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These are the cautionary tales of people who believe they have found the love of their lives, only to discover lies at the core of their relationships. What if your true love is hiding a massive secret… and that secret is you? This season's couples hail from New York City, Los Angeles, Tampa, Seattle, and Tacoma.TRAVIS MILLS is a global recording artist who previously performed under the stage name T. Mills is also an established actor and on-air personality, who hosts the Apple Beats 1 radio show, Travis Mills Live, and podcast ADHD with Travis Mills. He's the co-host on the hit MTV docu-series HELP! I'M IN A SECRET RELATIONSHIP! which recently wrapped Season 3. He was previously the co-host of MTV's docu-series GHOSTED: LOVE GONE MISSING opposite The Bachelorette's Rachel Lindsay. He's the lead singer and guitarist in the pop-punk rock band GIRLFRIENDS who toured Summer of 2024 with Avril Lavigne & Simple Plan. Girlfriends has previously toured with The Used, Machine Gun Kelly & Mod Sun. On the acting side, he starred in the comedy series THE COOP for Funny Or Die. He can also be seen in the Netflix Original series, FLAKED, alongside Will Arnett and in recurring roles on NBC's GOOD GIRLS and Freeform's ALONE TOGETHER. His cross-platform Social Media following is 10M+.Rahne Jones is an actor, writer, and host hailing from Silver Spring, MD. Jones made her professional acting debut as Skye Leighton on the Golden Globe-nominated Netflix television series The Politician starring alongside Ben Platt, Gwyneth Paltrow, Jessica Lange, Judith Light and Bette Midler. Jones's other credits include the groundbreaking FX series Pose and After School History, Jones's own social media-based educational comedy series. Prior to becoming an actor, Jones spent four years working for the U.S. Department of Homeland Security.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

These are the cautionary tales of people who believe they have found the love of their lives, only to discover lies at the core of their relationships. What if your true love is hiding a massive secret… and that secret is you? This season's couples hail from New York City, Los Angeles, Tampa, Seattle, and Tacoma.TRAVIS MILLS is a global recording artist who previously performed under the stage name T. Mills is also an established actor and on-air personality, who hosts the Apple Beats 1 radio show, Travis Mills Live, and podcast ADHD with Travis Mills. He's the co-host on the hit MTV docu-series HELP! I'M IN A SECRET RELATIONSHIP! which recently wrapped Season 3. He was previously the co-host of MTV's docu-series GHOSTED: LOVE GONE MISSING opposite The Bachelorette's Rachel Lindsay. He's the lead singer and guitarist in the pop-punk rock band GIRLFRIENDS who toured Summer of 2024 with Avril Lavigne & Simple Plan. Girlfriends has previously toured with The Used, Machine Gun Kelly & Mod Sun. On the acting side, he starred in the comedy series THE COOP for Funny Or Die. He can also be seen in the Netflix Original series, FLAKED, alongside Will Arnett and in recurring roles on NBC's GOOD GIRLS and Freeform's ALONE TOGETHER. His cross-platform Social Media following is 10M+.Rahne Jones is an actor, writer, and host hailing from Silver Spring, MD. Jones made her professional acting debut as Skye Leighton on the Golden Globe-nominated Netflix television series The Politician starring alongside Ben Platt, Gwyneth Paltrow, Jessica Lange, Judith Light and Bette Midler. Jones's other credits include the groundbreaking FX series Pose and After School History, Jones's own social media-based educational comedy series. Prior to becoming an actor, Jones spent four years working for the U.S. Department of Homeland Security.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Singapore stocks started trading in negative territory today, tracking losses in the global market overnight. The Straits Times Index (STI) opened 1 per cent lower at 3,387.11 points after 59.8 million securities changed hands in the broader market. In terms of companies to watch today, we have OCBC after the bank's net profit for the second quarter ended June rose 14 per cent to S$1.94 billion, up from S$1.71 billion in the previous corresponding period.  Meanwhile, from disappointing data on the US economy to Apple's latest earnings, and news of Intel cutting over 15 percent of its workforce, more corporate and international headlines remain in focus.  On Market View, The Evening Runway's finance presenter Chua Tian Tian unpacked the developments with Sunny Soh, Lead Technical Analyst (Capital Markets & Investor Education), SIAS.See omnystudio.com/listener for privacy information.

Timestamps: 0:00 showed our time privilege 0:10 Apple most valuable company again 1:42 Google Lockdown Update 2:54 EU imposing tariffs on Chinese EVs 4:43 QUICK BITS INTRO 4:52 RTX 5000 specs leak 5:36 Ryzen AI 300 drops W10 support 6:24 LumaLabs "Dream Machine" Sora-like 7:04 Raspberry Pi goes public News Sources: https://lmg.gg/6zdNl Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 315: Neal and Toby recap Apple's earnings which have calmed investors for now despite its struggling iPhone sales. Then, Gov. Ron DeSantis signs a bill to have lab-grown meat manufacturing and distribution banned in Florida. Also, how Ozempic literally changed the economy and livelihood of Denmark. Next, Carvana wins stock of the week while Peloton is the dog of the week. Meanwhile, a startup wants to take poop deep underground to save the planet. Lastly, the real reason why there hasn't been record-breaking performances in the Kentucky Derby in over 60 years. Visit https://www.wendys.com/morningbrew for more! 00:00 - Intro 03:00 - Apple Earnings 07:15 - Fake meat in Florida 11:45 - Ozempic in Denmark 16:30 - Stock/Dog of the week 19:00 - Carbon startup 24:00 - Kentucky Derby Horses Per My Last Email: Spotify, Apple, YouTube or wherever you listen to podcasts Get your Morning Brew Daily Mug HERE: https://shop.morningbrew.com/products/morning-brew-daily-mug?utm_medium=youtube&utm_source=mbd&utm_campaign=mug Listen to Morning Brew Daily Here: https://link.chtbl.com/MBD Watch Morning Brew Daily Here: https://www.youtube.com/@MorningBrewDailyShow Learn more about your ad choices. Visit megaphone.fm/adchoices

Get the inside scoop on the latest moves in financial markets with our deep dive into recent headlines. Make sense of what the US central bank said this week, how markets reacted and what might come next.Apple shares jumped after the company posted stronger-than-expected sales last quarter and predicted a return to growth in the current period, alongside the biggest corporate buyback of shares in history.Don't miss out on this episode, tailored for students seeking to navigate the complexities of financial markets and in a fun and easy to understand way. Tune in now and stay ahead of the curve!*****Want to experience what it's like to trade at a bank? Take our free Markets Finance Accelerator simulation in partnership with Morgan Stanley and UBS https://amplifyme.com/finance-accelerator Hosted on Acast. See acast.com/privacy for more information.

Apple shares jumped in late trading after the company posted stronger-than-expected sales last quarter and predicted a return to growth in the current period, sparking optimism that a slowdown is easing. The results came as a relief to investors, who have been waiting for the iPhone maker to pull out of a long slump. Bloomberg TV and Radio hosts Carol Massar and Tim Stenovec speak with Bloomberg Intelligence Senior Technology Analyst Anurag Rana, Bloomberg News Chief Technology Correspondent Mark Gurman and Synovus Trust Senior Portfolio Manager Dan Morgan for analysis and reaction. See omnystudio.com/listener for privacy information.

Apple shares jumped in late trading after the company posted stronger-than-expected sales last quarter and predicted a return to growth in the current period, sparking optimism that a slowdown is easing. The results came as a relief to investors, who have been waiting for the iPhone maker to pull out of a long slump. Bloomberg TV and Radio hosts Carol Massar and Tim Stenovec speak with Bloomberg Intelligence Senior Technology Analyst Anurag Rana, Bloomberg News Chief Technology Correspondent Mark Gurman and Synovus Trust Senior Portfolio Manager Dan Morgan for analysis and reaction. See omnystudio.com/listener for privacy information.

Apple shares jumped in late trading after the company posted stronger-than-expected sales last quarter and predicted a return to growth in the current period, sparking optimism that a slowdown is easing. The results came as a relief to investors, who have been waiting for the iPhone maker to pull out of a long slump. Bloomberg TV and Radio hosts Carol Massar and Tim Stenovec speak with Bloomberg Intelligence Senior Technology Analyst Anurag Rana, Bloomberg News Chief Technology Correspondent Mark Gurman and Synovus Trust Senior Portfolio Manager Dan Morgan for analysis and reaction. See omnystudio.com/listener for privacy information.

Apple shares jumped in late trading after the company posted stronger-than-expected sales last quarter and predicted a return to growth in the current period, sparking optimism that a slowdown is easing. The results came as a relief to investors, who have been waiting for the iPhone maker to pull out of a long slump. Bloomberg TV and Radio hosts Carol Massar and Tim Stenovec speak with Bloomberg Intelligence Senior Technology Analyst Anurag Rana, Bloomberg News Chief Technology Correspondent Mark Gurman and Synovus Trust Senior Portfolio Manager Dan Morgan for analysis and reaction. See omnystudio.com/listener for privacy information.

Apple shares jumped in late trading after the company posted stronger-than-expected sales last quarter and predicted a return to growth in the current period, sparking optimism that a slowdown is easing. The results came as a relief to investors, who have been waiting for the iPhone maker to pull out of a long slump. Bloomberg TV and Radio hosts Carol Massar and Tim Stenovec speak with Bloomberg Intelligence Senior Technology Analyst Anurag Rana, Bloomberg News Chief Technology Correspondent Mark Gurman and Synovus Trust Senior Portfolio Manager Dan Morgan for analysis and reaction. See omnystudio.com/listener for privacy information.

