Podcast appearances and mentions of rob epstein

In this episode, Vangeline has a conversation with her collaborator Emmy-Award winner Machine Dazzle, discussing their new project "Venus Ex Machina", costumes for MAN WOMAN, life as an artist, and the importance of saying yes. For more information about this new project visit www.vangeline.com and Instagram Instagram: @machinedazzle @vangelinebutoh https://www.vangeline.com/news/2024/8/15/venus-ex-machina-machine-dazzle-and-vangeline Machine Dazzle. Emmy award winner and beloved downtown bon vivant and all-around creative provocateur Machine Dazzle has been dazzling stages via costumes, sets, and performances since his arrival in New York in 1994. An artist, costume designer, set designer, singer/songwriter, art director, and maker, Machine describes himself as a radical queer emotionally driven, instinct-based concept artist and thinker trapped in the role of costume designer, sometimes. Machine designs intricate, unconventional wearable art pieces and bespoke installations. As a stage designer, Machine has collaborated with artists from the New York downtown scene and beyond – including Julie Atlas Muz, Big Art Group, Mx. Justin Vivian Bond, Taylor Mac, Basil Twist, Godfrey Reggio, Jennifer Miller, The Dazzle dancers, Big Art Group, Mike Albo, Stanley Love, Soomi Kim, Pig Iron Theatre Company, Opera Philadelphia, the Bearded Ladies Cabaret, the Curran Theatre, and Spiegelworld; and has created bespoke looks for fashion icons including designer Diane von Furstenberg and model Cara Delevingne for the 2019 Metropolitan Museum of Art Gala. Machine's costumes and sets were featured in Taylor Mac's Pulitzer Prize-nominated A 24-Decade History of Popular Music. A documentary feature film directed by Jeffrey Friedman and Rob Epstein and co-produced by Pomegranate Arts will premiere at the Tribeca Film Festival in 2023. In 2019, Machine was commissioned by Guggenheim Works and Process and The Rockefeller Brothers to create Treasure, a rock-and-roll cabaret of original songs including a fashion show inspired by the content. Recent collaborations include the Catalyst Quartet on Bassline Fabulous – a reimagining of Bach's Goldberg Variations at the Metropolitan Museum of Art and his debut collaboration with Opera Lafayette, for the historic premiere of the never-before-seen Rameau comedic opéra-ballet, Io. Dazzle was a co-recipient the 2017 Bessie Award for Outstanding Visual Design, the winner of a 2017 Henry Hewes Design Award, and a 2022 United States Artists Fellow. He delivered a TED Talk at TED Vancouver in 2023. Machine Dazzle's work has been exhibited internationally. His first solo exhibition, Queer Maximalism x Machine Dazzle, was held at the Museum of Arts and Design in New York City in 2022. https://www.vangeline.com/ https://www.pomegranatearts.com/projects-and-artists/machine-dazzle https://www.hbo.com/movies/taylor-macs-24-decade-history-of-popular-music

Award-winning documentarians Rob Epstein and Jeffrey Friedman talk about finding the stories of those who were swept up when Germany went from being a homosexual haven to a horrific Nazi hell (interviewed by Steve Pride). Contains material some listeners may find disturbing. Passionate voices filled the Nebraska Capitol building over a second attempt to sideline trans student athletes, and most persuasive argument against the ban came from married gay dad and state Senator John Fredrickson. And in NewsWrap: England's National Health Service calls the medical evidence supporting pediatric gender-affirming healthcare “remarkably weak” in The Cass Review, Uganda activists will appeal the Constitutional Court's ruling that upheld the “Anti-Homosexuality Act” to the Supreme Court, the U.S. Supreme Court allows Idaho's ban on gender-affirming healthcare for trans young people to take effect, West Virginia's law excluding transgender athletes from competing in school sports is struck down by a federal appeals court, bills to restrict the rights of transgender people are vetoed by the governors of Kansas and Arizona, the cartoon character Bluey has a friend with two mommies, and more international LGBTQ news reported this week by John Dyer V and Ava Davis (produced by Brian DeShazor).  All this on the April 22, 2024 edition of This Way Out! Join our family of listener-donors today at http://thiswayout.org/donate/

This week, we're taking a trip to 1950s Italy as we discuss Patricia Highsmith's classic thriller The Talented Mr. Ripley and its acclaimed 1999 adaptation directed by Anthony Minghella. Topics of discussion include the novel's iconic con artist protagonist, the twisty plot, homoerotic subtext, and how Minghella put his own spin on the themes and characters.  Media Mentioned Scrapper (2023) dir. Charlotte Regan (note: Lulu was wrong, the lead actress's name is actually Lola Campbell, not Lola Chambers) Aftersun (2022) dir. Charlotte Wells The Once and Future Witches by Alix E. Harrow Dune by Frank Herbert The Artful Dodger (2023), starring Thomas Brodie-Sangster, David Thewliss, and Maia Mitchell Oliver Twist by Charles Dickens Saltburn (2023) dir. Emerald Fennell Do Revenge (2022) These Violent Delights by Micah Nemerever The Haunting of Hill House by Shirley Jackson “Patricia Highsmith” by Richard Brooks for the Guardian The Bourne Identity movies Nimona by N.D. Stevenson Sorry to Bother You (2018) dir. Boots Riley The Celluloid Closet (1995) dir. Rob Epstein and Jeffrey Friedman Hannibal (2013-2015) King Arthur: Legend of the Sword dir. Guy Ritchie Ripley (upcoming Netflix show) BBC Sherlock And Don't Look Back by Rebecca Barrow All the Dead Lie Down by Kyrie McCauley Content Warnings: discussions of antisemitism, racism, murder, violence, homophobia, gaslighting, suicide, and classism.

Rob Epstein's The Times of Harvey Milk (1984) is a poignant look at the assassination of the San Francisco Supervisor, his assassin, and his organizing paradigm. Not just fighting for gay rights, but helping to build a coalition for liberation, Milk's life as shown in the movie is an important lesson on movement building. Even if it were just that, I would recommend it to everyone. But beyond the 90 minute film, the Criterion release provides 3 hours of additional materials diving deeper into Milk's impact and legacy, making this release absolutely indispensable.

Taylor Mac's 24-Decade History of Popular Music Directors Rob Epstein, Jeffrey Friedman and performer Taylor Mac discuss their new film, Taylor Mac's 24-Decade History of Popular Music, with fellow Director Ondi Timoner in a Q&A at the DGA theater in Los Angeles. In the conversation, the filmmakers discuss including behind-the-scenes costuming and makeup to drive the narrative, the editing process of turning a 24-hour live show into a shortened recorded special, and telling a multilayered story within the confines of a live taped performance. The film captures the drag star's exuberant, blatantly gay 24-hour musical performance, featuring skilled performers, creative costumes, and the American myth recounted through sailor's ditties, disco, and sugary pop numbers. See photos and a summary of this event below: https://www.dga.org/Events/2023/August2023/0623_DocSeries_TaylorMac.aspx

Andrew Peterson, Director of Programming of the Provincetown International Film Festival that takes place June 14th to June 18th in Provincetown, MA talks to Emmy Winner Charlotte Robinson host of OUTTAKE VOICES™. PIFF is celebrating its 25th year with over 100 films that include diverse BIPOC and LGBTQ filmmakers as well as wildly talented first-time filmmakers along with PIFF's longstanding commitment to gender parity. The opening night film will be “Cora Bora” starring Megan Stalter and directed by Hannah Pearl Utt. Written by Rhianon Jones “Cora Bora” follows the story of Cora a messy millennial and struggling musician. When she goes home to Portland to win her girlfriend back Cora realizes there's a lot more than her love life that needs salvaging. As we announced earlier Stalter will receive the festival's Next Wave Award this year. “Theater Camp” from directors Molly Gordon and Nick Lieberman is set to close the festival. It tells the story about staff members of an upstate New York theater camp who must band together when their beloved founder falls into a coma. Also honored this year will be Bruce LaBruce with the Filmmaker on Edge Award, Billy Porter the Emmy, Tony and Grammy Award-winning actor will be honored with this year's Excellence in Acting Award and along with Megan Stalter, writer, director and actor Julio Torres will receive the Next Wave Award. There will also be lots of fabulous special events and parties. We talked to Peterson about what he hopes to accomplish at the 25th annual Provincetown International Film Festival and his spin on our LGBTQ issues.  Andrew Peterson has served as the Director of Programming for the Academy Award Qualifying Provincetown Film Festival for the last 21 years. Peterson is also the Executive Director of FilmNorth one of the largest filmmaker service organizations in the country. Previously he was Vice President of Production for Werc Werk Works where he co-produced Rob Epstein and Jeffrey Friedman's “Howl”, Todd Solondz's “Life During Wartime”, Jill Sprecher's “Thin Ice” and Lawrence Kasdan's “Darling Companion”. Andrew holds an MFA from New York University Graduate Film School and has taught filmmaking at Macalester and Middlebury Colleges. The Provincetown Film Society, Inc. (PFS) is a non-profit year-round organization and home of the Provincetown International Film Festival. PFS is dedicated to showcasing new achievements in independent film and honoring the work of acclaimed and emerging directors, producers and actors. This is our 16th year covering PIFF for OUTTAKE MEDIA™.  For Info & Tix… LISTEN: 600+ LGBTQ Chats @OUTTAKE VOICES

Listen in as business editor Michael Bruno and analysts Richard Aboulafia and Rob Epstein discuss aerospace's big problem. They sat down after the Aviation Week A&D Supply Chain conference in Beverly Hills, California, which brings together aerospace and defense supply chain leaders.

