Podcast appearances and mentions of david weil

Questions? Feedback? Send us a text!David Weil, Vice President of Information Technology and Analytics at Ithaca College, joins the TRANSFORMED podcast to discuss the role of quiet leadership in navigating digital transformation 2.0, in an era increasingly shaped by AI.In this conversation with host Joe Gottlieb, President and CTO of Higher Digital, Weil shares insights on:How quiet leadership fosters trust, collaboration, and innovation in institutional changeThe evolving role of AI, including Agentic AI, in accelerating digital transformation and reshaping institutional processesPractical strategies for leading digital change, including pilots, proof-of-concepts, and intentional leadershipWeil provides real-world examples from Ithaca College, including AI-driven student support initiatives and the successful integration of analytics with IT. His approach offers higher education leaders a thoughtful perspective on advancing transformation while keeping people at the center.References: David WeilIthaca Collegehttps://er.educause.edu/articles/2024/2/digital-transformation-20-the-age-of-aiSubscribe or follow TRANSFORMED wherever you listen, to get the latest episode when it drops and hear directly from leaders and innovators in higher ed tech and digital transformation best practices.Find and follow us on LinkedIn at https://www.linkedin.com/company/higher-digital-inc

Ten years ago, political scientists Martin Gilens of Princeton and Benjamin Page of Northwestern took an extraordinary data set compiled by Gilens and a small army of researchers and set out to determine whether America could still credibly call itself a democracy. They used case studies 1,800 policy proposals over 30 years, tracking how they made their way through the political system and whose interests were served by outcomes. For small D democrats, the results were devastating. Political outcomes overwhelmingly favored very wealthy people, corporations, and business groups. The influence of ordinary citizens, meanwhile, was at a “non-significant, near-zero level.” America, they concluded, was not a democracy at all, but a functional oligarchy.  Fast forward to 2024 and a presidential campaign that saw record support by billionaires for both candidates, but most conspicuously for Republican candidate Donald Trump from Tesla and Starlink owner Elon Musk, the world's richest man. That prompted outgoing President Joe Biden, in his farewell address, to warn Americans about impending oligarchy—something Gilens and Page said was already a fait accompli ten years before. And as if on cue, the new president put billionaire tech bro supporters like Musk, Jeff Bezos, and Mark Zuckerberg front and center at his inauguration and has given Musk previously unimaginable power to dismantle and reshape the federal government through the so-called Department of Government Efficiency. So what does it mean that American oligarchy is now so brazenly out in the open?  Joining host Ralph Ranalli are Harvard Kennedy School Professor Archon Fung and Harvard Law School Professor Larry Lessig, who say it could an inflection point that will force Americans to finally confront the country's trend toward rule by the wealthy, but that it's by no means certain that that direction can be changed anytime soon. Archon Fung is a democratic theorist and faculty director of the Ash Center for Democratic Governance and Innovation at HKS. Larry Lessig is the Roy L. Furman Professor of Law and Leadership at Harvard Law School and a 2016 presidential candidate whose central campaign theme was ridding politics of the corrupting influence of money. Archon Fung's Policy Recommendations:Involve the U.S. Office of Government Ethics in monitoring executive orders and changes to the federal government being made by President Trump, Elon Musk, and other Trump proxies.Demand transparency from Musk and the so-called Department of Government Efficiency about their actions in federal agencies, what changes and modifications they are making to systems, and an accounting of what information they have access to.Lawrence Lessig's Policy Recommendations:Build support for a test court case to overturn the legality of Super PACs, which are allowed to raise unlimited amounts of money from corporations, unions, associations and individuals, then spend unlimited sums to overtly advocate for or against political candidates.Experiment with alternative campaign funding mechanisms, such as a voucher program that would give individuals public money that they could pledge to political candidates.Urge Democratic Party leaders to lead by example and outlaw Super PAC participation in Democratic primaries.Episode Notes:Archon Fung is the Winthrop Laflin McCormack Professor of Citizenship and Self-Government and director of the Ash Center for Democratic Governance and Innovation at the Kennedy School. at the Harvard Kennedy School. His research explores policies, practices, and institutional designs that deepen the quality of democratic governance. He focuses upon public participation, deliberation, and transparency. His books include “Full Disclosure: The Perils and Promise of Transparency” (Cambridge University Press, with Mary Graham and David Weil) and “Empowered Participation: Reinventing Urban Democracy” (Princeton University Press). He has authored five books, four edited collections, and over fifty articles appearing in professional journals. He holds two S.B.s — in philosophy and physics — and a Ph.D. in political science from MIT.Lawrence Lessig is the Roy L. Furman Professor of Law and Leadership at Harvard Law School. Prior to returning to Harvard, he taught at Stanford Law School, where he founded the Center for Internet and Society, and at the University of Chicago. He clerked for Judge Richard Posner on the 7th Circuit Court of Appeals and Justice Antonin Scalia on the United States Supreme Court. Lessig is the founder of Equal Citizens and a founding board member of Creative Commons, and serves on the Scientific Board of AXA Research Fund. A member of the American Academy of Arts and Sciences and the American Philosophical Society, he was once cited by The New Yorker as “the most important thinker on intellectual property in the Internet era,” Lessig has turned his focus from law and technology to institutional corruption and the corrupting influence of money on democracy, which led to his entering the 2016 Democratic primary for president. He has written 11 books, including “They Don't Represent Us: Reclaiming Our Democracy” in 2019. He holds a BA in economics and a BS in management from the University of Pennsylvania, an MA in philosophy from Cambridge University, and a JD from Yale.Ralph Ranalli of the HKS Office of Communications and Public Affairs is the host, producer, and editor of HKS PolicyCast. A former journalist, public television producer, and entrepreneur, he holds an BA in political science from UCLA and a master's in journalism from Columbia University.Scheduling and logistical support for PolicyCast is provided by Lillian Wainaina.Design and graphics support is provided by Laura King and the OCPA Design Team. Web design and social media promotion support is provided by Catherine Santrock and Natalie Montaner of the OCPA Digital Team. Editorial support is provided by Nora Delaney and Robert O'Neill of the OCPA Editorial Team.  

Today on the show we have Oscar® and two-time Emmy® Nominee Simon Kinberg.He has established himself as one of Hollywood's most prolific filmmakers, having written and produced projects for some of the most successful franchises in the modern era. His films have earned more than seven billion dollars worldwide. Kinberg graduated from Brown University and received his MFA from Columbia University Film School, where his thesis project was the original script, “Mr and Mrs Smith.” The film was released in 2005, starring Brad Pitt and Angelina Jolie.Upcoming, Kinberg will premiere his action spy film “The 355”, which will be released theatrically by Universal on January 7, 2022. Directed, co-written and produced by Kinberg, the film was one of the biggest deals out of the 2018 Cannes Film Festival and stars an ensemble of A-list actresses including Jessica Chastain, Lupita Nyong'o, Penelope Cruz, Diane Kruger and Fan Bingbing.A dream team of formidable female stars come together in a hard-driving original approach to the globe-trotting espionage genre in The 355.When a top-secret weapon falls into mercenary hands, wild card CIA agent Mason “Mace” Brown (Oscar®-nominated actress Jessica Chastain) will need to join forces with rival badass German agent Marie (Diane Kruger, In the Fade), former MI6 ally and cutting-edge computer specialist Khadijah (Oscar® winner Lupita Nyong'o), and skilled Colombian psychologist Graciela (Oscar® winner Penélope Cruz) on a lethal, breakneck mission to retrieve it, while also staying one-step ahead of a mysterious woman, Lin Mi Sheng (Bingbing Fan, X-Men: Days of Future Past), who is tracking their every move.As the action rockets around the globe from the cafes of Paris to the markets of Morocco to the opulent auction houses of Shanghai, the quartet of women will forge a tenuous loyalty that could protect the world—or get them killed. The film also stars Édgar Ramirez (The Girl on the Train) and Sebastian Stan (Avengers: Endgame).The 355 is directed by genre-defying filmmaker Simon Kinberg (writer-director-producer of Dark Phoenix, producer of Deadpool and The Martian and writer-producer of the X-Men films). The screenplay is by Theresa Rebeck (NBC's Smash, Trouble) and Kinberg, from a story by Rebeck. The 355, presented by Universal Pictures in association with FilmNation Entertainment, is produced by Chastain and Kelly Carmichael for Chastain's Freckle Films and by Kinberg for his Kinberg Genre Films. The film is executive produced by Richard Hewitt (Bohemian Rhapsody), Esmond Ren (Chinese Zodiac) and Wang Rui Huan.His original series “Invasion” premiered on Apple TV+ on October 22nd. He co-created the show with David Weil, serves as Executive Producer, and wrote or co-wrote 9 of its first 10 episodes. It is considered one of Apple's most ambitious series to date as it was filmed on 4 different continents. The show has already been renewed for a second season, which Kinberg is show running and Executive Producing again. He is also the Executive Producer of the upcoming show “Moonfall” for Amazon. Also upcoming, Kinberg produced the sequel to "Murder on the Orient Express,” “Death on The Nile,” directed by Kenneth Branagh and starring Gal Gadot, Armie Hammer, Annette Bening and another all-star cast. Needless to say this is one heck of an episode. Enjoy my conversation with Simon Kinberg.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

The attempted assassination of former President and candidate Donald Trump has catalyzed an important discussion about both actual violence and threats of violence against political candidates, office-holders, policymakers, election officials, and others whose efforts help make our democracy work. Harvard Kennedy School professors Erica Chenoweth and Archon Fung join host Ralph Ranalli to talk about political violence, what it is, what it isn't, why it has grown, and—most importantly—strategies for mitigating it to ensure the health of democratic governance in the United States and beyond. The motivations and political leanings of the 20-year-old Pennsylvania man who shot and wounded Trump with an AR-15-style assault rifle, Thomas Crooks, remain murky, making it difficult to make sense of why it happened. In one sense it was a continuation of an unfortunate 189-year-old tradition of assassinations and attempted assassinations of U.S. presidents. But for many scholars, researchers, and political analysts, it also appeared to be a culmination of a more recent uptick in the willingness of some people to use violence to achieve their political aims in today's highly polarized society.  Fung is director of the Ash Center for Democratic Governance and Innovation at HKS and has talked to numerous local officials about their first-hand accounts of being on the receiving end of violent threats. Chenoweth is director of the Nonviolence Action Lab and is a longtime scholar of both political violence and nonviolent alternatives.Please also see: The Ash Center's webinar on Political Violence and the 2024 ElectionErica Chenoweth is the Academic Dean for Faculty Engagement and the Frank Stanton Professor of the First Amendment at Harvard Kennedy School. Chenoweth studies political violence and its alternatives. They have authored or edited nine other books and dozens of articles on mass movements, nonviolent resistance, terrorism, political violence, revolutions, and state repression, including the recent “Civil Resistance: What Everyone Needs to Know” (2021) and “On Revolutions” (2022). Along with Zoe Marks, Chenoweth is also the author of the forthcoming book “Bread and Roses: Women on the Frontlines of Revolution,” which explores how women's participation impacts mass movements. At Harvard, Chenoweth directs the Nonviolent Action Lab, an innovation hub that uses social science tools and evidence to support movement-led political transformation. Foreign Policy ranked Chenoweth among the Top 100 Global Thinkers of 2013. They hold a Ph.D. and an M.A. in political science from the University of Colorado and a B.A. in political science and German from the University of DaytonArchon Fung is the Winthrop Laflin McCormack Professor of Citizenship and Self-Government and director of the Ash Center for Democratic Governance and Innovation at the Kennedy School. at the Harvard Kennedy School. His research explores policies, practices, and institutional designs that deepen the quality of democratic governance. He focuses upon public participation, deliberation, and transparency. His books include “Full Disclosure: The Perils and Promise of Transparency” (Cambridge University Press, with Mary Graham and David Weil) and “Empowered Participation: Reinventing Urban Democracy” (Princeton University Press). He has authored five books, four edited collections, and over fifty articles appearing in professional journals. He holds two S.B.s — in philosophy and physics — and a Ph.D. in political science from MIT.Ralph Ranalli of the HKS Office of Communications and Public Affairs is the host, producer, and editor of HKS PolicyCast. A former journalist, public television producer, and entrepreneur, he holds an AB in Political Science from UCLA and an MS in Journalism from Columbia University.Design and graphics support is provided by Lydia Rosenberg, Delane Meadows and the OCPA Design Team. Social media promotion and support is provided by Natalie Montaner and the OCPA Digital Team. Editorial support is provided by Robert O'Neill and Nora Delaney of the OCPA Editorial Team.

Netflix presentó el tráiler oficial de “Damsel” con Millie Bobby Brown. Apple TV+ ha renovado la serie “Invasión”. Una integrante de Blackpink se suma a la serie “The White Lotus”.

Happy Halloween! Last year at this time we were reviewing the pilot of The Devil's Hour. This year, we're taking Apple's lead and looking at the finale of Invasion season two. Tune in as we discuss the episode “Old Friends, New Frontiers.” From the showrunning team of Simon Kinberg and David Weil, this is one of the few Apple scifi productions based on no prior source material. The characters, storylines, and aliens are all made up. Wajo! Welcome to Today's Episode!

