Podcasts about delicato

Retired Kansas City Police Intelligence Unit detective Gary Jenkins reports his previous contributor, Matt, who he interviewed on a new theory on the Carmine Galante hit, answers questions we have seen on various social media outlets. Matt claims the U.S. attorney and the FBI got it wrong when they alleged and convicted Bruno Indelicato for this murder. Challenging the official story, Matt reveals new theories, missing evidence, and the role of younger mobsters in one of the Mafia's most infamous assassinations. In this bonus episode, I had Matt record his answers to the doubters of his theory. click here to see the book Made on Long Island.   [0:00] Well, hey, all you wiretappers out there, this is Gary Jenkins, as a lot of you know, retired Kansas City Police Intelligence Unit detective [0:06] and now podcast host and producer and all that. And I was contacted by my guest I had on recently, who was only known as Matt. He’s a guy who supplied all the information to the author of Brantley Scarbrough, who wrote Made in Long Island. That was just out a couple of weeks ago. And I’ve never met Scarborough, and I don’t know any more about him. and I’ve never met Matt in person. I’ve had some emails and some Zoom calls with Matt, but I’ve never actually seen him either. But I recognize his accent, and he does come from the Long Island, New York area. And he does have some interesting stories about growing up with younger mobsters and the Bonanno and Gambino families and doing the fireworks business with Gotti and some of the other horse racing fixing business and that kind of thing, but he made quite a claim that the accepted suspects and the hit on the banana wannabe boss, Carmine the Cigar Galante. [1:11] Was not who the government claims it is. [1:14] And the government only claims one guy, and that’s Bruno or Anthony Bruno Indelicato. He claims it was some young guys who had a grudge against Galante, and they heard that this hit was approved by the commission, and they jumped in there and did it before Joe Massino got his crew set and were all ready to go and carry out this approved hit. Now, there’s no dispute that the commission approved this hit, I don’t think. There may be some disagreement about who actually carried it out. I think there’s no doubt that the two Zips, who were bodyguards, Cesare Bonaventure and Baldassario Amato, did not resist the hit. They took no action and just walked out and left, and then were interviewed by the government later on. Of course, they wouldn’t say anything. They probably knew he was scheduled to be hit, and they knew this was coming. And both were promoted in the Bonanno family right after, so that tells you something. Now, in the commission trial, that’s where Anthony Delicato got convicted for the hit on Carmine Galante. And in the commission trial, the government did convict Tony Salerno, boss of the Genovese family. [2:26] Anthony Tony Dux Corralo, boss of the Lucchese family, Gennaro Jerry Lang Langella, the Colombo family acting boss and regular underboss, Salvatore Tom Mix Santoro, who was a Lucchese family underboss. Christopher Christie Tick Funari, Lucchese family consigliere. [2:45] Ralph, little Ralphie Scopo, the Colombo family soldier. Carmine Junior Persico, who was the boss of the Colombo crime family at that time. [2:55] Stefano Canone, Bonanno family consigliere. [3:00] Anthony Bruno Indelicato, Bonanno family capo. Paul Castellano and Mr. Neal, Neal Delacroche, were not in the trial because they died. They were charged, but they died just before the trial. Now, on the YouTube show we did, we got a lot of comments and Matt’s got a lot of questions. And he wants to address and clarify why he doesn’t believe that the government’s claim that Anthony Delacato and two unknown men killed Galante. So I said, you know, I don’t know what to tell you. I said, you know, record and clarify your claim and see if you can address any of these questions that people have had in the comments section. Now, this may end up like all the competing theories on Jimmy Hoffa’s death and where his body by body might be. I don’t know. But at least Frank Sheeran, the Irishman, did not claim the Galante hit as best I can remember. So anyhow, here’s Matt’s story. I just want to say thank you so much for the interest we’ve generated from Gary’s Gangland podcast. [4:03] A lot of learning goes on here, and that’s where I’m going to start off. One item keeps coming up, and believe me, I’m not being the slightest bit condescending. If you don’t study this stuff and look at it, you have no way of knowing this. If you were to punch in right now, because we’ve done it, like Google searches, what evidence was used against Bruno and Delicato? Well, one thing that comes up, and a couple people referenced in the emails and on the posts, was ballistics. [4:27] They had ballistic evidence against Bruno Indelicato. Boy, that’s pretty strong. I mean, ballistic evidence is very, very strong. So let’s go through the ballistic evidence. Let me start off by saying there’s none. What you’re reading on that, and if you read the fine print closely and go back to the source, that is AI-generated garbage. That’s why we don’t like AI. The definition of ballistic evidence would be something like this. We pulled a slug out of a wall. We pulled a slug out of a victim. We locked a guy up. The guy had that gun on him. We matched that slug to that gun. That is ballistic evidence. There was absolutely none of that presented against Bruno Indelicato, despite what AI says. Again, if you take away one thing, please take away the fact that don’t ever use AI as a source. Now, I know one other thing people asked about was the progression on all this. And again, the book details it with so many stories, so many different John Gotti stories in there that people never heard about. But here’s a brief summary of the progression. [5:28] Our friends were young. We were crazy. We dealt fireworks. We dealt so much, they had to bring in the boss. The boss at that time for that area was John Gotti. To us, it was the same as John Smith. We never heard of the guy. He was great to us. We sold a ton of fireworks. He gave us more and more locations, more and more responsibility. Our friends made a fortune. One of our friends, we thought, had a car accident. Two of the bodyguards who helped our friends kill Galante, Baldo and Chesaree, they approached us at a wake and said, look, your friend was not the victim of an accident. Your friend was the victim of a homicide authorized by Galante. We verified there was bulletholes in his car from the impound yard, from the police sources we had. Kept it under wraps for two years. One of the card games, Angelo got word to our friend Tommy that the commission, in fact, did authorize a hit on Galante. The hit was to be done conjunctively with the Gambinos and the Bananos. Our friend Tommy jumped the gate. He said, we’re going to avenge our friend’s death, put together the team that did it. The details are shocking about what our team did to get the hit done. I mean, details you’re shocked about an alibi jumping off of a boat to create an alibi. I want people to read about this. Having police sources helping the hit, Including holding the spaces on July 12th When the hit went down Holding two different parking spaces at that location I hope this helps people Now I want to get back to another one that keeps coming up People keep saying Oh well they’re on tape celebrating. [6:57] People, please, we’ve made some videos on this at YouTube. Go look at them. You can pull them up. They’re online. You can find them. [7:05] There’s a bunch of sources that have them. Watch the raw video. That is not a celebration. That is a beef being put in. Sonny Red Indelicato is furious. He’s going at it with his consigliere, Stefano Canaan, Stevie Beefs. And you can see in his face, you can see his body language and mannerisms. He walks away from him and then he rushes back quickly and goes to his face. That is not a celebration. That’s anger. Stefano Canone actually points in back of him, pointing at the Ravenite. And he’s basically telling him, look, we’ve registered the beef. Neil is inside. Neil is trying to decipher all of this also, because, again, the whole conflict was this. The commission ordered this hit. People say, oh, they approved that. I’m telling you, the commission, the ones who ordered the hit, they gave the work to Joe Massino, who was going to oversee the job. However, the commission specified that it had to be done jointly between the Gambino family and the Bonanno family. Sonny Red and Indelicato was furious that he was left out of the hit. Simultaneously, John Gotti over in Ozone Park, Queens, was furious that he was let out of the hit. [8:19] You just have to understand, in Cosa Nostra, you do not go out and celebrate a hit after it’s done. You don’t even show your face. Everything in a hit like this is meticulously planned and organized. You know exactly where the getaway cars are going to go and who’s going to chop them up. There is no shot in the world that an expert like Sonny Redd is going to leave a getaway car from a triple homicide out in the middle of the street. That does not happen. Let me tell you something. That’s called botching a hit, both of those acts. If you botch a hit in Cosa Nostra, you’re the next one on the other end of the next hit. You’re going to get hit. There’s plenty of cases where people screwed up hits and didn’t dispose of vehicles properly, and they’re the next ones to get hit. So anyone who thinks it’s a celebration and thinks that that’s Cosa Nostra protocol to go out and celebrate is sadly mistaken. That’s why right away the FBI and Cosa Nostra members knew, obviously, Sonny Red Indelicato, his brother JB, Phil Lucky, Bruno and Delicato, all those guys had nothing to do with the hit. If they did, they would have been buried in a safe house. They would not be out in front of what we call the FBI screen test at Mr. Neal’s Club, the Ravenite in Manhattan. Now, people also say another phrase or two that I really love, the smell test. Okay, the smell test. Let’s talk about that. You had two trials going on simultaneously in 1985. [9:48] Same building, Brooklyn, Pizza Connection case and the commission case. The FBI had been broken down into five different squads, one for each family. You know them all, Colombo, Gambino, Lucchese, Genovese, and of course, the Bonanno. Now, the Bonanno section of the FBI, the Bonanno squad, had the most to do in these cases. Most, if not all, the pizza connection focused on the Bonannos, and a good chunk, especially 100% of the Gallant they hit, focused on the Bonannos, and that was in the commission case. These guys talk to each other. They live, eat, and breathe with each other. So if you want to talk about a smell test, can somebody tell me why in Richard Martin, he was the prosecutor, by the way, in the Pizza Connection case, they absolutely refused to say who killed Delonte in that case? [10:39] They came out and said in the indictment and in testimony, three unknown males killed Delonte. [10:46] Now, people talk about it’s easy to see. Bruno and Delicato did it. So you want to tell me that five and six years after the hit, FBI agents that were on the Banano squad, they couldn’t come out and say Bruno and Delicato did it. Why? Because they knew he didn’t. They didn’t want to get a perjury rap. Richard Martin didn’t want to blow his case by telling nonsense that Bruno and Delicato did it. If it was common knowledge that Bruno Indelicato did it, and if there was a legitimate shred of evidence that Bruno Delicato did the work, the Pizza Connection case would have also said Bruno Indelicato is one of the shooters. It did not. That’s what doesn’t pass the smell test. But they even went to an appellate court to throw out any testimony about Galante’s murder in the Pizza Connection case. And sure enough, the judge agreed and said, yeah, we’re not putting one stitch of Galante’s murder in the Pizza Connection case. Now, had those FBI agents in the Bonanno Squad had presented legitimate evidence against Bruno and Delicato in the Pizza Connection case, be it ballistic, be it anything, the judge wouldn’t have done that, but he did. Read the transcripts of the case we have. There was nothing like that presented against Bruno in that case. And again, that’s why the FBI in the Pizza Connection case kept saying, we have no idea who killed Carmine Galante. That is critical for people to understand. [12:10] And last note, I want to get on to people wondering about the Joe Messino angle. Yes, Joe Messino, when he flipped right out after his conviction, he gave up murders all the way back from 1969. Now, Joe Mezzino had a motivation. If he left out any crime or any detail and failed to disclose anything, they throw him out of the program. They did the same to gas pipe case, so they threw him out of the program. So Joe Messino, of course, is going to tell the feds every single thing he knew about the Bonanno family’s involvement with the Galante hit. [12:46] Joe Messino, you know, did come out and say, yes, he got the order and he informed Rusty about the hit. But notice that’s when the trail stops. Joe Messina, who was a hands on guy, never came back and said, hey, Sonny Red did the hit with his kid Bruno and his brother JB. He gave them no details why because he didn’t have details thank you so much again for all of your questions and comments so guys that’s matt’s reasoning and that’s his story the government did not charge or convict any of the others for this murder any other people for this murder in that commission trial now those guys who were convicted were convicted for racketeering under rico and the murder of Galante was not a racketeering. That was a criminal predicate offense that proved that there was an organization known as a commission. It existed, and they ordered criminal acts. And this was a criminal act that they ordered. They need a predicate act where they’ve ordered criminal acts. And the Galante hit was one of them, and murder’s the best one to throw out there. And I think they convicted him based on his palm print on the getaway car that they found. [13:55] They never claimed during the trial to know the other two hit men. So I’ll leave it up to you guys to argue this out in the comments section on my YouTube shows with Matt or on this one here. And he’ll be monitoring those and, you know, come back with any questions that you have. So thanks, Matt, for this interesting look at Young Associates of Gotti and the fireworks business and the horse race fixing business and your theory based on information from your friends in the younger element of the New York mob. And you were kind of on the periphery of that yourself and the people that you [14:29] talked to that were really basically were involved in this hit and the setup. I thought it was really slick using cops to block out parking spots and then to pull out if it was all good to go. And leave the area so that’s uh didn’t have ring cameras and all the cameras back then so we’re gonna never know how much all that’s true you know but it’s uh history is is kind of an agreed upon set of facts or lies or whatever because eventually we agree upon it and that’s becomes the history and this is some of the history of the new york mob in the 70s to the 80s and the murder of Lilo or Carmine the Cigar Galante. Thanks, guys, so much for tuning in. And don’t forget to hit on YouTube, like and subscribe. Post this on your own social media pages and let other people know about the show. We like to get a lot of people watching or listening and watching to the show.  

