Podcast appearances and mentions of sidney pollack

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz interviews Mike Marcus, whose impressive 57-year career spans from agency mailroom to MGM Pictures president to management company founder. In his early career as an agent, Marcus built an impressive client roster including Robin Williams, John Landis, and Sidney Pollack before transitioning to studio executive and eventually launching Echo Lake Entertainment's management division. Marcus was instrumental in bringing iconic films like The Fisher King, Trading Places, An American Werewolf in London, Get Shorty, and Stargate to the screen.The Agency Mailroom: Hollywood's Ultimate Training Ground (01:37)Marcus explains why starting in an agency mailroom provides unparalleled industry education through networking and on-the-job training.Building a Client Roster and Packaging Films (07:07)Marcus discusses how he excelled at assembling creative teams for projects like Fisher King with Robin Williams and Terry Gilliam.The CAA Years and Client Relationships (10:48)After launching Cunningham Levy Marcus, he moved to CAA where he represented major talents, building the relationships that defined his career.Transition to Studio Executive at MGM (14:21)Marcus details his surprising move from agent to MGM Pictures president in 1993, where his packaging skills lent themselves to studio leadership..The Value of Research and Testing (22:50)Looking back on projects like Stargate, Marcus reflects on his evolution from a "gut instinct" filmmaker to appreciating audience research.The Streaming Revolution and Theater Experience (27:44)Marcus shares his perspective on streaming's impact on theatrical moviegoing, believing theaters will always exist while acknowledging how streaming has changed the viewing landscape.Building Echo Lake Entertainment (31:19)Now approaching 20 years at Echo Lake, Marcus discusses what makes a great representative and reveals the fulfillment that came with building the company.Industry Outlook and Future Projects (33:11)Marcus shares his optimism about independent film's potential resurgence, concerns about decreasing compensation for talent, and shares his current projects.Throughout the conversation, Marcus demonstrates how his skill for recognizing creative talent and building relationships helped create classic films through the years. His journey from agency mailroom to industry leader offers essential insights for anyone interested in the inner workings of Hollywood.If you enjoyed this episode, please leave us a review or connect on social media. We look forward to bringing you more revelations from behind the scenes next time on Don't Kill the Messenger! Host: Kevin GoetzGuest: Mike MarcusProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment) For more information about Mike Marcus:IMDB: https://www.imdb.com/name/nm0546152/Echo Lake Entertainment: https://www.echolakeentertainment.com/ For more information about Kevin Goetz:Website: www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678Facebook, Twitter, Instagram: @KevinGoetz360Linked In @Kevin GoetzScreen Engine/ASI Website: www.ScreenEngineASI.com

Si la cosa va de perderse y tratar de encontrarse, era justo que nos metiéramos en esta película de 1982. Una obra maestra que trascendió y arrasó en taquilla y premios. Dirigida por Sidney Pollack y protagonizada por Dustin Hoffman, Jessica Lange y Teri Garr, hoy, en Nakatomi Radio: TOOTSIE

Send us a textThis special Edition of our podcast , is a look back at two of our favorite motion pictures, "Casablanca" , and "Havana", just in time for "Casablanca" to be making its reappearance on the Silver Screen over the next week at theaters all across the nation. The Flashback Theater Series will be featuring the picture at various theaters around the country (At Stone Theaters at the Market Commons, for those here in the Myrtle Beach S.C. area) on February 9, 12, and Valentine's Day February 14th. We cannot urge you enough to go see it on the big screen if you have never done so, or if you want to see it again. There is nothing like it. In this episode , we have looked all over to find source material that could tell the unlikely story of this movie, made in utter chaos, with actors who did not believe in the story, and did not want to be making the movie, writer's actually rewriting and creating the story as they went along, day by day, during the production, and creating this movie that did not even have a settled end, when it was finished. But somehow out of that chaos came a cinematic masterpiece that has left only one question to debate....Is it the greatest movie ever made? or is it just one of the greatest movies ever made? No one even dares say its not great. It is also a movie that has been imitated several times but no one as of yet has ever been able to replicate its magic, though one movie came the closest even if it failed at the box office, and we will take sometime to look at that movie too, "Havana", directed by Sydney Pollack and starring Elena Olin, Robert Redford and Raul Julia. We share them both with you , just as Casablanca is about to return to the big screen, on this Valentine's Week and also because they , along with Lyndon Johnson and Richard Nixon, served as the inspiration of our own Host's new novel that will be out near the end of 2025 or at the start of 2026. We hope you enjoy our special edition and if you want to learn about Flashback Cinema check it out at https://www.flashbackcinema.net/ and please also drop by www.RandalWallace.com too to keep up with all the news from us here at the podcast too.  Questions or comments at , Randalrgw1@aol.com , https://twitter.com/randal_wallace , and http://www.randalwallace.com/Please Leave us a review at wherever you get your podcastsThanks for listening!!

What does it take to turn a life of addiction and struggle into one of wisdom, compassion, and fulfillment? In this episode, Peter shares his extraordinary journey from the depths of heroin addiction in the 1960s counterculture to finding peace and purpose as a Zen Buddhist priest. Through his story, we explore the profound teachings of interconnectedness, the balance between individuality and the larger universe, and the transformative power of self-awareness. Peter's raw honesty and profound insights will inspire you to reflect on your own path and the narratives you may be living by. We also dive deep into the practical side of Zen—meditation techniques that anyone can try, the beauty of embracing impermanence, and how love and compassion can dissolve the boundaries we think separate us. Have you ever wondered if happiness is less about seeking and more about letting go? Or how understanding paradoxes can reveal your true nature? This conversation offers timeless wisdom for anyone seeking clarity, fulfillment, and a deeper connection to life. Don't miss this heartfelt and eye-opening discussion! Ways to Connect with Peter Coyote: https://petercoyote.com/ https://petercoyote.com/zen-in-the-vernacular/ About Peter Coyote: PETER COYOTE has performed as an actor in over 160 films for theaters and TV. His work includes some of the world's most distinguished filmmakers, including: Barry Levinson, Roman Polanski, Pedro Almodovar, Steven Spielberg, Martin Ritt, Steven Soderberg, Sidney Pollack and Jean Paul Rappeneau. He is a double Emmy-Award winning narrator of over 150 documentary films, including Ken Burns, National Parks, Prohibition, The West, the Dust Bowl,The Roosevelts , for which he received his second Emmy in 2015. Recently he has done Vietnam, The History of Country Music and a six hour series on Ernest Hemingway for Mr. Burns.  Mr. Coyote's memoir of the 1960's counter-culture Sleeping Where I Fall which received universally excellent reviews, and has been in continuous print since 1999. His second book, The Rainman's Third Cure: An Irregular Education, about mentors and the search for wisdom, was nominated as one of the top five non-fiction books published in California in 2015. Last year he published The Tongue of a Crow, his first book of poems, and The Lone Ranger and Tonto Meet the Buddha, about his workshops with masks and improv exercise to induce altered states. Hie newest book, Zen in the Vernacular will be released in early 2020 by Inner Traditions Press. Mr. Coyote is also an ordained Zen Buddhist priest and “transmitted” teacher, which means that he is free from his teacher's authority and can ordain his own priests.

Insieme a Michela Gorini ripassiamo alcune delle parti più interessanti di un libro intitolato "L'occhio del regista" dove il critico cinematografico Laurent Tirard ha raccolto in una serie di interviste le rivelazioni e i consigli pratici di tanti importanti registi che hanno fatto la storia del cinema. In particolare parleremo di Martin Scorsese, Pedro Almodovar, Woody Allen, Sidney Pollack, Fratelli Coen, Win Wenders, David Lynch, Bernardo Bertolucci, David Cronenberg, Takeshi Kitano e Roman Polanski.

Hola amics. ¿Preparados para la canción de navidad de La Cultureta un año más? ¿Sí?  En esta noche tan especial nos acompaña al piano Isabel Vázquez. Canta ejemplarmente mal el Criticón de la Gran Reserva. Un fuerte aplauso para ellos. Lyrics: Así es, es Navidad Todos dicen que mola Saca el champán Haz la lista de regalos En la cena, tu cuñada de Cornellá Oh yeah Suelta mierdas culturetas Holocausto, Gustav Klimt BogdanovichShostakovich o Matisse Tú diles Austen, Tiziano, Bette Davis, Sidney Pollack, O una random de John Ford Una de, una de, una de… John Ford Menciona King Kong Diles que te encanta la Iliada Vaya mierda el Joker 2. Lady Ga, Lady Ga, Lady Ga…rrafón Hace frío, es tarde ya Los niños dicen juguemos Yo digo no Me voy al cuarto de la planchaMe pongo un rato mi podcastY lo flipo otra vez Sólo quiero Hichcock, Bergman Frida Kahlo, Harper Lee Tan difícil de pillarlo es para ti No quiero licorNo quiero bombones ni trufitasSolo quiero Arthur Rimbaud ArthurRimbaud, ArthurRimbaud, ArthurRimbaud… RimbaudTú dame Orson Wells Prefiero la Callas, Chopin, Verdi Muy Muy Mal Gladiator 2Russel Crowe, Russel Crowe, Russel te has librauSomos culturetas, Marchantes, poetas, Gente cultivada, Repipis, gafachoflas, intelectuales de las ondas, peña molona, referencia, faro, prescriptores, líderes de audiencia…Tú diles Juan Gris, Machado, Clarín y Mary Shelley Kubrick, Oliver Stone. Oliver, Oliver, Oliver… StoneDenzel Washington,Serrat, Charles Chaplin, Dostoievski Cher, Harrison Ford CherHarri, CherHarri, CherHarri… son Ford

Hola amics. ¿Preparados para la canción de navidad de La Cultureta un año más? ¿Sí?  En esta noche tan especial nos acompaña al piano Isabel Vázquez. Canta ejemplarmente mal el Criticón de la Gran Reserva. Un fuerte aplauso para ellos. Lyrics: Así es, es Navidad Todos dicen que mola Saca el champán Haz la lista de regalos En la cena, tu cuñada de Cornellá Oh yeah Suelta mierdas culturetas Holocausto, Gustav Klimt BogdanovichShostakovich o Matisse Tú diles Austen, Tiziano, Bette Davis, Sidney Pollack, O una random de John Ford Una de, una de, una de… John Ford Menciona King Kong Diles que te encanta la Iliada Vaya mierda el Joker 2. Lady Ga, Lady Ga, Lady Ga…rrafón Hace frío, es tarde ya Los niños dicen juguemos Yo digo no Me voy al cuarto de la planchaMe pongo un rato mi podcastY lo flipo otra vez Sólo quiero Hichcock, Bergman Frida Kahlo, Harper Lee Tan difícil de pillarlo es para ti No quiero licorNo quiero bombones ni trufitasSolo quiero Arthur Rimbaud ArthurRimbaud, ArthurRimbaud, ArthurRimbaud… RimbaudTú dame Orson Wells Prefiero la Callas, Chopin, Verdi Muy Muy Mal Gladiator 2Russel Crowe, Russel Crowe, Russel te has librauSomos culturetas, Marchantes, poetas, Gente cultivada, Repipis, gafachoflas, intelectuales de las ondas, peña molona, referencia, faro, prescriptores, líderes de audiencia…Tú diles Juan Gris, Machado, Clarín y Mary Shelley Kubrick, Oliver Stone. Oliver, Oliver, Oliver… StoneDenzel Washington,Serrat, Charles Chaplin, Dostoievski Cher, Harrison Ford CherHarri, CherHarri, CherHarri… son Ford

Hola amics. ¿Preparados para la canción de navidad de La Cultureta un año más? ¿Sí?  En esta noche tan especial nos acompaña al piano Isabel Vázquez. Canta ejemplarmente mal el Criticón de la Gran Reserva. Un fuerte aplauso para ellos. Lyrics: Así es, es Navidad Todos dicen que mola Saca el champán Haz la lista de regalos En la cena, tu cuñada de Cornellá Oh yeah Suelta mierdas culturetas Holocausto, Gustav Klimt BogdanovichShostakovich o Matisse Tú diles Austen, Tiziano, Bette Davis, Sidney Pollack, O una random de John Ford Una de, una de, una de… John Ford Menciona King Kong Diles que te encanta la Iliada Vaya mierda el Joker 2. Lady Ga, Lady Ga, Lady Ga…rrafón Hace frío, es tarde ya Los niños dicen juguemos Yo digo no Me voy al cuarto de la planchaMe pongo un rato mi podcastY lo flipo otra vez Sólo quiero Hichcock, Bergman Frida Kahlo, Harper Lee Tan difícil de pillarlo es para ti No quiero licorNo quiero bombones ni trufitasSolo quiero Arthur Rimbaud ArthurRimbaud, ArthurRimbaud, ArthurRimbaud… RimbaudTú dame Orson Wells Prefiero la Callas, Chopin, Verdi Muy Muy Mal Gladiator 2Russel Crowe, Russel Crowe, Russel te has librauSomos culturetas, Marchantes, poetas, Gente cultivada, Repipis, gafachoflas, intelectuales de las ondas, peña molona, referencia, faro, prescriptores, líderes de audiencia…Tú diles Juan Gris, Machado, Clarín y Mary Shelley Kubrick, Oliver Stone. Oliver, Oliver, Oliver… StoneDenzel Washington,Serrat, Charles Chaplin, Dostoievski Cher, Harrison Ford CherHarri, CherHarri, CherHarri… son Ford

Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more Get Peter's new book  Zen in the Vernacular Things As It Is PETER COYOTE began his film career at 39, after living nearly a dozen years in the counter-culture during the 1960s and 70s. Since then, he has performed as an actor for some of the world's most distinguished filmmakers, including: Barry Levinson, Roman Polanski, Pedro Almodovar, Steven Spielberg, Walter Hill, Martin Ritt, Steven Soderberg, Diane Kurys, Sidney Pollack and Jean Paul Rappeneau. To date he has made over 150 films.   In 2006 he had a major role in three televison series: The Inside on Fox-TV, the 4400 on USA Channel and played the Vice-President to Geena Davis's President on Commander in Chief for ABC-TV until the show's end. In 2011 he starred as the District Attorney in the new version of Law and Order – LA. In 2000 year he was the on-camera announcer of the Academy Awards Ceremony, taking the heavy-lifting off co-host Billy Crystal's shoulders for the detailed announcements and data which played live to an estimated one billion listeners. In 2007 he was prominently featured as an old boxing promoter in Rod Lurie's “Resurrecting the Champ” with Samuel. L. Jackson and Josh Hartnett, and also as Sally Field's disreputable writing teacher on the television series, “Brothers and Sisters.” He recently completed a six hour series called The Disappearance which aired last year. Most recently, he played Robert Mueller to Jeff Daniel's Jim Comey, and Brendan Gleeson's Donald Trump. The series is called The Comey Rule and will be released this year on SHOWTIME.   Mr. Coyote has written a memoir of his counter-culture years called Sleeping Where I Fall which received universally excellent reviews, appeared on three best-seller lists and sold five printings in hardback after being released by Counterpoint Press in 1999, it was re-released in November of 2010 and has been in continuous release ever since. It is currently in use as a source text for Sixties Studies in a number of universities including Harvard where he was invited to teach “The Theater of Protest” last year.. An early chapter from that book, “Carla's Story, won the 1993/94 Pushcart Prize for Excellence in non-fiction. His new book, The Rainman's Third Cure, released in April, 2015 is a study of mentors and the search for wisdom and he is currently readying a new book for publication in 2021-(TITLE) The I Behind the Mask: The Lone Ranger and Tonto meet the Buddha.   Mr. Coyote is well-known for his narration work, and has voiced 150 documentaries and TV specials, including the nine-hour PBS Special, The West. In 1992 he won an EMMY as the “Host” for a nine-hour series, called, The Pacific Century which also won the prestigious duPont-Columbia Award for Excellence in Broadcast Journalism. In 2010 he recorded the12 hour series on The National Parks for Ken Burns and has recently completed the voice-work on Mr. Burns most recent series—a 16 hour special on The History of Country Music. He won a second Emmy for his narration on The Roosevelts, and has also done Prohibition, The Dust Bowl, and an 18 Hour series on Vietnam with Ken Burns. Mr Coyote and Mr Burns just completed a long series on Ernest Hemingway.   In 2011 he was ordained as a Zen Buddhist priest and in 2015 received “transmission” from his teacher, making him an independent Zen teacher. He makes his home on a farm in Northern California, and considers working on his 1952 Dodge Power-Wagon his longest lasting addiction. He has 40 fruit trees and loves to make jam and walk with his two dogs. Join us Thursday's at 8EST for our Weekly Happy Hour Hangout! The Stand Up Community Chat is always active with other Stand Up Subscribers on the Discord Platform.   Join us Thursday's at 8EST for our Weekly Happy Hour Hangout!  Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art  Hire DJ Monzyk to build your website or help you with Marketing

¿Por qué no creen, los que nos creen? El misterio de la incredulidad llena las páginas de los evangelios, hasta el punto de que lo más asombroso no es qué algunos no creyeran en Jesús, sino que no lo hicieran la mayoría de los que fueron testigos de sus milagros y escucharon sus palabras. El quinto capítulo de la Buena Noticia según Juan nos muestra, sin embargo, que Jesús dio claras evidencias de quién era Él. La sintonía, esta vez, está a cargo del cantante afroamericano Joe Turner, el "gritador de blues" de Kansas City que llego a ser pionero del rock &¨roll, La banda del músico cristiano galés Mike Peters, The Alarm, creía que había una "Realidad absoluta" (Absolute Reality 1985), que es la verdad de Cristo (Juan 5:19-29), una fe que compartían tres de los miembros del grupo que acompañaban en sus giras, U2. Los irlandeses grabaron en 1988 la canción que Woody Guthrie compuso a Jesucristo (They Laid Jesus Christ In His Grave) en 1940, cuando miraba por la ventana de su habitación el duro invierno de aquel año en Nueva York. Hasta conocer la verdad, "Bailamos en la oscuridad" (Dancing In The Shadows). Sobre ello canta el grupo de Andy Piercy, el músico británico que formaba un dúo a principios de los 70 con el cantautor cristiano Ishmael, antes de entrar en After The Fire, una banda de "la nueva ola" que tuvo tanto éxito que un día Bono se le acercó para decirle que quería ser un artista cristiano como él, que trabajaba en el medio normal de la música, no cantando para cristianos. José de Segovia habló con ellos cuando actuaron en el Rock-Ola, el mítico local de la Movida de Madrid en 1982. El clásico director de cine español José Luis Garci hizo una serie en 1992 para Televisión Española llamada "Historias del otro lado", que se puede ver ahora gratuitamente en la plataforma de RTVE y YouTube. Uno de sus relatos trata sobre el dilema de la fe, como el final de este capítulo del Evangelio según Juan. Se llama "Regalo de Navidad" y lo escribió con el ahora fallecido Juan Miguel Lamet. Narra el reencuentro en Asturias de dos hermanos, un científico español que se ha hecho famoso en el extranjero con sus estudios de biología y un reconocido teólogo jesuita, especializado en Patrística. El hombre de ciencia que interpreta el actor argentino Carlos Estrada, se está acercando a la fe, tras quedarse viudo, mientras que su hermano religioso ha perdido la fe. Hablamos de sus diálogos con la música del autor de la banda sonora de muchas películas de Garci, Jesús Gluck. A pesar de las evidencias que da Jesús (vv. 30-47), "Nadie escucha" (Nobody Listen), canta Adrian Snell en su disco "Alfa y Omega" de 1986. Cuando recibes su testimonio "Te entregas a Jesús" (Give Yourself To Jesus) dice Aretha Franklin en el concierto que se grabó en la Iglesia del Nuevo Templo Misionero de Los Ángeles en 1971 con el coro de la Comunidad del Sur de California del pastor Cleveland para el disco "Sublime Gracia" (Amazing Grace), al que asistió el cantante de los Stones, Mick Jagger y rodó para el cine, Sidney Pollack. Con esa fe, "Amas llamar a Jesús por su nombre" (Jesus I Love Calling Your Name), asegura la veterana cantante de góspel Shirley Caesar en 1983.

Join Host Steve Heilig as we bring back author, actor, and local celebrity Peter Coyote to The New School. They talk about Peter's recent books—Zen in the Vernacular: Things As It Is, and Tongue of A Crow—and ramble across many other topics. Peter Coyote Peter has written five books including the international bestseller Sleeping Where I Fall and_The Rainman's Third Cure: An Irregular Education,_ which reached second on the Marin County bestseller list. His third book, entitled The Lone Ranger and Tonto Meet the Buddha, outlines a long-standing series of classes he runs using acting, improvisation and masks to induce temporary ego-free states and is based on Peter's work as a Zen Buddhist student of more than 40 years. As an actor, he has performed for some of the world's most distinguished filmmakers, including Barry Levinson, Roman Polanski, Pedro Almodovar, Steven Spielberg, Martin Ritt, Steven Soderberg, Sidney Pollack and Jean Paul Rappeneau. He was the co-host of the Academy Award show with Billy Crystal in 2020. He is a double Emmy-Award winning narrator of more than 160 documentary films, including Ken Burns acclaimed The Roosevelts, for which he received his second Emmy nomination in July 2015. Steve Heilig Steve is director of Public Health and Education for the San Francisco Medical Society and the Collaborative for Health and Environment at Commonweal, co-editor of the Cambridge Quarterly of Healthcare Ethics, and a clinical ethicist at California Pacific Medical Center in San Francisco. He is also a trained hospice worker and former volunteer and director of the Zen Hospice Project. A longtime book critic for the San Francisco Chronicle and other publications, he has authored more than 400 pieces on a wide range of medical, public health, ecological, literary, and other topics. #petercoyote #coyote #commonweal #newschoolcommonweal #conversationsthatmatter #tongueofacrow #poetry #zen #buddhism

Greg and Joe dive into the 1974 deep cut "The Yakuza," directed by Sidney Pollack, written by Paul Schrader and starring Robert Mitchum and Ken Takakura. If you are fan of Tokyo Vice, Kill Bill, and or characters with a code of honor, this one is for you. E-mail Prime Cut Podcast at theprimecutpodcast@gmail.comFollow us on Instagram at https://www.instagram.com/prime_cut_podcast/E-mail Prime Cut Podcast at theprimecutpodcast@gmail.comFollow us on Instagram at https://www.instagram.com/prime_cut_podcast/E-mail Prime Cut Podcast at theprimecutpodcast@gmail.comFollow us on Instagram at https://www.instagram.com/prime_cut_podcast/

Greg and Joe dive into the 1974 deep cut "The Yakuza," directed by Sidney Pollack, written by Paul Schrader and starring Robert Mitchum and Ken Takakura. If you are fan of Tokyo Vice, Kill Bill, and or characters with a code of honor, this one is for you. E-mail Prime Cut Podcast at theprimecutpodcast@gmail.comFollow us on Instagram at https://www.instagram.com/prime_cut_podcast/

Le roman d'Horace McCoy, "On achève bien les chevaux", dont Sidney Pollack tira, en 1969, un film remarqué, évoque avec force ces marathons de danse organisés pendant la Grande Dépression, qui frappa les États-Unis durant les années 1930.Ils voyaient s'affronter des couples de danseurs, qui évoluaient sur la piste jusqu'à épuisement, le dernier couple encore debout étant déclaré vainqueur.Or, on ignore souvent que ce type de comportement a eu des précédents en Europe, surtout entre les XIIIe et XVIe siècles. La médecine s'est même intéressée à ces phénomènes, les décrivant sous les termes de "manie dansante" ou d'"épidémie de danse de saint Guy".Cet étrange comportement, en effet, a tout d'une épidémie. De fait, dès qu'une personne se mettait à danser de la sorte, elle était aussitôt suivie par des dizaines ou même des centaines d'autres. On peut donc parler d'une sorte de contagion sociale.Les personnes concernées dansent alors, dans des rues ou d'autres endroits, pendant plusieurs jours d'affilée, sans faire la moindre pause. Cette activité physique ininterrompue provoque des décès, les danseurs mourant d'une crise cardiaque ou des effets de l'épuisement.Les documents rapportent de telles "épidémies de danse" aux XIIIe, XIVe et XVIe siècles, en Allemagne ou aux Pays-Bas. En 1518, l'une d'elles est signalée à Strasbourg, qui fait alors partie du Saint Empire romain germanique. C'est l'épisode le mieux connu.Les autorités s'émeuvent, l'Église intervient, mais rien n'y fait : les danseurs semblent possédés d'une véritable frénésie de mouvements.Les médecins recommandent d'éviter le vin et conseillent de boire des tisanes à base d'orge. On interdit aussi lez son des tambours, qui pourraient provoquer une sorte d'état de transe.Aujourd'hui encore, on ignore les causes exactes de ces étranges sarabandes. Le célèbre médecin Paracelse y voyait une tentative d'émancipation des femmes. D'autres les attribuaient à une intoxication alimentaire provoquée par l'ergot de seigle, un champignon parasite de cette céréale, qui provoque des convulsions. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

