ace Kefford was upset at an attack on the Labour leader -- his grandfather was a lifelong member of the Labour party and Kefford didn't like the idea of upsetting him. The record also had a knock-on effect on another band. Wood had given the song "Here We Go Round the Lemon Tree" to his friends in The Idle Race, the band that had previously been Mike Sheridan and the Night Riders, and they'd planned to use their version as their first single: [Excerpt: The Idle Race, "Here We Go Round the Lemon Tree"] But the Move had also used the song as the B-side for their own single, and "Flowers in the Rain" was so popular that the B-side also got a lot of airplay. The Idle Race didn't want to be thought of as a covers act, and so "Lemon Tree" was pulled at the last minute and replaced by "Impostors of Life's Magazine", by the group's guitarist Jeff Lynne: [Excerpt: The Idle Race, "Impostors of Life's Magazine"] Before the problems arose, the Move had been working on another single. The A-side, "Cherry Blossom Clinic", was a song about being in a psychiatric hospital, and again had an arrangement by Visconti, who this time conducted a twelve-piece string section: [Excerpt: The Move, "Cherry Blossom Clinic"] The B-side, meanwhile, was a rocker about politics: [Excerpt: The Move, "Vote For Me"] Given the amount of controversy they'd caused, the idea of a song about mental illness backed with one about politics seemed a bad idea, and so "Cherry Blossom Clinic" was kept back as an album track while "Vote For Me" was left unreleased until future compilations. The first Wood knew about "Cherry Blossom Clinic" not being released was when after a gig in London someone -- different sources have it as Carl Wayne or Tony Secunda -- told him that they had a recording session the next morning for their next single and asked what song he planned on recording. When he said he didn't have one, he was sent up to his hotel room with a bottle of Scotch and told not to come down until he had a new song. He had one by 8:30 the next morning, and was so drunk and tired that he had to be held upright by his bandmates in the studio while singing his lead vocal on the track. The song was inspired by "Somethin' Else", a track by Eddie Cochran, one of Wood's idols: [Excerpt: Eddie Cochran, "Somethin' Else"] Wood took the bass riff from that and used it as the basis for what was the Move's most straight-ahead rock track to date. As 1967 was turning into 1968, almost universally every band was going back to basics, recording stripped down rock and roll tracks, and the Move were no exception. Early takes of "Fire Brigade" featured Matthew Fisher of Procol Harum on piano, but the final version featured just guitar, bass, drums and vocals, plus a few sound effects: [Excerpt: The Move, "Fire Brigade"] While Carl Wayne had sung lead or co-lead on all the Move's previous singles, he was slowly being relegated into the background, and for this one Wood takes the lead vocal on everything except the brief bridge, which Wayne sings: [Excerpt: The Move, "Fire Brigade"] The track went to number three, and while it's not as well-remembered as a couple of other Move singles, it was one of the most influential. Glen Matlock of the Sex Pistols has often said that the riff for "God Save the Queen" is inspired by "Fire Brigade": [Excerpt: The Sex Pistols, "God Save the Queen"] The reversion to a heavier style of rock on "Fire Brigade" was largely inspired by the group's new friend Jimi Hendrix. The group had gone on a package tour with The Pink Floyd (who were at the bottom of the bill), Amen Corner, The Nice, and the Jimi Hendrix Experience, and had become good friends with Hendrix, often jamming with him backstage. Burton and Kefford had become so enamoured of Hendrix that they'd both permed their hair in imitation of his Afro, though Burton regretted it -- his hair started falling out in huge chunks as a result of the perm, and it took him a full two years to grow it out and back into a more natural style. Burton had started sharing a flat with Noel Redding of the Jimi Hendrix Experience, and Burton and Wood had also sung backing vocals with Graham Nash of the Hollies on Hendrix's "You Got Me Floatin'", from his Axis: Bold as Love album: [Excerpt: The Jimi Hendrix Experience, "You Got Me Floatin'"] In early 1968, the group's first album came out. In retrospect it's arguably their best, but at the time it felt a little dated -- it was a compilation of tracks recorded between late 1966 and late 1967, and by early 1968 that might as well have been the nineteenth century. The album included their two most recent singles, a few more songs arranged by Visconti, and three cover versions -- versions of Eddie Cochran's "Weekend", Moby Grape's "Hey Grandma", and the old standard "Zing! Went the Strings of My Heart", done copying the Coasters' arrangement with Bev Bevan taking a rare lead vocal. By this time there was a lot of dissatisfaction among the group. Most vocal -- or least vocal, because by this point he was no longer speaking to any of the other members, had been Ace Kefford. Kefford felt he was being sidelined in a band he'd formed and where he was the designated face of the group. He'd tried writing songs, but the only one he'd brought to the group, "William Chalker's Time Machine", had been rejected, and was eventually recorded by a group called The Lemon Tree, whose recording of it was co-produced by Burton and Andy Fairweather-Low of Amen Corner: [Excerpt: The Lemon Tree, "William Chalker's Time Machine"] He was also, though the rest of the group didn't realise it at the time, in the middle of a mental breakdown, which he later attributed to his overuse of acid. By the time the album, titled Move, came out, he'd quit the group. He formed a new group, The Ace Kefford Stand, with Cozy Powell on drums, and they released one single, a cover version of the Yardbirds' "For Your Love", which didn't chart: [Excerpt: The Ace Kefford Stand, "For Your Love"] Kefford recorded a solo album in 1968, but it wasn't released until an archival release in 2003, and he spent most of the next few decades dealing with mental health problems. The group continued on as a four-piece, with Burton moving over to bass. While they thought about what to do -- they were unhappy with Secunda's management, and with the sound that Cordell was getting from their recordings, which they considered far wimpier than their live sound -- they released a live EP of cover versions, recorded at the Marquee. The choice of songs for the EP showed their range of musical influences at the time, going from fifties rockabilly to the burgeoning progressive rock scene, with versions of Cochran's "Somethin' Else", Jerry Lee Lewis' "It'll Be Me", "So You Want to Be a Rock and Roll Star" by the Byrds, "Sunshine Help Me" by Spooky Tooth, and "Stephanie Knows Who" by Love: [Excerpt: The Move, "Stephanie Knows Who"] Incidentally, later that year they headlined a gig at the Royal Albert Hall with the Byrds as the support act, and Gram Parsons, who by that time was playing guitar for the Byrds, said that the Move did "So You Want to Be a Rock and Roll Star" better than the Byrds did. The EP, titled "Something Else From the Move", didn't do well commercially, but it did do something that the band thought important -- Trevor Burton in particular had been complaining that Denny Cordell's productions "took the toughness out" of the band's sound, and was worried that the group were being perceived as a pop band, not as a rock group like his friends in the Jimi Hendrix Experience or Cream. There was an increasing tension between Burton, who wanted to be a heavy rocker, and the older Wayne, who thought there was nothing at all wrong with being a pop band. The next single, "Wild Tiger Woman", was much more in the direction that Burton wanted their music to go. It was ostensibly produced by Cordell, but for the most part he left