This Day in Legal History: Andrew Johnson is a Scoundrel On this day in legal history, March 27, 1866, President Andrew Johnson enacted one of the most consequential vetoes in American history. Johnson vetoed the Civil Rights Bill, a pivotal piece of legislation intended to extend full U.S. citizenship to all former slaves and to fundamentally reshape the landscape of civil rights in the aftermath of the Civil War. This bill was a direct response to the Black Codes, laws passed by Southern states that severely restricted the rights of newly freed African Americans.Johnson, a Southern Democrat who ascended to the presidency after Lincoln's assassination, argued that the bill encroached upon states' rights and would lead to federal overreach. His veto underscored a profound political and ideological rift between the President and the Radical Republicans in Congress, who advocated for more stringent Reconstruction policies and greater protections for former slaves.The veto of the Civil Rights Bill did not mark the end of the struggle for equality; rather, it galvanized Congress to action. In a rare and historic move, Congress overrode Johnson's veto in April 1866, marking the first time in U.S. history that a major piece of legislation became law over a presidential veto. This event signaled a shift in the balance of power between the executive and legislative branches and underscored the growing commitment of the federal government to civil rights.The passage of the Civil Rights Bill set the stage for the 14th Amendment, which would be ratified two years later in 1868. The amendment enshrined in the Constitution the principles of birthright citizenship and equal protection under the law, fundamentally transforming the nature of American citizenship and laying the groundwork for future civil rights advancements. Johnson's veto, and the legislative response it provoked, remain a testament to the turbulent and transformative nature of the Reconstruction era, highlighting the enduring struggle for justice and equality in the United States.The U.S. Justice Department strategically filed its significant antitrust lawsuit against Apple Inc. in New Jersey, aiming to leverage the Third Circuit Court's history of plaintiff-friendly rulings in monopoly cases. This move is part of the broader Biden administration effort to regulate the dominance of Big Tech through antitrust law, targeting practices Apple uses to maintain its smartphone market monopoly. The Third Circuit, known for its openness to cracking down on monopolistic behavior, contrasts with other circuits perceived as more defendant-friendly in antitrust matters.Legal experts point out the Third Circuit's precedents in supporting the government's stance against monopolistic practices, citing past rulings against companies like Dentsply and 3M Co. for violating the Sherman Act. These precedents underline the court's stricter standards for monopolists, relevant to the DOJ's allegations against Apple for Section 2 violations of the same act. The choice of New Jersey also reflects tactical considerations regarding subpoena power and the desire for a court that might approach the case with fresh eyes, avoiding circuits like the Ninth, where Apple has previously secured favorable rulings.The DOJ's lawsuit, joined by New Jersey and other states, underscores the strategic legal and geographic considerations at play in selecting a venue. This reflects a deliberate effort to position the case advantageously within the U.S. legal landscape, aiming for a fresh judicial examination of Apple's business practices and their impact on competition and consumers.DOJ's Apple Suit Filed in New Jersey for Friendly Third CircuitThe 5th US Circuit Court of Appeals has temporarily halted a Texas law, SB4, which authorizes state officials to arrest, detain, and deport individuals entering the U.S. illegally, pending an appeal. This decision represents a temporary victory for the Biden administration in a legal battle with significant ramifications for U.S. immigration policy. The court's 2-1 ruling maintains the suspension of the law, following a lower court judge's determination that it conflicts with federal immigration statutes.Chief Judge Priscilla Richman, writing for the court, underscored that immigration enforcement predominantly falls within federal jurisdiction, despite Texas' efforts to address what it perceives as a failure by Congress to fund adequate responses to increased illegal entries into the United States. She emphasized that Texas cannot assume the federal government's role in immigration matters according to the Constitution and laws.The contested law has caused considerable confusion and uncertainty in Texas, especially regarding its potential enforcement mechanisms. Texas officials argue that SB4 is necessary to mitigate the border crossing influx, criticizing federal inaction. Conversely, the Biden administration contends that the law unlawfully encroaches on federal authority to manage immigration policy and could hinder border management efforts.The appeals court noted that the Texas statute would likely disrupt the federal government's established processes for managing the removal of individuals in the country illegally, pointing out the federal system's complexity and national scope. The 5th Circuit is set to further review the state's appeal of a February ruling by US District Judge David Ezra, who blocked the law on grounds that it would effectively nullify federal law and authority. Oral arguments for the appeal are slated for April 3, as the broader legal challenge to SB4's enforceability continues, with the federal government, a Texas border county, and immigrant rights organizations seeking its permanent injunction.Texas Deportation Law Stays Blocked Until Appeal Is Resolved (1)Disney has settled a lawsuit with the state of Florida, marking the end of its dispute with Governor Ron DeSantis. This resolution came about after a board, appointed by DeSantis to manage the Central Florida Tourism Oversight District which oversees Disney's operations in the region, accepted Disney's settlement offer. The conflict, lasting nearly a year, stemmed from Disney's implementation of certain changes that diminished the municipal authority's powers, specifically limiting the new board's oversight on theme park expansions and billboard advertising.These changes were enacted just before the takeover by the DeSantis-appointed board, leading to a significant legal and public relations battle between the state and Disney, one of Florida's largest employers. Under the terms of the settlement, Disney has agreed to withdraw these controversial changes, thereby restoring the authority of the municipal board.Jeff Vahle, president of Walt Disney World Resort, expressed satisfaction with the settlement, highlighting that it not only concludes the ongoing litigation in Florida's state court but also initiates a period of positive engagement with the district's new leadership. He emphasized that this agreement facilitates further investments and job creation in Florida, benefiting both the state's economy and its workforce. This settlement represents a significant step towards resolving the tensions between Disney and the Florida government, opening the door to future cooperation and development.Disney Ends Fight With Ron DeSantis by Settling Florida LawsuitFlorida governor, Disney reach settlement | ReutersA consumer lawsuit accusing Apple of anti-competitive practices related to cryptocurrency transactions in its App Store was dismissed by a federal judge in San Francisco. The lawsuit, filed in November 2023, claimed Apple's restrictions on cryptocurrency technology stifled competition and increased transaction fees for services like Venmo and Cash App. U.S. District Judge Vince Chhabria criticized the lawsuit as "speculative," identifying several critical flaws, but allowed the plaintiffs 21 days to amend their complaint. Apple, which has faced various antitrust challenges, including a notable lawsuit from the U.S. Justice Department over smartphone market monopolization, denied any wrongdoing. This dismissal adds to the ongoing debate about Apple's influence on app market competition and its regulatory compliance amidst growing legal scrutiny.Apple defeats consumers' crypto-payment antitrust case for now | ReutersHunter Biden is set to request the dismissal of tax evasion charges against him, claiming the case is politically motivated. His legal team will argue before a Los Angeles federal court that the prosecution was influenced by Republican scrutiny of his father, President Joe Biden. Hunter has pleaded not guilty to charges of evading $1.4 million in taxes from 2016 to 2019, despite having repaid the amount. His trial is scheduled for June, ahead of the contentious November presidential election. Additionally, Hunter faces separate charges in Delaware related to the alleged purchase of a handgun while using illegal drugs, to which he has also pleaded not guilty. His defense includes claims of selective prosecution and challenges the appointment of Special Counsel David Weiss, asserting the case should be dismissed due to an earlier plea deal that fell through.Hunter Biden to ask judge to dismiss tax charges as politically motivated | Reuters Get full access to Minimum Competence - Daily Legal News Podcast at www.minimumcomp.com/subscribe

Contact your host with questions, suggestions, or requests about sponsoring the AppleInsider Daily:charles_martin@appleinsider.com(00:00) - 01 - Intro (00:12) - 02 - Apple beats patent troll (01:19) - 03 - Apple beats Samsung in EU (02:02) - 04 - iPhone 15 = better battery durability (02:46) - 05 - Music adds transfer support (03:24) - 06 - iPhone fraudsters convicted (03:58) - 07 - AirPods Max, minimum upgrade (04:41) - 08 - Masters of the Air-waves (05:15) - 09 - AVP: Panavision 70!! (06:21) - 10 - AVP: Movies Anywhere fail (07:19) - 11 - AVP: Idiocracy (08:22) - 12 - Outro Links from the showUS Supreme court declines to hear $503M Apple-VirnetX patent caseApple beats Samsung in the European smartphone marketApple says the iPhone 15 battery is more durable than it originally thoughtApple Music beta trials new feature for importing Spotify playlistsPair found guilty of trying to defraud Apple of more than $3 millionNew AirPods Max rumored to hit shelves in 2024 without giant feature changesApple TV+ drama 'Masters of the Air' is most-watched series launch ever for the serviceApple Vision Pro natively supports a rare film aspect ratioFilms imported through Movies Anywhere may not play in 3D on Apple Vision ProSurvey fears Apple Vision Pro users can be idiots behind the wheelSubscribe to the AppleInsider podcast on:Apple PodcastsOvercastPocket CastsSpotifySubscribe to the HomeKit Insider podcast on:•  Apple Podcasts•  Overcast•  Pocket Casts•  Spotify

Contact your host with questions, suggestions, or requests about sponsoring the AppleInsider Daily:charles_martin@appleinsider.com (00:00) - 01 - Intro (00:13) - 02 - Crunching the numbers (02:36) - 03 - Stay tuned for the next installment (03:30) - 04 - M3 Mad Max (04:36) - 05 - #AndroidIsSpyware (06:06) - 06 - No Apple Watch for YOU! (06:26) - 07 - Mark (Wahlberg) your calendar (06:58) - 08 - From Love Me Do to Now and Then ... (08:57) - 09 - Outro Links from the showApple suffers fourth consecutive quarter of declining sales, beat Wall Street anywayApple's full-year results drop for the first time since 2019Tim Cook highlights all-time record for Apple Services & quarterly best iPhone salesApple expects strong Mac growth but wearable deceleration in the holiday quarterNew survey reveals iPhone users more likely to opt for installment plansM3 Max benchmarks show M2 Ultra performance in a MacBookApple privately described Android as a 'massive tracking device'Apple killed Android plans for Apple Watch - reportMark Wahlberg's comedy 'The Family Plan' premieres December 15 on Apple TV+Tim Cook highlights The Beatles' last song on Apple MusicSubscribe to the AppleInsider podcast on: Apple Podcasts Overcast Pocket Casts Spotify Subscribe to the HomeKit Insider podcast on:•  Apple Podcasts•  Overcast•  Pocket Casts•  Spotify

Contact your host with questions, suggestions, or requests about sponsoring the AppleInsider Daily:charles_martin@appleinsider.com (00:00) - 01 - Intro (00:12) - 02 - Still no creepy "AI" voices (00:33) - 03 - iMac at 25 (02:06) - 04 - new betas (02:27) - 05 - watchOS 9 update (03:05) - 06 - SetApp plots iOS expansion (04:18) - 07 - Apple financing change (05:02) - 08 - No BT patent infringement (05:45) - 09 - Cinematography app wins Emmy (06:25) - 10 - Sky raises limit, adds MacBooks (07:02) - 11 - AirTag recovers stolen bike (07:28) - 12 - Happy 30th, Newton! (08:35) - 13 - Outro Links from the showApple released the iMac 25 years ago and it's better than everApple issues sixth iOS 17, iPadOS 17 developer betasApple distributes sixth tvOS 17 developer betaApple issues sixth developer beta for watchOS 10Apple issues watchOS 9.6.1 updateSetapp plans to launch EU-only alternative iOS App StoreApple Card's iPhone monthly installment plan now requires a carrier at purchaseCourt sides with Apple in Bluetooth pairing patent lawsuitEmmy Awards honor iPhone cinematography appSky launches MacBook purchase plan for UK customersNetherlands bike thieves foiled by AirTagExcellent Newton documentary now on YouTubeSubscribe to the AppleInsider podcast on: Apple Podcasts Overcast Pocket Casts Spotify Subscribe to the HomeKit Insider podcast on:•  Apple Podcasts•  Overcast•  Pocket Casts•  Spotify

Contact your host with questions, suggestions or requests about sponsoring the AppleInsider Daily:charles_martin@appleinsider.comLinks from the showApple says fix for pulled security update will be released soonApple's Mac mini has outlasted Intel's NUCApple updates Beats Studio Buds with new firmwareApple targets China sales growth with new WeChat storefrontApple App Store prices to increase for select countriesApple Card entices new cardholders with 10% boost to Daily Cash for a limited timeGlobal PC market is continuing to collapse for everybody but AppleMicrosoft victorious over FTC lawsuit to block Activision Blizzard buyGoogle loses a Senior Director due to 'unstable commitment' in ARSubscribe to the AppleInsider podcast on: Apple Podcasts Overcast Pocket Casts Spotify Subscribe to the HomeKit Insider podcast on:•  Apple Podcasts•  Overcast•  Pocket Casts•  Spotify

