1939 film by John Farrow
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3 episodes with Five Came Back
2 episodes with Five Came Back
2 episodes with Five Came Back
2 episodes with Five Came Back
2 episodes with Five Came Back
2 episodes with Five Came Back
2 episodes with Five Came Back
2 episodes with Five Came Back
2 episodes with Five Came Back
The epic ALFRED HITCHCOCK MEGA DRAFT continues in PART TWO, as Mark Harris (Pictures at a Revolution, Five Came Back, Mike Nichols: A Life), Adam B. Vary (Variety) and Screen Drafts Legend Darren Franich (The Draftland Scene) take over the middle of the list, ranking films #20 to #11!
Front Row Classics welcomes celebrated author and filmmaker, Laurent Bouzereau. Laurent has penned a new book celebrating the work of Brian DePalma. "The DePalma Decade" takes a look at seven defining films from 1972-1981. Laurent uses analysis, production histories & recollections of cast, crew and DePalma himself to tell the story of films such as Carrie, Obsession and Dressed to Kill. "The DePalma Decade: Redefining Cinema with Doubles, Voyeurs and Psychic Twins" is available wherever books are sold from Running Press. LAURENT BOUZEREAU is an award-winning filmmaker and best-selling author. His credits include the feature documentaries Music by John Williams; Faye, about legendary actress Faye Dunaway; Mama's Boy, based on the best-selling memoir by Dustin Lance Black; Natalie Wood: What Remains Behind; and the acclaimed Netflix series Five Came Back, based on the ebook by Mark Harris. He is the author of several books on cinema, including Steven Spielberg: The First Ten Years and The De Palma Decade. Bouzereau and his husband, Markus Keith, run Nedland Media, a production company based in Los Angeles.
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La vie est belle (It's a Wonderful Life), de Frank Capra sorti en 1946 fait partie des indétrônables du cinéma. Il est à avoir vu au moins une fois dans sa vie. Cʹest un des GRANDS classiques, au même titre que Citizen Kane, Casablanca ou Vertigo. La preuve, le film figure à la 11e place du Top 100 de l'American Film Institute. La Vie est belle est une comédie dramatique avec James Stewart, Donna Reed, Lionel Barrymore. Cʹest lʹhistoire dʹun homme, George Bailey, à la veille de Noël, qui veut se suicider. Il est sauvé par un ange qui lui montre comment serait le monde sʹil nʹétait pas né. La vie est belle sʹouvre et se clôt comme un conte de Noël. Mais il nʹest pas aussi boy-scout ou rose bonbon quʹon veut bien le décrire. Il tient plutôt de lʹacte de foi quasi désespéré mêlé de réalisme acide. " Cʹest mon meilleur film ", disait le réalisateur. Le plus Capra de tous les Capra ! Dans ce film, Capra pose un regard réaliste mais plein dʹespoir sur ses contemporains. On le sait, la vie nʹa pas toujours été facile pour ce fils dʹémigrés siciliens illettrés. Et puis, Frank Capra est parti à la guerre, en Europe. Il en revient désabusé, secoué. Mais il a toujours foi en lʹhumain, en ses capacité à rebondir, à se réinventer. Frank Capra, cʹest le roi des comédies, à fort message social. Eduqué par le cinéma muet, Capra sait bien que ce sont les conflits, les contrastes qui font rouler une bonne fiction. La cruauté ne lui est pas étrangère. Il sait passer du noir au rose, et va faire de son conte merveilleux une symphonie polymorphe. Jamais Capra ne sʹest autant éloigné de la bonne humeur pour y revenir in extremis. La vie est belle est un film boudé à sa sortie, mais par les biais des rediffusions à la télévision, il va devenir un film culte ! REFERENCES Frank Capra, The Name Above the Title, An Autobiography, Macmillan Company, 1971. Autobiographie publiée en France sous le titre Hollywood Story, Paris, Stock, 1976. Réédité chez Ramsay Poche Cinéma en 1985 et 2006. Five Came Back is an American documentary based on the 2014 book Five Came Back: A Story of Hollywood and the Second World War by journalist Mark Harris Making Of Its A Wonderful Life Frank Capra Jr
Please join award-winning filmmaker Laurent Bouzereau in The Locher Room. Laurent will be here to tell us about his new HBO documentary Mama's Boy. Mama's Boy premieres on Tuesday, October 18th at 9 p.m. EST / 6 p.m PST on HBO. The documentary centers around the upbringing of the Academy Award®-winning screenwriter of Milk, Dustin Lance Black. Traveling back to the places where he grew up, Black explores his childhood roots, gay identity, and close relationship with his mother, who overcame childhood polio, abusive marriages and Mormon dogma, while becoming Black's emotional rock and, ultimately, the inspiration for his activism. With a wealth of personal photographs and candid memories from Black's family, colleagues, and friends, Mama's Boy embraces the personal to tell a universally hopeful tale of resilience and reconciliation through the power of love and shared stories.Adapted from Black's 2019 memoir “Mama's Boy: A Story from our Americas,” the documentary is a provocative and powerful journey through America as well as a moving tribute to a mother's courage and a reckoning with the strength she instilled in her son to fight for his beliefs. The film features interviews with screenwriter Dustin Lance Black; members of Black's extended family; Black's husband, Olympic gold medalist Tom Daley; filmmaker Paris Barclay; former president of the Human Rights Campaign, Chad Griffin; and executive director of Equality Utah, Troy Williams.Laurent's credits include the HBO/Amblin Television documentary film Natalie Wood: What Remains Behind, and the Netflix/Amblin Television acclaimed series Five Came Back (with an Emmy winning narration by Meryl Streep), based on the book by Mark Harris. Nedland Media, his production company, with his partner, Markus Keith, also produces behind the scenes documentaries and marketing shorts, most recently on Steven Spielberg's West Side Story and the upcoming The Fabelmans.Come meet this talented director and my friend Laurent Bouzereau.Original Airdate: 10/14/2022
Marilyn Moss joins the podcast to discuss “The Farrows of Hollywood: Their Dark Side Of Paradise” her new biography of John Farrow, a director whose films deserve a re-appraisal and whose life is a frightening mystery. How is the world wrong about John FarrowFrom Andras: At first I wanted to talk to Marilyn Moss about her book because of my interest in Woody Allen. All I knew about John Farrow was that he sounded like the monster Mia often portrays Allen as, but once I started checking out John Farrow's films like “Alias Nick Beale”, “His Kind of Woman”, “Night Has A Thousand Eyes”, “Two Years Before The Mast”, “Five Came Back” and of course, “The Big Clock” (which I'd already seen), it became evident to me that Farrow was an important and exciting director whose elegance, frankness, and odd lyrical spiritualism opened me up to a new (for me) cinematic voice."Dylan & Moses" by Andras Jones (from the upcoming album "Recognize, De-Escalate & De-Code")Produced & Hosted by Andras JonesExecutive Producer: Erica RusselFind all of our episodes at www.theworldiswrongpodcast.comFollow us on Instagram @theworldiswrongpodcast Follow us on Twitter @worldiswrongpodFollow us on YouTube: https://www.youtube.com/channel/UCKE5tmbr-I_hLe_W9pUqXagFind all things Andras Jones at https://previouslyyours.com/ The World Is Wrong theme song written, produced and performed by Andras JonesCheck out: The Radio8Ball Show hosted by Andras JonesSee omnystudio.com/listener for privacy information.
For the next few months, we're sharing some of our favorite conversations from the podcast's archives. This week's segments first appeared in 2021 and 2019, respectively.In his first two books, “Pictures at a Revolution” and “Five Came Back,” the entertainment journalist Mark Harris offered an ensemble look at Hollywood history, focusing first on five seminal movies and then on five wartime directors. But for his third book, in 2021, Harris trained his spotlight on a single individual: “Mike Nichols: A Life” is a biography of the renowned writer, director and performer whose many credits included “The Graduate” and “Who's Afraid of Virginia Woolf?”“He was remarkably open,” Harris said of Nichols on the podcast last year. “There are few bigger success stories for a director to look back on than ‘The Graduate,' and I was asking Mike about it 40 years and probably 40,000 questions after it happened. But I was so impressed by his willingness to come at it from new angles, to re-examine things that he hadn't thought about for a while, to tell stories that were frankly not flattering to him. I've never heard harsher stories about Mike's behavior over the years than I heard from Mike himself. He was an extraordinary interview subject.”Also this week, we revisit Adam Higginbotham's 2019 appearance, in which he discussed his book “Midnight in Chernobyl,” about the nuclear disaster in that city. Higginbotham visited the site enough times “to lose count,” he told the host Pamela Paul. “And I never really stopped being afraid of it.”We would love to hear your thoughts about this episode, and about the Book Review's podcast in general. You can send them to books@nytimes.com.