it to the band, and as a result it ended up as a much heavier track than normal. Roy Wood had only intended the song as an album track, and Bevan and Wayne were hesitant about it being a single, but Burton was insistent -- "Wild Tiger Woman" was going to be the group's first number one record: [Excerpt: The Move, "Wild Tiger Woman"] In fact, it turned out to be the group's first single not to chart at all, after four top ten singles in a row. The group were now in crisis. They'd lost Ace Kefford, Burton and Wayne were at odds, and they were no longer guaranteed hitmakers. They decided to stop working with Cordell and Secunda, and made a commitment that if the next single was a flop, they would split up. In any case, Roy Wood was already thinking about another project. Even though the group's recent records had gone in a guitar-rock direction, he thought maybe you could do something more interesting. Ever since seeing Tony Visconti conduct orchestral instruments playing his music, he'd been thinking about it. As he later put it "I thought 'Well, wouldn't it be great to get a band together, and rather than advertising for a guitarist how about advertising for a cellist or a French horn player or something? There must be lots of young musicians around who play the... instruments that would like to play in a rock kind of band.' That was the start of it, it really was, and I think after those tracks had been recorded with Tony doing the orchestral arrangement, that's when I started to get bored with the Move, with the band, because I thought 'there's something more to it'". He'd started sketching out plans for an expanded lineup of the group, drawing pictures of what it would look like on stage if Carl Wayne was playing timpani while there were cello and French horn players on stage with them. He'd even come up with a name for the new group -- a multi-layered pun. The group would be a light orchestra, like the BBC Light Orchestra, but they would be playing electrical instruments, and also they would have a light show when they performed live, and so he thought "the Electric Light Orchestra" would be a good name for such a group. The other band members thought this was a daft idea, but Wood kept on plotting. But in the meantime, the group needed some new management. The person they chose was Don Arden. We talked about Arden quite a bit in the last episode, but he's someone who is going to turn up a lot in future episodes, and so it's best if I give a little bit more background about him. Arden was a manager of the old school, and like several of the older people in the music business at the time, like Dick James or Larry Page, he had started out as a performer, doing an Al Jolson tribute act, and he was absolutely steeped in showbusiness -- his wife had been a circus contortionist before they got married, and when he moved from Manchester to London their first home had been owned by Winifred Atwell, a boogie piano player who became the first Black person to have a UK number one -- and who is *still* the only female solo instrumentalist to have a UK number one -- with her 1954 hit "Let's Have Another Party": [Excerpt: WInifred Atwell, "Let's Have Another Party"] That was only Atwell's biggest in a long line of hits, and she'd put all her royalties into buying properties in London, one of which became the Ardens' home. Arden had been considered quite a promising singer, and had made a few records in the early 1950s. His first recordings, of material in Yiddish aimed at the Jewish market, are sadly not findable online, but he also apparently recorded as a session singer for Embassy Records. I can't find a reliable source for what records he sang on for that label, which put out budget rerecordings of hits for sale exclusively through Woolworths, but according to Wikipedia one of them was Embassy's version of "Blue Suede Shoes", put out under the group name "The Canadians", and the lead vocal on that track certainly sounds like it could be him: [Excerpt: The Canadians, "Blue Suede Shoes"] As you can tell, rock and roll didn't really suit Arden's style, and he wisely decided to get out of performance and into behind-the-scenes work, though he would still try on occasion to make records of his own -- an acetate exists from 1967 of him singing "Sunrise, Sunset": [Excerpt: Don Arden, "Sunrise, Sunset"] But he'd moved first into promotion -- he'd been the promoter who had put together tours of the UK for Gene Vincent, Little Richard, Brenda Lee and others which we mentioned in the second year of the podcast -- and then into management. He'd first come into management with the Animals -- apparently acting at that point as the money man for Mike Jeffries, who was the manager the group themselves dealt with. According to Arden -- though his story differs from the version of the story told by others involved -- the group at some point ditched Arden for Allen Klein, and when they did, Arden's assistant Peter Grant, another person we'll be hearing a lot more of, went with them. Arden, by his own account, flew over to see Klein and threatened to throw him out of the window of his office, which was several stories up. This was a threat he regularly made to people he believed had crossed him -- he made a similar threat to one of the Nashville Teens, the first group he managed after the Animals, after the musician asked what was happening to the group's money. And as we heard last episode, he threatened Robert Stigwood that way when Stigwood tried to get the Small Faces off him. One of the reasons he'd signed the Small Faces was that Steve Marriott had gone to the Italia Conti school, where Arden had sent his own children, Sharon and David, and David had said that Marriott was talented. And David was also a big reason the Move came over to Arden. After the Small Faces had left him, Arden had bought Galaxy Entertaimnent, the booking agency that handled bookings for Amen Corner and the Move, among many other acts. Arden had taken over management of Amen Corner himself, and had put his son David in charge of liaising with Tony Secunda about the Move. But David Arden was sure that the Move could be an albums act, not just a singles act, and was convinced the group had more potential than they were showing, and when they left Secunda, Don Arden took them on as his clients, at least for the moment. Secunda, according to Arden (who is not the most reliable of witnesses, but is unfortunately the only one we have for a lot of this stuff) tried to hire someone to assassinate Arden, but Arden quickly let Secunda know that if anything happened to Arden, Secunda himself would be dead within the hour. As "Wild Tiger Woman" hadn't been a hit, the group decided to go back to their earlier "Flowers in the Rain" style, with "Blackberry Way": [Excerpt: The Move, "Blackberry Way"] That track was produced by Jimmy Miller, who was producing the Rolling Stones and Traffic around this time, and featured the group's friend Richard Tandy on harpsichord. It's also an example of the maxim "Good artists copy, great artists steal". There are very few more blatant examples of plagiarism in pop music than the middle eight of "Blackberry Way". Compare Harry Nilsson's "Good Old Desk": [Excerpt: Nilsson, "Good Old Desk"] to the middle eight of "Blackberry Way": [Excerpt: The Move, "Blackberry Way"] "Blackberry Way" went to number one, but that was the last straw for Trevor Burton -- it was precisely the kind of thing he *didn't* want to be doing,. He was so sick of playing what he thought of as cheesy pop music that at one show he attacked Bev Bevan on stage with his bass, while Bevan retaliated with his cymbals. He stormed off stage, saying he was "tired of playing this crap". After leaving the group, he almost joined Blind Faith, a new supergroup that members of Cream and Traffic were forming, but instead formed his own supergroup, Balls. Balls had a revolving lineup