Podcasts about movie critics

How Your Brain Deals with a Haunted House. Tonight’s the Night. Morons in the News.   The People’s Movie Critic “5 Classic Horror Movies” Everyone Needs a Laugh. The Sexy Costume is Played Out.   The Zippy Zodiac. Talkback Callers. Can You Believe This?   Halloween Facts. From the Vault.

LexG riffs about the new horror film Shelby Oaks, directed by popular YouTube movie critic Chris Stuckmann, as well as Scott Derrickson's Black Phone 2, some thoughts on the recent Conjuring: Last Rites, and a look into the evolution of film criticism in the YouTube era. All in time for Halloween.

HAPPY HALLOWEEN! Though Death By DVD is taking a break to relocate and build a bigger and better Death By DVD studio we thought it would just be down right insane to not have at least SOMETHING to offer our fine dead studio audience for Halloween. Halloween is our favorite holiday, our favorite time of year and I'll boldly say it's down right the best time of year, so we wanted to celebrate with you and boy howdy, though short in run time we have a whole lot for you to hear on this episode.An all new movie from your host Harry-Scott Sullivan is available now to stream, we have an exclusive new song from SATANIC HEARSE RECORDS called NO LIFE IN THEIR EYES from their forthcoming record DEATH SEX GORE HORROR and of course an update on when Death By DVD will return full time. Celebrate the season of the witch and hit play and hear this episode today! SATANIC HEARSE on Bandcamp : tap here or copy and paste the link belowhttps://satanichearserecords.bandcamp.com/WATCH YOUR HOSTS DOCUMENTARY AND DARK TALES FROM CHANNEL X NOW ON BLOODSTREAM TV: tap here or copy and paste the link belowhttps://bloodstreamtv.com/show-details/dark-tales-from-channel-xLearn more about Bloodstream TV : Tap here or copy and paste the link belowhttps://bloodstreamtv.com/homeIf you're reading this I would like to thank you from the bottom of my heart for your support. Death By DVD has almost existed for 2 solid decades, please consider supporting Death By DVD directly on Patreon to secure the future of this very show. ★ Support this podcast on Patreon ★ Thank you for choosing Death. DEATH BY DVD FOREVER. FOREVER DEATH BY DVD. ★ Support this podcast on Patreon ★ CHECK OUT DEATH BY DVD ON YOUTUBE : https://www.youtube.com/@DeathByDVDDon't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES 

When the directors of Pulp Fiction and Desperado joined forces in 1996, nobody expected the chaos that followed. From Dusk Till Dawn is part crime thriller, part vampire splatterfest, and entirely unforgettable. This week, the Born to Watch crew sinks their teeth into the film that turned George Clooney from TV doctor to Hollywood icon.Whitey, Damo and Gow hit the road to El Rey, cocked, loaded, and possibly armed with a "dick gun." The boys dive straight into the movie's outrageous tonal shift: one moment it's a gritty outlaw chase, the next it's a full-blown blood-soaked vampire brawl. Half road movie, half horror comedy, From Dusk Till Dawn remains one of cinema's wildest left-turns – and the lads can't get enough of it.They reminisce about seeing it for the first time, back when nobody knew the twist. Gow remembers sitting in a dark cinema thinking it was just a stylish Tarantino heist until all hell literally broke loose. Damo recalls wearing out the VHS tape twice in a row, and Whitey laughs about taking five unsuspecting mates to see it just to watch their jaws drop. This is movie memory at its finest: the mid-'90s, Empire magazines, no spoilers, no internet, just word-of-mouth madness.The conversation slides quickly from Clooney's charisma to Quentin Tarantino's unnerving performance as Richie Gecko, possibly his best acting turn. Damo describes him as “quiet, creepy and dangerous,” while Gow compares his brotherly chemistry with Clooney to "a bomb about to go off." The trio agree Clooney oozes movie-star presence, Harvey Keitel grounds the chaos, and Juliette Lewis somehow still looks 23 for the next 20 years.And then there's Salma Hayek. The fellas do not hold back on the famous Titty Twister dance scene, the snake, the stumble, the hips, and Tarantino's now-infamous foot fetish. Whitey confesses it's "maybe the sexiest dance in movie history," while Damo says it's proof every song has an inner stripper. The music, the lighting, the moment – pure '90s cinematic magic.Between the beer, blood, and banter, the boys celebrate everything that makes From Dusk Till Dawn such gleeful trash. They quote the immortal "Mexican or domestic?" gag, debate the "ugly snorbs" among the vampire horde, and burst into laughter, recalling Clooney's moral compass, the bad guy with the good heart. There's genuine affection for how the film refuses to play by any rules.In Film School for F-Wits, Whitey goes full academic, calling the film the "ultimate tonal shift" and challenging the others to name a movie that turns harder or faster. Damo nominates a few classics, Gow brings his rugby grand-final energy, and the chat devolves into biscuits, Monte Carlos and Venetians, proof that even when the vampires attack, Born to Watch stays on brand.From the "popcorn popping in the servo" opening to Cheech Marin's triple role and the legendary Titty Twister monologue, the episode is wall-to-wall chaos, nostalgia and laughs. By the time the guys hit The Good, the Bad and the Ugly, it's clear this flick isn't high art, but it's pure fun. A 7.2 on IMDb? The crew say it's worth every drop of blood and beer.So grab a cold one, reload your dick gun, and join Whitey, Damo and Gow as they revisit From Dusk Till Dawn, the movie that proved you never know what's lurking inside the bar until the sun goes down.#BornToWatch #FromDuskTillDawn #GeorgeClooney #QuentinTarantino #RobertRodriguez #SalmaHayek #90sMovies #MoviePodcast #FilmNerds #MovieNight

Nothing But Net! Morons in the News. He Was Struck by Lighting… Twice.   The People’s Movie Critic: “Good Fortune” Everyone Needs a Laugh. What to Eat After a Workout.   Talkback Callers. Can You Believe This? Man Creates AI Robot Resembling His Late Wife.   The Zippy Zodiac. From the Vault.

From the smoky streets of Little Italy to the milk-stained benches of a hitman's apartment, Born to Watch takes aim at one of the most unique and controversial action dramas of the '90s with its Leon: The Professional (1994) Review. In this week's episode, Whitey, Damo, and Dan on the Land dive deep into Luc Besson's stylish, unsettling, and surprisingly heartfelt film about an unlikely bond between a hitman and a 12-year-old girl.Would this movie be made today? Probably not. But that's part of its enduring intrigue. The crew revisit the world of Jean Reno's stoic assassin, Gary Oldman's manic DEA agent, and Natalie Portman's breakout performance as Matilda, the orphan who turns vengeance into a calling.As the boys reminisce, they take a nostalgic trip back to 1994, the year that gave us Green Day's Dookie, Nirvana's Unplugged, Pearl Jam's Vitalogy, and The Offspring's Smash. It was also the year they thought they were "arty as hell" watching French cinema in suburban multiplexes. Cue the milk, the braces, and the John Wayne impressions; this episode delivers the perfect blend of pop culture, humour, and heartfelt nostalgia that makes Born to Watch such a cult favourite.Damo questions the fascination with milk-drinking hitmen, Dan lists the defining albums of '94, and Whitey recalls seeing the film in cinemas, not realising it would later feel very different once he had an 11-year-old daughter of his own. Together, they unpack the film's layered characters:Leon (Jean Reno): slow, gentle, and dangerous, with an oddly pure soul.Matilda (Natalie Portman): vulnerable yet vengeful, performing far beyond her age in a debut that stunned the industry.Stansfield (Gary Oldman): a villain so unhinged, it's impossible to look away. His Beethoven-fuelled rampage remains one of the most gloriously overacted performances in movie history.The trio debates whether the film's tone, which sits somewhere between action, arthouse, and morality play, could survive modern scrutiny. There's talk of Luc Besson's eccentric direction, Portman's controlled emotional performance, and the film's moral discomfort that keeps audiences divided decades later.They also share behind-the-scenes gems, such as Portman's parents' restrictions on smoking scenes, her early mastery of on-screen crying, and Luc Besson's knack for finding raw emotion in unlikely places. Damo draws parallels to The Exorcist, Dan applauds Reno's physical subtlety, and Whitey argues that Portman should have received an Oscar nomination if not for Anna Paquin's earlier win for The Piano.The gang laugh their way through some classic Born to Watch segments:The Cry-Meter: Whitey admits to misty eyes (7.5%) during the early tragedy.The Snorb's Report: Featuring Elle Macpherson in Sirens, naturally.The Hit, Sleeper, and Dud: With shoutouts to The River Wild, Wagons East, and Legends of the Fall.By the end, the trio agree that Leon remains both haunting and hypnotic, a masterpiece of tone, performance, and ambiguity. It's a film that feels both dangerous and tender, and is completely unforgettable.JOIN THE CONVERSATION Was Gary Oldman the most unhinged villain of the '90s? Why do all hitmen love milk? Should Natalie Portman have won an Oscar for her debut?Listen now on Spotify, Apple Podcasts, or wherever you get your pods. Don't forget to like, subscribe, and leave a five-star review at BornToWatch.com.au.#LeonTheProfessional1994Review #BornToWatch #LucBesson #NataliePortman #GaryOldman #JeanReno #MoviePodcast #90sMovies #FilmReview #CinephileHumour

