Podcasts about shirer

Dr. Shirer shares a powerful message about not becoming complicit with your old self. Allow God to open your eyes so you can see His holiness. --- Support this podcast: https://podcasters.spotify.com/pod/show/dr-camale-dorsey/support

In this heartfelt episode of the Dear Future Wifey Podcast, host Laterras R. Whitfield sits down with Priscilla Shirer and her husband, Jerry Shirer, to delve into their inspiring journey of faith, family, and marriage. Priscilla, renowned author, speaker, and actress, along with her rock Jerry, share candid insights about maintaining a Christ-centered relationship amidst the demands of their influential careers. The couple discusses how their faith has been the cornerstone of their marriage, guiding them through challenges and strengthening their bond. They offer valuable advice on navigating marital dynamics, parenting, and personal growth, emphasizing the importance of communication, trust, and mutual respect. Listeners will be moved by their transparency and encouraged by their practical wisdom on building a lasting and loving marriage with "Forging Love". CONNECT WITH OUR GUEST https://www.instagram.com/priscillashirer PURCHASE PRISCILLA SHIRER'S "I SURRENDER ALL" https://a.co/d/7jcgguU SIGN UP FOR THE MAILING LIST https://bit.ly/LRWconnection PURCHASE "YOU (Dear Future Wifey)" Theme Song http://itunes.apple.com/album/id/1729993404 DONATE TO KINGDOM ROYALE: "Where foster kids become royalty." https://www.KingdomRoyale.com DEAR FUTURE WIFEY MERCH https://www.DearFutureWifey.com  See omnystudio.com/listener for privacy information.

Coach completes his review of the Abigail Shrier book Bad Therapy: Why the Kids Aren't Growing Up. The focus in the episode deals with the questions "Are we teaching our children what is true about reality?" and "When we cast a wide net about trauma, are we actually doing more harm than good?" Ideas such as resilience, agency, and being the adult in the room are discussed when looking at topics such as Restorative Justice. Is the affirmative approach creating narcissists? Can people act mean in the name of empathy? Also, a brief discussion of the topic of Shrier's other best seller, "Irreversible Damage" on Gender Dysphoria is discussed from the viewpoint of a father with teen daughters. If you truly believe that to be informed one must see differing perspectives and viewpoints, then Shirer's book is a must read for parents & teachers to help raising kids.

Our first session of Bad Therapy, the latest best seller by Abigail Shirer subtitled, "Why the Kids Aren't Growing Up" discusses a new term for Coach, iatrogenesis, unintended harm by a doctor to a patient. Shirer uses this to bring up valid questions about the push for more therapy for children and the push for Social Emotional Learning (SEL) in the classroom. She uses discussions with therapists in the field that as parents and teachers should be used when determining the best course of action for children and what the school's role and teacher's role should be.

In his final days, Adolf Hitler wallowed in self pity, sent children into war, and held tea parties into the wee hours of the morning. He also threw himself a birthday party. The guest list was a real who's who of Most Evil Humans! Ultimately, Hitler decided to take his ball and go home. (And by that, we of course mean that he shot himself and went to hell.) Remember, kids, history hoes always cite their sources! For this episode, Norm pulled from:  Daly-Groves, Luke. Hitler's Death: The Case against Conspiracy. Oxford: Osprey Publishing, 2019. Joachimsthaler, Anton, and Helmut Bögler. The Last Days of Hitler: The Legends, the Evidence, the Truth. London, New York: Arms and Armour Press ; Distributed in the USA by Sterling Pub. Co., 1996. Ohler, Norman, and Shaun Whiteside. Blitzed: Drugs in the Third Reich. Boston: Houghton Mifflin Harcourt, 2017. Shirer, William L. The Rise and Fall of the Third Reich: A History of Nazi Germany. New York: Simon & Schuster, 2011. Trevor-Roper, Hugh R. The Last Days of Hitler. Seventh edition. London: Pan Books, 1995. Are you enjoying An Old Timey Podcast? Then please leave us a 5-star rating and review wherever you listen to podcasts! Are you *really* enjoying An Old Timey Podcast? Well, calm down, history ho! You can get more of us on Patreon at patreon.com/oldtimeypodcast. At the $5 level, you'll get a monthly bonus episode (with video!), access to our 90's style chat room, plus the entire back catalog of bonus episodes for Kristin's previous podcast, Let's Go To Court.

The History Channel's “Hunting Hitler” poses really stupid, already answered questions about the death of Adolf Hitler. Normie C is having none of it! In this series, Norm will cover Adolf Hitler's final days, his suicide, and finally, Norm will address the conspiracy theories that Hitler made it out of that bunker alive. In this episode, we learn about Hitler's smorgasbord of medications, his legendary farts, and his firm belief that everyone thought he was super hot. Remember, kids, history hoes always cite their sources! For this episode, Norm pulled from: Daly-Groves, Luke. Hitler's Death: The Case against Conspiracy. Oxford: Osprey Publishing, 2019. Joachimsthaler, Anton, and Helmut Bögler. The Last Days of Hitler: The Legends, the Evidence, the Truth. London, New York: Arms and Armour Press ; Distributed in the USA by Sterling Pub. Co., 1996. Ohler, Norman, and Shaun Whiteside. Blitzed: Drugs in the Third Reich. Boston: Houghton Mifflin Harcourt, 2017. Shirer, William L. The Rise and Fall of the Third Reich: A History of Nazi Germany. New York: Simon & Schuster, 2011. Trevor-Roper, Hugh R. The Last Days of Hitler. Seventh edition. London: Pan Books, 1995. Are you enjoying An Old Timey Podcast? Then please leave us a 5-star rating and review wherever you listen to podcasts! Are you *really* enjoying An Old Timey Podcast? Well, calm down, history ho! You can get more of us on Patreon at patreon.com/oldtimeypodcast. At the $5 level, you'll get a monthly bonus episode (with video!), access to our 90's style chat room, plus the entire back catalog of bonus episodes for Kristin's previous podcast, Let's Go To Court.

Como estava o povo alemão enquanto o mundo colapsava? Separe trinta minutos do seu dia e aprenda com o professor Vítor Soares (@profvitorsoares) sobre a Alemanha durante a Segunda Guerra Mundial. - Se você quiser ter acesso a episódios exclusivos e quiser ajudar o História em Meia Hora a continuar de pé, clique no link: www.apoia.se/historiaemmeiahora Compre o livro "História em Meia Hora - Grandes Civilizações"! https://www.loja.literatour.com.br/produto/pre-venda-livro-historia-em-meia-hora-grandes-civilizacoesversao-capa-dura/ Compre meu primeiro livro-jogo de história do Brasil "O Porão": https://amzn.to/4a4HCO8 Compre nossas camisas, moletons e muito mais coisas com temática História na Lolja! www.lolja.com.br/creators/historia-em-meia-hora/ PIX e contato: historiaemmeiahora@gmail.com Apresentação: Prof. Vítor Soares. Roteiro: Prof. Vítor Soares e Prof. Victor Alexandre (@profvictoralexandre) REFERÊNCIAS USADAS: - FEST, Joachim. Hitler: Uma Biografia. 4. ed. Rio de Janeiro: Nova Fronteira, 2004. - SHIRER, William L. Ascensão e Queda do Terceiro Reich. São Paulo: Companhia das Letras, 2010. - SPEER, Albert. Por Dentro do Terceiro Reich: Memórias. São Paulo: Globo, 1972.. - EVANS, Richard J. A Chegada do Terceiro Reich. Rio de Janeiro: Planeta, 2005. - EVANS, Richard J. O Terceiro Reich no Poder. São Paulo: Planeta, 2007. - FRIEDLÄNDER, Saul. Os Anos do Extermínio: A Alemanha Nazista e os Judeus: 1939-1945. Rio de Janeiro: Record, 2008.

Charles Shirer joins Absolute AppSec for a special episode of the show. Charles has decades of experience as a pentester, threat hunter, red teamer, and security consultant. He's CEO of GlobalWave consulting, a security consulting firm that's been serving clients for over a decade. Charles is also a frequent conference speaker, online commentator, and tireless advocate for helping hackers find ways take care of their overall well-being.

Priscilla Shirer es una autora, oradora motivacional, actriz y evangelista cristiana estadounidense. Es mejor conocida por su trabajo en el ministerio de mujeres, particularmente a través de sus conferencias y materiales escritos. hija del destacado pastor TONY EVANS. Shirer es autora de varios libros superventas, entre ellos "Discerning the Voice of God", "Fervent: A Woman's Battle Plan for Serious, Specific, and Strategic Prayer" y "Armor of God". También es reconocida por sus papeles en películas cristianas, como "War Room", (Cuarto de Guerra) en la que interpretó el papel principal. El ministerio de Shirer se enfoca en alentar a las mujeres en su fe y ayudarlas a profundizar su relación con Dios a través de la oración, el estudio y la reflexión. Su atractivo estilo de hablar y sus conocimientos prácticos la han convertido en una figura popular en los círculos cristianos, y sus libros y recursos han llegado a una amplia audiencia en todo el mundo. --- Send in a voice message: https://podcasters.spotify.com/pod/show/xos-french-diguez/message

Découvrez le LIVRE Neurosapiens ! Pour apprendre à créer rapidement et à moindre coût son podcast, c'est par ici ! Recherches & écriture : Thaïs MarquesAnimation & réalisation : Anaïs RouxProduction : Anaïs Roux & Lacmé ProductionInstagram : https://www.instagram.com/neurosapiens.podcast/Pour m'écrire : neurosapiens.podcast@gmail.comAudio : Play-Doh meets Dora - Carmen María and Edu EspinalGood times - Patrick Patrikios.Sources : Karpicke, J. D., & Roediger III, H. L. (2008). The critical importance of retrieval for learning. science, 319(5865), 966-968.Maguire, E. A., Valentine, E. R., Wilding, J. M., & Kapur, N. (2003). Routes to remembering: the brains behind superior memory. Nature neuroscience, 6(1), 90-95.Dresler, M., Shirer, W. R., Konrad, B. N., Müller, N. C., Wagner, I. C., Fernández, G., ... & Greicius, M. D. (2017). Mnemonic training reshapes brain networks to support superior memory. Neuron, 93(5), 1227-1235.Carney, R. N., Levin, J. R., & Levin, M. E. (1994). Enhancing the psychology of memory by enhancing memory of psychology. Teaching of Psychology, 21(3), 171-174.Klein, S. B., & Kihlstrom, J. F. (1986). Elaboration, organization, and the self-reference effect in memory. Journal of Experimental Psychology: General, 115(1), 26.Improving Students' Learning With Effective Learning Techniques: Promising Directions From Cognitive and Educational Psychology (Dunlosky & al., 2013)

Chapter 1 What's The Rise And Fall Of The Third Reich"The Rise and Fall of the Third Reich" is a historical non-fiction book written by William L. Shirer. It was first published in 1960 and provides a detailed account of the history of Germany from the rise of the Nazi Party to Adolf Hitler's dictatorship, and ultimately, the defeat of Nazi Germany in World War II. Shirer, an American journalist and war correspondent, draws upon his personal observations, interviews, and extensive research to chronicle the events, policies, and ideologies that led to the downfall of the Third Reich. The book is considered a significant work in understanding the history of Nazi Germany and remains a widely read and referenced resource on the subject.Chapter 2 Why is The Rise And Fall Of The Third Reich Worth Read"The Rise And Fall Of The Third Reich" by William L. Shirer is worth reading for several reasons:1. Comprehensive and well-researched: Shirer, as a journalist and historian, meticulously researched and documented the rise and fall of Adolf Hitler's Nazi Germany. The book provides an in-depth account of the political, social, and military events during this era.2. Insider perspective: Shirer was a witness to several key events in Nazi Germany as a foreign correspondent, which adds a personal touch to his narrative. His experiences provide readers with a unique insight into the inner workings of the Nazi regime.3. Historical importance: This book is widely regarded as one of the most comprehensive and authoritative works on Nazi Germany. It has been given high praise for its depth of research, analysis, and interpretation, making it a foundational text for understanding this significant period in history.4. Analysis of Hitler's personality and ideology: Shirer delves into Hitler's character, motivations, and the ideological foundations of the Third Reich. By examining Hitler's rise to power and the factors that facilitated it, readers gain a better understanding of the dangers of totalitarianism and the consequences of unchecked leadership.5. Lessons from the past: "The Rise And Fall Of The Third Reich" serves as a cautionary tale by highlighting the consequences of unchecked nationalism, propaganda, and fascist ideologies. It reminds readers of the importance of upholding democratic values and being vigilant against the potential rise of similar ideologies in the future.Overall, Shirer's "The Rise And Fall Of The Third Reich" is considered a seminal work on Nazi Germany, providing readers with a comprehensive and well-researched account of one of the most significant and troubling periods in modern history.Chapter 3 The Rise And Fall Of The Third Reich Summary"The Rise and Fall of the Third Reich" by William L. Shirer is a comprehensive historical account of Adolf Hitler's Nazi regime in Germany from its beginnings in the early 1930s to its ultimate defeat in 1945.In the book, Shirer explores the factors that led to the rise of Hitler and the Nazi Party, including Germany's political and economic instability following World War I, the Treaty of Versailles, and the Great Depression. He delves into Hitler's early life and his rise to power through propaganda, manipulation, and intimidation.Shirer discusses the Nazi consolidation of power, including the persecution of political opponents, the dismantling of democratic institutions, and the establishment of a totalitarian state. He describes Hitler's aggressive foreign policies, such as the remilitarization of the Rhineland, the annexation of Austria and Czechoslovakia, and the start of World War II with the invasion of Poland.Throughout the book, Shirer provides a detailed account of the...

Découvrez le livre NEUROSAPIENS, sorti le 26 janvier aux éditions Les Arènes ! Pour apprendre à créer rapidement et à moindre coût son podcast, c'est par ici ! Vous pensez peut-être avoir “mauvaise mémoire”, comparé à d'autres personnes capables de retenir un tas d'informations (les dates des événements historiques, une liste de courses …). Pourtant, il se pourrait simplement que vous n'utilisiez pas des méthodes de mémorisation efficaces. Production, animation, réalisation et illustration : Anaïs Roux Instagram : https://www.instagram.com/neurosapiens.podcast/ Ecriture : Thaïs Marques Son Instagram : https://www.instagram.com/study_and_t/?hl=fr   Produit et distribué en association avec LACME Production. Audio :  Play-Doh meets Dora - Carmen María and Edu Espinal Sources :  Twomey, C., & Kroneisen, M. (2021). The effectiveness of the loci method as a mnemonic device: Meta-analysis. Quarterly Journal of Experimental Psychology, 74(8), 1317-1326. Caplan, J. B., Legge, E. L., Cheng, B., & Madan, C. R. (2019). Effectiveness of the method of loci is only minimally related to factors that should influence imagined navigation. Quarterly Journal of Experimental Psychology, 72(10), 2541-2553. Maguire, E. A., Valentine, E. R., Wilding, J. M., & Kapur, N. (2003). Routes to remembering: the brains behind superior memory. Nature neuroscience, 6(1), 90-95. Dresler, M., Shirer, W. R., Konrad, B. N., Müller, N. C., Wagner, I. C., Fernández, G., ... & Greicius, M. D. (2017). Mnemonic training reshapes brain networks to support superior memory. Neuron, 93(5), 1227-1235. McCabe, J. A. (2015). Location, location, location! Demonstrating the mnemonic benefit of the method of loci. Teaching of Psychology, 42(2), 169-173. Carney, R. N., Levin, J. R., & Levin, M. E. (1994). Enhancing the psychology of memory by enhancing memory of psychology. Teaching of Psychology, 21(3), 171-174. Klein, S. B., & Kihlstrom, J. F. (1986). Elaboration, organization, and the self-reference effect in memory. Journal of Experimental Psychology: General, 115(1), 26.

