Podcast appearances and mentions of Neil Young

TVC 747.3: Ed welcomes back Charlotte Stewart, the actress known around the world as Miss Beadle on Little House on the Prairie and as Betty Briggs on Twin Peaks. Charlotte will join Alison Arngrim, Dean Butler, and many other members of the Little House cast at the huge Little House on the Prairie 50th anniversary cast reunion that will take place Sept. 11-12-13 at the historic Grand Ole Opry in Nashville, Tennessee. The weekend will include a special Friday night cast appearance plus, if you sign up for a VIP package, you'll have access to a special backstage tour of Studio A at the Grand Ole Opry (where Hee Haw and other TV series were filmed), plus other exclusive perks. For tickets and more information, go to LittleHouseonthePrairieCastReunions.com. Topics this segment include Charlotte learned her craft as an actress while studying at the Pasadena Playhouse; how her memoir, Little House in the Hollywood Hills, was the first book written by an adult cast member of Little House; why she retired from acting a few years ago; plus a few memories of hanging out with musicians Neil Young and David Crosby, both in the 1960s and beyond.

THIS WEEK'S MESSAGE: Today's Fireside is a bit of a ramble around what was coming through for me this morning. The word 'Legacy' came forward and it feels like there's a lot of cycles ending and completing for most of us. I did a card pull for us as well. Focus in on whether you feel pulled toward the number 1, 2 or 3. It's okay if you feel drawn to multiple, just anchor into the number that feels the strongest for you and see what's meant for you in your reading. I feel like each card intertwined together and built off one another which is always so fun to see play out! 2026 PLAYLIST: Each week of 2026, I'm selecting a song that resonates with the message of that particular Fireside Friday. Today's Fireside Song: "Old Man" by Neil Young. Check out the full playlist here: https://open.spotify.com/playlist/41b2woCYZCZXpDc1oCasZk?si=8dcd67ec022c49a9ABOUT: Welcome to a Fireside Friday Recording. Every Friday morning I tap in and pour out messages and words meant to fuel your fire, Fire Starter! These messages are to encourage, empower and activate you deeper in your calling and initiatives that you want to see through. grounding and encouragement every Friday morning. Want to attend live?⁠⁠ ⁠⁠⁠Sign-up here⁠⁠⁠⁠⁠: ⁠⁠⁠⁠https://forms.gle/TTRcWzjtiMhNZR2k6⁠⁠⁠⁠

Concluding the Deadcast's Summer Magic 1985 run, we pull into Maryland for 2 over-the-top shows, explore the band's ‘80s gear, the Dead Heads' ‘80s pipecraft, & the enthralling scene around the Dead.Guests: David Lemieux, Peter Miller, Dennis McNally, Dan English, Nick Paumgarten, Jeffrey Alexander, Christian Crumlish, Nicholas G. Meriwether, David Leopold, Will Backstrom, Andy Perrine, Geoff Mockbee, Harry Clark, Mike SmartSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Shadows were the strongest brand in British pop, adored and widely imitated. When they went out of fashion, no-one wanted them to change. Bob Stanley salutes their enormous influence and creation of the guitar hero and unravels their rapid post-Beatles decline in his superb new book, ‘The Shadows: the Definitive Story'. And talks to us here about … … Hank and Bruce arriving in London aged 15 when the 2i's coffee bar was a labour exchange and a social club … entering a talent contest won by a Malayan opera singer … the magic of cowboy culture transported to British suburbia and their four cartoonish stage names … meeting Jacques Tati at the Paris Olympia and being asked to write a song for his upcoming movie … the rapid post-Beatles crash – bow-ties, panto and Cliff announcing his Christianity … “being thrown through a mangle twice a night by Arthur Askey in Stockton-on-Tees is not why they joined the music business” … getting Hipgnosis to design their album sleeve while stuck playing Batley Variety Club … the return of instrumentals with Albatross and the Good, the Bad and the Ugly … when Hank was asked to join the Move .. the Swedish vogue for “barbed wire groups” … and Neil Young's ‘From Hank to Hendrix' – which everyone assumed was about Hank Williams. Order copies of Bob's book here: https://tr.ee/rSilFTJwfOHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The Shadows were the strongest brand in British pop, adored and widely imitated. When they went out of fashion, no-one wanted them to change. Bob Stanley salutes their enormous influence and creation of the guitar hero and unravels their rapid post-Beatles decline in his superb new book, ‘The Shadows: the Definitive Story'. And talks to us here about … … Hank and Bruce arriving in London aged 15 when the 2i's coffee bar was a labour exchange and a social club … entering a talent contest won by a Malayan opera singer … the magic of cowboy culture transported to British suburbia and their four cartoonish stage names … meeting Jacques Tati at the Paris Olympia and being asked to write a song for his upcoming movie … the rapid post-Beatles crash – bow-ties, panto and Cliff announcing his Christianity … “being thrown through a mangle twice a night by Arthur Askey in Stockton-on-Tees is not why they joined the music business” … getting Hipgnosis to design their album sleeve while stuck playing Batley Variety Club … the return of instrumentals with Albatross and the Good, the Bad and the Ugly … when Hank was asked to join the Move .. the Swedish vogue for “barbed wire groups” … and Neil Young's ‘From Hank to Hendrix' – which everyone assumed was about Hank Williams. Order copies of Bob's book here: https://tr.ee/rSilFTJwfOHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The Shadows were the strongest brand in British pop, adored and widely imitated. When they went out of fashion, no-one wanted them to change. Bob Stanley salutes their enormous influence and creation of the guitar hero and unravels their rapid post-Beatles decline in his superb new book, ‘The Shadows: the Definitive Story'. And talks to us here about … … Hank and Bruce arriving in London aged 15 when the 2i's coffee bar was a labour exchange and a social club … entering a talent contest won by a Malayan opera singer … the magic of cowboy culture transported to British suburbia and their four cartoonish stage names … meeting Jacques Tati at the Paris Olympia and being asked to write a song for his upcoming movie … the rapid post-Beatles crash – bow-ties, panto and Cliff announcing his Christianity … “being thrown through a mangle twice a night by Arthur Askey in Stockton-on-Tees is not why they joined the music business” … getting Hipgnosis to design their album sleeve while stuck playing Batley Variety Club … the return of instrumentals with Albatross and the Good, the Bad and the Ugly … when Hank was asked to join the Move .. the Swedish vogue for “barbed wire groups” … and Neil Young's ‘From Hank to Hendrix' – which everyone assumed was about Hank Williams. Order copies of Bob's book here: https://tr.ee/rSilFTJwfOHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Superstar Songwriter (and former Prism drummer) Jim Vallance shares his stories working with Bryan Adams, Tears Are Not Enough, Steven Tyler, Joe Perry, Gene Simmons, Tom Jones, Dusty Springfield, Joni Mitchell, Ann & Nancy Wilson, Ozzy Osborne, Glass Tiger, Larry Gowan, Rick Springfield, Tina Turner, Bruce Coburn, Neil Young, Quincy Jones, Martin Short, David Foster, Bruce Allen, Bruce Fairbairn, Bob Clearmountain, Dan Aykroyd and Bananarama! For everything Jim Vallance, please visit http://www.jimvallance.com/01-music-folder/00-pg-music.html TORONTO LEGENDS is hosted by Andrew Applebaum at andrew.applebaum@gmail.com All episodes available at https://www.torontolegends.ca/episodes/ Learn more about your ad choices. Visit megaphone.fm/adchoices

The Grateful Dead made their only visit to the land of chocolate on a rainy night in summer 1985, a pivotal show for different reasons for lighting crew member Dan English and longtime Dead Head photographer Bob MinkinGuests: David Lemieux, Dennis McNally, Dan English, Bob Minkin, Hawk, Dave Leopold, John Leopold, James Williamson, DNA, Johnny Dwork, Andy Perrine, Tom Storrer, Joe Noce, Joe StevanoffSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nueva entrega de Música de Contrabando, semanario de actualidad musical ( 13/08/2026) . Con Ángel H. SopenaEntrevistas:- Mare Carrier​En una industria dominada por la inmediatez y el consumo fragmentado, Mare Carrier —el proyecto capitaneado por Salvador Martínez-Artero— ha decidido remar a contracorriente con la audacia de quien entiende el art-rock no como un género, sino como un territorio sin fronteras. ​ Lejos de conformarse con las dinámicas habituales, Mare Carrier desafía el formato actual ofreciendo 42 minutos de música repartidos en 17 canciones encadenadas sin tregua, creando un viaje continuo donde la metamorfosis estilística se pone al servicio de la narrativa emocional.​Hoy nos sentamos con Salvador Martínez-Artero para desgranar la arquitectura de este mapa sonoro, el valor de la artesanía analógica y la necesidad de buscar la belleza entre las ruinasNoticias:Muere William Orbit, productor clave de Madonna y Blur. Damos un último adiós a Frank Gálvez, miembro de Gasca y Mostaza Gálvez, y a Felipe Lipe de Tequila. Para celebrar el 49º aniversario del debut discográfico del músico británico, My aim is true, UMe va a publicar una caja de cinco cedés que recoge la historia de cómo Declan MacManus se convirtió en Elvis Costello .Primal Scream ha anunciado The bunker trilogy (Sony, 2026), una colección que recupera tres de los álbumes más aclamados y experimentales de sucarrera."GREEN DAY TV" es el nuevo canal de YouTube que Green Day han puesto en marcha para ofrecerle a sus fans material audiovisual de forma ininterrumpida a lo largo de las veinticuatro horas del día.Foo Fighters publican una segunda entrega de “Are Playing Where???” .Weezer anuncian nuevo álbum (y gira europea conTaking Back Sunday) Nine Inch Nails han anunciado una nueva colección de merchandising. The Smiths tendrán un nuevo lanzamiento en vinilo de siete pulgadas, incluido en Rough Trade 45s: Volume 2, la segunda caja de singles clásicos recuperados por el histórico sello independiente británico a propósito de su 50 aniversario. Novedades musicales:The Avalanches, Neil Young, The Smiths, Xoel López, Royal Blood, Fenne Lily, Slow Pulp, Glom, Role Model, Love of Lesbian, Death Valley Girls, NanaSantaParda, Sienna, Paris Paloma, 54Ultra, Shabazz Palace, Vis Viva, Fills del Sr. President, Cartel Madras, Tequila, Everything is Recorded, The Reytons, Vinilo Von Bismark, Twin Temple, Ibibio Sound Machine, Two Shell, Lori Meyers.Agenda de conciertos: Nacha Pop (Sal de Música ) , Mujeres (Cabo de Pop), Alejandro Astola, Elefantes, Maldita Nerea, Monastrell Sound (Karlan), Burning...

