Podcasts about movie critics

Little Girl Sings for Delayed Flight. Narco Sub. Morons in the News.   The People’s Movie Critic: “MI-8” Everyone Needs a Laugh. “The Office” Spinoff is Coming!   Talkback Callers. Can You Believe This? The Offline Club.   The Zippy Zodiac. From the Vault.

Trying to leave their troubled lives behind, twin brothers return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back. On this week's episode… The crew is joined by Caitlin from Plug It Up to discuss 12 bar blues, how to properly fry catfish, and Ryan Coogler's smash hit vampire flick, Sinners (2025).   Show Notes: Housekeeping (5:33) Back of the Box/Recommendations (11:38) Spoiler Warning/Full Review: (15:48) Rotten Tomatoes (80:30) Trivia (87:05) Cooter of the Week (96:55) What We've Been Watching (103:35) Hotline Scream: (110:15)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

Diddy Update. Found Treasure. Morons in the News.   The People's Movie Critic: "Fred & Rose" Everyone Needs a Laugh.   Talkback Callers. Can You Believe This?   The Zippy Zodiac. From the Vault.

A surprise birthday prank takes a turn for the worse when a popular social media duo must face the terrifying reality of the aftermath. On this week's episode… The crew is joined by friend and filmmaker Franklin Ritch as we discuss practical jokes, do it yourself filmmaking, and Curry Barker's breakout YouTube film, Milk & Serial (2024).   Show Notes: Housekeeping (9:55) Back of the Box/Recommendations (12:40) Spoiler Warning/Full Review: (19:20) Rotten Tomatoes (76:14) Cooter of the Week (82:00) What We've Been Watching (87:30) Hotline Scream: (96:18)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

Plagued by a recurring violent nightmare, a college student returns home to find the one person who can break the cycle and save her family from the horrific fate that inevitably awaits them. On this bonus episode...  Enjoy an example of the content available on our Patreon as Bob reviews the sixth installment in the Final Destination franchise!   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

Tootsie Roll. Morons in the News. Australian Soda.   The People’s Movie Critic: “Your Friends and Neighbors” Everyone Needs a Laugh.   Talkback Callers. Can You Believe This? G’Mas Snuff.   The Zippy Zodiac. From the Vault.

On this episode of Remainders we watch the 2002 movie Insomnia. The only movie in Christoher Nolan's filmography in which he doesn't have a writing credit, Insomnia has always felt like an outlier in the director's career. It's most notable aspect was Robin Williams and his villainous role as Finch, a first for Williams. Playing opposite the most strung out possible version of Al Pacino, we see if this thriller holds up.Other topics include Nolan's ranking, follow-up on our Mad Max Fury Road episode, fake reviews for Insomnia, Black Mirror, Andor and Star Wars, the passing of the alligator from Happy Gilmore, Hillary Swank, more Pacino marathon's coming up, and whether or not Nicky Katt has the best line in any Nolan movie.Songs of the WeekThe Swimming Song by Loudon Wainwright IIIIf I Could Only Fly by Blaze FoleyRemainders Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

Smokey Robinson. Chewy. Morons in the News.   The People’s Movie Critic: “Thunderbolts” Everyone Needs a Laugh. The Pigs Sell Themselves.   Talkback Callers. Can You Believe This? Mozz Sticks!   The Zippy Zodiac. From the Vault.

Pee Wee Herman. Protein in Everything? Morons in the News.   The People’s Movie Critic: “Bad Influence” Lamar Should Serve the Bacon. Everyone Needs a Laugh.   Talkback Callers. Sheri and the Scammer. Can You Believe This?   The Zippy Zodiac. From the Vault.

On this episode we celebrate the 10th anniversary of Mad Max: Fury Road - Black and Chrome Edition. Often considered the greatest action film of all time, Fury Road reintroduced the world to Max, this time played by Tom Hardy, as he teams up with Furiosa to take on the dystopian warlord Immortan Joe. George Miller's stated intention was to make a movie that was one long chase, and as elemental and close to a silent film as possible. The Black and Chrome Edition brings this vision even closer.Other topics include Charlize Theron, George Miller's filmography and how Babe: Pig in the City fits in, America's obsession with celebrity culture, Warren Zevon's induction into the Rock and Roll Hall of Fame, Riot Fest, and whether or not we should cover The Beaver with Mel Gibson on the podcast.Songs of the WeekLet Them Eat War by Bad ReligionKurt Kobain by ProofBrothers In Arms by Junkie XLRemainders Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

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This week on Born to Watch, we dive into the horror landmark that changed the game: The Texas Chainsaw Massacre (1974). Brutal, raw, and grimy in a way that still shocks today, this episode sees Whitey and Damo take on one of the most infamous cult classics ever made, with Morgz and Gow hilariously "noping out" after the first five minutes.Despite its terrifying reputation, the team quickly notes something surprising: The Texas Chainsaw Massacre isn't about gore, it's about dread. Director Tobe Hooper weaponises your imagination with low-budget ingenuity, turning rural Texas into a sweat-drenched nightmare of implied violence, claustrophobia, and screaming madness.Whitey and Damo break down how the film uses its documentary-style visuals to make you feel like you're inside the nightmare. They discuss the iconic opening narration, the genius use of real animal sounds in place of a traditional soundtrack, and the deeply uncomfortable "dinner scene," which remains one of the most disturbing sequences ever filmed.The episode also explores the surprising lack of blood, the history of censorship surrounding the movie (which was banned for decades in the UK!), and why Leatherface, chainsaw-wielding, mask-wearing, and alarmingly agile, became an instant horror icon. There's serious appreciation for how Texas Chainsaw influenced Evil Dead, Seven, Pulp Fiction, and even the style of Star Wars' opening crawl.Of course, this wouldn't be Born to Watch without a few detours:Franklin and his endless whining take a brutal roasting, and deservedly so.Picking up hitchhikers is a bad move. Hitchhikers carrying photos of slaughtered cows—extra bad move."Don't go in the house, mate" becomes the ultimate horror PSA.Damo tells the all-time story of accidentally picking up hitchhikers while having "Northern Beaches Gay Board Riders" accidentally stuck to his car door.The cast of unknowns stayed unknown, most fading into cult obscurity. But the legacy of the film is undeniable, and the team argues that it might be the rawest and most authentic horror movie ever made.IN THIS EPISODE:Why a minimal budget made Texas Chainsaw even scarier.The genius of Tobe Hooper's “no soundtrack” approach.How Sally Hardesty became the prototype for the Final Girl trope.That horrifying Grandpa scene and why it still messes us up.Whether Leatherface could qualify as CrossFit's most terrifying champion.It's loud, it's grimy, it's uncomfortable, and it's a horror masterclass that still hits like a hammer to the skull.Listen now on Spotify, Apple Podcasts, or wherever you get your movie fixes!Join the conversation:Is The Texas Chainsaw Massacre the most disturbing horror film ever made? Could Leatherface outrun Michael Myers?Have you ever picked up a hitchhiker... and regretted it?Drop us a voicemail at BornToWatch.com.au and be part of the show!#BornToWatch #TexasChainsawMassacre #TobeHooper #Leatherface #HorrorMovies #1970sCinema #FinalGirl #HorrorPodcast #CultClassics #MovieReview #BornToWatchPodcast

