Podcast appearances and mentions of Bob Dylan

This week, Bernie sits down with veteran audio engineer and guitarist Jason Frankhouser for a conversation about music, touring, and the many paths a career in the industry can take. Jason reflects on his 18 years with Bob Dylan, discusses working with artists like Lucas Nelson and Jawbreaker, and explains how a passion for gear led to collaborations with major guitar and amplifier companies. They also discuss guitar tone, gear design, and the creative projects that keep Jason busy when he's off the road.https://linktr.ee/killertonehttps://www.youtube.com/@killertone******************************************Hungry for more?Check us out at https://isbreakfast.com******************************************

A mythic trip through some of New York City’s most rock ‘n’ roll addresses. Beyond the Chelsea to beatdowns with Bob Dylan, stoopside hangs with the Stones, Miles backstage with Iggy, Jackson and Nico, Yoko and John, and the IRA and the FBI, and more.See omnystudio.com/listener for privacy information.

Throwback Thursday (Originally aired: 6/5/24)Bunnie is joined by the sweet and brilliant Mod Sun, as he talks about everything from facing heartbreak and addiction to finding purpose through his music and art. Mod reflects on his journey from farm boy to rockstar, hitting rock bottom and how he manifested success. He talks about past romances in the public eye, his soul bestie Machine Gun Kelly, Bob Dylan, and why it's okay to be delusional. Mod also shares a sneak peek into his new music and the reinvention that came along with it. Mod Sun: IG | WebsiteWatch Full Episodes & More: YouTubeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast explores Steal Your Face's iconic artwork & visits the Grateful Dead's June 1976 return to the road, including a tour of the Dead Head culture that bloomed in their absence.Guests: Richard Loren, John Scher, Ron Rakow, Eugene Dolgoff, Pat Lee, Johnny Dwork, Dave Davis, Rob Bleetstein, John Brackett, Starfinder Stanley, David LemieuxSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hello and welcome to Aquarium Drunkard Transmissions with Jason P. Woodbury, presented by the Talkhouse Podcast Network. We're kicking off our new season with a fantastic guest: Don Was. Was' CV is stunning. In addition to his genre-bending work with Was (Not Was), Don has collaborated with some of the most respected artists in music history: Bob Dylan, Bonnie Raitt, The Rolling Stones, The B-52s, Ringo Starr, Roy Orbison…the list could go on. These days, you can find Don with his band, The Pan-Detroit Ensemble, whose latest album is called Groove in the Face of Adversity, and behind the desk at Blue Note Records—he's been the president of the legendary jazz label since 2011.  But Don has joined us today to talk about one of his very first recording projects: Ted Lucas' Impossible Love, an unheard album he cut with the cult Detroit songwriter in 1979. Impossible Love is part of Third Man Records' new collection of Lucas gold, Images of Life. Following their reissue of his stoned folk classic 1975 LP, Third Man Records has unlocked the vault, offering a comprehensive look at one of the late '60s and '70s' most dynamic Detroit talents. Spanning Lucas' career, the set includes recordings by Lucas' early regional sensations like The Spike Drivers, The Misty Wizards, and The Horny Toads, acoustic demos, and his long-lost second album, produced by Was.  Don joined us to discuss his time with Ted–including a disastrous gig they played with Black Sabbath—and help us uncover this lost Motor City counter culture story. And that's not all—Don also reflected on his work with the late bandmate Bob Weir, the legacy of the Dead, and of course, his work on Garth Brooks' ill-fated 1999 Chris Gaines project. That's right: we went there. So roll up your sleeves and let's get to it, Don Was on Transmissions.

In his incredible new music biography, Where The Music Had To Go, author Jim Windolf explores the parallel careers of two of the most influential artists of the post rock & roll era, Bob Dylan and The Beatles. He's here to explain why Bob is more like a Beatle than a Rolling Stone.    For the most up-to-date news about all things RSD, visit RecordStoreDay.com   The Record Store Day Podcast is a weekly music chat show written, produced, engineered, and hosted by Paul Myers, who also composed the theme music and selected interstitial music. Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton.   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends!

For this year's Q&A episode, we asked you guys what artists and albums you'd like to hear us cover on the show, and you did not disappoint! We got literally hundreds of suggestions, and we did our best to narrow them down but we still ended up having to split this episode into two parts. Part 1 is right here, and you'll hear Part 2 next week. We had a great time talking about everything from Bob Dylan to Dennis Wilson, and we hope you enjoy it too.  Cohosts: Everybody Spotify playlist: https://open.spotify.com/playlist/5Ew83laRbjctsD57wQXcd7 Discord & Rhyme's merch store: http://tee.pub/lic/discordpod Support the podcast! https://www.patreon.com/discordpod

This week, your two favorite Matts discuss Bob Dylan starting his own Patreon, Olivia Rodrigo's new album debuting at #1 with 485,000 copies sold, Carly Rae Jepsen teasing new music, and more!Fill out the Two Gay Matts listener survey!Listen to the Travis Tracks playlist on Spotify!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get some of our brand new merch from shoptwogaymatts.com!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Become a part of our newly revamped Patreon!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch Matt Steele's movie DIVOS!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch us on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow @mattpalmermusic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow @itsmattsteele⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Hosted on Acast. See acast.com/privacy for more information.

Penn & Teller hit up Jimmy Fallon in the midst of the Knicks championship run and perform to sold out crowds in Toronto, Bob Dylan on growing older and Penn on the definition of good vs. bad writing, Penn is busy writing new books and plays, Matt at The Magician's Room Las Vegas, and lots more.

A través del movimiento por los derechos civiles, las movilizaciones estudiantiles, el hippismo y las nuevas luchas por el reconocimiento y la inclusión, analizamos cómo una generación comenzó a cuestionar las certezas heredadas en la posguerra y a ampliar los límites de la participación democrática. Más allá de sus expresiones más conocidas, la contracultura abrió debates fundamentales sobre la igualdad, la libertad, la diversidad, la convivencia y el sentido de vida. Una reflexión histórica sobre cómo las democracias se fortalecen cuando son capaces de incorporar nuevas voces, tramitar el desacuerdo y construir espacios comunes para personas y grupos profundamente diferentes.   Notas del Episodio  Martin Luther King Jr. y la Carta desde la Cárcel de Birmingham Aquí encontrarán uno de los textos más importantes de la historia de los derechos civiles, una carta escrita por Martin Luther King Jr. donde explica por qué la desobediencia civil puede ser una herramienta legítima frente a las leyes injustas.  Henry David Thoreau y la Desobediencia Civil El ensayo inspiró a Gandhi, Martin Luther King Jr. y numerosos movimientos pacifistas alrededor del mundo. Una reflexión sobre la relación entre conciencia, ley y justicia.  Rosa Parks y el Boicot de Autobuses de Montgomery La historia de la protesta que dio inicio al movimiento moderno por los derechos civiles en Estados Unidos y cambió el rumbo de la democracia estadounidense. (Inglés) El Movimiento por los Derechos Civiles en Estados Unidos Una introducción elaborada por Encyclopaedia Britannica sobre el proceso histórico que impulsó la ampliación de derechos y la lucha contra la segregación racial.  Black Power y Stokely Carmichael Una explicación sobre el surgimiento del orgullo afroamericano y la construcción de nuevas identidades políticas dentro del movimiento por los derechos civiles. Berkeley y el Free Speech Movement El movimiento estudiantil que defendió la libertad de expresión y el derecho al disenso dentro de las universidades durante los años sesenta. (Inglés) Rachel Carson y el nacimiento del ambientalismo moderno La historia de una de las autoras más influyentes del siglo XX y de cómo sus ideas ayudaron a construir la conciencia ecológica contemporánea. (Inglés)   Recomendaciones Culturales Película recomendada: Selma (2014) Una reconstrucción cinematográfica de las marchas por el derecho al voto lideradas por Martin Luther King Jr. en Alabama.  ➡ https://mubi.com/en/co/films/selma   Película recomendada: Malcolm X (1992) Para complementar la historia de los derechos civiles desde una perspectiva distinta a la de Martin Luther King Jr.  ➡ https://tv.apple.com/us/movie/malcolm-x/umc.cmc.4tvd4yh39kjpqi67uyd8jvl2i Película recomendada: The Trial of the Chicago 7 (2020) Para entender las protestas contra la Guerra de Vietnam y la dimensión política de la contracultura. ➡ http://netflix.com/co-en/title/81043755 Album recomendado: What's Going On – Marvin Gaye Uno de los álbumes más importantes de la historia de la música popular, dedicado a temas como la guerra, la discriminación y la justicia social. ➡ https://www.youtube.com/watch?v=H-kA3UtBj4M&list=PLnif9Rfb5AdnouIPnWr4DunLkZ7vO23Ef Canción recomendada: The Times They Are A-Changin' -  Bob Dylan (1964) Probablemente la canción que mejor resume el espíritu de cambio que atravesó la década de los sesenta. ➡ https://youtu.be/90WD_ats6eE?si=in-bQYv5TTgULj67    Sigue mis proyectos en otros lugares:  YouTube ➔ youtube.com/@DianaUribefm  Instagram ➔ instagram.com/dianauribe.fm Facebook ➔ facebook.com/dianauribe.fm Sitio web ➔ dianauribe.fm Twitter ➔ x.com/DianaUribefm  LinkedIn ➔ www.linkedin.com/in/diana-uribe    Gracias de nuevo a nuestra comunidad de patreon por apoyar la producción de este episodio. Si quieres unirte, visita www.dianauribe.fm/comunidad

