POPULARITY
4 episodes with Lone Scherfig
2 episodes with Lone Scherfig
2 episodes with Lone Scherfig
2 episodes with Lone Scherfig
2 episodes with Lone Scherfig
2 episodes with Lone Scherfig
2 episodes with Lone Scherfig
2 episodes with Lone Scherfig
2 episodes with Lone Scherfig
USA's forgyldte videns højborge danner ramme for Trumps seneste kulturkrig. I dagens K-Live undersøger vi vilkårene for den amerikanske åndsfrihed - og taler om, hvorfor de rige, kappeklædte akademikere er oplagte skurke i Trumps Amerika. Netflix-serien Adolescence har fået hele verden til at tale, om hvor lidt forældre egentlig ved om deres drengebørn, når kvindehad og vold kan skjule sig på alle digitale flader. Parnasset med Karen Secher taler om ondskab og om, hvad kunsten kan stille op med den slags. Medvirkende: Derek Beach, Morten Hesseldahl, Anne Dorte Michelsen & Lone Scherfig. Vært: Casper Dyrholm. Producer: Anna Correll. Redaktør: Lasse Lauridsen.
Ifølge ny forskning er tabet af kultur medvirkende til de alarmerende høje selvmordrater i Grønland. Vi taler med Ivalu Seidler, som står bag forskningen, for at forstå, hvordan den tabte kultur spørger i Grønland. Divaen over dem alle, operasangerinden Maria Callas, havde en storslået karriere og et skandaløst privatliv, som paparazzierne elskede at kaste sig over. Nu har en ny mand kastet sig over kvinden, filminstruktør Pablo Larraín. Anmelderne ser 'Maria' med Morten Messerschmidt og Lone Scherfig. Vært: Louise Reumert.
Fri, 17 Jan 2025 08:00:00 +0000 https://efm-industry-insights.podigee.io/65-tailored-solutions-film-funding-in-europes-diverse-markets 7f0690c9253d4bcbeca3a386481d7bff Industry Insights – The EFM Podcast is presented by the European Film Market of the Berlinale. Hosted by media analyst, broadcaster and experience designer Johanna Koljonen, it delves deep into the rapidly evolving film industry. Film i Väst Analysis' upcoming report, "The Answers: Future Audiovisual Policies – Revolution, Reforms or Just Let it Be," looks at the diverse markets across Europe and gives the answers (or rather: values) to the burning questions that everyone is asking in regards to the current collision between public film funding and challenging cultural and economic policies. Answers are not given easily, as each market operates differently. Different funding systems call for different actions, and the right balance between economic and cultural arguments must be found locally – it doesn't have to be a battle between economy and art. In this episode, Tomas Eskilsson, founder of Film i Väst and Head of Film i Väst Analysis, along with producer and mentor Joanna Szymańska, explore the current state of public film funding and the creative sectors in Europe, drawing from the findings of the report. The rise of right-wing policies is increasingly affecting film funding strategies, ultimately challenging the freedom of cultural expression. However, the future is not set in stone, but rather shaped by the actions that are taken today. Tomas Eskilsson founded Film i Väst in 1992, and was the CEO until 2016. He now works as the Head of Strategy in Film i Väst and Head of Film i Väst Analysis. He is the author of the reports ‘Public Film Funding at a Crossroads' (March 2022) and ‘Public Film Funding at a Crossroads II' (to be published August 2023). He is right now working with the third a final report in the series: The Answers: Future Audiovisual Policies – Revolution, Reforms or Just Let it Be. Joanna Szymańska is a film producer with over 15 years of experience in independent and international co-productions. She co-produced the award-winning film “Red Path” (dir. Lotfi Achour) which premiered at the Locarno Film Festival. Joanna is a mentor for emerging filmmakers and serves as the Head of Studies for the Erich Pommer Institut's workshop on European co-production. She is currently pursuing a PhD at the Łódź Film School. The host Johanna Koljonen is a media analyst, broadcaster, and experience designer. She is the author of the Göteborg Film Festival's annual Nostradamus Report on the near future of the screen industries, which is in its 11th year. She lectures internationally on changes in the media sector, and on participation and narrative design. Her background is in public service broadcasting; in 2011, she received the Swedish Grand Journalism Award in the Innovator category. Film i Väst is Scandinavia's major regional film fund and one of the bigger regional film funds in Europe. Film i Väst has made co-production with all parts of the world. Film i Väst is mostly known for its long-time collaboration with some of the most interesting directors in Northern Europe and elsewhere: Ruben Östlund, Tarek Saleh, Susanne Bier, Thomas Vinterberg, Lars von Trier, Joachim Trier, Lone Scherfig, Nuri Bilge Ceylan, Kaother Ben Hania are many more. During the last 30 years Film i Väst has co-financed and co-produced over 1000 feature films and a vast number of drama series. The report will be released February 16, 2025. More info about the release can be found here. The Berlinale's European Film Market is the first international film market of the year, where the film industry starts its business. Industry Insights - The EFM Podcast puts a spotlight on highly topical and trendsetting industry issues, thereby creating a compass for the forthcoming film year. The year-round podcast is produced in cooperation with Goethe-Institut and co-funded by Creative Europe MEDIA. This podcast episode has been developed in partnership with Film i Väst. full no Film Business,European Film Market,Film i Väst,Entertainment Industry,Film Industry,Media Industry,Berlinale,Future Trends,Film Funding European Film Market 2378
I dag startede en omfattende retssag om rockerklubben Bandidos, hvor rockergruppens skæbne skal afgøres. Voldskultur fylder unægteligt i gruppen - men det gør populærkulturen også. Sammen med Carsten Norton dykker vi ned i, hvordan Bandidos og motorcykelbanderne blev formet af blandt andet 60'ernes ungdomsbevægelser, Marlon Brando og chipsreklamen Frito Bandito. Ordet parnas stammer fra Parnassos eller Parnassus, et bjerg i det centrale Grækenland, der tårner over Delphi. I Skønlitteraturen kendt som musernes hjem, et sted for poesi, litteratur, lærdom om visdom. Ugens udgave af P1's Parnasset endevender, hvordan det er at være der, og hvilken position det giver. Det er med Glenn Bech, Lone Scherfig og Leonora Christina Skov - Karen Secher styrer samtalen. Vært: Casper Dyrholm.
Lone Scherfig er en af Danmarks mest succesfulde instruktører og var i år aktuel med filmen 'Pigen der fortalte film'. Den film fik et særligt tjek, som hun fortalte om i Pilestræde. Hvad har tjekket betydet for den endelige film? Og: Vil hun gøre det igen? Gæst: Lone Scherfig, filminstruktør Vært: Kaare Svejstrup Programmet blev sendt første gang 3. September 2024. See omnystudio.com/listener for privacy information.
Netflix reveló el tráiler de Aquella Navidad. Diamond Films compartió el avance de La contadora de películas. Max anunció el estreno de Kung Fu Panda 4.
Dans ce sixième épisode on se demande si l'amitié filles-garçons / femmes-hommes existe vraiment, et on a des anecdotes croustillantes ! Les références entendues dans cet épisode :Un jour de Lone Scherfig (film) et de David Nicholls (série)New amsterdam de David SchulnerHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
Lone Scherfig er en af de mest berømte danske filminstruktører og har et hav af film og flere oscarnomineringer bag sig. Hendes seneste film foregår i Chile og inden de begyndte optagelserne, gjorde hun noget, hun aldrig har gjort før: Hun bad om at få lavet en »risikovurdering« af manuskriptet. Eftersynet af »Pigen der fortalte film« skulle have fokus på indhold og etik og forsikre Scherfig om at hendes moralske kompas var indstillet korrekt. Hvorfor mener hun pludselig, at det er nødvendigt med sådan et »woke-tjek«? Hvilke konsekvenser fik det for den endelige film? Gæst: Lone Scherfig, filminstruktør Vært: Kaare SvejstrupSee omnystudio.com/listener for privacy information.
Lone Scherfig sætter i den nye 'Pigen, der fortalte film' fortællingers fortryllende kraft under lup. Men... med store kræfter medfølger stort ansvar. Vi taler med instruktøren om hvilken magt, der bor i filmmediet og om det ansvar, man har som filminstruktør. 17 bøger til en værdi på over 3 millioner kroner er forsvundet. En georgisk bogbande har nemlig raseret nationalbiblioteker i adskillige europæiske lande. Nu er de endelig blevet fanget. Vi zoomer ind på bogbanden og den kulturarv, de har stjålet. Værter: Linnea Albinus Lande & Chris Pedersen.