Fleetwood Mac is Back on the Charts. Long John Silver is Making a Change. Morons in the News.   The People’s Movie Critic: “Roofman” Everyone Needs a Laugh. Woman Nails GBWR Pull-Ups.   Talkback Callers. Can You Believe This? Did She See the Afterlife?   The Zippy Zodiac. From the Vault.

Paul Verhoeven is officially a Born to Watch legend, but this week the boys go deep into his most infamous film to find out if Showgirls (1995) deserves a spot at the top of the Rank Bank or belongs buried under a mountain of glitter and regret. The Showgirls (1995) Review will be a lot of fun.From the moment Nomi Malone hitchhikes into Las Vegas with dreams of stardom and a suitcase full of questionable choices, Verhoeven's neon-soaked disaster invites every kind of reaction. Whitey, G-Man and Damo rip through the plot with their trademark mix of outrage and disbelief, tackling everything from Elizabeth Berkeley's career-ending performance to Kyle MacLachlan's slippery pool scene that's become cinematic legend for all the wrong reasons.Was Showgirls ever meant to be serious? Could it have worked as a satire? The crew debates whether Verhoeven's direction and Joe Eszterhas's ludicrous script are misunderstood genius or just cinematic malpractice. Damo argues that it's a "full mind-body spiritual experience," while Whitey insists it's “a masterpiece of shit." G-Man tries to stay objective, but even he can't defend dialogue this wooden or acting this drenched in baby oil.The team delves into the film's troubled production history, including Berkeley's disastrous fallout from Saved by the Bell, Verhoeven's later confession that he pushed her into cartoonish exaggeration, and Kyle MacLachlan's stunned reaction at the premiere: "I was absolutely gobsmacked." They explore how Showgirls was panned on release, only to rise again as a cult classic, the sort of “so-bad-it's-good” masterpiece that packs midnight screenings and inspires drag-queen tributes around the world.No Born to Watch review would be complete without the Snorbs Report, and this week it's a full-length epic. From the film's Razzie nominations to its $100 million home-video redemption, the boys chronicle how Showgirls became both an artistic failure and a commercial success. There's trivia about its banned trailer, its notorious NC-17 rating, and Verhoeven's history of pushing boundaries, from Basic Instinct to Starship Troopers.In true Born to Watch fashion, the lads discover a few accidental highlights: Gina Gershon's camp brilliance, the hilariously terrible fight choreography, and Robert Davi's unforgettable line delivery that cements his place in movie-villain history. They even crown Showgirls the global champion of "wank-per-capita cinema", a category no one asked for but everyone understands.By the end, they decide Showgirls is a film that must be seen to be believed. It's equal parts erotic thriller, unintentional comedy, and cautionary tale about a tragic career. Whether you love it, hate it, or just can't look away, Showgirls remains a cinematic experience unlike anything else.JOIN THE CONVERSATIONWas Showgirls a misunderstood genius or glorious trash?Is Nomi Malone the most unlikeable lead in movie history? Did Verhoeven create art, or just soft-core chaos in heels?Listen now on Spotify, Apple Podcasts or wherever you get your pods.Drop us a voicemail at BornToWatch.com.au and tell us where this one ranks in your guilty pleasures.#Showgirls1995Review #BornToWatch #MoviePodcast #PaulVerhoeven #ElizabethBerkeley #CultClassic #SnobsReport #90sMovies #FilmReview #VegasNights

Gene Simmons OK After Car Crash. Bearded Vultures. Morons in the News. Kelly Clarkson.   The People’s Movie Critic Everyone Needs a Laugh. Shaq.   Talkback Callers. Can You Believe This? Sheri’s Dog.   The Zippy Zodiac. Talkback Callers. From the Vault.

What do you get when you combine corrupt cops, a silent Chuck Norris, a robot tank named the Prowler, and one of the most confusingly gritty films of the '80s? You get Code of Silence (1985) and you get this week's episode of Born to Watch. Our first (and possibly last) Chuck Norris movie, this Code Of Silence (1985) Review was one of our hardest yet.Originally meant to be a deep dive into the snow-covered world of Fargo, the team made a bold mid-week pivot. Why? Although the Coen Brothers' classic has its place in cinema history, it lacks denim, moustaches, or Chuck Norris delivering silent justice with a cold stare. This week's episode is a celebration and interrogation of what many believe to be Chuck Norris's best actual movie: Code of Silence.Hosting this round is Whitey, joined by the returning G-Man (fresh off a brief sabbatical) and everyone's favourite intern, Will the Work Experience Kid, who's finally found a film with more fists than subtext. Together, the trio dig into the film's layers (yes, there are some), highlights its absurdities (many), and wrestles with the biggest question of all: was Chuck actually acting in this?Chuck Norris stars as Eddie Cusack, a no-nonsense Chicago cop caught in the middle of a brutal gang war and a police department riddled with corruption. When Cusack refuses to back up a dirty cop, he's iced out by his fellow officers and forced to take on the criminals, the corrupt cops, and a killer in a trench coat... completely solo. Well, almost solo. He does have The Prowler, a remote-controlled robot tank that can shoot gas grenades, blow up doors, and completely derail the realism of the film's final act.In classic Born to Watch fashion, the boys break it down across all the key angles:The Plot Whitey leads the charge, recapping the film's surprisingly tight (yet sometimes baffling) storyline. The team debates Eddie Cusack's moral choices, questions whether Chuck understood his own lines, and marvels at the film's commitment to making stairwells more perilous than actual shootouts.The Performances G-Man lays out the argument that this is Chuck Norris's best performance, not just his best movie. With fewer lines and more brooding, Norris actually builds a character with a code. Will's take? He still prefers action over nuance but admits Chuck's stone-faced stare works better here than in Missing in Action or Delta Force.Direction & Style Andrew Davis gets some serious love this episode. Before The Fugitive made him a household name, Code of Silence showed he could stage gritty action, squeeze tension out of silence, and give Chuck an actual platform to do more than kick things. The cinematography gives Chicago a grimy, lived-in feel, and the pacing is tighter than expected until the Prowler shows up and explodes all sense of realism.The Prowler Will's favourite part of the episode, and the film, is the laughably amazing Prowler, a piece of proto-RoboCop tech that somehow exists in 1985 and gets deployed by one man for reasons no one can explain. Does it break the movie? Maybe. Do we love it anyway? Absolutely.The Fashion It wouldn't be Born to Watch without taking a closer look at the outfits. Norris's iconic turtleneck/sweater/denim combo gets a lot of airtime, as does the question of whether a moustache makes you more believable as a cop, or just more '80s.And of course, no episode would be complete without:The Good, The Bad, and The Ugly segment (with bonus Prowler praise)Listener shout-outs and rogue OnlyFans tangentsA few wildly off-topic theories about whether Chuck could've gone full prestige actor if he kept working with directors like DavisJOIN THE CONVERSATION Is Code of Silence Chuck Norris's best dramatic role? Should cops with robot tanks be allowed in stakeouts? Was the Prowler basically RoboCop before RoboCop?Drop us a voicemail at

Happy “New Taylor Swift Album” Day! Morons in the News. Lamar Goes Toilet Seat Shopping.   The People’s Movie Critic: “One Battle After Another” Everyone Needs a Laugh. How Do You Stand Living There?   Talkback Callers. Can You Believe This S***? Man Charged After Drone Collides with FireFighting Aircraft.   The Zippy Zodiac. From the Vault.

