Podcast appearances and mentions of Adam Horowitz

**Note: This extra-long conversation continued for another 25 mins, which has been posted for Patrons of the show.** A very special episode featuring comrades and former guests of the show: Nora Barrows-Friedman from El, writer Morgan Artyukhina, filmmaker Dror Dayan, and Adam Horowitz from Mondoweiss Watch the video edition on The East is a Podcast YouTube channel Consider supporting the show www.patreon.com/east_podcast

In this deep dive episode, we look at how sleep onset can help creativity. With our amazing guest speakers, Professor Bob Stickgold, Dr Adam Horowitz, Professor Delphine Oudiette and Dr Celia Lacaux, we take a look at their work on creativity, dreams and N1 sleep. Together, we discuss different definitions of creativity, what defines N1 and what it is about N1 that makes it prime time for creative processing. Find out more about our guest speakers:Professor Bob StickgoldDr Adam HorowitzProfessor Delphine OudietteDr Celia LacauxPapers from the episode:Sleep onset is a creative sweetspot Replaying the Game: Hypnagogic Images in Normals and AmnesicsDormio: A targeted dream incubation deviceHost: Professor Penny LewisEditor: Sophie Smith Check out our NaPS website to find out more about our team, our research and events. This recording is the property of the Sleep Science Podcast and not for resale.

Ione Skye joined the show to discuss her new book, Say Anything. From Toxic Relationship with Anthony Kiedis to Early Marriage with Beastie Boys’ Adam Horowitz to Affairs with Gorgeous 90s “Bad Girls”, All in Shadow of Famous but Absent Father.. Gen X Icon Bares All in New Memoir. See omnystudio.com/listener for privacy information.

Adam Horowitz (@mondowitz) is Executive Editor of Mondoweiss (@Mondoweiss)   Nora Barrows-Friedman (@norabf) is Associate Editor of The Electronic Intifada (@intifada), radio broadcaster, author, co-host of the EI Podcast and @thebriefpod   Watch the video edition on The East is a Podcast YouTube channel     Consider supporting the show www.patreon.com/east_podcast Check out the Anti-Imperialist Archive http://feeds.libsyn.com/437079/rss  

Welcome to Cyberpunk Cinema – the Definitive Dive into the Dark Future of Science Fiction. I am your host, Anthony La Pira, and I will be taking you on a cinematic journey through the sprawling cityscapes, the crippling datastorms, and the cybernetic implants that encompass all things Cyberpunk.In this week's episode, I will be breaking-down the great lega-sequel 2010 cyberpunk movie, Tron Legacy  – directed by Joseph Kosinski, written by Edward Kitsis and Adam Horowitz, starring Jeff Bridges, Garrett Hedlund, Olivia Wilde, Bruce Boxleitner, and Michael Sheen.The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.Tron Legacy is one of the best cyberpunk films of this century. It holds a special place in my heart because I showed this film to my 4-year-old son back in 2011 and it became one of the first films that he obsessed over. We watched it dozens of times together and I was shocked by how much more I loved it watching HIM experience it through his eyes. It made the film that much more poignant, especially with the father/son angle in the film. Let's just say, this viewing definitely got me teary-eyed. So, do me a favor – it's time to access your cranial jacks, boot up your Ono-Sendai Cyberspace 7, and slap on your damn mirror-shades. You know what time it is! Cyberpunk Cinema starts…now!Anthony's IG - https://www.instagram.com/stormgiantproductionsCyberpunk Cinema IG - https://www.instagram.com/cyberpunk.cinemaSignal Fragment SoundCloud - https://soundcloud.com/signalfragmentSend us a text

Global Anti-Apartheid Conference on Palestine: Adam Horowitz by Radio Islam

Hundreds of dead bodies were found at the Nasser Hospital's surroundings in Khan Younis, south of the Gaza Strip, the Palestinian Civil Defense said on Thursday. The Civil Defense announced in a press conference that since Wednesday alone, 392 bodies had been found in mass graves, many of whom had been identified as missing for weeks, while 58% of the bodies haven't been identified. Muhammad al-Mughayyir, director of the Palestinian Civil Defense in Gaza, said that some 20 bodies were buried while medical and medication tubes were still connected to their bodies, suggesting that they might have been buried alive. Al-Mughayyir added that the bodies showed signs of torture. Adam Horowitz, our Executive Editor, spoke to Muhammad Shehada, director of communications for Euro-Med Human Rights Monitor, an organization with staff on the ground in Gaza documenting human rights violations. Muhammad describes the scene their staff is observing. Here's that interview. - - - - - Support our work Help us continue our critical, independent coverage of events in Palestine, Israel, and related U.S. politics. Donate today at https://mondoweiss.net/donate Articles and Links mentioned in the show ‘Operation al-Aqsa Flood' Day 202: Gaza's Civil Defense finds hundreds of new bodies in mass graves at Nasser Hospital - Qassam Muaddi The Shift: Does the White House care about mass graves? - Michael Arria ‘It felt like pulling my heart out of the earth:' testimonies from the mass grave at Nasser Hospital - Tareq Hajjaj Subscribe to our free email newsletters. Share this podcast Share The Mondoweiss Podcast with your followers on Twitter. Click here to post a tweet! If you enjoyed this episode, head over to Podchaser, leave us a review, and follow the show! Follow The Mondoweiss Podcast wherever you listen Amazon Apple Podcasts Audible Deezer Gaana Google Podcasts Overcast Player.fm RadioPublic Spotify TuneIn YouTube Our RSS feed We want your feedback! Email us Leave us an audio message at SparkPipe More from Mondoweiss Subscribe to our free email newsletters: Daily Headlines Weekly Briefing The Shift tracks U.S. politics Palestine Letter West Bank Dispatch Follow us on social media Mastodon Instagram Facebook YouTube Bluesky Twitter/X WhatsApp Telegram

Im Frühling 2024 können die Beastie Boys und all ihre Fans zwei schöne Jubiläen feiern: Im Mai 1994 erschien eines ihrer besten Alben, „Ill Communication“. Mit drauf: Sabotage“, diese wütende Anarcho-Hymne mit 70er-Jahre-Krimiserien-Video. Und im Juni 2004 kam „To The 5 Boroughs“, eine Ode an ihre Heimatstadt New York. Der Big Apple Melting Pot hatte die Kombo gerade zu Beginn geprägt: Ende der 70er, Anfang der 80er flossen in NYC die damals neuen Musikrichtungen Hip Hop, Punk, Post Punk und Dub ineinander. MCA, Ad-Rock und Mike D inhalierten all das und spuckten es auf ihrem Debut als Rap Rock („License To Ill“) und auf dem Folge-Album als Sample-Meisterwerk („Paul's Boutique“) wieder aus. Später fügten sie dieser speziellen Melange noch u.a. Grunge, Bossanova, Jazz, Boogaloo und Indische Musik hinzu – ihr Einfallsreichtum war schier unerschöpflich, ihre Herangehensweise immer zutiefst respektvoll und positiv. Bis MCA aka Adam Yauch im Mai 2012 viel zu früh verstarb – die Beasties waren Geschichte. Die Geschichte der Band haben sie niedergeschrieben in einer Anthologie, ihrem „Beastie Boys Book“. Musikjournalist-Kollege Vincent Lindig hat Adam Horowitz und Michael Diamond 2018 dazu interviewt. In der aktuellen Episode #088BeastieBoys erzählen Vincent von jener Begegnung und Adam und Mike von den Jahren als sie als Beastie Boys erst New York, dann MTV und die ganze Welt erobert haben.

Philip Weiss, 68, of Philipstown, is the founder of Mondoweiss, a site that "provides news and analysis unavailable through the mainstream media regarding the struggle for Palestinian human rights." How did the site get started? It began as a blog in 2005 at The New York Observer. My editor, the late Peter Kaplan, said: "You should just write about what's on your mind." He coined the name. What I cared about most at the time was the Iraq War and foreign policy. About 10 years ago, we began to focus on Palestine, largely with the inclusion of my partner, [executive editor] Adam Horowitz, who is more menschy than I am. I'm interested in the Jewish community and privileged America - the elites, the establishment. Adam is more of an advocacy, left-wing writer. He guided the identity but I approved his direction. There were people surprised and upset [at the focus on Palestine by Jewish writers]. I heard from friends - or former friends - who regard us as antisemitic. How do you respond? It's foolish and unfortunate and a terrible smear against people who are concerned with human rights. I think Zionism, the project of Jewish nationalism in Israel and Palestine, is dangerous to the Jewish people and Jewish life. I love my American Jewish secular culture. I grew up in an academic but not religious Jewish family; my ethical, intellectual and cultural concerns began in a very Jewish place. What is it like coordinating with reporters and sources in Gaza? It's an extremely desperate situation. I'm spared a lot of it because I live here, but it's awful for the whole staff. The fact that 50 percent of Biden voters say [in a poll] that there's genocide taking place is a reflection of the broad understanding within the progressive community. I find the grassroots protests in the Hudson Valley to be deeply admirable. But as someone who has been supporting a boycott of Israel for close to 18 years, it's hard to say what will move the needle. You published an opinion piece by a refugee who refers to "the determination and courage of those young people who returned to their land on Oct. 7." Were you concerned that could be seen as a justification for the violence? I am concerned by some of the left's justifications for Oct. 7. Some of that is expressed on the site. I have a different attitude, which is harsh judgment. These are not actions I would have undertaken; I only support action that I would undertake, which is nonviolence. There's a difference between publishing a certain attitude and embracing it. These views are widely held within the Palestinian community, and they're also a reflection of how much violence has been visited on this community for decades. But there's danger in some of those types of statements for the Palestinian solidarity movement. At the same time, I think there is some ignorance about the causes of the Oct. 7 atrocities, this latest outbreak of violence, which is up there historically with the birth of Israel in 1948 and with the wars of 1967 and '73. What Hamas did is horrifying but it must be understood in the context of apartheid. In that sense, our history of slavery and the slave revolts of the 1830s in the South are guides. How do you see the current conflict ending? Horribly. There will be a state of stasis that resolves none of the underlying and intractable and somewhat insurmountable issues. You have claims to the same land that appear to be irreconcilable. But stasis within a month, and then it will leave the front pages. My advice for [Secretary of State] Antony Blinken would be to not talk about big solutions. Let's talk about enforcing violations of human rights in an international forum, standing by U.S. policy against human rights violations, standing by the rules-based order that has existed since World War II, call for investigations of war crimes by both sides and call apartheid what it is.

Combien de fois avez-vous regardé, la langue pendue, des photos sur les réseaux de sociaux de personnes qui semblent être en perpétuelles vacances dans des endroits paradisiaques ? Notre invité, Adam Horowitz, est l'un de ces chanceux. Il est féru de voyages et sait qu'on peut se le permettre, même à budget limité. Il vient nous parler de ses pérégrinations et des importantes leçons qu'il en a tiré. Son Instagram : https://www.instagram.com/adamhrwtz?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==See omnystudio.com/listener for privacy information.

This is only 65% of the conversation. Subscribe to the East is a Podcast on Patreon to listen to the rest of the episode.) Mary Turfah (@maryturfah) is a physician and writer.  Check out her amazing piece on Mondoweiss, "Before the light goes out"  Adam Horowitz (@mondowitz) is the Executive Editor at @Mondoweiss Support www.patreon.com/east_podcast

In February, Students for Justice in Palestine held their 12th annual conference in Los Angeles for a weekend of critical discussion, movement building, and political education. Michael Arria spoke with a member of the group's steering committee about the themes of the conference, the state of Palestine activism on U.S. campuses, and the victories of 2022. After that, we'll hear about the Stop Cop City protests in Atlanta, and the links between the Georgia International Law Enforcement Exchange and Israeli police. Adam Horowitz spoke to Kamau Franklin, an activist and organizer in Atlanta involved in the Stop Cop City movement. - - - - - Support our work Help us continue our critical independent coverage of events in Palestine, Israel, and related U.S. politics. Donate today at https://mondoweiss.net/donate Articles and Links mentioned in the show National Students for Justice in Palestine Stop Cop City Movement Atlanta 2 Palestine panel discussion (video) Inside GILEE, the US-Israel law enforcement training program seeking to redefine terrorism, Anna Simonton Subscribe to our free email newsletters. Share this podcast Share The Mondoweiss Podcast with your followers on Twitter. Click here to post a tweet! If you enjoyed this episode, head over to Podchaser and leave us a review and follow the show! Follow The Mondoweiss Podcast wherever you listen Amazon Apple Podcasts Audible Deezer Gaana Google Podcasts Overcast Player.fm RadioPublic Spotify Stitcher TuneIn YouTube Our RSS feed We want your feedback! Email us Leave us an audio message at SparkPipe More from Mondoweiss Subscribe to our free email newsletters: Daily Headlines Weekly Briefing The Shift tracks U.S. politics Palestine Letter West Bank Dispatch Follow us on social media Facebook Mastodon Twitter Instagram YouTube LinkedIn Tumblr  

Megan and Kim wind up their guest-co-hosting gigs with a bumper crop of pop culture topics. What Now takes us through The Keeper, "Bettys," acceptable crush objects Simon de la Brosse and Ethan Hawke, and Unacceptable crush object Leaf Phoenix. We attempt to understand the plot of Nightmare On Elm Street 5 and the appeal of Queen Of Hearts. We celebrate Mike's extremely correct five-star review of the Beastie Boys' Paul's Boutique, and why the youth still know Tears For Fears. Then it's on to another successful One To Watch pick, and a feature all about every cool late '80s girl's object of disdain: New Kids On The Block. Join us as we go through the issue Step By Step! QUICK LINKS

My guest on this week's That's How I Remember It is Edward “Eddy” Kitsis, who has had a fantastic career as a writer and producer of TV and film. Alongside his partner Adam Horowitz, he has written for television shows like Lost, Popular, Felicity, and more. Eddy and Adam also created and produced Once Upon a Time, which ran for seven successful seasons on ABC, and wrote the screenplay for Tron: Legacy. More recently, Eddy and Adam worked with Steven Spielberg on Amazing Stories for Apple TV. But here's the twist: Eddy has also been my best friend since 8th grade. We get into the way his memories show up in scripts, how his experience seeing the first Tron in the theater affected the writing on the sequel, Easter candy writing metaphors, the influence of older siblings, '80s concerts, and the mystery of our differing recollections of a Thelonious Monster show from 1994. A huge thanks to Eddy for joining us, this was a really fun episode. Please listen and subscribe, as we have more amazing guests coming up in the next few weeks.

In early June, an anonymous collective of Boston-area activists published “The Mapping Project,” an interactive map listing various institutions in Massachusetts and descriptions of their complicity in Zionism or US imperialism. The list includes universities, foundations, nonprofits, schools, and police departments. The group said they set out to deepen activist “understanding of local institutional support for the colonization of Palestine,” as well as how Israel's colonization of Palestine is connected to US policing, US foreign policy, and the displacement of local communities. Mainstream Jewish groups such as the Anti-Defamation League reacted to the map with outrage, claiming that listing Jewish foundations, nonprofits, and the like—alongside their addresses—could incite antisemitic violence. Jewish establishment groups were particularly incensed at The Mapping Project's call to “dismantle” and “disrupt” the institutions listed. Dozens of congressional lawmakers also denounced the project, and the FBI announced it was investigating it. Meanwhile, the map also sparked controversy from an unexpected source: the Palestinian-led Boycott National Commitee, which distanced itself from the website and, in a private letter to BDS Boston, a local group that endorsed the project, said the project will lead to backlash and open up Palestinian rights groups to “infiltration” and “repression.” Jewish Currents editor-in-chief Arielle Angel, contributing editor Josh Leifer, assistant editor Mari Cohen, and senior reporter Alex Kane convened to discuss the accusations against The Mapping Project, whether the website is an effective way to counter Israeli apartheid, and the political divisions that have come to the fore because of the controversy over the project. Articles, Statements and Websites Mentioned: https://mapliberation.org/ (The Mapping Project) “https://jewishinsider.com/2022/06/mapping-project-capitol-hill-federal-investigation-gottheimer-bacon/ (House lawmakers urge federal inquiry into ‘Mapping Project')” by Marc Rod  “https://forward.com/fast-forward/505739/fbi-mapping-project-boston-bds/ (FBI looking into ‘The Mapping Project,' pro-Palestinian site targeting ‘Zionist leaders' in Boston)”https://forward.com/fast-forward/505739/fbi-mapping-project-boston-bds/ ( )by Forward staff https://twitter.com/bandlersbanter/status/1539691734963146753?s=21&t=z3dSWGp-WoxLPXPsUmTy6A (Boycott National Committe's letter to BDS Boston) “https://bdsmovement.net/news/palestinian-bds-national-committee-has-no-connection-and-does-not-endorse-mapping-project (Palestinian BDS National Committee Has No Connection To and Does Not Endorse The Mapping Project)” by Palestinian BDS National Committee “https://mondoweiss.net/2022/06/our-struggles-are-truly-connected-an-interview-with-the-mapping-project/ (‘Our struggles are truly connected': an interview with the Mapping Project)”https://mondoweiss.net/2022/06/our-struggles-are-truly-connected-an-interview-with-the-mapping-project/ ( )by Adam Horowitz “https://mondoweiss.net/2022/06/the-mapping-project-is-not-antisemitic-but-it-is-destructive-activism/ (The Mapping Project is not antisemitic but it is destructive activism)” by Nora Lester Murad “https://jewishcurrents.org/sunrise-sunset (Sunrise, Sunset)” podcast by Jewish Currents staff Thanks to Sophia Steinert-Evoy for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”

