Podcasts about off broadway

The People's Prince™ Bryan Safi has returned to LA after his Austin convention experience just after Spencer Pratt lost his mayoral primary race. Erin's bundled up at home watching Agatha Christie's Poirot and trying to get past all the subtle 80s racism and spit curls. Erin discusses North Carolina Republicans' latest attempt at anti-abortion legislation that deputizes any citizen to use deadly force if necessary to protect the life of unborn children. Bryan tells us about Canadian adult film star Milo Miles' recent 10 year ban from the United States after being detained in Toronto and questioned over two days by US Border Patrol over his line of work and items in his luggage. For our Kim of Queens Recaps and more visit patreon.com/attitudes Bryan's making his Off-Broadway debut July 10-August 15th! Attitudes listeners get $10 off tickets for the first two weeks of the run with code IMSORRY. Get tickets here. ⁠Join our Discord for watch parties, episode discussions and community! ⁠

Nicole Travolta is the creator and star of the critically acclaimed solo show Nicole Travolta Is Doing Alright, a high-energy blend of stand-up, confessional storytelling, and transformational character work that has toured nationally and internationally. Originally developed in Los Angeles, the show has since played sold-out engagements Off-Broadway and at the Edinburgh Fringe Festival, earning 4- and 5-star reviews and coverage in Vanity Fair Italia, The LA Times, BroadwayWorld, The Daily Beast, Broadway Baby, and Outloud Culture. Travolta trained at The Groundlings and Upright Citizens Brigade, where she developed her signature character-driven style. Onstage, she seamlessly shifts between raw confession and razor-sharp impressions — including Jennifer Coolidge, Carrie Bradshaw, and Drew Barrymore — creating what critics have described as a singular comedic voice. Her television credits include Anger Management, Two and a Half Men, and The Middle. She is currently developing Nicole Travolta Is Doing Alright for screen adaptation. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Wait a minute. We have comedy royalty in The Carriage House this week, pardon me. Joining us is none other than Annie Mumolo!  Of course you know her as the Oscar nominated writer of BRIDESMAIDS, but she's just as prolific in front of the camera in hits like BARB AND STAR GO TO VISTA DEL MAR, THIS IS 40, BAD MOMS, and much more. You can catch her now on the new hit series ROOSTER with Steve Carrell on HBO. This is great television! Annie helps Ronna (& Bryan) give advice on how to deal with a spouse showing a little too much attention to someone else at a birthday party and what to do when your boss stinks...literally. Tickets now available for (Bryan)'s Off-Broadway debut ARE YOU MAD AT ME, playing this summer in New York! Go to areyoumadatmeshow.com for tickets, and use code IMSORRY for $10 off the first two weeks of the run. Sponsor: Take comfort in Born Shoes! They're the prefect mix of stye and comfort, and you can get 15% off and free ground shipping on a full priced pair when you go to bornshoes.com and use the promo code RONNA Learn more about your ad choices. Visit megaphone.fm/adchoices

Matt reviews the 2026 Off-Broadway return engagement of ‘Mexodus’ Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio For a transcript of this episode, please email transcripts@broadwayradio.com and include the episode name. To purchase tickets to see the show, click here:https://mexodusmusical.com/

Alexandra is an artist, educator, and somatic guide working with movement as a way to access creative authority, embodied clarity, and deep personal voice. Her work supports artists, teachers, activists, facilitators, and guides to strengthen their inner compass while leading, creating, and communicating. She is fascinated by how decision-making lives in the body: how gesture holds belief, habit becomes pedagogy, and intuition is a fluent language.She is a choreographer, director, and educator working at the intersection of dance, theater, and somatics and was a member of the Bill T. Jones/Arnie Zane Dance Company from 1995–2001. She founded Alexandra Beller/Dances in 2002, creating more than forty dance-theater works across the U.S., Europe, and Asia.Her theater credits include Off-Broadway productions of Sense and Sensibility (Folger Shakespeare, A.R.T., Portland Center Stage; Helen Hayes Award, Lortel nomination), How to Transcend a Happy Marriage (Lincoln Center Theater), and The Mad Ones, as well as regional work with Hudson Valley Shakespeare Festival, La MaMa, La Jolla Playhouse, Milwaukee Rep, and The Goodman Theatre. Her directing credits include Macbeth (Theater Row) and A Midsummer Night's Dream (92Y).She has taught at institutions including Barnard, SUNY Purchase, Rutgers, UC Santa Barbara, the University of Michigan, The New School, and Princeton University, where she taught for seven years. Alexandra currently serves on faculty at the Laban Institute for Movement Studies and Gibney Dance Center and teach internationally through residencies and master classes. Her forthcoming books are The Embodied Conductor: A Somatic Approach with Laban and Bartenieff (Meredith Music, 2025) and The Anatomy of Art: Unlocking the Creative Process for Theater and Dance (Bloomsbury, 2026). You can get her books at alexandrabellerdances.org.This was an inspired episode. Give it a listen!This episode, like all episodes of If This Is True, brings forth what drives creatives to do what they do. For more of this content and interaction, you can also go to my substack, coolmite25.substack.com. Hosted on Acast. See acast.com/privacy for more information.

Matt reviews the 2026 Off-Broadway immersive ‘Phantom of the Opera’ production ‘Masquerade’ Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio For a transcript of this episode, please email transcripts@broadwayradio.com and include the episode name. To purchase tickets to see the show, click here:https://masqueradenyc.com/

Hey guys! Vicky and I are in Charleston, SC for vacation this week. We are re-releasing our Chris Briney "Dilaria" review from June of 2025. It was a funny play and CB killed it. Plus, it was almost a year ago exactly! Thank you all for your support :)Please leave a rating or review if you enjoy the show!Join our Patreon for $3.99/mohttps://www.patreon.com/c/BetterWithGlassesPodcast

Matt reviews the 2026 Off-Broadway revival of ‘The 25th Annual Putnam County Spelling Bee’ Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio For a transcript of this episode, please email transcripts@broadwayradio.com and include the episode name. To purchase tickets to see the show, click here:https://spellingbeenyc.com/