Carl Quintanilla, Jim Cramer and David Faber explored what investors should make of Friday's market rally after four days of selling. Both Apple's earnings and the government's April jobs report beat expectations, easing concerns about the possibility of a recession. Regional banks were in rebound mode, recouping some of this week's steep losses that were sparked by renewed worries about the group. Also in focus: Warner Bros. Discovery's quarterly loss and streaming profit, Lyft tumbles, Icahn vs. Hindenburg, plus reaction to travel earnings fromExpedia and Booking Holdings. Squawk on the Street Disclaimer

Apple reported its fiscal second-quarter earnings yesterday that beat market expectations, helped mainly by stronger-than-anticipated iPhone sales, but also an increase in its services business. Sales were down overall, however. Sales in India set a March-quarter record, CEO Tim Cook told analysts in a conference. The country, where Apple recently opened two of its brick-and-mortar stores, was a “major focus” for Apple and he felt it was at “a tipping point,” with large numbers of people entering the middle class. Notes: Apple reported its fiscal second-quarter earnings yesterday that beat market expectations, helped mainly by stronger-than-anticipated iPhone sales, but also an increase in its services business. Sales were down overall, however. The Company posted quarterly revenue of $94.8 billion for the three months through March, down 3 percent year over year, and quarterly earnings per diluted share of $1.52, unchanged from the year-earlier period. "And as I noted earlier, in a milestone for Apple, we just opened our first two Apple stores in India, in Mumbai and Delhi. I was there to see it for myself, and I couldn't have been more delighted by the excitement and enthusiasm of the customers, developers, creators and team members I got to spend time with,” he said. "Looking at the business in India, we did set a quarterly record, grew very strong, double digits year-over-year. So, it was quite a good quarter for us, taking a step back, India is an incredibly exciting market. It's a major focus for us.” Over time, Apple has been expanding its operations in India, including getting its biggest contract manufacturers to expand their operations in the country, as it looks to reduce its dependence on China. On the retail front, Apple opened an online store in India three years ago, and it has incrementally expanded its distribution network of Apple-authorised premium stores. Last month it finally added the first of its physical stores. Apple has also struck a major partnership with India's Tata Group, which could be a game changer for both businesses. For the current quarter, CFO Maestri said the company expects overall revenue to be similar to the March quarter. Apple's iPhone sales have increased in the backdrop of a broader smartphone industry contraction of nearly 15 percent during the same time, according to an IDC estimate, CNBC points out. In other words, Apple has taken market share from rivals, especially in the premium phones segment. Overall, Apple's sales in three of its four biggest markets fell – the Americas, Japan and Greater China, as Apple calls it. Sales rose in Europe and in the rest of the Asia Pacific, which includes India. “The dynamism in the market, the vibrancy is unbelievable,” CEO Cook said. “There are a lot of people coming into the middle class, and I really feel that India is at a tipping point, and it's great to be there,” Cook said.

Listen to today's top stories, with context, in just 15 minutes. Subscribe and rate our podcast here:Apple: https://podcasts.apple.com/us/podcast/bloomberg-daybreak-asia/id1663863437Spotify: https://open.spotify.com/show/0Ccfge70zthAgVfm0NVw1bTuneIn: https://tunein.com/podcasts/Asian-Talk/Bloomberg-Daybreak-Asia-Edition-p247557/?lang=es-es See omnystudio.com/listener for privacy information.

Contact your hostcharles_martin@appleinsider.comLinks from the showGM ditching CarPlay & Android Auto for Google-built infotainment systemGoogle hit by $4 billion lawsuit from UK publishersUK antitrust case versus Apple's browser dominance dies on a technicalityApple's iWork apps now support Apple Pencil HoverSmart AirTag leads cops to dumb thief wearing victim's socksSubscribe to the AppleInsider podcast on: Apple Podcasts Overcast Pocket Casts Spotify Subscribe to the HomeKit Insider podcast on:•  Apple Podcasts•  Overcast•  Pocket Casts•  Spotify

Every Monday Kevin Matthews II from Building Bread and I talk about what is happening on Wall Street! 

Every Monday Kevin Matthews II from Building Bread and I talk about what is happening on Wall Street!  Spirit Airlines relented this week and agreed to sell itself to JetBlue Airways for $3.8 billion, hours after breaking off a merger agreement with Frontier Airlines that failed to win enough shareholder support. Apple reported fiscal third-quarter earnings on Thursday that beat Wall Street expectations for sales and profit but showed slowing growth for the iPhone maker.   Is the recession here or not. Time to discuss.

Apple reported fiscal third-quarter earnings on Thursday that beat Wall Street expectations for sales and profit, but a slowdown in growth was clear. In India, the company doubled its revenue and said enterprises like Wipro were buying Apple products to attract and retain talent. And Paytm is on track to break even by September 2023, founder and CEO Vijay Shekhar Sharma told shareholders. Notes: Apple reported fiscal third-quarter earnings on Thursday that beat Wall Street expectations for sales and profit but a slowdown in growth was clear. Apple's revenue rose 2 percent to $83 billion during the quarter, compared with 36 percent for the same period last year and more than 8 percent in the March quarter. CEO Tim Cook said the results were better than expected while CFO Luca Maestri said it was a “challenging operating environment,” in a press release. “In terms of an outlook in the aggregate, we expect revenue to accelerate in the September quarter despite seeing some pockets of softness,” Cook told CNBC. Specific to operations in India, Cook said the company saw “a new doubling of revenue,” according to an email from the company, highlighting the comments specific to this market. CFO Maestri added that Apple was making inroads into the enterprise segment in markets including India, and provided the example of IT services company Wipro, which was buying MacBook Air laptops running on Apple's M1 chips for recruits worldwide. Meanwhile, Amazon executives told reporters at a conference yesterday that they were not seeing a slowdown. The ecommerce giant beat estimates on revenue for its fiscal second quarter, sending its shares higher by 13 percent, even though earnings missed expectations. On the impact of inflation, Amazon CFO Brian Olsavsky told reporters, “We have not seen anything yet,” CNBC reports. “We saw demand increase during the quarter, and we had a very strong June,” Olsavsky added, according to CNBC. One97 Communications, one of India's biggest payments companies that operates under the ubiquitous brand Paytm, is on track to breakeven by September 2023, founder and CEO Vijay Shekhar Sharma told shareholders in a letter, yesterday, published in the company's first annual report after it went public last year. “I believe that over the past year, our team has done a great job in massively improving our revenues and contribution profits,” Sharma said in the letter. This allows for investments in the company's payments and credit businesses while at the same time reducing its EBITDA losses, he said. For the fiscal year ended March 2022, One97 reported consolidated revenues of Rs. 5264 crores, an increase of 65 percent over the previous year. EBITDA level losses – excluding employee stock option plan expenses – came down to Rs. 1518 crore, from 1655 crore, according to the annual report. “We are seeing excellent momentum in our businesses and are on track to achieve operating profitability (EBITDA before ESOP cost) by the quarter ending September 2023,” he said. Theme music courtesy Free Music & Sounds: https://soundcloud.com/freemusicandsounds

TAC Podcast 3 第6回「五百円玉と丸くなった」の配信を開始しました番組の内容は，AppleがBeatsブランドで発売したワイヤレスイヤホンBeats Fit Proの使い心地やNTTドコモがモバイルネットワークを利用した固定電話サービスを発表についてなどの TAC 公式 Twitter アカウント（＠tennojiac）でリツイートしたニュースや、皆さんからのコメントを紹介しています．ハッシュタグ「#TACcast」を付けてツイートしていただくと検索して、番組内で..

In this morning's The Breakfast Brief, we discuss Apple earnings numbers and how long-term Formula One deal could enhance Singapore race experience, legacy, See omnystudio.com/listener for privacy information.

Singer-songwriter Ryan Egan began his music career in New York City and has garnered acclaim from Billboard, Indie Shuffle, and Apple Beats 1 for his debut EP and subsequent singles, which found their way onto Spotify's Fresh Finds and New Music Friday playlists. Prior to the worldwide lock down and in the middle of writing his debut full-length album, Ryan left NYC for Paris and re-directed his career path towards European markets. Ryan speaks with Brian and Nick about his life during this period, his creative philosophies, as well as his recent return to the US to work with Kevin Basko (Foxygen, Rubber Band Gun) on his debut LP, Soft Power. Show Notes: [0:49] Ryan discusses the differences between the Paris and NYC music scenes. [4:19] What it's like to be back in NYC promoting the new single. [7:09] How Ryan kept busy during the pandemic lockdowns. [9:28] Ryan's do's and don'ts for maintaining creative habits. [17:00] Some of Ryan's favorite influences and a discussion of songwriting methods. [25:55] How Ryan connects with fans, as well as release strategies for the new album. [41:22] Hear Ryan's new single “Alone For The Last Time”. You can find more from Ryan Egan on Spotify and Instagram.

In the latest weekly news show (sponsored by YouGov), we discuss Amazon's CEO saying gaming is the future, New World continuing to find success, a data breach taking place at Twitch, "Nickmercs" extending his Twitch partnership, Blue Diamond Almonds teaming up with 100 Thieves, Paris Hilton collaborating with Roblox, Supersocial securing $5.2 million, Apple expecting to outearn Nintendo, Microsoft, and Sony, Rivalry going public on the TSX Venture Exchange, insiders leaking images of Lenovo's design for a handheld gaming device, mobile gaming dominating user acquisition ad spend, TSM FTX launching a collection of NFTs, and so much more!

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Jayanta Jenkins is a co-founder of Saturday Morning, a creative shop dedicated to shifting perceptions of racial bias and injustice. Jayanta's groundbreaking work has spanned roles in agencies like Wieden+Kennedy and TBWAChiatDay, and tech companies like Apple Beats by Dre and Twitter, where he was the global executive creative director. Join us as he shares milestones from his creative career and sheds light on what it takes to build and lead teams with intention. Show notes: https://blog.picter.com/creative-risk-episode-4-jayanta-jenkins/

In this episode of Technology Uncorked we cover the news of the week including Apple dismissing the Beats brand, Zoom accounts being hacked and three new products from Realme. We're then joined by Brad Reed from LG Australia to discuss the appliances coming to our smart homes and everything that LG has in the idea bank. You can follow Geoff Quattromani on Twitter at https://www.twitter.com/gquattromanior Instagram at https://www.instagram.com/gquattromaniand on Facebook at https://www.facebook.com/GeoffQuattromani

In dieser Folge: • Apple und Google, iPhone SE - gut oder schlecht? • Kommt noch ein iPhone SE+ (oder ist es zu spät?) • Aktuelles iPhones Lineup • Auflösung von Beats durch Apple • 5/6 iPhones in einem Jahr - zu viel des Guten?