The Seth Leibsohn Show is joined by a very special guest; Arizona's Official State Balladeer Dolan Ellis, live and in-person! Dolan discusses his journey toward being proclaimed Arizona’s Official State Balladeer by Governor Sam Goddard. He shares his incredible life story, from his early days as a folk singer to his rise as a national star. Dolan takes listeners on a journey through his experiences, including his time with The New Christy Minstrels, his friendship with Kenny Rogers, and his experiences with other notable musicians, such as Pete Seeger and Bob Dylan. We're joined by Johnny Estes, Vice President of Operations, and Shannon Estes, President of CMI Gold & Silver. Want to hear more of Dolan’s life stories? Check out his newly released book, Adventures of a Balladeer, available at https://dolanellis.com/books/. See omnystudio.com/listener for privacy information.

Send us Fan MailSinger, songwriter, multi-instrumentalist and producer Peter Case (solo, The Plimsouls, The Nerves) returns to YMAAA to introduce Al to Fred Neil's 1968 album Sessions. (Peter was previously on Ep 114 to discuss Bob Dylan's self-titled debut album.) Peter talks about how he became fascinated with Neil and Sessions during his early teens, and he explains why Neil's work has not received as much acclaim and appreciation as it deserves. He also discusses how Sessions is a concept album and why it's not necessary to know about album's cohesive theme in order to enjoy it. Peter walks through his long history with the Santa Monica venue McCabe's Guitar Shop and discusses his new live album, My Life to Live, which was recorded there.As Peter mentioned, the best place to follow him is on Instagram. He's @petercase111. You can also keep up with Peter and his music at petercase.com and petercasemusic.bandcamp.com.Peter talked about the work of Denise Sullivan (his wife), including her book Keep on Pushing. You can find out more about her work on her website, denisesullivan.org.Be sure to sign up for the YMAAA Newsletter at youmealbum.ghost.io. To keep up with You, Me and An Album, please give the show a follow on Instagram at @youmealbum.As Al mentioned on this episode, excerpts from episodes are now available on YouTube at @YouMeAndAnAlbum. Please consider subscribing and liking!Al has put a pause on publishing new Bonus Tracks episodes, but you can listen to the past ones at the You, Me and An Album Patreon for $1/month. Just go to https://www.patreon.com/youmealbum.1:12 Peter's introduction2:14 Al explains why he picked Sessions from Peter's short list3:29 Peter provides some of the reasons for why Neil didn't have more of a following despite his accomplishments6:28 Peter talks about what drew him to Neil's music during his teen years11:44 Peter explains how Neil's music is a synthesis of different genres14:20 Peter talks about how the album's emotion comes from its vibe18:16 Peter discusses how Sessions is a concept album24:25 Peter talks about the ways that Neil influenced Richie Havens and Bob Dylan (plus a Dave Von Ronk story)31:22 Peter views Sessions as a late-night listen33:57 Peter talks about Neil's Coconut Grove period35:12 Peter and Al appreciate the loose feel of Sessions37:44 Peter highlights one aspect of the recording environment that gives Sessions its unique sound40:06 Peter gave Al some new ways to listen to the album41:10 Peter talks about Herb Metoyer and his contribution to Sessions44:28 Peter contrasts Neil's focus on social issues versus the relative lack thereof in current indie music47:09 Peter gives Neil kudos for his rhythm guitar skills48:04 Al makes a comparison between Fred Neil and Joni Mitchell (h/t Jesca Hoop)49:53 Peter talks about his new live album and his history with McCabe's Guitar Shop58:39 Peter shares his upcoming tour and songwriting plansOutro music is from “I Shook His Hand” by Peter Case.Support the show

Dave returns to the microphone as Julie and Matt from HAVVK hit the studio in honour of their new album Time Will Kill.Much to discuss this week, so let's not stand on ceremony... ACT ONE: The preamble in which Dave invents a new segment. ACT TWO (7:15): Talking all things Time Will Kill - it's great, so check it out post-haste.ACT THREE (34:57): SPORTSDAVE leads the charge as World Cup chat kicks off the news section which also features Phoebe Bridgers starting a class war, Hank Azaria moaning about Taylor Swift, a pretty flimsy Rod Stewart excuse, and Bob Dylan on the pros and cons of being an octogenarian. ACT FOUR (1:08:22): Top 5 Good Time Songs.Get tickets to see HAVVK and Cable Boy in Dublin / Galway Hosted on Acast. See acast.com/privacy for more information.

In this episode of MyMusic, Graham Coath welcomes Los Angeles singer-songwriter Stella Prince for a warm and wide-ranging conversation about music, identity, ambition, and why the industry sometimes struggles more with labels than with artists.Stella discusses her upcoming UK performances, including a residency at London's Green Note and an appearance at The Long Road Festival alongside artists such as Emmylou Harris and Steve Earle. The pair explore her self-described "Gen Z Folk" sound, growing up surrounded by the music of Joni Mitchell, Bob Dylan and Broadway classics, and why she has resisted pressure to fit neatly into a single genre.The conversation also dives into the realities of being an independent artist. From booking tours and radio interviews as a teenager to managing the business side of a music career, Stella shares an honest perspective on what it really takes to build a life in music today.They also talk about her recent cover of Buffalo Springfield's For What It's Worth, recording in Laurel Canyon, favourite Beatles songs, dream collaborations with Noah Kahan, and why Ed Sheeran may be one of the greatest modern examples of a storyteller with a guitar.Along the way, there are discussions about folk music, England, cake, Abbey Road Studios, Stevie Wonder's version of Happy Birthday, and the song Stella still hopes to write about the journey from childhood to adulthood.A thoughtful, funny and inspiring conversation with an artist who combines old-soul storytelling with a distinctly modern voice.