Alonso Schökel once said that “what has been written with imagination must be read with imagination,” and although we completely understand the difference between reading one of Shakespeare's sonnets and Shirer's Rise and Fall of the Third Reich, we tend not to do that with Biblical poetry, which makes up roughly a third of the Hebrew Scriptures. We have the same problem when we don't understand the original purpose of wisdom literature in general, and parables and allegories. Learning how to read these will revolutionize your Bible studies. Transcript: https://theancientbridge.com/2023/04/episode-169-the-study-series-15-wisdom-literature-poetry-parables-and-allegories/

Learning the keys to our breakthrough!@nadinearaphael IG & FB@nadineraphael Youtubewww.nadinearaphael.com

Jonathan Evans is an NFL chaplain who leads with the invaluable experience of having been in the shoes of the players he serves. During his stint in the NFL, Jonathan played as a fullback. Now, he's chaplain for the Dallas Cowboys and co-chaplain of the Dallas Mavericks, a writer, a speaker, a husband, and a father.Jonathan's experience extends beyond football: he's also able to identify with those he ministers to due to his own deeply personal experiences of loss. In the last few years, he lost several close family members, and experienced four miscarriages with his wife Kanika. Going through the grief uniquely equipped him to write his new book Fighting Your Battles, which is available now.In this episode of Trevor Talks, Jonathan shares endless pearls of wisdom that you won't want to miss. He also talks about his history in the NFL and what it was like to come from a dynasty ministry family as the child of preacher Tony Evans.You can get Fighting Your Battles: https://www.barnesandnoble.com/w/fighting-your-battles-jonathan-evans/1140795414This show is sponsored by lifeaudio: https://www.lifeaudio.com/If you're struggling and in need of support, visit:HeartSupport: www.heartsupport.comDeath2Life: https://d2lrevolution.comTeen Hopeline: http://www.teenhopeline.com/Beneath the Skin: https://www.beneaththeskinonline.org/To Write Love On Her Arms: https://twloha.com/find-help/Follow Jonathan Evans:Official website: https://jonathanblakeevans.com/Instagram: https://www.instagram.com/jonathanblakeevans/Facebook: https://www.facebook.com/jonathanblakeevans/For more Trevor Talks:Spotify: https://open.spotify.com/show/4QvmLXo8mrOvlpfIZIgwBUApple Music: https://podcasts.apple.com/us/podcast/trevor-talks/id1513832599Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5idXp6c3Byb3V0LmNvbS8xMTEwNzc5LnJzcw==Instagram: http://instagram.com/trevortalkspodcastFacebook: https://www.facebook.com/trevortalkspodcast#JonathanEvans #TrevorTalks #ChristianPodcast

This week in the Security News: rethinking vulnerability severity, exploiting the hacker tools, Microsoft "fixes" the vulnerable driver problem, its what you do with the data that matters, what is comprehensive security, deconflictions, moles are always a problem, checking the certs, oh and there is a vulnerability in OpenSSL, well at least one that we know of, currently!   In this segment, we are going to discuss linux security and using the Rust programming language with an Offensive MindSet, and our guest Charles Shirer! Visit https://www.securityweekly.com/psw for all the latest episodes! Visit https://securityweekly.com/acm to sign up for a demo or buy our AI Hunter! Follow us on Twitter: https://www.twitter.com/securityweekly Like us on Facebook: https://www.facebook.com/secweekly   Show Notes: https://securityweekly.com/psw761

In this segment, we are going to discuss linux security and using the Rust programming language with an Offensive MindSet, and our guest Charles Shirer!   Visit https://www.securityweekly.com/psw for all the latest episodes! Show Notes: https://securityweekly.com/psw761

This week in the Security News: rethinking vulnerability severity, exploiting the hacker tools, Microsoft "fixes" the vulnerable driver problem, its what you do with the data that matters, what is comprehensive security, deconflictions, moles are always a problem, checking the certs, oh and there is a vulnerability in OpenSSL, well at least one that we know of, currently!   In this segment, we are going to discuss linux security and using the Rust programming language with an Offensive MindSet, and our guest Charles Shirer! Visit https://www.securityweekly.com/psw for all the latest episodes! Visit https://securityweekly.com/acm to sign up for a demo or buy our AI Hunter! Follow us on Twitter: https://www.twitter.com/securityweekly Like us on Facebook: https://www.facebook.com/secweekly   Show Notes: https://securityweekly.com/psw761

In this segment, we are going to discuss linux security and using the Rust programming language with an Offensive MindSet, and our guest Charles Shirer!   Visit https://www.securityweekly.com/psw for all the latest episodes! Show Notes: https://securityweekly.com/psw761

Charles Shirer is the Chief Executive Officer of GlobalWave Consulting, an IT and cybersecurity consultancy. Known as the @bsdbandit to his 20,000+ Twitter followers, Charles is often considered the most positive person in cybersecurity (and for good reason!). In this episode, Charles joins the No Password Required team to tell us about how his childhood love for video games led to his passion for everything computer-related, what inspires him to share motivational messages on Twitter, and the importance of striving for a positive mindset in life. Jack and Ernie discuss the United Kingdom's potential privacy enforcement against TikTok, and the regulatory regime for collecting the personal data of minors.

Charles Shirer, aka @BSDBandit is the part of the internet that exudes positivity and happiness. He frequently posts happy and affirming messages for people to enjoy. He's also a self-taught OSINT expert. In this episode, he'll explain how he learned OSINT, projects he took on and give suggestions and advice for others who might look to follow in his path.

About Charles ShirerCharles has been in the industry for 20 years. He has worked as a developer, system admin, PC Tech, security engineer, penetration tester, and security researcher. Charles Shirer Contact Informationhttps://twitter.com/bsdbandit Other StuffSecBSD https://twitter.com/SecbsdDeadPixelSec https://deadpixelsec.com/Super Nintendo and Super Famicom https://en.wikipedia.org/wiki/Super_Nintendo_Entertainment_SystemChessNetwork https://www.twitch.tv/chessnetwork  Gibson TeamAcid Phreak https://en.wikipedia.org/wiki/Elias_Ladopoulos Gleaming The Gibson: A Hacker Podcast Contact InformationWeb: https://www.gleamingthegibson.com/Twitter: https://twitter.com/gleaminggibson

Det är alltid med lite stolthet som vi lanserar en miniserie. Lite som en känsla av ”titta här - vi ger någonting det fokus det verkligen förtjänar”. Den känslan är mycket stark när vi nu stolt kan presentera två avsnitt om Anschluss 1938.I detta, det första avsnittet, kommer vi följa Österrike från Parisfrederna till året 1938. Avsnitt nummer två följer de dramatiska marsdagarna noggrant. Det är två rafflande avsnitt med lite olika fokus.För min del har intresset för Österrikes öde blivit större allt eftersom jag intresserat mig mer och mer för Stefan Zweigs liv och författarskap. Men som Daniel poängterar i avsnittet är det expansionistiska Nazitysklands ointresse för andra länders suveränitet mer aktuellt nu än vad det varit på många år. Av förklarliga skäl.Plats på scenen för Tyskland och Österrike för Hitler, Dollfuss och Schuschnigg. För kriget, freden, rädslan och glädjen. Detta är storslagen historia.Varmt välkomna.—LitteraturlistaJelavich, Barbara (1987). Modern Austria: empire and republic, 1815-1986. Cambridge: Cambridge Univ. PressRockberger, Nicolaus (1996). Tusenåriga riken - Österrike och Ungern. 1. uppl. Stockholm: SNS (Studieförb. Näringsliv och samhälle)Shirer, William L. (1961). Det tredje rikets uppgång och fall: det nazistiska Tysklands historia. D. 1 & 2. Stockholm: ForumVuillard, Éric (2019). Dagordningen. Stockholm: Lind & CoFest, Joachim (2008). Hitler: en biografi. [Uppdaterad utg.] Stockholm: Fischer & CoZweig, Stefan (2013). Världen av i går: en europés minnen. [Ny utg.] Stockholm: Ersatz See acast.com/privacy for privacy and opt-out information.

Examining Fervent by Priscilla Shirer, Part 5 - Allegorical Use of Scripture, presented by Bob DeWaay and Jessica Kramasz. We discuss Shirer's use of the floating ax head narrative in 2Kings 6. She uses it to show that we need to get back our "cutting edge" in prayer. This is a semantic sleight of hand based on an allegorical interpretation of that passage. (duration 00:30:15) Click here to play

IRREVERSIBLE DAMAGE, The Transgender Craze Seducing Our Daughters (2021) by Abigail Shrier has over 6,000 Amazon reviews averaging 4.5 stars. It is engaging, wonderfully written, and an overwhelming indictment. It is not about adult men who believe they are women or the reverse. It is not about gay or lesbian adults. It is about an attack on our most psychologically vulnerable group—adolescent and preadolescent girls. Shirer presents this material without judgment, but I cannot write with her objectivity.Social media celebrates the transgender (TS/TG) wave, and minor children are the most susceptible. YouTube “influencers” and TS center “caregivers” both say that if the patient notice feelings of this kind, they should be acted upon. I thought I was hardened after the past few years of watching healthcare, but I was wrong. Stick with me and you too will be shocked. The process typically begins with psychological stress or trauma—a divorce, a rejection, a family breakup, or maybe something more minor. Everyone has dramas, and young women feel them acutely. Next, with the help of social media influencers on YouTube channels and occasionally their peers, these children are trained (groomed, really). TS is a new identity with the thrill of rebellion. The victims are most often virgins. At every stage, emotional divorce from the patient's parents is promoted. Next, these influencers and counselors encourage the use of breast binders—often without parental consent—to disguise the developing bodies and sexuality. Binders are tight, aggravating, worsen asthma, and occasionally crack delicate ribs. They can destroy developing breast structure and may render breasts flat and saggy. “Puberty blocker” drugs such as Lupron follow. These are toxic, injectable medications conventionally used to treat prostate cancer or to treat adult women's infertility. Lupron makes everyone feel terrible. These developing young women may also get irreversible brain damage.A prescription for an adult male dose of testosterone is the next step in the process. This is ten to twenty times what a woman needs for proper functioning. Over a few months, faces and bodies assume a permanently masculine shape, and vaginas shrink and become dry. If conventional sex is attempted, it may be difficult and irritating. For many, orgasm is impossible, and after a certain point, fertility is lost forever. These adolescents are then encouraged to consider “top surgery,” which is the euphemism for getting their breasts cut off. This creates either a low nipple or a better-centered but numb reconstructed nipple. In either case, it also produces an unnatural horizontal scar. A few have their clitorises altered so they can urinate through them, a procedure that is often disastrously botched...See RobertYoho.substack.com for the complete essay. See RobertYohoAuthor.com to learn about my books, Butchered by “Healthcare” and Hormone Secrets. “LEGAL” DISCLAIMER: Use this information at your own risk. It is general commentary and not medical advice. Robert Yoho is retired and no longer practices medicine. Make your healthcare decisions with the help of a physician or other licensed provider. Support the show