Enjoy a Story Time with Rob as he takes you through a winding adventure at Epstein Island.

Rock Docs: A Podcast About Music Documentaries Today's documentary is Linda Ronstadt: The Sound of My Voice, released in 2019, directed by Rob Epstein and Jeffrey Friedman. Does this doc stand on its own, or is it merely another entry in the History of the Eagles Cinematic Universe? Plus: an update on a question raised in the Festival Express episode, and some chat about the upcoming Creedence Clearwater Revival doc. Hosted by David Lizerbram & Andrew Keatts Twitter: @RockDocsPod Instagram

Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show. ALLYSON NEWMAN: Allyson Newman earned her Master's degree in Composition from the Sydney Conservatorium of Music. Her first feature film, Watermark, screened at the Cannes Film Festival in 2003. She then moved to LA to study film scoring at USC. Allyson has been awarded both an Australia Council for the Arts Grant and an Australian Guild of Screen Composers Award. Allyson scored the multi award winning documentary feature Limited Partnership that premiered on PBS Independent Lens in 2015. In 2016 Allyson scored the Emmy nominated media series Her Story. In July 2017 Allyson participated in the BMI Conducting Workshop and then went on to score Kusama-Infinity which premiered at Sundance and was released theatrically around the world in September 2018. Allyson collaborated with Oscar Winning directors Jeffrey Friedman and Rob Epstein to score State of Pride which opened the SXSW Film Festival 2019. In 2019 Allyson scored Making Waves: The Art of Cinematic Sound which had its premiere at the Cannes Film Festival. She is a member of the Television Academy and is on the leadership team for the Alliance for Women Film Composers. Most recently Allyson scored the HULU series First Day and is currently in production for Season 3 of The L Word- Generation Q as well as a new Netflix drama series called Partner Track. JASHA KLEBE Jasha Klebe is a composer known for emotive melodies and impactful scores. Most notably, Jasha co-scored the BAFTA and Emmy nominated music of BBC's Planet Earth II, alongside Hans Zimmer and Jacob Shea. He additionally provided music to the follow up series, Blue Planet II, as well as wrote the Emmy nominated music of National Geographic's Challenger Disaster: Lost Tapes. Jasha also composed the score to Netflix's Oscar nominated documentary, Winter on Fire: Ukraine's Fight For Freedom and National Geographic's, Diana: In Her Own Words. In 2019, Jasha composed the score to the Emmy-nominated Netflix documentary, The Black Godfather, directed by Reginald Hudlin and produced by Nicole Avant. In 2021 he scored FOX's Malika the Lion Queen narrated by Angela Bassett as well music for Garrett Bradley's Naomi Osaka series. He also wrote the music for Imperative Entertainment's podcast, The Agent, as well as Netflix/Plimsoll's nature documentary series, Animal. His music can be most recently heard on Peacock's upcoming reimagining of Queer As Folk, created by Stephen Dunn and executive produced by Russell T Davies. Jasha began his musical career at the age of 5, singing at his Grandparents' opera house, Cinnabar Theater, in Petaluma, CA. He studied classical piano and trombone for over 15 years before he moved to Los Angeles and started working at Remote Control Productions under Hans Zimmer. Over the 4 years with Hans, Jasha wrote on such films as The Dark Knight Rises, Rush, Man of Steel, and several other notable projects. Jasha was also the music arranger for the 84th Academy Awards, as well as keyboard/ synthesizer player within the event's orchestra. In 2013, Jasha began to serve as one of the headlining composers at Bleeding Fingers Music. Within this role, Jasha contributed countless hours of music to some of the most acclaimed series on television, including shows on ABC, CBS, MTV, Netflix, Lifetime, A&E, The Discovery Channel, The History Channel, National Geographic, BBC, and he performed live
on The Late Show with Colbert alongside Shea and Zimmer. Jasha currently lives and works in Los Angeles, CA.

We kick off Pride Month 2022 with this Oscar-winning biopic directed by Gus Van Sant (Good Will Hunting) which delves in the life of slain civil rights activist Harvey Milk who took the city of San Francisco AND the country by storm by becoming the first openly gay politician elected to major office in 1978.  His story is both inspiring and touching, with much of the structure of this film and several highlights coming from the 1984 documentary of his life called “The Times of Harvey Milk” which also won the Best Documentary Oscar that year.  Sean Penn stars in the 2008 film as the eponymous activist/politician from Woodmere, NY – he also won the Best Actor Oscar that year and is supported by an impressive cast including James Franco, Josh Brolin, Diego Luna, Victor Garber, and Allison Pill.  The documentary was directed by Rob Epstein and was narrated by Harvey Fierstein – both films are very informative along with being quite entertaining, let's delve into both!Host: Geoff Gershon  Editors: Geoff and Ella GershonProducer: Marlene Gershonhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Harvey Milk was a pioneering activist in San Francisco during the 1970's and was one of the first openly gay elected officials in the United State when he joined the San Francisco Board of Supervisors in 1977. Milk's activism for gay rights, his flashbulb political career, and his assassination in 1978 are a lasting legacy for the gay community. In our episode this week, Jake and Kevin talk about two movies that tell the story of Harvey Milk- The Times of Harvey Milk (1984) and Milk (2008). The Times of Harvey Milk is a documentary film directed by Rob Epstein and narrated by Harvey Fierstein that expertly edits together archival footage of Milk's career in activism and San Francisco politics as well as talking head interviews with other activists and figures in Milk's orbit. In Milk, directed by Gus Van Sant and written by Dustin Lance Black, Sean Penn played a fictionalized Harvey Milk from his rise in San Francisco politics to his assassination at the hand of Dan White. What did this film add to an already masterful documentary? Why can't Sean Penn just keep his mouth shut? Was that really Harvey Fierstein in the studio?! Join us for these answers and more! We end our cinematic sissies mini-series with the fabulous movie-rescuer, Malcolm, portrayed by Michael Greer in the atrocious 1969 comedy, The Gay Deceivers. Kevin power-ranks the sissies we have discussed since episode 1 and then quizzes Jake on his sissy knowledge!

In Episode 3 of Season 9: The Beat Generation, the guys discuss the most famous of all the Beat poems: "Howl" The book was written by Allen Ginsberg, published in 1956, and was adapted for the screen in 2010. The film was written and directed by Rob Epstein and Jeffrey Friedman, and stars James Franco, David Strathairn, Jon Hamm, Mary-Louise Parker and Jeff Daniels. Passions run high in this episode where we learn what an anaphora is, Erik gets heated, and we discuss whether or not the prosecutor (David Stratharin) is the dumbest character in all of film history. Listen to the episode for yourself and let us know which you enjoyed more, the novel or the movie. We want to find more fine listeners like yourself, but we can't do it without your help. All you have to do is listen, rate, & review! Find us elsewhere on the internet for more content --> Twitter: @littolens Instagram: @littolens Blog: www.littolensblog.wordpress.com Email: littolens@gmail.com