In this episode of Gangland Wire, retired Kansas City Police Intelligence Unit detective Gary Jenkins takes a deep dive with his guest Matt into the assassination of Carmine Galante—one of the most infamous mob hits in American history. Matt co-authored a book titled Made In Long Island Matt begins by analyzing the controversial footage captured at the Ravenite Social Club shortly after the murder. While federal investigators interpreted the scene as a celebration by those responsible, Matt challenges that narrative. He breaks down the body language and behavior of key figures, including Bruno Indelicato, suggesting the footage actually reflects anger and exclusion—not guilt. The episode introduces guest Matt, co-author of Made on Long Island, who provides an insider's perspective on the inner workings of organized crime. Matt prefers to not give his last name. Together, they explore how the Galante hit fit into a broader power struggle within the Bonanno crime family and beyond. Matt cowrote this book with Bartley Scarbrough. Matt tells a little-known story about Mob dealings with Fireworks around the 4th of July. One story is about a closed store and how they made up for the closed store and gave a fireworks show on the 5th and most of the kids never knew. The conversation expands to include major mob figures such as John Gotti and Sonny Red Indelicato, examining the shifting alliances and rivalries that shaped the events leading up to the assassination. Matt shares firsthand stories of mob life, detailing how communication relied on coded language and payphones—tools that kept operations hidden in plain sight. Gary and Matt dissect the planning behind the hit, revealing a calculated operation involving surveillance, weapon disposal, and carefully constructed alibis. They also address the aftermath, focusing on law enforcement's inability to definitively link the crime to certain suspects—raising questions about whether individuals like Indelicato were wrongly accused.   A central theme emerges: the gap between official narratives and the complex realities of organized crime. Matt argues that investigative misinterpretations—particularly by federal authorities—led to flawed conclusions and, potentially, unjust prosecutions. This episode challenges long-held assumptions about the Galante murder, offering listeners a more nuanced view of Mafia politics, loyalty, and betrayal. It's a detailed reexamination of a landmark mob hit—and a reminder that the truth is often far more complicated than the headlines. Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here. Transcript [0:00] Yeah, if you could just hold the frame right there, I think it’s very important [0:03] to set the stage of what we have here. This is a meeting of Bonanno crime family members, very high up ones, in front of Neil Delacroche’s Gambino headquarters on Mulberry Street, known as the Ravenite. Now, the feds used this tape to say that Bruno Indelicato was part of a conspiracy to murder Galante and that this tape shows the celebration. It does not. This tape is an absolute beef being put in primarily by Sonny Red and Delicato because he was supposed to do the hit jointly with the Gambino family led by John Gotti. He’s furious because at this point in time, he thinks he’s left out of the head. And just before you roll it, this video basically proves to every law enforcement person and every Cosa Nostra member that the people in this video did not do the murder. You don’t go out in Cosa Nostra, commit one of the biggest hits ever, a triple homicide, and then show your face an hour later. It does not work that way. So if you roll the tape, we can see some of the body language on these guys as well. [1:08] The guy in the white is Stefano Canone. He is the family’s consigliere, [1:13] which is technically third in charge, an advisory role. He is already at the Ravenite when everyone else arrives. A key figure in this is Sonny Red in Delicato Wearing a black jacket you’ll see His son is in the white shirt there The younger fellow that’s Bruno in Delicato The only guy that was convicted of this crime Now look at what’s going on here This is not a celebration They’re in the face of him And they’re furious And stop right there if you could, The gentleman in the black jacket right there. [1:44] Sonny, Red, and Delicato, he takes a couple steps back from his consigliere, which is technically his boss, and he turns around in fury, and he’s angry because, again, his team, led by him, was left off the head. Notice also, if you want to keep rolling the tape, he goes to his glasses. This is an absolute sign of anger, as per our body language experts, who, by the way, don’t even know who these people are. The only thing they know is this is a dispute, not a celebration. You notice that when he puts his hand up by his glasses? Now he thinks a little bit better of it because that’s his boss he’s talking to. And that’s a very good sign here. Again, another angle of this is in the Pizza Connection case in 1985. [2:27] Not only in the indictment, but also in FBI testimony, when asked who killed Carmen Galante, they did not say it was Bruno and Delicato and two other masked assailants. They said it was three unknown masked assailants that killed him. That’s what their testimony was. Everybody on the Cosa Nostra side and on the law enforcement side knows what this is. No mob guy commits a triple murder and then goes out to run to a place that we used to refer to as the FBI screen test, which was the Ravenite in Lower Manhattan and Mulberry Street. Everybody knows it, and it’s about time the story gets told, [3:05] and you’re going to see a lot more of this. Hey, all you wiretappers. Good to be back here in studio of Gangland Wire. This is Gary Jenkins, retired Kansas City Police Intelligence Unit Sergeant, and I have a guy here who has a different story and what he would say the real story behind the murder of Carmine Galante. Now, guys, there’s three monumental hits in organized crime history, I would say. The Galante hit… [3:33] Big because of the cigar in his mouth and that picture that was captured, but he was also an important hit in Mob. Now we also had the Anastasia. Anastasia was important and it was also got important, more important because of the photographs. Paul Castellano was important, I think more because of John Gotti than anything, but Carmine Galante and Matt here knows a lot about that hit and a lot about an alternative story to what really happened as it was reported it in the media. So welcome, Matt. Thank you so much for having me on, Gary. I really love your program. I’m happy to be here. All right, Matt, you got a book made on Long Island. Let’s just show everybody the copy of that. There you go, guys. There’s a copy of the book. It’s available on Amazon right now, right, Matt? [4:25] It certainly is. Thank you for putting it up. And one little sentence I’ll draw attention to at the bottom is, no AI was used in this. I know a lot of books are coming out now and people using AI, which I personally think is garbage. This is all handwritten and 440 pages of story after story. Yeah, there’s a lot to it. I guess you were writing under the name of Bartley Scarborough. Yeah, Bart is a good guy. He’s a friend of mine who actually started organizing this with me literally about 15, 20 years ago. Just to give everybody the timetable, we could not release this stuff till now because everybody with criminal culpability is now deceased or one guy is doing life in jail without the possibility of parole for another crime. That’s why we waited so long. Bart organized this stuff. He had me go over the thoughts. And he actually, I don’t know how much he’s going to want to talk about it, but he actually was there when we spoke to some of our friends who gave us extreme detail about this. But in terms of the actual writing, I actually penned it all myself with Bart’s assistant. All right, great. And as you know by now, it’s no easy task to write, especially 400-some pages. That’s a lot of words. That’s a lot of work, guys. Trust me, that is a lot of work. [5:41] You’ve got to keep going over it. Good writing is hard because it takes about three rewritings to actually get it out. Did you find that? [5:51] I did. It’s definitely extremely hard to do with volumes like this going over the past so many years. And plus getting the information from our friends, it was extremely hard to do. It was very time consuming. And I need to stress for the audience, I was not present when any of these major crimes like the homicides went down. I was present for the other things in the book, horse racing, which I’m sure we’re going to talk about later, major fireworks sales. But I need the audience to know that I was not present when the homicides went down, even though I was a juvenile at the time, and that from the proceeds of the fireworks sale and the horse racing, I did not pocket the proceeds like other people did. I know there’s lawyers out there, and I’m paying some $1,000 an hour. I apologize to people, but the lawyers told me 100 times I need to make those facts clear. Okay. All right. You did not do any of this, but you were right next to people who did do this. So we’re talking about firsthand information, correct? That is correct. Now, again, I was there for some of the stuff. I was there for some of the entity in the book. I was definitely there for the major league fireworks deals and participated in those. The horse racing that we’ll get to later, I was there for that. But in terms of the hard stuff, the stuff with no statute of limitations, homicides, I was not there. [7:12] So tell me about these group of guys that you grew up with, that you started doing some of these things. We have some kind of interesting personalities in there. Tell us about those guys. Oh my gosh. We had a real collection of characters is the only way to put it. Now, growing up when we were very young, let’s call it 11, 12, 13, we all really had two goals in mind. We wanted to make money and we wanted to play sports at that age. And that’s what we did. We made money on anything, paper routes, shoveling snow, raking leaves. And what happened was being so competitive, we got into a feud with another group in the same town. Now, there’s no way around it. We were idiots at this age. Some of our guys were carrying guns. Two of the guys in particular, their parents, what we call, were on the job, which means they were cops. So they had access to guns. Another guy was able to get us guns. So the bottom line is you’ve got 13-year-old kids who… That have no fuse carrying guns. Here is where it all started. [8:11] My uncle, like my cousin’s dad, came to one of the baseball games, and we had no idea that he knew the other coaches. And all of a sudden, they realized these kids are carrying guns. They’re going to kill each other. So they sat us down, disarmed us. It’s a pretty funny thing that’s in the book. I remember my uncle saying, whoever has a weapon, you put it on the table right now. I take a sock out of my pocket. He’s, what’s wrong with you? He goes, I asked for weapons, not your dirty laundry. I go, there’s a 25 inside the sock. He was shocked. But what they did was this. They disarmed us. They said, you want to kill each other with fists? Go at it. But we have a better idea. Why don’t you sell fireworks? Why don’t you work for us? You’ll make money doing this. First year, we only had about a week before the 4th of July. We sold out a couple pallets that they had. Now, the second year, I said, can we get these same prices? They said absolutely We went nuts to sell this stuff We ended up with an order for $85,000, And that’s how the order was so big That John Gotti got brought into this He was their boss at the time That’s how we met him And again, people say John Gotti, John Gotti Well to us at the time John Gotti was the same as John Smith The name meant nothing to us. [9:26] So some of these guys, older guys that you started dealing with that sat you down were relatives. There were members of the Gambino family then of Gotti’s crew. That is correct. Yep. Yep. They actually had two guys out of the three guys that sat us down. And by the way, none of us, myself included, ever had even the slightest inkling that these guys were involved in organized crime. You actually had two guys that were Gambino guys and one guy who was also a coach who was with the Genovese. [9:54] That was the actual makeup of the three guys that sat us down. And this was that. What towns are you talking about out there in Long Island? Kind of guys that listen from New York. Sure. This is actually Syosset, believe it or not, which was a upper middle class area. Nice and calm, crime free. And again, most of everybody that was with us was from Syosset. [10:19] Interesting. So the fireworks thing, I’ve always wondered about that. I’ve noticed in Kansas City, the mob guys, several of them every year have these huge, big firework tents. And I started asking around. I found out that they might make $100,000 in about two or three weeks time off those fireworks. There must be immense profit in it. And it’s so that kind of profit and kind of a gray area crime, if you will, in some cities, they don’t allow fireworks to be sold or even to be shot off. Mob likes to get into that and make that money. So tell us a little bit more about how that worked. Who were your customers? You guys went out into the community and sold more. You were more like you weren’t retailers. You were more like found other people to retail. It sounds to me like tell me the nuts and bolts of how that worked. [11:05] That is exactly correct. Now, the first year when they gave us the two pallets with about five or six days, maybe a week before the 4th of July, we sold those strictly to local people we know. And by the way, as kids, we loved fireworks ourselves. We still do. I do. I can speak for myself. We love this stuff. Now, when I saw the prices, for example, that these guys can get us, and I’ll use a barometer, very common in New York, a mat of firecrackers, which is a pack of 80 packs inside, 16 firecrackers to a pack. You could buy that for $8 And it would just fly like hotcakes These guys were selling us the stuff At $3 a mat So all these prices Were anywhere from. [11:49] 70, sometimes even 80% cheaper than what we could sell them for. So the profit, like you said, was utterly enormous. Now we had a full year to work our second year because they said, yes, sell as much as you want, go ahead and get the pre-orders. We contacted everybody we knew. All of our guys had people in other places, Huntington, the town of Huntington, we did big business, other places out in Suffolk and even somewhere in the city. [12:13] And again, for young kids at that age to put together an order for $85,000. She knocked everybody. And that’s what really got their attention. And for that kind of money being fronted to us, that’s why they had to bring their boss in, which was John. The other thing that really shocked us too, I was worried about getting caught. Now the legal penalties for getting caught was nothing. Five or $10 fine, nothing on your record. It was nothing. However, the police could take all your firearms. If they took money like that from young kids, we’re finished. Our lives are over. and to be honest, the organization solved that for us. They sat us down with cops. The cops told us to our face, you will never have a problem. Don’t worry about it. And once I heard, that’s when I told our guys, go ahead and sell as much as you can, and that’s when we got the order for the two tractor trailers. I knew at that point in time, the risk is pretty much gone. Yes, there’s a risk of getting robbed, but we had two of our guys’ older brothers who were a really severe, a tough guy, one that’s referenced in the book a lot, Bubbles. And again, he’s a deceased, and we’ll talk about him more in terms of the Galante hit. So people that are going to rob us really would be like, why would I rob these guys? Look at who they’re with. So in my opinion, we had no risk, and that’s why we went nuts with this. [13:30] That’s the beauty of working with the mob. They usually had connections with law enforcement that could get you protected. Now, you brought Gotti into it. Tell us about meeting Gotti for the first time. [13:39] Was he all that, like they say? Was he just this real charismatic personality that you just wanted him to like you and wanted to do what he wanted you to do? What was that like? I’m glad you brought it up because I’m going to tell you that’s the funniest thing that ever happened to any of us in our lives. And I suspect it might have been one of the funniest things that ever happened to him. When we got this order for the two-tracked trailers, he wanted to meet us with some of his other people. One that turned out to be Angelo, quack, quack, Angelo Ruggiero. And we decided to meet at our friend’s house over in Syosset. It was during a school day, but we had no risk because his dad was a New York City cop. His dad wasn’t there. His mom would be out the whole day playing a card game she played called Mahjong. So we said, yeah, let’s do it at his house. Now, these guys show up. Again, we’re teens. We’re 13, 14, 15 in that range. One, a couple guys maybe a couple years older. And these guys were like in their low 30s. That’s all John Gotti was age-wise when we met him, I would say. [14:39] No older, I wouldn’t think, than 35. I could do the math, but right in that range. All nice cars, nice suits. They come in with all the samples. So we lay them all around my friend Jeff’s house I’m talking about in his stoves, his mother’s piano, the couches and everything And they’re going over stuff and they’re saying, look This stuff here comes $48 to a case Your price, I’m just making up numbers for argument’s sake Your price is $175 a case on this one You can easily sell this stuff for $600 or whatever the numbers were So we’re shocked Now to set the stage My friend’s mom was really A kind of a crazy lady she was very Loud and she was extremely Opinionated if not wild She would always kid my not kid She was serious to my friend Jeff saying You’re a no good bum this Boy’s gonna end up in jail she would berate Our friend into the ground I mean this kid was crazy believe me this kid was Driving us to school at 14 and 15 years Old didn’t have a worry in the world So Yeah. [15:40] This is where the humor came in. She came home unexpectedly. Apparently, one of the card players didn’t show up. They couldn’t do it. She walks into her house, and she sees fireworks all over. She sees us with guys who look like gangsters that are 35 years old, and she blows her stack. She screams, who are these hoodlums in my house? What are these devices these criminals have? What is this fool meaning her son done this time with nuts? And I’ll never forget John says to my uncle who was in there He says did you set this up as a gag? Very low so nothing we could hear except a few people And my uncle had a really weird look on his face He goes I wish I could get off that easy So we figure the deal is all over She’s going nuts I run up to her with the price lists And I say Mrs. Goldberg please I know we like to shoot a fire It’s not about that It’s about making money I show her the list And I reference before the matter firecrackers I point to it. I call these guys firework salesmen. That’s what I call John and Angelo. I go, these firework salesmen here can sell us this amount of firecrackers for $3. [16:49] We can sell it all day long for $8. There’s a fortune in this. So then instead of her blowing up, she goes, tell me more. So that was funny enough. So I go through more prices. And just to set the stage for your listeners, a lot of people in New York might know this term. People outside might not. I’m a Christian, but if you have a non-Christian, Jewish people call him Goy or Goyim. She’s looking at the lists, and she explodes in the loudest voice you’ve ever heard. If the Goyim will buy these devices, then sell them to the Goyim we were. We lost it. [17:24] She said that Angelo, my uncle, a bunch of the guys had to go outside. And I stepped outside with them, too, because they didn’t want to insult her and laugh in her face. I don’t know how John stayed in the house with her, but he did for a while. These guys were laughing so hard, tears were coming out of us. So the neighborhood girls that we knew saw these guys all dressed in suits. They thought we were crying, and they sincerely asked, are you guys okay what happened? It was because we were laughing so hard we started crying. So I said, let me get in here. The fireworks deal is more important. So she went over this stuff with us, telling us how we’re going to make money. Just