Matt & Todd discuss the adventure/melodrama from 1939. One of the first films they ever owned on VHS. A film that helped propel Lucille Ball to stardom. 12 people board a plane in Los Angelas headed for Panama City. A tropical storm forces them down in a hostile jungle environment. The pilots can fix the plane… but it can only carry 5 of them back to safety. Directed by John Farrow. Starring Chester Morris, Lucille Ball and John Carradine. Follow us on Twitter and Instagram @Moviemattsirois
Will's documentary feature films include: Winter On Fire: Ukraine's Fight For Freedom, Strokes Of Genius, Quincy, Freak Power, The Black Godfather, and Biggie: I Got A Story To Tell. Will's work on the documentary Jane garnered him an Emmy Nomination and an ACE Eddie Award. He also worked on the acclaimed television series, Five Came Back. More recently, Will has edited Neymar: The Perfect Chaos and the upcoming, They Call Me Magic.
Se você gosta de cinema como a gente, duas séries documentais para se deliciar: A Ótica do Cinema e Five Came Back. As duas estão em cartaz na Netflix. Músicas: - Cinematic Chillhop Main by ZakharValaha Link: https://pixabay.com/pt/users/zakharvalaha-22836301/?tab=audio&utm_source=link-attribution&utm_medium=referral&utm_campaign=audio&utm_content=6676 - Night In Venice by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5763-night-in-venice License: http://creativecommons.org/licenses/by/4.0/ Para contribuir com o nosso podcast acesse: http://www.padrim.com/foradoscriptpodcasts
It's a snow day, and Christian's back from Montana for the Flathead Lake Film Festival. She gives us an update on the trip, the Miracle of America Museum, and Mission Mountain. Feeling Through https://www.youtube.com/watch?v=h1CqzntEZZ8 Accessible Outdoors https://www.youtube.com/watch?v=EOw2_Zy9-tw Five Came Back https://www.imdb.com/title/tt6587094/ Thin Blue Line https://www.imdb.com/title/tt0096257/ Pandas https://www.imdb.com/title/tt7860270/ Your Friend, Ranger Doug https://www.youtube.com/watch?v=887Ot0QI688
In questa puntata di Sul Divano di Ale:Abbiamo solo ed esclusivamente contenuti 100% croccanti. Al punto che sentirete lo scorrere della pellicola provenire dalla sala di proiezione del Divano. Facciamo un po' di chiacchiere sullo stato del cinema americano tra le suggestioni su Hellboy III, i Mission: Impossible rimandati e il nuovo film di John Krasinski. Tornano le vostre domande e questa settimana ne abbiamo una da fantacinema: cosa avrebbe fatto Stanley Kubrick nell'ambiente cinecomicscentrico di oggi? Li avrebbe fatti? E quali?Venendo invece alle recensioni apro con una sottorubrica che potremmo chiamare: Rassegna caduto dal pero. Ho recuperato la docuserie Five Came Back di Netflix, un meraviglioso testamento di storia del cinema e dell'uomo. Parlando invece delle novità in sala vi parlo di La fiera delle illusioni. L'ultima fatica di Guillermo del Toro è il suo film più cupo e un neo-noir ammaliante. Chiudo la puntata portandovi nella fantastica favola moderna di Mamoru Hosoda: Belle. Il film mi ha conquistato e non vedo l'ora di parlarvene e spingervi a riempire le sale cinematografiche. Chiacchiere, domande e argomenti frizzantini vi aspettano in questa puntata di Sul Divano di Ale.Buon ascolto!Support the show (https://www.buymeacoffee.com/suldivanodiale)
Thank you for being here, as we talk about Being There (1979)! Branden picks this weeks film, starring Peter Sellers, Shirley MacLaine and Oscar winner Melvyn Douglas. We talk about subtle performances, not knowing what to expect and Jesus! (Well, we are Film Church Radio!) Thank you so much for the support on the previous episodes, we love reading all the comments and reviews. If you like the show, make sure to leave us a rating and a review wherever you listen! We hope that you enjoy the show and return in future to the congregation! Further Viewing: Harold and Maude (1971), Five Came Back (2017), Dr Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), The Pink Panther (1963), Shampoo (1975), The Apartment (1960), Bernie (2011), Don't Look Up (2021)
A disproportionate amount of this episode is Matt railing on Ferris Bueller's Day Off, which features one of the worst people in his estimation. Tim keeps things fair and moving though in his analysis of M*A*S*H* as a movie about terrible people maybe sorta learning to be not as terrible before talking Ferris, where no one learns a damn thing, and Five Came Back, where a lot of people learn some hard things they'd really rather not. Listen to hear which is the worst of them all in some productive way.
La vie est belle (It's a Wonderful Life), de Frank Capra sorti en 1946 fait partie des indétrônables du cinéma. Il est à avoir vu au moins une fois dans sa vie. Cʹest un des GRANDS classiques, au même titre que Citizen Kane, Casablanca ou Vertigo. La preuve, le film figure à la 11e place du Top 100 de l'American Film Institute. La Vie est belle est une comédie dramatique avec James Stewart, Donna Reed, Lionel Barrymore. Cʹest lʹhistoire dʹun homme, George Bailey, à la veille de Noël, qui veut se suicider. Il est sauvé par un ange qui lui montre comment serait le monde sʹil nʹétait pas né. La vie est belle sʹouvre et se clôt comme un conte de Noël. Mais il nʹest pas aussi boy-scout ou rose bonbon quʹon veut bien le décrire. Il tient plutôt de lʹacte de foi quasi désespéré mêlé de réalisme acide. " Cʹest mon meilleur film ", disait le réalisateur. Le plus Capra de tous les Capra ! Dans ce film, Capra pose un regard réaliste mais plein dʹespoir sur ses contemporains. On le sait, la vie nʹa pas toujours été facile pour ce fils dʹémigrés siciliens illettrés. Et puis, Frank Capra est parti à la guerre, en Europe. Il en revient désabusé, secoué. Mais il a toujours foi en lʹhumain, en ses capacité à rebondir, à se réinventer. Frank Capra, cʹest le roi des comédies, à fort message social. Eduqué par le cinéma muet, Capra sait bien que ce sont les conflits, les contrastes qui font rouler une bonne fiction. La cruauté ne lui est pas étrangère. Il sait passer du noir au rose, et va faire de son conte merveilleux une symphonie polymorphe. Jamais Capra ne sʹest autant éloigné de la bonne humeur pour y revenir in extremis. La vie est belle est un film boudé à sa sortie, mais par les biais des rediffusions à la télévision, il va devenir un film culte ! REFERENCES Frank Capra, The Name Above the Title, An Autobiography, Macmillan Company, 1971. Autobiographie publiée en France sous le titre Hollywood Story, Paris, Stock, 1976. Réédité chez Ramsay Poche Cinéma en 1985 et 2006. Five Came Back is an American documentary based on the 2014 book Five Came Back: A Story of Hollywood and the Second World War by journalist Mark Harris Making Of Its A Wonderful Life Frank Capra Jr
Do you know of an editor that has won two ACE Eddie Awards in the same night?I do!That's Will Znidaric, ACE who's my guest on the show today and we're gonna have a deep and honest conversation about the phycology of editing and also get some insight into the world of documentaries because Will has worked on some amazing, high profile projects such as the Oscar-winning documentary Winter on Fire, Five Came Back, Jane, Quincy, The Black Godfather, Killer Inside: The Mind of Aaron Hernandez, and Biggie: I've Got a Story to Tell. If you've watched a documentary in the last couple of years, you've very likely seen Will's work. He's gonna be talking not only about his editing process, but also share his thoughts on how psychology is 50% of the work, and it can be attributed to finding success in post production and becoming a better editor. But aside from being an awesome person and talented editor, Will is also very knowledgeable about the post production industry and has a lot of experience. About 5 years ago, he gave me some piece of advice that helped me make a mindset shift with regards to job rejection. For many years, I'd take it personally if I was not given a job opportunity and it created a lot of self doubt for me, which led to me losing motivation and belief in myself and my abilities. I have a story to share about how Will changed my perspective on rejection that will help you next time you miss out on a job you wanted.Will and I will also be discussing his path from cutting commercials to award-winning documentaries, how it's okay to take the long road to success in the post production industry, ways you can gain confidence and keep growing as an editor, finding personal growth through pain, the importance of being an optimist as an editor, why it's important to take care of your health, tips on how you can improve your storytelling skills, and we'll get some practical advice from Will on how to become a documentary editor. Will and I also discuss the following topics:The connection between cinematography and editingDiscovering that a job or career is not right for youThe slow, steady approach from being assistant to becoming an editorStarting to build relationships as an assistant editorHaving a bright, open, helpful attitude will allow you to become a better editor How there are no shortcuts to good editingThe realities of working in editorialHow Will got first documentary gig on the Oscar-winning documentary Winter on FireThe essential skills of being a good editorHow Will finds the essence of the story in documentariesDebunking the myth that unscripted assistants or editors can't work on scripted projects The importance of overcoming shyness, putting yourself out there, and communicating your goalsWhy it's important to seek new challenges to keep growing as an editorThe health & wellness aspect of an editing careerHow taking work breaks helps with mental clarity and finding solutions in the editCLICK HERE to join the Hollywood Editing Mentor community!SUBSCRIBE and leave a 5-star review on Apple Podcasts!Original Music: "Apollo's Haze" and "Do You Want" by JesusdapnkFacebook: www.fb.com/jesusdapnkSoundcloud: www.soundcloud.com/jesusdapnkInstagram: @jesusdapnk
In this week's episode, we cover everything from the NBA playoffs to pitchers taking their pants off on the field. This is an episode you don't want to miss.The weekly saga of pitchers using substances continues with umpires performing mandatory checks at the beginning of innings. We are getting some great pitcher reactions to display their frustration with this including Sergio Romo taking off his belt and dropping his pants for the umpire.We are also in the heat of the NBA playoffs coming off a huge Game 7 matchup between the Bucks and Nets that reminded us of the importance of an inch. Then we talk all the other storylines while Nick watches the Bucks lose live during the recording. This week on the Weekly Watchlist we give our reviews of Five Came Back after finishing up the final episode. This docuseries is definitely worth the watch.Enjoy!