En este episodio de Back to the Movies! Luna Muscaria, Poppy_Dumpling y El Watcher conversan sobre "One Day" (2011), película protagonizada por Jodie Whitaker, Patricia Clarkson, Rafe Spall, Jim Sturgess y Anne Hathaway escrita por David Nichols y dirigida por Lone Scherfig. ¡Subscríbete a nuestro canal de YouTube! Visita: https://www.youtube.com/culturasecuencial ¡Síguenos y Suscríbete a nuestro canal de Twitch! Visita: https://www.twitch.tv/culturasecuencial ¡Síguenos en Instagram! Visita: https://www.instagram.com/culturasecuencial ¡Síguenos en Facebook! Visita: https://www.facebook.com/CulturaSecuencial ¡Síguenos en Twitter! Visita: https://twitter.com/CultSecuencial ¡Apoya nuestro contenido uniéndote a nuestro Patreon! Visita: https://www.patreon.com/CulturaSecuencial ¡Apoya a William mientras le gana al cancer con tu donativo aquí: tinyurl.com/GoWillyGo ! --- Send in a voice message: https://podcasters.spotify.com/pod/show/culturasecuencial/message Support this podcast: https://podcasters.spotify.com/pod/show/culturasecuencial/support
Con la nominación a Mejor Actriz Revelación en la edición 38 de los Premios Goya, que se entregarán el 10 de febrero en Valladolid, por su papel en la coproducción 'La contadora de películas', Sara Becker ha hecho historia al ser la primera actriz chilena nominada a estos galardones. Dirigida por Lone Scherfig está basada en la novela homónima del escritor chileno Hernán Rivera Letelier y ubicada en los pueblos mineros del salitre del norte de Chile. Cuenta la historia de María Margarita, que se convertirá en la contadora de películas del pueblo, donde la mayor parte de sus habitantes no pueden pagarse una entrada de cine.Escuchar audio
FILMOTECAMURCIA.es Martes 9 de enero / 18.45 horasLa contadora de películas (Lone Scherfig, 2023) España. 116'Berenice Bejo, Antonio de la Torre, Daniel BrühlAños 60, desierto de Atacama, Chile. María Magnolia es una mujer que a pesar de vivir bajo difíciles condiciones, trata de transmitir a su hija, María Margarita, su pasión por el arte. María Margarita se convertirá en la contadora de historias del pueblo, donde la mayor parte de sus habitantes no pueden pagarse una entrada de cine. Martes 9 de enero / 21.15 horasEl elemento del crimen (Forbydelsens element, 1984) Dinamarca. 103'. VOSEFisher, un inspector de policía, regresa a El Cairo después de haber estado investigando un asesinato en Europa. Se encuentra en un estado de confusión que lo lleva a buscar la ayuda de un psicoterapeuta. Su objetivo es intentar reconstruir, por medio de la hipnosis, el crimen a partir de los datos que ha ido recopilando. Jueves 11 de enero / 19.15 horasCantando bajo la lluvia (Singin' in the rain; Stanley Donen / Gene Kelly, 1952) EEUU. 102'. VOSEAntes de conocer a la aspirante a actriz Kathy Selden (Debbie Reynolds), el ídolo del cine mudo Don Lockwood (Gene Kelly) pensaba que lo tenía todo: fama, fortuna y éxito. Pero, cuando la conoce, se da cuenta de que ella es lo que realmente faltaba en su vida. Con el nacimiento del cine sonoro, Don quiere filmar musicales con Kathy, pero entre ambos se interpone la reina del cine mudo Lina Lamont (Jean Hagen). CINEFÓRUM BIBLIOTECA REGIONAL Desde octubre, los segundos lunes de mes, a las 17:30, proyección gratuita + cinefórum.Películas que adaptan novelas(Matar a un ruiseñor // El nombre la rosa // Drácula de Bram Stoker) Lunes 8 de enero: El silencio de los corderosEl topo, El gran hotel Budapest, Harry Potter y la piedra filosofal, Crepúsculo, Los juegos del hambre ESTRENOS DE LA SEMANA Los que se quedanDIR: Alexander Payne (Entre copas, Los descendientes, Una vida a lo grande) INT: Paul Gamatti, Dominic SessaPaul Hunham, un profesor cascarrabias de un prestigioso colegio americano, se ve obligado a permanecer en el campus durante las vacaciones de Navidad para velar por un puñado de estudiantes que no tienen a dónde ir. Contra todo pronóstico, la convivencia le llevará a forjar un insólito vínculo con uno de ellos, un inteligente y problemático muchacho con sus propios traumas, y con la jefa de cocina de la escuela, que acaba de perder un hijo en Vietnam. Agente X: Última misiónDIR: Renny Harlin [Pesadilla 4, La jungla 2, Ford Fairlane, Máximo riesgo, La isla de la cabezas cortadas, Ladrones de Élite (Pierce Brosnan)]INT: Aaron Eckhart, Tim Blake Nelson La CIA está siendo chantajeada: alguien está asesinando periodistas extranjeros y haciendo que la Agencia parezca la responsable. Mientras el mundo comienza a unir sus fuerzas contra EE.UU., la CIA decide recuperar a su agente retirado más brillante y rebelde, forzándole a enfrentarse a su pasado para que intente desenmascarar una conspiración internacional. Hay algo en el graneroUna familia estadounidense cumple su sueño de regresar después de heredar una remota cabaña en las montañas de Noruega. Comedia de terror.
Hoy, en directo desde la 68 Semana Internacional de Cine de Valladolid, que empieza esta tarde. Con su director, José Luis Cienfuegos. Con la película inaugural La contadora de películas que nos presenta su directora, Lone Scherfig, y sus protagonistas: Antonio de la Torre, Sara Becker y Alondra Valenzuela. Con Agnieszka Holland, que compite en la Sección Oficial con Green Border y recibirá esta tarde la Espiga de Honor concedida a la Academia del Cine Europeo, como presidenta de la misma. Y con Belén Santos, directora del documental No, no quiero, que se verá hoy en Proyecciones Especiales. Escuchar audio
What does a classic protector look like? Do we ever let predators into our lives? Are princesses always in need of protection? Specifically focusing on films where young girls and older men are paired together, this week's episode examines traditional ideas about power and vulnerability through the lenses of age and gender. Get in touch: Email: contact@jimmybernasconi.com Instagram: https://www.instagram.com/jimmy_bernasconi/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/2xxfm-sacredcinema/message
In the second episode of the Sundance 2023 podcast season, we discuss Sundance's Spotlight Program, its only feature film program dedicated to films that premiered at other festivals. We discuss the program's history of picking great films and giving them the spotlight they needed (but didn't get at other festivals). We discuss four of the five films programmed in the Spotlight section: Other People's Children, Joyland, L'Immensità, and The Eight Mountains. Since we already talked about Other People's Children in depth on a previous episode, we only discuss it briefly here. Additionally, we go deep on The Eight Mountains, which Alex loved, and briefly discuss the other two films in the program that we've seen which we weren't too keen on. We've actually written books featuring several of the films that screened in Spotlight, including You Were Never Really Here, Girlhood, and The Worst Person in the World. And several of the films previously programmed in the last decade have made our list of the best films of the 2010s. Click here to read the episode show notes. You will also find an AI-generated transcript in the show notes. About the Sundance 2023 season This is the second episode of our new podcast season on the 2023 Sundance Film Festival. Subscribe to our newsletter for updates on the 2023 Sundance podcast season and coverage on the website. Sundance 2023 runs from January 19-28, and we'll be covering this year's festival in a new podcast season about the films this year and how the programming fits into the festival's history. This is Seventh Row's second podcast season (the first was on Women at Cannes in 2022). Sundance 2023 Bingo Because the festival loves to program films by slot and quota, we are also introducing our annual Sundance Bingo Card, which you can download here. Play along during the festival (or look at past festival editions and the films you've caught which screened there). You can find this year's bingo card in the show notes on our website. In each expisode we'll track our progress on the Bingo card, individuall and as a Seventh Row team. Become a Member All of our episodes that are over 6 months old are available to members only. We also regularly record members only episodes. To get full access to the podcast, including episodes from past Sundance Film Festivals and past Sundance films, become a member. How to follow our Sundance 2023 coverage Subscribe to our newsletter for updates on the 2023 Sundance podcast season and coverage on the website. Follow Seventh Row on Twitter and Instagram @SeventhRow; Alex Heeney @bwestcineaste Twitter and Instagram; and Orla Smith @orlamango on Twitter and @orla_p_smith on Instagram. Show Notes Links to articles/books on films that previously screened in Spotlight Read our list of Seventh Row's 50 Favourite Films of the 2010s, which also includes many films that screened in Sundance's Spotlight Program, including Oslo, August 31st (#1), Their Finest, Raw, and You Were Never Really Here. Get our ebook on Lynne Ramsay's most recent Spotlight film: You Were Never Really Here: A Special Issue Get our ebook on the Céline Sciamma, Portraits of resistance: The cinema of Céline Sciamma, which includes an interview with Sciamma on Girlhood conducted in Park City at Sundance in 2015 when the film screened in Spotlight. Read Orla Smith's interview with writer-director Haifaa Al-Mansour on The Perfect Candidate, which previously screened in Spotlight in 2020. Read Alex Heeney's interview with writer-director Rebecca Miller on Maggie's Plan, which previously screened in Spotlight in 2016. Read Alex Heeney's interview with director Lone Scherfig on Their Finest, which previously screened in Spotlight in 2017. Download the Sundance 2023 bingo card to follow along at home. Related episodes to E2: Sundance 2023 Spotlight program Discover all of our past podcast episodes on films that screened at Sundance. To listen to all of these related episodes, become a member. Ep. 116: Virtual film festivals: Taking stock of their past, present, and future (Members Only). Sundance is one of the only festivals in 2023 still offering a virtual component. On this episode, we talked about the advent of virtual film festivals and what we'd like to see in the future. Ep. 129: Highlights of 2022 Fall Film Festivals (Members Only). We discuss the best films that screened on the festival circuit in fall 2022. This includes a free in-depth discussion of Other People's Children. Episodes on Films featured in the Spotlight section Ep. 112: Joachim Trier's The Worst Person in the World (Free). As the world experts on the films of Joachim Trier (our book on his work will be out later this year), we published an episode on his twice Oscar-nominated film The Worst Person in the World (2021), which screened in Spotlight in 2022. Ep. 73: Explorations of rape culture in Promising Young Woman and The Assistant (Members Only). Although The Assistant premiered at Telluride in 2020, it only really started generating buzz after its 2021 screening in the Spotlight Program at Sundance. In this episode, we discuss its depiction of rape culture alongside a bigger Sundance hit (which was also much less nuanced), Promising Young Woman. Ep. 107: Another Round and Oslo, August 31st: Are men OK? Masculinity, mental health, & addiction(Members Only). Joachim Trier first came to Sundance in 2012 with Oslo, August 31st (which premiered at Cannes in 2011), our #1 film of the 2010s. We talk about how the film addresses masculinity, mental health, & addiction and how this compares with the more recent film, a decade later, Another Round. Episodes on genre films featured in the Sundance Spotlight program Ep. 17: The Nightingale (Members Only): Having launched her career in the World Dramatic Competition at Sundance, Jennifer Kent once again returned to the festival with her second feature, The Nightingale, which premiered at Venice to an underwhelming response. We thought the film was rich and excellent in many ways (if flawed), and went deep on it on the podcast. Ep. 112: Raw and Thelma and modern female monsters (Members Only): After receiving rave reviews (and press about vomiting walkouts) at Cannes and TIFF, Julia Ducournau (who later won the Palme d'Or for Titane) screened her first feature, Raw at Sundance in the Spotlight program. We talk about the film in comparison with Joachim Trier's Thelma. Ep. 38 Australian Westerns: The True History of the Kelly Gang, Sweet Country, and The Dressmaker (Members Only): Warwick Thornton's fantastic feature Sweet Country previously screened in the Sundance Spotlight program after premiering (and winning an award) at Venice and TIFF. In this episode, we discuss how Thornton decolonizes the Australian Western, as well as how this compares to Australian Westerns about settler characters (made by settlers).