A century ago, images of young children working in factories under dangerous working conditions shocked Americans. Since then, numerous child labor protections have been put in place to prevent exploitation and abuse. But in the past two years, child labor laws have entered the crosshairs of some lawmakers. At least 10 states have introduced or passed legislation loosening child labor protections, including New Hampshire. Now, Granite State children as young as 14 can work around alcohol and 16-year-olds can work an almost 40-hour week. "[Nationwide] we're finding kids in automobile factories on the floor of a packing house, or some chicken processing plants and in other manufacturing facilities, in seafood, in lots of industries where we really haven't seen children working in decades," said David Weil, Brandeis University professor and a former administrator for the Wage and Hour Division at the U.S. Department of Labor. "And now we're finding them in significant numbers and in very dangerous conditions, so it's unfortunately a real return to the past." Some lawmakers are saying changing youth labor rules will help address worker shortages, but experts and advocates worry that these measures will negatively impact minors. "We're seeing a coordinated multi-industry push to roll back labor standards, and what that's really reflecting is industry's desire to maintain and expand their access to pools of low wage labor," said Jennifer Sherer, director of the State Worker Power Initiative at the Economic Policy Institute. "And in this case doing that in a really disturbing way that can expose children to hazardous conditions or long, excessive hours that we know based on research, can put kids in a high risk category for their grades slipping." What's behind the newfound push to relax child labor laws? GUESTS Jennifer Sherer, director of the State Worker Power Initiative at the Economic Policy Institute David Weil, professor at Brandeis University and former administrator of the Wage and Hour Division at the U.S. Department of Labor

Fecha de Grabación: Lunes 28 de agosto de 2023. Algunas noticias y temas comentados: Los X-Men de Ed Brubaker y los de Jonathan Hickman ¿Que esperar de Tom Brevoort al frente de los X-Men? Al Ewing y su historia "secreta" de DC Comics Algunas buenas historias de The Demon (DC Comics) Expectativas del Hulk de Philip Kennedy Johnson y Nic Klein Captain Power and the Soldiers of the Future Además: Books of Doom (Brubaker y Raimondi), D.G. Chichester en Daredevil, el Deadshot de John Ostrander, Delicate Criatures (Strackzynski y Zulli), ¡...y mucho más! Comentario de series y películas: Ahsoka, serie de Star Wars desarrollada, escrita y dirigida por Dave Filoni, con las actuaciones de Rosario Dawson, Mary Elizabeth Winstead, Natasha Liu Bordizzo, Ray Stevenson, Ivanna Sakhno, Diana Lee Inosanto y la voz de David Tennant. (Lucasfilm/Disney) Blue Beetle, película de superhéroes dirigida por Angel Manuel Soto, con Xolo Maridueña, Bruna Marquezine, Susan Sarandon, George Lopez, Damián Alcázar, Adriana Barraza, Raoul Trujillo y Belissa Escobedo, entre otros. (Warner Bros. Pictures) Invasion, serie de ciencia ficción desarrollada por Simon Kinberg y David Weil, con Golshifteh Farahani, Shamier Anderson, Shioli Kutsuna, Billy Barratt y Sam Neill, entre otros. (Apple TV) Silo, serie de ciencia ficción distópica desarrollada por Graham Yost, con Rebecca Ferguson, Rashida Jones, David Oyelowo, Common, Tim Robbins, Harriet Walter, Avi Nash, Rick Gomez y Chinaza Uche. (AMC Studios/Apple TV) Foundation, serie de ciencia ficción desarrollada por David S. Goyer y Josh Friedman, con Jared Harris, Lee Pace, Lou Llobell y Leah Harvey. (Skydance Television/Apple TV) Pueden escuchar el podcast en este reproductor: Descarga Directa MP3 (Botón derecho del mouse y "guardar enlace como"). Peso: 103.2 MB; Calidad: 128 Kbps. El episodio tiene una duración de 1:52:43 y la canción de cierre es "We Want the Airwaves" de Ramones. Además de nuestras redes sociales (Twitter, Facebook, Instagram), ahora tenemos una nueva forma de interactuar con nosotros: un servidor en Discord. Es un espacio para compartir recomendaciones, dudas, memes y más, y la conversación gira alrededor de muchos temas además de cómics, y es una forma más inmediata de mantenerse en contacto con Esteban y Alberto, así como con otros escuchas. ¡Únete a nuestro servidor en Discord! También tenemos un Patreon. Cada episodio del podcast se publica allí al menos 24 horas antes que en los canales habituales, y realizamos un especial mensual exclusivo para nuestros suscriptores en esa plataforma. Tú también puedes convertirte en uno de nuestros patreoncinadores™ con aportaciones desde 1 dólar, que puede ser cada mes, o por el tiempo que tú lo decidas, incluyendo aportaciones de una sola vez. También puedes encontrar nuestro podcast en los siguientes agregadores y servicios especializados: Comicverso en Spotify Comicverso en iVoox Comicverso en Apple Podcasts Comicverso en Google Podcasts Comicverso en Amazon Music Comicverso en Archive.org Comicverso en I Heart Radio Comicverso en Overcast.fm Comicverso en Pocket Casts Comicverso en RadioPublic Comicverso en CastBox.fm ¿Usas alguna app o servicio que no tiene a Comicverso? En la parte alta de la barra lateral está el feed del podcast, el cual puedes agregar al servicio de tu preferencia. Nos interesa conocer opiniones y críticas para seguir mejorando. Si te gusta nuestro trabajo, por favor ayúdanos compartiendo el enlace a esta entrada, cuéntale a tus amigos sobre nuestro podcast, y recomiéndalo a quien creas que pueda interesarle. Deja tus comentarios o escríbenos directamente a comicverso@gmail.com

Fonseca talks with Daisuke (pronounced Dice-Kay) is a Series Regular on Apple TV's new thriller INVASION, from creators Simon Kinberg and David Weil, inspired by HG Wells' WAR OF THE WORLDS. He recurred on IFC's comedy BROCKMIRE, Amazon's period drama THE MAN IN THE HIGH CASTLE, and he voices a character in Netflix's animated series LOVE, DEATH & ROBOTS. In the world of Video Games, he is the lead character of the hit game GHOST OF TSUSHIMA from Sucker Punch Productions. Daisuke comes from the world of theatre. He was a company member of the Oregon Shakespeare Festival for 6 seasons, has performed in theatres around the country, and also trained and performed with Cirque du Soleil.The Salt Lake City Tribune thinks a new Marvel movie may be shooting in secret this Summer in Utah. The Utah Film Commission says the movie is titled "Oops All Berry". Its executive producer, Brian Chapick, has worked on several Thor movies and the Black Widow film. Many believe "Oops All Berry" is the secret code name for the new Thunderbolts movie, which stars all villains and no superheroes. Supermarket Spider Could Cause Men To Be Aroused: The Daily Mail says an Austrian supermarket was evacuated and closed down yesterday because a manager spotted a Brazilian Wandering Spider in a bunch of bananas. Men are being warned to stay away from the store because a bite by the Brazilian Wandering Spider can lead to painful, long-term arousal. Exterminators spent yesterday fumigating the store People magazine says Mattel is launching their own theme park in Glendale, Arizona in 2024. They will have rides and attractions inspired by Barbie, Hot Wheels, Thomas & Friends and Masters of the Universe. Fans will also be able to dine at the Barbie Beach House and ride a Hot Wheels roller coaster KGTV says William Shatner is being inducted into the San Diego Air and Space Museum's International Hall of Fame. His induction is the result of him being the oldest person to go into space. William and several others hovered above Earth on October 13, 2021 aboard Jeff Bezos' Blue Origin rocket The Daily Mail says a rare Batmobile toy was recently auctioned off for $149,000.The red tin convertible was made in 1966. It has a Batman action figure in the driver's seat. The toy was only supposed to sell for $14,000.The New York Post recently revealed that the Ken doll's real name is Kenneth Sean Carson. Time for 'What's The Doll's Real Name?' G.I. Joe is based on a man named: A. General Joseph ColtonB. Gerald Ignatius JoeC. Gordon Indigo Joseph Barbie's actual name is: A. Barbra Ann PerfectionB. Barbara Millicent RobertsC. Barbra Jo Salem Polly Pocket's actual name is: A. Popular PockingtonB. Polly Alice Kingston PocketC. Polly Guile Anderson Barbie's sister Skipper's full name is: A. Skipping MorganB. Madeline SkipperC. Skipper Roberts Stretch Armstrong's actual name is: A. Stretcher McArthurB. Casey ArmstrongC. Jake Armstrong

Invertiamo la rotta ed eccoci quindi con una rubrica in cui voglio esprimere opinioni riguardo film o serie tv che spesso vengono poco considerate ma che, per un motivo o l'altro, a me invece piacciono. “You thought the war was over? No, Dear. Only the dead know the end of war. We're here now. Everywhere” “We survived. And we'll survive again” “You didn't survive. You marinated” I Nazisti sono tornati. E sono in America. Questa è la base della sfortunata serie televisiva ideata da David Weil: "Hunters". Un racconto sulla vendetta, la violenza, il peso della storia e dove i cacciatori di nazisti non sono certamente migliori di coloro che hanno quasi sterminato un intero popolo. Link per iscriversi ai servizi di Amazon: http://www.amazon.it/amazonprime?tag=pendente90-21 https://www.amazon.it/music/unlimited?tag=pendente90-21 https://www.primevideo.com/offers/ref=atv_nb_lcl_it_IT?tag=pendente90-21 https://www.amazon.it/kindle-dbs/hz/signup?tag=pendente90-21 http://www.amazon.it/joinstudent?tag=pendente90-21 https://www.primevideo.com/offers/nonprimehomepage/ref=atv_nb_lcl_it_IT?_encoding=UTF8&tag=exampleAssociateStoreID-21?tag=pendente90-21 https://www.amazon.it/tbyb/huc?pf=1&tag=AssociateTrackingID?tag=pendente90-21

#northchicago #lakeforestpodcast North Chicago Mayor Leon Rockingham Jr and Dr David Weil join Joe Weiss, Rick Lesser and Pete Jansons on the Lake Forest Podcast to discuss Renew Communities Matthew Homes Christ Church efforts to improve people lives by building houses for those in need for our Neighbors to the North in North Chicago @ReNewCommunities_IL https://www.renewcommunitiesnchi.org/matthewshomes @ChristChurchIllinois Key Moments: 0:00 2:07 Show Start 2:53 Joe Weiss Decision to join Christ Church 3:37 Background on Renewed Communities and Matthew Homes 4:45 Dave Reis Intro 5:58 Matthew Homes Intro 7:32 North Chicago mayor Rockingham telling how Matthew Homes is changing North Chicago 7:49 Mayor Rockingham Background 12:26 Dave Weil story on meeting Mayor Rockingham 13:20 200 homes 14:28 First House 16:12 Matthew Homes stats 17:09 Framing Days big event in June needs skilled carpenters 17:33 Vision needs to be bigger 18:54 Different from Habitat for Humanity 21:23 What constitutes vitalized? 22:38 Habitat for humanity 24:28 How can you learn more? 26:28 In-kind donations 30:33 Mayor talks difference involvement rental vs ownerships 31:24 Should the Government compensate North Chicago more for Navy School children 35:39 Dan Schneider needs to help fund the deficit 37:48 Advice for Lake Forest Illinois Mayor Dr Randy Tack 38:37 Dave Weil parting thoughts 42:13 Holy Smokers mmmmm mmmm good --- Send in a voice message: https://podcasters.spotify.com/pod/show/lakeforestpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/lakeforestpodcast/support

From Amazon Studios and the Russo Brothers' AGBO, CITADEL is a new espionage thriller series releasing on Prime Video starring Richard Madden, Priyanka Chopra Jonas, Stanley Tucci, and Lesley Manville. In PART TWO of our EXCLUSIVE INTERVIEW SERIES, Daniel, Shahbaz, & Anthony are joined by PRIYANKA CHOPRA JONAS aka Nadia Sinh. Citadel is a six-part television series and begins streaming April 28, 2023 on Prime Video with new episodes weekly. Watch and listen to The Movie Podcast's Spoiler-Free Review and Interview with The Russo Brothers, David Weil, and Angela Russo-Otstot now.Watch and listen to The Movie Podcast interview now on all podcast feeds, YouTube, and TheMoviePodcast.caGet a whole month of great cinema FREE on MUBI: mubi.com/themoviepodcastContact: hello@themoviepodcast.caTHE MOVIE PODCAST ON ET CANADA!THE MOVIE PODCAST MERCHANDISE NOW AVAILABLE!FOLLOW USDaniel on Twitter, Instagram, and LetterboxdShahbaz on Twitter, Instagram, and LetterboxdAnthony on Twitter, Instagram, and LetterboxdThe Movie Podcast on Twitter, Instagram, TikTok, Discord, and YouTube

In Rome, Anthony, Angela and Joe Russo, Richard Madden, Priyanka Chopra Jonas, Stanley Tucci and David Weil talk about the new tv series Citadel. The post Anthony, Angela and Joe Russo, Richard Madden, Priyanka Chopra Jonas, Stanley Tucci and David Weil – Citadel appeared first on Fred Film Radio.

Citadel showrunner David Weil on the new Amazon science fiction thriller; former Banijay scripted chief Lars Blomgren on his new role at Michael Ellenberg's Media Res; and Mediawan's Julien Borde on the company's recent acquisitions spree and why AI could never have created Bluey.

In Rome, Anthony, Angela and Joe Russo, Richard Madden, Priyanka Chopra Jonas, Stanley Tucci and David Weil talk about the new tv series Citadel. The post Anthony, Angela and Joe Russo, Richard Madden, Priyanka Chopra Jonas, Stanley Tucci and David Weil – Citadel appeared first on Fred Film Radio.

In Rome, Anthony, Angela and Joe Russo, Richard Madden, Priyanka Chopra Jonas, Stanley Tucci and David Weil talk about the new tv series Citadel. The post Anthony, Angela and Joe Russo, Richard Madden, Priyanka Chopra Jonas, Stanley Tucci and David Weil – Citadel appeared first on Fred Film Radio.

In Rome, Anthony, Angela and Joe Russo, Richard Madden, Priyanka Chopra Jonas, Stanley Tucci and David Weil talk about the new tv series Citadel. The post Anthony, Angela and Joe Russo, Richard Madden, Priyanka Chopra Jonas, Stanley Tucci and David Weil – Citadel appeared first on Fred Film Radio.

In Rome, Anthony, Angela and Joe Russo, Richard Madden, Priyanka Chopra Jonas, Stanley Tucci and David Weil talk about the new tv series Citadel. The post Anthony, Angela and Joe Russo, Richard Madden, Priyanka Chopra Jonas, Stanley Tucci and David Weil – Citadel appeared first on Fred Film Radio.

In Rome, Anthony, Angela and Joe Russo, Richard Madden, Priyanka Chopra Jonas, Stanley Tucci and David Weil talk about the new tv series Citadel. The post Anthony, Angela and Joe Russo, Richard Madden, Priyanka Chopra Jonas, Stanley Tucci and David Weil – Citadel appeared first on Fred Film Radio.

