Podcasts about coppolas

On this episode Jay's former writing partner, Wallace Wolodarsky and Wally's new writing partner, his wife, Maya Forbes talk about partnership – the joys and the pitfalls including having your partner pretend to be shot in the head on film. We also discuss trying to make movies vs TV, the difficult current writing landscape, being pals with the Coppolas and Wes Anderson, Maya at the Harvard Lampoon, writing books, and long distance swimming.Maya Forbes began her career writing for The Larry Sanders Show. She has since written numerous television episodes and feature films. She made her directorial debut with Infinitely Polar Bear, starring Mark Ruffalo and Zoe Saldana. With her husband Wally Wolodarsky, Maya co-wrote and co-directed The Polka King, starring Jack Black, Jenny Slate and Jason Schwartzman and The Good House, starring Sigourney Weaver and Kevin Kline.Wally Wolodarsky began his career as a writer on The Tracey Ullman Show. Writing with Jay Kogen, he received an Emmy. Wally was a writer and producer on The Simpsons for the first four seasons, where he won his second Emmy. With his wife Maya Forbes he has written several features and television shows including Monsters vs. Aliens, A Dog's Purpose and The People vs. O.J. Simpson. Wally produced Infinitely Polar Bear starring Mark Ruffalo and Zoe Saldana. Together, Maya and Wally wrote and directed The Polka King starring Jack Black and The Good House starring Sigourney Weaver and Kevin Kline

Det har gjorts ett otal filmatiseringar av Dracula. Att två så totalt olika versioner som Herzogs och Coppolas båda så väl framställer sin tragiske antihjälte säger mycket om urkraften i Bram Stokers berättelse. Lyssna på alla avsnitt i Sveriges Radio Play. Med kalt huvud, febriga ögon och vässade rovdjursframtänder framträder Klaus Kinski som greve Dracula i Werner Herzogs Nosferatu från 1979. Han är nedtonad, ömklig. Hans vita ansikte uttrycker gränslös längtan och ensamhet. I Francis Ford Coppolas Bram Stokers Dracula från 1991 gestaltas han av Gary Oldman. Ibland rör han sig på Londons gator, sökande efter sin sedan hundratals år förlorade kärlek, iklädd i hög hatt, med svallande hår och blå glasögon. Likt en Elsa Beskows Farbror Blå som i sin ungdom kunde varit medlem i Led Zeppelin.Ludvig Josephson, producent för skräckpodden Creepypodden i Sveriges Radios P3, förmedlar sina intryck av de två porträtten av greve Dracula.

Kaum ein Film wurde 2024 so sehnsüchtig erwartet wie Megalopolis. Francis Ford Coppolas Spätwerk, über 40 Jahre in der Mache, erscheint nun in den Kinos, nachdem es zur Festivalpremiere bereits kontroverse Kritiken hagelte. Von einem Durcheinander ist die Rede, einem fulminanten Feuerwerk der Selbstüberschätzung, aber auch von einem zukünftigen Kultklassiker. Das Science-Fiction-Epos um einen visionären Architekten, der sein persönliches Utopia erschaffen will, spaltet die Gemüter. Unsere Podcaster Kenan und Luca nehmen sich den neuesten Streich des Meisters zur Brust und klären ein für alle Mal: Megatop oder Megaflop?Habt ihr euch Megalopolis im Kino angesehen? Was haltet ihr von Coppolas legendärer Filmografie und was ist euer Lieblingsfilm des Regisseurs?---Filmtoast - Reviews & Specials: https://www.filmtoast.deInstagram: https://www.instagram.com/filmtoast_de/Facebook: https://www.facebook.com/FilmtoastDETwitter/X: https://twitter.com/FilmtoastDE

Ist Megalopolis episches Theater als Film oder doch nur Kuddelmuddel ohne schlüssiges Ende? Irgendwo dazwischen schaffen es Patrick und Daniel tatsächlich irgendwann, sich auf grundsätzliches zu einigen. Obwohl sie Francis Ford Coppolas Vision einer Utopie, an deren Verfilmung er 47 Jahre lang überlegt und gearbeitet haben soll, durchaus unterschiedlich empfunden haben. Eine Diskussion über Motive, Erzählweise und Aussagen von Megalopolis. Mitsamt Warnung vor der schlechten deutschen Synchronisation!

Seit über 30 Jahren möchte Francis Ford Coppola dieses gigantische Filmprojekt realisieren. Produzenten, die bei Verstand waren, hatten reichzeitig beide Beine in die Hand genommen und sind davongelaufen. Die Regielegende hat sich kurzerhand verschuldet und seine Weinberge verkauft, um „Megalopolis“ zu drehen. Überraschenderweise konnte Coppola für den 140 Minuten langen Irrsinn Adam Driver gewinnen, der einen Erfinder und Architekten spielt, der sich eine futuristische Zukunft für Neu-Rom, i.e. New York erträumt, in der jeder Einwohner einen eigenen Garten bekommen soll. Der Film ist erzählerisch und formal ein gigantisches Desaster. Mehr dazu von Wolfgang M. Schmitt in der Filmanalyse!   Werbung: Unser Kinderbuch „Die kleinen Holzdiebe und das Rätsel des Juggernaut“ ist erschienen! Affiliate-Link: https://amzn.to/47h1LQI Die Anthologie SELBST SCHULD! ist jetzt erschienen. Affiliate-Link: https://amzn.to/47qau3a Sie können DIE FILMANALYSE finanziell unterstützen – vielen Dank! Wolfgang M. Schmitt Betreff: DIE FILMANALYSE IBAN: DE29 5745 0120 0130 7858 43 BIC: MALADE51NWD PayPal: http://www.paypal.me/filmanalyse Patreon: https://www.patreon.com/wolfgangmschmitt Wolfgang M. Schmitt auf Twitter: https://twitter.com/SchmittJunior Wolfgang M. Schmitt auf Facebook: https://www.facebook.com/wolfgangm.schmittjun/ Wolfgang M. Schmitt auf Instagram: https://www.instagram.com/wolfgangmschmitt/ Produziert von FatboyFilm: https://www.fatboyfilm.de/ https://www.facebook.com/fatboyfilm/ https://www.instagram.com/fatboyfilm/

Wellinski, Patrick www.deutschlandfunk.de, Kultur heute

[WERBUNG] Der Podcast wird gesponsert von Paramount+ – eurem Streaming-Service für Blockbuster, neue Serien und exklusive Originals. Jetzt 7 Tage kostenlos testen: https://www.paramountplus.com/?ftag=IPP-10-10bff2d Ab heute ist Francis Ford Coppola mit seinem lang ersehnten Projekt "Megalopolis" in den Kinos. Den Film, den er mit 120 Millionen Dollar aus eigener Tasche finanziert hat, haben aber weder Sebastian noch Pascal gesehen... weswegen sich die Beiden einfach einen anderen Coppola-Film geschnappt haben: "Der Dialog" mit Gene Hackman. Was der so kann, erfahrt ihr in dieser Ausgabe von "Leinwandliebe". FILMSTARTS-Kritik zu "Megalopolis": https://www.filmstarts.de/kritiken/12934/kritik.html Abonniert den kostenlosen FILMSTARTS-Newsletter: https://newsletters.filmstarts.de/was-gibts-neues-zu-schauen_c301 Music from: https://filmmusic.io “Easy Jam” (https://filmmusic.io/song/3694-easy-jam) by Kevin MacLeod (https://incompetech.com) “Take a Chance” (https://filmmusic.io/song/4457-take-a-chance) by Kevin MacLeod (https://incompetech.com) License: CC BY (https://filmmusic.io/standard-license)