On 'current history', or what might be going on out there. Subscribe at: paid.retraice.com Details: what's GOOT; current history; hypotheses [and some predictions]; What's next? Complete notes and video at: https://www.retraice.com/segments/re17 Air date: Monday, 7th Mar. 2022, 4 : 20 PM Eastern/US. 0:00:00 what's GOOT; 0:01:35 current history; 0:04:30 hypotheses [and some predictions]; 0:13:38 What's next? References: Allison, G. (2018). Destined for War: Can America and China Escape Thucydides's Trap? Mariner Books. ISBN: 978-1328915382. Searches: https://www.amazon.com/s?k=9781328915382 https://www.google.com/search?q=isbn+9781328915382 https://lccn.loc.gov/2017005351 Andrew, C. (2018). The Secret World: A History of Intelligence. Yale University Press. ISBN in paperback edition printed as "978-0-300-23844-0 (hardcover : alk. paper)". Searches: https://www.amazon.com/s?k=978-0300238440 https://www.google.com/search?q=isbn+978-0300238440 https://lccn.loc.gov/2018947154 Baumeister, R. F. (1999). Evil: Inside Human Violence and Cruelty. Holt Paperbacks, revised ed. ISBN: 978-0805071658. Searches: https://www.amazon.com/s?k=9780805071658 https://www.google.com/search?q=isbn+9780805071658 https://lccn.loc.gov/96041940 Bostrom, N. (2011). Information Hazards: A Typology of Potential Harms from Knowledge. Review of Contemporary Philosophy, 10, 44-79. Citations are from Bostrom's website copy: https://www.nickbostrom.com/information-hazards.pdf Retrieved 9th Sep. 2020. Bostrom, N. (2019). The vulnerable world hypothesis. Global Policy, 10(4), 455-476. Nov. 2019. https://nickbostrom.com/papers/vulnerable.pdf Retrieved 24th Mar. 2020. Bostrom, N., & Cirkovic, M. M. (Eds.) (2008). Global Catastrophic Risks. Oxford University Press. ISBN: 978-0199606504. Searches: https://www.amazon.com/s?k=978-0199606504 https://www.google.com/search?q=isbn+978-0199606504 https://lccn.loc.gov/2008006539 Brockman, J. (Ed.) (2015). What to Think About Machines That Think: Today's Leading Thinkers on the Age of Machine Intelligence. Harper Perennial. ISBN: 978-0062425652. Searches: https://www.amazon.com/s?k=978-0062425652 https://www.google.com/search?q=isbn+978-0062425652 https://lccn.loc.gov/2016303054 Chomsky, N. (1970). For Reasons of State. The New Press, revised ed. ISBN: 1565847946. Originally published 1970; this revised ed. 2003. Searches: https://www.amazon.com/s?k=1565847946 https://www.google.com/search?q=isbn+1565847946 https://catalog.loc.gov/vwebv/search?searchArg=1565847946 Chomsky, N. (2017). Requiem for the American Dream: The 10 Principles of Concentration of Wealth & Power. Seven Stories Press. ISBN: 978-1609807368. Searches: https://www.amazon.com/s?k=978-1609807368 https://www.google.com/search?q=isbn+978-1609807368 https://lccn.loc.gov/2016054121 Cirkovic, M. M. (2008). Observation selection effects and global catastrophic risks. (pp. 120-145). In Bostrom & Cirkovic (2008). de Grey, A. (2007). Ending Aging: The Rejuvenation Breakthroughs That Could Reverse Human Aging in Our Lifetime. St. Martin's Press. ISBN: 978-0312367060. Searches: https://www.amazon.com/s?k=978-0312367060 https://www.google.com/search?q=isbn+978-0312367060 https://lccn.loc.gov/2007020217 Deary, I. J. (2001). Intelligence: A Very Short Introduction. Oxford. ISBN: 978-0192893215. Searches: https://www.amazon.com/s?k=978-0192893215 https://www.google.com/search?q=isbn+978-0192893215 https://lccn.loc.gov/2001269139 Diamond, J. (1997). Guns, Germs, and Steel: The Fates of Human Societies. Norton. ISBN: 0393317552. Searches: https://www.amazon.com/s?k=0393317552 https://www.google.com/search?q=isbn+0393317552 https://catalog.loc.gov/vwebv/search?searchArg=0393317552 Dolan, R. M. (2000). UFOs and the National Security State Vol. 1: An Unclassified History. Keyhole, 1st ed. ISBN: 0967799503. Searches: https://www.amazon.com/s?k=0967799503 https://www.google.com/search?q=isbn+0967799503 https://catalog.loc.gov/vwebv/search?searchArg=0967799503 Dolan, R. M. (2009). UFOs and the National Security State Vol. 2: The Cover-Up Exposed, 1973-1991. Keyhole. ISBN: 978-0967799513. Searches: https://www.amazon.com/s?k=978-0967799513 https://www.google.com/search?q=isbn+978-0967799513 Durant, W., & Durant, A. (1968). The Lessons of History. Simon and Schuster. No ISBN. Searches: https://www.amazon.com/s?k=lessons+of+history+durant https://www.google.com/search?q=lessons+of+history+durant https://lccn.loc.gov/68019949 Dyson, G. (2015). Analog, the revolution that dares not speak its name. (pp. 255-256). In Brockman (2015). Dyson, G. (2020). Analogia: The Emergence of Technology Beyond Programmable Control. Farrar, Straus and Giroux. ISBN: 978-0374104863. Searches: https://www.amazon.com/s?k=9780374104863 https://www.google.com/search?q=isbn+9780374104863 https://catalog.loc.gov/vwebv/search?searchArg=9780374104863 Dyson, G. B. (1997). Darwin Among The Machines: The Evolution Of Global Intelligence. Basic Books. ISBN: 978-0465031627. Searches: https://www.amazon.com/s?k=978-0465031627 https://www.google.com/search?q=isbn+978-0465031627 https://lccn.loc.gov/2012943208 Frank, R., & Bernanke, B. (2001). Principles of Economics. Mcgraw-Hill. ISBN: 0072289627. Searches: https://www.amazon.com/s?k=0072289627 https://www.google.com/search?q=isbn+0072289627 https://catalog.loc.gov/vwebv/search?searchArg=0072289627 Frankfurt, H. G. (1988). The Importance of What We Care About. Cambridge. ISBN: 978-0521336116. Searches: https://www.amazon.com/s?k=978-0521336116 https://www.google.com/search?q=isbn+978-0521336116 https://lccn.loc.gov/87026941 Gawande, A. (2014). Being Mortal: Medicine and What Matters in the End. Metropolitan Books. ISBN: 978-0805095159. Searches: https://www.amazon.com/s?k=9780805095159 https://www.google.com/search?q=isbn+9780805095159 https://catalog.loc.gov/vwebv/search?searchArg=9780805095159 Grabo, C. M. (2002). Anticipating Surprise: Analysis for Strategic Warning. Center for Strategic Intelligence Research. ISBN: 0965619567 https://www.ni-u.edu/ni_press/pdf/Anticipating_Surprise_Analysis.pdf Retrieved 7th Sep. 2020. Griffiths, P. J. (1971). Vietnam, Inc.. Phaidon, 2nd ed. ISBN: 978-0714846033. Originally published 1971. This edition 2006. Link and searches: http://philipjonesgriffiths.org/photography/selected-work/vietnam-inc/ Retrieved 10 Mar. 2022. https://www.amazon.com/s?k=978-0714846033 https://www.google.com/search?q=isbn+978-0714846033 https://lccn.loc.gov/2006283959 Hamming, R. W. (2020). The Art of Doing Science and Engineering: Learning to Learn. Stripe Press. ISBN: 978-1732265172. Searches: https://www.amazon.com/s?k=9781732265172 https://www.google.com/search?q=isbn+9781732265172 Hawking, S. (2018). Brief Answers to the Big Questions. Bantam. ISBN: 978-1984819192. Searches: https://www.amazon.com/s?k=9781984819192 https://www.google.com/search?q=isbn+9781984819192 https://catalog.loc.gov/vwebv/search?searchArg=9781984819192 Herrnstein, R. J., & Murray, C. (1996). The Bell Curve: Intelligence and Class Structure in American Life. Free Press. ISBN: 978-0684824291. Searches: https://www.amazon.com/s?k=9780684824291 https://www.google.com/search?q=isbn+9780684824291 https://catalog.loc.gov/vwebv/search?searchArg=9780684824291 Johnson, S. (2014). How We Got to Now: Six Innovations That Made the Modern World. Riverhead Books. ISBN: 978-1594633935. Searches: https://www.amazon.com/s?k=9781594633935 https://www.google.com/search?q=isbn+9781594633935 https://lccn.loc.gov/2014018412 Kahneman, D. (2011). Thinking, Fast and Slow. Farrar, Straus and Giroux. ISBN: 978-0374533557. Searches: https://www.amazon.com/s?k=978-0374533557 https://www.google.com/search?q=isbn+978-0374533557 https://lccn.loc.gov/2012533187 Kaplan, F. (2016). Dark Territory: The Secret History of Cyber War. Simon & Schuster. ISBN: 978-1476763255. Searches: https://www.amazon.com/s?k=9781476763255 https://www.google.com/search?q=isbn+9781476763255 https://catalog.loc.gov/vwebv/search?searchArg=9781476763255 Kelleher, C. A., & Knapp, G. (2005). Hunt for the Skinwalker: Science Confronts the Unexplained at a Remote Ranch in Utah. Paraview Pocket Books. ISBN: 978-1416505211. Searches: https://www.amazon.com/s?k=978-1416505211 https://www.google.com/search?q=isbn+978-1416505211 https://lccn.loc.gov/2005053457 Keyhoe, D. (1950). The Flying Saucers Are Real. Forgotten Books. ISBN: 978-1605065472. Originally published 1950; this edition 2008. Searches: https://www.amazon.com/s?k=9781605065472 https://www.google.com/search?q=isbn+9781605065472 https://lccn.loc.gov/50004886 Kilcullen, D. (2020). The Dragons And The Snakes: How The Rest Learned To Fight The West. Oxford University Press. ISBN: 978-0190265687. Searches: https://www.amazon.com/s?k=9780190265687 https://www.google.com/search?q=isbn+9780190265687 https://catalog.loc.gov/vwebv/search?searchArg=9780190265687 Lazar, B. (2019). Dreamland: An Autobiography. Interstellar. ISBN: 978-0578437057. Searches: https://www.amazon.com/s?k=9780578437057 https://www.google.com/search?q=isbn+9780578437057 Lee, K.-F. (2018). AI Superpowers: China, Silicon Valley, and the New World Order. Houghton Mifflin Harcourt. ISBN: 978-1328546395. Searches: https://www.amazon.com/s?k=9781328546395 https://www.google.com/search?q=isbn+9781328546395 https://catalog.loc.gov/vwebv/search?searchArg=9781328546395 Mitter, R. (2008). Modern China: A Very Short Introduction. Oxford University Press, kindle ed. ISBN: 978-0199228027. Searches: https://www.amazon.com/s?k=9780199228027 https://www.google.com/search?q=isbn+9780199228027 https://catalog.loc.gov/vwebv/search?searchArg=9780199228027 Nouri, A., & Chyba, C. F. (2008). Biotechnology and biosecurity. (pp. 450-480). In Bostrom & Cirkovic (2008). O'Donnell, P. K. (2004). Operatives, Spies, and Saboteurs: The Unknown Story of the Men and Women of World War II's OSS. Free Press / Simon & Schuster. ISBN: 074323572X. Edition and searches: https://archive.org/details/operativesspiess00odon https://www.amazon.com/s?k=074323572X https://www.google.com/search?q=isbn+074323572X https://catalog.loc.gov/vwebv/search?searchArg=074323572X Ord, T. (2020). The Precipice: Existential Risk and the Future of Humanity. Hachette. ISBN: 978-0316484916. Searches: https://www.amazon.com/s?k=978-0316484916 https://www.google.com/search?q=isbn+978-0316484916 https://lccn.loc.gov/2019956459 Orlov, D. (2008). Reinventing Collapse: The Soviet Example and American Prospects. New Society. ISBN: 978-0865716063. Searches: https://www.amazon.com/s?k=9780865716063 https://www.google.com/search?q=isbn+9780865716063 https://catalog.loc.gov/vwebv/search?searchArg=9780865716063 Osnos, E. (2020/01/06). The Future of America's Contest with China. The New Yorker. https://www.newyorker.com/magazine/2020/01/13/the-future-of-americas-contest-with-china Retrieved 22 April, 2020. Perlroth, N. (2020). This Is How They Tell Me the World Ends: The Cyberweapons Arms Race. Bloomsbury. ISBN: 978-1635576054. Searches: https://www.amazon.com/s?k=978-1635576054 https://www.google.com/search?q=isbn+978-1635576054 https://lccn.loc.gov/2020950713 Phoenix, C., & Treder, M. (2008). Nanotechnology as global catastrophic risk. (pp. 481-503). In Bostrom & Cirkovic (2008). Pillsbury, M. (2015). The Hundred-Year Marathon: China's Secret Strategy to Replace America as the Global Superpower. St. Martin's Griffin. ISBN: 978-1250081346. Searches: https://www.amazon.com/s?k=9781250081346 https://www.google.com/search?q=isbn+9781250081346 https://lccn.loc.gov/2014012015 Pinker, S. (2011). The Better Angels of Our Nature: Why Violence Has Declined. Penguin Publishing Group. ISBN: 978-0143122012. Searches: https://www.amazon.com/s?k=978-0143122012 https://www.google.com/search?q=isbn+978-0143122012 https://lccn.loc.gov/2011015201 Pogue, D. (2021). How to Prepare for Climate Change: A Practical Guide to Surviving the Chaos. Simon & Schuster. ISBN: 978-1982134518. Searches: https://www.amazon.com/s?k=9781982134518 https://www.google.com/search?q=isbn+9781982134518 https://catalog.loc.gov/vwebv/search?searchArg=9781982134518 Putnam, R. D. (2015). Our Kids: The American Dream in Crisis. Simon & Schuster. ISBN: 978-1476769905. Searches: https://www.amazon.com/s?k=9781476769905 https://www.google.com/search?q=isbn+9781476769905 https://lccn.loc.gov/2015001534 Rees, M. (2003). Our Final Hour: A Scientist's Warning. Basic Books. ISBN: 0465068634. Searches: https://www.amazon.com/s?k=0465068634 https://www.google.com/search?q=isbn+0465068634 https://lccn.loc.gov/2004556001 Rees, M. (2008). Foreword to Bostrom & Cirkovic (2008). (pp. iii-vii). Reid, T. R. (2017). A Fine Mess: A Global Quest for a Simpler, Fairer, and More Efficient Tax System. Penguin Press. ISBN: 978-1594205514. 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ISBN: 978-0465071732. Searches: https://www.amazon.com/s?k=978-0465071739 https://www.google.com/search?q=isbn+978-0465071739 https://lccn.loc.gov/2002015846 Sanger, D. E. (2018). The Perfect Weapon: War, Sabotage, and Fear in the Cyber Age. Broadway Books. ISBN: 978-0451497901. Searches: https://www.amazon.com/s?k=9780451497901 https://www.google.com/search?q=isbn+9780451497901 https://catalog.loc.gov/vwebv/search?searchArg=9780451497901 Sapolsky, R. M. (2018). Behave: The Biology of Humans at Our Best and Worst. Penguin Books. ISBN: 978-0143110910. Searches: https://www.amazon.com/s?k=9780143110910 https://www.google.com/search?q=isbn+9780143110910 https://lccn.loc.gov/2016056755 Shirer, W. L. (1959). The Rise and Fall of the Third Reich: A History of Nazi Germany. Simon & Schuster, 50th anniv. ed. ISBN: 978-1451651683. Originally published 1959; this ed. 2011. Searches: https://www.amazon.com/s?k=9781451651683 https://www.google.com/search?q=isbn+9781451651683 https://lccn.loc.gov/60006729 Shorrocks, A., Davies, J., Lluberas, R., & Rohner, U. (2019). Global wealth report 2019. Credit Suisse Research Institute. Oct. 2019. https://www.credit-suisse.com/about-us/en/reports-research/global-wealth-report.html Retrieved 4 July, 2020. Simler, K., & Hanson, R. (2018). The Elephant in the Brain: Hidden Motives in Everyday Life. Oxford University Press. ISBN: 9780190495992. Searches: https://www.amazon.com/s?k=9780190495992 https://www.google.com/search?q=isbn+9780190495992 https://lccn.loc.gov/2017004296 Spalding, R. (2019). Stealth War: How China Took Over While America's Elite Slept. Portfolio. ISBN: 978-0593084342. Searches: https://www.amazon.com/s?k=9780593084342 https://www.google.com/search?q=isbn+9780593084342 https://catalog.loc.gov/vwebv/search?searchArg=9780593084342 Stephens-Davidowitz, S. (2018). Everybody Lies: Big Data, New Data, and What the Internet Can Tell Us About Who We Really Are. Dey Street Books. ISBN: 978-0062390868. Searches: https://www.amazon.com/s?k=9780062390868 https://www.google.com/search?q=isbn+9780062390868 https://lccn.loc.gov/2017297094 Sternberg, R. J. (Ed.) (2020). The Cambridge Handbook of Intelligence (Cambridge Handbooks in Psychology) (2 vols.). Cambridge University Press, 2nd ed. ISBN: 978-1108719193. Searches: https://www.amazon.com/s?k=9781108719193 https://www.google.com/search?q=isbn+9781108719193 https://lccn.loc.gov/2019019464 Vallee, J. (1979). Messengers of Deception: UFO Contacts and Cults. And/Or Press. ISBN: 0915904381. Different edition and searches: https://archive.org/details/MessengersOfDeceptionUFOContactsAndCultsJacquesValle1979/mode/2up https://www.amazon.com/s?k=0915904381 https://www.google.com/search?q=isbn+0915904381 https://catalog.loc.gov/vwebv/search?searchArg=0915904381 Walter, B. F. (2022). How Civil Wars Start. Crown. 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Searches: https://www.amazon.com/s?k=978-1633885349 https://www.google.com/search?q=isbn+978-1633885349 https://lccn.loc.gov/2018061068 Copyright: 2022 Retraice, Inc. https://retraice.com

Today I'm joined by good friends and fellow Shedding Light Outdoor members Travis Shirer and Josh Castle. We cover the topic of filming hunts and offer our experience and ideas on it. We cover:-Why we film- Film Styles- B-Roll- Gear- Setup- Executing both shots- EditingAnd a lot more! If you'd like to check out our YouTube Channel you can do so here to get a flavor of how we edit and tell stories: https://www.youtube.com/channel/UCEM91LJlVbzSDEOmVKJBo_Q

I förra seklets värsta brott har förintelselägret Auschwitz intagit en särställning. Det är och förblir symbolen för förintelsen. Detta läger drevs av Rudolf Höss. Den man som efter kriget kom att väcka stor uppmärksamhet genom att öppet inför Nürnbergrätten berätta om sin roll i förintelsen.Han skrev en självbiografi medan han väntade på att dödsdomen mot honom skulle verkställas. Denna bok är en klassiker i nazistgenren. Men det är också ett verk som har förbryllat många. Han framstår som en helt vanlig person. I dag vet vi att självbiografin är fylld av sanningar, halvsanningar och rena lögner. Men inte alltid lögner om det man tror att en massmördare borde ha intresse att ljuga om.Den svenske författare som har gått på djupet i Höss-affären är journalisten Niklas Sennerteg. Vi har läst hans bok om Rudolf Höss.—Lästlista:”Allt jag känner är att mina fötter gör ont” Sennerteg, Niklas (2020)”Rudolf Höss - massmördare inför rätta” Sennerteg i Populär historia nov 2020”Rudolf Höss byggde Hitlers dödsfabrik” Världens historia”Tredje rikets uppgång och fall” Shirer, William.”Kommendanten i Auschwitz” Hedling, Erik axess.se See acast.com/privacy for privacy and opt-out information.