This episode examines Absence of Malice, a 1981 drama directed by Sidney Pollack. After Miami-based newspaper reporter Megan Carter (Sally Field) is tipped off by Justice Department organized crime strike force chief Elliot Rosen (Bob Balaban) about a criminal investigation into the disappearance and likely murder of a local union official, her paper runs a sensational front-page story. But the supposed target of the investigation, Michael Gallagher (Paul Newman), the son of an infamous bootlegger, is innocent; Rosen, the strike force chief, has leaked his name to the press to try to squeeze Gallagher for information. Gallagher is incensed and tries to pressure Megan to reveal her source. Megan initially refuses but later relents after her story unexpectedly leads to the tragic death of a friend of Gallagher's. Gallagher and Megan also become romantically involved. Gallagher hatches a plot to get even and get the government off his back. He causes an unsuspecting Megan to write another sensational story, this time implicating the District Attorney in a bribery scheme that Gallagher has invented. When the truth is revealed, both the prosecutors and the newspaper are humiliated, the victims of their own game of leaking information and reporting about it. Absence of Malice provides an insightful, if unflattering, picture of how newspapers operate and some of the ethical and moral complications that can result from the robust protections afforded the press under the First Amendment.  I'm joined by Brian Hauss, a senior staff attorney with the ACLU Speech, Privacy, and Technology Project, who has litigated numerous landmark First Amendment cases. Timestamps:0:00     Introduction3:31     The meaning of “absence of malice” 8:15     Deciding what a paper can print11:22   A skeptical take on the absence of malice standard  15:02   The meaning of “public figure”20:47   A newspaper reporter's First Amendment privilege?26:10   How the government handles leaks30:20   A troubling increase in leak prosecutions32:31   The “Leaky Leviathan”: How the government uses leaks39:06   The obligations of the press42:43   The legal vs. ethical obligations of the press48:11   Assessing critiques of the absence of malice standard 54:59   Timeless questions explored by the filmFurther reading:Adler, Renata, Reckless Disregard: ‘Westmoreland v. CBS et al. & Sharon v. Time (1986)Barbas, Samantha, The Enduring Significance of ‘New York Times Co. v. Sullivan,' Knight First Amendment Institute (Mar. 18, 2024) Liptak, Adam, “Clarence Thomas Renews Call for Reconsideration of Landmark Libel Ruling,” N.Y. Times (Oct. 10, 2023)Pozen, David E., “The Leaky Leviathan: Why the Government Condemns and Condones Unlawful Disclosures of Information,” 127 Harv. L. Rev. 512 (2013)Stone, Geoffrey R., “Why We Need a Federal Reporter's Privilege,” 34 Hofstra L. Rev. 39 (2005)  Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/faculty/full-time/jonathan-hafetz.cfmYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilmYou can follow the podcast on Instagram @lawonfilmpodcast

It may not be a musical, but it sure is close... It's The Way We Were! It's 1973. Watergate has happened. Barbra Streisand, Robert Redford, Arthur Laurents, and Sidney Pollack get together to re-create the weepy romcom in the non-musical—but musical-theatre-adjacent!—classic The Way We Were.   We talk about: The Conflict: Streisand & Laurents versus Pollack & Redford, and some of the behind-the-scenes drama that led to the creation of this classic. The Song: Marvin Hamlisch's classic song that put the film on the map. The Laughter: What does it mean to sing, "so it's the laughter we will remember?" Laughter emerges as a marker of class & race in this film. How does that marker intersect with the misty, watercolor nature of memory – and the danger of nostalgia? The People & the Principles: the film's central conflict between personal relationships and principles, and how that conflict maps (and doesn't) onto religious systems. Is Christianity about people, or is it about principles? You'll hear: Barbra singing the film's title song from the 1973 film soundtrack, and an excerpt from the 1998 episode of Sex in the City, Episode 18 (“Ex in the City”).   Continue the conversation with us on Instagram and The Platform Formerly Known as Twitter (@gospelofmt).

On a special Christmas-themed episode, Scott and Ben dive down the 70s conspiracy thriller rabbit hole with Sidney Pollack's THREE DAYS OF THE CONDOR. See if you can follow the breadcrumbs as we: *Relish Redford's mo-ped machismo *Casually comment on Cliff's combover *Fawn fondly over Faye's fabulous photos PLUS *Sidney Pollack out-hitches Hitch as the original king of Cameo *Von Sydow lays a glove on us *Hank Garrett smushes a schnoz *Encyclopedia Brown vs. Dick Tracy AND *A Seinfeld conspiracy *What was playing that week?

One of my very favorite films and featuring one of Paul Newman's favorite performances, Sidney Lumet's 'The Verdict' has grown in stature and appreciation since its premiere in 1982.   With a brilliantly adapted screenplay by multi-hyphenate David Mamet, a tortured development process encompassing stars like Redford and other directors named Sidney (Pollack), and a first-rate cast, 'The Verdict' is one of the greatest courtroom dramas of all time. I'm thrilled to be joined once again by author and editor Keir Graff, who once again turns in an excellent appearance as a well-prepared guest on the pod.  We dive deep into the making of this film, play some iconic scenes, and discuss the nuances and joys of the performances, the writing, the directing and the production elements that make this wonderful film such a standard of the form. Keir Graff's author website. Keir's previous appearance on the Full Cast and Crew Podcast discussing "The Color of Money". Watch "The Verdict" Playlist of Official "The Verdict" clips. Watch the Paul Newman/Joanne Woodward documentary 'The Last Movie Stars', directed by Ethan Hawke. Buy Sidney Lumet's indispensable guide to making movies, called, magically enough 'Making Movies'. Listen to Sidney Lumet's indispensable Director's Commentary to 'The Verdict' in podcast form.

Benvenuti nella raccolta in formato Podcast delle puntate di #CloseUp, a cura di Matteo Righi, aka Houssy. #CloseUp è la rubrica di recensioni cinematografiche in onda su Radio Italia Anni 60 Emilia-Romagna.

Hay gente que odia las navidades, incluso cristianos que sienten una extraña complacencia en amargarnos las fiestas, recordándonos su origen pagano y fervor consumista. Por muy seculares que sean, a algunos nos encantan estos días de luz que iluminan los oscuros meses de invierno. Y no se nos ocurre una ciudad mejor para pensar en el sentido de la Encarnación que Nueva York, la ciudad que nunca duerme... Lo que algunos no soportan de la Navidad es lo que se suele llamar "el espíritu de la Navidad", ese edulcorado discurso lleno de palabras vacías y supuestos buenos deseos, que nos hacen creer que tenemos un corazón de oro. A José de Segovia "el cine que hace sentirse bien" no le entusiasma, pero tiene una particular pasión por películas que transcurren en Navidad, pero no son de Navidad. En este programa especial de "El sueño se ha acabado" habla de algunas de ellas. Las introduce con una versión jazzística de Dexter Gordon de "La canción de Navidad" (1944) de Mel Tormé, que se llama originalmente "Castañas tostándose en la chimenea" y José escucha cada Navidad en un disco con veinte versiones diferentes. Aunque la música de su infancia es el disco de la orquesta del alemán Bert Kaempfert, cuya "Blanca Navidad" (1942) del judío emigrado de Bielorrusia a finales del XIX, Irving Berling, escuchamos en su versión instrumental de 1963. A finales de los años 60 y principios de los 70, el padre de José estaba en Nueva York, donde había unas "blancas navidades", pero no nieva en la Gran Manzana en "Los tres días del Cóndor" (1975), aunque el frío se nota en cuanto sale a la calle, Robert Redford con las solapas subidas del abrigo. Escuchamos diálogos del principio de la película del director judío de origen ucraniano Sidney Pollack con los comentarios de José sobre la maravillosa música de Dave Grusin y el sonido de la banda del Ejército de Salvación en las calle, al final del film. Otro clásico del cancionero americano son las "Campananillas de plata" que popularizó Bing Crosby en 1950. Nos sirve para introducir la amarga historia de "El apartamento", que el director judío de origen polaco Billy Wilder filmó las navidades del 59 en Nueva York con Jack Lemmon. Su patético arbolito es tan triste como el espejo roto de Shirley MacLaine. Son los sueños rotos que hay detrás de las palabras que oímos con la banda sonora de Adolph Deutsch. Contrastan con las ilusiones adquiridas en la fiesta de fin de año en Nueva York de "Cuando Harry encontró a Sally"(1989). Aunque no lo parezca, muchos consideran "La jungla de cristal" (Die Hard 1988), una película de Navidad. No sólo porque transcurre en Navidad, sino porque es lo que ahora llaman "una historia de redención". Es la salvación de la familia de un policía de Nueva York, que convierte a Bruce Willis en una estrella del cine de acción de los 90. Todavía más navideña es "Family Man" (2000) que muestra a un extraño Nicolas Cage en un papel familiar, nada habitual en ese subgénero de películas que le han convertido en una "figura de culto". Es una curiosa versión del "Un cuento de Navidad" (1843) de Dickens, que comentamos con la música de Danny Elfman. La reflexión final es con el "Cuento de Nueva York" de The Pogues. Estas historias nos muestran la diferencia entre esa Navidad vacía de bonitas palabras, carentes de contenido, con la Buena Noticia del Dios humanado, cuyas manos traspasadas por nuestro desprecio e ignorancia, hacen que por Su amor, la Luz venza a la oscuridad.

Baby Jezus is weer in het land, en dus is dit de perfecte tijd om weer een lekker seizoensgebonden film door de mangel te laten halen door onze gast. Deze keer is het Stanley Kubricks kerstige meesterwerk Eyes Wide Shut (1999). Het was zijn eerste film in twaalf jaar, en ook meteen zijn laatste. De montage was net een paar dagen klaar, toen deze messias voor filmnerds plotseling het leven liet. Het is ook de film die misschien wel, misschien niet, de twee hoofdpersonen hun huwelijk kostte. Toen nog het heetste echtpaar van Hollywood: Tom Cruise en Nicole Kidman. Indiewire riep Eyes Wide Shut laatst nog uit tot de beste film van de jaren negentig. Wie dat nooit zou doen is onze podgast van deze editie Duimpjekerstelen, en legendarisch figuur in de comedywereld van de Benelux, Fokke van der Meulen. Hij is de kroegbaas van het leukste comedypodium in het Nederlands taalgebied, Café the Joker in Antwerpen, en staat met De Moppentappers ook geregeld zelf op het podium. En in zijn eigen pod, de Fokcast, praat hij vaak met o.a. comedianvrienden en filmmakers over alles wat zichzelf popcultuur durft te noemen. Fokke knows his shit, en als hij iets shit vindt uit het oeuvre van Kubrick, dan is het wel Eyes Wide Shut. En verder gaat het ook over de vraag of je kritiek mag hebben op Stanley Kubrick (Fokke: "2001 is een fucking saaie kutfilm!"), onder welke omstandigheden Fokke wel magisch realisme trekt in films, en de vergelijking tussen 150-take-Stanley en one-take-Clint. Steun Duimpjeworstelen op Patreon! En ontvang leuke extraatjes ^_^ Links: Café the Joker: https://cafethejoker.be/  De Fokcast: https://fokcast.libsyn.com/  De Moppentappers bij boekingskantoor Postbus 11: https://www.postbus11.be/producties/de-moppentappers  Het eerste seizoen Opa Speelt een Spel: https://www.youtube.com/watch?v=3Dt9kKofUkc&list=PLd-CqL8b5S-xxi42a9YMrhbemJ5vlN5Pz  Extra links: 'The 100 Best Movies of the '90s' volgens Indiewire: https://www.indiewire.com/gallery/best-90s-movies/  'Why Our Eyes Are SHUT (Eyes Wide Shut)' – Wisecrack Edition: https://www.youtube.com/watch?v=qa2aLkXw3OA  'Stanley Kubrick: The Hidden Meaning of Bathrooms' van Entertain the Elk: https://www.youtube.com/watch?v=KH58e44yblw  'Eyes Wide Shut: Roger Ebert at the Movies with Martin Scorsese (2000)': https://www.youtube.com/watch?v=pvzNPX98bzw  Paul Thomas Anderson over zijn setbezoek aan Eyes Wide Shut: https://www.youtube.com/watch?v=ZphUEg4uTAs 

Hey Guys!  I am back from my west coast trip and it was AMAZING. I got to meet 4 guys who have been listening to the show for a long time and we all hung out and had a great time and went for a hike that was unforgettable. I LOVE San Francisco. I also went to stay with Peter Coyote for a night and it was simply amazing and wonderful and enlightening. I just love the guy. Here is our latest talk from his him about an hour north of San Francisco Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 800 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more PETER COYOTE began his film career at 39, after living nearly a dozen years in the counter-culture during the 1960s and 70s. Since then, he has performed as an actor for some of the world's most distinguished filmmakers, including: Barry Levinson, Roman Polanski, Pedro Almodovar, Steven Spielberg, Walter Hill, Martin Ritt, Steven Soderberg, Diane Kurys, Sidney Pollack and Jean Paul Rappeneau. To date he has made over 150 films. In 2006 he had a major role in three televison series: The Inside on Fox-TV, the 4400 on USA Channel and played the Vice-President to Geena Davis's President on Commander in Chief for ABC-TV until the show's end. In 2011 he starred as the District Attorney in the new version of Law and Order – LA. In 2000 year he was the on-camera announcer of the Academy Awards Ceremony, taking the heavy-lifting off co-host Billy Crystal's shoulders for the detailed announcements and data which played live to an estimated one billion listeners. In 2007 he was prominently featured as an old boxing promoter in Rod Lurie's “Resurrecting the Champ” with Samuel. L. Jackson and Josh Hartnett, and also as Sally Field's disreputable writing teacher on the television series, “Brothers and Sisters.” He recently completed a six hour series called The Disappearance which aired last year. Most recently, he played Robert Mueller to Jeff Daniel's Jim Comey, and Brendan Gleeson's Donald Trump. The series is called The Comey Rule and will be released this year on SHOWTIME.   Mr. Coyote has written a memoir of his counter-culture years called Sleeping Where I Fall which received universally excellent reviews, appeared on three best-seller lists and sold five printings in hardback after being released by Counterpoint Press in 1999, it was re-released in November of 2010 and has been in continuous release ever since. It is currently in use as a source text for Sixties Studies in a number of universities including Harvard where he was invited to teach “The Theater of Protest” last year.   An early chapter from that book, “Carla's Story, won the 1993/94 Pushcart Prize for Excellence in non-fiction. His new book, The Rainman's Third Cure, released in April, 2015 is a study of mentors and the search for wisdom and he is currently readying a new book for publication in 2021-(TITLE) The I Behind the Mask: The Lone Ranger and Tonto meet the Buddha.   Mr. Coyote is well-known for his narration work, and has voiced 150 documentaries and TV specials, including the nine-hour PBS Special, The West. In 1992 he won an EMMY as the “Host” for a nine-hour series, called, The Pacific Century which also won the prestigious duPont-Columbia Award for Excellence in Broadcast Journalism.   In 2010 he recorded the12 hour series on The National Parks for Ken Burns and has recently completed the voice-work on Mr. Burns most recent series—a 16 hour special on The History of Country Music. He won a second Emmy for his narration on The Roosevelts, and has also done Prohibition, The Dust Bowl, and an 18 Hour series on Vietnam with Ken Burns. Mr Coyote and Mr Burns just completed a long series on Ernest Hemingway. In 2011 he was ordained as a Zen Buddhist priest and in 2015 received “transmission” from his teacher, making him an independent Zen teacher. He makes his home on a farm in Northern California, and considers working on his 1952 Dodge Power-Wagon his longest lasting addiction. He has 40 fruit trees and loves to make jam and walk with his two dogs.   Peter Coyote Episode 276 Peter Coyote Wikipedia Peter Coyote Movies IMDB Peter Coyote Books Peter Coyote with me on Episode 14   Check out all things Jon Carroll Follow and Support Pete Coe Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page  