We are back for episode 53 where we talk NBA and MLB storylines this week. Earth gets a shoutout because Jeff Bezos is heading to space, Odicci Alexander gets a shoutout for pitching 64+ innings for JMU in the College Softball World Series, and Mayweather and Paul get a shoutout for duping America and making millions for 8 rounds of pretend boxing.The NBA playoffs are in full swing and we chat about the young players making a name for themselves while in the spotlight. New teams are shining and young stars are taking over the game while some of the classic players are missing the late rounds of the playoffs this year.Pitchers are on the hotseat right now as the MLB begins to focus on the use of spider tack and other substances. Gerrit Cole had a tough press conference where he completely failed to deny the use of these substances, and he couldn't even pretend to lie. Finally, we discuss episode 1 of the Netflix series "Five Came Back" and plan to watch episode 2 next week. Watch along and join in the conversation.Enjoy!
Author Mark Harris (Mike Nichols: A Life, Five Came Back) and veteran guest GM Adam B. Vary (Variety) draft the 7 best movies ever made about its rival medium: television!
En una nueva edición del viernes de cine en Página 13, Iván Valenzuela junto a Ascanio Cavallo y Antonio Martínez, comentaron “Five came back; The Reference Films”, el nuevo reestreno de Netflix de 2017 dirigida por el experto documentalista Laurent Bouzereau. Se relatan los documentales de la Segunda Guerra Mundial - y la participación de Estados Unidos en la guerra - de cinco realizadores exitosos como John Ford, Frank Capra, William Wyler, George Stevens y John Huston.
En una nueva edición del viernes de cine en Página 13, Iván Valenzuela junto a Ascanio Cavallo y Antonio Martínez, comentaron “Five came back; The Reference Films”, el nuevo reestreno de Netflix de 2017 dirigida por el experto documentalista Laurent Bouzereau. Se relatan los documentales de la Segunda Guerra Mundial - y la participación de Estados Unidos en la guerra - de cinco realizadores exitosos como John Ford, Frank Capra, William Wyler, George Stevens y John Huston.
His new biography Mike Nichols: A Life is garnering rave reviews, but that’s no surprise. Mark Harris’s other two books, Pictures at a Revolution and Five Came Back are required reading for anyone who loves films. A native New Yorker, Mark spent many years writing for Entertainment Weekly, which put him on the front lines of pop culture. He continues to cover the film scene for New York magazine. A diligent researcher as well as a fan, Mark has much to say about digging deep in order to tell a good (and accurate) story, as you will hear.
We chat with journalist/author Mark Harris ("Mike Nichols: A Life"). He is the former executive editor of Entertainment Weekly, contributing editor for New York Magazine and Vulture, along with editor-at-large for TIME, and is also known for his books "Pictures At A Revolution" and "Five Came Back," which was turned into the Netflix series of the same name. Mark lives in New York with his husband, "Angels in America" Pulitzer Prize-winning dramatist Tony Kushner.
Netflix documentary Five came back follows directors Frank Capra, John Ford, John Huston, George Stevens and William Wyler as they covered the Second World War.
Laurent Bouzereau has been behind the scenes of all of your favourite directors (from Spielberg to Hitchcock to DePalma), now he shares his experiences and his know-how in this sit-down with Robert for his release of Natalie Wood: What Remains Behind. Catch Laurent over at www.nedlandmedia.com and make sure to check out Five Came Back over on Netflix. Intro: The Smalls Outro: Zak Pashak and Chrome Chomsky
Steven Rinella talks with Brandon Butler, Matt Desrosiers, Chase Millemann, Duke Wasteney, Seth Morris, Ryan Callaghan, and Janis Putelis. Topics discussed: When an arsonist gets caught on trail cam; Steve trying to take credit for Luke's "Better Together" hitting no. 1; creating a Big Foot hunting season; the "built not bought" movement; the terrible person who tried to poach a nanny mountain goat with a crossbow; when neighbors suspect you're BBQ-ing a domestic dog; Cal's sister birthing Cal's niece; the #landback movement; Sacajawea and Pompey; how Steve was afflicted with Covid; intercontinental vs. international; crossing borders with firearms; high highs and low lows; seeing the grip and grin fade; burritos all day and night; how Seth got his first coues deer and turned from a photographer into a hunter; the 22 species of oak that exist in the Sonoran desert; deer on their hind legs eating acorns out of a tree; Steve's suggestion that folks watch the "Five Came Back"; and more. Connect with Steve and MeatEater Steve on Instagram and Twitter MeatEater on Instagram, Facebook, Twitter, and Youtube Shop MeatEater Merch See omnystudio.com/listener for privacy information.
The Bloody Awesome Movie Podcast in its new format. In the past, we did a monthly episode where we looked back at four big movies released in the prior month. From now on, we focus on a single film, usually a new release (hopefully theatrically at some point) giving a spoiler free review. Then Matt Hudson (@wiwt_uk) from What I Watched Tonight and Jonathan Berk (@berkreviews) from Berkreviews.com will introduce a variety of movies or pop-culture related topics in a series of segments. Review of One Night in Miami (2020) Directed by Regina King Written by Kemp Powers Starring Kingsley Ben-Adir, Eli Goree, Aldis Hodge, and Leslie Odom Jr. One Night in Miami is a fictional account of one incredible night where icons Muhammad Ali, Malcolm X, Sam Cooke, and Jim Brown gathered discussing their roles in the civil rights movement and cultural upheaval of the 60s. RT 98% critic, 83 Metascore, and 7.2 IMDb user score RELEASE DATE: Amazon Prime Chuffed Headlines Movie/Pop culture news that caught our attention Matt’s Headline: Christopher Nolan, Steve McQueen, Ask UK Chancellor to Save Cinemas Jon’s Headline: When film stars attack: Russell Crowe's reaction to criticism could set a trend Media Consumption Movies, TV, Video Games, Music, Podcasts (not ours), etc that we use to pass the time Matt’s others: Sleepaway Camp, Promising Young Woman, Peanut Butter Falcon After Hours - The Weeknd CoD Warzone, Zombies Jonathan’s others: Blank Check Podcast - Allied Top Gun, Host, On the Rocks, Beastie Boys Story, Val Lewton: the Man in the Shadows Ted Lasso. Wandavision ep 1&2. Five Came Back. Halo Master Chief and Scott Pilgrim vs the world Reading/Listening - Five Came Back audiobook --- Send in a voice message: https://anchor.fm/bloody-awesome/message Support this podcast: https://anchor.fm/bloody-awesome/support
What does this documentary series tell us about the sense of duty and service to country that was felt by five directors from the golden age of Hollywood (John Ford, John Huston, Frank Capra, George Stevens and William Wyler)? What does it tell us about sterwardship responsibilities, with regard to US troops that was shouldered by General George C. Marshall and civilian leadership, during WWII? What does it tell us about the obligation to inform servicemen and women that were going into harm's way? How does the film show contemporary efforts to treat PTSD in servicemen? How do these directors' later films reflect their wartime experiences?
00:00 Intro 02:06 Wake In Fright (1971) 06:26 #Alive (2020) SPOILERS 14:44 Directed By John Ford (1971) 18:51 Mini retrospectiva (incompleta) de Roland Emmerich 29:01 Midway (2019) 33:20 Five Came Back (2017) 37:22 I'm Thinking Of Ending Things (2020) SPOILERS 01:20:36 Synecdoche, New York (2008) SPOILERS Recomendación de Eugenia para el próximo episodio: Paris, Texas (1984)
It’s another packed episode as Will dispenses yet more edit wisdom for our community. He delves deep into theories on structure, propaganda in film and what parts of the brain the art of editing requires.He also talks us through his process in cutting his Eddie Award-winning documentary series, Five Came Back, and all the complexity it required in the edit suite. I know you’re gonna love what he has to say.