Daniel, Shahbaz, & Anthony review CITADEL from Executive Producers The Russo Brothers and Creator David Weil. Global spy agency Citadel has fallen, and its agents' memories were wiped clean. Now the powerful syndicate, Manticore, is rising in the void. Can the Citadel agents recollect their past and summon the strength to fight back? The series stars Richard Madden, Priyanka Chopra Jonas, Stanley Tucci, and Lesley Manville. Citadel is a six-part television series and begins streaming April 28, 2023 on Prime Video with new episodes weekly. Watch and listen to The Movie Podcast's Interview with The Russo Brothers, David Weil, and Angela Russo-Otstot now. Interview with Priyanka Chopra Jonas out tomorrow.Watch and listen to The Movie Podcast review now on all podcast feeds, YouTube, and TheMoviePodcast.caGet a whole month of great cinema FREE on MUBI: mubi.com/themoviepodcastContact: hello@themoviepodcast.caTHE MOVIE PODCAST ON ET CANADA!THE MOVIE PODCAST MERCHANDISE NOW AVAILABLE!FOLLOW USDaniel on Twitter, Instagram, and LetterboxdShahbaz on Twitter, Instagram, and LetterboxdAnthony on Twitter, Instagram, and LetterboxdThe Movie Podcast on Twitter, Instagram, TikTok, Discord, and YouTube

Citadel is an upcoming American science fiction action thriller television series created by David Weil for Prime Video, with the Russo brothers acting as executive producers. It stars Richard Madden and Priyanka Chopra Jonas as Citadel agents Mason Kane and Nadia Sinh Host(s) Thomas, Mike

Citadel is an upcoming American science fiction action thriller television series created by David Weil for Prime Video, with the Russo brothers acting as executive producers. It stars Richard Madden and Priyanka Chopra Jonas as Citadel agents Mason Kane and Nadia Sinh Host(s) Thomas, Mike

From Amazon Studios and the Russo Brothers' AGBO, CITADEL is a new espionage thriller series releasing on Prime Video starring Richard Madden, Priyanka Chopra Jonas, Stanley Tucci, and Lesley Manville. In PART ONE of our EXCLUSIVE TWO PART INTERVIEW SERIES, Daniel, Shahbaz, & Anthony are joined by Executive Producers JOE RUSSO, ANTHONY RUSSO, ANGELA RUSSO-OTSTOT and Creator DAVID WEIL. Citadel is a six-part television series and begins streaming April 28, 2023 on Prime Video with new episodes weekly. The Movie Podcast's Spoiler-Free Review releases April 27 at 10AM ET. Interview with  Priyanka Chopra Jonas releases April 28 at 12AM ET.Watch and listen to The Movie Podcast interview now on all podcast feeds, YouTube, and TheMoviePodcast.caGet a whole month of great cinema FREE on MUBI: mubi.com/themoviepodcastContact: hello@themoviepodcast.caTHE MOVIE PODCAST ON ET CANADA!THE MOVIE PODCAST MERCHANDISE NOW AVAILABLE!FOLLOW USDaniel on Twitter, Instagram, and LetterboxdShahbaz on Twitter, Instagram, and LetterboxdAnthony on Twitter, Instagram, and LetterboxdThe Movie Podcast on Twitter, Instagram, TikTok, Discord, and YouTube

In the fall of 2017, Harvard-Westlake acquired 17 acres of flat land in Studio City with the aspiration of building a third campus. More than five years later, the project, now known as Harvard-Westlake River Park, is potentially within months of gaining approval with the City of Los Angeles. To help provide insights into this transformational project is Harvard-Westlake CFO and River Park project lead, David Weil '93. In this episode, David speaks in detail about not only River Park's unique benefits to the health and well-being of Harvard-Westlake students, but also how the project will impact both the local community and natural environment—including the largest investments in environmental sustainability the school has ever undertaken. As Harvard-Westlake's Chief Financial Officer, David also speaks about managing a hundred million dollar financial operation, and how the school has managed to increase faculty and staff compensation at a higher rate than tuition for five consecutive years—a feat that should not be financially possible but that David has helped to make so. Lastly, David speaks about his own Harvard, Harvard-Westlake, and Pomona College experiences, and how the lessons of team sports have not only impacted him personally, but also make him the ideal leader for a community-centered athletic and recreational facility like River Park. David references Hans Palmer and Pat Mulcahy of Pomona College, in addition to Rob Levin of Harvard-Westlake, as profound life influences.

The ultimate Nazi hunt is on! Season 2 of Hunters is now streaming on Prime Video, and we're here to get the inside scoop on this final season. Hear us talk to series creator David Weil, as well as stars Tiffany Boone (Roxy) and Louis Ozawa (Joe). We'll find out more about the importance of bringing Hitler to justice, how and why Meyer is back after the events of the Season 1 finale and why the Hunters team might not be on the best of terms this season. WATCH SEASON 2 OF HUNTERS, NOW STREAMING ON PRIME VIDEO! We also give a spoiler free review of the Velma premiere, now that it's on HBO Max. Everyone is talking about it, so find out if we agree or not about this take on the classic Scooby-Doo characters. We're also going back to talk about the premiere episodes of Alert: Missing Person Unit from Fox. We waited to we could dive into some spoiler talk! You can also hear us break down trailers for Wolf Pack from Paramount+, the final season of Carnival Row from Prime Video, The Watchful Eye from Freeform and the Netflix animated series My Dad The Bounty Hunter. There's a little something for everyone this week! Get even more from us, and find out how you can subscribe at https://linktr.ee/downandnerdypodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

La saison 2 de Hunters débarque La série de Prime Video sur les chasseurs de nazis revient enfin le 13 janvier prochain après ses débuts en 2020. Cette saison 2 de Hunters est annoncée comme la dernière, la série satirique de David Weil se termine officiellement. Le casting inclut Logan Lerman, Jerrika Hinton mais aussi Al Pacino. Kindred va arriver sur Disney+ L'adaptation du roman de science-fiction d'Octavia E. Butler arrive bientôt sur Hulu aux États-Unis et prochainement sur Disney+ en France. La bande-annonce de Kindred est disponible, et on peut y voir l'héroïne Dana James, une aspirante autrice, retourner dans le temps au XIXe siècle dans une plantation liée à sa famille. Le roman a connu une grande popularité des deux côtés de l'Atlantique. https://youtu.be/II_mroKXF4o The White Lotus et une saison 3 Un nouveau casting dans un nouveau lieu paradisiaque, c'est la promesse de la saison 3 de The White Lotus. La série multi-récompensée de HBO créée par Mike White a été renouvelée pour une suite alors que la saison 2 est encore en cours. On ignore évidemment tout de la prochaine saison mais ça ne saurait tarder. Ellen Pompeo prend du recul par rapport à Grey's Anatomy Si l'actrice qui a incarné pendant 19 saisons Meredith Grey dans la série Grey's Anatomy quitte la série courant février prochain, Ellen Pompeo a surtout rassuré tous les fans en disant qu'elle reviendrait et qu'il ne s'agissait pas d'adieux définitifs. Son départ sera expliqué par la situation de sa fille Zola, qui a besoin d'un environnement qui lui correspondra mieux. https://www.instagram.com/p/ClErNeyv44Y/ Retrouvez toutes les bandes-annonces et teasers sur BetaSeries.com. À la semaine prochaine pour de nouvelles news !

La saison 2 de Hunters débarque La série de Prime Video sur les chasseurs de nazis revient enfin le 13 janvier prochain après ses débuts en 2020. Cette saison 2 de Hunters est annoncée comme la dernière, la série satirique de David Weil se termine officiellement. Le casting inclut Logan Lerman, Jerrika Hinton mais aussi Al Pacino. Kindred va arriver sur Disney+ L'adaptation du roman de science-fiction d'Octavia E. Butler arrive bientôt sur Hulu aux États-Unis et prochainement sur Disney+ en France. La bande-annonce de Kindred est disponible, et on peut y voir l'héroïne Dana James, une aspirante autrice, retourner dans le temps au XIXe siècle dans une plantation liée à sa famille. Le roman a connu une grande popularité des deux côtés de l'Atlantique. https://youtu.be/II_mroKXF4o The White Lotus et une saison 3 Un nouveau casting dans un nouveau lieu paradisiaque, c'est la promesse de la saison 3 de The White Lotus. La série multi-récompensée de HBO créée par Mike White a été renouvelée pour une suite alors que la saison 2 est encore en cours. On ignore évidemment tout de la prochaine saison mais ça ne saurait tarder. Ellen Pompeo prend du recul par rapport à Grey's Anatomy Si l'actrice qui a incarné pendant 19 saisons Meredith Grey dans la série Grey's Anatomy quitte la série courant février prochain, Ellen Pompeo a surtout rassuré tous les fans en disant qu'elle reviendrait et qu'il ne s'agissait pas d'adieux définitifs. Son départ sera expliqué par la situation de sa fille Zola, qui a besoin d'un environnement qui lui correspondra mieux. https://www.instagram.com/p/ClErNeyv44Y/ Retrouvez toutes les bandes-annonces et teasers sur BetaSeries.com. À la semaine prochaine pour de nouvelles news !

Twice on Sunday is Heard Tell's review of the week that was in turning down the noise of the news cycle by talking to our knowledgeable guests about the things that matter. This week:Our Labor Day Best of Heard Tell on workers, working, and the economic environment they labor in. First, we go back to 17 May, 2022 were we turned down the noiseregarding how NOT to talk about workers, inflation, and the cost of living crisis if you are a politician, office holder, commentator, or just a decent functional adult. We find an example and teachable moment via a minister from the UK who recommended folks "take on more hours" or "move to a better paid job" to explain why that is just as tone deaf and condescending as it sounds. Then, we revist a Good Talk from March 15th, 2022 and guest Dennis Sanders talking about unions, labor, and how things have changed in the world of organized labor. Dennis draws on being the son of autoworkers and growing up in Flint, Michigan to talk frankly about the good side of unions, their limitations, and how unions should be adapting to the modern world and economy to help workers instead of hindering them. Also, from the June 16, 2022 episode of Heard Tell, after COVID being particularly brutal on service sector employees, new data is out that hints part of the labor issue falls to some old fashioned bad management, we'll talk how shift workers are getting the shaft on scheduling. And finally, from the February 21st episode of Heard Tell, Gabriella Hoffman of Young Voices joins us to talk labor issues, regulation, unions, politics, and political appointments, and more. Recent actions involving the NLRB, David Weil's nomination, and legislative fights over unionizing, the gig economy, and categorizing workers are all in the news and are ongoing battles in a very long war over government involvement with big labor, worker rights, and an ever-evolving work force and economy.From the UK guest Lettice Bromovsky from the UK returns to Heard Tell to discuss new UK Prime Minister Liz Truss. Lettice and Host Andrew talk the process of Liz Truss defeating Rishi Sunak, her background and political rise, and the weeks of news media coverage and narratives leading up the her first day in No. 10. Lettice walks us through the tough political reality PM Truss is walking into, heading a post-Boris Tory Party, facing a reinvigorated Labour Party, the pressing issues of cost of living and energy crisis, and the looming general election that in reality only give her a matter of months to make her mark and a very steep political hill to climb. Lettice also deals with the comparsion - fair and unfair - of Liz Truss and previous prime minsters, and the inevitable comparisons to Theresa May and Margret Thatcher.Then, another Best of Heard Tell covering the Law as we review conversations with attorney's Burt Likko and Em Carpenter.Plus, guest Mike Viola of FEE.org and a Young Voices contributor. Mike talks about how excessive regulation leaves us less - not more - prepared for true crises like COVID-19 and the food and energy crisis caused by Russia invading Ukraine. Mike also explains how the regulatory state is a huge part of the economy all the time, how regulation affects almost everything in the marketplace, and some better ways for us to think about and discuss the economic impact of government policies. Mike also explains what the pyramids in Egypt have to do with economics, and has a hot take on Alfredo to round out our conversation.We play part of the Heard Tell Podcast and the incredible story of Frances Hui on how see went from protester in Hong Kong to political asylym in America, and now a speaker and educator for the Dissident Project teaching the next generation the dangers of authoritarianism and what happens when you lose your freedom. Dissident Project manager Grace Bydalek also joins to explain how Frances and the other speakers of the Dissident Projec turn personal experiences into teachable moments for high school and college students.Finally, our guest is FIRE First Amendment lawyer Adam Steinbaugh who joins us to talk 1A, free speech, and censorship. Adam is part of FIRE's lawsuit against the Florida "Stop WOKE Act" and discusses why they are opposing the law, what academic freedom should and should not be, and how vague language and government overreach make for a poor law that violates more freedoms than it protects. Adam also helps us work through terminology like "woke" and "academic freedom", explains how free speech must be equally defended for everyone, and works through some common misperceptions and online bad takes about 1A.Support this podcast at — https://redcircle.com/heard-tell/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your Heard Tell for Monday, September 5nd, 2022 is turning down the noise of the news cycle and getting to the information we need to discern the time we live in by using Labor Day to review some of the Best of Heard Tell on workers, working, and the economic environment they labor in.First, we go back to 17 May, 2022 were we turned down the noiseregarding how NOT to talk about workers, inflation, and the cost of living crisis if you are a politician, office holder, commentator, or just a decent functional adult. We find an example and teachable moment via a minister from the UK who recommended folks "take on more hours" or "move to a better paid job" to explain why that is just as tone deaf and condescending as it sounds.Then, we revist a Good Talk from March 15th, 2022 and guest Dennis Sanders talking about unions, labor, and how things have changed in the world of organized labor. Dennis draws on being the son of autoworkers and growing up in Flint, Michigan to talk frankly about the good side of unions, their limitations, and how unions should be adapting to the modern world and economy to help workers instead of hindering them.Also, from the June 16, 2022 episode of Heard Tell, after COVID being particularly brutal on service sector employees, new data is out that hints part of the labor issue falls to some old fashioned bad management, we'll talk how shift workers are getting the shaft on scheduling.And finally, from the February 21st episode of Heard Tell, Gabriella Hoffman of Young Voices joins us to talk labor issues, regulation, unions, politics, and political appointments, and more. Recent actions involving the NLRB, David Weil's nomination, and legislative fights over unionizing, the gig economy, and categorizing workers are all in the news and are ongoing battles in a very long war over government involvement with big labor, worker rights, and an ever-evolving work force and economy.All that and more on this Best of Heard Tell Labor Day SpecialSupport this podcast at — https://redcircle.com/heard-tell/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

GrowthChat is a podcast on the social and cultural journey of humankind, hosted by Marco Lecci and Sascha O. Becker. In this episode we chat with David Weil about his paper "Measuring Economic Growth from Outer Space'”. David and his co-authors, J. Vernon Henderson and Adam Storeygard, use nigh lights from satellite data as a proxy for GDP measure. As an application, they examine growth in Sub Saharan African regions over the last 17 years. They find that real incomes in non-coastal areas have grown faster by 1/3 of an annual percentage point than coastal areas; non-malarial areas have grown faster than malarial ones by 1/3 to 2/3 annual percent points; and primate city regions have grown no faster than hinterland areas. Such applications point toward a research program in which "empirical growth" need no longer be synonymous with "national income accounts."