Leweke, Anke www.deutschlandfunkkultur.de, Vollbild

Samtalsämnena står som spön i backen i vårt mest eklektiska avsnitt hittills. Vi snackar om senaste säsongen av The Boys, Tom Hanks och Meg Ryans romcom-trilogi, Coppolas trailer-skandal, Amerikanska presidenters favoritfilmer, Marvels nystart och lite om slutet på tv-seriernas guldålder. Dessutom spoiler-fritt om “Alien Romulus” (2024). Bli Patreon: patreon.com/Movieboxpod Vi som gör podden heter Karsten Karlsson och Henrik Harej. PROGRAMPUNKTER: 00:00:00 Intro+all of the above 00:28:59 Alien Romulus Kontakta oss gärna på: movieboxpod@gmail.com

It's Director's Month! This year we're talking about the Coppolas! We're starting with Sofia's debut film, The Virgin Suicides. We chat about deeper meaning, the depiction of literary tropes, & the death of doodling. Instagram: @heyitstwogirls, @classicSTINA, @daniellecobianchi Twitter: @heyitstwogirls, @classicSTINA ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Two Girls Drink Beer Youtube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Beer Coffee Doughnuts Blog --- Send in a voice message: https://podcasters.spotify.com/pod/show/twogirlswatchtv/message

Cannes 2024: I denne første episoden fra årets utgave av filmfestivalen i Cannes, diskuterer vi Francis Ford Coppolas mye omtalte nye film Megalopolis, før vi også streifer innom titler som Pigen med nålen, Rumours og The Surfer. Vi har sett et stort spenn av ulike filmer på Cannes-festivalen, og sprer som vanlig våre diskusjoner utover en serie podkastepisoder fra Croisetten. Grovt sett kan man si at hovedkonkurransen i år har gitt oss de fleste høydepunktene, mens sideseksjonene på nesten litt uvant vis har frembragt færre perler enn vanlig. Coppolas selvfinansierte drømmeprosjekt Megalopolis er episodens centerpiece, men panelet har også mye å fortelle om sine øvrige opplevelser fra festivalløypa. Ved mikrofonene sitter Lars Ole Kristiansen, Pernille Middelthon, Truls Foss, Sveinung Wålengen og Mads Outzen. God lytting!

Vi ger inte upp! Vi börjar att tala om allt det man inte behöver delta i: facket, EU-valet, sociala medier osv. Lite om SD och trollfabriken — bryr sig någon utom de som lever på att tala om det? — och Johan Pehrsons enastående liberala förmåga att skjuta sig i foten, Hur ska man hantera rysarna? Fråga Finland. Har Claes de Faire ett konto för att marknadsföra Slussen och hur mycket pengar handlar det om, i så fall? Nicky Haslam och alla andra intressanta åttio- och nittioåringar. Däribland, förstås, Gene Hackman. Borrby kulturdagar är på rull. Vi väntar otåligt på at få vår Lidnerska knäpp, apropå Fleetwood Mac och så mastodontfilmens återkomst: Coppola och Costner. Become a member at https://plus.acast.com/s/hakeliuspopova. Hosted on Acast. See acast.com/privacy for more information.

Flickan med nålen är ett gotiskt skräckdrama som tävlar om Guldpalmen i Cannes. P1 Kultur är på plats och träffar filmens svenske regissör Magnus von Horn. Dessutom, hur är nya Mad Max-filmen? Och är Francis Ford Coppolas Megalopolis ett mästerverk eller ett magplask? Lyssna på alla avsnitt i Sveriges Radio Play. P1 Kulturs filmkritiker Emma Engström och Björn Jansson rapporterar direkt från filmfestivalen i Cannes och intervjuar bland andra Magnus von Horn som regisserat ”Flickan med nålen”. Det gotiska kostymdramat hade världspremiär i huvudtävlan i veckan. Filmen utspelar sig i Köpenhamn efter första världskriget och handlar om Karoline, en fattig ung fabriksarbetare, som kommer i kontakt med en hemlig byrå som adopterar bort fattiga kvinnors oönskade barn. Huvudrollerna görs av Vic Carmen Sonne och Trine Dyrholm.En annan film som visats i Cannes är regissörernas egen gudfader Francis Ford Coppolas nya ”Megalopolis”.Och vad kan publiken förvänta sig av nya Mad Max-filmen ”Furiosa”?Programledare: Lisa BergströmProducent: Anna Tullberg

Om Francis Ford Coppolas “The Conversation” (1974) - en New Hollywoodsk thriller med en paranoid Gene Hackman och en antagonistisk (!) Harrison Ford. Det blir snack om Coppolas oöverträffade 70-tal, the Directors Company och lite om Michael Manns kommande “Heat 2” Dessutom kommer en ny del i vår programpunkt Närbild: Tarkovskij där vi går igenom mästerregissörens fullständiga filmografi. Och nu har turen kommit till “Andrej Rublev” (1966). Bli Patreon: patreon.com/Movieboxpod Vi som gör podden heter Karsten Karlsson och Henrik Harej. PROGRAMPUNKTER: 00:00:00 Intro om Heat 2 (lite svagt ljud på Henrik just här men det blir bra sen) 00:08:39 Närbild: Tarkovskij 00:23:44 The Conversation Kontakta oss gärna på: movieboxpod@gmail.com

1974 was a landmark year for film, a convergence of exciting international cinema and the original voices of New Hollywood that still resonates 50 years later. In our new series we invite a different guest for each episode to choose a 1974 movie to talk about, ranging from giant blockbusters to minor cult curios and everything else in between. Despite the domination of Coppolas, Polanskis and Cassaveteses, 1974 really belonged to Mel Brooks. Nearly 50 at the time, the legendary comedy writer had risen from his Borscht Belt origins to release two classic films in one year, 1974's #1 box office smash Blazing Saddles and trailing all the way back at #4 highest grossing picture Young Frankenstein. While both films became instant perennial favorite parodies of then out-of-style genres, Young Frankenstein is a true love letter to the Universal Monster movies of yore and a masterfully-made horror flick that just happens to have jokes in it. We welcome back Pink Smoke favorite and wig expert Kate Wilkinson to join our chorus of praise for co-writer Gene Wilder as Dr. Frederick Frankenstein (sorry, Fronk-en-steen), Marty Feldman as Eye-gor, Teri Garr as Inga, Cloris Leachman as Frau Blücher, Madeline Kahn as Elizabeth, Kenneth Mars as Inspector Kemp, recent Oscar-winner Gene Hackman as the Blind Man and true 70's superstar Peter Boyle as The Monster - each performer at the absolute top of of their game. We discuss the film's origins being deeper than the iconic 1931 James Whale movie, whether this is more a triumph for Brooks (who was banned from casting himself) or Wilder (it was his baby) and how it fit into the comedy mindset of the mid-70's. Wig Wurq on Tumblr: https://wigwurq.tumblr.com/ Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Christopher Funderburg on X: twitter.com/cfunderburg John Cribbs on X: twitter.com/TheLastMachine The Pink Smoke on X: twitter.com/thepinksmoke Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