Will has been a prolific documentary editor over the last decade, cutting amazing films like the Oscar-nominated Winter on Fire, The Black Godfather, and Five Came Back.In the first of a two-part series with the two time Eddie Award-winning editor, we discuss everything from his construction techniques, to the ethics in editing, to the emotional engagement of the audience.Will also describes the very interesting trajectory of his career and how he got his first breaks. There’s a ton of great insight and wisdom that is both fascinating and inspiring.
In the 24th episode of Battle Rhythm, Stef and Steve discuss the tragic Canadian Air Force CH-148 Cyclone helicopter crash, recommendations from the CDSN COVID Response Conference, what international travel may look like in the future, the attempted coup debacle in Venezuela as well as thoughts on the World Health Organization's challenges and opportunities. Our Feature Interview this week is with Kelley Lee [33:45], Professor Lee teaches Globalization and Health with a particular focus on improving understanding of the impacts of global change on public health, and the need for collective action to tackle the risks and benefits arising from them, including World Health Organization reform. This week's RnR segment [01:03:45], where we will provide some levity in these trying times with entertainment reviews and suggestions. This week's RnR picks are: - 1. Five Came Back (https://www.imdb.com/title/tt0031314/) 2. Upload (https://www.imdb.com/title/tt7826376/) 3. Chad Millman, The Detonators (https://www.littlebrown.com/titles/chad-millman/the-detonators/9780316076623/) Battle Rhythm is part of the CGAI Podcast Network, a partner of the CDSN-RCDS, © 2020, all rights reserved. Subscribe to the CGAI Podcast Network on SoundCloud, iTunes, or wherever else you can find Podcasts! Host Biographies: -Stéfanie von Hlatky: Associate Professor of political studies at Queen's University and the former Director of the Queen's Centre for International and Defence Policy (CIDP). Her research focuses on NATO, armed forces, military interventions, and defence policy. Fellow with the Canadian Global Affairs Institute. -Stephen M. Saideman: Paterson Chair in International Affairs, as well as Director of the Canadian Defence and Security Network – Réseau Canadien Sur La Défense et la Sécurité, and Professor of International Affairs at Carleton University. Fellow with the Canadian Global Affairs Institute. Find detailed show notes here: https://www.cdsn-rcds.com/battlerhythm
In this episode, the Beyond Culture crew discusses the spread of the coronavirus (COVID-19) all around the globe. We discuss our initial reactions to the virus, the misinformation on social media, the Canadian government's reaction to the virus, the US government's response and much more. Recommendations TV shows: Outlander, Ozark, Turn: Washington's Spies, Five Came Back. Books: Guns, Germs, and Steel by Jared Diamond; Why We're Polarized by Ezra Klein; The Right Side of History by Ben Shapiro; What Was Asked of Us by Trish Wood.
Mark Harris is the celebrated author of Pictures at the Revolution and Five Came Back, as well as a journalist for The New York Times, The Guardian, and Vanity Fair (for which he's covering the Oscars this year). In today's session, Mark talks about whether great food can rise to the level of great art, the truth about his typical day-to-day lunch journey, his favorite cookbooks, his favorite recipes, and how he and his husband (Angels in America playwright Tony Kushner) offer feedback when the other one cooks. Mark also waxes lyrical on his love for sandwiches -- sandwiches that know no bounds (Chinese food on a sandwich!) -- as well as the elements that truly make a sandwich great. See acast.com/privacy for privacy and opt-out information.
Todays episode we look at the eleven seasons of both Cheers, and Frasier. We also take a deep look at the documentary Five Came Back. Take a listen, hit subscribe, contact, and support the show! (ReelChewed@gmail.com) (Patreon.com/TrashPandaMedia) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Tosin has a very noisy time at the Goodwood Race Course surrounded by naked people. Dumb place to record a podcast really. But we still manage to get reviews of IT and Five came back in, and Sharon got to tell us how Cinema and Theatre are joining forces with National Theatre Live.Support Netflix vs Cinema by donating to their Tip Jar: https://tips.pinecast.com/jar/netflixvscinemaFind out more at https://netflixvscinema.pinecast.coThis podcast is powered by Pinecast.
On the March 6, 2019 episode of /Film Daily, /Film editor in Chief Peter Sciretta is joined by /Film senior writer Ben Pearson, and writer Hoai-Tran Bui to answer some listener emails in the Mail Bag. You can subscribe to /Film Daily on iTunes, Google Podcasts, Overcast, Spotify and all the popular podcast apps (here is the RSS URL if you need it). In The Mailbag: Austin from Dallas Texas writes in “I thought I would chime in. I lean towards Spielberg's side on this. For me it's not about Netflix or Amazon not being able to release a movie and it not being good. The Oscars to me is for a particular medium just like the Emmy's. Netflix was using to me a loophole intended for shorts and indie films to their advantage. I feel they should have to do a wide release of their films to qualify. Idk how you put rules into place to not exclude indie films though. Maybe have it based on budget? To me Netflix movies are equivalent to straight to VHS/DVD/Blu-Ray. Those would not be considered for Oscars so why should they. Maybe it's time to add a streaming category?” Langdon Kessner writes in “Hi Peter, Big fan of the site and the podcast. I'd like to offer a defense of Spielberg, and I'm honestly shocked that so many people are against him, specifically #FilmTwitter. Watching the argument go from "Spielberg hates Netflix" (which is not true) to "Spielberg doesn't care about minorities" (also not true) was maddening. For starters, it's important to note (and I'm surprised this wasn't mentioned on the podcast), Spielberg was a huge part of getting Five Came Back, a documentary, produced on Netflix. Author Mark Harris himself stated it would not exist without him. So this idea that Spielberg just hates Netflix and is a cartoon grandpa yelling at clouds is ridiculous (not saying you guys pushed this idea, but social media did). The issue here is the way Netflix treats their movies, and more importantly, the theaters. Not many of them have been given a proper theatrical release. And even the ones that do come with rules from Netflix. For the few theaters that were able to get Roma in 70mm, Netflix had a lot of rules that made it difficult for them to screen it. It had to be shown in Dolby Atmos, and it could only be screened from Thursday to Sunday. I know this because I wrote a series of articles on independent movie theaters in Boston, and still occasionally talk to the managers. All have said that Netflix is extremely cagey and reticent to conversation when it comes to showing their movies in theaters. Also important to note (and I was also disappointed this wasn't mentioned): Amazon Prime does not do this. They have a 90-day theatrical window and nobody, least of all Spielberg, is mad at them for it. That's the point Spielberg is making. That Netflix doesn't give their films a proper theatrical release, and instead just a token one so they can qualify for the Oscars. You guys mentioned on the podcast that it feels like elitists saying "No, you can't be in our club". To me, it feels like an first-year employee demanding a promotion without going through the ranks. And Joseph Kahn made a great point (I won't rehash the whole thing here), but "Oscars are meant to promote the theatrical experience. So Netflix releasing a movie in one theater and claiming they should be celebrated with an Oscar the same way like BlacKkKlansman or even yes, Green Book, is not remotely fair." Basically, if Netflix followed the Amazon Prime model, there'd be no issue. But they don't and prioritize home viewing which is television. A line does need to be drawn and this only happened because Netflix blurred the line between film and television. If they can afford to dump $8 billion in content, they can certainly afford a theatrical release. Sorry that I wrote a lot, but this debate has infuriated me. Two corporations are going to head-to-head yet Netflix is somehow the underdog? Ugh. This has nothing to do with quality of Netflix (which is Oscar-worthy) or diversity (which is sadly, still an important issue). This is about should Oscar contenders be played in theaters or not. I'm sad that this part of the argument got lost on Twitter and turned into "Does Spielberg hate minorities?!?!?". Alright, that's all I have today. Still a fan of the site and podcast. Hopefully you got a chance to read this and I hope I made some legitimate points. All the best, - Chris Williams writes in “I agree with you and Slash Film's stance that Netflix films should be up for awards. That being said, I have a thought that leans towards Speilberg's view. There's a reason there's different awards for TV Shows/Movies and Theater Movies. If you had to put Netflix in one of those categories I believe many people would put it in the TV category. That alone would make someone question why Netflix films are up for Oscars. Also between Netflix, Hulu, and now Youtube releasing more originals. Do we see a streaming award show emerge? It sounds crazy, but a two years ago I didn't see Netflix dropping this much quality content like they are. Anything is possible. What are your thoughts?” Mark B from London writes in: “The podcast is terrific, you all do a brilliant job. I wanted to suggest the way of diffusing this stupid spat over Netflix's place in the industry may be best served by just cancelling the Oscars. I think the world in general, although definitely not Hollywood, could suffer the tragic loss of a mass back-slapping effort which is the Academy Awards, and in to the bargain no more inept attempts to televise the event, trim the timings, announce/cancel hosts, etc.. Remove the Awards argument and then nobody will care about the theatrical window and streaming services having the cheek to create good films. All that will matter will be good content, which is what mere mortals seek.” Chris, from NYC writes in “Like a lot of people my Twitter stream (which I never use) is basically bloated with politics, hysteria, crazed propaganda and other nightmares. So, like a lot of people, I kind of hate Twitter. You guys talk a lot about "film twitter" where people discuss filmmaking and movie news and that sounds like a lot of fun. Can you give any insight on who to follow / lists to follow, etc so I can nuke my current Twitter account and start over with film twitter?” All the other stuff you need to know: You can find more about all the stories we mentioned on today's show at slashfilm.com, and linked inside the show notes. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com. You can subscribe to /Film Daily on iTunes, Google Podcasts, Overcast, Spotify and all the popular podcast apps (RSS). Send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air. Please rate and review the podcast on iTunes, tell your friends and spread the word! Thanks to Sam Hume for our logo.
