Podcasts about american indian arts

(Initially published April 21, 2024)   Jesus Ministries, Joan Boney  ...    I was born again on August 5, 1975.   Shortly after that, I was asleep in the night when God transported me into heaven, similar to the example given in 2 Corinthians 12.   I was with God and Christ and the Holy Spirit.  I saw no images.  It was a spiritual experience.  At that time I was "merged into the body of Jesus", made one with the word of God, God and the Holy Spirit witnessing.   A few nights later, the exact same thing happened to me again.   I thought this happened to all who were born again.  When I found that was not the case, I didn't know why this had happened to me.   Later I was reading a book entitled Exodus, and the author said sometime when God has a special calling for someone HE will often cause a "special" thing to happen like Moses and the burning bush.   For the next 5 years God prepared me for the ministry I was to do on this earth, apostle and prophet.   God showed me apostles have an anointing to deal with scripture and they will try to cause churches to abide by the NT scriptures.   Prophets deliver messages, especially corrections, to the church people and the ministers.  Prophets are often also shown things to come.  

In part two of this deep conversation, two “happy” masters of meditation, Loch Kelly and Henry Shukman, explore a range of topics and questions through the lens of awakening as a natural human potential. What can we learn about how to shift into awake mind and heart to live with and recover from injury and long Covid? What is effortless focus and flow, aka Flow Know? And why is it so important for meditation and mindfulness practitioners to understand the distinctions between conventional mindfulness and more direct paths like Zen and Effortless Mindfulness? And finally, what are the benefits of new emergent spiritual models that integrate nondual mindfulness and Internal Family Systems? How does it work and how are models like this different from more traditional approaches to waking up and growing up? Loch and Henry Shukman engage with these questions and more.Part 1 RecapIn part one, Loch and Henry Shukman explore their similar and unique approaches to awakening. With delight and curiosity, they share some of their own initial awakening experiences. They also discuss their process of discovering and unfolding and how they share it with students. To this end, they unpack and illuminate the contemplative art and science of Inquiry and Koans as ways to shift out of the chattering mind and into our already awake heart mind. Henry talks about his experience with Zen Koans and Loch shares his Mahamudra approach to inquiry. Loch calls this Glimpsing, and it emphasizes immediate experiential pointers which help practitioners directly realize their already awake nature. Henry Shukman BioHenry Shukman is a meditation teacher, poet, author, and co-founder of the single-path meditation app The Way. His most recent books are Original Love: The Four Inns on the Path of Awakening (HarperOne) and the Zen memoir One Blade of Grass. He has taught at Google, the New York Times, Harvard Business School and Medical School, and the Institute of American Indian Arts. He has written several award-winning and bestselling books of fiction and poetry. His poems have appeared in The New Yorker, Guardian, Times and Sunday Times. He has an M.A. from Cambridge and an MLitt from St Andrews.Mindful Glimpse The episode features Loch offering a guided practice called “Learn to Stay in Your Heart.” These mindful glimpses serve as invaluable tools for experiencing ways to access the awake consciousness that is already here within all of us. You can now explore all of Loch Kelly's practices and teachings on the new Mindful Glimpses app, found at https://lochkelly.org/mindful-glimpses. This innovative meditation and wellness app offers daily micro-meditations, step-by-step programs, and simple-yet-advanced tools for awakening.Loch Kelly Bio Loch is the creator of the Mindful Glimpses app, and an award-winning author, psychotherapist, and non-dual meditation teacher. He is also known for his unique practical methods that support awakening as the next natural stage of human development. Backed by modern neuroscience and psychology, Loch introduces Effortless Mindfulness, which combines an ancient form of nondual meditation and IFS psychology that allows immediate access to our embodied awake nature which arises as our calm, clear, and compassionate healing capacity. Connect with Loch: Mobile App: https://lochkelly.org/mindful-glimpsesWebsite: https://lochkelly.org/Donate: https://lochkelly.org/donatePodcast: https://lochkelly.org/podcast

An exhibition at The Whyte Museum of the Canadian Rockies in Alberta celebrates the work of the Indigenous Group of Seven, influential Indigenous artists who, over a period of decades, pushed a new definition of Native art in Canada. We'll also highlight exhibitions honoring contemporary and up-and-coming Native American artists including the University of Tennessee, Knoxville's McClung Museum of Natural History & Culture exhibition, "Homelands: Connecting to Mounds through Native Art", and the Institute of American Indian Art's annual showcase of work by the visual arts graduating class. GUESTS Joseph Sánchez, artist, former curator for IAIA's Museum of Contemporary Native Arts, member of the Indigenous Group of Seven, and co-curator of “The Ancestors Are Talking” exhibit at The Whyte Museum of the Canadian Rockies Kayla Wanatee (Meskwaki Tribe), multi-disciplinary artist and a spring 2025 IAIA Bachelor's of Fine Arts graduate Kassidy Plyler (Catawba), artist and cultural public programs specialist for the Catawba Nation

An exhibition at The Whyte Museum of the Canadian Rockies in Alberta celebrates the work of the Indigenous Group of Seven, influential Indigenous artists who, over a period of decades, pushed a new definition of Native art in Canada. We'll also highlight exhibitions honoring contemporary and up-and-coming Native American artists including the University of Tennessee, Knoxville's McClung Museum of Natural History & Culture exhibition, "Homelands: Connecting to Mounds through Native Art", and the Institute of American Indian Art's annual showcase of work by the visual arts graduating class.

Amber-Dawn Bear Robe invites us on a vibrant exploration of Indigenous fashion, revealing the layered stories and cultural significance behind each piece. As a luminary in Indigenous art, fashion, and education, Amber-Dawn shares her journey from the Siksika Nation in Alberta to her influential role in Santa Fe, New Mexico. Through her experiences, we unravel how her heritage and the political nature of being Native infuse her work with meaning, challenging stereotypes and elevating Indigenous voices on global platforms like the Getty.We traverse the nuances of curating Indigenous art with Amber-Dawn, drawing insights from her work at the Urban Shaman Gallery in Winnipeg. The conversation highlights the collaborative spirit necessary for showcasing Indigenous art and fashion, emphasizing fashion's universal language as a conduit for cultural expression. A pivotal moment at a fashion show at the Getty underscores the power of prominent platforms in celebrating Indigenous talent. Amber-Dawn also discusses her contributions to education, particularly her efforts in developing Indigenous fashion history courses at the Institute of American Indian Arts.Looking towards the future, Amber-Dawn envisions Santa Fe as a burgeoning fashion capital, advocating for greater investment in events like Native Fashion Week Santa Fe. She dreams of a world where Indigenous designers gain global recognition and economic success, while honoring the historical significance of past art movements, such as the Indian Group of Seven. Her passion for fostering change shines through as she spotlights emerging designers like John Tecom and shares personal reflections on cultural identity, style, and the joy of creativity. Join us for an inspiring discussion that celebrates the enduring power and potential of Indigenous fashion and art.

