Podcasts about legba

Vodou - The Spirit of Freedom and Unity in Haiti. A melting pot of various African religious traditions, Vodou emerged as a beacon of hope and a tool for liberation in the heart of Saint-Domingue, now Haiti. It played a pivotal role in uniting the enslaved Africans, fuelling the fire of the Haitian Revolution, and birthing the world's first free black republic.In this episode, we delve into the misunderstood world of Vodou, exploring its origins, practices, and the powerful pantheon of Loas that guide its followers. We speak on common misconceptions and shine a light on the religion's true essence:The historical origins of Vodou and its African roots.The significant role of Vodou flags and Veve symbols in religious ceremonies.The intricate hierarchy and roles of the Loa, including prominent figures like Legba, Erzulie, Agwé, Ayida-Weddo, and Ogou.Insight into the vital rituals and offerings that connect the physical with the spiritual.Dispelling myths: Addressing the inaccuracies and stereotypes that have shrouded Vodou in mystery and fear.Join us as we discuss the spirit of freedom and unity that Vodou embodies, offering a deeper understanding of a tradition that has been a cornerstone of Haitian culture and identity. Hosted on Acast. See acast.com/privacy for more information.

Helena and Petrichor return to the scene of the crime, to investigate the plantation where Jeremiah suffered so much. Legba and Baba Sera are on their way to meet them, but will they join the other witches before things get out of hand?Support the show by joining our Patreon:https://www.patreon.com/OccultistsAnonymousGet your own Occultists Anonymous, Rookery, and Into The West Merch:http://occultanon.threadless.comFollow us on Twitter:https://twitter.com/OccultistsAJoin us on Discord:http://www.yeetointo.spaceGet the Book. Play the Game:https://www.drivethrurpg.com/product/181754/Mage-the-Awakening-2nd-Edition?affiliate_id=723048View the Chronicle's Wiki:https://kanka.io/en-US/campaign/54701Character Art by Brenna Goche: https://twitter.com/CloudBoundCorgiTheodosia Character Design by Elijah Vardo:https://linktr.ee/elijahvardoMusic: LuIzA - Chrono Trigger "...And in Her Self-Loathing and Despair, She Found Wrath" https://ocremix.org/remix/OCR01989

Legba and Baba Sera take a journey into the soul of Jeremiah, to see what they might find...Join us live on Twitch, Friday nights at 7pm EDT:http://twitch.tv/OccultistsAnonymousSupport the show by joining our Patreon:https://www.patreon.com/OccultistsAnonymousGet your own Occultists Anonymous, Rookery, and Into The West Merch:http://occultanon.threadless.comFollow us on Twitter:https://twitter.com/OccultistsAJoin us on Discord:http://www.yeetointo.spaceGet the Book. Play the Game:https://www.drivethrurpg.com/product/181754/Mage-the-Awakening-2nd-Edition?affiliate_id=723048View the Chronicle's Wiki:https://kanka.io/en-US/campaign/54701Character Art by Brenna Goche: https://twitter.com/CloudBoundCorgiTheodosia Character Design by Elijah Vardo:https://linktr.ee/elijahvardoMusic: LuIzA - Chrono Trigger "...And in Her Self-Loathing and Despair, She Found Wrath" https://ocremix.org/remix/OCR01989

The day begins with a lovely, cozy Sunday but as the sun sets, the magic begins. Petrichor and Helena seek the advice of the Supernal while Legba and Baba Sera begin to investigate more directly, into the very soul of the Mystery.Support the show by joining our Patreon:https://www.patreon.com/OccultistsAnonymousGet your own Occultists Anonymous, Rookery, and Into The West Merch:http://occultanon.threadless.comFollow us on Twitter:https://twitter.com/OccultistsAJoin us on Discord:http://www.yeetointo.spaceGet the Book. Play the Game:https://www.drivethrurpg.com/product/181754/Mage-the-Awakening-2nd-Edition?affiliate_id=723048View the Chronicle's Wiki:https://kanka.io/en-US/campaign/54701Character Art by Brenna Goche: https://twitter.com/CloudBoundCorgiTheodosia Character Design by Elijah Vardo:https://linktr.ee/elijahvardoMusic: LuIzA - Chrono Trigger "...And in Her Self-Loathing and Despair, She Found Wrath" https://ocremix.org/remix/OCR01989

La comediante Karla Camacho nos acompañó en la mesa maldita y nos contó sobre sus sueños, en uno habló con papa Legba, una deidad de los Orishas. ¡No te puedes perder este episodio! Learn more about your ad choices. Visit megaphone.fm/adchoices

A decade after we last saw the Coven, Legba and Les Enfants de Chaînes Brisées lead a more direct rescue of slaves from the American South. Petrichor and Baba Sera provide support, but will newcomer Helena be a complication?Support the show by joining our Patreon:https://www.patreon.com/OccultistsAnonymousGet your own Occultists Anonymous, Rookery, and Into The West Merch:http://occultanon.threadless.comFollow us on Twitter:https://twitter.com/OccultistsAJoin us on Discord:http://www.yeetointo.spaceGet the Book. Play the Game:https://www.drivethrurpg.com/product/181754/Mage-the-Awakening-2nd-Edition?affiliate_id=723048View the Chronicle's Wiki:https://kanka.io/en-US/campaign/54701Character Art by Brenna Goche:https://twitter.com/CloudBoundCorgiTheodosia Character Design by Elijah Vardo:https://linktr.ee/elijahvardoMusic: LuIzA - Chrono Trigger "...And in Her Self-Loathing and Despair, She Found Wrath" https://ocremix.org/remix/OCR01989

Plongée dans la nuit fauve de bwa kayiman grâce au saxophoniste Jowee Omicil, et playlist de maître Sophian Fanen. Tous les mois, Sophian chronique 5 nouveautés :- Gabriel da Rosa, Cafuné (Stones Throw, 2023) voir le clip- Kali Uchis et Rauw Alejandro, No Hay Ley Parte 2, tiré de l'album Orquideas (Geffen Records, 2024)- Daudi Matsiko, Fool Me as Many Times as You Like, tiré de l'album The King of Misery (Really Good, 2024) voir le clip - Lina et Rodrigo Cuevas, O Que Temo E O Que Desejo, tiré de l'album Fado Camões (Galileo MC, 2024) voir le clip - Skygge, Nuit d'halloween, tiré du EP Clo_w_nes (Bruit rose, 2024) voir les clips Lire papier Sophian Fanen. Puis nous recevons Jowee Omicil dans la #SessionLive pour la sortie de l'album SpiriTuaL HeaLinG : Bwa KaYimaN FreeDoM SuiTeQue sait-on vraiment de Bois-Caïman ? Des coordonnées géographiques, 19° 43 ′ 24 ″ nord, 72° 16 ′ 20 ″ ouest, un lieu-dit au nord d'Haïti ; il faut traverser Carrefour La Mort, Moustique, pénétrer l'habitation Lenormand, se retrouver face à un gros arbre mal fagoté, deux rochers, peint de rouge, peint de bleu, les couleurs du drapeau national. C'est ici, très exactement, que le 14 août 1791, des fugitifs ont tué un porc, bu son sang, ils ont frappé des tambours, déterré des hymnes venus de pays dont on ne revient pas et ils ont lancé, cette nuit de feu et de brume, la seule révolution d'esclaves qui a abouti à une libération. À quoi songeait Jowee Omicil, le 6 juillet 2020, lorsqu'il est entré dans son salon –studio de Paris ; un garde-manger, un cabinet de curiosités, qui ressemble à tous les temples vaudou de province : des espaces où les objets sitôt posés prennent la forme du rêve. Le 6 juillet 2020, souvenez-vous, c'était un autre monde, confiné, dont on ne savait rien encore. Un temps de pause et de claustration, où les passe-murailles étaient souvent imaginaires et avançaient toujours masqués. Que s'est-il passé dans la tête de Jowee pour qu'il se prenne à rejouer, ce jour-là, la révolution de ses ancêtres ? Et à mettre un vent sur un monde qui sentait le renfermé.On a toujours pensé à Jowee comme un avatar, une réplique fin de siècle, hip-hop, du dieu Legba. La barbichette de vieillard juvénile, les mauvais tours du saint patron des carrefours, dont la sagesse a le goût sucré du canular. En fait, il est peut-être davantage un retour de flamme d'Agaou, esprit des vents, de l'orage et du tonnerre, qu'on ne voit jamais sans sa canne en jonc. Sa chanson dit à peu près ceci : « Agaou souffle, il vente. Il vente le Nordais, il vente le Suroît. Agaou n'est pas ici. Agaou sort de la Guinée. Il vente, il gronde. Ils n'ont plus besoin de moi. Ils m'appellent vieille chose. » Face à un monde asphyxié, Jowee a rassemblé toutes ses chambres à air, Soprano, Alto, Ténor, Bois, Clarinettes, Flûte piccolo, Cornet, ce qui souffle, ce qui vente, ce qui gronde. C'est une longue cérémonie d'exorcisme, pour balayer la terre des miasmes. Jowee-Agaou, comme Éole son double grec, libère les vents. Ce n'est pas de la blague. Ce disque est une incantation, une thérapie, il nettoie le monde en puisant dans la mémoire fantasmée de la révolution haïtienne. «SpiriTuaL HeaLinG : Bwa KaYimaN FreeDoM SuiTe » est au croisement de la médecine et de l'histoire racontée aux enfants, c'est une berceuse et un appel à l'insurrection. Pour Jowee, un gamin de Montréal, fils de pasteur haïtien, qui a chanté Jésus sur tous les tons, et puis ensuite Michael Jackson, et puis ensuite 2Pac, qui a appris le jazz auprès de celui qui l'a déconstruit (Ornette Coleman, autre maître du vent, dans son loft de Manhattan), la cérémonie a forcément le goût du free. Il existe des Freedom Suites, de Sonny Rollins, de Max Roach, d'autres ; des musiques–prières, des musiques capables de briser les chaînes dans la tête avant de les entamer sur les poignets, des musiques de pouvoir noir et de magie blanche. Des musiques qui ne distinguent pas la bataille et la consolation.Titres interprétés au grand studio- BasHquiat IntrO Live RFI + RFI Vidéos- La Pryè & God Ujens, extraits de l'album- Blue Cotton + Haricot Vert Live RFI + RFI Vidéos. Line Up : Jowee Omicil : sax, voix, Randy Kerber : piano, Yoann Danier : batterie et Jeandah Manga : basse.Son : Benoît Letirant, Mathias TaylorRéalisation : Hadrien Touraud.► Album SpiriTuaL HeaLinG : Bwa KaYimaN FreeDoM SuiTe (Bash! Village Records/Modulor 2024).Jowee Omicil au New Morning.

Plongée dans la nuit fauve de bwa kayiman grâce au saxophoniste Jowee Omicil, et playlist de maître Sophian Fanen. Tous les mois, Sophian chronique 5 nouveautés :- Gabriel da Rosa, Cafuné (Stones Throw, 2023) voir le clip- Kali Uchis et Rauw Alejandro, No Hay Ley Parte 2, tiré de l'album Orquideas (Geffen Records, 2024)- Daudi Matsiko, Fool Me as Many Times as You Like, tiré de l'album The King of Misery (Really Good, 2024) voir le clip - Lina et Rodrigo Cuevas, O Que Temo E O Que Desejo, tiré de l'album Fado Camões (Galileo MC, 2024) voir le clip - Skygge, Nuit d'halloween, tiré du EP Clo_w_nes (Bruit rose, 2024) voir les clips Lire papier Sophian Fanen. Puis nous recevons Jowee Omicil dans la #SessionLive pour la sortie de l'album SpiriTuaL HeaLinG : Bwa KaYimaN FreeDoM SuiTeQue sait-on vraiment de Bois-Caïman ? Des coordonnées géographiques, 19° 43 ′ 24 ″ nord, 72° 16 ′ 20 ″ ouest, un lieu-dit au nord d'Haïti ; il faut traverser Carrefour La Mort, Moustique, pénétrer l'habitation Lenormand, se retrouver face à un gros arbre mal fagoté, deux rochers, peint de rouge, peint de bleu, les couleurs du drapeau national. C'est ici, très exactement, que le 14 août 1791, des fugitifs ont tué un porc, bu son sang, ils ont frappé des tambours, déterré des hymnes venus de pays dont on ne revient pas et ils ont lancé, cette nuit de feu et de brume, la seule révolution d'esclaves qui a abouti à une libération. À quoi songeait Jowee Omicil, le 6 juillet 2020, lorsqu'il est entré dans son salon –studio de Paris ; un garde-manger, un cabinet de curiosités, qui ressemble à tous les temples vaudou de province : des espaces où les objets sitôt posés prennent la forme du rêve. Le 6 juillet 2020, souvenez-vous, c'était un autre monde, confiné, dont on ne savait rien encore. Un temps de pause et de claustration, où les passe-murailles étaient souvent imaginaires et avançaient toujours masqués. Que s'est-il passé dans la tête de Jowee pour qu'il se prenne à rejouer, ce jour-là, la révolution de ses ancêtres ? Et à mettre un vent sur un monde qui sentait le renfermé.On a toujours pensé à Jowee comme un avatar, une réplique fin de siècle, hip-hop, du dieu Legba. La barbichette de vieillard juvénile, les mauvais tours du saint patron des carrefours, dont la sagesse a le goût sucré du canular. En fait, il est peut-être davantage un retour de flamme d'Agaou, esprit des vents, de l'orage et du tonnerre, qu'on ne voit jamais sans sa canne en jonc. Sa chanson dit à peu près ceci : « Agaou souffle, il vente. Il vente le Nordais, il vente le Suroît. Agaou n'est pas ici. Agaou sort de la Guinée. Il vente, il gronde. Ils n'ont plus besoin de moi. Ils m'appellent vieille chose. » Face à un monde asphyxié, Jowee a rassemblé toutes ses chambres à air, Soprano, Alto, Ténor, Bois, Clarinettes, Flûte piccolo, Cornet, ce qui souffle, ce qui vente, ce qui gronde. C'est une longue cérémonie d'exorcisme, pour balayer la terre des miasmes. Jowee-Agaou, comme Éole son double grec, libère les vents. Ce n'est pas de la blague. Ce disque est une incantation, une thérapie, il nettoie le monde en puisant dans la mémoire fantasmée de la révolution haïtienne. «SpiriTuaL HeaLinG : Bwa KaYimaN FreeDoM SuiTe » est au croisement de la médecine et de l'histoire racontée aux enfants, c'est une berceuse et un appel à l'insurrection. Pour Jowee, un gamin de Montréal, fils de pasteur haïtien, qui a chanté Jésus sur tous les tons, et puis ensuite Michael Jackson, et puis ensuite 2Pac, qui a appris le jazz auprès de celui qui l'a déconstruit (Ornette Coleman, autre maître du vent, dans son loft de Manhattan), la cérémonie a forcément le goût du free. Il existe des Freedom Suites, de Sonny Rollins, de Max Roach, d'autres ; des musiques–prières, des musiques capables de briser les chaînes dans la tête avant de les entamer sur les poignets, des musiques de pouvoir noir et de magie blanche. Des musiques qui ne distinguent pas la bataille et la consolation.Titres interprétés au grand studio- BasHquiat IntrO Live RFI + RFI Vidéos- La Pryè & God Ujens, extraits de l'album- Blue Cotton + Haricot Vert Live RFI + RFI Vidéos. Line Up : Jowee Omicil : sax, voix, Randy Kerber : piano, Yoann Danier : batterie et Jeandah Manga : basse.Son : Benoît Letirant, Mathias TaylorRéalisation : Hadrien Touraud.► Album SpiriTuaL HeaLinG : Bwa KaYimaN FreeDoM SuiTe (Bash! Village Records/Modulor 2024).Jowee Omicil au New Morning.