This week we catch up on a whole bunch of stuff we have been watching and discuss ways of promoting the podcast and our community. Films covered: -Fantastic Beasts: The Crimes of Grindelwald -Unearthed and Untold: The Making of Pet Sematary (Mike's take) -Ant-Man and the WASP (Mike's take) -Andre The Giant -The Night Comes for Us -The Ballad of Buster Scruggs -Five Came Back -Kill Command -Virtual Nightmare -Descent -They'll Love Me When I'm Dead AND MORE Feedback appreciated at chinstrokervspunter@gmail.com and hang with us on facebook at https://www.facebook.com/groups/ChinstrokerVsPunter/
"The sixth character was alcohol," journalist Mark Harris says of "Five Came Back," about five directors who filmed from the WWII trenches.
Aisha Harris and Mark Harris, Vulture writer and author of Pictures at a Revolution and Five Came Back, breakdown their Oscar nomination predictions. Also, Aisha talks to Charles Burnett, a revered filmmaker who emerged from the period of groundbreaking black independent filmmaking known as the LA rebellion, which took place from the late 1960s-1980s. For links on what we discuss check out our show page. Tell a friend to subscribe! Share this link: megaphone.link/represent Email: represent@slate.com Facebook: Slate Represent Twitter: @SlateRepresent, @craftingmystyle Production by Veralyn Williams Social media: Marissa Martinelli Learn more about your ad choices. Visit megaphone.fm/adchoices
Aisha Harris and Mark Harris, Vulture writer and author of Pictures at a Revolution and Five Came Back, breakdown their Oscar nomination predictions. Also, Aisha talks to Charles Burnett, a revered filmmaker who emerged from the period of groundbreaking black independent filmmaking known as the LA rebellion, which took place from the late 1960s-1980s. For links on what we discuss check out our show page. Tell a friend to subscribe! Share this link: megaphone.link/represent Email: represent@slate.com Facebook: Slate Represent Twitter: @SlateRepresent, @craftingmystyle Production by Veralyn Williams Social media: Marissa Martinelli Learn more about your ad choices. Visit megaphone.fm/adchoices
Margaret actually watched some television! She shares that information with us, and we make appropriately impressed noises. We also think back on the year in TV, and the way 2017 shaped the stuff we watched, the stuff we stopped watching, and the stuff we watched but then completely forgot about. If you have not watched The Good Place, we do not spoil it! But you should really watch it.
We discuss two great shows streaming on Netflix - MINDHUNTER - & Five Came Back. It's a short fun episode that we have some fun with. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/cine-pile-podcast/support
Bom dia, Boa tarde, Boa Noite, meu nome é Carlinhos Alves, direto de Fortaleza, com mais uma edição do podcast, O Literato, com resenhas de livros, comentários sobre filmes e séries baseados em literatura escrita, além de entrevistas, de memórias culturais e histórias de músicas e poesias que marcaram todas as épocas.No 6° podcast, vamos falar sobre a série documental Five Came Back, original Netflix (2017) baseado no livro de Mark Harris. Você já deve ter ouvido falar de a Felicidade não se compra, Bem Hur, Os Melhores anos das nossas vidas. Não? Então já deve ter escutado falar sobre esses diretores de cinema: Frank Capra, George Stevens, John Ford, John Huston e William Wyler? Não de novo? Vixe, então tem que assistir essa série de três episódios narrada por Meryl Streep e que tem os comentários destes consagrados diretores: Steven Spielberg (ET, Parque dos Dinossauros), Francis Ford Coppola (Apocalypse Now, O Poderoso Chefão), Guilhermo Del Toro (A Colina Escarlate, Helboy), Paul Greengrass (Jason Bourne) e Lawrence Kasdan (O retorno de Jedi).Capra, Stevens, Ford, Huston e Wyler foram contemporâneos do cinema norte-americano e eram destaques com grandes produções cinematográficas antes da segunda guerra mundial, quando foram convocados a servir as forças armadas, e viram pessoalmente, além de filmarem os horrores da carnificina do conflito. Podemos ver nessa produção da Netflix, como era usado o cinema para diversos fins como propaganda e comoção da opinião pública para que os EUA entrassem na guerra.Existia um inimigo odiado por todos que motivou que o sentimento em geral fosse favorável a essa entrada nessa guerra. Hitler conseguiu unir capitalistas e comunistas contra o exercito nazista.Muitas imagens desta guerra sangrenta foram dirigidas por esses diretores Capra, Stevens, Ford, Huston e Wyler e por isso o documentário foca como era o trabalho deles diante do conflito com proporções mundiais. Depois que a guerra acaba, os mesmos cineastas ficam meio perdidos para se adaptar a volta aos filmes de ficção.São três episódios, o primeiro: The mission begins mostra como os EUA se colocou até a entrada na guerra, depois do ataque de Pearl Harbor. O segundo: Combat zones, onde se mostra como se pensou o cinema para mostra como o negro era importante para a nação e como ele atuava no combate e dentro do país era massacrado pelo ódio racista. Nesse episódio ainda, o olhar que é escolhido para os documentários, que seria um olhar de ódio contra o nazismo e não contra o povo alemão, como um todo.No terceiro episódio: the price of victory retrata além do dia D, as cenas de Dachau que ajudaram no julgamento de Nuremberg e o pós guerras desses diretores.Depois de todos esses comentários você já pode tirar suas próprias conclusões e na curiosidade quem sabe olhar um desses filmes antigos desses diretores consagrados, tem comédia, filme mudo, drama, de tudo um pouco.Agradecimentos a toda audiência deste podcast. Edição e narração Carlinhos Alves, na busca por desbravar o mundo imaginário, às vezes real e duro e às vezes poético e belo, abraço e até uma próxima vez.
Bom dia, Boa tarde, Boa Noite, meu nome é Carlinhos Alves, direto de Fortaleza, com mais uma edição do podcast, O Literato, com resenhas de livros, comentários sobre filmes e séries baseados em literatura escrita, além de entrevistas, de memórias culturais e histórias de músicas e poesias que marcaram todas as épocas.No 6° podcast, vamos falar sobre a série documental Five Came Back, original Netflix (2017) baseado no livro de Mark Harris. Você já deve ter ouvido falar de a Felicidade não se compra, Bem Hur, Os Melhores anos das nossas vidas. Não? Então já deve ter escutado falar sobre esses diretores de cinema: Frank Capra, George Stevens, John Ford, John Huston e William Wyler? Não de novo? Vixe, então tem que assistir essa série de três episódios narrada por Meryl Streep e que tem os comentários destes consagrados diretores: Steven Spielberg (ET, Parque dos Dinossauros), Francis Ford Coppola (Apocalypse Now, O Poderoso Chefão), Guilhermo Del Toro (A Colina Escarlate, Helboy), Paul Greengrass (Jason Bourne) e Lawrence Kasdan (O retorno de Jedi).Capra, Stevens, Ford, Huston e Wyler foram contemporâneos do cinema norte-americano e eram destaques com grandes produções cinematográficas antes da segunda guerra mundial, quando foram convocados a servir as forças armadas, e viram pessoalmente, além de filmarem os horrores da carnificina do conflito. Podemos ver nessa produção da Netflix, como era usado o cinema para diversos fins como propaganda e comoção da opinião pública para que os EUA entrassem na guerra.Existia um inimigo odiado por todos que motivou que o sentimento em geral fosse favorável a essa entrada nessa guerra. Hitler conseguiu unir capitalistas e comunistas contra o exercito nazista.Muitas imagens desta guerra sangrenta foram dirigidas por esses diretores Capra, Stevens, Ford, Huston e Wyler e por isso o documentário foca como era o trabalho deles diante do conflito com proporções mundiais. Depois que a guerra acaba, os mesmos cineastas ficam meio perdidos para se adaptar a volta aos filmes de ficção.São três episódios, o primeiro: The mission begins mostra como os EUA se colocou até a entrada na guerra, depois do ataque de Pearl Harbor. O segundo: Combat zones, onde se mostra como se pensou o cinema para mostra como o negro era importante para a nação e como ele atuava no combate e dentro do país era massacrado pelo ódio racista. Nesse episódio ainda, o olhar que é escolhido para os documentários, que seria um olhar de ódio contra o nazismo e não contra o povo alemão, como um todo.No terceiro episódio: the price of victory retrata além do dia D, as cenas de Dachau que ajudaram no julgamento de Nuremberg e o pós guerras desses diretores.Depois de todos esses comentários você já pode tirar suas próprias conclusões e na curiosidade quem sabe olhar um desses filmes antigos desses diretores consagrados, tem comédia, filme mudo, drama, de tudo um pouco.Agradecimentos a toda audiência deste podcast. Edição e narração Carlinhos Alves, na busca por desbravar o mundo imaginário, às vezes real e duro e às vezes poético e belo, abraço e até uma próxima vez.