Grandfather of the Treaties: Finding our Future Through the Wampum Covenant (Wolsak & Wynn, 2025) by Daniel Coleman is an essential read for Canadians looking to understand our nation's complicated history. In this ambiance episode host Hollay Ghadery talks to Daniel as well as Indigenous artist, writer, and historian Rick Hill about wampum, early settler relations, and how we can use wampum agreements to move forward today. Grandfather of the Treaties shares Coleman's extensive study of Haudenosaunee wampum agreements with European nations, which was done in close consultation with many Indigenous scholars, shows how we can chart a new future for everyone living in what we now call Canada—Indigenous, settler, more recent arrival—by tracing wampum's long-employed, now-neglected past. The Covenant Chain-Two Row treaty tradition models how to develop good minds so that we can live peacefully together on the river of life that sustains us all. It is a philosophy, an ethical system, a way of learning to live as relatives with our human and more-than-human neighbours. This covenant has been called the “grandfather of the treaties,” and is also considered the grandmother of Canada's Constitution. About Daniel Coleman: Daniel Coleman recently retired from being a professor in the Department of English and Cultural Studies at McMaster University and an associate professor at Six Nations Polytechnic on the Grand River territory. He is a writer who is fascinated by the power of narrative arts to generate a sense of place and community, mindfulness, curiosity and wonder About Rick Hill: Rick Hill is a citizen of the Beaver Clan of the Tuscarora Nation of the Haudenosaunee at Grand River. A practicing artist, curator, art historian, writer, and public speaker, who has worked with the Smithsonian Institution in Washington D.C., the Institute of American Indian Arts in Santa Fe, and Six Nations Polytechnic here in Ontario, Rick has been involved in wampum repatriation and interpretation since the 1970s. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Grandfather of the Treaties: Finding our Future Through the Wampum Covenant (Wolsak & Wynn, 2025) by Daniel Coleman is an essential read for Canadians looking to understand our nation's complicated history. In this ambiance episode host Hollay Ghadery talks to Daniel as well as Indigenous artist, writer, and historian Rick Hill about wampum, early settler relations, and how we can use wampum agreements to move forward today. Grandfather of the Treaties shares Coleman's extensive study of Haudenosaunee wampum agreements with European nations, which was done in close consultation with many Indigenous scholars, shows how we can chart a new future for everyone living in what we now call Canada—Indigenous, settler, more recent arrival—by tracing wampum's long-employed, now-neglected past. The Covenant Chain-Two Row treaty tradition models how to develop good minds so that we can live peacefully together on the river of life that sustains us all. It is a philosophy, an ethical system, a way of learning to live as relatives with our human and more-than-human neighbours. This covenant has been called the “grandfather of the treaties,” and is also considered the grandmother of Canada's Constitution. About Daniel Coleman: Daniel Coleman recently retired from being a professor in the Department of English and Cultural Studies at McMaster University and an associate professor at Six Nations Polytechnic on the Grand River territory. He is a writer who is fascinated by the power of narrative arts to generate a sense of place and community, mindfulness, curiosity and wonder About Rick Hill: Rick Hill is a citizen of the Beaver Clan of the Tuscarora Nation of the Haudenosaunee at Grand River. A practicing artist, curator, art historian, writer, and public speaker, who has worked with the Smithsonian Institution in Washington D.C., the Institute of American Indian Arts in Santa Fe, and Six Nations Polytechnic here in Ontario, Rick has been involved in wampum repatriation and interpretation since the 1970s. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

Renowned artist Marie Watt, a proud member of the Seneca Nation, invites us into her vibrant world of Indigenous art, where tradition meets innovation. With an extraordinary mix of text, textiles, beadwork, sculptures, and neon, Marie shares her journey from her early days at Willamette University to her transformative experiences at the Institute of American Indian Arts. Her art is a profound reflection of her Seneca identity, especially through the symbolic use of blankets, deeply rooted in her cultural heritage and personal narrative. Marie offers insights into the communal traditions reflected in her art, drawing from her experiences within the urban Indian community of the Pacific Northwest.Join us as we uncover the magic behind Marie's sewing circles, a practice that blossomed from necessity into a rich community-building exercise. These gatherings brim with storytelling and intergenerational exchange, emphasizing the connection between traditional beadwork and modern neon as evolving storytelling mediums. The episode also navigates the contemporary landscape of Indigenous art in prestigious collections, with language playing a crucial role in Marie's work. Themes such as "turtle," "island," and "companion species" challenge us to reconsider our relationships with nature, while cultural narratives and Marvin Gaye's music inspire reflections on motherhood and community. Marie's narrative beautifully intertwines language and art, reshaping how we perceive familial and communal ties.

In this episode, co-editor Dr. Farina King of COVID-19 in Indian Country: Native American Memories and Experiences of the Pandemic speaks with contributing author Dr. Shaina A. Nez about her chapter, “COVID-19 Memory Dreamscapes.” A Diné writer from Lukachukai, Arizona, Shaina reflects on the meanings of her dreams and memories during the pandemic while navigating the hardships of single motherhood and a child custody battle. Drawing from her deep connection to land and family, she explores how her dreamscapes became a source of guidance and resilience. Shaina, who holds an MFA in creative nonfiction from the Institute of American Indian Arts and a doctorate in Justice Studies from Arizona State University, shares how writing helped her reclaim her voice during a time of uncertainty and upheaval. This episode features a powerful conversation on memory, survival, and Indigenous storytelling. According to Diné clans, Shaina is ‘Áshįįhi born for Táchii'nii, with Ta'neeszahnii as her maternal grandfather's clan and Kin łichii'nii as her paternal grandfather's clan. She is the author of various publications, and her research also focuses on the experiences of emerging BIWOC authors in MFA creative nonfiction programs. She formerly taught creative writing at Diné College and continues to explore themes of memory, identity, and Indigenous storytelling in her work. Her writing often delves into personal and collective narratives, highlighting the resilience of Native communities.Resources:Special edition of Diné Poetics available on the Poetry Magazine websitePre-order Beyond the Glittering World: An Anthology of Indigenous Feminisms and Futurisms (forthcoming November 2025 to be published by Torrey House Press), eds. Kinsale Drake, Stacie Shannon Denetsosie, Darcie Little Badger, et. al.Shaina A. Nez, "This Land, Our Love," Green Linden Press (2022)"10 Questions for Shaina A. Nez," The Massachusetts Review, March 5, 2021Order COVID-19 in Indian Country: Native American Memories and Experiences of the Pandemic (Palgrave Macmillan, 2024) edited by Farina King and Wade Davies that includes Shaina A. Nez's chapter "COVID-19 Memory Dreamscapes" 