#SessionLive Cap Caraïbes avec un groupe de Gonaïves (Haïti) Chouk Bwa qui fait route commune avec le duo électro belge The Angströmers et la violoniste cubaine Yilian Canizares. Suite au succès de leur 1er album collaboratif Vodou Alé (2020) Chouk Bwa & The Ångströmers, sortent leur 2è album intitulé Somanti. Cette réunion mêle les puissants rituels vaudou d'Haïti à une musique électronique et du dub captivant. Les 2 groupes proviennent de traditions très différentes. Chouk Bwa est originaire de Gonaïves, berceau du vaudou haïtien et lieu de naissance de l'indépendance du pays. Leur mizik rasin (musiques racine) est imprégnée de la spiritualité profonde des temples lakou, de l'histoire révolutionnaire de leur ville natale et de l'héritage africain de son peuple. Le duo basé à Bruxelles, The Ångströmers, canalise sa passion pour la musique concrète, le dub, le hardcore et l'industriel, ainsi que sa connaissance experte de toutes sortes d'équipements électroniques analogiques. Les 2 groupes sont unis par leur capacité à plonger leurs auditeurs dans une transe extatique.Alors que Vodou Alé se concentrait sur de nouvelles compositions et des chansons narratives, Somanti est un album de rituel. La plupart des morceaux sont basés sur une musique cérémonielle avec des paroles traditionnelles révélant des proverbes sages. Il est important pour les musiciens de préserver la complexité et la solennité de l'aspect religieux.La musique de Chouk Bwa est entièrement acoustique : c'est le son du bois, de la peau, du métal, de la corne et de la voix humaine chantant en créole haïtien. Cette musique renferme de forts souvenirs culturels et des rythmes, avec ses invocations des terres ancestrales – les royaumes africains d'Oyo, du Kongo et du Dahomey – et les proclamations tonitruantes des esprits vodou transcontinentaux de Legba, Ogou et Inan. Il y a de la joie dans les chansons, mais aussi un côté plus sombre, une rage empathique témoignant de l'injustice et plaidant en faveur des pauvres du monde.Titres interprétés au grand studio- Fey Nan Bwa Live RFI RFI Vidéos  - Sala, extrait de l'album Somanti- Somanti Live RFI RFI Vidéos.  Line Up : Maloune Prevaly, chanteuse, Jean Rigaud Aimable, tambour, choeur, Frédéric Alstadt, électro, Nicolas Esterle, électro, Gomez Henris, lead chant, tambour, fer, Sadrack Merzier, tambour, choeur.Son : Mathias Taylor et Benoît Letirant.► Album Somanti (Les Disques Bongo Joe / L'Autre Distribution 2023).Concert 5 novembre 2023, Aubervilliers, Villes des Musiques du Monde. Puis nous recevons la violoniste cubaine Yilian Canizares pour la sortie de son nouvel album Habana-Bahia.Yilian Cañizares poursuit son tour du monde des africanités en exil. En 2019, pour graver l'album Erzulie, elle s'était installée à la Nouvelle-Orléans ; elle y avait retrouvé les mémoires vives de la créolité, du vaudou haïtien, du jazz cosmopolite et du funk sudiste. Aujourd'hui, pour Habana-Bahia, elle choisit une autre capitale des identités noires: Salvador de Bahia, et surtout un quartier en particulier, Candeal, qui concentre toute l'électricité d'une métropole, ses esprits et ses tambours. Candeal ressemble aux zones franches, aux outre-mondes décrits dans les livres de Jorge Amado. Les immenses fresques de graffiti dessinent sur les murs des épopées modernes, les orchestres du bloco afro tapissent l'espace sonore. Et l'âme incandescente du musicien Carlinhos Brown veille sur ces rues qui abritent un épicentre culturel. Yilian a demandé à un très proche de Brown d'assurer la direction musicale de l'album : Alê Siqueira. Alê Siqueira a non seulement obtenu un Grammy Award pour les architectures musicales qu'il a bâties dans l'album Tribalistas. Mais il a aussi façonné des univers pour Tom Zé, Chico César, Caetano Veloso et la scène internationale, de Cheikh Lô à Omara Portuondo. Ce que Yilian Canizares cherchait en lui, c'est la maîtrise absolue des textures bahianaises mais aussi une vision contemporaine, des racines et des ailes.Ce n'est pas la route des esclaves que Yilian emprunte dans son œuvre de retour aux sources ; c'est celle des divinités. Quand elle était petite, au centre-ville de La Havane, Yilian devait lisser ses cheveux, masquer toute trace de négritude. En grandissant, elle a renoué avec sa part africaine dans les temples de la Regla de Ocha, parmi des saints qui ont voyagé à fond de cale, dans toutes les colonies, de Cuba aux États-Unis, d'Haïti au Brésil. Un jour, Yilian Cañizares a découvert qu'elle était protégée par un esprit féminin, vêtu d'or, un esprit parfumé, de fleurs et de beauté, qui porte le nom d'une petite rivière au cœur du Nigeria : Oshun.La musique de cette chanteuse, violoniste formée à l'école classique, de cette femme qui danse et pense le monde, cette musique est une odyssée à la recherche des traces qu'Oshun a laissées sur toutes les terres où elle a été dispersée. Forcément, Habana-Bahia est une étape clé de ce périple au pays imaginaire des dieux qu'on appelle Orishas. Il ne s'agit pas pour Yillian de singer les rythmes du Nordeste brésilien, elle ne joue pas les couleurs locales, mais elle enquête plus profondément encore sur tous les accents que la culture du peuple yoruba a pris dans ses transports transatlantiques. Et les prières antiques qu'elle chante sont des exorcismes qui substituent à la tragédie de la déportation le pouvoir de la résistance. Pour ce segment, Yilian Cañizares voyage encore avec ses compagnons de longue date, le bassiste mozambicain Childo Tomás et le percussionniste cubain Inor Sotolongo, deux marins d'eaux agitées qui sont pour cette musique une imperturbable colonne vertébrale. Ils offrent à Yilian une base solide, une rampe de lancement pour que les Brésiliens, les voix, les guitares, les peaux tendues, tous ces hôtes de Candeal puissent multiplier les pistes, sans que jamais cette musique ne ressemble à une auberge espagnole. Et pourtant, ce disque est un festin. Il s'ouvre par le timbre sans âge des lavandières mystiques d'Itapuã qui bénissent le nom de « Oxum » —tel qu'on l'orthographie là-bas. Il déploie des souls salées, des rocks filtrés, des tropicalismes du siècle nouveau. Il mêle des voix d'ici et d'ailleurs, des duos par-delà les mers, de l'espagnol et du brésilien. Yilian Cañizares chante sa vraie nature volatile, elle réconcilie l'espace et le temps, les hommes et les dieux.Titres Interprétés au grand studio- Bembé Live RFI voir le clip - Oxum (radio edit) voir le clip - Habana Bahia Live RFI voir le clip. Son : Benoît Letirant, Mathias Taylor.► Album Habana-Bahia (Absilone 2023).Concert Paris 8 novembre 2023, Café de la Danse.

#SessionLive Cap Caraïbes avec un groupe de Gonaïves (Haïti) Chouk Bwa qui fait route commune avec le duo électro belge The Angströmers et la violoniste cubaine Yilian Canizares. Suite au succès de leur 1er album collaboratif Vodou Alé (2020) Chouk Bwa & The Ångströmers, sortent leur 2è album intitulé Somanti. Cette réunion mêle les puissants rituels vaudou d'Haïti à une musique électronique et du dub captivant. Les 2 groupes proviennent de traditions très différentes. Chouk Bwa est originaire de Gonaïves, berceau du vaudou haïtien et lieu de naissance de l'indépendance du pays. Leur mizik rasin (musiques racine) est imprégnée de la spiritualité profonde des temples lakou, de l'histoire révolutionnaire de leur ville natale et de l'héritage africain de son peuple. Le duo basé à Bruxelles, The Ångströmers, canalise sa passion pour la musique concrète, le dub, le hardcore et l'industriel, ainsi que sa connaissance experte de toutes sortes d'équipements électroniques analogiques. Les 2 groupes sont unis par leur capacité à plonger leurs auditeurs dans une transe extatique.Alors que Vodou Alé se concentrait sur de nouvelles compositions et des chansons narratives, Somanti est un album de rituel. La plupart des morceaux sont basés sur une musique cérémonielle avec des paroles traditionnelles révélant des proverbes sages. Il est important pour les musiciens de préserver la complexité et la solennité de l'aspect religieux.La musique de Chouk Bwa est entièrement acoustique : c'est le son du bois, de la peau, du métal, de la corne et de la voix humaine chantant en créole haïtien. Cette musique renferme de forts souvenirs culturels et des rythmes, avec ses invocations des terres ancestrales – les royaumes africains d'Oyo, du Kongo et du Dahomey – et les proclamations tonitruantes des esprits vodou transcontinentaux de Legba, Ogou et Inan. Il y a de la joie dans les chansons, mais aussi un côté plus sombre, une rage empathique témoignant de l'injustice et plaidant en faveur des pauvres du monde.Titres interprétés au grand studio- Fey Nan Bwa Live RFI RFI Vidéos  - Sala, extrait de l'album Somanti- Somanti Live RFI RFI Vidéos.  Line Up : Maloune Prevaly, chanteuse, Jean Rigaud Aimable, tambour, choeur, Frédéric Alstadt, électro, Nicolas Esterle, électro, Gomez Henris, lead chant, tambour, fer, Sadrack Merzier, tambour, choeur.Son : Mathias Taylor et Benoît Letirant.► Album Somanti (Les Disques Bongo Joe / L'Autre Distribution 2023).Concert 5 novembre 2023, Aubervilliers, Villes des Musiques du Monde. Puis nous recevons la violoniste cubaine Yilian Canizares pour la sortie de son nouvel album Habana-Bahia.Yilian Cañizares poursuit son tour du monde des africanités en exil. En 2019, pour graver l'album Erzulie, elle s'était installée à la Nouvelle-Orléans ; elle y avait retrouvé les mémoires vives de la créolité, du vaudou haïtien, du jazz cosmopolite et du funk sudiste. Aujourd'hui, pour Habana-Bahia, elle choisit une autre capitale des identités noires: Salvador de Bahia, et surtout un quartier en particulier, Candeal, qui concentre toute l'électricité d'une métropole, ses esprits et ses tambours. Candeal ressemble aux zones franches, aux outre-mondes décrits dans les livres de Jorge Amado. Les immenses fresques de graffiti dessinent sur les murs des épopées modernes, les orchestres du bloco afro tapissent l'espace sonore. Et l'âme incandescente du musicien Carlinhos Brown veille sur ces rues qui abritent un épicentre culturel. Yilian a demandé à un très proche de Brown d'assurer la direction musicale de l'album : Alê Siqueira. Alê Siqueira a non seulement obtenu un Grammy Award pour les architectures musicales qu'il a bâties dans l'album Tribalistas. Mais il a aussi façonné des univers pour Tom Zé, Chico César, Caetano Veloso et la scène internationale, de Cheikh Lô à Omara Portuondo. Ce que Yilian Canizares cherchait en lui, c'est la maîtrise absolue des textures bahianaises mais aussi une vision contemporaine, des racines et des ailes.Ce n'est pas la route des esclaves que Yilian emprunte dans son œuvre de retour aux sources ; c'est celle des divinités. Quand elle était petite, au centre-ville de La Havane, Yilian devait lisser ses cheveux, masquer toute trace de négritude. En grandissant, elle a renoué avec sa part africaine dans les temples de la Regla de Ocha, parmi des saints qui ont voyagé à fond de cale, dans toutes les colonies, de Cuba aux États-Unis, d'Haïti au Brésil. Un jour, Yilian Cañizares a découvert qu'elle était protégée par un esprit féminin, vêtu d'or, un esprit parfumé, de fleurs et de beauté, qui porte le nom d'une petite rivière au cœur du Nigeria : Oshun.La musique de cette chanteuse, violoniste formée à l'école classique, de cette femme qui danse et pense le monde, cette musique est une odyssée à la recherche des traces qu'Oshun a laissées sur toutes les terres où elle a été dispersée. Forcément, Habana-Bahia est une étape clé de ce périple au pays imaginaire des dieux qu'on appelle Orishas. Il ne s'agit pas pour Yillian de singer les rythmes du Nordeste brésilien, elle ne joue pas les couleurs locales, mais elle enquête plus profondément encore sur tous les accents que la culture du peuple yoruba a pris dans ses transports transatlantiques. Et les prières antiques qu'elle chante sont des exorcismes qui substituent à la tragédie de la déportation le pouvoir de la résistance. Pour ce segment, Yilian Cañizares voyage encore avec ses compagnons de longue date, le bassiste mozambicain Childo Tomás et le percussionniste cubain Inor Sotolongo, deux marins d'eaux agitées qui sont pour cette musique une imperturbable colonne vertébrale. Ils offrent à Yilian une base solide, une rampe de lancement pour que les Brésiliens, les voix, les guitares, les peaux tendues, tous ces hôtes de Candeal puissent multiplier les pistes, sans que jamais cette musique ne ressemble à une auberge espagnole. Et pourtant, ce disque est un festin. Il s'ouvre par le timbre sans âge des lavandières mystiques d'Itapuã qui bénissent le nom de « Oxum » —tel qu'on l'orthographie là-bas. Il déploie des souls salées, des rocks filtrés, des tropicalismes du siècle nouveau. Il mêle des voix d'ici et d'ailleurs, des duos par-delà les mers, de l'espagnol et du brésilien. Yilian Cañizares chante sa vraie nature volatile, elle réconcilie l'espace et le temps, les hommes et les dieux.Titres Interprétés au grand studio- Bembé Live RFI voir le clip - Oxum (radio edit) voir le clip - Habana Bahia Live RFI voir le clip. Son : Benoît Letirant, Mathias Taylor.► Album Habana-Bahia (Absilone 2023).Concert Paris 8 novembre 2023, Café de la Danse.