It's another Carriage House Catch-Up, dybbuks and all! After everything you'd ever need to know about Jewish exorcisms, Ronna (& Bryan) give advice on whether or not it's ok to wear a Jewish head scarf if you're not Jewish, what to do if you're booked on the most infamous cruise line in the world, and how to handle spilling a coworker's secret. (Bryan)'s Off-Broadway debut is coming up in July, and if you're in New York it is NOT to be missed! ARE YOU MAD AT ME, a smash hit at Edinburgh, is coming back to the Big Apple bigger and better than ever. Go to areyoumadatmeshow.com and use code IMSORRY for $10 off your ticket to the first two weeks of the run, available exclusively to listeners of Ask Ronna! Sponsor: Take comfort in Born Shoes! They're the prefect mix of stye and comfort, and you can get 15% off and free ground shipping on a full priced pair when you go to bornshoes.com and use the promo code RONNA Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest today, Christine Pedi is known as the “Lady of 1000 Voices." She discovered her talent for multiple personalities through her long association with the legendary Off-Broadway revue, Forbidden Broadway, performing in companies all over the world, including New York, London, Japan, Singapore, and more. Among the dozens of personalities Christine is known to impersonate are: Liza Minelli, Rosie Perez, Ethel Merman, Angela Lansbury, Bernadette Peters, Julie Andrews, Katherine Hepburn and many, many others.She's received a Drama Desk nomination, as well as an L.A. Ovation & NAACP Award for her work.On Broadway, Christine debuted in Little Me with Martin Short and Faith Prince, directed by a favorite StoryBeat guest, Rob Marshall. Other Broadway appearances include several peculiar offstage callers in Eric Bogosian's Talk Radio, starring Liev Schreiber, and a turn as Mama Morton in the long-running hit, Chicago.She brought her collection of divas to Off-Broadway's Newsical the Musical, and starred in Spamilton: An American Parody, which she also co-produced.And many of you will know Christine from her long-running daily SiriusXM Radio show Broadway Breakfast on the On Broadway channel playing music of the stage & screen and interviewing Show Biz legends Mon-Fri, 9am-3pm. On Saturdays she and Seth Rudetsky co-host Dueling Divas.  And fans of Howard Stern can hear her provide the occasional celebrity voice on his SiriusXM morning show.Other Off-Broadway performances include: the title role in Miss Abigail's Guide to Dating Mating and Marriage, A Broadway Diva Christmas, Jerry's Girls, and My Favorite Year.Christine's performed her cabaret show, Great Dames, at many major New York venues, winning both the New York Bistro & Nitelife Awards. Her holiday show, There's No Bizness Like Snow Bizness, has been an annual New York staple since 2008. She's even performed for President & Mrs. Clinton, playing a singing Hillary!On TV, you may recognize Christine on The Sopranos as Mrs. Bobby Baccala (4 scenes, 5 lines...dead). But she recently escaped the clutches of Dr. Death on NBC.Be sure to check out Christine's popular, hilarious videos on YouTube, especially her “Shit Liza Says” videos. It's brilliant, laugh-out-loud stuff.Last but not least, and closest to my heart, Christine can be found singing on the well-regarded 1994 double-CD Complete Work recording of Jekyll & Hyde, the Musical, featuring Anthony Warlow, Linda Eder and Carolee Carmello.

Part revenge thriller, part Greek tragedy, and fully its own thing, Aleshea Harris's directorial debut is an adaptation of her own award-winning Off-Broadway show. We have Geek Girl Riot's Sherin Nicole with us to talk about all the twists, turns, and treacheries. Then we have a fun quiz about “twin” movies. What's Good? Alonso - Farmers markets (even for non-chefs) Drea - Richard Osman's House of Games Sherin - nephew's elementary school graduation Kevin - the gasman came by… ITIDICSweeney/Seyfried Thriller The Housemaid Is Headed to the StageDiscourse Around American Accents in Nolan's The Odyssey Trailer Staff Picks Alonso - The Addiction of Hope Drea - Mile End Kicks Sherin - Nine Days Kevin - Obsession Listen to Sherin's show Geek Girl Riot Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinmaxfilm Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

Kathryn Grody is an actor, writer, and producer whose work spans Broadway, Off Broadway, film, and television. Her solo shows blend humor, vulnerability, sharp cultural observation, and deeply personal storytelling. Kathryn's current play, The Unexpected 3rd: A Radical, Rollicking Rumination on the Optimism of Staying Alive, directed by Timothy Near, is part of the In The Bricks Festival at New York Theatre Workshop. The repertory series features original solo performances by a wide range of artists including Liza Jessie Peterson (The Peculiar Patriot), Leslie Ayvazian (Mention My Beauty), Chris Grace (Sardines (A Comedy About Death)), and Alaa Shehada (The Horse of Jenin). This episode was recorded on May 20, 2026. Learn more about your ad choices. Visit megaphone.fm/adchoices

Well, I'll Let You Go runs at Studio Seaview through June 20th. For more information, please visit www.studioseaview.com. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

About Time ran at the Marjorie S. Deane Little Theater through April 5th. For more information, visit www.abouttimemusical.com. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

Ronna might be having a hard day, but she's looks amazing, pardon me. As if there were any doubt. We've got a Carriage House Catch-Up this week, with everything you ever needed to know about colonoscopy scandals and how everyone who works on the show is probably trying to sabotage Ronna. Then R (& B) give advice on a wedding dilemma and whether or not to host a SECOND gender reveal party. Thanks to everyone who joined us at last weekend's AR Social Club Spring Kiki! You all gave your best Gina Lollobrigida. arsocialclub.com  Also, our dear (Bryan) is having his Off-Broadway debut this summer, pardon me! His show ARE YOU MAD AT ME will play six weeks only at the HERE Arts Center in SoHo! Tickets on sale today at areyoumadatmeshow.com and, available exclusively to Ask Ronna listeners, you can use code IMSORRY for $10 off your ticket for the first two weeks of the run! Sponsors: Want modern-day makeup that's clean, strategic, and multi-functional for effortless routines? We absolutely love Jones Road Beauty! Go to jonesroadbeauty.com and use code RONNA for a FREE GIFT with your first purchase! Take comfort in Born Shoes! They're the prefect mix of stye and comfort, and you can get 15% off and free ground shipping on a full priced pair when you go to bornshoes.com and use the promo code RONNA Learn more about your ad choices. Visit megaphone.fm/adchoices