Steve Wick author "Bad Company: Drugs, Hollywood and the Cotton Club Murder"Steve Wick was born in Camden, N.J., in 1951 and grew up in nearby Haddonfield. He has been a journalist at Newsday on Long Island for more than 30 years. He has shared in two of Newsday's Pulitzer Prizes for Local Reporting and has won numerous other journalism awards. He has published three non-fiction books: Bad Company: Drugs, Hollywood and the Cotton Club Murder; Heaven and Earth: The Last Farmers of the North Fork; and The Long Night: William L. Shirer and The Rise and Fall of the Third Reich. He lives on eastern Long Island.Steve Wick author Bad Company: Drugs, Hollywood and the Cotton Club MurderIn 1983, Roy Radin, would-be impresario, joined forces with fading movie producer Robert Evans and Elaine "Laney" Jacobs, a woman with the burning ambition to use the millions she had made by drug dealing to buy her way into the movie industry. Together they planned to finance the movie Cotton Club. When Radin's body was found miles away from Los Angeles, the police had few clues and eventually had to put the investigation on hold. At the request of Radin's mother, New York Newsday's Pulitzer Prize-winning journalist, Steve Wick, began looking into Radin's last weeks and soon unearthed the sordid connection between deal making and drug dealing that set all Hollywood on its ear. Bad Company is both a fascinating and strangely repellent look at the darker side of the entertainment industry, as well as a striking portrait of the people who control the drug culture in this countryhttp://www.amazon.com/Steve-Wick/e/B000AR8AGO/ref=dp_byline_cont_book_17 years ago #"bad, #and, #club, #company:, #cotton, #cotton club, #drugs, #ed, #evans, #hollywood, #murder", #opperman, #repoort, #robert, #roy radin, #steve wick, #the, #true crime

Steve Wick author "Bad Company: Drugs, Hollywood and the Cotton Club Murder" Steve Wick was born in Camden, N.J., in 1951 and grew up in nearby Haddonfield. He has been a journalist at Newsday on Long Island for more than 30 years. He has shared in two of Newsday's Pulitzer Prizes for Local Reporting and has won numerous other journalism awards. He has published three non-fiction books: Bad Company: Drugs, Hollywood and the Cotton Club Murder; Heaven and Earth: The Last Farmers of the North Fork; and The Long Night: William L. Shirer and The Rise and Fall of the Third Reich. He lives on eastern Long Island. Steve Wick author Bad Company: Drugs, Hollywood and the Cotton Club Murder In 1983, Roy Radin, would-be impresario, joined forces with fading movie producer Robert Evans and Elaine "Laney" Jacobs, a woman with the burning ambition to use the millions she had made by drug dealing to buy her way into the movie industry. Together they planned to finance the movie Cotton Club. When Radin's body was found miles away from Los Angeles, the police had few clues and eventually had to put the investigation on hold. At the request of Radin's mother, New York Newsday's Pulitzer Prize-winning journalist, Steve Wick, began looking into Radin's last weeks and soon unearthed the sordid connection between deal making and drug dealing that set all Hollywood on its ear. Bad Company is both a fascinating and strangely repellent look at the darker side of the entertainment industry, as well as a striking portrait of the people who control the drug culture in this country http://www.amazon.com/Steve-Wick/e/B000AR8AGO/ref=dp_byline_cont_book_1 7 years ago #"bad, #and, #club, #company:, #cotton, #cotton club, #drugs, #ed, #evans, #hollywood, #murder", #opperman, #repoort, #robert, #roy radin, #steve wick, #the, #true crime

We mark the death on November 8, 1833 – 188 years ago today – of the Austrian pianist, composer, and Benedictine monk, Maximilian Stadler. Born on August 4, 1748, in the Austrian city of Melk, Abbé Stadler died in his adopted home city of Vienna. Witnesses to History We contemplate “witnesses to history,” who I'm going to categorize as “chroniclers” and “bystanders”. “Chroniclers” would be those individuals who, advertently or inadvertently, were witness to historical events which they then reported, firsthand.  For example, John “Jack” Silas Reed (1887-1920). Reed was an American journalist, poet, and communist activist. A prominent World War One war correspondent, Reed was in Petrograd (St. Petersburg) immediately before during and after the Russian Revolution, which he witnessed as a member of the revolutionary inner circle. His book, Ten Days That Shook the World (published in 1919) remains, despite Reed's parochial political leanings, a riveting, firsthand account of the October Revolution. Then there's the American journalist and war correspondent William Shirer (1904-1993). As the European bureau chief for CBS, Shirer was headquartered in Vienna and was a firsthand witness to the “Anschluss”, the Nazi “annexation” of Austria on March 11, 1938. He reported the Munich agreement and Hitler's occupation of […] The post Music History Monday: Maximilian Stadler: Witness to History first appeared on Robert Greenberg.

Tracy Shirer, Director of Marketing CT Science Center. Free kids admission. See omnystudio.com/listener for privacy information.

On this episode of Moscow Mules and NOP Slides, we have Charles Shirer. Charles loves tea and coffee and on special occasions a pre-mixed White Russian. Topics include: his natural energy, dealing with haters, custom 8-bit art T-shirts, applying retro gaming to cyber security, and VIDEO GAMES galore! Dave drinks on a Sunshine IPA from Lawson's Finest out of a Bane glass from Drete Custom. Kyle sips on a Fermented Pear Farmhouse Ale from Wicked Weed out of a Raphael (TMNT) glass from Conspiracy Glassware.  Thank you to Charles for being a guest and the great conversation! We hope you enjoy. Please don't forget to subscribe! Follow us on Twitter @Mules909090. Disclaimer: The views and expressions of the guests and hosts are their own and not of their employers.  

William Shirer was quite unique as a print journalist then later a radio correspondent, in that he was an “on the ground” witness to many of the key historical events, especially in Europe, starting in the 1920s through World War II.  For example - he reported on the 1938 Anschluss, being in Vienna, at the time. You’ll will learn about his humble beginnings as a young man from the Midwest, then rising to prominence in the late 1930’s, along with Edward R. Murrow. Shirer was a critical voice, in trying to tell the world of the insidious rise of Nazism. Furthermore, his collaboration with Murrow in 1938, ushered in a new era on news reporting, that is the model we see today. Most of this podcast will be an interview with Clay Jenkinson, who is a humanities scholar, author and social commentator. He has had an interest in Shirer most of his professional life. He'll share his insights on what made Shirer so unique, and the critically important historical value he provided through broadcasts and writings. For more information on Clay's background and publications - go to www.jeffersonhour.com. 

