British actor
POPULARITY
2 episodes with nighy
2 episodes with nighy
2 episodes with nighy
2 episodes with nighy
2 episodes with nighy
2 episodes with nighy
3 episodes with nighy
2 episodes with nighy
2 episodes with nighy
Tras quedar varado en una remota isla, un robot debe adaptarse a sus circunstancias y entablar relaciones con los animales que viven allí. Basado en la saga literaria creada por Peter Brown, el director Chris Sanders firma su cuarto largometraje de animación, tras sus exitosos "Lilo & Stitch", "Cómo entrenar a tu dragón" y "Los Croods". El reparto de voces en inglés contempla a Lupita Nyong'o, Pedro Pascal, Catherine O'Hara, Bill Nighy y Mark Hamill, entre otras figuras. Ya disponible en salas de cine.
Cornetto anyone? This week we're taking a deep dive into Shaun of the Dead the first in the Cornetto trilogy and honestly just a wonderful film. On top of that we've got a breakdown of the Boys season 4, which has perhaps not quite hit the heights we hoped for.Lots to get into of course - first up we ask is this film actually an autobiographical piece? What are are the best layered comedy moments that are still funny 20 years later? Was this a horror film or a zombie film?You've probably come across this already but Shaun of the Dead is incredibly review friendly getting some brilliant scores on Rotten Tomatoes and Metacritic. MVP wise our shoot out a fatal four way between Dylan Moran, Simon Pegg, Nick Frost and then the tag team duo of Nighy and Penelope Wilton.Let us know what you made of our review of Shaun of the Dead and get in touch @byobpod on the socials! Hosted on Acast. See acast.com/privacy for more information.
"How much do you know about Davy Jones?" For Episode 318, Thomas and Brandon continue their journey through the original PIRATES OF THE CARIBBEAN trilogy. Listen as they discuss how the series was retroactively made into one big story, how the two sequels were almost canceled by Disney, and how the cast and crew struggled through the Caribbean weather during the filming of back-to-back sequels. Also, don't forget to join our Patreon for more exclusive content: Opening Banter - Hit Man and Movie Theaters (00:00:10) Recap on the Month (00:08:41) Intro to Pirates of the Caribbean: Dead Man's Chest (00:14:22) How Pirates of the Caribbean: Dead Man's Chest Got to Production (00:26:08) Favorite Scenes (00:40:56) On Set Life - (01:10:42) Aftermath: Release and Legacy (01:19:21 ) What Worked and What Didn't (01:24:24) Film Facts (01:38:38) Awards (01:41:08) Final Questions (01:45:49) Preview for Next Week (01:52:58) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast E-mail: cinenationpodcast@gmail.com
Real quick: here's a move from the late 90's about a band that was big in the 70's mounting a reunion tour and having to face some demons in the process. Stephen Rea, Bill "knuckles" Nighy, Billy Connolly, Jimmy Nail and some other bastards you probably won't know. RIP Steve Harley+++++Theme by Professor Ping available on BandcampOutro: Steve Harley & Cockney Rebel performing Mr. Soft --- Support this podcast: https://podcasters.spotify.com/pod/show/zandkmoviepod/support
Happy Pearl Harbor day. Wonder what outlandish news we get today. Breakdown of tonights TNF between the Steelers & Patriots. Breakdown of PACERS v BUCKS && NOLA v LA in the NBA && a look at the shooting in VEGAS which is clearly tied to the NBA & NFL.
"Ride or Die-ghy for Nighy." In this episode, Luke and Kevin catch up after Kevin's Honeymoon Haitus, Luke talks about The 1975 concert he went to and they share their thoughts on the new Beatles song. They play Song Saga (song-saga.com) and share music-related anecdotes about finger waving, fighting and artists who are better live. They share the music they've been loving, the #NewMusicFriday releases they're looking forward to and play some amazing new songs from incredible artists. Songs Played In This Episode: Wilderado - In Between ft. Matt Berninger new single out now via Bright Antenna Records Yung Bae - Body Talk ft. Mayer Hawthorne from Groove Continental: Side B out now on Groove Continental Records Photo Credits: Wilderado by Laura Webster Yung Bae - Coutesy of the Artist Purchase Song Saga through our affiliate link: song-saga.com/rockin/21 Listen to our Best Song Ever Official Playlist. Presented by Planet Ant Podcasts (planetant.com) & Offshelf (offshelf.net)
Laura Dodsworth investigated how tech giants manipulate users for her co-written book, titled Free Your Mind, which even involved a stay at a nun's convent to escape the endless pings. Ancient alien radio bursts clue to ‘weight of universe'. Regrowing Maui's scorched trees after deadly wildfires.Also in this episode:Nighy & Fiennes in National Theatre Live plays streaming to UK cinemasThumbs ready for London's Counter-Strike 2 game finalUS Marines ‘MacGyver' rocket launcher on robodog Hosted on Acast. See acast.com/privacy for more information.
Flushed Away is a 2006 computer-animated adventure comedy film directed by Sam Fell and David Bowers, produced by Cecil Kramer, David Sproxton, and Peter Lord, and written by Dick Clement, Ian La Frenais, Chris Lloyd, Joe Keenan and Will Davies. It was the third and final DreamWorks Animation film co-produced with Aardman Features following Chicken Run (2000) and Wallace & Gromit: The Curse of the Were-Rabbit (2005), and was the first Aardman project mostly made in CGI animation as opposed to starting with their usual stop-motion. The film stars the voices of Hugh Jackman, Kate Winslet, Ian McKellen, Shane Richie, Bill Nighy, Andy Serkis and Jean Reno. In the film, a pampered pet rat named Roddy St. James (Jackman) is flushed down the toilet in his Kensington apartment by a sewer rat named Sid (Richie), and befriends a scavenger named Rita Malone (Winslet) in order to get back home while evading a sinister toad (McKellen) and his hench-rats (Nighy and Serkis). -- Audiomorphs is an Animorphs podcast which is actually not so much a podcast as a bootleg Animorphs audiobook. Releases every Friday. Visit https://www.theapodcalypse.com/ Twitter: @audiomorphs
Have you stayed longer than you should have in an abusive relationship due to codependency? Do you recall being anxious all the time without being sure why? Filmed in Canada, Alice, Darling, Oscar-Nominated actress, Anna Kendrick (“Alice”) captures the anxious psychology of a woman in an abusive relationship as her friends try to reconnect with her while on a cottage getaway. When Alice is invited on a cottage trip to celebrate her friend's birthday, she feels like she has to lie to her charming and successful boyfriend, Simon (Charlie Carrick), telling him that it's a very important business trip. Her longtime friends, played by Kaniehtiio Horn (Letterkenny) and Wunmi Mosaku (Lovecraft Country) want Alice to enjoy their time together, but she just doesn't seem present. With Simon continuously texting her, it becomes clear that she's being closely monitored by him and her phone turns into an overbearing conduit for emotional abuse. Once they realize what's happening, Alice's friends try to convince her that her relationship isn't normal, but she continues to doubt herself, constantly modulating where she goes or what she eats, unable to disconnect from Simon, even though she knows she's unhappy. As the weekend progresses, not only their friendship hangs in the balance, but also Alice's safety. The women become entangled in a psychological tug-of-war with Simon, who continues his attempts at excising Alice from those closest to her. Written by Alanna Francis, returning to TIFF 2022 after 2019's The Rest of Us, and intelligently realized by Mary Nighy, Alice, Darling captures the apprehension and dread that haunt victims of domestic abuse. Nighy's direction puts particular focus on the little details that serve as warning signs and, coupled with a meticulous performance from Kendrick, she creates a tense atmosphere that serves as a unique portrait of psychological manipulation and one young woman's effort to overcome it with the support of her friends. As accredited media, I was at their TIFF 2022 red carpet premier to talk to Nighy, Noah Segal (co-president at Elevation Pictures Corp), Kendrick (who in part accepted this role after being in her own abusive relationship for over 6 years), Francis, and Carrick about their roles, the importance of bringing this story to the big screen, and lots more!
Un film per essere definito bello deve essere per forza difficile? Deve avere almeno 5 livelli di lettura? Oppure può esserlo anche un film semplice, leggero, retorico... facile?Oggi parliamo di Era Ora e Living, due film facili!Evviva! -Acquista Underdogs, la mia nuova serie a fumetti ‣‣‣ https://rebrand.ly/Underdogs-L'amazon shop di FREKT dove ti consiglio fumetti e libri belli ‣‣‣ https://www.amazon.it/shop/iosonofrekt-Segui le live su Twitch ‣‣‣ https://rebrand.ly/twitchFrekt-Unisciti al gruppo telegram dei Frektiani ‣‣‣ https://rebrand.ly/TelegramFrekt-Prova Amazon Prime Video ‣‣‣ https://www.primevideo.com/?&tag=frekt-21-Contatti di Frekt-‣ Instagram: https://www.instagram.com/iosonofrekt‣ Pagina Facebook: https://www.facebook.com/thefrekt-Acquista i biglietti di VEGETA E' morto (e l'ho ucciso io) ‣‣‣ https://linktr.ee/vegetaemorto-Altre cose di Frekt ‣‣‣ https://linktr.ee/iosonofrekt-Altre cose di Frekt ‣‣‣ https://www.youtube.com/watch?v=J5iJEOBNeBQ&ab_channel=SvevoMoltrasio--La voce della sigla è di Gianluca Iacono https://www.instagram.com/gianlucaiacono_official/ la sigla è stata prodotta da Silvio Benvenuto https://www.instagram.com/earthquake51d/
[REBROADCAST FROM December 7, 2022] A new film from an adapted screenplay by Kazuo Ishiguro, titled "Living," finds Bill Nighy as a 1950s civil servant who, after a fatal cancer diagnosis, endeavors to give his tedious life meaning. Nighy and Ishiguro join us to discuss the movie.