Notes and Links to Deborah Taffa-Jackson's Work          Deborah Jackson Taffa is a citizen of the (Quatzahn) Quechan (Yuma) Nation and Laguna Pueblo. She earned her MFA at the Nonfiction Writing Program at the University of Iowa and is the Director of the MFA in Creative Writing at the Institute of American Indian Arts in Santa Fe, New Mexico. Named Top 10 Book of the Year by Atlantic Magazine, and Top 10 Nonfiction Book by Time Magazine. Buy Whiskey Tender   Deborah's Website   Book Review for Whiskey Tender from Washington Post   At about 1:30, Deborah reflects on and expands on her experience in being a finalist for The National Book Award  At about 5:30, Pete shares some laudatory feedback for her memoir and Deborah shouts out Birchbark Books, Collected Works, Left Bank Books, as some great places to buy her book  At about 7:30, Deborah shares some wonderful invitations she's received to discuss her book and her art At about 9:05, Deborah explains how she “reverse-engineered” the book with regard to research and personal stories  At about 10:20, Deborah responds to Pete's questions about her early reading and language life and how her formal and informal education was affected by her family's histories  At about 15:45, Deborah gives background on her “autodidactic,” transformative learning, study, reading, and traveling that helped her   At about 19:00, Deborah traces the throughlines of colonization in seemingly-disparate groups At about 22:20, Deborah discusses the significance of her epigraph on “ceremony” At about 26:25, Billy Ray Belcourt is cited as Pete and Deborah talk about the speculative and aspirational writing  At about 27:55, Pete and Deborah reflect on ideas of indigenous invisibility as evidenced in a memorable scene from Whiskey Tender At about 29:40, Deborah cites a “shocking” study n her college textbook that speaks to how many Americans view Native American women, and how it provided fodder and stimulus for her memoir At about 31:25, the two discuss a flashback scene that begins the book and the idea of “mirages” as discussed in the opening scene At about 35:20, Pete asks Deborah to expand upon a resonant line from her book about meaningful childhood experiences  At about 37:35, Deborah talks about historical silences in her family and in others  At about 39:40, Deborah talks about the intensive historical research done in the last year before the book was published At about 40:55, The two discuss similarities regarding generation gaps in indigenous groups and immigrant and traditionally-marginalized groups  At about 42:40, Deborah talks about the lore of Sarah Winnemucca in her family and “her savvi[ness] and revisionist history At about 46:25, Pete and Deborah talk about the “flattening” of American Indian stories and pivotal government treaties and reneging on deals by the American government   At about 48:00, Pete and Deborah reflect on contemporary connections to previous American policies At about 50:20, The two discuss a representative story about “lateral violence” and belonging and ostracism that affected Deborah at a young age At about 53:00, Counternarratives to myths about indigenous peoples and movement are discussed  At about 57:20,  At about 59:40, Pete is highly complimentary of Deborah's writing about her grandmother's genuine and wonderful nature, and Deborah expands on her grandmother's cancer diagnosis and outlook and lasting influence  At about 1:02:30, Pete highlights a wonderful closing scene about time and place and home      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. This week, his conversation with Episode 255 guest Chris Knapp is up on the website. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!     This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran. I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of Pete's, a DIY operation, and he'd love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.     The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 276 with Donna Minkowitz, a writer of fantasy, memoir, and journalism lauded by Lilith Magazine for her “fierce imagination and compelling prose.” Her first book, Ferocious Romance, won a Lambda Literary Award for Best Book On Religion/Spirituality, and her most recent memoir was Growing Up Golem, a finalist for both a Lambda Literary Award and Judy Grahn Nonfiction Award. She is also the author of the novel DONNAVILLE, published in 2024.     The episode airs on March 18.  

Notes and Links to Annell Lopez's Work          Annell López is the winner of the Louise Meriwether First Book Prize and the author of the short story collection I'LL GIVE YOU A REASON from the Feminist Press. A Peter Taylor Fellow at the Kenyon Review Writers Workshops, her work has also received support from Tin House and has appeared in Guernica, American Short Fiction, Michigan Quarterly Review, Brooklyn Rail, The Common, Refinery29 and elsewhere. López received her MFA from the University of New Orleans. She is working on a novel. Buy I'll Give You a Reason   Annell Lopez's Instagram   For The Rumpus: “There's Always a Little Light, a Glimmer of Hope: A Conversation with Annell López” At about 2:05, Annell talks about her early relationship with bilingualism,  At about 4:50, Annell shouts ut the “great place” that is Newark, NJ, and recounts early memories after her immigration  At about 6:25, Annell talks about how learning English helped her develop her already burgeoning writing ability  At about 8:25, Annell highlights Garcia Marquez's work in Spanish  At about 9:35, Annell lists books and writers that were formative and transformative for her At about 13:25, Deesha Philyaw, Carlos Maurice Ruffin, Danielle Evans, and Chris Stuck, are referenced as inspiring contemporary writers At about 14:40, Annell talks about seeds for her short story collection and its makeup At about 16:10, the two discuss the collection's first story and the title character's anxiety around possible deportation   At about 19:05, Annell reflects on the dynamics of older sibling and young sibling and mother-daughter relationships, as evidenced in the “Dark Vader” At about 20:30, Annell responds to Pete's questions about colorism as shown in some of her stories  At about 22:35, from “Dark Vader,” a “problematic” Mateo is discussed, along with power dynamics, and Vanessa's reluctance to pass her GED  At about 27:00, Annell talks about a character's unnamed bipolar condition, and his son's motivations in being angry towards his father  At about 30:30, Pete asks about online news madness as referenced in the story collection   At about 32:35, Pete links two stories and the two talk about gentrification and its treatment in the collection, and Pete is complimentary of Annell's plot structure and what is “left unsaid” At about 34:35, “Love gone stale” as a theme of the book is lauded and discussed At about 37:00, Grief and depression and the bird and beautiful “Bear Hunting Season” are discussed At about 41:30, Annell talks about how her teaching did and did not inform the treatment of teachers in her collection  At about 44:30, Trauma in its many forms in the collection is discussed  At about 45:45, The two explore the title story and its focus on emotional response At about 47:50, Pete highlights a story that focuses on objectification and racism and Annell's apt second-person usage and diction; she focuses on the story's universality and realism  At about 50:05, “The Other Carmen” is explored, including ideas of body shaming, body positivity  At about 52:40, Annell explains some “Easter eggs” and “crossover characters” and Pete is complimentary of story endings At about 53:40, Pete asks Annell about the importance of staged photoshoots in a story in the collection At about 55:55, Annell talks about the importance of titles after Pete cites her prowess with same At about 57:45, Pete fanboys about the collection's last story At about 59:30, Annell responds to Pete's question about significance of the collection  At about 1:00:45, Annell gives social media and other contact info You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His latest conversation, with Episode 265 guest Carvell Wallace, is up on the website. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran. I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of Pete's, a DIY operation, and he'd love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.     The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 275 with Deborah Jackson-Taffa, whose 2024 memoir Whiskey Tender was a finalist for the 2024 National Book Award for Nonfiction; earned a MFA in nonfiction writing from the Univ of IA; director of the MFA creative writing program at the Institute of American Indian Arts in Santa Fe, NM     The episode airs on March 11.