#SessionLive Cap Caraïbes avec un groupe de Gonaïves (Haïti) Chouk Bwa qui fait route commune avec le duo électro belge The Angströmers et la violoniste cubaine Yilian Canizares. Suite au succès de leur 1er album collaboratif Vodou Alé (2020) Chouk Bwa & The Ångströmers, sortent leur 2è album intitulé Somanti. Cette réunion mêle les puissants rituels vaudou d'Haïti à une musique électronique et du dub captivant. Les 2 groupes proviennent de traditions très différentes. Chouk Bwa est originaire de Gonaïves, berceau du vaudou haïtien et lieu de naissance de l'indépendance du pays. Leur mizik rasin (musiques racine) est imprégnée de la spiritualité profonde des temples lakou, de l'histoire révolutionnaire de leur ville natale et de l'héritage africain de son peuple. Le duo basé à Bruxelles, The Ångströmers, canalise sa passion pour la musique concrète, le dub, le hardcore et l'industriel, ainsi que sa connaissance experte de toutes sortes d'équipements électroniques analogiques. Les 2 groupes sont unis par leur capacité à plonger leurs auditeurs dans une transe extatique.Alors que Vodou Alé se concentrait sur de nouvelles compositions et des chansons narratives, Somanti est un album de rituel. La plupart des morceaux sont basés sur une musique cérémonielle avec des paroles traditionnelles révélant des proverbes sages. Il est important pour les musiciens de préserver la complexité et la solennité de l'aspect religieux.La musique de Chouk Bwa est entièrement acoustique : c'est le son du bois, de la peau, du métal, de la corne et de la voix humaine chantant en créole haïtien. Cette musique renferme de forts souvenirs culturels et des rythmes, avec ses invocations des terres ancestrales – les royaumes africains d'Oyo, du Kongo et du Dahomey – et les proclamations tonitruantes des esprits vodou transcontinentaux de Legba, Ogou et Inan. Il y a de la joie dans les chansons, mais aussi un côté plus sombre, une rage empathique témoignant de l'injustice et plaidant en faveur des pauvres du monde.Titres interprétés au grand studio- Fey Nan Bwa Live RFI RFI Vidéos- Sala, extrait de l'album Somanti- Somanti Live RFI RFI Vidéos.Line Up : Maloune Prevaly, chanteuse, Jean Rigaud Aimable, tambour, choeur, Frédéric Alstadt, électro, Nicolas Esterle, électro, Gomez Henris, lead chant, tambour, fer, Sadrack Merzier, tambour, choeur.Son : Mathias Taylor et Benoît Letirant.► Album Somanti (Les Disques Bongo Joe / L'Autre Distribution 2023).Concert 5 novembre 2023, Aubervilliers, Villes des Musiques du Monde. Puis nous recevons la violoniste cubaine Yilian Canizares pour la sortie de son nouvel album Habana-Bahia.Yilian Cañizares poursuit son tour du monde des africanités en exil. En 2019, pour graver l'album Erzulie, elle s'était installée à la Nouvelle-Orléans ; elle y avait retrouvé les mémoires vives de la créolité, du vaudou haïtien, du jazz cosmopolite et du funk sudiste. Aujourd'hui, pour Habana-Bahia, elle choisit une autre capitale des identités noires: Salvador de Bahia, et surtout un quartier en particulier, Candeal, qui concentre toute l'électricité d'une métropole, ses esprits et ses tambours. Candeal ressemble aux zones franches, aux outre-mondes décrits dans les livres de Jorge Amado. Les immenses fresques de graffiti dessinent sur les murs des épopées modernes, les orchestres du bloco afro tapissent l'espace sonore. Et l'âme incandescente du musicien Carlinhos Brown veille sur ces rues qui abritent un épicentre culturel. Yilian a demandé à un très proche de Brown d'assurer la direction musicale de l'album : Alê Siqueira. Alê Siqueira a non seulement obtenu un Grammy Award pour les architectures musicales qu'il a bâties dans l'album Tribalistas. Mais il a aussi façonné des univers pour Tom Zé, Chico César, Caetano Veloso et la scène internationale, de Cheikh Lô à Omara Portuondo. Ce que Yilian Canizares cherchait en lui, c'est la maîtrise absolue des textures bahianaises mais aussi une vision contemporaine, des racines et des ailes.Ce n'est pas la route des esclaves que Yilian emprunte dans son œuvre de retour aux sources ; c'est celle des divinités. Quand elle était petite, au centre-ville de La Havane, Yilian devait lisser ses cheveux, masquer toute trace de négritude. En grandissant, elle a renoué avec sa part africaine dans les temples de la Regla de Ocha, parmi des saints qui ont voyagé à fond de cale, dans toutes les colonies, de Cuba aux États-Unis, d'Haïti au Brésil. Un jour, Yilian Cañizares a découvert qu'elle était protégée par un esprit féminin, vêtu d'or, un esprit parfumé, de fleurs et de beauté, qui porte le nom d'une petite rivière au cœur du Nigeria : Oshun.La musique de cette chanteuse, violoniste formée à l'école classique, de cette femme qui danse et pense le monde, cette musique est une odyssée à la recherche des traces qu'Oshun a laissées sur toutes les terres où elle a été dispersée. Forcément, Habana-Bahia est une étape clé de ce périple au pays imaginaire des dieux qu'on appelle Orishas. Il ne s'agit pas pour Yillian de singer les rythmes du Nordeste brésilien, elle ne joue pas les couleurs locales, mais elle enquête plus profondément encore sur tous les accents que la culture du peuple yoruba a pris dans ses transports transatlantiques. Et les prières antiques qu'elle chante sont des exorcismes qui substituent à la tragédie de la déportation le pouvoir de la résistance. Pour ce segment, Yilian Cañizares voyage encore avec ses compagnons de longue date, le bassiste mozambicain Childo Tomás et le percussionniste cubain Inor Sotolongo, deux marins d'eaux agitées qui sont pour cette musique une imperturbable colonne vertébrale. Ils offrent à Yilian une base solide, une rampe de lancement pour que les Brésiliens, les voix, les guitares, les peaux tendues, tous ces hôtes de Candeal puissent multiplier les pistes, sans que jamais cette musique ne ressemble à une auberge espagnole. Et pourtant, ce disque est un festin. Il s'ouvre par le timbre sans âge des lavandières mystiques d'Itapuã qui bénissent le nom de « Oxum » —tel qu'on l'orthographie là-bas. Il déploie des souls salées, des rocks filtrés, des tropicalismes du siècle nouveau. Il mêle des voix d'ici et d'ailleurs, des duos par-delà les mers, de l'espagnol et du brésilien. Yilian Cañizares chante sa vraie nature volatile, elle réconcilie l'espace et le temps, les hommes et les dieux.Titres Interprétés au grand studio- Bembé Live RFI voir le clip - Oxum (radio edit) voir le clip - Habana Bahia Live RFI voir le clip. Son : Benoît Letirant, Mathias Taylor.► Album Habana-Bahia (Absilone 2023).Concert Paris 8 novembre 2023, Café de la Danse.

New Moon Radio: Caroline welcomes, fellow Sun Libra, Moon Virgo, Judy Tsafrir,  psychiatrist-astrologer, author of (the forth-coming 1.24) “Sacred Psychiatry: Bridging the Personal and Transpersonal to Transform Health and Consciousness.”   CWC: We be crafting our alchemical vessels, in which we shall then set sail into the wild seas of unfurling now ..New Moon 21+Virgo, a degree of connecting with our lineage to bring alive through fresh expression (we pack in out craft) …for the personal/collective guiding most fortuitous for now, as Mercury, Hermes, Legba stations – direct the next day …Legba -open the way for us all!   A board certified, conventionally trained adult and child psychiatrist and psychoanalyst, a Harvard Medical School faculty member, with a private practice of holistic adult and child psychiatry, Judy Tsafrira has a deep curiosity about development and healing, and an open mind about trying diverse approaches to help patients. Tsafrir is trained in a variety of energetic approaches including Body Intuitive, Reiki, Astrology, the Tarot and Shamanism. She believes that healing occurs through the integration of heart, mind, body and spirit. “It is only through healing ourselves, can we most effectively contribute to healing the planet.”   www.JudyTsafrirMD.com     Support The Visionary Activist Show on Patreon for weekly Chart & Themes ($4/month) and more… *Woof*Woof*Wanna*Play?!?* The post The Visionary Activist Show – New Moon Radio: Sacred Psychiatry appeared first on KPFA.

In this episode, Brandon, Lindsy, Nathan, and Kenny discuss the movie Crossroads and its significance in the world of music. They delve into the plot, the characters, and the underlying themes of the movie, including the Faustian mythos and the connection between music and the supernatural.https://unrefinedpodcast.comBrandon's FB group- https://www.facebook.com/groups/unrefinedfriendshttps://gothereforeconference.comKenny's FB group- https://www.facebook.com/groups/128127629403990| 0:00:05 | Introduction of the movie Crossroads and its significance | 0:02:14 | Discussion of the plot and the story of Robert Johnson | 0:04:46 | Journey to the crossroads and the guitar duel | 0:11:42 | Insight into the Faustian mythos and making a deal with the devil | 0:18:29 | Significance of Legba and West African religions | 0:29:11 | Impact of classical music in the movie | 0:36:00 | The number 29 & 27 and its significance | 0:43:46 | Importance of not taking oneself too seriously | 0:45:18 | Not feeding the trolls and laughing it off | 0:46:41 | Blocking and deleting negative comments | 0:48:08 | Importance of developing real friendships with like-minded people

My guest this week is my friend Houngan James (Dyekidon Bon Houngan Daginen Menfo). James is a Nova Scotia based Houngan asogwe of the religion of Haitian Vodou. He undertook kanzo in 2017 in the lineage of La Fraicheur Belle Fleur Guinen just north of Port-au-Prince, Haiti. Apart from his day job, James runs the website Lwa and Order, and engages in teaching and attending events across North America. In this episode we talk about hiw journey from punk kid building a shrine to Legba in the days of ICQ, to houngan having just married the lwas Freda, Dantor and La Sirene. To see more of James' work, please visit his website: https://lwaandorder.com/ ---------------------------------------------------------------------------------------- Copyright information: Title Music: "Wintersong" by Alexander Nakarada (www.serpentsoundstudios.com) Licensed under Creative Commons BY Attribution 4.0 License

Who's that figure standing at the crossroads? After following Anansi's journey from Africa to the New World, today's bonus episode sees Charles and Crofty investigate two other trickster figures who were brought from Africa to the Americas, the gods Eshu and Legba. https://www.patreon.com/theHistocrat https://www.twitter.com/The_Histocrat Mythillogical logo by Ettore Mazza. You can find more of Ettore's excellent artwork below: https://www.instagram.com/ettore.mazza/ https://ettoremazza.tumblr.com/ Suonatore di Liuto by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4440-suonatore-di-liuto License: https://filmmusic.io/standard-licensehttp://incompetech.com/

I've lived in South Florida for 20 years and I don't know where I've been hiding.  I finally saw the hard rock band Sons of a Tradesman when they opened up for Gwen Stefani.  Our guest is drummer Chris  Santiago and guitarist Mike Guido.  We talk about how they started in music, forming the band, their LP "Stir the Pot" and a crazy gig in the middle of Florida. (Listen to the full story on our Patreon page)Our opening track is off of their LP titled "P.Legba"Check out this podcast video on our YouTube channel.https://www.youtube.com/live/wCTML2VIT8Q?Learn more about Sons of a Tradesman :- http://soatband.com- https://www.facebook.com/SonsOfATradesman- https://www.instagram.com/sons_of_a_tradesman- https://open.spotify.com/artist/4WfHW9HaM2EhUSMlo2FDLqHELP SUPPORT the podcast. Become a Patreon or on the Cash AppDon't forget to CHECK out our site and linksDrums and Rums websiteFOLLOW us on Facebook, and InstagramWANT to LEARN more about rum? Check out https://rummelier.com and use promo code "DRUMS2022" to get 15% off when you enroll----------------------------------------------------------------------Support the show

Comenzaremos este camino del rock con la “Carta Esférica” y una batería de noticas de bandas vascas, destacando el nuevo tema del combo bilbaíno FEAR CROWD. Continuaremos con “Cruce de Caminos” donde repasaremos la trayectoria de la vocalista peruana Fátima NATTHAMMER tanto en Mandrágora como en solitario, y escucharemos su más reciente single. En “La Trastienda” nos esperan al otro lado del hilo telefónico los dos componentes de la banda gasteiztarra PASADENA, Libe García de Kortazar y Jon Basaguren, que nos hablarán de los dos trabajos publicados hasta la fecha y de su próxima actuación en el Azkena Rock Festival, entre otros asuntos. Viajaremos a Bolivia para recordar, en “Entre dos tierras”, a una de las formaciones pioneras del heavy metal en el país andino pero que tuvo un triste y abrupto final. Hablamos de TRUENO AZUL. En “La ciudad de la furia” repasaremos algunas de las actuaciones de los próximos días y destacaremos la iniciativa denominada CRIS ROCK que tendrá lugar el sábado en Urban Rock Concept de Vitoria-Gasteiz con Bourbon Kings, Tobogán y REPÚBLICA RIFF como protagonistas. Y nos despediremos con el trío de hermanas de Monterrey, México, THE WARNING, que a un mes de sus actuaciones en Madrid y Barcelona ha estrenado un nuevo tema titulado “More”. Pero comenzaremos con el quinteto labortano de hard rock y blues LEGBA, que el pasado 5 de mayo lanzaba su álbum debut, de título “Oscuro”. Todo esto y mucho más en apenas 90 minutos. ¿Quién da más?

Harry, Madison, and Gabby discuss death anxiety, pursuing a career in the arts, defining success, and the trials and tribulations of being in your 20s. (Ft. a lot of Papa Legba shout-outs.) If you're a fellow grief baby and want to chit-chat, hit us up at deadparentsclub.rip/submission or @deadparentsclub.rip on Instagram. Feel free to share your story, submit a topic, ask a question, or tell us to f@$k off!

***  IAYAALIS & Zaahruq share insight regarding The Trickster  ***Have any of y'all ever sought endlessly to find the answer to something very important that for whatever reason just seemed forever out of reach?

Show number 32 of The Vice of Miami Podcast is now available for your listening enjoyment. This show covers Miami Vice S2-E7 TALE OF THE GOAT. Join Tim and Mark as they review how Crockett and Tubbs step into the world of Voodoo and how a Zombie is creeping around the streets of Miami. Does Tubbs make it out alive? Listen in to find out. As always, like, share, comment, rate and spread the word about our show. We appreciate each and everyone of you who listens and posts. https://www.facebook.com/viceofmiamipodcast https://www.instagram.com/viceofmiamipodcast/ twitter.com/podcastvice https://podcasts.apple.com/.../vice-of.../id1555880411 #miamivices #miamivicetheme #miamivicestyle #miamiviceforever #miamivicelifestyle #miami #miamidade #miamilife #miamibeach #miamivibes #miamiflorida #podcast #miamivice #donjohnson #philipmichaelthomas #edwardjamesolmos #1980's #1980'sTV #80stv #80sstyle #flashycars #voodoo #princesdad #Legba #zombie #zombienation

Thrill to the adventures of John Thunstone, straight from the pages of the world's greatest horror magazine—the legendary Weird Tales. You've never met a ghost hunter or demon slayer like John Thunstone. Defying the naysayers' vision of a pale, basement-dwelling hobbyist, Thunstone is tall, broad shouldered, athletic, and handsome. He likes to spend his evenings in nightclubs, holding court and charming women. But does he lack focus? No! Thunstone is also a serious scholar, deeply studied in the occult and dark arts, and carries a blade of silver inscribed with the motto, Sic pereant omnes inimici tui (thus perish all your enemies), forged by Saint Dunstan, patron saint of silversmiths, and one of the few men the Devil himself feared. Thunstone's battles with the darkest forces haunting our world are the greatest creation of Edgar-, World Fantasy-, and British Fantasy Award-winner Manly Wade Wellman (also the only dark fantasy author nominated for the Pulitzer Prize). You'll accompany our imposing hero on four of his most chilling adventures in this, the first volume of this series, reprinting all 15 of his original, classic adventures from the pages of the 1940s Weird Tales. In "The Third Cry to Legba," a voodoo chant sung in a New York nightclub opens the way for dark gods that even Thunstone knows not how to stop—until he reads a book by the great Guggenheim fellow and anthropologist, Zora Neale Hurston. "The Golden Goblins" seek revenge when a racist professor desecrates a sacred relic; and the only man who can prevent it is Thunstone's friend, a university honors recipient and Phi Beta Kappa member John Long Spear. In "Hoofs" Thunstone encounters Rowley Thorne, a black magician and lord of evil, and fights to save Countess Monteseco from a fiendish plot to switch one soul into the body of another and win a fortune. Finally, in the title story, Rowley Thorn unearths the most powerful tome in the history of the black arts and directs its fury on Thunstone himself, as the two men match wits in a sorcerous fight to a fiery finish.