which at various times included Denny Laine, formerly of the Moody Blues, Jackie Lomax, a singer-songwriter who was an associate of the Beatles, Richard Tandy who had played on "Blackberry Way", and Alan White, who would go on to drum with the band Yes. Balls only released one single, "Fight for My Country", which was later reissued as a Trevor Burton solo single: [Excerpt: Balls, "Fight For My Country"] Balls went through many lineup changes, and eventually seemed to merge with a later lineup of the Idle Race to become the Steve Gibbons Band, who were moderately successful in the seventies and eighties. Richard Tandy covered on bass for a short while, until Rick Price came in as a permanent replacement. Before Price, though, the group tried to get Hank Marvin to join, as the Shadows had then split up, and Wood was willing to move over to bass and let Marvin play lead guitar. Marvin turned down the offer though. But even though "Blackberry Way" had been the group's biggest hit to date, it marked a sharp decline in the group's fortunes. Its success led Peter Walsh, the manager of Marmalade and the Tremeloes, to poach the group from Arden, and even though Arden took his usual heavy-handed approach -- he describes going and torturing Walsh's associate, Clifford Davis, the manager of Fleetwood Mac, in his autobiography -- he couldn't stop Walsh from taking over. Unfortunately, Walsh put the group on the chicken-in-a-basket cabaret circuit, and in the next year they only released one record, the single "Curly", which nobody was happy with. It was ostensibly produced by Mike Hurst, but Hurst didn't turn up to the final sessions and Wood did most of the production work himself, while in the next studio over Jimmy Miller, who'd produced "Blackberry Way", was producing "Honky Tonk Women" by the Rolling Stones. The group were getting pigeonholed as a singles group, at a time when album artists were the in thing. In a three-year career they'd only released one album, though they were working on their second. Wood was by this point convinced that the Move was unsalvageable as a band, and told the others that the group was now just going to be a launchpad for his Electric Light Orchestra project. The band would continue working the chicken-in-a-basket circuit and releasing hit singles, but that would be just to fund the new project -- which they could all be involved in if they wanted, of course. Carl Wayne, on the other hand, was very, very, happy playing cabaret, and didn't see the need to be doing anything else. He made a counter-suggestion to Wood -- keep The Move together indefinitely, but let Wood do the Brian Wilson thing and stay home and write songs. Wayne would even try to get Burton and Kefford back into the band. But Wood wasn't interested. Increasingly his songs weren't even going to the Move at all. He was writing songs for people like Cliff Bennett and the Casuals. He wrote "Dance Round the Maypole" for Acid Gallery: [Excerpt: Acid Gallery, "Dance Round the Maypole"] On that, Wood and Jeff Lynne sang backing vocals. Wood and Lynne had been getting closer since Lynne had bought a home tape recorder which could do multi-tracking -- Wood had wanted to buy one of his own after "Flowers in the Rain", but even though he'd written three hit singles at that point his publishing company wouldn't give him an advance to buy one, and so he'd started using Lynne's. The two have often talked about how they'd recorded the demo for "Blackberry Way" at Lynne's parents' house, recording Wood's vocal on the demo with pillows and cushions around his head so that his singing wouldn't wake Lynne's parents. Lynne had been another person that Wood had asked to join the group when Burton left, but Lynne was happy with The Idle Race, where he was the main singer and songwriter, though their records weren't having any success: [Excerpt: The Idle Race, "I Like My Toys"] While Wood was writing material for other people, the only one of those songs to become a hit was "Hello Suzie", written for Amen Corner, which became a top five single on Immediate Records: [Excerpt: Amen Corner, "Hello Suzie"] While the Move were playing venues like Batley Variety Club in Britain, when they went on their first US tour they were able to play for a very different audience. They were unknown in the US, and so were able to do shows for hippie audiences that had no preconceptions about them, and did things like stretch "Cherry Blossom Clinic" into an eight-minute-long extended progressive rock jam that incorporated bits of "Jesu, Joy of Man's Desiring", the Nutcracker Suite, and the Sorcerer's Apprentice: [Excerpt: The Move, "Cherry Blossom Clinic Revisited (live at the Fillmore West)"] All the group were agreed that those shows were the highlight of the group's career. Even Carl Wayne, the band member most comfortable with them playing the cabaret circuit, was so proud of the show at the Fillmore West which that performance is taken from that when the tapes proved unusable he kept hold of them, hoping all his life that technology would progress to the point where they could be released and show what a good live band they'd been, though as things turned out they didn't get released until after his death. But when they got back to the UK it was back to the chicken-in-a-basket circuit, and back to work on their much-delayed second album. That album, Shazam!, was the group's attempt at compromise between their different visions. With the exception of one song, it's all heavy rock music, but Wayne, Wood, and Price all co-produced, and Wayne had the most creative involvement he'd ever had. Side two of the album was all cover versions, chosen by Wayne, and Wayne also went out onto the street and did several vox pops, asking members of the public what they thought of pop music: [Excerpt: Vox Pops from "Don't Make My Baby Blue"] There were only six songs on the album, because they were mostly extended jams. Other than the three cover versions chosen by Wayne, there was a sludge-metal remake of "Hello Suzie", the new arrangement of "Cherry Blossom Clinic" they'd been performing live, retitled "Cherry Blossom Clinic Revisited", and only one new original, "Beautiful Daughter", which featured a string arrangement by Visconti, who also played bass: [Excerpt: The Move, "Beautiful Daughter"] And Carl Wayne sang lead on five of the six tracks, which given that one of the reasons Wayne was getting unhappy with the band was that Wood was increasingly becoming the lead singer, must have been some comfort. But it wasn't enough. By the time Shazam! came out, with a cover drawn by Mike Sheridan showing the four band members as superheroes, the band was down to three -- Carl Wayne had quit the group, for a solo career. He continued playing the cabaret circuit, and made records, but never had another hit, but he managed to have a very successful career as an all-round entertainer, acting on TV and in the theatre, including a six-year run as the narrator in the musical Blood Brothers, and replacing Alan Clarke as the lead singer of the Hollies. He died in 2004. As soon as Wayne left the group, the three remaining band members quit their management and went back to Arden. And to replace Wayne, Wood once again asked Jeff Lynne to join the group. But this time the proposition was different -- Lynne wouldn't just be joining the Move, but he would be joining the Electric Light Orchestra. They would continue putting out Move records and touring for the moment, and Lynne would be welcome to write songs for the Move so that Wood wouldn't have to be the only writer, but they'd be doing it while they were planning their new group. Lynne was in, and the first single from the new lineup was a return to the heavy riff rock style of "Wild Tiger Woman", "Brontosaurus": [Excerpt: The Move, "Brontosaurus"] But Wayne leaving the group had put Wood in a difficult position. He was now the frontman, and