You Should Watch the New Titanic Documentary. Morons in the News. Tik Tok Rallies to Help Elderly Waitress.   The People’s Movie Critic: “Sinners” Everyone Needs a Laugh. Lab-Grown Chicken Nuggets.   Talkback Callers. Pope Selfies? Can You Believe This?   The Zippy Zodiac. From the Vault.

An ominous note finds it's way to a 1980's post office, connecting a dead mail investigator and a kidnapped keyboard technician. On this week's episode… Join the crew as we discuss classic synthesizers, the dedication of the USPS, and the refreshingly original horror flick, Dead Mail (2025).   Show Notes: Housekeeping (4:30) Back of the Box/Recommendations (8:20) Spoiler Warning/Full Review: (15:00) Rotten Tomatoes (67:25) Cooter of the Week (72:05) What We've Been Watching (78:50)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

With Anzac Day just around the corner, Born to Watch honours a defining moment in Australian cinema with our Gallipoli (1981) Movie Review. Directed by Peter Weir and starring a young, raw Mel Gibson alongside Mark Lee, this film is more than a war story, it's a devastating portrait of friendship, sacrifice, and the tragic cost of blind patriotism. In this episode, Whitey and G-Man revisit the classic through a lens shaped by age, memory, and national identity.From the iconic opening scenes of sprinting through the outback to the haunting stillness of the battlefield at the Neck, Gallipoli strips away the glory of war and lays bare its cruel realities. The boys waste no time diving into the emotional core of the film, mateship. Whitey and G-Man see themselves in Frank and Archie, and they hilariously debate who's who. Is Whitey the cynical Frank, or is G-Man secretly more Archie than he'll admit?But it's not just about comparisons and callbacks to high school Anzac ceremonies. This is Born to Watch at its most reflective and reverent. The guys dig into the cultural significance of Gallipoli, how the film shaped their understanding of the Anzac legacy, and why it's essential viewing for every Australian. It's also a rare episode where the crew admits that this one is hard to joke about. Except, of course, when it comes to figuring out which of their mates is most like Snowy.They talk about how Gallipoli taught them what Anzac Day should mean. Not just a day off to play two-up and hit the pub, but a moment to remember real sacrifice. The 1981 film still hits hard, they argue, because it doesn't sugarcoat the futility of war. And when that final freeze frame lands, it guts you, every time.There's admiration for director Peter Weir, whose resume includes Dead Poets Society, The Truman Show, and Master and Commander. But here, he's in peak form. Gallipoli's scale is intimate but never small; its visuals are sweeping, yet grounded in the personal. And the music? That synth track when Archie sprints across the desert? Still gives the boys goosebumps.The episode gets personal, too. Both hosts recall trying (and failing) to get their teenage kids to watch the film. They revisit childhood memories of Anzac Day school assemblies, the eerie power of “Only 19” and “Waltzing Matilda,” and the VHS that left a permanent mark. G-Man shares stories from his own pilgrimage to Gallipoli, visiting Lone Pine and The Nek and seeing firsthand the terrain that made the battle a bloodbath.As always, there's room for laughs, the mystery of Mark Lee's post-Gallipoli career, and whether it's safe to train for battle with live rounds (spoiler: probably not). But the tone stays grounded, respectful, and proud.They wrap things up with “The Good, The Bad, and The Ugly,” highlighting Gallipoli's haunting silence, its unwavering focus on mateship, and its place in Australian cinematic history. It's not just a war film; it's a rite of passage.Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts!Join the conversation:Does Gallipoli still define the Anzac spirit?Is this Mel Gibson's best early performance?Have you visited the battlefield yourself?Drop us a voicemail at BornToWatch.com.au and be part of the show!#Gallipoli1981 #BornToWatch #GallipoliMovieReview #AnzacDay #PeterWeir #MelGibson #AustralianCinema #WarMovies #MoviePodcast #LestWeForget

Fyre Fest 2.0 Update. Morons in the News. The Human Book Brigade.   The People’s Movie Critic: “Gone Girls” Everyone Needs a Laugh. Lamar and Carla Have Too Much Fun.   Talkback Callers. Peeps Facts You Didn’t Know Can You Believe This?   The Zippy Zodiac. From the Vault.