The coven race through a bombardment of boulders, lightning, crashing sound, and molten lava. Legba confronts a god, Petrichor confronts her inner demons.Join us live on Twitch, Friday nights at 7pm EDT:http://twitch.tv/OccultistsAnonymousSupport the show by joining our Patreon:https://www.patreon.com/OccultistsAnonymousGet your own Occultists Anonymous, Rookery, and Into The West Merch:http://occultanon.threadless.comFollow us on Twitter:https://twitter.com/OccultistsAJoin us on Discord:http://www.yeetointo.spaceGet the Book. Play the Game:https://www.drivethrurpg.com/product/181754/Mage-the-Awakening-2nd-Edition?affiliate_id=723048View the Chronicle's Wiki:https://kanka.io/en-US/campaign/54701Character Art by Brenna Goche: https://twitter.com/CloudBoundCorgiTheodosia Character Design by Elijah Vardo:https://linktr.ee/elijahvardoMusic: LuIzA - Chrono Trigger "...And in Her Self-Loathing and Despair, She Found Wrath" https://ocremix.org/remix/OCR01989Chimpazilla, Emunator - The Legend of Zelda: Breath of the Wild "Torchlight" https://ocremix.org/remix/OCR04224Eladar - Golden Sun "Riding the Desert Winds" https://ocremix.org/remix/OCR04096RebeccaETripp - Final Fantasy X "Macalania Shaman" https://ocremix.org/remix/OCR04116Forest Elves - Final Fantasy VIII "Wings of Freedom" https://ocremix.org/remix/OCR04009Jeff Ball, Jillian Aversa, XPRTNovice, zircon - Final Fantasy VI "A Fistful of Nickels" https://ocremix.org/remix/OCR02687MkVaff - Kid Icarus: Uprising "Black Feathers in the Sky" https://ocremix.org/remix/OCR04200Brandon Strader, Chickenwarlord, Lemonectric, Tuberz McGee - The Legend of Zelda: Oracle of Seasons "No Rain in the Desert" https://ocremix.org/remix/OCR03099Jorito, Aster, Furilas, Lauren the Flute - Skies of Arcadia "Il buono, il brutto, il pirata dell'aria" https://ocremix.org/remix/OCR03901

Baba Sera and Legba return from the Temenos to hear of rescued men and bandits nearby. Sheriff Isabel takes out a posse to put eyes on the scoundrels. What she sees unnerves her to the core...Join us live on Twitch, Friday nights at 7pm EDT:http://twitch.tv/OccultistsAnonymousSupport the show by joining our Patreon:https://www.patreon.com/OccultistsAnonymousGet your own Occultists Anonymous, Rookery, and Into The West Merch:http://occultanon.threadless.comFollow us on Twitter:https://twitter.com/OccultistsAJoin us on Discord:http://www.yeetointo.spaceGet the Book. Play the Game:https://www.drivethrurpg.com/product/181754/Mage-the-Awakening-2nd-Edition?affiliate_id=723048View the Chronicle's Wiki:https://kanka.io/en-US/campaign/54701Character Art by Brenna Goche: https://twitter.com/CloudBoundCorgiTheodosia Character Design by Elijah Vardo:https://linktr.ee/elijahvardoMusic: LuIzA - Chrono Trigger "...And in Her Self-Loathing and Despair, She Found Wrath" https://ocremix.org/remix/OCR01989Chimpazilla, Emunator - The Legend of Zelda: Breath of the Wild "Torchlight" https://ocremix.org/remix/OCR04224Eladar - Golden Sun "Riding the Desert Winds" https://ocremix.org/remix/OCR04096RebeccaETripp - Final Fantasy X "Macalania Shaman" https://ocremix.org/remix/OCR04116Forest Elves - Final Fantasy VIII "Wings of Freedom" https://ocremix.org/remix/OCR04009Jeff Ball, Jillian Aversa, XPRTNovice, zircon - Final Fantasy VI "A Fistful of Nickels" https://ocremix.org/remix/OCR02687MkVaff - Kid Icarus: Uprising "Black Feathers in the Sky" https://ocremix.org/remix/OCR04200Brandon Strader, Chickenwarlord, Lemonectric, Tuberz McGee - The Legend of Zelda: Oracle of Seasons "No Rain in the Desert" https://ocremix.org/remix/OCR03099Jorito, Aster, Furilas, Lauren the Flute - Skies of Arcadia "Il buono, il brutto, il pirata dell'aria" https://ocremix.org/remix/OCR03901

In this episode, Greg and Leon are joined by special guests Nigel (https://www.acecomicals.com/guests/nigeltwumasi) and Tazziii (https://www.acecomicals.com/guests/tazziii) for the crackling epicentre of a universe shattering event! part of a crossover with the Mayamada Story X Story Podcast (https://mayamada.com/storyxstory/) We are here to discuss Jack Kirby's ETERNALS (https://www.marvel.com/comics/issue/81105/eternals_by_jack_kirby_the_complete_collection_remastered_cover_trade_paperback). In honor of the introduction of THE ETERNALS to the MCU (https://www.marvel.com/movies/eternals)we are going to be taking a look at The beginning of the Marvel Universe's Mythology, laid down by the king himself Jack Kirby. Riffing on the existence of gods, demons, monsters and heroes of ancient times. The genesis of man to modern day, told the marvel way. The yarn spun about beginnings of life on Earth and beyond in the Marvel Universe! It all begins here with Jack Kirby's bronze age books. Diving into the THE ETERNALS (1976) (https://www.marvel.com/comics/issue/81105/eternals_by_jack_kirby_the_complete_collection_remastered_cover_trade_paperback) We aim to provide you with an overview of the Marvel creation myth as well as discussing some truly great comics! Notes: Below is the comparison image mentioned during the cast that illustrates the similarity of The Eternals title title lettering to that of the 1971 Bantam paperback edition of "Chariots Of The Gods?" Send any questions or feedback to (mailto:acecomicals@gmail.com) acecomicals@gmail.com. And also please subscribe (http://www.acecomicals.com/subscribe) and leave us a review! If you like what we do please consider donating to us (https://ko-fi.com/acecomicals) at https://ko-fi.com/acecomicals. All contributions will be used to defray the cost of hosting the website. Ace Comicals, over and out!# Special Guests: Nigel Twumasi and Tazziii.

Gisela and Rilla take a step out into the wilderness on an exploration to find something, anything. Legba and Baba Sera begin a journey across the Temenos while Isabel seems to have stalled in development.Join us live on Twitch, Friday nights at 7pm EDT:http://twitch.tv/OccultistsAnonymousSupport the show by joining our Patreon:https://www.patreon.com/OccultistsAnonymousGet your own Occultists Anonymous, Rookery, and Into The West Merch:http://occultanon.threadless.comFollow us on Twitter:https://twitter.com/OccultistsAJoin us on Discord:http://www.yeetointo.spaceGet the Book. Play the Game:https://www.drivethrurpg.com/product/181754/Mage-the-Awakening-2nd-Edition?affiliate_id=723048View the Chronicle's Wiki:https://kanka.io/en-US/campaign/54701Character Art by Brenna Goche: https://twitter.com/CloudBoundCorgiTheodosia Character Design by Elijah Vardo:https://linktr.ee/elijahvardoMusic: LuIzA - Chrono Trigger "...And in Her Self-Loathing and Despair, She Found Wrath" https://ocremix.org/remix/OCR01989Chimpazilla, Emunator - The Legend of Zelda: Breath of the Wild "Torchlight" https://ocremix.org/remix/OCR04224Eladar - Golden Sun "Riding the Desert Winds" https://ocremix.org/remix/OCR04096RebeccaETripp - Final Fantasy X "Macalania Shaman" https://ocremix.org/remix/OCR04116Forest Elves - Final Fantasy VIII "Wings of Freedom" https://ocremix.org/remix/OCR04009Jeff Ball, Jillian Aversa, XPRTNovice, zircon - Final Fantasy VI "A Fistful of Nickels" https://ocremix.org/remix/OCR02687MkVaff - Kid Icarus: Uprising "Black Feathers in the Sky" https://ocremix.org/remix/OCR04200Brandon Strader, Chickenwarlord, Lemonectric, Tuberz McGee - The Legend of Zelda: Oracle of Seasons "No Rain in the Desert" https://ocremix.org/remix/OCR03099Jorito, Aster, Furilas, Lauren the Flute - Skies of Arcadia "Il buono, il brutto, il pirata dell'aria" https://ocremix.org/remix/OCR03901

Does your child have an imaginary friend? Could it be one of Satan's allies? Join us for this AMAZING true story of a 7-year-old girl in a CHRISTIAN home who had strange nighttime visitations that resulted in a decline in her schoolwork and a complete change in her personality. Learn what was done to STOP this and help the girl return to normal...

Discussions with the ghost of Elliott Booth and the Royal Society reach their conclusions. Can Theo and Legba save Elliott from himself? What are the Royal Society really after?Join us live on Twitch, Friday nights at 7pm EDT:http://twitch.tv/OccultistsAnonymousSupport the show by joining our Patreon:https://www.patreon.com/OccultistsAnonymousGet your own Occultists Anonymous, Rookery, and Into The West Merch:http://occultanon.threadless.comFollow us on Twitter:https://twitter.com/OccultistsAJoin us on Discord:http://www.yeetointo.spaceGet the Book. Play the Game:https://www.drivethrurpg.com/product/181754/Mage-the-Awakening-2nd-Edition?affiliate_id=723048View the Chronicle's Wiki:https://kanka.io/en-US/campaign/54701Character Art by Brenna Goche: https://twitter.com/CloudBoundCorgiTheodosia Character Design by Elijah Vardo:https://linktr.ee/elijahvardoMusic: LuIzA - Chrono Trigger "...And in Her Self-Loathing and Despair, She Found Wrath" https://ocremix.org/remix/OCR01989Chimpazilla, Emunator - The Legend of Zelda: Breath of the Wild "Torchlight" https://ocremix.org/remix/OCR04224Eladar - Golden Sun "Riding the Desert Winds" https://ocremix.org/remix/OCR04096RebeccaETripp - Final Fantasy X "Macalania Shaman" https://ocremix.org/remix/OCR04116Forest Elves - Final Fantasy VIII "Wings of Freedom" https://ocremix.org/remix/OCR04009Jeff Ball, Jillian Aversa, XPRTNovice, zircon - Final Fantasy VI "A Fistful of Nickels" https://ocremix.org/remix/OCR02687MkVaff - Kid Icarus: Uprising "Black Feathers in the Sky" https://ocremix.org/remix/OCR04200Brandon Strader, Chickenwarlord, Lemonectric, Tuberz McGee - The Legend of Zelda: Oracle of Seasons "No Rain in the Desert" https://ocremix.org/remix/OCR03099Jorito, Aster, Furilas, Lauren the Flute - Skies of Arcadia "Il buono, il brutto, il pirata dell'aria" https://ocremix.org/remix/OCR03901

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PAPA LEGBA KING OF THE CROSSROADS FALLEN HOUR RADIO PODCAST 2020 SEASON PREMIER! That's Right Fallen Hour Radio has just Launched Season 4! In This Episode Host Cdale Enick and Markus T.T.H Are talking about Papa Legba. Papa Legba is a loa in Haitian Vodou, who serves as the intermediary between the loa and humanity. He stands at a spiritual crossroads and gives (or denies) permission to speak with the spirits of Guinee, and is believed to speak all human languages. In Haiti, he is the great elocutioner. Legba facilitates communication, speech, and understanding. He is commonly associated with dogs. Papa Legba is invoked at the beginning of every Haitian voodoo ceremony. In This Episode Fallen Hour Dives into who exactly Papa Legba is and investigate pop culture icons having run ins with this being. Fallen Hour also Details a West Virginia Teen who just may have lost her life after summoning Papa Legba or another Loa . Also hear about Robert and Tommy Johnson and their run ins with Papa Legba. Support Fallen Hour on Patreon and get exclusive perks like a gift! or your name Shout out on every episode! Patreon.com/FallenHour Follow us on Facebook! Search @FallenHour on FB or Click Here> Facebook.com/FallenHour Watch This Episode on YouTube! Search @FallenHour on YouTube! or Click Here > {Fallen Hour on Youtube} Follow Fallen Hour on Instagram search @FallenHour on Instagram or click Here > {Follow Fallen Hour on Insta} --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/fallenhour/support

What do Fairy Dogs, Money Cats, demons, and Legba have in common? What is a liminal space and does it create a space and place to possibly drift between dimensions or reality as you know it? Would you hang out at the local crossroads to elevate your music career? And what lengths would you go to in order to relieve yourself of a flu? It's all in this week's episode of something weird, your favorite paranormal podcast hosted by ~super professional~ paranormal researchers, Anna and Brooke, as we explore another paranormal tale and decide - do we believe? Find us on Instagram at @somethingweirdpocast or visit our website https://bit.ly/3iFBFMK for once in a while updates

THE DOOMED & STONED SHOW ~Season 7, Episode 5~ In this edition of the podcast, Billy Goate (Doomed & Stoned), John Gist (Vegas Rock Revolution), and Bucky Brown (The Ripple Effect) take a look at the Doom Charts for the month of January, counting down the Top 10, as well as sharing their favorite tracks from artists who ranked within the Top 30.

This episodeFache bikes towards some past trauma, Violine experiences some current trauma, and Legba, as always, flirts with everyone's trauma and asks it to dance.This seasonJourney to the solarpunk city of Renity, a fictional far future Haitian city half-reclaimed by nature and threatened by the dark presence of The Blight. A varied group of city guardians must oppose it with the forces of queer drama and ancient magical power.We're playing Girl by Moonlight by Andrew Gillis. You can follow them @commutingcrow on Twitter.Our music is Back in the Old Days by Ketsa and it's provided under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International LicenseContact usReach out to us on twitter @goodenoughrpg or e-mail us at goodenoughrpg@gmail.comFollow our castNell Wilson @lindybombette on TwitterMarina Konrad @dimensiondust on TwitterRobin Kuiper @therajkuiper on InstagramZeb Argr @Monster_Mom_Zeb on TwitterDash is a mystery to us all

African Myths of Origin, Legba of The Fon. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/phines-jackson-jr7/support

Revers de Sud Bookmakers #6 - L'écrivain du mois : Dany LaferrièreNé en 1953 à Port-au-Prince (Haïti), élu en 2013 à l'Académie Française, Dany Laferrière est l'auteur savoureux d'un vaste cycle autobiographique de trente-deux ouvrages, parmi lesquels « Comment faire avec l'amour avec un Nègre sans se fatiguer » (1985), « Vers le Sud » (2006) ou « L'Enigme du retour » (2009), complété aujourd'hui par des ouvrages entièrement écrits et dessinés à la main, dont le titre du dernier, publié cette année, dit beaucoup sur sa vie : « L'Exil vaut le voyage ». En partenariat avec Babelio (3/3) Revers de Sud« J'écris dans mon lit, je lis dans mon bain : je suis un homme horizontal. » Mais ce « spécialiste mondial de la sieste », comme dit parfois Dany Laferrière en parlant de lui-même, travaille tout de même beaucoup. En 1990, cinq ans après la sortie de son sulfureux premier ouvrage, l'écrivain quitte Montréal pour Miami, en famille. Aux Etats-Unis, il écrit dix romans en douze ans, dont le fameux cycle haïtien, l'ossature de son œuvre : « L'Odeur du café » (1991), « Le Goût des jeunes filles » (1992), « Cette grenade dans la main du jeune Nègre est-elle une arme ou un fruit ? » (1993), « Pays sans chapeau » (1996), « La Chair du maître (1997), « Le Charme des après-midi sans fin » (1997), « Le Cri des oiseaux fous » (2000)…Puis Dany Laferrière est saisi d'une sorte de « fatigue », qui l'empêche d'envisager de nouveaux récits. C'est là qu'il accomplit un geste extrêmement rare, désarçonnant les critiques et les universitaires : il réécrit six de ses romans, augmentés parfois de 150 pages, aménageant des passerelles entre les livres pour découvrir qu'il s'agit en fait d'un seul et même bouquin : son « autobiographie américaine » qui lie le cycle nord-américain et le cycle haïtien. « J'ajoute, j'élimine, je touche au style, aucun scrupule. » En 2009, pourtant, l'inspiration lui revient de la plus bouleversante des manières. Son livre « L'Enigme du retour » s'ouvre sur l'annonce de la mort de son père, contraint à l'exil depuis près d'un demi-siècle du fait de son opposition au régime de Papa Doc. Dany rentre donc au pays pour annoncer à son tour cette nouvelle à sa mère. Dans le carnet noir qui ne le quitte jamais, il note alors « tout ce qui bouge », scène de marché, sommeil d'homme ou mouvement d'insecte, en traversant son île « à la recherche d'une sérénité ». Publié aux éditions Grasset, traduit dans huit langues, ce magnifique roman de deuil et de transmission sous « crépuscule rose », au rythme poétique inouï, d'une simplicité de vieux maître dont « la mémoire se dégèle », s'écoule à 70 000 exemplaires et décroche le prestigieux prix Médicis. Ce retour en grâce l'encourage à s'installer à Paris et, plus tard, à postuler à l'Académie Française. L'audace est payante : en janvier 2013, le petit rêveur de Petit-Goâve devient le « collègue de Voltaire et de Montesquieu » et l'auteur de « Vers le Sud » entre sous la Coupole avec une divinité vaudou sculptée sur son épée, Legba, « celui qui ouvre la barrière pour passer du monde visible au monde invisible. En somme, le dieu des écrivains ». Enregistrement : octobre 2020 - Entretien, découpage : Richard Gaitet - Prise de son, montage : Sara Monimart - Lectures : Arnaud Forest, Richard Gaitet, Samuel Hirsch, Annabelle Martella, Emilie Mendy - Réalisation, musique originale et mixage : Samuel Hirsch - Trompette : Vincent Défossé - Illustration : Sylvain Cabot - Production : ARTE Radio