Lisa Knapp is an English folk singer, musician and songwriter. Her singing voice has been described as crystal clear and reminiscent of Anne Briggs. She can be heard singing on the closing credits of the film Living starring bill Nighy. she's touring in March 2023 with Marry Waterson and Nathanial Mann going under the name Hack Poets Guild. She has released three solo albums and one of my very favourite things in lockdown was her singing the weather on you tube, where she would improv a song of the day's weather forecast accompanied on harmonium.In this episode Lisa talks about identity, illness, circadian rhythms and even sings us a lullaby. Hosted on Acast. See acast.com/privacy for more information.
Directed by Mary Nighy, ALICE, DARLING tells the story of Alice (Anna Kendrick), a hard-working woman in a committed relationship with Simon (Charlie Carrick). When she's invited to join her friends for a weekend away at a cottage to celebrate her friend's birthday, Alice becomes increasingly anxious about the trip. As Alice's secrets are revealed, her friends try to help her disconnect from the harmfulness that awaits her at home. In this 1on1, we speak to Nighy about the nature of love and freeing one's self from shame.
During World War Two, a house in Tynemouth was used as a sanctuary for more than 20 Jewish girls fleeing Nazi persecution. They had come to the UK on the Kindertransport. After a BBC investigation, a blue plaque will be unveiled there today, Holocaust Memorial Day, celebrating the house's forgotten past and those that found sanctuary there. Two of the Girls who lived in the house were Ruth David and Elfi Jonas. Anita speaks to their daughters - Margaret Finch and Helen Strange about their mothers and their visit to the house. Mary Nighy began her acting career at the age of 17, starring in films such as Marie Antoinette and Tormented. The daughter of actors Bill Nighy and Diana Quick, she has since turned director, of TV shows like Industry and Traces but she has just released her directorial debut Alice Darling. The film, starring Anna Kendrick, explores what it might feel like to be trapped inside a coercive, controlling and psychologically abusive relationship. Mary joins Anita Rani to talk about the themes of the film, female friendship and working behind the camera. Big employers including Tesco, Asda, Natwest and the country's most senior family judge are supporting a scheme that gives time off to parents who are splitting up. A survey of 200 workers by the Positive Parenting Alliance showed that 90 per cent of respondents said that their work was adversely affected. Anita speaks to XY and Sara Davison a divorce coach and author. How do you differentiate between symptoms of menopause and dementia and when should you be worried? A new brain check-up tool kit from Alzheimer's Research UK is encouraging people to do more to look after their brains to try to reduce their dementia risk. Research shows that women are generally at a greater risk of dementia - outnumbering the number of men who get the disease by 2:1 worldwide. But as women get older and experience the menopause, they may notice a decline in their memory, feel confused and get brain fog. We also hear about an early study which suggests that HRT may reduce the risk of some women developing Alzheimer's disease.
Chalet Girl is a 2011 romantic comedy directed by Phill Traill. We watched this on Netflix. It's the story of Kim Matthew's played by Felicity Jones. She is a former skateboard prodigy who after her mothers untimely death ends up working at a burger joint to help her dad pay the bills. When a new job offer roles around for her to manage a chalet in Austria for an extremely wealthy family run by Richard (Bill Nighy), Caroline (Brooke Shields), Kim runs into their son Johnny (Ed Westwick). Sparks inevitably fly, coupled by Kim confronting her fears of her mothers car crash… not with a skateboard, but with a snowboard this time…See omnystudio.com/listener for privacy information.
In this episode of 92NY Talks, Annette Insdorf interviews star Bill Nighy and director Oliver Hermanus, following a preview screening of their new film Living. Acclaimed at film festivals including Sundance and Telluride, it's the touching portrait of a joyless civil servant in 1953 London — a magnificently understated performance by Nighy — whose dire diagnosis leads him to transformation. The conversation was recorded on December 6th, 2022 in front of a live audience at The 92nd Street Y, New York.
In this episode of 92NY Talks, Annette Insdorf interviews star Bill Nighy and director Oliver Hermanus, following a preview screening of their new film Living. Acclaimed at film festivals including Sundance and Telluride, it's the touching portrait of a joyless civil servant in 1953 London — a magnificently understated performance by Nighy — whose dire diagnosis leads him to transformation. The conversation was recorded on December 6th, 2022 in front of a live audience at The 92nd Street Y, New York.
A new film from an adapted screenplay by Kazuo Ishiguro, titled "Living," finds Bill Nighy as a 1950s civil servant who, after a fatal cancer diagnosis, endeavors to give his tedious life meaning. Nighy and Ishiguro join us to discuss the movie, which opens in theaters on December 23.
Paulina Porizkova: very dirty martini (2 1/2 ounces Hendrick's gin, dry vermouth, extra olives) Paulina credits Johnny Depp with being a positive example of kindness on the set and teaching her to be less judgmental; pays a compliment to both Naomi Watts and Bill Nye (not Nighy) the Science Guy; discusses narcissism, Instagram, the Kardashians and Olivia Dunn.
Living is a 2022 British drama film directed by Oliver Hermanus from a screenplay by Kazuo Ishiguro, adapted from the 1952 Japanese film Ikiru directed by Akira Kurosawa, which in turn was inspired by the 1886 Russian novella The Death of Ivan Ilyich by Leo Tolstoy. Set in 1953 London, it depicts a bureaucrat (played by Bill Nighy) facing a fatal illness. Living had its world premiere at the 2022 Sundance Film Festival on 21 January 2022, and was released in the United Kingdom on 4 November 2022, by Lionsgate.[1] The film received positive reviews, with Nighy's performance receiving particular acclaim. --- Send in a voice message: https://anchor.fm/popcorn-junkies/message
James Cameron-Wilson laments a box office falling another 34% (ahead of next week's Wakanda Forever). The Banshees of Inisherin is strong at #3 with over £6m while Living, with Bill Nighy, enters at #4. James (and Simon) adore the film and hope Nighy will finally get the Oscar recognition that has eluded him. On Netflix, James thinks the German remake of All Quiet On The Western Front is a masterpiece while he finds Causeway, on Apple+, full of wonderful performances, including that of Jennifer Lawrence. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week's Ally's Accessories Shop Trash Feature Revue is the hard to find (per DVD.com) British comedy "Wild Target" starring Emily Blunt. X is still a tough letter to represent, so Cool Movies Darth decides to have some fun with three degrees of Kevin Bacon as he also watched "Pokemon: Detective Pikachu" and "R.I.P.D." As a bonus treat, between the first two film, we get 25 minutes with ThePoeticCritic and what has been featured on her Letterboxd. Long live Ringo Star and Barbara Bach.
Welcome back ragers to the best movie review podcast on the planet. The rage rolls on from the Film Rage Studio. This week the Film Rage Crew are blown away by Jordan Peele's latest film and two thirds of the crew were a little disappointed by the new Leonard Cohen doc. Plus they got to view a Calgary Underground Film Festival Secret Screening. Introduction-0:00 canyonmeadowscinema.ca -1:36 In Cinema Nope (2022)-3:14 Hallelujah: Leonard Cohen, A Journey, A Song (2022)- 14:10 Calgary Underground Film Festival Secret Screening https://www.calgaryundergroundfilm.org I Love My Dad (2022)- 23:04 The Murman Minute- 33:24 Open Rage Jim's open rage-His own stupidity-37:45 Bryce's open rage-Not enough Lil Rel Howery-38:58 https://goodeveningpod.podbean.com/ -40:26 The Lists Mesmerized Off- Smith vs. Nighy vs. Patel-42:16 Jordan Peele discussion-48:03 Rage or Dare Texas Rangers (2001)-50:33 Jim pulls from Bryce's Rom-com Hell Bag -55:30 Outro-57:59 Thanks Ragers for listening to our film review podcast. Rage On!!! https://nerdyphotographer.com/social/ https://www.filmrageyyc.com/ https://filmrage.podbean.com/ https://www.facebook.com/filmrageyyc https://podcasts.apple.com/ca/podcast/film-rage/id1493735088 https://open.spotify.com/show/4ltbJS7XkDj0inwXf9G0ZH?si=m3OzZulNRmW6d93K7DG_uw https://play.google.com/music/m/Inyleam7prw77l75he733v643jq?t=Film_Rage https://www.youtube.com/playlist?list=PLsuw4WB6zmxbgDBjFn6utlT7PFnaDa0w6 https://www.stitcher.com/podcast/film-rage?refid=stpr https://tunein.com/podcasts/Media--Entertainment-Podcasts/Film-Rage-p1325858/ https://www.iheart.com/podcast/269-film-rage-63364236?cmp=ios_share&sc=ios_social_share&pr=false&autoplay=true https://www.leonardconlinphotos.com/ https://www.potatoladypodcastreviews.com/ https://flicksxrayed.com/ https://www.crimetimenerds.com/
Carrie & Tommy Catchup - Hit Network - Carrie Bickmore and Tommy Little
Swim Good Night Swim Logies What did you vomit on? Same Same But Spoken Carrie's Correction - Amsterdam Blow Our Minds See omnystudio.com/listener for privacy information.
This has been BY FAR, the most requested movie in Rom Com Rewind History... and finally, today is the day we re-watched About Time starring Domhnall Gleeson, Rachel McAdams, Bill Nighy and Margot Robbie. Is this the movie with the single most amount of heart? Does this movie win the record for weep warnings in a movie? Is this our single longest PODCAST episode so far? Join us in re-watching this 2013 instant classic. See omnystudio.com/listener for privacy information.