he hated that responsibility -- he said later "if you look at me in photos of the early days, I'm always the one hanging back with my head down, more the musician than the frontman." So he started wearing makeup, painting his face with triangles and stars, so he would be able to hide his shyness. And it worked -- and "Brontosaurus" returned the group to the top ten. But the next single, "When Alice Comes Back to the Farm", didn't chart at all. The first album for the new Move lineup, Looking On, was to finish their contract with their current record label. Many regard it as the group's "Heavy metal album", and it's often considered the worst of their four albums, with Bev Bevan calling it "plodding", but that's as much to do with Bevan's feeling about the sessions as anything else -- increasingly, after the basic rhythm tracks had been recorded, Wood and Lynne would get to work without the other two members of the band, doing immense amounts of overdubbing. And that continued after Looking On was finished. The group signed a new contract with EMI's new progressive rock label, Harvest, and the contract stated that they were signing as "the Move performing as The Electric Light Orchestra". They started work on two albums' worth of material, with the idea that anything with orchestral instruments would be put aside for the first Electric Light Orchestra album, while anything with just guitar, bass, drums, keyboard, and horns would be for the Move. The first Electric Light Orchestra track, indeed, was intended as a Move B-side. Lynne came in with a song based around a guitar riff, and with lyrics vaguely inspired by the TV show The Prisoner, about someone with a number instead of a name running, trying to escape, and then eventually dying. But then Wood decided that what the track really needed was cello. But not cello played in the standard orchestral manner, but something closer to what the Beatles had done on "I am the Walrus". He'd bought a cheap cello himself, and started playing Jimi Hendrix riffs on it, and Lynne loved the sound of it, so onto the Move's basic rhythm track they overdubbed fifteen cello tracks by Wood, and also two French horns, also by Wood: [Excerpt: The Electric Light Orchestra, "10538 Overture"] The track was named "10538 Overture", after they saw the serial number 1053 on the console they were using to mix the track, and added the number 8 at the end, making 10538 the number of the character in the song. Wood and Lynne were so enamoured with the sound of their new track that they eventually got told by the other two members of the group that they had to sit in the back when the Move were driving to gigs, so they couldn't reach the tape player, because they'd just keep playing the track over and over again. So they got a portable tape player and took that into the back seat with them to play it there. After finishing some pre-existing touring commitments, the Move and Electric Light Orchestra became a purely studio group, and Rick Price quit the bands -- he needed steady touring work to feed his family, and went off to form another band, Mongrel. Around this time, Wood also took part in another strange project. After Immediate Records collapsed, Andrew Oldham needed some fast money, so he and Don Arden put together a fake group they could sign to EMI for ten thousand pounds. The photo of the band Grunt Futtock was of some random students, and that was who Arden and Oldham told EMI was on the track, but the actual performers on the single included Roy Wood, Steve Marriott, Peter Frampton, and Andy Bown, the former keyboard player of the Herd: [Excerpt: Grunt Futtock, "Rock 'n' Roll Christian"] Nobody knows who wrote the song, although it's credited to Bernard Webb, which is a pseudonym Paul McCartney had previously used -- but everyone knew he'd used the pseudonym, so it could very easily be a nod to that. The last Move album, Message From The Country, didn't chart -- just like the previous two hadn't. But Wood's song "Tonight" made number eleven, the follow-up, "Chinatown", made number twenty-three, and then the final Move single, "California Man", a fifties rock and roll pastiche, made the top ten: [Excerpt: The Move, "California Man"] In the US, that single was flipped, and the B-side, Lynne's song "Do Ya", became the only Move song ever to make the Hot One Hundred, reaching number ninety-nine: [Excerpt: The Move, "Do Ya"] By the time "California Man" was released, the Electric Light Orchestra were well underway. They'd recorded their first album, whose biggest highlights were Lynne's "10538 Overture" and Wood's "Whisper in the Night": [Excerpt: The Electric Light Orchestra, "Whisper in the Night"] And they'd formed a touring lineup, including Richard Tandy on keyboards and several orchestral instrumentalists. Unfortunately, there were problems developing between Wood and Lynne. When the Electric Light Orchestra toured, interviewers only wanted to speak to Wood, thinking of him as the band leader, even though Wood insisted that he and Lynne were the joint leaders. And both men had started arguing a lot, to the extent that at some shows they would refuse to go on stage because of arguments as to which of them should go on first. Wood has since said that he thinks most of the problems between Lynne and himself were actually caused by Don Arden, who realised that if he split the two of them into separate acts he could have two hit groups, not one. If that was the plan, it worked, because by the time "10538 Overture" was released as the Electric Light Orchestra's first single, and made the top ten -- while "California Man" was also still in the charts -- it was announced that Roy Wood was now leaving the Electric Light Orchestra, as were keyboard playe
Even if you're not familiar with Reckitt, you'll probably have some of their products in your home, including iconic household brands like Dettol, Finish, Strepsils or Durex. The company exists to “protect, heal and nurture in the relentless pursuit of a cleaner and healthier world.” As you'll hear in today's episode, they take this purpose seriously; and are working hard to embed it in every part of the Reckitt culture. The sixth episode of Purposing offers insight into the multinational company's strategy to make purpose more than just brand positioning, building systems for measuring impact and adding substance to new product development. David Croft, Global Director of Sustainability at Reckitt, will share how they're applying purpose to innovation, sustainability, and supply chain management - in a way that drives growth and makes a positive difference on inequality and climate change. Do you want to learn how to build a purpose-driven brand from Given, the consultancy that's helped some of the world's largest organisations become purposeful? Download the Insiders' Guide to Purpose HERE.
We got the second half of Richa and Vishal's beautiful but lengthy, hot, and sweaty wedding on Family Karma and the Real Housewives of Potomac go to Miami and I'm sorry Michael Darby did what to who to how to when?!? --- Send in a voice message: https://anchor.fm/therealityispod/message
Hair Transplant Podcast - HAIR TALK with Dr.John Watts Hair Transplant Surgeon and Dermatologist
#AskDrJohnWatts Dad's Doll asks: Sir, is it Okay to use Dettol liquid in bath water for dandruff control on the scalp? Does it work? Is it useful in dandruff control? Please explain. In his response, Dr John Watts informs Dad's Doll that it is a common practice among many people to use Dettol mixed with the bath water for taking a head bath. Sometimes, they may use it primarily for dandruff control. However, Dr John Watts said that it is useless & does not work or show any intended results whatsoever. “You should not use Dettol for dandruff control on your scalp as it dries up the scalp skin. It is not a useful technique. Better to consult a dermatologist,” advised Dr John.