Season 4 Episode 18: ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Get Your Geek On! -- The Malice Corp Geek Enthusiasts and Nerd Aficionados talk about what they've been doing since last episode. What you should be checking out, and what you should stay far away from? - 1:21 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Special Guest Interview: Ron Milts -- The host of The Nerdlife Crisis Podcast joins us to talk about the current climate of being a nerd father, talking nerd, and running a nerd based business. Everything from what the Nerdlife Crisis Network has coming up to the fantastic comic books he works on from Inland Blue Comics, Grace and Legba's Juke Joint - 13:10 Where to find Ron, Nerdlife Crisis, and his comic books: -- Website: www.IBComics.com -- Facebook: https://www.facebook.com/nerdlifecrisis -- Twitter: https://twitter.com/Nerdlifecrisis -- Instagram: https://www.instagram.com/nerdlifecrisisnetwork/ -- Inland Blue Comics Instagram: https://www.instagram.com/ibcomics/ ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Nerd News: -- Theaters Boycott Playing Universal Picture Films: After the success of Trolls: World Tour on VOD. Universal has decided to keep using VOD (after the stay at home orders) for some of their upcoming films, and AMC or Regal are having none of it. - 36:09 -- Dungeons and Dragons At All Time Peak - In its 47 year history the role-playing game juggernaut has it's biggest year ever in 2019. Why should you be jumping aboard now? - 51:16 -- Cyberpunk 2077 Rating Leaks - The game still isn't out yet, but Brazil let it slip just how mature it's going to be. Will this hurt, or help the game in the long run? - 1:10:00 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Somebody's Got To Talk About It: -- The weird, odd, and strange stories that take place in the world of geek, nerd, and pop culture. -- NASA Develops Covid 19 Respirator in 37 Days: Who said NASA does nothing anymore? - 1:03:31 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Audio Casts (Links Below or search for Malice Corp): -- Spotify - https://spoti.fi/2Xfv29H -- Stitcher - https://bit.ly/2QQfR7w -- Apple Podcasts - https://apple.co/2EQLy9u -- Podcasts.com - https://bit.ly/2GsfglY -- Google Podcasts - https://bit.ly/2ULDbB9 -- Podchaser - https://bit.ly/32qvV2s ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: Where to Follow on Social Media to Talk All Things Nerd!: -- Website - http://malice-:corp.com/ -- Discord - https://discord.gg/F52YJuN -- Instagram - https://www.instagram.com/malice_corp -- Facebook Group - https://www.facebook.com/groups/allthingsnerdpodcast -- Cast Twitter - https://twitter.com/allnerdpodcast -- (Host) Masonic Vader: https:://twitter.com/MasonicVader -- A Bearded Master: https://twitter.com/ABeardedMaster -- IC Zorro: https://twitter.com/ICZorro ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: #DungeonsAndDragons #Cyberpunk2099 #NASAVentilator #AllThingsNerd #Podcast #Twitch #Geek #Nerd #Popculture #Comedy #Funny #NerdNews #GeekNews

Eshu: Our tale today takes us deep into the western region of Nigeria, into the lands of the Yorubas. It was there that the tale of Eshu, the trickster god, originated.Eshu, also known as Elegba or Legba as in the Yoruba dialect, was a trickster god of the Yoruba people of Nigeria in West Africa. He was unpredictable, sly and fond of pranks that can be cruel and disruptive. Indeed, he was despicable. He was one who knew all the languages spoken on earth and served as a messenger between the gods and the people, carrying up to heaven the sacrifices that the people offered to the gods.Gather round and listen to the tale of the trickster divinity of the Yoruba people.

Eshu: Our tale today takes us deep into the western region of Nigeria, into the lands of the Yorubas. It was there that the tale of Eshu, the trickster god, originated.Eshu, also known as Elegba or Legba as in the Yoruba dialect, was a trickster god of the Yoruba people of Nigeria in West Africa. He was unpredictable, sly and fond of pranks that can be cruel and disruptive. Indeed, he was despicable. He was one who knew all the languages spoken on earth and served as a messenger between the gods and the people, carrying up to heaven the sacrifices that the people offered to the gods.Gather round and listen to the tale of the trickster divinity of the Yoruba people.

Eshu: Our tale today takes us deep into the western region of Nigeria, into the lands of the Yorubas. It was there that the tale of Eshu, the trickster god, originated.Eshu, also known as Elegba or Legba as in the Yoruba dialect, was a trickster god of the Yoruba people of Nigeria in West Africa. He was unpredictable, sly and fond of pranks that can be cruel and disruptive. Indeed, he was despicable. He was one who knew all the languages spoken on earth and served as a messenger between the gods and the people, carrying up to heaven the sacrifices that the people offered to the gods.Gather round and listen to the tale of the trickster divinity of the Yoruba people.

Inget annat manskap påverkade 10-talet som Odd Future Wolf Gang Kill Them All. Från Tyler via Syd och Earl till Frank Ocean. Tyler halvligger i soffan och ser tillbaka på en besynnerlig framtid, och hur decenniets hiphop förändrades med skev svada, stiliserad svartsynthet och ren sårbarhet. Fångad i sin nihilism. Ibland grovt sjävironisk. Ibland som Legba i den afrikanska mytologin. Vakten vid hiphopens skiljeväg som är allt annat än pålitlig. Bland övriga medverkande finns Hodgy Beats, Mike G och Domo Genesis.

Thelema Now host Harper Feist talks to Joseph Alexander Robicheaux, also known as Ya sezi Bo Oungan. They talk about voodoo, working with Papa Legba, and how you know your magick is working.   To find out more about Joseph's book - visit the Hadean Press website!  

Live at The Wonderland Ballroom with Ian Graham, Allison Lane, Legba Carrefour, Andrew Bucket, Bill Metzger Ian Graham for the National Anthem Allison Lane for co-host Legba Carrefour for the opposite of Nazis Andrew Bucket for our wives Bill Metzger for wedding tips The Wonderland Ballroom for venue Washington, D.C. for city

Hey pals, with the holidays and kids and family and… Well, you know all the excuses. We took a week off to take a break around the holidays and decided to look back to a CLASSIC RERUN of your favorite Miami Vice podcast. The Cell Within put us into a Tubbs mood and instead of leaving you high and dry without a Go With The Heat podcast this week, we’re bringing back one of our favorite Tubbs episodes in Tale of the Goat. This episode of the podcast came out almost 2 years ago and we have to say its real obvious how much Vice has changed. This was a fun episode, mostly for Tubbs’ “I’ve been drugged” acting and Santeria hitmen riding dirt bikes. We hope you all had a great holiday, we’ll be back next week! Voodoo. VOODOO. Tubbs has some bad loas and we have what might be our favorite episode of the season so far. Legba (the villains real name) is out to get revenge and only Tubbs’ cocky attitude and breezy suit can stop him. Right from the get go we fall in love with this episode of Miami Vice… For all the wrong reasons. Bad lines, awkward scenes and Tubbs getting a case of the Yips make for one of our funniest episodes of Go With The Heat. Melissa couldn’t wait for us to see Tubbs leg cramp acting, John is concerned about people turning into goats and Dominic still hasn’t stopped laughing about “Yips”. Show notes and more: http://gowiththeheat.com Become a Patron! Episode Information Miami Vice – Season 02 Ep. 07 – Tale of the Goat Premiered April 25, 1986 Writer: Jim Trombetta (one other episode “Free Verse”) Director: Michael O’Herilhy (also directed Junk Love) Guest Stars Clarence Williams III as Legba Mykelti Williamson as Sylvio Romulus Peter Sellars as Dr. O’Hara Ray Sharkey as Bobby Profile Music Phantom Living by The Fixx Transformation by Nona Hendryx Can’t Turn Back by Red Rider Flesh by Todd Rundgren Feedback Got some feedback? Contact Us. Email: gowiththeheat[@]gmail[.]com Dom Twitter: @domcorriveau John Twitter: @corriveau_john Melissa Twitter: @mrsmelcorriveau The shows official accounts: Twitter Facebook Instagram Intro & transition music provided by: Cuban Sandwich, Voice Over Under Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0

Hey pals, with the holidays and kids and family and… Well, you know  all the excuses. We took a week off to take a break around the holidays  and decided to look back to a CLASSIC RERUN of your favorite Miami Vice  podcast. The Cell Within put us into a Tubbs mood and instead of leaving  you high and dry without a Go With The Heat podcast this week, we’re  bringing back one of our favorite Tubbs episodes in Tale of the Goat. This episode of the podcast came out almost 2 years ago and we have to say its real obvious how much Vice has changed. This was a fun episode, mostly for Tubbs’ “I’ve been drugged” acting and Santeria hitmen riding dirt bikes. We hope you all had a great holiday, we’ll be back next week! Voodoo. VOODOO. Tubbs has some bad loas and we have what might be our  favorite episode of the season so far. Legba (the villains real name)  is out to get revenge and only Tubbs’ cocky attitude and breezy suit can  stop him. Right from the get go we fall in love with this episode of  Miami Vice… For all the wrong reasons. Bad lines, awkward scenes and Tubbs getting a case of the Yips make  for one of our funniest episodes of Go With The Heat. Melissa couldn’t  wait for us to see Tubbs leg cramp acting, John is concerned about  people turning into goats and Dominic still hasn’t stopped laughing  about “Yips”. Show notes and more: http://gowiththeheat.com Become a Patron! Episode Information Miami Vice – Season 02 Ep. 07 – Tale of the Goat Premiered April 25, 1986 Writer: Jim Trombetta (one other episode “Free Verse”) Director: Michael O’Herilhy (also directed Junk Love)   Guest Stars Clarence Williams III as Legba Mykelti Williamson as Sylvio Romulus Peter Sellars as Dr. O’Hara Ray Sharkey as Bobby Profile      Music Phantom Living by The Fixx   Transformation by Nona Hendryx   Can’t Turn Back by Red Rider   Flesh by Todd Rundgren   Feedback Got some feedback? Contact Us. Email: gowiththeheat[@]gmail[.]com Dom Twitter: @domcorriveau John Twitter: @corriveau_john Melissa Twitter: @mrsmelcorriveau  The shows official accounts:   Twitter Facebook Instagram Intro & transition music provided by: Cuban Sandwich, Voice Over Under Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0

Legba Carrefour is an anarchist protestor. He’s been profiled in The Washington Post as an anarchist protestor. We talk about how protesting has changed since being profiled in the Post in August 2017.

¡Nuevo episodio crossover con Noviembre Nocturno! La figura del hombre de negro no nos resulta ajena a ninguno de los que estamos familiarizados con la literatura de horror. Ese hombre de negro e sconocido como Black Donald en escocia, Old Nick en inglaterra, Legba en Benin y Nigeria, como el Baron Samedí en Haiti, Randall Flagg para los seguidores de Stephen King y uno de los avatares de Nyarlathotep para los seguidores de HP Lovecraft. Para la tradición occidental más clásica, no hablamos de otro que del Diablo. Los hombres quieren trascender, superar su condición impuesta por la naturaleza. Por eso es que hemos salido de las cavernas. Pero cuando no es posible hacerlo sin dificultad, cuando hay que sacrificar algo para llegar, en ese momento aparece él. El Diablo nos ofrece la posibilidad de esa trascendencia a cambio de una pequeña cosa: nuestra alma. El simbolismo y las metáforas son inagotables. Los hombres sacrifican su luz, sus afectos, su moral, para lograr sus objetivos. El pacto siempre está allí. Pero hoy no queremos ir a lo metafórico. Hoy, en otra espectacular colaboración con uno de nuestros podcasts favoritos, que es Noviembre Nocturno, vamos a hacer un compilado de pactos con el diablo literales que han hecho algunas figuras históricas muy conocidas, y otras no tanto. No se pierdan el episodio y aprovechamos a agradecerle infinitamente a Noviembre Nocturno por su colaboración con nosotros y los invitamos a que vayan a su canal en Ivoox y conozcan su obra fuera de serie. Fuentes / Textos - BIETENHOLZ, Peter G. (1997) Historia and Fabula: Myths and Legends in Historical Thought from Antiquity to the Modern Age. Brill. ISBN: 978-9004100633 - BROWN, Nancy Marie. (2010) The Abacus and the Cross. When the Pope was a scientist. Huffington Post. - KAWABATA, Maiko. (2007) Virtuosity, the Violin, the Devil… What Really Made Paganini “Demonic”? Current Musicology #83. - LAWLESS, Sarah Anne. (2013) The Man in Black. Sarahannelawless.com - MUISE, Peter. (2015) The Devil and Jonathan Moulton. New England Folklore. - RIVERSIDE BLUES SOCIETY. (2010) The Truth About Robert Johnson. - TODAY I FOUND OUT. (2015) A Violinist and the Devil. Fuentes / Podcasts - MAJOR, Sebastian (2017) Did Robert Johnson sell his soul to the Devil? Our Fake History. Fuentes / Sitios Web - Wikipedia Música, en órden de aparición: El tema de la Tortulia es una versión de Caravan por Oleg Zobachev. El tema original es de Duke Ellington.

Tyler nådde en ny artistisk nivå genom senaste albumet Flower Boy. Här ser vi tillbaka på en besynnerlig framtid full av motsägelser och sjudande Neptunes-influerad musikalitet. Hans lag Odd Future Wolf Gang Kill Them All var med och förändrade hiphop i början av 10-talet med sin skeva svada och stiliserade svartsynthet. Nu halvligger Tyler i soffan fångad i sin nihilism. Ibland självironisk. Ibland som Legba i den afrikanska mytologin. Vakten vid hiphopens skiljeväg som är allt annat än pålitlig.