Marc and Peter explore Peter's story of how he came to his acting path, as well as his path to Zen practice. They talk about "precise forms for a flexible mind" vs. "flexible forms for a precise mind", meditation, the power of ritual, the liberating effect of mask work, as well as bringing Zen practice into everyday life. Peter Coyote has performed as an actor for some of the world's most distinguished filmmakers, including: Barry Levinson, Roman Polanski, Pedro Almodovar, Steven Spielberg, Walter Hill, Martin Ritt, Steven Soderberg, Diane Kurys, Sidney Pollack and Jean Paul Rappeneau. He is an ordained Buddhist priest who has been practicing for 34 years. Mr. Coyote has been engaged in political and social causes since his early teens and is a long time passionate advocate for wildlife and wild nature.

Hi there Kim and apparently Melanie who also reads the show notes. These show notes are for you 2 unless someone else wants to show themselves! I will see you at our next secret meeting and I will invite your favorite guest to join us! How about that for a bonus!  I wanted today's conversation with Peter Coyote to be evergreen or always relevant whenever you decide to listen to it so I eschewed the normal production elements and news and got right to my chat with the legend. Special thanks to Mark Nolte and his ban City Park in Iowa City who wrote this song for Peter. Please go listen or stream it! My previous conversations with Peter are linked below Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 800 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more PETER COYOTE began his film career at 39, after living nearly a dozen years in the counter-culture during the 1960s and 70s. Since then, he has performed as an actor for some of the world's most distinguished filmmakers, including: Barry Levinson, Roman Polanski, Pedro Almodovar, Steven Spielberg, Walter Hill, Martin Ritt, Steven Soderberg, Diane Kurys, Sidney Pollack and Jean Paul Rappeneau. To date he has made over 150 films. In 2006 he had a major role in three televison series: The Inside on Fox-TV, the 4400 on USA Channel and played the Vice-President to Geena Davis's President on Commander in Chief for ABC-TV until the show's end. In 2011 he starred as the District Attorney in the new version of Law and Order – LA. In 2000 year he was the on-camera announcer of the Academy Awards Ceremony, taking the heavy-lifting off co-host Billy Crystal's shoulders for the detailed announcements and data which played live to an estimated one billion listeners. In 2007 he was prominently featured as an old boxing promoter in Rod Lurie's “Resurrecting the Champ” with Samuel. L. Jackson and Josh Hartnett, and also as Sally Field's disreputable writing teacher on the television series, “Brothers and Sisters.” He recently completed a six hour series called The Disappearance which aired last year. Most recently, he played Robert Mueller to Jeff Daniel's Jim Comey, and Brendan Gleeson's Donald Trump. The series is called The Comey Rule and will be released this year on SHOWTIME.   Mr. Coyote has written a memoir of his counter-culture years called Sleeping Where I Fall which received universally excellent reviews, appeared on three best-seller lists and sold five printings in hardback after being released by Counterpoint Press in 1999, it was re-released in November of 2010 and has been in continuous release ever since. It is currently in use as a source text for Sixties Studies in a number of universities including Harvard where he was invited to teach “The Theater of Protest” last year.   An early chapter from that book, “Carla's Story, won the 1993/94 Pushcart Prize for Excellence in non-fiction. His new book, The Rainman's Third Cure, released in April, 2015 is a study of mentors and the search for wisdom and he is currently readying a new book for publication in 2021-(TITLE) The I Behind the Mask: The Lone Ranger and Tonto meet the Buddha.   Mr. Coyote is well-known for his narration work, and has voiced 150 documentaries and TV specials, including the nine-hour PBS Special, The West. In 1992 he won an EMMY as the “Host” for a nine-hour series, called, The Pacific Century which also won the prestigious duPont-Columbia Award for Excellence in Broadcast Journalism.   In 2010 he recorded the12 hour series on The National Parks for Ken Burns and has recently completed the voice-work on Mr. Burns most recent series—a 16 hour special on The History of Country Music. He won a second Emmy for his narration on The Roosevelts, and has also done Prohibition, The Dust Bowl, and an 18 Hour series on Vietnam with Ken Burns. Mr Coyote and Mr Burns just completed a long series on Ernest Hemingway. In 2011 he was ordained as a Zen Buddhist priest and in 2015 received “transmission” from his teacher, making him an independent Zen teacher. He makes his home on a farm in Northern California, and considers working on his 1952 Dodge Power-Wagon his longest lasting addiction. He has 40 fruit trees and loves to make jam and walk with his two dogs.   Peter Coyote Episode 276 Peter Coyote Wikipedia Peter Coyote Movies IMDB Peter Coyote Books Peter Coyote with me on Episode 14   SUPPORT THE SHOW BY SUPPORTING  one of the sponsors of the show!   Indeed.com/StandUp   Check out all things Jon Carroll Follow and Support Pete Coe Follow and Support Gareth Sever  Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page

Fred e Alexandre recebem neste episódio o músico Willian de Andrade (Banda “Strato Machine” e Instagram “Oitavo Dia”) para um ótimo bate-papo com dicas de filmes que talvez você não conheça. Começamos cronologicamente com o ótimo drama de Mauro Bolgnini, “A Corrupção” (La corruzione, 1963 – Acesse no marco 00:03:07), seguimos com um dos grandes filmes da Nova Hollywood, “A Noite dos Desesperados”(They Shoot Horses, Don't They?, 1969 – Acesse no marco 00:23:00), dirigido por Sidney Pollack e terminamos o áudio na Hungria, sob a direção de Zoltán Fábri e seu “O Quinto Selo” (Az ötödik pecsét, 1976 – Acesse no marco 00:43:12). Como de praxe, os spoilers destes filmes ficam para o final do episódio: os de “A Corrupção” começam no marco 00:55:32, “A Noite dos Desesperados” em 01:00:15 e por fim os de “O Quinto Selo” em 01:06:19. ---------------------- Acesse nosso site: http://www.filmesclassicos.com.br Acesse nossa página no Facebook : https://www.facebook.com/podcastfilmesclassicos/ Nos procure no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.

Dedicamos el programa 44 a viajar hasta 1972, a la grabación de uno de los discos de góspel más importantes de la historia. "Amazing Grace". El documental de Sidney Pollack que se quedó en un cajón durante 40 años, salió a la luz con esfuerzo y aún podemos disfrutar de él en distintas plataformas. Casi 55 minutos de auténtica celebración y mística. También suenan en el programa, VIRGINIA MAESTRO, ITZIAR YAGUE Y despedimos a BETTY DAVIS.

Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 800 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more Robert “Rob” Serra's first day as a New York City firefighter was Sept. 11, 2001. Having completed the FDNY training on Sept. 10, the 2001 Hobart graduate expected to have the day off. On his way to try out for a FDNY hockey team, Serra crossed the Verrazano Bridge and saw the World Trade Center's twin towers on fire. He immediately grabbed his gear and made his way downtown – where he checked in with the first “white helmet” he saw, an identifier of FDNY Fire Chiefs. Despite having no experience, Serra says, “it never crossed my mind not to go.” The day changed his life forever. “Pretty much as soon as I got down there, I started to bleed from my nose.” Like thousands of first responders, emergency workers and civilians on Sept. 11, Serra suffers from illnesses as a result of exposure to toxic ash and debris on the day of the attacks and in the months following, when he worked at the Staten Island recovery site to search for the personal effects of victims. Having undergone surgery to remove nasal polyps, Serra now faces neurological damage– including neuropathy and fibromyalgia, which has led to intense bouts of shaking, nerve pain and trouble walking. Learn more about Rob Serra  The Firefighters Podcast is the hottest podcast in America, literally. Host Rob Serra, FDNY (ret.) is a 9/11 First Responder, an advocate, a dad and an all around great guy. Recored in Staten Island the pod will inform and connect a hungry audience and create a home for the country's 1.15 million firefighters — and their friends, families and fans. And they've got a lot of fans. Host Rob Serra is authentic as it gets. Born and raised in Staten Island, New York, his first day on the job was September 11th. He's been directly involved advocating for the health issues first responders have experienced as a result ever since. The show will include interviews with firefighters and first responders, celebrities, and the always popular and delicious Firehouse cooking segment. Everybody loves firefighters. Now they have a podcast. PETER COYOTE began his film career at 39, after living nearly a dozen years in the counter-culture during the 1960s and 70s. Since then, he has performed as an actor for some of the world's most distinguished filmmakers, including: Barry Levinson, Roman Polanski, Pedro Almodovar, Steven Spielberg, Walter Hill, Martin Ritt, Steven Soderberg, Diane Kurys, Sidney Pollack and Jean Paul Rappeneau. To date he has made over 150 films. In 2006 he had a major role in three televison series: The Inside on Fox-TV, the 4400 on USA Channel and played the Vice-President to Geena Davis's President on Commander in Chief for ABC-TV until the show's end. In 2011 he starred as the District Attorney in the new version of Law and Order – LA. In 2000 year he was the on-camera announcer of the Academy Awards Ceremony, taking the heavy-lifting off co-host Billy Crystal's shoulders for the detailed announcements and data which played live to an estimated one billion listeners. In 2007 he was prominently featured as an old boxing promoter in Rod Lurie's “Resurrecting the Champ” with Samuel. L. Jackson and Josh Hartnett, and also as Sally Field's disreputable writing teacher on the television series, “Brothers and Sisters.” He recently completed a six hour series called The Disappearance which aired last year. Most recently, he played Robert Mueller to Jeff Daniel's Jim Comey, and Brendan Gleeson's Donald Trump. The series is called The Comey Rule and will be released this year on SHOWTIME.   Mr. Coyote has written a memoir of his counter-culture years called Sleeping Where I Fall which received universally excellent reviews, appeared on three best-seller lists and sold five printings in hardback after being released by Counterpoint Press in 1999, it was re-released in November of 2010 and has been in continuous release ever since. It is currently in use as a source text for Sixties Studies in a number of universities including Harvard where he was invited to teach “The Theater of Protest” last year.   An early chapter from that book, “Carla's Story, won the 1993/94 Pushcart Prize for Excellence in non-fiction. His new book, The Rainman's Third Cure, released in April, 2015 is a study of mentors and the search for wisdom and he is currently readying a new book for publication in 2021-(TITLE) The I Behind the Mask: The Lone Ranger and Tonto meet the Buddha.   Mr. Coyote is well-known for his narration work, and has voiced 150 documentaries and TV specials, including the nine-hour PBS Special, The West. In 1992 he won an EMMY as the “Host” for a nine-hour series, called, The Pacific Century which also won the prestigious duPont-Columbia Award for Excellence in Broadcast Journalism.   In 2010 he recorded the12 hour series on The National Parks for Ken Burns and has recently completed the voice-work on Mr. Burns most recent series—a 16 hour special on The History of Country Music. He won a second Emmy for his narration on The Roosevelts, and has also done Prohibition, The Dust Bowl, and an 18 Hour series on Vietnam with Ken Burns. Mr Coyote and Mr Burns just completed a long series on Ernest Hemingway. In 2011 he was ordained as a Zen Buddhist priest and in 2015 received “transmission” from his teacher, making him an independent Zen teacher. He makes his home on a farm in Northern California, and considers working on his 1952 Dodge Power-Wagon his longest lasting addiction. He has 40 fruit trees and loves to make jam and walk with his two dogs.   Peter Coyote Episode 276 Peter Coyote Wikipedia Peter Coyote Movies IMDB Peter Coyote Books Peter Coyote with me on Episode 14   SUPPORT THE SHOW BY SUPPORTING  one of the sponsors of the show!   Indeed.com/StandUp TrueBill.com/standup     Check out all things Jon Carroll Follow and Support Pete Coe   Pete on YouTube Pete on Twitter Pete On Instagram