Hello Interactors,A couple weeks ago, I found myself in Tulsa for the first time. I left pleasantly surprised. There's a lot of private money flowing into this town, but the city is filled with sorted stories about land, who holds it, who loses it, and how that loss and potential return is engineered. On Juneteenth, the city's history feels especially close so I thought I'd unpack the layers of displacement, violence, and reinvention that lurk beneath a city still struggling to face them.CONCRETE, COALS, AND A CITY THAT CONCEALSRaise your hand if you like Brutalist architecture (I'm raising mine.) I just didn't expect to find it in Tulsa, Oklahoma, where I was visiting for my niece's wedding.The Brut Hotel is a converted Brutalist tower a few blocks from the Arkansas River and it's all raw concrete. Even the floors and counters. Most people see Brutalism as cold — which is nice on a hot Tulsa day — but I read it as honest and direct. A bit like a Midwestern prairie settler stereotype. After all, the style did emerge in postwar Europe from an egalitarian impulse. It was meant to be democratic architecture stripped of ornamental excesses of fancy city folks. It arrived in America just in time to become the aesthetic of urban renewal. We mostly got housing projects and highway interchanges built on top of what had been Black and working-class neighborhoods, often by eminent domain and without meaningful consent. Concrete can be made to beautiful, but it's definitely also the material of displacement. Tulsa is no exception.On my first muggy Tulsa morning, I ran from The Brut toward the river. A block or two along, tucked between midtown houses on Cheyenne Avenue, I passed a small park I had read about but didn't know was so close. The bronze sculpture of a flame was the give away. This is Creek Nation Council Oak Park, and it is, in the most literal sense, where Tulsa began.In 1836, the Lochapoka clan of the Creek Nation arrived at this hill above the river after two years on the Trail of Tears. They had carried live coals from their last ceremonial fires in Alabama the entire way — embers kept alive through hundreds of miles of forced march. Under this oak, they set those coals down and kindled a new flame. They named the settlement Talasi, meaning “old town.” White settlers mispronounced it into Tulsa. The term “Trail of Tears” perhaps softens this forced displacement too much. Of the 630 Lochapoka who began the journey, 161 did not survive it. The oak did and it still holds its annual ceremonies. In November 2024, the site was formally returned to the Muscogee (Creek) Nation.As I kept running south along the river, a second gathering place was harder to miss. It has a giant sign that reads, The Gathering Place.The Gathering Place is a privately built public-ish park that stretches along the Arkansas River's eastern bank and inland a bit. It's one hundred acres of fountains, climbing structures, event lawns, and restored prairie plantings. It is, by nearly any measure, a stunningly beautiful park. It is also unmistakably the product of a single man's fortune. George Kaiser, the Tulsa-born oil billionaire and philanthropist, has poured more than $350 million into transforming this stretch of riverfront. It's honestly something you'd expect to see in a Northern European city. The park opened in 2018 to national acclaim. The New York Times called it “the most ambitious new park in a generation.” I can see why.But head north from the riverfront, past the gleaming BOK Center arena (“B. OK.” is a financial services company dating back to 1910 oil money and is half owned by Kaiser) and the reclaimed warehouse districts, (including the Bob Dylan Center — Kaiser bought Bob Dylan's archive collection in 2016) and within minutes you are in a different city. North Tulsa — and specifically the Greenwood District — reveals modest homes and stretches of underdevelopment. This is an area that feels like it's being watched and commemorated but it's not entirely clear it is being heard. The Greenwood Rising history center, also primarily bankrolled by Kaiser, opened in 2021 exactly one hundred years after the neighborhood was destroyed in the Tulsa Massacre. This building is also very nice and tells the area's story well. Whether it changes the story is another matter.Cities can act as maps of their own history, so that's how I try to read them. I take note of the distances between prosperity and poverty, commemoration and investment…even a museum and a neighborhood. These are not determinant accidents of the market, but accumulated residue of specific decisions made by specific people over a very long time. To understand Tulsa's geography today, you have to go back not just to 1921, but further — to the rivers and grasslands of Indian Territory the Lochapoka people encountered. It's here you'll find federal ledgers leveraged as weapons, their lines and lists legalizing the largest land liquidation in American history.PROMISES, PARCELS, AND THE POLITICS OF POSSESSIONThe Lochapoka were not the only ones force-marched into Indian Territory. All five of the so-called Civilized Tribes — the Cherokee, Choctaw, Chickasaw, Creek, and Seminole nations — were relocated from their homelands in the American Southeast across the 1830s. Each tribe were given the same federal promise that the territory would remain theirs permanently. The maps and the Federal treaties said so, but neither turned out to mean much.What the maps did not show, and what the official history long preferred to omit, is that the Five Tribes brought enslaved Black people with them into Indian Territory. As the historians Annette Gordon-Reed and Rose Stremlau have noted in the context of the 1619 Project, the story of this dispossession cannot be told without acknowledging that intersection: the Trail of Tears was also, for some, a forced march into continued bondage (Gordon-Reed et al., 2022). That fact would shape the politics of Oklahoma for generations — and it is the thread that connects the founding fire under the Council Oak to the rise of Greenwood eighty years later.After the Civil War, the federal government's promises to the Five Tribes began to erode almost immediately. The Freedmen — formerly enslaved people who had been held by tribal members — were formally granted citizenship in the tribes by treaty, though the tribes' willingness to honor that citizenship varied considerably. Many Freedmen, seeking mutual protection and economic self-sufficiency, began establishing their own communities. This impulse gave rise to what became known as the Black Towns Movement. Between the 1870s and the 1920s, more than fifty all-Black towns were founded in Oklahoma and Kansas, created by people who had learned, with good reason, not to rely on the goodwill of white-majority governments (Martin, 2025; Gordon-Reed et al., 2022).The legal and cartographic instrument that made the Black Towns possible — and that would ultimately help destroy them — was the allotment system. The Dawes Act of 1887 broke up communally held tribal land into individual parcels, assigning plots to enrolled tribal members and opening the remainder to white settlement. It was framed as a civilizing measure. It was in practice a mechanism for transferring Indigenous land to white hands on an enormous scale. Each parcel was drawn on a map, recorded in a ledger, and assigned a legal description. This act appeared to secure property rights while in fact it made land far easier to steal through legal machinery than it had ever been to simply seize.The discovery of oil made the theft more systematic and more lethal. When crude was found beneath allotments assigned to Native people — particularly in the Osage Nation, the Creek Nation, and elsewhere — a federal guardianship system allowed courts to appoint white guardians for Native landowners deemed “incompetent” to manage their own affairs. The definition of incompetence was flexible and self-serving. Native heirs to oil-bearing land died under suspicious circumstances with startling frequency. Deeds were forged. Guardians enriched themselves and left their wards landless. The historian David Grann has documented this in devastating detail for the Osage Nation specifically, but the pattern was region-wide. Modern GIS analysis of original allotment records against subsequent deed transfers reveals what contemporaries knew but rarely said aloud: the disappearance of Native landowners from oil country was not a coincidence, but a covert policy.For Black Oklahomans, the allotment system created a narrow window of possibility. Freedmen who appeared on the Dawes Rolls received allotments of their own. Some of this land was in proximity to other Black allottees, and the Black Towns Movement capitalized on that geography, incorporating towns, establishing churches and schools, and building the civic infrastructure that Black communities had been denied elsewhere. As scholar JT Martin has argued, the philanthropic traditions within these communities — the mutual aid societies, the church networks, the communal investment in education — were not secondary features of the Black Towns Movement but its essential architecture (Martin, 2025). People who had nothing built institutions that served everyone.Greenwood, established in the early 1900s on the northern edge of Tulsa, was the apex of that project. By 1921, it contained over thirty-five blocks of Black-owned businesses, a hospital, law offices, two newspapers, a library, schools, and churches. Booker T. Washington reportedly called it “the Negro Wall Street,” a phrase that has since become shorthand for what the neighborhood achieved. Although that shorthand flattens what was, more precisely, a masterwork of community-building under conditions designed to make community impossible.As the literary scholar Gary M. Jenkins has observed, Greenwood sat directly along what would become Route 66 (Jenkins, 2022). The all-Black towns of Oklahoma were embedded in the landscape that John Steinbeck traversed in The Grapes of Wrath — and conspicuously omitted from it. The invisibility of Black spatial achievement in the canonical accounts of American westward movement is not incidental. It reflects a pattern in which the places, presence, and prosperity of Black life were purposefully purged from the maps white Americans made of their own country.BURNING, BURYING, AND THE BATTLE TO BELONGOn the night of May 31, 1921, a white mob descended on Greenwood. Over the following eighteen hours, the neighborhood was looted, burned, and bombed — aircraft dropped incendiary devices on residential streets. When it was over, 35 square blocks had been reduced to ash. Somewhere between 100 and 300 people were dead, most of them Black. More than 10,000 Black residents were left homeless. Survivors were interned in camps run by the National Guard — many of whom had also participated in the destruction.What followed the physical destruction was a second, slower erasure. Greenwood residents who attempted to rebuild found themselves blocked by a newly enacted city ordinance that rezoned their land for commercial and industrial use. Insurance claims were denied. Property was effectively seized under the cover of “urban renewal” in subsequent decades. As Morris, Parker, and Negrón have documented, the Tulsa massacre is a case study in what they call “Black community-killing” — the systematic destruction not just of physical structures but of the institutional web that makes a community function: the schools, the churches, the newspapers, the businesses (Morris, Parker & Negrón, 2022). The buildings burned in a day. The community's capacity to reconstitute itself was methodically dismantled over years.For most of the twentieth century, the massacre was not taught in Oklahoma schools. It did not appear in city histories and land was not returned. The story was, in the most literal sense, removed from the map.Kaiser's investments in Tulsa have been substantial and wide-ranging: the Gathering Place, the Greenwood Rising museum, workforce development initiatives, early childhood programs. The philanthropic intent appears sincere, and some of the work — particularly in early education — addresses structural inequities rather than simply aestheticizing them. It would be uncharitable, and inaccurate, to dismiss the whole enterprise as window dressing.But scholar JT Martin poses this question which cuts to the heart of the matter: when we study philanthropy in America, whose philanthropic traditions do we center? (Martin, 2025). The mutual aid societies, the church networks, the community land trusts built by Black and Indigenous communities — these represent forms of collective investment that predate and often outperform the interventions of elite donors, yet they receive a fraction of the scholarly and public attention. George Kaiser's riverfront is visible. The endogenous philanthropic infrastructure of North Tulsa — the churches that held Greenwood together after the massacre, the community organizations that exist today — is largely invisible in the civic narrative that Tulsa tells about itself.The geography makes this concrete. The Gathering Place and the BOK Center sit south on the Arkansas River, in and adjacent to Tulsa's whiter, wealthier districts. Including the area where the Philbrook Museum of Art sits. This Italian Renaissance villa was built in 1926 by oil pioneer Waite Phillips (as in Phillips 66), donated to the city in 1938 as a public art center. It's now one of the finest regional museums in the country. This gesture rhymes with Kaiser's: oil money transmuted into civic cultural institution, the private estate opened to the public as an act of philanthropic legacy-building. The Philbrook is genuinely beautiful and genuinely valuable. It is also located nowhere near North Tulsa.The pattern is not new. Greenwood Rising stands in Greenwood, but the area remains economically depressed, and North Tulsa is still among the most segregated parts of an already divided city. Philanthropic investments that produce a park on the wealthy side of the river and a museum on the historically Black side, while leaving structural inequalities intact, are not reparative.The development around Greenwood tells a more troubling story. ONEOK Field, built in 2010 on historic Greenwood land despite community opposition, has delivered few benefits to Black residents, who are still taxed to support it. Nearby, the Tulsa Arts District has flourished with amenities catering to a whiter, more affluent clientele, while long-standing Black businesses struggle. Even hotels in Greenwood market themselves as part of that district. This is less restoration than a familiar precursor to displacement in the form of cultural investment followed by real estate pressure.Some argue that understanding land and spatial justice in places like Tulsa requires connecting the Greenwood reparations movement to broader Indigenous-led land reclamation efforts (Du, 2021). In 2020, the Supreme Court's decision in McGirt v. Oklahoma ruled that the Creek Nation reservation had never been legally dissolved and that the federal government's century-old maps of Oklahoma had been legally wrong all along. The majority opinion was written by Justice Neil Gorsuch, a conservative textualist, who applied the same originalist logic to treaty rights that right-wing jurists typically apply to the Second Amendment. The ruling was a genuine landmark, restoring tribal jurisdiction over a substantial portion of eastern Oklahoma. Subsequent decisions have extended the logic to other tribes.The political irony is perplexing. Oklahoma has been among the most reliably right-wing states in the country for decades; its congressional delegation is uniformly conservative; its state government has consistently resisted federal oversight and minority rights claims. Yet it was conservative judicial originalism — the doctrine that legal texts mean what they said when written — that restored, at least partially, what the federal government had promised the Five Tribes in the 1830s. The promise was old, the maps were wrong, and it took a conservative judge to point it out.What McGirt did not do was address the claims of Black Oklahomans. The Freedmen's citizenship rights within the Five Tribes remain contested. The Greenwood reparations movement has won moral recognition but not legal remedy. The 1921 massacre commission recommended reparations in 2001 and they have never been paid. These struggles do feel connected — Black and Indigenous claims to land and sovereignty in Oklahoma have been shaped by the same federal machinery of dispossession, and their futures may be intertwined in ways that neither community has yet fully reckoned with (Du, 2021).Juneteenth, the holiday now recognized federally, commemorates June 19, 1865 — the day enslaved people in Galveston, Texas, were told the war was over (the Emancipation Proclamation had been issued two and a half years earlier) and they were free. What the holiday cannot quite contain is what freedom meant in practice for people who were free but landless. They were free but also targeted. They were also freed from the maps that governed how wealth was accumulated and held in America. The Black Towns of Oklahoma were an answer to these problems and Greenwood was that, for a while. Then it was burned down.What grows back from a fire depends on who tends the soil, and who owns it. In Tulsa today, that question is still being answered. Will the answers be as brutally honest as Brutalism — the idea that a building should be honest about what it is made of? Tulsa is made of oil money and dispossession, Black resilience and white violence, broken treaties and belated reckonings. Despite conservative political domination, the maps are being redrawn. Whether they will finally show all of that honestly — without the decorative Italian Renaissance stucco — is more political than cartographic. But McGirt proves that promises, however papered over, still possess the power to pierce the present.ReferencesDu, Y. (2021). Black geographies unveiled: A critical review. Human Geography. Gordon-Reed, A., Stremlau, R., Lowery, M., et al. (2022). The 1619 project forum. The American Historical Review. Jenkins, G. M. (2022). Steinbeck, race, and Route 66 in The Grapes of Wrath. Steinbeck Review.Martin, J. T. (2025). Are Black people philanthropists? Toward a more diverse research agenda on philanthropy. Du Bois Review: Social Science Research on Race. Morris, J. E., Parker, B. D., & Negrón, L. M. (2022). Black school closings aren't new: Historically contextualizing contemporary school closings and Black community resistance. Educational Researcher. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit interplace.io