O episódio de hoje é sobre a cineasta italiana Liliana Cavani. Polêmica e divisiva, abordando temas como sexualidade e autoritarismo, suas mais de 5 décadas de carreira nos entregam filmes que passaram por alguns dos principais festivais da Europa. Focamos a conversa na sua Trilogia de Berlim, que inclui O Porteiro da Noite (Il Portiere di Notte, 1974), Além do Bem e do Mal (Al di là del Bene e del Male, 1977) e The Berlin Affair (1985). O programa é apresentado por Isabel Wittmann e Camila Vieira. Feedback: contato@feitoporelas.com.br Mais informações: https://feitoporelas.com.br/feito-por-elas-151-liliana-cavani Feedback: contato@feitoporelas.com.br Pesquisa, pauta e roteiro: Isabel Wittmann e Camila Vieira Produção: Isabel Wittmann Edição: Domenica Mendes Arte da capa: Amanda Menezes http://www.behance.net/tupiguarana Vinheta: Felipe Ayres Locução da vinheta: Deborah Garcia (deh.gbf@gmail.com) Música de encerramento: Bad Ideas - Silent Film Dark de Kevin MacLeod está licenciada sob uma licença Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/) Origem: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100489 Artista: http://incompetech.com/ Agradecimento: Carolina Ronconi, Leticia Santinon, Lorena Luz, Isadora Oliveira Prata e Tiago Maia Assine nosso Padrim http://www.padrim.com.br/feitoporelas Assine nosso Patreon http://www.patreon.com/feitoporelas Assine nosso Catarse https://www.catarse.me/feitoporelas Links patrocinados (Como associado da Amazon, recebemos por compras qualificadas): [LIVRO] Cinema Soviético de Mulheres https://amzn.to/3lnC37b [LIVRO] Mulheres Atrás das Câmeras- As cineastas brasileiras de 1930 a 2018 https://amzn.to/3AC6wnl [LIVRO] Mulheres, Raça e Classe, de Angela Davis https://amzn.to/3AUm8C7 [LIVRO] Herdeiras do Mar, de Mary Lynn Bracht https://amzn.to/3zY1EHC [LIVRO] A Guerra Não Tem Rosto de Mulher, de Svetlana Aleksiévitch https://amzn.to/3kQWjxh [LIVRO] O Talentoso Ripley, de Patricia Highsmith https://amzn.to/3ASNIzP Mencionados: [FILME] Senhoritas em Uniforme (Mädchen in Uniform, 1931), dir. Leontine Sagan e Carl Froelich [FILME] O Criado (The Servant, 1963), dir. Joseph Losey [FILME] Gesù, mio fratello (1965), dir. Liliana Cavani [FILME] Francesco d'Assisi (1966), dir. Liliana Cavani [FILME] Galileo (1968), dir. Liliana Cavani [FILME] Cabaret (1972), dir. Bob Fosse [FILME] O Porteiro da Noite (Il portiere di notte, 1974), dir. Liliana Cavani [FILME] Além do Bem e do Mal (Al di là del bene e del male, 1977), dir. Liliana Cavani [FILME] O Amigo Americano (Der amerikanische Freund, 1977), dir. Wim Wenders [FILME] A Pele (La pelle, 1981), dir. Liliana Cavani [FILME] The Berlin Affair (1985), dir. Liliana Cavani [FILME] Francesco: A História de São Francisco de Assis (1989), dir. Liliana Cavani [FILME] O Outro Lado de Hollywood (The Celluloid Closet, 1995) , dir. Rob Epstein e Jeffrey Friedman [FILME] O Talentoso Ripley (The Talented Mr. Ripley, 1999), dir. Anthony Minghella [FILME] Paragraph 175 (2000), dir. Rob Epstein e Jeffrey Friedman [FILME] O Retorno do Talentoso Ripley (Ripley's Game, 2002), dir. Liliana Cavani [FILME] Francesco (2014), dir. Liliana Cavani [FILME] Lou (2016), dir. Cordula Kablitz-Post [SERIADO] Ripley, dir. [CRÍTICA] Lou (2016), por Isabel Wittmann, no Estante da Sala [CRÍTICA] The Night Porter, por ScreeningNotes, no Letterboxd [VIDEOCLIPE] Justify My Love (1990), da Madonna [LIVRO] Mulheres, Raça e Classe, de Angela Davis [LIVRO] Herdeiras do Mar, de Mary Lynn Bracht [LIVRO] A Guerra Não Tem Rosto de Mulher, de Svetlana Aleksiévitch [LIVRO] O Talentoso Ripley, de Patricia Highsmith Relacionados: [PODCAST] Feito por Elas #70 Lina Wertmüller https://feitoporelas.com.br/feito-por-elas-70-lina-wertmuller/ [PODCAST] Feito por Elas #96 Leni Riefenstahl https://feitoporelas.com.br/feito-por-elas-96-leni-riefenstahl/

Part 2 of a Melbourne International Film Festival (MIFF) 2021 review special. Presenter Paul Anthony Nelson invites special guest reviewers Cerise Howard and Emma Westwood to share their highlights from this year's program, streaming Australia-wide, until 22 August. Films reviewed include: DEAR COMRADES! dir. Andrei Konchalovsky (2021), THE NOWHERE INN dir. Bill Benz (2021), HOPPER/WELLES dir. Orson Welles (2020), THE NIGHT dir. Kourosh Ahari (2019), COMING HOME IN THE DARK dir. James Ashcroft (2021), RIDERS OF JUSTICE dir. Anders Thomas Jensen (2021) and WORD IS OUT: STORIES OF SOME OF OUR LIVES dir. Nancy Adair, Andrew Brown, Rob Epstein (1977). Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen

Happy Pride Month!  Ever wonder why sissies are used in Film? Why Queer people gravitate to Disney Villains? Why I justify Belle being a prisoner cause she was a bitch to the Beast? Well, get ready, because Chad, Stuart I are joined by special guest Derek Le Beau from Queer Cinema Archive to discuss The Celluloid Closet (1995).  Is this is my absolute go-to Queer film? Do I make everyone watch it at any given moment? Who can say! The Celluloid Closet (1995) Based on the works of Vito Russo, Written and directed by Rob Epstein and Jeffery Friedman. Starring Lily Tomlin as the Narrator. A documentary surveying the various Hollywood screen depictions of homosexuals and the attitudes behind them throughout the history of North American film.Huge thanks go to our special guest Derek @Queer.Cinema.Archive on IGHear this episode early on Patreon!  http://patreon.com/rwacpodMerch Store: https://rwacshop.online/RWACpod Discord: https://discord.gg/QVYzpNcyhqRWACpod on Facebook: https://www.facebook.com/groups/rwacpodFollow on IG:  @RWACpodWhere to find the Rebels:Stefan: @sjmaroni on IGBearSailorMoon: @bearsailormooonon all social mediaCarlotta Carlisle: @carlottacarlisle on IG / Carlotta1987 on RedBubbleChad: @cski01 on IGPJ: @xndra_design on IGStu: @janikon_ on IG & TikTok

Today we officially wrap up Pride Month with our Manly Movie of the Month, and it's a double feature. This month we take on the 2005 Gus Van Sant film, "Milk," and the 1984 Academy Award winner for Best Documentary Feature, "The Times of Harvey Milk," directed by Rob Epstein. Two films that set out to honor the first openly gay person elected to public office. Find out our thoughts here! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

On this week’s episode, we discuss a different Zack Snyder film, Army of the Dead. For those counting, this is our second Zack Snyder movie in the year 2021. And joining us to dissect it is the Queen of Halloween, our good friend, and apparently the love of Ify’s life, Lucé Tomlin-Brenner. We also answer a question from our hotline about the depiction of gun violence in movies. And, as always, we’ve got ‘Staff Picks.’In news, Timothée Chalamet is the new Wonka, Kevin Spacey has slithered his way into a new movie role, and Martin Freeman has some thoughts on method actingStaff Picks:Ify – Train to BusanDrea – Blow the Man DownAlonso – Pride and Protest: The Films of Rob Epstein and Jeffrey FriedmanLucé – JawbreakerWith Ify Nwadiwe, Drea Clark, Alonso Duralde, and Lucé Tomlin-Brenner.If you’d like to contribute to Lucé’s film Surprise! – CLICK HERE!

Screenwriter Stuart Wright listens to story consultant & blogger Gareth Dimelow talk about 5 QUEER THEMES IN MODERN HORROR You'll find Gareth on twitter at @gdimelow A NIGHTMARE ON ELM STREET PART 2: FREDDY'S REVENGE (1985, dir. Jack Holder) NIGHTBREED (1990, dir. Clive Barker) INTERVIEW WITH THE VAMPIRE (1994, dir. Neil Jordan) HAUTE TENSION (2003, dir. Alexandre Aja) MIDNIGHT KISS (2018, dir. Carter Smith) Other key texts referenced: THE CELLULOID CLOSET a book by Vito Russo, made into documentary (1995) of the same name & directed by Rob Epstein, Jeffrey Friedman MONSTERS IN THE CLOSET: HOMOSEXUALITY AND THE HORROR FILM, a book by Harry Benshoff MEN, WOMEN and CHAINSAWS: GENDER IN THE MODERN HORROR FILM, a book by Carol J Glover SCREAM, QUEEN! MY NIGHTMARE ON ELM STREET documentary on Shudder directed by Roman Chimienti, Tyler Jensen A Queer Horror Documentary from the Makers of HORROR NOIRE is coming soon to Shudder tbc Credits Intro/Outro music is Rocking The Stew by Tokyo Dragons (www.instagram.com/slomaxster/) Podcast from www.britflicks.com You can support the @Britflicks podcast by pledging money via www.patreon.com/stuartwright and/or subscribing to it via iTunes