Svindel bygger på Stridsbergs roman Kärlekens Antarktis, som fick Sveriges Radios romanpris 2019. Men hur blev den laddade intrigen på scen? Teaterkritikern Kristina Lindquist ger sin syn på saken. Lyssna på alla avsnitt i Sveriges Radio Play. FRÅN DÖDENS SYNVINKEL SER LIVET UT SOM EN DRÖMDet är Ingela Olsson som spelar huvudrollen i ”Svindel”. Hon ser sin mamma och pappa, andra hon träffat - och framför allt: sina barn. Regisserar uppsättningen gör Rebecka Hemse, som även tidigare arbetat med Sara Stridsbergs manus, vilket även skådespelaren Ingela Olsson har gjort.... OCH DE DRÖMSKA JUNGFRURNA I SOFIA COPPOLAS TAPPNING ÄR ”SOFT GIRLS”Strax före millennieskiftet kom Sofia Coppolas film ”The Virgin Suicides” - som enligt P1 Kulturs filmkritiker Emma Engström kan vara första tecknet på den aktuella rörelsen Soft Girls. Det handlar om att välja bort stress och press och tänka på sitt eget bästa. En omdiskuterad nutida företeelse, som enligt vissa handlar om en reaktion mot feminismen och enligt andra snarare riktar sig mot det maskulina prestationssamhället. Men Emma Engström frågar sig om jungfrurna i Coppolas film i själva verket inte stod ut med sysslolösheten.BILDNINGSRESAN GÅR TILL LOS ANGELESKanske är det dags att börja tänka på sommarsemestern - och drömresor längre fram? Som tips och inspiration återutsänder Kulturredaktionen ett antal program i serien ”Bildningsresan”, där vi guidar till kulturella platser värda en omväg. I dag färdas vi till Los Angeles. Så följ med på en resa i bilköer och på motorvägar! Till författaren Joan Didions terrass i Malibu, sagoslottet Chateau Marmont och det bohemiska Laurel Canyon där så mycket fantastisk musik kom till i haschdimmorna på 1960-talet. Men, framför allt: häng med vår reporter Lina Kalmteg i en kamp mot yta, klichéer och mytologisering!KLASSIKERN: LOTTE LASERSTEINS MÄSTERVERK ”KVÄLL ÖVER POTSDAM”Målningen ”Kväll över Potsdam” anses vara Lotte Lasersteins främsta. Det glada tjugotalet är slut, det är Weimarrepublikens sista tid då hon 1930 samlade fem vänner på en takterrass med utsikt över Potsdam. Katarina Wikars berättar mer i veckans Klassiker - med hjälp av kulturredaktionens konstkritiker Mårten Arndtzén. Och fram till den fjortonde april kan man se målningen på Moderna museet i Stockholm.I inslaget hörde vi även Odile Nunes läsa ur pjäsen ”Abend über Potsdam” av Lutz Hübner och Sarah Nemitz.Programledare: Jenny TelemanProducent: Mattias Berg

Der Film heißt zwar Priscilla doch letzten Endes geht es nur um ihren berühmten Ehemann Elvis. Ob Jacky aus der Filmspur-Redaktion das Priscilla Presley-Biopic trotzdem weiter empfehlen kann, erfahrt ihr hier.

Wollner, Annawww.deutschlandfunkkultur.de, Vollbild

Suchsland, Rüdigerwww.deutschlandfunk.de, Kultur heute

Starka berättelser om vår tids mest spännande personer. Hör historien bakom kändisskapet. Nya avsnitt från P3 ID hittar du först i Sveriges Radio Play. Nu har vi släppt ett nytt avsnitt, om regissören sofia Coppola. Det här är berättelsen om en filmskapare som föddes rakt in i Hollywoods elit, som har tagit en egen plats där och blivit en nyskapande och framgångsrik regissör med filmer som Lost in translation, Marie Antoinette och Priscilla. Hör bland andra regissören Lisa Langseth om Coppolas filmer och liv. Avsnittet finns att lyssna på redan nu, i Sveriges Radio Play.

Sofia Coppola har gjort en redan omdiskuterad film om Elvis Presleys unga hustru. Priscilla bygger på Priscilla Presleys självbiografi Elvis and Me. Hon var 14 år och Elvis 24 när de träffades. Lyssna på alla avsnitt i Sveriges Radio Play. Expressens filmkritiker Maria Brander och kulturredaktionens Jenny Teleman diskuterar målade tånaglar, mjuka heltäckningsmattor, Elvis Graceland som en gyllene bur i ”Priscilla”. Vem är hon, kvinnan som går genom Sofia Coppolas alla filmer?NY BOK OM VÄXTERNA I EDITH SÖDERGRANS POESII år är det 100 år sedan poeten Edith Södergran dog. Hundraårsminnet uppmärksammas med en bok om växterna i hennes poesi. ”Flora poetica” är skapad av konstnären och formgivaren Martin Bergström tillsammans med Edith Södergran-experten Agneta Rahikainen. Nina Asarnoj träffar henne och besöker Martin Bergström i hans ateljé på Södermalm i Stockholm, där de vackra botaniska collagen i boken vuxit fram.FILMEN OM REALITY WINNER ÄR VECKANS VINNAREVeckans bästa filmpremiär är ”Reality”, enligt vår filmkritiker Björn Jansson. Filmen bygger på verkliga händelser och handlar om Reality Winner som plötsligt blir förhörd av FBI-agenter om sin tid i det amerikanska flygvapnet. De utreder om hon kan ha läckt uppgifter om Rysslands inblandning i det amerikanska valet 2016. Filmen växer till något som kan kallas en förhörsthriller, och Reality döms senare till drygt fem års fängelse. Björn Jansson har intervjuat filmens regissör och manusförfattare Tina Satter. KLASSIKERN: DIVORNAS DIVA MARIA CALLASSopranen Maria Callas lämnade ingen oberörd. Den 2 december skulle hon ha fyllt 100 år och det firar vi i Klassikern där Kerstin Berggren tecknar hennes porträtt.Programledare: Mårten ArntdzénProducent: Anna Tullberg