[English description below]Reckitt/Mead Johnson là công ty mẹ đứng sau hàng loạt những thương hiệu tiêu dùng đã quá nổi tiếng và gần gũi với người dùng Việt như dòng sữa dinh dưỡng Enfa, kẹo ngậm Strepsils, Dettol, Veet hay Durex…Với sứ mệnh cốt lõi là mang đến sự nuôi dưỡng, chữa lành và bảo vệ người dùng thông qua từng chiến lược phát triển, từng sản phẩm được làm ra, Reckitt hiện đang là một hệ cộng đồng với toàn cầu với quy mô 43,000 người và đang trên hành trình không ngừng chuyển đổi và tăng trưởng bền vững.Vì sao Reckitt làm được điều đó? Những chiến lược xây dựng cộng đồng bền vững của Reckiit là gì? Tại tập podcast Vietnam Innovators này, chúng ta sẽ cùng host Hảo Trần trò chuyện và tìm hiểu với ông Soren Bech - General Director tại Reckitt/Mead Johnson Vietnam.Đừng quên có thể xem bản video của podcast này tại YouTube.Và đọc những bài viết thú vị tại website vietcetera.comNếu có bất cứ góp ý, phản hồi hay mong muốn hợp tác, bạn có thể gửi email về địa chỉ team@vietcetera.comCảm ơn Viglacera đã đồng hành cùng tập podcast này.Cùng chặng đường 48 năm hình thành và phát triển, Tổng công ty Viglacera - CTCP là nhà sản xuất Vật liệu xây dựng và đầu tư kinh doanh Bất động sản lớn nhất tại Việt Nam với hơn 40 đơn vị thành viên. Chúng tôi tự hào là nhà cung cấp dịch vụ hàng đầu về vật liệu xây dựng bền vững và chất lượng cao đồng thời là nhà phát triển Khu công nghiệp hàng đầu tại Việt Nam.---Reckitt is a health, hygiene, and nutrition company with almost 200 years of heritage. Reckitt brands that are familiar to Vietnamese consumers including Enfa, Strepsils, Dettol, Veet, Durex, and more.With the core mission to protect, heal and nurture in the pursuit of a cleaner and healthier world, Reckitt has now become a global community of 43,000 staff and is on track for continued transformation and sustainable growth.How can Reckitt succeed with its business model? What are the community building strategies of this giant in the consumer goods industry? Let's join host Hao Tran in this Vietnam Innovators podcast with Soren Bech - General Director at Reckitt/Mead Johnson Vietnam to find out.-----Reckitt is a health, hygiene, and nutrition company with almost 200 years of heritage. Reckitt brands that are familiar to Vietnamese consumers including Enfa, Strepsils, Dettol, Veet, Durex, and more.With the core mission to protect, heal and nurture in the pursuit of a cleaner and healthier world, Reckitt has now become a global community of 43,000 staff and is on track for continued transformation and sustainable growth.How can Reckitt succeed with its business model? What are the community building strategies of this giant in the consumer goods industry? Let's join host Hao Tran in this Vietnam Innovators podcast with Soren Bech - General Director at Reckitt/Mead Johnson Vietnam to find out.Listen to this episode on YouTubeAnd explore many amazing articles at the website vietcetera.com.Feel free to leave any questions at team@vietcetera.comViglacera Corporation is the largest real estate and building materials group in Vietnam, as well as the largest industrial park operator in Vietnam. 48 years of excellence make us a leading full-service provider of sustainable and high-quality building materials. Having a total of 40 subsidiaries, we cover the entire real estate and building materials spectrum.
Be part of our community by joining our Facebook group: https://www.facebook.com/groups/thoughtbehindthings In tonight's conversation with our special guests, Muntaqa Peracha and Syed Waqas Azhar. What was Muntaqa's journey like? How was his time at Georgia Tech? What was the next step after graduation & how did it go from there? Does he regret coming back to Pakistan? What was his experience with IBM like? How did his career progress? Where would he advise a graduate to go? What was working with Dun & Bradstreet & TPL Corp Ltd like? Why don't we opt for insurance in Pakistan? How did he end up at foodpanda? What was Waqas's journey like? How did his career progress? What was working on Dettol, Tarang, and Olper's like? Marketing Vs. Operations in Engro Foods? Why did they go for the stock offerings? Joining The Coca-Cola Company and how did it go? Why did he choose to come to foodpanda? How has foodpanda transformed over the years? Why didn't “shops” catch on? How was marketing for foodpanda different than other brands? Do we have more access to data now & is it needed? Would they ever consider creating multiple apps? What are they doing with data? Are there other opportunities that they can take advantage of? Can we expect to see Panda Mall? What's the cost they incur? What are they doing about the electrification of logistics? Pickup, Dine-in? How do they want to expand? What's their financial health like? How do they envision Pakistan in 2050? Catch this and so much more in tonight's episode. Do not forget to subscribe and press the bell icon to catch on to some amazing conversations coming your way! Connect with us: • https://www.instagram.com/thoughtbehindthings • https://www.instagram.com/muzamilhasan Muntaqa's LinkedIn: https://www.linkedin.com/in/muntaqaperacha/?originalSubdomain=pk Waqas's LinkedIn: https://www.linkedin.com/in/syed-waqas-azhar-b350bb20/ One8nine Media: https://www.youtube.com/channel/UC6akyz6EpkwyzBmKh0L2rSQ Support our podcast: https://anchor.fm/syed-muzamil-hasan-zaidi3/support You can also audio stream our podcast on the following platforms: • Spotify: https://spoti.fi/3z1cE7F • Google Podcast: https://bit.ly/2S84VEd • Apple Podcast: https://apple.co/3cgIkfI --- Support this podcast: https://anchor.fm/syed-muzamil-hasan-zaidi3/support
Guest: Today saw the launch of Dettol's Mzansi Protect – an immediately actionable initiative by Dettol that aims to reduce the burden of diarrhoea in South Africa by 50% by 2027. Masibonge Mkhize is The Head of Corporate, External Affairs and Partnerships at Reckitt and she joins John to describe the project.See omnystudio.com/listener for privacy information.
“You use Dettol. India uses Dettol as well.”
On this episode of the Tabletop Miniature Hobby Podcast, I'm joined by George, a returned hobbyist and fiction podcaster. George is the writer and creator of The Tales of Hobgob & Mulch. This is a show that draws some inspiration from the Warhammer world, though perhaps through a somewhat lighter lens.We talk a bit about storytelling and fiction podcasting. I also mention The Witch Hunter Chronicles, and, if you're in the mood for some high-fantasy audio fiction with a (very) NSFW twist, check out The Lords of the Ring Piece. George is the writer and creator of The Tales of Hobgob & Mulch. This is a show that draws some inspiration from the Warhammer world, though perhaps through a somewhat lighter lens.We talk a bit about storytelling and fiction podcasting. I also mention The Witch Hunter Chronicles, and, if you're in the mood for some high-fantasy audio fiction with a (very) NSFW twist, check out The Lords of the Ring Piece. Elsewhere on the episode, a big thanks to our sponsor Midlam Miniatures, and I talk about my recent completion of a band of their junior townsfolk range – see my pictures in the link, there.Then it's on to the serious matter of stripping paint. We spend all that time talking about unpainted miniatures building up, so what do we also like to do? Remove the paint from those we've actually finished.As I mention on the episode, though, there were a few minis from both childhood and early on in my “return” that I thought looked terrible. I really wanted to use these guys in various future projects. After some failed attempts with methylated spirits and Dettol, Biostrip 20 took that paint off faster than the guy in the takeaway shop shaves a stick of doner meat. A big thanks to the folks on Discord who helped me see the light (and the shiny metal), here!By the way, that red grout brush is really good too. That said, after a bath in the Biostrip you could probably dab the paint off with cotton wool.Finally, I talked about the pros and cons of 2D terrain. I recently got my hands on this wee kit, and, in the main, I love it.Thanks as always for listening to the Tabletop Miniature Hobby Podcast, and please remember to follow or subscribe on your listening app of choice!