Jess is joined by playwright and "male actress" CHARLES BUSCH! Topics include: ROSIE O'DONNELL producing the disastrous Boy George musical 'Taboo,' performing at The Duplex in the late 70s, becoming close with JOAN RIVERS, the chaos of interviewing LIZA, working with NATASHA LYONNE, and how 'Vampire Lesbians of Sodom' became one of the longest-running Off-Broadway plays of all time. ⭐ Night of 1000 Judys: June 1 @Joe's Pub * all donations benefit The Ali Forney Center * ⭐ IG: @jessxnyc ⭐ Jess' docu-series on the history, mystique & lore of Fire Island — Finding Fire Island

Elizabeth Gillies (Dynasty) is here to celebrate 200 episodes of The Art of Kindness with Robert Peterpaul podcast! Welcome to AOK 200, friends. To celebrate this milestone, actress, singer, Broadway star, and Ginger Ale's #1 fan Liz Gillies joins Robert in the Welcome to Times Square studio for a wildly fun and heartfelt conversation. From acts of kindness on the set of Dynasty and backstage at Little Shop of Horrors on Broadway to what we can learn from older generations, Liz reminds us why honesty may be the kindest act of all. The two Jersey kids dive deep into kind waters, covering everything from child acting, Broadway mishaps, and comfort TV shows all the way to witchy intuition, social media chaos, backstage hijinks, and the emotional support powers of - you guessed it - Canada Dry ginger ale. This positive podcast episode features: The life-changing sacrifices Liz's parents made for her as child actor Liz's future Broadway dream roles, including Winifred in Hocus Pocus the musical and an immersive Dynasty musical? Special surprises from her star friends Seth MacFarlane and Elaine Hendrix Plus: ADHD tangents, disco naps, miniatures, Real Housewives, Love on the Spectrum, and one very ambitious immersive Dynasty pitch. This episode is positively unhinged in the best way — a reminder that kindness is simply showing up. A big shoutout to friends of the AOK who made this episode possible, namely: Kindness is Free empowers the next generation of youth by instilling the values of respect, equality and compassion for others. Powered by Welcome to Times Square, the billboard experience that lets YOU be a star for a day. Special shoutout to our favorite Schmackary's Cookies and longtime listener Jen of Jen's Pretty Pegs, who helped us surprise Liz with a beautiful kind act. For a hand-painted and whimsical keepsake like Liz's check out Jen's art at: www.jensprettypegs.com. ELIZABETH GILLIES is an actress, singer and director known for her roles as ‘Fallon Carrington' in​ the popular Netflix series, Dynasty and ‘Jade West' in the generation defining Nickelodeon​ series, Victorious. Gillies returned to her Broadway roots last year, starring in the acclaimed Off-Broadway revival of Little Shop of Horrors as “Audrey”. A few of her TV credits include The​ Hunting Party, The Orville, White Collar, Family Guy and the FX series,​ Sex&Drugs&Rock&Roll where she starred opposite Denis Leary for two seasons. On the film​ side, Gillies can be seen in Vacation, Arizona, Animal, Catwoman: Hunted and Spread, which​ she also produced. In addition to her acting career, Gillies is a singer who performs regularly to​ sold out audiences across the country. She has two records out with her longtime friend and​ collaborator, Seth MacFarlane. Got kindness tips or stories? Please email us: ⁠⁠⁠⁠artofkindnesspodcast@gmail.com⁠⁠⁠⁠ Follow Liz: ⁠⁠⁠@lizgillz Follow us ⁠⁠⁠⁠⁠@artofkindnesspod⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠@robpeterpaul⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Support the show⁠⁠⁠⁠⁠! (⁠⁠⁠https://www.buymeacoffee.com/theaok⁠⁠⁠) Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. We are supported by the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Formula One Kit Kat heist; French taze Australian DJ making amazing mix; Rasputin privates museum; brave with bees; not enough alliteration; Smash! I.P.; Off Broadway good news bad news for Boney M!Unlock the BONUS SCENE(S) at improv4humans.com and gain access to every episode of i4h, all ad-free, as well as TONS of exclusive new podcasts delving deeper into improv, the history of comedy, music and sci-fi.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this Artist Spotlight edition of Inwood Art Works On Air podcast, we welcome local soprano, Karyn Levitt.Karyn Levitt wrote the shows Will There Still Be Singing? A Hanns Eisler Cabaret and On Hollywood and Weimar: Songs of European Composers from the Golden Age of Film and has performed them at renowned venues including the Center for Jewish History, Off-Broadway's York Theater, Feinstein's/54 Below, Cafe Sabarsky, Metropolitan Room, Princeton University, Brecht-Haus in Berlin and Goethe Institut-Boston and related concerts at Vassar, Amherst, and Bates Colleges, as well as Goethe Institutes in LA and Boston. She is among the leading Lied singers of the highly demanding Eisler repertoire. In addition to being a celebrated soprano, Ms. Levitt is a distinguished producer, known for her historic collaboration with Eric Bentley, whose centennial tribute she produced and performed in at The Town Hall, now documented in the feature film Honoring Eric Bentley: A Centennial Tribute Concert. Her professional background also includes acting, composing, writing, editing, and performance coaching. www.karynlevitt.com

This is a clip from my upcoming Broadway Drumming 101 conversation with Morgan Parker, currently holding the drum chair for A Beautiful Noise: The Neil Diamond Musical.Morgan dropped a lot of wisdom in this episode, but this part really stood out to me.One of her mentors told her that you're going to feel overwhelmed when the phone won't stop ringing… but you're also going to feel overwhelmed when the phone doesn't ring.That's the reality of this business.Morgan also talks about how dangerous it is to compare your path to other people's careers, especially in the social media era. Some musicians land major gigs quickly. For others, it can take years or even decades. Everybody comes to music in their own time.What matters is staying prepared, staying humble, keeping your ego in check, and continuing to grow.Morgan's career is a great example of that mindset in action. Along with Broadway and Off-Broadway credits, she's also worked as a stage manager for The New York Pops and performed in everything from theater productions to television performances and concert halls.Really great conversation. Full episode coming soon on Broadway Drumming 101.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Our guest today is the multi-talented Carey Renee Sharpe, who recently made her Off-Broadway debut in Blood/Love - a vampire pop opera that she wrote and performed in. Set within a nightclub called The Crimson, the musical follows her search for meaning beyond immortality when she encounters a human with secrets of his own. Carey's journey is really fascinating - she began formal violin training at just three years old but pursued a career in nursing instead. After stepping away from healthcare to restore a historic theater in her hometown, Carey rediscovered her passion for the performing arts and started working on her own original musical shortly after. Join us as we talk about the Halloween party that inspired Carey to write this musical, her journey from the initial idea to the finished show, her  collaboration with two-time Grammy nominee Dru DeCaro, and so much more.  ______ Follow Carey on Instagram: @careyreneemusic Follow Goodversations on Instagram: @goodversations ______ If you enjoyed this episode, please share it on your social media stories! In this way, more people will get to hear Carey's thoughts on the industry. Be sure to follow us on Spotify and Apple Podcasts for a fresh batch of weekly episodes, featuring the stars of Moulin Rouge, Mean Girls and more.