Friend of the show (and occasional villain) NATHAN GELGUD returns to the Best Show. Tom and Nathan catch up and discuss the upcoming new collection No Concessions, from his ongoing series Reel Politik (published by Drawn and Quarterly), Nathan's Zoom class How To Think Like A Cartoonist (happening Tuesdays from September 15th through October 20th of this year via Los Angeles Review of Books), the Knicks, and more! Tom kicks off the show with a call from a notorious long-term troll airing his grievances over being "shadow banned" from the chat. Hear the dramatic confrontation play out! Tom also reiterates and spells out his plan to take over the band Smash Mouth (including changing the name of the band)! Otherwise Tom takes a call about Neil Young, a call from an actual US Senate candidate, and more! BEST SHOW GARAGE SALE - NOW ONLINE!Shop classic Best Show merch including shirts, vinyl, CDs & DVDs, posters, stickers, and more!https://bestshowstore.comSUPPORT THE BEST SHOW ON PATREON! WEEKLY BONUS EPISODES & VIDEO EPISODES!https://www.patreon.com/TheBestShowWATCH THE BEST SHOW LIVE EVERY TUESDAY NIGHT 6PM PT ON TWITCHhttps://www.twitch.tv/bestshow4lifeFOLLOW THE BEST SHOW:https://twitter.com/bestshow4lifehttps://instagram.com/bestshow4lifehttps://tiktok.com/@bestshow4lifehttps://www.youtube.com/bestshow4lifeTHE BEST SHOW IS A FOREVER DOG PODCASThttps://thebestshow.nethttps://foreverdogpodcasts.com/podcasts/the-best-showHEARD IT ON THE BEST SHOW PLAYLISThttps://open.spotify.com/playlist/2XIpICdeecaBIC2kBLUpKL?si=07ccc339d9d84267See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Acceso anticipado para Fans - Hoy os dejo la segunda parte del programa dedicado al rock y a la censura en La Gran Travesía. Canciones, portadas de discos, videos musicales...todos en algún momento sufrieron los recortes de las tijeras de las autoridades. Hoy vamos a poneros unos cuantos temas de los que más nos llamaron la atención, y que en muchos casos son canciones absolutamente históricas. Black Crowes, The Doors, Pearl Jam, Tom Petty, Rolling Stones, Van Morrison, Link Wray, Mamas and the Papas, Neil Young, John Lennon... Aquí os dejamos el enlace a la primera parte para que podáis recuperarla https://www.ivoox.com/rock-censura-revisited-audios-mp3_rf_171581190_1.html ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Arturolietor, Alul, JBsabe, Juan Antonio Méndez Benítez, Antonio Vicente Álvarez, Aida Borrallo, Eduardo Gutiérrez, Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Raquel, Sergio Rodríguez Rojas, Jose Antonio Moral, Juanito, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Francisco Quintana, Con, Tete García, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Alberto, Moy, Dani Pérez, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos. Escucha este episodio completo y accede a todo el contenido exclusivo de La Gran Travesía. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/489260

The news slapped on the conversational barbecue and served with a side of old hokum. This week's mixed grill includes … … our favourite story in the whole of popular music! … Lisa Marie Presley & Michael Jackson, Neil Young & Daryl Hannah and other weird celebrity weddings … how Glen Hansard got hired for the Commitments … “Everybody has a plan ‘til they're punched in the face” … Linda Thompson and the million reasons singers hate listening to their old albums … the fabulous life and times of Vicki Wickham in the days when 24 year-olds ran the business … Luke Combs, Nate Bargatze and the rising appeal of Mr Nice Guy … how David Bowie recorded … Mick Jagger's only marriage … “Kingsley Amis Introduces Us To Pop Stars!” and other doomed TV ideas Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The news slapped on the conversational barbecue and served with a side of old hokum. This week's mixed grill includes … … our favourite story in the whole of popular music! … Lisa Marie Presley & Michael Jackson, Neil Young & Daryl Hannah and other weird celebrity weddings … how Glen Hansard got hired for the Commitments … “Everybody has a plan ‘til they're punched in the face” … Linda Thompson and the million reasons singers hate listening to their old albums … the fabulous life and times of Vicki Wickham in the days when 24 year-olds ran the business … Luke Combs, Nate Bargatze and the rising appeal of Mr Nice Guy … how David Bowie recorded … Mick Jagger's only marriage … “Kingsley Amis Introduces Us To Pop Stars!” and other doomed TV ideas Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The news slapped on the conversational barbecue and served with a side of old hokum. This week's mixed grill includes … … our favourite story in the whole of popular music! … Lisa Marie Presley & Michael Jackson, Neil Young & Daryl Hannah and other weird celebrity weddings … how Glen Hansard got hired for the Commitments … “Everybody has a plan ‘til they're punched in the face” … Linda Thompson and the million reasons singers hate listening to their old albums … the fabulous life and times of Vicki Wickham in the days when 24 year-olds ran the business … Luke Combs, Nate Bargatze and the rising appeal of Mr Nice Guy … how David Bowie recorded … Mick Jagger's only marriage … “Kingsley Amis Introduces Us To Pop Stars!” and other doomed TV ideas Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

ThrasherNeil YoungThey were hiding behind hay balesThey were planting in the full moonThey had given all they had for something newBut the light of day was on themThey could see the thrashers comingAnd the water shone like diamonds in the dewAnd I was just getting up, hit the road before it's lightTrying to catch an hour on the sunWhen I saw those thrashers rolling byLooking more than two lanes wideI was feelin' like my day had just begunWhere the eagle glides, descendingThere's an ancient river bendingThrough the timeless gorge of changesWhere sleeplessness awaitsI searched out my companionsWho were lost in crystal canyonsWhen the aimless blade of scienceSlashed the pearly gatesIt was then that I knew I'd had enoughBurned my credit card for fuelHeaded out to where the pavement turns to sandWith a one way ticket to the land of truthAnd my suitcase in my handHow I lost my friends, I still don't understandThey had the best selectionThey were poisoned with protectionThere was nothing that they neededNothing left to findThey were lost in rock formationsOr became park bench mutationsOn the sidewalks and in the stationsThey were waiting, waitingSo I got bored and left them thereThey were just dead weight to meBetter down the road without that loadBrings back the time when I was eight or nineI was watchin' my mama's TVIt was that great Grand Canyon rescue episodeWhere the vulture glides, descendingOn an asphalt highway bendingThrough libraries and museums, galaxies and starsDown the windy halls of friendshipTo the rose clipped by the bullwhipThe motel of lost companionsWaits with heated pool and barBut me I'm not stopping thereGot my own row left to hoeJust another line in the field of timeWhen the thrasher comes, I'll be stuck in the sunLike the dinosaurs in shrinesBut I'll know the time has comeTo give what's mine