I have learned from my experiences as a marketer that you cannot rely exclusively on one marketing strategy, one influencer, or one type of content. To achieve the best results, you need to experiment, measure results, and invest more in the strategies that produce the most success. We will walk through a few marketing lessons this week that will help you rethink what you do and don't do. Practicing these marketing lessons can help you increase conversions and, therefore, grow your business. You're welcome to share my podcast with your friends and family if you like them! Love and Peace, Yogi
On July 7th we're going LIVE with y'all listeners, get the Zoom link! Abbas is joined by Comedian/Actor, Brandon Ash-Mohammed, and they chat about his unique name, doing 23andMe as black dudes, going to ADHD camp, being head writer on Canada's Drag Race, why no one knows the Canadian Screen Awards, going to a wild Muslim funeral, his superstitious Trinidadian family, and how immigrants love Dettol antiseptic. connect with Abbas / Brandon The Immigrant Section is a weekly show where guests join Abbas Wahab, Sudanese-Canadian Standup Comedian, to talk about funny cultural similarities/differences, current events, and sometimes more. It's raw and unfiltered, for your listening pleasure. Enjoy!
It's Tuesday, and you know what that means! Welcome to Episode 47 of The ABZ Football Podcast! Join the ABZFP crew, as Gary (@tchocky83) sits down with AFC Commercial Director, Rob Wicks, to talk all things the proposed beach stadium ahead of the next steps in the approval process. Usual hosts Gavin (@TheRogue87) and Graham are joined by hat-trick hero Andy Murray (@andyhmurray) as we take our freshly squeezed and sanded testes and give them a good seeing to with some wire brush and Dettol as we bring you Part 3 of our patented deep-dive review of the 2021/22 season - this week, we run you through the darker months of January to March as we pick through the shambolic January transfer window, the sacking of Stephen Glass and those first few weeks under Sexy Jim Goodwin. Like what we do? Keep us fueled for future episodes by buying us a beer or coffee over at - https://ko-fi.com/abzfootballpodcast! Follow the ABZ Football Podcast on our social media channels:- Twitter - @AbzPodcast Facebook - @ABZFootballPodcast Instagram - @abzfootballpodcast
We were tired. 50 Cent. Need for Speed. Becoming business men. New characters: Corrupted business man obsessed with stats, and a Southern politician trying to be progressive. June 1st is the national day of: World Narcissistic Abuse Day, National Heimlich Maneuver Day, Dinosaur Day, Flip a Coin Day, and Morgan Freeman's birthday. Dettol. Shabraweeshy. "She's a friend" character from different countries, and a Lebanese Kenzy. كنا تعبانين. فيفتي سينت. نيد فور سبيد. رجال أعمال. كاركترز جديدة: صاحب محل نصاب وراجل سياسي في تكساس بيحاول يواكب مع العصر. النهاردة اليوم العالمي لضرب النرجسيين، وللديناصورات، وعيد ميلاد مورجان فريمان. ديتول. الشبراويشي. كنزي لبنانية. --- Send in a voice message: https://anchor.fm/koalasandwich/message
Paul and Charlie are joined in the pod by Andy Jacobs and Geoff Peters for a sensational performance from one of the players of the Birthday Spread. Plus, the Moose joins the show live from the Boreham Wood FC coach as they travel to Goodison Park. See acast.com/privacy for privacy and opt-out information.
RetailCraft - digital retail, ecommerce and brands - Retail Podcast
Reckitt Benckiser Group PLC is a British multinational consumer goods company. Formed some 200 years ago it is a stalwart of the FTSE100 and turns over some £14bn (2020). It owns some global powerhouse brands in the health/hygiene/nutrition space, many of which are part of the fabric of UK society - Durex, Dettol, Airwick, Clearasil, Nurofen... In this episode we spend time with Greg Duce, Area Ecommerce Director, Europe, Australia and New Zealand at Reckitt and it's a privileged look behind the brands at the realities of moving direct to consumer, embracing digital and maintaining values. We were struck in chatting with Greg at the focus upon people and skills development, the need to move rapidly yet without losing track of the brand values. Greg articulated with great clarity that the transition to digital-first (without leaving behind the successful, multi-billion legacy) requires the ability to see multiple things at the same time - and to act for now and the future at the same time. Greg talks about the need to "win today and win tomorrow', and how this requires the simultaneous adoption of two competing maxims: the first is the mantra of "fewer, bigger, better" investments (using Reckitt's scale), while at the same time placing "bets everywhere to see what sticks" (because you have to recognise that new competitors are not limited to the legacy competitors). This 'duality' is at the heart of the digital approach - a flexibility of mind and approach that is worthy of a chapter or two by Von Clauswitz or Sun Tzu! The full transcript is available via https://internetretailing.net/retailcraft-retail-podcasts/retailcraft-retail-podcasts Run time: 47 minutes INFORMATION: Greg Duce: https://www.linkedin.com/in/greg-duce-1888897/ Jamie Merrick: https://www.linkedin.com/in/jamiemerrick/ Ian Jindal: www.linkedin.com/in/ianjindal/ and www.twitter.com/ianjindal Recorded and engineered at Spiritland Studios, UK. Episode photo credit: Ian Jindal (https://www.instagram.com/ianjindal )
Miguel Veiga-Pestana is Chief Sustainability Officer at Reckitt, a consumer goods company whose brands include Dettol, Durex, Finish, and Nurofen. Miguel oversees the development and integration of Reckitt's sustainability and purpose-led agenda. He speaks about how consumer behaviour responds to and elicits change from big businesses, he speaks of the challenges and successes of phasing single-use plastics out of consumer product packaging, and reflects on the corporate leadership needed to drive the necessary momentum towards net-zero.
24 November 2021: Dr. Victor of Modern Vet specialises in avian medicine. He shares the history of falconry in the UAE and busts some bird myths. Nathan Taylor of dnata Travel answers all your questions about travel updates in and out of the UAE. Rohit Balan of Dettol tells Helen about the incredible operation that goes on behind the scenes to keep Expo visitors protected. And Peter Kolos a.k.a the Hungry Dane tells Helen why his burger is the best in the world. Bonus: It's available at Expo! See omnystudio.com/listener for privacy information.
Take flight into Chloe's journey - growing up in the UK in a small tight knit family, looking up to her parents with dad being a business owner and mum as marketing director for a large corporate. Chloe talks candidly about dealing with realisation that University was challenging and how ego and arrogance made Chloe choose economics.Through preserving and hard work, things started to look up with Chloe starting her professional career in marketing at Sainsbury's, one of the large retailers in the UK which after 5 years allowed Chloe to move to Australia to work for Coles, another large retailer in the country.I ask Chloe about 3 important topics and we go deep into each. These being (1) mental health and Chloe's own struggles with depression, (2) How Chloe created a new role for herself at Reckitt and built a team and (3) perhaps the biggest moment of them all, making the decision to leave a steady job she was good at to try her hand at creating the coaching business called POPP and how she made the transition.An action oriented conversation which summarises Chloe well and a lot of insights for you the listener to apply to your life. TIMESTAMPS—————05:25 - how would teachers describe Chloe in school07:35 - Influences behind be a go getter person09:40 - Hero's for Chloe growing up10:30 - planning future life at age of 16, and what's next12:10 - Dealing with realisation that Uni was challenging and how ego and arrogance made Chloe choose economics14:15 - Marketing industry placement at Sainsbury's (one of the big retailers in the UK) whilst Chloe's classmates went into more traditional fields of finance, government etc18:35 - big magic moment in Chloe's life (finding her why)22:40 - experiencing depression for nearly a decade24:35 - speaking up about mental health (at work)28:10 - sharing mental health status with line manager at work (what I experience, how I manage it, what support you can provide)30:45 - moving to Australia from the UK34:00 - How to approach a new challenge in life (or role at work)40:11 - Chloe's experience creating a new role at Reckitt (global company with brands like Dettol, Strepsils etc) and how to build a team to deliver the vision44:10 - Decision to leave corporate and start her own business and how it came alive52:00 - how to go full time on your own business with no fixed income anymore53:40 - financial plan when starting a business55:30 - Chloe's role at POPP58:34 - How Chloe looks at separating her coaching venture from others and provide an incremental benefit Enjoy!--------I would really appreciate if you can help by rating this podcast on iTunes, as it helps others find us and convince guests to come on the show.Follow us on Instagram, LinkedIn or Twitter for more!This episode & show is to inspire all us to be high flyers in any aspect of life & flip the notion of a high flyer, learning from value creators to help us all be 1% better everyday, together.