A Yuji Itadori cosplayer assaults a creeper who was banned from a con! Plus, Sailor Moon gets a little political, and Crunchyroll hosts an anime industry summit ahead of New York Comic Con. Also, it's time for another anime-filled Heritage Auctions, TOKYOPOP launches a children's publishing company, and a manga is getting an Off-Broadway musical this fall! Meanwhile in Japan, a shogun cultural experience that teases all five senses, a woman broke into a home just to slap a resident in the face, and very interesting stress balls?!

Show SummaryOn today's episode, we're replaying a conversation with conversation with playwright and producer Elizabeth Coplan, founder of the Greif Dialogues, a nonprofit theatrical movement that facilitates conversations about dying, death, and grief. We talk about her own connection to service and discuss how Grief Dialogues has developed a specific immersive experience of remembrance and reflection ahead of Memorial DayProvide FeedbackAs a dedicated member of the audience, we would like to hear from you. If you PsychArmor has helped you learn, grow, and support those who've served and those who care for them, we would appreciate hearing your story. Please follow this link to share how PsychArmor has helped you in your service journey Share PsychArmor StoriesAbout Today's GuestElizabeth Coplan is a veteran of marketing and public relations with over four decades of experience. She began her professional journey as an aspiring actor in New York City in 1972 before pivoting to publishing, eventually becoming the managing editor of Chief Executive Magazine. After relocating to California, she climbed the ranks at Collins Foods International, ultimately serving as Director of Corporate Communications.In Seattle, Elizabeth became a trailblazer in professional services marketing, notably serving as the first Northwest marketing director for Touché Ross (now Deloitte). She later became Director of Client Service and Development at Davis Wright Tremaine, where she helped grow the firm from three to ten offices and pioneered strategic sponsorships in the legal sector. After six years, she launched her own consulting firm, advising major clients including Merrill Lynch and the University of Washington School of Law.Her service on nonprofit boards includes the Bainbridge Island Museum of Art and the Intiman Theatre, where she chaired strategic planning. In 2013, after a series of personal losses, Elizabeth began writing to process her grief. This led to the creation of Grief Dialogues, a groundbreaking play and nonprofit initiative that fosters dialogue about death and grief through theatre.Her award-winning works include Hospice: A Love Story, Untold, The Choice, and Honoring Choices, the latter adapted into a film that premiered in Los Angeles and earned multiple festival awards. She also directed and produced Juntos Nos Ayudamos, a film addressing suicide in a Hispanic family, and co-hosts the podcast Out of Grief Comes Art.Elizabeth's writing appears in professional grief therapy publications, and her full-length play 'Til Death premiered Off-Broadway in 2023 with an acclaimed cast. She is currently working on The Book Club, a new play exploring the lives of senior women.Links Mentioned in this Episode Grief Dialogues WebsiteMy Guardian Angel MoviePsychArmor Resource of the WeekThis week's resource of the week is the PsychArmor course, Good Grief. Grief is not only experienced with death, it can also occur with job loss or severe changes to physical well-being. The purpose of this course is to recognize loss and identify what is learned as a result of that loss. You can find the resource here:  https://learn.psycharmor.org/courses/good-grief Episode Partner: Are you an organization that engages with or supports the military affiliated community? Would you like to partner with an engaged and dynamic audience of like-minded professionals? Reach out to Inquire about Partnership Opportunities Contact Us and Join Us on Social Media Email PsychArmorPsychArmor on TwitterPsychArmor on FacebookPsychArmor on YouTubePsychArmor on LinkedInPsychArmor on InstagramTheme MusicOur theme music Don't Kill the Messenger was written and performed by Navy Veteran Jerry Maniscalco, in cooperation with Operation Encore, a non profit committed to supporting singer/songwriter and musicians across the military and Veteran communities.Producer and Host Duane France is a retired Army Noncommissioned Officer, combat veteran, and clinical mental health counselor for service members, veterans, and their families.  You can find more about the work that he is doing at www.veteranmentalhealth.com  