insanity. The book really expands on this. And then afterwards, when John left the house, he also broke down in laughter. He didn’t want to do it in front of her. He couldn’t take it. Out of respect, he didn’t want to laugh in someone’s face like that. But he walked two doors down, and he freaking lost it. So I think it’s got to be one of the funniest things he’s ever had happen to him in his life. He said it was. And it just got crazier from there. [18:19] Now, was Angelo Ruggiero with him? He was his right-hand man. Was he there on this deal? Yeah, Angelo was there with him. Yep, he sure was. What was he like to deal with as a person? I’ve interviewed his son who has a show. What was he like? Was he funny? He seemed like he talked a lot and was a funny guy. I’m just curious. He did. And again, in the account that you guys are going to read about in the book, Tommy, who’s the main character in this book, who again, deceased and gave me all the interactions he had with him, explains what a nice guy he was. I know he had a violent side. I know he has a lot of hits under his belt, but he was apparently a ton of fun. [18:59] When I interacted with him, I thought he was freaking hilarious. And as you’ll see in the book, Angelo is really the one who fed all the inside information nonstop to our buddy Tommy, Tommy, who at that time was playing cards over at John’s Club in Ozone Park, the Bergen, very regularly at that point in time. And the book really traces Tommy about what happened, his interactions with Angelo, his interactions with everybody else. And when you get to the whole crux of the matter, Angelo is the one who told our good friend Tommy that, hey, the commission has authorized a hit on Galante. And the hit is to be done jointly with our family, meaning the Gambinos, and with the Bananos. And that John was going to be the leader of the Gambino faction. [19:48] Sonny Red and Delicato was going to be the leader of the Banano faction, and Joey Messino was not only the one taking the messages to and from Rusty, which is the Philip Mestelli in jail, but Joe Messino was going to supervise the entire operation. So that was the structure of it. Yeah, that’s what I’ve read about it. And also what you’re saying about Angelo Ruggiero is that’s one reason the Bureau was able to learn so much about Castellano because he would go to meetings at Castellano’s house, if I remember right, come back home and get on the phone or have some people come over. And he talked to him about, he said this and he said this and he said that and he said this. That gave him probable cause then to go into Castellano’s house. So he was known to be loose lips, and that’s why he got the moniker quack quack, I’ve heard. But I also heard it was because of the way he walked, so I’m not sure. No, that’s true. Both of what you’re saying is true. And just to touch on him one more time, very important. He loved my friend Tommy because Tommy got him out of more than a couple of jams. I’ll give an example. There was a guy in the Gambino family up in Connecticut. John always referred to him as the genius Tony Mungali And he put a firework sorter in with Angelo. [21:06] Now, this guy blew his stack because no fireworks came, and he had promised the entire neighborhood a gigantic fireworks show. He had his friends, his people of his family over there, neighbors and no fireworks. This guy blew his stack, and this story is detailed in the book. Tommy got a call from another Gambino guy the morning of July 5th, very early. He was still hungover from partying the night before. He said, oh, my God, what’s this about? It’s got to be something bad. Did somebody blow their hand off with fireworks? What’s going on? And the bad news was that this Tony had put a beef in saying, what’s wrong with you people? You didn’t do what you said. And he was blaming Angelo. Tony was all over Angelo. And the bottom line is Tony was right. It was Angelo’s fault. However, my friend Tommy never threw Angelo under the bus. My friend Tommy ate it. And he basically, it’s a real good recounting in the book. And there’s so many stories like this. There’s hundreds of them. But I’ll give you this one real quick. [22:03] Like, so Tommy basically told Tony Mengele, listen, how old are the kids that you promised this big fireworks show to? And Tony blew up. He’s like, what the F does it matter how old the kids are? But my friend Tommy was smart and he was going somewhere. He’s like, listen, these kids don’t know the difference between July 5th and July 4th. We’re going to come to your house tonight. We’re going to give it the most insane fireworks show anybody in your area has ever seen. We don’t want a dime. We’re so sorry this mistake happened They go up there I was with them at that point. [22:38] Nothing but fun. So welcoming. And again, my buddies, none of us would ever throw Angelo under the bus. And believe me, Tony and his uncle, Sandalo, he tried to pin it on Angelo. We said, no, it’s not his fault. It’s not his fault. Bottom line is those guys loved us. One of Tony’s workers ended up being a gigantic fireworks customer of ours. And to the best of my knowledge to this day, and I’m not involved in it in the slightest, To this day, all one of his guys does is sell fireworks in the Connecticut region. Makes a fortune. Interesting. And so that’s a wild story. But again, Angelo loved Tommy because so many times Tommy would say, look, Angelo didn’t do this. I did. What did Angelo do in return? He gave Tommy so many different pieces of information. And again, I won’t bog you down, but each one of these stories is so interesting. Angelo had some fireworks clubs that he made money on. [23:32] There’s no other way to put it. Angelo was not working much at all. And then one of these meetings, John brought everyone in and said, listen, from now on, these clubs that sell fireworks, particularly Oceanside, New York, Long Beach, Bayville, Massapequa, he goes, I’m giving them to you guys to run. And now, obviously, none of us want anything to do like that. We’re going to cut out his friends. We’re going to end up in a freaking meat grinder or end up in a cement truck. So we all told John we didn’t want it. John said, that’s it. It’s over. It’s yours. so then our next step was to make sure we figured out how much roughly those guys were making. [24:05] I give my friend tommy all the credit in the world he ended up giving angelo more money by a lot, for using the place than angelo ever made doing work and this time angelo doesn’t have to do any work angelo loved us all these guys loved us because we paid them more than they made and now they didn’t have to do a damn thing so our guys were very smart and calculating particularly Tommy, but some of the other ones. And that was a good Angelo story. Yeah, it is. And I’ve read that not only Gotti and in his neighborhood, but other mob guys around in New York and their neighborhoods, they would put on a huge fireworks shows for everybody in the neighborhood every year. Gotti particularly was noted for that. That is interesting, their love for fireworks and fireworks shows. Did they ever front you these things? Did they front you money or did Did they buy the fireworks? [24:56] You guys made this money each year, but I’m sure you’d spend it all. Then the following year, you’d have to come up with money. How did that work? The money worked. You wanted to be able to pay them back if they fronted anything. [25:08] Yes. You have a bunch of good questions here. I’m going to backtrack one second on what you said about guys in the life loving fireworks. That is a hundred percent fact. Love the fireworks and the stuff that people see at some of the celebrations over at the Bergen. Yeah, that was rooted from our guys providing it. Now, here is one of the reasons why John turned over these four locations to us. He had complaints from multiple people. Castellano, I believe Michael Franzese people. These guys went to the fireworks locations on the best days, like July 2nd and July 3rd, and they were closed. And John blew up at that. He’s making me look like a freaking idiot. I’m telling Castellano’s people, it could have been his nephews or little cousins or whatever, go to this place to load up with fireworks for free. These guys go to the place and it’s closed that’s one of the motivating factors why john, turned that business over to us we had it open all the time now in terms of fronting stuff absolutely the money was enormous those guys fronted it to us all the time big loads that’s just how it was young kids like that we can come up with anything near that kind of money. [26:14] And just another tidbit too the lady i told you about who would go wild when we were doing the deal. She offered to fund some money up too. And that’s detailed in the book as well. But yeah, as we got it to like year number three, I don’t remember us ever putting a penny up after year three. It was all fronted to us. Was it all cash too? When you went out to these clubs and these people with the neighborhoods and stuff, would they always just give you cash each year? [26:40] That is a great question, and the answer is yes for the people we retailed to, yes for the people that walked into the stores. However, we had wholesale customers that we would give credit to. Now, I’ll give you this story, which is also detailed in the book real quick. There was a street gang in Huntington. They were known as the Huntington Hitters, primarily Hispanics. They gave us an order, and one of our good friends got back from a younger kid that he helped out before that his older brother was intending to rob us when we dropped off the fireworks. [27:14] So we had what I thought was a brilliant plan made. Tommy was very instrumental in this, and I gave some feedback too. We told these guys, come meet us at this bar out on Jericho Turnpike in Huntington. We have some additional fireworks we want to show you guys and see if you want it, which was a lie. But we knew that they wouldn’t rob us then because we didn’t have anything honest. Let me tell you what we brought to that meeting. We brought Bubbles and two of his guys that were freaking deadly people. And they had freaking gym bags with them. And they said, don’t worry anything about security when we do this deal. And they showed him stuff inside the bags, heavy duty weaponry. So right away, these Huntington hitter group said, these are the wrong people to rob. So sure enough, right on cue, a day or two later, they called my buddy and said, you know what? We don’t want to do the fireworks business. We can’t. That I petitioned, and I got a few of my friends to agree, and Tommy definitely went with it too. You know what? These guys can make a fortune doing this. Let’s front them five or ten grand worth of this stuff and see what happens. And I’m like, it’s not going to cost us anything. Number one, I don’t think they’re going to rob us. If they do, what did we lose? $1,500 at the most? My friends said we were nuts, but we went with it. And I want to tell you, smartest move we ever made. [28:29] As every year we went by, we fronted them more and more. They were our first customer that we ever fronted a full tractor trailer to. Never had a problem getting one cent from them. It’s funny how that evolved. It’s just absolute madness. But again, I give Tommy a lot of the credit here and some of the other guys very sharp to come up with a business plan like this. [28:52] I tell you, this little crew you got in with early on, they were a bunch of hustlers. But you also had this deal with Gotti and horse racing and getting inside information on horse racing. There’s some pretty good stories there that are in the book. Tell the guys a little bit about that point. Then we’ll move on to the Galante hit. [29:11] Absolutely. Now, horse racing was interesting. We would go to a place called Roosevelt Raceway, which is over in Westbury, Long Island. Really not that far from where we lived over in Syosset. Now, again, I know the law was probably you had to be 18 to make a bet. They didn’t care. I was making bets there at 12 and 13 years old. I’ll tell you this one time that they did care, and I’ll get to that at the end of the question you asked, and you’ll see why. So we were clowns, but even as clowns, we could see it. If a horse, these were harness racing, by the way. If a harness race is coming down the stretch, you didn’t have to be a genius to see that one or two of these horses would hold back, but the other two jockeys would whip the crap out of their horses. So naturally, we felt cheated, even at young ages. Our guys were definitely certified. There’s no question about that. Our guys would throw things at the freaking jockeys. I’m talking about golf balls, rocks. Our guys were insane. And a lot of that stuff is detailed in the book, how crazy we were. But to get to your point, after I think it was the third or fourth year, John walked with Tommy. [30:17] And he said, you guys are bringing in so much money and doing so well. I want to give you a gift. And I remember Tommy, because myself and a little bit of Bart, but myself, I had to pull all this out of my friend Tommy. He knew he was going to pass away. And he wanted this story out in the public. Now, this guy, Tommy, never wanted his real name used, but he gave me detail after detail. Some of the stuff, like I’m explaining with the fireworks and the horse racing, I was there myself to see. But on the heavy stuff, he gave me detail after detail. same with a little bit to Bart. So this is how Tommy explained it to us. John gave him a sheet of paper and Tommy being a smartest said, oh, what is this, John? You want me to go play the freaking lottery with these numbers? What do these numbers mean? John, you smartest. Here’s what the numbers mean. The first number was the number of the race at Roosevelt Raceway. The next four numbers were the only four horses that could win. Usually these races had eight horses in them. Once in a while, seven, once in a while, nine, but eight was the norm. Those are the only four horses that can win. And for the audience, I want to explain to them how that’s possible. [31:24] Let’s say you have an eight horse harness race and you tell four of the jockeys, no matter what happens, you are not to come in the top. They’ll hold the horses back. And by the way, this is not just conjectural rumor. These guys got locked up for it later on down the line, jockeys and everybody what they were doing is it hold the four horses back the organization would have no idea what horse was going to win they just knew which four wouldn’t so what did they didn’t bet winner plays to show they would bet exactus triples and sometimes super factors which means all four and box those four around some yeah so in your example. [32:03] Basically, John gave our buddy Tom three races, and Tommy knew that this has got to be damn better than a tip. It has to be rock solid. So what happened was we all went there, and we knew nothing about it. We didn’t know that we should just bet a small amount of money. We had no knowledge about damaging a pool, so I’ll make it easy for the listeners. Tommy overbet these races like crazy. For example, if a three combination triple should pay $1,500, the first thing the FBI and the New York Racing Authority would ask is, why did this $1,500 triple pay only $400? And the reason is, and they knew it because the race was fixed. So everybody was betting those combinations. Now, the organization was smart enough to only bet small amounts of money, and they used the term not to damage the pool. That was a term they used all the time. We don’t want to damage the pool. [33:04] Again, throw us in the mix. We had absolutely no idea. We didn’t know any of this. So Tommy bet the crap out of these races, and he did damage the pool. And that brought the attention of the authorities. But worse than that, another long story in the book goes back to the Connecticut people, because I think the genius Tony Mengele was the one helping to fix the races. So they figured there was a leak on their side. And John Gotti actually thought he was going to get killed over this. And he told people, including Angelo, I might not be coming back from this meeting. I got sent for here. The horse pulls bad because John was really running the horses with Tony and some other guys. Tony grabbed him by chance outside of the Ravenite, Mr. Neal’s club, and they walked. [33:52] And Tony apparently was furious, like, yeah, let’s kill whoever damaged the pool, whoever did this. And then John apparently told him it was us. And then Tony says, oh, man, those fireworks guys, I love those guys. He goes, okay, nothing’s going to happen here. So apparently Tony went into the meeting, and he basically lied to the people there, Castellano and Neil Delacroach, and he says, listen, I found out the leak. The leak is on our side, and I’ll take care of it. And that’s how it worked But again, that ties back to the fireworks If that never happened, I don’t know what would have happened John had every intention of going in there and saying he’s screwed up He didn’t explain to us And he had no business giving us the numbers And he knows that, He did not have permission to give us anything at the racetrack He took it on himself to do it, And he got saved by that stroke of luck Of meeting Tony in front of the club before the meeting Had someone been outside, whoever Tommy Bellotti or anybody said Hey, get inside, the meeting’s going on Those two would not have had a chance to talk. I don’t know what would have happened, but I think it would have been very bad for Sean. Yeah, would have been. Yeah, that’s interesting. Now, explain to the guys about the pool. Everybody doesn’t know about the pool. [35:04] These exactors and trifectas, how that pool works. That is a great question because we had to have it explained to us. Let’s take any racetrack, and the first number you’re going to have is how many people bet on what’s focused on triples. Now, the definition of a triple is horses come in the order of one, two, three. So if you bet a 7-4-3 triple, the race must end 7-4-3 for you to hit that triple. Now, the next variation of that is if you like the 7-4-3, what most people will do is they will do what’s called boxing that triple, which means they have 7-4-3 and that’s a winner. [35:43] But so is 4-3-7. So is any combination. So is 2-7-4. [35:49] 3-7-4. Any of the combination of your three horses win. Now, they can tell what a triple should pay based on the amount that’s spent and what the odds are. Let’s say you have a horse that’s a mid shot, like an 8 or 10 to 1. You have a favorite in there and maybe a halfway of a little bit of a long shot. They know what that should pay in a certain range. Now, if you know that race was fixed, and by the way, it’s all pari-mutual, so the weighting is average. If you’ve got $10,000 in a triple pool and you have 10 winning tickets, each ticket’s going to get paid $1,000. And they would know that’s legitimate and that’s honest. And there should be about 10 people with those combinations. Now, if you have that same $10,000 worth of triple pool, and again, these are round numbers. It’s way higher, just for an example. and all of a sudden you’ve got 105 winning tickets when mathematically there should be 10 or 15 at the most the money drops that thousand dollar prize now might be 210 dollars and that’s what the feds and everyone new york racing authority looks for if you have a horse that’s eight to one first place let’s say ten to one second place and let’s say five to two third place that triple should pay something like, I’m guessing, $400, $500, $600 around that range. If that triple pays only $150, right away they know that somebody knew something. [37:16] Too many people bet on that combination. They know how many people probably will bet on any certain combination. And when that gets skewed, too many people bet on one combination, then they know something’s up. Interesting. That’s like these new sports prop bets in the apps on gambling, on the apps on sports. If all of a sudden there’s a whole lot of money goes out on some team on the spread and too much money goes down in one place, then they know there’s something going on. Somebody knows something and they start looking. [37:48] Exactly. They start looking and you make a great point about today’s sports betting. If you have a basketball player, and again, this is not conjecture. There’s already been indictments on this. Let’s say the guy is supposed to have 11 rebounds in a game. All of a sudden, when he has nine, he tells the coach, man, I hurt my ankle. I can’t play anymore. Now, if the balance was normal on his under and his over, no problem. What do we all know happens? The under money bet