Le Joker, le tueur de « Psychose » ou Jafar dans « Aladdin »… Au cinéma, les ennemi·e·s des héro·ïne·s sont souvent efféminé·e·s et séducteur·rice·s. La pop culture regorge de méchant·e·s incarnant des clichés LGBT. Cette figure, appelée ‘queer-coded villain’, remonte au Hollywood des années 30, mais elle est loin d’avoir disparu de nos écrans. Pourquoi l’industrie cinématographique s’est-elle mise à créer des méchants féminins et maniérés ? En quoi ces personnages malveillants à l’homosexualité sous-entendue sont-ils hautement problématiques ? Pour répondre à ces questions, Camille Regache reçoit Aline Mayard, journaliste indépendante, spécialiste des représentations LGBTQ+ dans les séries et les films.RÉFÉRENCES CITÉES DANS L’ÉPISODE« Code Hayes », code d’autocensure du cinéma américain, créé en 1934 par William Hayes« Soudain l’été dernier » (Joseph L. Mankiewicz, 1959) et « Un Tramway nommé Désir » (Elia Kazan, 1951), adaptés de l’œuvre du dramaturge américain Tennessee Williams (1911-1983)« Rebecca » (Alfred Hitchcock, 1940)« Psychose » (Alfred Hitchcock, 1960)« La Corde » (Alfred Hitchcock, 1950)« Scream Queens » et « Hollywood » (séries de Ryan Murphy, 2015 et 2020)« Philadelphia » (Jonathan Demme, 1993)« Dallas Buyers Club » (Jean-Marc Vallée, 2014)« Les Nuits fauves » (Cyril Collard, 1992)« Skyfall » (Sam Mendes, 2012)« The Good Wife » (série de Robert et Michelle King, 2009)« Joker » (Todd Phillips, 2019)« Thor » (Kenneth Branagh, 2011)« Birds of Prey et la fantabuleuse histoire de Harley Quinn » (Cathy Yan, 2020)« Le Seigneur des anneaux » (Peter Jackson, 2001-2003)POUR ALLER PLUS LOIN « The Celluloid closet » (documentaire de Rob Epstein et Jeffrey Friedman, 1995)« Disclosure » (documentaire de Sam Feder, diffusé sur Netflix, 2020)I Like that (newsletter de Aline Mayard) CRÉDITSCamille est un podcast de Binge Audio animé par Camille Regache. Cet épisode a été enregistré en juillet 2020 au studio Virginie Despentes de Binge Audio (Paris, 19e). Prise de son, musique et réalisation : Solène Moulin. Production : Diane Jean. Edition : Sirine Azouaoui. Identité graphique : Sébastien Brothier (Upian). Direction des programmes : Joël Ronez. Direction de la rédaction : David Carzon. Direction générale : Gabrielle Boeri-Charles. See acast.com/privacy for privacy and opt-out information.

As part of their nationwide virtual retrospective, directors Rob Epstein & Jeffrey Friedman joined FLC programmer Dan Sullivan for a career-spanning conversation. Watch their essential work, featuring new restorations, through November 5 in our Virtual Cinema at filmlinc.org/tellingpics For more than 30 years, Oscar-winning directors Rob Epstein and Jeffrey Friedman have borne powerful witness to gay life, creativity, and activism — documenting lost aspects of LGBTQ+ history and chronicling unfolding events with humor, compassion, and fierce urgency. In their films, extraordinary interviews make the political personal and unforgettable. With Paragraph 175 and The Celluloid Closet, Epstein and Friedman examined the persecution of gay men in Nazi Germany and Hollywood’s history of hidden homophobia. Their documentaries The AIDS Show, Common Threads: Stories from the Quilt, The Times of Harvey Milk, and Where Are We? have both chronicled and helped change history. Starting October 23, we look at their essential partnership and the endlessly empathetic, consciousness-building films it has yielded. Film at Lincoln Center Talks are presented by HBO.

In this episode we return to Foucault to explore the love between Ned and Robert as a form of queer intimacy, as well as the grief they share over Lyanna's death.   Mentioned in this episode: Sedgwick, E.K. 2015, Between men: English literature and male homosocial desire, Columbia university press. "Friendship as a Way of Life" (interview with Michael Foucault in Le Gai Pied magazine in 1981, translated by John Johnston). Ben-Hur 1951 (film). Directed by William Wyler. The Celluloid Closet (documentary film). Directed by Rob Epstein and Jeffrey Friedman. Faderman, L. 1981, Surpassing the love of men : romantic friendship and love between women from the Renaissance to the present,  William Morrow & Company. Not a Cast Podcast (Episode 5: A GAME OF THRONES, EDDARD I: “This is Her Place”): https://notacastasoiaf.podbean.com/e/episode-5-a-game-of-thrones-eddard-i-this-is-her-place/  Till, K.E. 2005, The New Berlin Memory, Politics, Place, University of Minnesota Press.   You can support us on Patreon at https://www.patreon.com/tropewatchers. If you enjoyed A Clash of Critics, check out our flagship podcast, Trope Watchers, the podcast about pop culture and why it matters: tropewatchers.com. CW: A Clash of Critics frequently discusses issues such as violence, abuse, sexual assault, bigotry, and other sensitive topics.

In this Magnificent Mujer interview with Enrique Morones we are reintroduced to Linda Ronstadt, a woman who is a “Soldadera”, a vocalist, musical cultural, activist soldier, in her own right. She did what they said couldn’t be done. Her vision and her capacity to imagine and hear a sound in her head that others couldn’t propelled her where no woman had gone before; becoming a multi platinum recording artist in English, and becoming an icon in the Spanish language music world with the highest selling Spanish language album of all time. The esteemed position that she holds as one of the most influential and prolific vocalists, recording artists, and popular cultural ambassadors of the last century came through hard work, perseverance, determination, and a great sense of pride and vision as to what a Mexican American woman could create. She has inspired many female artists after her across the genres of Rock, Country, Mariachi, New Wave, Jazz, Light Opera, and Musical Theatre among others to cross boundaries of what is possible to achieve in a career. Linda followed her heart, and her bliss, and nothing was off limits.  Today Linda is experiencing physical limitations due to the progressive effects of living with Parkinson’s disease. As you will experience in this interview, Linda’s inability to sing today has not affected her ability to awe her admirers with her sense of gratitude, humor and tenacity to keep acting to effect change and awareness by any means necessary. As she continues to speak out and be an advocate for those who today have been silenced or limited as refugees, asylum seekers, migrants or due to their language or age barriers she asks us to open our hearts. Please share this episode with your loved ones, especially our future generations and introduce them to an account of this inspiring path. Be aware, as Linda reminds us now that we have so much more music to make as a nation and as a world. How amazing it would be if we, like Linda, looked at life as an opportunity to co-create new sounds from those of our families and ancestors and our new neighbors without borders.  "It's really important that people be a student of history, ...know whose shoulders you are standing on, each generation, it only takes a generation to forget, what Dolores Huerta and Cesar Chavez did for the Farm Workers cannot be forgotten and already there are kids that are 15 years old that don’t know this history.” - Linda Ronstadt in a 2013 interview with CreatTV San Jose, where she and Dolores Huerta spoke on activist women, for the upcoming Tucson Mariachi and Mexican Cultural Festival, which Ronstadt helped produce. The theme of that festival was the “Soldaderas”, the female soldiers of the Mexican Revolution The 2013 Tucson. Mariachi and Mexican Cultural Festival celebrated the 100 year anniversary of the Mexican Revolution (1910-1920) by celebrating the contributions of the “Soldaderas”. The women who fought alongside the men, were responsible for cooking, preparing the camps, but also fighting on the frontlines alongside the men if their husbands were killed or injured. In 2013 Linda Ronstadt published, “Simple Dreams: A Musical Memoir”, where she chronologized her unique and uncharted path through the annals of recording and performing history with a career that spanned over four decades and earned her 10 top-10 singles and over 30 studio albums. “Simple Dreams”, which she wrote completely on her own, and was very difficult work, for a woman who respects the written word immensely and had set the bar high for her own debut as an author, became a New York Times Bestseller. Her selfcrafted narrative of a woman’s journey through a male dominated music industry, and her own self charted path inspired producers James Keach and Michele Farinola and directors Rob Epstein and Jeffrey Friedman to pursue her tirelessly to make a documentary, released in late 2019 titled,... Support this podcast