Vom Wiederaufbau zur Musikfest-Avantgarde: Das Musikfest ION in Nürnberg spannt den Bogen von Bach bis Bob Dylan, fragt nach der Zukunft geistlicher Musik - und setzt auf ein spirituelles Erlebnis für ein neues Publikum.

Il New York Times ha chiesto ad alcuni celebri ottantenni della musica e del cinema di dare le loro impressioni sulla parte migliore e peggiore di questa fase della vita.Vi raccontiamo il punto di vista di Bob Dylan.

In this week's Club Random Classics, Bill sits down with Sheryl Crow for a candid conversation about the insanity of becoming famous at a young age, why streaming has upended the music business, and the surprising things that still make him cry. They discuss the legendary artists who have championed Sheryl throughout her career—from Prince and Michael Jackson to Bob Dylan and Mick Jagger—as well as her songwriting, her secret to holding onto her money, a conversation with Kid Rock in the aftermath of a national tragedy, Bill's personal Sheryl Crow playlist, and which artist he thinks is most like his dog, Chico. This episode originally aired on March 24, 2024 Subscribe to the Club Random YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/clubrandompodcast?sub_confirmation=1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Watch episodes ad-free – subscribe to Bill Maher's Substack: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://billmaher.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Subscribe to the podcast for free wherever you listen: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/ClubRandom⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Club Random Merch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://clubrandom.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit https://podcastchoices.com/adchoices ABOUT CLUB RANDOM Bill Maher rewrites the rules of podcasting the way he did in television in this series of one on one, hour long conversations with a wide variety of unexpected guests in the undisclosed location called Club Random. There's a whole big world out there that isn't about politics and Bill and his guests—from Bill Burr and Jerry Seinfeld to Jordan Peterson, Quentin Tarantino and Neil DeGrasse Tyson—talk about all of it.  For advertising opportunities please email: PodcastPartnerships@Studio71us.com ABOUT BILL MAHER Bill Maher was the host of “Politically Incorrect” (Comedy Central, ABC) from 1993-2002, and for the last fourteen years on HBO's “Real Time,” Maher's combination of unflinching honesty and big laughs have garnered him 40 Emmy nominations. Maher won his first Emmy in 2014 as executive producer for the HBO series, “VICE.” In October of 2008, this same combination was on display in Maher's uproarious and unprecedented swipe at organized religion, “Religulous.” Maher has written five bestsellers: “True Story,” “Does Anybody Have a Problem with That? Politically Incorrect's Greatest Hits,” “When You Ride Alone, You Ride with Bin Laden,” “New Rules: Polite Musings from a Timid Observer,” and most recently, “The New New Rules: A Funny Look at How Everybody But Me Has Their Head Up Their Ass.” FOLLOW CLUB RANDOM https://www.clubrandom.com https://www.facebook.com/Club-Random-101776489118185 https://twitter.com/clubrandom_ https://www.instagram.com/clubrandompodcast https://www.tiktok.com/@clubrandompodcast FOLLOW BILL MAHER https://www.billmaher.com https://twitter.com/billmaher https://www.instagram.com/billmaher Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hamilton Leithauser returns to discuss growing up in D.C. and being influenced by bands on Dischord Records, working as recording engineer Don Zientara's assistant at his Inner Ear studio while Fugazi was recording Red Medicine, recalling how Roy Orbison helped him find his singing voice, getting into home recording, having restraint and foresight as a one-man studio band, pondering the tenth anniversary of I Had a Dream That You Were Mine while avoiding nostalgic pats on the back, digging into songs like “The Bride's Dad” and This Side of the Island's “What Do I Think,” embracing midlife, how voices like Bob Dylan's seem imbued with American history, getting into soundtrack and film scoring work, opening for the Strokes, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1085: Richard Reed ParryEp. #1034: Sean Wilentz on Bob Dylan's ‘Through The Open Window'Ep. #1004: Liz PellyEp. #986: John CongletonEp. #935: Elijah Wald on ‘A Complete Unknown'Ep. #900: Fugazi and Jem CohenEp. #834: J MascisEp. #821: Kurt VileEp. #496: Iggy PopEp. #223: Ian MacKaye & Steve Albini (Part I)Ep. #111: Hamilton LeithauserEp. #26: James Williamson of Iggy and the StoogesEp. #4: Jim Guthrie band D.C. road trip featuring NPR's Bob Boilen and Robin HiltonSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Author Sam Sussman and Cantor Dan Singer reflect on Sussman's novel, "Boy from the North Country" and the unexpected ways Bob Dylan connects their stories, with Cantor Singer weaving Dylan's lyrics and melodies into the conversation on guitar.