Episode 122 of A History of Rock Music in Five Hundred Songs is a double-length (over an hour) look at “A Change is Gonna Come” by Sam Cooke, at Cooke's political and artistic growth, and at the circumstances around his death. This one has a long list of content warnings at the beginning of the episode, for good reason... Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "My Guy" by Mary Wells.   Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. For this episode, he also did the re-edit of the closing theme. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources No Mixcloud this week due to the number of songs by one artist. My main source for this episode is Dream Boogie: The Triumph of Sam Cooke by Peter Guralnick. Like all Guralnick's work, it's an essential book if you're even slightly interested in the subject. Information on Allen Klein comes from Fred Goodman's book on Klein. The Netflix documentary I mention can be found here. This is the best compilation of Sam Cooke's music for the beginner, and the only one to contain recordings from all four labels (Specialty, Keen, RCA, and Tracey) he recorded for. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start this episode, a brief acknowledgement --  Lloyd Price plays a minor role in this story, and I heard as I was in the middle of writing it that he had died on May the third, aged eighty-eight. Price was one of the great pioneers of rock and roll -- I first looked at him more than a hundred episodes ago, back in episode twelve -- and he continued performing live right up until the start of the coronavirus outbreak in March last year. He'll be missed. Today we're going to look at one of the great soul protest records of all time, a record that was the high point in the career of its singer and songwriter, and which became a great anthem of the Civil Rights movement. But we're also going to look at the dark side of its creator, and the events that led to his untimely death. More than most episodes of the podcast, this requires a content warning. Indeed, it requires more than just content warnings. Those warnings are necessary -- this episode will deal with not only a murder, but also sexual violence, racialised violence, spousal abuse, child sexual abuse, drug use and the death of a child, as well as being about a song which is in itself about the racism that pervaded American society in the 1960s as it does today. This is a story from which absolutely nobody comes out well, which features very few decent human beings, and which I find truly unpleasant to write about. But there is something else that I want to say, before getting into the episode -- more than any other episode I have done, and I think more than any other episode that I am *going* to do, this is an episode where my position as a white British man born fourteen years after Sam Cooke's death might mean that my perspective is flawed in ways that might actually make it impossible for me to tell the story properly, and in ways that might mean that my telling of the story is doing a grave, racialised, injustice. Were this song and this story not so important to the ongoing narrative, I would simply avoid telling it altogether, but there is simply no way for me to avoid it and tell the rest of the story without doing equally grave injustices. So I will say this upfront. There are two narratives about Sam Cooke's death -- the official one, and a more conspiratorial one. Everything I know about the case tells me that the official account is the one that is actually correct, and *as far as I can tell*, I have good reason for thinking that way. But here's the thing. The other narrative is one that is held by a lot of people who knew Cooke, and they claim that the reason their narrative is not the officially-accepted one is because of racism. I do not think that is the case myself. In fact, all the facts I have seen about the case lead to the conclusion that the official narrative is correct. But I am deeply, deeply, uncomfortable with saying that. Because I have an obligation to be honest, but I also have an obligation not to talk over Black people about their experiences of racism. So what I want to say now, before even starting the episode, is this. Listen to what I have to say, by all means, but then watch the Netflix documentary Remastered: The Two Killings of Sam Cooke, and *listen* to what the people saying otherwise have to say. I can only give my own perspective, and my perspective is far more likely to be flawed here than in any other episode of this podcast. I am truly uncomfortable writing and recording this episode, and were this any other record at all, I would have just skipped it. But that was not an option. Anyway, all that said, let's get on with the episode proper, which is on one of the most important records of the sixties -- "A Change is Gonna Come": [Excerpt: Sam Cooke, "A Change is Gonna Come"] It's been almost eighteen months since we last looked properly at Sam Cooke, way back in episode sixty, and a lot has happened in the story since then, so a brief recap -- Sam Cooke started out as a gospel singer, first with a group called the Highway QCs, and then joining the Soul Stirrers, the most popular gospel group on the circuit, replacing their lead singer.  The Soul Stirrers had signed to Specialty Records, and released records like "Touch the Hem of His Garment", written by Cooke in the studio: [Excerpt: The Soul Stirrers, "Touch the Hem of His Garment"] Cooke had eventually moved away from gospel music to secular, starting with a rewrite of a gospel song he'd written, changing "My God is so wonderful" to "My girl is so lovable", but he'd released that under the name Dale Cook, rather than his own name, in case of a backlash from gospel fans: [Excerpt: Dale Cook, "Lovable"] No-one was fooled, and he started recording under his own name. Shortly after this, Cooke had written his big breakthrough hit, "You Send Me", and when Art Rupe at Specialty Records was unimpressed with it, Cooke and his producer Bumps Blackwell had both moved from Specialty to a new label, Keen Records. Cooke's first appearance on the Ed Sullivan Show was a disaster -- cutting him off half way through the song -- but his second was a triumph, and "You Send Me" went to number one on both the pop and R&B charts, and sold over a million copies, while Specialty put out unreleased earlier recordings and sold over half a million copies of some of those. Sam Cooke was now one of the biggest things in the music business. And he had the potential to become even bigger. He had the looks of a teen idol, and was easily among the two or three best-looking male singing stars of the period. He had a huge amount of personal charm, he was fiercely intelligent, and had an arrogant selfishness that came over as self-confidence -- he believed he deserved everything the world could offer to him, and he was charming enough that everyone he met believed it too. He had an astonishing singing voice, and he was also prodigiously talented as a songwriter -- he'd written "Touch the Hem of His Garment" on the spot in the studio after coming in with no material prepared for the session. Not everything was going entirely smoothly for him, though -- he was in the middle of getting divorced from his first wife, and he was arrested backstage after a gig for non-payment of child support for a child he'd fathered with another woman he'd abandoned. This was a regular occurrence – he was as self-centred in his relationships with women as in other aspects of his life -- though as in those other aspects, the women in question were generally so smitten with him that they forgave him everything. Cooke wanted more than to be a pop star. He had his sights set on being another Harry Belafonte. At this point Belafonte was probably the most popular Black all-round entertainer in the world, with his performances of pop arrangements of calypso and folk songs: [Excerpt: Harry Belafonte, "Jamaica Farewell"] Belafonte had nothing like Cooke's chart success, but he was playing prestigious dates in Las Vegas and at high-class clubs, and Cooke wanted to follow his example. Most notably, at a time when almost all notable Black performers straightened their hair, Belafonte left his hair natural and cut it short. Cooke thought that this was very, very shrewd on Belafonte's part, copying him and saying to his brother L.C. that this would make him less threatening to the white public -- he believed that if a Black man slicked his hair back and processed it, he would come across as slick and dishonest, white people wouldn't trust him around their daughters. But if he just kept his natural hair but cut it short, then he'd come across as more honest and trustworthy, just an all-American boy. Oddly, the biggest effect of this decision wasn't on white audiences, but on Black people watching his appearances on TV. People like Smokey Robinson have often talked about how seeing Cooke perform on TV with his natural hair made a huge impression on them -- showing them that it was possible to be a Black man and not be ashamed of it. It was a move to appeal to the white audience that also had the effect of encouraging Black pride. But Cooke's first attempt at appealing to the mainstream white audience that loved Belafonte didn't go down well. He was booked in for a three-week appearance at the Copacabana, one of the most prestigious nightclubs in the country, and right from the start it was a failure. Bumps Blackwell had written the arrangements for the show on the basis that there would be a small band, and when they discovered Cooke would be backed by a sixteen-piece orchestra he and his assistant Lou Adler had to frantically spend a couple of days copying out sheet music for a bigger group. And Cooke's repertoire for those shows stuck mostly to old standards like "Begin the Beguine", "Ol' Man River", and "I Love You For Sentimental Reasons", with the only new song being "Mary, Mary Lou", a song written by a Catholic priest which had recently been a flop single for Bill Haley: [Excerpt: Bill Haley and the Comets, "Mary, Mary Lou"] Cooke didn't put over those old standards with anything like the passion he had dedicated to his gospel and rock and roll recordings, and audiences were largely unimpressed. Cooke gave up for the moment on trying to win over the supper-club audiences and returned to touring on rock and roll package tours, becoming so close with Clyde McPhatter and LaVern Baker on one tour that they seriously considered trying to get their record labels to agree to allow them to record an album of gospel songs together as a trio, although that never worked out. Cooke looked up immensely to McPhatter in particular, and listened attentively as McPhatter explained his views of the world -- ones that were very different to the ones Cooke had grown up with. McPhatter was an outspoken atheist who saw religion as a con, and who also had been a lifelong member of the NAACP and was a vocal supporter of civil rights. Cooke listened closely to what McPhatter had to say, and thought long and hard about it. Cooke was also dealing with lawsuits from Art Rupe at Specialty Records. When Cooke had left Specialty, he'd agreed that Rupe would own the publishing on any future songs he'd written, but he had got round this by crediting "You Send Me" to his brother, L.C.  Rupe was incensed, and obviously sued, but he had no hard evidence that Cooke had himself written the song. Indeed, Rupe at one point even tried to turn the tables on Cooke, by getting Lloyd Price's brother Leo, a songwriter himself who had written "Send Me Some Lovin'", to claim that *he* had written "You Send Me", but Leo Price quickly backed down from the claim, and Rupe was left unable to prove anything. It didn't hurt Cooke's case that L.C., while not a talent of his brother's stature, was at least a professional singer and songwriter himself, who was releasing records on Checker Records that sounded very like Sam's work: [Excerpt: L.C. Cooke, "Do You Remember?"] For much of the late 1950s, Sam Cooke seemed to be trying to fit into two worlds simultaneously. He was insistent  that he wanted to move into the type of showbusiness that was represented by the Rat Pack -- he cut an album of Billie Holiday songs, and he got rid of Bumps Blackwell as his manager, replacing him with a white man who had previously been Sammy Davis Jr.'s publicist. But on the other hand, he was hanging out with the Central Avenue music scene in LA, with Johnny "Guitar" Watson, Eugene Church, Jesse Belvin, and Alex and Gaynel Hodge. While his aspirations towards Rat Packdom faltered, he carried on having hits -- his own "Only Sixteen" and "Everybody Loves to Cha-Cha-Cha", and he recorded, but didn't release yet, a song that Lou Adler had written with his friend Herb Alpert, and whose lyrics Sam revised, "Wonderful World". Cooke was also starting a relationship with the woman who would become his second wife, Barbara. He'd actually had an affair with her some years earlier, and they'd had a daughter, Linda, who Cooke had initially not acknowledged as his own -- he had many children with other women -- but they got together in 1958, around the time of Cooke's divorce from his first wife. Tragically, that first wife then died in a car crash in 1959 -- Cooke paid her funeral expenses. He was also getting dissatisfied with Keen Records, which had been growing too fast to keep up with its expenses -- Bumps Blackwell, Lou Adler, and Herb Alpert, who had all started at the label with him, all started to move away from it to do other things, and Cooke was sure that Keen weren't paying him the money they owed as fast as they should.  He also wanted to help some of his old friends out -- while Cooke was an incredibly selfish man, he was also someone who believed in not leaving anyone behind, so long as they paid him what he thought was the proper respect, and so he started his own record label, with his friends J.W. Alexander and Roy Crain, called SAR Records (standing for Sam, Alex, and Roy), to put out records by his old group The Soul Stirrers, for whom he wrote "Stand By Me, Father", a song inspired by an old gospel song by Charles Tindley, and with a lead sung by Johnnie Taylor, the Sam Cooke soundalike who had replaced Cooke as the group's lead singer: [Excerpt: The Soul Stirrers, "Stand By Me, Father"] Of course, that became, as we heard a few months back, the basis for Ben E. King's big hit "Stand By Me". Cooke and Alexander had already started up their own publishing company, and were collaborating on songs for other artists, too. They wrote "I Know I'll Always Be In Love With You", which was recorded first by the Hollywood Flames and then by Jackie Wilson: [Excerpt: Jackie Wilson, "I Know I'll Always Be in Love With You"] And "I'm Alright", which Little Anthony and the Imperials released as a single: [Excerpt: Little Anthony and the Imperials, "I'm Alright"] But while he was working on rock and roll and gospel records, he was also learning to tap-dance for his performances at the exclusive white nightclubs he wanted to play -- though when he played Black venues he didn't include those bits in the act. He did, though, perform seated on a stool in imitation of Perry Como, having decided that if he couldn't match the energetic performances of people like Jackie Wilson (who had been his support act at a run of shows where Wilson had gone down better than Cooke) he would go in a more casual direction.  He was also looking to move into the pop market when it came to his records, and he eventually signed up with RCA Records, and specifically with Hugo and Luigi. We've talked about Hugo and Luigi before, a couple of times -- they were the people who had produced Georgia Gibbs' soundalike records that had ripped off Black performers, and we talked about their production of "The Lion Sleeps Tonight", though at this point they hadn't yet made that record. They had occasionally produced records that were more R&B flavoured -- they produced "Shout!" for the Isley Brothers, for example -- but they were in general about as bland and middle-of-the-road a duo as one could imagine working in the music industry. The first record that Hugo and Luigi produced for Cooke was a song that the then-unknown Jeff Barry had written, "Teenage Sonata". That record did nothing, and the label were especially annoyed when a recording Cooke had done while he was still at Keen, "Wonderful World", was released on his old label and made the top twenty: [Excerpt: Sam Cooke, "Wonderful World"] Cooke's collaboration with Hugo and Luigi would soon turn into one that bore a strong resemblance to their collaboration with the Isley Brothers -- they would release great singles, but albums that fundamentally misunderstood Cooke's artistry; though some of that misunderstanding may have come from Cooke himself, who never seemed to be sure which direction to go in. Many of the album tracks they released have Cooke sounding unsure of himself, and hesitant, but that's not something that you can say about the first real success that Cooke came out with on RCA, a song he wrote after driving past a group of prisoners working on a chain gang. He'd originally intended that song to be performed by his brother Charles, but he'd half-heartedly played it for Hugo and Luigi when they'd not seen much potential in any of his other recent originals, and they'd decided that that was the hit: [Excerpt: Sam Cooke, "Chain Gang"] That made number two on the charts, becoming his biggest hit since "You Send Me". Meanwhile Cooke was also still recording other artists for SAR -- though by this point Roy Crain had been eased out and SAR now stood for Sam and Alex Records. He got a group of Central Avenue singers including Alex and Gaynel Hodge to sing backing vocals on a song he gave to a friend of his named Johnny Morisette, who was known professionally as "Johnny Two-Voice" because of the way he could sound totally different in his different ranges, but who was known to his acquaintances as "the singing pimp", because of his other occupation: [Excerpt: Johnny Morisette, "I'll Never Come Running Back to You"] They also thought seriously about signing up a young gospel singer they knew called Aretha Franklin, who was such an admirer of Sam's that she would try to copy him -- she changed her brand of cigarettes to match the ones he smoked, and when she saw him on tour reading William Shirer's The Rise and Fall of the Third Reich -- Cooke was an obsessive reader, especially of history -- she bought her own copy. She never read it, but she thought she should have a copy if Cooke had one.  But they decided that Franklin's father, the civil rights leader Rev. C.L. Franklin, was too intimidating, and so it would probably not be a good idea to get involved. The tour on which Franklin saw Cooke read Shirer's book was also the one on which Cooke made his first public stance in favour of civil rights -- that tour, which was one of the big package tours of the time, was meant to play a segregated venue, but the artists hadn't been informed just how segregated it was. While obviously none of them supported segregation, they would mostly accept playing to segregated crowds, because there was no alternative, if at least Black people were allowed in in roughly equal numbers. But in this case, Black people were confined to a tiny proportion of the seats, in areas with extremely restricted views, and both Cooke and Clyde McPhatter refused to go on stage, though the rest of the acts didn't join in their boycott. Cooke's collaboration with Hugo and Luigi remained hit and miss, and produced a few more flop singles, but then Cooke persuaded them to allow him to work in California, with the musicians he'd worked with at Keen, and with René Hall arranging rather than the arrangers they'd employed previously. While the production on Cooke's California sessions was still credited to Hugo and Luigi, Luigi was the only one actually attending those sessions -- Hugo was afraid of flying and wouldn't come out to the West Coast. The first record that came out under this new arrangement was another big hit, "Cupid", which had vocal sound effects supplied by a gospel act Cooke knew, the Sims twins -- Kenneth Sims made the sound of an arrow flying through the air, and Bobbie Sims made the thwacking noise of it hitting a target: [Excerpt: Sam Cooke, "Cupid"] Cooke became RCA's second-biggest artist, at least in terms of singles sales, and had a string of hits like "Twistin' the Night Away", "Another Saturday Night", and "Bring it On Home to Me", though he was finding it difficult to break the album market. He was frustrated that he wasn't having number one records, but Luigi reassured him that that was actually the best position to be in: “We're getting number four, number six on the Billboard charts, and as long as we get that, nobody's gonna bother you. But if you get two or three number ones in a row, then you got no place to go but down. Then you're competition, and they're just going to do everything they can to knock you off.” But Cooke's personal life had started to unravel. After having two daughters, his wife gave birth to a son. Cooke had desperately wanted a male heir, but he didn't bond with his son, Vincent, who he insisted didn't look like him. He became emotionally and physically abusive towards his wife, beating her up on more than one occasion, and while she had been a regular drug user already, her use increased to try to dull the pain of being married to someone who she loved but who was abusing her so appallingly. Things became much, much worse, when the most tragic thing imaginable happened. Cooke had a swim in his private pool and then went out, leaving the cover off. His wife, Barbara, then let the children play outside, thinking that their three-year-old daughter Tracey would be able to look after the baby for a few minutes. Baby Vincent fell into the pool and drowned. Both parents blamed the other, and Sam was devastated at the death of the child he only truly accepted as his son once the child was dead. You can hear some of that devastation in a recording he made a few months later of an old Appalachian folk song: [Excerpt: Sam Cooke, "The Riddle Song"] Friends worried that Cooke was suicidal, but Cooke held it together, in part because of the intervention of his new manager, Allen Klein. Klein had had a hard life growing up -- his mother had died when he was young, and his father had sent him to an orphanage for a while. Eventually, his father remarried, and young Allen came back to the family home, but his father was still always distant. He grew close to his stepmother, but then she died as well.  Klein turned up at Cooke's house two days after the baby's funeral with his own daughter, and insisted on taking Cooke and his surviving children to Disneyland, telling him "You always had your mother and father, but I lost my mother when I was nine months old. You've got two other children. Those two girls need you even more now. You're their only father, and you've got to take care of them." Klein was very similar to Cooke in many ways. He had decided from a very early age that he couldn't trust anyone but himself, and that he had to make his own way in the world. He became hugely ambitious, and wanted to reach the very top. Klein had become an accountant, and gone to work for Joe Fenton, an accountant who specialised in the entertainment industry.  One of the first jobs Klein did in his role with Fenton was to assist him with an audit of Dot Records in 1957, called for by the Harry Fox Agency. We've not talked about Harry Fox before, but they're one of the most important organisations in the American music industry -- they're a collection agency like ASCAP or BMI, who collect songwriting royalties for publishing companies and songwriters. But while ASCAP and BMI collect performance royalties -- they collect payments for music played on the radio or TV, or in live performance -- Harry Fox collect the money for mechanical reproduction, the use of songs on records. It's a gigantic organisation, and it has the backing of all the major music publishers. To do this audit, Klein and Fenton had to travel from New York to LA, and as they were being paid by a major entertainment industry organisation, they were put up in the Roosevelt Hotel, where at the time the other guests included Elvis, Claude Rains, and Sidney Poitier. Klein, who had grown up in comparative poverty, couldn't help but be impressed at the money that you could make by working in entertainment. The audit of Dot Records found some serious discrepancies -- they were severely underpaying publishers and songwriters. While they were in LA, Klein and Fenton also audited several other labels, like Liberty, and they found the same thing at all of them. The record labels were systematically conning publishing companies out of money they were owed. Klein immediately realised that if they were doing this to the major publishing companies that Harry Fox represented, they must be doing the same kind of thing to small songwriters and artists, the kind of people who didn't have a huge organisation to back them up.  Unfortunately for Klein, soon after he started working for Fenton, he was fired -- he was someone who was chronically unable to get to work on time in the morning, and while he didn't mind working ridiculously long hours, he could not, no matter how hard he tried, get himself into the office for nine in the morning. He was fired after only four months, and Fenton even recommended to the State of New Jersey that they not allow Klein to become a Certified Public Accountant -- a qualification which, as a result, Klein never ended up getting. He set up his own company to perform audits of record companies for performers, and he got lucky by bumping in to someone he'd been at school with -- Don Kirshner. Kirshner agreed to start passing clients Klein's way, and his first client was Ersel Hickey (no relation), the rockabilly singer we briefly discussed in the episode on "Twist and Shout", who had a hit with "Bluebirds Over the Mountain": [Excerpt: Ersel Hickey, "Bluebirds Over the Mountain"] Klein audited Hickey's record label, but was rather surprised to find out that they didn't actually owe Hickey a penny. It turned out that record contracts were written so much in the company's favour that they didn't have to use any dodgy accounting to get out of paying the artists anything.  