As agency owners, it's important to have an understanding of markets that you could potentially sell to but are outside of your local market. That's why episode 103 of The Digital Agency Growth Podcast with Falak Jalil is about marketing to the developing world! Watch our new recorded video training: Relationship-Driven New Business At-Scale In this episode of The Digital Agency Growth Podcast, Falak Jalil and I are sharing how marketers work with a global brand in a local market to ensure the product will be attractive to their local market and outperform their competitors. In a word, Falak Jalil is a storyteller. She loves brands and data. And she uses both to weave her stories through brand communication to Consumers. Falak has 13 years of marketing and innovation management experience with Nestle, Unilever & Reckitt. She's worked across multiple geographies, building $1Bn brands like Sunsilk & Lifebuoy, while also having the privilege of working on brand development on brands like Dettol & Nesquik. She's won multiple awards from In-Market execution to Marketing Excellence for launching a brand from scratch, but the most fun part of her job is speaking to Consumers; understanding their lifestyles, their habits and attitudes, what makes them tick.In this episode, Falak Jalil and I discuss the following:Why the biggest markets for marketing to millennials are not in the US or Europe. They're actually China, India, Pakistan, Nigeria, and Indonesia; and what that might mean for you and your agency.What consumer behavior data is meaningful right now and what has surprised her most from looking at the dataThe importance of data and how her team is using that to make key decisions across the board.Where marketers are going wrong when launching a product; and some examples of mistakes Falak has made and what she would do differently now.Market research so you can have a better understanding of your customers doesn't have to be expensive. It can be as simple as consumer, shopper, or market visits.Thank you for listening! If you enjoyed this episode, please take a moment to follow, rate and review the podcast and tell me your key takeaways!CONNECT WITH FALAK JALIL:LinkedInCONNECT WITH DAN ENGLANDER:LinkedInSales Schema
Rakesh Narayana heads up the venture fund for the corporate behind huge household brands like Dettol, Durex and Finish - no mean feat! In this episode Rakesh opens up about the fund's goals, what his team looks for in prospective partners and how Reckitt supports portfolio companies. Ever wondered what the benefits of corporate venture capital are? Rakesh talks us through what Reckitt offers and lets us in on what they look for in new applicants (sneak peak: an equal passion for sustainability and numbers)! Rakesh's LinkedIn
In this episode Chris Hirst speaks to Laxman Narasimhan, CEO of Reckitt, about his approach to leadership and how to connect with staff in a global company. Reckitt is the global consumer goods giant behind household brands such as Dettol, Durex, Vanish, Neurofen and Strepsils. Before running Reckitt, Laxman held senior positions in PepsiCo and McKinsey.To subscribe to the No Bullsh*t Leadership podcast, made in partnership with Havas Creative, click here: https://pod.link/1533418365 Support this show http://supporter.acast.com/intelligencesquared. See acast.com/privacy for privacy and opt-out information.
Pete, Matt & Kymba Catch Up - Mix 94.5 Perth - Pete Curulli, Kymba Cahill, Matt Dyktynski
00:00: Strange pregnancy addictions 05:41: Trevor Long on scam calls and text messages 11:00: Sri Lanka banned riding elephants while drunk 13:43: Mark Daniels - Training for the Paralympics 18:53: Cheeky pets 24:28: Kymba achieved ultimate sleeping level See omnystudio.com/listener for privacy information.
Sustainability Stories: Balancing People, Planet and Profits
A great interview with Eric Schaffner founder of ZeLoop; on his journey from corporate world to launching ZeLoop - an app that rewards goodness. As Eric aptly says, "The issue is not plastic as a material, but the ways in which we use it and most importantly, how we dispose of it". Within one year of launch, the app has quickly grown from UAE with a reach to 146 countries, across member base of 10,000 ZeLoopians; and over 300,000 bottles of plastic recycled. I personally like ZeLoop, as it solves for the environmental challenge of plastic litter; through the use of loyalty platform and blockchain technology. The mechanics of Zeloop can be explained in four simple steps: (1) You gather used plastic bottles, (2) Drop them at collection centers for recycling; (3) Upload a picture of deposited bottles on the app; and (4) Win tokens to get exciting rewards! The platform of ZeLoop works across B2C and B2Bs, the likes of Nestle, Dettol and Beeah (environmental management company) to name a few have already partnered with the app ...Could ZeLoop be the solution to decrease plastic-litter and motivate positive employee/consumer behaviour? if so, then lets get involved with ZeLoop, as it does protect the environment in a fun and rewarding way. Show Notes: https://www.linkedin.com/in/eric-schaffner-8a5a59/ https://www.nestle-mena.com/en/media/pressreleases/allpressreleases/nestl%C3%A9-partners-zeloop-encourage-recycling-uae https://zeloop.net/dettol-dubai-based-startup-zeloop-partner-for-recycling/ https://beeah.ae/contents/web_resources/beeah-rewards-program.pdf
Work. Told my manager that I'll have some things to show her soon and that I'm feeling confident and productive. She said, “I'm so happy!” And isn't that all any of us really want to hear from our manager? Sox is getting less scared out on the deck when I go out to feed them. Came right up to the door. I know I'm late to the party on this, but I'm newly obsessed with the Photos widget on iPhone. Throws up great photos heaps. Bin night. I've had enough of having about a zillion different bins to take out on a rotating schedule. Pain in the ass. Did a few laps on the motorcycle. Walk. Was brave and ordered adventurously at the burger place. Not bad. A good top-to-tail Dettol scrub down. Squeaky clean. Book and that. M: 7. E: 5.5. L: 0.
Slept terribly and was wide awake at 3 AM. Should have got up then really. Some weird dreams. Felt weird in the morning and realised I'm that I didn't take my medication yesterday. That might explain things. Great sunrise this morning. Beautiful colours. Work. Decent day - but hit a wall. I should cut back down on the snacks soon. But as far as vices go, snacking isn't the very worst. Topless photo of Vegan Davo went pretty viral on Insta. A few messages with Sophie. Had Indian for dinner. Mango lassi was off the chain! Bath with Dettol, bubbles, candles, music, and Shiraz - for National Shiraz day. Thank god it's Friday tomorrow. M: 5. E: 5. L: 0.