THE RESCUE LIST focuses on a hidden safe-house in the Ghanaian forest, where social workers help two children recover from a childhood enslaved to fishermen on Lake Volta - the largest man-made lake on Earth. But their story takes an unexpected turn when their rescuer embarks on another rescue mission and asks the children for help. THE RESCUE LIST charts the unfolding drama of these rescue operations alongside a stirring portrait of the boys’ recoveries as they prepare to return to their families. The film depicts a moving story of friendship and courage that transcends the trope of victimhood, exploring what it means to love and to survive. Co-directors Alyssa Fedele and Zachary Fink join us for an in-depth conversation on the ground truth about human trafficking in sub-Sahara Africa, gaining the access and the trust of all the people in the film and their own reflections on how witnessing these people’s stories has impacted them. To watch The Rescue List on PBS POV go to: therescuelist.com About the filmmakers: ALYSSA FEDELE - PRODUCER  //  DIRECTOR  //  EDITOR Alyssa Fedele is a documentary filmmaker and anthropologist based in San Francisco. In 2016, She produced and edited The Ride of Their Lives, directed by Steve James, about youth rodeo bull riding. It premiered at Sundance and is distributed by Amazon Studios in the series The New Yorker Presents. Her work has appeared on National Geographic Channel, Amazon Studios, and PBS, and screened at IDFA, SFFILM, and Big Sky Film Festival. Alyssa directed, produced, and edited The Rescue List, which screened at Full Frame and DOC NYC and won awards at BendFilm and Heartland International Film Festival.Alyssa is a former resident at SFFILM's FilmHouse and she is a recipient of the SFFILM Documentary Film Fund. She has a master's degree in visual anthropology from the University of Manchester. ZACHARY FINK - PRODUCER // DIRECTOR // CINEMATOGRAPHER Zachary Fink is a documentary filmmaker and cinematographer. His immersive observational approach to storytelling is deeply influenced by his academic roots in cultural anthropology and visual ethnography. He recently lensed Rob Epstein and Jeffrey Friedman’s SXSW opening night premiere, State Of Pride, which takes an unflinching look at the diverse expression of Pride 50 years after Stonewall. Last year he spent a month at McMurdo Station in Antarctica where he field directed and shot a forthcoming PBS NOVA series about how science is conducted on the harshest continent. In 2016, Zachary produced  and filmed The Ride Of Their Lives, a short directed by Steve James about youth rodeo bull riding. It premiered at Sundance as part of the Amazon Studios series, The New Yorker Presents. His work has appeared on PBS, HBO, National Geographic Channel, and Discovery Channel, and he has produced and directed projects for Facebook, Apple, Google, and for the Harvard Film Study Center. Zachary has a master’s degree in cultural anthropology and an MFA in film production from California Institute of the Arts. Together with Alyssa Fedele, he runs the production company Collective Hunch. Social Media facebook.com/therescuelist instagram.com/therescuelist twitter.com/hashtag/therescuelist twitter.com/hashtag/rescuelistpbs #TheRescueList

*** 2020 Oscar nomination for Best Documentary (Short) WALK RUN CHA-CHA has been nominated for Documentary Short Subject at the 92nd Academy Awards®. Directed by Laura Nix, the film follows Paul and Millie Cao, who lost their youth to the aftermath of the Vietnam War. Forty years later, they have become successful professionals in Southern California-and are rediscovering themselves on the dance floor. WALK RUN CHA CHA is now streaming on New York Times Op-Docs. About the Filmmaker: Director Laura Nix Laura Nix is an award-winning fiction and nonfiction filmmaker based in Los Angeles. WALK RUN CHA-CHA is adapted from a feature-length documentary in progress. It was produced by Concordia Studio for The New York Times Op-Docs and premiered at the 2019 Tribeca Film Festival. Laura’s work also includes  other work includes her feature documentary INVENTING TOMORROW, about teenagers from around the globe tackling environmental issues through science,  THE YES MEN ARE REVOLTING, a comedy about activism and climate change, the documentary THE LIGHT IN HER EYES, about a Syrian Qur’an school for women and she was a writer on the Emmy-nominated documentary CALIFORNIA STATE OF MIND: THE LEGACY OF PAT BROWN. In 2001, Nix co-founded the production company Automat Pictures, where she produced and/or directed over 100 presentations, including the feature documentary WHETHER YOU LIKE IT OR NOT: THE STORY OF HEDWIG, which played in over a dozen film festivals in the U.S. and worldwide. Previously she was a member of Oscar-winning filmmakers Rob Epstein and Jeffrey Friedman’s production company Telling Pictures, where she was Associate Producer on THE CELLULOID CLOSET. For news and updates go to: feltfilms.com Walk Run Cha Cha is now available at nytimes.com/Op-Docs *** 2020 Oscar nomination for Best Documentary (Short) *** 

Linda Ronstadt: The Sound of My Voice is a love song to one of the most memorably stunning voices that has ever hit the airwaves, Linda Ronstadt. She burst onto the 1960s folk rock music scene in her early twenties as the lead singer of the Stone Poneys, Ronstadt eventually branched out to begin her decades long career as a solo artist, touring the world selling out stadiums and, at one point, setting the record as the highest paid female artist in rock. Most remarkable to this day is her interest in and willingness to jump into new and challenging styles of music, including opera, jazz, and Mexican folk, excelling fantastically with each. Ronstadt has also been an outspoken political advocate for causes such as same-sex marriage and the inhumane treatment of undocumented immigrants, never shying away from fighting for what she believes both on and off the stage. Oscar-winning directors Rob Epstein and Jeffrey Friedman (The Times of Harvey Milk, The Celluloid Closet, Common Threads: Stories from the Quilt, Howl, Lovelace and End Game) use deep-cut archival footage, and Ronstadt's own astute recollections, to celebrate an artist whose desire to do justice to the songs that touched her soul made generations of fans fall in love with her - and with the sound of her voice. Co-directors Rob Epstein and Jeffrey Friedman join us to talk about a remarkable singer /artist and an even better person. For news, screenings and updates go to: lindaronstadtmovie.com For more on the films of Rob Epstein and Jeffrey Friedman go to: tellingpictures.com Social Media: facebook.com/RonstadtMovie twitter.com/RonstadtMovie instagram.com/RonstadtMovie

Legendary actor Bruce Dern is in his second science fiction film ever, "Freaks", which co-stars Emile Hirsch and which is in theaters Friday, September 13th. Also on this episode, the co-directors behind the new documentary "Linda Ronstadt: The Sound of my Voice": Rob Epstein & Jeffrey Friedman. Their film opens Friday, September 6th.