Now where were we? Ahh, yes...we're back! Michael and Jared return to discuss the newest Zach Cregger horror movie, Weapons. Join us as we try to figure out what on earth we just watched.

While on the Trans-Siberian Express, an anthropologist and his rival must contain the threat posed by his cargo. On this week's episode… Join the crew as we discuss Christopher Lee, Peter Cushing, and the terrors of traveling by train in, Horror Express (1972).    Show Notes: Housekeeping (4:00) Back of the Box/Recommendations (17:30) Spoiler Warning/Full Review: (22:28) Rotten Tomatoes (68:10) Trivia (73:00) Cooter of the Week (75:40) Hotline Scream: (82:25)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

Nothing screams the early '90s more than a Tom Clancy thriller, and The Hunt for Red October (1990) might just be the finest adaptation of the bunch. This week on Born to Watch, we take a deep dive into Cold War tension, Sean Connery's questionable Russian accent, Alec Baldwin's finest non-30 Rock performance, and why this film still makes waves decades later. And yes, we're calling this the definitive The Hunt for Red October 1990 Review.It's all systems go as Whitey, G-Man, and DJ Strangles man the periscope and dive deep into this submarine classic. From the moment Connery's Ramíus announces his defection plan to the epic underwater cat-and-mouse chase, the boys break down what makes this a tight, thrilling, and surprisingly rewatchable flick.We cover everything: from Connery's incredible second-act career run (is Red October peak Connery?), to Alec Baldwin's short but strong tenure as Jack Ryan, to the underrated gravitas of Scott Glenn and Sam Neill. Add in a stellar supporting cast that includes Tim Curry, James Earl Jones, and Stellan Skarsgård, and you've got a Cold War nail-biter filled with testosterone, torpedoes, and tense moral decisions.There's time to unpack the politics, too, the Clancy realism, the U.S. Navy flex, and that juicy little nugget of 1990s pre-internet espionage fantasy. But of course, it's not all sonar pings and missile tubes. The crew gets sidetracked (as always) by tales of sub dreams, questionable airline bear policies, and Damo's beer-and-hot-dog benchwarmer story.The team also revisits the box office and critical legacy of The Hunt for Red October. Was it Oscar-worthy? How do the effects hold up in 2025? Is this really the best Jack Ryan movie? Spoiler: the debate gets passionate, and there's no clear winner between Baldwin, Ford, Affleck, Pine, and Krasinski, but there is a winner for worst submarine hygiene. Cigarettes below deck? Not a good time.With classic Born to Watch segments like “Overs and Unders," "The Good, The Bad, and The Ugly,” and a brilliant fan voicemail, this episode has something for every cinephile, Cold War nerd, and nostalgic '90s action fan.So fire up the Caterpillar Drive, crank the Basil Poledouris score, and set your course for one of the most unexpectedly hilarious and insightful takes on a certified action-thriller classic.JOIN THE CONVERSATIONIs The Hunt for Red October the greatest Jack Ryan movie?Should smoking on submarines be an executable offence?Did Jack Ryan seriously buy a business class seat for a teddy bear?Drop us a voicemail at https://www.borntowatch.com.au and tell us if this Cold War classic is a certified banger — or just blowing smoke.Listen now on Spotify, Apple Podcasts, or wherever you get your pods. Don't forget to LIKE, SUBSCRIBE, and always question political officers with bad attitudes.#TheHuntForRedOctober1990Review #BornToWatch #SeanConnery #JackRyan #SubmarineMovies #TomClancy #AlecBaldwin #MoviePodcast #ColdWarThriller #FilmReview

Before “Drive to Survive,” before Lewis Hamilton made Formula One fashionable, and long before IMAX cameras were strapped to carbon-fibre rockets, there was just a snorbs reporter with a dream… and Brad Pitt behind the wheel. In our F1 The Movie (2025) Review, we will unpack it all.It's 2025. The team at Born to Watch trades nostalgia for noise as they deep dive into one of the year's biggest cinematic engines: F1 The Movie. With Pitt playing Sonny Hayes, a one-time F1 star turned paddock has-been, and Damson Idris as the cocky rookie you'll want to punch with a wrench, this week's episode is a fast, furious, and occasionally feral take on a film that tries to be Top Gun: Maverick on four wheels.Whitey sets the pace with a bold take: Is F1 even about the story, or is this Avatar-level immersion with fuel and friction? He breaks down how this one's less about the emotional arc and more about tech flexing at 300km/h. Gow, never one to pass up a pit stop, steers us through Morgz parallels, real-life F1 credentials, and why Brad Pitt is still Hollywood's smoothest operator, even when he's getting screamed at by a 38-year-old playing a 60-year-old's mum.Dan on the Land delivers one of the pod's all-time greatest analogies: F1 The Movie is the tale of a man returning from back surgery and bourbon benders to coach a team of year-nine canoeists. Add Damo's unexpected "this is about me” speech, and you've got a review that's half cinema, half confession.The pod delves into the cry-o-meter (0%), the popcorn meter (full), and how the audience ultimately comes to like the car more than the characters. There are debates over whether Kerry Condon was miscast, who should've punched JP first, and whether Javier Bardem's surgically-enhanced nose deserved its own credit. Bonus points for the Han Solo theory. Double bonus points for calling JP the most punchable character since Bob Sugar.Also: Damo reveals his Snorbs report special, a future film starring Jennifer Lawrence and featuring full-frontal nudity. Naturally. Dan shares a story about custom condoms and splashdowns that we cannot print here. And Whitey invents a new Oscar category: best use of tennis balls in a montage.And just when you think it's over, someone brings up Chuck Norris, and the podcast goes sideways in the most Born to Watch way possible.JOIN THE CONVERSATIONWas this just Top Gun: Maverick with gear changes?Is JP the worst teammate in movie history?Should Brad Pitt be allowed to keep that hair at his age?Drop us a voicemail at https://www.borntowatch.com.au and tell us whether this movie deserves a podium or a pit lane penalty.Listen now on Spotify, Apple Podcasts, or wherever you get your pods. Don't forget to LIKE, SUBSCRIBE, and always yell “PLAN C” when walking into a bar.#F1TheMovie2025Review #BornToWatch #BradPitt #FormulaOneMovie #IMAXExperience #SnobsReport #MoviePodcast #RacingMovies #FilmReview #DriveToSurvive

Talkback Callers. Morons in the News. Free Upgrade.   The People’s Movie Critic: “Unknown Number” Everyone Needs a Laugh. She Saved the Dog!   Talkback Callers. Can You Believe This? Ozzy.   The Zippy Zodiac. From the Vault.

Host of the KSL Movie Show, Andy Farnsworth and Movie Critic, Rachel Wagner, discuss the big movie of the week - "The Senior". The hosts share their favorite Robert Redford movies after his passing earlier this week.