Intro: Final Draft is conspiring against us, Beastie Boys' Adam Horowitz, Doris the dog loves the vet, Jim Croce, The Cure. Let Me Run This By You: storytelling, Risk Podcast, The MothInterview: We talk to the creator and producer of You're Being Ridiculous, Jeremy Owens, about offending people, porn, Samantha Irby, Roosevelt University, University of Arkansas, The URTAs, King Lear, Greg Vinkler, Barbara Gaines, Plautus' The Rope, P.F. Changs, Kyogen, Threepenny Opera, Steppenwolf, Brene Brown, Marianne Williamson.FULL TRANSCRIPT (unedited): 2 (10s):And I'm Gina Pulice.1 (11s):We went to theater school together. We survived it, but we didn't quite understand.3 (15s):At 20 years later, we're digging deep talking to our guests about their experiences and trying to make sense of it all.1 (21s):We survived theater school and you will too. Are we famous yet?2 (34s):Yeah.1 (35s):It was one of these things where it's like, final draft will not let you restart your computer. I'm like, fuck you. Final draft. What did you ever do for me? Final draft writer, duet. They're all, they're all plotting against me,2 (47s):But what is, what is, what does final draft have to do with your camera working on this?1 (53s):So in order to, to be okay, the bottom line is I need a new computer. Okay. Let's start there second. Okay. That's the first level of problems. It's like the deepest level. And then we, if we go up a little bit into the level of problems, it is that final draft that I might camera in order to use my camera. Sometimes I have to restart my computer because it's so old. Right. So I need to restart,2 (1m 19s):You know, I want to do any one thing in the morning I got, are really rev my engine.1 (1m 26s):So like, I'm like, okay, well, in order to restart the computer, it's like not letting me restart it because final draft is this because probably final draft is so advanced and my computer is so Jack.2 (1m 39s):Totally. And that's how they get you mad. I feel like they all conspired to be like, okay, well let's make it. So this will work on this version. So then,1 (1m 49s):So anyway, I see you, you look great. I look like shit. So it's probably better my camera's up.2 (1m 57s):So a couple of things I keep forgetting to ask you on here, about how, how did it come to be that you were chatting in the parking lot with Adam Horowitz about your dogs, Volvo.1 (2m 12s):We never talked about that.2 (2m 14s):We did not.1 (2m 15s):Okay. So I rule up, so my dog, Doris, who everyone knows that listens to the podcast and by everyone, I mean, whoever listens to the podcast, you know what I mean? So hopefully it's growing and growing, listen and rate the podcast. Anyway, the point is I roll up to the vet, which I do oh about every other week, because my dog is a very high maintenance. And so she's just so she of course had an ear infection. Cause she has these huge ears that collect all this bacteria. So I roll up and there's an eye and because it's COVID and everything, you have to park outside and wait, but because it's LA all the windows are down and everyone's car and there's this dude sitting in his Kia has electric Kia.1 (2m 59s):Well,2 (2m 59s):My key.1 (3m 0s):Yeah, I know. I know. I did not recognize this human being. He looked like my husband, like fifties gray, maybe had glasses on.2 (3m 13s):Why would you like all our knowledge of them is when they were so, so young. Right,1 (3m 18s):Right. So young. And I like didn't, you know, keep up with the beast. So it was like, I had other things to do, you know? So I was doing other things. So I'm, I'm like trying to corral Doris out of the car. She's crazy. She's trying to get out. She loves the vet. The backdrop is my dog2 (3m 35s):Loves the,1 (3m 36s):Oh my God. She races towards the vet with a fury that is unmatched, loves it. I2 (3m 43s):Never once heard of this in my entire life. So1 (3m 45s):She's really, really excited about the bet. So she's an extra crazy. And I get her out of the carrier to let her sniff around in the parking lot. And I see this gentleman who is the interesting thing about him is that his leg is out the window. Like he's like resting his leg. And I'm like, well, that's kind of weird for like an older dude, but whatever, it's, it's LA like, you know2 (4m 8s):That sound's going to say, I imagine that kind of thing happens in LA.1 (4m 11s):Yeah. And plus he's probably weighed been waiting and waiting for his dog forever. And so, cause you, you have to wait out there, like they don't want you to leave in case they need you and blah, blah, blah, blah, blah. Okay, fine. So I, and I say, and he says, oh, a cute dog. And I'm like, oh, she's a pain in the ass. And then he's like, what's her name? And I'm like, oh, her name is Doris. And he's like, oh, that was my mom's name. And I was like, oh, that's interesting. And then we talked about the origin of Doris, cause it's from a Jim Croce song. And Jim Croce is someone, my husband adores the singer. The folks there yeah. Died when he was 29. Looked like he was about 60. When he died.2 (4m 47s):He was 29.1 (4m 49s):Yes. You know, he looks like David Abbott, Holly, if you ever look at me2 (4m 56s):Like a hole, I see it.1 (4m 59s):But just bringing it back to the old theater school. So, so yeah. And so he's like, we talked about Jim Croce and he's like, Jim Croce is the first person I remember dying. I had that album. And I said, yeah. And he said, that's in a Jim Croce song. And I said, yes, Leroy brown, Friday about a week ago, Leroy shooting dice. And at the end of the bar sat a girl named Doris and who that girl looked nice. And that's why we named Doris Doris. He was like, I don't remember Doris being in that song. So we get into that. Right. Okay. And then he's like, I'm like, oh, is your dog okay? And he's like, well, she, she, she got a cut on her neck and I'm like, oh shit. And I'm like, is that2 (5m 38s):A knife fight in a bar?1 (5m 39s):I was like, how did that happen? And he goes, I don't know. But like, you know, since I'm not a doctor, I figured I'd take, bring her to the vet. I'm like good plan, my friend, good plan. So he's like, I'm waiting for him and waiting for her. And I'm like, oh, okay. And then he said, what's wrong with your dog? And I said, oh my God, what? Isn't wrong with my dog? And I said, my dog has a dermatitis of the vulva and an ear infection. And he's like, wait, what? And I'm like, yes, she just she's out. She's got a lot of allergies because she's a friend. She and I did this to myself by getting a friendship. But like, yeah, she's got, and he said that his dog was really licking her butthole and he had dermatitis of the bottle. And I was like, it's the same I heard of my friend, Morgan has a Frenchie who has dermatitis of the butthole because all Frenchie owners talk about these things.1 (6m 26s):And he's like, oh, well, my dog has dermatitis of the bottle. I'm like, well, mine's got dermatitis of the Volvo. They both have, they both have like private parts itching. Right. And so then we started talking and we talked about a lot of things. Cause you have to wait forever. And then right. And so we talk and talk and talk and no clue who this person is. And he's like,2 (6m 47s):Did you say cut? There's something about that voice?1 (6m 52s):No.2 (6m 52s):No. Okay.1 (6m 54s):'cause he was kinda mumbly and also just looked so natural.2 (6m 60s):Aiming, sabotage.1 (7m 1s):No, not screaming and also not jumping around with his other two cohort. And then I just, I felt like, anyway, it just didn't cross my mind. And his shoelaces were untied. I don't know. It was like a real casual situation.2 (7m 15s):Yeah. Honestly, I would never assume somebody in a key is famous. That's my snobbery, but I wouldn't.1 (7m 21s):Yeah. I mean, I, it was a very, very, very nice camp, but it still, it was a key I said to you like, oh, that was her talking about cars. I mean, we talked about kids, cars, Manhattan. Then he said, I'm from it. I said, oh, I'm from Chicago. And he said, I'm from Manhattan. And I said, oh, I said, oh my God. I launched into this thing about how I could never live in New York because I was like to own like the most unhip like fat and ugly human and like, not in a bad way, but just like, kind of like I'm. So I just feel like, I didn't know what the fuck was going on ever in New York. Like, I didn't know which way to go, who to talk to, where to turn I was lost. And he's like, yeah. Do you know what I like about LA is like, nothing ever happens here.1 (8m 2s):That's not2 (8m 2s):True.1 (8m 3s):No. But I was like, what do you mean? He's like, I need to just like New York, like you have like a million things are always happening at any given time. Right?2 (8m 11s):Sure. It's a lot too. Like you have to do a lot of processing living in New York, you're taking your, you know, you're just taking in so much information1 (8m 19s):And that does not happen in LA and LA you're like sometimes starved for like,2 (8m 25s):Right.1 (8m 26s):But we talked about that. And then, and then by like end of conversation almost. I was like, oh, I'm Jen. I'm so sorry. And he was like, oh, I'm Adam. And I was like, okay, still, no, I had no2 (8m 40s):Adam common name,1 (8m 41s):Common name, whatever. And mom named Doris, whatever. Like, okay. And then we started talking, he said, his wife, what did he say? Oh, he bought a house in south custody. Anyway, all this stuff. He has a kid. And at the end I say, he was talking about what we, what we do. And I'm like, oh, I'm a, I'm a writer. And I'm like trying to write TV, but I also consult, I just started this business, but I wasn't, you know, I was a therapist and for felons and like, and then he got really into that. And then I said, oh, what are you doing? And he's like, oh, I was, I think he said I was in the I'm in the music business. I said, oh, that's cool. I thought he was like a producer, like maybe a classical composer or something. I don't know. That's where my mind went. And I'm like, oh, like, what do you do?1 (9m 22s):And then he said, I was in and I said, oh, what kind of music? He's like, I was in a rap trio. And I was like, wait a minute, a rap tree endorsed by this. By this time it was like, biting me. You know, it's like a whole, I'm like, oh, a rap trio. And I couldn't the only rap trio I could think of was run DMC. And I'm like, oh, he's not in that. You know, he's a white dude. There's no way. And I'm like, oh crap trio. And I was like, house of pain, Cypress hill. Like I couldn't get it together. And then I was like, and then it dawned on me. And I said, oh, and he said something, like I said, I don't remember how it came up. And he's like, oh, I'm Adam Horwitz. And I was like, oh, I was like, of course.1 (10m 2s):I said, oh my God. And then I didn't know what to say. So I just said, cause he just moved. He actually, he moved to south Pasadena, wait before I moved to Pasadena. But I said welcome to Pasadena.2 (10m 16s):Right. Because the minute, you know, it's a celebrity. It's like, it changes the ions. Wait. Yes.1 (10m 21s):Thank you. You welcome to you too.2 (10m 24s):So what I think is so interesting and must be so well, I don't know. I don't know if it's annoying or whatever it is, celebrities. You, they must have to always be in a process of deciding with when they're interacting with people, they don't know what are we going to do with this fact, like, do you know who I am? Do you not know who I am? If you know who I am, just, what does that mean? Is that why you're talking to me? And then, but he opened one of the first things you said that he said was that his mom's name was, I mean, I guess that's not unusual, but I was thinking to myself when you said that I was thinking, oh, was he hoping That would confirm not that his dad is famous.2 (11m 10s):His dad is1 (11m 10s):Trail horo. Israel.2 (11m 12s):Yeah. He's a kind of a terrible guy though.1 (11m 16s):I heard is there. I think they're both dead. I mean, from what I got, I don't know. I know he has a sister. I don't know. But like he seemed like the kind, yes, you're right. Like it must be so weird. And also I literally was so into my own world. It's like, so Los Angeles, like I, when I found out that he was, I was super excited because I wanted to say, oh, I saw you at the Metro in Chicago and stuff like that. But then I was like, oh, I can't. And so I got excited, but I also, it was literally like talking to your husband or my husband in that they're old people. Like I wanted to be more excited about the, the youthful version.2 (11m 56s):Right? You want it to be 19 year old, you eating Israel, horrible1 (12m 2s):Adam Harz and being like, let's go on a date or something. But that is not what I, that was not my inclination this time. And also his he's married to this amazing punk hero, Kathleen Hanna from bikini kill who I adore. And I know that, but I didn't bring that up either. But anyway, the point is we exchanged information because we were like, let's walk our dogs. His dog is Terry. It really hairy dog, little girl, dog named Terry. And I said, well, what kind of dog is Terry? And he goes, I don't know, very hairy. And I was like, okay, well, okay. So we may go on a dog-walking adventure. I have no idea, but lovely human, but just like soup. We are super middle age.1 (12m 43s):This is what the moral of this thing was actually not the celebrity. Part of it was the, what hit me the most Gina was the middle age in this of it all. So the other thing is like, nobody gives a shit now about the things that we give a shit about. So the BC boys, I was talking to my niece, she didn't know who that was. And so I was like, oh right. Meaning I still care who they are, but2 (13m 16s):Right. Yeah.1 (13m 17s):Time moves on timeframe.2 (13m 20s):Yeah. Periodically we have kids periodically, they'll come up to you and they'll be like, have you ever heard of this bay? Or like, my son was listening to something and I'm like, and I go, he goes, oh, I've got to play this song for you. It's this band. This is like obscure band or something like that. It was the cure. I go, are you kidding me, dude? I put white face makeup on and wore black and tried to hang my two years in junior high. I knew the cure is okay. So that was one thing. And the other thing was last time.1 (13m 52s):It super nice though. I got to say, if anybody cares, he was not a Dick head.2 (13m 56s):I care. Yeah. That's nice. I'm happy to hear that. But just one last thing about that whole, like being a celebrity, you're damned if you do, and you're damned if you don't, because on the one hand you, you could have somebody say, oh, it's like pretentious to not say who you are. And on the other hand, people would say, you know, you can't win. You can't, you1 (14m 14s):Can't win. That is the bottom line. Yeah. Yeah.2 (14m 17s):So the other thing was last time we talked, you said, oh, I want to save it for the podcast, but about showcase. So you were talking about getting your kids ready for showcase.1 (14m 28s):Okay. So here's the deal with that. So I, because of this podcast, I'm like, okay, is there a way to make a showcase? Not the shit show that I feel it was now, there may not be, it might be inherent in the thing. Okay. But so I'm teaching fourth year. I like, basically don't even, I don't know what I'm teaching at this point, but not even teaching anymore. I'm done. And my, my, my, my co-teacher took over, but I started noticing as I always do that, that, that the students are like, you know, crazy nervous about the showcase and also crazy nervous about agents and managers and all the things.1 (15m 9s):Now, there is no showcase in LA. There was only a quote meet and greet. There is no showcase in New York. There was only quote, a meet and greet. Look, it gets weirder in Chicago. There was a live showcase and a meet and greet. Now, I don't know what went down, but the bottom line is the ball has been dropped so many times about this showcase and about graduation and about launching that at this point, the ball is just dead in a heap deflated. Okay. So I said, okay, well, what can I do to make this fucking situation better? Because I know what it's like to be there and be like, oh my God, I'm falling behind. What if so then I'm like, okay, everybody, here's what we're going to do.1 (15m 52s):I am going to email everyone I know in LA and everywhere and say, come to this showcase and watch your digital link. They have a virtual showcase. But the problem with that is nobody. If nobody gets sees it, it doesn't matter. And so it was made in a form beans where it looked like spam. So it went to everybody's spam. So no casting directors and no agents got the fucking link. And I realized that because I told a student of mine, I said, listen, you want to be repped by this one agency, let's create a letter to them. Let's pitch them. And so then I get a call from the agent saying, we loved this letter.1 (16m 33s):Also, thank you for including, we didn't think there was a showcase.4 (16m 37s):Oh my gosh.1 (16m 39s):And I said, what's,2 (16m 41s):This has to do with just the fact that like, there's been all this administrative,1 (16m 45s):I think it's, COVID meets the problem with conservatories, which is that they do not think that launching their students is an important part part of their job. Right? Right. So it falls to nobody. And so the person in charge bless her heart is one marketing person that knows nothing. I don't believe about acting or the entertainment industry at all. There is no Jane alderman. There, there is no, at least. So I stepped in to be like the proxy, Jane alderman with another adjunct. And we were like, okay, well, how do we do this? So I am happy to say that after literally making maybe 43 phone calls, everyone has the link.1 (17m 26s):People are coming to the showcases. Now my thing is to do the meet and greet in LA to try to get people there because these, these kiddos are coming to LA, there is no showcase. I'm like, well, we, what are we doing? Like we have to have something like, so, and I also just, you know, and I know these kids, like these are my students. So like, I want to meet them. And then, so now I'm getting everyone I know to come to the meet, greet in the business and2 (17m 51s):The money thing. Like, they're like, oh, well we have, we can do it online. And so we don't have to pay for, to rent the space for,1 (17m 59s):So they wouldn't even tell me, they wouldn't even tell me. They didn't even want to give me the invite to the LA thing. I had to like fight to get the, I don't understand what is going on. But I was like, listen, all right,2 (18m 11s):DePaul, I'm going to tell you something right now in DePaul. You want to be well-regarded you want to be number one. You want to always talk about your, your alum or even not your alum. People who, who went and got kicked out about their great successes. And you don't, but you don't want to do anything to get there. And that is not how it works, how it works is you put a lot of energy and I'm not saying at the expense of teachers or whatever, but you put a lot of energy and effort into not just hyping your students, but hyping your school.2 (18m 51s):Like it should be that your school is saying, have we got a crew for you? Yeah.1 (18m 56s):And which is what I then stepped in and had to do and be like, these kids are dope. Come see this, look at this link and then come to the thing. And so all the casting and agents in Chicago are now coming. Thank God, because guess who, there was one person RSVP2 (19m 14s):Girl, and you need a bonus1 (19m 16s):Stroke. Here's what we're doing. So then I said, okay, because I'm always thinking, I'm like, okay, well, here's what I'm doing. I'm developing a launching curriculum, which I think I told you about, like, I'm developing a day, one BFA for day one of the fourth year. Here's what we're going to do to launch you. And it's not just about the showcase. It's about mentorship. It's about how can we hook you up with somebody that's in what you want to do? How can we do that? And I'm going to pitch it. I'm going to say, here you pay me $120,000. And I will sell you this program and, and hook you up with teachers and people. I know that can step in and do this with me. Like you like people in the business, like people who are on different coasts, like duh, and then we will.1 (19m 58s):So, and if you don't want to buy it, DePaul theater school, we're selling it to Northwestern or NYU or any anyone.2 (20m 4s):Well, I was going to ask, do you know, if other conservatories are doing showcases and doing,1 (20m 9s):And they are, and they are doing it and they are, they are doing it. I, from what I can see, Gina, they're doing it better. I don't know if it's, you know, how good it is. But I do know that like other showcases released their digital showcase because of the pandemic on actors, accessing and town and casting networks, which DePaul did not do. Oh2 (20m 30s):My God.1 (20m 32s):So here's, so that is not okay with me because I went there and I, I do care about it because of this podcast. I also know that these kids having watched them at, you know, 21 year olds, 22 year olds, max, they're busting their ass, just like you. And I we're busting our ass. Like, look, they're busting their ass more than we were, but you and I busted her ass too. And I feel like we didn't get what we needed from the launch process. And what, what will happen is no one will people and people stopped going to theater school. Is that what you want? Or do you want to upgrade like level?1 (21m 13s):Let me run this by. There's a lot of people I hate.2 (21m 24s):Exactly, exactly. Okay. So the thing I wanted to run by you is about storytelling. I signed up for this workshop in my town. We have a little community theater and they sometimes have little workshops and I did improv there one time. And actually by the way, doing improv there, I I'm, I still am terrified of it. And I still don't feel like I'm I do well, but add it. But I reduced my fear somewhat by just aging within, and then we had a performance and my whole family came and yeah, it was, yeah.1 (22m 3s):Why don't we talk about what2 (22m 5s):She like two years ago or three years ago, actually. Yeah. Three or maybe even four years ago now. But anyway, on Sunday I went to, they ha they had a workshop led by a storyteller from the moth and she taught us, you know, how to, so there was only five of us there. One person, only one person absolutely knew when he came in. Exactly what story he wanted to tell. The rest of us were like, I have certain things that are coming to mind. Of course my thing. And I said, I was, I just owned it from the beginning was I've written essays. And I've, you know, written a lot about my life.2 (22m 46s):And yet I somehow feel like I don't have a story to tell. And she said, that's so common. She was telling this great story about somebody. Cause she does corporate stuff too. She was telling the story about somebody in a workshop, in a corporate workshop who just kept saying, I just, I don't have a story. I don't have a story. The day goes on. And he goes, well, I might have something, my family and I fled Vietnam right before this. And she goes, yeah, that's a story. That's a, that's a story you could tell. Anyway, point being, we're putting these stories together and we're going to perform them on Friday.2 (23m 34s):And the I'll say there is something about the process of working on it. That has been, it's not exactly healing, cause this is not a, for me at all. It's something I'm telling a story about when I lived in that apartment on Lil and Libby got me this job at the bakery and while we were, and she was very assiduous about being to work on time. And1 (24m 9s):I remember the, was it the red hen? Oh, we shouldn't say it out loud.2 (24m 12s):I actually, I really don't remember the name. I think it might have been called great Plains. I don't know. Okay. I don't think it's there anymore. And one of the things that was our task was to deal with the mice that inevitably came into the, in the flour sacks and stuff like that in the back. And, but I never she'd said to me, we have to deal with the mice, but I somehow, I hadn't really, really thought that through. And the way we were meant to deal with the mice was hit them over the head with a shovel.1 (24m 47s):Oh. So, so murder of the mice2 (24m 50s):Were into the mice. And so my story is about watching this five foot tall, gorgeous little, just, I mean, she looks like a bird, this girl, woman now, but she was a girl. Then I'm just swinging the shovel over her head and bringing it down. And then just very like with, with zero expression, taking paper towels and picking it up and throw it in the trash, washing her hands and making it back to the register in time for the next customer who came in. And my point of it, of the story is that's. That was one of my most important lessons about the difference between being poor and being broke because I was broke, you know, and always looking for jobs and always working through school.2 (25m 35s):But if it came to smashing a mouse over the head with a shovel, I'm just going to quit that job and go find another job, selling clothes at express. But Libby did not have such luxuries. She had to take the jobs that she could get. And she had to guard them with her life because as even, even with the amount of time she worked, there was a period of time where she would tell me, like, I'm going to bed hungry a lot of nights. And I couldn't help her, you know, because I was broke. I just, I didn't have we bought ramen. I mean, we right. Like six days a week.2 (26m 16s):And so it's about that. And so there's something about, but, but the fact that it's about this epoch in my life yeah. Which I haven't really written that much about, I've written about my childhood and I've written about things that are more contemporary, but you have a lot of experience with storytelling. And I'm curious to know what role that has played in sort of, you know, for one thing, the ability to string together, kind of the, of your life into a cohesive narrative. If, if1 (26m 47s):That's2 (26m 47s):Something that has been helpful or if maybe you have healed in some way, maybe from your one person show,1 (26m 53s):I am Gina. What comes to mind? Like what first came to mind when you were talking about your experience with this storytelling thing? Is it, what, what is the coolest thing to me about storytelling? Like this live lit as we like to call it in Chicago, just because I, storytelling people think it's like, we started calling it live live because people thought it was like, you know, Renaissance fair storytelling. Right. We had like a cheese ball, it's it doesn't matter. It's storytelling. So storytelling, bridges the gap for me. And maybe you have acting and writing. So it is both performance and writing, which I think is brilliant. I think acting is for the birds.1 (27m 35s):Like I just do. I think acting is really hard. I'm not very good at it. Not because I'm not a good person, but that's what I'm saying. I'm not very good at it because I don't like it as much as I like telling a story. That's my story. That also has a performance aspect to it. And it heals the acting thing for me. So you are acting, you are acting, you're not like you in your kitchen, just like when we do a podcast where there's a part of us, that's acting, it's not, you know, it just is what it is. So I think that that is extremely healing. And what, I wonder if it's extremely healing for you, because I feel like in terms of the acting thing, I know that post-graduation from an acting conservatory, you talk about just completely shutting down, completely not shutting down to the acting part of yourself.1 (28m 25s):And I think like through your son and then through this podcast and through writing television and now through storytelling and like your dip into improv, you're, you're healing, the actor part of yourself.2 (28m 37s):That's right. That's right. It1 (28m 38s):Wouldn't surprise me. If you went on to do acting like started acting in plays and stuff. Again,2 (28m 44s):I'm not going to lie. I'm really thinking about it at this point in time. I still feel like it's a bridge too far, just because I have nobody to spell me at home. You know, I can't ask my husband to leave his job so I can go to a play. But at some point, I mean, you know, they're not going to be this age forever. At some point I will be able to do that. And I do have designs on doing that actually.1 (29m 8s):Yeah. And I think, and I think you, I think this storytelling is brilliant because I think the cool thing about storytelling, as well as like you could go to New York city and do them off one night. It's not a, it's not a commitment like the play. In fact, you could do the risk thing that I did in New York. Like the rest of the podcast is live performances in New York. So all this to say that I think storytelling is a fantastic way to heal the part of ourselves that wants to be a performer, but definitely doesn't want, is not ready to take all the trappings and bullshit. That is a professional acting career, which is garbage. Like I got to say, like I just tell my students is to like the part of the business, which is why this is so fraught because it's garbage.1 (29m 55s):That's why you don't like it. But that doesn't mean it's not worth it to you. If you can find a way to make it worth it to you, the competition, the rejection, the then go for it. But what if that is bothersome? And like, you don't want to deal, like what about live lit? Like what about improv? What if there's so many other things? And so like, wouldn't it have been awesome. Gina. If someone had come to us fourth year and been like, Hey, you know what, maybe you get really nervous and that panic attacks when you have to audition. But what about like writing this thing and telling your story on, you know, on a stage somewhere where you get to hold the piece of paper2 (30m 34s):Today on the podcast, we are talking to Jeremy Owen. Jeremy is a storyteller and the creator of a storytelling show called George being ridiculous, which is premiering ask Stephanie, I think tomorrow or the next day, check it out. Please enjoy our conversation with Jeremy Owens. Wow. Congratulations. Jeremy Owens. You survive theater school. I want to hear this fabulous story. I missed the beat.1 (31m 11s):Yeah. So Gina, miss the beginning. So I was just basically saying that everyone's rusty and it's really good. We're talking about this because also Gina's performing storytelling this weekend and we were just talking about rusty. It was, everyone was after two years of not doing live lit stuff. And then Jeremy tells me that he did a show and of course we can, you don't have to use names and all that, but like did a show and it went south and by south, he's going to tell us what that means. It really went south. So7 (31m 41s):It really, when up it's like so complicated. Okay. So I was doing a fundraiser first off. I was like, I there's no way, like, who wants to watch me talk on zoom? Like we're doing that all the time. Like who even cares? How can this benefit anyone? But it's a fundraiser. My sister-in-law asked me amazing. I love it. Amen. Let's go. Let's do it. So we're doing it. And I, okay. I was not as cautious. And as careful as I should have been the show, I mean, you done the show, you did a show. I don't know if I can talk about your story, but you like got your tooth knocked out. That's1 (32m 22s):Oh, I believe me. I did. I gave a blow job and my back lower fell out. Yeah.7 (32m 28s):That's a story2 (32m 28s):Story. I7 (32m 31s):Share that story, but That's good. That's the, but that's like kind of the fuel it's like, you don't know what's going to happen. Some things are like, you know, super lovey Dubby. Sometimes somebody tells a story about a blow job and their tooth gets knocked out. It's like not a big deal. Like this is the world we live in. But I mean, if you're doing a corporate fundraiser for someone and I just, Alex, if you're listening, I love you. I just was not clued in. And that's my fault. That's not her fault. It's my fault. I accept responsibility for all those things. This is my disclaimer for my, for my sister-in-law. I accept all the responsibility for that. I just should have been more cautious.7 (33m 11s):Right. So if you're up for doing show or tea, fall out from low jobs, it's not that maybe not the best for like a board. Like those are the stories that people,1 (33m 20s):I7 (33m 20s):Didn't know1 (33m 21s):It is. If I'm on the fucking board, I'd probably not get,7 (33m 24s):I know, same for me. I mean, we went to theater school and I've decided like, as that has passed me by that we're not the same as like Bob down the street who is like wildly offended by anything, you know, sexual or1 (33m 42s):Anything2 (33m 42s):You ever get used to that, by the way, I, I I'm always like, oh really? We have to do this thing where I have to pretend like I'm talking to my grandma. Like you're a full grown adult standing in front of me. What's that?1 (33m 53s):What's your story about, please tell me something amazing. Gross, please.7 (33m 56s):I didn't even get to my story. That's the thing. Okay. So It wasn't even me. I wish it were me. It was like six or seven people. And I think we got like three or four in. And so as they're happening, I'm like, oh wow. That person said, fuck, oh no, this person's talking about porn. Oh, wow. Like things that like, just don't register for me. Right. Because I guess theater school. It's like, none of that registers for me. I'm not offended by anything other than like racist, white assholes.7 (34m 38s):Anything else? It doesn't register me. I don't. I know. I just don't care. I'm not bothered. So2 (34m 45s):Charity though. I mean,1 (34m 47s):It was like, there was it like the nuns of like a sister.7 (34m 50s):Oh, I don't want to say there. I don't want to say their name. I'll tell you1 (34m 54s):What Sater7 (34m 56s):Well, they're like1 (34m 58s):Healthcare, charity. He doesn't want7 (35m 1s):. Yes. I mean, it's a great charity. They do wonderful things. It's awesome. Right. But they weren't ready for1 (35m 12s):Me. So what happened? It just went blank.7 (35m 15s):Like we're just plopping along and I'm like so excited. Cause it's like July 20, 20. I have only been like talking to my dog and my husband. Right. So this is happening and I'm listening to stories. I'm having a great time. This is like amazing loving life porn who cares, you know, whatever. And then all of a sudden it stops working. Like I don't see anything. And I'm like, oh my God, this is my brother-in-law. I was like running the tech. I'm like, oh no,1 (35m 44s):He thought it was a tech thing. Of course.7 (35m 46s):I was like, well, this happened to me. I was taking this class online this weekend and the internet I had and I was like, oh shit. Like in the middle of class, I'm like, great. So now they think I'm an asshole. I just left class early. So I'm just like, this is dead. Right. Then they come, my sister-in-law calls me and tells me what's happening. And they're all furious. And they just, instead of like a conversation or something, or like this is coming or we're so disappointed, it was just like, this is over now. Like just totally dead. The bad part about that is that none of us knew. And there was no communication with me. Other if it hadn't been my sister-in-law, I don't know if I would, I would still be here on my computer.7 (36m 31s):Probably.1 (36m 32s):That's hilarious right there. Like, are you there yet?7 (36m 36s):Hello? Hi. Hi. They just didn't communicate at1 (36m 40s):All.2 (36m 43s):We're like, really? I'm getting irritated about this. Listen to the story is like, I don't know any of the players, but I feel like, I feel like we're the people we're pretending people are pretending that they don't watch porn or that they don't swear or, you know, like, why do I have to do this? Pretending I just love unless there was children in the audience and maybe there were,7 (37m 4s):I don't think so. Like, you know, it's like, I had like friends who1 (37m 8s):I curated it. Where you did you7 (37m 10s):Find, I mean, it's all, basically this entire thing is my fault. But like1 (37m 15s):You, you found everybody.7 (37m 17s):I found everybody, I got everybody. This was like a great in my mind was this is like a greatest hits. This is like, awesome.1 (37m 24s):It's the one time I'm so grateful. I was not asked to do anything. Like7 (37m 29s):It was just so weird. And there's like, I don't know it. Yeah, it was. But again,1 (37m 37s):I do the story for the ages. I love it. All of a sudden, it just goes blank.7 (37m 41s):I'm in the home. This is a story I'm going to, I just went blank. I didn't know what to do. Everything was gone. Just talking about those things. It doesn't, I don't find that if, when I say porn, I'm not like, this is the butthole. Like it wasn't like, you know what?2 (37m 59s):I7 (37m 59s):Watched porn. Right. That's not offensive to me.1 (38m 5s):I'm not sure. I'm not sure. Yeah. Like Gina was saying like we're okay. So that went south. Like if did you feel I'm really concerned? Like, cause I would have probably had to check in somewhere because I would have been like, I curated this motherfucker and now I caused this whole fucking7 (38m 23s):I'm still like T like we have a show coming up in like a week at Steppenwolf. And I had one of the storytellers from that show sent me a is doing the show at Steppenwolf. And I like had a moment because his story is like, because of that. And because I'm like wildly triggered, I was like, Hey, maybe you could do this story about tennis or whatever. And he's like, do you need a PG story? Like what's going on? And then I was like, and then I re-read a story. And I was like, I do not his stories about sex.7 (39m 5s):I do not find this offensive. This is okay. I'm person totally traumatized. And then I had to go back and be like, oh God, remember that thing that happened in 2020, I'm just totally melted from that. And your story is great and everything's fine. I'm just having a moment. I'm going to calm down2 (39m 24s):And see what happens to me though. When I hear w whenever my antenna go up, whenever I hear like, oh, that's offensive to me. That just automatically means you're doing behavior that you feel really ashamed of. And so you want to shame me instead of just own the truth of whatever it is you're doing. This is exactly what happens on the Handmaid's tale. You know, it's all about the Bible, but then they're just like holding people down and raping them. So I just think it's a little bit of a soft sign for you've got trouble. If adults are saying that referencing the fact that there is porn is7 (39m 58s):Troublesome. Yeah.1 (40m 2s):Oh my God. I can just, okay. I would have been so traumatized. So I hear you. And I also think that, like, it's interesting, I've had a similar thing where like, on this podcast, I've mentioned my husband's job. I have mentioned. And so Gina and I always talk about, well, we will not always, but we've had to talk about this of like, what is the, and it's like a bigger thing in our society right. In the world. Like, where do I draw the line of like, can I stand behind this? I guess that's what it is. It's like, can I stand? If I'm called to the carpet, whoever God, the board, whoever, and say, stand behind this show. These words can.1 (40m 43s):And that's when, if I can stand behind it and I am willing to answer for it. And I'm like, I'm all in. If I feel like I'm wishy washy, then I feel like it's going to go south. And then I it's weird. It's a weird thing. It's like when to cut, when to not cut, now, you didn't have the ability I'm fucking lives to do7 (41m 6s):That. What1 (41m 7s):Happens in live television, right? When someone who goes bonkers or has a stroke, God forbid, or it's like, you don't know what to do. So live is a different thing. Like it's different with a podcast. We can cut. We can, but like a live show, whether zoom or on stage, there is this moment. So when I did my solo show, Samantha Irby, Sam Irby opened for me. Right. Ramus. Now wasn't famous then. But it was always a Reverend and a bad-ass right. But data story at my show and my uncle were there about SAC,7 (41m 38s):Right.1 (41m 38s):Eight leakage and fluids. And I was like, oh. And then I thought, oh, I wanted to run on stage and be like, ah, this is too much. But then I thought you invited this person. This is their jam. This7 (41m 54s):We love. Right.1 (41m 58s):What, what, okay, sit, sit, and just deal with it. And if my uncle and my uncle was really offended and like, fuck that. Okay. So, but it's hard to do. I was squirming. So you must've been squirming when you, when your, when your person called you and was like, cause you, you found these people. But I think sometimes we squirm, right? Sometimes we squirm,7 (42m 21s):Oh my God, I was dying. Cause it's like, I don't, I don't want to disappoint any of, either of you, this computer, this desk. And I just want to make everyone so happy all the time. And I don't want anyone upset with me or like, I don't want to cause any problems, nothing. I want you all happy.1 (42m 42s):And sometimes despite our best people, pleasing efforts, like shit goes south. Like that is the story of shit going south. Despite Being a good person, having gone to college, go to it, shit still goes south. So7 (42m 55s):I vote like1 (42m 58s):You're very active, like socially.2 (43m 2s):So let's, let's talk about you and your experiences. Did you go to DePaul?7 (43m 7s):I wish I had gone to DePaul, but I, from listening to this podcast, I get that. I don't know. I went to Roosevelt university for grad school.2 (43m 17s):Cool. Tell us everything. Tell us, like, when you decided you wanted to be an actor and when you decided you wanted to go to theater school, tell us everything.7 (43m 25s):Well, for me, I grew up in Arkansas. So I went to the university of Arkansas and I started out as like a journalism and a political science major. But then they, the department, the journalism department had us take a speech class. Like how does speak in theater class, you know, to get rid of your accent basically. Cause we're all Arkansans. We sound like, you know, we're in God, but the wind or whatever. So we took this class and I had growing up and like my small town, I always loved theater. I'd done community theater and the whole thing. So when I took that class and like, everyone in there is like, you know, so alive and so like interesting and like, like real, I was like, well, this is going to be a problem.7 (44m 17s):So then I, like, I signed up for, you know, the second semester of the class. And then I was like, oh, I'm gonna audition for these one acts. And then so slowly I just migrated into the theater department and completely dropped journalism, political science, all of it. And disappointed my parents ruined their lives, you know, the whole thing. So I didn't really understand, like by the, by the end of my time in undergrad, I was like, I don't really, it's like, you're young. It's like, I don't understand grad school. I don't know. But that seems to be thing that I, there was a grad program that had just started there, like, like near the end of my time there.7 (44m 59s):And I was like, I guess that's what I'm supposed to do. And so everyone told me to go to Chicago. I hadn't ever been to Chicago. I knew nothing about it. Never even visited, but I was like, okay. They're like funny people should go to Chicago. And I'm like, oh, I'm funny. So I guess that's where I'll go.1 (45m 15s):You are funny. So it's good. You went there.7 (45m 17s):Thanks. So, so I auditioned at IRDAs and did that whole thing. And then I got a call back from them and I, it was like weird. Like I thought there was going to be like some like bigger process or something. Like, am I going to, I was like, ready, you know, with like my other, like, do you want 16 bars? Do you need other other monologues? Like, well, what's the deal? And it was just kind of like a done thing. So I was like, Yeah, it's like at the callback, there was like, it was an IRDAs. And it's like, you'd go to the person's hotel room, which now seems really creepy what, with a couple other people.7 (45m 57s):And it just seemed like I liked the person who did the interview and I was like, they're in Chicago. This seems great. I2 (46m 7s):Like to act in a hotel room. I've never7 (46m 9s):Done. Like, the audition was in, like, I don't even know where it was like the ballroom. It was like, there was like a black box sort of like made up situation. So you audition and then like the next day or a few hours later, you get like a sheet with a little list of the schools that want to like talk to you or whatever. And we have been like through the ringer with my undergrad teacher and she's like, okay, you need to have, like, you had like your folder with your monologues. And like, if someone wanted a song, like your whole thing, it's like bootcamp and you're ready. So I'm like prepared for somebody to ask me to do anything. And I don't know, I got called back to like a lot of places, which I was like, oh my God, none of them asked me for anything.7 (46m 54s):Which maybe looking back, maybe that was like, not a great situation. I don't know what that means.2 (46m 60s):They were just the, and the call back. They were just meeting you. Right. They were just wanting to know if you were like,7 (47m 4s):Yeah, I guess1 (47m 6s):You're acting probably wow. Like really? They probably would have if they were on the fence, but that probably wasn't that they probably wanted to do what, you know, they, they, a chemistry breed or whatever the fuck they call it. Right.7 (47m 18s):Yeah. I guess. But this meaning with the person at Roosevelt, it's like, she was nice. It was great. It felt good. So I was like, all right, maybe that's where I'm going. And I knew I wanted to get Chicago. So like, that was, that was the deal.2 (47m 36s):It's an undergrad. You were not thinking this at all. I'm guessing you don't come from a performing family or you, you weren't doing this in high school.7 (47m 44s):Oh my God. Well, there was like the junior play or whatever that like pays for the prom, you know, like that kind of a situation. But otherwise, like I did community theater and I'm from a town of like 10,000 people. So there wasn't like really a community theater. I did Annie and Mike, I don't know, 10th grade or something.1 (48m 3s):Amazing.7 (48m 4s):Really upset. I couldn't be Annie. I was like a Senator. And like the apple salesman. I was like that guy I'm like running around doing whatever anybody wanted me to do.1 (48m 20s):Funny. That's why he could do a lot funny.2 (48m 23s):Yeah. Interchangeable. Okay. So day one, you're at Roosevelt. Is this the education that you thought you were going to get7 (48m 32s):Funny? You should ask. So this, when I went, which was, this was 2000 yes. 2000. So it was their first year of their MFA program.1 (48m 44s):Oh shit.7 (48m 46s):Oh shit is right. They accepted 30 people take that in verse1 (48m 54s):307 (48m 55s):MFA. Oh yeah.1 (48m 57s):It's too many people that just like five.7 (49m 0s):Thank you. I think that if I'm being kind, I think they accepted a huge amount of people thinking that, you know, with everything going on that like maybe 10, which is still too many would accept. So there were 30 of us. So we're there on the first day. And I'm just like, this seems , I don't know anything about what this experience is supposed to be, but 30 people that's like, that's like an entire MFA program, you know, that's like three years of people or more So immediately.7 (49m 44s):I was just like,1 (49m 45s):Hmm,7 (49m 47s):This doesn't seem right. But you know, I was like 24. So I'm like so happy to be there. I'm living in my friend's base. My friend's mom's basement until I find an apartment just like, you know, desperate twenties times. So immediately. I was like, I, this is hi. All right.1 (50m 11s):I think I should get off this rollercoaster right now, but it's already going, right?7 (50m 16s):Yeah, totally. I just like was on. And because I didn't have like necessarily the support of my parents where this entire thing, I was like, fight or flight. Like I will do this. If I have to hang on to the side of the building and sleep like that, or like, whatever it is, I'm gonna do this. So I did it.2 (50m 49s):And is it a typical curriculum, voice and speech and movement and all that stuff?7 (50m 54s):Yeah. I was sort of surprised by all of it. The program that I did in undergrad, I felt, I don't know. I guess everyone in undergrad, if you're doing theater stuff there, you think that like, what you're doing is like enough and great. And that's how everything's going to go. So to spend like three hours a day in a movement class, suddenly when you're like, God damn it, let me do a monologue or a scene or sing a song. Like let me work. You know, I understand that that is also work and it's fundamental, but it was really shocking to me.1 (51m 37s):You know, what's interesting is like, and you're not the first person that I've, I felt this, that we've had on the show is like, what I would eat. Like you should have maybe gone right to second city and just done that call that five-year conservatives And gotten the fuck out, but it's not accredited. It's not like a real university that would probably make your parents even more like unhappy. And so, but like you needed like a professional program, like there's conservatory training for actors and then there's professional programs. And I wish I had done, so. Okay. But you're in this. How long was the Roosevelt MFA program?7 (52m 15s):Three years. Oh,1 (52m 16s):Fuck. Right.2 (52m 18s):And was it the thing where you can't perform the first year, but then you do and you're in the casting pool with VFS.7 (52m 26s):Yeah, I, we couldn't perform in the first year though, at the end of the first semester, they opened up an audition to be an intern at Chicago Shakespeare, which was like super exciting. So I auditioned and then I was doing the second semester, I got to be an intern and be on stage and do king Lear, Chicago, Shakespeare. I mean, I was like, you know, a dude, a homeless person running around. Oh, we got it. Yeah. So then I was like, oh no, this is great. I'm like with like these amazing people that I don't know who they are yet, but I will.7 (53m 9s):And there, those people are amazing2 (53m 12s):In that7 (53m 13s):Greg VIN CLER.1 (53m 15s):Oh yeah. was Barbara Gaines directing7 (53m 18s):Barbara Gaines director.1 (53m 20s):Yeah. She's amazing. She's she's famous for, for me, for my one audition I had there, she yawned during my whole model to be fair, but to be fair, it was really boring. Like, it was really boring. She was basically doing what I wish I could have done. It was boring. My shit was boring. She was like this. Can't see. But yeah, she was rude, but apropos I sucked anyway. Okay. So you were, you got to work at shakes and so you were like, okay, but did you make friends? What was the vibe like? BFA was the BFA program established at that time?7 (54m 2s):I think so. Oh, and that part. Okay. Like whatever I'll say about Roosevelt, which I don't have, I don't know necessarily great things to say about the program. It doesn't even exist anymore, PS, by the way. But the BFA program, the program for undergrads, I thought that was like, excellent. Like, I was like happy for those kids. Like that seemed like good. And they were having a good time, but for us it was just, I don't know. It just felt kind of sad and different.2 (54m 26s):So your parents were psyched about the idea of you being a journalist. That's what they thought you were going to.7 (54m 32s):I think the imaginary plan was that I would, or what I sold them at the time was I'm gonna get this journalism degree and then I'm gonna go to law school.1 (54m 43s):Oh,2 (54m 45s):Right. That's everybody's, catch-all hilarious.7 (54m 48s):So that's what I'm going to do. But then I was like, but these plays, these people, it's really the people that are purchased more fun.2 (54m 57s):I actually got dressed so many people in for exactly that reason. It's just something that's like tribal feeling that you don't know that you don't have it until you find it. And then you go, oh my God.7 (55m 8s):Yeah. It was really, it was really all encompassing. I was like, well, I can't not be with these people.2 (55m 15s):What kind of shows did you do there at Roosevelt?7 (55m 18s):I all right. So, so there was that first year experience. And then I don't know. I let's see, I did my last year.1 (55m 30s):Yeah. It just sticks out in your brain7 (55m 33s):Threepenny opera. And then there was this weird Asian adoptation of the rope by whatever old Greek guy,2 (55m 47s):Asian adaptation.7 (55m 48s):So here's one of the weird things about the program. So there were a couple of classes that made zero sense that we were taking as actors. One was, we all had to take a stage management management course. I don't know. Did you guys have to know1 (56m 5s):I7 (56m 5s):Was like1 (56m 5s):Crew, but I don't even know. No.7 (56m 8s):Well, yeah, like working on a cruise, like that's normal, but in an entire semester demo devoted to stage management just seems kind of rude.2 (56m 18s):It sounds like they needed stage managers for their shows1 (56m 22s):Teachers. Yeah.7 (56m 25s):And then there is a professor there who white lady who loved Asian theater. And so, yeah. Pause for that1 (56m 37s):PF chains of, she was trying to be the PF Chang's PF J7 (56m 44s):God lover. I mean, yes. I'm interested in Asian theater too, but everyone was required as part of the MFA program to take an Asian theater class. So, which is interesting. I'm not knocking like any of that, but the PA I don't know the possibility of me being in an Asian.2 (57m 7s):Yeah. Like what's the really,1 (57m 11s):It just sounds like she had a thing for her thing was Asian theater and she wanted everyone else's thing.7 (57m 16s):Total your thing. She had studied in, I don't know, Japan, I think, and had done this whole program and it was like her, she may even have like a PhD on it. I don't really know, but that was her thing and good for her. Awesome.1 (57m 31s):Why are you teaching? But it's7 (57m 33s):Not practical. Yeah. It just seems like weird. So the play I did, I did the, the rope, which is like a Greek play. Never2 (57m 42s):Heard of it.1 (57m 43s):I wish you had done the rain anyway.7 (57m 48s):So she translated the play into a Kyogen style thing, which is a very specific Asian theater style play. Not only that, not only that, but like, I have always been openly unapologetically sort of who I am, which means, hello, I'm a homosexual and it's clear and I'm not like afraid of that as an actor or a person. So I played the, yeah, get ready. I played the, I don't want to call it like the evil sister, but I played like the villain in the play, which was like an older, which type woman in the play.7 (58m 40s):And that was supposed to be hilarious.1 (58m 48s):That's really where we're headed in the arts. I'm also saying the arts in the logs shit went down. Not that7 (58m 56s):Some weird shipments out. Yeah. So it's like thinking about that now you would like wants to like light all of Chicago on fire. Right? Correct. But at the time, this I guess was like, cool, cool. And inventive to make the one gay guy that you were Sure was gay play a woman Asian drag. Oh my gosh. The whole thing is like Asian themed rides. and the whole thing I don't, I can't say for sure, but I don't think1 (59m 39s):So. What the fuck?7 (59m 42s):So just a bunch of white people running around and kimonos speaking in a very like, you know, meter to style Asian thing. And I'm a woman also.2 (59m 53s):I wish we had a video. I really want to watch this play. I mean, just like for a snippet, because you know, when you think of yourself and how seriously you took a role when you were young and you and you, and you just in your mind's eye, even if there's no video and you just imagine, like, what does this actually look like? And that's always looks funny, no matter what or sad. If it's a comedy, it looks sad. And if it's True. So that was one. Did you have any roles that you liked?7 (1h 0m 29s):I mean, kind of, well, there was like a, a directing project that one of my friends did. It was like a Steve Martin one act. And I was like, yeah, right. Like it was like a legit play that was like funny and good. And I had like the lead and I was like, it was like us, like a straight man that I was playing. And I like felt excited because it felt like I was like reaching. I'm not reaching, but you know what I mean? You're like, oh, this is a play. I'm like, yeah. I was like, do a thing. And I like am working for this goal to do. And I felt like I was successful in it and it felt good.7 (1h 1m 9s):But like, that was probably the one, even in my thesis role, which was like, I was like a random chorus person in Threepenny opera, literally it's my third year. I'm like, Hmm. I have to write 30 pages now on yeah. That's, it's like that.1 (1h 1m 27s):The thing like that, I just, and maybe you guys could chime in. And in terms of the curriculum, there doesn't seem to be an actual curriculum for these programs. Like now that I'm teaching, I'm like, wait, what, what is the7 (1h 1m 42s):Tactical?1 (1h 1m 43s):And what is the piece of paper that you can point to, to say, this is the mission of these three years for these MFA actors. There is no plan. What is the plan? That's what I feel about a lot of this is, and it's still to this day in, in conservatories, what is the fucking plan? Because there doesn't seem to be one and there's not a plan. We shouldn't be charging dollars to these people. I just, I, it should be, then it should be camp, a freak out where we go when we, I don't know. Anyway. So2 (1h 2m 15s):I mean, honestly, like it's, it needs to be treated a little bit more like a school and pass fail, right?7 (1h 2m 23s):Yeah. Like the goal it's like, if you're a journalist, like, can you do these things? Can you write a bituaries? Can you write a news story? Can you do the, you know what I mean? So it's like, when I leave this place, am I going to be able to get a job? And I know that like, everyone's like, theater's like, oh gosh, you're never going to work or whatever, but that, it's just not true. It's like, everything is the same. There are basic skills. Do you have them,1 (1h 2m 50s):There are milestones to meet along the way. And if you, I mean, anyway, I it's just, the more we interview folks, the more I'm like, oh, this whole higher ed situation, fine arts needs a whole overhaul. I don't know what it's going to take, but we'll probably be extinct on the planet before it happened. So I just feel like maybe that's the way it's going to go and okay. But like, okay, so you graduate, you then are like, okay, I have this MFA. Then what happens to you7 (1h 3m 21s):By the end of the program? I was really like, I don't know. I feel like it kind of, it kind of broke me because things like that were happening, which in a way is like, I mean, at the time we didn't have the language for like, you know, playing an Asian woman in a play, like it's offensive. And it's like, not furthering me. It's racist. It's not furthering me as an actor. I'm not going to leave here and like run around and Komodo and place for the rest of my life. It just kind of broke me. And a lot of the, I would say some of the teachers, the whole situation just didn't make me feel good.7 (1h 4m 4s):So at the end, I was like, you know what, maybe? Hm. I don't know. I need, I needed a break from that whole world. I mean, I did audition for awhile, but the shortest while1 (1h 4m 21s):How short,7 (1h 4m 26s):Maybe it was a couple years1 (1h 4m 28s):Because we have Gina's trajectory and mine, mine too. Like I stopped after I stopped after three.7 (1h 4m 35s):Yeah. I was probably three years. Like slowly, just petered out. I mean, I got to the point where I'm like going. So I went on a few theater auditions in the beginning and then I had an agent and I would go on these, like on camera calls. And I would just be like, oh my God, I'm in this giant room with a hundred people that are dressed and look just like me. This is the most pressing thing. Like, I just was like, I can't, this isn't, this doesn't feel good either.2 (1h 5m 6s):I want to hear how eventually, how we get to storytelling. But before we do, I just, I didn't want to leave the whole Roosevelt thing without, I don't think I've really asked anybody this before, but you're not the first person who basically says to us, like, I'm gay. They didn't know what to do with me in theater school. Right.7 (1h 5m 30s):So2 (1h 5m 32s):I don't know if this is a question or a comment or what, or like just a prompt for discussion, but what is the barrier there? I mean, it seems like what you're saying about this role that you got cast, it's like, you're gay. So you'd like to wear drag. Is that what the thinking was?7 (1h 5m 47s):I don't know. For me, it's two things. It's like, there's the gay thing for sure. But also I'm funny. So if you're in a serious theater program, please understand I'm doing some heavy air quotes because every theater program thinks they're a serious theater program. They really do not know what to do with people who are fitting into the definition of serious. And so I think yes, there is like me, the stereotypical gay person or whatever, if I am so there's that person, but that's usually a funny person.7 (1h 6m 28s):And so then they don't like it totally. This is serious. We're doing real serious work here. How can this work?1 (1h 6m 38s):It makes that, that makes me, it makes sense. And it also makes me so angry, just Raging, also like fucking pick different motherfucking material. You've that fits your mother fucking class. You dumb fucks. That is what we're supposed to be doing is picking material that highlight our students and help them grow in a way and not the pick different place.7 (1h 7m 3s):Well, that's really where in that and the whole situation, I feel like that's, that's what sort of killed me is that there wasn't a place for me. No one cared to create one and you are, I already felt like I don't fit here. I don't belong. And so it's just like that slowly, just really like sinks in. So you've got that going on. You've got your there with 30 actors and it was kind of, honestly, it was sort of like easy to just like hide, you know, unless I'm being called to play the Asian lady on the play. So it's just like a kind of just was like, eh,1 (1h 7m 43s):Yeah, you gave up. But they gave up on at first.7 (1h 7m 48s):It is honestly,1 (1h 7m 50s):We give up when people give up on us first, especially as young people.2 (1h 7m 53s):That's true. That's true. So you're in audition rooms after school. You're, you're feeling like this is depressing. There's 5,000 mess and we all look the same. How, how did, how did you evolve from that to what you're currently doing, which I'm going to go on a limb and say is fulfilling to you artistically fulfilling to you what you're doing?7 (1h 8m 13s):I would say yes. Okay. How did that happen? I mean, after, you know, just deciding I'm not going to go on these calls anymore. I just, like, I was like, okay, then I'll, I'm working in a restaurant. So that's what I'm, I'm gonna work in. I work in restaurants now. That's what I do. And I did that for a while. And then I was just like, okay, but wow, this can't be it. Like, even if you, as an actor, like whatever level you achieve as an actor, I think there's always that part of you. Who's like, yeah, but like, can I talk somewhere?7 (1h 8m 54s):And people just like to listen to me or just let me tell, you know, just get really enthusiastic with storytelling at a party. Or like, whatever. I, I didn't know about the moth or a storytelling or any of that stuff. I really was just like this theater experience, grad school was so bad for me. And I'm too afraid to go to second city to do improv because I had sat through, you know, the first year of friends doing that. And I was like, well, I'm not doing this terrifying. So I thought, Hey, what if I get some actors together?7 (1h 9m 37s):And we will write monologues, which is how I thought of it at the beginning, it'll be like loosely based on a theme and we'll do a monologue show. I think I had just seen Nora Ephron's play love loss and what I wore. And so there's all these women on stage telling this like, story. And I was like, oh my God, I'm not a playwright. I can never like, make this happen necessarily. But like, if there are people on a stage and then they're just like one by one, like telling a story based on a theme, like, oh my gosh, this is revolutionary. I've just invented this whole new thing. So that is sort of where I started.1 (1h 10m 14s):When was that? I