But sometimes, the companies would rip the artists off anyway, if they were particularly unscrupulous. Kirshner had also referred the rockabilly singer/songwriter duo Buddy Knox and Jimmy Bowen to Klein. Their big hit, "Party Doll", had come out on Roulette Records: [Excerpt: Buddy Knox, "Party Doll"] Klein found out that in the case of Roulette, the label *were* actually not paying the artists what they were contractually owed, largely because Morris Levy didn't like paying people money. After the audit, Levy did actually agree to pay Knox and Bowen what they were owed, but he insisted that he would only pay it over four years, at a rate of seventy dollars a week -- if Klein wanted it any sooner, he'd have to sue, and the money would all be eaten up in lawyers' fees. That was still better than nothing, and Klein made enough from his cut that he was able to buy himself a car.  Klein and Levy actually became friends -- the two men were very similar in many ways -- and Klein learned a big lesson from negotiating with him. That lesson was that you take what you can get, because something is better than nothing. If you discover a company owes your client a hundred thousand dollars that your client didn't know about, and they offer you fifty thousand to settle, you take the fifty thousand. Your client still ends up much better off than they would have been, you've not burned any bridges with the company, and you get your cut. And Klein's cut was substantial -- his standard was to take fifty percent of any extra money he got for the artist. And he prided himself on always finding something -- though rarely as much as he would suggest to his clients before getting together with them. One particularly telling anecdote about Klein's attitude is that when he was at Don Kirshner's wedding he went up to Kirshner's friend Bobby Darin and told him he could get him a hundred thousand dollars. Darin signed, but according to Darin's manager, Klein only actually found one underpayment, for ten thousand copies of Darin's hit "Splish Splash" which Atlantic hadn't paid for: [Excerpt: Bobby Darin, "Splish Splash"] However, at the time singles sold for a dollar, Darin was on a five percent royalty, and he only got paid for ninety percent of the records sold (because of a standard clause in contracts at that time to allow for breakages). The result was that Klein found an underpayment of just four hundred and fifty dollars, a little less than the hundred thousand he'd promised the unimpressed Darin. But Klein used the connection to Darin to get a lot more clients, and he did significantly better for some of them. For Lloyd Price, for example, he managed to get an extra sixty thousand dollars from ABC/Paramount, and Price and Klein became lifelong friends. And Price sang Klein's praises to Sam Cooke, who became eager to meet him.  He got the chance when Klein started up a new business with a DJ named Jocko Henderson. Henderson was one of the most prominent DJs in Philadelphia, and was very involved in all aspects of the music industry. He had much the same kind of relationship with Scepter Records that Alan Freed had with Chess, and was cut in on most of the label's publishing on its big hits -- rights he would later sell to Klein in order to avoid the kind of investigation that destroyed Freed's career. Henderson had also been the DJ who had first promoted "You Send Me" on the radio, and Cooke owed him a favour. Cooke was also at the time being courted by Scepter Records, who had offered him a job as the Shirelles' writer and producer once Florence Greenberg had split up with Luther Dixon. He'd written them one song, which referenced many of their earlier hits: [Excerpt: The Shirelles, "Only Time Will Tell"] However, Cooke didn't stick with Scepter -- he figured out that Greenberg wasn't interested in him as a writer/producer, but as a singer, and he wasn't going to record for an indie like them when he could work with RCA. But when Henderson and Klein started running a theatre together, putting on R&B shows, those shows obviously featured a lot of Scepter acts like the Shirelles and Dionne Warwick, but they also featured Sam Cooke on the top of the bill, and towards the bottom of the bill were the Valentinos, a band featuring Cooke's touring guitarist, Bobby Womack, who were signed to SAR Records: [Excerpt: The Valentinos, "It's All Over Now"] Klein was absolutely overawed with Cooke's talent when he first saw him on stage, realising straight away that this was one of the major artists of his generation. Whereas most of the time, Klein would push himself forward straight away and try to dominate artists, here he didn't even approach Cooke at all, just chatted to Cooke's road manager and found out what Cooke was like as a person. This is something one sees time and again when it comes to Cooke -- otherwise unflappable people just being absolutely blown away by his charisma, talent, and personality, and behaving towards him in ways that they behaved to nobody else. At the end of the residency, Cooke had approached Klein, having heard good things about him from Price, Henderson, and his road manager. The two had several meetings over the next few months, so Klein could get an idea of what it was that was bothering Cooke about his business arrangements. Eventually, after a few months, Cooke asked Klein for his honest opinion. Klein was blunt. "I think they're treating you like a " -- and here he used the single most offensive anti-Black slur there is -- "and you shouldn't let them." Cooke agreed, and said he wanted Klein to take control of his business arrangements. The first thing Klein did was to get Cooke a big advance from BMI against his future royalties as a songwriter and publisher, giving him seventy-nine thousand dollars up front to ease his immediate cash problems. He then started working on getting Cooke a better recording contract. The first thing he did was go to Columbia records, who he thought would be a better fit for Cooke than RCA were, and with whom Cooke already had a relationship, as he was at that time working with his friend, the boxer Muhammad Ali, on an album that Ali was recording for Columbia: [Excerpt: Muhammad Ali, "The Gang's All Here"] Cooke was very friendly with Ali, and also with Ali's spiritual mentor, the activist Malcolm X, and both men tried to get him to convert to the Nation of Islam. Cooke declined -- while he respected both men, he had less respect for Elijah Mohammed, who he saw as a con artist, and he was becoming increasingly suspicious of religion in general. He did, though, share the Nation of Islam's commitment to Black people pulling themselves up by their bootstraps and presenting themselves in a clean-cut way, having the same vision of Black capitalism that many of his contemporaries like James Brown shared. Unfortunately, negotiations with Columbia quickly failed. Klein believed, probably correctly, that record labels didn't have to do anything to sell Sam Cooke's records, and that Cooke was in a unique position as one of the very few artists at that time who could write, perform, and produce hit records without any outside assistance. Klein therefore thought that Cooke deserved a higher royalty rate than the five percent industry standard, and said that Cooke wouldn't sign with anyone for that rate. The problem was that Columbia had most-favoured-nations clauses written into many other artists' contracts. These clauses meant that if any artist signed with Columbia for a higher royalty rate, those other artists would also have to get that royalty rate, so if Cooke got the ten percent that Klein was demanding, a bunch of other performers like Tony Bennett would also have to get the ten percent, and Columbia were simply not willing to do that. So Klein decided that Cooke was going to stay with RCA, but he found a way to make sure that Cooke would get a much better deal from RCA, and in a way which didn't affect any of RCA's own favoured-nations contracts.  Klein had had some involvement in filmmaking, and knew that independent production companies were making films without the studios, and just letting the studios distribute them. He also knew that in the music business plenty of songwriters and producers like Leiber and Stoller and Phil Spector owned their own record labels. But up to that point, no performers did, that Klein was aware of, because it was the producers who generally made the records, and the contracts were set up with the assumption that the performer would just do what the producer said. That didn't apply to Sam Cooke, and so Klein didn't see why Cooke couldn't have his own label. Klein set up a new company, called Tracey Records, which was named after Cooke's daughter, and whose president was Cooke's old friend J.W. Alexander. Tracey Records would, supposedly to reduce Cooke's tax burden, be totally owned by Klein, but it would be Cooke's company, and Cooke would be paid in preferred stock in the company, though Cooke would get the bulk of the money -- it would be a mere formality that the company was owned by Klein. While this did indeed have the effect of limiting the amount of tax Cooke had to pay, it also fulfilled a rule that Klein would later state -- "never take twenty percent of an artist's earnings. Instead give them eighty percent of yours". What mattered wasn't the short-term income, but the long-term ownership. And that's what Klein worked out with RCA. Tracey Records would record and manufacture all Cooke's records from that point on, but RCA would have exclusive distribution rights for thirty years, and would pay Tracey a dollar per album. After thirty years, Tracey records would get all the rights to Cooke's recordings back, and in the meantime, Cooke would effectively be on a much higher royalty rate than he'd received before, in return for taking a much larger share of the risk. There were also changes at SAR. Zelda Sands, who basically ran the company for Sam and J.W., was shocked to receive a phone call from Sam and Barbara, telling her to immediately come to Chicago, where Sam was staying while he was on tour. She went up to their hotel room, where Barbara angrily confronted her, saying that she knew that Sam had always been attracted to Zelda -- despite Zelda apparently being one of the few women Cooke met who he never slept with -- and heavily implied that the best way to sort this would be for them to have a threesome. Zelda left and immediately flew back to LA. A few days later, Barbara turned up at the SAR records offices and marched Zelda out at gunpoint. Through all of this turmoil, though, Cooke managed to somehow keep creating music. And indeed he soon came up with the song that would be his most important legacy. J.W. Alexander had given Cooke a copy of The Freewheelin' Bob Dylan, and Cooke had been amazed at "Blowin' in the Wind": [Excerpt: Bob Dylan, "Blowin' in the Wind"] But more than being amazed at the song, Cooke was feeling challenged. This was a song that should have been written by a Black man. More than that, it was a song that should have been written by *him*. Black performers needed to be making music about their own situation. He added "Blowin' in the Wind" to his own live set, but he also started thinking about how he could write a song like that himself. As is often the case with Cooke's writing, he took inspiration from another song, this time "Ol' Man River", the song from the musical Showboat that had been made famous by the actor, singer, and most importantly civil rights activist Paul Robeson: [Excerpt: Paul Robeson, "Ol' Man River"] Cooke had recorded his own version of that in 1958, but now in early 1964 he took the general pace, some melodic touches, the mention of the river, and particularly the lines "I'm tired of livin' and scared of dyin'", and used them to create something new. Oddly for a song that would inspire a civil rights anthem -- or possibly just appropriately, in the circumstances, "Ol' Man River" in its original form featured several racial slurs included by the white lyricist, Oscar Hammerstein, and indeed Robeson himself in later live performances changed the very lines that Cooke would later appropriate, changing them as he thought they were too defeatist for a Black activist to sing: [Excerpt: Paul Robeson, "Ol' Man River (alternative lyrics)"] Cooke's song would keep the original sense, in his lines "It's been too hard livin' but I'm afraid to die", but the most important thing was the message -- "a change is gonna come". The session at which he recorded it was to be his last with Luigi, whose contract with RCA was coming to an end, and Cooke knew it had to be something special. Rene Hall came up with an arrangement for a full orchestra, which so overawed Cooke's regular musicians that his drummer found himself too nervous to play on the session. Luckily, Earl Palmer was recording next door, and was persuaded to come and fill in for him.  Hall's arrangement starts with an overture played by the whole orchestra: [Excerpt: Sam Cooke, "A Change is Gonna Come"] And then each verse features different instrumentation, with the instruments changing at the last line of each verse -- "a change is gonna come". The first verse is dominated by the rhythm section: [Excerpt: Sam Cooke, "A Change is Gonna Come"] Then for the second verse, the strings come in, for the third the strings back down and are replaced by horns, and then at the end the whole orchestra swells up behind Cooke: [Excerpt: Sam Cooke, "A Change is Gonna Come"] Cooke was surprised when Luigi, at the end of the session, told him how much he liked the song, which Cooke thought wouldn't have been to Luigi's taste, as Luigi made simple pop confections, not protest songs. But as Luigi later explained, "But I did like it. It was a serious piece, but still it was him. Some of the other stuff was throwaway, but this was very deep. He was really digging into himself for this one." Cooke was proud of his new record, but also had something of a bad feeling about it, something that was confirmed when he played the record for Bobby Womack, who told him "it sounds like death". Cooke agreed, there was something premonitory about the record, something ominous. Allen Klein, on the other hand, was absolutely ecstatic. The track was intended to be used only as an album track -- they were going in a more R&B direction with Cooke's singles at this point. His previous single was a cover version of Howlin' Wolf's "Little Red Rooster”: [Excerpt: Sam Cooke, "Little Red Rooster"] And his next two singles were already recorded -- a secularised version of the old spiritual "Ain't That Good News", and a rewrite of an old Louis Jordan song. Cooke was booked on to the Johnny Carson show, where he was meant to perform both sides of his new single, but Allen Klein was so overwhelmed by "A Change is Gonna Come" that he insisted that Cooke drop "Ain't That Good News" and perform his new song instead. Cooke said that he was meant to be on there to promote his new record. Klein insisted that he was meant to be promoting *himself*, and that the best promotion for himself would be this great song. Cooke then said that the Tonight Show band didn't have all the instruments needed to reproduce the orchestration. Klein said that if RCA wouldn't pay for the additional eighteen musicians, he would pay for them out of his own pocket. Cooke eventually agreed. Unfortunately, there seems to exist no recording of that performance, the only time Cooke would ever perform "A Change is Gonna Come" live, but reports from people who watched it at the time suggest that it made as much of an impact on Black people watching as the Beatles' appearance on the Ed Sullivan Show two days later made on white America. "A Change is Gonna Come" became a standard of the soul repertoire, recorded by Aretha Franklin: [Excerpt: Aretha Franklin, "A Change is Gonna Come"] Otis Redding: [Excerpt: Otis Redding, "A Change is Gonna Come"] The Supremes and more. Cooke licensed it to a compilation album released as a fundraiser for Martin Luther King's campaigning, and when King was shot in 1968, Rosa Parks spent the night crying in her mother's arms, and they listened to "A Change is Gonna Come". She said ”Sam's smooth voice was like medicine to the soul. It was as if Dr. King was speaking directly to me.” After his Tonight Show appearance, Cooke was in the perfect position to move into the real big time. Allen Klein had visited Brian Epstein on RCA's behalf to see if Epstein would sign the Beatles to RCA for a million-dollar advance. Epstein wasn't interested, but he did suggest to Klein that possibly Cooke could open for the Beatles when they toured the US in 1965.  And Cooke was genuinely excited about the British Invasion and the possibilities it offered for the younger musicians he was mentoring. When Bobby Womack complained that the Rolling Stones had covered his song "It's All Over Now" and deprived his band of a hit, Cooke explained to Womack first that he'd be making a ton of money from the songwriting royalties, but also that Womack and his brothers were in a perfect position -- they were young men with long hair who played guitars and drums. If the Valentinos jumped on the bandwagon they could make a lot of money from this new style. But Cooke was going to make a lot of money from older styles. He'd been booked into the Copacabana again, and this time he was going to be a smash hit, not the failure he had been the first time. His residency at the club was advertised with a billboard in Times Square, and he came on stage every night to a taped introduction from Sammy Davis Jr.: [Excerpt: Sammy Davis Jr. introducing Sam Cooke] Listening to the live album from that residency and comparing it to the live recordings in front of a Black audience from a year earlier is astonishing proof of Cooke's flexibility as a performer. The live album from the Harlem Square Club in Florida is gritty and gospel-fuelled, while the Copacabana show has Cooke as a smooth crooner in the style of Nat "King" Cole -- still with a soulful edge to his vocals, but completely controlled and relaxed. The repertoire is almost entirely different as well -- other than "Twistin' the Night Away" and a ballad medley that included "You Send Me", the material was a mixture of old standards like "Bill Bailey" and "When I Fall In Love" and new folk protest songs like "If I Had a Hammer" and "Blowin' in the Wind", the song that had inspired "A Change is Gonna Come": [Excerpt: Sam Cooke, "Blowin' in the Wind"] What's astonishing is that both live albums, as different as they are, are equally good performances. Cooke by this point was an artist who could perform in any style, and for any audience, and do it well. In November 1964, Cooke recorded a dance song, “Shake”, and he prepared a shortened edit of “A Change is Gonna Come” to release as its B-side. The single was scheduled for release on December 22nd. Both sides charted, but by the time the single came out, Sam Cooke was dead. And from this point on, the story gets even more depressing and upsetting than it has been. On December the eleventh, 1964, Sam Cooke drove a woman he'd picked up to an out-of the-way motel. According to the woman, he tore off most of her clothes against her will, as well as getting undressed himself, and she was afraid he was going to rape her. When he went to the toilet, she gathered up all of her clothes and ran out, and in her hurry she gathered up his clothes as well. Some of Cooke's friends have suggested that she was in fact known for doing this and stealing men's money, and that Cooke had been carrying a large sum of money which disappeared, but this seems unlikely on the face of it, given that she ran to a phone box and called the police, telling them that she had been kidnapped and didn't know where she was, and could they please help her? Someone else was on the phone at the same time. Bertha Lee Franklin, the motel's manager, was on the phone to the owner of the motel when Sam Cooke found out that his clothes were gone, and the owner heard everything that followed. Cooke turned up at the manager's office naked except for a sports jacket and shoes, drunk, and furious. He demanded to know where the girl was. Franklin told him she didn't know anything about any girl. Cooke broke down the door to the manager's office, believing that she must be hiding in there with his clothes. Franklin grabbed the gun she had to protect herself. Cooke struggled with her, trying to get the gun off her. The gun went off three times. The first bullet went into the ceiling, the next two into Cooke. Cooke's last words were a shocked "Lady, you shot me".  Cooke's death shocked everyone, and immediately many of his family and friends started questioning the accepted version of the story. And it has to be said that they had good reason to question it. Several people stood to benefit from Cooke's death -- he was talking about getting a divorce from his wife, who would inherit his money; he was apparently questioning his relationship with Klein, who gained complete ownership of his catalogue after his death, and Klein after all had mob connections in the person of Morris Levy;  he had remained friendly with Malcolm X after X's split from the Nation of Islam and it was conceivable that Elijah Muhammad saw Cooke as a threat; while both Elvis and James Brown thought that Cooke setting up his own label had been seen as a threat by RCA, and that *they* had had something to do with it. And you have to understand that while false rape accusations basically never happen -- and I have to emphasise that here, women just *do not* make false rape accusations in any real numbers -- false rape accusations *had* historically been weaponised against Black men in large numbers in the early and mid twentieth century. Almost all lynchings followed a pattern -- a Black man owned a bit of land a white man wanted, a white woman connected to the white man accused the Black man of rape, the Black man was lynched, and his property was sold off at far less than cost to the white man who wanted it. The few lynchings that didn't follow that precise pattern still usually involved an element of sexualising the murdered Black men, as when only a few years earlier Emmett Till, a teenager, had been beaten to death, supposedly for whistling at a white woman. So Cooke's death very much followed the pattern of a lynching. Not exactly -- for a start, the woman he attacked was Black, and so was the woman who shot him -- but it was close enough that it rang alarm bells, completely understandably. But I think we have to set against that Cooke's history of arrogant entitlement to women's bodies, and his history of violence, both against his wife and, more rarely, against strangers who caught him in the wrong mood. Fundamentally, if you read enough about his life and behaviour, the official story just rings absolutely true. He seems like someone who would behave exactly in the way described. Or at least, he seems that way to me. But of course, I didn't know him, and I have never had to live with the threat of murder because of my race. And many people who did know him and have had to live with that threat have a different opinion, and that needs to be respected. The story of Cooke's family after his death is not one from which anyone comes out looking very good. His brother, L.C., pretty much immediately recorded a memorial album and went out on a tribute tour, performing his brother's hits: [Excerpt: L.C. Cooke, "Wonderful World"] Cooke's best friend, J.W. Alexander, also recorded a tribute album. Bertha Franklin sued the family of the man she had killed, because her own life had been ruined and she'd had to go into hiding, thanks to threats from his fans. Cooke's widow, Barbara, married Bobby Womack less than three months after Cooke's death -- and the only reason it wasn't sooner was that Womack had not yet turned twenty-one, and so they were not able to get married without Womack's parents' permission. They married the day after Womack's twenty-first birthday, and Womack was wearing one of Sam's suits at the ceremony. Womack was heard regularly talking about how much he looked like Sam. Two of Cooke's brothers were so incensed at the way that they thought Womack was stepping into their brother's life that they broke Womack's jaw -- and Barbara Cooke pulled a gun on them and tried to shoot them. Luckily for them, Womack had guessed that a confrontation was coming, and had removed the bullets from Barbara's gun, so there would be no more deaths in his mentor's family. Within a few months, Barbara was pregnant, and the baby, when he was born, was named Vincent, the same name as Sam and Barbara's dead son.  Five years later, Barbara discovered that Womack had for some time been sexually abusing Linda, her and Sam's oldest child, who was seventeen at the time Barbara discovered this. She kicked Womack out, but Linda sided with Womack and never spoke to her mother again. Linda carried on a consensual relationship with Bobby Womack for some time, and then married Bobby's brother Cecil (or maybe it's pronounced Cee-cil in his case? I've never heard him spoken about), who also became her performing and songwriting partner. They wrote many songs for other artists, as well as having hits themselves as Womack and Womack: [Excerpt: Womack and Womack, "Teardrops"] The duo later changed their names to Zek and Zeriiya Zekkariyas, in recognition of their African heritage. Sam Cooke left behind a complicated legacy. He hurt almost everyone who was ever involved in his life, and yet all of them seem not only to have forgiven him but to have loved him in part because of the things he did that hurt them the most. What effect that has on one's view of his art must in the end be a matter for individual judgement, and I never, ever, want to suggest that great art in any way mitigates appalling personal behaviour. But at the same time, "A Change is Gonna Come" stands as perhaps the most important single record we'll look at in this history, one that marked the entry into the pop mainstream of Black artists making political statements on their own behalf, rather than being spoken for and spoken over by well-meaning white liberals like me. There's no neat conclusion I can come to here,  no great lesson that can be learned and no pat answer that will make everything make sense. There's just some transcendent, inspiring, music, a bunch of horribly hurt people, and a young man dying, almost naked, in the most squalid circumstances imaginable.