Before "Ted Lasso," before viral Super Bowl speeches, and long before anyone tried to give athletes emotional depth in a rom-com, there was Jerry Maguire. The year was 1996. The Cold War was over, the NFL was king, and Tom Cruise was still a god among men, only this time, he wasn't flying jets, breaking into vaults, or sliding around in his jocks. He was having an existential crisis... over sports marketing. Join the team for this Jerry Maguire (1996) Review.This week on Born to Watch, the team gets personal with Cameron Crowe's career-defining genre-bender. It's a sports film. It's a romantic drama. It's a corporate takedown. It's an Oscar-worthy performance from Cuba Gooding Jr., a breakout role for Renée Zellweger, and the movie that made grown men cry, "You complete me."Whitey sets the tone, reminding us that Tom Cruise's 90s run, A Few Good Men, The Firm, Mission: Impossible, Magnolia, is better than most actors' entire careers. He dives headfirst into Jerry's meltdown, that now-iconic mission statement, and the truth that integrity doesn't pay… until it suddenly does. Gow takes us into the heart of the Rod Tidwell storyline and how one man's love for his family and the almighty bonus created one of cinema's most quotable characters. Will? He gets emotional. There are tears. Multiple.The pod goes all in on the movie's cry meter, with Whitey clocking in at a solid three sobs, and Gow recommending we scrap the popcorn scale for tears-per-scene metrics. We break down why this movie hits so hard: the kid with glasses saying "You said fuck," the kitchen kiss, the living room apology, and yes, the car radio singalong that still gives everyone anxiety.The team also has questions: What was Jerry doing on that porch? Is Bob Sugar the most punchable man in cinematic history? Could Tom Hanks have pulled this off, or did Cruise's signature manic energy make this role iconic? And what's with Dickie Fox and his "wake up happy" nonsense? Do we buy it, or want to slap him?As always, we hit The Good, The Bad, and The Ugly. The good? The chemistry between Cruise and Cuba. The soundtrack that absolutely slaps. Bonnie Hunt is an underrated MVP. The bad? The wedding scene. Jerry's inability to fake happiness. That mission statement is being printed at Kinko's. The ugly? A porch makeout scene that doesn't belong in a PG-13 film, especially with a child and a sister literally ten feet away.The cast breakdown gets the complete treatment: Zellweger's rise from indie darling to Oscar winner, Cuba's perfect moment before a long string of missed roles, and a deep, reluctant appreciation for Jay Mohr's ultra-hatable Bob Sugar. Also: Jonathan Lipnicki, secret weapon. Human heads weigh 8 pounds. Who knew?Legacy-wise, Jerry Maguire doesn't just survive; it thrives. It's more relevant in 2025 than ever: in a world that prizes hustle and brand, it reminds us what it means to care. It's messy. It's heartfelt. And it's full of awkward truths that still sting.JOIN THE CONVERSATIONIs this Tom Cruise's most human role?Did the mission statement actually change anything, or make him broke?Who deserves the bonus: Jerry or Rod?Drop us a voicemail at https://www.borntowatch.com.au and show us the listener love.Listen now on Spotify, Apple Podcasts, or wherever you get your pods. Don't forget to LIKE, SUBSCRIBE, and whisper "You had me at hello" to strangers in the street.#JerryMaguire1996Review #BornToWatch #TomCruise #YouCompleteMe #ShowMeTheMoney #CameronCrowe #MoviePodcast #SportsRomance #FilmReview #90sMovies

Happy Friday! Morons in the News. K-Fed.   The People’s Movie Critic: “Dexter” Talkback Callers. Everyone Needs a Laugh.   Talkback Callers. Matt Prater. Can You Believe This?   The Zippy Zodiac. From the Vault.

In this special edition of Born to Watch, the team dives back into the deep blue to celebrate the 50th anniversary of Steven Spielberg's iconic 1975 thriller, Jaws. But this isn't just a rewatch, it's a cinematic pilgrimage. Hosts Whitey and Dan welcome special guest Paul Glasby to revisit the film not just in spirit, but in spectacle, attending a screening at Hoyts Tweed City, experiencing this Jaws 50th Anniversary Review on the big screen with recliners, giant Pepsi Maxes, and a crew of unsuspecting newcomers.This episode is more than just a review; it's a tribute. For Whitey, who's marking his own 50th birthday, Jaws isn't just a classic; it's a defining piece of his movie-loving DNA, neck-and-neck with Star Wars and The Empire Strikes Back as his all-time favourite. The team reminisces about the first time they saw the film, how it scarred them from surfing, and the strange magic that Jaws still holds over an audience, even half a century later.Dan, making his debut on a Jaws episode, brings the perspective of a cinema recluse, someone more used to fields and chickens than Dolby sound and John Williams scores. But even he's swept up by the grandeur of the theatrical experience. Paul, a returning guest and self-proclaimed booster-seat podcaster, shares a British kid's perspective on Jaws' TV legacy, recalling its 3D TV gimmicks and how the film once ruled Saturday night telly. But seeing it on the big screen? That's another beast entirely.Throughout the episode, the guys reflect on Spielberg's breakout masterpiece, how a 27-year-old director, working with malfunctioning mechanical sharks and intense studio pressure, managed to craft a film that changed cinema forever. There's plenty of love for the gritty film stock, practical effects, and Spielberg's decision to show less rather than more. The now-famous story about the shark not working—leading to a suspenseful masterclass in implication over gore—gets its well-deserved praise.They also unpack the movie's unforgettable score, with Paul comparing John Williams' two-note theme to the Rocky IV training montage, so iconic that it shapes the entire experience. For Dan, the real terror lies in the opening scene, all shadows and suggestion. For Whitey, it's the rich character work, Quint's haunted Indianapolis speech, Hooper's dry wit, and Brody's quiet resolve that keep the film swimming in the top tier of cinema history.The episode isn't just nostalgia-heavy; it's a call to arms. Why don't we watch classic films in the cinema more often? Why isn't there a chain of retro movie houses showing Jaws, Alien, The Exorcist, and Boogie Nights on the regular? Dan offers a deeper look into the decline of cinema attendance, post-COVID challenges, and how theatres now survive on mega-drinks and bar-style concessions. But the gang also sees an opportunity: could Born to Watch host monthly screenings of classics? Would audiences come?There's also plenty of fun tangents, dodgy car park stories, oversized soft drinks, generational lines drawn by Paddington in Peru, and roasting fellow podcasters for their Marvel movie hot takes. Expect talk of Spielberg's filmography, the state of modern blockbusters, and whether Top Gun: Maverick or Avengers: Endgame can hold a candle to the cultural typhoon that Jaws was in 1975.In true Born to Watch style, the episode blends deep cinematic appreciation with pub-style banter, bringing in kids' reactions, audience dynamics, and even some surprising praise for Richard Dreyfuss's underrated turn as Hooper. For a film that's been endlessly dissected, this conversation feels fresh, personal, and anchored by genuine love for cinema.Whether you're a longtime fan or a landlocked Gen Z who's never felt the terror of a dorsal fin rising from the surf, this episode is a reminder of why we watch, why we return, and why, 50 years later, Jaws still bites.JOIN THE CONVERSATIONIs Jaws still the scariest movie ever made—or did the rubber shark finally lose its bite? Should Mayor Vaughn have been eaten first?Would YOU get in the water with Hooper, Brody, and a barrel full of bad ideas?Drop us a voicemail at https://www.borntowatch.com.au and share your Jaws hot takes.Listen now on Spotify, Apple Podcasts, or wherever you get your pods. Don't forget to LIKE, SUBSCRIBE, and yell “You're gonna need a bigger boat!” at strangers to promote the show.Tonight we had Paul Glazby of the When I Grow Up Podcast - You can check out his podcast on YouTube or all good podcast platforms.https://www.youtube.com/@WhenIGrowUpPodcast-r8y#BornToWatchPodcast #Jaws50th #SpielbergClassic #JawsOnTheBigScreen #CinematicLegends #BlockbusterOrigins #SharkAttackCinema #FilmNostalgia #ClassicMoviesRevisited #MoviePodcastMagic

THE SWIMMER (1968) We dive deep in to The Swimmer and discuss and analyze, maybe just a little bit the glorious film directed by Frank Perry, based on a screenplay by Eleanor Perry, from the 12 page short story by John Cheever. "Well-off ad man Ned Merrill (Burt Lancaster) is visiting a friend when he notices the abundance of backyard pools that populate their upscale suburb. Ned suddenly decides that he'd like to travel the eight miles back to his own home by simply swimming across every pool in town."If you're reading this I would like to thank you from the bottom of my heart for your support. Death By DVD has almost existed for 2 solid decades, please consider supporting Death By DVD directly on Patreon to secure the future of this very show. ★ Support this podcast on Patreon ★ Thank you for choosing Death. DEATH BY DVD FOREVER. FOREVER DEATH BY DVD. ★ Support this podcast on Patreon ★ CHECK OUT DEATH BY DVD ON YOUTUBE : https://www.youtube.com/@DeathByDVDDon't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES 

Bonus Review. Ketamine Queen Pleads Guilty. Morons in the News.   The People's Movie Critic: "The Roses. Everyone Needs a Laugh. "Perfect"   Talkback Callers.