Beats 1 Radio on Nadeska's show w/ Low Key of DUSSEPALOOZA. Getting ready for the weekend and the big event at Barclays Center. Mix consist of some of DUSSEPALOOZA's biggest anthems over the years and songs from some of the artist who hit the stage. Follow me on Instagram @DJFirstChoice

En el episodio de hoy hacemos un repaso de los últimos modelos de auriculares que ha presentado Apple y comentamos cuál recomendamos para cada uso.Recuerda suscribirte para recibir cada día tu notificación cuando subamos un nuevo episodio. Síguenos en Twitter: https://twitter.com/piensadpodcast https://twitter.com/faseprod https://twitter.com/jorvillaro

In this weeks episode we confirm the Google Pixel specs as well as other things that were released in Googles event from this week. We also bring up the ups and downs of the newly announced Beats by Apple along with our thoughts on the product. Finally, we compare Disney+ with AppleTV+ along with other subscription services and what each one brings to the table and if they are worth purchasing or not. Follow us on Instagram @WaterBoysTechTalk and subscribe to our YouTube at Water Boys Tech Talk. If you have any feedback PLEASE feel free to leave a comment wherever you're listening or on any of our social media. We read everything!

This week on The Wrap, we'll take to the skies to talk Uber Air, look at what's new from Beats and Bose, what's coming in the world of Xbox, and check out how 5G is going with Telstra and Oppo. All in five minutes. See omnystudio.com/listener for privacy information.

VIBECAST #062± Hosted by: MDOS (@misterghostakamdos) Mix by: @melledj @matjang

Listen to the intro to the mix for full story. Thanks to everyone for your support. Hope you enjoy. Follow me on Instagram @DJFirstChoice. Subscribe to the DJ First Choice Podcast at https://itunes.apple.com/us/podcast/dj-firstchoice-podcast/id1206008595?mt=2

This week, Holden Satterwhite the CEO and Founder of Appleosophy, talks with Chris Grainger who is one of the co-founders for Appleosophy and serves as the COO on the Appleosophy Executive team. We go into talking about the new colors from Apple Beats lineup. We also talk about rumors of the new generation AirPods that may include a black model and to release during March. We also talk about Apple maybe releasing a red iPhone XS and iPhone XS Max during March like the company did last year. Be sure to listen to the full episode to find out on what else we discussed. Be sure to follow us on @appleosophy on Instagram, Twitter, and Facebook. Visit our website at appleosophy.com --- Support this podcast: https://anchor.fm/appleosophy-weekly/support

It was interesting seeing one of the pieces of news coming out of Radio Alive, the radio conference in Australia, recently: the Australian radio industry are putting together a Podcast Working Group “to spearhead the development of the growing podcast industry in Australia”.     Their press release (https://podnews.net/press-release/australian-radio-podcast-working-group) says: “Broadcast radio is highly regulated and audience measurement is tracked through the independently audited GfK Australian radio surveys. In contrast, the podcast industry is currently fractured, with no standard measurement system in place.”   Well… that’s not entirely true. I write a daily newsletter for the podcast industry, Podnews (https://podnews.net/) , so perhaps I can help demystify things a little in terms of podcast measurement.   Podcasting does have a standard measurement system in place. It rejoices in the name “ IAB Podcast Measurement Technical Guidelines v2.0 (https://www.iab.com/guidelines/podcast-measurement-guidelines/) “ - normally shortened to IAB v2 - and it essentially monitors downloads of podcasts in a standard way. It’s been broadly agreed by podcast hosts and advertisers alike. Both major Australian podcast hosts, Whooshkaa and Omny Studio, use IAB v2 metrics to report to clients.   IAB Australia’s Audio Council - of which Commercial Radio Australia are a part - have also recommended that IAB v2 be used in the Australian market (https://www.iabaustralia.com.au/guidelines-and-best-practice/guidelines-best-practice/item/3-guidelines-and-best-practice/2603-iab-podcasting-measurement-and-local-market-update-july-2017) as well, and have released some guidelines reinforcing some of the work. The idea is that all podcast hosts should be measuring using IAB v2, and should theoretically return the same numbers.   To be fair, downloads are limited in usefulness. Some podcasts are downloaded but never listened-to; raw download numbers don’t give demographic information, either. But there’s a global standard.   It’s worthwhile comparing podcast measurement with broadcast radio’s research.   In Australia, there are three sets of broadcast radio research, not one. Commercial Radio Australia mentions GfK, who are used for the metro areas; but they also produce other sets of research using Xtra Insights. Community radio isn’t in either of these, so they have to commission additional work using McNair Ingenuity Research.   All three sets of Australian broadcast radio research return different numbers, and are compiled using different methods. And they’re not compatible, either, with radio research conducted in other countries. Indeed, there’s no global standard for measurement of radio listening - “a listener” is one that listens for five minutes in some countries, fifteen in another, “listened yesterday” in a third; Germany has no weekly figures at all; Ireland averages over the past twelve months; the UK averages over the last quarter, six month or twelve month period; Canada and the US have two systems; many markets aren’t even measured.   The global radio industry is fractured - disastrously so, when you consider that Apple Beats 1 or Spotify have one global measurement standard to sell against them. The lack of standards means it’s hard to compare different countries.   So, while podcasting has an agreed global standard, broadcast radio’s research is fractured and there is no standard measurement system in place.   Perhaps we should try to establish a Radio Working Group to see if we can fix this, and spearhead radio’s development. (And perhaps we can include all radio in this - including community radio, too).   PS: I’ve written a full article on how podcast measurement works...

Today’s top stories: The Fed is expected to hold steady this afternoon, Apple reports a big beat, and Facebook goes dating. Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s impossible not to become infatuated with soulful pop princess Gavin Turek. The LA Native is always clad in a hand-made 70s fringe dress (designed herself in every color) and armed with the best dance moves you’ve ever seen. It’s easy to draw comparisons anywhere from Tina Turner to Beyoncé but really, Gavin is her own force to be reckoned with. Performing always came natural: she grew up with a father who played piano and tagging alongside her mother, who toured coffeeshops singing gospel. Her origin story goes like this: at age three, a teeny tiny Gavin interrupted her mother mid performance, took over the mic and to the astonishment of the audience, finished the song for her. She knew every single lyric, word for word, and whoa, that girl could sing. Suffice to say, a star was born. Growing up, Gavin obsessively studied two things: music (the likes of Donna Summer, Prince, Lauryn Hill, Diana Ross. Michael Jackson, Giorgio Moroder) and all forms of dance. Originally aspiring to be a professional dancer, she spent months at a time in India and Africa, immersing herself in different cultures. Ghana was where Gavin first discovered her love for fringe and learned that the popular disco-era fad had much deeper origins. Everyday while in Ghana, Gavin learned and performed the traditional dances of the northern region, with falling in love with their massive fringe belts that moved with the music and drums as an extension of body and spirit. As Gavin jokingly told Nylon Magazine, “fringe really makes your hips look good and accentuates the movements.” Another great discovery for her was that in other cultures, dance is much more than a form entertainment, it is a way of life. It is used to celebrate births, weddings, religious worships, achievements and even deaths and afterlife. Upon returning to the United States, Gavin eventually returned to singing and songwriting as her main medium of expression, but when the time came to perform her own music, dance and fringe costumes naturally became a vital component for her live shows. Two special artists in particular became champions early on for Gavin. Brainfeeder genius TOKiMONSTA has been a longtime friend and collaborator. Early on in both their careers, she asked Gavin to contribute vocals to her productions, which lead to the fan favorite track “Darkest Dim.” Mayer Hawthorne was next, not only inviting Gavin to open his sold out tours but recruiting her as the female counterpart in his retro funk act Tuxedo with producer Jake Uno. (You may recognize her as the golden disco goddess gracing the stage with them everywhere from the legendary Hollywood Bowl to Japan). In 2015, word of mouth about Gavin’s music and electric live shows spread with the release of her electro R&B infused mini-album “You’re Invited” produced by TOKiMONSTA. The girl power duo followed the release with a sold out tour and received accolades from Billboard, NPR, The Fader, Apple / Beats 1, KCRW, etc. That year,Spin named Gavin as the summer’s Top Artist to Watch and her disco funk-tinged single "Don’t Fight It” as one of the best tracks of 2015. By 2016, Gavin’s star quality was undeniable. She dominated the stage with guest performances at legendary festivals such as Outside Lands and Coachella and late night performances on Jimmy Kimmel with Mayer Hawthorne and Cee Lo. Her crowning achievement this past year began with the release of her single “On the Line” (produced by Chris Hartz of Passion Pit) last May. In support of the release, she played a beyond sold-out month long residency in Los Angeles. The long time venue promoter said he had never seen anything like it in LA, with lines wrapped around the block in hopes of catching Gavin perform what would soon become her new EP Good Look for You.  “On the Line”  premiered #1 on HypeMachine very organically thanks to dedicated love from the hippest underground blogs and airplay from six of KCRW’s top tastemakers. KCRW DJ Anne Lit proclaimed it the “song of the summer.”    Gavin preps now to release her EP “Good Look for You” February 17 via her own label Madame Gold Records. A self starter and entrepreneur whose mission is to inspire women of all ages and ethnicities, Madame Gold continues the tradition of female greats taking the reigns of their own success. Gavin considers it an homage to the artists she admires most: Solange, Janelle Monae and TOKiMONSTA. The EP’s single “Good Look for You” (November, 2016) already has  garnered attention from Stereogum, Nylon, Okayplayer, etc and the EP release will be celebrated with a live KCRW Morning Becomes Eclectic in-studio session and release parties in both Los Angeles and New York this February. www.artistdecoded.com

Ich bin ja mit den AirPods ganz glücklich für hauptsächlich Hörbücher und Podcasts. Für meine Frau hab ich jetzt aber die Beats x gekauft. Wie sie abschneiden hört ihr im Podcast.

We don't usually talk about business on the show, but the head of BASIC was willing to talk about how he runs his and we were happy to listen (and take notes). Matt Faulk is BASIC's CEO and executive creative director. He always knew he wanted to do something big and is not surprised he ended up leading a company that does award-winning work brands like Apple / Beats by Dre, Nixon Watches, and BB Dakota. "I had this idea of never settling... I just wanted to do good work — but I don’t mean good work as in creative work, I mean really solving client’s business issues, aligning ourselves as partners..." His career has taken him all over the place, from basketball and professional BMX riding to bartending and graphic design. He says his goal with BASIC was to build a company where everyone involved had a stake in it, a say in it, and helped decide its direction moving forward. Today, BASIC leads creative efforts across traditional and digital initiatives for some of the world's biggest lifestyle brands. Matt says they got there by engulfing themselves in their clients' businesses, becoming experts at doing small things well, and by putting people in the right spot. He also credits his network and the relationships he has built over the years. “I wish in my younger years I would’ve focused more time on networking, which is why I’m trying to do it now. Because your network is everything. You never know when opportunities are gonna come....Just help people out, it always comes back.” On this episode we discuss: Matt’s background and original vision for BASIC. Finding the ideal team size. Investing in growth and following your gut. Constant learning and networking. Finding your competitive edge. The commoditization of design. Focusing on production vs. ideation. Adapting to client needs. How to influence change and growth from within. Visit the Funsize website Subscribe to The Funsize Digest Check out Funsize on Instagram