A live recording from The Big Romance about a 2008 Sub Pop-released classic album of the 2000s. Listen on Apple | Android | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Podlink Step into a world of misty melodies and cavernous echoes with Seattle band Fleet Foxes' landmark debut – a defining record of the late-2000s indie folk revival. Led by Robin Pecknold, the album blends the lush, pastoral harmonies of the 1960s with a haunting baroque-pop sensibility and lyrical themes rooted in nature, tradition, and introspection. Like the Bruegel painting on its cover, every track reveals a dense, beautiful world that evokes a timeless – almost mythic Americana sound. This podcast episode is a live recording from our listening party in The Big Romance in April, with guest journalist and Fleet Foxes fan Aoife Barry. Our next Listening Party is Smashing Pumpkins later this month and it's sold out. Listen Closely: Fleet Foxes – Fleet Foxes (2008) A Nialler9 listening party, hosted by Niall Byrne with guest Aoife Barry. Before the album Niall: Hello everyone, how are you? Welcome to the Listen Closely album listening party. I'm Niall, and this is Aoife Barry. Aoife: Hello. Niall: We're here tonight because Aoife picked this album, as she has before. You picked Jeff Buckley last year. Aoife: Yeah, and we ended up doing three of them. Niall: We did, we went to Cork. We did two here and then we went to Cork to talk about Jeff Buckley. And you were at the My Bloody Valentine listening party last year as well, back in October. Aoife: It must have been October, yeah. Niall: Well, obviously we're here for a very different album tonight: Fleet Foxes by Fleet Foxes, from 2008. As you heard there, we played a bit of the Sun Giant EP by the band, which came out a few months before this album, because we want to give the album its full due. They're a little different, and we'll talk about that. But yeah, you picked the record. Aoife: I did. I obviously must like it. And it's such an incredible record. Is there anybody here who hasn't heard it? That's really exciting, if so. I'm excited for you to hear it. You got a sneak peek there of what the vibe is going to be. I picked it because I love this record, but I also had a funny story about how I first heard them. Back in 2008, when this record came out, I'd read about this band called Fleet Foxes in a music magazine. I don't even think I'd heard a song yet, this is back in the day. And I was on holidays in Berlin, and in the tiny little hostel we were staying in, they had a sign up on the wall: "Who's playing tonight? Fleet Foxes, Café Zapata." I said to my boyfriend, "I think that's a band I read about in the magazine, will we go see them?" And he was like, "Grand." So we went, and they were unbelievable. It was so good. Beach House were supporting them. So it was 2008 smacking you in the face. Niall: Come on. Aoife: And I took photos, which I found. I have photos. Artifacts. One is terrible, the other one's not so terrible, taken on one of those little Canon digital cameras. And I still have the ticket, I kept the ticket, I'm one of those hoarders who keeps all their gig tickets. But it was so good: the venue they played in had a dragon that breathed fire out every fifteen minutes. Niall: So they'd be playing and this dragon… Aoife: I'm not even exaggerating. Fire would just shoot out of this mechanical dragon. It was so Berlin. And Fleet Foxes were so stunning, and Beach House were so stunning. I love Crosby, Stills, Nash & Young, I love all those harmony vibes, I wish I was born in the seventies, sadly I was not. So I fell in love with them immediately, and I've been a big fan ever since. Although I'll say I probably dipped a little bit around the Crack-Up era, their third album, but then I saw them when Shore came out, their most recent album, and fell right back in love with them. Niall: We're going to talk about all the albums that come afterwards, but we'll start with this one, because this is presumably your favourite, or one of them. Aoife: Shore is up there as well for me, but yeah. Niall: So what was it about Fleet Foxes at the time? For context: in 2008 there was quite a lot of this kind of music around. We previously did Bon Iver's For Emma, Forever Ago as a listening party, and the funny thing, which I only found out when we did this, is that they have the same origin story in a way. Both songwriters went to a cabin in the woods to pour their heart out and write the songs. Aoife: I think Justin Vernon just got there first in terms of the marketing. Niall: So they must have pulled back on talking about it too much, because it's basically the same thing. They never really talked about Robin Pecknold's writing process in those terms. Aoife: For Emma was such a massive moment, everybody was obsessed with this guy who broke up with a girl and went to a cabin and wrote a record about it. It was the ur indie-folk album. Niall: What was really appealing about Fleet Foxes is that they were so young, between about twenty-two and twenty-seven, and Robin Pecknold was twenty-one when he wrote the record. Which is frankly offensive, you shouldn't be allowed to be so talented at twenty-one. Aoife: I know. And they were clearly these people from Seattle, which we associate with grunge, and then it becomes this place where they're bringing out all the pastoral, outdoorsy, mountain-and-sea vibes of the Washington area. They're obviously really influenced by the seventies too, by Crosby, Stills, Nash & Young, by Laurel Canyon, but also by Appalachian folk. There's a real purity to what they're doing. The harmonies are unbelievable, there's even a bit of a gospel feeling. So these young guys made this album that was being called an iconic American record on release. The Guardian called it a landmark American album, something like that. And that's special, because you don't get that many records immediately being called landmark. Niall: It was a very exciting time for music around then. I actually brought some records. We mentioned Beach House and Teen Dream earlier, that's a bit later, 2010. I wanted to do a listening party for that at some point, that'd be good craic. Around that time you had Animal Collective and Panda Bear, Person Pitch was right there, that was the apex for that very experimental scene. A few years later we had Sufjan, our very first listening party. And Bon Iver, of course. There's also stuff like Neutral Milk Hotel very much of that vibe. Aoife: I've noticed people covering Neutral Milk Hotel more now. Niall: I think when we got to it, it was on its second go-round, and now it's getting a third, which is great. It's a great record. So, the band were from Seattle, they had a bit of the scruffy flannel-shirt look, but obviously didn't sound like that. The album was written in the woods, in the cabin, brought to the band, and recorded with Phil Ek. Aoife: Who did a lot of stuff with Built to Spill. Niall: Yeah, and he worked with The Shins, and Modest Mouse, a really long history. Aoife: Are The Shins from Seattle as well? Niall: I think they might be. Band of Horses is another one. So they recorded it themselves with Phil Ek, paid for it all themselves, and then the local major independent label Sub Pop came calling. Obviously known for a lot of grunge traditionally, but they'd clearly been releasing this kind of music around then too, The Shins had been on the label for a few years, Band of Horses. When it came to it, they signed to Sub Pop. Apparently there was a bidding war. Aoife: They'd become quite popular on MySpace. Anybody remember MySpace? Every time I do one of these I feel older and older, mentioning the top eight, the randomers you'd put in your top eight. Word could spread quite quickly once you got popular on MySpace. Niall: What I thought was really interesting, that I discovered when I was researching, is that recording the album was actually a total pain for them. They didn't have much money, so they ended up recording a lot of it in their houses, or in Robin Pecknold's family home. And he re-did all the vocals right before they mastered the record, because he'd been sick during the initial sessions and his voice wasn't in great shape. They recorded it all in one go, scrapped that, did another version, and kept moving the running order around. I'm always fascinated by albums where the creation was a total pain and they had no idea it would even work out. Robin Pecknold actually said, "I hope nobody cares about this album, because I just want to move on to the next one." And then it becomes this iconic record. Aoife: Isn't every artist sick of their album by the time it's done? You're like, "my paintings." Yeah. Niall: 2008 was an interesting time for it to land. The album draws on the Beach Boys and Brian Wilson, Crosby, Stills, Nash & Young, Nick Drake, Simon & Garfunkel, Fairport Convention, Judee Sill, very much old-timey or sixties folk and pastoral stuff. And in 2008 there's a financial crash. The album was worked on before that, but it was released into that environment, and a lot of this music seemed to catch. When things go bad, we retreat, we dream, we listen to music that's maybe the opposite of what we're feeling. There was a gentleness, an unhurriedness to it that resonated. Aoife: Grizzly Bear is another band from that time. When Jay-Z and Beyoncé went to see Grizzly Bear in Brooklyn, that was kind of where all the indie music peaked. Niall: And the other part of it, which I was involved in, was the MP3 blogs, that's where you'd hear this music. Especially the American and Canadian stuff, no one was promoting it over here yet, so you'd be months ahead. You'd hear Fleet Foxes in these MP3 formats. That was a mad period, it showed how the internet could collapse geography, a song could spread really quickly on the blogs. And in an American context, this came out post-Bush, with the Obama era coming in, a more hopeful tone. You had the Lehman Brothers crash, these global pressures, and then these hopeful times too. It's interesting to wonder whether these albums are a reaction to it, or whether they appeal to us because we want nice, happy things. I feel like Fleet Foxes have so much emotional depth: there's yearning, sadness, hope, nostalgia. Aoife: I loved Yellow House by Grizzly Bear, their first record, a complex, complicated, almost jazzy thing that sounded beautiful but had a lot going on. We weren't going for simplistic music, but we wanted music that gave us depth and beauty. Is art a solution to the world collapsing? Niall: We could be answering that in 2026. We live in a cursed timeline, as I keep saying. That's all I'm going to say. But what else happened in 2008 in the wider circle of music? Portishead returned with Third. TV on the Radio released Dear Science. MGMT released Oracular Spectacular, 'Kids' and all that. Cut Copy released In Ghost Colours, Indie Sleaze night on Saturday, folks, come on. Kanye put out 808s & Heartbreak, that was November that year. Rihanna was at the peak of her powers. Aoife: Katy Perry appeared that year. And 'American Boy'. Niall: 'American Boy', still one of the best pop songs, fire. Iron & Wine was the other one I forgot to mention. So it was a really vibrant, varied year. As you heard, there's the Sun Giant EP too. Aoife: The thing about that is it came out before the album, but was recorded after. The album was done, in the bag. Niall: They decided to go into the studio and record Sun Giant, a collection of songs intended to sell on tour. It ended up being quite popular, and for a lot of people it was their first time discovering Fleet Foxes. Aoife: It wasn't like The Coronas' 'San Diego Song', their summer-holiday anthem, or anything like that. But it came out before the album, and then the album arrives. Niall: So what was the reaction at the time? Was it immediate? Aoife: Things happened really quickly. In January that year they got all the MySpace attention, and by June the album was coming out. Really, really quick. There was so much chatter about them, which is partly why I'd seen the name, and a music blog like yours would have seen it too, and known they were one of the big bands. In a way that's harder now. Niall: These days you see bands like Geese getting a lot of attention because they use companies that help them go viral. You didn't really have that then. Now you'd dress yourself up in some gimmick, polka dots, whatever, and go viral all over the internet for it. I couldn't imagine these lads doing that. Aoife: No. But maybe in a way they were cosplaying living in the forest, on the Puget Sound. Niall: Anyway, when the album came out, people loved them, and it really hit it off. Because they sound so seventies, your parents would love the records and you'd love the records. There's almost a lullaby quality to the folk stuff too. The music is applicable to anybody of any generation, and there's something lovely about nostalgic music that reminds you of a better time. To finish on that point: I think there's something very mysterious about Fleet Foxes, they feel out of time. They're these young, scruffy lads with the beards, but there's a mystery to them. They didn't come across as the hipster end of things, they weren't leaning into anything. They were presented as the kind of band that wouldn't have had phones, would have lived off-grid, which is funny because they were a MySpace band. They're the most un-MySpace band you can imagine. Surprise people, do something a bit different, don't be exactly what people want you to be, and they'll love you for it. And then your songs are unbelievable too, soaring and stunning. Can we talk for a second about the cover? It's an original painting from 1559 by Pieter Bruegel the Elder, Netherlandish Proverbs. It depicts a densely populated Flemish village scene illustrating 126 folk proverbs. There's a lot there. Some on this side are cut off, but for example, this woman here, she's putting the blue cloak on her husband, meaning she deceives him. This guy is casting roses before swine, wasting effort on the unworthy. And right at the top there's a man running through a field with his arse on fire, chasing pigs, "he who eats fire craps sparks," do not be surprised at the outcome if you attempt a dangerous venture. There are 126 of those. Aoife: The interesting thing is that the band managed to get permission to use it. Really unusual to be allowed use it as commercial artwork. Niall: And apparently the museum that holds the artwork were delighted. A lot of stars aligned for them. It's an iconic cover because it's so different from what anybody else was doing, clearly of a particular period, and it has that Where's Wally quality. I have a quote about it. Robin said: "We were trying to figure out what we wanted to do, and my brother had been working some stuff out, when I saw this Bruegel painting in a book my girlfriend had. I liked that it had a really intriguing meaning, there's a story to each little scene, which felt fitting for the record. It was dense but unified, not a collage. It has a Where's Waldo quality, something you could look at for a long time on a vinyl sleeve and keep finding new little things. It was very easy to get the museum in Berlin that has it to say yes, they were super excited the band wanted to use it, and put it in their newsletter. When you open it up, on the inside there's a Paisley pattern traced from the back of a book that Skyler's mum got me. We wanted two very different feelings." So, what to look out for when we press play very shortly? Aoife: When I was going back to this, I had it in my head that every song was one of these big songs, because there are so many big moments. But actually there are two tracks