on this guy is radical. It’s a 95 to 5 ratio. They know right away it’s fixed. And that’s what I believe the guy in Toronto, the Toronto Raptors was doing. And so many other ones were too, but that’s everywhere. We were involved in that way, way back in the day as well, to some degree. We heard so much about it. Yeah, interesting. [38:34] Let’s get into Carmine Galante. The probably most famous, certainly the most famous image, even more famous than Albert Anastasia of Carmine Galante laying there. He was the Bonanno, longtime Bonanno capo and had risen up in the ranks. And he comes out of the penitentiary and Rusty Rustelli is supposed to be the next Bonanno boss. And Carmine decides that he’s going to act like he’s the boss. So let’s talk about how this whole thing started a little bit. That is a great observation. And that’s pretty much how the ball got rolling with those guys. Here’s how we got involved in this. [39:12] We had one of our good friends who was helping us with the fireworks and going to the clubs and having nothing but fun. And then the one night when Tommy was at the club, the cops came in. And I know a lot of people think, oh, Cosa Nostra doesn’t mix with the cops. People will think that they don’t know what they’re talking about. Look at the convictions with gas pipe cases and everybody else. John had guys on his payroll that ended up getting convicted and stuff. [39:39] The cops and Cosa Nostra do work together. despite what everyone else says. Look at us with the fireworks, for example. So anyway, at the card game, what I was told from Tommy is they kept getting messages after messages. And again, these messages at that time would come in over pay phones. There were no cell phones. So you’d have a guy sitting at the pay phone. And as I’m told, most of the messages would be coded numbers. Let’s say Angelo’s number was 167. The guy would just pick up the phone, tell number 167, which is Angelo. [40:11] Another set of code numbers and that might mean hey the cops are coming over now the cops came into the club they came into the bergen and apparently they told everybody listen nobody here is getting locked up we don’t want information we just need to give you some news and from what tommy says because he was there playing cards at the time they told him that our good friend michael had died in a car accident and they wanted to know should they go and wake his dad up and And his dad obviously was in the life made guy and do it that way. Or did John and Angelo perhaps want to go out to the house? They gave him the option to do it. And John and Angelo, of course, jumped at that. And they, whatever they did, they went at the house. I don’t know if they waited till they woke up in the morning, whatever it was and knocked on the door or whatever. But so that’s what happens now at the wake, by the way, just to make the story a little bit more clear, there. [41:09] This was probably our fourth year or so selling fireworks. And every year we sold fireworks, we met more and more people. So many of it is detailed in the book. I can’t even tell you the list of people we met. And you name it, Tony Ducks, Corralo, all these guys. So we’re meeting more and more people. Two in particular that we started hanging out with because they liked us because we were just crazy, drinking, women chasing maniacs, were Baldo and Chesery. And that’s Baldo Amato and Cheshire Bonventry. They were with the Bananos. And we were hanging out with them. They grabbed my friend Tommy at the wake and pulled him away. And everyone’s thinking, oh, they’re really Sicilian. We call them the Zips. They’re tough guys. They probably just don’t want to show their emotions because they love Michael in front of everybody. We didn’t know what was going on. They informed my friend Tommy that our friend, Michael, did not die in a car accident. It was a basic, supposed to be a warning that turned into a hit. [42:12] And Tommy’s, that’s nonsense. The cops told us the car was off the road. The car was a crumpled mess. That’s nonsense. But Baldo insisted and said, no, these guys shot him off the road. So nobody believed any of this. But we came up with the conclusion of, hey, we’re friends with the cops. The cops will take us to the impound yard. Let’s see for ourselves. House so those guys went over there and what tommy says they found bullet holes in like less than a minute they found a couple bullet holes so they knew right away that baldo was telling the truth now all this was going on other people would tell us don’t trust baldo don’t trust chesery the sicilians are the most ruthless cunning backstabbers you’re ever going to meet and i didn’t feel that way and neither did tommy or the other guys that were involved with us our other friends aunt and The whole gang, Gonzo, we didn’t feel that way at all. We thought they really had our best interest. So. [43:08] That stayed quiet, but two of our friends swore on that day, no matter who did this to our friend, Michael, no matter who they are, we don’t care what their rank or anything. [43:19] We’re going to make them pay for what they did. They’re going to have to answer for what they did to our friend. And we know the rules. You can’t touch a maid guy or an associate without getting permission. But we kept everything quiet for another reason. Michael’s dad I referred to as a maid guy. Now, you talk about crazy. This guy was nuts. This guy had no fuse. He’s detailed all over the book. For example, when John O’Neill would tell him to go out and just talk to a guy, don’t hurt him. This guy owes us a couple thousand. Just talk to him. The guy would end up with two broken arms. This guy had no fuse whatsoever. If he ever thought for a minute that somebody had killed his son, the worry was, and I think the worry is correct, he would have gone out and just killed better than adult targets all over the place. Whether they knew anything about it Which 99% of them knew nothing about this He would have just started killing people He would have started a war So that was the reason why the bosses, Did not want him And to his death he never knew that this happened They kept it from him for that reason There was no stopping this guy would have gone on a rampage So that was a big factor in that, So Then you talked before about the card games And Angelo. [44:30] More of these messages came in And my buddy Tommy noticed it And he said, Angelo, what’s going on? And so don’t worry after the card game, I’ll walk you down and we’ll talk to you. Apparently after the card games, Tommy and Angelo would walk down 101st Avenue and have these long talks. And Angelo said to Tommy, the commission has authorized a hit on Carmine Galante. We got the hit. John is our lead. [44:54] We have to do it jointly with the Bananas. Sonny Red is there, and Joe Massino is going to look at the whole thing and supervise the whole thing. So bells went off on my friend Tommy’s head. All of a sudden, he got everybody together. Not me, of course. I was not there when this transpired. I was not there when they organized the hit. But he got the other guys together, and he said, look, this is the guy who killed our friend. We have no risk now because the commissioner wants this guy dead. So these guys came out with what Tommy detailed to me. And by the way, it wasn’t just Tommy who detailed this to us. Bubbles detailed it to us. And there’s one big distinction I need to mention here. Tommy wanted all of this out. He did not want his real name used. [45:40] However, Bubbles wanted his real name used. He used to hang out with general views people. And he told me, he goes, use my name. I want people to know that I did this. And after he passed and that’s why inside the book we do reveal his real name and where he lived and the interesting thing for me was Bubbles and Tommy had no idea that each one of them was talking to me and to a small degree Bart about this so the details that they both gave were exactly the same the most ingenious hit I’ve ever heard of in my life they had police help from the 8-3 precinct over in Bushwick. Apparently, there was some cop over there that hated, I think it was a family dispute of some kind. The guy who was being, I think his grandmother or aunt or somebody was being shaken down by the bananas. So we had that asset. We now had Baldo and Chesery, who were Galante’s top bodyguards. So our guys went out on surveillance for months. And the funny thing about the surveillance was, who else was doing surveillance at the same time? [46:47] John Gotti was, and so was his people. So there was times like when Tommy and the guys would be close to a certain place. And by the way, he was killed at Joe and Mary’s. But that is not the only place that these guys did heavy surveillance on. And it’s not the only place that Galanti hung out at. So the book names a bunch of other places that the surveillance was done. So these guys would be there, and they’d look down the block, and possibly John and Angela were there doing the same surveillance. So they had to leave. Otherwise, John and Angela, what the hell are you guys doing over here? So that was funny to me on that regard But our guys in my opinion Put together the most ingenious hit Down to every single detail. [47:26] Basically took out the police help to help with the zips. The alibi is another crazy part of this. At that time, we would like to do a lot of fishing. We went off to a place called Sentinel Riches in Long Island. And one time we were night fishing over there and we saw guys jump off the boat, get onto smaller boats and come back an hour or two later with bundles. Now you don’t have to be Albert Einstein to realize what they were doing. They were running junk and they were Colombians. Yeah. So I discussed it a little bit with the boat’s captain and he said, just don’t say a word. Don’t go near him. Keep you guys away. We almost had a problem because again, our guys were drunk and our guys were carrying and our guys will, we came close to having a problem. But Tommy put this together. He had the boat captain go out one day and again, he didn’t tell all the people that were with, he didn’t tell his cousin’s crew for Shaw, who was with us that day, our guys jumped off the boat onto a smaller boat, took that boat to the Oak Beach Inn, took stolen cars in on that day, the July 12th, 1979, and they did the hit. [48:35] So Tommy’s uncle was furious with him. He thought he was lying to him. He goes, you’re lying. You were not there. I put you on that boat, which he did. Our friends were drunk and they drove him there on the road. Morning and i picked you up when that boat doc said don’t lie to me you’re on the boat all day and that’s when tommy and again this is detailed in the book like crazy told everybody can you say alibi and what do you mean he goes yeah you just said we were on the boat all day that’s not true, jumped the boat went to the oak beach and took the stolen cars did the work and came back so that was that shocked everybody in the room apparently when tommy was forced to detail, everything that happened on the hit. He even detailed for them all the cars that were involved. He detailed how the marked police cars actually held parking spaces for our guys in front of the place. One was, my understanding, about a half a block north. The other one was about a half a block south of the location over there, which was 205 Knickerbocker. They held the parking spaces. Our guys rolled up. [49:37] And if there was something going on, like, for example, FBI surveillance or unmarked cops in the place, those cop cars were not giving up the space. Our guys would honk and flash at them. But if they did not give up the spaces, the signal to our guys was the place is dirty, leave. So we had a lot of built-in signals like that. And then when they gave up the parking spots, both of the cops moved from one north heading south, one south heading north. What did that do? That let them both take one more scan of the block. Is the block dirty? And if the block was dirty, they were going to blow the sirens and everything was off. But the details, again, that are in the book about this hit are freaking shocking how meticulous it was. [50:22] Interesting. I have one question that Galante’s guy, Cousin Moy, they called him, Angelo Prezzanzano, I probably butchered that, but he was off sick that day. Was he part of it or was he just off sick that day? I’m going to tell you, to be honest, I have no knowledge of that. I know that Boldo and Chessery were the primary bodyguards that day. Yeah, they were there that day. I actually have no knowledge, but the other couple of details that are just beyond fascinating, how our guys operated on this. For example, when the car pulled up with one driver and three shooters, one of the shooters, again, he wanted to be named, so we’re naming him. It was Bubbles. [51:01] And the other two guys, Bubbles was a very big-built guy. He would easily be spotted. Plus, he knew a lot of people in the city. He stayed in the car. The two guys that were normal-built, they went inside. And I want the listeners to understand how skilled these guys were at this hit. [51:19] They had provided Baldo and Chesery with dark jackets that day. Now, I’ve read some stuff that people said, oh, they had big, heavy leather jackets on. That’s a lie. They were lightweight summer jackets. And people said, why do that? The answer is because at that time, people were wearing white and pastels and light clothing. It was burning hot that day in the summer. And if you want to spot somebody in a restaurant, you want them to stick out like a sore thumb. So that was the motivation for those black jackets. Now, check this one out. And again, the book goes through this in so many more details. Our guys walked in prearranged with Baltimore Orioles baseball hats. Because again, keep in mind, Chesaree and Boulder did not have a great command of the English language. They didn’t really 100% know American customs. And we showed them Mets and Yankee hats that everybody has. So now we show them a distinctive bright orange baseball hat with a bird on it that nobody could mistake. Here was the signal. Our guys walked up to them face to face with these hats on. [52:22] Now, that was slick. That was slicker shit, man. It was smart because if the place was hot, if Boldo and Chesery realized there was too many maid guys in there or surveillance guys or FBI in there, they were to immediately tell our guys it’s too crowded today. Only get takeout. Only get takeout. The place is too crowded. That was a signal to our guys to walk out and to tell the people the place is hot. leave. These guys had multiple hot signals here that if something was wrong, they would do it. Now, if they didn’t give those signals, our guys were to turn their hats around. So they walked in with the hats like a normal baseball player. They walked out with the hats like a catch you would wear with his hat on backwards. That was to give Boulder and Chesery the signal, Boulder and Chesery the signal this thing was going down. Now, here’s the most fascinating thing about the story is Tommy recanted for us. That day, July 12th, 79, was supposed to be a dry run. [53:28] And they told everybody, just do it like it’s real. Now, we were all hoping that Bould on Chesaree would do it like it was real, and they did it. They walked out of the place, and they walked north. I believe in their minds, they said, this is a dry run. Nothing’s going to happen. Then they heard the shots, and that’s what happened. And I want to elaborate on this because, again, there’s so much built in here. One of the witnesses said that, and I’ll tell you who the witness was. It was one of the guys who killed his daughter, Torano. His daughter had said that, oh, I saw Baldo crouched over with a gun. Gary, you’re a former detective. You’ve got a scene with four people shot, three dead. And you have a witness saying that a guy was in there with a gun out. You tell me how the guy is not arrested at the very least and tried. And I’m going to give everyone the answer here of why that didn’t happen. And I think it’s pretty clear. [54:25] I’m convinced that the FBI had static surveillance on the place, just like they did to Mr. Neal’s club that we always call the, basically the FBI screen test. Yeah. That’s number one. And, or they had a guy up the street. So I believe what happened here was they looked at what this witness said, and then either their own cameras or a human agent that they had on the streets said, wait a second, we cannot charge these guys. I saw a bold on Chesaree, whatever the number would be, 200 feet up the street before the shots rang out. They’re innocent. They didn’t do the shooting. Otherwise, of course, you got a witness saying, I saw a guy behind a table in a gun in a quadruple shooting, triple homicide, and that guy’s not going to get arrested. So obviously there was something there. [55:16] I was wondering why. And I’m going to take another step for people, too. And again, terrible. Cosa knows the story ever told. But to take this one step further, the cop cars were there. There were two marked cars close in proximity when this went down. I think the FBI might have said, wait a second here. What just happened? One guy that we hate, Galante, is dead. Some other guy, a cap on a maid guy are gone. Look at our cameras. How could we do anything here? There’s marked cops here. I think the feds had to realize the cops played a role in this. [55:50] Let’s just kill it and move on. I think that’s possible. Now, the cop cars were also referenced by Tommy. He told us the meeting that they had. It was a life or death meeting, by the way. When John Gotti and other people went to that meeting, Tommy’s uncle and people like that, there was a good chance none of them were going to come out alive. The book details that Castellano, who everyone knows, wanted to kill John Gotti, had a cast of killers in that building. Roy DeMail’s people were in there. There were people in there that you couldn’t even believe. Nino Gadge’s people in there. Hardcore butchers. They knew how to dispose of and chop up bodies. So in that meeting, apparently what Tommy made clear, and again, we took notes, we went over this for hours, days, literally years. [56:36] Sonny Red and Delicato made the statement in that meeting because, again, Sonny Red and Delicato put in the beef, hey, you guys did this hit without us. John Gotti’s saying, fuck you. Excuse my language. Effu. You guys did the hit without us. Nobody knew who did this hit, and I’ll get to that later. What happened here was that Sonny Red and Delicato and his people made an immediate beef, and we’ll talk about that later, saying, hey, The commission said this is to be a joint hit Between the Bananos and the Gambinos And I can definitely confirm From what they told me, Banano people and Gambino people Were on this hit together and doing surveillance So when Galante got killed Sonny Red and his Banano people Were furious Because they thought John Gotti went off And did a hit against the commission’s wishes At the same time, John Gotti was furious At Sonny Red and his people Thinking they did the work Without them being notified But the thing that Tommy always stressed is, again, that meeting was a death trap. Castellano always hated Gotti. Castellano wanted Gotti out. And this was the chance to do it for breaking the commission rule. So Castellano had hardcore murderers there that day. Roy DeMeo and his crew. [57:49] Incredible. You know, Gadgi, a cast of murderers. And John Gotti being street smart. And again, this is fully detailed in the book. It’s just too much to talk about here. John Gotti had made some very heavy precautions himself. Going into that meeting. But what the catch for me was, Sonny Red and Delicato said something like, whoever did this hit was either the most incompetent hitman ever, or possibly they were zips from Montreal that couldn’t give a crap if they were shot at or in a police shootout or whatever. They just didn’t care. And then Tommy said, what if I tell you that those cops were in on the hit? And that silenced the room. And that’s when Tommy had to come clean and talk about everything about it. And it shocked the people that were in that run that this hit was done like that. But that’s, that’s really how this thing was done. Interesting. Guys, you got to get this book. I’m telling you, Made on Long Island. And there’s a whole lot more details, these behind the scenes details about the Galante hit with some real people involved. It’s a lot different story than what we’ve ever heard. I know that. And even people went to jail behind this. But it was mainly on the say-so of informants who, as we know, will pretty much say anything to g