"Plus je vieillis, plus je réalise à quel point le skateboard a façonné qui je suis." Ian Rogers sait comment sortir de sa zone de confort, sa vie étant une quête infinie d'apprentissages et d'aventures. Passer d'un service de streaming (Apple Music) à la digitalisation de marques de luxe pour LVMH n'était pas un pivot évident. Ian fait partie de ceux qui voient l'opportunité plutôt que le risque et est convaincu que l'inconfort élève les gens. Une chose est sûre, il sait évoluer avec son temps sans jamais perdre de vue ses passions, qu'il s'agisse de sa collaboration avec les Beastie Boys à son addiction quasi maladive aux NFTs. Même s'il vous dira qu'"être en avance, c'est avoir tort", Ian est toujours à la pointe de l'actualité et possède un sens unique du timing. Son conseil pour réussir ? Faire les choses avec conviction et se concentrer sur l'avenir. Dans cet épisode, Ian partage les tips que lui ont appris ses mentors et ses passages successifs chez Apple Music puis LVMH : Il faut savoir dire non aux bonnes idées pour pouvoir faire ce qui est important (Apple Music) Il faut se concentrer sur les trois points qui vont faire bouger les choses (Tony Belloni, LVMH) La créativité ne suffit pas, il faut aussi être efficace opérationnellement (Bernard Arnault, LVMH) Il faut adapter sa stratégie de communication à la personne que l'on essaye d'atteindre Obsédé par l'avenir, Ian a toujours une longueur d'avance et attend avec impatience le jour où son passeport sera enfin un NFT. Si "vivre dans le futur, c'est tricher", comme il le prétend lui-même, alors il est sacrément doué pour cela ! TIMELINE: 00:15:49 : La carrière de Ian 00:32:28 : Les crypto-monnaies et l'innovation numérique 01:15:43 : L'écosystème et l'économie des NFTs 01:53:50 : L'utilisation des données pour les grands groupes 02:02:45 : Beats, Apple, LVMH et Ledger 02:22:50 : Quitter les réseaux sociaux (sauf Twitter) On a cité avec Ian Rogers plusieurs anciens épisodes de GDIY : #228 - Nicolas Julia - Sorare - Le tsunami français du WEB 3.0 : créer, posséder et échanger du virtuel #229 - Frédéric Montagnon - Arianee - Le WEB3 pour se réapproprier Internet #243 - Eric Larchevêque - Ledger - Le club secret des crypto millionnaires : bitcoin, transmission, savoir et slowlife Ian Rogers vous recommande de lire : The Company, A Short History of a Revolutionary Idea, Adrian Wooldridge and John Micklethwait The KLF: Chaos, Magic and the Band who Burned a Million Pounds, John Higgs Stranger than we can imagine, John Higgs Please Kill Me: The Uncensored Oral History of Punk, Legs McNeil (traduit en français) This is How They Tell me the World Ends, Nicole Perlroth The Emperor of All Maladies, Siddharta Mukherjee (traduit en français) Avec Ian Rogers, on a parlé de : L'épisode #86 de la Martingale avec John Karp sur les NFTs L'épisode #100 de la Martingale avec Jean-Michel Pailhon sur les NFTs “The Solitary Arts” Geoff McFetridge The Beastie Boys Book, Michael Diamond & Adam Horowitz, 2018 CU-SeeMe Compte Twitter : Web3 is going just great A Mashiro The World According to Punk 6529 - Raoul Pal L'exposition Bright Moments Bandcamp PROOF - Kevin Rose Podcast with Matt Kane PROOF - Kevin Rose Podcast with Derek Edward Shloss La conference VeeCon sur le Web3.0 Documentaire The Defiant Ones, 2017 Malle pour skateboard Louis Vuitton x Supreme David Golberg de Yahoo & ex-mari de Sheryl Sandberg The Knowledge Project podcast - episode 68 - Daniel Kahneman Bernard Arnault, LVMH Tim Cook, CEO d'Apple Jake Phelps, Thrasher Magazine Editor Nicolas Julia, fondateur of Sorare Éric Larchevêque, co-fondateur of Ledger Darius Rucker du groupe Hootie and the Blowfish Ian Rogers NFT gallery La musique du générique vous plaît ? C'est à Morgan Prudhomme que je la dois ! Contactez-le sur : https://studio-module.com. Vous souhaitez sponsoriser Génération Do It Yourself ou nous proposer un partenariat ? Contactez mon label Orso Media via ce formulaire. Merci à Olivier Le Garlantezec (Global Digital & Tech Partnerships Director chez LVMH) de nous avoir mis en relation. Si vous aussi vous souhaitez protéger vos cryptoactifs, il n'y a rien de tel qu'un Ledger. Commandez le vôtre dès maintenant en cliquant ici. Pour contacter Ian : Twitter