According to the U.S. Department of Agriculture, three fourths of the world's flowering plants and about 35 percent of the world's food crops depend on pollinators to reproduce. We interviewed Melanie Kirby and Davon Collins to learn more about the beekeping program at the Institute of American Indian Arts in Santa Fe, NM.Relevant Links:IAIA's Beekeeping JourneyIf you're enjoying this podcast, please consider rating us and/or leaving us a review on Apple Podcasts, Podcast Addict, or Podchaser Thanks!Follow us on X @RainShinePodNever miss an episode! Sign up to get an email alert whenever a new episode publishes!Have a suggestion for a future episode? Please tell us!Come Rain or Shine affiliate links:DOI Southwest CASC: https://www.swcasc.arizona.edu/  USDA Southwest Climate Hub: https://www.climatehubs.usda.gov/hubs/southwest  Sustainable Southwest Beef Project (NIFA Grant #2019-69012-29853): https://southwestbeef.org/

Explore the iconic Santa Fe Indian Market, the largest juried Native American art show in the world. Wander through bustling streets filled with extraordinary jewelry, pottery and paintings. Learn from Southwestern Association for Indian Arts Executive Director Jamie Schulze the stories behind the art and the over 1,000 artists from over 200 tribes who participate in this annual event. Join Darley Newman to dive into the best food, fashion, and local museums to add to your Santa Fe Indian Market itinerary, including where to find the best Indian tacos.Go behind the scenes at special events like Best of Show and the SWAIA Native Fashion Show, hearing from designers like Patricia Michaels, a former contestant on Bravo's “Project Runway,” and past Governor of Pojoaque Pueblo, artist George Rivera. Hear from creatives like Del Curfman and Kathleen Wall about their inspiration, including their education at the Institute of American Indian Arts. Step inside the IAIA Museum of Contemporary Native Arts with Director Patsy Phillips and visit the Museum of Indian Arts & Culture to see a special fashion exhibition by Patricia Michaels. Whether you're a first-time visitor or a seasoned market-goer, this episode offers insider tips, artist spotlights, and a deeper appreciation for this cultural treasure in the heart of Santa Fe.

Stacie Shannon Denetsosie's life on the Navajo Nation is the inspiration for many of her imaginative stories in the collection, The Missing Morningstar And Other Stories. published this year. Ojibwe writer Marcie Rendon's illustrated children's book, Stitches of Tradition (Gashkigwaaso Tradition), measures time and culture through the ribbon skirts a grandmother makes through the years. And Danica Nava's romance novel, The Truth According to Ember, has readers rooting for its Chickasaw protagonist to get the guy. Those are among the books that our expert readers will review in our look back on notable works by Indigenous authors. GUESTS Andrea L. Rogers (Cherokee), author, undergraduate professor at the Institute of American Indian Arts, and a PhD student at the University of Arkansas Calvin Crosby (Cherokee), owner of King's English Bookshop and executive director of Brain Food Books

Four Native Americans just received the nation's highest honor recognizing work and dedication to enriching the community. President Joe Biden awarded the 2022-2023 National Humanities Medals to Muscogee poet Joy Harjo, long-time Cherokee educator Dr. Robert Martin, Potawatomi author and scientist Dr. Robin Wall Kimmerer, and Tlingit cultural advocate Dr. Rosita Worl. The awards, in conjunction with the National Endowment for the Humanities, honors individuals and organizations that deepen “the nation's understanding of the humanities and broadened our citizens' engagement with history, literature, languages, philosophy, and other humanities subjects.” Native America Calling was the first Native organization to receive a National Humanities Medal in 2021. GUESTS Dr. Rosita Worl (Tlingit), anthropologist, cultural leader, president of the Sealaska Heritage Institute, and a 2023 National Humanities Medalist Joy Harjo (Muscogee), poet and 2022 National Humanities Medalist Dr. Robert Martin (Cherokee), president of the Institute of American Indian Arts and a 2022 National Humanities Medalist Shelly C. Lowe (Diné), chair of the National Endowment for the Humanities

Chris Pappan is an enrolled member of the Kaw Nation and honors his Osage and Lakota heritage. His cited artistic influences are the Lowbrow art movement, Heavy Metal and Juxtapoz magazines, and taps into the American cultural roots of 1970s underground comics, punk, and hot rod cultures. His art literally reflects the dominant culture's distorted perceptions of Native peoples and is based on the Plains Native art tradition known as Ledger Art. A graduate of the Institute of American Indian Arts in Santa Fe and a nationally recognized painter and ledger artist, Chris' work is in numerous museums such as the National Museum of the American Indian, Washington D.C.; the Tia collection in Santa Fe NM and the Speed Museum of Art in Louisville KY among many other important collections both nationally and internationally. He is represented by Blue Rain Gallery in Santa Fe NM. Chris is currently a board member of the Illinois State Museum and is a co-founder of the Center for Native Futures, a Native American gallery and studio space in Chicago's Loop. He lives and works in Chicago with his wife Debra Yepa-Pappan, and their daughter Ji Hae. headshot photo by Tran Tran Website: http://chrispappan.com/ Center for Native Futures Website: https://www.centerfornativefutures.org/ Unbound: Narrative Art of the Plains https://americanindian.si.edu/explore/exhibitions/item?id=1005

The Daniel Residence is a modern re-interpretation of the shotgun typology responding to both the owner's Louisiana roots and the long narrow nature of her property. Visitors enter past the formal sitting room into a central vestibule which flows in an enfilade procession between kitchen / dining and the sitting. In section, 11' and 13' ceilings and extensive glazed openings offset the compact planimetric constraints of the site. Beyond the public spaces, a u-shaped stepped retaining system receives the intertwined forms of the principal suite and pool with the principal bedroom occupying a special place of prospect, looking out to the waterline. Back at the vestibule, a floating steel stair takes visitors to the second floor living space where the procession flows to an oversized screened porch overlooking Austin's downtown skyline.April has over 16 years of professional experience in architecture and design specializing in sustainable projects. She has designed award winning residential, commercial and institutional projects ranging in scale from large campus projects to smaller single building and residential projects. April's research and experience in sustainable design has been published internationally. Previous commercial and institutional clients have included the University of New Mexico, Institute of American Indian Arts and Girls Inc. In a desire to focus solely on sustainable projects, April launched Clark | Richardson Architects with her partner Ed Richardson, in 2009. Many firms have a design sensibility that is either traditional or modern or somewhere in between. We have done it all. C|R approaches each project individually, looking at the needs and desires of the client, individual aspects of the site and the climate of the area and creates a design that brings it all together arriving at the most elegant solution possible. C|R designs sustainable renovation, residential and commercial projects with the goal of creating holistic experiences through form, sustainability and attention to detail.Ed Richardson is originally from New Orleans and has practiced architecture in Louisiana, Massachusetts, New Mexico and Texas. He specializes in custom residential and commercial architecture. He studied architecture on at both Yale University, where he was awarded the Blanning Prize, the Parsons Memorial Medal and a merit scholarship, and the University of Virginia. Ed has instructed both undergraduate and advanced studio courses at the University of Texas and University of New Mexico. Ed was the editor of the 39th edition of Perspecta, the Yale Architecture Journal, titled Re_Urbanism (MIT, 2007) which investigates the transformation of capital cities in the era of globalization. He has also contributed articles to MONU, Texas Architect and MasContext. He was a participant / winning entrant in AIA DesCours 2010 in New Orleans and was a panelist in the inaugural 2011 SXSW Eco conference on the topic of biomimetics. Hosted on Acast. See acast.com/privacy for more information.