If you enjoy this podcast, consider buying me a coffee: https://adamstoner.com/support ‘Defying Conventions: Is Beats 1 Redefining Radio?' was originally submitted as part of a University of Gloucestershire Radio Production module. With the exception of two small typographical changes, this essay is posted exactly as it was submitted. Appendices have been redacted but bibliography and in-line references remain – get in touch if you need to chase anything. Apple's annual World Wide Developer Conference is a showcase of the company's latest software and technology. Described by CEO Tim Cook as the ‘epicentre of change', 2015 marked their ‘most global conference ever' (Apple, 2015), a fitting stage to announce their new ‘worldwide' and ‘always on' internet radio station, Beats 1. The announcement of Beats 1 came as a footnote to an addendum. The presentation mainly dealt with Apple's latest technological offering, ‘Apple Music' – a streaming service and social network combined, of which the radio station is merely a subsidiary – rather than with Beats 1 Radio directly. Nevertheless, speaker, record producer, and entrepreneur Jimmy Iovine painted it as a nod to the company's history; the minds behind the iPod and media software iTunes were returning to the grassroots of music sharing: radio. This essay will look at the early success and criticisms of Beats 1. It will do this by examining how the station defies established radio theory and is helping to evolve the medium both technologically and stylistically. It will contextualise these findings in the form of current industry practice, as well as what pressures the station may put on commercial and public service radio broadcasting in the United Kingdom. The essay aims to explore the timing and reasons behind the inception of the station and will raise questions behind its ideology. It will draw on a range of practitioner, academic and secondary sources as well as personal listening and theorisation in order to explore whether Apple's Beats 1 is ‘redefining radio'. Defining Radio From the offset, a couple of basic but important distinctions need to be made. As the Radio Advertising Bureau reflect in their 2014 report Audio Now (p.10), new forms of audio are continually emerging. The report highlights three main forms of consumer-level audio, with the latest — ‘on-demand' — being less than ten years old: ‘Owned audio': Here, the consumer owns the physical or digital audio format. This may include digital downloads, gathered legally or otherwise, or physical copies of the sound, such as CD, cassette or vinyl. ‘Live audio': This is the oldest of the three forms. The report refers to it as ‘live radio' but for the purposes of this essay we shall expand its definition to all audio consumed in real-time, as it is performed or transmitted. ‘On-demand': The newest of the three and the most complex to define due to its multifaceted nature. This encapsulates audio where the consumer does not have the original file and listens in isolation. Examples cited in Audio Now include streaming services, podcasts and YouTube videos. This notion of ‘owned audio' can be entirely discounted when discussing Apple Music as a standalone product; the user never gets physical access to the music files, just the right to stream them in exchange for a monthly membership fee of £9.99. The second and third definitions – ‘live audio' and ‘on-demand' respectively – are vital when addressing Beats 1 and Apple Music's other ‘radio'-esqué offerings, the definition of which has been somewhat corrupted by modern-day ‘on-demand' music streaming services. ‘Radio', as understood by the likes of Spotify, Deezer, Pandora, or similar, is intrinsically different from the traditional and well-established institution of radio broadcasting. This is not to say traditional radio is out-dated – far from it – but that ‘on-demand' services have appropriated the name of the medium and have used it incorrectly. There are multiple differences between the two, with the most notable being that the more traditional notion of radio broadcasting features human presence. Chignell (2009, p.33) explains people ‘add meaning' and context, and also provide a sense of co-presence. This is the complete antithesis of so-called ‘radio stations' on streaming services which strip broadcasting of its ‘essential element' (Priestman, 2006, p.36): human-to-human contact. As Corderio (2011, p.499) highlights, there is a long line of radio theorists who contend ‘music playlists, without human interaction, should not be confused with radio', and that radio can be easily defined as public, point-to-point_s_ broadcasting. Priestman describes the aforementioned, human-bare stations as ‘automated web “jukebox[es]”' and for the purposes of this essay, these on-demand web-jukeboxes will be called exactly that. iTunes Radio – the 2013 predecessor of Apple Music – was one such service. Allowing users to create ‘stations' around a single artist or band, algorithms mixed content from one band with similar material by similar artists. As Baldwin (2013) reports, iTunes Radio let users ‘rate the songs (…) as they stream[ed]', thereby learning individual preference in order to modify the output to better suit taste. While iTunes Radio was by no means a failure, algorithms, as Iovine himself admits, ‘can't do it alone' (Dredge, 2015). While movements in the realm of acoustic and computer science are moving in the right direction, machines currently fail to recognise mood, thus playing inappropriate or mismatched tracks sequentially, and cannot provide all important context. Enter Apple Music. While the newer service still contains web-jukeboxes, Apple makes a clear point of distinguishing Beats 1 Radio from them. In the native Music application on iOS, a graphic inviting people to ‘Listen Now' takes centre stage (appendix; a), occupying well over 50% of the screen space. Not only does this force automated-jukebox stations to exist several swipes away but it also separates Beats 1 from these lesser-refined services. The Beats 1 landing page on the Apple website makes a further point of highlighting this distinction by defining the true meaning of radio itself: ‘No matter where you are or when you tune in, you'll hear the same great programming as every other listener' (2015b). This reinforces a concept Chignell (2009, p.74) writes about, co-presence, a theory Scannell and Cardiff (1991) highlight, imagined community, and Marshal McLuhan's Global Village, ‘one world connected by an electronic nervous system' (Stewart, n.d.). Irrespective of scale, collective listening is precisely what radio is all about. As a technology company, there are technological considerations to take in to account when defining what ‘radio' means to Apple. As the smartphone market leader (Forbes, 2015), it is fitting of Apple to create a station that is marketed at, and primarily received on, mobile devices. According to a 2015 report from the International Federation of the Phonographic Industry, the digital music industry is worth $6.85 billion worldwide per annum (IFPI, p.6), with ‘music subscription services' accounting for 22.75% of revenue. On the other hand, ‘radio is a massive $20 billion industry' (Truong, 2015). At a time where physical format sales are declining (IFPI, 2015b), where the revenue share of music streaming is growing exponentially, and where radio is still ‘able to command the largest share of the listening ear' (Lloyd, 2015, p.293), Apple wants in. Moreover, there are some strong statistics to suggest mobile listening is quick becoming a force to be reckoned with. ‘31 minutes a day is the average amount of time spent listening to music on a phone', Global (2015) claims, and ‘65% of “digital audio” streamers' – both live audio and on-demand consumers – ‘listen with head[/ear]phones'. Undoubtedly, radio is an intimate and personal medium, esteemed by consumers (McLeish, 2016, pp.3 to 6). To further emphasise this, by interacting through earphones, listeners are choosing to place broadcasters in their ears, to make the broadcast a part of their body, a sacred trust and one only radio could garner. Global also claim ‘44% of 35-44 year-olds' stream music over tablet devices. Logically, what with early adoption rates and increased technological competence in younger generations who have grown up with this hardware from an early age, this number will only be higher in the 15 to 24 and 25 to 34 demographics, precisely the age of consumer Apple is attempting to capture with Beats 1 Radio. Defying Radio In the words of both Finer (2003, p.32) and Castelles (2003, p.17), the internet is the world's first international radio frequency. Apple not only advertise Beats 1 as being ‘worldwide', but as ‘a truly global listening experience', letting audience members discover ‘what's going on in the world of music'. While parts of this statement are correct – the station can be received in 100 countries around the world (Apple, 2015c), although that is only 51% of the planet – the overall sentiment could not be further from the truth. At present, the BBC World Service is the world's largest international broadcaster (House of Commons, 2010, ev.11) serving over 188 million people per week (BBC, 2009). Whilst the on-air content of each station cannot be compared – the BBC World Service is primarily a news and informational platform, while Beats 1 is purely a music station – there are, in terms of scale, many similarities. Evident from its marketing decisions and branding, Apple's goal is for Beats 1 to adopt an audience of ‘World Service' magnitude – ‘truly global', ‘worldwide'. However, in the same way Beats 1 broadcasts from exclusively Western locations – New York City, London, and Los Angeles – yet claims it is a ‘global' voice, the BBC World Service soldiers in a similar vein. The Operating Agreement of the World Service (BBC Trust, 2012, p.6) sets out English language services as their ‘core offer' and designates 75% of overall output worldwide to English language programming each week. Even the name of the BBC World Service contains a jarring juxtaposition, seating ‘British' and ‘World' two words apart. On the other hand, ‘beats' – acoustically speaking – know no borders and are not unique to any specific genre of music. Here, Beats 1's lack of cultural identity, as far as the name of the station and the simplistic graphical signifiers and branding it uses, allows the station to be transient in nature. However, as O'Malley (2015) reflects, this ‘ill-defined genre remit' hasn't come without criticism – He goes on to state ‘if you make content so broad, it becomes meaningless'. Beats 1 contradicts Priestman's (2006, p.233) argument that ‘web radio works best as a narrow-cast or niche medium' and Nyre's argument (2008, p.192) that music radio stations attempt ‘to attract niche audiences'. Roy Martin, managing editor of Radio Today, claims Beats 1 threatens ‘specialist music stations such as 1Xtra, Kiss [and BBC Radio] 6 Music' (2015). The breadth of music these stations play is replicated on Beats 1 without advertisements or pressures to fill remit goals. Contrasting Martin's sentiment, BBC Radio 1's controller Ben Cooper – who has lost two talents: Head of Music George Ergatoudis to Spotify (Lunden, 2015) and Lowe to Apple – claims ‘a rising tide lifts all boats' (Griffiths, 2015). Martin continues, ‘the likes of Radio Plymouth, The Bee [Lancashire] and Clyde 1 [Glasgow]' need not feel at risk, despite Beats 1 being billed as ‘the world's local station' (Quartz, 2015). Although Beats 1 can attempt to masquerade as local radio, when it comes to discussing truly local news and events, even at its closest level of inspection Beats 1 has to take a national view for fear of alienating other listeners. Locality is what makes radio work and Beats 1, with its syndicated, single, linear programming which never once breaks out in to local titbits, cannot possibly achieve the same effect on its desired scale. The on-air content of Apple's Beats 1 behaves as a BBC Radio 1Xtra and Radio 6 Music hybrid. The station is clearly attempting to promote ‘challenging, innovative' (BBC Trust, 2012b, p.2) music, with a distinctive focus on ‘contemporary black music (…) rarely heard elsewhere' (BBC Trust, 2015, pp.2 to 4), as the aforementioned BBC stations also reflect in their respective remits. Introducing challenging music comes with the need to reason track selection and explain why the creation deserves respect. BBC Radio 6 Music achieves this through interviews and technical discussions, many of which deconstruct musical theory, and through detailed back-announcements that may include the name of record labels, similar musicians, and artist influences. BBC Radio 1 Xtra achieves the same effect by discussing the artists' potential influence in relation to black British culture. This form of education, required by remit, is evident in the plays-per-day of each station, with BBC Radio 6 Music totaling an average of 172 plays per day and 1Xtra averaging 159 (Last FM, 2016, 2016b). The breaks are filled with news, documentaries and interviews. This is a stark contrast to Beats 1, a station that plays an average of 300 songs per weekday, peaking to 600 on weekends due in part to ‘high-track-turnover DJ mix shows that play during prime party hours' (Quartz, 2015). The on-air schedule of Apple's Beats 1 Radio is unlike any other station. Those familiar with radio will be aware of dayparting, ‘the practice of segmenting the broadcast schedule in to blocks (…) programmed for unique audience demographics and listeners' daily habits' (Piasek, 1998). Dayparting helps broadcasters provide more of that all-important context Chignell (2009, p.33) discusses. Nielsen Audio (2015, p.23), one of several U.S. audience rating services, divides a weekday into five such parts. Having slightly adjusted the times for an audience based in the United Kingdom, those dayparts are as follows: 0600 to 9000: Breakfast 0900 to 1600: Daytime 1600 to 1900: Evening Drive Time 1900 to 2300: Late Night 2300 to 0600: Overnight (colloquially known as the ‘graveyard slot') James Cridland believes (2015) ‘it makes no sense putting the money into a great breakfast show (…) because the timezones mean it's always breakfast somewhere'. Beats 1 replays its three flagship programmes – Zane Lowe, Ebro Darden, and Julie Adenuga – on a twelve-hour loop, thus hitting both eastern and western-based audiences with all three shows in any given 24-hour period. The rest of the schedule is comprised of irregular and one-off programmes fronted by musicians from Elton John to HAIM, and organisations like Noisey and Pitchfork. This pre-recorded content, masquerading ‘as live', is broadcast at times relevant to the market Apple is attempting to target. For example, St. Vincent's programme is played at 3 a.m. GMT, 7 p.m. PST (American East-Coast) and 11 a.m. CST (Mainland China), evidently targeting listeners in the Americas and Asia rather than the United Kingdom. Whilst this may seem a strange idea, it works. One of radio's early strengths, the art of ephemeral broadcasting, is being eroded in the age of podcasting, ‘owned audio' and ‘on-demand'. With this comes a pressure for more refined content – producers now must craft sound not only for initial impact, but also for replay value. Transmitting great content once then losing it to the ether is neither cost effective nor clever. LBC – a commercial, London-based news and talk station – is one of the first in the United Kingdom to implement pay-for catch-up services. Subscription services on a