Sharifah and Jenn discuss adaptation news for Good Omens and Marie Lu's Legend, dive into NPR's Books We Love selections, and give some go-to authors. Follow the podcast via RSS here, Apple Podcasts here, Spotify here. The show can also be found on Stitcher here. To get even more SF/F news and recs, sign up for our Swords and Spaceships newsletter! This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. News Good Omens S2 is happening [AV Club] PRH re-records Pratchett's Discworld series with Nighy and Serkis [The Bookseller] NPR's Books We Love, SFF Section Series adaptation of Legend by Marie Lu [Deadline] Authors Ursula K. LeGuin Charles Yu Karen Lord Alexis Hall Terry Pratchett Nghi Vo (The Siren Queen) NK Jemisin Nino Cipri Zin E. Rocklyn See omnystudio.com/listener for privacy information.
Tonight we Recap the exciting Nighy of Pro Wrestling Action that was AEW Full Gear.. Join The Franchise Player Badd Blood and The Mixologist Of Pro Wrestling Julian Smith as we discuss the Must see event .. join us for the excitement. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/theroundtablepodcast/message
Liverpool has a proud theatre history dating back over 150 years. The Playhouse is the oldest repertory theatre in England while the Everyman has a huge history helping launch the careers of the likes of Julie Walters, Jonathan Pryce, Pete Postlethwaite and Alison Steadman through to the likes of Bill Nighy, Alan Bleasdale, Willy Russell, David Morrissey and Stephen Graham. The city is also home to other much loved venues ranging from the Royal Court through to the Empire and the Unity. For this edition of Merseywaves, we brought together actress Josie Lawrence - who is currently in the city playing the role of Sylvie in ‘Our Lady of Blundellsands' at the Everyman, and Councillor Harry Doyle, Cabinet member for culture at Liverpool City Council to discuss why theatres are so important to the lifeblood of the city and the fabric of the nation. Guests: Josie Lawrence and Cllr Harry Doyle Presenter: Paul Johnston Producer: Niall Walsh Location: Zoom
Happy Pride Month! There is no doubt in my mind that the creators of Stonewall (2015) looked at Pride (2014) and thought, "I could do that!" Fun fact!! They couldn't. Celebrating the true stories based on a small group of activists, PJ and I talk strength in numbers, changing the world one act at a time, and old biddys with nudie mags.PRIDE (2014) Written by Stephen Beresford and directed by Matthew Warchus, starring bill Nighy, Dominic West, and Imelda Staunton. U.K. gay activists work to help miners during their lengthy strike at the National Union of Mineworkers in the summer of 1984.Hear this episode early on Patreon! http://patreon.com/rwacpodMerch Store: https://rwacshop.online/RWACpod Discord: https://discord.gg/QVYzpNcyhqRWACpod on Facebook: https://www.facebook.com/groups/rwacpodFollow on IG: @RWACpodWhere to find the Rebels:Stefan: @sjmaroni on IGBearSailorMoon: @bearsailormooonon all social mediaCarlotta Carlisle: @carlottacarlisle on IG / Carlotta1987 on RedBubbleChad: @cski01 on IGPJ: @xndra_design on IGStu: @janikon_ on IG & TikTok
Dan bumps into a celebrity leading to yet another themed game show... Harry takes charge of another light hearted topic and Danny DeTweeto returns. Follow the podcast on Instagram @the6degreespodcast Follow the podcast on Twitter @The6DegreesPod
Consigli Non Richiesti.-Da grandi poteri derivano grandi responsabilità? I superpoteri devono essere usati solo per combattere il male o magari si possono usare per farsi... i fatti propri?Possiamo goderceli e basta? Scopriamolo in questo episodio! EVVIVA!-Il mio fumetto ‣‣‣ https://rebrand.ly/Ramiro -Unisciti al gruppo telegram dei Frektiani ‣‣‣ https://rebrand.ly/TelegramFrekt-Contatti di Frekt-‣ Twitch: https://rebrand.ly/twitchFrekt ‣ Instagram: https://www.instagram.com/iosonofrekt‣ Pagina Facebook: https://www.facebook.com/thefrekt-Manda la tua proposta di fumetto ‣‣‣ https://rebrand.ly/Hicksville-Altre cose di Frekt:-https://linktr.ee/iosonofrekt---video di Svevo Moltrasio ‣‣‣ https://rebrand.ly/VideoSvevo--La sigla è di Chiara del podcast "Avrei qualcosa da dire show". 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The Alchemist search for happiness in our own timelines in About Time. Key Elements: Father, Son, Patriarchy
RYJ reviews Love Actually...from the couch Starring High Grant, Liam Neeson, Colin Firth, Laura Linney, Emma Thompson, Alan Rickman, Keira Knightley, Martine McCutcheon, Bill Nighy, Rowan AtkinsonWritten and Directed by Richard Curtis Follow me on IG, and twitter - @ohitsbigron Show Art by Katie Helm, follow her on IG - @katieladybug3 Theme Music by Breakmaster Cylinder (Check out Time Well Spent, another podcast from ohitsBigRon studios) 2.5 of 5 stars
Emma is joined by Welsh superstar Katherine Jenkins OBE for this week's episode of the Life & Soul Podcast. Katherine is officially the world's most famous classical singer, having 13 number one albums in 12 years since signing to Universal Classics at the age of 23. While live audiences have been put on pause during recent months, Katherine has kept us entertained with live concerts from home and she even teamed up with the late Dame Vera Lynn to release a historic duet of “We'll Meet Again” to mark VE Day. In this episode, we talk about the juggling act that is lockdown, her first major acting role in her husband's film and I find out all about her magical Christmas Spectacular at the Royal Albert Hall. It was such a delight talking to Katherine and this episode will definitely help to get you in the festive spirit...if you aren't already! Find out more about Katherine's Christmas Spectacular here: https://www.katherinejenkins.film/home/ *** Life and Soul is hosted by Emma Forbes, produced by Georgie Rutherford and Georgie Futong and edited by Steve Campen. If you're looking for more content by Emma, please take a look at her new website which is a curation of everything she loves in life - from fashion and food to health & wellbeing: byemma.co Follow us: @byemma.forbes @emmaforbeslifestyle Follow Katherine: @katherinejenkinsobe
In this episode, Lewis and Danny talk about the Aardman classic Flushed Away, as well as complaining about adverts, and considering a number of things about Tom Jones. We now have merch! Make sure to check out what we've got on offer at teespring.com/stores/shouting-into-the-void as well as https://www.redbubble.com/people/Merch-Void/shop?asc=u Like what we do? We do a lot more! Check us out at http://www.patreon.com/shoutingintothevoid to see everything else we do, and consider supporting us there as well! If a monthly donation isn't your thing, but you'd still like to support us, then please consider donating to us through paypal: paypal.me/VoidPodcast Music from https://filmmusic.io: "Acid Trumpet" by Kevin MacLeod (https://incompetech.com) Licence: CC BY (http://creativecommons.org/licenses/by/4.0/)
Jane Austen napisała “Emmę” w czasach regencji, czyli w okresie króla wariata Jerzego III, kiedy rządził jako regent jego syn Jerzy IV. Austen dostała propozycję od wydawcy, ale wydała się jej nieciekawa i wydała “Emmę” w ramach selfpublishingu.Książka jest dość chaotyczna, ale wszystkie jej problemy naprawia film z 2020 roku, w którym gra Johnny Flynn i Bill Nighy.Jak wypada porównanie George Knightley do Wokulskiego albo Rhetta Butlera? Jak wypada Emma w porównaniu do Izabeli Łęckiej czy Scarlett O'Hara? Czy Emma, kobieta, która nie szuka męża jest podobna do współczesnych kobiet?Film z 2020 roku jest komedią ukazującą jak trudno jest odczytywać cudze uczucia. Chyba jeszcze trudniej swoje własne.Czy można i czy powinno się rozbudzać w kimś miłość?“Zaklinam was, córki jeruzalemskie, na gazele albo na łanie polne: Nie budźcie i nie płoszcie miłości, dopóki sama nie zechce!”Pieśń nad Pieśniami 3:5http://biblia-online.pl/Biblia/Warszawska/Piesn-nad-Piesniami/3/5Czy zachwalanie kogoś na przyszłego męża czy żonę można przyrównać do zachwalania towaru w sklepie?Rafał Jasiński - podkasty:Strefa Mroku (z Jackiem Rokoszem)http://www.strefamrokupodcast.pl/Readers Initiative (z Michałem Sobieszkiem)https://readersinitiative.podbean.com/
Sometimes Always Never is the debut feature film from Liverpool filmmaker, musician and designer Carl Hunter. It marks the latest stage in a collaboration with screenwriter Frank Cottrell-Boyce and stars Bill Nighy, Sam Riley, Alice Lowe, Jenny Agutter and Tim McInerny. The film was released digitally in March, following a successful festival run over the past couple of years, and tells the story of Nighy searching for his long missing son, with Riley as the brother left behind. It’s a moving story, beautifully told and as lockdown got underway, Neil talked with Carl about the film, his filmmaking process and that slippery question ‘what is British cinema?’. Prior to their chat, Carl sent Neil some images - his scrapbook of ideas and some polaroids - that informed the filmmaking process. He has kindly agreed for us to post a couple here, including the one that sold Bill Nighy on the project as discussed on this episode. The conversation is framed by Neil and Dario’s discussion of the film and how it engages with ideas of Britishness and masculinity, the subtleties that mark the film out from other similarly themed films and the thrill of finding work to champion that sits on the fringes of the mainstream glut. Sometimes Always Never can be rented on iTunes, Amazon, YouTube and pretty much anywhere you get your streaming rental fix. Two of Carl and Frank Cottrell-Boyce’s previous collaborations, the brilliant Shakespeare inspired short A Winter’s Tale and the Beatles inspired short A Day In Life: Twenty Four Zero Hours can be found on YouTube here and here. They are superb shorts in their own right, but also provide a wonderful road map to their debut feature together. You can also subscribe to The Cinematologists on: Apple Podcasts: https://podcasts.apple.com/za/podcast/the-cinematologists-podcast/id981479854 Spotify: https://open.spotify.com/show/0RjNz8XDkLdbKZuj9Pktyh Podchaser: https://www.podchaser.com/users/thecinematologists We also produce an extensive monthly newsletter and bonus/entended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only $2.50. We also really appreciate any reviews you might write about the show (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show.