FROM THE “FIRST VOICES RADIO” ARCHIVE. Host Tiokasin Ghosthorse talked with Rick Hill Sr., a citizen of the Beaver Clan of the Tuscarora Nation of the Haudenosaunee at Grand River. Rick holds a Master's Degree in American Studies from the State University of New York at Buffalo. He is the former Assistant Director for Public Programs, National Museum of the American Indian, Smithsonian Institution; Museum Director, Institute of American Indian Arts, Santa Fe, NM; and Assistant Professor, Native American Studies, SUNY Buffalo. He formerly served as Senior Project Coordinator of the Deyohahá:ge: Indigenous Knowledge Centre at Six Nations Polytechnic Institute, Ohsweken, Ontario. Rick is an interpretive specialist to develop exhibitions for the recently renovated Mohawk Institute, the oldest Indian residential school in Canada. He is the Indigenous Innovation Specialist at Mohawk College in Hamilton and serves as a Cultural Advisor to FNTI in the Tyendinaga Mohawk Territory. Tiokasin and Rick talk about the changes the U.S. Constitution and its state at the time and the original intention and lived experience of the Haudenosaunee Confederation. Their conversation, although it took place a number of years ago is still extremely relevant to today. “Right now, this country is in a state of change and what I believe were sacred to the leaders, the founding [colonial] fathers were these ideals and the laws that they did to come up with a partnership with the Native nations, is being ignored by this current generation of Americans. I think that we have to look back at that these were seriously sacred promises, legal promises made, and if you abuse the First People of the land, how do you really expect your great-grandchildren to grow up and be able to celebrate democracy that you herald? It's really about justice. I always say the Indians are the miners canary of American justice. How America treats the Native people, it's going to symbolic of what is forthcoming as to how they're going to treat the rest of the people.” — Rick Hill Production Credits: Tiokasin Ghosthorse (Lakota), Host and Executive Producer Liz Hill (Red Lake Ojibwe), Producer Karen Martinez (Mayan), Studio Engineer, Radio Kingston Kevin Richardson, Podcast Editor Music Selections: 1. Song Title: Tahi Roots Mix (First Voices Radio Theme Song) Artist: Moana and the Moa Hunters Album: Tahi (1993) Label: Southside Records (Australia and New Zealand) 2. Song Title: Hoka Hey Artist: N/A Album: N/A Label: N/A 3. Song Title: The Path (feat. Jeremy Koz) Artist: Vince Fontaine's Indian City Album: Code Red (2021) Label: Rising Sun Productions, Inc., Winnipeg, MB, Canada 4. Song Title: After the Gold Rush Artist: Katie Pruitt Album: Ohio / After the Gold Rush (2020) Label: Rounder Records AKANTU INTELLIGENCE Visit Akantu Intelligence, an institute that Tiokasin founded with a mission of contextualizing original wisdom for troubled times. Go to https://akantuintelligence.org to find out more and consider joining his Patreon page at https://www.patreon.com/Ghosthorse

Discover the transformative journey of John Murie, an artist from the Chippewa Cree tribe whose work transcends tradition and modernity. From his early inspiration drawn from comic books to his formal training at the Institute of American Indian Arts, John has seamlessly blended cultural heritage with contemporary elements to create art that resonates deeply. Hear about his adventures on the powwow circuit, where he mastered the intricate crafts of beadwork and moccasin making, and how these skills shaped his unique artistic voice.Experience the meticulous artistry behind John's moccasin making as he shares the challenges and triumphs of ensuring each pair tells a different story. Listen to a heartfelt account of crafting a special pair for his son Reed's graduation, inspired by his Cree name, Rising Chief. Learn about John's collaboration with renowned artist Jeffrey Gibson for a major art installation in Brooklyn, and how this opportunity elevated his work to new heights. John's perspective on the balance between traditional craftsmanship and modern innovation is both insightful and inspiring, as he discusses the use of contemporary materials and unconventional canvases like skateboards.Join our conversation with John as he reflects on his journey from blackjack dealer to art teacher at Stone Child College, where he now inspires the next generation of artists. John emphasizes the significance of exposing students to diverse artistic possibilities, from gallery exhibits to fashion design. Celebrate the rich cultural heritage and innovative spirit of Indigenous artistry, and gain a deeper understanding of John's vision for the future of Native art. The episode concludes with a look at how John and his family collaborate to ensure traditional skills and knowledge are preserved for generations to come.

Episode No. 667 is a summer clips episode featuring artist Melissa Cody. MoMA PS1 is presenting "Melissa Cody: Webbed Skies," through September 9. The exhibition features over 30 weavings and a new work. It was curated by Isabella Rjeille and Ruba Katrib. Cody, a fourth-generation Navajo weaver, creates tapestries from traditional techniques that engage both ancestral and contemporary ideas and forms. Her work is partly informed by the Germantown style, developed in the nineteenth century by weavers who used industrially dyed yarns produced in Germantown, Pennsylvania and shipped west to be used by Diné weavers. Cody's work has been included in exhibitions at the Crystal Bridges Museum of American Art, Bentonville, Ark., the National Gallery of Canada, Ottawa, SITE Santa Fe, the Institute of American Indian Arts, and more. This program was taped on the occasion of Cody's inclusion in the 2023 Hammer Museum "Made in LA" biennial. For images, see Episode No. 623. Instagram: Melissa Cody, Tyler Green.

Welcome back to The Freedom Project Podcast. And after a little bit of a hiatus, we are back and we're off with a bang! Today, I'm joined by Henry Shukman who is a Poet, Author, and Zen master in the sand Buddhas and lineage.    He is co-founder of the single path meditation app, 'The Way', founder of the Original Love meditation program and Spiritual Director Emeritus of Mountain Cloud Zen Centre.   His most recent books are Original love:The four ins on the path of awakening' and the Zen memoir, 'One Blade of Grass'. He has taught at Google and Harvard business school, The Institute of American Indian Arts and Oxford Brookes University, and is the author of several award-winning books of poetry and fiction. His poems have appeared in the New Yorker, Sunday times and Financial Times. Henry has an MA from Cambridge and an MLitt from St. Andrews.  Today we discuss a framework you can apply to meditation. I think this makes meditation so much more intentional, so much more deliberate, and from that, so much more effective. I personally am really looking forward to using this framework to help me become a better meditator and ultimately, a better person too.  So, enjoy this podcast with the wonderful Henry Shukman.  ------------------- Henry's Website: https://henryshukman.com Henry's Instagram: @henryshukman

In this episode, we also explore the life and work of Oscar Howe, a pioneering Yanktoni Dakota artist known for his modernistic approach to Native American art. Howe's innovative style and vibrant paintings have left a lasting impact, challenging stereotypes and inspiring future generations of Native artists. Our visit to the Oscar Howe Art Gallery at the University of South Dakota and the Carnegie Library of Mitchell SD reveals more about this remarkable artist's journey, his struggles, and his contributions to contemporary Native American art. Through interviews and personal anecdotes, we gain insight into Howe's legacy and his unique vision that bridged traditional and contemporary art forms.