All'interno del programma di RadioPNR "Buongiorno PNR", Domenico Cremonte, responsabile della nostra testata giornalistica sportiva, analizza il momento particolarmente delicato del Derthona calcio e ricorda i prossimi impegni sportivi delle compagini tortonesi.

Piccolo, delicato, ma indispensabile: il polso è un'articolazione che usiamo in ogni gesto quotidiano, spesso senza rendercene conto. Ma quanto lo conosciamo davvero? E come possiamo prendercene cura, soprattutto in caso di traumi o sovraccarichi? Con l'aiuto della dottoressa Simonetta Odella, responsabile di Patologia elettiva della mano all'Istituto Ortopedico Pini di Milano, esploriamo il mondo del polso, tra fragilità, prevenzione e cure mirate. E scopriamo perché, rispetto alla "gemella" caviglia, merita un'attenzione tutta speciale.

Mercati in cerca di direzione; Zuckerberg taglia il metaverso e ai mercati piace; Mps, un cda delicato; L'ipo stellare della Nvidia cinese; Il sorteggio dei Mondiali di calcio. Puntata a cura di Gualtiero Lugli - Class CNBC Learn more about your ad choices. Visit megaphone.fm/adchoices

(00:00:00) Un iPhone 17 Pro...prio delicato (00:00:16) Il cambiamento di Apple (00:04:44) Il Problema della Verniciatura (00:09:14) La mia esperienza con l'iPhone 17 Pro (00:14:49) Prime impressioni sul nuovo iPhone (00:21:50) Batteria e autonomia (00:24:15) I nuovi chip (00:26:47) Miglioramenti al display (00:29:07) Possiamo trovargli dei difetti? Settimana cruciale per chi ha acquistato iPhone 17 Pro: in questo episodio vi racconto la convivenza con il nuovo hardware, il dilemma della restituzione e la frustrazione di chi vede confermarsi un vero “Scratchgate”, ormai conclamato.In questa puntata cerco di farvi un'analisi dettagliata tra design, praticità e materiali: il nuovo Pro va fortissimo… ma reggerà la prova del tempo senza cover?Episodio a metà tra recensione tecnica onesta e diario del consumatore deluso.Visita Digiteee e scopri tutte le notizie sulla tecnologiaSegui Digiteee su TikTokDimmi la tua su Twitter, su Threads, su Telegram, su Mastodon, su BlueSky o su Instagram.Mail jacoporeale@yahoo.it Scopri dove ascoltare il podcast e lascia una recensione su Apple Podcast o Spotify.Ascolta An iPad guy su YouTube Podcast.Supporta il podcast

La Federal Reserve annuncerà oggi un taglio dei tassi di interesse di 25 punti base, una decisione che i mercati davano per scontata da settimane. Ma il vero segnale non è nel numero del taglio: ciò che conta davvero sono le parole di Jerome Powell e soprattutto il Dot Plot, la mappa che svela la traiettoria futura dei tassi. In questo video spiego perché non bisogna fermarsi all'annuncio superficiale, ma capire le implicazioni profonde per il dollaro, per i mercati e per l'intera economia globale.Gli Stati Uniti stanno vivendo una fase critica segnata da un debito pubblico insostenibile: ogni 100 giorni il governo aggiunge 1.000 miliardi di dollari al deficit. È la trappola della dominanza fiscale, dove i vecchi strumenti della banca centrale non funzionano più. Se la Fed mantiene i tassi alti, esplodono i costi del debito. Se li taglia, alimenta inflazione e speculazione. Powell si trova senza via d'uscita, e i mercati, tra euforia e paura, sanno che ogni mossa rischia di trasformarsi in un boomerang.

Send us a textDiscovering exceptional value in the wine world feels increasingly rare, but Compass Bridge Sonoma County Chardonnay 2023 proves quality affordable wine still exists. At just $8.99 from Trader Joe's, this newcomer delivers surprising complexity and balance that would satisfy even at twice the price.Behind this bottle stands an intriguing partnership. Compass Bridge comes from Manteca, California and Geyserville - connecting Delicato Family Wines (celebrating their centennial year) and Francis Ford Coppola Winery (acquired by Delicato in 2021). These established producers combine their expertise in creating accessible yet quality-focused wines, resulting in something special for budget-conscious wine lovers.Upon tasting, the wine reveals a harmonious "stew of flavors" - creamy vanilla notes balanced perfectly with refreshing acidity. Stone fruit, dried pineapple, pear, and green apple flavors integrate seamlessly rather than competing for attention. The mouthfeel suggests both partial barrel aging and malolactic fermentation, creating that ideal tension between richness and brightness that makes Chardonnay so beloved. Most impressively, it offers surprising length and complexity on the palate while remaining approachable for casual wine drinkers.Compass Bridge emerges during challenging times for the wine industry, with major producers scaling back operations across California. Yet this bottle demonstrates that strategic partnerships can still deliver exceptional value. Whether you're hosting dinner guests or simply enjoying a weeknight glass, this Chardonnay punches well above its modest price point. The line also includes Cabernet Sauvignon and Pinot Noir varieties worth exploring. If you've been searching for excellent affordable wines, your compass has found true north.Follow our podcast for more hidden wine gems that keep pleasure affordable without sacrificing quality. Your perfect bottle awaits!Check us out at www.cheapwinefinder.comor email us at podcast@cheapwinefinder.com

Ward on Wine - Delicato Family of Wines by

Dall'accordo agricolo tra Italia e Congo al megaprogetto ferroviario del Corridoio di Lobito, il Piano Mattei entra nel vivo tra cooperazione e nuove logiche neocoloniali. In Myanmar arriva una tregua umanitaria dopo il terremoto. In Wisconsin, Musk perde la battaglia per la Corte Suprema contro la giudice Crawford. Intanto, Oslo continua a guidare la transizione verde urbana e l'Europa lancia nuovi strumenti per monitorare inquinamento e CO₂.INDICE:00:00:00 - Sommario00:00:45 - Italia-Africa fra aiuti, neocolonialismo e mire geopolitiche00:10:02 - Come puoi aiutare INMR a crescere00:11:17 - Tregua in Myanmar per consentire gli aiuti00:13:18 - L'elezione di un giudice in Wisconsin e il - forse - declino di Musk00:18:19 - I dazi di Trump00:18:47 - 20 anni di comuni virtuosi00:20:21 - Altre notizie importantiFonti: https://www.italiachecambia.org/podcast/piano-mattei-geopolitica-globale/Iscriviti alla newsletter: https://bit.ly/3ZcEw