ADVARSEL: I den sidste del af denne episode kommer vi til at tale noget om selvmord, da vi taler om filmen 'The Virgin Suicides'. Hvis det er noget, du ikke har lyst til at høre, så er du meget velkommen til at stoppe podcasten ved 1:11:00 og evt spole frem til 1:39:45, hvor vi taler de sidste 7 minutter om vores forventninger til ‘Priscilla'. Hvis du har brug for hjælp med selvmordstanker, kan du kontakte Livsliniens telefonrådgivning, 70 201 201, alle årets dage fra kl. 11-05 Instruktøren Sofia Coppola har instrueret filmen 'Priscilla' om Priscilla Presley (gift med Elvis Presley), som går i biograferne netop nu. Men det er ikke første gang, at Coppola fortæller historien om en purung kvinde, der tilsyneladende sidder på toppen af samfundet, men måske ikke har det helt så fedt alligevel. Vi taler om problematiske fremstillinger af kvinder og romancer, ultrafemininitet og æstetisering af kvindelig lidelse i vores undersøgelse af Coppolas bagkatalog med udgangspunkt i filmene 'Lost in Translation' (2003), 'Marie Antoinette' (2006) og 'The Virgin Suicides' (1999). Jeres værter er: Nandi Botha, Niels Otto Olsen Relsted & Sofie Rechendorff Andersen

Was passiert mit Liebe, die unerwidert bleibt? Wird sie zu göttlicher Liebe? Zu einem platonischen Ideal? Und was hat Chris de Burgh damit zu tun? Fragen, die wir in der aktuellen Ausgabe von Rolling Stone Weekly beantworten. Es geht um „Javelin“, das neue Album von Sufjan Stevens, dem vielgeliebten Songwriter und Multi-Instrumentalisten, der nach allerhand Experimenten mal wieder eine zugängliche Song-Platte gemacht hat. Und wir sprechen über den Trailer zu Sofia Coppolas „Priscilla“, der die Geschichte von Elvis' Ehefrau erzählt. Wird das die radikale Gegenerzählung zum Biopic „Elvis“? Folgt der Playlist: https://open.spotify.com/playlist/3R7s2bH3MNPLw6QVYZImbD?si=692d5b2056144a0e Impressum: https://www.mediahouse-berlin.de/impressum/ Musik: Positive Hip-Hop by MaxKoMusic | https://maxkomusic.com/ (CC BY-SA 3.0)

Natalie, eine verheiratete Frau, bricht aus ihrer Ehe und aus ihrem Leben aus, sie erträgt die Enge und die verlorene Selbstbestimmung nicht mehr. Sie setzt sich ans Steuer und fährt quer durch die Vereinigten Staaten. Auf ihrem Trip liest sie „Killer“ auf, einen jungen Mann, dessen strahlende Footballkarriere nach einer schweren Kopfverletzung zuende ist. Killer ist beeinträchtigt und versteht im wahrsten Sinne des Wortes die Welt nicht mehr. Natalie will die gesellschaftlichen Normen nicht mehr akzeptieren, Killer kann die gesellschaftlichen Normen nicht mehr erkennen. Auf ihrem Weg durch die ungeschönte Realität der USA fragt sich Natalie, ob sie die Verantwortung für Killer übernehmen will. Als sie einen Polizisten kennenlernt, eskaliert die Situation.THE RAIN PEOPLE von 1969 gehört zu Coppolas unbekannteren Werken. Als Road-Movie wurde der Film mit kleinem Budget und kleiner Crew auf der Fahrt durch die USA zum Teil improvisiert. Das Spiel von Shirley Knight und James Caan (und später auch Robert Duvall) ist sehr intensiv, Coppola findet für die Konflikte der Protagonisten starke Bilder: Wenn Killer im Hotelzimmer alle Befehle von Natalie befolgt und damit die gesellschaftlichen Konventionen auf den Kopf gestellt werden, wenn beide durch eine Parade stolpern, wenn Killer auf Tiere in Käfigen stößt oder bereits ganz am Anfang, wenn Natalie angewidert sich vom Arm ihres schlafenden Mannes löst und sich aus dem Schlafzimmer schleicht. Den Ehemann lässt Coppola nicht vor die Kamera. Auch wenn Natalie später mit ihrem Ehemann telefoniert, ist immer nur sie zu sehen. Denn das ist Natalies Geschichte, daran lässt Coppola keinen Zweifel.Im Podcast direkt nach dem Film sprechen wir darüber, dass der Film mit seinen Themen Selbstbestimmung, Gleichberechtigung, Verhältnis der Geschlechter und Umgang mit beeinträchtigten Menschen sehr modern und relevant geblieben ist. Wir diskutieren über die beeindruckend inszenierten Flashbacks aus dem Leben der Protagonisten, über ein Amerika der Verlierer, das Filmende und die Bedeutung des Titels. Wir sind uns einig: sehr sehenswert. Am Mikrofon direkt nach dem Film: Birgit, Heidi, Katharina, Peter und Thomas. THE RAIN PEOPLE ist auf DVD in der Originalsprache erhältlich.

Venezia 2023: I denne festivalepisoden fra Venezia diskuterer vi Sofia Coppolas nye film Priscilla, som portretterer relasjonen mellom Priscilla og Elvis Presley. Sofia Coppola tar oss med på innsiden av Graceland, der den unge Priscilla Beaulieu (spilt av stjerneskuddet Cailee Spaeny) flytter inn for å være den ikoniske artisten Elvis (Jacob Elordi) sin nærmeste samtalepartner, kjæreste og senere kone. Forholdet er hovedsakelig platonisk, for Elvis sliter med intimitet og manipulerer Priscilla til å leve og fremstå slik han ønsker – og aller mest trenger han noen som kan fylle tomrommet etter hans mors bortgang. Filmen er basert på Priscilla Presleys selvbiografi Elvis and Me (1985), og er både en Pygmalion-fortelling og en coming of age-historie, ikke ulikt Marie Antoinette (2006). Sofia Coppola slo gjennom som sin generasjons fremste amerikanske modernist med fremmedgjørings-trilogien (Lost in Translation, Marie Antoinette, Somewhere), men har de senere årene dyrket en mer klassisk tilnærming – og i Priscilla gir den minimalistiske fortellerstilen og korthogde dialogen solid avkastning. Vi diskuterer filmen grundig, men uten spoilere. Ved mikrofonene sitter Karsten Meinich, Hedda Robertsen, Lars Ole Kristiansen og Benjamin Yazdan. God lytting!

Salsa y Coppolas

Francis Ford Coppolas Dommedag Nu fra 1979 handler kun på overfladen om Vietnamkirgen. Under den tynde overflade gemmer vanviddet sig sammen med moralen og civilisationens forfald. Filmen var et sandt mareridt at filme og producere, settet blæse væk i en tyfon, det samme gjorde filmens budget i overført betydning, nogle skuespillere var på stoffer og Marlon Brando mødte op på settet uforberedt og ude af form. Dommedag Nu blev nærmest Coppolas egen dommedag, men da strabadserne var overvundet fik et mesterværk præmiere, som stadig i dag sætter dybe spor i filmverdenen. Vi er dog ikke helt enige i studiet om, hvor meget og hvordan. Vi har cand. mag. i historie Nicolai Hansen med som gæst i denne episode og episodens anbefalinger har krigens gru og umenneskelighed i fokus.