“The older I get, the more I realize how skateboarding shaped who I am.” Ian Rogers definitely knows how to get out of his comfort zone to land a trick. The switch from innovative music streaming services (Apple Music) to taking luxury brands online (LVMH Group) was a bold one. A strong believer in growing from discomfort, Ian definitely sees opportunity rather than risk. One thing is sure, the man knows how to roll with the times without ever losing sight of his passions, from working with The Beastie Boys to collecting NFTs. Even though he'll tell you that “being early is the same as being wrong”, Ian is always on the edge of things with a unique sense of timing. The key to it all? Doing things with conviction and focusing on the future. Faster, better, stronger would be a good soundtrack! In this episode, Ian shares a few lessons from mentors and his time at Apple Music and LVMH: Get really good at saying no to good ideas, so you can get the important things done. (Apple Music) Focus on three things that will move the needle. (Tony Belloni, LVMH) Back creativity with operational efficiency. (Bernard Arnault, LVMH) Tailor your communication strategy to whoever you are trying to reach. Obsessed with what's next, Ian is way ahead of us and practically longs for the day his passport will be an NFT. In this conversation he tries to catch us up on what we're missing out on, and his latest big leap: Ledger. If “living in the future is cheating”, as the man himself claims, then he is damn good at it! TIMELINE: 00:15:49 : A career lived on the edge of things at the right moment 00:32:28 : Cryptocurrency and digital innovation into a household name like LVMH 01:15:43 : NFTs, building ecosystems and their own economy 01:53:50 : Using data for big groups 02:02:45 : Beats, Apple, LVMH and Ledger 02:22:50 : Being online, quitting social media (except for Twitter) Episodes of GDIY we talked about with Ian: #228 - Nicolas Julia - Sorare - Le tsunami français du WEB 3.0 : créer, posséder et échanger du virtuel #229 - Frédéric Montagnon - Arianee - Le WEB3 pour se réapproprier Internet #243 - Eric Larchevêque - Ledger - Le club secret des crypto millionnaires : bitcoin, transmission, savoir et slowlife Ian's reading recommendations: The Company, A Short History of a Revolutionary Idea, Adrian Wooldridge and John Micklethwait The KLF: Chaos, Magic and the Band who Burned a Million Pounds, John Higgs Stranger than we can imagine, John Higgs Please Kill Me: The Uncensored Oral History of Punk, Legs McNeil This is How They Tell me the World Ends, Nicole Perlroth The Emperor of All Maladies, Siddharta Mukherjee Show notes: Episode #86 - La Martingale with John Karp on NFTs Episode #100 - La Martingale with Jean-Michel Pailhon on NFTs “The Solitary Arts” Geoff McFetridge The Beastie Boys Book, Michael Diamond & Adam Horowitz, 2018 CU-SeeMe Twitter account : Web3 is going just great A Mashiro The World According to Punk 6529 - Raoul Pal Bright Moments exhibition Bandcamp PROOF - Kevin Rose Podcast with Matt Kane (Gazers) PROOF - Kevin Rose Podcast with Derek Edward Shloss (art collector) VeeCon Web3 conference The Defiant Ones, 2017 Supreme skateboard case by LVMH David Golberg at Yahoo & Sheryl Sandberg's late husband The Knowledge Project podcast- episode 68 Daniel Kahneman Bernard Arnault, LVMH Tim Cook, Apple CEO Jake Phelps, Thrasher Magazine Editor Nicolas Julia, founder of Sorare Éric Larchevêque, cofounder of Ledger Darius Rucker, Hootie and the Blowfish Ian Rogers NFT gallery Like the music credits? They are composed by Morgan Prudhomme! Contact him at: https://studio-module.com. Do you want to sponsor Génération Do It Yourself or partner with us? Contact my label Orso Media via this form. Special thanks to Olivier Le Garlantezec for connecting me with Ian. If you too want to protect your crypto assets, there is nothing better than a Ledger. Order yours now by clicking here. You can follow Ian on Twitter : @iancr