that are pretty much acoustic, so it's interesting to notice how they go from the big sound to the small. And for me they're a real emotion-and-feeling band, so notice how you feel listening to it. I always feel this swell of emotion with Fleet Foxes, I was walking down the road listening to Shore and I was like, my God. So lean back and feel into the emotions they're bringing you. And listen to the lyrics if you can make them out, because they're so out of time, all about pack horses and this amazing imagery. Robin Pecknold said he didn't write about a lot of personal stuff because he didn't have enough life experience yet, so instead he wrote these beautifully poetic narratives about pastoral and rural life. So I'd say the lyrics and the feelings are the two things. Niall: Track two, 'White Winter Hymnal', is probably the biggest one, watch out for that. And a few other people thanked and cited as influences, for some extra context: Brian Wilson, Joanna Newsom, Bob Dylan, Noah Lennox and all the lads from Animal Collective, Levon Helm and Robbie Robertson of The Band, Blitzen Trapper, who they toured with at the time and who were bigger than them then. For some reason Joni Mitchell and Neil Young are listed together, which is fair enough. Marvin Gaye, Damien Jurado, Paul Simon and John Lennon listed together. Townes Van Zandt, a legend. Vashti Bunyan, and Van Morrison. There's a nice quote from Robin Pecknold I'll read afterwards. Let's just open it up and listen. I'll play it at full volume, it's about thirty-nine minutes, two sides. Close your eyes, whatever you want to do, vibe away in your own way. [The album plays: Fleet Foxes – Fleet Foxes, 39 minutes.] After the album Niall: It's quite an economical album, isn't it? It doesn't stick around long, thirty-nine minutes. Aoife: I like an economical album. It's also one of the first fairly short records we've done here. Niall: That's part of why I was thinking about Sun Giant in that context too. I'm going to read a bit from the liner notes, because for an album that's very much about feelings, with only a few direct songs, some of what's written here is interesting: "My first memory has always been of me and my mom on a cold grey day down at some beach in Washington, along the Puget Sound somewhere near Seattle. I would be around two or three years old, and we were with a friend of mine from the neighbourhood and his mom, walking among the driftwood looking for crabs. Even now I can remember the smell and temperature of the air, the feeling of the sand and the swaying tall grass. I can even remember looking over at my friend and how his face looked when he smiled back at me. Another memory I'll sometimes recall as my first is dressing up in the dead of summer as Jack London, with tennis rackets on my feet and wearing my dad's hiking pack, after seeing Disney's terrible version of White Fang. Or the memory of stealing my neighbour's Big Wheel and riding it halfway down the block before getting caught and having to turn around defeated. Or wearing a fireman's outfit while washing my parents' car, or eating an orange popsicle from the ice cream truck. These have always been some of my most distinct and persistent memories of childhood. So it came as a disappointment when, one day as a teenager, I opened up a photo album and found pictures of each and every one of these memories. I didn't have a single memory that didn't belong to, or somehow grow from, those pictures my parents had. I guess I've seen all these photographs at some point, forgotten they were just photographs, and over time made them into my most tangible memories. That's scary to me in a way. This leads me to something weird about the power music has: its transportability. Any time I hear a song or record that meant a lot to me at a certain moment, I'm instantly taken back to that place in full detail. Whenever I hear 'Feel Flows' by the Beach Boys, I'm taken straight to the back of my parents' car on the way to my grandparents' place, with Surf's Up in my Walkman and the Cascade Mountains going by in the window. Any song off Radiohead's Kid A brings back the airport near Seattle, from when we were on the way to Colorado for a wedding and Kid A was the only record I brought or wanted to bring. 'Crayon Angels' by Judee Sill is the whole winter of last year. And Brian Wilson's solo version of 'Surf's Up' takes me back to driving my parents' car around town alone at sixteen, windows down at night. I can't ascribe exact memories to songs by The Microphones, Joni Mitchell, Built to Spill, Dungen, Harry Nilsson and so many others, and it's a form of recall I can actually trust, there's no visual element to complicate things, no chance of a planted memory that wasn't actually supposed to be there. Maybe I should be concerned that I'm alone in almost all of these memories, but I guess I was just a private kid, and music was a private experience for me. Music activates a certain mental freedom in a way nothing else can, and that is so empowering. You can call it escapism if you like, but I see it as connecting to a deeper human feeling than the one found in the day-to-day world." Aoife: That's lovely. It's a nice addendum. And he was only twenty-one. Niall: For some reason it's signed "Warren Gamaliel Bancroft Winnipeg Harding," Warren G. Harding being the 29th president of the United States. I don't know why, he thought it was funny. Dated April 6th, 2008, Chicago, Illinois. So, any particular highlights, anything that stood out? Aoife: I was reminded how much I love 'Blue Ridge Mountains', the second-to-last song. I just love those four- and five-part harmonies so much. There's something that really gets me about beautiful harmonies stacked on each other that sound so natural. My dad was really into Neil Young and all of that era, my mum's really into Simon & Garfunkel, so I feel like I came out of the womb going, this is the music I love. Niall: There was another one I meant to mention. Aoife: I'm really bad at remembering song names, which isn't great for an arts journalist. They go in one ear and out the other. Niall: 'He Doesn't Know Why'. Aoife: That was it. I always forget the name of that one, and it's an absolute banger. It's quite a direct song, the last one on the first side. Niall: He mentions his brother Sean in 'Blue Ridge Mountains', which is interesting. And Oliver James is his younger brother, that's the last song. Aoife: His sister is Aja, after the Steely Dan album. The parents were really into them. Niall: It holds up so well. The harmonies and vocals sound incredible, there are those beautiful little flourishes, a flute on one of the tracks, the guitar is stunning, lovely little bass lines. I love the way Robin Pecknold and the band hear music. There's a really good Song Exploder episode with him talking about a song from Crack-Up, and the way he thinks about translating his thoughts and emotions into music is so illuminating. He has a beautiful melodic flow that's really similar to the flow of water and nature. There are so many nature references, it's almost parody there are so many. Aoife: You could do a Portlandia sketch about it. "Power of nature, man." "Come down from the mountain, you've been gone too long." Niall: In terms of the line-up: alongside Robin Pecknold on vocals there was Skyler Skjelset on lead guitar, his best friend from Nathan Hale High School, later joined by Casey Wescott, Christian Wargo on bass, and Nicholas Peterson on drums, who left after this album. Aoife: And who came in as the drummer? Niall: A man who's been a main character in one of these listening parties himself: Josh Tillman, Father John Misty, played drums with them. Aoife: For how long? Niall: Only a year or two, pretty short. As I said, main character, he was making his own record. Any Father John Misty fans? He writes really good songs and he's handsome, so we all love him, but he's also a bit of a pain, and he didn't get on very well with Robin Pecknold, which isn't surprising. When I was looking back at the Pitchfork interview they did in 2008, a few months after the album came out, it was a big joint interview with Robin and Josh Tillman, and Tillman is answering the questions at the start. That's confidence. Do you want to hear a quote from what Robin Pecknold said? I've written it in my little notebook, so old-school, that's the only way I remember these things. In a 2020 Reddit AMA, Pecknold said that on that tour, the Helplessness Blues tour, Tillman was supposed to bring out his own record, but his label said he could only release it after the tour. So he was on tour thinking, "I want to bring out my own record, I'm tired of Fleet Foxes." Pecknold said he "had to endure being around a lot of substance abuse, sabotaged shows, general ill treatment and shit-talking, all while paying him for songs he didn't have anything to do with. It sucked." And then Tillman left the band. Whereas in that Pitchfork interview he'd said, "I love playing in this band, these are all my friends, I'm having the best time, I'm sorry if that's a corny quote, but that's the best thing about this experience right now." Aoife: So he was lying through his teeth. I think he's the kind of person who really has to be a solo artist, too iconic a personality. You wouldn't want to wrangle him out of bed to get to the next show. Niall: Too big a price. You mentioned Pitchfork, the album was number one on their end-of-year list in 2008, and they listed Sun Giant alongside it, breaking the traditional conventions of end-of-year lists. What they said was: listing Fleet Foxes' debut album and EP together may be awkward, but it just feels right, they're two sides of a coin that equally express the band's mastery, "a catch-all Americana that takes a wide slice of our popular music spectrum and pulls it through a reverse prism to create a gorgeous and focused sound of the band's own. The threads of Brian Wilson's coastal pop, Appalachian folk, modern indie rock, Grateful Dead jams and other influences are masterfully synthesised in the band's harmonies." Robin Pecknold's sense of dynamics, they said, flows like a river, wild and free but logical, filling what needs to be filled and moving on. I swear I didn't rip that off Pitchfork, I came up with something similar on my own. Aoife: Very good. Niall: It was Uncut's album of the year too. But more than anything, and this is a strange accolade, the album was ranked number 36 on Rolling Stone's list of the greatest stoner albums. Aoife: I don't think Robin Pecknold was a stoner. It doesn't really fit. He's a reader. Niall: So what came after? Helplessness Blues, which is really difficult to say, in 2011, then Crack-Up in 2017, then Shore in 2020. Big long gaps, some personnel changes. And Robin Pecknold, as we've established, is a very literary guy, he went to Columbia to do an undergrad in English literature, because he'd left high school early and gone to a community college, and he really wanted that college experience. So that was part of the break. He's also had difficult times, he's spoken about mental health issues and suicidal ideation, many tough experiences that contributed to the gaps too. They haven't released anything since 2020, and he does a lot of cover events. There are two live records. He's actually playing a gig tonight, I think, where he covers Judee Sill. Any Judee Sill fans? Aoife: Oh my gosh, she's amazing. Nobody ever knows Judee Sill. If you listen to anything, listen to Heart Food, it's iconic. He loves her, mentions her on this record. She's the one who does 'The Kiss', people might have seen her perform it on the Old Grey Whistle Test, it's on YouTube. She had a really tragic life. Niall: One of those I've been meaning to listen to properly for years. She only has two records, so it's easy to get into. There's a documentary about her as well, which I haven't seen. Aoife: She's one of those ill-fated seventies musicians, really religious imagery, did a lot of drugs, really interesting. Niall: Did you get to see them again after your first foray in Berlin? Aoife: I saw them when they toured, though it's really bad when you can't remember what you were doing in the 2010s. Niall: Did anybody see them at that Dublin gig, the outdoor one in 2022? Wasn't it amazing. They've played here a fair bit: Vicar Street in 2008, Electric Picnic 2009, The Marquee in Cork 2011, the Iveagh Gardens in 2017. I don't know if I've missed any, maybe you can tell me. So if you were to pick, is there any further listening or reading you'd suggest to somebody, not necessarily Fleet Foxes? Aoife: Some of it is obvious. As I said, I'd definitely check out Judee Sill, because if you really like Fleet Foxes you'd really vibe with her. And he mentions Harry Nilsson, also unbelievable, more well known than Judee Sill, did the cover of 'Everybody's Talkin''. I'd also mention a guy people would have known at one point but isn't very well known now: Richard Swift. He sadly passed away a couple of years ago. He was friends with Robin Pecknold, a hugely talented musician who struggled with addiction. He has an amazing double album from around 2005 or 2006 that's brilliant, and a record called The Hex, which is referenced on 'Sunblind' on Shore, that's the song where Robin name-checks a lot of musicians he loves, like Elliott Smith, David Berman and Richard Swift. It's such a beautiful record for finding new people to listen to, and it's lovely to hear a musician pay tribute to musicians he loves. The imagery is him talking about this beautiful day where he'll go for a swim and listen to all these beautiful bands, an ecstatic kind of song. So check out all of those records, but Richard Swift deserves more fans, and The Hex is really, really good. Niall: Good shout. What we'll do now is play a tune, and then maybe give Sun Giant another go if you want to stick around. Our next listening party is on the 27th of May, and it's an indie-rock album very close to my heart: Broken Social Scene's You Forgot It in People. I've been wanting to do this one on record for a long time. They're playing here later in the year, but I want to give this record its flowers, it's incredible. My niece has just turned seventeen and I bought her a copy, because it's an anthemic record for a seventeen-year-old. I can't believe that band are still going, which is kind of mad, but it's hard to underline what Broken Social Scene meant to a certain segment of indie. Aoife: And there's four hundred of them on stage. They're from Canada, and we were all like, my God, these people are the best. Niall: For me it's the MP3 times again, we'll talk about this next month. I heard about them through the music blogs, and then I got to see them in the Button Factory, which was the Temple Bar Music Centre at the time. It was one of the first things I ever wrote about, back in 2005. A transcendental experience. Aoife: They're so good live. Niall: I once DJ'd in Galway after one of their gigs, and one of the members of the band, I'll leave him nameless, came over and turned off the decks while I was DJing. Aoife: On purpose? Niall: He was that drunk. I can't remember what I was playing, but I was like, great, DJing after Broken Social Scene and then a band member ruins it. I don't think he liked it. No, I think he was just really drunk and thought it was funny. Thumbs down to him. In a way it's surprising a man like that has managed to persist in a band with so many members. Anyway, I digress. We'll talk about it next month, May 27th. Aoife: I cannot wait. I've been listening to it a lot lately again, it's fantastic. Niall: Thank you for being here. Let's play a bit of this and see what happens. Thanks for being here, appreciate it.