We are returning to our special "Wisdom from a Grad" summer series! In this episode, we are talking about Trinity's core value of truth with two very special guests: father-daughter duo, Jamison and Jianna Coppola. The Coppolas are a Trinity family, and they talk to us about standing firm in truth, leading in truth, and raising children to love and seek truth. 

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Don't think of it as a 90 minute episode, think of it as five 18 minute episodes, all at once. Chris breaks down how Apocalypse Now has made the transition to a horror movie, while Tierney provides parenting advice and recaps the Coppolas' troubled marriage.

Christopher Coppola wants to tell you about his dad. In this episode, the filmmaker from the very famous filmmaking family shares his life story with us. Born and raised in Long Beach, he and his brother, Nicolas, spent a lot of time in San Francisco with their uncle, Francis. Christopher starts things off with his dad, August Coppola. According to him, August carried an old family tradition of creativity and "stick-to-it-iveness" into the modern era. His long career in education brought him to SF State, where he was the dean of Creative Arts for many years. He takes us on a sidetrack into some of the possible reasons that there's so much creativity and passion running throughout his relatives as well as his ancestors who date back to southern Italy. ​Then we head into another sidetrack, this time about Christopher growing up in Long Beach with an ill mother and a younger brother who later became a household name. The story involves the two youngsters misidentifying their own Chinese zodiac signs. The next sidetrack involves stories of Christopher riding with motorcycle gangs. This leads to one of his movie ideas—Biker McBeth. ​We talk about the origins of Coppolas in Northern California. It all started with "Uncle" Francis. Following the success of The Godfather, he moved to San Francisco. His brother (Christopher's dad), August, later followed suit. Because their mother was ill, when Christopher and his brother, Nicolas, were around 8 or 9, they were often sent up to The City to spend time with their aunt and uncle. Christopher speaks fondly of his Aunt Eleanor. They called her "mother aunt." During their stays in SF, she would give the kids allowances and send them on their way around town. People would ask if they were "those" Coppolas, which of course they weren't. It bothered both brothers when they were young, but Christopher learned to let it go. We end this episode with Christopher's tales of his and his brother's mischievous, creative lives in Long Beach and how San Francisco served as a sanctuary for them. Check back Thursday for Part 2 and the conclusion of Christopher Coppola's life story. We recorded this podcast at the San Francisco Art Institute in April 2022. Photography by Jeff Hunt

In der heutigen Folge habe ich wieder das Vergnügen mit Chris über Coppolas Version von "Dracula" aus dem Jahre 1992 zu sprechen. Gary Oldmans Paraderolle als Graf Dracula ist ein wahrer Augenschmaus, genauso wie die wunderschönen Sets, die Starbesetzung und der Soundtrack. Leider driftet der Film aber auch immer wieder in etwas Kitsch ab, worüber ich mit Chris ausführlich sprechen werde. Es gibt also nicht nur Lob, sondern auch ordentlich was zu meckern. Wir wünschen gute Unterhaltung!

On this special episode, Mike talks with author Ian Nathan about his work, specifically his latest book, The Coppolas: A Movie Dynasty. The book is available at https://amzn.to/3uS5WBr Learn more about your ad choices. Visit megaphone.fm/adchoices

On this special episode, Mike talks with author Ian Nathan about his work, specifically his latest book, The Coppolas: A Movie Dynasty.  The book is available at https://amzn.to/3uS5WBr

In dieser Folge wagen wir uns mit dem Paten von Francis Ford Coppola an einen Film, den man guten Gewissens als „Epos“ bezeichnen kann, heran. Mit der Verfilmung von Mario Puzos Roman hat Coppola die Art, wie das Publikum einen Mafia-, bzw. Gangsterfilm erwartet von Grund auf revolutioniert. In dessen Mittelpunkt stehen weniger die Aktivitäten des kriminellen Corleone-Konglomerats, sondern die Familie der Corleones und ihre Beziehungen untereinander. Wir beschäftigen uns daher besonders mit den Dynamiken der Corleones untereinander, genauso wie mit Coppolas enormen Leistungen beim Dreh des Films. Nicht untergehen sollen dabei auch unsere Beobachtungen, wie der Film eigentlich das Thema „Mafia“ behandelt und inwiefern der Film Mythen zu ihr schafft und eventuell auch bestimmte Dinge verharmlost oder glorifiziert. "I went to films" erscheint einmal pro Monat mit einem neuen Audiokommentar zu einem Film. Unterstützt uns mit einem kleinen Beitrag: https://steadyhq.com/iwenttofilms/

In the most exciting conclusion of the year, we instead focus on the second part of TSP where Tom and Steve finish up their part of episode 83. Tom and Steve discuss (SPOILERS!!!) the next film on the Criterion List: The Godfather! Part 2!? Yes! The Godfather Part 2! And they gush all over them Coppolas! All of them! And then DiGiorno! So come along with us and learn a thing or two!

This week, we're talking about the Old Country with two (other) delightful humans of Sicilian descent. Returning guest Mike Gravagno (writer / podcaster on Superhero Show Show and Movie Of The Year) battles first timer Kate Dellis (writer / podcaster on Movies I'd Like To Fix) over topics like Mount Etna, Coppolas, the Sicilian Defence and more. Plus we play FMK and "Province or Not?" Give this show a listen, but don't be a rat, or you'll have to be dealt with. ;)Check out Movies I'd Like to Fix: https://twitter.com/movies_fixFollow Kate on Twitter and IG: https://twitter.com/kate_dellis and https://www.instagram.com/kate.dellis.funny.kind/?hl=enSeek out Frank Sinatra Has A Cold: https://en.wikipedia.org/wiki/Frank_Sinatra_Has_a_ColdAnd listen to Mike on The Superhero Show Show and Movie Of The Year: https://podcasts.apple.com/us/podcast/the-superhero-show-show/id959713797 and https://podcasts.apple.com/us/podcast/movie-of-the-year/id1396318858Also, be nice to each other.

Wir beenden die Reise durch Sofia Coppolas Karriere mit der Romanadaption "Die Verführten". Schon 1970 wurde die gleiche Geschichte unter der Regie von Don Siegel verfilmt. Ein perfekter Ausgangspunkt für einen Vergleich. Vor dem Hintergrund der klassischen Version sticht Coppolas einzigartige Perspektive sowie ihre künstlerische Sensibilität besonders stark heraus - aber hört selbst.

Alles auf Anfang: Sofia Coppolas Regiedebüt hat 1999 große Wellen geschlagen, ihr einen Oscar für bestes Drehbuch beschert und die Welt mit Coppolas eigenständiger Erzählweise vertraut gemacht. Schon in ihrem ersten Film schwingt Erinnerung und Melancholie zwischen Kitsch und Klischee und man merkt, dass man in guten Händen ist. Wir vergleichen die Verfilmung von The Virgin Suicides mit der Buchvorlage und versuchen mit den Jungs von Nebenan das Rätsel zu lösen: Warum mussten die Lisbon Mädchen sterben?  