Jason and Andrew talk about the lessons they've learned around practicing magic as a way of life. They also talk about what it is like to live in community with those who don't practice. And of course Saint Cyprian gets talk about too.  Think about how much you've enjoyed the podcast and how many episodes you listened to and think consider if it is time tosupport the  Patreon You can do so here. If you want more of this in your life you can subscribe by RSS , iTunes, Stitcher, or email. You can find Jason on his website here.   Thanks for listening! If you dig this please subscribe and share with those who would like it.   Andrew   If you are interested in booking time with Andrew either in Toronto or by phone or Skype from anywhere click here.   Transcript    ANDREW: Welcome to another episode of the Hermit's Lamp podcast. I have Jason Miller back with me today. And, you know, I've been continuing to watch what Jason's been putting out into the world, and, you know, he's been on my radar to have back and continue our conversations about magic and living a magical life and, you know, and, I kind of want to talk to him more about teaching and helping people discover how to live that kind of life today.  But, you know, Jason, in case people haven't met you yet—and you should go back and listen to the previous episode with him—Who are you, Jason? What are you about?  JASON: Oh, man. I'm all about … I'm all about getting paid and laid! No, I'm kidding ... [laughs] Yeah, no, so, I'm not against getting paid and laid, but that's certainly not what I'm all about. I am about doing magic in a way that is impactful. So, I have noticed over the course of the last 30 some odd years that I've been doing magic, that a lot of people, they put a lot of effort into a ritual, and they'll get a result, and it'll be like, you know, I spent three hours summoning a goetic demon, and the next day I found a wallet in the street, isn't that amazing? I -- it had like 200 bucks in it! That's incredible! And it's like, great! Where are we going to go from there? ANDREW: Mmmhmm. JASON: Like, you know, how is this really going to make a big difference in your life? I mean, if you're in danger of getting tossed out of your house because you're 200 bucks short on the rent, it makes a big difference. But still and all, whether it's for pure spirituality, for love, money, etc., whatever, I'm about using magic, making it meaningful, making it have a big bump in your life... ANDREW: Mmmhmm. JASON: And being able to look back and measure it and say yeah, that made a difference. ANDREW: Mmmhmm. JASON: The man I am today ...  ANDREW: The man I am today! You know, it's funny, that piece about looking back is so important. I recently went through and cleaned up all my shrines and all my, like, bits and pieces of magical workings and stuff, you know, like, cause, especially as I'm running along through life and work and whatever, stuff accumulates in the corners, right? And I had done this piece of work that I was continuing to work at, to break through to the next financial level, right? And when I was cleaning it up and going through the whole thing, I forgot, that I had as part of that done one of those write a check to yourself from the universe thing, right?  JASON: Oh, yeah?  ANDREW: And I was like, huh, look at that! I'm currently making exactly that and I'm frustrated that I'm not getting past it!   JASON: [laughs] ANDREW: So, I tripled that amount, and put a new one in and then fired it up again, and I was like … And immediately everything just started escalating like crazy, right?  JASON: It's amazing, the little tweaks ...  ANDREW: So easy to lose ... JASON: Yeah. The little tweaks that we can make. I remember, a few years back I was having difficulty. Same thing again, you know, I would make more money, but somehow more expenses would show up, and they'd just eat away at that. And it was so frustrating. And it's a common enough problem, you know?  ANDREW: Mmmhmm. JASON: I would sit down and one day I would ... just sat down, and I might have cleaned my altar just before that time too, because that's my go to, like when things are stuck, clean up! [laughs] You know? ANDREW: Yeah! JASON: And not only do you get just a better view, but you ... You do find those little bits and nuggets of the past that tie it all together. But I sat down in front of Saint Cyprian and I was just like, “I can't seem to fix this, man! Like, I get more money, more money needs to go out.” And Saint Cyprian said, “Okay, well, you know, this month, do the same exact magic, but ask for the amount of money that you need leftover after everything is taken care of.”  ANDREW: Mmmhmm. JASON: Duh! ANDREW: Yeah. JASON: And that's exactly what happened. All of a sudden, there was this excess that I could then put towards, you know, savings, better use, house, investments, etc., etc. ANDREW: Yeah, well and especially ... We're both family people, right?  JASON: Yes! ANDREW: And with a family, those unknown expenses, I mean, it's so easy for them to creep up and whatever. We're so lucky in Canada, you know. My daughter just had strep throat, but because of the new way things are done here, the trip to the doctor is covered, and prescriptions are covered. So. But you know? Previously, like last year, before that came in, it'd be easy to go, you know you could go drop 50 - 60 bucks for this, and a pile of money there, and you know, every time you turn around, it just adds up and adds up. Yeah, I think that the power of being clear about what the solution is, and the power of how do you pray or ask or craft your sigil or whatever you're doing to solve the problem is such an important piece, right?  JASON: What …Yeah, and you know, because we're not just praying, you know? We don't describe ourselves as religious people necessarily. I mean we might be religious people, but we're not religious in the sort of, you know, the old grandma, “I'm going to go pray and hope that this happens, and leave it up to God, and thy will be done” kind of thing.  ANDREW: Sure.  JASON: Because otherwise why bother with magic at all, right?  ANDREW: Yeah. JASON: So, we're sort of getting actively involved. And even if we're working with the same powers, the saints and gods and angels and buddhas etc., we're as sorcerers saying, you know, I'm part of this, I'm part of this chain of events here, so I'm contributing, I'm inputting, at which point, yeah, the responsibility falls on you to ask for what you need skillfully, to recognize when you've, like in your case, been given exactly what you asked for, and then moved to the next level. ANDREW: Mmmhmm. JASON: It's, yeah, it's, I don't know, it's our responsibility. But I see a lot of people turn their sovereignty over to the spirits when it comes down to stuff like that. It's like, “Well, they know what I need.” And, why are you even bothering, then, man? [laughs] ANDREW: Yeah. I think that it's … you know ... there's this thing, I was reading through your new book, The Elements of Spellcrafting, and there's this section where you were talking about caveats, right? You know? And, like, I think that for me, whether I approach the Orishas, or whether I approach the other spirits I work with, you know? Whatever element of “Thy will be done” exists in the universe, I just assume they're doing that math for me as part of it, right?  JASON: Right.  ANDREW: There are things that are just never going to happen, there are things that, you know, maybe shouldn't happen, and, you know, and there are things that are maybe part of other people's will being done, and they're going to not allow me to be interfering with that, right? In the same way that, you know, it's not the monkey paw, right? Like, you know, they're not going to kill somebody so I can get their inheritance. And then I'm going to turn around and forget to say, "Bring them back as they were, and you know, instead, live a zombie love life or something," right? JASON: [laughs] ANDREW: You know, I think that there's a degree of intelligence in these processes, right?  JASON: Yeah! ANDREW: Unless you're working with something belligerent, in which case, I tend to be like, well, why go there? What's the value of that? And you know, there are values, but, if stuff doesn't want to work with me, I don't know that I want to work with it, you know?  JASON: I -- see, I'm the same way. There are ... I guess there are some borderline cases, where there are spirits that are happy to work once they've been … In the grimoire tradition, they've been constrained ...  ANDREW: Mmmhmm. JASON: And then if made offerings to and a relationship is built, but to even get their attention requires that initial like, "Will the power that blah blah..." But in general, I'm the same way, there are so many ways to do something, especially now, with just the access we have to so many, so much information, traditions, and things like that ... And also, it helps ... You know, [ringing phone] these things don't tend to happen when we are building relationships with powers ... So, of course, now my phone ... [Answering machine voice] Telemarketers, man!  ANDREW: Yeah. JASON: Sorry about that! ANDREW: They're just trying to make their money, too. You know? It's all part of ... JASON: I know, I know ... [ringing phone] ANDREW: Speaking of prolific elements, you know? [laughs] JASON: Right. We're talking about demons, the demons are like, “Hey…” ANDREW: “Hey…” JASON: “Let me talk to you about your credit card balance ...” [laughs] ANDREW: Let me talk to you about a time share ...” JASON: [laughs] So, yeah, I forgot even what I was talking about now ... ANDREW: Well, we were just talking about ... JASON: The demons erased it.  ANDREW: When you're having relationships with spirits, it's something quite different.  JASON: Oh yeah! Yeah, it's so different than looking up in a book and saying, "Well, what's the spirit that handles this, and I'm going to contact them and make a deal…"  ANDREW: Yeah. JASON: As opposed to "these are spirits that I make offerings to regularly, every day, all the time, I acknowledge special days," and, you know, you build a relationship.  ANDREW: Yeah. JASON: So then when it comes down to somebody in the Strategic Sorcery group the other day asked "Why are the spirits so literal about everything? I'm getting exactly what I ASK for, but just outside of what I intended." And I said, "Well, you know, get better at asking for stuff, but the other thing is, build up a relationship, let spirits into your life, and you can ... you ... they'll get a better window into what you need.” It's not necessarily belligerent, the assumption there is that they're all knowing, all powerful. You know? You gotta let 'em know.  ANDREW: They're not stalkers, right?  JASON: Right. They're not stalkers. ANDREW: They're not here 24/7, they're not looking at everything, they're not Santa Claus, right? JASON: Right. ANDREW: You know? Like, they don't know everything, if you don't sit down when you have their attention and tell them, right?  JASON: Yeah.  ANDREW: And here again, if you have a relationship with spirit, much of the time the solution to the problem is like, "Hey, my friend, I have this problem, I need to talk to you about it."   JASON: [laughs] ANDREW: “Blah blah blah, here's my problem, here's what it looks like, here's what I've been doing, you know, I don't know what to do next, or I just feel like I've got no luck, or like whatever you feel, and be like, hey, please help me out with this. And sometimes that can be it too, right? Just a conversation, kind of like, you know, hey, help me out, my friend, not even like, “and I'll give you this,” or whatever, right?  JASON: Absolutely. Absolutely. Cause that ... that giving, that back and forth, it's already present in the relationship. Just like with real people, you know? I use ... I always talk about borrowing 50 bucks. You know, if you accost somebody on the street, they're not giving you 50 bucks.  ANDREW: Yeah. JASON: If you ask a coworker, maybe they will, maybe they won't. But if you ask a friend, of course. They're gonna be like, “Yeah, here, do you need any more? are you good? Pay me back when you can.” Because you have a lifetime of the back and forth and it makes all the difference.  ANDREW: So, every time I tell people that you're going to be on the podcast, and some other people too, but they're always like, “So tell me about Cyprian. What about Saint Cyprian?”  JASON: [laughs] ANDREW: “What's going on with Cyprian? What do I need to know about Saint Cyprian,” right? What ... I mean, I feel like we talked about it last time, from what I remember, you know? But I'm curious. Especially because it's been a little while. Saint Cyprian seems to be growing further and further into the world these days. What do you think is up with that? Why is that happening?  JASON: Oh. [sighs heavily] Well, I'm going to go ahead and say that one of the things that's happening is that the focus is not so squarely on white European magic any more. And ... ANDREW: That's really true.  JASON: And, you know, I can ... I will thank the younger generation of millennials for some of this, that, you know, while there's certainly a lot of crap I could give the millennial generation--I'm a Gen Xer and I'm sure you are too, but--One of the good things is there's not quite as much focus on the white European magic, nor what white Europeans, especially Victorians, had to say about magic from elsewhere. So, Saint Cyprian was sort of, has been huge in Portuguese and Spanish-speaking world for many years.  ANDREW: Yeah.   JASON: You find tons of little, I have some Spanish, everything from actual books of Saint Cyprian, to little like pamphlets, trade magazines, in Spanish, that are, you know, about Saint Cyprian. And then of course you've got the Scandinavian books of Saint Cyprian in Norway. So, all this was sort of happening outside the German/English pipeline, you know?  ANDREW: Mmmhmm. JASON: And, so it was already this huge presence that just needed to poke its way into the English-speaking world. And then once it did, we do what we do with everything, it explodes. And he became immensely popular. I'm super proud of having written a really halfway not even very good article surveying the cult of Cyprian, but I wrote it back in 2007 so I can pat myself on the back, and you know, get the "before it was cool" cred. [laughs] But, you know, the amazing work has been done since then, with Humberto Maggi, and José Leitão, their translations of Cyprian books, and the commentary on them is just huge. ANDREW: Mmmhmm. JASON: And he's ... just a great worker. You know? People are looking at Christianity and realizing that there's a lot more to it than the evangelical anti-magical Protestant mindset. And maybe some of that is that we have a generation of people here who were not necessarily brought up in church, so they're kind of looking at the church with magical eyes rather than “Uhhhh, this is such a drag!” eyes. Which is why you're getting ... More and more people are going to Latin mass. Like young people going to Latin mass wherever it's available. So, you have this interest in Christianity, and people are looking at, "Well, where is witchcraft really preserved?" If we can let go of some of the Margaret Murray thesis of pagan cults that survived in secret, well, you know, a hell of a lot of it was that folk magic came into Christianity and the ceremonial magic, the whole grimoire tradition. So, once information about a saint of sorcerers became available, I think it was just, people wanted to take it and run, and have. ANDREW: Mmmhmm. It's a very accessible notion, right? I mean, it's in our culture, you know, North American culture, the idea of saints and what we do with them. There's a ... whether you're raised with it or not, it's around enough that I think it's not super foreign, you know?  JASON: Yeah. No. Absolutely. And it's, you know, Cyprian himself had already existed in such varied forms. You know, the emphasis in Europe is ... are on the books and spells that Cyprian himself was said to have penned, whether before or after death. And then in the New World traditions from Peru up to Mexico, the emphasis is on calling Cyprian himself as sort of a mediator between light and dark forces. ANDREW: Mmmhmm. JASON: And you can see this in the mesa traditions where they have … The shamans have the two mesas laid out and Saint Cyprian right in the middle.  ANDREW: Yeah.  JASON: And so, Cyprian exists as this eternal between. He's between everything. He's between heaven and hell, he's between Christian and non-Christian, he's a … you know, he builds bridges.  ANDREW: Mmmhmm. JASON: And it's just brilliant. the only things that I think some people who maybe were raised with Cyprian in the non-English, you know, object to sort of, you know, white people taking it and running with it places that it never was historically. The only thing that I really see that I ever object to is when people attempt to completely deChristianize Cyprian utterly. And say, "oh, that was never really part of it," I'm always like "well, we already have Merlin and other ... ANDREW: Sure. JASON: You know? It's the very fact that he was a bishop that kind of makes it special.  ANDREW: Well and I think that that's kind of leading up to what I was going to ask you as a question, being, what's the thing people are getting wrong about this, right? Or, what's the pitfall people fall into, you know? Because, you know, I have conversations with other, you know, olochas and priests in the Orisha tradition about what people are kind of misunderstanding as they approach traditions. Right? You know? JASON: Yeah. ANDREW: So, you know, I think that, you kind of already nailed it, right? You know, like, what is Cyprian without Christianity?  JASON: Yeah. yeah. And, you know, what is Cyprian without Justina? Justina, I think, gets downplayed quite a bit in favor of Cyprian, but it's important to remember that it was her that turned back his demons with the sign of the cross. It was her that wielded the power that attracted him to Christianity in the first place. ANDREW: Mmmhmm. JASON: And so, I think one of the other things, apart from the deChristianizing of Cyprian, and I get it, I mean, Christianity has, I mean, for every good thing about Christianity, there's a horrible thing about Christianity.  ANDREW: Yeah. At least one.  JASON: At least one! And some people have been really just damaged to the point where this is not a useful thing in this life for them ... ANDREW: Yeah.  JASON: To even worry about Christianity one way or the other. They left it, and good, because, you know, it was causing them a lot of pain. So, I'm not one of those people that's like, you know, “You have to be Christian.” But, you have to be, I think to work with Cyprian, you have to be comfortable, at least looking at Jesus, Christianity, and all the rest of it as a usable power, as a valid spiritual power, and it's always weird to me how people who are so open that they can embrace, sometimes, dozens of traditions at the same time, and, you know, while “Hecate, Queen of Heaven, and ...” yet, once it's Christian, because of the baggage, it's like, oh no. No. That is false, and I reject it ever.  ANDREW: Yeah. And I think, as you say, I think it's part of all of our journeys; ideally to try and resolve and free ourselves of those baggages, you know? And I think about how when I started doing misas, and sort of espiritismo, and Alan Kardek style, you know, ceremonies and stuff like that, you know, and praying for my ancestors who were Catholic, or, you know, Anglican or whatever, with the prayers that they asked for, without any attachment to that, you know, came from, you know, a number of years of deconstructing less so explicit Church history, cause I don't have much of that, but more so, negative cultural influences on that stuff that I was basically, you know what? Screw you and your son! You know? For about 19 years, right? JASON: [laughing] ANDREW: And, you know, but being free of that really allows for, has allowed me to meet spirits where they want to be met, where that feels appropriate to me, and therefore, when my grandmother was like, say the Lord's Prayer, say the Apostle's Creed, say the, you know, the Hail Marys, say this, say that, I'm like, "Cool, I'll say those prayers for you, it's fine."  JASON: Right.  ANDREW: But it's not straightforward, you know?  JASON: No. ANDREW: For many people. And definitely for me it wasn't, in the beginning, so.  JASON: Yeah. yeah. And there ... You know, my advice is always, if that is bringing trauma and discomfort, there are other powers. You don't have to work with Cyprian. And I guess that's the worry that everyone has that something becomes sort of insanely popular and people get involved only because of its popularity. ANDREW: Mmmhmm. JASON: I don't know how much of a danger that really is. I've always been one of those people that's kind of … It's like, “Is the band good or is the band not good?” How many other people like the band isn't really relevant ... ANDREW: Yeah. JASON: To my enjoyment of them. But for some people it is. They want to be in on the thing no one else was in on.  ANDREW: Well, and, you know, it's funny, so, I spent time in the Aurum Solis, which is a not very popular not very well-known ceremonial order, right?  JASON: Ogdoatic! ANDREW: Yeah. And, you know, I mean, in some ways, my time there was one of the most liberating of things, because unlike many other systems, where they gave name and form to whatever dualities and core principle and so on, they just use generic terms, and generic terms that they had set up for themselves for people within the order to work with, and so, it was always open-ended, and then if you were working Enochian or goetic or this or whatever, you shifted and you melded it to where you wanted it to be, or where it made sense to put that together, unlike in other systems, you know, like when I was into Crowley stuff, and here's your specific, you know, ordered organization and structure, and you know, in other places where it's like, well this is always this person. It's like, eh, they could be many things ...  