On this very special episode, Andy discusses everything he watched at the Fantastia Film Festival!   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

Before Call of Duty, before The Hunger Games, and long before kids with rifles were standard streaming fare, there was Red Dawn, a film where teenagers in Colorado picked up hunting rifles, hid in the woods, and waged war on the Soviet-Cuban invasion of suburban America. In 1984, World War III didn't start with a bang. It began with a history teacher getting machine-gunned through a classroom window. Wolverines, assemble. This Red Dawn 1984 Review is gunna be epic!This week on Born to Watch, the team revisits John Milius' unlikely cult classic, the first PG-13 movie ever released, and still one of the most bizarrely patriotic action flicks of its time. Whitey sets the scene: Cold War hysteria at its cinematic peak, where the solution to global conflict is apparently a football quarterback, a couple of dirt bikes, and a stash of grenades. Gow marvels at how dark and unexpectedly bleak the movie is upon rewatch. And special guest Chris, who watched this on loop in a Canadian compound in Saudi Arabia (seriously), adds depth, nostalgia, and just the right amount of North American sincerity.The pod kicks off with a bang (and a few technical apologies), diving straight into awkward romances, surprisingly competent teens, and Patrick Swayze's transition from ballet shoes to combat boots. There's plenty of love for the Outsiders alums in the cast, from Swayze to C. Thomas Howell to Charlie Sheen in his screen debut, "He looks like he's been acting for 20 years," Whitey insists. Jennifer Grey and Lea Thompson round out the '80s dream team, while Powers Boothe arrives halfway through the movie like a red-blooded Deus Ex America, delivering monologues about freedom, death, and being "super Catholic unless he needs to be super Anglican."And yes, the Wolverines' origin story is still insane. A bunch of high schoolers flee to the hills, build underground bunkers with trap doors, and become insurgents overnight. The pod breaks down every logical inconsistency and still comes away loving it: why did the Russian soldiers...take the picnic basket? Why did Darryl betray them? And how the hell did they learn to use claymores?As always, The Good, The Bad, and The Ugly delivers the heat. The good? A refreshingly sincere slice of 80s teenage warfare, where death has weight and characters grow (or die trying). The bad? Avenge me! Avenge meee! Screams Harry Dean Stanton in a moment so melodramatic it becomes unintentionally iconic. And the ugly? Powers Boothe, nearly getting frisky with Lea Thompson, cut in post, thank God, but still creepy on rewatch.The conversation also swerves into great side quests. Gow takes us through Ordinary People, tying every cast member back to The Outsiders or Back to the Future in six degrees or less. Whitey flexes his film nerd muscles with a deep dive into director John Milius, writer of Apocalypse Now, Dirty Harry, and the infamous USS Indianapolis speech from Jaws. There's also the obligatory "One Degree of Kurt," tying the film back to Russell via Tombstone and Powers Boothe. Born to Watch bingo, complete.Set pieces get their due: the shock of the paratroopers in the opening scene, the forest ambush montages, the tragic final shootout between brothers. There's genuine reverence for how gritty and grim the film gets, even with its wild premise. "This movie's better than it has any right to be," is the consensus.Legacy-wise, Red Dawn didn't just launch a thousand VHS replays; it set the template for teen action cinema, and even inspired a less-than-stellar 2012 remake (which the boys pretend doesn't exist). No Oscars here, but in the Book of Born to Watch, it gets a solid star on the Walk of Cult Classics.JOIN THE CONVERSATIONShould Jed have let Darryl live?Is Red Dawn better than it should be—or just a patriotic fever dream gone rogue?Would YOU survive a Soviet invasion with nothing but camping gear and high school trauma?Please leave us a voicemail at https://www.borntowatch.com.au and join the rebellion.Listen now on Spotify, Apple Podcasts, or wherever you get your pods. Don't forget to LIKE, SUBSCRIBE, and yell "WOLVERINES!" at strangers to promote the show.#RedDawn #Wolverines #borntowatchpodcast #80sAction #CultClassic #PatrickSwayze #ColdWarCinema #MoviePodcast #FilmReview

A brilliant painter facing the worst creative block of her life turns to anything she can to complete her masterpiece. In an attempt to complete her work before her gallery opening she spirals into a hallucinatory hell-scape of drugs, sex, and murder in the sleazy underbelly of Los Angeles. On this week's episode… Join the crew as we discuss blood orgies, how hard art is, and the pains of addiction in Joe Begos' neon soaked film, Bliss (2019).     Show Notes: Housekeeping (4:50) Back of the Box/Recommendations (11:55) Spoiler Warning/Full Review: (20:20) Rotten Tomatoes (63:50) Cooter of the Week (70:58) What We've Been Watching (79:46) Hotline Scream: (89:45)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

By 2016, the Star Wars galaxy was splintered. Disney had bought the keys to the kingdom, and The Force Awakens had opened the floodgates of nostalgia; fans were debating whether the magic still remained. Enter Rogue One, a gritty, grounded war film that not only connected the dots between trilogies but also reminded us what sacrifice actually looks like in a galaxy far, far away. Our Rogue One (2016) Review could be our boldest Star Wars exploration yet. Listen to find out.On this week's Born to Watch, the team rallies on Yavin 4 to break down the boldest entry in Disney's Star Wars canon. Whitey brings the heat with tales of midnight screenings and family rewatches, calling Rogue One the "Everest" of modern Star Wars. Damo, initially underwhelmed, admits it took a second viewing to appreciate the depth and daring of this standalone story. And Bones? Let's just say he came armed with more trivia than a Death Star databank, from K-2SO's comic origins to what Chirrut Îmwe's staff is really made of.The episode begins with the squad sharing their first impressions, ranging from faulty cinema projectors to kids ditching mid-movie, before diving into the film's iconic trailer. Vader's breath. The Rogue One theme. Mon Mothma's icy resolve. It still rocks. The boys dissect what made the trailer work and laugh at the glaringly absent "I rebel" line that somehow vanished between teaser and final cut.Naturally, the Born to Watch crew doesn't just scratch the surface. They dive deep into what makes Rogue One so special: a fresh cast of characters who aren't chosen ones or lightsaber prodigies, but ordinary rebels making impossible choices. Jyn Erso (Felicity Jones) gets major love for her no-frills attitude, while Diego Luna's Cassian Andor earns newfound respect thanks to the phenomenal Andor series, which Whitey all but begs Damo to finally watch.And then there's K-2SO, the sardonic droid voiced by Alan Tudyk (aka "Two Dicks”, don't ask, just listen). Easily one of the funniest characters in the franchise, K-2 delivers punchlines and gut-punches with equal finesse. The same goes for Donnie Yen's Chirrut and Wen Jiang's Baze, a dynamic duo who bring martial arts, mysticism, and machine guns to the battlefield.Ben Mendelsohn's Director Krennic gets the Aussie shoutout treatment, with the team praising his imperial smugness and exquisite cape work. Forest Whitaker's Saw Gerrera? A source of debate, gasps, and conspiracy theories, is he a Vader prototype? A puffed-up Darth Hipster? Either way, "Bo Gullet" lives rent-free in everyone's head, even if no one quite understands what he's doing there.And then comes the scene. You know the one. The Vader hallway massacre. It's cinematic perfection, a horror movie, action flick, and fan fantasy rolled into one red lightsaber ignition. The team agrees: it might be the greatest single moment in Star Wars history. Period.From there, it's time for Good, Bad, and Ugly, where the sets, the new worlds (Scarif, Jedha), and the grounded stakes all get high praise. The team relishes how Rogue One finally explains the Death Star's ridiculous design flaw, praises its minimal use of nostalgia, and wonders how Jyn Erso climbs that 500-metre tower without even puffing.Legacy-wise, Rogue One is a billion-dollar box office hit that somehow still feels underrated. No Skywalkers. No prophecy. Just a desperate, beautiful mission and a finale that dares to kill every single lead. The episode wraps with laughs, trivia, a tease of a Star Wars Trivial Pursuit rematch, and a reminder that Rogue One is the rare Disney-era film that actually elevates what came before.JOIN THE CONVERSATIONIs Rogue One the best Star Wars movie since the original trilogy?Would you rather pilot an X-Wing or be one with the Force like Chirrut? Is K-2SO the most underrated droid in the galaxy?Drop us a voicemail at https://www.borntowatch.com.au and be part of the show!Listen to the full episode now on Spotify, Apple Podcasts, or wherever you get your pods.Don't forget to LIKE, SUBSCRIBE, and click the bell to stay updated on all things Born to Watch, your weekly fix of nostalgia, nonsense, and no-holds-barred movie breakdowns.#RogueOne #StarWars #BornToWatch #MoviePodcast #CassianAndor #K2SO #DarthVader #FilmReview