Kit Kat wakes Tim strangely and Tim is summoned to his dad's study for a conversation that will change his life.
Discussion Episode: Favorite Bill Nighy Movies There’s quite a few Bill Nighy movies on the horizon, this week he co-stars with pod-fave Anya Taylor-Joy in Emma. This week we run down our five faves from a guy who’s been in … Read More →
We got a new dog! Katherine is not impressed with Unplanned, Fall Inn Love, or IT 2 and we introduce you to your new Catholic hero, John Senior. Movies, TV, & Podcasts: Fall Inn Love (Netflix) Unplanned (Blu-ray) IT 2 The Products we talk about Preparing to have your shopping done before next advent. Greg and Jennifer’s Podcast Mac’s book! Clueless in Galilee My author page at Amazon Please support us through Patreon Find us on our website Our libsyn page where you can find all our old episodes Support Ben on his way to Europe here Theme song by Mary Bragg. Our other show: Spoiled! with Mac and Katherine
We head across the state for Mom’s birthday after a rough week. E90 is the gift that keeps on making Mac a (better) unhappy man, Jim Gaffigan makes us laugh, the Limehouse Golem makes us wish we hadn’t watched it. Movies, TV, & Podcasts: Jim Gaffigan: Quality Time (Amazon Prime) The Limehouse Golem (Hulu) The Products we talk about Rugged Rosaries Preparing to have your shopping done before next advent. Greg and Jennifer’s Podcast Mac’s book! Clueless in Galilee My author page at Amazon Please support us through Patreon Find us on our website Our libsyn page where you can find all our old episodes Support Ben on his way to Europe here Theme song by Mary Bragg. Our other show: Spoiled! with Mac and Katherine
That's right, there's a question mark in our title. What starts off as a normal debate about two of the biggest pop scientists, quickly devolves into chaos as one of the boys tries to exploit a loophole. Nick looks to the cosmos for his arguments about Neil DeGrasse Tyson. Ryan...well, he does something. And Judge Mike is left holding the bag on this one. Listen as they discuss: Carl Sagan, Shaun of the Dead, stand up comedy, Dupuytren's contracture, Trump's Space Force, Godzilla, event horizons, coal miners, and punching your daughter in the face. Does Nick have a wet mouth? Does Mike still talk to his parents? Is Ryan the enemy of the people? Look up to the stars for: Neil DeGrasse Tyson vs Bill Nye?
With Eddie out of the office for a week, Filmlosophers Spencer Williams and Chad Riley do a bit of a duet with this week's review of Detective Pikachu (2019). Starring Ryan Reynold, Justice Smith, Bill Nighy and a whole host of Pokemon characters who've made the transition from cartoon to live action. With a healthy mix of franchise knowledge (Spencer) and no knowledge at all (Chad), we take a look at how this video game adaptation rates in comparison to other nominally successful properties.
We are Movie Menu Reviews: Gotta Podcast 'em All! Episode #223: Pokémon Detective Pikachu Hosted by Dan "The Man" Muñoz Señor Panelist: Z Alexander Co-Host / Soundguy: Mike Stand Please visit us: moviemenupodcasts.com Facebook.com/moviemenupodcasts Instagram.com/moviemenupodcasts Twitter.com- @mmpodcasts
Hey everyone! Welcome to episode 74 of the Not Joanna Eggs podcast! This week, Robbie and Tracy review the Gore Verbinski-directed 2011 CGI film, Rango, with guest web animator and artist Lee aka @AlmightyLeroy. Listen as Robbie desperately attempts to wrangle Tracy and Lee back to the subject at hand, like a sad cat herder doin' their darndest. It's a lively but silly and engaging discussion and we hope you enjoy this episode! Please rate, review and subscribe to us on iTunes, Spotify, Stitcher, Podbean or anywhere you find your podcasts. Lee Twitter: @almightyleroy Robbie Twitter: @lobster_writer, Insta: @lobsterwriter Tracy Twitter/Insta: @tctrauscht Show Website: NotJoannaEggs.tumblr.com
It's the holiday season and CTC is kicking it off with Love Actually a romantic comedy that tells the stories of several couples and an aging rock star as their stories mix and meet around Christmas. Also Golden Globe nominations are out, new release news, and celebrity deaths.
It's episode 16 of the Official Palace Pod and we're off to the movies. Hollywood director and Palace nut Paul Greengrass chats about the season so far and the highs and lows of following the Eagles. We catch up with screen legend Bill Nighy at the annual Crystal Palace Supporters Children's Charity party to hear about his involvement with the trust, and get the lowdown on some other famous Palace fans. Macca keeps us up to date with the mood in the camp during this busy period leading up to the New Year. And finally, Roy steps into this weeks press conference centre ahead of the weekends London derby against West Ham.
Why do time travelers love Rachel McAdams so much? We watched The Time Traveler’s Wife, About Time, Doctor Strange, and Midnight in Paris to get to the bottom of this peculiar typecasting. Yep, it’s an episode all about Rachel McAdams, romance, and time travel—what’s not to love? (Special shout-out to Jaslyn of the High Expectations Podcast for convincing us to watch About Time.) We also play a game of Fictional Five and chat about our fave sci-fi crushes. Our intro/outro music is "We Are Highscore" by Krackatoa.
Even when Rob Schneider is a cartoon polar bear he is an awful person.- PLOT - Norm (Rob Schneider) the polar bear doesn't know how to hunt, but he does possess the unique ability to talk to humans. When the wealthy Mr. Greene (Ken Jeong) unveils his idea to build luxury condos in the Arctic, Norm realizes that his beloved home is in jeopardy. Accompanied by three mischievous lemmings, Norm stows away on a ship to New York. Once there, he meets a surprising ally (Maya Kay) who helps him hatch a scheme to sabotage the shady developer's plans.- CONTACT US - Text or Voicemail: 405-418-6273E-mail: AdamSandlerPleaseStop@gmail.comTwitter: https://twitter.com/SandlerPlsStopFacebook: https://www.facebook.com/SandlerPlsStopWebsite: http://www.AdamSandlerPleaseStop.com- SCHNEIDER RANKINGS-BACON - https://www.imdb.com/list/ls026092850/CALEB - https://www.imdb.com/list/ls026099749/
Even when Rob Schneider is a cartoon polar bear he is an awful person.- PLOT - Norm (Rob Schneider) the polar bear doesn't know how to hunt, but he does possess the unique ability to talk to humans. When the wealthy Mr. Greene (Ken Jeong) unveils his idea to build luxury condos in the Arctic, Norm realizes that his beloved home is in jeopardy. Accompanied by three mischievous lemmings, Norm stows away on a ship to New York. Once there, he meets a surprising ally (Maya Kay) who helps him hatch a scheme to sabotage the shady developer's plans.- CONTACT US - Text or Voicemail: 405-418-6273E-mail: AdamSandlerPleaseStop@gmail.comTwitter: https://twitter.com/SandlerPlsStopFacebook: https://www.facebook.com/SandlerPlsStopWebsite: http://www.AdamSandlerPleaseStop.com- SCHNEIDER RANKINGS-BACON - https://www.imdb.com/list/ls026092850/CALEB - https://www.imdb.com/list/ls026099749/
Where the MUSIC lives and the COFFEE rocks!
Where the MUSIC lives and the COFFEE rocks!
More often associated with comic films, actor Bill Nighy turns his hand to gothic horror in his latest movie The Limehouse Golem. Based on the Peter Ackroyd novel, Nighy plays Inspector Kildare, a compassionate detective, drafted in to investigate a series of grisly murders in Victorian London. He talks to Samira about the safety of comedy and how he hates a challenge.As Londoners were treated to three different productions of Hamlet this summer, we explore why audiences can never seem to get enough of The Prince of Denmark. Samira is joined by Dame Janet Suzman, who has both acted in and directed the play; Kosha Engler who is currently playing Gertrude and Ophelia in a 3 person abridged version with her husband Benet and her father-in-law Gyles Brandreth; and psychotherapist Mark Vernon.American photographer Steve McCurry's most famous image is Afghan Girl, a photo taken in 1984 for the cover of National Geographic Magazine. The multi award-winning photographer has been travelling regularly in Afghanistan since the 1979 Russian invasion and tells Samira about his latest book; Afghanistan, a collection of pictures taken over a four decade career. Presenter: Samira Ahmed Producer: Edwina Pitman.
"Their Finest" Movie Review, Interviews & "Dunkirk" Movie Comparison I watched 2 movies this weekend. “Their Finest,” from BBC films. I wasn't sure why I hadn't heard of Their Finest. Probably because it never actually got an American release, and even its UK release came two years after it acquired distribution. But its cast is everything good in the world: Gemma Arterton and Bill Nighy, who'll join us in a bit, via SKYPE. “Their Finest,” is really a ‘movie within a movie,' about an aging British matinee idol who thinks he's been given too small a role as the uncle of twin sisters. An American who's supposed to play a hero is as dull as a stick. But a young woman in the script department has an idea that might make the formula work for a wartime British drama that's supposed to lift spirits at home and warm hearts across the ocean. The wartime drama is centered around the role the twins play in rescuing soldiers from Dunkirk.
Vegas Film Critic (Jeffrey K. Howard) reviews Their Finest.