Episode 28 of On The Record finds Michael broadcasting from the Greek island of Kefalonia, but the conversation itself travels much further afield—from the cosmic ambitions of Earth, Wind & Fire to Tim Rogers, the World Cup and the lyrical reflections of Bob Dylan on being 80.

Ed Morrissey, Managing Editor at Hot Air, and host of the Ed Morrissey Podcast, joins Seth to discuss their latest recommendations in film, the mainstream media's failure to report on the foiled terrorist attack on the Ultimate Fighting Championship (UFC) America 250 event at the White House on Sunday, the preliminary deal to end the war between the United States and Iran, and much more! See omnystudio.com/listener for privacy information.

Is de muziek van vroeger echt beter dan die van nu? In ieder geval is die eenvoudiger geworden, zeggen recente studies. Data-analisten onderzochten duizenden liedjes uit de afgelopen eeuwen en ontdekten dat de complexiteit in de melodie afneemt. Is muziek daarmee slechter geworden? Hoe meet je dat? En waarom zou je dat eigenlijk doen?Heeft u vragen, suggesties of ideeën over onze journalistiek? Mail dan naar onze redactie via podcast@nrc.nlDe muziek die in deze aflevering te horen is:'Grace' - Jeff Buckley'Feel good Inc.' - Gorrilaz, De la Soul'What is it about men. Live at North Sea Jazz Festival' - Amy Winehouse'Altijd is Kortjakje ziek' - Loulou en Lou'Komm, süsser Tod BWV478' - Johann Sebastian Bach door Leopold StokowskiHost: Karlijn SarisGasten: Berend Nieuwhof en Peter van der PloegRedactie en montage: Rosa van ToledoFoto: Getty ImagesZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Episode 83How does a young folk singer from Minnesota evolve into the "voice of a generation," only to defy that very label at every turn?In this episode, we pull back the curtain on the enigma that is Bob Dylan. From the smoke-filled coffee houses of Greenwich Village to the controversial "electric" pivot that changed the trajectory of rock and roll, we trace the restless artistic journey of the man who redefined what a songwriter could be.Join us as we examine the poetry, the protest, and the persona of a true American icon. We'll look at how Dylan channeled the turbulence of the 1960s into timeless anthems, his refusal to be boxed in by his own success, and why his ever-shifting sound continues to influence generations of artists.In this episode, we explore:The Folk Foundations: How Dylan's early work captured the spirit of a shifting nation and gave voice to the civil rights movement.The Newport Pivot: The legendary moment he went electric and why it sparked one of the most famous debates in music history.The Art of Reinvention: Decoding how Dylan has managed to stay relevant for over six decades by constantly dismantling his own myth.Whether you're a lifelong "Dylanologist" or just beginning to navigate his vast catalog, this episode digs into the man behind the mystery and the songs that became the soundtrack to history.Send us Fan MailAbout History Ignited:History Ignited is the award-winning kids and family history podcast inspired by Billy Joel's We Didn't Start the Fire. Each short episode explores the real stories behind the people, events, inventions, and cultural moments that shaped the world from the 1950s through the 1980s. Winner of the 2025 Webby People's Voice Award for Best Kids & Family Podcast.Send us Fan MailAbout History Ignited: History Ignited is the award-winning kids and family history podcast inspired by Billy Joel's We Didn't Start the Fire. Each short episode explores the real stories behind the people, events, inventions, and cultural moments that shaped the world from the 1950s through the 1980s. Winner of the 2025 Webby People's Voice Award for Best Kids & Family Podcast.

Corrupt IPOs! ALSO: Chris is still sad! And he's mad at Mary Louise Kelly. PLUS: A band called "Head, Hands & Feet," and a song of the week from Bob Dylan.Bob Dylan - "The Lonesome Death of Hattie Caroll": https://youtu.be/Ko35GDXP6W4?si=ntLAdNcX3coOnxreCold Brew Patreon: Patreon.com/ChrisCroftonChannel Nonfiction: ChannelNonfiction.com

Shakopee's new outdoor summer concert venue is the Mystic Lake Amphitheater. It's opening season has a stacked lineup, including Bob Dylan, Dave Matthews Band, Mumford and Sons and Guns N' RosesThe new venue will open with an event called “Setting the Stage: An Evening of Minnesota Music, Comedy & Community,” on Saturday, June 20. St. Paul native, comedian and Saturday Night Live cast member Tommy Brennan will host the event.Brennan joined The Current's Jill Riley to talk about his Minnesota ties, his work in comedy and the upcoming event at Mystic Lake Amphitheater.

Legal Docket recaps three recent Supreme Court rulings, Moneybeat covers Elon Musk's trillion-dollar milestone, and History Book highlights Bob Dylan's landmark recording. Plus, the Monday morning newsSupport The World and Everything in It today at wng.org/donateAdditional support comes from Harbinger Tours, supporting Israel through luxury tours, with a November departure led by Marshall and Jessica Pennell. HarbingerTours.net

Jerry "Swamp Dogg" Williams Jr opens up about his new album "Contemplates the Afterlife," reflecting on death, faith, and a 70-year career that's produced over 2,000 songs. Extended and high resolution podcast at: www.Patreon.com/VinylGuide Topics Include: New album, Swamp Dogg Contemplates the Afterlife, drops on S-Curve Swamp Dogg shares wild theories on what happens after death He opens up about faith, doubt, and fear of dying Reveals he's written over 2,000 songs across 31 albums His very first record came out way back in 1954 Stories of opening for Sam Cooke and Larry Williams Names the R&B legends who shaped his sound early on Louis Jordan's band once crashed at his childhood home Tells the story of the worst gig of his life A gorilla costume gets stabbed onstage — true story Joining a traveling sideshow for five dollars a night Discusses which Swamp Dogg records collectors hunt hardest today Bob Dylan secretly covered one of his songs years ago Bonds with the host over their shared Australia connection Reveals his wild Beatles-cover novelty record made in Australia Explains how the record business vanished almost overnight Teases new Trinidad soca album and Black Grass II Black Grass II will feature Steve Earle and Margo Price Talks new collaboration album with Eli "Paperboy" Reed Reflects on his Nixon protest era and Jane Fonda ties Looks back on going broke after getting rich fast Recalls producing hit records for Gene Pitney and others Shares fond memories of legendary producer Jerry Wexler The stopwatch story behind his studio recording ritual On Phil Spector's massive ego and Wall of Sound Reveals which British acts covered his songs in the '60s Talks favorite record stores and his 100-record jukebox Hunting down rare 45s worth up to $1,000 The story behind his dance hit "Let's Do the Wobble" Closes with favorite love songs and a wild birthday coincidence Extended and high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

This week Baxie talks with legendary bass player Tony Marsico! Tony was not only the bass player for The Plugz--one of the first predominantly Latino punk bands. The were also the band that scored the 1984 film “Repo Man”. After The Plugz the band rebranded themselves as the The Cruzados. The Cruzados were quickly signed by Clive Davis from Arista records and released two outstanding records until breaking up in 1987. But Tony hardly stopped there. Since the band's original break up Tony became one of the most in-demand session players in America. His list of credits includes the likes of Bob Dylan, Neil Young, Roger Daltry, Marianne Faithful, Willie Nelson, Linda Ronstadt, the Divinyls, Juliana Hatfield, Matthew Sweet, and many more. He also found time to release 25 solo albums, act in several feature films, write four books, and revive the Cruzados in 2021. Tony talks about all of that—and a whole lot more! Just amazing! Listen on Apple Podcasts, Spotify, YouTube, and on the Rock102 app! Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee!