An archaeology professor discovers an ancient crypt, which contains the living dead. The zombies go on a rampage and attack a group of people, which the professor had invited to celebrate his discovery. On this week's episode…  Join the crew as we discuss Italian zombies, thirsty ass kids, and Andrea Bianchi's schlocky and slow, Burial Ground (1981).   Show Notes: Housekeeping (4:20) Back of the Box/Recommendations (12:20) Spoiler Warning/Full Review: (18:05) Rotten Tomatoes (55:50) Trivia (61:50) Cooter of the Week (65:05) What We've Been Watching (71:26) Hotline Scream: (79:55)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

Welcome back to Born to Watch, where this week the team tackles the endlessly rewatchable, criminally underappreciated Edge of Tomorrow (2014). Strap in as Whitey, Damo, and Dan on the Land gear up for a sci-fi action loop fest featuring Tom Cruise in one of his most against-type roles, Emily Blunt as a full-metal badass, and a time-travel plot that actually sticks the landing. Enjoy our Edge of Tomorrow (2014) Review!The boys jump right into the paradox-riddled battlefield, first marveling at how this epic blockbuster somehow bombed in the US, despite being everything a great action movie should be. They blame lousy marketing, title confusion (was it Live Die Repeat?), and the fact that in 2014, Cruise was still on Hollywood's naughty step thanks to Oprah's couch.But now? It's cult-classic gold.Whitey kicks off by calling out just how rare it is to see Cruise playing the weasel, Major Cage is an ad man thrown into combat, clueless and terrified. For Dan, this fish-out-of-water arc makes the movie shine, watching Cruise go from smug coward to unstoppable warrior. Damo agrees, even calling Edge of Tomorrow his number one Cruise performance, yep, he goes there.Emily Blunt earns unanimous praise as Rita Vrataski, the “Angel of Verdun” and all-around exosuit-slaying legend. She's fierce, stoic, and fit as hell, basically the action heroine we didn't know we needed in 2014. Her iconic push-up entrance gets a lot of airtime (and a few longing sighs), and the team agrees she holds her own, and then some, against Cruise.And what would a Born to Watch ep be without the usual blend of insight and irreverence? We get tangents on everything from duck anatomy (cloacas, anyone?) to Bill Paxton's legendary status as the only man killed by a Terminator, a Predator, and an Alien. The Paxton love is real.The pod dives into director Doug Liman's sharp visuals and crisp pacing, and shout out screenwriter Christopher McQuarrie, who somehow turns a convoluted time loop premise into a tight, clever, and emotional thrill ride. Liman's resume (Bourne Identity, Mr. & Mrs. Smith) gets the props it deserves, and there's a great sidebar on the upcoming Road House remake, complete with hot takes on Jake Gyllenhaal.As always, the “Hit, Sleeper, Dud” segment delivers, with Gone Girl getting the nod as a masterful hit, Kevin Costner's 3 Days to Kill as a solid sleeper, and Lucy (sorry, ScarJo) landing squarely in dud territory. Bonus points for Damo's vivid breakdown of Ben Affleck's infamous side-dick scene.The episode also features a glorious Cruise countdown. Each host reveals their top five Tom Cruise films, expect Jerry Maguire, Collateral, Top Gun: Maverick, and of course, Edge of Tomorrow, to make appearances. Damo even throws in Tropic Thunder, because who can forget Les Grossman?Then there's the philosophical stuff: How long was Cage actually in the time loop? (Answer: a hell of a long time). Was blackmailing the general really the best plan? (Debatable). And what's the real ending? (Whitey thinks it's Cruise's “now you're gonna bone me” smile).Oh, and voicemails are back! Listeners call in to rant about The Bodyguard, praise the pod's Whitney Houston renditions, and drop the occasional F-bomb. Classic Born to Watch fan energy.Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts!Join the conversation:Is Edge of Tomorrow Cruise's most underrated film? Would you waste 300 time loops trying to get with Emily Blunt? Did this movie deserve to flop—or is it a misunderstood masterpiece?Drop us a voicemail at BornToWatch.com.au and be part of the show!#BornToWatch #EdgeOfTomorrow #TomCruise #EmilyBlunt #MoviePodcast #SciFiMovies #DougLiman #TimeLoopMovies #LiveDieRepeat #FilmDiscussion #UnderratedGems #CinephileApproved

In aflevering 204 van Nerd Culture duiken we weer diep in de wereld van geek en nerd nieuws! We bespreken wat we hebben gekeken, van Daredevil: Born Again tot Severance, en nemen de laatste trailers en geruchten door. Denk aan het Death Stranding-filmnieuws, I Am Legend 2, en de mysterieuze TRON: Ares.A24 vindt regisseur voor Death StrandingMichael Sarnoski, bekend van Pig en A Quiet Place: Day One, gaat een live-action verfilming maken van Hideo Kojima's game Death Stranding voor A24 en Kojima Productions. Sarnoski zal het script schrijven en regisseren. De film verkent het mysterieuze “Death Stranding”-fenomeen, waarbij de wereld wordt overspoeld door bovennatuurlijke wezens. De game, met een sterrencast waaronder Norman Reedus en Mads Mikkelsen, werd wereldwijd meer dan 19 miljoen keer gespeeld. De aankondiging volgt op meerdere Kojima-updates tijdens SXSW, waaronder de releasedatum van Death Stranding 2, een concerttour en een samenwerking met horlogemerk Hamilton. Ari Asters Square Peg produceert mee.Eerste details over David Fincher's Once Upon a Time in Hollywood spin-offNetflix produceert een vervolg op Once Upon a Time in Hollywood, met Brad Pitt terug als Cliff Booth. Het project is geen traditioneel vervolg, maar eerder een spirituele opvolger of standalone spinoff, geschreven door Quentin Tarantino en geregisseerd door David Fincher. De film speelt zich af in 1977, acht jaar na het origineel, en toont Cliff in een nieuwe levensfase — ouder, mogelijk cynischer en gestoorder. Leonardo DiCaprio's personage Rick Dalton lijkt niet terug te keren. Of dit project gelinkt is aan Tarantino's geannuleerde The Movie Critic is onduidelijk, maar de samenwerking tussen Pitt en Fincher belooft veel.TRON: Ares dropt eerste echte trailerTron: Ares, het langverwachte vervolg op Tron: Legacy, brengt de digitale wereld naar onze realiteit. Jared Leto speelt Ares, een kwaadaardig computerprogramma dat tot leven komt en verlangt om een ‘echte jongen' te zijn. Regisseur Joachim Rønning vergelijkt hem met een soort Pinokkio: een digitaal wezen dat de wereld voor het eerst ontdekt, met een kinderlijke nieuwsgierigheid. Het centrale thema draait om wat het betekent om mens te zijn. Ares krijgt een unieke, driehoekige Identity Disc – een krachtig wapen en een opvallende upgrade binnen het Tron-universum. De film verschijnt op 10 oktober 2025 in de Britse bioscopen.Timestamps:00:00:00 Nerd Culture #20400:00:15 Wat hebben we gekeken/gelezen/geluisterd00:00:20 Spawn 00:03:31 Daredevil: Born Again00:09:07 Severance00:10:37 White Lotus00:16:39 The Pitt00:21:18 Your Friendly Neighborhood Spider-Man00:23:46 Murderbot Trailer00:26:06 Will Smith onthult details omtrent Michael B. Jordan in I Am Legend sequel00:29:32 A24's Death Stranding heeft een regisseur gevonden00:35:51 Zien we straks Robert Pattinson in Dune Part 3?00:38:44 Predator: Killer of Killers Trailer00:42:10 Universal Studios bouwt Europa's grootste pretpark in Bedford00:48:18 Marvel Studios op zoek naar Aziatische acteur voor Mr. Negative?00:51:11 David Fincher's Cliff Booth film is niet een sequel00:54:08 TRON: Ares Trailer00:57:24 Meer informatie over TRON: Ares bekend00:58:46 Alfonso Cuaron in gesprek voor James Bond 2601:04:40 Seizoen 3 voor The Last of Us goedgekeurd01:07:29 Eerste test-screenings van Thunderbolts zijn zeer positief01:10:29 Mission Impossible: The Final Reckoning Trailer