rolling monthly basis cost £3.99 (AudioAgain, 2014). In comparison, Beats 1 offers the same catch-up method: pay to become an Apple Music member. ‘While it doesn't quite provide the experience of listening to the show live, (…) every DJ will post a set playlist for their show a few hours after it ends' (iMore, 2015). Most commercial radio stations are yet to offer on-demand catch-up services at all, but some, like Fun Kids – the UK's only radio station aimed at under-12s – have in excess of 80 podcast channels (Think Fun Kids, n.d.). It is as-of-yet unclear whether the pay-for catch-up model works well enough to warrant the long-term investment required by commercial radio stations in order to develop distribution platforms. However, empowering the consumer through this medium provides another point-of-entry to the station and rewards active consumers with the opportunity to replay their favourite moments from past programmes, or to store the show for posterity. Given the high profile musicians Beats 1 has access to and the respective fan-bases of those musicians, Apple's move is clearly another call to subscribe. Once an interview or programme has been broadcast, the only way for dedicated fans to hear that content again – or catch-up, if they missed it first time around – is to pay. Apple know many fans have a fear of missing out, desperate to hear content from their favourite creators, therefore can reasonably assure themselves a select number of subscribers by providing exclusive content hidden behind paywalls. Redefining Radio Being owned by a multinational, technological giant has its advantages. While the equipment Beats 1 uses to broadcast is the same as any other digital radio station, the techniques are certainly groundbreaking. Beats 1 is available in two stream formats, 64 kbps and 256 kbps (Painter, 2015) AAC, superior to DAB's MP2 streams which vary from 64 kbps – for stations including Absolute Radio, Amazing Radio and BBC Radio 5 Live – to 192 kbps – used exclusively by BBC Radio 3 (Laird, 2015). With concern to mobile devices, where the vast majority of stations stream second-by-second, Beats 1 utilises the new HLS streaming format. HLS is HTTP Live Streaming, a new communications protocol developed and implemented by Apple (2014). Designed to be adaptive, devices request stream information in packets of varying quality, and, if at any point diminished bandwidth or download speed causes stress to the stream, devices will request the next packet in a lower quality. This creates the effect of zero buffering, allowing for a smooth and more dynamic listening experience. The highly customisable nature of mobile phones makes this next statistic hard to measure but assuming a couple of reasonable conditions – that a user has biometric Touch ID enabled and has not moved the Music application from the factory default setting in their iPhone's docking bar – an ordinary mobile user can become a Beats 1 listener in only four taps. If Siri's newer hands-free function – ‘Hey Siri' – is enabled, a user can become a listener without even having to touch their device (appendix; b). In stark contrast to popular radio streaming applications such as TuneIn or RadioPlayer – two of numerous for desktop and smartphone – Apple forces consumers to use their dedicated Music application in order to hear Beats 1. The reason behind this decision is simple: Apple is a lover of control; proven by the fact Beats 1 audio steams are encrypted. The keys to decrypt the audio streams lay within the Music application itself. When addressing Apple's design decisions, the company has previously been accused of attempting to create a ‘totalitarian monoculture' (Bissell, 2008), a statement that is hard to defend Apple against. Indeed, in order for a listener to switch from Apple's Beats 1 to a potential rival – say, BBC Radio 1 or Capital FM – they would have to conduct at least eighteen further interactions with their device, first by launching a non-native iPhone application, then by having to search for the station before launching it, an overwhelming contrast in user-friendliness from the potential hands-free starting of Beats 1. Matt Deegan – radio practitioner and Creative Director of Folder Media – emphasised this, explaining the inception of Beats 1 is a move to ‘keep people in the Apple Music ecosystem' (University of Gloucestershire, 2015). On December 29th 2015 it was reported (RadioToday) Beats Electronics LLC., a division of Apple and the owners of the Beats brand, had put in a bid to internationally trademark the names of four potential new stations, Beats 2 through 5 and respective station logos ‘B2' through ‘B5'. Whilst Apple has made their intention to expand its radio arm clear (Billboard, 2015), it is unknown whether the filings are just a protective measure to prevent others piggybacking the Beats Radio brand. In the United Kingdom, the government-approved communications and competition regulator Ofcom, can step-in to ensure monopolies of broadcasting remain fair. If a station like Beats 1 wanted to broadcast on FM, AM, or even DAB, there's a high likelihood that Apple – with their marketing budget in excess of $1 billion USD (United States Securities and Exchange Commission, 2012) and end-goal of creating several ‘Beats'-branded stations – would not be in receipt of an license. This is where broadcasting solely online has measureable advantages, namely in the lack of regulation. Under the sole condition Apple pays for the rights to stream music in the 100 countries Beats 1 is playable from, there are no further restrictions. Although indecency regulations do not apply to its online streams, Apple still chooses to play non-explicit, clean, radio-edited versions of tracks 24/7. ‘[C]ensoring explicit language could be a matter of playing it safe rather than hoping the content flies everywhere it's played,' Kastrenakes (2015) believes, ‘it's likely a way to stay in advertisers' good graces — and it's certainly possible that ads will show up on Beats 1 eventually, especially since it's available for free', he adds. Where a track has a particularly high number of expletives, presenters signpost the non-censored version as ‘now streaming on Apple Music', a call to subscribe to the service for uncensored content ‘as the artist intended'. As Priestman (2006, p.3) reminds us, ‘[r]adio was supposed to mean the end of newspapers [and] television was supposed to mean the end of radio', but as is now evident, newer mediums change their predecessors but do not replace them. Criticism aside, Apple has made some logical additions to the visual and multimedia assets accompanying radio. Beats 1's metadata – ‘data that provides information about other data' (Merriam Webster, n.d.) such as what is playing on the station – is visualised on the iPhone lock-screen (appendix; c, d). If users are Apple Music subscribers they can ‘favourite' tracks, add them to personal playlists for offline ‘on-demand' streaming, and share the station via social media channels. Moreover, the synergy Apple's Beats 1 manages to achieve by embedding its content within the native Music application is unrivalled. Presenters regularly direct listeners to their ‘Connect' pages – the social networking arm of Apple Music – to see content complimentary to on-air discussions. Apple's monopolistic attitude over its content pays-off here, where the dynamo and fluidity of content publishing aids the sense of liveness. While it is clear to see Apple have brought many innovations to the worlds of technology and of music – and is continuing to experiment, along with on-demand streaming services, with the power of radio – I am unconvinced Beats 1 poses a threat to traditional notions of radio broadcasting. I believe Apple has missed a trick by failing to make the station more revolutionary. The stream is ‘live' but its DJs are not, the station is ‘global' but radio works best locally. It is entirely within Apple's capabilities to syndicate international programming with local break-offs, in the same way Heart FM syndicates a national breakfast show with regional news and travel. Similarly, Apple could easily syndicate its presenters across several genres of station, unifying links but playing different tracks, thus narrowcasting to niche audiences while still maintaining an overall brand identity. Absolute Radio's ‘Project Banana', piloted during Christian O'Connell's breakfast show, adopts this method, handing consumers the power to ‘choose the music to suit their tastes, while enjoying and interacting with the show's hosts' live (MediaWeek, 2014). While the station certainly has had success in marketing itself as a ‘breakthrough', in the words of James Cridland (2015) ‘I'm not sure it'll set the world on fire'. Moreover, the move to launch a radio station has attracted many critics, one of which stated it was ‘a terribly exclusive vanity project' (O'Malley, 2015), a statement I'm inclined to agree with. Matt Deegan is correct; Beats 1 is an advertising space for Apple Music, and contains measureable disadvantages for non-subscribers. Nevertheless, Beats 1 does pose serious questions for Station Managers and Radio Futurologists alike, namely around sharing multimedia content, ideas of exclusivity and privilege, and scheduling for maximum impact. Where Beats 1 excels, such as in technological competence and innovation, it is my opinion more traditional stations fall far behind. Here, they really are ‘redefining radio'. In this digital age, stations need to strive for technological excellence and Beats 1 is a prime example. This is not shocking, as the biggest and most valuable technology company in the world owns Beats 1. It is just a shame that, as far as content is concerned, where other stations excel, Beats 1 misses the boat. It comes across clumsy and mismatched, alienating and lazy, rather than the inclusive, ‘worldwide', gritty and new-age aesthetic it needs to succeed. – Bibliography Apple (2014) ‘HTTP Live Streaming Overview' On: iOS Developer Library [Accessed 01 January 2016] Apple (2015) Apple – WWDC 2015. [Online Video], 15 June. [Accessed 01 October 2015] Apple (2015b) Music: Radio [Online] [Accessed 01 October 2015] Apple (2015c) Availability of Apple Music, Apple Music Radio, and iTunes Match [online] [Accessed 01 October 2015] AudioAgain (2014) LBC Podcasts [online] [Accessed 21 January 2016] Baldwin, R. (2013) ‘Apple Dials in iTunes Radio, a New Streaming Music Service'; Wired. [online] [Accessed 24 November 2015] BBC (2009) ‘BBC's international news services attract record global audience of 238 million' On: BBC Press Office. [online] [Accessed 05 January 2015] BBC Trust (2012) Operating Agreement: BBC World Service [online PDF] [Accessed 08 December 2015] BBC Trust (2012b) BBC 6 Music Service Licence [online PDF] [Accessed 30 December 2015] BBC Trust (2015) 1Xtra Service Licence [online PDF] [Accessed 15 January 2015] Billboard (2015) Apple Could Launch Five More Beats Radio Stations, According to Report [online][Accessed 10 December 2015] Bissell, M. (2008) ‘The Totalitarian Regime of Apple' On: Michael Bissell [online] [Accessed 04 January 2016] Castells, M. (2003) The Rise Of The Network Society, The Information Age: Economy, Society And Culture, 2nd edn. Blackwell: Oxford. Chignell, H. (2009) Key Concepts in Radio Studies. Sage: London Cordeiro, P. (2012) ‘Radio becoming r@dio: Convergence, interactivity and broadcasting trends in perspective' In: Participations; Journal of Audience & Reception Studies; Vol. 9, Iss. 2, pp. 492 to 510. Cridland, J. (2015) ‘What We Can Learn From Beats 1' On: RadioInfo [Online][Accessed 24 Oct 2015] Cridland, J. (2015b) ‘What People Are Saying About Apple Music and Beats 1' On: RadioInfo [Online] [Accessed 24 Oct 2015] Dredge, S. (2015) ‘Apple Music intervieiw: ‘Algorithms can't do it alone – you need a human touch'; The Guardian [online] [Accessed 24 November 2015] Finer, J. (2003) Longplayer. Artangel: London. Forbes (2015) Apple Surpassed Samsung As Global Phone Market Leader, Says Report [online] [Accessed 15 December 2015] Global (2015) ‘An Audio Revolution' [online PDF] [Accessed 23 December 2015] Griffiths, S. (2015) ‘Apple Beats 1: Why is Apple bothering with radio?' On: BBC News [online] [Accessed December 29 2015] House of Commons [Foreign Affairs Committee] (2010) The Work of the BBC World Service 2008–09 – Third Report of Session 2009–10 [online PDF] [Accessed 08 January 2016] IFPI (2015) ‘IFPI Digital Music Report 2015: Charting the Path to Sustainable Growth' On: IFPI [online PDF] [Accessed 19 January 2016] IFPI (2015b) IFPI Global Statistics [online] Available at: [Accessed 19 January 2016] iMore (2015) ‘How to listen to Beats 1 shows you've missed' On: iMore. [online] [Accessed 21 January 2016] Kastrenakes, J. (2015) ‘Apple is playing censored songs on Beats 1' On: The Verge.[Accessed 21 January 2015] Laird, J. (2015) ‘Why DAB radio in the UK is broken, and how to fix it' On: TechRadar [online] Available at: [Accessed 30 December 2015] Last FM (2016) ‘BBC Radio 6 Music Scrobble Library' On: Last FM [online] [Accessed 18 January 2016] Last FM (2016b) ‘BBC Radio 1 Xtra Music Scrobble Library' On: Last FM [online] [Accessed 18 January 2016] Lloyd, D. (2015) How To Make Great Radio. Biteback Publishing: London. Lunden, I. (2015) ‘Spotify Poaches BBC Radio Exec In Push For Localised, Curated And Undiscovered Content' On: TechCrunch [online] [Accessed 02 January 2016] Martin, R., On: RadioToday (2015) Trademarks made for more Beats radio stations On: RadioToday [online] [Accessed 28 December 2015] MediaWeek (2014) ‘Absolute Radio launches UK's first tailored music service, dubbed ‘Project Banana'' On: MediaWeek [online] [Accessed 20 January 2016] Merriam Webster (n.d.) Definition: ‘Metadata' [online] [Accessed 21 January 2016] Nielson Audio (2015) Nielsen Monitor-Plus™ Methodology by Medium [online PDF] [Accessed 01 January 2016] Nyre, L. (2008) Sound Media, From Live Journalism To Musical Recording. Routledge: London. O'Malley, J. (2015) ‘Apple Music's Beats 1 Radio Station is Just a Terrible Executive Vanity Project' On: Gizmondo [Online] [Accessed 24 October 2015] Painter, L (2015) ‘Apple Music FAQ: How to set up Apple Music, cancel your subscription, share an account, find tracks you've played in Apple Music' On: MacWorld [online] [Accessed 20 December 2015] Piasek, J., In: Godfrey, D. and Leigh, F. (1998) Historical Dictionary of American Radio. Greenwood Publishing: Portsmouth, US. Priestman, C. (2006) Web Radio: Radio Production for Internet Streaming. Focal Press: Oxford. Radio Advertising Bureau [RAB] (2014) Audio Now. [online] [Accessed 01 December 2015; PDF hard copy retained and available on request] Scannell, P., and, Cardiff, D. (1991) A Social History of British Broadcasting, vol. 1: 1992-1939. Blackwell: Oxford. Stewart, W. (n.d.) ‘Marshall McLuhan Predicts The Global Village' On: Living Internet [online] [Accessed 20 January 2016] Think Fun Kids (n.d.) ‘Podcasts' [online] [Accessed 19 January 2016] Truong, A. (2015) ‘Radio is a massive $20 billion industry, and Apple wants in' On: Quartz [online] [Accessed 20 December 2015] United States Securities and Exchange Commission (2012) Form 10-K, Apple Inc. ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934. [online] Published at Washington D.C.: United States. University of Gloucestershire (2015) Media Festival Lecture: Matt Deegan of Folder Media. [Digital hard copy retained and available upon request] Quartz (2015) ‘We analyzed a month of Beats 1 tracks to figure out Apple's taste in music' On: Quartz [online] [Accessed 12 January 2016]