B-Man previews the 2019 Oscars telecast, then puts his Nobbish reputation on the line by telling you who should win, who will win, and - most importantly - who he would have nominated in the first place. Listen up to win your Oscar pool! (or if you need a scapegoat should you lose)   Show rundown: 2:25 - Controversy #1:Best Popular Film category 4:30 - Controversy #2:Host search woes 10:30 - B-Man's Oscar host pick 12:00 - Controversy #3:Original song performances controversy 13:30 - Controversy #4: 4 categories receiving awards during commercial break 15:00 - Controversy #5: Overall show length 16:30 - Possible reasons for declining viewership 19:00 - Why B-Man still enjoys and looks forward to the Oscars every year 23:00 - Is Roma winning Best Picture a given? 25:00 - Will the blockbuster once again save Oscar viewer ratings? 27:30 - Makeup and Hair 29:00 - Costume Design 30:50 - Sound Mixing 34:00 - Sound Editing 35:00 - Original Song 35:30 - Original Score 36:30 - Visual Effects 37:00 - Production Design 38:00 - Cinematography 39:00 - Film Editing 40:00 - Foreign Language Film 40:30 - Animated Feature 41:40 - Adapted Screenplay 42:40 - Original Screenplay 45:40 - Best Documentary Feature 47:00 - Supporting Actor 50:00 - Supporting Actress 51:00 - Lead Actor 54:40 - Lead Actress 57:10 - Best Director 59:00 - Best Picture   2019 Academy Award Nominations: Best Picture: “Black Panther” “BlacKkKlansman” “Bohemian Rhapsody” “The Favourite” “Green Book” “Roma” “A Star Is Born” “Vice” Lead Actor: Christian Bale, “Vice” Bradley Cooper, “A Star Is Born” Willem Dafoe, “At Eternity’s Gate” Rami Malek, “Bohemian Rhapsody” Viggo Mortensen, “Green Book” Lead Actress: Yalitza Aparicio, “Roma” Glenn Close, “The Wife” Olivia Colman, “The Favourite” Lady Gaga, “A Star Is Born” Melissa McCarthy, “Can You Ever Forgive Me?” Supporting Actor: Mahershala Ali, “Green Book” Adam Driver, “BlacKkKlansman” Sam Elliott, “A Star Is Born” Richard E. Grant, “Can You Ever Forgive Me?” Sam Rockwell, “Vice” Supporting Actress: Amy Adams, “Vice” Marina de Tavira, “Roma” Regina King, “If Beale Street Could Talk” Emma Stone, “The Favourite” Rachel Weisz, “The Favourite” Director: Spike Lee, “BlacKkKlansman” Pawel Pawlikowski, “Cold War” Yorgos Lanthimos, “The Favourite” Alfonso Cuarón, “Roma” Adam McKay, “Vice” Animated Feature: “Incredibles 2,” Brad Bird “Isle of Dogs,” Wes Anderson “Mirai,” Mamoru Hosoda “Ralph Breaks the Internet,” Rich Moore, Phil Johnston “Spider-Man: Into the Spider-Verse,” Bob Persichetti, Peter Ramsey, Rodney Rothman Animated Short: “Animal Behaviour,” Alison Snowden, David Fine “Bao,” Domee Shi “Late Afternoon,” Louise Bagnall “One Small Step,” Andrew Chesworth, Bobby Pontillas “Weekends,” Trevor Jimenez Adapted Screenplay: “The Ballad of Buster Scruggs,” Joel Coen , Ethan Coen “BlacKkKlansman,” Charlie Wachtel, David Rabinowitz, Kevin Willmott, Spike Lee “Can You Ever Forgive Me?,” Nicole Holofcener and Jeff Whitty “If Beale Street Could Talk,” Barry Jenkins “A Star Is Born,” Eric Roth, Bradley Cooper, Will Fetters Original Screenplay: “The Favourite,” Deborah Davis, Tony McNamara “First Reformed,” Paul Schrader “Green Book,” Nick Vallelonga, Brian Currie, Peter Farrelly “Roma,” Alfonso Cuarón “Vice,” Adam McKay Cinematography: “Cold War,” Lukasz Zal “The Favourite,” Robbie Ryan “Never Look Away,” Caleb Deschanel “Roma,” Alfonso Cuarón “A Star Is Born,” Matthew Libatique Best Documentary Feature: “Free Solo,” Jimmy Chin, Elizabeth Chai Vasarhelyi “Hale County This Morning, This Evening,” RaMell Ross “Minding the Gap,” Bing Liu “Of Fathers and Sons,” Talal Derki “RBG,” Betsy West, Julie Cohen Best Documentary Short Subject: “Black Sheep,” Ed Perkins “End Game,” Rob Epstein, Jeffrey Friedman “Lifeboat,” Skye Fitzgerald “A Night at the Garden,” Marshall Curry “Period. End of Sentence.,” Rayka Zehtabchi Best Live Action Short Film:  “Detainment,” Vincent Lambe “Fauve,” Jeremy Comte “Marguerite,” Marianne Farley “Mother,” Rodrigo Sorogoyen “Skin,” Guy Nattiv Best Foreign Language Film: “Capernaum” (Lebanon) “Cold War” (Poland) “Never Look Away” (Germany) “Roma” (Mexico) “Shoplifters” (Japan) Film Editing: “BlacKkKlansman,” Barry Alexander Brown “Bohemian Rhapsody,” John Ottman “Green Book,” Patrick J. Don Vito “The Favourite,” Yorgos Mavropsaridis “Vice,” Hank Corwin Sound Editing: “Black Panther,” Benjamin A. Burtt, Steve Boeddeker “Bohemian Rhapsody,” John Warhurst “First Man,” Ai-Ling Lee, Mildred Iatrou Morgan “A Quiet Place,” Ethan Van der Ryn, Erik Aadahl “Roma,” Sergio Diaz, Skip Lievsay Sound Mixing: “Black Panther” “Bohemian Rhapsody” “First Man” “Roma” “A Star Is Born” Production Design: “Black Panther,” Hannah Beachler “First Man,” Nathan Crowley, Kathy Lucas “The Favourite,” Fiona Crombie, Alice Felton “Mary Poppins Returns,” John Myhre, Gordon Sim “Roma,” Eugenio Caballero, Bárbara Enrı́quez Original Score: “BlacKkKlansman,” Terence Blanchard “Black Panther,” Ludwig Goransson “If Beale Street Could Talk,” Nicholas Britell “Isle of Dogs,” Alexandre Desplat “Mary Poppins Returns,” Marc Shaiman, Scott Wittman Original Song: “All The Stars” from “Black Panther” by Kendrick Lamar, SZA “I’ll Fight” from “RBG” by Diane Warren, Jennifer Hudson “The Place Where Lost Things Go” from “Mary Poppins Returns” by Marc Shaiman, Scott Wittman “Shallow” from “A Star Is Born” by Lady Gaga, Mark Ronson, Anthony Rossomando, Andrew Wyatt and Benjamin Rice “When A Cowboy Trades His Spurs For Wings” from “The Ballad of Buster Scruggs” by David Rawlings and Gillian Welch Makeup and Hair: “Border” “Mary Queen of Scots” “Vice” Costume Design: “The Ballad of Buster Scruggs,” Mary Zophres “Black Panther,” Ruth E. Carter “The Favourite,” Sandy Powell “Mary Poppins Returns,” Sandy Powell “Mary Queen of Scots,” Alexandra Byrne Visual Effects: “Avengers: Infinity War” “Christopher Robin” “First Man” “Ready Player One” “Solo: A Star Wars Story”  

Efféminés, bien habillés, qui prennent soin d’eux, qui aiment le sport… les homosexuels au cinéma et dans les séries ont des personnalités clichés, dont la plus célèbre est celle de « la folle ». A la fois source d’identification pour les jeunes gays et parfois frein dans l’acceptation de soi, ces images d’une communauté gay sont aussi un canal de communication militant des concernés pour parler aux hétéros, « aux autres », pour montrer à quoi ressemblent vraiment les gays. Comment la représentation des homos a-t-elle évolué dans la pop culture ? Que dit-elle de la masculinité acceptable pour notre société ? Jennifer Padjemi reçoit Maxime Donzel, auteur et réalisateur du documentaire « Tellement gay » sur la culture gay dans les séries et au cinéma. RÉFÉRENCES CITÉES- Le documentaire « Tellement gay » de Maxime Donzel : https://www.dailymotion.com/video/x5r4kp0- « The Celluloid Closet » de Vito Russo- « The Celluloid Closet », film documentaire de Rob Epstein et Jeffrey Friedman - « Réflexion sur la question gay » de Didier Eribon CRÉDITS Miroir miroir est un podcast de Jennifer Padjemi, produit par Binge Audio. Réalisation : Quentin Bresson. Générique : Théo Boulenger. Chargée de production : Juliette Livartowski. Chargée d’édition : Camille Regache. Direction des programmes : Joël Ronez. Direction de la rédaction : David Carzon. Direction générale : Gabrielle Boeri-Charles. Direction artistique : Julien Cernobori. See acast.com/privacy for privacy and opt-out information.

Why should medical professionals put a lot more effort to improve end-of-life care? On today's episode, internist Dr. Shoshana Ungerleider discusses her life's mission and why bedside manner is of utmost importance. “Patients and families deserve better. We have to do a better job at communicating.” - Dr. Shoshana Ungerleider Three Things We Learned Patients must be included in the bigger picture Dr. Shoshana realized a lot of things when she did her ICU residency. None of their palliative measures, complex studying of cases, and wading through data would change the inevitable course of a patient's journey. But there has always been the need to look at cases in the context of the patient's entire life and if they had a sense of what was happening around them. Many doctors aren't trained to hold conversations A recent study in the Journal of American Medical Association reported that most doctors don't have training to converse effectively. This completely blew Dr. Shoshana's mind. As a hospital-based doctor holding a lot of difficult conversations on goals and progress with patients and their families, this was telling of a public health problem. Lackluster bedside manners are a public health concern Indeed, there are more pressing and challenging public health issues in the country. But no patient or family must feel like they have to interrogate medical professionals to get a better understanding of where they stand. Practitioners owe it to people they have sworn to care for, even if only palliative, to tell them everything that they need to know. Empowerment of patients and families is an ongoing struggle for the medical community. The concern will remain stagnant unless properly addressed. In the end, the patients suffer, and it is disappointing that even in their last stretch, they don't get the kind of care they deserve. Bio: Dr. Shoshana Ungerleider is a physician, founder, philanthropist and speaker. She works as an internist practicing hospital medicine at California Pacific Medical Center in San Francisco.  Shoshana started the Ungerleider Palliative Care Education Fund. This supports innovative programs that further palliative care education at every level. She funded Extremis, a short documentary about end of life decision making in the intensive care unit by Academy Award nominated director, Dan Krauss. The film won Best Documentary Short at Tribeca Film Festival in April 2016 and was nominated for a 2017 Academy Award and for 2 Emmy Awards. She also executive produced End Game. It is a short documentary on hospice and palliative care by Academy Award winning directors Rob Epstein and Jeffrey Friedman. The documentary premiered at Sundance Film Festival this year and was acquired by Netflix. Shoshana founded End Well, a first of its kind media platform and annual symposium on human-centered design and innovation to improve the end of life experience. Links: Dr. Shoshana Ungerleider - Website Dr. Shoshana Ungerleide - Twitter Dr. Shoshana Ungerleider - LinkedIn End Well Project - Website Review of End Game Documentary Trailer of End Game Documentary Right to Die In California We hope you enjoyed Dr. Shoshana Ungerleider on this episode of Legends and Losers! Christopher loves hearing from his listeners. Feel free to email him, connect on Facebook, Twitter, Instagram and subscribe on iTunes!