American composer and multi-instrumentalist, JEREMY TURNER, is known for creating innovative and diverse music for the moving image and the stage. From composing award winning scores for films to a career as the Assistant Principal Cello of the Met Orchestra, he has established a unique regard for understanding and performing varying musical languages and styles. As a composer, his music has been nominated for an EMMY® Award, has won the International Documentary Association Award (Narco Cultura), the AICP Award for Google's first television commercial (Parisian Love), and has been named in NPR Music's Favorite Songs of the Year. One of Jeremy Turner's most recent projects has been composing and conducting the score to the Netflix original series Five Came Back, produced by Steven Spielberg and Scott Rudin.Adapted from Mark Harris' best-selling book, “Five Came Back: A Story of Hollywood and the Second World War,” and directed by Laurent Bouzereau, the three-part docuseries tells the extraordinary story of how Hollywood changed World War II – and how World War II changed Hollywood, through the interwoven experiences of five filmmakers who interrupted their successful careers to serve their country, risk their lives and bring the truth back to the American people: John Ford, William Wyler, John Huston, Frank Capra, and George Stevens. To guide viewers through the different personalities, interweaving chronologies and globe-trotting locales, the Five Came Back team turned to the voices of five modern cinematic masters: Steven Spielberg, Francis Ford Coppola, Guillermo Del Toro, Paul Greengrass and Lawrence Kasdan. Three-time Oscar-winner Meryl Streep provides the narration for Five Came Back.On this episode of THE ANNOTATOR, Jeremy Turner talks about: the five motifs he wrote for each of the 5 central figures, how they evolve and change along with the experiences of the 5 directors and lastly how he used silence to give the moments of score even greater impact.ANNOTATED TRACKS03:32 - Track - “Prelude”08:53 - Track - “Willie and Lester”11:26 - Track - “Anne Frank”13:00 - Track - “Wonderful”OTHER TRACKS00:00 - Track - "Forgotten Man” 01:04 - Track - "Capra Goes to Washington”01:48 - Track - “Euro Stevens"17:18 - Track - "Isolationism"FIVE CAME BACK SOUNDTRACKNo release information is currently available.MORE ABOUT THE COMPOSERYou can find out and hear more music by JEREMY TURNER at his official website HEARJT.COM ABOUT THE ANNOTATORProduced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.FOLLOW USTwitter @audioannotatorFacebook @TheAnnotatorEmail theannotatorpodcast@gmail.comSUBSCRIBEiTunesStitcher RadioGoogle Play PodcastsRSS Feed
Der nach einem Sextingskandal zurückgetretene ehemalige Kongressabgeordnete Anthony Weiner sucht seine zweite politische Chance in der Kandidatur als New Yorker Bürgermeister. Aber mitten im Wahlkampf holt ihn seine Vergangenheit wieder ein. Nein, Alexander und René besprechen keinen narrativen Spielfilm! Diesmal reden wir über die großartige Dokumentation Wiener, die derzeit auf Netflix verfügbar ist. Wir sprechen über die Qualität der Dokumentation, über Anthony Weiner selbst und den allgegenwärtigen (US-)Medienwahnsinn. Und natürlich wären wir nicht die Abspanngucker, wenn wir die Erzählstruktur nicht ein bisschen auseinandernehmen würden: Ein Beat Sheet gibt es zwar nicht, aber doch einiges an Analyse dazu, z.B. wie die Macher einer Dokumentation ihren eigenen Narrativ mit passendem Spannungsbogen aufbauen und somit quasi auch ihre eigene Wahrheit formen. Dazu gibt’s diesmal keine Teaser und Trailer, sondern Clips über und mit Anthony Weiner. Weiterhin reden wir noch über einige andere auf Netflix erhältliche Dokumentationen in unserer Guckliste: – Nobody Speaks: Trials of the Free Press – Gringo: The Dangerous Life of John McAfee – Going Clear: Scientology & the Prison of Belief – Five Came Back – Get me Roger Stone Info Vielen lieben Dank an unsere Steady Abspannfreunde Michael, Patrick, Rüdiger, Severin, Felix und Nenad! Wollt ihr uns auch unterstützen? Dann findet ihr uns auf Steady unter steadyhq.com/abspanngucker Alternativ könnt ihr uns auf Paypal eine Spende hinterlassen Wir freuen uns natürlich immer auch über Reviews auf iTunes Unsere Titelmusik ist von Arnob Bal aka FamLi. Ihr findet ihn auf Twitter unter @ArnobBal Ihr findet uns unter abspanngucker.de twitter.com/abspannpodcast facebook.com/abspanngucker podcast@abspanngucker.de
News (00:08:55): Masterpiece Discussion (00:40:30): Netflix's Original Documentary, "Five Came Back" The Flicks: (01:15:10) "Wonder Woman" SLS Cast rating: 4 Matt's rating: 3.75 Tim's rating: 4.25 NEXT WEEK! Masterpiece Discussion: The Flicks From the Five Who Came Back: John Ford: "They Were Expendable" (1945) // Frank Capra: "It's a Wonderful Life" // William Wyler: "The Best Years of our Lives" (1946) // John Huston: "The Treasure of the Sierra Madre" (1948) // George Stevens: "Shane (1953) & "The Diary of Anne Frank" (1959) Flick: "The Mummy" (Theater) Until Next Time Cinephiles... RSS Feed (The music for the Discussions segment is in the public domain, as attested to by and was acquired from musopen.org. All other music within the podcast is copyrighted 2010 - 2017 by Cries of Solace and is used with permission. Additional copyrighted material used under Fair Use for the purposes of [including, but not limited to]: criticism, comment, and news reporting. Any opinions expressed are strictly those of the hosts, and do not necessarily represent the opinions of Sony or any of its affiliates and subsidiaries.)
Season three of Empire and its wild season finale is discussed in full this week! Carl talks about WWE 24: Finn Balor and Tracy Morgan's Netflix special Stayin' Alive, Victor reviews Shots Fired and Five Came Back, and the duo delves into the latest nerd news, from Black Cat and Silver Sable getting a director, the cancellation of Netflix's The Get Down, an Animaniacs reboot in the works, and (Oh God...) another Madea movie on the horizon. It's strictly audio this week, so grab your bowl of favorite cookies, listen and GET IT! Recorded May 30, 2017 ---------------------------------------------------------------------------------- Email: CodexPrimePodcast@gmail.com CATCH CODEX PRIME AT: Facebook: www.facebook.com/codexprime Twitter: twitter.com/codexprimecast Instagram: instagram.com/codexprimepodcast/ iTunes: itunes.apple.com/us/podcast/codex…id998035389?mt=2 YouTube: www.youtube.com/channel/UCbDMNJNgnM6y3WB3fA1a1HA SoundCloud: @codex-prime Victor Omoayo - twitter.com/VictorOmoayo - www.youtube.com/user/vomoayo Carl Byrd - Twitter, Instagram and Vine: @mrbyrd1027 - bookmrbyrd1027@gmail.com
Subtexto - 086: Cinco directores consagrados comentan el trabajo de otros cinco directores que estuvieron en el campo de batalla de la Segunda Guerra Mundial para filmar documentales y películas que marcaron el estándar de cómo realizar cine hasta nuestros días. Más allá del rol de director, también conocemos su lado humano.