Better Podcasting - Episode 006 - Audio Mixers and Hardware Recorders Welcome to Better Podcasting! We talk about podcast tips, tools and best practices to help you succeed with your podcast! Just like you we podcast purely out of the love and the fun of it. Podcasting is our hobby and we love that it is yours too! We always encourage your questions and feedback and you can find all of our contact information at betterpodcasting.com. During this show we discuss the reasons you may want to consider getting an audio mixer and hardware recorder. Of course we also discuss some of the challenges that could come with these as well. In the Better Podcasting Download we discuss the Apple Beats promo and why you may want to consider different headphones for podcasting. Finally, we take a listener question about PodOmatic. Do you have something to say about the art of hobby podcasting? Do you want to chime in on an episode of Better Podcasting? You can always ping us on Better Podcasting on the internet at the following places: @BetterPod http://facebook.com/betterpodcasting http://betterpodcasting.com http://betterpodcastinggear.com/ Stephen and SP thank you for listening, downloading and subscribing to Better Podcasting. We hope you come back for more Better Podcasting! This podcast was recorded on Friday, December 4, 2015.

Only Apple could beat expectations for the top and bottom line and still disappoint analysts. Following the company’s recent earnings release, the Street seemed concerned with iPhone sales and the company’s guidance for next quarter – should investors be worried or is this Apple anxiety overblown?

主持：陸志勤、李碩宏、Derek 蘋果公司終於落實收購 Beats Audio，預期將會在音樂方面有更多搞作⋯ […]

Apple Beats, Józsi + Handrás közvetít, WWDC témák. Viszki kóla, Federighi. Keynote: Yosemite újdonságok, appok, iOS 8, Family Sharing, Passport. HealthKit, HomeKit, Photo. Swift feat. Verhás Péter.

Commentator Jeff Gamet, Managing Editor for The Mac Observer, discusses the Apple/Beats deal, offers predictions for product intros at the WWDC going beyond iOS 8 and OS 10.10, and his reactions to Microsoft's Surface 3 tablet/laptop or whatever it is. CNET's Cheapskate blogger, Rick Broida, tells you how you can save money with a low-cost wireless carrier, and some of the pitfalls to watch in picking the best service for your needs. You'll also hear from author/columnist Bob “Dr. Mac” LeVitus, who, as a musician, gives you his unique viewpoint about Apple's purchase of Beats Electronics. He'll also focus on the rumors about the introduction of app technologies for the connected home at the WWDC.

It’s all happening!  WWDC 2014 is right around the corner, and if recent rumors are true, Apple’s about to make major moves into your home with iOS 8—we’ll fill you in.  Plus, the Apple/Beats deal is a reality, and the news hits right as we’re recording.   And don't miss an all new CultCast 2nd Hour.  We'll be speaking to popular Youtuber Jonathan Mann, who, for the last five years, has written one song every. single. day.  We talk to Jonathan about the inspiration, perspiration, and agony of making art, and what it was like to have his songs unexpectedly featured by Steve Jobs at one of Apple's most infamous press conferences. Our thanks to Slingbox for supporting this episode! Slingbox is the best way to watch your TV anywhere, and brings your cable set-top box, satellite receiver or DVR, right to your favorite mobile device, wherever you are in the world. With no monthly fees.  Check it out at http://slingbox.com/cult, and get $50 off plus free shipping on a new Slingbox.

Still reeling from the Apple/Beats news, the boys sit down to talk about music, apps and WWDC.

Armond & Doc return from a week off to talk about the Apple/Beats deal, Twitter + Billboard, the surprising success of Iggy Azalea, and more. Plus air horns. And The Godfather.

  Bajsade Dr Dre i det blå skåpet när han kallade sig själv världens första hip hop-miljardär i en inte så välregisserad video? Det har varit en svart, svart säkerhetsvecka för Apple, som slutar bjuda dig som begärt återbetalning på gratis lunch. Och så klart, AppSnack panelen spelar Sanning eller tjurskit med alla ryktena kring WWDC som hålls den 2 juni så att du vet vad som väntar, eller inte.   Så luta dig tillbaka kära lyssnare för nu är det dags för podcasten om teknik och uppkopplat nörderi i allmänhet, och ditt mobila iLiv i synnerhet. AppSnack 115 in the house y’all! I panelen: Michael Ploug Gartner, Linus Larsson & och en finbesök i form av Fredrik Björeman. Programmet leds av Calle Gisselsson. SÅ HIPHOPIGA ÄR VI Weird Al - White and nerdy NYHETER The Apple Beat [Dr Dre bajsar i det blå skåpet? VIDEO] Apple's Beats buyout may be delayed by complicated negotiation process Five Things Holding-Up The ‘Apple-Beats Deal’ Billboard Rumored reasons rumored Apple/Beats deal hasn't been rumored done Spotify når milstolpe i antal betalande användare No more free lunch Apple Now Preventing Updates and Reinstallation of Refunded Apps Säkerhets-snack Apple schabblar med SSL-certifikat för App Store Vi minns: Microsoft glömde betala för Hotmail Hackare kan aktivera stulen iPhone Apple too late to stop massive iCloud breach, hackers claim Google's VirusTotal adds desktop file analysis client for Apple's OS X Två nya grymma reklamspots i Your Verse serien Esa-Pekka's verse Cherie's verse Alla andra Google högre värderat än Apple Missa inte hela rapporten (infographics) VECKANS SNACKIS Det handlar denna gången om WWDC och nedan listar vi de hetaste ryktena, nu är det upp till panelen att avgöra. Sanning eller tjurskit? Apple Releases WWDC 2014 App Rumour roundup på Macrumours Spådomar inför WWDC 2014 IOS 8 Shazamliknande sirifunktion Healthbook Siri AP iOS-to-OS X AirDrop. Beats Nyckelhanterare Apple to Launch New 'Smart Home' Platform at WWDC Report: iOS 8 will be ‘Made for iHome,’ offer universal remote functionality for smart devices Apple reportedly working on smart home features for iPhone Uppgifter inför WWDC: Apple storsatsar på det smarta hemmet iOS 8 wants: Comic book reading mode for iBooks Morgan Stanley predicts Apple will incorporate NFC into future iPhone for mobile payments OSX Apple’s OS X 10.10 rumored to be named ‘Napa’ eller OS X 10.10 'Syrah' Nytt "iOS 7 utseende" Interested in a flatter OS X interface? Look to iCloud for clues Siri HÅRDVARA Mac Mini Apple lanserar helt ny Mac mini Macbook air med ARM-processor? Det här tror vi INTE kommer att presenteras AppleTV iWatch iPhone 6 iPad PANELEN ÖNSKAR SIG Majk - Mac Mini med Airplay lika bra som en AppleTV Bjoreman - MBA ARM Linus - Siri på svenska Calle - Mac Mini i stil med Arrays aprilskämt VECKANS LYSSNARFRÅGOR Morten: Kan man få Siri att läsa upp e-böcker för en? Svar: Nej, men vi rekommenderar Audible Thomas Haraldsson: Tyvärr är problemet med iMessage större än ni beskriver i senaste avsnittet. Att slå av iMessage hjälper inte i vissa fall av egen erfarenhet, det avregistreras inte aldrig. Just nu kan jag inte koppla från mitt nummer utan Apples supporthjälp. @Liviaro92: Tycker det fungerar prima! ;-) pic.twitter.com/OD0z0SaJk8 @tobiashieta: det är nog bara skånskan som är problemet ;)