This week on Reelin' In The Years... For the Featured Five Theme, we explore the roots of rock 'n' roll... Plus, The ancient empire, missing verse and faulty mixing console behind a Neil Young epic... The Linda Ronstadt hit that began when six encores left her band with nothing else prepared... The road anthem that began as an idea for a Ford commercial... The Guns N' Roses co-founder who traded stadium chaos for a return to basics... New music from Wyatt Flores and Buffalo Traffic Jam... Deep cuts from The Black Crowes, The Call, The Blasters, Rolling Stones, Beth Hart, Flamin' Groovies, and more! For more info on the program, visit reelinwithryan.com

Tim Pope caught the video wave in 1981 and made hundreds of promotional clips, often three or four a week, edited at night and on-air days later. You'll have seen them, singles for the Style Council, The The, Iggy Pop, Hall & Oates and many others. For 15 years he was the man to call – inventive, caffeinated, risk-loving, clubbable – and “nothing was too mad or stupid”. He celebrates that magic age of big budgets and creative freedom in his story-filled memoir ‘I Shoot Rock Stars', just out, and looks back here at … … the video that made his reputation … MTV showing six of his clips in a row … the thrill of Bowie's silhouette as he walked across the Rainbow stage in 1977: “there was so little footage back then, you'd rarely seen people move” … his teenage love of Dusty, ELP, King Crimson and Pink Floyd … shooting seven clips a fortnight and the one time a record label tried to interfere … Neil Young's 2,000-acre Broken Arrow Ranch and the “burning fires of his eyes” … Iggy Pop singing I Wanna Be Your Dog in the John Snow pub in Soho … “German sausages, lumps of lamb, maggots, a whole party”: the Soft Cell clip that caused a walk-out ... “You're a funny little arsehole!”: breaking the ice with Bowie … what he learnt from Mark Hollis of Talk Talk and spending time with his ashes. Order ‘I Shoot Rock Stars' here: https://www.waterstones.com/book/i-shoot-rock-stars/tim-pope/9781035426959Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Tim Pope caught the video wave in 1981 and made hundreds of promotional clips, often three or four a week, edited at night and on-air days later. You'll have seen them, singles for the Style Council, The The, Iggy Pop, Hall & Oates and many others. For 15 years he was the man to call – inventive, caffeinated, risk-loving, clubbable – and “nothing was too mad or stupid”. He celebrates that magic age of big budgets and creative freedom in his story-filled memoir ‘I Shoot Rock Stars', just out, and looks back here at … … the video that made his reputation … MTV showing six of his clips in a row … the thrill of Bowie's silhouette as he walked across the Rainbow stage in 1977: “there was so little footage back then, you'd rarely seen people move” … his teenage love of Dusty, ELP, King Crimson and Pink Floyd … shooting seven clips a fortnight and the one time a record label tried to interfere … Neil Young's 2,000-acre Broken Arrow Ranch and the “burning fires of his eyes” … Iggy Pop singing I Wanna Be Your Dog in the John Snow pub in Soho … “German sausages, lumps of lamb, maggots, a whole party”: the Soft Cell clip that caused a walk-out ... “You're a funny little arsehole!”: breaking the ice with Bowie … what he learnt from Mark Hollis of Talk Talk and spending time with his ashes. Order ‘I Shoot Rock Stars' here: https://www.waterstones.com/book/i-shoot-rock-stars/tim-pope/9781035426959Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