Nyhetssändning från kulturredaktionen P1, med reportage, nyheter och recensioner.

Influencers påverkar miljoner och omsätter miljarder, men hur går det egentligen till bakom den glittriga fasaden? Julia Lundin och Yasmine Winberg har gjort något som få andra journalister ägnat sig åt: granskat den influencerbransch som vuxit till en miljardindustri de senaste 15 åren. En värld av "halvsanningar, bluffsiffror och smygreklam" enligt deras nya bok Badfluence. Hör dem i P1 Kultur tillsammans med Göteborgspostens kulturchef Björn Werner, som just nu rekryterar en ny "influencerreporter" till tidningen. KOLL PÅ COPPOLA Den amerikanska regissören Sofia Coppola (Lost in Translation, Marie Antionette, De bedragna) är tillbaka med komedin "On the rocks" med Bill Murray och Rashida Jones i huvudrollerna. Kulturredaktionens Jenny Teleman och Lisa Bergström diskuterar den aktuella filmen i ljuset av Coppolas tidigare. LILLA AL-FADJI GÖR COMEBACK Mer komedi. Det var 14 år sedan som Felipe Leiva Wengers karaktär Lilla al-Fadji debuterade i SVT. Nu är han tillbaka, med den ettriga svadan och hockeyfrillan intakta, i nya serien Streams på SVT Play. Manusförfattarna Felipe Leiva Wenger, Iman Talabani och Pontus Bjernekull Mörner berättar mer i P1 Kultur. Programledare: Roger Wilson Producent: Mårten Arndtzén

„On The Rocks“ vereint zum ersten Mal seit dem Neuzeit-Klassiker „Lost in Translation“ von 2001 die Regisseurin Sofia Coppola mit ihrem Lieblingsschauspieler Bill Murray. In dieser Tragikomödie lässt sich die New Yorkerin Laura (Rashida Jones) von ihrem Dandy-Vater (Murray) dazu überreden, ihrem Ehemann (Marlon Wayans) nachzuspionieren, den sie der Untreue verdächtigt. Schnell zeigt sich, dass Vater und Tochter dabei ihr eigenes Familienproblem aufzuarbeiten haben. „On The Rocks“ läuft ab dem 2. Oktober in ausgewählten Kinos und auf Apple TV+ ab dem 23. Oktober.

Begeistert das Team Coppola / Murray wie zu „Lost in Translation"-Zeiten? „On The Rocks“ vereint zum ersten Mal seit dem Neuzeit-Klassiker „Lost in Translation“ von 2001 die Regisseurin Sofia Coppola mit ihrem Lieblingsschauspieler Bill Murray. In dieser Tragikomödie lässt sich die New Yorkerin Laura (Rashida Jones) von ihrem Dandy-Vater (Murray) dazu überreden, ihrem Ehemann (Marlon Wayans) nachzuspionieren, den sie der Untreue verdächtigt. Schnell zeigt sich, dass Vater und Tochter dabei ihr eigenes Familienproblem aufzuarbeiten haben. „On The Rocks“ läuft ab dem 2. Oktober in ausgewählten Kinos und auf Apple TV+ ab dem 23. Oktober. Learn more about your ad choices. Visit megaphone.fm/adchoices

Venezia 2020: I denne andre episoden fra filmfestivalen i Venezia rapporterer våre utsendte om Gia Coppolas «Mainstream» og Kornél Mundruczós «Pieces of a Woman».

If we ever feel better – dann hat das meist mit Phoenix zu tun, denn wir sind absolute Phoenix-Phans. Seit „United“, dem Debütalbum, das in diesen Tagen 20 wird, feiern und studieren wir diese außergewöhnlichste und erfolgreichste aller französischen Bands – und haben das Glück, sie auch immer wieder treffen zu dürfen. Diese 4 verwegenen, belesenen und lässigen Garçons mit den Oxford-Hemden und Röhrenjeans, die so galant zwischen Romantik und Rave, Synthies und Soul, Indie, Intellekt und Intuition flanieren in den königlichen Gärten ihrer Heimatstadt Versailles und später in N.Y., L.A., Bayreuth und „Rome“. Zu ihren Weggefährten gehören dabei Air und Daft Punk, die Coppolas und die Karaseks. Phoenix erschaffen Pop mit Panache, obwohl sie sich dem Business immer verweigert haben. Everything is Everything is Phoenix in Folge #024Phoenixmania.

I detta avsnitt berättar vi om hur New Hollywood-eran gick i graven med fokus på två av de filmer som blev orsaken till att detta skedde: William Friedkins djungelthriller ”Sorcerer” (1977) och Michael Ciminos ökända hybrisprojekt ”Heavens gate” (1980). Lastbilar, vackra landskap och ett publikfientligt berättande diskuteras. Dessutom pratar vi Coppolas starka genomslag, Bogdanovichs dåliga karriärsplanerande och hur bl a Scorsese använde musikalen som recept för undergång. - Och hur gick det egentligen för Dennis Hopper? Vi som gör podden heter Karsten Karlsson och Henrik Harej.

In this episode, Jillian and Sophia cover the topic of nepotism and what it means for the entertainment industry. Is talent really everything? They discuss dynasties like the Coppolas, the Smiths and new artists like Billie Eilish and her brother Finneas, as well as some celebrities you may not know have connections in the entertainment business. Our hosts also cover why people are drawn to nostalgia and how it fuels nepotism. Created and Produced by Jillian Chilingerian and Sophia Badalian. Artwork by Alex DaSilva. Music Produced by Kiyoto. Follow us @offscreenwithjillandsoph --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Corey Beck Corey Beck, chief winemaker for Francis Ford Coppola's wine portfolio, is back on California Wine Country today, joining Steve Jaxon, Dan Berger and Barry Herbst from Bottle Barn. Corey grew up in Knights Valley and his grandfather was a vineyard manager for Chateau Montelena. He planted the vineyard that produced the grapes that won the Judgement of Paris. The label said Alexander Valley-Napa, even if Alexander Valley is actually in Sonoma. Dan Berger briefly tells the story of the Judgement of Paris. Steven Spurrier ran a wine shop in Paris and decided to stage a blind tasting competition between his favorite California wines and the best French wines, with French judges. When the California wines won both the white and the red, the French establishment rebelled, but when they restaged it several years later, California won again. Beck started with the Coppola company in 1998 as assistant winemaker. In 2006 they acquired the Sonoma property which is theirs today, complete with swimming pool. The Coppola Family portfolio other properties including Inglenook. “The good news is, we work for a creative genius,” he says. Last Monday night was the award ceremony where Francis Ford Coppola received a lifetime achievement award from Wine Enthusiast. He said, “One of the great joys of my life is that all my family members are now on a wine label.” His Director's Cut wines are made in Sonoma County. Barry Herbst says that Coppola wines did very well in the SF Chronicle competition this year and they are available at Bottle Barn. Corey Beck gives credit to the growers who produce their fruit. They also have a property in Oregon now. According to Dan Berger, Oregon is producing great Riesling, Pinot Gris and Pinot Blanc, in addition to Pinot Noir. Dan says Gamay Noir is hot as a pistol up there, and we don't even get any in California. The Coppolas also have a resort property in Italy. They practice and celebrate the Italian way of life, centered around the dinner table, and including good wine, in all of their locations. They describe the wide variety of brands and labels, especially the Diamond series, a consumer-friendly price point. Dan says that Francis wanted those wines to be dry, not “soft.” Those wines were dry with structure and balance and “...the market place became a little more sophisticated because of what Francis did.” In the mid-90s, when they launched the Diamond Series in the US, there were roughly 3000 wine wholesalers and only 1800 wineries in the US. Now, we have around 600 wholesalers (with some consolidation) and 11,000 wineries in the US. Today that makes it more difficult to get the wines “through that hourglass.” Nothing is easy, with consolidation on the wholesale side and the winery side and many alternatives to wine. A major difference, says Dan Berger, is direct-to-consumer sales. Three years ago, 10% of the wine sold in the US was sold direct-to-consumer, and today that is 40%. That is a huge change and Dan credits Bottle Barn for having the Number One retail concept with their new business model combining the Bottle Barn store with a robust online store that offers delivery.