A fisherman and his crew are targeted by a killer whale seeking vengeance for the death of its mate. On this week's episode… Join the crew as we discuss super smart fish, revenge thrillers, and the Jaws rip-off, Orca (1977).    Show Notes: Housekeeping (4:15) Back of the Box/Recommendations (9:15) Spoiler Warning/Full Review: (16:00) Rotten Tomatoes (62:10) Trivia (70:30) Cooter of the Week (78:15) What We've Been Watching (83:35) Hotline Scream: (93:55)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

1985 was the year Sylvester Stallone went from Hollywood heavyweight to undisputed box office king. With Rocky IV on one side and Rambo: First Blood Part II on the other, he wasn't just riding the wave of 80s action; he was the wave. And while First Blood had been a surprisingly thoughtful thriller about trauma, alienation, and a veteran's struggle to reintegrate into society, its sequel shed all subtlety like a spent shell casing. What we got instead was a high-octane, Reagan-era fever dream of exploding arrows, shirtless jungle warfare, and a hero who could take down entire armies with little more than a knife, a bow, and a steely stare. Strap into your parachutr and prepare for our Rambo: First Blood Part II ReviewOn this week's Born to Watch, the boys dive into Stallone's red-bandanaed return to Vietnam. Whitey sets the scene: this isn't just a movie, it's the beginning of the "one-man war" subgenre that would dominate until Die Hard flipped the script in 1988. Damo admits he's barely watched it compared to the rest of the team, just four times, making him the weakest link in the Rambo chain, while Dan fondly recalls a childhood of VHS replays and backyard re-enactments, complete with shirtless flexing and imaginary M-60s.The episode kicks off with laughs about the film's working title, "Second Blood," which the team insists is far better than what we ended up with. From there, the conversation barrels through the film's unforgettable trailer, essentially a three-minute version of the movie that gives away every major set piece. But then again, in 1985, you weren't dissecting trailers on YouTube; you were catching glimpses of them before Back to the Future or in the lobby of Hoyts.As always, Colonel Trautman gets his share of love. Richard Crenna's grizzled commander was the heart of First Blood, but here the boys agree he's been badly sidelined, emasculated by slimy bureaucrats and robbed of his best lines. Whitey argues that Stallone intentionally clipped Trautman's wings to keep the spotlight on himself, before realising by Rambo III that the series needed more Crenna.Villains are in no short supply: Charles Napier's Murdoch oozes bureaucratic slime, Steven Berkoff delivers Cold War menace as a sneering Russian general (forehead mole and all), and Martin Kove, fresh off The Karate Kid, simmers in the background as a mercenary who doesn't get nearly enough to do. And then there's Julia Nickson as Co, whose accent is so gloriously bad it's become immortal. Her "What mean expendable?" line sends the boys into hysterics, though they're quick to admit she's stunning on screen and essential to Rambo's fleeting attempt at love.The set pieces get the full treatment too: Rambo parachuting into the jungle, the bamboo cage of leeches, the patrol boat ambush, and the climactic showdown with a hulking Russian gunship that feels like the final boss in a video game. Logic rarely applies, Rambo seems oddly immune to electrocution and, at one point, appears in what the boys can only describe as a "ceremonial Vietnamese G-string", but that's half the fun. Unlike Cobra, which the podcast tore apart in a recent episode, First Blood Part II manages to be outrageous without ever becoming dull.The team also dives into the film's legacy. Box office juggernaut? Absolutely, $300 million worldwide on a $44 million budget. Awards darling? Not quite. While it picked up an Oscar nomination for sound editing, it swept the Razzies, winning for Worst Picture, Worst Actor, and even Worst Original Song. That song, Peace in Our Life, penned by Frank Stallone, gets roasted at length—described as "mesmerisingly bad" and “patriotic cheese that makes Bon Jovi sound poetic.”But for all its flaws, there's an undeniable joy in watching Rambo: First Blood Part II. Whitey compares it to the Avengers: Endgame of 1985, pure crowd-pleasing cinema where audiences would've cheered out loud when Rambo vaporised a guard with an explosive arrow. The film may be ridiculous, but it's never boring.As always, there are detours into Mad Max Beyond Thunderdome (unanimously despised), A View to a Kill (fondly remembered for Roger Moore inventing snowboarding to the Beach Boys), and Corey Haim's werewolf flick Silver Bullet. There's also a spirited listener voicemail from loyal fan Chupperz, who demands a proper definition of "cameo" for Film School for FW, and a reminder that even when the team is tearing something apart, it's always done with affection.By the time they hit The Good, The Bad, and The Ugly, the verdict is clear: Stallone's hair deserves its own credit, Trautman deserves better, and Rambo: First Blood Part II is the kind of dumb, overblown, endlessly rewatchable 80s action that Born to Watch was made for.So if you love muscle-bound mayhem, Cold War villains, or just want to hear a bunch of Aussie legends laugh, argue, and celebrate a truly explosive piece of cinema history, this is the episode for you.JOIN THE CONVERSATIONIs Rambo: First Blood Part II a misunderstood classic or just overblown propaganda? Would you rather ride shotgun in the gunship or sneak through the jungle with the bow and arrow? Does this sequel outshine First Blood, or did Stallone lose something when subtlety gave way to spectacle? Drop us a voicemail at https://www.borntowatch.com.au and be part of the show!Listen to the full episode now on Spotify, Apple Podcasts, or wherever you get your pods.#Rambo #FirstBloodPartII #SylvesterStallone #80sAction #CultClassic #MoviePodcast #BornToWatch #FilmReview #ActionMovies #RetroCinema

Bill Frost (CityWeekly.net, X96 Radio From Hell) and Tommy Milagro (SlamWrestling.net) talk Devo: The Documentary, Mission: Impossible: The Final Reckoning, The Twisted Tale of Amanda Knox, Peacemaker, Superman, Long Story Short, Invasion … still a show?, Dexter: Resurrection, SJP vs. And Just Like That haters, The Last of Us & Joey Pants, (no) Better Call Saul comeback, Rasslin' News, Tarantino vs. Movie Critics, The Real Housewives of … London?, Twisted Metal (watch hard!), King of the Hill (watch harder!), Alien: Earth (watch hardest!), and more.Drinking: Bottled In Bond Bourbon from OFFICIAL TV Tan sponsor Outlaw Distillery.Yell at us (or order a TV Tan T-shirt) @TVTanPodcast on Threads, Bluesky, Facebook, Instagram, or Gmail.Rate us and comment: Substack, Spotify, Apple Podcasts, YouTube Music, YouTube, Amazon Podcasts, Audible, TuneIn Radio, etc. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit tvtanpodcast.substack.com

Greetings from the graveyard! You may or may not have heard on a recent episode of Death By DVD that your favorite show will unfortunately be taking a break to move. The bad news is there will not be new episodes for a while but the good news is that Death By DVD studios is getting an upgrade so we can bring you bigger and better shows. Hear this new episode updating you on what's going on with Death By DVD as well as some shout outs to friends of the show that have sent us some wonderful supportive messages. DEATH BY DVD WILL B.R.B! BE RIGHT BACK!!!Follow Mr D's Movies on Instagram : https://www.instagram.com/mrdsmovies/Watch AND NOW FOR SOMETHING A LITTLE BIT DIFFERENT hosted by John Horgan here : https://www.youtube.com/@johnhorgan1713If you're reading this I would like to thank you from the bottom of my heart for your support. Death By DVD has almost existed for 2 solid decades, please consider supporting Death By DVD directly on Patreon to secure the future of this very show. ★ Support this podcast on Patreon ★ Thank you for choosing Death. DEATH BY DVD FOREVER. FOREVER DEATH BY DVD. ★ Support this podcast on Patreon ★ Don't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES 

Ban Certain Beach Wear? Morons in the News. Opie.   The People’s Movie Critic: “Weapons” Everyone Needs a Laugh. Don’t Trust ChatGPT.   Talkback Callers. Can You Believe This? More Chat About “Weapons”   The Zippy Zodiac. From the Vault.