The franchise business model has become a key way for many Americans and immigrants to achieve the “American Dream.”However, it is under attack on multiple fronts.Just as tens of thousands of franchisors and franchisees and their millions of employees are beginning to recover from the pandemic, politicians, government bureaucrats and judicial activists are wittingly (or unwittingly) trying to destroy the very business model that has delivered the American Dream to so many.In this episode of Labor Relations Radio, Michael Layman, Senior Vice President Government Relations & Public Affairs of the International Franchise Association explains some of the threats the industry is now facing—largely from politicians, judicial activists and, possibly, President Biden's appointees like David Weil.Whether it's the Joint Employer issue, or the Independent Contractor issue—either independently or as contained in the PRO Act—if enacted, these ‘close cousins' could be devastating to the franchise business model and the millions of workers employed by franchises.Related Links:Franchising is open for opportunityNational Economic Impact Of FranchisingIn 7-Eleven case, Mass. top court says franchisees can be employeesMinority Business Ownership Soars, But It's The Wrong Kind Of EqualityTop 200 Franchises of 2022PROGRAM NOTE:This episode of Labor Relations Radio was recorded hours before the U.S. Senate was to vote on the advancement of David Weil's nomination to be Administrator of the Labor Department's Wage and Hour Division.His nomination was blocked Wednesday evening.Bi-Partisan Group of Senators Block Advancement of Divisive David Weil to DOL's Wage and Hour

The franchise business model has become a key way for many Americans and immigrants to achieve the “American Dream.” However, it is under attack on multiple fronts.Just as tens of thousands of franchisors and franchisees and their millions of employees are beginning to recover from the pandemic, politicians, government bureaucrats and judicial activists are wittingly (or unwittingly) trying to destroy the very business model that has delivered the American Dream to so many.In this episode of Labor Relations Radio, Michael Layman, Senior Vice President Government Relations & Public Affairs of the International Franchise Association explains some of the threats the industry is now facing—largely from politicians, judicial activists and, possibly, President Biden’s appointees like David Weil.Whether it’s the Joint Employer issue, or the Independent Contractor issue—either independently or as contained in the PRO Act—if enacted, these ‘close cousins’ could be devastating to the franchise business model and the millions of workers employed by franchises.Related Links:Franchising is open for opportunityNational Economic Impact Of FranchisingIn 7-Eleven case, Mass. top court says franchisees can be employeesMinority Business Ownership Soars, But It's The Wrong Kind Of EqualityTop 200 Franchises of 2022PROGRAM NOTE: This episode of Labor Relations Radio was recorded hours before the U.S. Senate was to vote on the nomination of David Weil to be Administrator of the Labor Department's Wage and Hour Division. Apparently, his nomination was blocked Wednesday evening.Share this episode of Labor Relations Radio with your colleagues.LaborUnionNews.com and Labor Relations Radio is subscriber supported. To receive new posts, podcasts and to support our work, please consider becoming a paid subscriber. Get full access to LaborUnionNews.com's News Digest at laborunionnews.substack.com/subscribe

On this Heard Tell Good Talks, guest Gabriella Hoffman of Young Voices joins us to talk labor issues, regulation, unions, politics, and political appointments, and more. Recent actions involving the NLRB, Labor Department nominee David Weil, and legislative fights over unionizing, the gig economy, and categorizing workers are all in the news and are ongoing battles in a very long war over government involvement with big labor, worker rights, and an ever-evolving work force and economy. Plus Gabriella talks about her work and podcast highlighting conservation.Support this podcast at — https://redcircle.com/heard-tell/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Heard Tell for Wednesday, February 17th, 2022 is turning down the noise and getting to the information we need about the school board recall election in San Francisco, how there are two very different narratives going about why the three ousted members had upset voters, but that the overlap of those narrative on one particular point has a teachable moment for election to come. Also, we take a story out of Brazil to discuss that despite how so many of us complain about the internet and social media, worldwide there is a tech boom going on that is reaching even the poorest areas and giving hope to a new generation of dreamers. Guest Gabriella Hoffman of Young Voices joins us to talk labor issues, regulation, unions, politics, and political appointments, and more. Recent actions involving the NLRB, Labor Department nominee David Weil, and legislative fights over unionizing, the gig economy, and categorizing workers are all in the news and are ongoing battles in a very long war over government involvement with big labor, worker rights, and an ever-evolving work force and economy. Plus Gabriella talks about her work and podcast highlighting conservation. We update two stories Heard Tell has been covering, in Brian Flores vs the NFL and also the Russia/Ukraine situation that continues to threaten Europe and the rest of the world with the potential for war. Finally, we talk about some folks that would go to any height for charity work...well, 26 stories up, at least. All that and more on this Monday edition of Heard Tell.Support this podcast at — https://redcircle.com/heard-tell/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In recent years, decreasing federal minimum wage, low unionization rates and growing outsourcing trends have had some important effects on wage growth in the US low wage sector. As major firms throughout the world come under scrutiny for their failure to compensate their workers fairly, it is becoming increasingly necessary to better understand what motivates companies to mirror other larger firms' wage changes. In this episode, Ellora Derenoncourt explains that when it comes to wage changes, just a few large employers in the labor market can have substantial ripple effects. Using the examples of firms like Amazon, Walmart and Target, she looks at why some companies feel compelled to follow in the footsteps of larger actors. Working Paper: “Spillover effects from voluntary employer minimum wages”, with Clemens Noelke, David Weil & Bledi Taska https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3793677 Recommendation: “On the Clock: What Low Wage Work Did to Me and How It Drives America Insane” (2019), by Emily Guendelsberger https://www.goodreads.com/book/show/42779084-on-the-clock

Today on the show we have Oscar® and two-time Emmy® Nominee Simon Kinberg. He has established himself as one of Hollywood's most prolific filmmakers, having written and produced projects for some of the most successful franchises in the modern era. His films have earned more than seven billion dollars worldwide.  Kinberg graduated from Brown University and received his MFA from Columbia University Film School, where his thesis project was the original script, “Mr and Mrs Smith.” The film was released in 2005, starring Brad Pitt and Angelina Jolie. Upcoming, Kinberg will premiere his action spy film “The 355”, which will be released theatrically by Universal on January 7, 2022. Directed, co-written and produced by Kinberg, the film was one of the biggest deals out of the 2018 Cannes Film Festival and stars an ensemble of A-list actresses including Jessica Chastain, Lupita Nyong'o, Penelope Cruz, Diane Kruger and Fan Bingbing. A dream team of formidable female stars come together in a hard-driving original approach to the globe-trotting espionage genre in The 355.When a top-secret weapon falls into mercenary hands, wild card CIA agent Mason “Mace” Brown (Oscar®-nominated actress Jessica Chastain) will need to join forces with rival badass German agent Marie (Diane Kruger, In the Fade), former MI6 ally and cutting-edge computer specialist Khadijah (Oscar® winner Lupita Nyong'o), and skilled Colombian psychologist Graciela (Oscar® winner Penélope Cruz) on a lethal, breakneck mission to retrieve it, while also staying one-step ahead of a mysterious woman, Lin Mi Sheng (Bingbing Fan, X-Men: Days of Future Past), who is tracking their every move.As the action rockets around the globe from the cafes of Paris to the markets of Morocco to the opulent auction houses of Shanghai, the quartet of women will forge a tenuous loyalty that could protect the world—or get them killed. The film also stars Édgar Ramirez (The Girl on the Train) and Sebastian Stan (Avengers: Endgame).The 355 is directed by genre-defying filmmaker Simon Kinberg (writer-director-producer of Dark Phoenix, producer of Deadpool and The Martian and writer-producer of the X-Men films). The screenplay is by Theresa Rebeck (NBC's Smash, Trouble) and Kinberg, from a story by Rebeck.The 355, presented by Universal Pictures in association with FilmNation Entertainment, is produced by Chastain and Kelly Carmichael for Chastain's Freckle Films and by Kinberg for his Kinberg Genre Films. The film is executive produced by Richard Hewitt (Bohemian Rhapsody), Esmond Ren (Chinese Zodiac) and Wang Rui Huan.His original series “Invasion” premiered on Apple TV+ on October 22nd. He co-created the show with David Weil, serves as Executive Producer, and wrote or co-wrote 9 of its first 10 episodes. It is considered one of Apple's most ambitious series to date as it was filmed on 4 different continents. The show has already been renewed for a second season, which Kinberg is show running and Executive Producing again. He is also the Executive Producer of the upcoming show “Moonfall” for Amazon. Also upcoming, Kinberg produced the sequel to "Murder on the Orient Express,” “Death on The Nile,” directed by Kenneth Branagh and starring Gal Gadot, Armie Hammer, Annette Bening and another all-star cast.Additionally, he is producing several projects for Netflix including “Lift” starring Kevin Hart with director F. Gary Gray, his original script "Here Comes the Flood" with Jason Bateman directing, "Endurance" with Camille Griffin directing, and “Pyros” with Reese Witherspoon starring and producing. Kinberg's latest spec “Wayland” will also begin production next year for Lionsgate, with Michael Showalter directing, and Jessica Chastain producing alongside Kinberg Kinberg will also be producing “The Running Man” at Paramount Pictures to be directed by Edgar Wright, “Artemis” to be directed by Oscar winners Chris Miller and Phil Lord and based on a book by the writer of “The Martian”, the remake of “The Dirty Dozen” at Warner Brothers with David Ayer writing and directing, “Starlight” at 20th Century Studios to be written and directed by Joe Cornish, “Death Notification Agency” at Amazon based on the novel of the same name, “Karma” at Sony Pictures, “Chairman Spaceman” at Fox Searchlight, to be directed by Oscar Winner Andrew Stanton, and an Untitled Action-Romance starring Idris Elba at Apple. Following almost a decade's worth of Marvel films, Kinberg will also write and produce “Battlestar Galactica” for Universal which will be his latest franchise universe. In 2006, he wrote “X-Men: The Last Stand,” which opened on Memorial Day to box office records and began his ongoing relationship with the franchise. In 2008, Kinberg wrote and produced Doug Liman's film “Jumper” for 20th Century Fox. In 2009, Kinberg co-wrote the film “Sherlock Holmes” starring Robert Downey Jr, directed by Guy Ritchie. The film received a Golden Globe for Best Actor and was nominated for two Academy Awards. In 2010, Kinberg established his production company Genre Films, with a first look deal at 20th Century Fox. Under this banner, he produced “X-Men: First Class,” executive produced “Abraham Lincoln: Vampire Hunter” and wrote and produced “This Means War.” In 2013, Kinberg produced “Elysium," which starred Matt Damon and Jodie Foster, directed by Neill Blomkamp. On Memorial Day of 2014, Fox released “X-Men: Days of Future Past," which Kinberg wrote and produced. The film opened number one at the box office, received critical acclaim and went on to gross more than $740 million worldwide. In 2015, Kinberg had four films in release. He re-teamed with Neill Blomkamp to produce “Chappie,” starring Hugh Jackman and Sharlto Copley. Kinberg produced Disney's Academy Award-nominated film “Cinderella," starring Cate Blanchett and directed by Kenneth Branagh.In addition, Kinberg was the co-writer and producer of “The Fantastic Four.” His final film of the year was “The Martian,” which he produced. The film, directed by Ridley Scott and starring Matt Damon, grossed more than $630 million worldwide, won two Golden Globes (including Best Picture) and was nominated for seven Academy Awards (including Best Picture). In 2016, Kinberg produced “Deadpool,” starring Ryan Reynolds. The film broke international and domestic records for box office, including becoming the highest-grossing R-rated film of all time globally. It went on to win two Critics Choice Awards (including Best Picture - Comedy) and receive two Golden Globe nominations (including Best Picture), a WGA nomination and a PGA nomination for Best Picture. That year, Kinberg also wrote and produced “X-Men: Apocalypse.” In 2017, he produced “Logan,” the final installment of the Wolverine franchise with Hugh Jackman. It was selected as the closing film of the Berlin Film Festival and opened #1 at the box office. It was named one of the ten best films of the year from the National Board of Review, garnered three Critics Choice Nominations and an Academy Award Nomination.Kinberg was also a producer on “Murder on the Orient Express,” directed by Kenneth Branagh, with Branagh starring alongside Johnny Depp, Michelle Pfeiffer, Penelope Cruz, Daisy Ridley, Judi Dench, and others. In 2018, Kinberg produced “Deadpool 2,” which matched the success of the first film. It was Kinberg's fourteenth film to open number one at the box office. In 2019, Kinberg made his directorial debut with “X-Men: Dark Phoenix,” which was released June 7. The film once again starred Jennifer Lawrence, Michael Fassbender, James McAvoy, Nicholas Hoult, Sophie Turner, with new addition Jessica Chastain. In television, he was the executive producer of “Designated Survivor,” starring Kiefer Sutherland on ABC and Netflix. He was also the executive producer of “Legion,” “Gifted,” and executive producer and co-creator with Jordan Peele of the remake of “The Twilight Zone” on CBS All Access.  Kinberg has served as a consultant on “Star Wars: Episode VII” and “Rogue One," and he was the creator and executive producer of the animated show “Star Wars: Rebels” on Disney networks. You can also watch Simon's Screenwriting Masterclass on The Dialogue Series on Indie Film Hustle TV.The Dialogue: Learning From the Masters is a groundbreaking interview series that goes behind the scenes of the fascinating craft of screenwriting. In these 70-90 minute in-depth discussions, more than two-dozen of today's most successful screenwriters share their work habits, methods, and inspirations, secrets of the trade, business advice, and eye-opening stories from life in the trenches of the film industry. Each screenwriter discusses his or her filmography in great detail and breaks down the mechanics of one favorite scene from their produced work.Needless to say this is one heck of an episode. Enjoy my conversation with Simon Kinberg.