Find out from Rusty Gatenby, the Movie Critic broke it down with Vineeta on The WCCO Morning News

Grab your whip and avoid the monkey brains—this week on Born to Watch, the crew takes on the franchise's wildest, weirdest, and arguably most chaotic chapter, with their Indiana Jones and the Temple of Doom Review. Whitey, G-Man, and Damo dust off their fedoras and dive deep into the darker, more divisive entry in the iconic adventure trilogy.Released in 1984 as a prequel to Raiders of the Lost Ark, Temple of Doom was Spielberg and Lucas swinging for something different. What we got was a rollercoaster of tonal shifts, gruesome rituals, screeching sidekicks, and a whole lot of “did that really just happen?” moments. And the Born to Watch crew has a lot to say about it.Whitey opens the show by calling it what it is: a movie that's revered by many, but doesn't quite measure up to the gold standard set by Raiders. For kids of the '80s, it was a VHS staple. But for grown-up podcasters with opinions, it's a tale of two movies—one part rollercoaster fun, one part tonal mess. From the moment Harrison Ford steps off a plane in Shanghai to the heart-ripping Thuggie cult shenanigans in India, the guys unpack every whip crack, every scream, and every questionable creative choice.G-Man shares fond memories of collecting Indiana Jones memorabilia, like those glossy movie programs you'd snag at the cinema. But the nostalgia doesn't blind him—he's quick to call out the film's many plot holes, caricature characters, and some of the worst romantic chemistry in cinematic history. Damo agrees, rating the film a humble “three rewatches” compared to the endless love he has for Raiders. Ouch.And then there's Willie Scott, the club singer-turned-sidekick played by Kate Capshaw (and Spielberg's future wife). The team doesn't hold back on their verdict: screechy, underwritten, and possibly cinema's most annoying scream queen. Compared to Raiders' Marion Ravenwood, she's less “badass adventurer” and more “horny showgirl with a death wish.”But not everything is doom and gloom in Temple of Doom. The pod shines a spotlight on Short Round (Ke Huy Quan), the pint-sized sidekick who stole hearts, especially among the younger viewers. Isabelle, Whitey's daughter, gives him two thumbs up. G-Man draws comparisons to The Goonies and even Star Wars, noting that Lucas may have repurposed some beats from Empire and Return of the Jedi. The mine cart chase? Pure Endor energy. Harrison Ford's smug bedroom banter? Total Han Solo.In classic Born to Watch fashion, the boys rip into the absurdities: Why does Indy carry a full suit in his rucksack? Is a flaming skewer to the gut a valid weapon choice? And what kind of club plays “Anything Goes” on repeat, in both English and Mandarin? These are the real questions.The episode also digs into the bizarre dinner scene at Pankot Palace (chilled monkey brains, anyone?), the film's unexpected legacy in helping create the PG-13 rating, and whether George Lucas' fingerprints are a little too all over this one.And of course, they wrap up with The Good, The Bad, and The Ugly, featuring killer one-liners, Harrison Ford's bad punches, and enough sound effects to make you think you're in a Looney Tunes war zone. There's even a surprise cameo by Dan Aykroyd (yep, that actually happened) and a nostalgic tribute to Val Kilmer and Top Secret.By the end, one thing is clear: Temple of Doom is the middle child of the original Indiana Jones trilogy. Darker than Raiders, sillier than Last Crusade, and a cult classic in its own right. Whether it's a hit, a dud, or a chaotic blend of both, this episode is a wild ride from start to finish.

Lamar and His Pocket Knife. Morons in the News. Talkback Callers.   The People’s Movie Critic: “A Working Man” Everyone Needs a Laugh. Sheri’s Sending Gear to Utah.   Talkback Callers. Codes to Listen for on Planes. Can You Believe This?   The Zippy Zodiac. From the Vault.

In a world of fake castles and anthropomorphic rodents, an epic battle begins when an unemployed father's sanity is challenged by a chance encounter with two underage girls on holiday. On this week's episode… Join the crew as we discuss guerilla filmmaking, the darker side of Disney, and Randy Moore's copyright nightmare, Escape From Tomorrow (2013).   Show Notes: Housekeeping (4:25) Back of the Box/Recommendations (8:45) Spoiler Warning/Full Review: (15:05) Rotten Tomatoes (64:16) Trivia (70:33) Cooter of the Week (77:05) What We've Been Watching (84:47) Hotline Scream: (95:00)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