Join the Reverend inside Pam's Coffy, for his first ever sit down with Mr. Quentin Tarantino, as they discuss the cancellation of "The Movie Critic," the origin of "The Adventure's of Cliff Booth," what his next project is going to be, why "Kill Bill: The Whole Bloody Affair" is still unavailable to the public, the brilliance of the late great Michael Madsen and so much more, including the question he's been dying to ask for over 2 and a half years: "What ever happened to the Untitled TV Series?" This is a must listen for true Tarantino fans.Become a member of The Church of Tarantino:Follow us on our Socials:Facebook / Instagram / Threads / Blue Sky & Letterboxd: @ChurchOfQTPodEmail: ⁠⁠⁠TheChurchOfTarantino@gmail.com⁠⁠⁠We're also on the Rabbit Hole Podcast Network: ⁠⁠⁠https://rabbitholepodcasts.com/the-church-of-tarantino/

When all but one child from the same class mysteriously vanish on the same night at the exact same time, a community is left wondering who or what is behind their disappearance. On this week's episode… Join the crew as we discuss Julia Garner, Josh Brolin, and Zach Cregger's sophomore feature film, Weapons (2025).    Show Notes: Housekeeping (4:17) Back of the Box/Recommendations (8:50) Spoiler Warning/Full Review: (12:25) Rotten Tomatoes (77:20) Trivia (88:33) Cooter of the Week (90:52) What We've Been Watching (1:40:15) Hotline Scream: (1:51:30)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

Lock, load, and prepare for a ballistic ride. This week, the Born to Watch crew take on the movie that brought Keanu Reeves roaring back into the action spotlight and set a new standard for gun-fu carnage with their John Wick (2014) Review.Whitey, G Man, Damo, and returning guest Bones gather in the "Red Circle Russian Baths" to break down this lean, mean revenge machine. The premise is simple: they killed his puppy, they stole his car, and now John Wick is going to kill absolutely everyone. What follows is 101 minutes of exquisitely choreographed violence, ruthless headshots, and underworld world-building that's as fascinating as it is stylish.The boys kick things off with an "overs and unders" rewatch count, Bones leading the charge with a double-digit tally, Damo admitting he was late to the Wick party, and G Man revealing this was only his second full viewing. Whitey takes us back to his last days running a video shop in 2014, when he first discovered the movie on DVD and immediately knew it was something special.From there, it's a high-calibre conversation covering the sequels (John Wick 2 gets big love, John Wick 3 cops a length warning, and John Wick 4 is called out for testing bladders at nearly three hours). They crunch the numbers on the original film's body count, 84 kills for Wick alone, and swap favourite takedowns, from the Red Circle massacre to the infamous knife-to-the-chest finisher.But John Wick isn't just about spraying bullets. The team dive into what makes it different: the cool, calculated underworld mythology of The Continental, the gold coin economy, and the assassin's code that adds sophistication to the chaos. They agree that the "no business on Continental grounds" rule is a masterstroke, and that Ian McShane's Winston brings the perfect mix of charm and menace.Keanu Reeves' career gets its own spotlight, with nods to Point Break, Speed, The Matrix, and even the roles he almost played (Platoon, Starship Troopers). Supporting cast members also get their flowers: Michael Nyqvist's quietly menacing Viggo, Alfie Allen's punchable rich-kid villainy, Willem Dafoe's sniper guardian angel, and a surprise cameo from wrestling giant Kevin Nash.In true Born to Watch fashion, the chat spirals into side quests: hot takes on Taken's influence on modern revenge films, debates over whether Russians are cinema's ultimate gangsters, and an oddly passionate discussion on Japanese onsens and Russian bathhouses (including the etiquette of washing before soaking with strangers).They also unpack critical reception, David Stratton's dismissive "all gun battles" take versus The New York Times' praise for its style, wit, and box office performance, noting how word of mouth turned a modest $86 million return into the launchpad for a billion-dollar franchise.Signature segments return in force:Hit, Sleeper, Dud, Swinger – with Interstellar and Edge of Tomorrow as hits, Frank as the sleeper, Dumb and Dumber To as the dud, and Pompeii roasted as a "swinger" that belongs in cinematic ash.Snobs Report Special – veering gloriously off-topic to Alexandra Daddario's career-making scene in True Detective.Question Time – covering everything from the realism of Wick's "magic pills" to whether Iosef's death was anticlimactic, and what exactly makes a headshot so satisfying.Through it all, the crew's affection for John Wick is undeniable. They celebrate its stripped-back storytelling, grounded stunt work, and unrelenting pace, while acknowledging its few stumbles. It's the perfect mix of 80s-style simplicity and modern fight choreography, proof that a revenge story, told well, never goes out of style.If you're a fan of tight, furious action films with a killer lead, a colourful rogues' gallery, and a fictional criminal underworld you want to explore (but not live in), this is the Born to Watch episode for you.JOIN THE CONVERSATIONIs John Wick the best modern action franchise or just a stylish headshot marathon?Which kill in the Red Circle nightclub is your all-time favourite?Is killing the puppy the single most effective way to make an audience cheer for revenge?Drop us a voicemail at https://www.borntowatch.com.au and be part of the show!Listen to the full episode now on Spotify, Apple Podcasts, or wherever you get your pods.#JohnWick #KeanuReeves #MoviePodcast #ActionMovies #BornToWatch #GunFu #RevengeMovies #CultAction #FilmReview #PopCulture #borntowatchpodcast

Send us a textKathy, Burk and Ramesh discuss the sequel to "Once Upon a Time in Hollywood" that is in development, with David Fincher directing and Quentin Tarantino writing the script. Shooting has begun in Los Angeles with sets being designed for a 1970s time period. Burk is on the scene with exclusive photos (thank you, Lisa Fancher!) and video. Brad Pitt is set to reprise his role as Cliff Booth and it is rumored to be a spin-off focusing on Cliff Booth's past. The script is reportedly based on a shelved Tarantino project called "The Movie Critic," according to The Playlist.Support the show

On this episode of Remainders, we watch the 90s cult classic Joe Versus the Volcano. An often overlooked movie in Tom Hanks early career, Joe Versus the Volcano is a classic Hollywood screwball comedy that rightfully has gained a cult following since its release. With themes of death, mortality, and the meaning of life, the heady vibes will continue to garner new fans for years.Other topics include Tom Hanks, Meg Ryan, director John Patrick Shanley, Flashback Horror Weekend in Chicago, Joe Dante, the new Naked Gun movie, the original Naked Gun trilogy, and classic 80s movies that shaped our childhood. Songs of the WeekHey Julie by Fountains of WayneMidnight Rider by Allman Brothers BandSeed of Memory by Terry ReidRemainders Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

Three high school friends gain superpowers after making an incredible discovery underground. Soon they find their lives spinning out of control and their bond tested as they embrace their darker side. On this week's episode… Join the crew as we discuss found footage horror movies, super villain origins, and the surprise hit film, Chronicle (2012).     Show Notes: Housekeeping (4:05) Back of the Box/Recommendations (12:10) Spoiler Warning/Full Review: (18:55) Rotten Tomatoes (66:50) Trivia (76:00) Cooter of the Week (83:35) What We've Been Watching (91:35) Hotline Scream: (97:50)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

This week on Born to Watch, the boys dive sunglasses-first into their Cobra (1986) Review, Sylvester Stallone's 80s fever dream of fascist fashion, cult chaos, and cheeseball one-liners. In a time when Sly was king of the box office, rocking Rambo and Rocky, he went rogue and gave us… Marion Cobretti. Part cop, part Terminator, all denim.Whitey, G-Man, and Morgz try to unpack this absurd Dirty Harry knockoff that's equal parts vanity project and testosterone overdose. From the opening monologue's completely made-up crime stats to the gratuitous axe-wielding cult, nothing about Cobra makes sense, and that's half the fun.But it's not all bullets and bravado. The team takes a hard look at Stallone's creative control (spoiler: he shouldn't have had any), the film's bizarre product placement (Pepsi, anyone?), and a montage that includes Brigitte Nielsen posing with robots to a Robert Tepper deep cut. Seriously.Gow marvels at the buckle boots and slasher absurdities, Dan questions why Cobra opens a warm beer just to throw it, and Whitey can't believe this was supposed to be the start of a franchise. There's praise for the poster, grief for the editing, and unfiltered confusion about the serial killer cult that clinks axes in an abandoned pool.Also in this episode:An explosive “Good, Bad, and Ugly” segment where “ugly” takes on new meaningA wild tangent into Canadian trailer parks and Gow's legendary exploits as the “Ten Slayer”A bonus voicemail from our mate XR8 Chupperz, who wants answers about Canadian bar fights and Gow's taste in trailer park womenAs the crew reflects on Cobra's place in 1986 cinema, surrounded by giants like Top Gun, Aliens, and Platoon, they ask the big questions: Could this have been good with a different cut? Did anyone actually direct this thing? And is “You're a disease, and I'm the cure” the greatest dumb action line ever written?Spoiler alert: Cobra ends with 41 confirmed kills. Stallone doesn't just clean up crime; he clears the census.So if you love muscle-bound madness, slashers in stocking masks, or just want to laugh at a movie that takes itself way too seriously, this episode is for you.JOIN THE CONVERSATIONIs Cobra a misunderstood action gem or just a flaming dumpster fire of denim and ego?Would you ride shotgun with Cobretti or run from his gun with the custom Cobra logo? Who's scarier—the Night Slasher or that robot photo shoot montage?Drop us a voicemail at https://www.borntowatch.com.au and be part of the show!Listen to the full episode now on Spotify, Apple Podcasts, or wherever you get your pods.#Cobra #SylvesterStallone #BornToWatch #MoviePodcast #80sAction #CultClassic #BadMoviesWeLove #BrigitteNielsen #PepsiPlacement #GunWithALogo