It's not enough to edcuate us anymore, Academy. You have to tell us why you're doing it! In this episode, Mike and Brian explore the final Best Picture nominee of 2009: director Lone Scherfig's "An Education," starring Carey Mulligan, Peter Sarsgaard, Alfred Molina and more. They discuss allusions to the Great Recession, what the movie intends to say about higher education through its ending (and whether or not it's successful), if Peter Sarsgaard is certified BPTGIE (Best Picture This Good in Everything) material and -- the big one -- if the Oscar-nominated film will win a spot in their top fives of the year. Want to choose an movie for a future episode? BECOME A PATRON. Agree or disagree with our takes? EMAIL bestpicturethis@gmail.com.
It's not enough to edcuate us anymore, Academy. You have to tell us why you're doing it! In this episode, Mike and Brian explore the final Best Picture nominee of 2009: director Lone Scherfig's "An Education," starring Carey Mulligan, Peter Sarsgaard, Alfred Molina and more. They discuss allusions to the Great Recession, what the movie intends to say about higher education through its ending (and whether or not it's successful), if Peter Sarsgaard is certified BPTGIE (Best Picture This Good in Everything) material and -- the big one -- if the Oscar-nominated film will win a spot in their top fives of the year. Want to choose an movie for a future episode? BECOME A PATRON. Agree or disagree with our takes? EMAIL bestpicturethis@gmail.com.
The film Joyland is set in Lahore and tells the story of Haider, a married man who falls in love with the transgender dancer Biba. It's the first Pakistani film to premiere at the Cannes Film Festival and it won the Jury Prize as well as the Queer Palm prize. It has also been selected as the Pakistani entry for Best International Feature Film at the Academy Awards. Despite having a standing ovation at Cannes, the film has had a more controversial reaction in Pakistan itself. Originally cleared for release, that decision was then overturned. However the film is now out in cinemas in Pakistan, although remains banned in the Punjab. Tina Daheley speaks to Joyland's writer and director Saim Sadiq and film critic Kamran Jawaid. Brazilian director and screenwriter Gabriel Martins took inspiration from his own childhood experience when he made his new film Mars One. It tells the story of a working-class Black Brazilian family adjusting to life after the election of President Jair Bolsanaro. Like Joyland, it has also been selected as its country's submission for Best International Feature Film at the next Academy Awards. Lone Scherfig is a Danish film-maker best known for her romantic comedies including An Education and One Day. She talks about the film that changed her - Austrian director Michael Haneke's 2009 German-language film The White Ribbon. It is a movie with a troubling message about the history of Europe and one that inspires her to ask big, important questions in her own work. (Photo: A still from Joyland. Credit: Studio Soho)
Wir sprechen heute über "Ihre beste Stunde" von Lone Scherfig aus dem Jahr 2017. Ein reichlich unbekannter Film, was wir hart anprangern, denn außer seiner etwas subtilen Art kann man ihm eigentlich nichts vorwerfen. Also, folgt unserem Rat und schaut euch "Ihre beste Stunde" an. Es geht nicht nur um Frauen in der Filmindustrie und im England der 40er-Jahre, sondern auch um die Entstehung eines Drehbuchs.
Denne uges Radio Information handler naturligvis en hel del om ugens EU-afstemning. Anna von Sperling spørger Lars Trier Mogensen om, hvor valgkampen og afstemningsresultatet efterlader den danske venstrefløj. Hvorfor førte Enhedslisten en så tam valgkamp, og hvilke veje kan partiet nu gå i forhold til Europa og sikkerhedspolitikken? Og så har chefredaktør Rune Lykkeberg en optur over det dundrende nederlag til den nationalistiske højrefløj – fordi vi alt for længe har ladet de rødgrønne visioner for et mere solidarisk Europa drukne i angst for det gule Danmark. Der bliver også plads til en snak med Lone Nikolajsen om den nye TV 2-serie Dag og nat, instrueret af Lone Scherfig og med Sofie Gråbøl i hovedrollen. Den foregår på en underprioriteret fødegang og er en sympatisk kommentar til en af velfærdsstarens helt store udfordringer. Lone skriver: »Fordi Dag & nat foregår på en – mod alle odds – velfungerende fødeafdeling, kan serien belyse det paradoks, at det er svært at overbevise budgetlæggerne og de politiske beslutningstagere om, at man skal have flere penge, når alle er villige til at arbejde hårdere og mere, end de strengt taget er ansat til.« Lyt med!
Alletiders mest bingeværdige 'Stranger Things' er endelig tilbage med sæson 4 på Netflix. Men alt er ingenlunde som det plejer i serien, der nu blandt andet serverer afsnit i spillefilmslængde. Vores venner fra lillebyen Hawkins er spredt for alle vinde, Eleven har mistet sin kræfter, og Hopper ... er i Rusland. Sæsonen er på alle leder og kanter stor, større, størst, men er det for meget af det gode? Og er det tidligere barnestjernefænomen Millie Bobby Brown utilsigtet blevet seriens svaghed? Filmredaktør Jacob Ludvigsen og filmskribent Lise Ulrich diskuterer, og kaster sig dernæst over den danske hospitalsserie 'Dag & Nat'. TV 2-serien er skabt af Lone Scherfig og har Sofie Gråbøl i hovedrollen som presset jordemoder, og der toppes op på højaktuel samfundspolitik omkring det pressede sundhedspersonale. Spørgsmålet er så, om serien også fungerer som ... serie? Lyt med!
Lone Scherfig becomes showrunner for a realistic and touching series set in the Maternity ward.Lone Scherfig, Søren Balle – The Shift #Berlinale2022 was first posted on March 1, 2022 at 7:29 am.©2015 "Fred English Channel". Use of this feed is for personal non-commercial use only. If you are not reading this article in your feed reader, then the site is guilty of copyright infringement. Please contact me at radio@fred.fm
Lone Scherfig becomes showrunner for a realistic and touching series set in the Maternity ward. The post Lone Scherfig, Søren Balle – The Shift #Berlinale2022 appeared first on Fred Film Radio.
Lone Scherfig becomes showrunner for a realistic and touching series set in the Maternity ward. The post Lone Scherfig, Søren Balle – The Shift #Berlinale2022 appeared first on Fred Film Radio.
Lone Scherfig becomes showrunner for a realistic and touching series set in the Maternity ward. The post Lone Scherfig, Søren Balle – The Shift #Berlinale2022 appeared first on Fred Film Radio.