In this episode we're going to hear a program organized by the Adalah Justice Project and the American Friends Service Committee earlier this month, marking the Land Day anniversary and the beginning of Ramadan. The first Land Day in Palestine took place on March 30, 1976, when Palestinians organized large demonstrations and a nation-wide strike against Israel's plan to seize Palestinian land to build Jewish-only settlements. They were met with brutal Israeli repression and the massacre of six Palestinians. On Land Day in 2018, more than 100,000 Palestinians joined the historic Great March of Return in Gaza to protest Israel's inhumane blockade and demand that millions of Palestinian refugees be given the freedom to return to their homes. This year, the Islamic holy month of Ramadan began on April 1. The day before, on Land Day, the Israeli government unleashed a new round of violence on Palestinians. In the program you'll hear Palestinian activists from Gaza, the West Bank, and 1948 Palestine shared their reflections and analyses of the current situation on the ground across Palestine, and what recent moments of popular resistance mean in the broader context of the Palestinian struggle. First, Adam Horowitz, Mondoweiss' Executive Editor, talks with Sandra Tamari, the Executive Director of the Adalah Justice Project. - - - - - Support our work Help us continue our critical independent coverage of events in Palestine, Israel, and related U.S. politics. Donate today at https://mondoweiss.net/donate Articles and Links mentioned in the show Adalah Justice Project American Friends Service Committee Subscribe to our free email newsletters. Share this podcast Share The Mondoweiss Podcast with your followers on Twitter. Click here to post a tweet! If you enjoyed this episode, head over to Podchaser and leave us a review and follow the show! Follow The Mondoweiss Podcast wherever you listen Amazon Apple Podcasts Audible Deezer Gaana Google Podcasts Overcast Player.fm RadioPublic Spotify Stitcher TuneIn YouTube Our RSS feed We want your feedback! Email dave@mondoweiss.net Leave us an audio message at SparkPipe More from Mondoweiss Subscribe to our free email newsletters: Daily Headlines Weekly Briefing The Shift tracks U.S. politics Palestine Letter Follow us on social media Facebook Twitter Instagram YouTube LinkedIn Tumblr

In this podcast we feature a timely and pointed conversation with dear friend, water protector, artist and current law school student Amber Morning Star Byars. The topics we discuss in this episode range from healing ancestral trauma, survival, the Resist Line3 camps, Land Back initiatives, tribal law, art, wellness, mental health and self care; all of which need continued attention as we work towards a healthy relationship to our planet. Amber Morning Star Byars is an artist, advocate, storyteller, and law student from Santa Fe, New Mexico. Amber is an enrolled member of the Choctaw Nation of Oklahoma and a descendant of the Chickasaw Nation. She received a BA in Indigenous Liberal Studies and an AFA in Studio Art from the Institute of American Indian Arts in 2018 and is a current student at the University of Arizona James E. Rogers College of Law. After graduating law school in the spring of 2022, Amber will continue to advocate for the rights of Indigenous peoples, specifically in the areas of Land Back, Missing and Murdered Indigenous People, and environmental protection. In the middle of our conversation we shared an audio reading of an article Amber wrote about her reflections from the Line3 pipeline resistance at Red Lake River in Northern Minnesota, while she was on the frontlines this year. The article titled I Am The River, was first published via AllCreation.org as part of their Fall Equinox 2021 collection, Sacred Relationship. At the end of my conversation with Amber, we here the song “Silt and Clay” by singer/songwriter Adam Horowitz. Land Back, Front Line and Tribal Law Resources: Rebecah Nagle work and her podcast, This Land https://crooked.com/podcast-series/this-land/ Nick Estes and the Red Nation podcast http://therednation.org Winona LaDuke and Honor The Earth https://www.honorearth.org Stopline3.org For info and then donate to legal fund http://Stopline3.org Water Protectors Legal collective https://waterprotectorlegal.org IG @resist_line_3 Well Being, Spiritual and Mental Health Books: THE EXTENDED MIND: The Power of Thinking Outside the Brain by Annie Murphy Paul The Body Keeps the Score by Vessel Vanderclock The Gift: 12 Lessons to Save Your Life by Edith Eger Breath by James Nester We Are the Luckiest: The Surprising Magic of a Sober Life by Laura McKowen Happiness Becomes You: A Guide to Changing Your Life for Good by Tina Turner The Book of Secrets by Depak Chopra Leadership Books: Think Again by Adam grant Dare To Lead by Brene Brown Essentialism: The Disciplined Pursuit of Less by Greg McKeown

In this podcast we feature a timely and pointed conversation with dear friend, water protector, artist and current law school student Amber Morning Star Byars. The topics we discuss in this episode range from healing ancestral trauma, survival, the Resist Line3 camps, Land Back initiatives, tribal law, art, wellness, mental health and self care; all of which need continued attention as we work towards a healthy relationship to our planet. Amber Morning Star Byars is an artist, advocate, storyteller, and law student from Santa Fe, New Mexico. Amber is an enrolled member of the Choctaw Nation of Oklahoma and a descendant of the Chickasaw Nation. She received a BA in Indigenous Liberal Studies and an AFA in Studio Art from the Institute of American Indian Arts in 2018 and is a current student at the University of Arizona James E. Rogers College of Law. After graduating law school in the spring of 2022, Amber will continue to advocate for the rights of Indigenous peoples, specifically in the areas of Land Back, Missing and Murdered Indigenous People, and environmental protection. In the middle of our conversation we shared an audio reading of an article Amber wrote about her reflections from the Line3 pipeline resistance at Red Lake River in Northern Minnesota, while she was on the frontlines this year. The article titled I Am The River, was first published via AllCreation.org as part of their Fall Equinox 2021 collection, Sacred Relationship. At the end of my conversation with Amber, we here the song “Silt and Clay” by singer/songwriter Adam Horowitz. Land Back, Front Line and Tribal Law Resources: Rebecah Nagle work and her podcast, This Land https://crooked.com/podcast-series/this-land/ Nick Estes and the Red Nation podcast http://therednation.org Winona LaDuke and Honor The Earth https://www.honorearth.org Stopline3.org For info and then donate to legal fund http://Stopline3.org Water Protectors Legal collective https://waterprotectorlegal.org IG @resist_line_3 Well Being, Spiritual and Mental Health Books: THE EXTENDED MIND: The Power of Thinking Outside the Brain by Annie Murphy Paul The Body Keeps the Score by Vessel Vanderclock The Gift: 12 Lessons to Save Your Life by Edith Eger Breath by James Nester We Are the Luckiest: The Surprising Magic of a Sober Life by Laura McKowen Happiness Becomes You: A Guide to Changing Your Life for Good by Tina Turner The Book of Secrets by Depak Chopra Leadership Books: Think Again by Adam grant Dare To Lead by Brene Brown Essentialism: The Disciplined Pursuit of Less by Greg McKeown

Adam Horowitz is a marketing major and baseball player at UMass Dartmouth. In this episode, Adam discusses why he chose to pursue baseball versus other sports. Adam talks about his love for baseball and some the struggles he had to overcome in his career. Also, he mentions his viral pitching moment that appeared on Sportscenter and the story behind it all. We talked about how mental the game of baseball truly is and how the lessons from it translate to life. Join us in this great conversation on baseball, school, and mental health.