JASON: [laughing] ANDREW: I want to know what would make sense here, you know?  JASON: Right.  ANDREW: Cause there's more of this idea of there being an archetypal or source that was putting on source as we danced with it, called it, rather than having predefined form that we were required to meld ourselves to. and in that process, I actually became very malleable, and very free from a lot of other stuff, which was pretty handy, so.  JASON: Yeah, that is. Now Aurum Solis, they went like full Christian at one point, didn't they, awhile back?  ANDREW: I left the order around 2000, 2001. I think that as far as I know they were going more in like a sort of witchcraft, European witchcraft direction when I was leaving.   JASON: Really! ANDREW: Which wasn't really my particular thing, yeah. But it's been a long time and I'm no longer involved so I couldn't actually say.  JASON: Okay. Yeah, I seem to remember something about Denning taking the order into like a, you know, reforming it as a Christian-only order, and then un-reforming it as a Christian order, just only a few years after that, when people were like, naaah, that's ... ANDREW: Yeah, it's hard to say. I don't know that part of the history. It certainly wasn't a part of my time. But, I mean, like many of those experiences, my work was mostly about my local person rather than the bigger picture of things too, right? Which is...  JASON: Yeah. ANDREW: Both a pro and a con, right? Cause it's great when everybody's on the same page, but when your local person and your international person or head of the order is doing something else, then you know, that's kind of, becomes disruptive, so.   JASON: We, in, you know, I was in the OTO for a while, and we had formed a camp, still around today in Philadelphia, Thelesis. It's now, I think, an oasis. It's ... the OTO has small camps, and then they have oases, and then they have lodges, and so on. And when we started it out, it was like a bunch of people that were disgruntled from the New York scene, and then we made all these connections in Philadelphia, which had an OTO group, and then everybody left. So, we just gathered the people that were sort of abandoned.  ANDREW: Sure.  JASON: And we were the weirdest OTO group in the order at the time, because none of us wanted to do the gnostic mass, like none of us wanted to do it.  ANDREW: Right.  JASON: None of us wanted to do Resh, the four times a day, you know, he is the Sun God, he is the Fun God, rah rah rah kind of thing every day. And so, we were just, we were essentially just a magical group, and we were using the OTO as sort of this unstructural umbrella and, that we would report to. And for years, like we had Behutet Magazine, which is still running, but we wouldn't allow any Crowley reprints, or poetry, and all the other magazines at the time were, you know, like “Here's a reprint of Crowley ...” ANDREW: Mmmhmm. JASON: “And my poems!” And so, we were like, “nope, none of that,” and it was all about the local people and what they wanted to do and it was great. It was great. It has changed now. I think they're much more in line with the overall order than it used to be. But, it's the way things go. ANDREW: Mmmhmm. Yeah, I think that there are certainly in my experience, there are the times and places where a group of people coalesce for one reason or another, you know, and those moments and times are wonderful, and you know, when I was younger I used to think they would last forever, and now I find myself ... JASON: [laughs] Yeah.  ANDREW: ... in, you know, in those moments, I just savor them, knowing that likely they'll pass at some point. You know? And may even be far and few between, so, you know, just revel in them, like, oh, how wonderful to have all these connections in this thing right now, you know?  JASON: It is, it is. And, you know, I don't know how involved you are in your local community. I live in the sticks, I live in New Jersey, but, you know, down in the pine barrens, and I do miss having a big local community, and the time, too, because between business and kids, that eats most of it up.  ANDREW: Yeah.  JASON: So. ANDREW: Yeah, I mean, local magical community, we have, we sometimes, maybe three or four times a year I have just a, call it a magically-minded social night at the shop, and just open, show up, make some tea, hang out, whatever. So those are always great. Everybody's invited, so if you're hearing this and you want to come, get in touch. And for me, it's like, because my primary work is Orisha work, right? So, it's ceremonies and stuff like that that happens, so, you know.   JASON: Right.  ANDREW: Early in the year I was down in the States helping at a birth of a priest, and, those are great, you know. But they're not so much local and they're not really ongoing, they're more periodic when they're required, so.  JASON: Right.  ANDREW: Mmmhmm. JASON: Right. You know, the shops are wonderful, and the community that ... I mean ... Back when I was starting out, the shop was your only link to the community, really, ANDREW: Yeah. JASON: If you didn't know it already, if you were just interested in magic, it was like putting in time at the shop. You would just like hang out, talk with the shop owner, and … ANDREW: Mmhmm JASON: They, you guys facilitated all the introductions, so ... ANDREW: Yeah. JASON: It was really just through getting friendly with shop owners in the area that I got to know who was doing what where.  ANDREW: And for me it was because I lived in sort of small town Ontario growing up, it was, twice a year there was a psychic fair, and I would go and find stuff there, which is where I bought like, Magic in Theory and Practice when I was 12, and stuff like that. JASON: Yes. ANDREW: And then there'd be like six months of like, trying to understand what the hell is being said in those books ...  JASON: [laughing] ANDREW: What do I do with my hands? What am I supposed to say? What's going on? You know? But, that was it, because, you know, I was too young to drive, too young to get anywhere, there were no buses to the city, you know, back in the 80s and stuff like that, it was just like, that was it. You take your books, you go home, you read em a bunch, try and figure it out, realize you don't know what you're doing, and then try again, you know? So.  JASON: No YouTube videos, to ... ANDREW: No YouTube videos. JASON: To set you right. ANDREW: Yeah. For sure.  So, one of the other questions people ... somebody posted ... was, and I feel like I already know the answer to this, but I'm going to ask you anyway, so: Do you ever run into people who are disapproving of your practices? I mean we were talking about people who didn't like your books and stuff like that before we got on the call, but like, you ever just like face to face in your community, or you know that kind of stuff, run into anything, or ... ? Is that ... ? JASON: Rarely. ANDREW: Yeah. JASON: Rarely. I benefit from having not only a common name but several other famous Jason Millers. ANDREW: Uh huh. JASON: So when I have a day job, it was, it would be an odd thing for them to find out about me, even after I started publishing books, because you've got Jason Miller the playwright, Jason Miller the MMA fighter, and now you've got Jason Miller the, you know, Trump campaign dude, who I was ... Someone wrote, like, bitching about Trump to me, and it was clear they thought that I worked for his campaign. Like, “How can you, an occultist, work for Donald Trump?” I was like, “Two different people!” [laughing] ANDREW: Yeah. JASON: Like, I don't know, I don't even look like that guy. But, you know, so, it didn't happen too often, that people would find out. When they did, I have a way of explaining it or presenting it, so … It's amazing if you just drop certain words out of your vocabulary. ANDREW: Like demon? JASON: Like demon, sure! You know ... So, for instance. All right. I can go to a Buddhist ceremony and we can take a phurba and make a ritual doll, essentially a voodoo doll, a linga, and stab the shit out of it and release, liberate it, quote, and you know, essentially, hard core black magic, but if you tell somebody you're going to a Buddhist event, “Oh, the Dalai Lama is so holy, oh, that's wonderful that you're interested in Buddhism and meditation and ...” You can say, when I introduce myself to other parents at the playground, and they ask what I do, I say, "I'm a writer, so I work from home, and that's why we spend summers elsewhere,” and things like that. I can say, “Well, you know, I write on mysticism or, and meditation,” that's easy for most people. Like, they don't think too much about it. You can … If they press you can say, “Well, you know, I write about shamanism or fringe religion,” right? The moment you say magic, then it's sort of like, “Ohhhhh, I don't know,” and then if you say witchcraft, now you're introducing the language of the diabolical, of what society has called, you know, it relates, you know, I mean, and modern witchcraft willfully and knowingly took on the constellation of terms around the witch hunts, and coopted those and used those terms, and to good effect, I think. But that's why witches get hassled by Christians and Druids tend not to.  ANDREW: Hmm. JASON: Because people don't know what a Druid is. So, you're just some crunchy hippie dude.  ANDREW: Yeah.  JASON: Or, you know, witches, pagans, have trouble, but somebody who is Asatru, describes themselves that way, might not. Somebody might think they're a racist, but [laughs]. ANDREW: Yeah.  JASON: You know. They're not going to get that "Do you worship Satan?" kind of thing.  ANDREW: Mmmhmm.  JASON: So. ANDREW: I think that, it really is very much about ... For me, it's very much about how you frame it, and for me, it's such a clear given about my life and I can explain it in simple terms, you know, I explain it to my kids as they were growing up in simple terms, they get to know more and more as time goes on about my religious Orisha practices, you know, and there's so many ways in which you can sort of just frame it, and I find that for me almost without exception, when I approach the conversation where people are like, “Wait, wait, you kill chickens.” I'm like, “Yeah dude. Do you eat chicken? I see you're wearing leather shoes.”  JASON: [laughing] ANDREW: Right, like? Or whatever. And if you're grounded in it, I find that it is rarely an issue. JASON: Yeah. ANDREW: I mean, it's always possible to be an issue, but almost never, you know? I've had one person give me a hard time at the shop since I opened the store five, almost six years ago. And he's some older local dude who stood in front of my door one day blocking it, and I went to talk to him, and he was waiting for the bus, and he basically just got really mad and started swearing at me and telling me I was going to hell and whatever, and, you know, and then some woman who was waiting with her kids at the bus stop started yelling at him to stop swearing … JASON: Yeah. ANDREW:  Very quickly became the end of the conversation, and then, I see him walk past now, cause I'm still in the neighborhood, but he's just, eyes forward and ignores me completely now, you know? And one other person who no longer does this but for a long time used to leave little inspirational God pamphlets in my mailbox all the time. But that was it. Like, easily if I saw him, he'd be like "How are you today, you know, I'm going to work, here have this, here, take one of these." I'm always like, "Sure man, whatever," but never, nothing ever escalated, cause I never escalated it. You know? JASON: Yeah. I mean, I love the little pamphlets. I mean, I always thank people for them, and I just hold in my head that obviously I don't agree with them, but this person feels like they have the spiritual equivalent of the cure for cancer. So, if they think that that's true, then the moral thing to do is to spread that far and wide, right? Like, not to be like, “Shh, don't tell anyone, we have the secret keys to enlightenment and heaven.” So, I always look at, like if somebody's just sharing or they knock on the door or something like that, I always kind of assume the best ... ANDREW: Yeah. JASON: Because it's done, even though I think they're deluded in what they believe, I think their moral intention to share it is good most of the time. Sometimes it's not. Sometimes it's just masking their desire to persecute others. And that becomes apparent pretty quick. And, you know, thankfully, you live in Canada, and I live in the relatively for America more enlightened northeastern United States. ANDREW: Mmmhmm. JASON: There are some areas of my country where I gotta believe I'd probably get a lot more hassle than I do here. One of the reasons I don't live in some areas of the country. ANDREW: For sure, yeah. JASON: You know, in that my kids would be going to school, some parent would Google me, and now my kids would be having a hard time, and ... ANDREW: Mmmhmm. Well, you would just go to your Buddhist meditation and solve it, right? [laughing] JASON: Yes, yeah. I can just, "It's just Buddhism," "Noooo, I saw the books, it's not just Buddhism!"  ANDREW: It's so many things. That's funny. Yeah, it's funny, you know, I think, probably because I spent so long in a Mohawk, and being all punked out and stuff, I just, people don't tend to argue with me too much about stuff, and I don't really tend to engage people. The minute stuff comes up I'm always like, “You know what, I think I'm gonna go now, see you later ...”  JASON: Yeah! ANDREW: You know and just opt out of those conversations too, right? So.  JASON: Yeah, you know, the times that it comes up are ... they're just few and far between, because ultimately, people aren't all that interested. If they're not interested, then they're not particularly interested, you know? It's a weird thing, but if you are able to talk about other things and hold a real conversation with people about something other than that ... ANDREW: Yeah. JASON: Which is a talent that sadly not everyone in our community has, but … ANDREW: Mmmhmm. JASON: It goes a long way. It's like, look, you know, if you invite me over for dinner, no, I'm not going to start prattling on about religion and weirdness unless you ask.  ANDREW: Yeah. No, for sure. Yeah, back when I used to work in advertising, I discovered that there were certain places that I would end up, and there were certain kinds of conversations that went better, so like when I was going down to the print shop to talk to the guy who's running the big printing presses and do color proofs, you know,  a lot of those guys really dug sports, and so I would check the paper, see what was going on, and just prep myself to have a good conversation with them, and it didn't hurt me at all, they loved it, you know, and it made for a better relationship, you know? Showing an interest in what people are interested in gets us a long way a lot of the time, right?  JASON: Oh yeah.  ANDREW: And avoids a lot of problems, right? Because then you have that personal connection where they're like, “Well, Jason's not really that bad, I mean he takes his kids to the park all the time, how can you, he can't be evil, he's gotta be good, so whatever, I'll give him the benefit of the doubt.” Right?  JASON: That's it! ANDREW: Yup. So, first of all, thank you for making time today.  JASON: Thank you for having me, man! ANDREW: Yeah.  What have you got going on? I know that you've got this book that just came out this year, The Elements of Spellcrafting, which is great, and people should definitely check that out. What else is going on? Where should people find you? What have you got coming down the line?  JASON: Well, people can find me at StrategicSorcery.net. And the big thing coming down the line is, the next cycle of Sorcery of Hecate opens up in May for a June start. This is a class that -- it got so much bigger than I ever expected it to, because it, you know, it's a hard … it's the hardest class that I do, like as far as like, people want, you want something to do that, you know, requires a commitment and will get you results but is going to ask something more from you. ANDREW:  Yeah. JASON: And is going to challenge you, like the first month or two, you're going to come to me and say, "Oh, I had this vision ..."  and I'm going to be like, "That's great, keep doing the ritual, please." You know? Like, the vision is great, but just, it doesn't mean anything. Let's get deeper. Let's go deep. Let's not settle for "I did a ritual, I had a vision," like, is it important? Is it telling you something you didn't know? If not, make a note, celebrate, have a cupcake, then get back to work.  ANDREW: Yeah. JASON: So, I never expected a program that required like that amount of effort and work and, you know, I can be challenging, and just tell people, like, "That's not important right now," [laughs]  ANDREW: Mmmhmm. JASON: I never expected it to take off, but my god, it has. ANDREW: Well, she's a real powerhouse, right? I mean, she's another one of those ones whose presence in the world is on the rise. So, I'm going to share my vision; you can tell me it's not important afterwards.  JASON: [laughing] ANDREW: So, I haven't done your course, but years ago, when I first started reading at somebody else's store in Toronto, the person who owned the store, Hecate was their thing, they were all about that, and most of the people who worked there were about her, and sort of like, it was the anchor of that store, right? And I'd been working there for a little bit, and they were doing a big ceremony for her. And I didn't go, cause I was like, “nah, it's not my thing,” right? So, I had this dream, where she showed up, you know, infinitely dark and infinitely expansive at the same time, and she just looked at me, up and down, said, "You're not one of mine, but you're all right, you can keep working here." And that was the whole dream, and I was just like, "Perfect!" It's done! JASON: And that's, you know, that is an example of, it's got meaning, you know, it's a seal of approval, it's got an essential message ... ANDREW: Mmmhmm. JASON: But it's not something you want to sit and like, fuss over. ANDREW: No, exactly. JASON: You can keep working there. Which is ... ANDREW: I got my approval to continue to be employed there, and that's great, cause I'm sure that if she didn't like me I would have been gone ... JASON: [laughing] ANDREW: And then that's it, and I'm like, all right! And then, the other piece which was, you don't need to get more involved in this stuff, cause it's not yours, I'm not for you.  JASON: And I've had that happen as well. Before I became involved in Buddhism, I was getting very interested in Haitian voodoo, I was trading correspondence with Max Beauvoir, I was studying anything I could get my hands on and putting together completely half-assed ceremonies of my own. ANDREW: Sure. JASON: To connect with the Orishas, as everyone did in the 90s, and I would read anything, god, I lived practically on the New Orleans Voodoo Tarot, from Louis Martinié. ANDREW: Mmmhmm. JASON: And I ... there was this point where I was getting ready to go to Haiti, and Legba was kind of like, "Maybe not." ANDREW: Yeah. JASON: Maybe, like, "You and I are cool, but maybe you don't want to get involved in all this stuff." ANDREW: Mmmhmm. JASON: And I …You know, looking back later there are ... I really don't react well with tobacco, for instance.  ANDREW: Hmm. JASON: And I just both with my lungs, my senses, I get ... I don't know, maybe something happened when I was a child with cigarettes or something, you know, it just sets me off, and that would have been a big stumbling block for me, a few other commitments and taboos probably would have been a big stumbling block for me in the long run, and so it was really solid advice, and I was like, well where should I go? And it was right after I asked that, I was in upstate New York and I was talk ... did a lave tet with Louis Martinié that day, and then that evening Michelin Linden, his wife, was like, let me tell you about my experience with the Kalachakra. ANDREW: Mmmhmm. JASON: And it was really--it hit me hard. Partly because I was on three different psychedelics at the time, but it hit me hard anyway. [laughs] And, you know, I went back, and I called John Reynolds, who I had known for years already, and he was the first Westerner to be ordained as a Ngakpa, Tibetan sorcerer. I was like, “I'm in! What do I do?”  ANDREW: Yeah.  JASON: You know. Legba sent me to you! [laughing] ANDREW: Well, I mean that is a tremendous piece of wisdom, right?  JASON: Yeah. ANDREW: You know and like, in reading the shells for people, it's something that people don't expect at all, and it's like, look, you know who's got the answer? Those people. This group. Your psychiatrist has the answer. But we don't have the answer for you. You know? And that -- listening to that voice, and going and like giving up the sense of definition that we start to formulate around these things, in light of a bigger deeper truth or a more complete truth, I think is one of the best things you can ever do for yourself, to really honor that when it emerges, you know?  JASON: Amen to that. ANDREW: Yeah. JASON: Amen to that.  ANDREW: Cool. Well, so people should check out your Hecate course. It's going to be deep and challenging. And people should head over to your website. JASON: Good! ANDREW: Awesome. Perfect. Well, thanks again for making time, Jason. Lovely to chat with you as always.  JASON: Thank you for having me!