Filippo Solaro ha lavorato nel Freeride World Tour e vissuto a Verbier. E' passato dall'avere in camera i poster di atleti come Alex Honnold, Sam Anthamatten e Xavier De le Rue, di cui peraltro è stato più volte ospite a cena, a lavorare insieme a loro. Lo scorso anno in Brasile ha fatto un volo di 250km in parapendio; pratica sci alpinismo e hike and fly, arrampica, corre e va in bici.Filippo è stato fondamentale nella mia transizione da Nike a Hoka, supportandomi nelle negoziazioni e affiancandomi in ogni meeting, call ed email. Mi ha dato sicurezza nei momenti più delicati, aiutandomi ad avere pazienza e offrendo sempre una chiave di lettura anche nelle situazioni più complesse.La sua esperienza è particolarmente interessante perché ha lavorato sia dal lato brand che da quello degli atleti. Per sei anni ha lavorato nello sports marketing come athlete manager per The North Face, seguendo il team di trail, freeride, snowboard, arrampicata e alpinismo. Successivamente ha scelto di lasciare questo ruolo per intraprendere un percorso autonomo, diventando un agente per gli atleti. Per questo, da quando l'ho conosciuto, ho sempre voluto averlo come ospite di questo podcast.In questo episodio cercheremo di dare una prospettiva informata sul delicato equilibrio tra atleti e brand, sulla professionalizzazione della figura dell'atleta elite, su contratti, media, content creation, attività agonistica e molto altro.Links:Filippo IGWebsiteSharing on social media is very much appreciated :)___________________________________Francesco's links: ⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠Strava⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠

Il quadro di riferimento settimanale a cura del Team Advisory di Ersel per la settimana del 17 febbraio 2025. I principali temi: Trump e le sue promesse elettorali, i mercati e i dazi, l'articolo di Draghi, il quadro tecnico dei mercati, i tassi e l'inflazione, il debito tedesco e le elezioni in arrivo. Restate aggiornati e buon ascolto!Il presente podcast è destinato esclusivamente a scopi informativi/ di marketing non sostituendosi al prospetto informativo o ad altri documenti legali di prodotti finanziari ivi eventualmente richiamati. Nel caso, si prega di consultare il prospetto dell'OICVM/documento informativo e il documento contenente le informazioni chiave per gli investitori (KID) prima di prendere una decisione finale di investimento che può essere effettuata solo previa valutazione dell'adeguatezza del servizio o dello strumento finanziario rispetto al profilo individuato con il questionario MiFID. Solo la versione più recente del prospetto, dei regolamenti, del Documento chiave per gli investitori, delle relazioni annuali e semestrali del fondo può essere utilizzata come base per decisioni di investimento. Il presente podcast non costituisce né un'offerta né una sollecitazione all'acquisto, alla sottoscrizione o alla vendita di prodotti o strumenti finanziari o una sollecitazione all'effettuazione di investimenti. Ersel ha verificato con la massima attenzione tutte le informazioni rappresentate nel presente podcast e compiuto sforzi per garantire che il contenuto di questo podcast sia basato su informazioni e dati ottenuti da fonti affidabili, ma non garantisce della loro esattezza e completezza non assumendosi alcuna responsabilità. Ersel non si assume alcuna responsabilità circa le informazioni, le proiezioni o le opinioni contenute nel presente podcast e non risponde dell'uso che terzi potrebbero fare di tali informazioni, né di eventuali perdite o danni che possano verificarsi in seguito a tale uso. Il presente podcast può fare riferimento alla performance passata degli investimenti: i rendimenti passati non sono indicativi di quelli attuali o futuri. Le indicazioni e i dati relativi agli strumenti finanziari, forniti dalla Società, non costituiscono necessariamente un indicatore delle future prospettive dell'investimento o disinvestimento. È vietata la riproduzione e/o la distribuzione del presente podcast, non espressamente autorizzata.

Join the podcast to hear from payroll legend Flora Jebri from Delicato Family Wines

ROMA (ITALPRESS) - Ceci, peperoni e capperi, per un hummus originale e dal gusto delicato, ideale per arricchire aperitivi o pasti leggeri. Perfetto da abbinare a cruditè, pane tostato o una piadina calda. A prepararlo è Angelica Amodei nella nuova puntata di Sorsi di benessere.sat/mrv

Stop alle notizie su Cecilia Sala, la giornalista arrestata in Iran il 19 dicembre e portata nel carcere di Evin a Teheran. Lo chiede la sua famiglia che ha invocato il silenzio stampa in un momento che definisce "complicato e molto preoccupante".

Nella mattinata di mercoledì 30 ottobre, nel programma Degiornalist, Fabiana e Claudio Chiari hanno intervistato Enzo Mazza di Fimi (Federazione Industria Musicale Italiana) per trattare un argomento delicato e molto attuale: il rapporto tra l'intelligenza artificiale e la musica. Di base già da tempo interagiamo con un'intelligenza artificiale "tradizionale" che riconosce le nostre abitudini e spesso ci propone playlist o modelli di ascolto su piattaforme già esistenti. Negli ultimi due anni è però cambiato il fatto che sia subentrata un'intelligenza artificiale "generativa" che assorbe lavori creativi per produrre nuovi materiali, è un tipo di intelligenza che viene quasi "addestrata" e che ha assorbito tutta la musica creata fino ad ora per produrne nuova. Enzo Mazza spiega quante siano le opportunità legate all'intelligenza artificiale ma parla anche dei numerosi rischi: i diritti d'autore che devono essere tutelati, proprio come l'impresa musicale in generale, fino ai consumatori che potrebbero non riuscire più a capire se ciò che ascoltano sia vero o riprodotto dall'AI.

In questo episodio parliamo di un problema comune tra le solopreneur: la paura di fissare prezzi che possano sembrare troppo alti.Ti faccio degli esempi, tratti anche dalla mia esperienza di Money coach, così da farti capire come puoi preservare il valore del tuo lavoro.Parlo anche di strategie per gestire la percezione di prezzi 'troppo alti', e ti insegno come gestire le eventuali critiche.Prenota qui la "Chemistry call", la call conoscitiva di 20 minuti per capire se un percorso individuale è la cosa giusta per te in questo momento, e se fra noi due c'è la giusta chimica..................................................................................................................................

Anche quest'anno tornano le golose e raffinate specialità di Pasqua del Laboratorio di alta pasticceria artigianale di Chef Cannavacciuolo realizzate dal Pastry Chef Kabir Godi secondo tradizione e con ingredienti di altissima qualità. Due novità tra le uova pasquali. Oltre alle versioni classiche, due deliziose novità conquisteranno tutti i chocolate lovers: l'uovo nocciolato al latte e l'uovo cremino al cioccolato fondente. Delicato e suadente come una carezza per il palato, l'uovo nocciolato al latte avvolge con il suo manto di finissimo cioccolato al latte un cuore croccante di nocciole. Una golosa combinazione di consistenze che celebra un grande classico italiano.

Möt Frida Siversen Ljung, copywriter på reklambyrån NORD DDB. Vi snackar om att skriva och skapa reklam för Apollo, Elgiganten och Delicato. Det blir snack om att skapa film, om att vara vänsterhänt och om att inte få det där jobbet man tänkt sig efter att ha gått två år på reklamskola. I inledningen hör du Mattias snacka om nya Copycommunity. Kampanjer i avsnittet: Apollo – Hemlis, Framme och Öka Elgiganten – Hitta din grej (reklamfilm och annons) Delicato – Boll för vänsterhänta Jättegumman hittar du här.

Francesca Ollin torna nel Buena Onda di mercoledì 27 settembre. L'ospite di Laura Basile e Giangiacomo Secchi si presenta oggi anche in veste di biologa marina. «Sono stata anni in Sudamerica a salvare tartarughe marine, è stato anche un momento di spiritualità» ci ha raccontato Francesca. Il tema caldo però è stato la Superluna del raccolto. «Questo evento si verifica quando la Luna si trova nel Perigeo, ovvero nel punto più vicino alla terra - ha specificato l'ospite, aggiungendo che - questo venerdì avremo la luna piena in Ariete, una vera e propria eclissi e vedremo una grande palla infuocata». A detta dell'intervistata, questo «sarà un periodo di cambiamento, così come ce ne sono molti nella vita. Il 28-29 ottobre a Bologna ci sarà Guardarsi dentro con Fabio Ghigi, uno stimolo all'introspezione per trovare le risorse che abbiamo»

Back to Lodi, ZIN capital of the world, the delta breeze, handshake on a porch, more Delicato Family Wines and interview with Ashley Maniti, winemaker at Brazin. ON THE ROAD with MR CA WINE is about California's cool, aspirational lifestyle and awesome wines hosted by Chuck Cramer, a California native, living in London and is the Director of European sales & marketing, Terlato Wines. This is a wine journey covering the hottest topics in CA wine, chatting along the way with the experts who make it all happen. This week's episode includes an interview with Ashley Maniti, winemaker at Brazin in Lodi. 

Noble Vines, 23 years, Delicato, Blocks & Clones, everyday quaffers and interview with James Ewart, director of winemaking, Noble Vines. ON THE ROAD with MR CA WINE is about California's cool, aspirational lifestyle and awesome wines hosted by Chuck Cramer, a California native, living in London and is the Director of European sales & marketing, Terlato Wines. This is a wine journey covering the hottest topics in the world of California wine, chatting along the way with the key influencers in the industry who make it all happen. This week's episode includes an interview with James Ewart, director of winemaking, Noble Vines. 

In questo podcast andremo a toccare piano un discorso molto DELICATO per le persone di SUCCESSO. Ho deciso di parlare di questo, anche per esprimere la mia opinione dopo la vicenda successa con @FattoincasadaBenedettaOfficial

In questo episodio, postato da Orio al Serio mentre attendo il mio volo per Bilbao - Zegama bound: il delicato equilibrio tra road e trail nuove opportunità mediatiche per UTMB e Golden Trail Series la marathon season: Boston e London marathon recap di Maremontana, Istria 100, Gorge Waterfalls, Lake Sonoma, Colmen Trail, Vertical Fenis, USATF Mt Running Champs nuove pregnancy policy e regole di accesso per atleti élite a UTMB rispondo alla prima parte delle vostre domande (allenamento, forza, infortuni, gare a loop, background atletici di runner europei e americani..). Grazie per avermi scritto! Risorse: IRunFar - A guide to trail and ultra running rankings IRunFar - The ethics of running contracts Outside - How guilty should you feel about flying to that destination race Runners World - Runners put pressure on European Athletics to drop Shell as a sponsor Pregnancy Policy di UTMB Elite runners qualification for the UTMB World Series Finals Endless Mileage Podcast: Ciclimo KOMpetente Freetrail - Brice Partouche - Satisfy Singletrack - Brian Metzler - Trail Running media and sports marketing On Coaching - Polarized vs moderate intensity training Supporters: HRV4TRAINING⁠ - con ANYSURFACE25 hai il 25% off sulla versione pro. NAAK - con FPUPPI hai il 15% off su qualsiasi ordine online, Sharing on social media is very much appreciated :) ___________________________________ Francesco's links: Instagram | Twitter | Strava | Website

Pursy torna nella sua città natale in Louisiana, dopo la morte della madre Lorraine, che non ha quasi conosciuto e della quale non ha bei ricordi. Al suo arrivo nella casa fatiscente che fu della donna, Pursy trova Bobby Long, ex professore di letteratura e il suo pupillo, Lawson Pines. All'inizio, la convivenza sarà difficile e burrascosa, ma poi i tre costruiranno un legame intenso, grazie anche ai ricordi di Lorraine, che si scoprirà molto più affezionata alla figlia di quanto la giovane non abbia mai sospettato. Una pellicola poco conosciuta, con uno straordinario John Travolta dai capelli bianchi, ad incarnare un personaggio all'apparenza cinico e sgradevole, ma colmo di sfumature. Una pellicola sorprendente e toccante, che è un inno alla libertà, alla conoscenza ed alla famiglia ritrovata. La colonna sonora da incorniciare accompagna lo spettatore in una Louisiana magica, che dona serenità e riappacifica con sè stessi ed i propri rimpianti, creando forse nuove strade e opportunità verso il futuro. Delicato, intenso, da recuperare se non avete mai avuto il piacere di vederlo.

We're joined by cheese monger, wine-slinger, and overall rad human being, Amber Park. In this episode, Amber gives us a peek into her world as a lover of finer things and being the owner of downtown's own Wanderlust Delicato.

Dei molti figli con cui le sue tre mogli lo hanno arricchito, Priamo ama tra tutti il più giovane Troilo, poco più che adolescente. La bellezza di questo giovane in fiore è tale che alcuni azzardano dirlo figlio di Apollo, più che di un uomo… La perfezione nelle forme, l'armonia nei gesti, l'attenzione a quanto di bello si trovi nelle opere dell'uomo e nelle creazioni della natura lo rendono così attraente che quanti lo vedono ne rimangono immediatamente affascinati. Il suo nome contiene due figure fondamentali e importanti per la storia della sua città: Troilo è composto da due nomi di re notevoli: Troo, il fondatore di Troia e Ilo, suo figlio, primo re a succedere al fondatore. Da quest'ultimo, il nome greco di Troia, Ilio. Troilo, dunque, contiene nel suo nome una sorta di incantesimo o, se vuoi, di un legame con il destino della sua città: egli è depositario inconsapevole del Fato di Troia. Così afferma l'oracolo che gli aleggia sul capo: Troia rimarrà imbattuta se il giovane arriverà a compiere i venti anni.Questo, per i greci si traduce in un solo proposito: Troilo deve morire!.-.-.-.Se ti va di dare un'occhiata al libro, ecco qui un link: https://amzn.to/3Ba1dv1

Billabong and the Burleigh Boardriders Single Fin Festival (Jan 6,7,8) Presents... the last ATS regular ep of 2023 and by God is it a howler! Featuring a full Vans Pipe Masters wrap, wipeouts that'll bust your corn and make ya lips go mondo duck, John John's sexy nuptials, Shaun Manners' phantom illness, The Woz banning sex in Indonesia using Apple watches, the greatest surf movies of the year, the OG Brazzo storm kickin' up a stink and much much more! Keeeeeeding me! Get that up ya 2022!See omnystudio.com/listener for privacy information.