TABLE OF CONTENT TALKING POINTS Episode (46)6-20-2021(Host Scene)Zazz - Welcome to Table of Content. A show by streamers for streamers and the wonderful people who support them. I am Zazzaboo your host and the Editor in Chief of TableOC.com. ~Welcome StumpHate:This first segment is brought to you by Kaylas Cupcake Design.Our good friend Jazz0ejo makes dope 3d wall art. She takes any word you would like and transforms it into your favorite brand. Fortnite to call of duty, or game of thrones to my little pony she can make any word show off your flair. Check her link out at the top of tableoc.comGuests -  Welcome back to the show both now second timers FatLincolnJeff and BeardculesPrime.Streaming NewsChipotle becomes the exclusive limited-service restaurant partner for livestream gaming platform TwitchAt Chipotle everyone knows guac is extra and now we know why. They have entered into a corporate partnership with Twitch.From The Nations Restaurant News.Chipotle Mexican Grill and livestream gaming platform Twitch have entered a partnership naming Chipotle the exclusive limited-service restaurant of /twitchgaming, a new channel on the platform, the brands announced last week.This is the first partnership of its kind for the social media platform. The fast-casual chain will be the official marketing partner for the channel, which is being described as a place for gamers by gamers on the platform.The channel will have sessions about the future of gaming, news related to gaming, celebrity participants and more. Throughout the summer, Twitch will host multiple events to boost the channel's reach, and some of those will be in partnership with Chipotle.As a part of the sponsorship, Chipotle will host a new game. “Chipotle Build Your Own PC,” inspired by Chipotle's burrito bar format, will have players will build their own PCs with streaming “extras” (e.g. lighting panels and soundproofing equipment), and donate the PCs to a non-profit organization.Chipotle is also launching a branded feature where hosts and guests provide their unfiltered opinions on the gaming topic at hand.Jeff: Do these sort of corporate partnerships mean main stream adoption or will they ultimately bring Twitch down?Twitch Bans Amouranth, Indiefoxx, and More Over Controversial "ASMR Meta"Twitch has banned Amouranth, Indiefoxx, ExoHydraX, and more over recent ASMR streams. At the moment of publishing, Twitch has not confirmed this is the reason behind the ban spree, but given who the targets are and that all of the bannings came at once, suggests it's for said streamer's participation in the new "ASMR TikTok Leggings Yoga Meta," more often referred to as the "ASMR Meta."Much like the Hot Tub streams before, this new meta exploded out of nowhere, with many of the same streamers involved. As you may remember, both Amouranth and IndieFoxx were at the origins of the Hot Tub meta, and they were once again at the center of the new ASMR Meta as well. And for their troubles, they've banned by the platform, though it's unclear if the bans are temporary or permanent.At the moment of publishing, Twitch has not addressed the controversial new meta in any capacity beyond these bannings. As you may remember, it was very slow to address the equally controversial Hot Tub meta, so this may not change anytime soon, and it may not change at all if these bannings kill off the meta, which has yet to take off on the same level as the hot tub meta.That said, the bannings come after many in the Twitch community -- including several of the platform's top streamers -- began to criticize the trend and Twitch for its lack of response.Beard: Was Twitch right to ban these streamers over the new ASMR Meta?Adin Ross warns Twitch fans not to buy 'trash' crypto coin he hyped up in paid streamPopular Twitch streamer Adin Ross has admitted to promoting a ‘trash' cryptocurrency to his audience, laughing about the deal weeks later while hoping “no one actually bought it.”Various cryptocurrencies and token exchange platforms have become increasingly prominent sponsors across social media in 2021.Ross was just one of many streamers engaged with a recent crypto push on Twitch. However, just weeks later, the popular figure has now laughed off one such deal, and admitted he hoped “none of his fans actually bought in.”During a sponsored Twitch stream in May, Ross was actively pushing a newly created ‘MILF Token.' Throughout the broadcast, he was converting hundreds of dollars into the cryptocurrency and pushing it in front of thousands of viewers watching him live.Ross also promoted the Token in a now-deleted tweet.At the time Ross was paid for the sponsored stream, MILF Token was valued at upwards of $0.001 on CoinMarketCap. Today the cryptocurrency now sits at a price of $0.00006, marking a decline of roughly 180% in just a few weeks.Reflecting on his paid engagement with the crypto brand, Ross laughed about the situation in a June 18 broadcast. “Chat, by the way, that MILF Token sh** I did a while back… I already told you guys, don't buy that sh**.”Stump: This isnt financial advice but I think its safe to say if you see celebrities or personalities taking money to promote shitcoins its probably a good idea to avoid them.Tech/Gaming News -  Brought to you by The Guy from the sneak commercial OFFICIALLY ROGUECyberpunk 2077's Latest Patch Continues to Try and Make the Game Run Better on ConsoleSecondly from IGN, the game the internet loves to hate.Cyberpunk 2077 has just released its latest patch, 1.23 for PC, consoles and Stadia. Among the usual mix of fixes, it makes clear that CD Projekt Red is continuing to work on making the game perform better on consoles.Announced on the Cyberpunk 2077 website, patch 1.23 includes "various console CPU optimizations." While detail's lacking, CPU optimizations could help everything from frame rate to calculations made to improve the game's simulation. Whatever those changes, it's clear that the developers are continuing to work on the game's general performance on last-gen consoles, or in backwards compatibility on new-gen consoles.That's particularly important in light of the game's return to the PlayStation Store on June 21. Six months after being removed from the service, Sony clearly now sees the game as stable enough for sale on its store – but still made a point of telling users with original PS4 units that they will "continue to experience performance issues with the PS4 edition while CD Projekt Red continues to improve stability across all platforms." Hopefully, patches like this will go some way towards remedying that problem.Jeff: Are you jumping in or do you think we should wait for CDPR to show proof this is working?E3 highlights new titles and efforts to diversify gaming industryE3 2021 had plenty of new game announcements, including the long-awaited Legend of Zelda: Breath of the Wild 2. Nintendo released a new trailer for its upcoming sequel that's as bold and creative as Zelda has ever been.The trailer teased a lot of the aerial action for which Zelda is known, and even new Sheikah Slate abilities (including flamethrowing) that would make even Elon Musk blush.There are also possibilities for multiple villains, including Bokoblins and Ganondorf; the game is set to debut sometime in 2022.Marvel has a few new releases popping soon, including a new game that features the quirkiest group of rebels in the universe — the Guardians of the Galaxy. But it's going to take a little more than the reputation of the crew and a Marvel licence to make this game sell.The game came under fire because although the game maker (Square Enix) has the rights to the characters themselves, it did not secure the rights to the actors portraying the characters. The game's otherwise solid graphics, coupled with some zany shooting action and witty banter between the characters, makes for a decent game.Marvel fans might also want to try War for Wakanda, a game featuring everyone's favourite motley group of superheroes: the Avengers. Players can feel the weight of Thor's hammer as they help the king of Wakanda keep the country's vibranium stash away from the likes of Klaw. According to the trailer, the release is slated for August.Nintendo also made some announcements concerning its favourite plumber: Mario. The company has a few new games out including WarioWare and Mario Party Superstars. Mario Party signals the return of dozens of classic mini games and boards from past Mario Party games. In this one, players can play locally or online, including with strangers. It is due to be released on October 29.Players can visit another part of the galaxy, as they step into the world of Avatar. Ubisoft provided a look at the lush jungles of Pandora featured in Avatar: Frontiers of Pandora.Beard: There was a ton to get excited about at E3 which of all the games do you think will be the big breakout?FootNotes-  Other Notable News Carrie Fischer is getting a Hollywood walk of fame star. Her daughter Actress Billy Lourd is set to give the induction speech. Other notable names getting a star this year include: Francis Ford Coppola, Macaulay Culkin, Willem Dafoe, Salma Hayek, Michael B. Jordan, Regina King, Ray Liotta, Ewan McGregor among many others. Xbox Cloud Gaming is on its way to Xbox One, Microsoft announced this week. If you are like me and many others buying the hottest new console isn't always in the budget. Cloud gaming will change all. Personally I am excited that Microsoft is changing this industry. Spotify has acquired Podz, a startup whose technology generates preview clips of podcasts, the streaming service has announced. Unlike other services podcasters can use to manually create clips, Podz apparently automates the process of finding key moments from episodes using machine learning. I can only imagine what it will think of this show. Leaks on Epic game store seemed to show that we may be getting a FF7 remake version for PC. Game Files codenamed Pineapple were found in the back end of the store but they made a small mistake. The folder contained the name ff7 remake. Obviously its unconfirmed but should generate considerable hype. Entertainment News - Brought to you by us. Check out our patreon and consider supporting the show and website on a monthly basisScreenCrush A 'Beauty and the Beast' Prequel Series Is Coming to Disney+ 1 day agoLastly from ScreenCrush, No one makes headlines like Gaston.Disney+ is moving forward with its Beauty and the Beast prequel series, which will focus on the brash, arrogant Gaston and his trusty sidekick LeFou. Luke Evans (The Alienist) and Josh Gad (Frozen 2) will reprise their respective roles, which they first portrayed in Disney's live-action 2017 remake of the original movie.Evans and Gad are also joined by Briana Middleton (The Tender Bar) as a new character, LeFou's step-sister. According to the official press release, “the series will follow Gaston and LeFou as they set off with LeFou's step-sister, Tilly, after a surprising revelation from her past comes to light, sending the unlikely trio off on an unexpected journey filled with romance, comedy, and adventure.”The show is being written and produced by Gad alongside Once Upon a Time's Edward Kitsis and Adam Horowitz. Liesl Tommy (Eclipsed) is attached to direct the first installment of the eight-episode series. EGOT Award-winning composer Alan Menken, who wrote the music for the 1991 animated Beauty and the Beast, returns with an all-new score.“For anyone who's ever wondered how a brute like Gaston and a goof like LeFou could have ever become friends and partners, or how a mystical enchantress came to cast that fateful spell on the prince-turned-beast, this series will finally provide those answers ... and provoke a whole new set of questions,” said Gary Marsh, president of Disney Branded Television, in a statement.Jeff: This should be a fun way to get some B&B backstory. Do you think Disney should do more things like this with their catalogue of stories?Matt Heafy's Reveals Twitch Channel Income Drawing PowerDuring the pandemic, artists had to find new ways to reach their audience and in a New York Times piece, Trivium's Matt Heafy reveals just how enjoyable and profitable his life has been since joining the streaming platform Twitch, revealing he makes nearly as much there as from Trivium's other music streaming platforms combined.Heafy was one of several artists profiled within the piece, which addresses how Twitch has become one of the more profitable streaming platforms for artists. In the piece, it's revealed that In 2019 and 2020, Heafy's band, Trivium, collected an average of $11,000 a month from the other audio streaming services while his own Twitch channel generated just under $10,000 from an audience that was about one-tenth the size.Heafy says his daily routine consists of getting his twins dressed and fed before decamping to a bedroom at his Florida home where he uses three computers and three cameras as well as his assorted musical instruments and gear to connect with his viewing audience. Typically online between 9AM and 3PM, the Trivium frontman will practice guitar riffs, play first-person shooter video games and has become known for some of his cover songs and production work.Two of Heafy's most recent collaborations have been delivering a metal version of Richard Marx's '80s ballad "Right Here Waiting" with the pop-rock singer and pairing up with fellow Twitch user Mike Shinoda of Linkin Park on a new track called "In Defiance." Both collaborations had some "fly on the wall" screen time with Heafy on the Twitch platform as they were coming together.According to the New York Times article, Heafy has around 220,000 followers on Twitch with an average of over 10,000 watching at any moment.“Even if I don't feel like practicing, I know people are going to be there who want to hear a couple hours of their favorite Trivium songs,” Heafy said. “So I make sure I'm there to make their day good.”Bofa: You and Jeff are both musicians. This sounds like the market is ripe for good music. Have you thought about trying to focus on music on your streams?James Gunn Has Talked to the Heads of Marvel and DC About the Possibility of a Crossover Movie — GeekTyrantComic book fans know that there is a divide when it comes to the fandom of DC and Marvel properties. Fans typically gravitate toward one or the other, or if they do enjoy both, they know they are in separate camps. Rarely have the characters from one property crossed over to the other universe in print, and we haven't seen it happen yet in the modern blockbuster.But while it isn't likely, it's not completely out of the question if you ask James Gunn. The Guardians of the Galaxy and upcoming The Suicide Squad director has crossed over, so he's not ruling out the possibility of the films also merging one day. In a recent Tweet, a fan asked Gunn, “Along this lines, do you think there's even a remote chance we ever see a big blockbuster crossover between the MCU and DC?”.Gunn replied, “I've casually talked to the powers-that-be at both Marvel & DC about it. I would love for it to happen. I don't think it's likely, but I don't think it's an impossibility either. THAT SAID, just constantly seeing crossovers & mashups is less enchanting to me than a strong story.”So it's not like he has a pitch ready to go, but I think that if Gunn came up with the right story, he's just the director that both studios would be happy to hear out.Stump: If you could have your dream DC/Marvel mashup, what would it look like?BOLD PREDICTIONS~Plug your stuff.~Zazzaboo plug the site, Pod etc~Don't forget to check out the patreon.Thanks and we will see you next week!★ Support this podcast on Patreon ★

Adam Horowitz made a film about the health effects of the US nuclear weapons tests on the Marshallese Islanders. He showed evidence that the US had deliberately exposed them to heavy doses of radiation and monitored their conditions for thirty years. He and Metta discuss these and similar war crimes, perpetrated by most nuclear weapons states, often on indigenous populations. There are similar dangers to global health now, resulting from Japan's release of large quantities of water into the ocean from the Fukushima plant disaster. What can we do to expose these crimes and protect human health? You can watch this series (or listen to them as audio podcasts) on our website, then reply on our comments column: https://tosavetheworld.ca/videos/#comments.

Thank you for listening to Mystery, Science, Marshall! The new year means new podcast episodes all about the media Marshall and his friends love. Today, Marshall is joined by his good friend Grace O'Brien to discuss one of his favorite television shows of all time... Once Upon A Time. Once Upon A Time, created by Edward Kitsis and Adam Horowitz, aired on ABC from October 23, 2011 until May 18, 2018. The series centers on Emma Swan, a woman who discovers she's a part of a whole new fairytale world. Marshall absolutely loved this show as it aired and was shocked and so pleased to discover that Grace began to watch it during college. After giving a brief overview of the series, Marshall and Grace talk about their favorite storylines (Yes, we liked the Frozen arc), characters (Grace LOVES Hook), romantic relationship (#CaptainSwan vs. #SwanFire), and the show's powerful themes of hope, personal growth, and knocking down walls. We're so excited that you've chosen to listen to this podcast! New episodes will be released each week on Friday afternoons. You can follow Marshall on social media @marshall_films on Instagram, @MarshallFilms1 on Twitter, and MarshallFilm123 on YouTube. View the podcast website at mysterysciencemarshall.com. Remember to love what you love, who you love, love yourself, and keep feelin' groovy!

Thank you for listening to Mystery, Science, Marshall! The new year means new podcast episodes all about the media Marshall and his friends love. Today, Marshall is joined by his good friend Grace O'Brien to discuss one of his favorite television shows of all time... Once Upon A Time. Once Upon A Time, created by Edward Kitsis and Adam Horowitz, aired on ABC from October 23, 2011 until May 18, 2018. The series centers on Emma Swan, a woman who discovers she's a part of a whole new fairytale world. Marshall absolutely loved this show as it aired and was shocked and so pleased to discover that Grace began to watch it during college. After giving a brief overview of the series, Marshall and Grace talk about their favorite storylines (Yes, we liked the Frozen arc), characters (Grace LOVES Hook), romantic relationship (#CaptainSwan vs. #SwanFire), and the show's powerful themes of hope, personal growth, and knocking down walls. We're so excited that you've chosen to listen to this podcast! New episodes will be released each week on Friday afternoons. You can follow Marshall on social media @marshall_films on Instagram, @MarshallFilms1 on Twitter, and MarshallFilm123 on YouTube. View the podcast website at mysterysciencemarshall.com. Remember to love what you love, who you love, love yourself, and keep feelin' groovy!

SHOW NOTES Phil Weiss talks to Palestinian novelist Susan Abulhawa about her latest book, AGAINST THE LOVELESS WORLD. Adam Horowitz talks to organizers of the Palestine Writes Literature Festival, which launched online today. Click here to read Bill Mullen's review of Susan Abulhawa's “Against The Loveless World”, and here to watch to Phil's full interview with Abulhawa. The Palestine Writes Literature Festival is underway! You can still register to attend by visiting this site. Sign up for our free newsletters at mondoweiss.net/newsletters/

From 2013, taped at New York Comic Con roundtables with star Jennifer Morrison and show runners Edward Kitsis and Adam Horowitz.

This is a special episode of "Happy Sad Confused" for many reasons. Josh returns to the podcast for the first time since his father passed away to look back at his own beginnings with his big brother, writer Adam Horowitz ("Once Upon a Time", "Lost", "Tron Legacy"). Adam and Josh talk about the comfort movies they love that were inspired by films their dad introduced them to.

World to Wonderland is loaded with world to world travel during a time where we(Me and You/ You and I ) are not going many places. Reading of a few pages from Alice in Wonderland and Through the Looking Glass by Lewis Carroll, a review of 10000 Doors of January and Amazing Stories Episode 1: The Cellar by Steven Speilberg and Adam Horowitz and one and a half Liann's Unbelievable adventures. Ten Thousand Doors of January by Alix E. Harrow https://www.barnesandnoble.com/w/the-ten-thousand-doors-of-january-alix-e-harrow/1130069884?ean=9780316421973 Amazing Stories: The Cellar (Apple TV 2020) https://tv.apple.com/us/episode/the-cellar/umc.cmc.6lb489nnik0je6wf3sm61wj2k Alice in Wonderland by Lewis Carroll (Public Domain) https://www.barnesandnoble.com/w/alice-in-wonderland-lewis-carroll-lewis-carroll/1111176262 Through the Looking Glass by Lewis Carroll (Public Domain) https://www.barnesandnoble.com/w/through-the-looking-glass-lewis-carroll/1100194375?ean=2940012144959 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

País Estados Unidos Dirección Michael Dinner Guion Leah Fong, Edward Kitsis, Adam Horowitz, Chinaka Hodge Música Harry Gregson-Williams Fotografía Paul M. Sommers Reparto Sasha Lane, Michelle Wilson, Josh Holloway, Linda Park, Jacob Latimore, Lesa Wilson, Drew Scheid, Nicholas Stargel, Rose Bianco, Moses Das, Barret Swatek, Tyler Graham, Fallyn Brown, Gabriella Garcia, Erik Bello, Eric Esquer, Deborah Bowman Sinopsis Alia, una chica cuya madre se despierta tras haber pasado seis años en coma, lucha por reconectar con una extraña incapaz de recordar su pasado.