In this first episode of Slate's Conspiracy Thrillers Movie Club, Sam Adams talks with Mark Harris, journalist and author of Five Came Back, about The Manchurian Candidate, a tale of brainwashing, war, and politics that first made it on-screen in 1962 and was then re-made in 2004, with each reflecting the crises of their time. Learn more about the Conspiracy Thrillers Movie Club at slate.com/thrillers Learn more about your ad choices. Visit megaphone.fm/adchoices
In this first episode of Slate's Conspiracy Thrillers Movie Club, Sam Adams talks with Mark Harris, journalist and author of Five Came Back, about The Manchurian Candidate, a tale of brainwashing, war, and politics that first made it on-screen in 1962 and was then re-made in 2004, with each reflecting the crises of their time. Learn more about the Conspiracy Thrillers Movie Club at slate.com/thrillers Learn more about your ad choices. Visit megaphone.fm/adchoices
We're back in the land of movies on this week's #NOTwatching Podcast and what a way to kick off this year's Summer Blockbuster season than with James Gunn's follow-up to Marvel's least likely hit of 2014. There's also some discussion of the latest trailers to drop for Bladerunner 2049 and The Dark Tower, both of which we await with great trepidation...Guardians of the Galaxy Vol.2 http://www.imdb.com/title/tt3896198/The Void http://www.imdb.com/title/tt4255304/Midnight Meat Train http://www.imdb.com/title/tt0805570/Tower http://www.imdb.com/title/tt5116410/Five Came Back http://www.imdb.com/title/tt6587094/Bladerunner 2049 Trailer https://youtu.be/gCcx85zbxz4Dark Tower Trailer https://www.youtube.com/watch?v=GjwfqXTebIY&feature=shareX-Men - Dark Phoenix coming 2018 http://www.revelist.com/movies/sophie-turner-x-men/7615/turner-will-reprise-her-role-of-jean-grey--more-specifically-reincarnating-as-dark-phoenix/1Hellboy getting rebooted without Perlman or Del Toro? http://www.hollywoodreporter.com/heat-vision/hellboy-reboot-works-stranger-things-star-david-harbour-1001462Contact us on Email at: notwatchingpodcast@gmail.comFollow us on Twitter: @notwatchingpodYou can find the show notes for this show at www.notlistening.co.ukIf you're listening on iTunes, please give us a review!To Check out other shows in the Collection visit:http://barkerpodcasts.webs.com
Tyler and David discuss what they've been watching, including The Lost City of Z, Citizen Kane, Private Property, Churchill, Guardians of the Galaxy Vol. 2, Silicon Valley, Five Came Back, Survivor and The Amazing Race.
Earth Day, the March for Science, EPA Graphic Standards Manual, Design and Exclusion, Big Little Lies, Five Came Back
Three showed up for Five Came Back - the new Netflix documentary about John Ford, Frank Capra, John Huston, George Stevens, and William Wyler's service in World War II. Is this epic, three-part documentary among the few and the proud? Or is it ultimately unworthy of the famous and heroic filmmakers? *PLUS* The Dudes discuss the Star Wars: The Last Jedi trailer, Chris picks a bitter breakfast stout brewed for the chosen few, and Jake gives a week 7 FML recap and tries out his best Dan Carlin impersonation! Forward march!
This week Fiona Williams and Nick Bhasin have a great chat with Bill Nighy about his new film Their Finest. With Nick about to embark on a holiday, the two discuss their approach to watching movies on a plane. The two also discuss the new Netflix film documentary series Five Came Back and reveal what they've been watching this week.
Three showed up for Five Came Back - the new Netflix documentary about John Ford, Frank Capra, John Huston, George Stevens, and William Wyler's service in World War II. Is this epic, three-part documentary among the few and the proud? Or is it ultimately unworthy of the famous and heroic filmmakers? *PLUS* The Dudes discuss the Star Wars: The Last Jedi trailer, Chris picks a bitter breakfast stout brewed for the chosen few, and Jake gives a week 7 FML recap and tries out his best Dan Carlin impersonation! Forward march!
Stephen Metcalf, Julia Turner, and Dana Stevens discuss the new documentary Five Came Back with creator Mark Harris, the end of the show Girls with The New Yorker's Jia Tolentino, and the United Airlines fiasco with Laura Miller. The Slate Culture Gabfest is brought to you by Rocket Mortgage from Quicken Loans. When it comes to the big decision of choosing a mortgage lender, work with one that has your best interests in mind. Use Rocket Mortgage for a transparent, trustworthy home loan process that’s completely online at QuickenLoans.com/Culture And by Texture. Texture lets you stay up to date with your favorite magazines...all in one place. Right now, get a 14-day FREE TRIAL when you sign up by going to Texture.com/culture. And by Green Mountain Coffee. Green Mountain Coffee is passionate about making a smoother tasting cup. Try it today with $4 off, when you buy two boxes of most Green Mountain Coffee K-Cup pods at keurig.com with code TRYGMC. Learn more about your ad choices. Visit megaphone.fm/adchoices
Stephen Metcalf, Julia Turner, and Dana Stevens discuss the new documentary Five Came Back with creator Mark Harris, the end of the show Girls with The New Yorker's Jia Tolentino, and the United Airlines fiasco with Laura Miller. The Slate Culture Gabfest is brought to you by Rocket Mortgage from Quicken Loans. When it comes to the big decision of choosing a mortgage lender, work with one that has your best interests in mind. Use Rocket Mortgage for a transparent, trustworthy home loan process that’s completely online at QuickenLoans.com/Culture And by Texture. Texture lets you stay up to date with your favorite magazines...all in one place. Right now, get a 14-day FREE TRIAL when you sign up by going to Texture.com/culture. And by Green Mountain Coffee. Green Mountain Coffee is passionate about making a smoother tasting cup. Try it today with $4 off, when you buy two boxes of most Green Mountain Coffee K-Cup pods at keurig.com with code TRYGMC. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's episode of TYO Selects, the gang gets historical in their discussion of Netflix's new World War 2 docu-series, Five Came Back. Cover Art by Phil Brown Music by The Passion HiFi
Stephen Metcalf, Julia Turner, and Dana Stevens discuss the new documentary Five Came Back with creator Mark Harris, the end of the show Girls with The New Yorker's Jia Tolentino, and the United Airlines fiasco with Laura Miller. The Slate Culture Gabfest is brought to you by Rocket Mortgage from Quicken Loans. When it comes to the big decision of choosing a mortgage lender, work with one that has your best interests in mind. Use Rocket Mortgage for a transparent, trustworthy home loan process that’s completely online at QuickenLoans.com/Culture And by Texture. Texture lets you stay up to date with your favorite magazines...all in one place. Right now, get a 14-day FREE TRIAL when you sign up by going to Texture.com/culture. And by Green Mountain Coffee. Green Mountain Coffee is passionate about making a smoother tasting cup. Try it today with $4 off, when you buy two boxes of most Green Mountain Coffee K-Cup pods at keurig.com with code TRYGMC.
On this week's episode, the gang reviews one of 2017's most anticipated films, The Fate of the Furious, and announced the winner of their nearly two month long Kill Your Darlings segment. Showtimes, Folks! News - ALL BUT CONFIRMED/Kill Your Darlings (Box Office Loser Announcement: 01:36) (Kill Your Darlings Final: 5:41) (The Last Jedi Trailer: 18:29) (Detroit Trailer: 26:25) (Thor Ragnarok Trailer: 27:41) Reviews (Fate of the Furious: 37:25) (Colossal: 1:04:45) Recommendations/Box Office (Kendrick Lamar - DAMN: 1:21:05) (Five Came Back: 1:24:44) (Black Jesus: 1:25:59) (Big Little Lies: 1:28:08) (Hush: 1:28:48) (Moneyball: 1:29:53) (Box-Office/Outro: 1:35:47) Cover art by Phil Brown Music By The Passion HiFi www.thepassionhifi.com
Today on the Podcast, we discuss our favorite films of 2016. NEWS ON THE MARCH Joss Whedon set to write and direct "Batgirl" for the DCU First Thor: Ragnarok trailer "IT" Trailer most viewed of all time Terence Malick wants to return to scripted filmmaking Don Rickles has passed away FEATURE: THE BEST FILMS OF 2016 (12:40) Ron's Top 13: 13) Elle 12) Christine 11) Other People 10) The Nice Guys 9) Manchester by the Sea 8) Hail, Caesar! 7) The Handmaiden 6) The Witch: A New England Folk Tale 5) Arrival 4) Silence 3) Rogue One: A Star Wars Story 2) Moonlight 1) Captain America: Civil War - Honorable Mentions - Worst of the Year - Darren's Top 5 RANT & RAVE Darren (56:35) - Everybody Wants Some!!! Ron (1:00:01) - Five Came Back Darren (1:05:40) - John Williams / Steven Spielberg Ultimate Collection Ron (1:10:00) - Tower
El episodio de Fierros de esta semana tiene a cinco directores hablando de otros cinco directores a través de la serie documental Five Came Back, que explica en trabajo como cineastas en el frente de batalla de la Segunda Guerra Mundial de Frank Capra, John Huston, John Ford, George Stevens y William Wyler, todos autores determinantes en la historia del cine universal. Learn more about your ad choices. Visit megaphone.fm/adchoices
We get a nostalgia fix from T2 Trainspotting and join the cult of The Void plus we also discuss the Thor: Ragnarok trailer, the original Trainspotting, Rogue One: A Star Wars Story, Prevenge and Five Came Back. 0:00 - Intro 14:50 - Review: T2 Trainspotting 45:45 - Review: The Void 1:19:15 - Headlines: Thor: Ragnarok Trailer 1:29:10 - Other Stuff We Watched: Trainspotting, Rogue One: A Star Wars Story, Prevenge, Netflix Live, Girls, Five Came Back 1:56:20 - Junk Mail: Day Old Corn, Buying Clear Blu-ray Cases, Top 5 John Carpenter Films + Boutique Blu-ray Showdown, Favourite Late '80s / Early '90s Meathead Action Movies, Favourite Fast Food Movie Tie-Ins 2:28:05 - This Week on DVD and Blu-ray 2:30:05 - Outro
We get a nostalgia fix from T2 Trainspotting and join the cult of The Void plus we also discuss the Thor: Ragnarok trailer, the original Trainspotting, Rogue One: A Star Wars Story, Prevenge and Five Came Back. 0:00 - Intro 14:50 - Review: T2 Trainspotting 45:45 - Review: The Void 1:19:15 - Headlines: Thor: Ragnarok Trailer 1:29:10 - Other Stuff We Watched: Trainspotting, Rogue One: A Star Wars Story, Prevenge, Netflix Live, Girls, Five Came Back 1:56:20 - Junk Mail: Day Old Corn, Buying Clear Blu-ray Cases, Top 5 John Carpenter Films + Boutique Blu-ray Showdown, Favourite Late '80s / Early '90s Meathead Action Movies, Favourite Fast Food Movie Tie-Ins 2:28:05 - This Week on DVD and Blu-ray 2:30:05 - Outro
El episodio de Fierros de esta semana tiene a cinco directores hablando de otros cinco directores a través de la serie documental Five Came Back, que explica en trabajo como cineastas en el frente de batalla de la Segunda Guerra Mundial de Frank Capra, John Huston, John Ford, George Stevens y William Wyler, todos autores determinantes en la historia del cine universal.