On Your World of Creativity, we travel around the world talking with creative practitioners who turn ideas into impact. Today we're stepping into the studio with a guest to explore what it really means to trust yourself, dismantle habits, and make braver, more embodied art. Welcome choreographer, director, educator and author … Alexandra Beller.Alexandra's Website@alexandrabellerdances on InstagramAlexandra on YouTubeAlexandra's Facebook pageLinkedIn: linkedin.com/in/alexandra-beller-0a56a57A former member of the Bill T. Jones/Arnie Zane Dance Company, she is now the Artistic Director of Alexandra Beller/Dances, having created more than 40 dance theater works internationally.Her teaching spans Princeton University, the Laban Institute, and residencies around the globe. In theater, she's worked Off-Broadway and regionally, with credits including Lincoln Center and A.R.T.Alexandra is currently writing two books:The Embodied Conductor (Meredith Music, 2025) andThe Anatomy of Art (Bloomsbury, 2026).Her work blends somatic practice, rigorous inquiry, and creative freedom to help artists deepen their process and unlock new possibilities.1 — The Creative Process as a Living PracticeAlexandra, you've spent decades inside the creative process — as performer, choreographer, director, and educator. What inspired you to write a book about the creative process now, and what do you hope artists take away from it?Follow-up:The Anatomy of Art reads like a field guide for creative life — part poetic meditation, part practical workbook — with chapters on Time, Space, Meaning, Relationship, Process, Material, and more. Each section offers inquiry prompts, embodiment exercises, and devising practices that help artists reconnect to their sensory intelligence and personal voice.You also weave in contributions from seminal voices like Anne Bogart and Deborah Hay, folding perspectives from across disciplines and generations into the book.Can you share how you designed The Anatomy of Art to live at that intersection of instinct and analysis — and why it felt important to create something that offers rigorous tools while still honoring the mystery of making?2 — Trust, Doubt, and Creative CourageYou speak often about trusting yourself in the creative process. That sounds simple — but it's incredibly difficult in practice.What does it really mean to trust yourself as an artist — and how do creatives actually begin to do that?Optional follow-up:What role does doubt play? Is it something to eliminate — or something to work with?3 — Structure and FreedomYou work with systems like Laban and Bartenieff — which are rigorous, structured methodologies — yet your approach is also deeply poetic and personal.How do you balance structure and freedom in your work?And more broadly, how can artists use structure without becoming constrained by it?4 — Dismantling Habits & Artistic ReinventionYou talk about dismantling habits — creatively and personally.Why is breaking creative habits so essential for growth?What happens if we don't?Follow-up:Is there a connection between the parts of ourselves we hide and the habits we form in our art?5 — Joy, Burnout & Staying PorousArtists often struggle with burnout, pressure, comparison, and the fear of not being “enough.”How can artists stay porous and brave without becoming overwhelmed?And how do we create conditions for joy — especially in careers that can feel filled with struggle?Key themes:• The body as intelligence• Trust as a practice, not a personality trait• Structure as a container for freedom• Dismantling habits to create braver work• Joy as a discipline

On this episode of On the Aisle, host Tom Alvarez sits down with acclaimed composer, lyricist, and playwright Adam Gwon for an in-depth conversation about his Off-Broadway musical All the World's a Stage and its upcoming cast album. Gwon shares how the show grew out of his reflections during the pandemic and explores themes of identity, mentorship, and the power of art to represent marginalized voices. The two discuss Gwon's creative journey from Baltimore to NYU and beyond, his early love of piano and theater, his experiences working with Roundabout Theatre Company, and the influence of artists like Audra McDonald. Blending personal stories, humor, and thoughtful commentary on the state of musical theater today, the interview offers an intimate look at one of contemporary theater's most heartfelt voices.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sepideh Moafi recently starred as Dr. Baran Al-Hashimi on the riveting medical drama, ‘The Pitt,' and is known for her roles in ‘The L Word: Generation Q' and ‘The Deuce.'She is returning to her theater roots this year in ‘New Born,' a play composed of three monologues written by Ella Hickson.

We're thrilled to be joined by Carey Renee Sharpe to chat all about Blood/Love: A Vampire Pop Opera! Carey makes her Off-Broadway debut as Valerie in her own original production.  We chat with Carey all about developing & performing in Blood/Love, vampire lore and so much more!

This episode we are joined by actress and comedian Nicole Travolta! Nicole's show, Nicole Travolta Is Doing Alright is currently playing at Soho Playhouse until May 10th! The show was originally developed in Los Angeles and has since played sold-out engagements nationwide Off-Broadway, at Edinburgh Fringe Festival and makes its return to Soho Playhouse. On a personal note: I saw the show and LOVED it! I encourage you all to go and see it!For for more information and tickets to Nicole Travolta Is Doing Alright visit: doingalrightshow.com

Mickey-Jo just got back from a 2 week trip to New York during which he saw 5 different shows Off-Broadway.These were:• Well I'll Let You Go at Studio Seaview• Mexodus at the Daryl Roth Theatre• No Singing in the Navy at Playwright's Horizons• 11 to Midnight at the Orpheum Theatre• Bigfoot at New York City Center Check out that Mickey-Jo thought of each of these shows, share your own thoughts and recommend more off-Broadway theatre in the comments!•00:00 | introduction02:46 | Well I'll Let You Go08:22 | Mexodus14:01 | No Singing in the Navy18:46 | 11 to Midnight24:51 | Bigfoot31:47 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Alexandra Beller (MFA, CMA) is a choreographer, director, educator, and former member of the Bill T. Jones/Arnie Zane Dance Company. As Artistic Director of Alexandra Beller/Dances, she has created over 40 dance theater works internationally. Her teaching spans Princeton University, Laban Institute, and global residencies. In theater, she's worked Off-Broadway and regionally, with credits including Lincoln Center and A.R.T. Alexandra is currently writing two books: The Embodied Conductor: A Somatic Approach with Laban and Bartenieff (Release TBA 2027) and The Anatomy of Art (Bloomsbury, Fall 2026). She blends somatic practice, rigorous inquiry, and creative freedom to help artists deepen their process and unlock new possibilities. website: www.alexandrabellerdances.org and book site: https://www.anatomy-of-art.com/, but if space and format allow,    TikTok: https://www.tiktok.com/@thelabanista   YouTube: https://www.youtube.com/channel/UC8suG0TLGKqufov8IpqLrKw   LinkedIn: https://www.linkedin.com/in/alexandra-beller-0a56a57/   Instagram: https://www.instagram.com/alexandrabellerdances/   Thank you so much for being here. This podcast exists because of the women who show up for these conversations and keep coming back. It genuinely means everything.Leave a review on Apple Podcasts and you could win a free mini consult with Cody. Each month one reviewer is chosen at random. It takes about a minute and it helps Create the Space reach the women who need it most. Connect with Cody: Instagram: @spacewithcody Website: spacewithcody.com Free Resource: Ready to shift the energy of your home? Start here with Five Shifts to Improve the Energy of Your Home, a free guide from Cody. Work with Cody: Explore ways to work together at spacewithcody.com© Create the Space with Cody Maher. All rights reserved.