Welcome to THE STORM: A Lost ReWatch Podcast! Where we watch a new episode of ABC's Lost every week and discuss it for newcomers and those returning to The Island. This week, Joanna, Dave, and Neil are seeing a second Dave for Season 2, Episode 18 "Dave" - An unwelcome friend from Hurley's past makes an appearance on The Island right as Hurley and Libby are getting closer.  This week's interview is with Adam Horowitz and Edward Kitsis, the team that wrote this week's episode and wo rked on every season of Lost. They went on to start Once Upon A Time and are now running the Amazing Stories anthology series on Apple TV+.  This podcast is split into two sections THE CALM where we talk about just the episodes we've watched up to this point and do not discuss facts and knowledge from later in the series and THE STORM where make use of all the knowledge that 6 seasons of Lost and 15 years of Lost fandom has generated, plus our own crazy brains. This week's interview is split down the middle, with the majority of it appearing in THE CALM before a short break, the normal sound cue, and the rest of the interview relegated to THE STORM (of Spoilers) Send your Lost comments to @StormPodcast (http://twitter.com/StormPodcast) on Twitter and e-mails to Hosts@Stormpodcast.com to talk back at the show! You can send e-mails about ANY of the second season episodes of Lost, just include the title of the episode you're addressing. Follow Neil (@rejects (http://twitter.com/rejects) ), Joanna (@jowrotethis (http://twitter.com/jowrotethis) ), Da7e (@da7e (http://twitter.com/da7e) ) and the show (@StormPodcast (https://twitter.com/StormPodcast) ) on Twitter!  Subscribe to get exclusive content!  - https://www.patreon.com/stormofspoilers Check us out at Stormpodcast.com (http://stormpodcast.com/) Theme by DJ EMPIRICAL TIMECODES: THE CALM (Through S2 E18 discussion)  - 12 minutes, 26 seconds THE INTERVIEW (Part 1, No Spoilers) - 49 minutes, 45 seconds THE STORM - Interview and Discussion (SPOILERS!) -  1 hour, 14 Minutes, 2 seconds

Un prequel en série au film La Belle et la Bête sur Disney+ Disney continue de puiser dans son catalogue pour proposer de nouvelles séries en préparant cette fois un prequel de son film La Belle et la Bête de 2017. Produite pour la plateforme Disney+, cette nouvelle production sera centrée sur les personnages de Gaston et LeFou, incarnés par Luke Evans et Josh Gad, qui reprendront tous les deux leur rôle. À l’écriture, on retrouve les deux showrunners de Once Upon a Time, Adam Horowitz et Eddy Kitsis. https://www.youtube.com/watch?v=XVWHlXpJU8I Le prochain projet de Alex Garland ne sera pas de la SF Alors que Devs est en cours de diffusion sur Canal+, son créateur Alex Garland a déjà des projets pour la suite : une série sur la désobéissance civile qui ne sera, pour une fois, pas de la science-fiction. Et à la manière d’un American Horror Story, il aimerait garder tout le casting de Devs pour cette nouvelle création. Actuellement en cours d’écriture, le projet n’en est qu’à ses balbutiements, mais on tient là peut-être la deuxième série de Alex Garland sur FX.

Un prequel en série au film La Belle et la Bête sur Disney+ Disney continue de puiser dans son catalogue pour proposer de nouvelles séries en préparant cette fois un prequel de son film La Belle et la Bête de 2017. Produite pour la plateforme Disney+, cette nouvelle production sera centrée sur les personnages de Gaston et LeFou, incarnés par Luke Evans et Josh Gad, qui reprendront tous les deux leur rôle. À l’écriture, on retrouve les deux showrunners de Once Upon a Time, Adam Horowitz et Eddy Kitsis. https://www.youtube.com/watch?v=XVWHlXpJU8I Le prochain projet de Alex Garland ne sera pas de la SF Alors que Devs est en cours de diffusion sur Canal+, son créateur Alex Garland a déjà des projets pour la suite : une série sur la désobéissance civile qui ne sera, pour une fois, pas de la science-fiction. Et à la manière d’un American Horror Story, il aimerait garder tout le casting de Devs pour cette nouvelle création. Actuellement en cours d’écriture, le projet n’en est qu’à ses balbutiements, mais on tient là peut-être la deuxième série de Alex Garland sur FX.

Welcome to the place where I get to let my geek flag fly and talk about all things geek. Basically a fuzzy guide to life, the universe, and everything but mostly geek stuff. This is where I look into the world of geekdom and some geek news, comics, The Simpsons, Star Wars, and whatever randomness finds its way onto the recording. This level of the podcast includes Star Wars news like Galaxy’s Edge characters, creatures, Kyle Katarn back in rereleases of Jedi Knight: Jedi Outcast and Jedi Academy on the Switch and Playstation 4, Star Wars Panel at FanX in SLC with Hayden Christenson and Ian McDiarmid fuels speculation, TSA reverses ban on Galaxy’s Edge drinks, Jon Favreau confirmed to direct second season of The Mandalorian, Mandalorian pops, Rise of First Order in Mandalorian, Julia Jones in an unknown role, EW pic including Trandoshans, and The Mandalorian vs Boba. Other geeky news includes Avengers Endgame Funko Pops!, Alexander Skarsgard to play Randall Flagg in CBS All Access The Stand miniseries, Disney Plus to have Spiderman and X-Men animated series, Haley Atwell to star in next Mission: Impossible, The Last Starfighter getting a sequel, one of the puppet designers for the Dark Crystal show on Netflix was the baby in Labyrinth, Jonah Hex actor Johnathan Schaech will be in Crisis crossover, More Suicide squad casting, Tomb raider 2 gets Director Ben Wheatley, Disney has taken over Pinewood Studios in Buckinghamshire for 10 years, Josh Gad & Adam Horowitz’s Muppets Now series scrapped for Disney+, Castle Rock Season 2 on October 23, HBOs Watchmen on October 20, DCW show start dates, Venom 2 details, Sony CEO re: end of Spidey negotitations, Ad Astra clip with Brad Pitt against space pirates on the moon, trailers for Doctor Sleep/Carnival Row/Birds of Prey, an IT Chapter 2 non-spoiler review, Hailey Steinfeld being eyed for Kate Bishop, Hawkeye gets Madmen writer Jonathan Igla, Joker movie won Golden Lion award at Venice film festival, Todd Phillips denies connection to Matt Reeves The Batman, Giancarlo Esposito and Jamie Fox rumor in Reeves The Batman, Russo Bros rumor of directing Fantastic Four, Margot Robbie options Tank Girl, rumor of Black Batman in 2020, Marvel deal with Scholastic books, a Star Trek: Discovery mini-mini-review, and a short Carnival Row review. Enjoy! Congrats on completing Level 161 of the podcast. Feel free to contact me on Twitter and/or Instagram (@wookieeriot). You can also reach the show by e-mail, laughitupfuzzballpodcast@gmail.com., or by joining the Facebook group (https://www.facebook.com/groups/1879505335626093). I'd love to hear from you. Also subscribe to the feed on Apple podcasts, Google podcasts, Stitcher, Breaker, RadioPublic, Spotify, or any of the apps which pull from those sources. Go do your thing so I can keep doing mine. If you feel so inclined, drop a positive rating or comment on those apps. Ratings help others find the madness. Tell your friends, geekery is always better with peers. Thank YOU for being a part of this hilarity! There’s a plethora of ways to comment about the show and I look forward to seeing your thoughts, comments, and ideas. May the force be with us all, thanks for stopping by, you stay classy, be excellent to each other and party on dudes… TTFN… Wookiee out! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/laugh-it-up-fuzzball/message Support this podcast: https://anchor.fm/laugh-it-up-fuzzball/support

You can support this podcast by subscribing to Katie's patreon, at http://patreon.com/katiemiranda or by visiting Katie's online jewelry and art store at http://www.katiemiranda.com. Palbox is a nonprofit subscription box supporting Palestinian farmers, artisans and the international solidarity movement. you can subscribe at http://www.palbox.org.

Dans cet épisode spécial, nous ouvrons notre livre de conte pour revenir un petit peu sur la série Once upon a time. Nous avons eu l'occasion de pouvoir rencontrer et interviewer fin mars : Raphael Sbarge, Tony Amendola et Keegan Connor Tracy lors du Tgs Montpellier: https://tgs-montpellier.fr/ Nous avons réalisé cette interview en compagnie de Thibaut animateur de l'émission L'instant animation sur Radio campus Montpellier: https://www.facebook.com/instantAnimation/ Once upon a time:Once upon a time est série crée par Edward Kitsis et Adam Horowitz et produite par Disney. C'est une série familiale qui permet de redécouvrir ses personnages de conte et autres princesse Disney sous un nouveau jour. Faye en solo vous parle de la série et de ce qu'elle a aimé. La réinterprétation des contes et la modernisation de ces princesses et une de ses grandes qualités. On retrouve beaucoup de personnages féminins forts ce qui amène une bouffée d'air fraîche. La série parle aussi de la famille et de ce qu'elle représente. Elle vous parlera également de la rédemption grace au personnage de Regina.Cependant tout n'est pas parfait à storybrooke. Au fil des saisons la série aura du mal à gérer ses personnages devenus beaucoup trop nombreux, ce qui nuira grandement à son histoire. La dernière saison permet cependant de rattraper un peu la série et nous permet tout de même d'avoir un programme qui plaira aux petits et aux grands enfants.Qu'avez vous pensez de la série? Un grand merci encore une fois à Thibaut d'avoir partagé cette interview avec nous et à Jean de ComicsDiscovery pour la traduction des réponses .Il est conseillé d'écouter l'interview au casque ou du moins stéréo pour bien entendre les acteurs.Merci à nos nouveaux Tippeurs: Sully 66 et Manon. Si vous voulez faire comme eux et nous aider vous pouvez vous rendre sur notre page Tipeee Vous pouvez nous écouter sur :Ausha : https://podcast.ausha.co/geek-en-serieItunes: https://apple.co/2SnK6PBYoutube: https://bit.ly/2LheYPnSpotify: https://spoti.fi/2ExjIQADeezer : https://www.deezer.com/fr/show/55279 Discuter avec nous sur :Facebook :Geek en série le podcast : http://bit.ly/2NnI5BvJames et Faye: https://www.facebook.com/JamesetFaye/ Twitter :Geek en série: https://twitter.com/GeekenSerie_RCMJames et Faye: https://twitter.com/jamesetfaye Discord: discordapp.com/invite/GsBTkDS Nous soutenir grâce à :Tipeee: https://fr.tipeee.com/james-et-faye Et retrouver toute notre actu sur :Le site internet: http://jamesetfaye.fr/

TAKEAWAYS – Life. Lessons. Learned. explores learning from the wisdom of others. We were on site at the Southern Nevada NAIOP May Program. The title was The Current Economic Climate: Calm Before the Storm? Shawn Danoski and I sat down to discuss our Takeaways from this program. Shawn is the 2019 NAIOP Chapter President and CEO of DC Building Group, a leading general contracting firm in Las Vegas, NV. The moderator was Matt Stater, Research & GIS Manager at Colliers International. The panelists included: Jeff Lapour, Principal of Lapour Partners, a dynamic development company. Marlene Fujita, Senior Vice President CBRE, Investment Sales. Adam Horowitz, Founder of Lever Capital Partners, the guy with all the money! Something happened in March 2019. The Yield Curve Inverted. As one of the most reliable recession indicators, the last time this happened was mid-2007. NAIOP assorted the range of the associations membership for this morning's program to talk about it. We heard from an active developer, economist, investment sales broker and capital markets pro. What were some of our Takeaways? • What project is Jeff building that is causing all sorts of excitement? • What other statistics are important to watch to determine the health of the economy? • How is Las Vegas perceived by the outside community, and how it might be affecting the community. I hope you enjoy! You can find Takeaways at any of the links below: • APPLE PODCAST • STITCHER • GOOGLE PODCAST • SOUNDCLOUD Thank you for listening! Please subscribe to “TAKEAWAYS” on iTunes, and make sure to rate and review wherever you get your podcasts. Brought to you by:

Wouldn't it be great to be able to control your dreams? Adam Horowitz works at the Dream Lab in MIT, trying to develop technology to help influence, track, control and engineer your dreams. See acast.com/privacy for privacy and opt-out information.

Friends since film school, Adam Horowitz & Edward Kitsis have been through it all together — from internships, to selling their first screenplay, to being hired as staff television writers, to creating a hit network series and now getting a chance to work with their idol, Steven Spielberg. They dish on it all, from LOST and TRON: LEGACY, to ONCE UPON A TIME and DEAD OF SUMMER, PLUS, they even give us a taste of what’s to come on their upcoming reboot of Spielberg’s AMAZING STORIES. 

It's that time again. Episode 98 of Punch Drunk TV is here and we start off with an apology from Aaron who clarifies his stance on the legality and morality of raping and murdering robots in Westworld. Because, for some reason, last week he just couldn't communicate his argument properly. Also, the whiskey ... it be strong. It's Memorial Day Weekend, what are you all doing? Besides listening to this new episode, of course...? NEWS HIGHLIGHTS THIS WEEK: Damon Lindelof says his "Watchmen" series will not be an adaptation of the comics or a sequel to the movie, instead saying, it'll be "a remix." Via The Hollywood Reporter, Lindelof says, "Those original twelve issues are our Old Testament. When the New Testament came along, it did not erase what came before it. Creation. The Garden of Eden. Abraham and Isaac. The Flood. It all happened. And so it will be with Watchmen. The Comedian died. Dan and Laurie fell in love. Ozymandias saved the world and Dr. Manhattan left it just after blowing Rorschach to pieces in the bitter cold of Antarctica. To be clear. Watchmen is canon.” Netflix has canceled their "Arrested Development" press tour in the UK following backlash against Jeffrey Tambor. Barack and Michelle Obama have inked a multi-year production deal with Netflix where they will be creating new documentaries, docu-series, feature-length movies, and other types of content. Adam Horowitz and Eddy Kitsis — the co-showrunners of ABC's "Once Upon a Time" — have replaced Bryan Fuller as the new showrunners for Apple's "Amazing Stories." FOX and WWE are close to a five-year $1-billion dollar deal to bring Smackdown to the network. Raw will stay on USA. After being canceled by SYFY, "The Expanse" has been rescued by Amazon "Krypton" has been renewed at SYFY for a second season "Step Up: High Water" renewed for a second season at YouTube Red FX has renewed "Baskets" for a fourth season Mark Wahlberg is currently in the process of bringing back the children’s educational TV series "Captain Kangaroo" with his non-scripted production company Unrealistic Ideas. “We are bringing back a cool STEM scientist as Captain Kangaroo,” he said. There are no other details about the series or where it'll air at this time. There's a new "Thundercats" series on the way, called "Thundercats Roar," and some fans are really unhappy about the new show's silly aesthetic. AARON'S LOSERS: "Fahrenheit 451" and "13 Reasons Why"JACK'S LOSERS: "Evil Genius" and "Rea(L)over" AARON'S FENCERS: "The Royal Wedding Live with Cord and Tish," "13 Reasons Why: Beyond the Reasons," "The Final Year" and "McMafia"JACK'S FENCERS: "Saturday Night Live" finale w/ Tina Fey, "Scijinks," "The Split" and "Royal Wedding Live with Cord & Tish" AARON'S WINNERS: "Brooklyn Nine-Nine," "Westworld" and "The Handmaid's Tale"JACK'S WINNERS: "Mob Psycho 100," "Terrace House: Opening New Doors," "The Handmaid’s Tale" and "Westworld" Be sure to subscribe on iTunes and comment! Find us on Twitter: @PunchDrunk_TV, @flatlinejack and @aaronflux  Join the conversation on Facebook. Welcome to Episode 98. As always, #ClinktheDrink. 

Yo ho, yo ho, "A Pirate's Life" for us! Zach Van Norman and Ashley Benson have boarded the Fatty Roger for a twisty-turny adventure through spinning portals, pregnancy tests, ballet recitals, and wharfs full of so many wretched scallywags you'll think you're seeing double! We've also got an interview with series creators Adam Horowitz and Eddy Kitsis, who reveal when to expect Roni's backstory, insights on Alice, the latest developments on the upcoming LGBTQ+ storyline, and more. Grab your favorite bottle of rum, and don't forget to include the "Rescue me!" message of your choice. Yo, ho!

"Once Upon a Time" creators Eddy Kitsis and Adam Horowitz reveal the secrets behind their long-running success, how they incorporate Disney characters like "Frozen" and "Aladdin," and the lessons they learned from "Lost."

In Episode 1 of The Cinescope Podcast, we talk about one of Joe's favorite movies, TRON: Legacy! *Please forgive for any excessive mouse clicks you may hear. I am aware of the problem and will work to eliminate them from future episodes. Thank you for listening!   Show Notes TRON: Legacy on iTunes TRON: Legacy soundtrack on iTunes Stats Released December 12, 2010 Dir. Joseph Kosinski (Oblivion) Written by Edward Kitsis and Adam Horowitz Music by Daft Punk (with Joseph Trapanese - went on to score TRON: Uprising TV show and Kosinski's Oblivion) Starring Jeff Bridges, Garrett Hedlund, Olivia Wilde, Bruce Boxleitner, and Michael Sheen Contact Joe JoeDarnell.com Twitter Top Brew Podcast Chad Twitter Facebook Cinescope Facebook Twitter Website Email thecinescopepodcast@gmail.com Note: The iTunes links provided are affiliate links, meaning that when you click on them you help to support The Cinescope Podcast by earning it a bit of money. Thank you for your support! Special Guest: Joe Darnell.