This week, the team takes on one of the biggest cinematic phenomena of the early '90s: The Bodyguard (1992). A film that smashed box office records, made slow dancing cool again, and somehow convinced us that a love story between a moody security expert and a petulant pop diva was cinema gold. On paper, this had it all: the biggest male movie star in the world, Kevin Costner and the most powerful voice on the planet, Whitney Houston, in her film debut. But does that combo equal instant classic, or is it just a glittery dumpster fire covered in hit singles?Whitey dives headfirst into the spectacle with a hard truth: this movie takes itself way too seriously. We're talking Oscar-level intensity… for what is essentially a Lifetime movie with a better budget. Of course, there's reverence for Costner—because who doesn't love a bit of 1990s mullet-lite Kev, fresh off Robin Hood, JFK, and Dances with Wolves? But even the biggest Costner fans on the panel can't deny that Frank Farmer spends the entire film doing his best impression of an emotionally constipated mannequin.Meanwhile, G-Man marvels at the soundtrack that saved the film from mediocrity. From “I Have Nothing” to the megaton that is “I Will Always Love You,” Houston's vocals are nothing short of breathtaking—and in the end, her voice gives the film its emotional punch. Damo finds himself emotionally moved by the final scene, where the music hits and we remember just how incredible Whitney was. Unfortunately, her performance as Rachel Marron doesn't land quite as well with the crew. Plot holes? Yep, we got ‘em. From inexplicable security failures (three guards for the world's biggest star?) to the mind-boggling moment where a would-be assassin uses a sniper rifle in a room full of Hollywood elites, the film is more Swiss cheese than suspense thriller. Not to mention the infamous scarf-on-the-sword scene, which leads the team to ponder whether a katana counts as foreplay and why no one, ever, draws a curtain in this movie.But The Bodyguard (1992) isn't without its joys. There's the epic needle drops, a lakeside cabin that Damo would happily disappear to forever, and a cast of cartoonishly awful background characters that you're almost rooting for the stalker. The guys also take a detour through Costner's post-Bodyguard career trajectory, which includes Waterworld, The Postman, and the underrated Draft Day.G-Man delivers his signature deep-dive into cast trivia, highlighting everything from Whitney's early gospel roots to her connection with Dionne Warwick, and even a surprise one-degree link to Kurt Russell via the late great Bill Cobbs. There's a healthy debate about whether The Bodyguard was a real movie or just a high-gloss showcase for a chart-topping soundtrack, and somehow, they still manage to rope in Saved by the Bell: Hawaiian Style, Inspector Gadget, and the concept of "vabbing" (yep, it's a thing now).Of course, no episode is complete without the Born to Watch signature segments. The boys dish up their Good, the Bad, and the Ugly—from the iconic knife throw scene and amazing set design, to the complete lack of chemistry between the leads and questionable career choices made by everyone involved. Gage Roads supplies the brews, and Johnny Bull returns with a zinger straight outta Aliens. Oh, and Work Experience Kid cops some heat for trying to bring up brassieres in the Snob's Report. Rookie move.So, was The Bodyguard (1992) a misunderstood masterpiece, or a pop-cultural relic best left in the '90s CD rack? There's only one way to find out. Plug in, turn up the volume, and get ready for the most musically dramatic episode Born to Watch has ever done.

Cruise Ship in Pirate Waters. Alaskan Plane Goes Down. Morons in the News.   The People’s Movie Critic: “The Alto Knights” Everyone Needs a Laugh. 81 Year Old Hunter on Trial.   Talkback Callers. Can You Believe This?   The Zippy Zodiac. From the Vault.

In this emotionally charged episode of Born to Watch, the team marches into the searing heat and moral quagmire of Oliver Stone's Platoon (1986), a film that's arguably the definitive Vietnam War movie of its era. Whitey, G-Man, and the V8 Interrupter Dan revisit the battlefield with a mix of reverence, nostalgia, and hard truths, dissecting the film's impact, legacy, and the deep emotional chord it struck back in the day—and still does today.Kicking off with stories of their first encounters with Platoon, the guys quickly descend into one of their most layered and personal discussions to date. Whitey recalls being told by his dad he wasn't allowed to watch the film—despite already seeing Apocalypse Now and Mad Max at age six. That rebellious spark only deepened his bond with the movie once he finally got his hands on it as a teen. Dan admits to cheating on the crew, watching Platoon with his war-obsessed neighbours back in the ‘80s, completely unaware at the time of the deeper commentary Stone was laying down. For G-Man, Platoon was a rite of passage during his VHS-rented youth, watched on loop like a war-soaked mixtape.But the nostalgia is tempered with fresh eyes. This time around, Platoon hits different. What once felt like badass war action now reveals itself as a gut-punching meditation on morality, survival, and the breakdown of innocence. The guys explore the duality of the film's core—the Elias vs. Barnes dichotomy—representing each soldier's internal war. It's not just America vs. the Viet Cong; it's soul vs. savagery, duty vs. darkness.The cast? Stacked. And not just with stars—but future legends. Tom Berenger and Willem Dafoe snagged Oscar nods for roles that flipped their usual screen personas. Charlie Sheen's Chris Taylor acts as the audience's moral compass, thrust into a world of chaos with no road map. And in the wings, you catch early glimpses of Johnny Depp, Forest Whitaker, Kevin Dillon, and even a scene-stealing John C. McGinley. The Born to Watch crew marvel at the rawness and authenticity that pulses through every frame—helped in no small part by the film's unique decision to shoot in sequence, letting the emotional weight build naturally.And then there's the man behind the camera: Oliver Stone. A real-life Vietnam vet, Stone channelled his firsthand experience into a script that didn't just depict war—it unpacked it, exposed it, and dared to say that sometimes, the worst of humanity wears your own uniform. The pod digs into how Stone's commitment to realism (aided by military advisor Dale Dye, another vet) shaped everything from the dialogue to the weight of each bullet fired.There's the usual Born to Watch flavor too—G-Man's got the box office and awards rundown (hello, Best Picture and Best Director at the ‘87 Oscars), while Dan goes on a bandana-fueled tangent and questions whether Lieutenant Wolfe might be cinema's most inept officer. Whitey can't resist diving into the musical legacy, from that haunting Samuel Barber theme to how the soundtrack now echoes the trauma and tragedy of a generation.Of course, it wouldn't be Born to Watch without Listen to This, Voicemail Roulette (shoutout to “Will the Worky”), and the always-fun “Hit, Sleeper, Dud” segment, where Heartbreak Ridge, Extreme Prejudice, and King Kong Lives get their moment in the spotlight—or the firing line.By the end, the question looms large: Platoon or Apocalypse Now? Each host makes their case in what might be the pod's most respectful debate yet. As G-Man puts it, Platoon is about the war within, while Apocalypse Now is a descent into madness. Either way, both films leave an indelible mark—and so does this episode.So strap in, pop smoke, and join the squad as Born to Watch heads into the heart of darkness with Platoon. This one's for the grunts, the film buffs, and anyone who ever got lost in the jungle of morality and memory.