This week on the Bob Dylan Hotline we're talking about Bob Dylan and Paul McCartney – two extraordinary artists whose paths have crossed several times over the decade, and whose influence on the other has been significant. They're similar in some ways, very different in others – let's talk about it! Watch the video of this conversation on YouTube.Check out Dean's radio show the TEN AM here: If you have a question for us, send us a voice memo to bobdylanhotline@gmail.com.For anything else get in touch at itsdefinitelydylan@gmail.comYou can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.Book your Bob Dylan Walking Tour of NYC with Rebecca on ramblintours.com.Get your Definitely Dylan baseball cap here.

In this weird Episode, Henry veers off course to talk to Bob Dylan scholar, writer & expert, Ray Padgett, about Weird Al Yankovic's 2003 pastiche of a Bob Dylan song, "Bob." Come for Ray Padgett, stay for the best palindromes you'll hear today! I promise, next month, back to a Bob Dylan song!  https://www.youtube.com/watch?v=eIty7RqbF9o  I, man, am Regal, a German am I Never odd or even If I had a Hi-Fi Madam, I'm Adam Too hot to hoot No lemons, no melon Too bad I hid a boot Lisa Bonet ate no basil Warsaw was raw Was it a car or a cat I saw? Rise to vote, sir Do geese see God? Do nine men interpret? Nine men I nod Rats live on no evil star Won't lovers revolt now? Race fast safe car Pa's a sap Ma is as selfless as I am May a moody baby doom a yam Ah Satan sees Natasha No devil lived on Lonely Tylenol Not a banana baton No X in Nixon O stone, be not so O Geronimo, no minor ego "Naomi" I moan A Toyota's a Toyota A dog, a panic, in a pagoda Oh no, Don Ho Nurse, I spy gypsies, run! Senile felines Now I see bees, I won UFO tofu We panic in a pew Oozy rat in a sanitary zoo God, a red nugget, a fat egg under a dog Go hang a salami, I'm a lasagna hog   Follow us on Instagram @songsofbob,If you would like to support hosting my podcasts, please check out my Patreon where for $5 I will give you a shout out on the podcast of your choice. Thank you to, Rob Kelly, Roberta Rakove, Matt Simonson, and Christopher Vanni. For $10, in addition to the shout-out I'll send you a surprise piece of Bob Dylan merch! Thank you to Kaitie Cerovec who is already enjoying her merch! I have a merch shop! Check out all sorts of fun Bob Dylan (and more) items! Thank you to Mark Godfrey, Linda Maultsby and Nancy Cobb over on Substack.Email us at songsofbobdylan@gmail.comSubscribe: YouTube, Apple Podcasts, Spotify, Substack.

This is a panel discussion.We talk with our panel about the lack of progress toward a true end to the Iran war. Trump is unable to disentangle the US. The actions of the Israelis continue in Gaza and Lebanon, bombings and assassinations of civilians.US credibility in the world is now destroyed, and we are a 'hegemon nation'. WNHNFM.ORG  productionMusic: "Masters of War", Bob Dylan

Pacific Street BluesSpotlight on Bessie SmithJune 14, 20261. Janis Joplin / Black Mountain Blues2. Bob Dylan & The Band / Bessie Smith (Happy and Artie Traum)3. Dory Previn / (Janis Joplin bought a) Stone for Bessie Smith4. John Coltrane / Bessie's BluesInfluences 5. Ma Rainey / See See Rider Blues (Elvis Presley)6. Ida Cox / Wild Women Don't Have the Blues 7. Albert Hunter / Down Hearted Blues8. Maime Smith / Crazy Blues Duets: Charlie Green of Omaha9. Bessie Smith w/ Charlie Green / Empty Bed Blues10. Jim Croce / Charlie Green Play that Slide Trombone11. Bessie Smith w/ Louis Armstrong (trumpet) / St Louis Blues 12. Clara Smith w/ Bessie Smith / I'm Going Back to My Used to Be James P Johnson, The Invisible Pianist 13. Bessie Smith w/ James P Johnson / Back Water Blues 14. Fats Waller / Ain't Misbehavin' 15. Count Basie / April in Paris 16. Duke Ellington / Take the A Train (Billy Eckstine) Lieber & Stoller 17. Wilbert Harrison / Kansas City18. Kathy Tyree / Hound Dog 19. Elvis Presley / King Creole20. The Rolling Stones / Down Home Girl21. The Beatles / Young Blood John Hammond Sr. Legendary A&R Columbia Records22. Billie Holiday / Gimme a Beer and a Pigfoot23. Aretha Franklin / Soulville 24. Bruce Springsteen / Sandy (4th of July) 25. Lionel Hampton w/ Nat Cole Trio / House of Morgan Covers of Bessie Smith's Music26. Sue Foley / Send Me to the 'Lectric Chair 27. Ella Fitzgerald / Gulf Coast Blues 28. Della Reese / You've Been a Good Old Wagon 29. Etta James / Don't Cry Baby30. Bessie Smith / Tain't Nobody's Business If I Do 31. Rhiannon Giddens / You Put the Sugar in My Bowl 32. Rory Block / I'm Down in the Dumps 33. Kenny Wayne Shepherd / Back Water Blues

Escucha el programa de esta semana con Fernando Navarro, María Canet, Lucía Taboada y Alfonso Cardenal.

The Deadcast tells the dramatic story of when the Hells Angels put ex-Grateful Dead Records president Ron Rakow on trial for walking away from the Dead with $225,000 he believed the band owed him.Guests: Ron Rakow, Steve Brown, Terry Haggerty, John Scher, David Lemeiux See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The episode launches the Pride in Bruce series for Pride Month, celebrating LGBTQ+ stories and the ways Bruce Springsteen's music can be a lifeline. Host Jesse Jackson interviews Jason Bisogni, a Westchester, New York marketing professional and lifelong music fan, about his path into classic rock, his early concert experiences, and the moment he became a dedicated Springsteen fan after seeing the 1999 E Street Band reunion tour. Jason shares that he came out later in life (to two people at 39, more fully at 41 in 2021) and explains how Bruce's lyrics took on new meaning afterward, citing songs like “Darkness on the Edge of Town,” “Trapped,” “Living Proof,” and “Two Hearts.” He credits Bob Dylan's “It's All Over Now, Baby Blue” line “He not busy being born is busy dying” as pivotal, discusses chasing songs live, recounts meeting Bruce several times, and answers the “Thunder Road” question by saying Mary does not get in the car. 00:00 Pride in Bruce Intro 01:48 Meet Jesse and Jason 02:21 Jason's Music Roots 03:18 Family Soundtrack Growing Up 06:43 Wrestling Detour and WWE 11:45 Concerts That Sparked It 14:59 Finding Bruce Springsteen 17:29 First E Street Show Magic 19:34 Counting Shows and Fandom 20:48 Static Setlist Debate 24:25 Health, Travel, and Missing Shows 26:27 Bruce and Coming Out Journey 27:01 Coming Out With The Boss 29:32 Lyrics Hit Different Now 32:07 Gay Icon Podcast Picks 34:23 Forever Favorites Playlist 38:18 Born Or Busy Dying 41:04 Songs Still Chasing Live 43:24 Meeting Bruce Stories 48:25 Thunder Road Mary Debate 50:39 Gratitude Pride Month Wrap Learn more about your ad choices. Visit megaphone.fm/adchoices