The Dudes discuss 1995's The Celluloid Closet, directed by Jeffrey Friedman and Rob Epstein, and narrated by Lily Tomlin. This documentary, based on the book by the late, great Vito Russo, details the portrayal of homosexuality in cinema from its beginning through the present, and is a must-watch for anyone who loves the movies. Other Movies Discussed: The Marriage of Maria Braun (1979) - Directed by Rainer Werner Fassbinder All The King's Men (1949) - Directed by Robert Rossen QUESTION OF THE WEEK: What is your favorite movie about the movies, and why? Contact us below! And don't forget to tell us what YOU'VE been watching! www.dudesonmovies.com www.facebook.com/dudesonmovies www.twitter.com/dudesonmovies www.instagram.com/dudesonmovies www.soundcloud.com/dudesonmovies dudesonmovies@gmail.com

We examine censorship in horror with a detailed look at the Hays Code, the demise of horror comics, and the video nasties era! Sources for this episode:   The Hays Code "The History of Hollywood Censorship and the the Ratings System" - Filmmaker IQ Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930-1934 by Thomas Doherty Hollywood's Censor: Joseph I. Breen and the Production Code Administration by Thomas Doherty The Celluloid Closet, directed by Rob Epstein and Jeffrey Friedman “Morals, Markets, and ‘Horror Pictures’: The Rise of Universal Pictures and the Hollywood Production Code.” by Kyle Edwards, Oakland University The Demise of Horror Comics Tales From the Crypt: From Comic Books to Television The Horror! The Horror!: Comic Books the Government Didn’t Want You To Read by Jim Trombetta “Censors and Sensibility: RIP, Comics Code Seal of Approval, 1954-2011” by Glen Weldon, NPR “RIP The Comics Code Authority” by Douglas Wolk, Time.   Video Nasties Video Nasties: Moral Panic, Censorship, and & Violence (available on Shudder) Video Nasties: Draconian Days (available on Shudder)

This week on StoryWeb: Allen Ginsberg’s poem “Howl.” On October 7, 1955, Allen Ginsberg made the literary world sit up and listen to his “Howl.” It premiered at the Six Gallery in San Francisco, with Ginsberg doing a reading of the long poem. After Ginsberg’s “howl” (his answer to Walt Whitman’s “barbaric yawp”), the literary world would never be the same again. Michael McClure, another poet who read that evening, said, “Ginsberg read on to the end of the poem, which left us standing in wonder, or cheering and wondering, but knowing at the deepest level that a barrier had been broken, that a human voice and body had been hurled against the harsh wall of America.” A few months later, in 1956, “Howl” was published along with other Ginsberg poems by Lawrence Ferlinghetti, who ran City Lights Bookstore. Truly, Allen Ginsberg was one of the great twentieth-century American poets, the literary heir to the nineteenth-century American bard Walt Whitman. Whitman and Ginsberg shared so much in common. The first edition of Whitman’s Leaves of Grass came out in 1855, precisely one hundred years before Ginsberg first read “Howl” in public. Leave of Grass also had a rather notorious publication, and it, too, captured the attention of the literary establishment – in the person of Ralph Waldo Emerson, America’s most influential thinker and writer of the day. Like Whitman, Ginsberg favored the extremely long poetic line. Like Whitman, he could not be contained. Like Ginsberg, Whitman celebrated all Americans – from the prostitute to the President, including those from the nearly invisible underbelly of the United States. Whitman gloried in – sang the song of – laborers, immigrants, slaves, Native Americans, women, men, everyone. Like Ginsberg, Whitman was a gay man in a dangerous time to be gay, though Ginsberg’s Beat contemporaries were likely much more accepting of Ginsberg’s sexuality than Whitman’s peers were. But as Ginsberg knew, the world of the Beat Generation was relatively small, and he faced a larger America deeply hostile to and extremely fearful of homosexuality. But where Whitman celebrates Americans of every stripe, of every region, every race, both sexes, Ginsberg is howling, rending his clothes in anguish and despair. “I saw the best minds of my generation destroyed by madness, starving hysterical naked,” Ginsberg writes in the poem’s shocking opening. Where Whitman was strongly encouraged by Emerson to tone down the frank sexuality of Leaves of Grass and where Whitman was shunned by polite society for the graphic nature of his poetry, Ginsberg was actually taken to court on obscenity charges for “Howl.” It was fifty-nine years ago today that a judge finally ruled that the poem was not obscene. Of course, Whitman was not Ginsberg’s only influence. As you read “Howl,” you can pick up strains of Hebrew cadences, rhythms of Herman Melville’s epic voice, echoes of William Carlos Williams, inspirations from Jack Kerouac, and so much more. But Ginsberg was explicit more than once that he saw Whitman as one of his primary influences. Ginsberg’s 1955 poem “A Supermarket in California” pays homage to Whitman, as Ginsberg imagines walking the grocery store aisles with Whitman, whom he addresses as “dear father, graybeard, lonely old courage-teacher.” Particularly moving is the Voices and Visions episode on Walt Whitman, which features Allen Ginsberg discussing his poetic and personal debt to Whitman. If you don’t want to watch the video, you can read a transcript of Ginsberg’s comments at the Allen Ginsberg Project website. You can read “Howl” online at Poets.org or buy a copy of Howl and Other Poems. You can also buy the original draft facsimile of the poem. “This annotated version of Ginsberg's classic,” says the book’s cover, “is the poet's own re-creation of the revolutionary work's composition process—as well as a treasure trove of anecdotes, an intimate look at the poet's writing techniques, and a veritable social history of the 1950s” To learn a great deal more about the famous poem and the obscenity trial, watch the film Howl, written and directed by Rob Epstein and Jeffrey Friedman and starring James Franco as Ginsberg. You might also want to read the outstanding New Yorker article “Bob Dylan, the Beat Generation, and Allen Ginsberg’s America.” I’m proud to live in Boulder, Colorado, where Allen Ginsberg and Anne Waldman, another Beat poet, founded the Jack Kerouac School of Disembodied Poetics at Naropa University, the nation’s only accredited Buddhist-inspired university. The Jack Kerouac School adds to the literary liveliness of Boulder. Visit thestoryweb.com/Ginsberg for links to all these resources and to hear Allen Ginsberg read “Howl.”

In this episode of the Movie Geeks United! original series The Art of the Documentary, director Rob Epstein discusses his Oscar winning documentary The Times of Harvey Milk. For more information on The Art of the Documentary series, including a complete line-up of all-new and archived interviews, visit http://www.moviegeeksunited.net. 