Welcome to another season of your favourite podcast! We are starting off the season by exploring the many explanations of The Industrial Revolution with economic historian and writer Davis Kedrosky. You can learn more about Davis' work from his excellent newsletter here. You can also listen to this podcast through all the other options here. The transcript of the conversation is below.TRANSCRIPTTobi; So briefly, what is the Industrial Revolution? And what is its significance? I mean, we've all seen the charts, you see these different trend lines charting world living standards from the Middle Ages, and then somewhere in the middle 18th century, there's this huge jump, you know, that is generally termed as around the time the Industrial Revolution started. So what's the Industrial Revolution, basically? And why is it significant? Davis; Right. So I guess what you've asked here is two impossibly three questions. So what is the Industrial Revolution? The Industrial Revolution is actually multiple events, which is the bad historian answer. But essentially, you first have the British Industrial Revolution. This is a period that starts around 1760 and continues for about a century until 1860. That's sort of the standard periodization and basically consists of the structural transformation of one economy, the British economy, from a largely agrarian country to one based on manufacturing, especially in a couple of key sectors, those being textiles, iron, and various types of steam goods. So this event is transformative in a number of ways. It's not transformative, in that it brings about a titanic increase in living standards. Because really, for most of the period, living standards in Britain do not rise. It's significant because it is really the first true stirring of economic dynamism anywhere in the world, with the possible exception of the Netherlands in the 17th century. But in this case, in Britain, the industrial revolution is truly sustained. And that brings us to the second part of the question, what is the Industrial Revolution? Because there's first the British Industrial Revolution, and then a European and then a Global Industrial Revolution. By the middle of the 19th century, the technologies that sustain the British Industrial Revolution are spreading to the European continent, and Britain's rivals - France, Germany, parts of Eastern Europe, and Northern Europe and southern Europe - are all starting to take part. And this becomes a continental phenomenon. And this is occurring toward the middle and the latter half of the 19th century, eventually spreading to North America, and is based on new technologies. Primarily based on the application of science to the growth process. And this growth, unlike, perhaps the British industrial revolution, and certainly unlike any growth episode in world history was sustained. Because we are where we are today. It was the beginning of modern economic growth. And so that actually gets into why this episode is significant because it is the spontaneous transformation of a largely stagnant, slow-growing economy, perhaps less so in Britain, but certainly the case in Europe and the rest of the world until something that increasingly approach the relatively rapid pace that we're seeing today, and learn to apply technological advances in a consistent fashion to the improvement of human welfare.Tobi; I'm curious, yeah, like you said, the data is usually put somewhere around 1760, to about 1860, for the first Industrial Revolution. Why did it happen when it did? Because usually, you get two sides of this story, where some scholars will argue it was a really long, slow buildup; while you get the impression from some other scholars that was a sudden discontinuity from a previous, longer trend. So why that period in time, what was different?Davis; If I said that I believe that the Industrial Revolution was a discontinuity from a long trend, I would have historians barking at my door for the next year, and I, you know, might not ever have a career in this discipline. But what I will say is that there are a number of theories about why the industrial revolution happened and how it happens. And this paints me as a historian, but I think it's sort of irresponsible to settle on one. So I borrow from all of them. But I'll just, you know, for the benefit of the listener, I will lay out as many as I can, that I think are relevant. So I guess in the classic phase of the debate, starting in the 19th century when people realize starting with people like Karl Marx... realized that the changes that had been occurring over the previous century in the economy of Britain had been of truly historic magnitude. Two competing theories for why the industrial revolution happens: and I'm borrowing from Deirdre McCloskey here - the conservative approach, which is to say, basically capitalists saved, they were frugal, they built up a larger capital stock, and eventually learned to make whatever gains and growth that they were achieving self-perpetuating. And of course, more capital per person means more productivity, more productivity means greater income per head. So that's the conservative interpretation. The Socialist interpretation is that of Marx, which is that the industrial revolution is based on expropriation, that a process of force was involved in first, the primitive accumulation of capital by capitalists and by capitalist farmers; in dispossessing the peasantry from the countryside and driving them into the factories where they could serve as low wage labour. This increase the profits of the capitalists, and in turn created the self-perpetuating growth process that we are observing continuing today. Both of those continue to be influential, and certainly, their strains have been incorporated into the modern economic history discourse. But so far as we're concerned in talking about economic history, I think that there are really three main theories. And so one of them is definitely the slow growth over time take. And that's the unified growth theory of people like Oded Galor and David Weil, and they essentially argue that an evolutionary process occurs over time whereby a combination of selection and population growth leads to the accumulation of technologies, increase in the rate of innovation. And then this innovation in turn leads to economic growth. And that is also abetted by fertility transition, such that population growth is no longer correlated with economic growth. And that leads to a growth in income per head. Then we have... I think it's about the same year - the end of the first decade of this millennium, we had two theories that have really transformed economic history come out that really set the terms for the causes of the Industrial Revolution debate.The one that's been, I think, most influential among economists is that of Bob Allen. And in his book, The British Industrial Revolution and Global Perspective, he argues that Britain had a unique combination of factor prices - that wages were extremely high in Britain, and capital and energy were extremely cheap. And so what this led producers to do was to substitute labour for capital and also make innovations that would have this labour-saving effect by using lots of capital and energy. The prime example is the steam engine, which used cheap British coal to perform the work that would otherwise have been performed by muscle power. And so the continual creation of these labour-saving inventions is sort of the basis for the Industrial Revolution and increases worker productivity. This is the Allen theory. The Allen theory has received some very strong critiques. People like Jane Humphries and Judy Stevenson have really attacked the empirical basis of Allen's work. They've suggested that wages in Britain were not nearly as high as Allen had computed and that his series made some improper assumptions that led it to be inflated and this really changed the sorts of profits to technological innovation that Allen had to suppose would be driving this process. And so that's where the Allen theory stands today. It's sort of the cleanest mechanism for describing the industrial revolution in an economic sense, but it faces some factual challenges. The other one that occurred about the same time is that of Joel Mokyr. He wrote a book called The Enlightened Economy, I believe in 2009, in which he argued that it was rather ideas rather than economic incentives that led to the transformation of Britain. That it was industrial enlightenment that occurred, and a culture of improvement that swept Britain and led many people of the intellectual class of the country to start taking an interest in practical matters, devising innovations that would improve society, that would make doing practical tasks easier, and then crucially, sharing them with the people around them in a sort of Republic of Letters - in which intellectuals across England and across the continent all communicated to iterate upon each other's technical ideas. And this, in turn, provided the creative spark for modern economic growth and crucially incorporates the sort of scientific aspects that is the foundation of the second or European Industrial Revolution. These are the two main competing theories and people like Nicholas Crafts have attempted to synthesize them into a single argument suggesting that, you know, one explains the demand and one explains the supply of inventions. But others hold that they're incompatible. But you can kind of pick and choose your favourite aspects as Crafts did.Tobi; Yeah, I mean, I get that. But from a global perspective, you're looking at other parts of the world like India, Africa. There are other - I'd say, maybe within the economic history profession - not so popular, but quite popular with the lay public. For example, the institutionalist view of Acemoglu and Robinson who claim in their book and also in some of their papers that the Glorious Revolution laid the foundation for the Industrial Revolution. That's one, I'll like you to address some critiques of that. And secondly, what's the difference between Galor's Unified Growth Theory and sort of the Neo Malthusian story that people like Gregory Clark are constructing?Davis; Okay, I'll start with the Acemoglu and Robinson theory about the Glorious Revolution. So [what] they essentially argue is that the Glorious Revolution is a watershed event that turns England into a participatory democracy, in which people are free to possess, transfer and use private property without fear of expropriation from the supposedly tyrannical monarchy that existed beforehand. And in the institutionalist view, the security of property rights and participatory democracy are both crucial for economic growth because they allow people to transfer assets to their most productive uses. And these sort of efficiency gains also lead to investment and modern economic growth is supposed to follow from that. Yeah, so Acemoglu and Robinson are sorts of making a distinction between inclusive and extractive institutions. Extractive institutions are supposed to be the sort of, European and broadly global pattern whereby elites have no incentive to promote economic growth and do not allow participation by the common citizen in the political discourse. Whereas inclusive institutions are very much the exception but are established in Britain in the sense that I've previously described, in both the economic and political spheres.They allege that, and I quote, "the industrial revolution started and made its biggest strides in England because of her uniquely inclusive economic institutions. These, in turn, were built on the foundations laid by the inclusive political institutions brought about by the Glorious Revolution, and that they gave man of talent and vision such as James Watt, the opportunity and incentive to develop their skills and ideas and influence the system in ways that benefited them and the nation". So yeah, that's the Acemoglu and Robinson view. Um... I'm not so fond of this one. Tobi; Why? Davis; I have to be careful because there are many people who see a sort of, attack on Acemoglu and Robinson, or even a critique of Acemoglu and Robinson as a critique of institutionalism itself, and I am by no means an anti institutionalist. Because I mean, it's painfully obvious that institutions are extremely important in explaining differential development. But some empirical flaws with the Acemoglu and Robinson contention, especially in its "Why Nations Fail" iteration is that the Glorious Revolution really didn't actually bring about the sort of sweeping political changes that they suppose occurred. British Parliament was still corrupt, the electorate was tiny and dominated by landed elites rather than merchants. Certainly, industrialists come [in the] early part of the 18th century. So those sorts of sweeping changes couldn't really have had a very big influence on the beginning of Britain's economic transformation. Second of all, Parliaments just do not guarantee economic growth anyway, there are plenty of examples of Parliaments filled with wealth holders and merchants who use their political powers in order to just extract rents from the economy at large. So this happens in places like Poland, for example, where parliament is so strong that the ruler cannot issue any legislation without its consent. But that power is then used by the Polish parliament to support the feudal rights of landowners over their serfs and that leads to agricultural stagnation rather than economic growth. So parliament is not necessarily the keystone of economic transformation. Finally, private property in England was already quite secure by the time of the Glorious Revolution. And that event did not bring about any kind of radical transformation in the way that property was treated in England. The Bill of Rights that was passed in 1689 did not impose any limits on Parliament's ability to confiscate property. So you basically see the replacement of the monarch's despotic power over property such as it existed, which was in curtailed form by Parliament. So it's not clear to me that you can attach an economic discontinuity to a political discontinuity in this way. I mean, indeed, in the century following the Glorious Revolution, there really isn't an economic discontinuity. There is perhaps an acceleration in the rate at which the British population is moving out of agriculture, but that had been occurring for over a century in Britain. Those are some of the main difficulties with the Acemoglu and Robinson theory. Then I believe you asked about...um...Tobi; Yeah, Greg Clark and...Davis; Right. So this is not an area that I've really worked with very much. And by the way, there are a number of iterations on the Unified Growth Theory. But as best as I understand it, unified growth theory is concerned with the sort of, the transition between a Malthusian regime and a post-Malthusian regime through the lens of the demographic transition and the returns to innovation. And in their model, population growth tends to increase the rate of technological progress, and technological progress, in turn, increases the returns to investing in human capital. And there's sort of a positive feedback loop between investment in human capital and the rate of technological growth, which has the additional effect of decreasing fertility and a sort of quality versus quantity trade-off. Clark's hypothesis is a little bit different. So Clarke, as I recall, argues most famously in the Farewell to Arms, sorry, A Farewell to Alms. (That is quite a slip there). His argument there is that, basically, the differential reproductive rates of the wealthy lead people of their habits and mindset to become the dominant subset of the population in certain advanced regions, and their behaviour - the behaviour that made them wealthy - is sort of the basis for growth-inducing economic interaction. Those are the main differences. I guess they don't interact with one another that directly, in my point of view.Tobi; So I mean, as long as we are interrogating several theories of the causes of the Industrial Revolution, I read McCloskey's trilogy, right? And I mean, she spent a lot of time criticizing all these other theories about the causes of the Great Enrichment, as she called it. And at the end of the day, she basically, well, I'm not an expert, but in my opinion, she resorted to a bit of a sleight of hand as well, which is to say that well, the cause of this Great Enrichment is liberalism. The spread of freedom, and basically attributed that to luck. Do you buy that? And how does that differ from say, Acemoglu and Robinson, you know... Feels a bit arbitrary.Davis; As I understand it, liberalism is only a part of the McCloskey hypothesis. There's also an aspect to which it has to do with the spread of the bourgeois virtues among the people of Britain and an economic mentality that had not previously existed, and that these sorts of behaviours are the key to an efficiently transacting and innovating culture. Yeah, so there's not just liberalism uber alles. But as far as liberalism is concerned, it's clearly not a sufficient condition for economic growth, it has to be combined to be even beneficial with certain kinds of state capacity such as the provision of some kinds of basic essential services, especially infrastructure, and the provision of social overhead capital in order for the benefits of industrialization not to be winnowed away. I mean, a good example is Britain, in fact, where certain kinds of laissez-faire behaviour by the state are actually detrimental to the British economy. British cities grow much too fast for their infrastructure, and in many ways, they really are the sort of hives of scum, filth, and overcrowding they're drawn up as in your standard Charles Dickens novel. And part of the reason for that is because much of the investment in public infrastructure was shunted away from the state and toward private individuals and this process did not occur as seamlessly as it might have. And so, you know, there's poor sanitation, improper access to good drinking water, inadequate housing stocks, and all these social bads, actually, probably, reduced the rate of economic growth. So if liberalism is to be helpful, it has to be an appendage of a larger growth process. And I really do not think it's either sufficient or necessary for industrialization. You can look straight to one of the foremost industrializing countries of the last four decades in China, where industrialization has occurred apace in, really, the absence of political liberalism. And you can make arguments about whether that growth will be sustained. But there is certainly dynamism and there is certainly an improvement in per capita living standards and convergence with the West. You can even make the argument for Soviet Russia and its early years as Bob Allen has - that from about the late 1920s until 1970, Soviet Russia under a planning regime grew quickly enough to have some measure of convergence with the West, and certainly an increase in living standards.Tobi; Two final questions before I let you go. One of which would be, as you mentioned in the introduction, after the 1760 or thereabout event, a lot of economies in Europe, France, and of course, Germany, caught up with the British economy and, of course, by the end of the Second World War, America had become the preeminent global economic power. Why did the British economy decline?Davis; That's a question that some economic historians don't accept at all, and that I'm hoping to explore in the relatively near future. But the old Edwardian argument that Britain has just matured, and that it's had its spell as the leading industrial nation, but there are inevitable limits to growth, and that they've reached the limit of their possibilities and handed over the torch to the United States and to Britain's European rivals. You know, the answer here is obviously a little bit more complicated. But one of the standard responses is to say, well, the kind of growth that Britain experienced from 1760 to 1860, was of a fundamentally different character than that that made the United States and Western Central Europe successful during the 19th century. And that's basically down to this distinction between tinkering and engineering-based innovation that is responsible for the creation of many of the main inventions of the British Industrial Revolution and the application of science to technology, drives innovation during the Second Industrial Revolution. So in the first industrial revolution, you see, particularly in the textile sector, a range of innovations arising from learning by doing, from people within the industry solving problems that occur to them in the production process and making incremental improvements, really, without the aid of any kind of formal knowledge. Not all of these improvements are incremental, like inventions like the flying shuttle, the water frame, the spinning jenny, all these things bring about colossal improvements in productivity, and they make Britain by 1850 the world's leading textile exporter, but none of them required deep formal knowledge of how to construct machinery of the physics of the engineering process. Whereas by the end of the 19th century, some of the leading sectors like steel, electricity, the construction of automobiles, chemicals, all of these industries require significant scientific knowledge in order to advance to an appreciable degree. So there's the argument that Britain's success in tinkering-based innovation-led it to undervalue the importance of investment in human capital, specifically through an education system. And consequently, there was sort of an inadequate generation of young scientists and professional engineers coming through the ranks just at the time when they were most needed in transitioning the British economy toward the modern industries that we're taking hold in Germany and the United States. That's probably true to an extent. But there's also a degree to which Britain is simply following its comparative advantage in other kinds of industries in the face of the industrialization of the United States and the Central European powers. Britain is always going to have an advantage in the provision of financial services and shipping, and that is really one of the directions that the British economy takes in the years before World War One. And so the economic historian Simon Carly has argued that this isn't senescence, this is not the ageing and stagnation of the British economy, but really a movement in a new direction to conform with her resource possibilities and comparative advantages. Obviously, the United States is always going to have a much larger advantage in heavy resource-based industrialization, because of the massive reserves of ores, minerals, timber at its disposal.Tobi; Final question before I let you go, if we look at contemporary economic growth and policies, especially in countries that are still behind income-wise, what can we learn from the Industrial Revolution? Because a lot of people project different things depending on the causal story that they buy, or that they want to believe. Advocates of industrialization and the East Asian style of industrial policy take different lessons, people who favour the Institutionalists also use that to give their own sort of policy advice. People who favour liberalism will say, well, it's about political freedom. So what are we supposed to learn from the Industrial Revolution, so to speak, does that particular period of history have anything to teach us at all?Davis; You and every sort of public, economic intellectual in every country that has tried to develop ever since the Industrial Revolution wonders the same thing. And the thing that's really interesting and unique about the British Industrial Revolution is not just that it's the first of its kind, but that it's the only Industrial Revolution that occurs without a model. Because every other industrialization process in history looked back on the British experience, and said, you know, we should imitate this aspect and that aspect. And that where Britain has been successful, we should expect to be successful too. They've taken Britain's successes and applied them to their own, to some extent. The British Industrial Revolution is unique because there is no precedent, there is no model for what occurred. It really did happen spontaneously, because even though there may have been some elements in the British government that wanted to promote economic growth, that's the famous mercantilism of the 17th and 18th centuries and really, one of the reasons why Adam Smith writes his great book, The Wealth of Nations in 1776, is because these are all people interested in making the country wealthier. But they had no idea that industrialization was sort of what could or would follow. And so, in terms of the lessons that we can draw from this, they are to some extent limited. We know that because of the degree to which all of these countries that have attempted to follow the British model have either successfully or unsuccessfully failed to do so. The United States, for example, was moderately successful at industrializing, say, in New England, along British lines, but immensely successful in going its own way in a variety of Heavy Industries toward the end of the 19th century. Partly because of the simple scale, but also because of the human capital and skill advantages that we've been talking about. You know, it's quite reasonable to argue that many of the East Asian countries would have struggled to industrialize in the spontaneous fashion that Britain did because they were situated in a position in the global economy in which they did not have a comparative advantage in the industries that would end up transforming them until they employed industrial policy in order to break free and to get out of low level local agrarian traps. And I know that people will shout at me and say that Meiji Japan was already growing prior to the world wars. But I don't think it was necessarily true that Meiji Japan was set to grow in the spectacular fashion that Japan did after 1945. But all this is debatable. But what is certainly true from the British example, is that it demonstrates, in some respects, the extent to which a different combination of political liberalism and state capacity can make a difference in producing some economic separation. So if you have the right political economy, by comparison with your neighbours, you can have a bit of a growth advantage. This is not to say that if you have had Britain's political economy from the 18th century, you would somehow grow faster today. Rather, if you had Britain's advantage in political economy, you might have. But in my opinion, and this is not to sound too down, the genesis of the Industrial Revolution is primarily in the long process of the transformation of productive forces from the 16th century onward. And no hand was taken really by any institution in shaping them. And that spontaneity, and that mystery really, is what makes the Industrial Revolution so interesting. And so also just why it has been so difficult to copy. And why nations that have intentionally industrialized have needed to find their own recipes for doing so.Tobi; Finally, what are you working on right now? And why are you excited about it?Davis; Yeah, so I'm planning on obviously continuing with my Substack and blog, I never really know what to call it. I don't know if it's a newsletter or a blog, or what? I guess it just depends on...Tobi; I think it's both. Davis; Yeah, I guess it depends on how you access it. But yeah, I've got a couple of projects in various stages of production. I have an economic history paper that is presumably being refereed at the moment, so we'll see how that's received and whether major transformations will be needed to bring that toward publication. And then I also am in some of the very early stages of what could be an exciting project in Canadian economic history. But I don't want to reveal too much about that at the present. I'm not exactly like throwing spaghetti at the wall and hoping that it sticks because I have way too much time in order to, sort of, incentivise desperation like that.But I do think it's, at this point, beneficial to engage in a diverse array of possibilities for work that I can consider doing.Tobi; It's been great talking to you, Davis, and I wish you all the best.Davis; Yeah, thanks. Fun conversation. This is a public episode. Get access to private episodes at www.ideasuntrapped.com/subscribe