We Fight for the User This week on Episode 50, Johnny and Brian finish up Disney Sci-Fi month by talking about TRON! They also have some quick news bites and what about that Game of Thrones Season 6 Finale! News Bites Starman Movie Remake Batman vs. Superman Ultimate Cut Steps out of the Shadows Captain America’s Hydra Roots Explained Star Trek New Movie Universe by Any Other Name TRON(s) (Legacy) TRON the 1982 science fiction film written and directed by Steven Lisberger, based on a story by Lisberger and Bonnie MacBird, was produced by Walt Disney Productions. The film stared Jeff Bridges as a computer programmer who was transported inside the software world of a mainframe computer where he interacts with programs in his attempt to escape. Bruce Boxleitner, David Warner, Cindy Morgan, and Barnard Hughes star in supporting roles. Source: Wikipedia TRON: Legacy, the 2010 action film directed by Joseph Kosinski from a screenplay written by Adam Horowitz and Edward Kitsis, was based on a story by Horowitz, Kitsis, Brian Klugman and Lee Sternthal. The a sequel to the 1982 film Tron, featured Jeff Bridges and Bruce Boxleitner reprising their roles as Kevin Flynn and Alan Bradley, respectively, as well as Garrett Hedlund, Olivia Wilde, and...

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini, Tiona Hobson, Roxy Striar, and Blake McIver discuss episode 17. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini, Tiona Hobson, Roxy Striar, and Blake McIver discuss episode 16. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini, Tiona Hobson, and Briana Phipps discuss episode 15. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini, Tiona Hobson, and Black McIver discuss episode 14. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini, Roxy Striar, and Black McIver discuss episode 13. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini, Roxy Striar, Blake McIver, and Tiona Hobson discuss episode 12. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to Pilot Inspectors. In today's episode, we look back at the pilot episode for the 2011 ABC fantasy drama Once Upon a Time. Armed with the entire cast of characters from the Disney archive, Lost producers Adam Horowitz and Edward Kitsis brought all the fairy tale characters we know and love to our world today. Download the episode and listen to hear our impressions.

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini, Keetin Marchi, and Tiona Hobson discuss episode 11. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini, Roxy Striar, and Blake McIver discuss episode 9. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini, Yael Tygiel, and Tiona Hobson discuss episode 8. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini, Roxy Striar, and Tiona Hobson discuss episode 7. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini, Roxy Striar, and Tiona Hobson discuss episode 6. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Zach Van Norman, Amy Hood and Ashley Benson review the latest episode of Once Upon A Time, written by Eddy Kitsis and Adam Horowitz. 

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini and Tiona Hobson discuss episode 5. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini, Keetin Marchi, and Tiona Hobson discuss episode 4. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini and Roxy Striar discuss episode 3. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini, Roxy Striar, and Tiona Hobson discuss episode 2. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Join hosts Zach Van Norman, Amy Hood and Ashley Benson as they review the premiere of Once Upon A Time's fifth season, "The Dark Swan," written by show creators Adam Horowitz and Eddy Kitsis. We'll also get answers to this summer's burning questions: What happened to Emma?Who will take control of the dagger?What will happen in Camlot?How does Merida fit into all this? We're so excited to be back!

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini, Keetin Marchi, and Tiona Hobson discuss episode 1. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini, Blake McIver, Kaori Takee, and Tiona Hobson discuss episodes 22 & 23. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini, Kaori Takee, Blake McIver, and Tiona Hobson discuss episode 21. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini, Blake McIver, and Tiona Hobson discuss episode 20. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini, Blake McIver, Kaori Takee, and Tiona Hobson discuss episode 19. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini, Jacque Borowski, and Briana Phipps discuss episode 18. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini, Blake McIver, and Roxy Striar discuss episode 17. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini, Roxy Striar, and Blake McIver discuss episode 16. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Kaori Takee, Mark Donica, and Tiona Hobson discuss episode 15. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini, Blake McIver, Mark Donica, and Kaori Takee discuss episode 14. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini, Keetin Marchi, Blake McIver, and Tiona Hobson discuss episode 13. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Howard Rosenman has established himself as one of the most prolific producers in film and television, best known for the hilarious remake of FATHER OF THE BRIDE starring Steve Martin and Diane Keaton, the cult phenomenon BUFFY THE VAMPIRE SLAYER and THE FAMILY MAN starring Nicolas Cage. Rosenman's films have won 2 Peabody Awards, an Academy Award and top honors at the Sundance, Berlin and Cannes Film Festivals. His work ranges from the above-mentioned films plus THE MAIN EVENT with Barbra Streisand, STRANGER AMONG US with Melanie Griffith, and YOU KILL ME with Sir Ben Kingsley, to the acclaimed documentaries, CELLULOID CLOSET (nominated for an Oscar and a Peabody) and COMMON THREADS: TALES FROM THE QUILT (which won an Oscar and his second Peabody) as well as PARAGRAPH 175, about Gays in the Holocaust, to the TV series JOHN FROM CINCINNATI for HBO. He also produced GROSS ANATOMY, STRAIGHT TALK with Dolly Parton, SHINING THROUGH, TRUE IDENTITY, Hugh Hudson's LOST ANGELS starring Adam Horowitz of the Beastie Boys, RESURRECTION with Ellen Burstyn, NOEL with the late Robin Williams and Paul Walker, Penelope Cruz and Susan Sarandon. He produced MY FIRST MISTER and Harvey Fierstein's TIDY ENDINGS, which won several EMMYS. Rosenman remade his very first movie, "Sparkle" starring Whitney Houston and Jordin Sparks. Another Rosenman-made documentary, BRAVE MISS WORLD about his great friend Linor Abarg'il who was crowned Miss World, was directed by Cecilia Peck, sold to Netflix and nominated for an Emmy. Rosenman made his acting debut in Gus Van Sant's MILK playing David Goodstein (founder of “The Advocate”) opposite the Oscar-winning Sean Penn as “Harvey Milk.” He has since acted in six more movies and is a proud member of SAG-AFTRA. His current film projects in development include: BETSY and THE EMPEROR starring Al Pacino as Napoleon, AMERICAN NEUROTIC at Sony Pictures, CALL ME BY YOUR NAME to be presented by James Ivory of legendary “Merchant–Ivory” fame and directed by Mr. Ivory and Luca Guadagnino. Peter Soears is his partner. Additionally, Rosenman is currently preparing MATTER OF SIZE, a remake of Israel's most successful comedy, released in 2009, at Paramount Pictures with Jon Turtletaub directing. He is also preparing a movie called SHEPHERD: A Tale of a Dog in World War II, based on the best-selling Israeli novel with Lynn Roth writing and directing. He just sold a Mini-Series to David Ellison's Skydance TV, six hours of television based on Michael Oren's book THE SIX DAY WAR with Rob Eshman writing. Rosenman is also putting together a film based on the life of ANITA BRYANT written by Chad Hodge, to be directed by Rob Epstein and Jeffrey Friedman, starring Uma Thurman and Zach Quinto. Darren Star and Jeffrey Schwarz are his partners. He just returned from Israel where he set up his cousin, Ora Ahimeir's best-selling book, BRIDE (a Sapir nominated book, about their great-grandparents, set in Mandatory Safed and Hungary in the Nineteen Forties) at Herzeliya Studios. It will be his first movie in Hebrew and will be filmed in Israel. In addition Rosenman is preparing a Broadway Musical based on a dream he had in 1985 after having seen PHANTOM OF THE OPERA and LES MISERABLES in one day in London, ANNE RICE'S “VOCE.” It is being written by Craig Lucas with music by Lance Horne and Lisbeth Scott. His producing partners are Belinda Casas-Wells, Chuck Martinez and Allan Levey. In January 2009, Rosenman became a Contributing Editor of the Los Angeles Times Magazine. His articles about his longtime friendships with Leonard Bernstein, Elizabeth Taylor and Diane von Furstenberg can be found on http://www.latimes.com/features/. As an educator, Rosenman has lectured at USC's Stark Producing Program, UCLA, Yale, Columbia, NYU, Brandeis and AFI. Rosenman tours the world with his seminar “HOWARD ROSENMAN'S THE HOLLYWOOD SELL,” an inside look at producing for the screen in which he shares his insights and adventures with writers, actors, directors, producers, and anyone who loves film and TV. The seminar has been presented in Memphis, Omaha, Philadelphia, Boston, New York and Los Angeles with upcoming engagements in Seattle, Austin, San Francisco, South Africa and Israel. He is currently at work on his first book also entitled THE HOLLYWOOD SELL, which will be both a memoir and a how-to-produce guide for aspiring filmmakers. Rosenman is Co-Founder of Project Angel Food in LA, which provides meals-on-wheels for patients with terminal illnesses and is now one of the largest charities in Southern California. In 2009 Beth Chayim Chadashim awarded him with the Herman Humanitarian Award. He was honored by film organization Power Up as “one of 2010's ten amazing men in show business.” In 2013 he received the Inspiration Award from ORT America. He currently serves on the advisory board overseeing the construction of the new film school at his alma mater Brooklyn College, and just offered a faculty job there as a Distinguished Professor. Born in Brooklyn, NY and raised on Long Island, Rosenman is the son of seventh generation Israelis from Jerusalem. He graduated Magna Cum Laude from Brooklyn College with a degree in European Literature. In 1967, he took a leave from medical school to serve as an extern medic in the Six Day War as a part of the Israeli Defense Forces where he met his mentor Leonard Bernstein who encouraged him to go into show business.

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Marisa Serafini and Tiona Hobson discuss episode 12. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Cathy Kelley, Marisa Serafini, Kaori Takee, Tiona Hobson, and special guest Scott Michael Foster (Kristoff) discuss episode 10. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Cathy Kelley, Marisa Serafini, Kaori Takee, and Tiona Hobson discuss episode 10. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Cathy Kelley, Marisa Serafini, Keetin Marchi, and Tiona Hobson discuss episode 8. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Cathy Kelley, Marisa Serafini, and Tiona Hobson discuss episode 7. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Cathy Kelley, Marisa Serafini, Tiona Hobson, and Kaori Takee discuss episode 6. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Cathy Kelley, Marisa Serafini, Tiona Hobson, and Kaori Takee discuss episode 5. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Subscribe Now via; Itunes | RSS | Stitcher Main Show Prerec Intro: Intro: Episode Name: The Apprentice Episode Number: 248 Show notes can be found at: http://onceuponatimepodcast.com/248 News: Tweeted by Adam Horowitz, The OUAT episode “Smash the Mirror” on 11/16 will be a 2 Hour episode. Marilyn emailed a picture of Regina’s only friend, except […] The post 4X04 The Apprentice – Main Show – 248 appeared first on Once Upon A Time Fan Blog/Podcast Site.

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Cathy Kelley, Marisa Serafini, and Keetin Marchi discuss episode 4. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Tiona Hobson, Marisa Serafini, and special call-in guest Christie Laing (Marian) discuss episode 3. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Tiona Hobson, Marisa Serafini, and Kaori Takee discuss episode 2. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

AFTERBUZZ TV -- Once Upon a Time edition, is a weekly "after show" for fans of ABC's Once Upon a Time. In this episode, hosts Tiona Hobson, Marisa Serafini, and Kaori Takee discuss episode 1. This show comes from the inventive minds of Lost executive producers Adam Horowitz and Edward Kitsis comes a bold new imagining of the world, where fairy tales and the modern-day collide. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Podcast Episode 219 Shownotes can be found at: onceuponatimepodcast.com/219 OUAT WonderCon Panel 4/19/14 Eddy Kitsis, Adam Horowitz, Rebecca Mader and Josh Dallas Moderator was Jim Halterman Jim asked, “What will we see next?” Adam “A non-stop freight train of answers…The Wicked Witch has some pretty devious plans that she’s unfurling…” Eddy “It’s gonna get wicked, […] The post OUAT WonderCon 2014 Panel Review – 219 appeared first on Once Upon A Time Fan Blog/Podcast Site.

The Once Upon A Time hiatus continues and so does our Great Hiatus Rewatch! Zach Van Norman and Amy Hood are traveling to "Tallahassee" and the Land of the Giants to learn more about Emma's history and how it could affect her future. We've also got an exclusive interview from series creators Adam Horowitz and Eddy Kitsis, and we want to hear your thoughts! Call in and share your opinion on the latest season 3 news on this Sunday's episode of the Once Upon A Fan podcast!

News Something new from Eddie Kitsis for us during the rest of Season 3 “Once Upon a Time” co-creator Adam Horowitz told TV Line that fans can expect, “…a compelling new mode of storytelling… and exciting new variation on things we’ve done before” Mulan sheds her armor and wins Best Instagram of the day Jamie Chung […] The post 2014 Hiatus Minisode 1 – New flashes? Mulan Beach Party? Godzilla in Storybrooke? 10 Reasons its Good to Be the Evil Queen. appeared first on Once Upon A Time Fan Blog/Podcast Site.

Once Upon a Time creators Adam Horowitz and Eddy Kitsis, recorded at ATX Television Festival.Recorded at the Alamo Drafthouse in Austin, TX, on June 8, 2013.

Hunter and Taz discuss the episode "The Miller's Daughter" from the ABC drama Once Upon A Time created by Eddy Kitsis and Adam Horowitz.

Happy New Year to all my listeners! We welcome back from winter hiatus Once Upon a Time, which comes back on the air Sunday, January 6 with "The Cricket Game." This week, I sat down with OUAT creators Adam Horowitz and Eddy Kitsis to talk about the show and what the second half of season two will bring. I'll be playing parts of that interview Monday night and we'll also have plenty of time to discuss the episode. Note: January 21, the wonderful Jane Espenson will make a return appearance to the show as well. So stay tuned! Let's Talk TV LIVE is sponsored by Wireless 1 Marketing, which created the Let's Talk TV app (available on iTunes or through Google Play).

Ed Kitsis and Adam Horowitz (creators, Once Upon a Time); Eric Charmelo and Nicole Snyder (creators, Ringer).Recorded September 18, 2011.CONNECT W/ BEN BLACKER & THE WRITER'S PANEL:https://twitter.com/BENBLACKERhttps://www.facebook.com/TVWritersPanelTHE WRITER'S PANEL IS A CO-PRODUCTION OF THE FOREVER DOG PODCAST NETWORK AND THE ATX TELEVISION FESTIVAL.http://foreverdogproductions.com/fdpn/podcasts/the-writers-panelhttp://atxfestival.com

A call between Raj Raj Rajaratnam and Ian Horowitz followed by a discussion between Rajaratnam and Adam Smith. See acast.com/privacy for privacy and opt-out information.

Welcome to the PGP Film Cast! It is a podcast completely dedicated to movies in the theater where we cover upcoming weekend releases, announced movies, focus on one future movie that has us excited, retro reviews and our (in)famous Top 10 lists! Subscribe on iTunes or our RSS feed! News RIP Tony Curtix (1925 - 2010) The Star Wars movies will be re-released in 3D starting with The Phantom Menace in early 2012 Robert Zemeckis will direct his first action movie since Castaway, a time travel movie titled Timeless Sherlock Holmes 2 has cast Jared Harris as Professor James Moriarty Director Gavin Hood is attached to direct Ender's Game Sacha Baron Cohen will play Freddie Mercury in his biopic Zach Snyder to direct Superman reboot Tony Gilroy to direct the Bourne Legacy Emma Stone to star as Gwen Stacy in the Spiderman reboot Movie Highlight – Tron Legacy Directed by Joseph Kosinski Written by Adam Horowitz, Edward Kitsis, Richard Jeffries (Lost) Starring Jeff Bridges, Garrett Hedlund, Olicia Wilde, Michael Sheen, James Frain, Bruce Boxleitner Sam Flynn, the tech-savvy 27-year-old son of Kevin Flynn, looks into his father's disappearance and finds himself pulled into the same world of fierce programs and gladiatorial games where his father has been living for 25 years.  Along with Kevin's loyal confidant, father and son embark on a life-and-death journey across a visually-stunning cyber universe that has become far more advanced and exceedingly dangerous. Versus!  Major Payne VS Heavyweights A new segment each show where we pit two movies against each other and then see which film comes out on top! It’s the closest battle yet and I safely say, without vomiting in my own mouth, that they are both winners. Weekend Releases October 8 – Life As We Know It, Secretariat, It's Kind of a Funny Story, Tamara Drewe, Inside Job, Leaving, Nowhere Boy, My Soul to Take, Stone, I Spit on Your Grave: Unrated October 15 – Jackass 3-D, Conviction, Red, Down Terrace Retro Review! – Never Been Kissed (1999) Released April 9, 1999 Domestic gross of $55,474,756 Worldwide gross of $84,000,000 Production budget of $25,000,000 Directed by Raja Gosnell (Scooby-Doo, Big Momma's House!!!!!) Written by Abby Kohn, Marc Silverstein (He's Just Not That Into You, Valentine's Day) Starring Drew Barrymore, David Arquette, Michael Vartan, Molly Shannon, John C Reilly, Garry Marshall, Octavia Spencer, Leelee Sobieski, Jessica Alba Chicago Sun Times copy editor Josie Gellar, who is desperate to graduate from perfectionist copy editor to reporter, gets her chance when the owner orders her to cover the high-school scene undercover.  Josie, who was a frustrated, ridiculed nerd, gets a popular make-over from her drop-out, naturally funny brother Rob.  Both siblings find love and joys of youth again.  But in Josie's case, it's sensitive bachelor teacher Sam Coulson.  As the publication deadline approaches, the price of blowing their cover seems ever more daunting, yet inevitable unless she sacrifices her career. Check out our review, favorite lines, trivia and more about a retro movie each episode. Top 10 Based on a True Story Movies! Some mandatory choices like Glory, Catch Me If You Can along with some oddball choices like Bloodsport and Primeval! Next Episode Featured Movie is “True Grit” Versus is Batman Returns VS Ghostbusters 2 Retro Review is “Airplane!” Top 10 most attractive but terrible actors or actresses! (list is due by 10/21/10) Email in your lists, ideas for Retro Reviews! Your PGP Film Cast crew Tom – tom@sector512productions.com Jerry – jerry@sector512productions.com Chad – chud@sector512productions.com