Lone Scherfig becomes showrunner for a realistic and touching series set in the Maternity ward. The post Lone Scherfig, Søren Balle – The Shift #Berlinale2022 appeared first on Fred Film Radio.
Lone Scherfig becomes showrunner for a realistic and touching series set in the Maternity ward. The post Lone Scherfig, Søren Balle – The Shift #Berlinale2022 appeared first on Fred Film Radio.
Lone Scherfig becomes showrunner for a realistic and touching series set in the Maternity ward. The post Lone Scherfig, Søren Balle – The Shift #Berlinale2022 appeared first on Fred Film Radio.
At the 72nd Berlinale, Sofie Gråbøl welcomes us in the unconventional world of midwives as seen by Lone Scherfig.Sofie Gråbøl – The Shift #Berlinale2022 was first posted on February 13, 2022 at 10:29 am.©2015 "Fred English Channel". Use of this feed is for personal non-commercial use only. If you are not reading this article in your feed reader, then the site is guilty of copyright infringement. Please contact me at radio@fred.fm
At the 72nd Berlinale, Sofie Gråbøl welcomes us in the unconventional world of midwives as seen by Lone Scherfig. The post Sofie Gråbøl – The Shift #Berlinale2022 appeared first on Fred Film Radio.
At the 72nd Berlinale, Sofie Gråbøl welcomes us in the unconventional world of midwives as seen by Lone Scherfig. The post Sofie Gråbøl – The Shift #Berlinale2022 appeared first on Fred Film Radio.
At the 72nd Berlinale, Sofie Gråbøl welcomes us in the unconventional world of midwives as seen by Lone Scherfig. The post Sofie Gråbøl – The Shift #Berlinale2022 appeared first on Fred Film Radio.
At the 72nd Berlinale, Sofie Gråbøl welcomes us in the unconventional world of midwives as seen by Lone Scherfig. The post Sofie Gråbøl – The Shift #Berlinale2022 appeared first on Fred Film Radio.
At the 72nd Berlinale, Sofie Gråbøl welcomes us in the unconventional world of midwives as seen by Lone Scherfig. The post Sofie Gråbøl – The Shift #Berlinale2022 appeared first on Fred Film Radio.
At the 72nd Berlinale, Sofie Gråbøl welcomes us in the unconventional world of midwives as seen by Lone Scherfig. The post Sofie Gråbøl – The Shift #Berlinale2022 appeared first on Fred Film Radio.
This week we are re-releasing our The Deep Blue Sea podcast in celebration of Terence Davies' new film, Benediction, and in memorial to Helen McRory, who passed away in April. This episode discusses two versions of Terence Ratigan's 1952 play, The Deep Blue Sea. Davies' 2011 film version is a moving portrayal of memory and Carrie Cracknell's National Theatre Live production from 2016 features strong characterization. We discuss adaptation choices, acting brilliance, how the two directors adapt the play to fit their interests, and more. This episode features Editor-in-Chief Alex Heeney, Executive Editor Orla Smith, Associate Editor Brett Pardy, and special guest Andrew Kendall. Show Notes Sign up for our daily TIFF 21 newsletter (September 9-19). Discover the best new films to premiere at the festival, from buzzed-about titles like The Worst Person in the World and The Power of the Dog to under-the-radar gems nobody else is talking about. Read Alex on how Davies' adaptation is a memory film with an unreliable narrator. The Deep Blue Sea was 13th on our best of the decade list. See the other choices here. Read Alex on the Tom Hiddleston and the hollow charm thwarting the promise of a great actor. Visit our Special Issue on a A Quiet Passion page for more on Terence Davies. Read Alex's interview with Lone Scherfig, which includes a discussion about Helen McRory in Their Finest. Become a Film Adventurer Member to listen to more great episodes from our archive.
Dan and Alonso are joined by IndieWire's Kristen Lopez to talk about two female-directed films about women writers coming into their own: Gillian Armstrong's MY BRILLIANT CAREER (1979) and Lone Scherfig's THEIR FINEST (2016). Follow us @filmandmoviepod on the socials, and leave us a five-star review on Apple Podcasts or wherever you get your episodes.Follow Kristen at twitter.com/journeys_filmMY BRILLIANT CAREER is streaming on HBO Max https://play.hbomax.com/page/urn:hbo:page:GXk3juQzdhI7CZgEAACVw:type:feature and Criterion Channel https://www.criterionchannel.com/my-brilliant-careerTHEIR FINEST is streaming on HBO Max https://play.hbomax.com/page/urn:hbo:page:GXx94VwZTEsPCKAEAAAHI:type:featureKristen recommends MISS PETTIGREW LIVES FOR A DAY https://play.maxgo.com/feature/urn:hbo:feature:GXoa04wfyMLDCYwEAAAMO and HAIL, CAESAR! https://www.netflix.com/title/80074084Alonso recommends BINGO, BRIDESMAIDS AND BRACES https://kanopy.com/video/seven-years-bingo-bridesmaids-and-braces
Welcome back everyone to Season 2 of our competitive film podcast; Cine it to Win it! where two friends fight films for fun!Join us as we cover the Russo brother's latest flick Cherry, the Oscar nominated Minari and this weeks EMPIRE movie, Southland Tales. Timestamps: 0:00 - The warm up (intro) 07:43 - Cherry review 20:29 - The cherry culinary challenge 27:50 - The Empire Strikes Back! Southland Tales review 38:08 - Minari review 45:34 - The bonus features: The Mauritanian, An Education, The Flight Attendant, Taskmaster, The OC, It Takes Two 63:00 - The warm down (outro) Thank you all for listening. If you enjoyed the episode please consider subscribing and leaving a rating, it would really go a long way. Catch you all next week!Email: cineittowinit@gmail.comTwitter: @cine_itInstagram: @cineittowinitTags: Movies, Films, Latest, Releases, Review, Contest, Gameshow, Competition, Friendly, Rounds, Television, Games, News, VoD, Streaming, Netflix, Amazon Prime, HBOMax, Disney Plus, Apple TV Plus, Tom Holland, Ciara Bravo, Anthony Russo, Joe Russo, Cherry, Lee Isaac Cheung, Steven Yeun, Han Yeri, Minari, Richard Kelly, Dawne Johnson, The Rock, Seann William Scott, Southland Tales, Kevin Macdonald, Tahar Rahim, Jodie Foster, Benedict Cumberbatch, The Mauritanian, Lone Scherfig, Carey Mulligan, An Education Intro & Outro MusicComing for You by NEFFEX, https://smarturl.it/neffex_soundcloud
Susanne Bier, Thomas Vinterberg, Anders Matthesen, Lone Scherfig ... Det er en håndfuld af de navne, der kendetegner dansk film for tiden. Om nogle år siger vi måske Tone Ottilie, Kristian Håskjold, Glen Bay Grant, Clara Mendes og Hannah Elbke med lige så stor selvfølgelighed. De 5 instruktører er i hvert fald på vej ud af filmskolerne, ud til et filmliv i biografer og på streamingtjenester, og i den sammenhæng forsøger Filmland at indramme de tanker, holdninger og idéer, der vil præge fremtidens danske film. Derudover anmeldelse af dokumentaren 'Doin my Drugs' om musikeren Thomas Buttenschøn. Tilrettelæggelse: Per Juul Carlsen. www.dr.dk/film
Esse programa é sobre o Educação (An Education, 2009), dirigido pela Lone Scherfig e protagonizado por Carey Mulligan, filme que foi indicado a 8 BAFTAS e 3 Oscars. Discutimos o equilíbrio da construção das personagens, a noção de diversas possibilidades de educação e a forma como o figurino retrata a trajetória da protagonista em relação às outras mulheres. O programa é apresentado por Isabel Wittmann e Kel Gomes. Mais informações: https://feitoporelas.com.br/feito-por-elas-132-educacao Feedback: contato@feitoporelas.com.br Pesquisa, pauta e roteiro: Isabel Wittmann e Kel Gomes Produção e edição: Isabel Wittmann Arte da capa: Amanda Menezes http://www.behance.net/tupiguarana Vinheta: Felipe Ayres Locução da vinheta: Deborah Garcia (deh.gbf@gmail.com) Música de encerramento: Bad Ideas - Silent Film Dark de Kevin MacLeod está licenciada sob uma licença Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/) Origem: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100489 Artista: http://incompetech.com/ Agradecimento: Carolina Ronconi, Leticia Santinon e Lorena Luz Assine nosso Padrim http://www.padrim.com.br/feitoporelas Assine nosso Patreon http://www.patreon.com/feitoporelas Assine nosso Catarse https://www.catarse.me/feitoporelas
C'est ici que tout commença, le 15 juillet 1988. Pour ce premier épisode de 2021, Victoire, Pascale et Manon comparent le best-seller de David Nicholls, Un Jour, paru en 2009, à son adaptation en film réalisée par Lone Scherfig, avec Anne Hathaway et Jim Sturgess dans les rôles principaux. Emma et Dexter n'ont pas grand-chose en commun, si ce n'est une soirée bien alcoolisée et quelques baisers échangés lors de leur remise de diplôme. L'avenir s'ouvre à eux, vaste, indéfini... À travers leurs parcours très différents, on suit ces deux amis chaque 15 juillet, pendant 20 ans, dans une quête d'identité et un parcours semé d'embûches dans l'âge adulte. Mais le film est-il à la hauteur du roman de David Nicholls ? Réponse dans l'épisode ! 2 min 12 : On commence par parler du roman Un Jour écrit par David Nicholls et paru en 2009. 28 min 38 : On enchaîne sur son adaptation en film, réalisée par Lone Scherfig et écrite par David Nicholls lui-même, sortie en 2011. 58 min 12 : On termine sur nos recommandations autour des romans de David Nicholls, des histoires d'amour manquées et des romans d'apprentissage dans le monde contemporain. Si vous avez lu ou vu Un Jour, n'hésitez pas à nous donner votre avis !