The film Three Days of the Condor, directed by Sidney Pollack, released in 1975, was loosely based on the novel Six Days of the Condor by James Grady. The recommendation for choosing this film was from my father. The film stars the excellent Academy Award winner Robert Redford as the main character CIA analyst Joseph Turner, the fantastic Academy Award winner Faye Dunaway as his "lover" Kathy Hale, the longtime successful actor Max von Sydow as the assassin Joubert, and the talented Academy Award recipient Cliff Roberston as CIA Director Higgins. The central plot involves Joseph Turner going on the run after his coworkers are brutally murdered and Joseph trying to survive and figuring out who to trust. --- Send in a voice message: https://anchor.fm/collin-sugg/message

Please subscribe now for as little as 5$ and gain access to a community of over 800 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more All this month and next I will be promoting GiveWell.org and I hope you will consider sending them a donation. They will match new donors up to $250! Please go to GiveWell.org/StandUp Today's show is pretty Awesome. I was just gonna have the legend on and do the news but I wanted to chat with Michael Cohen who has been writing some very important and interesting stuff as always so its a bonus that I got him to join me too. I have about 35 minutes of news then I start with Michael at about 36 minutes and Peter and I begin at about 55 minutes but def listen to the very last 15 minutes or so. Michael A. Cohen has been a columnist for the Boston Globe on national politics and foreign affairs since 2014. He is also the author of “American Maelstrom: The 1968 Election and the Politics of Division,” “Live From the Campaign Trail: The Greatest Presidential Campaign Speeches of the 20th Century and How They Shaped Modern America” and is the co-author with Micah Zenko of “Clear and Present Safety: The World Has Never Been Better and Why That Matters to Americans.” Michael has written for dozens of news outlets, including as a regular columnist for the Guardian, Foreign Policy, the London Observer, and World Politics Review. He previously worked as a speechwriter at the US State Department, on Capitol Hill, and at NBC; was a Senior Fellow at the New America Foundation and a fellow at the Century Foundation, the American Security Project, and the World Policy Institute; and has also been a lecturer at Columbia University's School of International and Public Affairs. PETER COYOTE began his film career at 39, after living nearly a dozen years in the counter-culture during the 1960s and 70s. Since then, he has performed as an actor for some of the world's most distinguished filmmakers, including: Barry Levinson, Roman Polanski, Pedro Almodovar, Steven Spielberg, Walter Hill, Martin Ritt, Steven Soderberg, Diane Kurys, Sidney Pollack and Jean Paul Rappeneau. To date he has made over 150 films. In 2006 he had a major role in three televison series: The Inside on Fox-TV, the 4400 on USA Channel and played the Vice-President to Geena Davis's President on Commander in Chief for ABC-TV until the show's end. In 2011 he starred as the District Attorney in the new version of Law and Order – LA. In 2000 year he was the on-camera announcer of the Academy Awards Ceremony, taking the heavy-lifting off co-host Billy Crystal's shoulders for the detailed announcements and data which played live to an estimated one billion listeners. In 2007 he was prominently featured as an old boxing promoter in Rod Lurie's “Resurrecting the Champ” with Samuel. L. Jackson and Josh Hartnett, and also as Sally Field's disreputable writing teacher on the television series, “Brothers and Sisters.” He recently completed a six hour series called The Disappearance which aired last year. Most recently, he played Robert Mueller to Jeff Daniel's Jim Comey, and Brendan Gleeson's Donald Trump. The series is called The Comey Rule and will be released this year on SHOWTIME. Mr. Coyote has written a memoir of his counter-culture years called Sleeping Where I Fall which received universally excellent reviews, appeared on three best-seller lists and sold five printings in hardback after being released by Counterpoint Press in 1999, it was re-released in November of 2010 and has been in continuous release ever since. It is currently in use as a source text for Sixties Studies in a number of universities including Harvard where he was invited to teach “The Theater of Protest” last year.. An early chapter from that book, “Carla's Story, won the 1993/94 Pushcart Prize for Excellence in non-fiction. His new book, The Rainman's Third Cure, released in April, 2015 is a study of mentors and the search for wisdom and he is currently readying a new book for publication in 2021-(TITLE) The I Behind the Mask: The Lone Ranger and Tonto meet the Buddha. Mr. Coyote is well-known for his narration work, and has voiced 150 documentaries and TV specials, including the nine-hour PBS Special, The West. In 1992 he won an EMMY as the “Host” for a nine-hour series, called, The Pacific Century which also won the prestigious duPont-Columbia Award for Excellence in Broadcast Journalism. In 2010 he recorded the12 hour series on The National Parks for Ken Burns and has recently completed the voice-work on Mr. Burns most recent series—a 16 hour special on The History of Country Music. He won a second Emmy for his narration on The Roosevelts, and has also done Prohibition, The Dust Bowl, and an 18 Hour series on Vietnam with Ken Burns. Mr Coyote and Mr Burns just completed a long series on Ernest Hemingway. In 2011 he was ordained as a Zen Buddhist priest and in 2015 received “transmission” from his teacher, making him an independent Zen teacher. He makes his home on a farm in Northern California, and considers working on his 1952 Dodge Power-Wagon his longest lasting addiction. He has 40 fruit trees and loves to make jam and walk with his two dogs. Peter Coyote Episode 276 Peter Coyote Wikipedia Peter Coyote Movies IMDB Peter Coyote Books Peter Coyote with me on Episode 14   SUPPORT THE SHOW BY SUPPORTING  one of the sponsors of the show!   GetQuip.com/STANDUP Indeed.com/STANDUP and start a store or shop at Shopify.com/Standup   Check out all things Jon Carroll Follow and Support Pete Coe   Pete on YouTube Pete on Twitter Pete On Instagram

VIDEO: The Renegade - Trailer italiano ufficiale ➜ https://www.youtube.com/watch?v=JRVZplbCFE8&list=PLolpIV2TSebXA9xYikH3yOYlHE6Ls-eQCTESTO DELL'ARTICOLO ➜ http://www.bastabugie.it/it/articoli.php?id=6643GLI ABUSI SUBITI DAI CATTOLICI IRLANDESI di Rino CammilleriIn Italia siamo abituati all'eversione dei titoli di film stranieri, ma di solito si tratta di traduzioni strampalate o di autentiche levate d'ingegno (il massimo lo si raggiunse col Jeremiah Johnson diventato Corvo rosso non avrai il mio scalpo, del 1972, di Sidney Pollack con Robert Redford, da subito un cult). Ma questa volta si sono superati: Black 47 è diventato The renegade. Sempre inglese e col merito di non far capire più niente. Il «rinnegato», infatti, è proprio l'opposto, e diciamo subito perché.Il film narra di Martin Feeney, un irlandese che, per mangiare, si è arruolato nell'esercito britannico ed ha combattuto in Afghanistan e in India. Torna a casa nel 1847 anno che è «nero» (Black 47) per due motivi. Gli occupanti inglesi, che trattano gli irlandesi papisti come feccia, hanno introdotto la tassa sugli affitti, che i lord latifondisti intendono scaricare sugli affittuari. Così, chi non può pagare viene sfrattato. La cerimonia consiste nello scoperchiare i tetti di paglia rendendo le case (già catapecchie) inabitabili. Per giunta, in quel fatale anno, la malattia delle patate, principale quando non unico alimento di quel disgraziato popolo, aggiunge la morte per fame. Si calcola un milione di morti e altrettanti emigrati in America. Mentre il poco grano che c'è viene dirottato verso l'Inghilterra.Il nostro reduce trova sua cognata e i figlioletti scalzi in pieno inverno (non hanno neanche le scarpe), sua madre è morta di febbri perché senza medicine, suo fratello è stato impiccato in quanto cercava di opporsi allo sfratto. Qualcuno a questo punto ricorderà che questo film l'avevo già recensito qui due anni fa, quando uscì. Ma allora avevo dovuto vederlo in lingua originale e fare acrobazie di interpretazione perché nel film gli irlandesi parlano tra loro in gaelico (cosa che autorizza un giudice inglese a condannare uno che neanche sa di cosa lo si incolpa). Solo adesso è uscito doppiato in italiano e lo ri-consiglio perché è davvero bello. Tra i protagonisti c'è Hugo Weawing, già Elrond re degli Elfi ne Il Signore degli Anelli e anche, con la maschera del papista Guy Fawkes, in V for vendetta), che è stato compagno d'armi del reduce e ora, da poliziotto, deve dargli la caccia. Infatti, quando Feeney trova la cognata e i suoi nipotini morti assiderati nella casa privata del tetto, capisce che deve farsi giustizia da solo.In una scena si vede un funerale con bara "ecologica": per risparmiare legno, i morti di serie B (cioè gli irlandesi) vengono portati sulla fossa comune in una bara il cui fondo si apre lasciando cadere il cadavere e può essere riutilizzata. Questa cosa è storica e non avveniva solo in Irlanda, ma perfino nell'impero austriaco dell'«illuminato» Giuseppe II. In un'altra scena gli affamati (cioè i più) possono lucrare di una scodella di zuppa calda offerta da un pastore protestante. A patto che prima recitino l'atto d'abiura nei confronti del cattolicesimo, sennò nisba.Anche il nostro Sud, col Risorgimento, subì trattamenti del genere e qualche film nostrano lo ammette. Salvo, però, mostrare che le ragioni e i torti devono essere equamente divisi, e via salvando la mitologia nazionale. Nel film irlandese no: i cattivi sono solo gli inglesi senza se senza ma. Perché è questa la verità, e i numeri della loro emigrazione parlano chiaro. Solo quelli della nostra non parlano affatto, e i sudisti devono continuare ad applaudire una forma statale che per loro è stata solo una camicia da forza. Gli irlandesi sono riusciti a sfilarsi la loro perché non hanno mai dimenticato di averla. Vabbè, pace. Ma non perdetelo, il film, è davvero bello.

The Blurred Reality of Dreams:  Kubrick's Eyes Wide Shut The History of Cinema has known many great names. Few have had the success, respect, and influence of Stanley Kubrick (1928-1999). With a filmography of only twelve films (unless you include his hated Fear and Desire), Kubrick stands tall among the great directors: Lang, Murnau, Hitchcock, Ford, etc. and continues to fascinate audiences. This week Ibrahim & I sit down to discuss the late filmmaker's last film, Eyes Wide Shut (1999). This is a difficult film, tackling a troubling subject - marital infidelity, paranoia, and insecurity.  Featuring Tom Cruise, Nicole Kidman, and a wonderful and troubling Sidney Pollack, Eyes Wide Shut is a problematic and fascinating last film from a great director. Take a listen as Ibrahim and I discuss this final film from a master. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Our Thanks for Your Continued Support.  

Patrick und sein geliebt-geschätzter Stammgast André Wentzel etablieren in dieser Woche ein neues Weihnachtsritual im Bahnhofskino: Männer mittleren Alters podcasten kurz vor den Feiertagen über zutiefst melancholisches Gefühlskino™. Aber egal zu welcher Jahreszeit, Sidney Pollacks Klassiker Nur Pferden gibt man den Gnadenschuss (They Shoot Horses, Don't They?, 1969) ist zu jeder Jahreszeit eine Wiederentdeckung wert, nicht zuletzt wegen Jane Fonda in der - vielleicht - besten Rolle ihrer illustren Karriere. Die beiden Herren sind jedenfalls hin und weg. Und wenn man/frau genau hinhört, sind sogar ein paar leise Schluchzer auf der Tonspur zu vernehmen.

Quinzième épisode de Cruise ControlLe podcast qui prouve que Tom Cruise est la dernière star d'Hollywood.On retrace sa carrière à travers ses films dans l'ordre chronologique. Du mystère, des mafieux italiens, un chien trop meugnon et Tom qui court.Normalement tout est réuni pour nous faire plaisir, mais est ce que le complot n'est pas trop gros ?.On parle de The Firm de Sidney Pollack sorti en 1993. Bonne écoute les cruisettesN'oubliez pas de nous suivre sur notre site https://cruisecontrol.carrd.coTwitter et Instagram : @cruiseometer.On attend vos retours avec toujours autant de plaisir.

Pour son premier travail en tant que scénariste, le jeune Paul Schrader collabore avec son frêre Léonard sur un thriller aux accents japonais que Sidney Pollack mettra en image. Une oeuvre imparfaite, mais un premier pas prometteur pour notre personalité du mois de novembre. Retrouvez l'ensemble de nos chroniques et des nos articles, notamment pour ce mois Paul Schrader sur lesrefracteurs.fr Et venez discuter avec nous sur: Facebook: https://www.facebook.com/lesrefracteurs Twitter: https://twitter.com/lesrefracteurs Discord (que nous partageons désormais avec LPDLG, Motif: Cinéma et L'Apéro Ciné): https://discord.gg/vJqwMmDcv3 N'hésitez pas à commenter et partager notre humble travail!