In this week's podcast Tom Lyons talks to Simon Carswell outside John W McCormack Court House in Boston where David Drumm's bankruptcy trial is taking place. In the second half of the show Tom reviews the future of audio in the wake of Apple's proposed acquisition of Beats and relevant 'noise' from Twitter/Soundcloud and Facebook. He is joined by Davin O'Dwyer and Soundwave CEO Brendan O'Driscoll. Inside Business is a weekly business podcast presented by award winning business journalist, Tom Lyons and produced by Sinead O'Shea. It can be listened to and downloaded via Soundcloud and iTunes.It can be delivered for free to you each week via this link. https://itun.es/i66S9v7 #iTunesAndroid users can access this podcast via stitcher.com/s?fid=44906&refid=stpr Hosted on Acast. See acast.com/privacy for more information.

In this week's podcast Tom Lyons talks to Simon Carswell outside John W McCormack Court House in Boston where David Drumm's bankruptcy trial is taking place. In the second half of the show Tom reviews the future of audio in the wake of Apple's proposed acquisition of Beats and relevant 'noise' from Twitter/Soundcloud and Facebook. He is joined by Davin O'Dwyer and Soundwave CEO Brendan O'Driscoll. Inside Business is a weekly business podcast presented by award winning business journalist, Tom Lyons and produced by Sinead O’Shea. It can be listened to and downloaded via Soundcloud and iTunes. It can be delivered for free to you each week via this link. https://itun.es/i66S9v7 #iTunes Android users can access this podcast via stitcher.com/s?fid=44906&refid=stpr

主持：陸志勤、李碩宏、Derek 傳聞 Apple 收購 Beats Audio，有何玄機？ Google M […]

We feature outspoken commentator Kirk McElhearn, Macworld's "iTunes Guy," who will discuss the rumors and possible reality of Apple's acquisition of Beats Audio, a company that sells high-end headphones and speakers and has a widely-acclaimed streaming music service. He'll also talk about so-called HD audio and whether the difference makes a difference in what you can hear. We'll also be joined by Bryan Chaffin, co-founder and co-publisher of The Mac Observer, who will present his views about the possible Apple/Beats deal. How does it benefit Apple — or does it? Bryan will also talk about those "crazy" iPhone 6 rumors, the prospects for an iWatch, and Samsung's notorious history of copying original technology from other companies.

If all the reports ring true, Apple is about to embark on their largest acquisition ever, and the ramifications could be massive. And on this episode of The CultCast, we dissect the Apple/Beats merger, and ask the questions: what could Apple possibly have planned for the worlds most popular headphone brand?  Are new wearable headphone tech a part of Apple's future?  And most importantly, could the Doctor D-R-E be Apple’s next CEO?     Strap on ya gats, ya’ll...   Thanks to Lynda.com for sponsoring this episode!  With over 2,000 high quality video courses taught by industry-leading experts, Lynda.com will help you master virtually any application, all on your own time and at your own pace.  Learn all you want for free for 7 days with a free trial.  Try it now at http://lynda.com/CultCast

The ice caps are melting, Jason is stocking up on knives, Brian is becoming a coffee snob, neither of the guys want to talk about the Apple Beats non-story, and *GASP* it's hard to get a writing job in Los Angeles. Show notes: http://grumpyoldgeeks.com/58

This week, Frank sits down with Andrew Horowitz, host of the Disciplined Investor Podcast to talk about the truth of today's economy.In this no-holds-barred, unedited podcast, they point out exactly what's wrong with today's stock market. They also call out some of the best-known analysts in the media. These are the "experts" who are making a fortune – despite having been 100% wrong on their market predictions during the past 5 years. And…one major technology CEO is promising growth but is that the truth?Frank and Andrew talk about the company's recent earnings report and how it is experiencing its lowest growth rate in the past decade.You'll get to hear Andrews's favorite picks right now... And Frank gives his take on the AT&T-DirecTV deal, as well as the Apple-Beats deal.It's another fantastic show... Enjoy!

Мы рады предложить вашему вниманию новый выпуск самого бородатого подкаста рунета! С сегодняшнего дня все наши эфиры будут проходить в прямом эфире, что естественно несколько отразится на воcприятии нашего шоу в офлайн-режиме. Все подробности можно найти на страницах нашего блога - beardycast.com. В комментариях же ждем ваше мнение о новом формате. В этом выпуске: Вступление и приветствие; Рассказ Романа @goroshkin Горошкина про: Кто он такой и кем работает; Как он попал в PR, с какими трудностями пришлось столкнуться; Как стал курировать NVIDIA и Unity; Какую роль играет российский рынок для производителей видеокарт; Пожелание гостя нашим слушателям, решившим податься в PR - три/пять главных правил, которых стоит руководствоваться. Из-за событий в Украине тамошние разработчики игр направляют свои стопы в зарубежные компании; На NVIDIA SHIELD портировали не только Portal, но и портируют Half-Life 2 - или превосходство Tegra 4 над всеми прочими; Важны ли эксклюзивные мобильные игры для продвижения этой платформы как конкурентоспосости; Впечатления от фильмов “Небраска” и “Фарго” ; Впечатления от сериала “Фарго”; Презентация новых Chromebook’ов, личный опыт работы с данной системой; Apple купит Beats за $3.2 млрд. и какую роль сыграли компании Beats Audio и Monster для рынка мобильного аудио, их история появления и становления; Ответы на вопросы слушателей; Прощание.

このページをウェブブラウザで見る: リンク 今週もゆずちゃんの参加が間に合わなかったので、松尾さんと二人での放送になってしまいましたが、AppleがヘッドフォンメーカーBeatsを買収した話から始まって、iTunes Matchのトラブルシューティングや、自作Chrome機能拡張Tab Alignerの解説などを紹介。ガジェットコーナーでは3Dプリンター銃問題について語ったのですが、ここら辺からいつになく社会派なトーンになり、さらに後半は未来のコンピューターのあるべき姿を妄想するなど、いつになる濃い内容でお届けします！R2-D2バーチャルキーボードも気になる！ audio 要素はサポートされていません Download MP3 (26.4MB) 今週のニュース Appleがオーディオ器機のBeats Electronicsを32億ドルで買収へ - THE BRIDGE [D] iPhone 5に最適! 二年悩んで遂にMonster Beatsデビューしました イスの間の肘掛けに関する1つのアイディア - [モ]Modern Syntax この夏はサングラスをなくさない、iBeaconを利用したサングラス「Tzukuri」 : ギズモード・ジャパン Googleマップがメジャー・アップデート―乗換案内、ナビ情報が強化され、Uberを統合 TechCrunch Japan をぢの日記 » 意外な方法で、Music Matchが終わらない件が解決した [D] レビュー - Google ChromeのTab操作を快適にするChrome Extension「Tab Aligner」を公開しました 「3Dプリンター銃」は規制できるか：シロクマ日報：ITmedia オルタナティブ・ブログ 今週のガジェット 動画：スター・ウォーズのR2-D2型レーザー投影バーチャルキーボード発売、あの効果音つき - Engadget Japanese 新型MacBook Air、ストレージ性能は旧モデルを下回る？！ - iPhone Mania - ONETOPI CAとWiMAX 2＋対応機種が登場：4K撮影に3日持ちの省エネ設計、世界最薄タブレットも――KDDIが2014年夏モデルを 発表【写真追加】 - ITmedia Mobile 次週予告・告知 今週の バッグスペース はいかがだったでしょうか？ おかげさまで、iTunesのPodcast配信も好調です。 ぜひ気に入ったら購読して頂けると幸いです。 番組内容に関するフィードバックやリクエストなども #(ハッシュタグ)backspacefm にてお待ちしてます。 iTunesのレビューも大変参考になるので、気に入ったらレビューしていただけるとうれしいです！ では、来週もお楽しみに！

В этом выпуске Паша и Илья обсуждают самые интересные новости из мира hi-tech за последнюю неделю. Одни из ключевых тем: - Beats куплен Apple - OnePlusOne убийца современных смартфонов - Apple TV, скорое обновление - Android Silver - Amazon TV, Cromecast Ведущие: @iKuzIlya @Qwertypm

欢迎关注 IT 公论的 Instagram 账号：itgonglun。 Line 是少数有「软实力」的科技公司。或者说，它未来可能不再是科技公司？别忘了已经有 Cony 和 Brown 的动画片了。 苹果收购 LuxVue──生产「低功耗微型 LED」的公司。这意味着未来的 iPhone 不用一天充两次电了吗？ 关于苹果和 Beats Electronics 的那些事。苹果收购 Beats 可能导致 Spotify 上市流产，并被 Amazon 收购（之前有消息说 Amazon 会为 Prime 用户提供音乐订阅服务）。以后听音乐不用再花钱了？ 相关链接 「放题」是什么意思？ 香港铜锣湾希慎广场的 Line 礼品店 香港铜锣湾希慎广场中庭的「Line Factory」 关于苹果收购 LuxVue 的新闻 李如一：Apple 应该收购 Beats 公司吗，能从中得到什么？ Amazon Prime 赞助 本期 IT 公论由 Squarespace 赞助播出。Squarespace 是一个帮助你轻松快速地架设专业级网站、个人作品集展示页面、和线上商店的一站式平台。它有美观简洁的模版，24 小时全年无休的即时聊天与电邮客服，且完美适配移动设备。现在注册，结账时使用优惠码 itreview 或直接访问 squarespace.com/itreview，便可获得九折优惠。 人物简介 李如一：字节社创始人。 Rio: Apple4us 程序员。

Част 1 – обзор на новините   Директен линк към част 1 (mp3) (ogg) 00:00 – Don Syme (F#, .NET Generics) на Microsoft In Touch 05:00 – PlovdivConf 06:30 – http://tuxcon.org/ 09:15 – Heartbleed 15:40 – Apple ще купуват Beats за $3.2 милиарда 21:15 – Ps4 и Xbox One се продават добре, въпреки липсата на […]