Brigid Amos sits down with David Quang Pham Quwahng Fahm to discuss how he combines his love of musical theater with science to educate and entertain.Credits:Audio Engineer Gary GlorOne Heartbeat Away is provided to The Theater Project by Gail Lou References:David Quang Pham is an award-winning songwriter, theatre and filmmaker, recognized for creating musicals that personify science to explore the human condition and social issues. His notable work includes plant-based comedy Turnover: A New Leaf, evolutionary fantasy The Living Fossils, and astrophysics family drama Ellipses. They have been produced Off-Broadway, nationally, and internationally. His talent has been recognized with numerous accolades, including a Working Title Playwrights apprenticeship, Playwrights Foundation fellowship, 2024 Great Performances Fellowship Award, and appearance at the 78th Tony Awards on CBS. Be up to lightspeed at science.studio and @ScienceTheatreTour (2019): A musical revolving around subatomic educators competing in an academic accelerator. It was a finalist at the 2019 Downtown Urban Arts Festival.Turnover: A New Leaf is an award-winning plant-based musical by David Quang Pham that follows Vietnamese cilantro Rau Ram trying to earn a green card while running a salon and raising her son, Parsley, in "Dirty City". The story, inspired by Pham's childhood, explores immigrant assimilation, queer identity, and photosynthesis through a comedic, dramatic lens.Aliyah Curryhttps://www.imdb.com/name/nm8550270/Dr Quincy Thomashttps://www.queertk.org/bios/dr.-quincy-thomasQueer Theatre Kalamazoohttps://www.queertk.org/Janelle Lawrencejanellelawrence.comGonzalo Valencia Penahttp://www.gonzalovalencia.com/Cải Lương is a form of modern folk opera that originated in southern Vietnam in the early 20th century. Often translated as "reformed theater" or "renovated theater," it represents a cultural fusion that combines traditional Vietnamese music and folk songs with Western stage techniques and modern spoken drama.

On this week's episode of On Broadway, I chat with Adam Gwon, an American composer and lyricist. He made his off-Broadway debut in 2009 with Ordinary Days. He has written eight other musicals that have premiered Off-Broadway and at major regional theaters across the country.  Gwon has been a recipient of the Fred Ebb Foundation Award, presented to aspiring composer/lyricists, as well as the Kleban Prize for most promising musical theater lyricist.

TOGETHER is a new theatrical collaboration between Sonia Friedman and Hugh Jackman, with Director Ian Rickson. Audible Theatre and TOGETHER are presenting a series of productions in repertory at Audible's Minetta Lane Theatre in New York City, one of which is Tom Noonan's ‘What Happened Was…' This production, the first major New York revival in nearly 30 years, is directed by the aforementioned Ian Rickson, and stars Corey Stoll and, our guest, Cecily Strong.

Hey Horror Fans! The Book of the Dead is having a moment. With Evil Dead: Burn dropping this July, Evil Dead: Wrath officially locked in for 2028, and Lee Cronin's The Mummy keeping the Rise director in the conversation…it felt like the right time to go back to one of our earliest episodes!! Back in March of 2021 we sat down with George Reinblatt, the creator of Evil Dead the Musical, to talk about what it takes to take one of horror's most beloved franchises and turn it into a full blown stage production (complete with a Splatter Zone). We get into the origins of the show, its Off-Broadway run, why local productions keep popping up every Halloween around the world, and the long, weird, wonderful history of horror and comedy sharing a stage. Plus as always we open with some quick thoughts on the Evil Dead franchise's current moment, some horror news, and close things out with our latest Mostly Horror Recommendations of the Week! Grab your poncho… it's gonna get groovy.. Come Hang Out!!! Follow Us on Social Media:Instagram & Threads: @mostlyhorrorpodTikTok & Twitter/X: @mostlyhorrorSteve: @stevenisaverage (all socials)Sean: @hypocrite.ink (IG/TikTok), @hypocriteink (Twitter/X)Enjoyed this episode? Don't forget to subscribe, rate, and leave a review on your favorite podcast platform to help us reach more horror fans like you! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Ellenore Scott joins the show to discuss her historic season, where she has achieved the rare feat of having multiple productions running simultaneously on and off Broadway. She shares the incredible story of her son Ford's birth, which took place less than twenty-four hours after she walked the red carpet for the opening night of Ragtime at Lincoln Center. Ellenore reveals the logistical gymnastics of negotiating with her doctor to delay her C-section so she wouldn't miss her opening night, and how she transitioned from celebrating a professional milestone to welcoming her first child the very next morning. The conversation dives deep into her creative process, specifically how she builds a unique movement language for vastly different shows like Ragtime and Titanique. Ellenore explains her history as a "TikTok girly" during the pandemic and how she successfully choreographed the viral Ratatouille: The TikTok Musical entirely over Zoom. She also breaks down her secret "choreographic signature"—the "bitch swerve"—and tells us exactly where to look for it in her current productions. Ellenore Scott is an acclaimed choreographer, director, and performer whose work spans Broadway, television, and digital media. A former finalist on So You Think You Can Dance, she has choreographed Broadway productions including Funny Girl, Mr. Saturday Night, and the current revival of Ragtime, as well as the long-running Off-Broadway hit Little Shop of Horrors. She is a multiracial artist with a heritage encompassing African American, Indigenous, Filipino, Mexican, Hawaiian, and Irish roots. Ellenore is also the founder of her own dance company and has served as an associate to Andy Blankenbuehler on the Broadway revival of Cats. This episode is powered by WelcomeToTimesSquare.com, the billboard where you can be a star for a day. Connect with Ellenore: IG: @helloellenore Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailOren Michels is an entrepreneur, investor, board member, and advisor to technology startups in the US and Europe. He is the co-founder and CEO of Barndoor AI, the control plane for agentic AI, and the founder who previously helped define the API management category with Mashery, acquired by Intel in 2013. He is also a Tony-nominated Broadway and Off-Broadway producer whose credits include Romeo+Juliet and Good Night, and Good Luck starring George Clooney.In this episode, Oren draws on two decades of building foundational infrastructure for the enterprise to make the case that governing AI agents is not a security problem. It is an entirely new category of problem, and most companies do not yet have the vocabulary to describe it, let alone the tools to solve it. If your agents can already write to your CRM, interpret your instructions, and act without life experience or fear of consequences, who is actually in control?In this conversation, we discuss:Why securing AI agents is entirely different from managing APIs, and why traditional security and identity access tools were never designed to handle what agents can do.The reason most so-called agentic AI is still glorified robotic process automation, and what it will actually take to unlock enterprise value.How Barndoor AI's "least privilege" framework for agents works, and why the permission logic goes far beyond the identity of the human using the tool.Why an agent with delete access to your CRM is one probabilistic misfire away from a catastrophic outcome, and why ultimate responsibility always comes back to the humans operating the tools.The BYO AI parallel to BYOD: why well-meaning employees using personal AI tools with company data may force the enterprise governance moment no one is ready for.Why the same instinct that took Oren from API infrastructure to Broadway and back to enterprise AI may be exactly the mindset the agentic era demands from its builders.Explore this conversation:00:00 Intro and fun Fact03:46 Oren Michels's Path From API Management to Building Barndoor AI05:44 Redefining Trust: AI Lacks Life Experience and Fear of Consequences08:24 History Repeating: Why AI Needs a Control Plane Just Like APIs Did12:35 Deterministic APIs vs. Probabilistic Agents: Why Governing AI Is a Social Challenge18:25 How Barndoor AI's "Least Privilege" Framework for Agents Actually Works20:50 The Token Economy and Context Windows: Wandering Into the AI Home Depot25:25 Preventing Catastrophic Failures: Why AI Agents Should Never Have Delete Access31:39 The BlackBerry Moment of AI: Navigating the "BYO AI" Enterprise Trend38:04 Balancing Tech and Creativity: From Enterprise AI to Producing on BroadwayResourcesSubscribe to the AI & The Future of Work NewsletterConnect with Oren on LinkedInAI fun fact articleOn How AI may eliminate jobs: what the data reveals