Howard Rosenman has established himself as one of the most prolific producers in film and television, best known for the hilarious remake of FATHER OF THE BRIDE starring Steve Martin and Diane Keaton, the cult phenomenon BUFFY THE VAMPIRE SLAYER and THE FAMILY MAN starring Nicolas Cage. Rosenman's films have won 2 Peabody Awards, an Academy Award and top honors at the Sundance, Berlin and Cannes Film Festivals. His work ranges from the above-mentioned films plus THE MAIN EVENT with Barbra Streisand, STRANGER AMONG US with Melanie Griffith, and YOU KILL ME with Sir Ben Kingsley, to the acclaimed documentaries, CELLULOID CLOSET (nominated for an Oscar and a Peabody) and COMMON THREADS: TALES FROM THE QUILT (which won an Oscar and his second Peabody) as well as PARAGRAPH 175, about Gays in the Holocaust, to the TV series JOHN FROM CINCINNATI for HBO. He also produced GROSS ANATOMY, STRAIGHT TALK with Dolly Parton, SHINING THROUGH, TRUE IDENTITY, Hugh Hudson's LOST ANGELS starring Adam Horowitz of the Beastie Boys, RESURRECTION with Ellen Burstyn, NOEL with the late Robin Williams and Paul Walker, Penelope Cruz and Susan Sarandon. He produced MY FIRST MISTER and Harvey Fierstein's TIDY ENDINGS, which won several EMMYS. Rosenman remade his very first movie, "Sparkle" starring Whitney Houston and Jordin Sparks. Another Rosenman-made documentary, BRAVE MISS WORLD about his great friend Linor Abarg'il who was crowned Miss World, was directed by Cecilia Peck, sold to Netflix and nominated for an Emmy. Rosenman made his acting debut in Gus Van Sant's MILK playing David Goodstein (founder of “The Advocate”) opposite the Oscar-winning Sean Penn as “Harvey Milk.” He has since acted in six more movies and is a proud member of SAG-AFTRA. His current film projects in development include: BETSY and THE EMPEROR starring Al Pacino as Napoleon, AMERICAN NEUROTIC at Sony Pictures, CALL ME BY YOUR NAME to be presented by James Ivory of legendary “Merchant–Ivory” fame and directed by Mr. Ivory and Luca Guadagnino. Peter Soears is his partner. Additionally, Rosenman is currently preparing MATTER OF SIZE, a remake of Israel's most successful comedy, released in 2009, at Paramount Pictures with Jon Turtletaub directing. He is also preparing a movie called SHEPHERD: A Tale of a Dog in World War II, based on the best-selling Israeli novel with Lynn Roth writing and directing. He just sold a Mini-Series to David Ellison's Skydance TV, six hours of television based on Michael Oren's book THE SIX DAY WAR with Rob Eshman writing. Rosenman is also putting together a film based on the life of ANITA BRYANT written by Chad Hodge, to be directed by Rob Epstein and Jeffrey Friedman, starring Uma Thurman and Zach Quinto. Darren Star and Jeffrey Schwarz are his partners. He just returned from Israel where he set up his cousin, Ora Ahimeir's best-selling book, BRIDE (a Sapir nominated book, about their great-grandparents, set in Mandatory Safed and Hungary in the Nineteen Forties) at Herzeliya Studios. It will be his first movie in Hebrew and will be filmed in Israel. In addition Rosenman is preparing a Broadway Musical based on a dream he had in 1985 after having seen PHANTOM OF THE OPERA and LES MISERABLES in one day in London, ANNE RICE'S “VOCE.” It is being written by Craig Lucas with music by Lance Horne and Lisbeth Scott. His producing partners are Belinda Casas-Wells, Chuck Martinez and Allan Levey. In January 2009, Rosenman became a Contributing Editor of the Los Angeles Times Magazine. His articles about his longtime friendships with Leonard Bernstein, Elizabeth Taylor and Diane von Furstenberg can be found on http://www.latimes.com/features/. As an educator, Rosenman has lectured at USC's Stark Producing Program, UCLA, Yale, Columbia, NYU, Brandeis and AFI. Rosenman tours the world with his seminar “HOWARD ROSENMAN'S THE HOLLYWOOD SELL,” an inside look at producing for the screen in which he shares his insights and adventures with writers, actors, directors, producers, and anyone who loves film and TV. The seminar has been presented in Memphis, Omaha, Philadelphia, Boston, New York and Los Angeles with upcoming engagements in Seattle, Austin, San Francisco, South Africa and Israel. He is currently at work on his first book also entitled THE HOLLYWOOD SELL, which will be both a memoir and a how-to-produce guide for aspiring filmmakers. Rosenman is Co-Founder of Project Angel Food in LA, which provides meals-on-wheels for patients with terminal illnesses and is now one of the largest charities in Southern California. In 2009 Beth Chayim Chadashim awarded him with the Herman Humanitarian Award. He was honored by film organization Power Up as “one of 2010's ten amazing men in show business.” In 2013 he received the Inspiration Award from ORT America. He currently serves on the advisory board overseeing the construction of the new film school at his alma mater Brooklyn College, and just offered a faculty job there as a Distinguished Professor. Born in Brooklyn, NY and raised on Long Island, Rosenman is the son of seventh generation Israelis from Jerusalem. He graduated Magna Cum Laude from Brooklyn College with a degree in European Literature. In 1967, he took a leave from medical school to serve as an extern medic in the Six Day War as a part of the Israeli Defense Forces where he met his mentor Leonard Bernstein who encouraged him to go into show business.

In this special episode, hosts Steve Head and John Black are joined by the writer/directors of "Howl" - Rob Epstein and Jefferey Friedman. Be sure to visit the official "Howl" website at HowlTheMovie.com. Howl opens in Boston at the Coolidge Corner Theatre on October 1st. Visit Coolidge.org for showtimes. Follow The Post-Movie Podcast online at Post-Movie.net Follow Steve on Twitter at twitter.com/stevehead Questions or feedback? We'd love to hear from you! Email us at postmoviepodcast@gmail.com

Neste podcast,  Angélica Hellish, Marcos Noriega, Polly Ana e João Paulo comentaram três ótimos documentários cada um e ressaltaram a importância de assistir esse gênero cinematográfico que traz novas perspectivas sobre problemas que a Televisão não mostra.  Qual é o seu preferido? Comenta! Quer ajudar o nosso podcast? Acesse o Cineclube da Masmorra no Spotify, escute um programa e dê estrelas para gente!     Olhar Estrangeiro Direção:Lúcia Murat - Ano: 2006 Buena Vista Social Club Direção:Win Wenders - Ano: 1999 The Celluloyd Closet Direção:Rob Epstein,Jeffrey Friedman - Ano: 1995 Estamira Direção:Marcos Prado - Ano: 2006 À Margem do Corpo Direção:Débora Diniz - Ano: 1998 Aborto dos Outros Direção:Carla Gallo - Ano: 2007 Bem Vindo à São Paulo Direção: Leon Cakoff, Wolfgang Becker, Renata de Almeida, Kiju Yoshida, Mika Kaurismäki, Phillip Noyce, Caetano Veloso, Jim McBride, Hanna Elias, Maria de Medeiros, Ming-liang Tsai, Ash, Mercedes Moncada, Andrea Vecchiato, Amos Gitai, Daniela Thomas Brasil-Brasil Direção:Robin Denselow Ano:2007 Home – O mundo é nossa casa Direção: Yann Arthus-Bertrand - Ano: 2009 Ilha das Flores Direção: Jorge Furtado Ano: 1989 Muito além do Cidadão Kane Direção: Simon Hartog - Ano: 1993 Religulous Direção: Larry Charles - Ano: 2008 Citados no podcast: Reel Bad Arabs - Como Hollywood Vilificou um povo Maria Bethânia - Música é Perfume “O vídeo documentário como instrumento de mobilização social “ Por Vanessa Zandonade e Maria Cristina de Jesus Fagundes O documentário surgiu da característica original do cinema de registrar os acontecimentos cotidianos das pessoas e animais. As primeiras evidências históricas, enquanto gênero cinematográfico, surgiram com o norte americano Robert Flaherty, o qual acompanhou a vida dos esquimós do norte do Canadá de 1912 a 1919 e lançou o filme Nanouk, o esquimó, em 1922. Diante da realidade brasileira, em que há um elevado grau de analfabetismo e baixo poder aquisitivo da maioria da população, o acesso à cultura e ao conhecimento, de um modo geral, torna-se `privilégio' de poucos. A percepção dos acontecimentos da sociedade como um todo, provém, principalmente, dos meios de comunicação de massa. A apatia da maioria da população frente aos acontecimentos diários transmitidos via mídia televisiva, deve-se à falta de compreensão das realidades veiculadas. Sem clareza das idéias, apáticos com relação aos problemas e sem a compreensão dos fatos, os membros das comunidades não conseguem se organizar em busca de melhorias. Dessa forma, desencadeia-se um processo de estagnação social, no qual os fatos são absorvidos sem nenhum questionamento. O jornalista Michael Kucinski, ressalta no livro Conceitos de jornalismo, os problemas acarretados pelos noticiários. Segundo ele: ``Schulz critica as reportagens qualificando-as de superficiais e desprovidas da preocupação de assinalar as tendências fundamentais e os contextos mais amplos.'' O documentário deve promover a integração entre os membros da comunidade retratada e desenvolver a cooperação entre eles, de forma a enriquecer os conhecimentos individuais e coletivos. Possibilita ainda ao jornalista especializado no gênero, a oportunidade de dedicar-se aos fatos do cotidiano, os quais envolvem todos os tipos de pessoas, independente da raça, cor, religião, ou posição social que exercem e não considerar os ``furos'' de reportagem como prioridade de produção. Feed|Facebook|Twitter|Instagram|Padrim Inscreva-se no nosso canal no Youtube: O vídeo vai sair por lá! CLIQUE AQUI IMPORTANTE! Gosta do nosso trabalho e quer que ele continue? Doe via PIX! Nossa chave é pixmasmorracine@gmail.com ou seja nosso padrinho ou madrinha nos apoiando no Padrim ou no Colabora aí.  Ajude a manter os podcasts independentes, como o nosso no ar, apoie.