For Episode 4  of Pink Flamingo Radio, Si and Lawrie chat with MG Boulter,   local legend and troubadour.(with producer Joe keeping us in check!) Mat plays a live exclusive song, Jumble, and talks song writing, the book CD combo Tidelines, touring and more importantly parking while touring!!!   Cornflake – Psychedelic Porn Crumpets (3.37) Look Around – The Nomad (4.51) Fruit Basket – Osaka Monaurail (6.13) No Man Left Behind – Demob Happy (5.31) Avant Gardner – Courtney Barmett (5.12) Sailors – Morton Valance (3.28) Metarie- Brendan Benson (3.27) Dubdope-Hardfloor (5.25) Jumble (live) M.G Boulter (2.25 Sleep - M.G Boulter (3.55) Walk on – Neil Young (2.42) Caribou – Pixies (3.14) Neuroplasticity – The Peep Temple (3.41) Changes – Jimi Hendirx Band Of Gypsies (5.12) Burnin' for You – Blue Őyster Cult (4.31) Stay too long – Plan B (3.43) M G Boulter and  Jenny Sturgeon play the Fisherman Chapel, ticket link below  https://www.songkick.com/concerts/43250788-m-g-boulter-at-fishermens-chapel?utm_source=11593&utm_medium=partner&utm_campaign=event-row-share&utm_content=6784739   the album Wild Convenor comes out on the 21st August, please see the link below to pre-order that https://mgboulter.bandcamp.com/album/wild-convenor-2   For all thing M G Boulter go to https://www.mgboulter.co.uk/ For the book Tidelines go to https://hudsonrecords.co.uk/product/m-g-boulter---tidelines   To keep this bastion of localism and weirdness going please consider joining and donating to the cause through Patreon. Please see the link!! And help keep radio free!!! https://www.patreon.com/sfob   Pink Flamingo Radio presented by Si Gentry & Lawrie Walton and recorded at Ship Full of Bombs Headquarters Produced by Joe Blamey Edited by Si Gentry    

Tim Pope caught the video wave in 1981 and made hundreds of promotional clips, often three or four a week, edited at night and on-air days later. You'll have seen them, singles for the Style Council, The The, Iggy Pop, Hall & Oates and many others. For 15 years he was the man to call – inventive, caffeinated, risk-loving, clubbable – and “nothing was too mad or stupid”. He celebrates that magic age of big budgets and creative freedom in his story-filled memoir ‘I Shoot Rock Stars', just out, and looks back here at … … the video that made his reputation … MTV showing six of his clips in a row … the thrill of Bowie's silhouette as he walked across the Rainbow stage in 1977: “there was so little footage back then, you'd rarely seen people move” … his teenage love of Dusty, ELP, King Crimson and Pink Floyd … shooting seven clips a fortnight and the one time a record label tried to interfere … Neil Young's 2,000-acre Broken Arrow Ranch and the “burning fires of his eyes” … Iggy Pop singing I Wanna Be Your Dog in the John Snow pub in Soho … “German sausages, lumps of lamb, maggots, a whole party”: the Soft Cell clip that caused a walk-out ... “You're a funny little arsehole!”: breaking the ice with Bowie … what he learnt from Mark Hollis of Talk Talk and spending time with his ashes. Order ‘I Shoot Rock Stars' here: https://www.waterstones.com/book/i-shoot-rock-stars/tim-pope/9781035426959Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

This week, hear new releases from Pendulum Floors, Field Cate, Jack White, Dinosaur Jr and Mike D. Plus, faves from Black Sabbath, Soundgarden, The Clash and Neil Young. Roll up a couple for The Duane Strain. Rock. Mock. Dance. Laugh.

We open this week's show by reflecting on the loss of Glen Hansard, an artist who was critical to shaping the sound and spirit of All Songs Considered in its earliest days. We then share some of our favorite new tracks of the week, including a King Princess cover of Neil Young's “Helpless,” cheeky pop from Coco & Clair Clair, a stunning ambient track from Adam Wiltzie and the late composer Jóhann Jóhannsson, and more.NPR Music's Dora Levite joins host Robin Hilton.Support the show with a review on Apple or Spotify wherever you listen to podcasts. Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.orgFeatured artists and songs:(00:00) Intro and remembering Glen Hansard(03:24) Coco & Clair Clair: “Coldplay”(08:34) Claudia Isaki: “Origami”(15:30) Slayyyter: “brand new chanel$”(23:17) King Princess: “Helpless”(31:01) Dawuna: “I am a Woman too...”(36:50) Adam Wiltzie & Jóhann Jóhannsson: “White Gloves & Turtlenecks”Support public media with NPR+ and enjoy perks for over 25 podcasts like this one. This show's perks include bonus episodes and sponsor-free listening. Learn more at plus.npr.org.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Le Hibou is a place of near mythical status in the Ottawa music community. A tiny coffee house on Sussex Drive where the likes of Neil Young, Gordon Lightfoot, Joni Mitchell and Leonard Cohen played. In this encore episode, Robyn Bresnahan hears memories from those who were there in its heyday and explores whether Le Hibou could ever rise again.

Neil Young has never followed the rules—and that's exactly what made him a rock legend.In this episode of Booked On Rock, legendary rock journalist and author Sylvie Simmons joins me to discuss the updated and revised edition of her acclaimed biography, Neil Young: Reflections in Broken Glass. We trace Neil's remarkable journey from driving a hearse from Canada to Los Angeles to becoming one of the most influential artists in rock history.We explore Buffalo Springfield, Crazy Horse, Harvest, the emotionally devastating Doom Trilogy, Rust Never Sleeps, Trans, Harvest Moon, his influence on Pearl Jam and the grunge movement, and the stories behind his most daring creative decisions. Sylvie also shares what she learned from interviewing Neil over four decades, including the brand-new Neil Young: Unfiltered interviews featured in this expanded edition.If you're a lifelong Neil Young fan—or you're just discovering one of rock's most uncompromising artists—this is a conversation you won't want to miss. Purchase a copy of Neil Young: Reflections in Broken Glass (Updated and Revised)Visit Sylvie Simmons' website----------

For the full, ad-free, 39-minute podcast, either subscribe to Discograffiti's Patreon at the Private Tier or higher, or just grab the episode as a one-off at the same link: https://www.patreon.com/discograffiti Purchase the full Graham Nash series at a discount: https://www.patreon.com/collection/1635660 Discograffiti is the deep-dive podcast for music obsessives.  In this episode, Graham Nash goes track for track on his second solo classic, Wild Tales, made during a Crosby, Stills, Nash, & Young hiatus several months before their legendary 1974 stadium tour. Discograffiti's Wild Tales: The Graham Nash Interview Series tackles every last release Graham ever had a hand in creating, including CSN/Y, C&N, and his solo career, detailing a history almost too wild to be believed.  Here are just a few of the many things that Graham discusses with Discograffiti in this podcast: The completely nuts true story behind the title track; The overt Neil Young influence that's all over this record; What happened to Graham's father when he was a child, and how it changed his life; What Graham did for his Mom when he experienced his first flush of success; The only song on the record that features CSNY; The emotionally intense conversation with Barbra Streisand that inspired Graham's classic “Another Sleep Song”; And an in-depth deep dive on every song off Graham's classic sophomore solo LP, Wild Tales. CONNECT Join our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153 Patreon:  https://www.patreon.com/discograffiti Podfollow: ⁠⁠https://podfollow.com/1592182331⁠⁠ YouTube Channel: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw Instagram: https://www.instagram.com/discograffitipod/ Facebook: https://www.facebook.com/Discograffiti/ Twitter: https://twitter.com/Discograffiti Order the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, & W. Cullen Hart): https://www.patreon.com/discograffiti/shop/197404 Order the $11 Digital version of the MMM 2xLP on Bandcamp: https://discograffiti.bandcamp.com/album/metal-machine-muzak Order the METAL MACHINE MUZAK Double Vinyl + Digital package: https://www.patreon.com/discograffiti/shop/169954 Merch Shop: https://discograffitipod.myspreadshop.com/all Venmo Dave A Tip: @David-Gebroe Web site: http://discograffiti.com/   CONTACT DAVE Email: dave@discograffiti.com Facebook: https://www.facebook.com/hooligandave Instagram:  https://www.instagram.com/davidgebroe/ Twitter: https://twitter.com/DaveGebroe There is no other Patreon in existence where you get more for your money. 4 shows a week is what it takes these days to successfully blot out our unacceptable reality…so do yourself a favor and give it a shot for at least one month to see what I'm talking about.   If you're already a member, please comment below about your experience.   https://www.patreon.com/discograffiti

The Deadcast points to the Saratoga Performing Arts Center in New York, set inside the lush green of a state park & home to some of the wildest Grateful Dead shows of the mid-1980s, with a look at the 1985 parking lot scene.Guests: David Lemieux, David Leopold, Johnny Dwork, DNA, Ken Schneider, Andy Perrine, David Moran, Corry Arnold, Nicholas Meriwether, Annabelle Walsh, Donick CarrySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

With his new album, Belladonna Nocturne, out now, legendary producer Daniel Lanois looks back at his entire career. He reflects on his work with Bob Dylan, U2, Neil Young, Peter Gabriel, D'Angelo, and more in an in-depth interview with host Brian Hiatt. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Joe Rogan Experience is the most listened-to podcast in the world. This episode traces how Joe Rogan — a standup comedian and UFC commentator — built JRE from a loose 2009 experiment with his comedy friends into a media property worth hundreds of millions of dollars to Spotify. Topics covered include the early years and first guests, the comedy world's role in building the show's audience, how a Rogan appearance became the most valuable career move in standup comedy, the first Spotify deal, the Neil Young controversy, why Spotify renewed at a higher number despite the backlash, the Bernie Sanders and Donald Trump appearances, why Kamala Harris didn't appear in 2024, and what JRE's role in the presidential election says about where media influence actually lives right now. Also covers why the show's roots in standup comedy shaped everything about how it sounds and why nobody in traditional media saw it coming until it was too late.Become a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news-with-johnny-mac--4522158/support.Daily Comedy News is hosted by Johnny Mac and releases every weekday. Subscribe on Spotify, Apple Podcasts, or your favorite app. Part of the Caloroga Shark Media network. For transcripts and show notes visit www.dailycomedynews.comDaily Comedy News with Johnny Mac is a daily podcast covering comedians, stand-up comedy, late night television, and the comedy industry. New episodes every morning. Follow on Apple Podcasts, Spotify, or wherever you listen.  Contact John at John@thesharkdeck dot com For Uninterrupted Listening, use the Apple Podcast App and click the banner that says Uninterrupted Listening.  $4.99/month John's Substack about media is free. 