Confira os destaques do caderno Na Quarentena desta segunda-feira (21/12/20)See omnystudio.com/listener for privacy information.
En este episodio hablamos de la película Danesa de 2000 Italiano para principiantes dirigida por Lone Scherfig.
Uha, sikke en tur! Lone Scherfig har været med til at skrive det her afsnit af Taxa, hvori vi møder en afsporet lokofører og en vildfaren narkoman og ikke mindst en Andreas der viser sig fra sin allerværste side (i hvert fald hvis du spørger Helene og Agnethe). Men hvor er det heldigt at vi har nogle medarbejdere på Kronetaxa der igen igen ikke er bange for at lege politi fra tid til anden - så mon ikke det hele løser sig til sidst alligevel? Find alle sangene fra Taxapodcast sæson 1 her: https://soundcloud.com/taxapodcast/sets/taxapodcast-saeson-1Og sæson 2: https://soundcloud.com/taxapodcast/sets/taxapodcast-saeson-2Kontakt os på: taxapodcasten@gmail.comFind os på Facebook: https://www.facebook.com/Taxapodcast-103702224749937/Instagram: @taxapodcastHelene Hellesøe Appel: https://www.facebook.com/heleneappelhttps://www.instagram.com/heleneappel/Agnethe Melchiorsen: www.agnethemelchiorsen.comFacebook: https://m.facebook.com/agnethemelchiorsenInstagram: @agnethemelchiorsen
Se estrena en salas 'La familia que tú eliges', una aventura luminosa con Dakota Johnson, Shia Labeouf y un joven con síndrome de Down. A plataformas llega 'La amabilidad de los extraños', película de la danesa Lone Scherfig sobre una madre maltratada y la solidaridad entre un grupo de marginados en Nueva York. También hay cine infantil, con '¡Scooby!', y comedia española con Leo Harlem, 'Superagente Makey'. En cine clásico, recordamos a Peter Sellers, y en televisión, comentamos dos de las series del año, 'Normal People' y 'El colapso'
TESTO DELL'ARTICOLO ➜http://www.bastabugie.it/it/edizioni.php?id=673SU TV 2000 FILM SCONVENIENTI E DISEDUCATIVI di Rino CammilleriPer la Festa della Donna la tivù dei vescovi, Tv2000, ha creduto di far cosa gradita mandando in onda in prime time un film singolare che, suppongo, è stato stimato come educativo. Infatti, si intitola proprio An Education, «un'educazione», ed è la seconda volta che tale tivù lo trasmette, il che testimonia della sua supposta validità.Innanzitutto, presentiamolo: tratto dall'autobiografia della giornalista inglese Lynn Barber e diretto nel 2009 dal regista Lone Scherfig. Voi direte: e chi sono? Il fatto è che per la sceneggiatura si è scomodato il bestsellerista Nick Hornby ed è interpretato da calibri come Rosamund Pike, Emma Thompson, Alfred Molina. Aggiungiamo tre candidature all'Oscar. Dunque, un signor film. Quel che lascia perplessi è la storia. Si svolge a Londra nel 1961 (teniamo a mente la data). La protagonista è una ragazzina di sedici anni che frequenta il liceo, in divisa come tutte all'epoca in Inghilterra. È ammaliata dall'esistenzialismo francese, le canzoni di Jacques Brel e Juliette Greco, quella roba che, da noi, ha forgiato i Fabrizio De André, Luigi Tenco, Gino Paoli. Sogna Parigi ed ha tutte le voglie di una adolescente, riassumibili in una sola: divertirsi. Figlia unica, i suoi sognano per lei un avvenire sicuro: l'università, un buon matrimonio.Si chiama Jenny e si è presa l'impegno di perdere la verginità per il suo diciassettesimo compleanno. Ecco, già qui qualcosa comincia a stonare. Siamo, ripeto, nel 1961, e a quel tempo solo agli esistenzialisti poteva venire in mente una cosa del genere, ma era fin troppo osée per una borghesuccia inglese post-vittoriana. Dunque, improbabile, ma concediamo che la giornalista autobiografata abbia davvero avuto un'adolescenza spregiudicata. Però nel film la cosa viene presentata come abbastanza pacifica per Jenny e le sue compagne, e fa un po' specie vedersela spiattellare su quel canale.Ma il bello deve ancora venire. Jenny viene adescata da un adulto piacente e suadente, uno che ha almeno il doppio dei suoi anni e con il suo savoir faire riesce ad ammaliare i genitori di lei, che gli permettono di frequentarla. Sembra un buon partito, ha i soldi, bella macchina, buona educazione. Naturalmente, tutto il liceo viene a saperlo e la preside ammonisce Jenny a non ledere il buon nome della scuola. Ma lei è ormai cotta. Va addirittura con lui a Parigi, il suo sogno. La prima notte in albergo gli spiega che bisogna aspettare il compleanno (manca poco) e, su richiesta, si lascia almeno vedere nuda. Ed è a questo punto che uno si chiede se sta guardando la tivù dei vescovi o il canale 26, Cielo. Jenny è ormai coinvolta: lui turlupina i genitori di lei dicendo che è amico di Clive S. Lewis e porterà Jenny a casa dello scrittore per una copia di Le Cronache di Narnia con dedica. È una scusa per passare la notte fuori, e Jenny gli tiene bordone. Poi Jenny scopre che i soldi, lui, li fa rubando e turlupinando in modo indegno le vecchiette: affitta appartamenti a famiglie di africani, poi compra per quattro soldi la casa accanto, la cui proprietaria, una vecchietta sola, adesso ha paura. Jenny accetta tranquillamente tutto e il giorno del compleanno adempie al suo voto. Poiché, ovviamente, a scuola sanno tutto, la preside la butta fuori. Ma lui le propone il matrimonio. I genitori acconsentono, visto che nulla sanno. Solo per caso lei si accorge che lui è già sposato con figli. Non solo. Non è la prima volta che circuisce ragazzine.Naturalmente, i genitori se la prendono con lei. E lei - (sic!) - ribalta l'accusa: dovevano prestare più attenzione loro; se non fossero stati così borghesi (l'università, il buon partito…) nulla di male sarebbe successo. Qui finisce il film e qui uno si chiede: qual è l'«educazione» che secondo la tivù dei vescovi dovremmo prendere a esempio? Boh. Titolo originale: La cattiva educazione sulla tv dei vescoviFonte: La Nuova Bussola Quotidiana, 16-03-2020Pubblicato su BastaBugie n. 673
De fleste tror, de kender Lone Scherfig, men gør de nu også det? Kender de ikke bare Italiensk for begyndere, An Education, One Day og hendes andre film og har HØRT om Lone Scherfig? For sådan har vi det ærlig talt selv... men ikke mere! For med Podcast 192 (Den med Lone Scherfig...) er det vores store fornøjelse, at lære denne konsekvent succesfulde og populære instruktør at kende. Det gør vi i vanlig stil ved hjælp af en lavine af lytterspørgsmål, der sætter gang i en masse forskellige samtaler og anekdoter om Lones arbejde som instruktør, men som forhåbenligt også bringer lytteren lidt tættere på hende som filmnørd - for hun ér en filmnørd. Netop nu er hun aktuel med sin film The Kindness of Strangers, der havde premiere d. 18. juni 2020, men selvom denne film er grunden til hendes besøg, så er der ingen grænser for hvilke spørgsmål eller temaer, der kommer på banen. Som altid skal der gå en kæmpe tak til alle jer mange spørgelystne lyttere, for uden jeres virvar af lytterspørgsmål, ville episoden ikke være blevet så god. Som altid nåede vi kun at komme gennem en brøkdel af jeres spørgsmål, og vi ville ønske, at hun havde haft bedre tid, men vores 1½ time bliver brugt så effektivt som muligt. Vi kommer nemlig rundt om filmcensur, Harvey Weinstein, Dogme95, kvinder i filmbranchen, instruktørarbejdet, casting, Filmskolen, anmeldelser, morens opvækst ovenpå en biograf og Lones skjulte ønske om at komponere musik og meget, meget andet. Rigtig god fornøjelse! Med venlig hilsen, Casper & Lone
Daniel Cesar taler med filmanmelder Martin Blicher, som kaster stjerner efter den nye film af Lone Scherfig, The Kindness of Strangers.