You can learn a lot about the person behind a camera by watching what he saw in front. But you can learn so much more when you explore the short stories he wrote, the ideas he scribbled down, the cartoon drawings he made, the FBI memos investigating him, and the amateur footage of death he shot while serving in World War II. Film scholar Marsha Gordon has done exactly that in her extraordinary new work, Film is Like A Battleground: Sam Fuller's War Movies. In this podcast, Marsha discusses her impulses to explore both the center of Hollywood and the very margins of filmmaking practices with her research on orphan films. They dissect the role that these seemingly forgotten films have shown a diversity of cultural practices throughout the 20th century. And then they dive head onto the cigar-chomping auteur, examining what it meant to be a political filmmaker as opposed to making films that feature politics statements. They end their conversation by looking at Fuller's The Steel Helmet, a complex Korean war portrayal of men not as heroes but as flawed individuals, fighting for dignity in a situation that provides none. 0:00-3:39 Opening 3:44-14:50 Establishing Shots — Old Guests, New Material (Mark Harris's Five Came Back; James Gray's The Lost City of Z) 15:35-57:29 Deep Focus — Marsha Gordon 58:33-1:00:30 Sponsorship Section 1:01:39-1:18:03 Double Exposure — The Steel Helmet (Sam Fuller) 1:18:09-1:19:46 Close
In this episode of Must Go Faster, Ben and Rob run down their 10 most anticipated movies for the rest of 2017 (0:50), including 'Baby Driver’ (7:08), Dunkirk (15:40), IT (21:19), PTA’s new project (30:18) and Star Wars: The Last Jedi (34:19). Then, Rob gives his elevator pitch for HBO’s ‘Big Little Lies’ (37:14) and the two discuss the importance of ‘Five Came Back’ (43:16), the new Hollywood/WWII documentary on Netflix. Capping things off, Shia LaBeouf’s latest movie sells just one ticket at the UK box office, leaving Ben perplexed (59:35). Follow Must Go Faster on Social: twitter.com/mustgofasterpod instagram.com/mustgofasterpod facebook.com/mustgofasterpod
Tras explicar las razones por las que no hubo podcast la semana pasada, Penny, Alejandro y Josué se ponen al día con la polémica (y la fascinación) de Scarlett Johansson en Ghost in the Shell. Luego le entran a los (muy deprimentes) estrenos de la semana: idiotas, bebés godínez y patrulleros soeces. Ya en la tele, pasan de una serie de misterio-bullying-cassettes a un soberbio documental sobre cine en historia. Hablan de Ghost in the Shell, Baby Boss, 3 idiotas, Patrulla Motorizada II, 13 Reasons Why y Five Came Back. See acast.com/privacy for privacy and opt-out information.
On Twitter: @MarkHarrisNYC @nedlandmedia @thompowers @PureNonfictionPure Nonfiction is distributed by the TIFF podcast network. This interview was recorded at the School of Visual Arts' MFA Social Documentary program.
Steven Spielberg is the executive producer for the new 3-part Netflix series “Five Came Back” about the Hollywood directors who put their fiction careers on hold during World War II as they went to make propaganda documentaries for the U.S. government. The five were Frank Capra, John Ford, William Wyler, George Stevens and John Huston. […] The post PN 43: Laurent Bouzereau & Mark Harris on “Five Came Back” appeared first on Pure Nonfiction.
On this episode of Adjust Your Tracking, Joe and Erik start things off with more chatter about the state of going out to the movies, and how things are rapidly evolving in this streaming era. We then move on to our two main reviews: new Netflix speculative sci-fi drama The Discovery and Neon's new release in theaters, Colossal. The back half of this episode features a grab bag of recommendations, starting with the latest from Romanian master Christian Mungiu, Graduation, and then moving to the some streaming options in the wonderful documentary miniseries Five Came Back and season 2 of Fargo. Continuing with our Jesse Plemons theme this episode (he's in three of the films/shows we discuss), Joe also highlights Other People and Stretch & Bobbito: Radio That Changed Lives. --- Send in a voice message: https://anchor.fm/theplaylist/message
CtS: Five Came Back - A Story of Hollywood and the Second World War by Chris Lay Support the show.
Roy and Nick talks box office,news, some tv, and a little gaming. At the end the show, don't go anywhere because Brain and Tony have a special review of Five Came Back. Then Craig gives his view of WrestleMania 33.
Darren opens the show talking about bathroom business, Anthony breaks down his recent DNA discoveries, and the guys take a crack at 'Ghost in the Shell'. Anthony sneaks a surprise movie in, then brings up the new Netflix docuseries, 'Five Came Back'. They end the show talking about the upcoming Alien installment. There's also an exploration of anger management and road rage!
This past Friday saw the release of Five Came Back, a three-part documentary series adapted from Mark Harris' great book "Five Came Back: A Story of Hollywood and the Second World War", which recounts the story of five legendary Hollywood directors - Frank Capra, John Ford, John Huston, George Stevens, William Wyler - who left their careers behind and spent World War II making documentaries and propaganda for the U.S. military, in the process creating a series of films which shaped how audiences understood the war, and marked a significant development in the history of documentary filmmaking. The experience also took its toll on the filmmakers, leaving them scarred and having a profound impact on their work and lives. Ed is joined by fellow podcaster and writer Noel Thingvall (@NoelCT) to discuss the series, the works of the directors profiled, and Five Came Back's place within the Netflix catalogue. 00:00:00 - 00:02:52 - Intro 00:02:53 - 00:56:27 - Ed & Noel discuss Five Came Back 00:56:28 - 01:01:51 - SRS Recommends & Outro
3 don't miss documentaries. Mark Harris's - Five Came Back, Premiers on Netflix. Robert Klein- I Can't Stop My Leg, on the Starz Network. In Search of Israeli Cuisine is playing in Theaters.
Matt Zoller-Seitz is joined by Vulture Columnist Mark Harris to talk about turning his book into the new Netflix documentary series Five Came Back about WWII.
This week, we were repeatedly inspired by Lars von Trier's Nymphomaniac, but not in the ways listeners might hope. First, the film's two-episode serial structure gets us talking about how film and TV are drifting closer together in form, content, and presentation. Then we play a special Nymphomaniac-inspired game of Parental Guidance Suggested, using the user-submitted parental warnings on the IMDB—in this case, for films so violent or sexually graphic that parents should already know to steer clear. We also interview Pictures At A Revolution author Mark Harris about his stellar, ambitious new film book Five Came Back, and close with our speed-round recommendation segment, 30 Seconds To Sell.
In this week's episode we are talking about what could be the most divisive film of 2018, although it’s still early in the year. Alex Garland’s latest film Annihilation, based on the novel of the same name by Jeff Vandermer, brings with it a lot of questions, both from the story, and the audience. We wrestle with a bit of both in our discussion and give our reactions to the incredible creation that is The Shimmer. We also offer some quick thoughts on Duncan Jones' new film Mute and the incredible documentary Five Came Back. What We've Been Up To - 0:02:02 (Aaron - Mute, Five Came Back) Annihilation Review - 0:09:23 The Connecting Point - 0:55:19 Contact Aaron Twitter Facebook Patrick Twitter Facebook Feelin' Film Facebook Twitter Website Email feelinfilm@gmail.com Feelin' Film on Apple Podcasts Feelin' Film on Google Play Feelin' Film on Stitcher Feelin' Film on TuneIn Feelin' Film on Overcast Join the Facebook Discussion Group Support us on Patreon & get awesome rewards Music: Going Higher - Bensound.com Rate/Review us on iTunes and on your podcast app of choice! It helps bring us exposure so that we can get more people involved in the conversation. Thank you!Support this podcast at — https://redcircle.com/feelin-film/donations
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