We now enter into the 90s as we continue our Best of the Decade series, this time focused on hard rock. It was a relatively weak decade compared to the two previous, but there's still quality to be found. Press play and revisit the days that used to be!!! Side 1 (0:00) "Tired Wings": THE FOUR HORSEMEN - Nobody Said It Was Easy (5:41) "The Days That Used To Be": NEIL YOUNG & CRAZY HORSE - Ragged Glory (9:23) "The Way It Goes": STATUS QUO - Under the Influence (13:22) "My Hallucination": SHAW BLADES - Hallucination (17:58) "A Twist In the Tail": DEEP PURPLE - The Battle Rages On Side 2 (22:11) "Kiss My Ass": TED NUGENT - Spirit of the Wild (25:44) "No One Else": WEEZER - Blue Album (28:50) "Stopped By A Bullet": UFO - Walk On Water (33:25) "Robber and the Roadie": NAZARETH - Boogaloo (37:44) "Keep Your Life": THE FOUR HORSEMEN - Gettin' Pretty Good ... At Barely Gettin' By

New Jersey Governor Mikie Sherrill announced new regulations banning surveillance pricing at grocery stores, and blocking stores from using electronic price tags. WFUV's Sonia Weliwitigoda and Sienna Reinders have more. The World Cup might have ended, but its spirit continues in New York City. WFUV's Mia Barth takes us to a park in the Bronx, where the community is channeling the World Cup spirit into a work of art. **EDIT 7/27/26. The reporting in this episode erroneously refers to Manhoor Shiek using she/her pronouns. Manhoor uses they/them pronouns. WFUV's Livia Regina shares some of Young the Giant's interview with the station about their new album. Plus, two tribute albums to Neil Young and a new record from Sylvan Esso. Host/Producer: Sienna Reinders Editors: Tess Novotny and Nathan Ray Reporter: Sonia Weliwitigoda Reporter: Sienna Reinders Reporter: Mia Barth Reporter: Livia Regina Theme Music: Joe Bergsieker

Dale Morningstar from the Dinner is Ruined is here to discuss the band's first new album in 21 years, Like A Tree,Heroic, the first time I saw Dinner is Ruined in 1996 opening an intimate Toronto show for Beck, leaving Toronto for Hamilton, encountering inspiring trees and people, the story behind the making of Gord Downie's Coke Machine Glow, startling Dave Clark/Don Kerr connections, writing songs about Downie and Dale's Bobby Orr interactions, recording Downie's son Lou's band, the story of the final, yet-to-be-released but fully completely finished album by Gord Downie and the Dinner is Ruined, why exactly it hasn't been released yet, horse words and Jim Morrison and the Doors, trying to reach and work with Neil Young, a Dinner is Ruined archival project, upcoming shows, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Win You've Changed Records by Fiver and G̱amksimoon in July 2026!Ep. #1086: The Sadies & Billy RayEp. #1083: RheostaticsEp. #962: Tom Beaujour & Richard Bienstock on ‘Lollapalooza'Ep. #651: Julie DoironEp. #443: Great Lake SwimmersEp. #294: Don Kerr of CommunismStill Processing: The 2016 ‘Man Machine Poem' TourEp. #272: Gord Downie [Archival; May 2010]Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

#495 The Nerdlings Podcasts : All the Music we played looking at Born In The USA (see description below)  * please note we do not endorse the commercials or services that are forced into the podcast as that is beyond our control.  Born In The USA - 40 seconds of intro backwards  Born In The USA - synth keyboards backing track Born In The USA - Springsteen on Howard Stern Oct 31, 2022              speaks of origin, and plays a bit acoustic  Born In The USA - full backing track instrumental  Born In The USA - isolated vocals whole  Born In The USA - The Freedom Mix 7:07 12" vinyl track 1  Vietnam - first demo inspiration, 4 track recorder in Bruce's bedroom,                 Coltneck, NJ late 1981  Born In The USA - John Cougar Mellencamp cover Dec 6, 2009                               Kennedy Center Honors Born In The USA - ITD band sung in Croatian 1998  Born In The USA - bagpipe version 1:04, by Eric Rigler 1998 Born In The USA - spoof Diggin' The Nose, by J.B.O. (James Blast Orchestra)                               metal band sung in german  Born In The USA - Dub mix 7:27, track 2 from 12" vinyl Born In The USA - cover by Neil Young & Crazy Horse Feb 3 2013                                 Music Cares charity  Born In East LA - by Cheech Marin Sept. 1985 (includes Cheech Marin talks                             about how he came up with the idea to parody it)  Born In The USA - demo 1982, from Tracks boxset disc 2 1998 Born In The USA - sung in French / english mix by Laurent Re'vel Jan 2022 Born In The USA - home demos versions 1,2,3 recorded in 1981                               Bruce's bedroom Coltneck NJ Born In The USA - spoof edited of Brack O'bama by DJ Fadi Salah Born In The USA - sung in spanish 2016 source Misterefe Versiones  Born In The USA - radio mix 6:01, track 3 from 12" vinyl Born In The USA - sung in italian / english blend by Neapolitan Banned In The USA - by 2Live Crew 1990  Born In The USA - home demos version 4,5,6 recorded in 1981                               Bruce's bedroom Coltneck NJ, followed by demo                               #7 still in Bruce's home but upgraded recording equipement Born In The USA - sung by Adon Olam in hebrew 2017  Counting With Springsteen - skit by Ben Stiller  Barn In The USA - Sesame Street parody by Bruce Stringbean    Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use

Set the controls for the heart of 1985 and the Dead's 20th anniversary shows at the Greek Theatre in Berkeley, with a look at the band's very busy year, plus Dead Head adventures aplenty.Guests: Dennis McNally, Len Dell'Amico, Rosie McGee, John Leopold, Dave Leopold, Johnny Dwork, David Lemieux, Nicholas Meriwether, Dave PerlisSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ryan Wen put it best: Kurt Vile is like Tom Petty, Bob Dylan, Bruce Springsteen, and Neil Young with Stephen Malkmus as the head. The blues-meets-slacker rock musician’s tenth studio album, Philadelphia’s Been Good To Me, is his “bringin it home to Philly” album, largely recorded in his home studio there and his first release […] The post Kurt Vile: “Pretty Pimpin'” appeared first on KUT & KUTX Studios -- Podcasts.

On this week's show, the RCAD crew talks about Neil Young and getting old and hairless. Nick tells Jack to watch Old Henry and also discusses Song Sung Blue. Jack saw Young Washington and Chris saw Minions & Monsters. Indiana Jones: trilogy only or should you continue? Sean Connery and Mel Gibson: actors with one role. Joe Pesci, come back! They end with Lego talk and a Meme Game.Become a Patron at JayandJack.comWrite us an email at RCADCast@gmail.comFollow us on Instagram at RCADCastAnd leave us an iTunes review

On this week’s show, the RCAD crew talks about Neil Young and getting old and hairless. Nick tells Jack to watch Old Henry and also discusses Song Sung Blue. Jack saw Young Washington and Chris saw Minions & Monsters. Indiana Jones: trilogy only or should you continue? Sean Connery and Mel Gibson: actors with one […]

On this week's show, the RCAD crew talks about Neil Young and getting old and hairless. Nick tells Jack to watch Old Henry and also discusses Song Sung Blue. Jack saw Young Washington and Chris saw Minions & Monsters. Indiana Jones: trilogy only or should you continue? Sean Connery and Mel Gibson: actors with one role. Joe Pesci, come back! They end with Lego talk and a Meme Game.Become a Patron at JayandJack.comWrite us an email at RCADCast@gmail.comFollow us on Instagram at RCADCastAnd leave us an iTunes review