Episode 157 - Cheryl Indelicato, Delicato Family Wines by Michelle Mandro

Ma perché mio figlio viene escluso?Questa è una domanda che troppo spesso i genitori si fanno ed è un argomento molto delicato.Delicato perché nasconde alcune paure.Delicato perché non si sa magari a cosa dare la responsabilità.Il punto è che a volte i bambini non si stanno simpatici tra di loro e non serve andare a cercare motivazioni sulle difficoltà dei ragazzi.Bisogna capire quali sono le motivazioni reali per le quali il figlio viene messo da parte.Se lo farai capirai magicamente non è la dislessia la ragione, ma al massimo la timidezza oppure la difficoltà ad interagire con gli altri.Cosa si deve fare in questi casi? La prima cosa da capire è che le feste riguardano i ragazzi e cercare di inserirsi a tutti i costi per creare momenti di condivisione.Evita di invitare i bambini perché hanno difficoltà.Se tuo figlio è timido fai attenzione alle sue modalità ed al massimo cerca di trovare un contesto nel quale si possa esprimere.Ma non mescolare MAI la dislessia con il carattere.Esistono dislessici timidi, simpatici, antipatici, estroversi, introversi, esattamente come tutte le persone del mondo.

Gianni Rezza, direttore generale della Prevenzione al ministero della Salute, lancia l'allarme: "Il momento è molto delicato.

Il rapporto con i fornitori, le garanzie adeguate che questi devono dare il rispetto dei requisiti richiesti dal GDPR e per la tutela dei diritti dell'interessato. Di questo abbiamo parlato nel precedente episodio di Consulente Legale Informatico, il podcast di Colin & Partners realizzato con il supporto di Radio IT.In quello che stai per ascoltare andiamo invece a occuparci di privacy e marketing. Un binomio cruciale nella vita aziendale, ricco di aspetti che meritano di essere affrontati con la maggior chiarezza possibile.Buon ascolto!LE VOCI DI QUESTO EPISODIOAlessandro Cecchetti - Avvocato, socio e manager di Colin & PartnersIgor Principe - Responsabile editoriale Radio IT

My guest today is Paul Bourget, VP of Consumer Insights for Delicato Family Wines. Paul's team literally gets inside the head of today's wine consumers to help develop new products, create dynamic marketing strategies and drive sales.  It's almost like he predicts the future.  Keep listening to learn about yet another way to jump into the wine industry and check out Paul's advice at the end to help you get your start.  Resources Book a private career coaching session with Karen Wetzel at https://go.oncehub.com/KarenWetzel Receive a 5% discount on any Napa Valley Wine Academy classes, including WSET. Register for your course at napavalleywineacademy and use promo-code NVWApodcast Sign up for our newsletter at https://go.napavalleywineacademy.com/wine-news-that-educates to learn about upcoming events, new courses and free webinars Follow us @napavalleywineacademy on IG, LI & FB and stay connected Connect with Karen on IG @napavalleywinegal To learn more about careers at Delicato Family Vineyards: https://www.delicato.com/careers

L'episodio del sabato, come sempre, lo decidete voi con le vostre domande. Ascolta anche il nuovo episodio di Actually qui: shorturl.at/iAILQ Learn more about your ad choices. Visit megaphone.fm/adchoices

Questa combinazione di suoni di pioggia con un ruscello delicato crea un ambiente rilassante. Il suono della natura blocca i rumori che distraggono mentre il ruscello e la pioggia creano un'atmosfera rilassante. Usa questo rumore bianco per aiutarti a dormire, studiare, fare i compiti leggere o rilassarti. Per noi di Relaxing White Noise, l'obiettivo è aiutarti a dormire bene. Questo episodio dura otto ore senza pubblicità nel mezzo, quindi puoi usarlo come suono per dormire per tutta la notte. Ascoltare il nostro rumore bianco tramite il podcast ti dà la libertà di bloccare il telefono di notte, mantenendo la tua camera da letto al buio mentre ti addormenti. Ti consente anche di passare da un'app all'altra mentre studi o lavori senza interruzioni nel suono dell'ambiente. Relaxing White Noise è il miglior posto online dove trovare rumore bianco e suoni della natura per aiutarti a dormire, studiare o calmare un bambino. Dopo aver raggiunto un miliardo di visualizzazioni su YouTube e altre piattaforme, siamo entusiasti di condividere ora le nostre tracce ambientali rilassanti attraverso il podcast Suoni per rilassarsi. Il rumore bianco è un suono di sottofondo costante che viene utilizzato per bloccare le distrazioni e aiutarti a dormire sonni tranquilli. Se sei tenuto sveglio di notte da vicini rumorosi, musica o traffico, ad esempio, il rumore bianco può aiutarti a coprire quei suoni indesiderati, rendere più facile addormentarti e dormire poi per tutta la notte. Il rumore bianco può anche essere un ottimo strumento per aiutarti a concentrarti mentre studi o lavori coprendo delle conversazioni che ti distraggono. Per i neogenitori, il rumore bianco può essere riprodotto dolcemente per aiutare a calmare un bambino che piange. Infine, Relaxing White Noise offre un'ampia varietà di suoni della natura tra cui pioggia, oceano e temporali e gli scienziati hanno dimostrato che è possibile ridurre lo stress ascoltando questo tipo di suoni registrati della natura. Speriamo che questo podcast ti aiuti a vivere una vita più rilassata! Per trovare più suoni che ti aiutano a dormire o studiare, vai sul nostro canale di YouTube Relaxing White Noise: https://www.youtube.com/RelaxingWhiteNoise *** DISCLAIMER: Ricorda che i suoni forti possono risultare dannosi per l'udito. Se non riesci a conversare senza necessità di alzare la voce durante la riproduzione, potrebbe essere che stai riproducendo il suono con un volume troppo alto per le tue orecchie. Si prega di non posizionare altoparlanti vicino alle orecchie di bambini. Se hai difficoltà a sentire o a senti un ronzio nelle orecchie, interrompi immediatamente l'ascolto e consulta un audiologo o il tuo medico. I suoni forniti da Relaxing White Noise sono solo a scopo di intrattenimento e non sono un trattamento per i disturbi del sonno o l'acufene. Se hai notevoli difficoltà a dormire regolarmente, hai sonno agitato/irrequieto o ti senti stanco durante il giorno, consulta il tuo medico. © Relaxing White Noise LLC, 2018. Tutti i diritti riservati. È vietata qualsiasi riproduzione o ripubblicazione di tutto o parte di questo testo/video/audio.

Delicato rumore di pioggia

Dal nostro telefonino intelligente (o dal tablet, dal pc, dalle smartTV) compiamo tante azioni: acquistiamo, ci informiamo, ascoltiamo la radio, viviamo anche dei momenti di preghiera… ma a volte si L'articolo Il delicato equilibrio tra online e offline è stato appena pubblicato su HopeMedia Italia.

Perché il momento dell'editing è la fase più temuta dagli scrittori?

--Panel---Harry is joined by Wine & Spirits Executive Editor Sarah Barrett for a special edition pod.---Contents---00:00 Intro01:00 Delicato acquires Coppola, what do it mean?03:23 Harry tries to flex and compares himself to Bill Murray in Lost in Translation. Sarah checks him. 04:45 Is it believable that Daniel Craig can date 20 year-olds in Bond movies?05:36 Grokking the challenge to Missouri's in-state vs out-of-state laws. 06:40 Same issue, same players, different decade:  Tom Wark and James Tanner still hammering away at three-tier.08:17 State residency requirements and physical location mandates under attack.14:46 Will the Supreme Court hear the case?  Probably not.---About---Beer Business Daily publisher Harry Schuhmacher joins his editors and other guests every workday as they grok the industry issues of the day.  -Text comments and topic ideas to Harry at:‪ (262) 345-2501‬-Audio feed at HarrysPod.com-Video feed at youtube.com/c/beerwriterTwitter / IG:  @beerbizdaily

O nosso entrevistado é guitarrista, produtor musical, ator, piloto de planador e, também, formado em Direito. Natural de Bauru, interior de São Paulo, ele tem um carreira muito ligada ao universo musical, como também à aviação, em especial, aos planadores. Durante a nossa conversa, ele contou sobre a sua carreira como produtor musical; falou da época que fez parte da banda Professor Antena, na década de 1990; revelou como iniciou o trabalho de ator, se tornando um verdadeiro garoto propaganda, com mais de 50 comerciais realizados e, como não poderia deixar de ser, deu uma verdadeira aula sobre voo em planadores, o voo a vela! Recentemente, o nosso entrevistado lançou, juntamente com um amigo ( também músico), um projeto no Instagram chamado 2 of Us (@2ofusoficial), no qual, uma vez por semana eles publicam um vídeo de 1 minuto com músicas amam. Os vídeos são produzidos, cantados e tocados por eles. É muito legal e já é um sucesso! Nesta entrevista ele explicou mais detalhes sobre o 2 of Us! É com muita alegria que recebemos neste episódio do podcast Outra Visão, Alessandro Delicato, o Alê, o pai do Enzo, que eu sei, tem muito a nos ensinar e várias histórias para contar! Acompanhe a entrevista. Entrevista realizada dia 15 de Março de 2021 LINK – Alessandro Delicato 2 of Us – Instagram - @2ofusoficial - https://www.instagram.com/2ofusoficial/ Aeroclube de Bauru - http://www.aeroclubebauru.com.br/ Federação Brasileira de Voo em Planadores - https://www.planadores.org.br/ Youtube – Professor Antena - https://youtu.be/_l1thGp003o Comerciais – Publicidade - Alessandro Delicato Visa Electon – paGo - https://youtu.be/lZwoSXjLgBo Halls - https://youtu.be/ER-pv42SRIE Cerveja Antártica - https://youtu.be/EoFgF6q2gCQ Positivo Informática – Salvar Arquivo - https://youtu.be/y8L6QpAFebo Positivo Informática - Documento com Vírus - https://youtu.be/Yiq2Wnyp448 Positivo Informática – Processador - https://youtu.be/EXdWQh2pyVM XXX O podcast Outra Visão é uma produção da agência Outra Visão Comunicação. Ideia original, produção e apresentação, Paulo Cunha, o Paulão! Nós temos um site, visite – www.podcastoutravisao.com - Fale conosco! Envie e-mail para podcast@outravisao.com.br Estamos no Instagram, siga @podcast_outravisao

Raccontare la Storia e le storie delle piccole comunità italiane attraverso il videogioco si può, e Monkey Tales Studio lo fa molto bene con A Painter’s Tale: Curon, 1950, raccontando il piccolo borgo altoatesino sommerso nel lago di Resia, partendo dal suo iconico campanile e poi andando a ritroso fino ai giorni immediatamente precedenti al suo allagamento. Delicato e ricco di cultura. Buon ascolto! Soundtraccia: Outcastempo - Alessandro Mucchi / Outcast Sala Giochi Loop - Alessandro Mucchi. A Painter's Tale: Curon, 1950 è disponibile su PC dal 29 gennaio 2021. Noi l’abbiamo provato grazie a un codice Steam ricevuto dallo sviluppatore.

Raccontare la Storia e le storie delle piccole comunità italiane attraverso il videogioco si può, e Monkey Tales Studio lo fa molto bene con A Painter's Tale: Curon, 1950, raccontando il piccolo borgo altoatesino sommerso nel lago di Resia, partendo dal suo iconico campanile e poi andando a ritroso fino ai giorni immediatamente precedenti al suo allagamento. Delicato e ricco di cultura. Buon ascolto! Soundtraccia: Outcastempo - Alessandro Mucchi / Outcast Sala Giochi Loop - Alessandro Mucchi. A Painter's Tale: Curon, 1950 è disponibile su PC dal 29 gennaio 2021. Noi l'abbiamo provato grazie a un codice Steam ricevuto dallo sviluppatore.

Tra il ritorno della Champions e l'immediata vigilia dei sedicesimi di Europa League passando per i punti che iniziano a pesare per il campionato italiano con Patrizia (esperto Atalanta) e Niccolò Villani, in arte Villorulez, (esperto Sassuolo) del sito web forum.gruppoesperti.it.

L'alternativa dal gusto e dall'acidità più leggeri può essere preparata in modi molto diversi. Nel podcast vi diciamo che cosa cercare in etichetta per riconoscere i prodotti di buona qualità 

Un computer piccolissimo. Debole. Delicato. Ma che puo' funzionare a lungo, da solo, consumando pochissimo. Per fare cosa e come usarlo ? Ecco una prima emozione da condividere con voi.

Una recente proposta di legge del senatore Pillon propone di istituire un filtro automatico, attivo di default, per i contenuti pericolosi su internet. Il concetto è ovviamente condiviso e condivisibile, l'applicazione rischia di essere un grandissimo pasticcio.

Entrevista com Cristina Delicato - Relações Públicas sobre o ILP no meio norte do Mato Grosso

Delicato dramma del 1603, contributo davvero originale e in anticipo sui tempi al filone della tragedia domestica. Al centro la tragica vita di un’adultera perdonata dal ricco marito sul letto di morte.

The Gnarly Head Old Vine Zinfandel 2018 is sourced from vineyards in the Lodi AVA of Northern California. Gnarly Head is one of Delicato Family Vineyard's portfolio of wines.Click on the link above to see their family of wine. Delicato has been around since 1924, they are the sixth-largest winery in the United State. They control 6,000 acres of grapevines in Lodi, Napa, Sonoma, and Monterey.The term Gnarly Head refers to a style of pruning the vines. The branches are trained to come out of the stalk three or four feet off the ground. The branches are pruned back to keep them in shape. After several years, these are Old Vines, the vines become gnarled and twisted.Old vines are not a legal term each winery can come up with their definition, but Delicato says some of the vines are over 80 years old. Which brings us to the next question, "what's the big deal about old vines?Grapevines need to suffer to produce great wine grapes. By suffer I mean they do not need to get too much water or be planted in too fertile soil. Most vineyards are planted on rock-strewn sides of hills on land not suitable for crops.So, the struggle for nutrients and moisture is an integral part of the development of the grapes. Old vines naturally struggle, they do not need to be situated on perfect (well perfect for grapevines, kind of bad for most commercial crops) ground to get the full benefits. The struggle is already built-in.Grapevines such as Cabernet Sauvignon, Merlot, and Chardonnay are pulled out and replanted in commercial vineyards when they no longer are in their prime. These grapes are in demand and the vineyards are constantly being renewed. A new vine may take four or five years to produce wine worthy grapes.Zinfandel has been planted in Lodi for over 100 years and for most of its history there was never the demand for Zinfandel wine to cause the vineyard owners to renew their vines. Vines as they get older, maybe around 25 to 30 years, start to slow down their yield, but few vineyards needed to go through the time and expense to replant.That is a very good thing for the Lodi vineyard owners because these old vines are now in demand and sought after. What may have been good vineyards but not standout vineyards are now exceptional vineyards. Good things come to those who wait.The Gnarly Head label was started in 2004 and includes a full line of drink-it-now wines, both Red and White. The Gnarly Head Old Vines Zinfandel 2018 was aged in/on French and American oak. I am always confused when the tasting notes say racked on oak rather than racked in oak barrels. Racked is a wine term about moving the wine from one barrel or tank to another using gravity rather than some sort of pump. So exactly the sort of oak aging isn't specified, but in a wine that I purchased for $8.99 fancy French oak barrels isn't of too much importance. The alcohol content is 14.5%.Gnarly Head Old Vine Zinfandel 2018 Tasting NotesThe color is a dark but still see-thru black cherry red. The nose is rich and weighty, a nice surprise in a sub-$10 wine, there is depth to the aromas. There is ripe blackberry, a hint of herbs, black licorice, smoke from the BBQ, black pepper, black cherry, and spice.