Dolly Talks Carl. Morons in the News. Doomed Malls.   The People’s Movie Critic: “Novacaine” Everyone Needs a Laugh. Lamar Needs a Bib.   Talkback Callers. Billboard Sparks Fury. Can You Believe This?   The Zippy Zodiac. From the Vault.

Hiiii everybody! Get ready to relive the most heartbreaking movies ever! In this video, we rank and discuss the saddest films, from emotional underdogs to the most devastating AND FOR SURE tearjerkers.

The crime rate has skyrocketed, New York City has been turned into a maximum-security prison, and only one man can save the President, Snake Plissken. In this week's episode of Born to Watch, the crew dives deep into Escape from New York (1981), John Carpenter's dystopian sci-fi action classic. With Kurt Russell cementing his status as an ‘80s action legend, this film delivers an unforgettable mix of grunge, synth, and one of cinema's most iconic antiheroes.Join Whitey, Damo, and Gow as they break down what makes Escape from New York such a cult favorite. From its gritty, neon-lit depiction of a crumbling NYC to Carpenter's signature synth-heavy score, this movie packs a punch in just 99 minutes. The guys debate whether this is Carpenter's best film (or if The Thing still reigns supreme), dissect the film's incredible cast—including Lee Van Cleef, Ernest Borgnine, and Isaac Hayes—and, of course, question the physics of Snake's impossible glider landing.Expect plenty of laughs, wild tangents (including a deep dive into the weirdest VHS collections), and heated debates over the most ridiculous moments of the film. Plus, find out why Escape from New York still holds up in today's era of dystopian storytelling and why Snake Plissken might just be Kurt Russell's most iconic role.So, strap on your eye patch, fire up the synth soundtrack, and get ready for another action-packed Born to Watch episode!Listen now!https://www.borntowatch.com.au/Rate & Review on your favourite podcast platform!Follow us on social media for more movie madness!https://linktr.ee/borntowatchpodcast#EscapeFromNewYork #KurtRussell #JohnCarpenter #80sMovies #MovieReview #BornToWatch #CultClassics #SnakePlissken #RetroCinema

Talkback Callers. Morons in the News. Max’s Hot Dad.   The People’s Movie Critic: “Mickey 17” Everyone Needs a Laugh. Son Buys Dad’s Dream Car.   Talkback Callers. Can You Believe This? Expired Meds.   The Zippy Zodiac. From the Vault.

Welcome back to Born to Watch, the movie podcast where we dive deep into the films that define genres, push boundaries, and leave audiences speechless. This week, we're tackling one of the greatest action films of the modern era with our Mad Max Fury Road (2015) Movie Review.When George Miller resurrected the Mad Max franchise in 2015, nobody expected just how monumental Fury Road would become. A two-hour adrenaline rush packed with death-defying stunts, high-speed chases, and jaw-dropping practical effects, this film redefined what action movies could be. From the stunning cinematography to the minimal but powerful storytelling, Fury Road remains a cinematic triumph. But where does it rank in the Mad Max series? And is it truly a Mad Max movie, or does Furiosa steal the show? The BTW team breaks it all down.Mad Max Returns—But Is He the Star?Tom Hardy takes over the iconic role of Max Rockatansky, a road-weary survivor haunted by his past. But does Max get lost in the dust in a film filled with larger-than-life warlords, kamikaze war boys, and a heavy-metal guitarist strapped to a flame-throwing rig?Charlize Theron's Imperator Furiosa might be the real heart of Fury Road. Her mission to rescue the wives of the tyrannical Immortan Joe drives the story forward, and her character's emotional depth makes her one of the most compelling action heroines of all time. We discuss whether Fury Road is more of a Furiosa film than a Max one—and how this dynamic affects the franchise as a whole.Behind-the-Scenes Mayhem: A Production NightmareThe journey to bring Mad Max Fury Road to life was almost as chaotic as the movie. Originally planned to film in the Australian Outback, unexpected rainstorms turned the barren wasteland into a flower-filled paradise, forcing the production to move to Namibia. Months of gruelling desert shoots, on-set conflicts, and the sheer ambition of the stunts made this one of the most difficult productions in recent memory.George Miller, the mastermind behind the franchise, pushed for practical effects wherever possible. Almost everything you see on screen—the insane car chases, the gravity-defying stunts, and the war rigs tearing across the desert—was done for real. The result? It is a visceral, pulse-pounding experience unlike anything else.The Legacy of Fury RoadWhen Fury Road hit theatres, it was more than just a blockbuster—it was a game-changer. The film scored 10 Oscar nominations, winning six, including Best Editing for George Miller's wife, Margaret Sixel. But beyond the awards, Fury Road proved that practical effects, real stunts, and original storytelling could still dominate in an era of CGI-heavy action films.But how does it hold up nearly a decade later? Does Fury Road deserve a spot among the greatest action movies ever? And where does it sit in the Mad Max franchise compared to The Road Warrior and Beyond Thunderdome?The BTW Verdict: An Action MasterpieceWith non-stop action, unforgettable characters, and some of the most visually stunning cinematography in movie history, Mad Max Fury Road is a must-watch for any action fan. Whether you're revisiting it for the tenth time or experiencing it for the first, there's no denying that this film is a relentless, high-octane thrill ride from start to finish.Tune in to this week's episode as we break down every explosive moment, debate the film's legacy, and determine if Fury Road is the best Mad Max film yet. Don't forget to leave a review, share the episode with fellow movie lovers, and share your thoughts on the film!

The Grappler. Morons in the News. Amazon Rope Bridge Saves Monkeys.   The People’s Movie Critic: “Last Breath” Everyone Needs a Laugh. Chappell and Elton at the Oscar Party.   Talkback Callers. Can You Believe This? Watch Out for That Pothole.   The Zippy Zodiac. From the Vault.