This week Duncan MacKenzie and Ryan Peter Miller sit down with artist and educator Rafael Salas for a wide-ranging conversation about rural Wisconsin, magical realism, county fairs, country music, identity, and the contested landscapes of contemporary America. Salas discusses growing up in rural Wisconsin, returning to the Midwest after years in New York, and how his paintings inhabit a space between celebration and unease. The conversation moves from the influence of Wisconsin Death Trip to the political symbolism of county fairs, mixed-race identity, landscape painting traditions, and the challenge of making meaningful contemporary art from outside major art centers. Name Drops and links:  Rafael Salas – https://www.rafaelsalas.com/ Door County Contemporary - https://www.doorcountycontemporary.com/ Ripon College – https://www.ripon.edu/ Museum of Wisconsin Art – https://wisconsinart.org/ Newcity – https://www.newcity.com/ Michael Lesy (Wisconsin Death Trip) – https://en.wikipedia.org/wiki/Michael_Lesy Wisconsin Death Trip – https://en.wikipedia.org/wiki/Wisconsin_Death_Trip Charles Van Schaick – https://www.wisconsinhistory.org/record/image/W0128W2 Mark Tansey – https://en.wikipedia.org/wiki/Mark_Tansey Grant Wood – https://en.wikipedia.org/wiki/Grant_Wood Cormac McCarthy – https://en.wikipedia.org/wiki/Cormac_McCarthy Caspar David Friedrich – https://en.wikipedia.org/wiki/Caspar_David_Friedrich Johnny Cash – https://www.johnnycash.com/ Dolly Parton – https://dollyparton.com/ Willie Nelson – https://willienelson.com/ Hank Williams – https://en.wikipedia.org/wiki/Hank_Williams Woody Guthrie – https://www.woodyguthrie.org/ Neil Young – https://neilyoungarchives.com/ Marquette University – https://www.marquette.edu/ John McCain – https://en.wikipedia.org/wiki/John_McCain Sarah Palin – https://en.wikipedia.org/wiki/Sarah_Palin Barack Obama – https://obamawhitehouse.archives.gov/  

Legendary blues guitarist Buddy Guy will celebrate his 90th birthday with a huge concert event at Radio City Music Hall in New York this October, The Killers' Brandon Flowers ventures into new musical territory as he announces his new country western solo album will feature seasoned musicians from Nashville including 85-year old harmonica player Charlie McCoy, Neil Young releases a totally free, hour-long documentary video on his archives website directed by his wife Daryl Hannah that focuses on his 2025 tour, Jack White's wife Olivia Jean unexpectedly files for divorce citing “inappropriate marital conduct” after just 3 years of marriage… PLUS ‘This Week in Rock & Roll History Trivia', Rock Birthdays, ‘The Best & Worst Rock Album Artwork of the Week' & much more!All of our links are up at www.rocknewsweekly.com every Monday, where you can check out the full episode on 8 platforms (including Amazon Audible & Apple/Google Podcasts). We pride ourselves in not using any AI artwork, products or services.Watch us LIVE, chat with us & more…Every Sunday around 2pm PST @ https://www.twitch.tv/rocknewsweeklyWatch all of our videos, interviews & subscribe at Youtube.com/@rocknewsweeklyFollow us online:Instagram.com/rocknewsweeklyFacebook.com/rocknewsweeklyTwitter.com/rocknewsweeklyTikTok.com/@rocknewsweekly#NeilYoung #BuddyGuy90 #BrandonFlowers #Thrasher #JackWhite#Rock #News #RockNews #RockNewsWeekly #RockNewsWeeklyPodcast #Podcast #Podcasts #Metal #HeavyMetal #Alt #Alternative #ClassicRock #70s #80s #90s #Indie #Trivia #RockTrivia #RockBirthdays #NewMusic #NewMusicReleases

We explore the very high times of the Grateful Dead's 1966, touring Rancho Olompali with Rosie McGee, swan-diving into Owsley's magical banana box of mystery reels, and celebrating the feral young Dead heard on the new July 3rd, 1966 Fillmore Auditorium release.Guests: Rosie McGee, Ron Rakow, Bob Matthews, David Freiberg, David Lemieux, HawkSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nashville award-winning singer/songwriter Markey Blue talks about the Ric Latina Project with fellow partner Ric Latina featuring “Send Me Love” plus “Cash is Always King”, “So Much With You”, “I'll Wait For You” and more! Markey and Ric have worked with Bob Hope, Waylon Jennings, Frank Sinatra and Neil Young, featured in numerous publication and penned numerous songs from TV shows, indie films and the Emmy award-winning documentary “Songbirds” plus share the stories behind the music and careers and more! Check out the amazing Markey Blue Ric Latina project on all platforms and www.markeybluericlatina.com today! #markeyblue #riclatina #nashville #awardwinningsongersongwriter #markeybluericlatinaproject #sendmelove #cashisalwaysking #somuchwithyou #illwaitforyou #bobhope #waylonjennings #franksinatra #neilyoung #songbirds #emmyawardwinner #spreaker #spotify #iheartradio #spotify #apple #youtube #anchorfm #podbean #bitchute #rumble #mikewagner #themikewagnershow #mikewagnermarkeybluericlatinaproject #themikewagnershowmarkeybluericlatinaproject

Nashville award-winning singer/songwriter Markey Blue talks about the Ric Latina Project with fellow partner Ric Latina featuring “Send Me Love” plus “Cash is Always King”, “So Much With You”, “I'll Wait For You” and more! Markey and Ric have worked with Bob Hope, Waylon Jennings, Frank Sinatra and Neil Young, featured in numerous publication and penned numerous songs from TV shows, indie films and the Emmy award-winning documentary “Songbirds” plus share the stories behind the music and careers and more! Check out the amazing Markey Blue Ric Latina project on all platforms and www.markeybluericlatina.com today! #markeyblue #riclatina #nashville #awardwinningsongersongwriter #markeybluericlatinaproject #sendmelove #cashisalwaysking #somuchwithyou #illwaitforyou #bobhope #waylonjennings #franksinatra #neilyoung #songbirds #emmyawardwinner #spreaker #spotify #iheartradio #spotify #apple #youtube #anchorfm #podbean #bitchute #rumble #mikewagner #themikewagnershow #mikewagnermarkeybluericlatinaproject #themikewagnershowmarkeybluericlatinaproject

Hawk Rock Talk - The Horniest Classic Rock Songs of the 80's!Jason Gore and Geoff Garlock kick off Hawk Rock Summer with a deep, shameful, extremely denim-covered investigation into the horniest classic rock songs of the 1980s.From BulletBoys screaming “Smooth Up In Ya” before the song even starts, to Aerosmith loving it up when they're going down, Jason and Geoff ask the question rock historians have been too afraid to ask:Who was the horniest rock band of the 80s?Also discussed: Faith No More, Neil Young bootleg shirts, Genesis Blossoms, Tawny Kitaen, The Big Hairball, Tommy Lee on the 134, Jon Glaser's My Dead Dad Was in ZZ Top, and why so many of these songs should maybe be turned off when your kid is in the car.Celebrate Hawk Rock Summer all summer long on YouTube, Apple Podcasts, Spotify and more! 108.9 The Hawk: Series Seven begins on 8/17/26! Support the station at https://patreon.com/1089thehawk. Hosted on Acast. See acast.com/privacy for more information.

The Deadcast explores Steal Your Face's iconic artwork & visits the Grateful Dead's June 1976 return to the road, including a tour of the Dead Head culture that bloomed in their absence.Guests: Richard Loren, John Scher, Ron Rakow, Eugene Dolgoff, Pat Lee, Johnny Dwork, Dave Davis, Rob Bleetstein, John Brackett, Starfinder Stanley, David LemieuxSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

BIFF! This week, we're focusing on Album 1-2 punches...that is, albums where the first two songs knock you out. BANG! Our Third Lad is Ben Crum from long-running Elephant 6 band Great Lakes. POW! More than 25 years and eight records on from Great Lakes' classic debut, Ben Crum returns with a fantastic new Great Lakes album, Don't Swim Too Close (HHBTM Records). The immediately accessible record draws from classic rock tradition, echoing both the Americana spirit of The Band and Neil Young and the proto-indie rock of Television and the Velvet Underground. Crum's dry humor bubbles up throughout, tempering heavy, earnest moments with wit. WHAMMO! This is very likely to be the only music podcast you listen to today that incorporates both boxing and Scuffy the Tugboat references. KO!! Thanks for Mike Turner from HHBTM Records for the introduction and coordination. Learn more about your ad choices. Visit megaphone.fm/adchoices

After his epic ride to Sweden, Steven Routledge and Niklas Nygards recorded their May 2026 New Music picks in person from the Nygard residence. They pick songs from Rural France, Terra, El Altar Del Holocausto, Occrasy and Neil Young. Thanks Steven and Niklas!Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends.Visit our website at SuburbsPod.comEmail Jim & Patrick at rock@suburbspod.comFollow us on the Threads, Facebook or Instagram @suburbspodIf you're glad or sad or high, call the Suburban Party Line — 612-440-1984.Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Tyler Wilcox has spent season two of All One Song conversing about Neil Young with musicians, writers, and artists. And now, we've reached the end of the road for this Neil journey, with a very special guest: Lee Ranaldo, dropping in to discuss “Down By The River.” Lee is a founding member of Sonic Youth. Along with Thurston Moore, Lee redefined how we hear the electric guitar in a rock setting. Sonic Youth is no more, but they just released a wild Plunderphonic collage from the archives: Diamond Seas.  Ranaldo joins us to talk about a Neil classic, one that dips from muder ballad terror to cosmic life affirmation. When we had Micah Nelson on, we discussed how immense this song is. Lee offers a great ramble about, as well as hear about Lee's own experiences on the road with Neil and Crazy Horse with Sonic Youth. 

The Deadcast tells the dramatic story of when the Hells Angels put ex-Grateful Dead Records president Ron Rakow on trial for walking away from the Dead with $225,000 he believed the band owed him.Guests: Ron Rakow, Steve Brown, Terry Haggerty, John Scher, David Lemeiux See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast uncovers the secrets of Steal Your Face, the Dead's 1976 live album with a checkered reputation, dramatic backstory, & sonic experimentation by Phil Lesh & Owsley Stanley. Guests: Ron Rakow, Al Teller, John Scher, Ned Lagin, David Lemeiux See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.