Come sensibilizzare le persone su un tema delicato come il tema del fine vita (Vidas)

Come sensibilizzare le persone su un tema delicato come il tema del fine vita (Vidas)

I processi cognitivi della Mindfulness sono argomento che può intimidire, forse perché (apparentemente) troppo complicato. In realtà si tratta di conoscenze preziose per chi medita, accessibili a chiunque e molto utili per fare chiarezza sulla pratica, sfatarne alcuni miti e quindi, in definitiva, praticare meglio.

Quale scuola frequentare per essere bravi genitori? Nessuna. Solo la vita. Vivere ogni giorno facendo tesoro delle esperienze, accedere alla regione più intima del cuore per trovare conforto, fidarci dell’amore che nutriamo nei confronti dei nostri figli: non c’è altra strada.

Virtuosic violinist Jennifer Koh is known for her commanding performances and technical assurance. Although she performs Tchaikovsky and Bach she's interested in finding the connection between the arts and music of all eras from traditional to now. Jennifer Koh tells us about some of the 60 works that have been written especially for her including a new work by Kaija Saariaho. Hosted by Seth Boustead Produced by Sarah Zwinklis Music Bedeviled by Phil Kline Jennifer Koh, violin Sense by Kaija Saariaho Jennifer Koh, violin The Singing Rooms by Jennifer Higdon Jennifer Koh, violin; Atlanta Symphony Orchestra ; Robert Spano, conductor Graal théâtre: Delicato and Impetuoso by Kaija Saariaho Jennifer Koh, violin; Conner Covington, conductor; Curtis 20/21 Ensemble

Vi har gjort ännu ett konsumenttest! Denna gång testar vi kakor, närmare bestämt dammsugare! Vilken är den bästa, så kallade, punschrullen? De tävlande är ICA, Eldorado, Gille, COOP, Delicato och GoBiten. Fyra gullisar smaskar myser och pratar arraksrullar! Dessutom är tävlingen tillbaka! Lyssna på avsnittet och följ instruktionerna för att tävla.     #punschrulle #dammsugare #kakor … Fortsätt läsa 140. Dammsugartest Inlägget 140. Dammsugartest dök först upp på En Kvart i Veckan.

Avsnittet presenteras av Constant Reader, The English Bookshop, Las Mulas och Delicato. I onsdags var det då dags för oss att fira att vi prick på den dagen blev en förbannad ettåring. Vilket år det har varit. Och vilket bra kalas det blev. Vi höll till på vår favoritbokhandel The English Bookshop på Södermannagatan i Stockholm. På plats fanns Constant Reader som sålde några av våra favoritböcker, Las Mulas bjöd på vin och Delicato bjöd på Delicatobollar. Som ni förstår, var det en hejdundrande kväll. Ja, och så livepoddade vi också. Med en publik. Och det är just denna födelsedagspodd som vi bjuder er på denna vecka. Skål! Böcker vi pratar om Korpringarna Mats Strandberg, Färjan Julia Skott, Håll käften jag räknar Jennifer Lynch, Laura Palmers dagbok Judy Blume, 13 år Jonas Gardell, Torka aldrig tårar utan handskar Kakan Hermansson, Hela Kakan Kristina Sandberg, Att föda ett barn Kristina Sandberg och Lotta Kühlhorn, I köket hos Maj Åsa Linderborg, Mig äger ingen Jennifer Niven, Som stjärnor i natten Elizabeth Hand, Generation Loss Elin Bengtsson, Ormbunkslandet Aleksandr Solzjenitsyn, En dag i Ivan Denisovitjs liv Göran Hägg, 1001 böcker du måste läsa innan du dör Patrick Modiano, Lilla smycket Jill Alexander Essbaum, Hausfrau Alex Schulman, Glöm mig Sofia Nordin, Det händer nu Jenny Jägerfeldt, Brorsan är kung

Henrik äter en Toscanatårta från Delicato och funderar över om den skulle funka bra tillsammans med ett vin från Toscana.

TESTO DELL'ARTICOLO ➜ https://www.bastabugie.it/3989IL GENITORE E' UN MESTIERE DI CRISTALLO: BELLO, MA DELICATO di Andrea Torquato Giovanoli Prima che diventassi genitore, la mia idea di paternità girava attorno all'aspirazione di essere per i miei figli un padre anche solo leggermente migliore di quanto lo era stato il mio per me: essendo stato lui tutto sommato un buon padre, mi dicevo, in tal modo avrei portato un miglioramento qualitativo alla generazione successiva e, se i miei figli avessero condiviso la mia stessa idea di paternità, a loro volta sarebbero stati per i miei nipoti, padri anche solo leggermente migliori di me, perpetuando in tal modo una sorta di circolo virtuoso della paternità nella nostra famiglia.MA QUANDO SONO DIVENTATO GRANDE...Poi però papà ci son diventato davvero e così mi sono reso conto che puntare ad essere un padre anche solo leggermente migliore di quanto lo sia stato il proprio non basta affatto.Questo perché mi è stato dato di comprendere che un papà, per i propri figli, costituisce la prima immagine che essi hanno di Dio (almeno fino all'approdo dell'adolescenza): tale è la portata della paternità umana.Ma d'altro canto anche se sei chiamato ad essere il dio di tuo figlio, rimani pur sempre un essere soltanto umano, e per quanto cerchi di aspirare alla perfezione, nulla mai, finché vivi, ti permetterà di affrancarti dalla tua creaturalità, dalla tua finitezza e quindi dalla tua ontologica, ineluttabile caducità.E questo è un problema: poiché, secondo logica, per via di tutti quegli errori che, nonostante tutte le tue buone intenzioni, inevitabilmente farai come padre, i tuoi figli si faranno una prima idea di Dio plasmata proprio sul tuo modo di interpretare la paternità.E si sa: la prima impressione è la più difficile da convertire.Ecco che allora ti piglia un po' lo sconforto: poiché di errori, caro mio, ne fai ogni giorno.E così pensi ai disastri educativi che farai con i tuoi figli e di quanto questi poi peseranno sulla loro vita. Di come presto essi, per quelle piccole e grandi sofferenze che infliggerai loro a causa dei tuoi sbagli, ti vedranno per quello che sei: un genitore imperfetto, deludente, del cui peso sentiranno prima o poi la necessità di disfarsi.PERCHÉ QUESTA È LA REALTÀ DELLE COSEMa è un bene che sia così, davvero: giacché l'uomo è sempre tentato dall'ambizione d'essere lui padrone della realtà e s'illude di avere il controllo sulla sua vita, invece lo scontrarsi con la propria natura scrausa ti ricentra su Chi sia il vero genitore dei tuoi figli, di cui tu puoi essere soltanto, giocandotela al meglio delle tue capacità, al massimo una pallida imitazione, ma verso il Quale ti rimane comunque il debito di una vocazione: la consapevolezza che i tuoi figli sono prima di tutto Suoi, e Lui, a te, li ha solo affidati perché tu li aiuti a compiere quel destino a cui loro sono chiamati e che è il ritorno al loro originale Genitore per rimanere con Lui in un'eterna comunione d'Amore.Ecco che allora, una volta messa nuovamente a fuoco questa verità, lo sconforto per la propria ontologica inadeguatezza viene spazzato via dalla bellezza umile e preziosa di quanto la Misericordia Divina soccorra l'uomo in ogni circostanza della sua vita, ribaltandone il plumbeo orizzonte in una prospettiva nuovamente tersa: poiché proprio le tue mancanze come genitore saranno l'occasione per i tuoi figli di guardare attraverso la tua fragilità, per scrutare oltre la tua finitezza nello scoprire la magnifica realtà di quel Padre vero che li ama d'Amore perfetto ed imperituro.UN MESTIERE DI CRISTALLO, BELLO, MA DELICATOPerché quello del genitore è un mestiere di cristallo: tanto bello, ma anche tanto delicato, da vivere cercando di essere il più possibile trasparenza di Dio, epperò pur consapevoli che la nostra, per quanto poco, rimarrà sempre una superficie smerigliata, almeno finché vivremo. Tuttavia la Misericordia del Padre, quello vero, è tale per cui anche le nostre incrinature possono essere rivolte a favore di quel destino di bene cui è vocato ogni figlio, e la nostra opacità, agli occhi di chi ci vede inadeguati, serve a mettere in maggior risalto la perfezione della Sua Luce, cosicché i nostri figli smettano il loro sguardo adorante su di noi per rivolgerlo a Colui che solo ne è degno.

Tolfte podden! Fredrica har (nästan) gått och blivit bundis med Annika Lantz och Glenn Hysén. Peter mår bra och pratar om skid-VM/-OS (eller vad det nu var). Och så om tjejsemlor, könsroller, blodiga olyckor och konsten att äta en hel Delicato-boll i en enda tugga. Maila oss? Gärna! Fredricaopeter@gmail.com. Kram och kärlek!

Elizabeth Rice of Delicato Family Vineyards talks about the winery and their different brands and wines.

Il nome di Rosalba Carriera è tra i più importanti dell'arte del Settecento. Si avvicinò alla pittura di miniature e di piccoli ritratti a pastello, perché secondo la mentalità del tempo erano, in pittura, le realizzazioni più adatte a una donna, e furono proprio i suoi delicati ed eleganti ritratti a pastello che la fecero diventare una delle personalità artistiche più influenti, famose e richieste d'Europa. Rosalba Carriera iniziò a dipingere da sola, nell'ambiente familiare, e poi viste le sue doti fu a bottega a Venezia, la sua città natale, da Giuseppe Diamantini e Antonio Balestra: di lì a pochi anni diventò un'artista autonoma che seppe conquistarsi le attenzioni di collezionisti d'arte, diplomatici, sovrani di tutta Europa. La sua arte fu sempre molto fedele a se stessa e non conobbe mai una decisa evoluzione: oggi con Ilaria e Federico scopriamo i capolavori di questa grande artista che seppe costruirsi un ruolo di primissimo piano nella sua epoca.

Il nome di Rosalba Carriera è tra i più importanti dell'arte del Settecento. Si avvicinò alla pittura di miniature e di piccoli ritratti a pastello, perché secondo la mentalità del tempo erano, in pittura, le realizzazioni più adatte a una donna, e furono proprio i suoi delicati ed eleganti ritratti a pastello che la fecero diventare una delle personalità artistiche più influenti, famose e richieste d'Europa. Rosalba Carriera iniziò a dipingere da sola, nell'ambiente familiare, e poi viste le sue doti fu a bottega a Venezia, la sua città natale, da Giuseppe Diamantini e Antonio Balestra: di lì a pochi anni diventò un'artista autonoma che seppe conquistarsi le attenzioni di collezionisti d'arte, diplomatici, sovrani di tutta Europa. La sua arte fu sempre molto fedele a se stessa e non conobbe mai una decisa evoluzione: oggi con Ilaria e Federico scopriamo i capolavori di questa grande artista che seppe costruirsi un ruolo di primissimo piano nella sua epoca.

Tra tutti gli scultori che operarono durante il Rinascimento, Desiderio da Settignano fu il più delicato di tutti: le sue opere sono dense di dolcezza, di lirismo, di raffinatezza, di grazia. Genio molto precoce, a poco più di vent'anni era già un artista autonomo e affermato, e si specializzò soprattutto nei ritratti: meravigliosi e unici sono le sue opere che ritraggono bambini e ragazzine. Ma Desiderio seppe anche essere artista ufficiale e portò la sua delicatezza anche nei monumenti che importanti personalità dell'epoca gli commissionavano. Formatosi osservando gli esiti dell'arte di Donatello, addolcì notevolmente lo stile del grande scultore e continuò le sue ricerche sulla tecnica dello stiacciato, di cui fu uno dei più grandi interpreti. Un genio precoce che scomparve a poco più di trent'anni di età: chissà quanti altri capolavori avrebbe potuto regalarci altrimenti. Scopriamo la sua arte con Ilaria e Federico!

Tra tutti gli scultori che operarono durante il Rinascimento, Desiderio da Settignano fu il più delicato di tutti: le sue opere sono dense di dolcezza, di lirismo, di raffinatezza, di grazia. Genio molto precoce, a poco più di vent'anni era già un artista autonomo e affermato, e si specializzò soprattutto nei ritratti: meravigliosi e unici sono le sue opere che ritraggono bambini e ragazzine. Ma Desiderio seppe anche essere artista ufficiale e portò la sua delicatezza anche nei monumenti che importanti personalità dell'epoca gli commissionavano. Formatosi osservando gli esiti dell'arte di Donatello, addolcì notevolmente lo stile del grande scultore e continuò le sue ricerche sulla tecnica dello stiacciato, di cui fu uno dei più grandi interpreti. Un genio precoce che scomparve a poco più di trent'anni di età: chissà quanti altri capolavori avrebbe potuto regalarci altrimenti. Scopriamo la sua arte con Ilaria e Federico!