Bands That Hate Their Biggest Hits. Morons in the News. Please Don’t Walk on Lava.   The People’s Movie Critic: “Happy Gilmore 2” The People’s Movie Critic: “The Fantastic Four” Everyone Needs a Laugh.   Talkback Callers. Can You Believe This? Bad Tinder Chats.   The Zippy Zodiac. From the Vault.

Strap on your goggles and hoist the sails, this week on Born to Watch, the crew dives into a post-apocalyptic puddle with their Waterworld (1995) Review, Kevin Costner's legendary aquatic epic that soaked Universal Studios in ambition, cash, and controversy. Whitey, G Man, and Damo reunite to wade through the waves of cinematic history, revisiting a film as infamous for its behind-the-scenes chaos as it is for its soggy storytelling.From the jump, the team questions Waterworld's place in pop culture infamy. Once touted as the most expensive movie ever made, this maritime Mad Max-on-water starred Costner at the peak of his fame, but was it his creative apex or the beginning of his soggy descent? The guys don't pull punches, balancing deep dives into production lore with their trademark irreverent humour.Whitey sets the tone by confronting the bloated ambition of the project: “Has any Hollywood star become so famous with a catalogue with so many peaks and troughs?” Cue a wide-ranging Costner retrospective, comparing the golden days of Field of Dreams and The Untouchables to the indulgent excesses of The Postman and yes, Waterworld. The verdict? Costner might've been drinking his own Kool-Aid, filtered through a urine distillation machine, of course.G Man leads the crew through the absurd plot, where the Earth is drowned, the polar caps are melted, and dry land is a mythic memory. Costner plays the Mariner, a grim, gilled loner with webbed feet and a personality drier than the lost continent he's searching for. The podcast doesn't shy away from the film's narrative flaws: characters with no backstory, Mad Max rip-offs, and a complete lack of chemistry between the leads, most notably between Costner and Jeannie Triplehorn, affectionately known as “Jeannie Triple Blurter” by the team.Speaking of performances, Dennis Hopper's turn as the Deacon is eviscerated with delight. Compared to his electric villain in Speed just a year prior, Hopper here is an oily cartoon, piloting a rust-bucket Exxon Valdez filled with chain-smoking goons. “It's a bad Beyond Thunderdome,” declares Whitey, and the panel doesn't disagree.The gang revels in the film's infamous production disasters: hurricanes, a constantly rewritten script, Costner's massive creative control, and his falling out with director Kevin Reynolds. G Man reminds us of the legendary quote about Costner directing himself: “Now he gets to work with his favourite actor and his favourite director.” Ouch.Despite the floundering script, there are moments that the Born to Watch crew appreciates. The practical effects, like the massive floating Atoll set and Costner's tricked-out trimaran, get nods of approval, even if the action sequences are undercut by choppy editing and goofy stunts. And the team can't help but laugh at the iconic “pee filtration scene,” the rope-assisted bungee jump climax, and the infamous underwater city reveal, which defies all logic and basic physics.One of the episode's standout sections is “Question Time,” where the trio tackles the film's most baffling plot points: How does the Mariner's boat outrun jet skis? How does dry land remain uninhabited? And why, oh why, would someone spend their life searching for paradise only to leave it five minutes after finding it?The boys also pay tribute to the lesser-known cast and crew: a young Jack Black in a blink-and-miss-it role, Tina Majorino (aka the Enola of Napoleon Dynamite fame), and the brilliant yet misfiring score from James Newton Howard. “He dialled it in harder than Dennis Hopper did,” quips Damo.By the end, the Born to Watch gang reaches a consensus: Waterworld is a cinematic curiosity, too ambitious to dismiss outright, too flawed to celebrate, and just insane enough to warrant a watch. Maybe once.So whether you're a fan of ‘90s action epics or just here to marvel at cinematic misfires, this Waterworld deep dive is a splash of nostalgic chaos you won't want to miss.Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts!Join the conversation:Is Waterworld an underrated cult classic or a floating disaster?Would you survive in a world covered by the ocean? And seriously, how does that boat outrun jet skis?#BornToWatch #Waterworld #KevinCostner #MoviePodcast #90sMovies #PostApocalyptic #DennisHopper #JeanneTripplehorn #CultClassic #MadMaxOnWater #MovieReview #PodcastLife

The Coldplay Incident. Ozzy’s Final Show. Morons in the News.   The People’s Movie Critic. R.I.P. Hulk Hogan. Everyone Needs a Laugh.   Talkback Callers. Can You Believe This? The Origins of Crackers.   The Zippy Zodiac. From the Vault.

Justin and Andy discuss everything they watched at the Bucheon International Film Festival!   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

Home-Run-athon. Morons in the News. Casual Friday.   The People’s Movie Critic: “Superman” Superman Audition. Everyone Needs a Laugh.   Talkback Callers. Can You Believe This? Attempted Murder.   The Zippy Zodiac. From the Vault.

In a violent future in Detroit, murdered police officer Alex Murphy is resurrected as Robocop, a powerful cyborg law enforcer. As he fights crime he begins to uncover memories of his past and seeks revenge on those that murdered him. On this week's episode… Join the crew as we discuss Reaganomics, privatized police forces, and Paul Verhoeven's, Robocop (1987).   Show Notes: Housekeeping (4:45) Back of the Box/Recommendations (12:00) Spoiler Warning/Full Review: (20:15) Rotten Tomatoes (75:55) Trivia (82:15) Cooter of the Week (91:40) What We've Been Watching (99:02)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

Diddy Verdict. Morons in the News. Mayo Slices.   Everyone Needs a Laugh. Back to the Future Anniversary. The People’s Movie Critic: “Poop Cruise”   Talkback Callers. Can You Believe This?   The Zippy Zodiac. Eating at the Cookout.

The Dog Gets a Name. Jeff Bezos. Morons in the News.   The People’s Movie Critic: “How to Train Your Dragon” Everyone Needs a Laugh. Cooking with Lamar.   Talkback Callers. Can You Believe This? Highway Bear Fight!   The Zippy Zodiac. From the Vault. Talkback Callers.

Ozzie's DNA. Happy Summer Solstice! Morons in the News.   The People's Movie Critic. Everyone Needs a Laugh.   Talkback Callers. Can You Believe This? 5 Books Better Than the Movies.   Talkback Callers. From the Vault.

Today's Oddcast - Talking Lamar - You Still Need A Bigger Boat (Airdate 6/20/2025)   The People's Movie Critic is celebrating the 50th anniversary of one of the greatest movies of our lifetime, Jaws.   The Bob & Sheri Oddcast: Everything We Don’t, Can’t, Won’t, and Definitely Shouldn’t Do on the Show!

Talkback Caller. Morons in the News. Wash Your Beard.   The People’s Movie Critic: “Ballerina” Everyone Needs a Laugh.    

Backflip Gone Wrong. Irish Butter. Morons in the News.   The People's Movie Critic. Everyone Needs a Laugh.   Talkback Callers. Can You Believe This?   The Zippy Zoiac. From the Vault.