We're joined by Bill Nighy and Gemma Arterton, on the Curzon Film Podcast this week, to discuss their period comedy drama 'Their Finest'.'Their Finest' is a fascinating insight in to the world of British filmmaking during World War Two. Arterton plays an up and coming screenwriter, and Nighy as one of the stars of her new script. 'Their Finest' is funny, poignant and startlingly relevant. On the podcast this week are Jenna Hobbs and Jake Cunningham.Produced and edited by Jake CunninghamStudio services by CSRFM.comMusic supplied by incompetech.com Hosted on Acast. See acast.com/privacy for more information.
For most actors, a life of quiet consistent work is practically a dream come true. And that’s the life Bill Nighy led for most of his career, steady work on the stage, on television and film, and even on radio, but never “that part”—the one that would launch him. All of that changed in 2003, when, by now in his 50s, he stole “Love Actually” out from under the likes of Hugh Grant and Liam Neeson with a memorable turn as a rock n’ roll legend Billy Mack. Since then, he’s added class and wit to a variety of high profile projects (not to mention returning to the stage and television whenever he can). Joining Josh on the podcast this week, Nighy reveals himself to be a self-deprecating delight, soft spoken but hysterical, and quite insightful. In this conversation, Nighy talks about his latest role as a hammy actor during WWII in “Their Finest”, why he loves working in sci-fi, and why he’s astonished that after all this time, it’s now that filmmakers are asking him to take off his clothes. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week's films run the gamut from the poignantly romantic to the perplexing and strange. Stevie and Emmet review British romantic drama (made by Danish director, Lone Scherfig), Their Finest starring Gemma Arterton, Sam Claflin and Bill Nighy. Set in 1940, the film follows Catrin Cole as she negotiates the man's world of propaganda films during wartime. Stevie then explains to Emmet why she's not sure about Olivier Assayas' Personal Shopper, a surreal vehicle for Kristen Stewart. Acclaimed by some, Stevie's not sure if it's brilliant or ordinary.
This week, James Thompson (now of the Pop Culture Role Call podcast) joins us once again to talk about a doozy of a movie - the British sitcom adaptation Guest House Paradiso (aka The Bottom Movie)! Skeevy hotel owners Richie (Rik Mayall) and Eddie (Adrian Edmondson) scheme, perv, and thieve their way through a series of tenants they don't like, eat poisoned fish, and even lift Simon Pegg off the ground with nothing more than a fishing pole and nipple ring! Yup, it's everything you'd expect a 90-minute Britcom movie to be, only a lot more mean-spirited. Enjoy our bafflement along with our custom cocktail and drinking rules! (Thanks to our sponsor Cards Against Humanity as part of the Chicago Podcast Coop!)
This week on Why Am I Laughing, Ben and RJ talk about Shaun of the Dead! The head-busting thriller-comedy that keeps us coming back for more! So grab your cricket bat, get your disposable camera, and head to the Winchester; this podcast isn't dead yet! 2:40 -Netflix: Trevor Noah’s new standup special Afraid of the Dark and Louis CK has two new specials on the way! 9:30 -Shaun of the Dead (A Brief History) 12:14 - Why is Shaun of the Dead Funny? 45:28 - Ben’s Wacky Facts 53:05 - #WAILMAILoftheWeek Want us to read your email on next week's show? Send your words to whyamIlaughingpod@gmail.com You can always find our podcast on: iTunes Podcast app : goo.gl/p8BOlU Google Play : goo.gl/rsldp9 Stitcher : goo.gl/mtIGvk TuneInRadio: goo.gl/XkpKdr Twitter: @WAILPod https://twitter.com/WAILPod Facebook: https://www.facebook.com/whyamilaughing/ PodTyrant: goo.gl/srVA3P Check out other amazing podcasts on the PodTyrant network at Podtyrant.com or GeekTyrant.com
This week, we're joined by friend of the show (and Actual British Person) Ben Kaye to review one of our most frequent requests - Edgar Wright's 2007 action-comedy Hot Fuzz! Wright's followup to Shaun of the Dead offers even more elliptical comedy and impeccably sharp visuals, as top cop Nicholas Angel (Simon Pegg) is transferred to a sleepy British hamlet that is more sinister than it seems. Take a listen as we sing the praises of Timothy Dalton and make a few too many swan puns! (Oh, and check out our custom cocktail and drinking rules too.) (Thanks to our sponsor Cards Against Humanity as part of the Chicago Podcast Coop!)
Hoist anchor and keep an eye on the cockswain. It's the age of piracy, but Johnny Deep need not apply this time around. Instead of buccaneers traversing the Caribbean in search of plunder, these pirates steal the public airwaves and hijack them to play rock and roll. In this episode we discuss two films about broadcast piracy: PIRATE RADIO (aka THE BOAT THAT ROCKED) starring Phillip Seymour Hoffman, Bill Nighy, Rhys Ifans, and Nick Frost; a fiction about a real time in history when British airwaves were conquered by radio stations broadcasting from boats in international waters. Following that, the sleek and sexy Christian Slater vehicle that defined the early 90's, PUMP UP THE VOLUME. A film that was oddly prophetic about a teenager taking to the air in order to fight against a corrupt school system, and to lay down some sick Leonard Coen tracks.
Actors Bill Nighy and Carey Mulligan from David Hare's revival “Skylight” talk about this emotionally jarring and stylish production and what inspired them to go into theater. Next, AndrewAndrew represent “Theater Talk” at "The 2015 TONY Meet and Greet."
Thai & Tj tackle the lacklustre blockbuster and/or new Apple product iFrankenstein. With gargoyles and demons, a surplus of eels and a fair few misguided analogies we run the gambit unexpected repercussionsIn this, our second episode we cover a lot of ground, answering questions like:Is the Gargoyle Order the worst 'secret' society in the history of humanity?Is Adam one fistfight away from falling apart?Is the earth on the brink of a genocidal apocalypse?The SocialsPodcast - @atwhpodcastThai - @thai_willaimsTj - @team_cosgroveEmail the podcast - atwhpodcast@gmail.comIf you want to buy the BluRay of iFrankenstein, buying from our affiliate link helps support the podcast. - http://bit.ly/atwhifrankenstein
Rutina Wesley is best known as playing Tara Thornton on HBO's True Blood since 2008. We talk about her rise to the public spotlight, auditioning for True Blood, the advice Alan Ball gave her at the audition, what she has learned about herself from playing Tara, going to Juliard in New York City, meeting True Blood co-star Nelsan Ellis at Juliard, growing up in Las Vegas with performing parents, seeing her dad dance on Star Search when she was 6 years old, working with Patricia Clarkson, Julianne Moore, Bill Nighy, how she would love to be Julia Roberts in Notting Hill (acting wise) a new film she did 13 Sins, going to college in Indiana and being the only black girl at the school, and being close to a popular KKK town, her recent divorce, we talk about the first episode of True Blood season 7 ***Spoiler Alert*** do not listen to this podcast unless you have already seen the first episode. You have been warned. And we talk about so much more!!! Please SHARE, Please LISTEN, Please ENJOY!!! Twitter @ejscott @EJPodcast Instagram @ejscott1106 my website www.ejscott.com The Choroideremia Research Foundation www.curechm.org
This week's InSession Film Podcast: Extra Film segment brings Brandi Woodrum back to the show as we discuss About Time starring Domhnall Gleeson, Rachel McAdams, and Bill Nighy. This is easily the best rom-com of the year and perhaps one of the best in recent memory. What would you do if you could travel back in time?
Cinematica interviews our first superstar – Nick Frost from THE WORLD'S END which we also review, plus Del Toro's PACIFIC RIM and all the animated school holiday specials, MONSTERS U, EPIC and DESPICABLE ME.