Les veus com a protagonistes: de gospel, de doo wop jamaic

VIDEO: The Renegade - Trailer italiano ufficiale ➜ https://www.youtube.com/watch?v=JRVZplbCFE8&list=PLolpIV2TSebXA9xYikH3yOYlHE6Ls-eQCTESTO DELL'ARTICOLO ➜ http://www.bastabugie.it/it/articoli.php?id=6643GLI ABUSI SUBITI DAI CATTOLICI IRLANDESI di Rino CammilleriIn Italia siamo abituati all'eversione dei titoli di film stranieri, ma di solito si tratta di traduzioni strampalate o di autentiche levate d'ingegno (il massimo lo si raggiunse col Jeremiah Johnson diventato Corvo rosso non avrai il mio scalpo, del 1972, di Sidney Pollack con Robert Redford, da subito un cult). Ma questa volta si sono superati: Black 47 è diventato The renegade. Sempre inglese e col merito di non far capire più niente. Il «rinnegato», infatti, è proprio l'opposto, e diciamo subito perché.Il film narra di Martin Feeney, un irlandese che, per mangiare, si è arruolato nell'esercito britannico ed ha combattuto in Afghanistan e in India. Torna a casa nel 1847 anno che è «nero» (Black 47) per due motivi. Gli occupanti inglesi, che trattano gli irlandesi papisti come feccia, hanno introdotto la tassa sugli affitti, che i lord latifondisti intendono scaricare sugli affittuari. Così, chi non può pagare viene sfrattato. La cerimonia consiste nello scoperchiare i tetti di paglia rendendo le case (già catapecchie) inabitabili. Per giunta, in quel fatale anno, la malattia delle patate, principale quando non unico alimento di quel disgraziato popolo, aggiunge la morte per fame. Si calcola un milione di morti e altrettanti emigrati in America. Mentre il poco grano che c'è viene dirottato verso l'Inghilterra.Il nostro reduce trova sua cognata e i figlioletti scalzi in pieno inverno (non hanno neanche le scarpe), sua madre è morta di febbri perché senza medicine, suo fratello è stato impiccato in quanto cercava di opporsi allo sfratto. Qualcuno a questo punto ricorderà che questo film l'avevo già recensito qui due anni fa, quando uscì. Ma allora avevo dovuto vederlo in lingua originale e fare acrobazie di interpretazione perché nel film gli irlandesi parlano tra loro in gaelico (cosa che autorizza un giudice inglese a condannare uno che neanche sa di cosa lo si incolpa). Solo adesso è uscito doppiato in italiano e lo ri-consiglio perché è davvero bello. Tra i protagonisti c'è Hugo Weawing, già Elrond re degli Elfi ne Il Signore degli Anelli e anche, con la maschera del papista Guy Fawkes, in V for vendetta), che è stato compagno d'armi del reduce e ora, da poliziotto, deve dargli la caccia. Infatti, quando Feeney trova la cognata e i suoi nipotini morti assiderati nella casa privata del tetto, capisce che deve farsi giustizia da solo.In una scena si vede un funerale con bara "ecologica": per risparmiare legno, i morti di serie B (cioè gli irlandesi) vengono portati sulla fossa comune in una bara il cui fondo si apre lasciando cadere il cadavere e può essere riutilizzata. Questa cosa è storica e non avveniva solo in Irlanda, ma perfino nell'impero austriaco dell'«illuminato» Giuseppe II. In un'altra scena gli affamati (cioè i più) possono lucrare di una scodella di zuppa calda offerta da un pastore protestante. A patto che prima recitino l'atto d'abiura nei confronti del cattolicesimo, sennò nisba.Anche il nostro Sud, col Risorgimento, subì trattamenti del genere e qualche film nostrano lo ammette. Salvo, però, mostrare che le ragioni e i torti devono essere equamente divisi, e via salvando la mitologia nazionale. Nel film irlandese no: i cattivi sono solo gli inglesi senza se senza ma. Perché è questa la verità, e i numeri della loro emigrazione parlano chiaro. Solo quelli della nostra non parlano affatto, e i sudisti devono continuare ad applaudire una forma statale che per loro è stata solo una camicia da forza. Gli irlandesi sono riusciti a sfilarsi la loro perché non hanno mai dimenticato di averla. Vabbè, pace. Ma non perdetelo, il film, è davvero bello.

On this episode, we cover the 58th Best Picture winner: Out of Africa. We talk performances, cinematography, and our mixed feelings around character in pacing. Take a listen to find out if we fall for this sweeping romantic epic in the end.

Todos arrastramos una deuda que hay que saldar , la obligación de cada uno, la cruz que hay que cargar hasta el final. Así le explica Tanaka Ken al imberbe acompañante de Keller en su vuelta al país del sol naciente. Un amor frustrado, la llama aún ilumina los contornos del restaurante que va a cerrar, las miradas y los silencios en ese local que Keller le dejó a Eiko como regalo de Sayonara, de despedida. Y de golpe los recuerdos de un amor truncado, Keller resopla al salir a la calle, su corazón acostumbrado a mil batallas necesita una pausa,, está ya cansado y ella sigue tan bella y misteriosa como cuando la dejó. El secreto de Eiko, tan bien guardado hasta que Keller llegue a comprender que hay detrás de tanto lastre. Será entonces cuando todo dé un vuelco, parece que las penas de uno son las peores hasta que se cae en la cuenta de que un japonés de ademán recio y mirada oblicua ha perdido todo. No esperar nada, la derrota es doble, la personal y la de tu propio país en la guerra. El vigor, el dinamimo, y la potencia de las escenas de accion compensan la pausa y el intimismo de la relación entre Eiko y Kilmer. Imponente el lacónico Robert Mitchum, en su línea, y el toque estoico de Ken Takamura, célebre en Japón por sus películas del género Yakuza, y Keiko Kishi. Sidney Pollack filmó una de sus obras más peculiares y preferida para muchos. Paul Schrader, el guionista de Taxi Driver y Toro Salvaje revisó y dio forma a la historia original de su hermano Leonard. y Robert Towne, colaborador de Pollack, moldeó el libreto al gusto del director de Danzad, danzad malditos y Las aventuras de Jeremiah Johnson. Aún así, la violencia permanece, las luchas entre los dos antagonistas con los gangster de la Yakuza, los movimientos coreografiados y hasta una amputación con la catana sagrada del japonés. Tanaka Ken es un hombre de otra época, así lo describe su hermano. El maestro de Kendo alecciona a su alumno ante la mirada de Kilmer, le responde que no piense en ganar ni en perder, no debe esperar nada. Solo al final el americano podrá entender lo que encierra esa máxima. La reconciliación de dos tipos unidos por el destino, la paz entre dos hombres de otro tiempo que se odiaron mutuamente . Tanaka ya no es un Yakuza, lleva años sin coger la espada, el dragón silente en su espalda volverá a confundirse con la sangre derramada. Kelmer se retiró hace mucho, quería vivir tranquilo al fin, recordar somnoliento la piel blanca y el misterio de aquella mujer qué dejó en Japón. Esta noche intentamos comprender el ideograma escrito en la piedra... Salvador Limón, Raúl Gallego y Zacarías Cotán

“Onde vocês estão me levando?” “Até onde o arco-íris termina.” Assim começa a jornada do protagonista de Eyes Wide Shut, última obra do mestre Stanley Kubrick. Na época de seu lançamento, alguns meses depois da morte de Kubrick, o filme teve recepção polarizada, tanto em termos de público quanto de crítica, muito por conta da enorme expectativa que a campanha publicitária criou, com base na promessa de cenas luxuriosas entre Tom Cruise e Nicole Kidman, o casal queridinho da América naquele momento. Revisto vinte anos depois, sem expectativas relacionadas à celebridade do casal protagonista, a apreciação do filme tem sido muito maior, especialmente se acompanhada da leitura de “Breve romance de sonho” (Traumnovelle), novela de Arthur Schnitzler, adaptada de maneira bastante fiel pelo próprio Stanley Kubrick e Frederic Raphael. Confira, portanto, a nossa discussão a respeito de sonhos e fantasias e o quanto ambos afetam o nosso comportamento; sobre o conflito entre a promessa de êxtase e entusiasmo oferecidos pela vivência do proibido em face à segurança e estabilidade da vida em família; sobre desejar o desejo do outro; e também sobre eunucos e marinheiros. Não perca! --- Quer fazer um comentário, uma crítica ou uma sugestão? Envie um email a saladeprojecaopodcast@gmail.com e responderemos em breve. --- Ficha do Filme: De Olhos Bem Fechados (Eyes Wide Shut), 1999. Direção: Stanley Kubrick. Roteiro: Stanley Kubrick e Frederic Raphael, baseado na obra “Traumnovelle”, de Arthur Schnitzler. Elenco: Tom Cruise, Nicole Kidman, Sidney Pollack, Todd Field, Marie Richardson, Rade Sherbedgia, Leelee Sobieski, Alan Cumming, Vinessa Shaw. EUA/Inglaterra. --- Créditos: Ilustração: Felipe Sobreiro Edição e Identidade Visual: Thiago Vergara Música de Introdução: https://www.bensound.com Músicas do filme: "Baby Did a Bad Bad Thing" (Chris Isaak), "Musica Ricercata, II" (György Ligeti), "Grey Clouds" (Franz Liszt), "Naval Officer" (Jocelyn Pook), "The Dream" (Jocelyn Pook), "Masked Ball" (Jocelyn Pook) e "When I Fall in Love" (Victor Silvester). Música de crédito ao editor: Daydreaming (Radiohead).

Invité : Johan Chiaramonte Au programme de cette année 1979 :  L'événement Alien : Space Horror et révolution esthétique. 40 ans de xénomorphes : bilan et futur de la franchise Alien. Série Noire, Coup de tête... La grande année de Patrick Dewaere. Manhattan de Woody Allen, ou une thérapie de l'Amérique. Tour du monde : Le cavalier électrique (Sidney Pollack), Le Chateau de Cagliostro (Hayao Miyazaki).

Benvenuti nella raccolta in formato Podcast delle puntate di #CloseUp, a cura di Matteo Righi, aka Houssy. #CloseUp è la rubrica di recensioni cinematografiche in onda su Radio Italia Anni 60 Emilia-Romagna.

Le interviste a Gabriele Salvatores, Natalino Balasso e Christian De Sica su su “Comedians”; Francesca Mazzoleni con il documentario “Punta Sacra” e Silvia Giulietti su “Fellinopolis”. Franco Dassisti presenta il Bardolino Film Festival (16-20 giugno). ..Tra i film in uscora: “Amazing Grace” di Sidney Pollack, “La Cordigliera dei sogni” di Patricio Guzman e “Extraliscio punk da balera” di Elisabetta Sgarbi.

Au cinéma, 1985 est l'année des sorties d'After Hours de Scorsese, de Rocky IV, de L'année du dragon de Cimino, des Goonies et de Retour vers le futur de Zemeckis. Sidney Pollack reçoit l'oscar du meilleur film pour Out of Africa et Kusturica la palme d'or pour Papa est en voyage d'affaire. Cette année-là disparaissent l'actrice Simone Signoret, l'écrivain, scénariste et surtout immense dialoguiste Michel Audiard. L'acteur et cinéaste américain Orson Welles meurt à Hollywood, terrassé par une crise cardiaque, le même jour que l'acteur américain Yul Brynner qui lui décède à New-York. Concernant la musique, les premières "Victoires de la Musique" se sont déroulées le 23 novembre 1985 au Moulin Rouge. Retour en musique sur cette année 1985 Amebix/Fear Of God Clan Of Xymox/Stranger Fifth Column/Where Are They Now Corrosion Of Conformity/Loss for Words Killing Joke/Eighties Meat Puppets/Too Real New Model Army/Ambition Rites of Spring/For Want Of The Sisters of Mercy/Marian (Version) Red Lorry Yellow Lorry/Talk About The Weather

Le interviste a Gabriele Salvatores, Natalino Balasso e Christian De Sica su su “Comedians”; Francesca Mazzoleni con il documentario “Punta Sacra” e Silvia Giulietti su “Fellinopolis”. Franco Dassisti presenta il Bardolino Film Festival (16-20 giugno). ..Tra i film in uscora: “Amazing Grace” di Sidney Pollack, “La Cordigliera dei sogni” di Patricio Guzman e “Extraliscio punk da balera” di Elisabetta Sgarbi.