Kærlighed mellem mennesker, der ikke kender hinanden ... endnu. Det kunne være overskriften på Lone Scherfigs nye film, 'The Kindness of Strangers', der lander højaktuelt på i en klode i ubalance med coronakrise og 'i cant breathe'-demonstrationer. Filmland taler med Scherfig, et af dansk films største internationale navne, og med kollegaen Eva Mulvad om hendes flygtningekærligheds-dokumentar, 'Love Child'. Derudover anmeldelse af bl.a. en sort/hvid udgave af det seneste års måske største internationale filmsucces, sydkoreanske Bong-Joon Hos 'Parasite'. Gæster Lone Scherfig om 'The Kindness of Strangers' og Eva Mulvad om 'Love Child'. Tilrettelæggelse: Per Juul Carlsen. www.dr.dk/film
Lone Scherfig is a film director and screenplay writer who rose to global acclaim with her 2000 dogma classic Italian for Beginners and has since been responsible for a number of highly successful English language films including the Academy Award nominated An Education (2007), The Riot Club (2014) and Their Finest (2016). Lone also boasts the honour of being the first ever female director to be invited to conduct the prestigious David Lean Lecture at BAFTA.
Fra trommeslager i et jazzorkester som ung til producent af musikvideoer og så videre til Filmskolen på uddannelsen som lydtekniker. Det var starten for en af Danmarks mest markante og kontroversielle filmproducenter, Peter Aalbæk Jensen, også kaldet “Ålen”.“Ålen” er gæst hos Christian Have i denne udgave af KulturHave, og han fortæller blandt meget andet om, hvordan filminstruktøren Susanne Bier fik afgørende indflydelse på hans karriere. Han fortæller, hvad der skete, da han mødte en anden verdensberømt filmskaber, Lars von Trier, og sammen med ham dannede det legendariske filmselskab Zentropa i 1992, og det fremgår også, hvad det er, der har drevet hans livslange passion for filmmediet.Peter Aalbæk har som producent stået bag en perlerække af danske filminstruktører, bl.a. Lars von Trier, Susanne Bier, Lone Scherfig, Per Fly, Nikolaj Arcel, Thomas Vinterberg, og hvis man nævner kendte og betydningsfulde film som Den Skaldede Frisør, En Kongelig Affære, Hævnen, Dancer in the Dark, Antichrist, Italiensk for begyndere, Elsker dig for evigt, så har Peter Aalbæk Jensen også været involveret.Aalbæk har i sin karriere altid delt vandene og skabt skandaler, debat og overskrifter i medierne: “Enhver krise og tænkepause er god. Det er kun i kampens hede, at sværdet bliver hærdet. Jeg har altid elsket kriser - kriser skal man ikke kimse ad”, lyder det fra Peter Aalbæk.Til sidst i programmet åbner Peter Aalbæk for visionerne om hans seneste, store projekt - en helt ny landsby med 3-4000 indbyggere.
In this episode, Laura Wade talks about the poem that has been a friend to her – 'Ashes of Life' by Edna St. Vincent Millay. We are very grateful to Laura for allowing us to share this conversation with you. Laura visited The Poetry Exchange in London. She is in conversation with The Poetry Exchange team members, Michael Shaeffer and Fiona Bennett. Laura Wade is an Olivier award winning playwright and screenwriter. Her National Theatre play HOME, I'M DARLING premiered at Theatr Clwyd in 2018 before playing at the National, where it received rave reviews. HOME, I'M DARLING won the award for Best New Comedy at the 2019 Oliviers. Laura's screenplay THE RIOT CLUB, an adaptation of her acclaimed 2010 stage play POSH, opened in cinemas on September 2014. The film is directed by Lone Scherfig and stars Max Irons, Sam Claflin and Douglas Booth. Laura has also adapted Sarah Waters' TIPPING THE VELVET for the stage and in 2018, Laura adapted Jane Austen's unfinished novel THE WATSONS for the stage for Chichester Festival Theatre. You can find out more about Edna St. Vincent Millay and read more of her poetry at the Poetry Foundation: https://www.poetryfoundation.org/poets/edna-st-vincent-millay Ashes of Life is read by Laura at the beginning of the conversation, with the gift reading of the poem by Fiona Bennett. ***** Ashes of Life By Edna St. Vincent Millay Love has gone and left me and the days are all alike; Eat I must, and sleep I will, — and would that night were here! But ah! — to lie awake and hear the slow hours strike! Would that it were day again! — with twilight near! Love has gone and left me and I don't know what to do; This or that or what you will is all the same to me; But all the things that I begin I leave before I'm through, — There's little use in anything as far as I can see. Love has gone and left me, — and the neighbors knock and borrow, And life goes on forever like the gnawing of a mouse, — And to-morrow and to-morrow and to-morrow and to-morrow There's this little street and this little house.
Career Retrospective with Patricia Clarkson on November 28, 2018. Moderated by Dave Karger. Academy Award nominee and Emmy Award-winning actress, Patricia Clarkson takes on roles as varied as the platforms for which she plays them. This multi-faceted approach makes her one of today's most respected actresses. Clarkson's continuous innovative work in independent film most recently earned her the 2018 British Independent Film Award for Best Supporting Actress for her role in Sally Potter’s film “The Party.” In 2010 she received rave reviews for her starring role in the award winning romantic drama, “Cairo Time,” which put her career in the American spotlight. She won the Independent Award for Acting Excellence at the 2009 ShoWest Awards. In 2003, her role in “Pieces of April” earned her nominations for an Academy Award, Golden Globe, SAG, Broadcast Film Critics and Independent Spirit awards. The National Board of Review and the National Society of Film Critics named her Best Supporting Actress of the Year for her work in “Pieces of April” and “The Station Agent.” Currently, Clarkson can be seen in the independent film drama “Jonathan,” opposite Ansel Elgort and in the sixth and final season of “House of Cards” on Netflix. She was most recently seen in Isabel Coixet’s “The Bookshop,” the HBO limited series “Sharp Objects” alongside Amy Adams, based on the novel by Gillian Flynn, directed by Jean-Marc Vallée; in the final installment of the Maze Runner trilogy, and Sally Potter’s film “The Party,” for which she won the 2018 British Independent Film Award for Best Supporting Actress. 2019 will see Clarkson in the detective film “Out of Blue” based on the Martin Amis novel, in which she plays the lead character. “Out of Blue” Premiered at the Toronto Film Festival in their Platform Series in 2018 and was also seen at the 2018 London Film Festival. She will next film “Light on Broken Glass” in the leading role. In 2014 she starred alongside Sir Ben Kingsley in “Learning to Drive” directed by Isabel Coixet. The film won runner up honors for the People’s Choice Award at the 2014 Toronto International Film Festival and was released in August 2015 and opened to critical acclaim. Other recent films include the timely thriller “The East,” opposite Brit Marling and Alexander Skarsgård, the comedy “Friends with Benefits,” in which she co-stars with Justin Timberlake and Mila Kunis and the Lone Scherfig directed drama, “One Day” with Anne Hathaway and Jim Sturgess. In 2010, she was seen in the box office hit “Easy A.” Clarkson and the cast of “Good Night, and Good Luck.” with George Clooney and David Straithairn, received both Screen Actors Guild and Gotham Award nominations for Best Ensemble. “Far From Heaven” won her a New York Film Critics Circle Award for Supporting Actress, “All The Real Girls” won her a Special Jury Prize at the Sundance Film Festival, and “The Safety of Objects” earned her an Acting Prize at the Deauville Film Festival. “The Green Mile” earned Clarkson and cast (including Tom Hanks and James Cromwell) a Screen Actors Guild Best Ensemble Award nomination, and “High Art” earned her an Independent Spirit Award nomination for Supporting Actress. Other film credits include: Martin Scorsese's thriller “Shutter Island,” Woody Allen's “Whatever Works” and “Vicky Christina Barcelona,” “Blind Date” with Stanley Tucci, “Elegy,” “No Reservations,” “All The King’s Men,” “Lars and the Real Girl,” “Simply Irresistible,” “The Pledge,” “Jumanji,” “Rocket Gibraltar” and “The Untouchables.”
Hver lørdag får Esben Kjær besøg af skiftende gæster, der giver ugens nyheder med grovfilen og sætter dem i et skarpt og ofte satirisk lys. I denne uge er filminstruktør Lone Scherfig gæst. Blandt emnerne: 10 millioner grænsekontroller på tre år - er det prisen værd? Bomberne i Sri Lanka - hvorfor står ingen sammen med religiøst forfulgte, når de forfulgte er kristne? Firmaer opererer chips ind i deres ansatte - er arbejdstagere efterhånden helt uden grænser? Vært: Esben Kjær. bagklog@dr.dk
Vi forandrer altid dem, vi er sammen med, og vi bliver selv forandrede af dem. Sådan forklarer forfatter Merete Pryds Helle årsagen til sin livslange fascination af det, der foregår mellem mennesker. Hun har inviteret filminstruktør Lone Scherfig til Ping Pong for at tale med hende om relationer mellem venner, i arbejde og kærlighed, men også den relation vi har, til tiden vi lever i. I Lone Scherfigs seneste film The kindness of strangers skildrer hun, hvordan fremmede kan træde til og blive afgørende i et menneskes liv. Tilrettelægger: Diana Bach.