In the dying days of WWII a battalion of Russians are lured into the secret lab of a deranged scientist and are forced to face off against an army of horrific flesh and metal war machines. On this week's episode… Join the crew as we discuss WWII horror films, the influence video games have had on the genre, and the found footage film, Frankenstein's Army (2013).   Show Notes: Housekeeping (4:05) Back of the Box/Recommendations (13:30) Spoiler Warning/Full Review: (18:33) Rotten Tomatoes (59:27) Cooter of the Week (64:26) What We've Been Watching (69:50) Hotline Scream: (78:20)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

In this long-awaited episode of the top five podcast, hosts Kris McPeak and her sister Annie Pruitt delve into the top five movies that they get hassled for never having seen. From Christmas classics to award-winning films, and even cult favorites, the sisters discuss the movies on their lists and why they've never watched them. They also touch on their plans to organize a movie marathon to catch up on these cinematic gaps. Diving into nostalgic memories and pop culture, they provide an engaging and entertaining discussion for all film buffs. 00:00 Introduction and Catching Up 01:37 Pop Culture Updates and Movie Watching 02:46 Top 5 Movies We Get Hassled For Not Seeing 03:29 Christmas Movies We Haven't Seen 05:44 Classic Films and Personal Favorites 07:28 Academy Award Winners We Missed 12:28 Cult Classics and Horror Films 13:48 Evil Dead 2: The Pinnacle of Horror Comedy 14:26 Sean Connery as James Bond: A Cinematic Legacy 17:59 Elvis Movies: A Must-Watch Trilogy 19:45 Citizen Kane: The Greatest Filmmaking of All Time 23:36 The Princess Bride: A Fantasy Classic 25:51 Wall Street: Greed is Good 27:28 Recap and Final Thoughts

In this episode of Born to Watch, we take a wild ride back to 1985 for a Weird Science (1985) Review, where two geeky teens somehow manage to create the perfect woman with a little help from a computer, some questionable science, and a whole lot of 80s magic. But does this John Hughes cult classic still hold up today, or is it a relic best left in the past? Whitey, G Man, and Damo break it all down—the absurd plot, the unforgettable performances, and the film's impact on pop culture.From Oingo Boingo's legendary theme song to the iconic Kelly LeBrock taking nerd wish-fulfillment to a whole new level, Weird Science is packed with classic 80s energy. But how does it fare when viewed through a modern lens? We debate the film's over-the-top humor, its place in the John Hughes cinematic universe, and whether it's truly a teenage fantasy or just plain ridiculous. And speaking of ridiculous—how about that scene-stealing performance from Bill Paxton as Chet? He might just be one of cinema's most unforgettable older brothers.And here's a question for the real movie buffs: Did Mad Max 2 inspire Weird Science? With Vernon Wells reprising a very familiar role, it's hard to ignore the similarities. We dig into the connections between the two films and how a Mad Max villain somehow ended up in this teenage comedy.Of course, it wouldn't be Born to Watch without some heated debates. Are Ian and Max the worst dweeb bullies in movie history? Did this film get overlooked in a stacked year of 80s cinema? And what was up with Gary's infamous bar scene—comedic genius or a joke that went on way too long?We also bring back the fan-favorite Hit Sleeper Dud segment, uncovering forgotten 1985 gems and taking a closer look at No Retreat, No Surrender, Fortress, and the bizarre misfire that was Mad Max Beyond Thunderdome. Plus, we read some hilarious listener comments and break down why one fan thinks our Fight Club episode might just be the Dune: Part Two of our podcast.And don't miss the return of Whitey's Kick Arse Credit Theme Song, only a quality jingle could make Gow's song this week better.

Recent Celebrity Deaths. Fried Mouse. Morons in the News.   The People’s Movie Critic: “American Murder” Everyone Needs a Laugh. Welcome to Bacon Level.   Talkback Callers. Whole Lotta Love. Can You Believe This?   The Zippy Zodiac. From the Vault.

When twin brothers Bill and Hal find their father's old monkey toy in the attic, a series of gruesome deaths start. The siblings decide to throw away the toy and move on with their lives, growing apart over the years. On this week's episode… Join the crew as we discuss Stephen King, bizarre deaths, and Osgood Perkins' latest horror film, The Monkey (2025).    Show Notes: Housekeeping (5:25) Back of the Box/Recommendations (9:20) Spoiler Warning/Full Review: (14:00) Rotten Tomatoes (57:15) Trivia (65:45) Cooter of the Week (73:38) What We've Been Watching (78:25) Hotline Scream: (89:25)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

The Zone with Jason Anderson, Sterling Holmes & Producer Dylan Michaels welcome in Mick Shaffer of KSHB 41 as we talk about the Royals, College Basketball and play another edition of Rotten Tomatoes. See omnystudio.com/listener for privacy information.

1999 is often hailed as one of the greatest years in cinema history, and in this episode of Born to Watch, we're diving deep into one of its most iconic and controversial films with our Fight Club (1999) Movie Review. David Fincher's mind-bending psychological thriller took audiences on a chaotic ride through identity, masculinity, and anti-consumerist rebellion. With unforgettable performances from Edward Norton, Brad Pitt, and Helena Bonham Carter, Fight Club became a cult phenomenon—despite its initial box office struggles. But does it still hold up 25 years later? Whitey, G-Man, and Morgz break all the rules to find out.David Fincher's Fight Club was a film unlike anything audiences had seen before, with its nihilistic themes, psychological twists, and underground chaos. Starring Edward Norton as the insomniac narrator and Brad Pitt in one of his most iconic roles as the enigmatic Tyler Durden, this film took audiences on a mind-bending journey through identity, masculinity, and rebellion against consumer culture. But did it resonate with all three of our hosts? Or did one of them somehow make it to 2024 without having seen this cinematic juggernaut in its entirety? (Looking at you, G-Man.)From analysing the film's mind-blowing twist to questioning whether Fight Club is really about toxic masculinity or a critique of modern-day disillusionment, the boys dive deep into the film's layered themes. They also explore the intense performances—Norton's transformation from passive observer to chaotic instigator, Pitt's peak charisma as Durden, and Helena Bonham Carter's brilliantly unhinged Marla Singer. And, of course, there's a tribute to Meat Loaf and his legendary portrayal of Bob with the biggest set of, well… you know.Other highlights include:✔️ The iconic red leather jacket—did Morgz really wear one in San Francisco, and did it get him more attention than Brad Pitt himself?✔️ Fincher's visual style—how Fight Club still looks like it could be released today and stand out among modern films.✔️ The cult following—how Fight Club bombed at the box office but became one of the most beloved films of its generation.✔️ Does the ending actually make sense, or is the bullet to the head a little too conveniently survivable?✔️ The hilarious yet disturbing impact of splicing single frames into family-friendly films—something Tyler Durden (and Fincher himself) seemed to enjoy doing.✔️ Would you answer Chloe's call for help? (Yes, it's exactly what you think.)With plenty of laughs, off-the-rails banter, and a whole lot of admiration for Fincher's filmmaking, this Fight Club review is one for the books. Whether you're a first-time viewer like G-Man or a long-time fan like Whitey and Morgz, this episode breaks down everything that makes Fight Club one of the most talked-about films in modern cinema.Tune in now—just don't talk about it. (Or, actually, please do. Tell your mates. Share it. Fight Club's rules don't apply here.)