Ben, Lewis, and Billy are up to no good again with opinions on everything from Dettol, Mr. Muscle, late night talk shows in America, and the Queen of England's glorious space program. Do not listen while driving, or while drinking, or while drinking and driving. You're liable to spit out whatever's in your mouth when you hear what Billy has to say about everyone in Xiamen's opinion of Big Big Comedy shows. Buckle up for this one. To comment on anything you didn't like that Ben said, email: bigbigcomedy@gmail.com
Welcome to the Wonderful...yea wonderful World of Jim and Jan...
Niet in volgorde van verschijnen: automatisme l Bazel l bumperstickers l corned beef l Dettol l Emmi & Leo l Fitbit l gotcha l Mollenmania l theaterwandelingen l Tommy Girl l zijwieltjes
On the show this week, we delve into Netflix's Love Island rip off, re-live Trinny's Facebook Live fail and share all our culture recommendations, plus state our case for putting pandemic positivity in the bin. We're also joined by rogue co-founder and broadcaster, Nadine Reid to discuss her series on identity.
For episode 257, Monday, May 20, 2019... Quack Tracts.... Germany may adopt fining parents who refuse to vaccinate their children http://tiny.cc/t4sw6y Kentucky teen anti-vaxxer contracts gets poetic justice when he contracts chicken pox http://tiny.cc/75sw6y Ontario court rules doctors can't impeded access to medical assistance in dying services by refusing to make referrals http://tiny.cc/36sw6y South African preacher Ruffus Phala urges congregants to embibe 'jik' - essentially bleach - to wash away their sins. The result? 27 dead, 18 in critical condition. But at least their souls are whiter than white! http://tiny.cc/bytw6y But this wasn't his first rodeo... He's previously tried Dettol and antifreeze on congregants (http://tiny.cc/h1tw6y) before switching to jik (https://nairobinews.nation.co.ke/news...), killing 6 in 2018. There has to be a word for a serial killing preacher. The Regressive Left Files... Excellent article in The Atlantic pleading for university administrations to stop students running the show https://www.theatlantic.com/ideas/arc... Harvard's first black law school dean will not be replaced because administration bowed to pressure for removal after he was part of Harvey Weinstein's defence team http://tiny.cc/qctw6y http://tiny.cc/8etw6y http://tiny.cc/3ftw6y LA Times writer Carla Hall wonders if the royal parents of Archie (Archibald?) will raise him to be black http://tiny.cc/sgtw6y American Theocracy Today... We look at recent anti-choice bills passed in Alabama and Missouri, as well as states about to embark on drafting similar statutes http://tiny.cc/3htw6y http://tiny.cc/9ktw6y http://tiny.cc/9ltw6y http://tiny.cc/1mtw6y Eye on Islam... Still whinging and whining in Burmingham, Muslims show their displeasure at public schools teaching that being gay is okay. But they're not homophobic. No siree! http://tiny.cc/zntw6y A Philadelphia city commission said Monday it's investigating an event last month at which Muslim children were captured on video speaking in Arabic about beheadings. http://tiny.cc/kptw6y A Seattle school district faces a lawsuit filed by the Freedom of Conscience Defense Fund for urging teachers to offer children an Arabic greeting for Ramadan. http://tiny.cc/zqtw6y Writing for CNN online, Saeed Ahmed instructs us on how to act around those observing Ramada. http://tiny.cc/outw6y Ex-Muslim Yasmine Mohammed writes an opinion piece an the why we should not be celebrating the burkini. Will feminists listen? http://tiny.cc/4vtw6y Austria plans to ban the wearing of hijabs by primary school children http://tiny.cc/q6tw6y Catholic Watch.... Pope makes reporting of abuse mandatory. Why do we have a problem with this? The answer won't surprise you in the least... http://tiny.cc/78tw6y In their yearly publicity stunt, over 100 students from Catholic school were bused to the Alberta capitol Edmonton for an anti-choice rally. How much of our tax dollars went to this, we wonder? http://tiny.cc/2cuw6y
Voice Intro Welcome to another edition of Portable Practical Pediatrics. I am your host, Dr. Paul Smolen, a board certified pediatrician. People call me Doc Smo. My patients bring up such interesting topics...so interesting that a few years ago, I started sharing some of them with my blog audience. I have to say that after 35 years of practicing pediatrics I have learned and lived this Doc Smo pearl, "The best doctors listen way more than they talk." With that in mind, I am going to share with some of the interesting things my patients have told me recently. I think you will see that by listening intently, I learn a lot from my patients. So let's get into the next set of "Interesting Conversations" I've had recently with my patients and their families, shall we? Music Intro Conversation #1- An Antibiotic Substitute Recently, I was doing a checkup of a young man whose parents were from India. The last time I saw this young man before the day of his checkup, he was suffering from a staph skin infection at multiple sites on his body. You know, the usual places, along underwear friction areas, and under his arms. Bacteriologically dirty and damp places. The places germs love. When I last saw him with a staph infection, I had given his mother an antibiotic for him to take and some topical antibiotic ointment that inhibits skin bacteria from growing. You know, typical western medicine stuff. I assumed that his mother had followed my directions and thus cleared his infection since the infection was now gone. I asked his mother, had she given him the antibiotic to him and she said surprisingly, "No". She decided to try a common remedy that is used in her home country of India. The remedy was an inexpensive antiseptic, a form of pine oil that is used to wash the infection away. Yes, the same pine oil that we clean floors and furniture with. It is called Dettol and she says it is used for everything in India. curing skin infections including those caused by staph aureus, disinfecting cuts and abrasions, as well as cleaning household surfaces such as floors and cabinets. It even works on acne she told me! It comes in a cream, a soap form, gels form, cleaning solutions, hand washes, wipes for disinfecting surfaces, and a plaster for putting on wounds. Sounds like we all need to stock up on Dettol in case civilization implodes and we need to fight the microbial world without modern antibiotics. Maybe Dettol could be a solution to the antibiotic resistance crisis that is so quickly neutralizing effectiveness of our current antibiotics. After listening to her, I know I'm going to get some Dettol! Conversation #2-Eating Placentas Ok, this next topic really took me by surprise. I have never had a mom tell me that she was consuming her baby's placenta before... until recently. I've heard this practice in the animal world, but I have never had a mother tell me she was doing this. I guess I just wasn't paying close enough attention or asking the right questions. As I began to read about this practice, I discovered that it is becoming quite fashionable, especially among the rich and famous. Advocates of placenta eating claim it is very good for a new mother's energy and mood as well as being nutritionally rich in many essential nutrients and hormones. I couldn't find a lot of information to justify the practice but that doesn't mean it isn't useful. Many swear it works miracles for new moms. You may be wondering how the placentas are consumed. I know I was curious. Well, the answer to that question is... anyway you can imagine. I think the most common practice is to have the placenta dried and pulverized into capsules but direct consumption of raw or cooked placenta is also an option I understand. Beneficial? Your guess is as good as mine. In the 21st century, I think if we can't even all agree that vaccines are effective; we are going to have a hard time proving or disproving the benefits of eating placentas.
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