Corey Beck, chief winemaker for Francis Ford Coppola’s wine portfolio, is back on California Wine Country today, joining Steve Jaxon, Dan Berger and Barry Herbst from Bottle Barn. Corey grew up in Knights Valley and his grandfather was a vineyard manager for Chateau Montelena. He planted the vineyard that produced the grapes that won the Judgement of Paris. The label said Alexander Valley-Napa, even if Alexander Valley is actually in Sonoma. Dan Berger briefly tells the story of the Judgement of Paris. Steven Spurrier ran a wine shop in Paris and decided to stage a blind tasting competition between his favorite California wines and the best French wines, with French judges. When the California wines won both the white and the red, the French establishment rebelled, but when they restaged it several years later, California won again. Beck started with the Coppola company in 1998 as assistant winemaker. In 2006 they acquired the Sonoma property which is theirs today, complete with swimming pool. The Coppola Family portfolio other properties including Inglenook. “The good news is, we work for a creative genius,” he says. Last Monday night was the award ceremony where Francis Ford Coppola received a lifetime achievement award from Wine Enthusiast. He said, “One of the great joys of my life is that all my family members are now on a wine label.” His Director’s Cut wines are made in Sonoma County. Barry Herbst says that Coppola wines did very well in the SF Chronicle competition this year and they are available at Bottle Barn. Corey Beck gives credit to the growers who produce their fruit. They also have a property in Oregon now. According to Dan Berger, Oregon is producing great Riesling, Pinot Gris and Pinot Blanc, in addition to Pinot Noir. Dan says Gamay Noir is hot as a pistol up there, and we don’t even get any in California. The Coppolas also have a resort property in Italy. They practice and celebrate the Italian way of life, centered around the dinner table, and including good wine, in all of their locations. They describe the wide variety of brands and labels, especially the Diamond series, a consumer-friendly price point. Dan says that Francis wanted those wines to be dry, not “soft.” Those wines were dry with structure and balance and “...the market place became a little more sophisticated because of what Francis did.” In the mid-90s, when they launched the Diamond Series in the US, there were roughly 3000 wine wholesalers and only 1800 wineries in the US. Now, we have around 600 wholesalers (with some consolidation) and 11,000 wineries in the US. Today that makes it more difficult to get the wines “through that hourglass.” Nothing is easy, with consolidation on the wholesale side and the winery side and many alternatives to wine. A major difference, says Dan Berger, is direct-to-consumer sales. Three years ago, 10% of the wine sold in the US was sold direct-to-consumer, and today that is 40%. That is a huge change and Dan credits Bottle Barn for having the Number One retail concept with their new business model combining the Bottle Barn store with a robust online store that offers delivery.

Dommedag nu, Coppolas filmklassiker fra 1979, udkommer endnu engang og i en ny version, og vi bruger anledningen til at dykke ned i det litterære forlæg for bogen, nemlig "Mørkets Hjerte" af Joseph Conrad. Det handler om begivenhederne i Congo omkring forrige århundrede skifte, hvor en massiv rovdrift på råmaterialer førte til bestialske metoder. Vi undersøger hvad der skete i Congo, og forsøger at blive klogere på hvordan det kunne ske. Og så ser vi nærmere på hvordan vi håndterer ærekrænkelser i en moderne verden. Engang kunne man udfordre til duel, hvis man følte sig trådt for nært; men hvad gør man i dag? Vært: Mikkel Frey Damgaard. (Sendt første gang 5. december 2019).

Episode 22 : Stanley Kubrick A Biography with Vincent LoBrutto. In this episode we talk to Stanley Kubrick biographer, Mr. Vincent LoBrutto about the his seminal Kubrick biography. Vincent LoBrutto is a teacher of motion picture editing and cinema studies at the School of Visual Arts in New York. He has worked for Fox and HBO as editor and for the ABC television network as a postproduction coordinator. Vincent is also a special member of ACE, which is the the society of American Cinema Editors and has also received the Robert Wise Award for Journalistic Excellence in the Illumination of the Art of Editing. He has edited and written for CinemaEditor, and written for Cineaste and Film Quarterly magazines. He is the author of several books on filmaking, including a series where he interviews some of the best artists in their fields including, Film Editing, Film Sound, Cinematography and Production Design. Vincent has also written several notable  biographies on filmmakers such as Martin Scorsese, The Coppolas and Gus Van Sant, but it’s his seminal biography on Stanley Kubrick that places him firmly in Kubrick’s Universe. Music : Intro music by Boogie Williams / Stanley Kubrick by Mogwai Production Credits : Hosted by Jason Furlong / Written by Stephen Rigg and Jason Furlong / Theme and original music written and performed by Jason Furlong / Produced and edited by Stephen Rigg Links : Vincent LoBrutto Books : https://www.amazon.co.uk/l/B000APL93C?_encoding=UTF8&redirectedFromKindleDbs=true&rfkd=1&shoppingPortalEnabled=true The Stanley Kubrick Appreciation Society (SKAS) - Facebook Group : https://www.facebook.com/groups/TSKAS/ The Stanley Kubrick Appreciation Society (SKAS) - YouTube Channel : https://www.youtube.com/channel/UCRdeqrFNoOrYtWbxwR_GXPA The Stanley Kubrick Appreciation Society (SKAS) - Twitter Page : https://twitter.com/KubrickAS Contact us : stephenrigg.skas@gmail.com Please help the cause by donating Auphonic Credits here : https://auphonic.com/donate_credits?user=SKAS

The reigning families of modern American movies are household names: the Coppolas, the Gyllenhaals, the Afflecks. But what about the Kaufmans? If you are a filmmaker, they have very likely affected your life.  Dad is Lloyd Kaufman, creator of the Toxic Avenger and king of B-movies, whose independent studio Troma Entertainment has produced and distributed more than 1,000 films. Mom is Pat Swinney Kaufman, who was the deputy film commissioner for New York State for 20 years. Their daughter is Lisbeth Kaufman, co-founder of KitSplit, which is now the biggest online camera rental company. Liz Nord speaks with the family and between the three of them, there’s a veritable treasure trove of industry gold.