Even before colonial contact, tribal leaders faced life and death decisions, challenges to their authority, and the judgements of their constituency. They also developed a model of governance that informed America's burgeoning democracy. Two Native scholars take a look at the successes and stumbles of tribal leadership throughout history. Some of those provide a guide for today's Native and non-Native leaders. We'll hear from Dr. David E. Wilkins (Lumbee), professor at the University of Richmond and the author of Indigenous Governance, and Stephen Wall (citizen of the White Earth Nation), faculty emeritus in Indigenous Liberal Studies at the Institute of American Indian Arts and author of American Indian Tribal Governance: A Critical Perspective, about their research that is both a compelling history lesson, and a map for what leaders can become.

“I think of my paintings as kind of a poem.” Al Hubbard Uncover the unexpected truth about indigenous contemporary art! Discover how one artist's work is revolutionizing storytelling through innovative, progressive art. Learn the surprising impact of indigenous knowledge in modern creativity. Stay tuned as we unravel the story behind art that's more than just a painting—it's a powerful poem. Al Hubbard, a contemporary indigenous artist of Navajo and Northern Arapaho descent, has established a unique artistic identity rooted in his rich cultural heritage. His subsequent move to the Wind River Reservation further deepened his appreciation and respect for tribal cultures, significantly shaping his personal and artistic trajectory. His innovative approach reflects his connection to tradition and a commitment to preserving and evolving indigenous knowledge through contemporary artistic expression, making a substantial impact on the incorporation of indigenous wisdom in the art world. #ContemporaryArt #IndigenousCulture #WindsOfChange #PodcastInterview My special guest is Al Hubbard Al Hubbard is a contemporary indigenous artist born to a Navajo father and Northern Arapaho mother. Being raised off the reservation in Idaho Falls, Idaho and Las Vegas, Nevada, his parents taught him to be proud of both his native bloodlines. After relocating to the Wind River Reservation at age 17, he developed a deeper appreciation and respect for both tribal cultures. It is from this early path of movement that Al gained his perspective of the world around him. The method of reflecting his environment after enrolling at the Institute of American Indian Arts in Santa Fe, New Mexico became a lifelong journey of storytelling through memory, concept, and visual language. His development of painting is based within printmaking techniques, photography, mark-making, and image-transfer. His exploration of textures and color is based in landscape, environmental, and indigenous material culture. The layers of acrylic mediums, colors, and images are carefully applied to the surface and sanded to reveal the historical process. The unique manipulation of the materials he chooses reflect the historical complexity and multi-levels of living as a Native American in today's world. His efforts to challenge the anthropologic narrative and to transform the pop culture image of Native America through his works remain an ever-evolving path. Al currently resides on the Wind River Reservation in central Wyoming. In this episode, you will be able to:  Learn about the rich tradition of storytelling in Native American culture and its profound impact on art and identity.   Explore the profound influence of oral traditions on indigenous knowledge and gain deeper insights into its significance in contemporary art.   Discover the pivotal role of art in preserving and celebrating indigenous heritage, fostering a greater appreciation for cultural diversity.   Hear Al's Native American identity story and discovery through art, gaining a deeper understanding of the complexities and beauty of indigenous experiences.  The resources mentioned in this episode are:  Sign up for the newsletter by clicking on the link in the description of the podcast.   Learn more about Wyoming humanities at ThinkWY.org.   Follow Al Hubbard on Instagram for updates on artwork, events, and exhibitions.  Follow Us on These Channels; https://www.linkedin.com/in/emydigrappa/ www.ThinkWY.org https://www.facebook.com/storiesaboutwhy https://www.instagram.com/storiesaboutwhy Listen on all your favorite platforms and subscribe!  As always leave a review if you enjoyed these stories and follow us on Instagram or visit the webpage of the Wyoming Humanities! Sign Up for our newsletter Here:  http://eepurl.com/igy4fH

Host Michael Taft talks with meditation teacher and author Henry Shukman about love, original love vs. original sin, wellbeing intense enough to be called “blessedness,” seeing your original face outside of time, the four zones of love, experience as inseparable boundless space, experiencing love as the purpose of our lives, and much more. Henry Shukman is founder of the Original Love meditation program, spiritual director emeritus at Mountain Cloud Zen Center in Santa Fe, NM, and the author of several award-winning books of poetry and fiction. His newest book Original Love: the Four Inns on the Path of Awakening (HarperOne) is released in July 2024. Henry has taught at Google, Harvard Business School, the Institute of American Indian Arts and Oxford Brookes University. His poetry has been featured in the New Yorker, Sunday Times, and Guardian, and his essays in the New York Times and Outside. He has an M.A. from Cambridge and an MLitt from St Andrews. Henry is co-founder of The Way, a meditation app that offers a unique zero-choice path of deep meditation training.You can support the creation of future episodes of this podcast by contributing through Patreon.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tommy Orange is a graduate of the MFA program at the Institute of American Indian Arts where he now teaches. An enrolled member of the Cheyenne and Arapaho Tribes of Oklahoma, he was born and raised in Oakland, California. His first book, There There, was a finalist for the 2019 Pulitzer Prize and received the 2019 American Book Award. His new novel is Wandering Stars. He lives in Oakland, California. We talked about where creativity comes from, lightning strikes, creative writing, historical figures, music, and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Morgan Talty live-comments on his own Goodreads review, then discusses his debut novel, Fire Exit, as well as why he enjoys interacting with his online reviewers, the expectations people bring to indigenous fiction, being an objective reader of his own work, building emotion around an idea, balancing darkness with tenderness, Alice Munro, writing from the perspective of a white man, and more! Morgan Talty is a citizen of the Penobscot Indian Nation. His debut short story collection, Night of the Living Rez, won the PEN/Robert W. Bingham Prize, the American Academy of Arts & Letters Sue Kaufman Prize, the National Book Critics Circle John Leonard Prize, the New England Book Award, the National Book Foundation's 5 Under 35 Honor, and was a Finalist for the Barnes & Noble Discover Great New Writers Award, the Andrew Carnegie Medal for Excellence in Fiction, the 2023 Mark Twain American Voice in Literature Prize, and The Story Prize. His writing has appeared in The Georgia Review, Granta, Shenandoah, TriQuarterly, Narrative, Lit Hub, and elsewhere. Talty is an assistant professor of English in Creative Writing and Native American and Contemporary Literature at the University of Maine, Orono, and he is on the faculty at the Stonecoast MFA in Creative Writing as well as the Institute of American Indian Arts. He lives in Levant, Maine. Learn more about your ad choices. Visit megaphone.fm/adchoices

Morgan Talty is the author of the debut novel Fire Exit, available from Tin House. Talty is a citizen of the Penobscot Indian Nation. His debut short story collection, Night of the Living Rez, won the PEN/Robert W. Bingham Prize, the American Academy of Arts and Letters Sue Kaufman Prize, the National Book Critics Circle John Leonard Prize, the New England Book Award, the National Book Foundation's 5 Under 35 Honor, and was a finalist for the Barnes & Noble Discover Great New Writers Award, the Andrew Carnegie Medal for Excellence in Fiction, the Mark Twain American Voice in Literature Award, and The Story Prize. His writing has appeared in The Georgia Review, Granta, Shenandoah, TriQuarterly, Narrative, Lit Hub, and elsewhere. Talty is an assistant professor of English in Creative Writing and Native American and Contemporary Literature at the University of Maine, Orono, and he is on the faculty at the Stonecoast MFA in Creative Writing as well as the Institute of American Indian Arts. He lives in Levant, Maine. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram  TikTok Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