Synopsis During a visit to an art gallery with , the Doctor's interest is caught by a painting of a church by Vincent van Gogh: there's a face in the window of the church – a curious, shadowed creepy face with a beak and nasty eyes. The Doctor is worried, and is sure he has seen the face somewhere before. There is only one thing for it: a trip in the TARDIS back to , so the Doctor can find out from the artist himself. Plot The Doctor and Amy looking at van Gogh's painting of the Church at Auvers. In a field of wheat, something begins running through it, scaring the crows away, while an artist paints the scene. The same painting, years later, hangs in the Musée d'Orsay in . A man, Dr. Black, in glasses and a bowtie tells a group of people that the painting is one of van Gogh's last paintings and that the last few months of his life were the most astonishing months of his artistic outpouring. As he compares van Gogh to , the Doctor and pass behind him, admiring the pieces of art around them. Amy thanks the Doctor for bringing her to the museum and asks why he is being so nice to her. The Doctor defends himself and Amy says that she was only joking, asking why he was being so serious. Dr. Black tells the group the value of van Gogh's work today, tens of millions, and compares it with the value of it when van Gogh died, the value of a sofa and some chairs. A child says "He's the doctor." Thinking it is him, the Doctor turns around, only to discover the children are looking at a picture of van Gogh's doctor. Amy grabs the Doctor's hand and pulls him towards a painting of a church. As the Doctor admires the work, he notices something in the window of the church. Amy asks if it is a face and the Doctor tells her that it is, and that it isn't a nice face. The Doctor approaches Dr. Black, interrupting his talk and asks him when the painting was painted, asking him to skip a long speech. Dr. Black tells him that it was probably between the first and third of June in 1890. The Doctor thanks him, then the two men compliment each others bow ties. The Doctor then grabs Amy's hand and pulls her away. She asks about looking at the rest of the paintings, but he shoves her ahead, telling her that it is a matter of life and death, and that they must talk to Vincent van Gogh. The materializes and the Doctor and Amy exit. The Doctor tells Amy the plan, to find van Gogh, wait for him to take them to the church, then defeat the monster. Amy exclaims that it will be easy, but the Doctor disagrees. He says that van Gogh will probably be in the local café and describes it. Amy flicks through her van Gogh guide and finds a painting of it. The Doctor tells her that that painting is the one, then Amy points out that the real café is right infront of them. The Doctor approaches the owner and asks about Vincent van Gogh. The owner disappears inside, so the Doctor asks the waitresses. The waitresses tell the Doctor and Amy that van Gogh is a mad drunk who never pays his bills. The Doctor tells them he's a good painter and the two women just laugh at him. As the Doctor sits at a table, a man follows the owner out of the café and tries to bargain with him, one painting for a drink. The Doctor points to the man and mouths to Amy that he is van Gogh. The owner says that the painting is no good, and tells van Gogh to either pay for drinks or get out. The Doctor offers to either pay for van Gogh's drink or to buy the painting, to which van Gogh asks who the Doctor is. The Doctor tells him that he is new in town, to which van Gogh tells him three things; that he pays for his own drinks, that no-one buys his paintings lest they be laughed out of town and that Amy is cute, but the Doctor should not interfere. Van Gogh returns to bargaining with the owner who still refuses to give him a drink, until Amy interferes and tells the two to shut up. She tells the owner that she will buy a bottle of wine, and will share it with whomever she wishes, looking at van Gogh. The owner agrees and follows Amy inside. Inside, the Doctor and Amy talk with van Gogh. Van Gogh asks about Amy's accent and whether she comes from Holland. She replies "no" while the Doctor replies "yes" at the same time. The Doctor introduces himself properly as "the Doctor", which causes van Gogh to believe that he is a doctor sent by his brother to help him with his mental state. The Doctor laughs at the notion and points to a painting beside van Gogh. Amy says that it is one of her favourites, to which van Gogh tells her she's never seen it before. She covers up her mistake and van Gogh comments on her hair colour, so she comments on his. Vincent and Amy at the Café. The Doctor interrupts and asks Vincent if he has painted any churches lately and van Gogh tells him that he has been thinking about painting one church. The Doctor says that is good news, when someone screams, the Doctor says that that is not good news. Out in the street, the three find a girl who has been killed. The mother of the girl pushes her way through, then blames Vincent for her daughter's death. She and some of the crowd throw stones at Vincent, so the Doctor, Amy and Vincent leave immediately. The Doctor asks Vincent if a similar murder has happened before. Vincent tells him that there was one a week ago and the Doctor says he thought so. He tells Vincent that he must get home. Vincent asks where the Doctor and Amy are staying, which the Doctor takes as an invite to stay with him. Amy nervously laughs and follows the Doctor, Vincent in tail of the two. Outside Vincent's home, the Doctor comments on the dark and the starry night. Van Gogh says that Amy and the Doctor will be alright to stay with him for one night, and one night only. Amy exclaims that they will be staying with him and the Doctor tells her until he paints the church. Inside, van Gogh lights a lamp and apologizes about the "clutter", saying he must really clear it out. Vincent offers coffee and after seeing Vincent put coffee on one of his works, the Doctor tells him to be careful with his work and that they are precious. Vincent disagrees with the Doctor, but Amy tells Vincent that they are precious to her. The Doctor asks about the church, to which Vincent asks about his obsession with it. The Doctor asks about Vincent, and Vincent tells him that it seems to him the world offers much more than the normal eye can see. The Doctor agrees with him, glancing at Amy. Soon after, Vincent wildly talks about colours and how he can hear them, and how he thinks. The Doctor stares at Vincent saying that he believes he has had enough coffee. The Doctor asks where Amy is and a scream comes from outside. Vincent and the Doctor rush outside and find Amy on the ground, shaken, but not injured. The Doctor says not to worry that the attacker has gone, but Vincent screams and runs to get a fork. The Doctor tries to calm Vincent down, but Vincent runs towards them. Amy and the Doctor move to the side and van Gogh tells them to run. The Doctor agrees and tells Amy that Vincent is having a fit. The Doctor again tries to calm Vincent down, telling him that it is only him there, when something large knocks him off his feet. Amy shouts that she cannot see anything and asks what it is. The Doctor agrees that her question is good. He gets up and grabs a stick, telling Vincent he will help him fight it. Vincent asks the Doctor if he can see the creature too, to which the Doctor says he can, kind of, and finally not. The Doctor then gets hit again and thrown over a table, landing on his back. Vincent tells the Doctor that he couldn't see the creature. The Doctor returns to where the creature was, swinging his stick around, while Vincent attacks the creature and fends it off. Both Vincent and Amy watch as the Doctor continues to fight nothing, swinging his stick around. Vincent tells the Doctor that the creature has gone, to which the Doctor stops. The three return inside. The Doctor says that the creature was invisible, and asks Vincent what it looked like. Vincet says he'll show them and begins to paint over one of his paintings, much to the Doctor and Amy's horror. After he has finished, the Doctor takes the painting from van Gogh and gives Amy instructions to keep Vincent safe. Amy protests the Doctor going outside as it is dangerous, but the Doctor decides to still go, telling them he'll be back before they can say "where's he got to now?" The Doctor leaves and Amy turns back to Vincent. The Doctor screams "not that fast" to keep the two on their toes and says he'll be pretty fast, then leaves. The Doctor walks down the alleyways, seemingly being followed by the creature, but reaches the TARDIS before he comes to any danger. Inside, he drags a chest from one of the alcoves, talking to a specific item. He apologizes to the item, saying he thought it was just a useless, embarrassing present from his godmother, who had two heads and bad breath, on both the heads. He pulls out a machine attached to a mirror and puts it up on the TARDIS console. He links it up to the TARDIS and sticks his tongue out at it. The machine identifies the Doctor as "Doctor" and his home planet as and prints a copy out on the console's typewriter, including pictures of the first and incarnations. The Doctor then shows Vincent's drawing of the creature to the mirror in order to identify it. The machine first identifies it as a parrot, then a polar bear, both of which the Doctor dismisses. He then complains that the impressionists are not accurate enough and that it wouldn't happen with one of the "proper" painters, but then apologizes to Vincent. He says that Vincent will have to draw something better and throws the painting away behind him. The Doctor attempting to identify the 'invisible monster'. Leaving the TARDIS, now day, the Doctor alters the machine. The creature appears behind the Doctor, appearing in the mirror. The machine's "match" noise sounds and the Doctor says that there may be a time delay, but the machine always gets it in the end, not noticing the actual creature behind him. The Doctor reads the details on the creature, a , before noticing that it is directly behind him. The Doctor begins to run and hides behind a corner. He uses the mirror to see the creature charging towards him, before running again. He tries to slow the creature by blocking its path, and the creature hits its head on an archway. The Doctor hides behind another corner and sees the creature fleeing. He breathes a sigh of relief, before turning the corner and seeing Amy. Both of them scream and the Doctor says that she scared the living daylights out of him. Amy apologizes and says that she was bored of Vincent's snoring. The Doctor enters Vincent's room and opens the windows, letting in a flood of light and waking Vincent up. Vincet gets up as the Doctor leaves the room, telling Vincent that Amy brought him a present. Amy tells him she brought the present for saving her the previous night. Vincent looks out to see the outside surrounded by sunflowers. Amy suggests he paint the flowers, but Vincent says that they are not his favourite flower, much to the surprise of Amy and the Doctor. Vincent explains that he finds them complex, half-living and half-dying, a little disgusting, but a challenge. The Doctor tells Vincent he is sure he will rise to the challenge. Amy amidst the sunflowers. The Doctor shows Vincent a picture of the Krafayis, explaining how the species travels in space as a pack and that they are a brutal race; if one falls behind, the rest of the pack do not return for it. He explains that this particular one has been left behind, and like the other Krafayis abandoned across the universe, it will kill without mercy until killed, which they usually are not, given their invisibility. The Doctor tells Vincent that they are in a unique position of being able to stop this one if Vincent paints the church. Vincent asks about the monster, but the Doctor tells him that if he paints the church, the monster will come. Vincent agrees and the Doctor tells him that he and Amy will be no longer bothering him by the next day and will be gone. After Vincent has left the room, the Doctor tells Amy that taking Vincent is risky. Amy asks if it is