Charles is a Senior Security Consultant for Red Siege. He has over 18 years of experience in IT. In his spare time, Charles does retro gaming and works on the SECBSD open source project, a penetration testing distro. He currently works as Staff at several Security Conferences, podcasts (GrumpyHackers) (Positively Blue Team Cast), and is a part of the MentalHealthHackers DeadPixelSec NovaHackers and  HackingisNotaCrime Family. Charles joins us to talk about positivity in InfoSec. If you've never seen Charle's videos, you're missing out. We'll unpack what drives his positivity and how we as infosec / appsec people can embrace a more positive approach to our world. We hope you enjoy this conversation with...Charles Shirer.

Charles Shirer, a red teamer, hacker, and FreeBSD enthusiast, joins Dennis Fisher to talk about his path to working in security, learning to hack, and his motivational videos.

Reviewed in the United States on January 15, 2019 After visiting a reunified Germany, I began to wonder how such intelligent, organized, proper people could have fallen for the myth of Hitler. So I decided to read this book. And although the book doesn't specifically address this issue, even sixty years later, it provides insights into the ways a population (and the world) can be hoodwinked. As such, it also provides a stark warning to the 21st century about leadership, charisma, propaganda (the control of the media), courage, and critical thinking. Shirer, unlike so many of today's "journalistic" books, provides a narrative that is probably 90 percent objective. Throughout the book, Shirer bases his reporting on sources captured after the Nazi defeat. These include memoranda, entries from personal diaries, and even some one-on-one interviews with former Nazis. You can see the era's bias such as those against homosexuals (often referred to as "perverts") come into play, but given WHEN the book was written, this is not unexpected nor does it diminish the significance of the report. When Shirer expressed a personal opinion, like those from his diary, he made it blatantly clear that these were his impressions. So what I appreciated most about this book is that Shirer cited almost everything he wrote about (I wish they had used letters or numbers for the chapter endnotes instead of asterisks in the Kindle edition) and often included exact verbiage (translated from German, of course) from the documents he reviewed. While his coverage of the Fuhrer and his growing megalomania is frightening enough, I found that his reporting on Joseph Goebbels' role in creating an atmosphere of belief in the Nazis in Germany the most frightening--and foreboding--of all. Goebbels understood from the getgo that people believe what they want to believe, and he used this understanding effectively. Goebbels controlled ALL media, all messaging, all symbolism for the Reich. As a media professional myself, I was stunned at his ability, as early as the 1930s, to understand the power of popular media. Not only did he use thuggery to silence opposing views, but his media savvy in movie-making, radio broadcasts, timing, event-staging, and even bunting were used to inspire a demoralized population into believing or at least not contradicting the unthinkable. He successfully usurped music, philosophy, and even religion to create a mass delusion among the German people. In my opinion, this may have been one of the main reasons a decent population eventually was caught up in the whole hegemony of Hitler. Certainly, there are other important contributing factors--the economy, a weak government, the depression, etc.--but Goebbels leveraged all of this things to create the big lie that others, particularly the Jews and the Slavs--were responsible for the fate of Germany. To me, this insight has the most relevance for today when Hollywood creates its own version of history, where "journalists" have no problem slanting news (on both sides of the aisle) to their point of view, where politicians have no problems with telling people what they want to hear, and where both political parties have stooped to a level of name-calling and dehumanization of the other. These were tactics that were found in the political milieu of Nazi Germany. While we have not reached that level, it is important to understand just exactly what and how Goebbels created a societal belief that supported the war machine and extermination of so many innocent people. And part of that media message was always terror and intimidation. Besides this insight, Shirer provides us with personal glimpses into some of the key players of the Reich. He documents how "fateful" incidents impacted the decisions of the combatants' strategic decisions and the outcome of the war. The book is long and detailed but provides a good look at this unfortunate time in history. While most of the "greatest generation --- Send in a voice message: https://anchor.fm/native901/message

Sarah Sundin's latest book, When Twilight Breaks, released this past Tuesday, February 2, 2021. This novel portrays Nazi Germany before WWII, and I absolutely loved it!  Sarah Sundin enjoys writing about the adventure and romance of the World War II era. She is the bestselling author of historical novels, including When Twilight Breaks and the Sunrise at Normandy series. Her book The Sky Above Us received the 2020 Carol Award, The Sea Before Us received the 2019 Reader’s Choice Award from Faith, Hope, and Love, and both When Tides Turn and Through Waters Deep were named to Booklist’s “101 Best Romance Novels of the Last 10 Years.” A mother of three adult children, Sarah lives in California and enjoys speaking for church, community, and writers’ groups.  Purchase When Twilight Breaks from Bookshop.org (affiliate). Purchase When Twilight Breaks from Amazon (affiliate). Visit Sarah's Facebook, Instagram, Twitter, and website.   Also Mentioned: William L. Shirer's book Berlin Diary (affiliate) Mount Hermon Writers Conference Author Lauraine Snelling Author Lee Roddy Be sure to visit Alison’s Instagram, Facebook, and website. Disclosure: This post contains affiliate links. If you click them and make a purchase, you help support my work without paying any more for the product. Thank you for your support!  

  This week Charles Shirer joins us to talk about pen testing, OSINT and how he got started in security. My 3 main takeaways were 1) when to use SecBSD as an alternative to Kali 2) How to approach pen testing APIs as opposed to web apps and 3) some tactical tips on maintaining your mental health when dealing with the pressures of InfoSec For more information, including the show notes check out https://breachsense.io/podcast

Today we are going on the road with an old acquaintance and Yellow Van veteran: musician and filmmaker Jim Kroft, one of my greatest friends and record-holder in consecutive days spent in Fonsi with me.His documentary film “A Conversation With America” is available for free on YouTube right now. It was filmed 4 years ago in the three months leading up to the election. He travelled all across the United States, looking to understand the growing political divide by searching out conversations with the wide range of people that constitute US society. Jim has created an unbiased, colorful kaleidoscope that sets the stage for all Americans - excluding noone and, therefore, overcoming the pitfalls of our societal echo chambers. The film reminds us of the tone that so many of our conversations lack these days: the cadence of mutual respect and inclusivity.  "A Conversation With America" is therefore an inspirational film, one of a kind, that I can't recommend enough. So what better time to hear his conclusion after four years of Trump, his expectations for the Biden administration and his hopes for the near US future? SHOW NOTESJim's Homepage"A Conversation With America", Jim KroftGet Jim's song "Love In The Face Of Fear" Jim on YouTubeGerrymanderingJames Baldwin"The Fire Next Time", James Baldwin, 1963"I Am Not Your Negro", Raoul Peck, 2017 on NetflixAmanda Gorman's Inaugural PoemAmanda Gorman's HomepageJames LovelockThe Weimar RepublicHitler's Rise To PowerKurt von Schleicher, last chancellor of the Weimar RepublicFranz von Papen, vice chancellor under HitlerThe Rise and Fall of the Third Reich, William L. Shirer, 1960Carl Gustav Jung on YouTubeCarl Gustav Jung, Swiss psychiatrist and psychoanalystMind The BumpSupport the show (https://www.buymeacoffee.com/yellowvan)

Christians around the globe are praying specifically for persecuted Christians as we commemorate the International Day of Prayer for Persecuted Christians (IDOP). We will honor this special day as we talk about specific ways to pray for persecuted believers and pray together this week on VOM Radio. Host Todd Nettleton will share a story from Petr Jasek’s time imprisoned in Sudan that shows the real, practical difference our prayers make for those facing persecution for Christ. And we’ll pray together, led by Christian leaders from around the nation: Pastor Craig Groeschel from Life.Church Ed Stetzer, author, radio host, professor and executive director of the Wheaton College Billy Graham Center Michael Tait, lead singer of The Newsboys Dr. Albert Mohler, president of The Southern Baptist Theological Seminary Greg Mundis, executive director of Assemblies of God World Missions Priscilla Shirer, author and speaker with Going Beyond Ministries VOM has created resources to help you, your family and your church pray for persecuted Christians—on IDOP Sunday and throughout the year. You can download resources here. If you haven’t already, sign up to receive new prayer requests by email each week at www.iCommitToPray.com. Never miss an episode of VOM Radio! Subscribe to the podcast.