The graduating class of 2024 is taking one of the biggest steps in their academic careers. What's next? We know that almost three quarters of Native students graduate high school. And college graduates reached an achievement only 1 in 5 Native people attain by age 25. We devote this show to the Native academic stars reaching a major educational milestone. GUESTS Dr. Waylon Decoteau (citizen of the Standing Rock Sioux, Turtle Mountain Band of Chippewa Indians), Doctor of medicine from University of North Dakota Megan Corn, University of North Dakota Jaime Herrell (Cherokee Nation), recent graduate of the Institute of American Indian Arts Jaylon Romine (enrolled Muscogee creek, Kiowa, and Chickasaw), recent graduate of Haskell Indian Nations University

What does it mean to be a proudly queer Indigenous woman in the United States today? Sasha LaPointe, winner of the 2023 Pacific Northwest Book Award for her memoir, Red Paint, shares a new collection of essays that navigate the complexities of indigenous identity, challenge stereotypes, and address cultural displacement and environmental concerns. Thunder Song draws inspiration from her family's rich archive and the work of her late great-grandmother and weaves together stories that demonstrate the profound intersections of community, commitment, and conscientious honesty. Described as “unapologetically punk,” the essays in Thunder Song segue from the miraculous to the mundane, from the spiritual to the physical, as they examine the role of art — in particular, music — and community in helping a new generation of indigenous people claim the strength of their heritage while defining their own path in the contemporary world. Celebrate cultural diversity as LaPointe explores how we shape our understanding of the world, hoping to inspire a new era of conscientious living. Sasha taqʷšəblu LaPointe is a Coast Salish author from the Nooksack and Upper Skagit Indian tribes. She is the author of Red Paint: The Ancestral Autobiography of a Coast Salish Punk, winner of a Pacific Northwest Book Award, the Washington State Book Award for Creative Nonfiction/Memoir, and an NPR Best Book of the Year, and the poetry collection Rose Quartz. She received a double MFA in creative nonfiction and poetry from the Institute of American Indian Arts. She lives in Tacoma, Washington. Dawn Pichón Barron of Chowanoke/Choctaw/Mexican-Chihuahua/European heritage, is the Academic Director of the Native Pathways Program and Creative Writing Faculty at the Evergreen State College. She founded and curated the Gray Skies Reading Series 2009-2019. Her chapbook, ESCAPE GIRL BLUES, was published by Finishing Line Press in 2018.     Buy the Book Thunder Song The Elliott Bay Book Company

I am so excited to say that my guest on the GWA podcast is one of the most exciting artists working in the world right now, Rose B Simpson. An artist working across mediums that span from sculpture to performance, painting and ceramics, Simpson is hailed for her life size clay figures which she adorns with a plethora of symbols, extended antennas and materials – from steel, beads, leather, and wood... She challenges the nature of sculpture in ways, as she has said, that “can transform my own reality”, and her figures appear to be imbued with spirituality. They have titles like Genesis, Guides, Heights and Vital Organ – accentuating the importance of the body and rituals. Simpson was born, and lives and works, in Santa Clara Pueblo, New Mexico, and grew up in a multigenerational, matrilineal lineage of artists working in clay, including her mother, whose work is grounded in Pueblo traditions. Her practice is informed by Indigenous tradition, as she has said: “The work represents my own journey, whether it is a psychological investigation or a new spiritual awareness, or practical…” A recipient of a BFA from the Institute of American Indian Arts, an MFA in Ceramics from the Rhode Island School of Design in 2011, and another MFA in Creative Non-Fiction from the Institute of American Indian Arts in 2018, storytelling, history and making seems to be at the centre of her practice – something she has expanded on further with her artwork Maria – a black-on-black Lowrider 985 Chevrolet El Camino and artwork and named in honour of Native American artist Maria Martinez, which sits at the heart of her community in Espanola Valley – and I can't wait to find out more! LINKS: https://www.rosebsimpson.com/works https://jackshainman.com/artists/rose-b-simpson https://art21.org/artist/rose-b-simpson/ https://jessicasilvermangallery.com/rose-b-simpson/selected-works/ https://www.icaboston.org/exhibitions/rose-b-simpson-legacies/ -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm.mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

House Committee on Appropriations Subcommittee on Interior, Environment, and Related Agencies Public Witness Hearing - American Indian & Alaska Native: Day 2, Morning Session Date: Wed, 05/08/2024 - 9:00 AM Location: Capitol Complex, RHOB, Washington, DC, 20515 Witnesses Robert Miguel Chairman, Ak-Chin Indian Community Sherry J. Parker Chairwoman, Hualapai Tribe Stephen Roe Lewis Governor, Gila River Indian Community Ervin Chavez Executive Board President, Diné Bi Olta School Board Association (DBOSBA) Derrick Leslie Tribal Education Department Director, White Mountain Apache Tribe Buu Nygren President, Navajo Nation Tesia Zientek Board President, National Indian Education Association Anhiwake Rose Vice-President of Congressional and Federal Relations, American Indian Higher Education Consortium Shawna Allison Becenti Head of School, Navajo Preparatory School Gjermundson Jake Board President, Ramah Navajo School Board, Inc. (RNSB) Cecilia Fire Thunder President, Oglala Lakota Nation Education Coalition Troy Lunderman Human Resources Director, St. Francis Indian School Ryan Wilson President, Oglala Lakota/National Alliance to Save Native Languages Lloyd Miller Counsel Dr. Valerie J. Grussing, PHD Executive Director, National Association of Tribal Historic Preservation Officers (NATHPO) Nicholas Lovesee Director of Policy, Native American Finance Officers Association (NAFOA) Aurene Martin Treasurer, Board of Directors for the National Indian Child Welfare Association William F. Smith Chairman and Alaska Area Representative, National Indian Health Board Todd Wilson Executive Director, National Council of Urban Indian Health (NCUIH) Jon Brady President, Native American Church Of North America Verlon Jose Chairman, Tohono O'odham Nation Lawrence Mirabal Vice President of Operations, The Institute of American Indian Arts Lionel Haskie Director of Operations, Navajo Agricultural Products Industry Committee Notice: https://appropriations.house.gov/events/hearings/public-witness-hearing-american-indian-alaska-native-day-2-morning-session

We are in the midst of a new surge of Native writing talent. And their skill for engaging readers with compelling stories is propelling a new, complex and more sophisticated narrative about who Native Americans are. Gone are the Louis L'Amour stereotypes. The new Native characters are miscreants, bored office workers, dysfunctional family members, and reluctant heroes. And they all have a story to tell, with a voice that readers wouldn't hear otherwise. We'll explore the arc of Native literature from two writers who are part of the torrent of creative representation. GUESTS Deborah Jackson Taffa (Kwatsaán and Laguna Pueblo), author of Whiskey Tender, director of the MFA in Creative Writing program at the Institute of American Indian Arts, and editor-in-chief of “River Styx” literary magazine    Ramona Emerson (Diné), former forensic videographer and photographer, filmmaker, and author of Shutter

In this episode, we expand our reach from Kansas and Colorado into Wyoming and beyond! Marta & Mandy talk to Lisa Ansell Frazier, the founder, director and president of Buffalo Youth Nation. Lisa is a member of the Cheyenne River Sioux Tribe and currently lives in Wyoming. She is a mother of three beautiful children and a dog mom to three amazing dogs. She is a Tribal Trauma Crisis Counselor, Native Nations Advisory Panelist and a student at the Institute of American Indian Arts. She spends her free time hiking with her family and gardening. Her mission is empowerment of Native youth, creating stability and nurturing self-esteem.