In this live stream, we're joined by media strategist, podcaster, freelance journalist, & award-winning writer Gabriella Hoffman!! (Twitter: https://twitter.com/Gabby_Hoffman; District of Conservation Podcast: https://podcasts.apple.com/us/podcast/district-of-conservation/id1435126030) She's been writing extensively about the dangers of the Protecting the Right to Organize (PRO) Act, entrepreneurship, independent contracting, and more. As an entrepreneur and independent contractor herself, she's been keenly interested in these topics and the effects they may have on not just her, but entrepreneurs all across the United States. Today we're talking about the Biden Administration's nominee for Department of Labor Wage and Hour Division administrator, David Weil. He previously served under the Obama Administration, and was approved on January 13, 2021 by the Senate Committee on Health, Education, Labor and Pensions (HELP) for a general confirmation vote by the Senate. He's talked a lot about wanting to drastically limit independent contracting to ostensibly help protect employees. But does that do more harm than good to workers and the choices they face in the workplace? Join us in the live chat!

Today on the show we have Oscar® and two-time Emmy® Nominee Simon Kinberg. He has established himself as one of Hollywood's most prolific filmmakers, having written and produced projects for some of the most successful franchises in the modern era. His films have earned more than seven billion dollars worldwide.  Kinberg graduated from Brown University and received his MFA from Columbia University Film School, where his thesis project was the original script, “Mr and Mrs Smith.” The film was released in 2005, starring Brad Pitt and Angelina Jolie. Upcoming, Kinberg will premiere his action spy film “The 355”, which will be released theatrically by Universal on January 7, 2022. Directed, co-written and produced by Kinberg, the film was one of the biggest deals out of the 2018 Cannes Film Festival and stars an ensemble of A-list actresses including Jessica Chastain, Lupita Nyong'o, Penelope Cruz, Diane Kruger and Fan Bingbing. A dream team of formidable female stars come together in a hard-driving original approach to the globe-trotting espionage genre in The 355.When a top-secret weapon falls into mercenary hands, wild card CIA agent Mason “Mace” Brown (Oscar®-nominated actress Jessica Chastain) will need to join forces with rival badass German agent Marie (Diane Kruger, In the Fade), former MI6 ally and cutting-edge computer specialist Khadijah (Oscar® winner Lupita Nyong'o), and skilled Colombian psychologist Graciela (Oscar® winner Penélope Cruz) on a lethal, breakneck mission to retrieve it, while also staying one-step ahead of a mysterious woman, Lin Mi Sheng (Bingbing Fan, X-Men: Days of Future Past), who is tracking their every move.As the action rockets around the globe from the cafes of Paris to the markets of Morocco to the opulent auction houses of Shanghai, the quartet of women will forge a tenuous loyalty that could protect the world—or get them killed. The film also stars Édgar Ramirez (The Girl on the Train) and Sebastian Stan (Avengers: Endgame).The 355 is directed by genre-defying filmmaker Simon Kinberg (writer-director-producer of Dark Phoenix, producer of Deadpool and The Martian and writer-producer of the X-Men films). The screenplay is by Theresa Rebeck (NBC's Smash, Trouble) and Kinberg, from a story by Rebeck.The 355, presented by Universal Pictures in association with FilmNation Entertainment, is produced by Chastain and Kelly Carmichael for Chastain's Freckle Films and by Kinberg for his Kinberg Genre Films. The film is executive produced by Richard Hewitt (Bohemian Rhapsody), Esmond Ren (Chinese Zodiac) and Wang Rui Huan.His original series “Invasion” premiered on Apple TV+ on October 22nd. He co-created the show with David Weil, serves as Executive Producer, and wrote or co-wrote 9 of its first 10 episodes. It is considered one of Apple's most ambitious series to date as it was filmed on 4 different continents. The show has already been renewed for a second season, which Kinberg is show running and Executive Producing again. He is also the Executive Producer of the upcoming show “Moonfall” for Amazon. Also upcoming, Kinberg produced the sequel to "Murder on the Orient Express,” “Death on The Nile,” directed by Kenneth Branagh and starring Gal Gadot, Armie Hammer, Annette Bening and another all-star cast.Additionally, he is producing several projects for Netflix including “Lift” starring Kevin Hart with director F. Gary Gray, his original script "Here Comes the Flood" with Jason Bateman directing, "Endurance" with Camille Griffin directing, and “Pyros” with Reese Witherspoon starring and producing. Kinberg's latest spec “Wayland” will also begin production next year for Lionsgate, with Michael Showalter directing, and Jessica Chastain producing alongside Kinberg Kinberg will also be producing “The Running Man” at Paramount Pictures to be directed by Edgar Wright, “Artemis” to be directed by Oscar winners Chris Miller and Phil Lord and based on a book by the writer of “The Martian”, the remake of “The Dirty Dozen” at Warner Brothers with David Ayer writing and directing, “Starlight” at 20th Century Studios to be written and directed by Joe Cornish, “Death Notification Agency” at Amazon based on the novel of the same name, “Karma” at Sony Pictures, “Chairman Spaceman” at Fox Searchlight, to be directed by Oscar Winner Andrew Stanton, and an Untitled Action-Romance starring Idris Elba at Apple. Following almost a decade's worth of Marvel films, Kinberg will also write and produce “Battlestar Galactica” for Universal which will be his latest franchise universe. In 2006, he wrote “X-Men: The Last Stand,” which opened on Memorial Day to box office records and began his ongoing relationship with the franchise. In 2008, Kinberg wrote and produced Doug Liman's film “Jumper” for 20th Century Fox. In 2009, Kinberg co-wrote the film “Sherlock Holmes” starring Robert Downey Jr, directed by Guy Ritchie. The film received a Golden Globe for Best Actor and was nominated for two Academy Awards. In 2010, Kinberg established his production company Genre Films, with a first look deal at 20th Century Fox. Under this banner, he produced “X-Men: First Class,” executive produced “Abraham Lincoln: Vampire Hunter” and wrote and produced “This Means War.” In 2013, Kinberg produced “Elysium," which starred Matt Damon and Jodie Foster, directed by Neill Blomkamp. On Memorial Day of 2014, Fox released “X-Men: Days of Future Past," which Kinberg wrote and produced. The film opened number one at the box office, received critical acclaim and went on to gross more than $740 million worldwide. In 2015, Kinberg had four films in release. He re-teamed with Neill Blomkamp to produce “Chappie,” starring Hugh Jackman and Sharlto Copley. Kinberg produced Disney's Academy Award-nominated film “Cinderella," starring Cate Blanchett and directed by Kenneth Branagh.In addition, Kinberg was the co-writer and producer of “The Fantastic Four.” His final film of the year was “The Martian,” which he produced. The film, directed by Ridley Scott and starring Matt Damon, grossed more than $630 million worldwide, won two Golden Globes (including Best Picture) and was nominated for seven Academy Awards (including Best Picture). In 2016, Kinberg produced “Deadpool,” starring Ryan Reynolds. The film broke international and domestic records for box office, including becoming the highest-grossing R-rated film of all time globally. It went on to win two Critics Choice Awards (including Best Picture - Comedy) and receive two Golden Globe nominations (including Best Picture), a WGA nomination and a PGA nomination for Best Picture. That year, Kinberg also wrote and produced “X-Men: Apocalypse.” In 2017, he produced “Logan,” the final installment of the Wolverine franchise with Hugh Jackman. It was selected as the closing film of the Berlin Film Festival and opened #1 at the box office. It was named one of the ten best films of the year from the National Board of Review, garnered three Critics Choice Nominations and an Academy Award Nomination.Kinberg was also a producer on “Murder on the Orient Express,” directed by Kenneth Branagh, with Branagh starring alongside Johnny Depp, Michelle Pfeiffer, Penelope Cruz, Daisy Ridley, Judi Dench, and others. In 2018, Kinberg produced “Deadpool 2,” which matched the success of the first film. It was Kinberg's fourteenth film to open number one at the box office. In 2019, Kinberg made his directorial debut with “X-Men: Dark Phoenix,” which was released June 7. The film once again starred Jennifer Lawrence, Michael Fassbender, James McAvoy, Nicholas Hoult, Sophie Turner, with new addition Jessica Chastain. In television, he was the executive producer of “Designated Survivor,” starring Kiefer Sutherland on ABC and Netflix. He was also the executive producer of “Legion,” “Gifted,” and executive producer and co-creator with Jordan Peele of the remake of “The Twilight Zone” on CBS All Access.  Kinberg has served as a consultant on “Star Wars: Episode VII” and “Rogue One," and he was the creator and executive producer of the animated show “Star Wars: Rebels” on Disney networks. You can also watch Simon's Screenwriting Masterclass on The Dialogue Series on Indie Film Hustle TV.The Dialogue: Learning From the Masters is a groundbreaking interview series that goes behind the scenes of the fascinating craft of screenwriting. In these 70-90 minute in-depth discussions, more than two-dozen of today's most successful screenwriters share their work habits, methods, and inspirations, secrets of the trade, business advice, and eye-opening stories from life in the trenches of the film industry. Each screenwriter discusses his or her filmography in great detail and breaks down the mechanics of one favorite scene from their produced work.Needless to say this is one heck of an episode. Enjoy my conversation with Simon Kinberg.

A Ona Cinema hem comptat amb tot l'equip en aquesta edició. Josep Maria Jolis ha parlat sobre l'estrena de 'The hand of God' de Paolo Sorrentino, el Goya d'Honor per a José Sacristán i les 20 nominacions dels premis per a 'El buen patrón' de Fernando León i l'exposició 'El centenari Fellini al món' al Born CCM. Laura Clemente ens ha portat novetats de la nova plataforma HBO Max, com 'Todo lo otro', la sèrie creada, dirigida i protagonitzada per l'artista transgènere Abril Zamora... I la pel·lícula 'No sudden move' d'Steven Soderbergh, que ja comentem amb Lluís Rueda. A més, ens Lluís ens porta també les sèries 'Yellowjackets' d'Ashley Lyle i Bart Nickerson (Movistar+), 'Invasión' de Simon Kinberg i David Weil que tindrà 2a temporada (Apple TV) i i anant cap a producte francès, 'Possessions' de Shachar Magen i l'original musical de Léos Carax, 'Annette' amb Adam Driver i Marion Cotillard (Filmin). Finalment, 'El poder del perro' de Jane Campion (Netflix i cinema Phenomena) que comentarem en propers programes. L'Eli destaca la sèrie d'animació 'The Heike Story' de Naoko Yamada basada a la novel·la de Hideo Furukawa, que podeu veure a canals com Funimation. Una autèntica perla d'anime. I Jose Angel Rico ens ha ressenyat films com 'Tick tick... boom!' de Lin-Manuel Miranda, 'El Cover' de Secun de la Rosa i 'Madres paralelas' d'Almodovar. Tornem a recordar-vos que no us perdeu films com 'Spencer' de Pablo Larraín i 'Last night in Soho' d'Edwar Wright, en cartell... fins ben aviat! Ona Cultural - Ona de Sants - cultura - cinema -ràdio - radio - cine - estrenes- sèries - premis - notícies

Vegas Film Critic (Jeffrey K Howard) speaks with show creator and writer, David Weil, for the new series, Invasion - streaming on Apple TV +. 