(00:00) Zo, Beetle, and McKone debate who the real Knicks fans are on celeb row. Beetle says Swift was in Cleveland cheering for the Cavs. How does Swift get those seats? Bertrand asks who is the bigger fraud Knicks fans Kraft or Swift?(9:06) Zo and Beetle discuss what Timothy Chalamet is best known for and Zo does his best Bob Dylan impression. Then they hit the phone lines to get thoughts on Game 4 and more.(20:14) Zo, Beetle, and McKone take calls on Game 4 between the Knicks and Spurs(31:09) Today's Takeaways.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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Cindy Bullens Sang With Elton, But Cidny Bullens Got The Moves Like Jagger There are more facets to Cidney Bullens than there are to the Hope Diamond… and they're all fascinating! The two-time Grammy nominee, who sang with Elton John and Bob Dylan, tells how and why he chose to tour with Elton and pass on Dylan. What a choice for a young rocker from Massachusetts to have to make. How he met Sir Elton, and how a momentary encounter led to the gig and friendship of a lifetime, and how youth, and addiction cost him said gig two plus years later. The friendship has endured all these decades. Sobering up in his early 20s, having already had extraordinary success, and then singing with Rod Stewart, long-time pal, Bonnie Raitt, and Don Everly, to name but a few, singing lead on three songs on the 8x platinum-selling Grease soundtrack, earning his first Grammy nod, and his second for Survivor off his first solo album, Desire Wire. He left the biz for a decade to raise a family, then returned with more solo work and formed The Reugees with Wendy Waldman and Deborah Holland. Soon after, Cindy became Cidny. That's a story… woven throughout his whole story. Cid told the story in his one-man show, Somewhere Between: Not An Ordinary Life, and in his sensational memoir, Transelectric. Cid's currently resurrecting Somewhere Between and will be touring with it, starting this summer. Has it ever been more relevant and important? Cid told us of always feeling male and how that translated to being a sister, daughter, wife, mother, grandfather, and husband. This is not a simple story, and a far more complex life, made more so by parental tragedy. Cid did not always live with grace, but lessons were learned, and the man who sat before us is wiser, stronger, and… softer. A friend for the last many years, I've had the good fortune to bear witness to Cid's many talents, as an actor in the brilliant new musical, The Civility of Albert Cashier, where Cid portrayed a true-life character whose life in some ways mirrored his own, in concert with The Refugees, and I was honored to be asked to blurb his memoir, Transelectric. Cid is a treasured friend with a story that screams to be heard, especially today. For all things Cid… his show dates, signed copies of his book, and all of his music, visit www.cidnybullens.com - what a life! Cidny Bullens Live on Game Changers With Vicki Abelson Wed, June 10, 5 pm PT, 8 pm ET Streamed Live on my FB, YouTube & LinkedIn

In this episode of The Cordial Catholic, I'm joined, for an absolutely remarkable conversation, by Steve Sjogren, the founding pastor of one of the most influential churches in America, the Vineyard Church Cincinnati, to talk about his conversion to Catholicism. Steve not only founded and pastored one of the most influential churches in America, but was one of the founding pastors of the Vineyard Church movement from the beginning – worshipping alongside the likes of Bob Dylan and Keith Green in the earliest incarnation of the charismatic church movement in Los Angeles. Steve's story is one of servant leadership, radical evangelization, and following the Holy Spirit wherever he was led – including right into full communion with the Catholic Church. You're going to absolutely love Steve's story.For more from Steve Sjogren visit his website. Send your feedback to cordialcatholic@gmail.com. Sign up for our newsletter for my reflections on  episodes, behind-the-scenes content, and exclusive contests.To watch this and other episodes please visit (and subscribe to!) our YouTube channel.Please consider financially supporting this show! For more information visit the Patreon page.  All patrons receive access to exclusive content and if you can give $5/mo or more you'll also be entered into monthly draws for fantastic books hand-picked by me.If you'd like to give a one-time donation to The Cordial Catholic, you can visit the PayPal page.Thank you to those already supporting the show!A very special thanks to our Patreon co-producers who make this show possible: Amanda, Elli and Tom, Fr. Larry, Gina, Heather, James, Jorg, Michelle, Noah, Robert, Shelby, Susanne and Victor, and William.Beyond The BeaconJoin Bishop Kevin Sweeney for inspired interviews with Catholics living out our faith!Listen on: Apple Podcasts SpotifySupport the showFind and follow The Cordial Catholic on social media:Instagram: @cordialcatholicTwitter: @cordialcatholicYouTube: /thecordialcatholicFacebook: The Cordial CatholicTikTok: @cordialcatholic

Host Jesse Jackson interviews Jason Bisogni, a Westchester, New York marketing professional and lifelong music fan, about his path into classic rock, his early concert experiences, and the moment he became a dedicated Springsteen fan after seeing the 1999 E Street Band reunion tour. Jason shares that he came out later in life (to two people at 39, more fully at 41 in 2021) and explains how Bruce's lyrics took on new meaning afterward, citing songs like “Darkness on the Edge of Town,” “Trapped,” “Living Proof,” and “Two Hearts.” He credits Bob Dylan's “It's All Over Now, Baby Blue” line “He not busy being born is busy dying” as pivotal, discusses chasing songs live, recounts meeting Bruce several times, and answers the “Mary” question. 00:00 Pride in Bruce Intro 01:48 Meet Jesse and Jason 02:21 Jason's Music Roots 03:18 Family Soundtrack Growing Up 06:43 Wrestling Detour and WWE 11:45 Concerts That Sparked It 14:59 Finding Bruce Springsteen 17:29 First E Street Show Magic 19:34 Counting Shows and Fandom 20:48 Static Setlist Debate 24:25 Health, Travel, and Missing Shows 26:27 Bruce and Coming Out Journey 27:01 Coming Out With The Boss 29:32 Lyrics Hit Different Now 32:07 Gay Icon Podcast Picks 34:23 Forever Favorites Playlist 38:18 Born Or Busy Dying 41:04 Songs Still Chasing Live 43:24 Meeting Bruce Stories 48:25 Thunder Road Mary Debate 50:39 Gratitude Pride Month Wrap Learn more about your ad choices. Visit megaphone.fm/adchoices

In a remarkable feat, Bob Dylan recorded 14 original compositions in a single three-hour session between 7pm and 10pm on the evening of June 9, 1964. 11 were chosen for the album that would become Another Side of Bob Dylan. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends.Visit our website at SuburbsPod.comEmail Jim & Patrick at rock@suburbspod.comFollow us on the Threads, Facebook or Instagram @suburbspodIf you're glad or sad or high, call the Suburban Party Line — 612-440-1984.Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Ian talks to Death Cab For Cutie's Dave Depper about making a great rock record, the Gibbardian work ethic, his status as the Ron Wood of Death Cab, his induction into the band, going indie 30 years into a career, raging against the dying of the light, taking selfies with Mike Love and Al Jardine in the catering tent—plus a dispatch from the debut performance of Bob Dylan's Long Hot Summer 2026 Tour. FOLLOW DAVE ON INSTAGRAM LISTEN TO "I BUILT YOU A TOWER"

What if the secret to staying irreplaceable in the age of AI isn't working harder — it's getting more creative? That's the central argument of SuperCreativity: Augmenting Human Creativity in the Age of Artificial Intelligence, the new book by global keynote speaker James Taylor. In this episode of the Business of Story, Park Howell sits down with James to explore how the world's top communicators are using AI not to replace their stories — but to tell them with far greater precision, resonance, and impact. From managing Rolling Stones members at the Royal Albert Hall to speaking for Apple, Cisco, L'Oreal, and PwC across 25+ countries, James brings a rare combination of creative instinct and strategic intelligence to the AI conversation. In this episode you'll discover: • Why AI is fueling a New Roaring Twenties — and what that means for entrepreneurs and business leaders • How James uses psychometric AI analysis to profile audiences before he ever steps on a call or stage • The 250-story story bank system that powers his hyper-personalized keynotes • Why your emotional promise matters even to the most analytical, data-driven audiences • What a live StoryCycle Genie® brand analysis revealed about James's Visionary Magician archetype and emotional promise of "possibility" • The standing ovation story from a billionaires' bank in the UAE that proves emotional storytelling transcends every culture and industry • How to build a speaker brand with the same discipline James learned managing rock stars About James Taylor James Taylor M.B.A., F.R.S.A. is an internationally recognized keynote speaker on creativity, innovation, and AI. He has spoken for Fortune Global 500 companies including Apple, Cisco, Deloitte, Accenture, L'Oreal, EY, Visa, and Dell, and was recently the subject of a 30-minute BBC documentary. He has personally interviewed over 750 of the world's leading creative minds and reached hundreds of thousands of people in 120+ countries. He is a Fellow of the Royal Society of Arts — alongside Benjamin Franklin, Bob Dylan, and Nelson Mandela. His new book is SuperCreativity: Augmenting Human Creativity in the Age of Artificial Intelligence. Connect with James Taylor:

In this episode, Laura talks to history professor Court Carney about Bob Dylan and Nostalgia – Dylan's relationship to the past and the future, The Odyssey, and Don Draper. Here are a few things we reference that you might want to check out: Eric Lott's book, Love and Theft: Blackface Minstrelsy and the American Working Class, from which Dylan took the title of his 2001 album. Mad Men - Carousel pitch Mad Men - Don't Think Twice sceneYou can buy The Politics and Power of Bob Dylan's Live Performances: “Play a Song for Me”, edited by Court and Erin C Callahan here.You can read my essay in this collection, “Today and Tomorrow and Yesterday Too”, about Bob Dylan and Time in the 2020s –which I think is highly relevant in the context of this conversation– for free over on Patreon. And you can watch the talk I gave in Miami about film, painting, and making time stand still over here: Court's Substack and website: https://www.courtcarney.com/You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.Get your Definitely Dylan baseball cap here.