Volvemos de nuevo con fuerza en este 2021 con el programa doce de la decimocuarta temporada para repasar en LA MÁQUINA DEL TIEMPO un clásico que cumple treinta y cinco años, Memorias de África de Sidney Pollack. Seguimos en una segunda parte con VIDAS DE CINE para continuar con el tercer especial que dedicamos a una de las "Majors" de Hollywood, Universal Pictures, ya vamos por los años 50. Y terminamos el programa con LA BSO DE TU VIDA, para seguir escuchando bandas sonoras donde participó Sean Connery el cual con este le hacemos su tercer programa homenaje de la temporada.

durée : 00:04:24 - La chronique de Thomas Croisière - Reconfiné avec mes travestis scolarisés, je leur propose parfois la séance de Thomas Croisière et hier c’était…

Die Verleiher nutzen Kino-freie Zeit, den einen oder anderen Film frisch restauriert auf den Markt zu bringen. In dieser Woche ist das beispielsweise der US- Spionage–Thriller „Die drei Tage des Condor“ von Sidney Pollack, mit Robert Redford und Faye Dunnaway in den Hauptrollen. Carsten Beyer nimmt uns mit in das New York der 70er Jahre:

As a youth, Actor HANK GARRETT grew up on the mean streets of Harlem, NY., roaming the streets as a hoodlum and constantly getting in trouble with the law. Eventually, Hank would go on to turn his life around and inspire many of today's wayward youths down the path towards a life of fulfillment. During Hank’s six decades in Showbiz, he has appeared in episodes of: Columbo, Kojak, BJ and The Bear, Paris, Three’s Company, and played Officer Ed Nicholson on the classic 1960’s sitcom, Car 54 Where are You? But, to many, he may best be known for playing the gritty role as the killer mailman alongside Robert Redford and Faye Dunaway in Sidney Pollack’s 1975 thriller: Three Days of The Condor. He’s back again on the show to talk about his new memoir called: From HARLEM HOODLUM TO HOLLYWOOD HEAVYWEIGHT. Actor/ Voice over artist/ and Martial Artist Hall of Famer: The great  HANK GARRETT joins me! SUBSCRIBE TO OUR YOUTUBE CHANNEL!! https://www.youtube.com/channel/UCw4fcgG7ODeiEbR7HDUZl3A (https://www.youtube.com/channel/UCw4fcgG7ODeiEbR7HDUZl3A)

Au sommaire de cette spéciale sorties bouquins et vidéos de l'été : -Laff Lafrikain la vie au village de Moss, parue chez L'Harmattan BD ;-Sale Week-End, un hors-série de la saga Criminal paru chez Delcourt signé Ed Brubaker au scénario ainsi que Sean et Jacob Phillips au dessin ;-Lovecraft Country de Matt Ruff édité par 10/18 ;-8865 de Dominique Legrand paru chez Hugo New Way ;-Entretien avec Dominique Legrand ;-La trilogie Psycho-Pass : Sinners of the System de Naoyoshi Shotani (Kana Home Video) ;-Justice League Dark : Apokolips' War de Matt Peters et Christina Sotta (Warner Home Video) ;-L'Ecume des jours de Charles Belmont (L'Eclaireur) ;-Tootsie de Sidney Pollack et Phil Tippett des rêves et des monstres de Gilles Penso & Alexandre Poncet (Carlotta Films) ;-L'Etoile du silence de Kurt Maetzig, Signal une aventure dans l'espace de Gottfried Kolditz et Vij ou le diable de Constantin Erchov et Gueorgui Kropatchev (Artus Films) ;-The Saviour & The Bride with White Hair, deux films de Ronny Yu sortis chez Spectrum Films ;-Police Frontière de Tony Richardson, Point Limite de Sidney Lumet et Incubus de John Hough (Rimini Editions) ;-Queen & Slim de Melina Matsoukas (Universal) ;-Mo' Better Blues & Jungle Fever deux longs-métrages de Spike Lee ainsi que Blue Collar de Paul Schrader (Elephant Films). Bonne écoute à toutes et à tous.

Sur le Billard cette semaine La Poursuite Impitoyable d'Arthur Penn et Un Château en enfer de Sidney Pollack ont pour point commun à nos yeux d'être des films que nous aimons beaucoup tout en n'étant pas forcément très fans de l’œuvre de leurs auteurs . Petite causerie autour de deux films flirtant avec le baroque et assez révélateurs de certaines mutations qu'auront connu le Cinéma U.S. dans les années 70. Tous deux nantis de très bons bonus, La Poursuite Impitoyable est édité chez Sidonis, et Un Chateau en enfer, lui, chez Rimini. On vous fait gagner des exemplaires de ce dernier sur nos différents réseaux sociaux et/ou par mail.

Uno sguardo piuttosto ampio ai Legal Movies, a cavallo tra Dramma, Thriller e commedia.Il buio oltre la siepe (Robert Mulligan, 1962)A civil action (Steven Zaillian, 1998)… e giustizia per tutti (Norman Jewison, 1979)La giuria (Gary Fleder, 2003)Michael Clayton (Tony Gilroy, 2007)Mio cugino Vincenzo (Jonathan Lynn, 1992)Il momento di uccidere (Joel Schumacher, 1996)La parola ai giurati (Sidney Lumet, 1957)Pazza (Martin Ritt, 1987)Philadelphia (Jonathan Demme, 1993)Presunto innocente (Alan J Pakula, 1990)Il rapporto Pelikan (Alan J Pakula, 1993)Ricchi, ricchissimi… praticamente in mutande (Sergio Martino, 1982)La rivincita delle bionde (Robert Luketic, 2001)Sleepers (Barry Levinson, 1996)Il socio (Sidney Pollack, 1993)Sotto accusa (Jonathan Kaplan, 1983)Suspect (Peter Yates, 1987)Testimone d’accusa (Billy Wilder, 1957)L’uomo della pioggia (Francis Ford Coppola, 1997)Codice d’onore (Rob Reiner, 1992)Pericolosamente insieme (Ivan Reitman, 1986)Cattive acque (Todd Haynes, 2019)

Se abre la sesión en la que repasamos algunos títulos importantes en ese género tan reputado como es el cine judicial. En este episodio: INTRO: Toni sigue con su cruzada personal (y busca un lado positivo), proponemos un menú del día ecléctico y hacemos nuestro primer índice en audio, que si estáis leyendo esto es redundante, porque, como veréis, viene... 0:11:48 - 12 ANGRY MEN (12 HOMBRES SIN PIEDAD): Cuestionamos la selección de jurado, lo refrescante de las películas que no dependen de su final y ¡os proponemos una quedada! 0:55:20 - WITNESS FOR THE PROSECUTION (TESTIGO DE CARGO): Una obra con un decorado de diez (y como la película la mejora), el enfrentamiento de distintas escuelas de interpretación, el principio de los "Spoiler Alerts" y el peso de una estrella. (FE DE ERRATAS I: Toni confunde Gloria Grahame y Gloria Swanson. Y justo al decir el nombre, estaba pensando "no confundas Grahame y Swanson...". Manda narices...) 1:33:56 - ANATOMY OF A MURDER (ANATOMÍA DE UN ASESINATO): Óscar nos da la clase "Saul Bass para Principiantes", directores vs. publicidad y lo delicado que es tratar a cualquier nivel el tema del abuso sexual en el arte. (FE DE ERRATAS II: el caso del PAN&SCAN al que Óscar se refiere fue con Sidney Pollack denunciando a la tv danesa por su "mutilación" de Los tres dias del condor, que uno no es la enciclopedia británica). 2:43:26- INHERIT THE WIND (LA HERENCIA DEL VIENTO): Una película que literalmente creó escuela, unas reflexiones sobre el fanatismo (no fílmico, para variar) y obra maestra vs. obra importante. 3:17:16- MY COUSIN VINNY (MI PRIMO VINNY): Óscar cae en un dato absolutamente increible (y uno más creible), un vínculo directo con el último episodio y el pasado de feligres de Toni. 3:51:55- A FEW GOOD MEN (ALGUNOS HOMBRES BUENOS): El juego más cinéfilo, la zona de confort de Tom Cruise (cuando no está corriendo) y el secundario de lujo entre secundarios de lujo: JT Walsh. 4:21:54- A TIME TO KILL (TIEMPO DE MATAR): Una manipulación necesaria (y el debate al respecto), cuando a Hollywood se le antoja lanzar estrellas y los límites de la justicia. Y, como novedad (y no os acostumbréis), cerramos con un resumen musical con producción y mezcla de Miguel Ángel Aijón. ¡Se levanta la sesión! --

Se abre la sesión en la que repasamos algunos títulos importantes en ese género tan reputado como es el cine judicial. En este episodio: INTRO: Toni sigue con su cruzada personal (y busca un lado positivo), proponemos un menú del día ecléctico y hacemos nuestro primer índice en audio, que si estáis leyendo esto es redundante, porque, como veréis, viene... 0:11:48 - 12 ANGRY MEN (12 HOMBRES SIN PIEDAD): Cuestionamos la selección de jurado, lo refrescante de las películas que no dependen de su final y ¡os proponemos una quedada! 0:55:20 - WITNESS FOR THE PROSECUTION (TESTIGO DE CARGO): Una obra con un decorado de diez (y como la película la mejora), el enfrentamiento de distintas escuelas de interpretación, el principio de los "Spoiler Alerts" y el peso de una estrella. (FE DE ERRATAS I: Toni confunde Gloria Grahame y Gloria Swanson. Y justo al decir el nombre, estaba pensando "no confundas Grahame y Swanson...". Manda narices...) 1:33:56 - ANATOMY OF A MURDER (ANATOMÍA DE UN ASESINATO): Óscar nos da la clase "Saul Bass para Principiantes", directores vs. publicidad y lo delicado que es tratar a cualquier nivel el tema del abuso sexual en el arte. (FE DE ERRATAS II: el caso del PAN&SCAN al que Óscar se refiere fue con Sidney Pollack denunciando a la tv danesa por su "mutilación" de Los tres dias del condor, que uno no es la enciclopedia británica). 2:43:26- INHERIT THE WIND (LA HERENCIA DEL VIENTO): Una película que literalmente creó escuela, unas reflexiones sobre el fanatismo (no fílmico, para variar) y obra maestra vs. obra importante. 3:17:16- MY COUSIN VINNY (MI PRIMO VINNY): Óscar cae en un dato absolutamente increible (y uno más creible), un vínculo directo con el último episodio y el pasado de feligres de Toni. 3:51:55- A FEW GOOD MEN (ALGUNOS HOMBRES BUENOS): El juego más cinéfilo, la zona de confort de Tom Cruise (cuando no está corriendo) y el secundario de lujo entre secundarios de lujo: JT Walsh. 4:21:54- A TIME TO KILL (TIEMPO DE MATAR): Una manipulación necesaria (y el debate al respecto), cuando a Hollywood se le antoja lanzar estrellas y los límites de la justicia. Y, como novedad (y no os acostumbréis), cerramos con un resumen musical con producción y mezcla de Miguel Ángel Aijón. ¡Se levanta la sesión! --

In this very special, extra romantic and not at all problematic episode of Adapt or Perish, we discuss the the classic tale of love and deception among the elites, Sabrina! For this episode, we watched and discussed: The 1954 original, directed by Billy Wilder, written by Wilder, Samuel A. Taylor, and Ernest Lehman, and starring Audrey Hepburn, Humphrey Bogart, and William Holden. Watch it on iTunes or Amazon. The 1995 remake, directed by Sidney Pollack, written by Barbara Benedek and David Rayfiel, and starring Julia Ormond, Harrison Ford, and Greg Kinnear. Watch it on iTunes or Amazon. Footnotes: Sabrina Fair, the original 1953 play written by Samuel A. Taylor that served as the basis for the 1954 movie You can follow Adapt or Perish on Twitter, Instagram, and Facebook, and you can find us and all of our show notes online at adaptorperishcast.com. If you want to send us a question or comment, you can email us at adaptorperishcast@gmail.com or tweet using #adaptcast.

Au sommaire de cette spéciale polar : -Trois films asiatiques édités par SPECTRUM FILMS, à savoir, WRATH OF SILENCE (Xin Yukun - 2017), BIRDSHOT (Mikhail Red - 2016) et le cultissime COPS AND ROBBERS (Alex Cheung - 1979) ;-Un petit classique du film de braquage signé Phil Karlson, LE QUATRIEME HOMME (1952 - RIMINI) ;-La série télé des années 90 produite par Sidney Pollack qui rend hommage au film noir, FALLEN ANGELS (ELEPHANT FILMS) ;-Le classique d'Otto Preminger AUTOPSIE D'UN MEURTRE (1959 - CARLOTTA) ;-Une œuvre signée par un maître du film noir, Robert Siodmak, LE SUSPECT (1946 - ESC ÉDITIONS). Bonne écoute à toutes et à tous.

3 Days of the Condor   Adrienne Barbeau was born in Sacramento, California, and caught the showbiz bug while entertaining troops on Army bases in Southeast Asia as part of the San Jose Civic Light Opera. She moved to New York City in the 1960s and made her Broadway debut co-starring in Fiddler on the Roof with Bette Midler. She went on to star in more than 25 musicals and plays, originating the role of Rizzo in the Broadway production of Grease, for which she was nominated for a Tony. From 1972 to 1978, Adrienne starred in the sitcom Maude as Carol, the daughter of Bea Arthur’s character. She was nominated for a Golden Globe for that role. She also made appearances in numerous TV shows, movies of the week and game shows. In 1980 Adrienne starred in her first theatrical film, John Carpenter’s The Fog, as radio deejay Stevie Wayne. That film established her as a genre film star. She went on to star in sci fi and horror classics such as Escape from New York, Wes Craven’s Swamp Thing, and the Steven King adaptation Creep Show. She’s also starred in comedies like Canonball Run and Back to School and Cannibal Women in the Avocado Jungle of Death. She’s never stopped working and we’re thrilled to have her on the show with guest host Katie Walsh. Adrienne chose to talk about 3 Days of the Condor, based on the 1974 novel Six Days of the Condor by James Grady. Sidney Pollack directed the 1975 film, which was written by Lorenzo Semple Jr. and David Rayfiel. If you haven't seen it yet, go watch 3 Days of the Condor. For those of you with library cards, you can stream it for free on Kanopy. With Katie Walsh and Adrienne Barbeau. You can let us know what you think of Switchblade Sisters on Twitter or Facebook. Or email us at switchbladesisters@maximumfun.org. Produced by Casey O'Brien and Laura Swisher for MaximumFun.org.

Aretha Franklin’s classic 1972 gospel album “Amazing Grace” is the subject of this documentary by Oscar-winning filmmaker Sidney Pollack (“Out of Africa”). Russ and Susan disagree about this chronicle that captures […] The post Take Two: “Amazing Grace” (G) appeared first on KKFI.