Francis Ford Coppola was one of the biggest filmmakers coming into the 1980s.  Following multiple bankruptcies and a move into wine making, his more recent works have been largely ignored or quickly forgotten.  Are we, the film viewing public missing something?  Listen and find out.  Hint:  one of Coppola's later works contains Val Kilmer talking to a ghost of Edgar Allan Poe.   Show Notes: http://www.hollywoodreporter.com/review/twixt-toronto-film-review-233925  https://www.yahoo.com/movies/blogs/movie-talk/francis-ford-coppola-talks-twixt-competing-former-self-185226581.html  http://www.rogerebert.com/reviews/rumble-fish  http://www.philly.com/philly/columnists/steven_rea/20080208_Coppolas_magical-realist_mess.html  http://www.rogerebert.com/reviews/the-cotton-club-1984  http://www.wtfpod.com/podcast/episode-822-sofia-coppola  http://www.boxofficemojo.com/movies/?id=youthwithoutyouth.htm http://www.boxofficemojo.com/movies/?id=tetro.htm 

Sofia Coppola (director, Lost in Translation, The Virgin Suicides) chats with Chris about all the different aspects of filmmaking, adapting from book to movie and being a mother to two girls. They also talk about how the Coppolas all have a strong artistic gene, how she got Bill Murray to act in Lost in Translation and the making of her new film The Beguiled!

  We talk Dr Strange and "Fantastic Beasts" and "Where to Find Them." You can actually hear my ego getting stoked! With Nick D & Ganja girl, and Dwayne Hill (not related to Jonah)

Women director’s month continues!  The guys revisit a movie Mike used to dislike only to find out he’s a big ol’ dum dum.  What is it with these Coppolas man? Good movies.   stupid meta tags! Bill Murray, Scarlett Johansson, Sofia Coppola, Japan, Puppies, Baby Ducklings

When oboist, journalist, and author Blair Tindall wrote her memoir, Mozart in the Jungle, she tells us, she didn’t necessarily not think it would become a TV show. But she did stop to marvel at the fact that playing the oboe could lead to buying a dress for the Golden Globes. Last night, the Amazon series based on her book won two Golden Globes: One for Best TV Comedy or Musical, and one Best Actor in a TV Comedy or Musical for Gael García Bernal’s performance as conductor Rodrigo de Souza. (The lesson here being that becoming a classical musician will surely lead to fame and fortune.)   In this Classical Classroom, MusicWorks episode, Tindall talks about life as a classical musician, what led her to write Mozart in the Jungle, and the importance of debunking classical music stereotypes and myths. We also discuss Jason Schwartzman’s impressive facial hair, hanging out with Coppolas, and how an oboe rolls when you drop it on the floor.  Music in this episode: Symphony No. 1 “Low” (aka, the “Low” Symphony). Philip Glass (based on David Bowie’s album, Low) The Planets: Mars, the Bringer of War. Gustav Holst. Played by the Chicago Symphony Orchestra, James Levine conducting. “Lisztomania,” from the album Wolfgang Amadeus Phoenix. Phoenix. Arranged for orchestra by Roger Neill and Suzie Katayama. Audio production by Todd “BB-Todd” Hulslander with fluency in over six million languages by Dacia Clay and editing by Mark DiClaudio.

If you are a child of the ’80s, then you’re very familiar with Meredith Baxter's "Elyse Keaton" character on Family Ties. She was a kind, patient and open-minded mom. The same qualities that Cathy Buck, the proprietor of Cameo Cinema, exudes every day. My friend, Jason Buck, is very lucky to have her for his mom. It is her kind of love and dedication that keep the Cameo thriving, in wonderful St. Helena, CA in the center of the Napa Valley!The Cameo Cinema is beautiful - the oldest single-screen theater in the United States. Kathy and I sat in front of the screen, talking about her background and how she got introduced to the movie theater business. I enjoyed hearing about some interesting guests who’ve arrived at the movies with Secret Service in tow, not to mention Hollywood dynasties such as the Coppolas and Robert Redford who’ve premiered their movies here. I admire her passion and love for the movie arts, and believe that we can elevate our lives through watching, enjoying and studying cinema. If you are ever in Napa Valley, you must attend and see Kathy introducing movies to the audience. Please let this historic place entertain and enchant you!Follow the Cameo:

Waffle On about Apocalypse NowHello and welcome to the latest edition of Waffle On Podcast in which Meds and Kell finally get round to talking about this iconic 1970's film. They have been talking about this film since college and finally got round to recording it. Kell loves it, Meds used to get incredibly irritated by it, do they have the same feelings or has re-living Coppolas masterpiece changed their minds. Download and see. This month is also the fifth anniversary of Waffle On, boom Happy Birthday. Remember you can listen to the podcast via Podbean, iTunes, Stitcher Radio and via your mobile device. Promo played this week is from Jim Moon's brilliant Hypnobobs available as well from the above sources. 

Följ med Lisa Bergström och Roger Wilson på en ljudpromenad genom Cannes centrum. På vägen avhandlas Sofia Coppolas The Bling Ring och François Ozons Young and Beautiful. Och så träffar Sveriges Radios festivalkorrespondenter två litauiska grisar/filmstjärnor på Croisetten.

Colin Marshall sits down in Echo Park, Los Angeles with Roland Kelts, lecturer at the University of Tokyo, co-editor of the literary journal A Public Space, and author of the book Japanamerica: How Japanese Pop Culture Has Invaded the U.S. They discuss whether Japan has yet really figured out how to sell its pop culture abroad; the success of CrunchyRoll.com; his time growing up as a partial outsider in the white northeastern United States, and how anime and manga's focus on the outsider thus resonated with him; the commission he received from the Coppolas to write a story about Japan, which had him live in Osaka for a year; the subsequent offers that came his way to write about Murakami, Miyazaki, and Japanese youth culture; why the Wachowskis like anime so much;  what his youthful Anglophilia revealed to him about the parallels, especially aesthetic, between Britain and Japan; how we even have sushi in American convenience stores, yet nothing like Japanese street vending machines; whether he felt, as did novelist Todd Shimoda, a not-fully-foreign presence in Japan; how he splits his time between New York and Tokyo, and the importance of maintaining ties with his native land; how the geographical oscillation provides him perspective on both cities, and what escapes his attention (Lena Dunham, for example) when he's away from each; the relative lack of coded engagement and easier physical flow of New York; his understanding of American psychology coming through a cross-country drive of vast spaces and non-major cities; and the passing of Donald Richie, which raises questions of how best to write about Japan, a country which must now return to doing more with less.