In our latest episode of The Pop Disciple Podcast, we are joined by Andrew Lockington, the eclectic composer behind Netflix's bloody historical adventure series, Frontier and Lone Scherfig's upcoming Danish ensemble drama, The Kindness of Strangers. For more information about Andrew Lockington, visit AndrewLockington.com. ABOUT POP DISCIPLE Pop Disciple is a storytelling platform, exploring the creative work of entertainment industry professionals. With a focus in music in media, we present in-depth interviews with world-class music supervisors, film and television composers, and influencers in the realms of film and music. Visit PopDisciple.com. Follow @PopDisciple on Instagram. Music Credits Podcast Theme & Outro Music: Goldo Cues Throughout Episode: Andrew Lockington
The next in our NWR mini-season is his 2011 film DRIVE. One of us has radically changed his stance on the film (spoiler alert: Rob won't be tearing down his poster)—after a few minutes of reviews, we get stuck into psychopathy on screen, subverting type, and just why this film is s tense. Next Week Our NWR mini-season concludes with his most recent feature, 2016's THE NEON DEMON (available here: https://www.amazon.co.uk/Neon-Demon-Elle-Fanning/dp/B01MAV25IZ). This Week's Media LADY BIRD (2018): Greta Gerwig, Saoirse Ronan, Laurie Metcalf ANNIHILATION (2018): Alex Garland, Natalie Portman, Jennifer Jason Leigh Recommendations RONIN (1998): John Frankenheimer, Robert De Niro, Jean Reno CRAZY, STUPID, LOVE. (2011): Glenn Ficarra, Steve Carell, Ryan Gosling AN EDUCATION (2009): Lone Scherfig, Lynn Barber, Carey Mulligan INSIDE LLEWYN DAVIS (2013): Ethan Coen, Joel Coen, Oscar Isaacs Footnotes (Almost 50% female representation in our ‘This Week' and ‘Recommendation' sections, this time. Shortly after International Women's Day, and we're getting there…) Firstly, here are the IMDB pages for some of the playing-against-type actors that we mentioned this week: http://www.imdb.com/name/nm0331516 (Ryan Gosling), http://www.imdb.com/name/nm0186505 (Bryan Cranston), http://www.imdb.com/name/nm0000579 (Ron Perlman). This is an interesting article on the incredibly dangerous stunt performers' industry, and tragic related fatalities: https://www.theguardian.com/film/2017/aug/18/film-stunt-performers-injuries-deaths-hollywood. After Rob mentioned horror films, and why they work, it got me thinking about this piece: http://uk.businessinsider.com/why-horror-films-scary-fear-neuroscience-psychology-2016-10. Finally, this isn't a single-location film, but as we didn't really have time to discuss, LA plays a big role in the background of this film, both literally and metaphorically; here's a list of other good location-focused pieces: http://www.vulture.com/2017/04/the-best-one-location-movies-from-green-room-to-buried.html.
We conclude our tour through the Batman universe (except for That Of Which We Do Not Speak [see footnotes]) with Christopher Nolan's 2012 film. We talk about a visually impressive but ultimately pretty unsatisfying movie, earning narrative weight, and the dubious politics of Bruce Wayne. This Week's Media GUARDIANS OF THE GALAXY VOL. 2 (2017): James Gunn, Chris Pratt, Zoe Saldana GET OUT (2017): Jordan Peele, Daniel Kaluuya, Alison Williams THEIR FINEST (2017): Lone Scherfig, Gemma Arterton, Sam Claflin Recommendations THE REVENANT (2016): Alejandro G. Iñarritu, Leonardo di Caprio, Tom Hardy INCEPTION (2010): Christopher Nolan, Leonardo di Caprio, Ken Watanabe MAD MAX: FURY ROAD (2015): George Miller, Tom Hardy, Charlize Theron ONE DAY (2011): Lone Scherfig, Anne Hathaway, Jim Sturgess Footnotes First of all, here's our ‘small batch' episode on the most recent Batman film, Zack Snyder's 2016…effort. Here's that Nerdwriter video Rob mentions (and his video on the evolution of Gotham is also apposite, as we come to the end of the franchise). We discuss two comic series, ‘No Man's Land' and ‘The Dark Knight'. And finally, I do enjoy these videos (there are some impressively thorough ones about more recent blockbusters, too).
This week on the InSession Film Podcast: Extra Film segment, we discuss Lone Scherfig's new film THEIR FINEST and the small German/French film FRANTZ! - Review: Their Finest (8:44) - Review: Frantz (32:40) Thanks for listening and be sure to subscribe on iTunes, Google Play, Stitcher, Soundcloud or TuneIn Radio! iTunes: https://itunes.apple.com/us/podcast/insession-film-podcast/id605634337 Google Play: https://play.google.com/music/listen?authuser&u=0#/ps/It5foal422yoktioaclalk3ykyi Stitcher: http://www.stitcher.com/podcast/insession-film Soundcloud: https://soundcloud.com/insession-film TuneIn Radio: http://tunein.com/radio/The-InSession-Film-Podcast-p522717/ Listen Now: http://insessionfilm.com/insession-film-podcasts-listen-now/
Despite her sheltered upbringing, Jenny (Carey Mulligan) is a teen with a bright future; she's smart, pretty, and has aspirations of attending Oxford University. When David (Peter Sarsgaard), a charming but much older suitor, motors into her life in a shiny automobile, Jenny gets a taste of adult life that she won't soon forget. Stream online: https://amzn.to/3caTMaC Read the book: https://amzn.to/2oub3rw
Despite her sheltered upbringing, Jenny (Carey Mulligan) is a teen with a bright future; she's smart, pretty, and has aspirations of attending Oxford University. When David (Peter Sarsgaard), a charming but much older suitor, motors into her life in a shiny automobile, Jenny gets a taste of adult life that she won't soon forget. Stream online: https://amzn.to/3caTMaC Read the book: https://amzn.to/2oub3rw Become a Patron: https://www.patreon.com/mfrbooksandfilm?fan_landing=true
On the first segment of today's show, host Tom Breen and WNHH's Babz Rawls Ivy celebrate Mother's Day by sharing on moms and movies, talking about everything from favorite cinematic moms to movie picks for mother’s day to our own experiences watching movies with our moms. For the second segment of today’s show, Breen is joined by New Haven Independent reporters Allan Appel and Lucy Gellman for a review of THEIR FINEST, Lone Scherfig’s new World War II-era dramedy about a female screenwriter recruited by the Ministry of Information Film Division to help beef up the women’s dialogue in British wartime propaganda pictures.
WWII romance, comedy and drama ahoy for Laurie in Lone Scherfig’s Their Finest, starring Gemma Arterton and Bill Nighy. Phil tucks into an oddly compelling erotic mystery in Park Chan-wook’s The Handmaiden, and Benedict fills us in on an experimental coming-of-age slash vampire horror flick with Michael O’Shea’s The Transfiguration. WWBW features Karl Urban in Pete Travis’ reboot … Continue reading Their Finest, The Handmaiden, Dredd, The Transfiguration, Star Trek Beyond & Ask Benedict →
Matthew Sweet with a selection of film music reflecting wartime propaganda in the cinema and the wartime spirit, inspired by Lone Scherfig's new film "Their Finest" with a score by Rachel Portman, released in cinemas this week.
Anne Hathaway has always been outspoken about Hollywood's need for gender equality, but in this interview with Peter Travers, the Oscar winner admits she may have been an accidental perpetrator of misogyny at one point in her career. When asked by Travers if there was any movie she learned the most from, she said 2011's "One Day," opposite Jim Sturgess. In that film, she admits, she didn't give all she could to director Lone Scherfig and she believes it's because she was a woman. Take a listen as Hathaway offers up an emotional apology. She also opens up about disliking herself and shares the steps she took to overcome those feelings. It's Hathaway as you've never heard her before. Like what we're doing? Leave a review! ----> http://bit.ly/2kIbsjV Check out our other podcasts: http://bit.ly/2eBJMNa * ABOUT PETER TRAVERS: Peter Travers an American film critic, author and journalist. For some 25 years, Travers has written for Rolling Stone. He personally screens nearly 400 movies per year and releases weekly reviews. Travers is the nation's most blurbed film critic, according to eFilmCritic.com. Travers is also host of ABC's "Popcorn With Peter Travers," where he interviews actors, directors and Broadway performers about their roles and their lives. Popcorn on Twitter: http://abcn.ws/2gGYRiD Popcorn on Facebook: http://abcn.ws/2f3iHDw Popcorn on YouTube: http://abcn.ws/2gyswtx Popcorn on Instagram: http://abcn.ws/2fC0Ak2
This week's films run the gamut from the poignantly romantic to the perplexing and strange. Stevie and Emmet review British romantic drama (made by Danish director, Lone Scherfig), Their Finest starring Gemma Arterton, Sam Claflin and Bill Nighy. Set in 1940, the film follows Catrin Cole as she negotiates the man's world of propaganda films during wartime. Stevie then explains to Emmet why she's not sure about Olivier Assayas' Personal Shopper, a surreal vehicle for Kristen Stewart. Acclaimed by some, Stevie's not sure if it's brilliant or ordinary.