Neste episódio dou início ao ciclo para 2019 sobre os paranóicos anos 70. A começar a série de suspeitas, medos, conspirações e espionagem estão dois thrillers políticos encabeçados por duas estrelas de Hollywood: A Última Testemunha, filme de 1974 de Alan J. Pakula encabeçado por Warren Beatty, e Os Três Dias do Condor, realizado em 1975 por Sidney Pollack, com Robert Redford no principal papel.

Episode 092 of the Stinking Pause podcast with Scott, Charlie and Paul The movie review this week is Tootsie from 1982, starring Dustin Hoffman and Jessica Lange, directed by Sidney Pollack. New York actor Michael Dorsey (Dustin Hoffman) is a talented perfectionist who is so hard on himself and others that his agent (Sydney Pollack) can no longer find work for him. After a soap opera audition goes poorly, Michael reinvents himself as actress Dorothy Michaels and wins the part. What was supposed to be a short-lived role turns into a long-term contract, but when Michael falls for his castmate Julie (Jessica Lange), complications develop that could wreck everything. This and previous episodes can be found on iTunes and Stitcher Radio as well as: acast.com/stinkingpause stinkingpause.libsyn.com podcast.party/podcasts/the-stinking-pause-podcast Follow us on Twitter @StinkingPause email: thestinkingpause@gmail.com #Podpals #PodernFamily Thanks for listening Scott, Charlie, Liam and Paul http://stinkingpause.libsyn.com/

TV/Film writer/director/producer/showrunner Michael Addis is perhaps the most energetic guy Terence Michael has ever met. And because the two haven't caught up in so long, this podcast is unfortunately a chaotic and wild tangential ride down memory lane and every rabbit hold to every weed possible. But if you enjoy movies, television, and seeking peak performance, you'll get snippets of everything as the guys traverse from one topic to the next without ever fully finishing anything.  Some of the topics include: - Actress Jaime Pressly was in both of the guys' movies. They also both worked with Tom Green. - They guys went to numerous Sundance festivals together. - The #MeToo movement. How can we not? - The mastery of networking - Name dropping with Eddie Vedder, Jewel, Liev Schrieber, Kate Hudson, etc. - TruTV's Impractical Jokers - The movie "Heckler" starring Jamie Kennedy  - When to be a puppet master for your talent, when to let them go - Self-awareness and when talent is distracted by knowledge of the cameras - Sidney Pollack and acting. the best acting is not acting - The problem with yelling “action” on set - Why winning is anti-climatic in competition shows - Can Christian Bale do comey? - Being a peak performance and efficiency nut. - Morning and evening routines, meditation, distraction, scientology - The science of yawning  And that's all just the first 5 minutes. ***** PLEASE ENGAGE AND SUBSCRIBE Follow and like us on Facebook or Instagram On (desktop or phone)  iTunes  or iHeart Radio or GooglePlayMusic You can also contact us or learn more at terencemichael.com Terence Michael's book "PRODUCE YOURSELF: Apply Hollywood's Proven Formula To Become The Hero Of Your Life" is available everywhere. Listen to us at the following places and PLEASE SUBSCRIBE! iTunes or iHeart Radio or GooglePlayMusic ***** SHOW DESCRIPTION: What began as a humorous analysis of just behind the scenes TV and film production (originally with co-host, director/producer and comedian Ian Gelfand), has now grown into an observation of The Hero’s Journey taken by professionals working in all aspects of Hollywood. The focus is on obstacles, side-hustles, approach, process, optimization and seeking peak performance both on set and off. This podcast is about learning to “Produce Yourself” in many areas of life, by hearing from people who have fought to get where they are in movies and television. ABOUT THE HOST: Emmy-nominated producer, Terence Michael, has produced over 20 movies and 30 TV shows (Duck Dynasty). He additionally hosts 2 podcasts about the entertainment industry. In his spare time, he invests in real estate, runs a mortgage business, and consults entrepreneurs on how to monetize their passions and be happy in the process. Terence has been developing, producing, and delivering story content, from film to television, over the course of ownership in three separate production companies covering most of the major studios, networks, and agencies in "Hollywood." He has now produced feature films distributed by studios such as Sony, Universal, MGM, Lionsgate, and HBO; and executive produced television shows airing on networks such as NBC, Fox, MTV, VH1, Showtime, Lifetime, TLC, Spike, Esquire, Syfy, Travel Channel, and A&E. Terence enjoys both developing and producing intellectual properties and formats for 100% Terry Cloth as well as show running other existing network or cable shows. Additionally, he has guest lectured and consulted on development, financing, story, packaging and nuts-and-bolts producing panels for the Cannes Film Festival, the Los Angeles Film Festival, Independent Film Project West (IFP), Film ITConference, the SXSW Film Festival, AFI, and UCLA Film Extension; has been featured in magazines and publications, such as The Los Angeles Times, MovieMaker, Moving Pictures, Back Stage West, Independent Film and Video, Screenwriters Utopia, Writers Script Network, Venice Magazine, Newsweek, Details, and The Christian Science Monitor. He received an Emmy nomination in 2017 for Travel Channel's "Planet Primetime." Terence Michael has collaborated with many artists and brands in his films and TV shows, including: Actors: Scarlett Johansson, Ben Stiller, Sarah Jessica Parker, Vera Farmiga, Jeffrey Tambor, Tea Leoni, Tom Sizemore, Katherine Heigl, Peter Dinklage, Giovanni Ribisi, Cuba Gooding, Jr., Patrick Dempsey, Jaime Pressly, Mia Kirshner, Michael McKean, Britt Robertson, Oliver Hudson, Emmanuelle Chriqui, Jonathan Tucker, Nora Dunn, Skeet Ulrich, Cheryl Ladd, Alan King, Elizabeth Reaser, Megan Mullaly, Jennifer Morrison, Erin Bartlett, Jesse Bradford, Adam Goldberg, David Krumholtz, James Tupper, Jill Clayburgh, Eric Szmanda, Eric Mabius, Eric Schaeffer, and lates Alan King, Jill Clayburgh, John Heard Comedians: Adam Carolla, Tom Green, Chris Hardwick, Flula Borg, Ken Marino, Alonzo Bodden Athletes: Football’s Vince Papale, basketball’s Rick Barry, motocross’ James Stewart, Ryan Dungey, Todd Potter, and the Metal Mulisha team, skateboarding’s Tony Hawk, Buckey Lasek, Jason Ellis and snowboarding’s Shawn White, triathlete’s Wendy Ingraham and Chris Legh Musicians: Aimee, Mann, The Verve Pipe, Jill Sobule, Blink 182, Amanda Kravat, Foxy Brown, Usher, Vanessa Carlton Hosts/Authors: Amanda De Cadenet, Karla Cavalli, Allen Haff, Paul McKenna, Lisa Williams, Grant Imahara, Leeann Tweeden Brands: RedBull, Degree, Monster, Playboy, Jabbawockeez, The Golden Nugget, Joe’s Crab Shack, Oakley, the Duck Dynasty family

The Fools tap into their inner feminine selves with Dustin Hoffman and Sidney Pollack in Tootsie, the best example of an early 80's comedy farce.

Writer-director Scott Frank, talks to UCSB students about getting the crime drama "A Walk Among the Tombstones" made. Frank’s other screenplays include Little Man Tate, Dead Again, Malice, Heaven’s Prisoners, Get Shorty, Out of Sight, Minority Report, The Interpreter and Marley & Me. Frank graduated from UCSB in 1982 with a BA in Film Studies. Since then he has written movies for filmmakers such as Steven Spielberg, Sidney Pollack, Steven Soderbergh, Barry Sonnenfeld, Jodie Foster and Kenneth Brannagh. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 29842]

Writer-director Scott Frank, talks to UCSB students about getting the crime drama "A Walk Among the Tombstones" made. Frank’s other screenplays include Little Man Tate, Dead Again, Malice, Heaven’s Prisoners, Get Shorty, Out of Sight, Minority Report, The Interpreter and Marley & Me. Frank graduated from UCSB in 1982 with a BA in Film Studies. Since then he has written movies for filmmakers such as Steven Spielberg, Sidney Pollack, Steven Soderbergh, Barry Sonnenfeld, Jodie Foster and Kenneth Brannagh. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 29842]

Writer-director Scott Frank, talks to UCSB students about getting the crime drama "A Walk Among the Tombstones" made. Frank’s other screenplays include Little Man Tate, Dead Again, Malice, Heaven’s Prisoners, Get Shorty, Out of Sight, Minority Report, The Interpreter and Marley & Me. Frank graduated from UCSB in 1982 with a BA in Film Studies. Since then he has written movies for filmmakers such as Steven Spielberg, Sidney Pollack, Steven Soderbergh, Barry Sonnenfeld, Jodie Foster and Kenneth Brannagh. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 29842]

Writer-director Scott Frank, talks to UCSB students about getting the crime drama "A Walk Among the Tombstones" made. Frank’s other screenplays include Little Man Tate, Dead Again, Malice, Heaven’s Prisoners, Get Shorty, Out of Sight, Minority Report, The Interpreter and Marley & Me. Frank graduated from UCSB in 1982 with a BA in Film Studies. Since then he has written movies for filmmakers such as Steven Spielberg, Sidney Pollack, Steven Soderbergh, Barry Sonnenfeld, Jodie Foster and Kenneth Brannagh. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 29842]

  Look up “Hollywood Royalty” in your Webster’s Dictionary, and you just might find the name and face of Oscar Nominee, Golden Globe Winner, and movie producer Hawk Koch on the page.   In this podcast interview with Bob & Suzanne, Hawk talks about his unique childhood on movie sets with his father, Howard W. Koch, one of the most prominent film producers of his generation.  Hawk describes how school vacations spent on movie sets led to his passion for film making and to an inspiring career working with legendary directors like Robert Aldrich, Sidney Pollack, Paul Mazursky, and Robert Wise.    It wasn’t long before he evolved from being “the kid” on Hollywood soundstages to getting hired as the production assistant on Sidney Pollack’s This Property Is Condemned, where he quickly proved himself as someone who could “get it done.”   After a stint as a rock & roll road manager for iconic performers like The Supremes and The Dave Clark Five, Hawk returned to Hollywood as an assistant director on movies destinedto become : Rosemary’s Baby, Chinatown, and Barefoot in the Park.  Hawk candidly recalls how he rose through the Hollywood ranks to work closely with iconic film stars like Warren Beatty, Jack Nicholson, Jessica Lange, Mickey Rourke, Faye Dunaway, Paul Newman, Dustin Hoffman, Robert Redford, and Kirk Douglas.   You’ll hear how Hawk’s passion for the entertainment business continued to propel him up through the ranks as the producer of dozens of critical and box office hits, including The Pope of Greenwich Village, Heaven Can Wait, Wayne’s World, Primal Fear...and the list goes on.   Hardly resting on his laurels Hawk Koch works hard to "pay it forward" as he vigorously supports the Hollywood film industry. He’s currently President Emeritus of the Producers Guild of America, and has served on the Board of the National Film Preservation Foundation.  Hawk most recently served as 2012-13 President of the Academy of Motion Picture Arts and Sciences, and continues to produce the movies we love.  

Edición número 31 de La Gran Evasión. 7-4-2015. Subimos a la montaña esta noche, con un hombre sólo, que huye de la civilización, de la guerra, de las ciudades, un hombre que huye de los hombres, de si mismo....una aventura en comunión con la naturaleza, una búsqueda, un viaje hacia la soledad. Sidney Pollack rodaba en 1972 éste canto de vida y muerte, junto a Robert Redford, que da vida al comedor de hígados de indios Crow Jeremiah Johnson. Con él emprendemos un viaje hacia la montaña, hacia las Rocosas, que se convierten en un personaje más de ésta película, llena de espíritu aventurero, cuando los hombres tomaban posesión de la tierra conforme iba siendo descubierta, rodeados de imágenes desbordantes de poesía, de naturaleza, de miedo y desarraigo, de descontento y reinicio de los principios vitales,....un portento de intensidad narrativa y visual que nos hace acompañar a Jeremiah, a estar allí, en medio de la nada, quizás, justo en el medio de la creación. Destacar el guión de Anhalt y Milius con frases profundas y hermosísimas: -Cabalgue hacia la puesta del sol y gire a la izquierda en las Montañas Rocosas. -No puede sacar nada de la montaña que no lleves dentro. -Nunca encontré nada bueno en el corazón de una mujer. -Creo que me he perdido una guerra. No se ha perdido nada. Os dejamos que la odisea de este hombre os atrape en mitad de un cementerio Crow, dónde se presiente la llegada de la tragedia, los silencios hablan esta noche de ventisca y Rock Sureño. A la dirección José Miguel Moreno, contertulios Federico Rodriguez, Raúl Gallego, Gervi Navío y untando una tostada con exquisito paté de Crow nuestro crítico César Bardés.

This week the Wireless Gentlemen discuss Sidney Pollack’s 1974 crime drama masterpiece, Yakuza. The sports season ends (or does it?) with Caddyshack, which leads to some interesting Loggins later on. For table time Luke discusses Brad Neely. Wrapup is even more Loggins than anything you’ve ever seen or heard before, even if you’ve met Kenny […]