riskier than normal. The Doctor checks to see that Vincent is not listening and tells Amy that if Vincent is killed, half the pictures in the Musée d'Orsay will disappear and that it will be their fault. The Doctor knocks on Vincent's door and enters. He finds Vincent on his bed crying. The Doctor asks if he can help. Vincent tells the Doctor that he and Amy will leave as everyone always leaves him, that he will be left with an empty heart and no hope. The Doctor tells Vincent that his experience is that there is always hope, but Vincent tells him that he does not have a full experience and that he knows it will not end well. The Doctor tries to console him, but Vincent gets angry and tells him to get out. The Doctor leaves. Amy asks the Doctor what is happening and the Doctor explains how delicate Vincent is, that he will eventually shoot himself, and that is why they should leave. After looking at some of Vincent's paintings, the Doctor says that he and Amy must go to the church and hope that the Krafayis still turns up. Before they can leave, Vincent appears at the door, fully clothed and ready to go, selecting a paintbrush. Amy, walking arm in arm with Vincent, tells him that she is sorry he is sad. He tells her that the moods he has last for weeks or even months, but that he can soldier on if she can. She tells him that she is not soldiering on but he says to her that he can hear the song of her sadness and points out that she is crying. He tells Amy that he understands but Amy replies, telling him that she does not. The Doctor, having listened to the conversation interrupts and proposes a plan. Vincent says that they will fight the creature, but the Doctor explains that it needs to be more developed, that he needs to be able to see the creature as well. Amy asks how the Doctor is supposed to see the monster, to which he replies that he has the answer inside a box he is carrying, giving praise to his godmother. Further up the road, the three see the funeral of the girl who was killed the previous night. They stand at the side of the road, Vincent having taken his hat off in respect, as the coffin passes with sunflowers on top. Amy asks the Doctor if he has a plan, to which he tells her that he doesn't, but something similarly greater. Vincent sets up his easle as the Doctor makes sure that he will be told when the creature appears. Vincent tells the Doctor that he is mad and not stupid. The Doctor begins to explain that he may not actually be mad, just deeply depressed, but Vincent tells him to shush, and that he is working. As Vincent paints, the Doctor talks about watching painting the Sistine Chaple, and how he winged because he was afraid of heights but Amy tells him to shush. Later he moves on to , and how he tried to advise him on his paintings. Much later, the Doctor, bored, asks if time normally passes really slowly and in the correct order. He stands up and tells Amy and Vincent that he can't stand an unpunctual alien attack. Amy asks if he is nervous, when Vincent tells the two that the monster is now at the window. The Doctor tells Amy and Vincent that he is going in, so Vincent tells him that he is going in too. The Doctor stresses that Vincent is Vincent van Gogh, and that he is not going in. Vincent protests that the Doctor is not armed, but the Doctor tells him that he is, with overconfidence, the machine and a small screwdriver. The Doctor says that all he needs to do is find the correct prozac setting to stun the creature. He gives Amy one simple instruction, not to follow him and signals to Vincent to watch her. Amy agrees and the Doctor heads towards the church. Vincent leans in towards Amy and asks if she will follow him, and she tells him that she will. Vincent then tells Amy that he loves her. Just outside the chapel, the Doctor opens his box and takes out the machine. He puts it on and before heading into the chapel, looks at a carving above the door, a carving of an angel slaying a dragon. Inside, the Doctor looks around for the Krafayis. Outside, Amy asks Vincent if the Krafayis has moved. Vincent tells her that it hasn't, but suddenly tells her that it has turned around. After approaching the window where the Krafayis was, the Doctor believes the creature has moved. Suddenly, a hand knocks the Doctor flying. Amy and Vincent hear the crash, look at each other and head inside to help the Doctor. The Doctor recovers from his fall and tries to stun the Krafayis. He runs towards a room when he bumps into Amy. The two of them hide in a confessions box to hide. While inside, the Doctor tells Amy to breath quieter. Amy says that she cannot, then believes that it has walked past them. Then the Krafayis begins attacking the confessions box, and the Doctor compliments its excellent hearing. Vincent then calls on the monster, fighting it with a chair, while telling Amy and the Doctor to get behind him. The Doctor, twice, tries to stun the Krafayis again but is unsuccessful and on the second attempt, the Krafayis actually seems to enjoy it. Vincent tells the Doctor to duck as the creature takes a swipe at him, then to move to his left. However, because of miscommunication, left being Vincent's left and not the Doctor's, the Doctor is hit by the monster against a wall. The Doctor suggests that they run like crazy and regroup, so Amy chooses the nearest room to hide in. They get in the room and attempt to close the door until the creature blocks it with its foot. Vincent, however, stands on the foot and the creature retreats. The Doctor begins to tell Amy and Vincent his plan, but accidentally calls Vincent, Rory. When Amy asks what the plan is, the Doctor tells her that the only plan he is sure of his that he will only use his sonic screwdriver to screw in screws in future. Vincent tells Amy and the Doctor to give him a second and that he will be back. The Doctor considers talking to the Krafayis and hearing his side of the story. Although he thinks the Krafayis may not be in the mood for it, the Doctor but tries anyway. The Doctor explains to the creature that he understands that it is trapped on the planet and alone, and tells it that he is also alone. Suddenly, the window behind them smashes open and the invisible creature jumps through. Vincent returns with his easle, holding the feet up, the spikes being used as a weapon. The Doctor asks what it is doing and is told it is feeling it's way around the room. The Doctor calls himself stupid and comments that he is getting old. The Doctor figures out that the Krafayis is blind and raises his voice when mentioning the fact it has perfect hearing. Vincent then tells them that it is now charging towards them. Vincent runs forward as the creature charges, telling the Doctor and Amy to get back. The creature is stabbed by the easle, and Vincent is sent hanging in the air. As the creature falls to the ground, Vincent lets go of the easle and lands on his feet. Vincent tells the Doctor that he didn't mean to kill the creature, and the Doctor comforts it as it dies. He makes out that the creature says that it is afraid and the Doctor tells it not to be while stroking it. Vincent compares the Krafayis to humans who lash out when they are frightened, much like those in the town that scream at him and the children who throw stones at him. The Doctor then says that sometimes winning is no fun at all. Amy, Vincent and the Doctor lie in a field and hold hands. Vincent asks the other two to see the world as he does, describing the night sky. The Doctor tells him that he has seen nothing as wonderful as what Vincent has. Vincent tells the Doctor and Amy that he will miss them when they are gone. The Doctor, Vincent and Amy gazing up at the 'Starry Night' The next morning, Vincent tries to give the Doctor a self portrait as a gift, but the Doctor refuses (though Vincent isn't surprised). Vincent hugs Amy who tells him to be good and kind to himself and to trim his beard before next kissing someone. Vincent also tells Amy that if she tires of the Doctor, she should return and they could have children together. Vincent then tells the Doctor that he thinks he might not do as well on his own than when he was with him. They embrace in a hug, then Amy and the Doctor leave. Outside, the Doctor asks Amy if she is thinking what he is thinking. She replies telling him she wants food before they leave, not exactly what the Doctor was thinking. The Doctor then calls Vincent, who hangs out a window, and tells him he has something to show him and to tidy himself up first. The Doctor takes Vincent to a poster covered TARDIS and lets him inside. Vincent then peers out of the TARDIS and feels the outside walls before going back in and asking how he is crazy and the Doctor and Amy are sane. The Doctor enters and takes Vincent's hat off him, placing it on the hatstand. Amy closes the door and they head to the console. Vincent asks what all of the buttons do and the Doctor explains several of them; one which plays soothing music, one which makes a large noise and one which makes everything shake. Vincent asks what a button does and the Doctor lunges forward to stop Vincent from pressing it, telling him that it is the Friction Contrafibulator. Then Vincent asks what another button does, to which the Doctor tells him that it is ketchup, then points to another which he calls mustard. Vincent asks them back to the café, but the Doctor tells him that he wishes to show him something first. In Paris 2010, outside the Musée d'Orsay, the last few posters burn off the TARDIS. Amy, Vincent and the Doctor step outside and head into the museum, the Doctor explaining when and where they are. The three enter the van Gogh exhibition. Vincent looks around at his work in awe at the number of people looking at them. The Doctor then asks Dr. Black to tell him where van Gogh stands in the importance of the history of art. Amy positions Vincent behind Dr. Black so he can hear all the positive things he thinks of him; that he is the finest painter of them all, the most popular painter who managed to transform his pain into beauty, that he was not only the world's greatest artist but also one of the greatest men of all time. Vincent in the Musée d'Orsay At hearing these words, Vincent begins to cry, but when the Doctor asks if it is too much, he replies that they are tears of joy. Vincent then kisses, hugs and thanks Dr. Black, apologizing about his beard after. Dr. Black then walks away, but pauses for a moment to ponder. He looks back and then dismisses the thought. The Doctor returns Vincent to his own place and time. Vincent tells the Doctor that he will be a new man and the Doctor tells Vincent that it has been an honour. Amy then hugs Vincent as he jokes about her marital status, to which Amy tells him she in not the marrying kind. The TARDIS departs and Vincent walks off. Vincent's dedication of Sunflowers for Amy.Amy and the Doctor return to the Musée d'Orsay, Amy believing that there will be hundreds more paintings, but the Doctor is doubtful. In the gallery, Amy finds no new paintings and hears Dr. Black still saying that he commited suicide at age 37. Amy thinks that they didn't make a difference to Vincent's life at all, but the Doctor explains to her that although good things can't remove the bad things, the bad things can't spoil the good things, and that they certainly added a large amount of good things to Vincent's life. The Doctor also shows Amy that they did make a couple of minor changes, such as the non-existance of the evil face in the church window. As Amy walks away, she walks towards another painting, one of sunflowers, which she sees is dedicated in her name. She tells the Doctor that if they had been married, their children would have had very red hair. The Doctor calls them the "Ultimate Ginger". Amy smiles at him and says the "Ultimate Ginge". The two chuckle together as Amy tears up. Cast - Matt Smith Amy Pond - - Tony Curran Dr Black - Bill Nighy (uncredited) - Chrissie Cotterill Student - Student - - Nik Howden Waitress - Sarah Counsell Crew Executive Producers: Steven Moffat, and Beth Willis Produced byPatrick Schweitzer Directed by Richard Curtis Brian Minchin and Director of PhotographyTony Slater