Nicole Travolta is an actor and writer whose TV credits include recurring roles on Anger Management, Two and a Half Men, and,The Middle. She wrote and stars in her solo show Nicole Travolta Is Doing Alright, where she shares her Hollywood dreams—alongside her struggles with compulsive shopping, credit card debt, and the pressure of having a famous last name. After runs in Los Angeles and at the Edinburgh Fringe Festival, Nicole Travolta Is Doing Alright is now playing Off-Broadway at SoHo Playhouse. Learn more about your ad choices. Visit megaphone.fm/adchoices

“If Hamilton is an Obama-era hope musical, we are a Trump-era protest musical," said Nygel D. Robinson, co-creator of “Mexodus.” “Mexodus,” a high-energy Off-Broadway show that explores a lesser-known part of U.S. history: the Underground Railroad, south into Mexico. In the 1800s, thousands of enslaved Black people fled to Mexico, where slavery had been abolished decades before the United States. Maria Hinojosa speaks with “Mexodus” co-creators and stars, Brian Quijada and Nygel D. Robinson, about what they hope their hit show can teach audiences today about cross-racial and cross-border solidarity. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.

Welcome to Inwood Art Works On Air podcast. On this Artist Spotlight episode we speak with film director, actor, and photographer, David Zayas Jr. David Zayas Jr. is a Bronx native and made his Off-Broadway directorial debut with Simpatico, at the Chain Theatre. Prior to that he directed the Jesus Hopped the A Train staged reading starring Common, John Ortiz, and David Zayas at the LABs 30th Anniversary. David also directed multiple times at the Barn Series, which included three New Works in progress by Stephen Adly Gurgis. He is a teaching artist for directing and has directed with Planet Connections, Actors Theatre of NY, NY Theater Festival, Samuel French OOB Festival, and more. Along with award winning films in over 20 festivals. David is a member of The Actors Studio's Playwright/Directors Unit and LAByrinth Theater Company. Also did stunts and stand in work for multiple TV productions including “Dexter”, “Dexter Resurrection”, “The Following”, “Gotham”, “Shut Eye”, and movies like “Ride” and “Annie”. Follow at dzcs4u

[REBROADCAST FROM February 27, 2026] "Bigfoot! A New Musical" is a new musical comedy about small town rumors, conspiracy theories, and of course giant, hairy creatures. Amber Ruffin, who wrote the book, music, and lyrics for the show, discusses the show alongside actors Crystal Lucas Perry, who plays Bigfoot's mom, Francine and Grey Henson in the role of Bigfoot. "Bigfoot! A New Musical" runs through April 26, and is nominated for Outstanding Musical at the 2026 Lucille Lortel Awards. Photo courtesy of the production

[REBROADCAST FROM March 25, 2026] "Mexodus," the musical about the Underground Railroad that lead south to Mexico, has returned to the Off-Broadway stage. Stars and creators Brian Quijada and Nygel D. Robinson return to WNYC to discuss the show, and perform songs live in our studio. 'Mexodous' is the most-nominated production at the 2026 Lucille Lortel Awards. Photo by Thomas Mundell

This episode we are joined actor and Nashville recording artist, Rachel Potter! Rachel is known for her roles on Broadway as Wednesday in The Addams Family and Mistress in Evita. She has also appeared on The X Factor and The Search for the Next Elle Woods. Her album Stages is out now and can be streamed on all music streaming platforms. Now based in Nashville, Rachel has made it her mission to bring Broadway to Music City. In partnership with the Hutton Hotel, Rachel has brought her concert series Off Broadway at the Hutton to life. On April 18th the newest concert will be performed- That's So High School featuring Taylor Louderman, Elle McLemore and Jelani Remy! You can check out Rachel's instagram for more info on how to get tickets! (There is a prom to follow!)We speak with Rachel about how Off Broadway at the Hutton Hotel started and what she hopes the future of the concert series will bring, being a working mom, her start on Broadway and much more!