This is an absolutely fun episode to listen to. This conversation has a lot of "throw back" feel to it as we discuss everything from AOL, Novel Netware, Atari 2600, and much much more. The entire discussion leads up to Charles introducing us to a new BSD based PenTesting OS called SecBSD. If you are a gamer, you really want to listen to this and see how Charles got his early start as a gamer which lead to system administration, and ultimately to a threat hunter/offensive security researcher. Follow Me: @Pastor_A_B_EVisit My Website for past episodes: www.curious2learners.comFollow Charles: @bsdbanditLearn about SecBSD: secbsd.org

Join historian John Lestrange for Episode 6 of Genostory: We Agreed to do This. This month we'll be discussing the most infamous of 20th century genocides, the Holocaust.Also, as a reminder to everyone listening Black Lives Matter and All Cops are BastardsSpecial thanks to the app Hatchful and MJ Bradley for designing and editing out logo.Show music is "Crusade - Heavy Industry by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License.Sources:The Treaty of Versailles https://www.loc.gov/law/help/us-treaties/bevans/m-ust000002-0043.pdf Steiner, John Michael (1976). Power Politics and Social Change in National Socialist Germany: A Process of Escalation into Mass Destruction. The Hague: Mouton. Kershaw, Ian (2008). Hitler: A Biography. New York: W. W. Norton & Company. Shirer, William L. (1960). The Rise and Fall of the Third Reich. New York: Simon & Schuster. Leonidas Hill (2001). "The Nazi Attack on 'Un-German' Literature, 1933-1945" IN: The Holocaust and the Book: Destruction and Preservation. Book Burning USHMM https://encyclopedia.ushmm.org/content/en/article/book-burning "Station 7: Courtyard and Bunker". Dachau Concentration Camp Memorial Site. http://www.kz-gedenkstaette-dachau.de/en/historical-site/virtual-tour/ History.com The Holocaust https://www.history.com/topics/world-war-ii/the-holocaust Goldhagen, Daniel (1996). Hitler's Willing Executioners: Ordinary Germans and the Holocaust. New York: Knopf. Longerich, Peter (2010). Holocaust: The Nazi Persecution and Murder of the Jews. Oxford; New York: Oxford University Press. Lifton, Robert J. (2000) [1986]. The Nazi Doctors: Medical Killing and the Psychology of Genocide (2000 ed.). New York: Basic Books. Auschwitz Memorial and Museum http://auschwitz.org/en/ Kubica, Helena (1998) [1994]. "The Crimes of Josef Mengele". In Gutman, Yisrael; Berenbaum, Michael (eds.). Anatomy of the Auschwitz Death Camp. Bloomington, Indiana: Indiana University Press. Holocaust Death Tolls

We take a look at the seminal work on Nazi Germany, The Rise and Fall of the Third Reich by William L. Shirer.

The one with the epic 1,147 page dive into a dark part of human history... Click here for a video version: https://youtu.be/Ca4Eiq-HjOc There are no spoilers in this review. Support https://www.paypal.me/SierraKiloBravo Follow YouTube: https://www.youtube.com/sierrakilobravo Instagram: https://www.instagram.com/sierra.kilo.bravo BitChute: https://www.bitchute.com/sierrakilobravo Podcast: https://anchor.fm/sierrakilobravo Blog: https://sierrakilobravo.wordpress.com

Christianity has had a 1900+ year bad history with (rabbinic) Judaism, with devastating consequences for the lives of Jews and theological bankruptcy for Christians. We hone in on the problem within our own tradition by looking at Luther's contorted and confusing attitude to Jews—from being the first person in about 1000 years to propose toleration and speak well of them, to his famously horrific suggestions to drive them out, steal their books, and burn their synagogues. Yet Luther proves to be not unique but representative in his anti-Judaism, so we also address wider concerns such as the not-always-tenable difference between anti-Judaism and anti-Semitism, and to what extent the roots of Christian anti-Judaism lie in our Scripture, Old and New Testament alike. Romans chs. 9–11 guide us through this mare's nest of issues. Notes: 1. David Nirenberg, Anti-Judaism: The Western Tradition 2. The chief texts of Luther relevant to his Janus-like relationship with the Jews are: “That Jesus Christ Was Born a Jew” (1523; Luther’s Works vol. 45), “Against the Sabbatarians” (1539; Luther’s Works vol. 47), and “On the Jews and Their Lies” (1543; Luther’s Works vol. 47) 3. The book that popularly made the case in America for the direct lineage between Hitler and Luther was William L. Shirer’s The Rise and Fall of the Third Reich. Uwe Siemon-Netto wrote a rebuttal to this claim in his The Fabricated Luther: Refuting Nazi Connections and Other Modern Myths. 4. My choice for the best place to examine this issue is in Thomas Kaufmann’s Luther’s Jews: A Journey into Anti-Semitism. Here's a review I wrote of it. 5. See Dad’s review of the excellent book by Peter Ochs, Another Reformation: Postliberal Christianity and the Jews in The Journal of Scriptural Reasoning 13/2 (2014) and in his book Beloved Community the “Excursus: on Jewish perplexity as a principle internal to Christology” on pp. 416–428. Also, check out his book Before Auschwitz, which analyzes various Christian theological positions regarding Jews and Judaism and how they were able to resist Nazi ideology or, conversely, fell right in step with it. 6. A few things I’ve written dealing with these issues: “Still Reckoning with Luther” in The Christian Century; commentary on Mark 12:28–34 for Working Preacher; my chapter “Tradition: A Lutheran Perspective” in the collection The Idea of Tradition in the Late Modern World; and a chapter in my ebook Luther, Thrice, available by signing up for the Theology & a Recipe newsletter on my website. More about us at sarahhinlickywilson.com and paulhinlicky.com!

When it comes to Easter, we need to do more than simply celebrate it. We need to take it personally. At least, that is what Priscilla Shirer who is the daughter of Dr. Tony Evans, as well as a prominent Bible teacher, has to say.

Matthew Avitabile teaches history at Southern New Hampshire University, is publisher of the Mountain Eagle newspaper, and mayor of Middleburgh, New York. In this episode, Matt discusses his background, his research into European history after World War II and British involvement with the Korean War, and the historical skills that he employs in his careers in journalism and public office. This episode’s recommendations: Richard J. Evans, The Coming of the Third Reich (New York: Penguin Random House, 2005), https://www.penguinrandomhouse.com/books/292754/the-coming-of-the-third-reich-by-richard-j-evans/9780143034698/ Richard J. Evans, The Third Reich in Power (New York: Penguin Random House, 2006), https://www.penguinrandomhouse.com/books/292756/the-third-reich-in-power-by-richard-j-evans/ Richard J. Evans, The Third Reich at War (New York: Penguin Random House, 2010), https://www.penguinrandomhouse.com/books/292755/the-third-reich-at-war-by-richard-j-evans/9780143116714/ William L. Shirer, The Rise and Fall of the Third Reich: A History of Nazi Germany, 50th anniversary ed. (New York: Simon & Schuster, 2011), https://www.simonandschuster.com/books/The-Rise-and-Fall-of-the-Third-Reich/William-L-Shirer/9781451642599 Daniel Immerwahr, How to Hide an Empire A History of the Greater United States (Farrar, Straus and Giroux, 2019), https://us.macmillan.com/books/9780374172145

Let's discuss more of the book and why you need to go get the book ASAP!❤️❤️ --- Support this podcast: https://anchor.fm/theheartfeltinspiration/support

Let's talk about the first few chapters of “Fervent” by Pricilla Shirer. My take always and why you need to own this book! --- Support this podcast: https://anchor.fm/theheartfeltinspiration/support

Bible teacher, author and actress Priscilla Shirer is recovering after surgery on her lung. Friend and fellow Bible teacher Beth Moore says Shirer is recovering pretty well, and doctors are happy with how she’s healing. Find out in this episode with host Jenny Rose Spaudo how Moore and another Bible teacher ministered to Shirer while she was in the hospital.

I review a book that took two months to read. It is really in-depth and outlines how it was that Hitler was able to come to power, Nazify the country, bluffing his way into Austria, Hungary, and Czechoslovakia. The invasion of Poland led to the Second World War. There are some horrific parts in the book regarding the Holocaust and How Hitler punished Traitors.

Overcomer Red Carpet (Atlanta): Alex Kendrick, Priscilla Shirer, Aryn Wright-Thompson, Shari Rigby, Cameron Arnett; Getty Music Worship Conference: Andrew Peterson, John Lennox; plus, Becket Cook

Former CBS news correspondent and "Murrow Boy" William L. Shirer recounts his experience at work on the day Germany surrendered in May of 1945.

Episode #053 with Priscilla Shirer : A Story of Redemption and Forgiveness on the Silver Screen   * Head to SimplyJoyfulPodcast.com or KristiClover.com/053 to see all the Show Notes & Awesome Quotes that we collected for you!   * A special thanks to our wonderful sponsor this month: PeachDish  — Be sure to check out all their amazingly delicious meals at PeachDish.com. You can get $15 OFF your first order by using the coupon code: SIMPLYJOYFUL     *CHECK OUT OUR NEW “SIMPLY JOYFUL TV!” It’s the video edition of the podcast! I had the honor of interviewing Jon Erwin, the director of the new movie I Can Only Imagine and Moms Night Out. You can watch it HERE! There are more video interviews coming soon!   BOOKS & POSTS MENTIONED… Check out the movie trailer of I Can Only Imagine HERE! A Jewel in His Crown The Armor of God I Can Only Imagine: A Memoir “I Can Only Imagine” — the song   LINKS TO OTHER THINGS MENTIONED… (See more details on the SHOW NOTES!) Join my mailing list and get weekly encouragement -- and get my Sanity Savers for Moms book FREE! The Simply Joyful Membership Site!! — To hear my special “How to Set Better Goals in 2018” bonus podcast episode! Join our Facebook Community, too! Your question might just be used in the podcast. I didn’t mention that I have a weight loss program that I love called Optavia! I’m a health coach with them. If you are interested in learning more about that and my special coaching program, just head HERE for more info. Listening to Audio Books with Audible! The Simply Joyful Podcast mug Subscribe to the podcast so you don’t miss the next encouraging episode! iTunes & Stitcher & now GooglePlay   I hope you enjoyed this week's podcast! My prayer is always that you will be blessed and encouraged by each episode. Live Simply. Be Joyful.   LET’S CONNECT!… I'd love to connect with you more online! Be sure to follow me on social media and see what we're up to.  My Website | Facebook  | Instagram | YouTube | Pinterest | Twitter   CONNECT WITH PRISCILLA… Priscilla Shirer is a wife and mom first, but put a Bible in her hand and a message in her heart, and you’ll see why thousands meet God in powerful, personal ways at her conferences and through her books and Bible studies. She and her husband Jerry lead Going Beyond Ministries, through which they provide spiritual support and resources to the body of Christ. Between writing and studying, Priscilla can usually be found at home cleaning up after (and trying to satisfy the appetites of) her three rapidly growing boys. Priscilla played Elizabeth in the powerful movie War Room. You can check out Priscilla's books HERE on Amazon! Be sure to visit her site as well at www.goingbeyond.com.     **This post may contain a few affiliate links, both Amazon & others. Please see my disclosure page if you have any questions.

Pastor Steve shares a word afterwards  

Chris Shirer describes herself as a devoted champion of all things food, beverage, and guest experience… and she got my attention at “food!” Chris is the Founder of two companies: Madison + Fifth, a marketing agency, and the recently-launched JoinMyTable, a new platform for prepaid group dining created to encourage community and increase our time spent in real world conversation. JoinMyTable is a fascinating and unique concept: people who want to go out for dinner can pre-purchase off-the-menu dining experiences online with everything included (tip, tax, and any fees). Then they can invite people to join, and all of this is from a web-based platform. The idea is to bring communities together over dinner for some good conversation, without technology or the usual hassle of going out. This could be a group of your friends or your team from work, but the real gem is bringing a like-minded community together to make new friends and have good conversation. It took five years to get to this point because they needed to do market research. How could a service that brings people together for a night also help businesses? One of the biggest benefits for businesses is that these experiences can be offered on slow nights (usually Monday-Wednesday), which adds directly to the bottom line of a restaurant. Because the entire payment is included up front, the service staff doesn’t have to worry about common problems (like low tips) that come from big parties. It also shares the stories of individuals within these businesses: the chefs, brewers, distillers, coffee roasters, and other artists who we don’t always get to know, but who are sharing their incredible creativity in our communities. JoinMyTable is now available to anyone in the Columbus area, and it’s going great so far! Restaurants like The Refectory, Paulie Gee's Short North, The Whitney House, The Avenue Steak Tavern, and Barrel & Boar have offered successful tastings, seafood boils, and other interesting experiences. You can watch this video to check out the Low Country Seafood Boil at Barrel & Boar, and you can head over to JoinMyTable.com to invite friends and reserve your seat at an upcoming Table. Resources: Learn more: JoinMyTable.com | Facebook | Instagram | Twitter | YouTube -- Production & Development for Improv Is No Joke by Podcast Masters Learn more about your ad choices. Visit megaphone.fm/adchoices

June 6, 2016 - Today, our time machine heads back to our show's past, serving up a special, all-new paperback interview with a familiar voice. Back in August of 2015, we kicked off the show with the words, "Three mules, two brothers, and a Jack Russell terrier named Olive Oyl." Our guest was Rinker Buck, and his book -- The Oregon Trail: A New American Journey -- recounted the trek he made with his brother Nick in a covered wagon, two thousand miles from Missouri to the great American Northwest. In the months since hitting shelves, The Oregon Trail has wended its way up the New York Times best-seller list to #1, and Amazon.com named it the best non-fiction book of 2015. When completing the first mule-powered crossing of this legendary pioneer trail in over a century, Rinker met a lot of people -- and he met them, in a new light, after they'd had a chance to see the enthusiastic response to how he shared their story. With the paperback edition of The Oregon Trail appearing in bookstores June 7, 2016, we thought, why not bring Rinker back to hear about his experiences on the tour following publication. After all, he only set out to write a book. But his pen sparked a national phenomenon, which you can share by visiting Facebook.com/RinkerBuck. Other books discussed on this episode include: Flight of Passage, by Rinker Buck. The Road from Coorain, by Jill Ker Conway. A River Runs Through It and Other Stories, by Norman Maclean. Young Men and Fire, by Norman Maclean. Angela's Ashes, by Frank McCourt. America Revised, by Francis FitzGerald. Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong, by James W. Loewen. Also, we mentioned William L. Shirer's five books on Nazi Germany.  

What's Trending, The Myth of Private Sin, An Indy Airport Fan, Compliment Moose, Night to Shine, Listening To People, Girl Scout Cookies Mark-up, Having Joy, Survival School, Unexpected Baby, A Friend With No Sense of Humor, Too Many Almonds, Sponge Bob Helping to Save Lives   Quotes:   "I love the Indianapolis airport more than the Shirer itself   "We've inked an exclusive day with The Compliment Moose"   "Kudos to Sherri for reluctantly going through with the Compliment Moose"   "Joy is not about having a giddy personality. It's about having hope."

Resolution for Women // A resolution to train my kids in righteousness.

Resolution for Women // A resolution to be the kind of woman who truly blesses her man.

Resolution for Women // A resolution to live with the highest standards of virtue and purity.

Resolution for Women // A resolution to esteem others with my time, concern, and full attention

Resolution for Women // A resolution to devote myself completely to God’s priorities for my life .

Resolution for Women // A resolution to value myself and celebrate others.

Resolution for Women // A resolution to be content.

Rae Shirer, District Governor for Rotary District 5320 joined us in the studio to talk about the Rotary International organization. Rae shared with us the different avenues of service that Rotary participates in as well as some up coming Rotary projects within District 5320. Letty Gali, Director and Co-founder of LOT318 joined our program to talk about how her organization focuses on empowering others to make a difference in their own community. Letty shared her passion for helping others and her goals and vision for the future of the organization.