Sheri Attends a New Class. A Flight Attendant’s Advice. Morons in the News.   The People’s Movie Critic: “You’re Cordially Invited” Something We Can’t Accept. Everyone Needs a Laugh.   Talkback Callers. Congrats Tony! Can You Believe This?   From the Vault.

DEATH BY DVD PRESENTS : What's The Deal With Jeremy Berkowitz? An Interview with Jeremy Berkowitz. On this fresh from the grave episode we are proud to bring filmmaker Jeremy Berkowitz to the graveyard to discuss their art! Jeremy is a tremendously talented writer, director and actor and their feature film debut SYDNEY was released early 2025 for all to see. On this episode Jeremy discusses their work, Sydney, what made them want to be an artist and more. We dive deep into into Jeremy's world of art, from his start in stand up comedy to writing directing and starring in a feature film. I am so excited for you all to hear this episode, Jeremy creates dynamic art that drowns you in pure emotion and I truly hope you enjoy this episode and explore their art further. WATCH SYDNEY FOR FREE  : Tap here or copy the link belowhttps://www.sydneythefilm.com/VISIT THE OFFICIAL WEBSITE OF JEREMY BERKOWITZ: Tap here or click the link belowhttps://www.jeremyberkowitz.com/Don't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES Whoah, you're still here?  Check out the official YOUTUBE of Death By DVD and see our brand new program, TRAILER PARK! The greatest movie trailer compilation of all time. Tap here to visit our YOUTUBE or copy and paste the link below : https://www.youtube.com/@DeathByDVD ★ Support this podcast on Patreon ★

Happy Valentine’s Day. AI Couples Counseling? Morons in the News.   The People’s Movie Critic: “Love Hurts” Everyone Needs a Laugh.   Talkback Callers. The Pepsi Challenger. Can You Believe This S***?   The Zippy Zodiac. From the Vault.

A Kind Act. Morons in the News. A Diddy Update.   The People’s Movie Critic: “Companion” Everyone Needs a Laugh. The Healthiest Way to Cook Veggies.   Talkback Callers. Can You Believe This? Top 10 Anthem Singers.   The Zippy Zodiac. From the Vault.

Today is the Day. Bob and the Cat. Morons in the News.   The People’s Movie Critic: “Flight Risk” What is Bob Going to Do? Everyone Needs a Laugh.   Bob Says “Than You” Barnaby. Can You Believe This?   The Zippy Zodiac. From the Vault. BONUS SEGMENT.

The Flight to Nowhere. Morons in the News. Oscar Nominations.   The People’s Movie Critic: “The Pitt” Everyone Needs a Laugh. Bob’s MANSplaining.   Talkback Callers. Can You Believe This? Don’t Huff That.   The Zippy Zodiac. From the Vault.

You really gotta love film.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Capital One Steals $2 Billion from Customers. Morons in the News. Wash Your Brain with a Good Night Sleep.   The People’s Movie Critic: “Jerry Spring Documentary” Everyone Needs a Laugh. Dangerous Toys.   Talkback Callers. Can You Believe This? Give Up on Organizing the Closet.   The Zippy Zodiac. From the Vault.

Our movie critic out in L.A. joined us to talk about how to help people who have been impacted by the wildfire.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The Airline Toilet Technician. Morons in the News. Retired Police Dog.   The People’s Movie Critic “Carry-On” (Airdate 1/10/2025) Everyone Needs a Laugh. The Home Alone House.   Talkback Callers. Can You Believe This S***? Jumpstart Your New Year.   The Zippy Zodiac. From the Vault.

Adam welcomes comedian/writer/director Mike Young to the show for the first time and they open the show by discussing his new movie “Stealing Jokes”, Adam's odyssey while trying to vote, Jewish boxers, and Mayhem Miller's introduction to the Carolla studio bathroom etiquette. Next, Jason reads the news including stories about Nathan Hochman ousting George Gascón as LA County DA, Tom Hanks going on a NSFW rant about movie critics, Jake Tapper's viral reaction to Kamala Harris failing to outperform Biden in a single state, and Kamala Harris being accused by other Dems of picking the wrong running mate. Then, Adam is joined by the hosts of the Triggernometry Podcast, Konstantin Kisin and Francis Foster. They talk about Trump winning the election, Konstantin's Substack post “10 Reasons You Didn't See This Coming” about the Trump win, the media's portrayal of Kamala Harris as an example of how public perception can be manipulated, and the role of pragmatism in shaping future elections. For more with Mike Young: ● INSTAGRAM: @therealmikeyoung ● X: @realmikeyoung ● WEBSITE: mikeyounglive.com ● FILM: Stealing Jokes, available to buy or rent on Apple, Amazon, and more For more with Konstantin Kisin: ● INSTAGRAM: @konstantinkisin ● PODCAST: Triggernometry Podcast For more with Francis Foster: ● INSTAGRAM: @francisjfoster ● PODCAST: Triggernometry Podcast Thank you for supporting our sponsors: ● http://SimpliSafe.com/Adam ● This episode is sponsored by BetterHelp http://BetterHelp.com/Carolla ● http://ShopMando.com, use code: ADAM ● http://ForThePeople.com/Adam or Dial #LAW (#529) ● http://OReillyAuto.com/Adam