In this episode, Scott Hecker, Senior Counsel in the Labor and Employment department of Seyfarth's Washington, DC office, and Scott Mallery, Counsel in the Labor and Employment department of Seyfarth's Sacramento office, discuss the U.S. DOL nominations of Doug Parker to serve as Assistant Secretary of Labor for Occupational Safety and Health and David Weil to return to his prior position as Wage and Hour Division Administrator, as well has how the confirmations of both Julie Su and Seema Nanda could increase the velocity of change at the DOL. With increased enforcement at the forefront of the Department of Labor's agenda, Mr. Parker and Dr. Weil could serve outsized roles in executing the Administration's policies and priorities. The Policy Matters podcast team lays out what we know about Doug Parker and David Weil, and considers what their nominations mean for the Department and the regulated community.

Karen Kerrigan, SBE Council, on Gallup "Confidence Survey" ranking small business at #1; status of infrastructure deal & budget package, update on opposition to DOL/David Weil nomination; SBE Council's Capitol Hill Briefing, July 22, 1 pm ET.

What unions can't get from Congress, they seek from Labor nominee David Weil. And America's top public schools show the ugly side of equity. Learn more about your ad choices. Visit megaphone.fm/adchoices

Karen Kerrigan: Momentum behind a bipartisan infrastructure agreement and what SBE Council will monitor; the big problem DOL Wage and Hour nominee David Weil; and the challenge of worker/supply shortages on small businesses.

David Weil grew up amongst storytellers. His grandparents, his parents, his siblings. He loved the idea of being able to transport listeners - or viewers - to new, untold worlds. Weil carried this passion for years, acting and writing with people like Darren Aronofsky and J.J. Abrams, until he finally got his first projects made, Hunters and Solos, both for Amazon. Hunters: In 1977, in New York City, a troubled young Jewish man bent on revenge is taken in by a secret group of Nazi hunters fighting a clandestine war against the cabal of high-ranking Nazi officials in hiding who work to create the Fourth Reich. Solos: Seven unique character-driven stories. Each character will set off on a thrilling adventure in an uncertain future and they'll come to reckon that even during our most isolated moments, we are all connected through the human experience. In this interview, Weil talks about scholarships and the Blacklist, writing specs as calling cards, how to lead with details, what he learned conducting research for Tom Hardy, and why the story demands what the story demands. If it's your first time listening, make sure to subscribe and visit my new website for information on the YouTube channel, the blog, this podcast, and my new book ‘Ink by the Barrel' which takes advice from these 200+ interviews at the link below… Join the email list here: www.brockswinson.com Follow us on Instagram for updates: @brockswinson If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60-seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom on your iTunes Podcast app and click “Write Review"). Enjoy the show!

WBZ's Jordan Rich takes a look at this dramatic anthology television miniseries created by David Weil.

The director of TV hit Unorthodox has a new rom-com about a soulful android screening here as part of the German Film Festival, she speaks to us about the film. Creator of the Al Pacino led series Hunters on his new sci-fi show for Amazon, and the director of Lapsis, a charming indie set in the gig economy in a near future New York.

The director of TV hit Unorthodox has a new rom-com about a soulful android screening here as part of the German Film Festival, she speaks to us about the film. Creator of the Al Pacino led series Hunters on his new sci-fi show for Amazon, and the director of Lapsis, a charming indie set in the gig economy in a near future New York.

The director of TV hit Unorthodox has a new rom-com about a soulful android screening here as part of the German Film Festival, she speaks to us about the film. Creator of the Al Pacino led series Hunters on his new sci-fi show for Amazon, and the director of Lapsis, a charming indie set in the gig economy in a near future New York.

The director of TV hit Unorthodox has a new rom-com about a soulful android screening here as part of the German Film Festival, she speaks to us about the film. Creator of the Al Pacino led series Hunters on his new sci-fi show for Amazon, and the director of Lapsis, a charming indie set in the gig economy in a near future New York.

The director of TV hit Unorthodox has a new rom-com about a soulful android screening here as part of the German Film Festival, she speaks to us about the film. Creator of the Al Pacino led series Hunters on his new sci-fi show for Amazon, and the director of Lapsis, a charming indie set in the gig economy in a near future New York.

Q&A with Solos creator, executive producer, writer and director David Weil. Moderated by Mara Webster, In Creative Company. Seven unique character-driven stories. Each character will set off on a thrilling adventure in an uncertain future and they'll come to reckon that even during our most isolated moments, we are all connected through the human experience.

Tim speaks with the directors of the anthology series “Solos”, including Zach Braff, Tiffany Johnson, Sam Taylor-Johnson, and creator David Weil.Prime Video Presents is a Prime Video podcast and an AT WILL MEDIA production. Watch the Amazon Original series Solos, streaming now on Prime Video. 

Solos is a dramatic anthology series created by David Weil and produced by Amazon. The series features stars such as Morgan Freeman, Anne Hathaway and Helen Mirren, among others. David talks to Write On about the genesis of the project: “Solos was born out of a time of great disconnection and loneliness and solitude. I always wanted to tell a story that returned me to the origins of how I fell in love with storytelling.”   David takes us through his career and the long journey from writing his first spec to becoming the creator of the Amazon Prime series Hunters. “All of the no’s will one day lead to a yes. I can't tell you how many no’s I had in the ten years it took from moving out to LA to then getting Hunters made… every script that is passed on will one day have its moment.”   Don’t forget to subscribe to the Write On Podcast on iTunes!  

David Weil is the showrunner for Hunters, a TV series which imagined the work of Nazi hunters in 1970s New York . The large cast included Al Pacino in his first ever TV lead role. When Covid closed down largescale productions, David Weil turned his hand to a much more intimate sort of show. Solos is a new 7-part fantasy series which is essentially monologues from the likes of Helen Mirren, Anne Hathaway and Morgan Freeman. Brit Bennett is the first shortlisted nominee for The Women’s Prize for Fiction to join us. Her book, The Vanishing Half, follows identical twins who, after running away from home at 16, adopt different racial identities. Brit discusses how her mother’s upbringing inspired the story, and why she wanted to write about colourism. As BBC Four launches its Great British Photography Challenge, photographer Maryam Wahid offers some handy hints to help you get the best possible shot with your mobile phone camera. Composer, singer and choral conductor Bob Chilcott discusses the government's guidance issued on the 18th May which says that amateur choirs can only rehearse indoors in groups of a maximum of six, which led to many of the 42,000 choirs across the country having to change rehearsal and performance schedules planned after restrictions on public performances were lifted on 17th May. Presenter: Samira Ahmed Producer: Jerome Weatherald

What Happens Next in 6 Minutes LOATHING THE WORKING CLASS, CENSORING CONSERVATIVES, FUTURE OF REAL ESTATE, EMPLOYMENT, OUTSOURCING https://www.whathappensnextin6minutes.com/sessions/loathing-the-working-class-censoring-conservatives-future-of-real-estate-employment-outsourcing/#kaufmann

Host: Larry Bernstein. Guests include Paul Embery, Eric Kaufmann, Dean Adler, Casey Mulligan, and David Weil.

Data & Society and Stanford PACS host a special book launch: One of the most far-reaching transformations in our era is the wave of digital technologies rolling over—and upending—nearly every aspect of life. Work and leisure, family and friendship, community and citizenship have all been modified by now-ubiquitous digital tools and platforms. Digital Technology and Democratic Theory looks closely at one significant facet of our rapidly evolving digital lives: how technology is radically changing our lives as citizens and participants in democratic governments.To understand these transformations, this book brings together contributions by scholars from multiple disciplines to wrestle with the question of how digital technologies shape, reshape, and affect fundamental questions about democracy and democratic theory. As expectations have whiplashed—from Twitter optimism in the wake of the Arab Spring to Facebook pessimism in the wake of the 2016 US election—the time is ripe for a more sober and long-term assessment. How should we take stock of digital technologies and their promise and peril for reshaping democratic societies and institutions? To answer, this volume broaches the most pressing technological changes and issues facing democracy as a philosophy and an institution.Speaker BiosRobyn Caplan | @robyncaplanRobyn Caplan is a Researcher at Data & Society, and a PhD Candidate at Rutgers University (ABD, advisor Philip M. Napoli) in the School of Communication and Information Studies. She conducts research on issues related to platform governance and content standards. Her most recent work investigates the extent to which organizational dynamics at major platform companies impacts the development and enforcement of policy geared towards limiting disinformation and hate speech, and the impact of regulation, industry coordination, and advocacy can play in changing platform policies.Her work has been published in journals such as First Monday, Big Data & Society, and Feminist Media Studies. She has had editorials featured in The New York Times, and her work has been featured by NBC News THINK and Al Jazeera. She has conducted research on a variety of issues regarding data-centric technological development in society, including government data policies, media manipulation, and the use of data in policing.Lucy Bernholz | @p2173Lucy Bernholz is a Senior Research Scholar at Stanford University's Center on Philanthropy and Civil Society and Director of the Digital Civil Society Lab. She has been a Visiting Scholar at The David and Lucile Packard Foundation, and a Fellow at the Rockefeller Foundation's Bellagio Center, the Hybrid Reality Institute, and the New America Foundation. She is the author of numerous articles and books, including the annual Blueprint Series on Philanthropy and the Social Economy, the 2010 publication Disrupting Philanthropy, and her 2004 book Creating Philanthropic Capital Markets: The Deliberate Evolution. She is a co-editor of Philanthropy in Democratic Societies (2016, Chicago University Press) and of the forthcoming volume Digital Technology and Democratic Theory. She writes extensively on philanthropy, technology, and policy on her award winning blog, philanthropy2173.com.She studied history and has a B.A. from Yale University, where she played field hockey and captained the lacrosse team, and an M.A. and Ph.D. from Stanford University.Rob Reich | @robreichRob Reich is professor of political science and, by courtesy, professor of philosophy at the Graduate School of Education, at Stanford University. He is the director of the Center for Ethics in Society and co-director of the Center on Philanthropy and Civil Society (publisher of the Stanford Social Innovation Review), both at Stanford University. He is the author most recently of Just Giving: Why Philanthropy is Failing Democracy and How It Can Do Better (Princeton University Press, 2018) and Philanthropy in Democratic Societies: History, Institutions, Values (edited with Chiara Cordelli and Lucy Bernholz, University of Chicago Press, 2016). He is also the author of several books on education: Bridging Liberalism and Multiculturalism in American Education (University of Chicago Press, 2002) and Education, Justice, and Democracy (edited with Danielle Allen, University of Chicago Press, 2013). His current work focuses on ethics, public policy, and technology, and he serves as associate director of the Human-Centered Artificial Intelligence initiative at Stanford. Rob is the recipient of multiple teaching awards, including the Walter J. Gores award, Stanford's highest honor for teaching. Reich was a sixth grade teacher at Rusk Elementary School in Houston, Texas before attending graduate school. He is a board member of the magazine Boston Review, of Giving Tuesday, and at the Spencer Foundation. More details at his personal webpage: http://robreich.stanford.eduSeeta Peña GangadharanDr Seeta Peña Gangadharan is Associate Professor in the Department of Media and Communications at the London School of Economics and Political Science. Her work focuses on inclusion, exclusion, and marginalization, as well as questions around democracy, social justice, and technological governance. She currently co-leads two projects: Our Data Bodies, which examines the impact of data collection and data-driven technologies on members of marginalized communities in the United States, and Justice, Equity, and Technology, which explores the impacts of data-driven technologies and infrastructures on European civil society. She is also a visiting scholar in the School of Media Studies at The New School, Affiliated Fellow of Yale Law School's Information Society Project, and Affiliate Fellow of Data & Society Research Institute.Before joining the Department in 2015, Seeta was Senior Research Fellow at New America's Open Technology Institute, addressing policies and practices related to digital inclusion, privacy, and “big data.” Before OTI, she was a Postdoctoral Associate in Law and MacArthur Fellow at Yale Law School's Information Society Project. She received her PhD from Stanford University and holds an MSc from the Department of Media and Communications at the London School of Economics and Political Science.Seeta's research has been supported by grants from Digital Trust Foundation, Institute of Museum and Library Services, Ford Foundation, Open Society Foundations, Stanford University's Center on Philanthropy and Civil Society, and U.S. Department of Commerce's Broadband Technology Opportunities Program.Archon Fung | @ArfungArchon Fung is the Winthrop Laflin McCormack Professor of Citizenship and Self-Government at the Harvard Kennedy School. His research explores policies, practices, and institutional designs that deepen the quality of democratic governance. He focuses upon public participation, deliberation, and transparency. He co-directs the Transparency Policy Project and leads democratic governance programs of the Ash Center for Democratic Governance and Innovation at the Kennedy School. His books include Full Disclosure: The Perils and Promise of Transparency (Cambridge University Press, with Mary Graham and David Weil) and Empowered Participation: Reinventing Urban Democracy (Princeton University Press). He has authored five books, four edited collections, and over fifty articles appearing in professional journals. He received two S.B.s — in philosophy and physics — and his Ph.D. in political science from MIT.

As the pandemic recession drags on, people are turning to gig work to fill the gaps, and the nature of that work is evolving. Proposition 22 in California, which passed last week, lets companies classify delivery and ride-hail drivers as independent contractors. There are some new requirements, such as a wage floor and some health benefit options. Some describe it as a “third way” between benefit-free part-time work and traditional full-time employment. If the idea catches on more broadly, what could it mean for how we work? Molly Wood speaks with David Weil, dean at the Heller School for Social Policy and Management at Brandeis University. He says the idea comes from Canadian labor law.

As the pandemic recession drags on, people are turning to gig work to fill the gaps, and the nature of that work is evolving. Proposition 22 in California, which passed last week, lets companies classify delivery and ride-hail drivers as independent contractors. There are some new requirements, such as a wage floor and some health benefit options. Some describe it as a “third way” between benefit-free part-time work and traditional full-time employment. If the idea catches on more broadly, what could it mean for how we work? Molly Wood speaks with David Weil, dean at the Heller School for Social Policy and Management at Brandeis University. He says the idea comes from Canadian labor law.

As the pandemic recession drags on, people are turning to gig work to fill the gaps, and the nature of that work is evolving. Proposition 22 in California, which passed last week, lets companies classify delivery and ride-hail drivers as independent contractors. There are some new requirements, such as a wage floor and some health benefit options. Some describe it as a “third way” between benefit-free part-time work and traditional full-time employment. If the idea catches on more broadly, what could it mean for how we work? Molly Wood speaks with David Weil, dean at the Heller School for Social Policy and Management at Brandeis University. He says the idea comes from Canadian labor law.

As the pandemic recession drags on, people are turning to gig work to fill the gaps, and the nature of that work is evolving. Proposition 22 in California, which passed last week, lets companies classify delivery and ride-hail drivers as independent contractors. There are some new requirements, such as a wage floor and some health benefit options. Some describe it as a “third way” between benefit-free part-time work and traditional full-time employment. If the idea catches on more broadly, what could it mean for how we work? Molly Wood speaks with David Weil, dean at the Heller School for Social Policy and Management at Brandeis University. He says the idea comes from Canadian labor law.