Ling Edward Thomas Visual Effects Make-up DesignerBarbara Southcott Casting DirectorAndy Pryor CDG MusicMurray Gold Costume DesignerRay Holman Special Effects Original theme music by Ron Grainer• Title sequence by • With thanks to , General production staff Production Executive - - Location Manager - - Rhys Griffiths Production Co-ordinator - Jess van Niekerk Production Management Assistant - - Production Accountant - A/Production Accountant - Carole Wakefield Directorial/DOP staff 1st Assistant Director - 2nd Assistant Director - 3rd Assistant Director - - Nicola Eynon Price, - Non Eleri Hughes - B Camera Operator - Matthew Poynter - - John Robinson Assistant Camera - , Jon Vidgen - - Mark Hutchings Best Boy - - Ben Griffiths, Steve Slocombe, , Art department Supervising Art Director - Stephen Nicholas Art Department Co-ordinator - Associate Designer - - Ben Morris - - Catherine Samuel - Storyboard Artist - Concept Artists - Richard Shaun Williams, - - , Standby Art Director - Tristan Peatfield Standby Carpenter - - Keith Freeman Standby Painter - - Paul Aitken Dressing Chargehand - - Martin Broadbent, Props Fabrication Manager - Barry Jones - Penny Howarth, Nicholas Robatto Construction Manager - Matthew Hywel-Davies Construction Chargehand - Practical Electrician - - , - BBC Wales Graphics Costume Costume Supervisor - Crowd Supervisor - Lindsay Bonacorssi Costume Assistants - , Make-up and prosthetics Make-up Supervisor - Make-up Artists - , Morag Smith Movement Stunt Co-ordinator - Crispin Layfield Casting Casting Associates: , General post-production staff Post-production Supervisors - , Chris Blatchford Post-production Co-ordinator - - - Matthew Clarke, Mark Bright Special and visual effects - - Mick Vincent Sound - Bryn Thomas - Tim Ricketts Sound Maintenance Engineer - Jeff Welch Supervising Sound Editor - Sound FX Editor - Foley Editor - Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources. This was the first episode of the BBC Wales series to have two credited script editors. Oddly, was credited at the end of the roll, suggesting she was considered more "senior" than . As on , Patrick Schweitzer was double-credited as both and . References The episode makes numerous direct and indirect references to van Gogh's most famous works, though artistic liberty was taken in regard to their chronology and the locations in which they were painted. While the setting for the episode was ostensibly Auvers-Sur-Oise, the last place of residence and resting place of van Gogh, where he painted Church at Auvers, inspiration for the set decoration of his home and the cafe he frequented (or rather was frequently thrown out of), came from works he previously produced while living in Arles several years before (Bedroom in Arles, Cafe Terrance at Night). Also, while the episode suggested Amy Pond inspired van Gogh to paint sunflowers, particularly Still Life: Vase with Twelve Sunflowers, to which he then 'dedicated' to her, they were, in fact, painted in 1887 and 1888. Van Gogh works referenced in the episode include: Church at Auvers (1890), Bedroom in Arles (1887), Cafe Terrance at Night (1888), Still Life: Vase with Twelve Sunflowers (1888), Portrait of Dr. Gachet (1890), The Starry Night (1889), Wheatfield With Crows (1890), Vincent's Chair with His Pipe (1888), Self-Portrait with Straw Hat (1887). Among the posters covering the TARDIS are those for the cafe Au Tambourin at 27 Rue Richelieu in Paris, which was the first place to exhibit van Gogh's artwork in Paris. The Doctor refers to having met and . The Doctor expresses frustration with van Gogh's 'impressionist' style when attempting to identify the invisible monster (though van Gogh is considered to be post-Impressionist by art historians), suggesting that this would "never happen with , one of those proper painters." While this suggests the Doctor's affinity for some notion of 'scientific accuracy' over emotive artistic expression, he later humbly tells Vincent that while he has seen many things, "you are right, nothing quite as wonderful as the things you see." Story notes The episode was incorrectly entitled, Lend Me Your Ear. However, no mention or reference was made in the episode regarding van Gogh's ear at all. Unlike most stories in this series, this story focuses much more on characters than plot, and has hints and references to van Gogh's depression and suicide, something the series has not explored very much before. In fact, a message and phone number for the 'BBC Action Line' was broadcast following the 'Next Time' trail, for those wanting more information on 'issues raised in this program.' Pictures of the First and Second Doctors are printed on the TARDIS' typewriter. This is the second story in the series to lack any cracks, silence, or other foreshadowing of the series' finale (the first being Amy's Choice). However, it does tie in to 's death and establishes that, on some level, Amy is aware he has died. Although originally believed to be standalone, spoilers make this story involved with the series arc, some mentioning van Gogh's paintings, one of which is Dr. Gatchet, relating to the finale. Dr. Gatchet is supposed to be appearing in the mentioned episode. Others include van Gogh communicating a disturbing prophecy to the Doctor in the finale through one of his paintings, and a van Gogh reference in : The Lodger. Bill Nighy was not credited for his role. Numerous positive or affirmative references were made in the episode to van Gogh and Amy's hair colour, perhaps in a conscious effort to address the accusation by some viewers of the program being 'anti-ginger' (the so-called 'ginger' controversy). The song used for the final scenes is "Chances" by Athlete. Amy attempting to get Vincent to paint 'The Sunflowers' is similar to Rose trying to get Queen Victoria to say, "I am not amused." (: Tooth and Claw) Ratings 5.0 million Filming locations National Museum of Wales Trogir, Croatia Roald Dahl Plass , which is supposed to double for the Musée d'Orsay in Paris Rumours It was rumoured that either the Timoreen, the Ha'rik or the Skarkish will appear. The monster was a Krafayis. It was rumoured that Vincent van Gogh will stab a yellow monster. He stabbed the Krafayis, the monster was pale yellow. Howard Lee plays a character called "Dr. Gachet" . Dr. Gachet was van Gogh's real doctor, who nursed him during his final years. He was mentioned but he was not actually in the episode. Nighy plays a van Gogh expert, with similar fashion tastes to the Doctor himself. This turned out also true. He also wore a bowtie. Steven Moffat stated in a recent interview that the controversial topic of the regeneration limit for Time Lords will be "addressed in a very, very cheeky way by an old friend of mine" at some point in Series 5. As the "old friend" could very well be Richard Curtis, the issue might be addressed in this episode. This turned out to be false for this episode, but it could happen in later episodes with Alex Kingston's character River Song addressing the subject, as Steven Moffatt created her character. As a Vincent van Gogh painting will feature in the events of "The Pandorica Opens", it was likely that this story would bring more developments to the main story arc of the series. This was not the case, with the episode being more or less a stand-alone story, but apparently the finale will still feature a van Gogh painting in some way. This connection may be illuminated in "The Lodger", as a pamphlet for a van Gogh exhibit can be seen on Craig's fridge in the trailer. Although, the Doctor does take a van Gogh painting inside the TARDIS trying to identify the Krafayis, he pitches the painting over his shoulder into the TARDIS. Perhaps that painting is the one to carry a message 1,000 years into the future. It was rumoured that Vincent will propose to Amy or ask the Doctor to travel with them because in the preview clips, he shows a large interest in Amy and the Doctor and even tells Amy that he loves her. This turned out true. Production errors When running through the streets with his mirror, the Doctor screams "Ahh", but his mouth is not synced with his screaming. For most of the episode, Amy is wearing tights. During the church scene, when van Gogh starts painting the Church, they've gone. Later on when the group are hiding from the monster, she's wearing them again, as was the case with the previous episode. When in the chapel looking for the monster, the Doctor switches the mirror from his left to right side while holding his sonic screwdriver. For each change, the camera angle also changes, and the sonic screwdriver changes from being in closed mode and extended mode. At the beginning, when looking at the painting of the church, the Doctor scratches his head. When the camera is behind the Doctor, he uses his right hand but when the camera cuts to in front of him, he is using his left hand. Continuity If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion. The Doctor and compliment each other's bow ties, the Doctor exclaiming again that "bow ties are cool". (: The Eleventh Hour, Amy's Choice) The Doctor mentions that he had a godmother with two heads. Before his , he declared that he might have ended up with two heads. (: The Parting of the Ways) Although it seemed like a joke at the time, this statement suggests that a regeneration actually could result in the creation of an extra head. It may also be a reference to the . (: The Time of Angels) The and second Doctors are pictured. The Doctor finds his species identifier device by rifling through a chest in the TARDIS' alcoves; this plot device for providing artifacts and tools was utilised in several of the previous incarnations' series (e.g. : The Abominable Snowmen, where the Second Doctor finds a holy Tibetan bell and Jamie a set of bagpipes). It has also been used in the Tenth Doctor's era, in which he retrieved an Agatha Christie novel. (: The Unicorn and the Wasp) The Doctor once again mentions that he is aging mentally, contrasting with his physical appearance. (: Time Crash, ) Amy mentions that the Doctor took her to . The planet was featured in : , and the "fall of Arcadia" was mentioned as one of the events of the Time War in : . The Doctor mentions , to which Amy asks "who?" Amy also says that the Doctor is being extra kind to her, feeling guilty about Rory's erasure. Van Gogh also sees that Amy is crying, although she doesn't know why; he theorises that she has lost someone. After receiving a half-joking marriage proposal from Vincent, Amy tells him that she's "not the marrying kind". (: Cold Blood). This marks the fourth episode this season which opens on a nature shot. : The Time of Angels, Amy's Choice, The Hungry Earth and this episode all open on beautiful, wide-open fields on bright, sunny days. Vincent van Gogh is the second historical figure in the new series to have romantic feelings for one of the Doctor's companions and the third to have such feelings for a member of the TARDIS crew. Previously, made advances towards , and Madame de Pompadour fell in love with the Doctor. (: The Shakespeare Code, The Girl in the Fireplace) Home video releases - Doctor Who Series Five - Volume Three will feature , The Hungry Earth, Cold Blood and Vincent and the Doctor. It will be released on Monday 2nd August 2010 (UK Only) on DVD and Blu-ray.
DMC #3: Capt. Jack Sparrow:In episode three of Dead Man's Cast we discuss the recently released DVD, Captain Jack Sparrow, the awards season, and much much more. If you are interested in co-hosting in either Dead Man's Cast or FilmChatter, email Jen at deadmanscast@inbox.com. Please also forgive the over-extended podcast news section. Happy holidays :)
DMC #2: DVD Preview:In episode two of Dead Man's Cast Jen previews the upcoming Pirates of the Caribbean DVD.YouTube Links: Blooper Reel, EatCinema Part 1 (follow links to parts 2-4), Swords and Stunts.Email us at deadmanscast@inbox.com !
DMC #1: A Day at Disneyland:In this first episode of Dead Man's Cast, Jen discusses her recent trip to Disneyland and gives you an overview of what future episodes will be like. Questions or comments? Email us at deadmanscast@inbox.com.
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