Episode 392 of RevolutionZ  uncovers and visits a half-century-old file on my computer to address a surprisingly urgent question: are we building new revolutionary ideas, or just renting space in inherited ones. I recently rediscovered the text of my 1974 book What Is To Be Undone? written when the arguments between Marxism-Leninism, Maoism, anarchism, and other currents were not academic history but living fuel for organizing. Reading my own early investigations as the Sixties slipped into the Seventies feels like opening a time capsule and realizing the contents still impact what people believe is possible. On the same day, a friend pointed me toward Gabriel Rockhill's Who Paid The Piper Of Western Marxism? and the storms around his claim that contemporary revolutionary theory drifted into a “respectable” left alignment with capitalism and imperialism. I share a long excerpt from Rockhill laying out his case: a purge of dialectical and historical materialism, class analysis pushed aside by culturalism, and a call to rebuild a disciplined, organized left that can actually win. We agree on the need to rejuvenate anti-capitalist, anti-imperialist struggle, but we very seriously diverge on whether the path forward is a return to classical Marxism-Leninism and democratic centralism or a break from their limits. From there, I grapple with a personal and political test: was my younger and then on-going self part of the problem Rockhill describes, or was I trying to learn from past failures to strengthen future movements. Along the way I revisit blurbs from Noam Chomsky, Howard Zinn, and Herb Gintis, reflect on the dangers of sectarian dismissal, and end with Bob Dylan's “My Back Pages” as a reminder that clarity sometimes comes from letting go of certainty. This episode begins another sequence of episodes whose number of entries depends on what seems the case. Me then and now: a deluded, deceived, sell out CIA symp rejector of Marxism Leninism, or me then and now a sincere whipper snapper  trying to overcome past ideological problems on the way to a better society? Is our ideological problem anti anti imperialism, as Rockhill asserts, or is it that  in going forward from the Sixties we actually retained too much from dead men's minds? This episode is a scene setting opening shot on the way to aggressively and hopefully definitively determining which way we need to orient our thinking Back to classical Marxism Leninism, or forward to a participatory self managing future.Support the show

Gina Gershon is here to discuss her new memoir, AlphaPussy: How I Survived the Valley and Learned to Love My Boobs, creating the perfect breakfast cereal, how this new book came to fruition, similarities shared between cats and men, why some younger artists see a toughness in her they feel they can't harness themselves, writing a reflective book about being an independent, somewhat unparented child while caring for and then grieving for her mother, boxing with Bob Dylan and their enduring friendship, the gratitude she receives from fans inspired by her strong characters in Bound and Showgirls and rekindling her conflicted relationship with the latter in its thirtieth anniversary year, what's next for her, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Win an American Football Vinyl Bundle + a Mug in May/June 2026!Ep. #1066: Michael LongfellowEp. #1056: ‘Plenty for All: The Art of Rick Fröberg' with Sohrab Habibion & Johnny TempleEp. #1034: Sean Wilentz on Bob Dylan's ‘Through The Open Window'Ep. #901: John EarlyEp. #826: Steve Albini and Fred ArmisenEp. #799: Allison RussellEp. #616: tune-yardsSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Alert your local DSA chapter because Joe Rogan of the left and known Zohran Mamdani associate Adam Friedland zoomed in from his studio in NY to talk Marc Maron, Bob Dylan and Patrick Bet David, and then LA via Aleppo's own Bedouine (aka singer-songwriter Azniv Korkejian) and her wonderful band performed "One Thing Right" from her album "Neon Summer Skin" which is out tomorrow!Support Office Hours, watch another hour of today's episode with a look at the latest nonsense from Donald Trump, a game from Doug, and much more with OFFICE HOURS+. Try it FREE for seven days at patreon.com/officehourslive.Shop our merch store at officehours.merchtable.com and find the rest of our links at linktr.ee/officehourslive.One thing to pack, five ways to power! Get up to 40% off @Ridge during their Father's Day Sale at Ridge.com/officehourslive #Ridgepod See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this edition of the Iconograph, Jack and Miles are joined by comedian/musician Chris Crofton to talk about the weird guy with the scary songs: Bob Dylan! They'll explore his humble Midwest beginnings, his biscuit tin of lyrics, his many phases and much more!See omnystudio.com/listener for privacy information.

This week on Potluck Saturday, Kev explores the deeper meaning behind some of music's greats! Using Bob Dylan's infamous decision to go electric as a jumping-off point, he examines why growth, reinvention, healing, authenticity, and setting boundaries often come with an unexpected cost: upsetting the people around you. Why the world can love you—right up until you stop being who they emotionally needed you to be. And why constantly managing other people's expectations can become one of the most exhausting jobs you'll ever have. Kev also contrasts Dylan's story with Elvis's, looking at how one man seemed willing to be misunderstood while the other became trapped inside an image he could never escape. Along the way, he unpacks the hidden dangers of people-pleasing, over-performing, and carrying everyone else's emotional needs while slowly losing touch with your own. The conversation expands into where social media has turned many of us into our own public relations teams—branding, filtering, curating, and performing carefully crafted versions of ourselves for approval. Why so many people aren't really living anymore—they're managing perception. Why success, visibility, and admiration don't heal old wounds, but often magnify them. And why burnout happens when your soul and your role stop matching. Plus, a reflection on the fine line between selfishness and self-protection, why loved ones can sometimes resist the version of you that finally becomes free, and how it's possible to become so loved publicly that you quietly disappear privately. Most importantly, Kev explores the idea that the goal isn't perfection. In a world obsessed with flawless images and certainty, real growth comes from embracing contradiction, integrating your flaws, doing the shadow work, and allowing yourself to evolve. Because maybe the real achievement isn't becoming untouchable—it's becoming fully human. HEAL SQUAD SOCIALS IG: https://www.instagram.com/healsquad/ TikTok: https://www.tiktok.com/@healsquadxmaria HEAL SQUAD RESOURCES: Heal Squad Website:https://www.healsquad.com/ Heal Squad x Patreon: https://www.patreon.com/HealSquad/membership Maria Menounos Website: https://www.mariamenounos.com My Curated Macy's Page: Shop My Macy's Storefront EMR-Tek Red Light: https://emr-tek.com/discount/Maria30 for 30% off Airbnb: https://www.airbnb.com/host ABOUT MARIA MENOUNOS: Emmy Award-winning journalist, TV personality, actress, 2x NYT best-selling author, former pro-wrestler and brain tumor survivor, Maria Menounos' passion is to see others heal and to get better in all areas of life. ABOUT HEAL SQUAD x MARIA MENOUNOS: A daily digital talk-show that brings you the world's leading healers, experts, and celebrities to share groundbreaking secrets and tips to getting better in all areas of life. DISCLAIMER: This Podcast and all related content (published or distributed by or on behalf of Maria Menounos or http://Mariamenounos.com and http://healsquad.com) is for informational purposes only and may include information that is general in nature and that is not specific to you. Any information or opinions provided by guest experts or hosts featured within website or on Company's Podcast are their own; not those of Maria Menounos or the Company. Accordingly, Maria Menounos and the Company cannot be responsible for any results or consequences or actions you may take based on such information or opinions. This podcast is presented for exploratory purposes only. Published content is not intended to be used for preventing, diagnosing, or treating a specific illness. If you have, or suspect you may have, a health-care emergency, please contact a qualified health care professional for treatment.