Dr. Dan welcomes Cécile David-Weill, French American author and parent, to Episode 96 to discuss her new book Parents Under the Influence: Words of Wisdom from a Former Bad Mother.  In her book (part memoir and part guide), Cécile David-Weill draws on her own parenting mistakes and successes as well as case studies and works of fiction to guide readers to become more effective, nurturing parents.   This unique book offers both insight and remedy to those parents who are unknowingly under the influence of their own childhood experiences, and unwittingly repeating their parents’ mistakes while believing they are doing the right thing.    Dr. Dan and Cecile discuss many topics and thankfully for all listeners dispute the perfect parent myth.   Dr. Dan and Cecile talk about parenting advice including:   How to talk through your own childhood and identify sources of trauma   How to spend time with your children in a way that’s enjoyable – and benefits everyone   The importance of getting rid of all preconceived notions of who your child will become   The importance of the silent relationship between mother and children   Why, despite the common thought, worrying is not a form of love   Why parents should be real and authentic (hint: children know when we are faking it)   and more   Cécile’s entire book informs her Parent Footprint moment. She shares a story about music and her son -- listeners will never forget it!   Cécile David-Weill is French and American. She published her first novel, Béguin, under the name of Cécile de la Baume. The Suitors, her third novel, was published by Other Press in 2013. David-Weill is a regular contributor to the online French news magazine Le Point, with a column entitled "Letters from New York." She was born in New York, where she currently lives.   For more information visit:   https://www.ceciledavid-weill.com/ Watch this free video to learn more about Dr. Dan and Parent Footprint Awareness Training®.

When your first major writing credit is a series that stars Al Pacino with Jordan Peele executive producing, you must be doing something right. Host Tim Kash chats with freshman showrunner and creator David Weil about the family inspiration for his hit TV show “Hunters” and the Easter eggs (or as David calls them, “Passover eggs”) hidden throughout Season 1. This episode contains spoilers for Season 1 of “Hunters.”

On this special Bonus Episode of PAPERCLIP, host Michael Ian Black talks with David Weil and Nikki Toscano, the showrunners and executive producers of Amazon Studios’ Emmy©-eligible original drama series, HUNTERS. Set in 1977 New York City, HUNTERS follows a team of vigilantes on a mission to hunt down Nazi war criminals living in America. As it draws inspiration from real-life events (including Operation Paperclip), HUNTERS blends the gravity of World War II history with the gusto of an action-packed comic book -- all while tackling big questions about good and evil, justice and vengeance, and whether it’s possible to make peace with a haunted past. In their conversations with Michael, David and Nikki reveal some of the deeply personal stories that informed this truly unique series, which is currently streaming on Prime Video. This is a paid podcast funded Amazon Studios. The Los Angeles Times newsroom was not involved in the production of this podcast. The views expressed on this podcast are not necessarily the views of Amazon Studios or the Los Angeles Times. Produced with support from Treefort Media.

Operation Paperclip began as a temporary program -- but before long, its German recruits were given a path to American citizenship, and men who worked for the Nazi regime suddenly became men who lived next door. Previously on PAPERCLIP, comedian Michael Ian Black and historian Monique Laney examined Paperclippers who achieved public recognition. But what about the hundreds whose names didn’t make headlines? Where were they, and what did they do? As our hosts and historian Michael Neufeld explore Paperclip’s connection to the United States military and American industry, they reveal some surprising answers to these questions. Finally, Michael and Monique reflect on everything they’ve talked about -- and discuss how confronting a painful past is essential to creating a brighter future. Attention PAPERCLIP subscribers! Next week, stay tuned for a special Bonus Episode featuring Michael Ian Black’s conversations with David Weil and Nikki Toscano, the showrunners and executive producers of Amazon Studios’ Emmy-eligible original drama series, HUNTERS. This is a paid podcast funded by Amazon Studios. The Los Angeles Times newsroom was not involved in the production of this podcast. The views expressed on this podcast are not necessarily the views of Amazon Studios or the Los Angeles Times. Produced with support from Treefort Media.

It's the return of Sam! And we're picking up where we left off, with a continuation of our mini-season of high school movies. This week, in a change (as explained in the episode) to the film we had been going to feature, it's Emma Watson's 2012 (post-HP) breakout role. After some reviews, we talk about how, refreshingly, this is a teen romance that's actually not about its central relationship; the experiences of its female lead, both on-screen and off-; and filmed depictions of little griefs and in-spite-of-it-all positivity (something that we definitely need at the moment!). Next Time The penultimate movie in our ‘high school' mini season is the 2016 musical comedy-drama SING STREET. Recent Media HUNTERS (2020): David Weil, Logan Lernan, Jerrika Hinton OCEAN'S ELEVEN/TWELVE/THIRTEEN (2001-07): Steven Soderbergh, George Clooney, Brad Pitt NEW AMSTERDAM (2018–): Eric Manheimer, David Schulner, Ryan Eggold KNIVES OUT (2019): Rian Johnson, Daniel Craig, Chris Evans SLEUTH (1972): Joseph L. Mankiewicz, Anthony Schaffer, Laurence Olivier Recommendations MY WEEK WITH MARILYN (2011): Simon Curtis, Colin Clark, Michelle Williams THE TRIBE (2014): Myroslav Slaboshpytskiy, Grygoriy Fesenko, Yana Novikova TRAINWRECK (2015): Judd Apatow, Amy Schumer, Bill Hader ATONEMENT (2007): Joe Wright, James McAvoy, Keira Knightley Footnotes Firstly, in our now-regular mention of Brecht, here's an interesting piece on alienation on stage and screen: https://beautifultrouble.org/theory/alienation-effect. Further to this, here are a few recommendations for other films about alienation: https://www.tasteofcinema.com/2018/10-great-movies-that-explore-human-alienation. This is a good resource for thinking about on-screen outsiders: https://www.universalteacher.org.uk/gcsemedia/filmout.htm. If, like Sam (the real-life one, not the character), you haven't seen THE ROCKY HORROR PICTURE SHOW, then this is a good place to start: https://en.m.wikipedia.org/wiki/The_Rocky_Horror_Picture_Show_cult_following. Finally, for more on some of the debates surrounding Emma Watson, the proverbial internet rabbit hole starts here: https://www.kqed.org/pop/68229/why-does-emma-watsons-feminism-irritate-so-many-people (I came up with this article because I refused to Google ‘Emma Watson + sexualisation'; if you want to, though, be my guest! [And yes, that is an Emma Watson reference. Oooh: how clever...]) Find Us On Podchaser - https://www.podchaser.com/podcasts/the-prestige-417454 Follow Us - https://www.twitter.com/prestigepodcast Follow Sam - https://www.twitter.com/life_academic Follow Rob - https://www.twitter.com/kaijufm Find Our Complete Archive on Kaiju.FM - http://www.kaiju.fm/the-prestige/

It's a first for the show! In this episode, the hosts sit down to talk about something none of them particularly enjoyed. Also we get a quick update on the state of the sugar industry.

Wie in der letzten kleinen Zwischenepisode bekannt gegeben hat sich das Thema "Kinopodcast" wohl bis auf weiteres zunächst einmal erledigt. Zwar sind Batz und Diemen noch immer an Popkultur und Schnulzen interessiert, doch die harte Action und das grosse Drama wird wohl dank der aktuellen Coronasituation erst einmal nicht mehr auf der Leinwand stattfinden. Aus diesem Grund sind wir nun dazu übergegangen uns Serien zu widmen die wir - für und mit euch - diskutieren wollen. Auch der ein oder andere alte Film wird einmal dabei sein und so wird es DMAS mit Sicherheit auch dann noch geben, wenn uns Corona wieder in die Kinos lässt. Den Anfang machen wir mit Hunters. Die Serie ist weder besonders alt noch besonders schlecht gemacht. Als Amazon Prime Produktion steht einiges an Geld hinter der von David Weil geteilten Idee und da es um die Jagd einer geheimen jüdischen Organisation nach Naziverbrechern geht, kann man sich auch vorstellen, dass mindestens genau so viel Kontroverse entfacht wurde. Ob die Serie es schafft Spannung, Action und tiefe Charaktere mit dem gebührenden Respekt der ihr von der Darstellung vom Konzentrationslagerleben abgenötigt wird zu vereinen, darüber reden Batz und Diemen in dieser Folge mit ihrem Gast Benny Ilgner.Ausserdem geht es um: Pressevorführungen, Sean Connery, Der Kleine Hobbit, Star Wars, Matrix, SchleFaz und Zardos!

En esta ocasión Charlie Del Río (@CharlieDelRio) y Lucero Calderón @TutsiRouge platican sobre Hunters en Prime Video. Protagonizada por Logan Lerman como Jonah Heidelbaum y Al Pacino como Meyer Offerman. Creada por David Weil y producida por Alfonso Gomez-Rejon y Jordan Peele.Encuéntranos en www.cinematempo.com.mxSíguenos en @CinemaTempo

Hunters chegou ao catálogo de streaming da Amazon Prime Video no dia 21 de Fevereiro. A série que é produção de Jordan Peele (Corra!, Nós) ao lado de David Weil conta a história de um grupo diversificado de caçadores nazistas na cidade de Nova Iorque, que descobrem que criminosos de guerra nazistas estão conspirando para criar um Quarto Reich nos EUA.Além de Al Pacino e Logan Lerman completam o time dos Caçadores: Kate Mulvany, Josh Radnor, Tiffany Boone, Louis Ozawa Changchie, Joe Torrance, Carol Kane e Saul Rubinek.O CAST: Estamos mais uma vez reunidos com esse seleto time de comentaristas liderados pela host Stephanie Espindola, o palestrinha Ben-Hur Silva e eu, Guto Souza.7O PROGRAMA: A mais nova série da Amazon Prime Video está entre nós e precisávamos dar nossas opiniões e expressamos nosso "amor e ódio" por Hunters.Escolha seu player favorito, dê o play e divirta-se conosco!Correção: Onde falamos "cultura judia", queríamos dizer "cultura judaica".E aí, tem alguma indicação ou comentário para o Martelada? Mande pra nós e lembre-se de nos acompanhar nos principais agregadores de podcast! Para mandar seu áudio, basta entrar em contato conosco por mensagem no Facebook, ou Direct no Instagram ou pelo e-mail contato@feededigno.com.br.Seu feedback é muito importante para que possamos sempre melhorar o formato do nosso Martelada.PUBLICAÇÕES RELACIONADAS: Acesse a publicação do Martelada 27 em https://feededigno.com.br

Episode NotesIntro/Yay or Nay: 0:00 - 8:15Talking Hunters: 8:15 - 33:15"At the Picture Show"with The Boys From Brazil: 33:15 - 37:55Outro and next week (The Invisible Man and Onward): 37:55 - 38:55Beau disliked:Moonrise KingdomJess liked:The Smiling LieutenantThe Love ParadeThe Merry WidowHara-KiriJess disliked:The Way Back (2010)The word Beau is trying to come up with about halfway through the episode is "detainees."Here are the links and stories we mentioned this episode:Billy Wilder on "The Lubitsch Touch"Hunter creator David Weil on IMDBWeil's full statement on the Auschwitz Memorial's objections to the showDylan Baker's IMDBJosh Mostel's IMDBThe trailer for The Boys From Brazil

Nazis in America? A group of diverse Nazi-hunters led by Al Pacino? Audiences are split on "Hunters," Amazon Prime's latest series from David Weil and produced by Jordan Peele. Erin and Esther, who both have complicated feelings, do a deep dive into the many layers and conversations spawned by the "Jewsploitation noir" show, including why it gives Erin nightmares and how it's contributing to secular Judaism's visibility and representation onscreen. **CAUTION: This episode contains spoilers from Episode 1 of "Hunters" because Erin is a loose cannon and it's conversationally helpful, but (mostly) refrains from other spoilers because Esther's committed to your experience as a potential viewer. You're welcome.** Follow Erin, Esther and The Bagel Report on Twitter! 

The five topics that Lesley and Dan cover this week are:The year in TV so far with Inkoo Kang (4:14)How the growing need for content is impacting TV studios (18:42)Mailbag!!! (26:10)Showrunner Spotlight: David Weil (38:49)Critics Corner (1:17:09)Welcome to the TV's Top 5! On this podcast, The Hollywood Reporter's own Lesley Goldberg, West Coast TV Editor, and Daniel Fienberg, Chief Television Critic, will be talking all things TV. Each episode will be broken into five segments that will be sure to deliver real-time television news, a critical look at current and upcoming shows, as well as regular analysis of programs on TV and much more. Stay tuned for future episodes and be sure to subscribe!Hosted by: Lesley Goldberg and Daniel FienbergProduced by: Matthew Whitehurst and Joshua Farnham

If you’re scratching your head over stuck wages and dwindling job benefits, massive corporate outsourcing is one place to look. David Weil, author of The Fissured Workplace, explains how companies’ use of indirect contractors is one reason wages aren’t going up. David Weil is the Dean and Professor at Brandeis University’s Heller School of Social Policy and Management. He served as US Wage and Hour Administrator at the Department of Labor during the last three years of the Obama administration.For more information go to: www.oecd.org/employment/ www.oecd-ilibrary.org/employment

Torsten Slok, Chief International Economist at Deutsche Bank, on jobs, the global economy, Italy and the euro. David Weil, Dean of the Heller School at Brandeis University, discusses wage stagnation, and whether it's reflected in consumer data. Clint Watts, Senior Fellow at the Foreign Policy Research Institute, discusses his new book, "Messing With The Enemy: Surviving in a Social Media World of Hackers, Terrorists, Russians and Fake News." Debbie Shon, trade lawyer with Quinn Emanuel, and former VP of International Trade and Public Policy at U.S. Steel, on Trump's steel tariffs.

Chris Evola from Sick For It Guide Service talking Fall hunting in Montana. Sejal Choksi-Chugh of SF Baykeeper talking removal or Ghost Fleet in Suisun. California Delta abandoned boats polluting the Detla with Tim Daly formerly of ABC10, David Weil of Weil & Associates and Peter Pelkofer of CA State Lands Commision.

Not up on the current literature of technology and organization? Don’t worry. We read it so you don’t have to. This week, we look at David Weil’s Fissured Workplace, a book about what is happening to the workplace in the age of Uber, Taskrabbit and Mechanical Turk. [16425]

On our last week of Deep David Weil brings to light many takeaways from previous weeks that we can make part of our daily life. Once we go deep, we must apply the teachings to ensure we stay in the right path.

On our last week of Deep David Weil brings to light many takeaways from previous weeks that we can make part of our daily life. Once we go deep, we must apply the teachings to ensure we stay in the right path.