In this episode of Half Hour, we take a closer look at the 2026 Broadway production of Titaníque at the St. James Theatre, the Céline Dion-fueled parody of Titanic that has sailed uptown after its celebrated Off-Broadway run. We break down how the show's journey from a downtown cult favorite to a commercial Broadway production affects the storytelling, the humor, and the overall energy in a larger house. We discuss the creative team's concept, the use of Dion's catalog, and the legal and artistic hurdles of building a parody around iconic film characters and globally known pop songs. We examine how the production values (set, lighting, sound, and choreography) have been scaled up for the St. James, and whether the show maintains the scrappy, anything-for-a-laugh spirit that defined its Off-Broadway run. The conversation highlights standout turns from Marla Mindelle as Céline Dion, Melissa Barrera, Deborah Cox, Frankie Grande, John Riddle, Constantine Rousouli, and Layton Williams, and considers how this ensemble shapes the show's tone and audience reception on Broadway. We also speculate on potential Tony Awards attention and where Titaníque fits in the broader landscape of contemporary Broadway comedy and parody musicals. Follow and connect with all things @HalfHourPodcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show discussions, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Broadway performer Nina White (The Queen of Versailles) joins The Art of Kindness with Robert Peterpaul for a lovely discussion on navigating the ups and downs of theatrical journey with kindness all the way up to her new play You Got Older at the Cherry Lane Theatre. This positive podcast episode features: How Nina is working through stage door discomfort to learn to better accept compliments. The golden advice she received from her Tony-winning Kimberly Akimbo co-star Victoria Clark and The Queen of Versailles powerhouse Kristin Chenoweth. Her self tape tips + other advice for young musical theatre performers. The kindness of being present and honest and much more. NINA WHITE stars as ‘Jenny' in the Off-Broadway production of YOU GOT OLDER, which opened at the Cherry Lane Theatre on February 23rd to rave reviews and was a New York Times Critics' Pick. Most recently, she could be seen in Broadway musical THE QUEEN OF VERSAILLES, for which she received acclaim for her standout role as 'Victoria,' daughter to Kristen Chenowith's 'Jackie'. Nina first broke onto the theater scene originating the role of ‘Teresa' in the 5x Tony-winning musical, KIMBERLY AKIMBO, followed by a role in the Kennedy Center's acclaimed production of THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE. Her on-screen credits include A24's Golden Globe-winning film, A DIFFERENT MAN, starring Sebastian Stan, and Peacock series LONG BRIGHT RIVER with Amanda Seyfried.  She resides in New York City. Got kindness tips or stories? Please email us: ⁠⁠⁠artofkindnesspodcast@gmail.com⁠⁠⁠ Follow Nina ⁠@iamninawhite Follow us ⁠⁠⁠@artofkindnesspod⁠⁠⁠ / ⁠⁠⁠@robpeterpaul⁠⁠⁠ ⁠⁠⁠Support the show⁠⁠⁠! (⁠⁠https://www.buymeacoffee.com/theaok⁠⁠) Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. We are supported by the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today’s episode, Matt Tamanini is in conversation with Karin McCracken and Simon Leary, the stars of the new Off-Broadway play “Heartbreak Hotel.” McCracken wrote the show and stars as a woman living through the ups and downs of a particularly difficult breakup. The show’s unique structure highlights the messiness read more

Weekly catch-up time! Broadway talk takes center stage during Jenna and Kevin's weekly catch-up! They share their thoughts on Matthew Morrison stepping into "Just in Time," Lea Michele leaving "Chess" in June, Kevin's review of "The Wild Party," and they reveal how Heather Morris is feeling about making her Off-Broadway debut in "11 to Midnight!" Plus, Kevin spills on attending the "Project Hail Mary" premiere in New York! From the celebs he ran into, to his movie review, and his advice you need to hear before you see the movie! For fun, exclusive content, and behind-the-scenes clips, follow us on Instagram @andthatswhatyoureallymissedpod & TikTok @thatswhatyoureallymissed!See omnystudio.com/listener for privacy information.

Nina White stars as Jenny in You Got Older off Broadway at the Cherry Lane Theatre. Nina is known for her Broadway-debut performance as Teresa in the Tony Award-winning musical Kimberly Akimbo, reprising the role from the show's Off-Broadway premiere with Atlantic Theatre Company. She is also starred in the pre-Broadway world premiere and Broadway transfer of the musical The Queen of Versailles, playing the daughter of star Kristin Chenoweth; and she also starred as Olive Ostrovsky in the 2025 revival of The 25th Annual Putnam County Spelling Bee at the Kennedy Center in D.C. On-screen, she can be seen in Mr. and Mrs. Smith (Amazon Prime) and A Different Man (A24). University of Michigan alum. She loves to knit. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Andrew Keegan and Diana Uribe take us back to the 90s… from 10 Things I Hate About You and 7th Heaven to California Dreams—sharing behind-the-scenes stories, career twists, and what it really felt like to be part of that era. Plus, they bring us into what they're doing now with their upcoming Off-Broadway play Once Upon a Time on… Clarantino's Pilot. Nostalgia, surprises, and a full-circle moment you won't want to miss. Grab your tickets to Once Upon a Time on… Clarantino's Pilot here! https://www.prekindle.com/event/44271-cristis-case-crackers-once-upon-a-time-on-clarantinos-pilot-astoria We would love your feedback... If you enjoyed this episode, tell us why! Leave us a review and make sure you subscribe on your favorite podcast platform. Executive Producers are Riley Peleuses + Ian McNeny for YEA Media Group If you are interested in advertising on this podcast or having Christine and David as guests on your Podcast, Radio Show, or TV Show, reach out to ⁠⁠⁠⁠⁠⁠⁠⁠podcast@yeamediagroup.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Andrew Keegan and Diana Uribe take us back to the 90s… from 10 Things I Hate About You and 7th Heaven to California Dreams—sharing behind-the-scenes stories, career twists, and what it really felt like to be part of that era. Plus, they bring us into what they're doing now with their upcoming Off-Broadway play Once Upon a Time on… Clarantino's Pilot. Nostalgia, surprises, and a full-circle moment you won't want to miss. Grab your tickets to Once Upon a Time on… Clarantino's Pilot here! https://www.prekindle.com/event/44271-cristis-case-crackers-once-upon-a-time-on-clarantinos-pilot-astoria We would love your feedback... If you enjoyed this episode, tell us why! Leave us a review and make sure you subscribe on your favorite podcast platform. Executive Producers are Riley Peleuses + Ian McNeny for YEA Media Group If you are interested in advertising on this podcast or having Christine and David as guests on your Podcast, Radio Show, or TV Show, reach out to ⁠⁠⁠⁠⁠⁠⁠⁠podcast@yeamediagroup.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Topics: going from fans to friends, writing Titanique the musical, moving from Off-Broadway to Broadway, performing at Brian Kelly's birthday in Lisbon, sing-along etiquette, our worst theater roles, Never Have I Ever with Celine DionSponsorsQuince: Go to Quince.com/taylor for free shipping and 365-day returnsHers: Visit forhers.com/taylor to get a personalized, affordable plan that gets youPique: Secure 20% off your order and begin your intentional wellness journey today at Piquelife.com/taylorBobbie: Visit hibobbie.com to find the formula trusted by parents and loved by the babies — 700k and countingSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.