Kevin sits down solo to interview Chris Thayer.  Musician, comic book creator, teacher, father and nerd.  They talk about Chris's crazy path through blues music, his podcast Nerd Life Crisis and his latest venture "Legba's Juke Joint", a graphic novel/music combo.

The Nerd Life Crisis Podcast....Chris Thayer, Steve Hale, and Ron Milts talk about the things they love to talk about.  The boys talk about everything from 'Pop to poop' discussing what's hot in Nerd Culture and of course being a father pushing 40. With Frequent guest host Mike Eastman.  On this week's episode the boys discuss.... We're back! We talk about our Trip to Emerald City Comic con.... Airport Adventures! TSA hates us. We talk the Oscars and "The Shape of Water" Chris goes to see 50 Shades.... Steve weighs in about the room. Steve is raising money for the wounded warrior project. Chris and Ron are prepping the kickstarter for Legba's Juke Joint. And so much more.....

The first podcast of the New Year! On this episode of The Doomed & Stoned Podcast, Billy Goate and Bucky Brown deliver the first Doom Chart Countdown of the year (from www.DoomCharts.com). Listen for new doom metal and stoner-psychedelic rock from Astral Mass, Catapult The Smoke, Clouds Taste Satanic, Corrosion of Conformity, Dead Quiet, Doomstress, Electric Wizard, Fuzz Evil, Foghound, Galactic Gulag, Gypsy Sun Revival, HeavyDeath, Hela, King Buffalo, Legba, Monolord, Mother Mars, Motherslug, Purple Hill Witch, Shadow Witch, Snowy Dunes, Spectral Haze, Switchblade Jesus, The Age of Truth, The Atomic Bitchwax, The Restoned, and The W Likes. PLAYLIST: INTRO 1. The W Likes - "Cometh" 00:26 2. Foghound - "Keep on Shoveling" 05:53 THE COUNTDOWN 3. Host Segment I 10:36 4. Red Stone Souls (#25) - "Night's Watchful Eye" 19:04 5. Dead Quiet (#24) - "Dear Demon" 25:06 6. Legba (#23) - "Necromance" 33:30 7. Host Segment II 39:58 8. Monolord (#22) - "Wormland" 45:08 9. Switchblade Jesus (#21a) - "Snakes & Lions" 51:12 10. Fuzz Evil (#21b) - "Flighty Woman" 56:21 11. Motherslug (#20) - "Serpents" 1:02:43 12. Host Segment III 1:09:30 13. Galactic Gulag (#19) - "To The Hollow Moon" 1:14:44 14. Catapult The Smoke (#18) - "Spread That Evil Tone" 1:23:30 15. HELA (#17) - "Bodies In Hell" 1:27:52 16. Host Segment IV 1:31:42 17. HEAVYDEATH (#16) - "Path To The Altitude" 1:37:02 18. King Buffalo (#15) - "Centurion" 1:44:16 19. The Age of Truth (#14) - "Come Back A God" 1:50:11 20. Host Segment V 1:55:18 21. Clouds Taste Satanic (#13) - "Greed" (radio edit) 1:59:45 22. Doomstress (#12) - "Bitter Pleas" 2:09:28 23. Spectral Haze (#11) - "The Dawn of the Falcon" 2:13:55 24. Host Segment VI 2:18:26 25. Purple Hill Witch (#10) - "Around The Universe" 2:22:53 26. Astral Mass (#9) - "Cosmic String" 2:27:57 27. Mother Mars (#8) - "On Lunar Highlands" 2:33:59 28. Host Segment VII 2:42:39 29. Gypsy Sun Revival (#7) - "Growing Shadows" 2:47:30 30. The Re-Stoned (#6) - "Save Me Under The Emerald Grass" 2:52:03 31. Corrosion of Conformity (#5) - "Cast The First Stone" 2:57:04 32. Host Segment VIII 3:00:51 33. Electric Wizard (#4) - "Necromania" 3:06:41 34. Shadow Witch (#3) - "Cruel" 3:12:58 35. Snowy Dunes (#2) - "Testify" 3:17:42 36. Host Segment IX 3:26:19 37. The Atomic Bitchwax (#1) - "Shell of a Man" 3:29:58 *Dig deeper into the heavy underground through Doomed & Stoned's ongoing scene-by-scene compilation series, available now at: http://doomedandstoned.bandcamp.com Thumbnail: Ze Burnay

This is a black arts and culture site. We will be exploring the African Diaspora via the writing, performance, both musical and theatrical (film and stage), as well as the visual arts of Africans in the Diaspora and those influenced by these aesthetic forms of expression. I am interested in the political and social ramifications of art on society, specifically movements supported by these artists and their forebearers. It is my claim that the artists are the true revolutionaries, their work honest and filled with raw unedited passion. They are our true heroes. Ashay! 1. Guests this morning are participating in the inaugural PlayGround Solo Performance Festival January 11-28 at Potrero Stage - 1695 18th Street, San Francisco. Visit http://playground-sf.org/solofest/ for the entire schedule each day. Lisa Evans: YOU REALLY SHOULD SIT LIKE A LADY (OR HOW I GOT TO FEMME) Jan 12-7PM / Jan 13-6PM / Jan 21-3PM / Jan 27-2PM Malcolm Grissom:ME, MY SONG AND I Jan 13-8PM / Jan 18-7PM / Jan 20-2PM / Jan 26-8:30PM / Jan 28-5PM Thomas Robert Simpson: COURAGE UNDER FIRE: THE STORY OF ELROY Jan 14-7PM / Jan 20-4PM / Jan 25-7PM 2. From the Archives: Interview with OKA director, Lavinia Currier (2011). Music: Zion Trinity's "Opening Prayer for Legba"; Climbing Poetree's "She Lives." We close with a rebroadcast of an interview with director of the film OKA (2010).        

This is a black arts and culture site. We will be exploring the African Diaspora via the writing, performance, both musical and theatrical (film and stage), as well as the visual arts of Africans in the Diaspora and those influenced by these aesthetic forms of expression. I am interested in the political and social ramifications of art on society, specifically movements supported by these artists and their forebearers. It is my claim that the artists are the true revolutionaries, their work honest and filled with raw unedited passion. They are our true heroes. Ashay! 1. Guests this morning are participating in the inaugural PlayGround Solo Performance Festival January 11-28 at Potrero Stage - 1695 18th Street, San Francisco. Visit http://playground-sf.org/solofest/ for the entire schedule each day. Lisa Evans: YOU REALLY SHOULD SIT LIKE A LADY (OR HOW I GOT TO FEMME) Jan 12-7PM / Jan 13-6PM / Jan 21-3PM / Jan 27-2PM Malcolm Grissom:ME, MY SONG AND I Jan 13-8PM / Jan 18-7PM / Jan 20-2PM / Jan 26-8:30PM / Jan 28-5PM Thomas Robert Simpson: COURAGE UNDER FIRE: THE STORY OF ELROY Jan 14-7PM / Jan 20-4PM / Jan 25-7PM 2. From the Archives: Interview with OKA director, Lavinia Currier (2011). Music: Zion Trinity's "Opening Prayer for Legba"; Climbing Poetree's "She Lives."        

The Lunar Saloon - Episode 19 -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- T.R.A.S.E., T.R.A.S.E. Sketch-1, Tape Recorder And Synthesiser Ensemble Pyrolator, Vati Es Brennt, Science Fiction Park Bundesrepublik (German Home Recording Tape Music Of The 1980s) CHBB, Ima Iki Mashoo, Science Fiction Park Bundesrepublik (German Home Recording Tape Music Of The 1980s) X-Ray Pop, La Machine À Rêver, L'Eurasienne / La Machine À Rêver V.U.D., Look!, First Relation Wind, Luxury, Born To Be Alive / Luxury Quando Quango, Atom-Rock, 2 From Quando Passing Of Lady, Maternal Love Syndrome Tuff Sherm, Pharmacy, Pharmacy EP Stardrive With Robert Mason, Want To Take You Higher, Intergalactic Trot Nino Nardini, Frantique, Studio Ganaro Space Oddities 1972-1982 Leon Lowman, Forest of Fear, Liquid Diamonds RAH Band, Messages From The Stars (Astro Mix), Messages From The Stars Satin Blu, One + One = Us, One + One = Us Swan, You Got Me, You Got Me Video Kids, Rap And Sing Along, Woodpeckers From Space Malcolm McLaren, Duck Rock Cheer, Duck Rock Cheer Aladin, Boys, You Better Watch Your Girls, Boys, You Better Watch Your Girls / Bo Legged Women Ziggee Toir, 'Lectric Ziggee Groove, 'Lectric Ziggee Groove Mi-Sex, Space Race, Space Race Ilaiyaraaja, Needhi Idhu, Ilectro Harari, In The Summertime, Manana Soluzion, Strength, Soluzion Pastor John Rydgren, Plea Of A Lonely Girl, Silhouette Segments Pawnshop, My Shade, The Telegraph Is Calling Nektar, Recycled (Part 1), Recycled Two Man Sound, Que Tal America (Version Original Stereo), Que Tal America Imarhan, Imarhan (Moscoman Remix), Imarhan Starr's Computer Band, Computer Rock Control, Computer Rock Control Maggotron, Computer Pop, Computer Pop T.R.A.S.E., Unrequited Love (1983 instrumental version), Tape Recorder And Synthesiser Ensemble A Popular History Of Signs, Ladder Jack (Extended Dance Mix), House / Ladderjack CHBB, Ima Iki Mashoo, Science Fiction Park Bundesrepublik (German Home Recording Tape Music Of The 1980s) Anadolu Bayramlari, Titremek ve Terlemek, Science Fiction Park Bundesrepublik (German Home Recording Tape Music Of The 1980s) Units, Your Face, New Wave To Move Osamu Shoji, Super Hero, Lupin The 3rd - Synthesizer Fantasy Electronic System, Flight to Tokyo, Disco Machine Farbo & The Cheeseheads, Punk, Punk Down With Disco, The Insane Darrell Wayne's No Disco Album The Keeper, Golden Round Circus, Golden Round Circus / I Couldn't Fool Around No More Cinéma Vérité, Starres Weiß, Science Fiction Park Bundesrepublik (German Home Recording Tape Music Of The 1980s) Malcolm McLaren, Legba, Duck Rock Bruce Haack, Program Me, Electric Lucifer Jack Lancaster And Robin Lumley, Blowholes (The Pipes Of Mars), Marscape Vanishing Twin, Million Dollar Mermaid, Vanishing Twin

The Nerd Life Crisis Podcast....Chris Thayer, Steve Hale, and Ron Milts talk about the things they love to talk about.  The boys talk about everything from 'Pop to poop' discussing what's hot in Nerd Culture and of course being a father pushing 40.  With frequent guest host Todd Pemble.  On this week's episode the boys discuss.... In this episode.... The boys are back!  (Sans Steve who is out for this episode) Where have we been? Chris updates us on Grace and Legba's Juke Joint! We finally break down Batman v Superman....let's just say we didn't love it. Reshoots on Suicide Squad!?! Daredevil Season 2 and why it's the best batman movie ever made! and so much more....

 Host Alice Backer (@kiskeacity on Twitter) welcomes Haiti-based Haitian film maker Romel Jean Pierre and Miami-based film maker Rachelle Salnave from Ayiti Images, a Haitian film series touring 5 Florida cities until November 14. Director Kervans Barthelemy and actor S.atibon Legba from the film Kaleb, featured in the Ayiti Images tour may well join us!  Also, Assemblywoman Michaelle Solages will have a special message for us.  As always, use the hashtag #LOF1804 to interact with the show on Twitter or Instagram and visit www.kiskeacity.com for more information on the show. 

The Firewall agents sent into Legba have uncovered a conspiracy that threatens all of transhumanity and only they can stop it! Doing so is easier than said than done. Between the ruthless ego traffickers versus the insane cultists and military-grade security systems, do they have a chance of stopping Nine Lives? Their only hope is in turning each faction against the others. Will the agents manipulate the paranoid gangsters and madmen that make up Nine Lives? Find out in the thrilling conclusion of The Devotees! This adventure was written by Caleb Stokes and is now available for purchase at DrivethruRPG. This AP is a playtest of the scenario so your experiences may vary.

Normally a crossroads for Nine Lives (the ego trading cartel) trafficking, the gang’s asteroid stronghold, Legba, has grown more violent and strange than usual. Slaves participating in gladiatorial deathmatch XPs display disturbing enthusiasm and devotion. Upper echelon Nine Lives  lieutenants are farcasting in for an unprecedented important meeting. A Firewall operative undercover on the habitat has requested sentinel support, warning that Nine Lives may be in possession of something representing an x-threat. This adventure was written by Caleb Stokes and is now available for purchase at DrivethruRPG. This AP is a playtest of the scenario so your experiences may vary.

Patrick Bellegarde-Smith is a professor at the University of Wisconsin in Milwaukee and author of many books about Vodou. This interview is edited and produced with music and other features in the On Being episode “Patrick Bellegarde-Smith — Living Vodou.” Find more at onbeing.org.

The word “Vodou” evokes images of sorcery and sticking pins into dolls. In fact, it’s a living tradition wherever Haitians are found based on ancestral religions in Africa. We walk through this mysterious tradition — one with dramatic rituals of trances and dreaming and of belief in spirits, who speak through human beings, with both good and evil potential.

Det är dags att se tillbaka på en besynnerlig framtid full av motsägelser. Möt Tyler The Creator som var med och revolutionerade rap för några år sedan med sin skeva svada och stiliserade svartsynthet. 22-åringen halvligger i soffan fångad i sin nihilism. Ibland självironisk, ibland raljerande över sin egen självömkan, ibland som en Legba i den afrikanska mytologin. Vakten vid hiphopens skiljeväg som är allt annat än pålitlig. Bland övriga medverkande finns Hodgy Beats och Domo Genesis.

Transmission XII: one more track taken live from the November show.