G'day. New episode. Give it a listen, if you like, using the player above or via iTunes.A Girl Walks Home Alone at Night (2014, dir: Ana Lily Amirpour) Sister (2012, dir: Ursula Meier) The Riot Club (2014, dir: Lone Scherfig)
BAFTA-nominated director Lone Scherfig (An Education, One Day, Riot Club), offers insight into her creative processes, how she collaborates, and what she's learnt from her years as a filmmaker. Presented by the British Council and chaired by Briony Hanson (British Council, Film) Recorded at the Sargent-Disc BAFTA Filmmakers' Forum on 11 July 2015 at BAFTA 195 Piccadilly
Cominciamo a palla con I 400 colpi che torna in sala ed è forse il più grande film di sempre, quindi tocca vederlo. Per forza. Passando a quelli della settimana c’è Lucy che non ho visto ma che ha visto Faster e subito dopo Italy in day il gran bel film di Salvatores. C’è la mega anteprima di Homefront sempre visto da Faster oltre a quella di Sin City 2 con tutti i riferimenti al bellissimo Le catene della colpa. C’è poi l’aneddoto relativo a La Buca, di cui ho scritto così male da dover cambiare la recensione, storia completamente diversa da quella dell’incredibile Winter il delfino 2. Pessimo invece Posh di Lone Scherfig che invece altrove aveva fatto roba molto bella. Per rilassarsi arrivano i calci e le ginocchiate di Tony Jaa in The protector 2 e la stroncatura di Pasolini.
Cominciamo a palla con I 400 colpi che torna in sala ed è forse il più grande film di sempre, quindi tocca vederlo. Per forza. Passando a quelli della settimana c'è Lucy che non ho visto ma che ha visto Faster e subito dopo Italy in day il gran bel film di Salvatores. C'è la mega anteprima di Homefront sempre visto da Faster oltre a quella di Sin City 2 con tutti i riferimenti al bellissimo Le catene della colpa. C'è poi l'aneddoto relativo a La Buca, di cui ho scritto così male da dover cambiare la recensione, storia completamente diversa da quella dell'incredibile Winter il delfino 2. Pessimo invece Posh di Lone Scherfig che invece altrove aveva fatto roba molto bella. Per rilassarsi arrivano i calci e le ginocchiate di Tony Jaa in The protector 2 e la stroncatura di Pasolini.
Cominciamo a palla con I 400 colpi che torna in sala ed è forse il più grande film di sempre, quindi tocca vederlo. Per forza. Passando a quelli della settimana c’è Lucy che non ho visto ma che ha visto Faster e subito dopo Italy in day il gran bel film di Salvatores. C’è la mega anteprima di Homefront sempre visto da Faster oltre a quella di Sin City 2 con tutti i riferimenti al bellissimo Le catene della colpa. C’è poi l’aneddoto relativo a La Buca, di cui ho scritto così male da dover cambiare la recensione, storia completamente diversa da quella dell’incredibile Winter il delfino 2. Pessimo invece Posh di Lone Scherfig che invece altrove aveva fatto roba molto bella. Per rilassarsi arrivano i calci e le ginocchiate di Tony Jaa in The protector 2 e la stroncatura di Pasolini.
This year's Shanghai International Film Festival is underway, with the jury already beginning to evaluate films from a wide range of genres and countries. CRI's Liu Kun has more from Shanghai. Reporter: Led by renowned Chinese actress Gong Li, the jury of the 17th Shanghai International Film Festival consists of six other film masters including Peyman Moadi from Iran, Shunji Iwai from Japan, Sally Potter from the UK, Lone Scherfig from Denmark, Sang-soo Im from South Korea, and Liu Jie from China. This is the first time ever that the Festival appointed a female president to its jury. But Gong Li says she doesn't see herself any different from the rest of the panel. "We work as a team and we are like a family. Our decision will be made on the rule of fair competition. I don't feel any different about my own role compared to the rest of the jurors. But I think I speak for everyone of us when I say I feel really honored to be a juror and would like to contribute to the development of Chinese film industry." Fifteen movies have been selected from over 1000 submissions for the final 8 Golden Goblet Awards including Best Feature Film, Best Director, Best Screenplay, Best Actor and Actress. Gong Li reveals that apart from artistic features, market potential is another important aspect of consideration when deciding the nominations. "The 15 nominations do have their own commercial values. They are not just selected based on their artistic achievement. It's a combination of both sides. I feel this will be a trend for film festivals in the coming years." Like the jury members, the nominated films are from countries around the world, such as Australian movie Canopy, French and German co-production Diplomacy, and Thai movie The Last Executioner, to name just a few. Sally Potter, one of the jurors, says under the great diversification of nominations she actually sees a common theme running through them all. "So often there's the emphasis on how different people are, different nations, different genders and so on. And in fact what we find is the universal principle. So there's an enormous liberation and diversification through that simple principle of common humanity." The award ceremony of the Golden Goblet will be held in Shanghai Grand Theatre on the night of June 22nd. For CRI, this is Liu Kun in Shanghai.
Edição especialíssima com contou com a pior imitação de Caco O Sapo de toda a internet brasileira! Que beleza!! Neste programa mudamos um pouco as ordens das coisas por conta da estréia daquele que o Claquete considera O Filme do Ano (TM): Os Muppets, com direção de James Bobin e roteiro de Jason Segel. Contamos tudo (ou tudo o que deu para falar no primeiro bloco) sobre seu criador Jim Henson, o saudoso programa de televisão, os filmes antigos, curiosidades e, claro, sobre o novo filme que estréia neste final de semana. Após esse resgate da nossa infância conversamos um pouco sobre as outras estréias da semana: Tem o drama Um Dia, de Lone Scherfig; a pancadaria Os Especialistas, de Gary McKendry; o nacional Um Assalto de Fé, de Cibele Amaral; e a animação Operação Presente, de Sarah Smith. Os trailers dessa semana foram totalmente patrocinados pela letra "J". Confira: A aventura que estamos cruzando os dedos e torcendo para que seja boa John Carter, de Andrew Stanton. A comédia de humor negro Jovens Adultos, de Jason Reitman. Encerramos o programa seguindo a sugestão dos nossos ouvintes e falando um pouco mais sobre Grimm e Once Upon A Time, comparando um pouco estas duas séries que usam fantasia e contos infantis clássicos como principais temas. Ah sim, cuidado porque não conseguimos nos segurar e comentamos o último capítulo de The Walking Dead de forma bem... hum... explícita. Confira abaixo no nosso On Demand! Para celebrar a estréia do novo filme dos Muppets confira o sensacional clipe da música Keep Fishin' no qual a banda Weezer interage com todos estes fantásticos personagens. E nunca se esqueça: para falar conosco e enviar sugestões basta enviar um e-mail para claquete@bestradiobrasil.com.
Lone Scherfig har regisserat filmatiseringen av den nästan sönderälskade romanen En dag. En värdig utmaning efter förra filmen An Education, som blev nominerad till tre Oscarstatyetter. Lisa Bergström träffade den danska regissören, som passade på att träna sin rostiga svenska - förra året köpte Scherfig och hennes nämligen ett slott i Västervik. Lars Lönroth har minglat bland historiker och nördar på den trettionde upplagan av Pordenones stumfilmsfestival i Italien. En av filmerna som visades där var The Artist som fick stor uppmärksamhet i Cannes tidigare i år. För de ofta lite undanskuffade stumfilmsnördarna hoppas man förstås att The Artist ska bli början på en ny storhetstid, för denna utdöda konstform. Eller, utdöda och utdöda. Det visar ju sig att det hela tiden görs nya fynd, restaureringar och kompletteringar till redan kända filmer. Lars Lönroth rapporterar. I vår serie Om igen har nu turen kommit till författaren Torbjörn Flygt att berätta om vilken film han sett flest gånger. Och det visar sig att arbetarklasskildraren från Malmö, aktuell med romanen Outsider, har sett en film av en fransk arbetarklasskildrare flest gånger - Marie-Jo och hennes två älskare av Robert Guédiguian. En konflikt av närmast bibliska proportioner mellan två bröder är utgångspunkten för Maria Kuhlbergs dokumentär "Han tror han är bäst" som hade premiär förra veckan. Maria Kuhlbergs morbröder - Aldo och Carmino - kom till Sverige som barn, i samband med arbetskraftsinvandringen från Italien. Men livet i Sverige blev något helt annat än den guldkantade tillvaro som rekryterarna av arbetskraft hade förespeglat familjen. Det blev i stället en följetång av barnhem, fosterhemsplaceringar, våld och missbruk. Nina Asarnoj träffade skådespelerskan Maria Kuhlberg som nu debuterat som dokumentärfilmsregissör med "Han tror han är bäst" om sina två morbröder och det sociala arvets tyngd.
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