Embark on an enthralling expedition through the ever-evolving world of Native American art with our esteemed guest, Cannupa Hanska Luger. A Mandan, Hidatsa, Arikara artist whose creative roots were nurtured by his mother, Kathy Whitman Elk Woman, Cannupa guides us from the spoken cadences of poetry to the earthy intimacy of clay. His artistic odyssey is a testament to the power of medium exploration, as he shares how live painting with a hip-hop band and a transformative education at the Institute of American Indian Arts expanded his palette from the canvas to the captivating realm of sculpture.Cannupa's narrative arcs into the collaborative spirit of art, as he recalls the Mirror Shield project at Standing Rock—a pivotal moment that crystallized his understanding of art's social impact and the myth of solitary creation. He unwraps the layers of his journey with the Santa Fe art collective Humble, drawing us into a discourse on the synergy between individual creativity and collective expression. Through the lens of social media and material consciousness, Cannupa challenges us to reconsider our approach to the artistic process and the inherent collaboration it entails.As we traverse the intersecting pathways of art, science, and identity, Cannupa offers a profound reflection on how cultural heritage weaves through his work, disputing the oversimplification of cultural identity. Our conversation ventures into his engagement with Monument Lab and the University of Michigan Museum of Art, contemplating the narratives and contemporary relevance of monuments. Cannupa's "sovereignty suits" project from the Hammers exhibition "Breathe" and his upcoming installation at the San Diego New Children's Museum invite listeners to explore how art and science converge to ignite imagination and challenge our perceptions of learning and identity. Join us for an episode that not only showcases the multifaceted brilliance of Native American artistry but also the indelible impact of creative expression on shaping our collective future.

Ojibwe writer Marcie Rendon takes a break from her popular Cash Murder Mystery series for a new collection of poems, Anishinaabe Songs For A New Millennium. She invokes the plants, animals, wind, and people of her White Earth home. She challenges readers to listen along to the songs of their ancestors. Rendon is among the poets helping us mark National Poetry Month. GUESTS Tiffany Midge  (Hunkpapa Lakota ), poet, humorist, and author   Marcie Rendon (White Earth Ojibwe ), writer and author   Kimberly Blaeser  (Anishinaabe from the White Earth reservation ), poet, author of Ancient Light, founding director of Indigenous Nations Poets “In-Na-Po,” and MFA faculty member at Institute of American Indian Arts (IAIA) Kinsale Drake  (Diné), poet and founder of NDN Girls Book Club

Notes and Links to Chelsea Hicks' Work      For Episode 230, Pete welcomes Chelsea Hicks, and the two discuss, among other topics, her language journey and how she came to study and work to help revitalize the Osage language, her feelings about being named “5 Under 35,” mentors and inspirations like Louise Erdrich and N. Scott Momaday, her writing as alternately “MFA-ish” and experimental, her nuanced view of “The Movie,” and salient themes from her story collection, including identity, celebrations and traumas, rematriation, agency, and family ties.       Chelsea T. Hicks is a Wazhazhe writer with an MA from UC Davis and an MFA from the Institute of American Indian Arts. Her writing has been published in The Paris Review, Poetry, McSweeney's, and elsewhere. She was selected as a 5 Under 35 honoree by Louise Erdrich for the National Book Award, and her first book, A Calm and Normal Heart, was longlisted for the PEN America Robert W. Bingham Prize. Buy A Calm and Normal Heart: Stories     Review of A Calm and Normal Heart in The Southern Review of Books At about 1:30, Chelsea gives kudos to mentors at UCDavis for her MA At about 2:25, Chelsea discusses her mindset and joy in being named one of the “5 Under 35” by Louise Erdrich for the National Book Foundation   At about 7:15, Chelsea talks about her childhood relationship with language, and she provides a personal language background and a historical context for the loss and revitalization of the Osage language At about 11:55, Chelsea shouts out Inés Hernández-Ávila and a language challenge through Ines' connections in Oaxaca At about 14:50, Chelsea gives background on some teaching and mentoring and promoting of language acceleration that she's done  At about 17:40-20:10, Chelsea responds to Pete's question about innate connections to her Osage culture, particularly with regard to the language  At about 20:35, Chelsea provides interesting information about the Osage language, including “masculine” and “feminine” ways of speaking and gendered pronouns At about 22:40, The two discuss a cool phrase regarding the moon in Wažáže ie At about 23:50, The two commiserate over linguistics classes At about 24:45, Chelsea gives background on early favorite books and her literary journey, as well as how Peter Pan, other books, and her classmates and friends shone light on the way she and others in society saw her Native culture At about 28:35, Chelsea traces her path as a writer, including early, self-guided poetry  At about 30:25, Chelsea describes an “opening of [her] eyes” in reading N. Scott Momaday At about 32:30, Chelsea references some particular insights of Momdaday from House of Dawn and gives background on a Paris Review article she wrote about his work; Chelsea discusses “rematriation” and land care, while discussing important work by Natalie Diaz and Sogorea Te' Land Trust At about 35:50, Pete and Chelsea discuss the book's introduction and including indigenous language in the book, especially the titles; Pete shouts out a dynamic  At about 37:30, Chelsea responds to Pete's question about connections in the collection's opening story to Killers of The Flower Moon and how she sees the movie At about 43:10, Pete lays out some salient themes and plotlines covered in the story collection At about 44:25, Chelsea wants to clarify how her work comes off- “direct” and “experimental,” etc. At about 46:25, Chelsea talks about her writing philosophy, craft, love of poetry, and future academic work At about 47:30, Pete enumerates some creative methods used by Chelsea At about 49:50, Pete cites an important and poignant quote from the book         You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.     I am very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review-I'm looking forward to the partnership! Check out my recent interview with Gina Chung on the website.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show. Thanks to new Patreon member, Jessica Cuello, herself a talented poet and former podcast guest.     This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 231 with Jazmina Barrera Velasquez, who is a fellow at the Foundation for Mexican Letters. Her book of essays, Cuerpo extraño, was awarded the Latin American Voices prize from Literal Publishing in 2013, and she is the editor and co-founder of Ediciones Antílope, and author of, most recently, Cross-Stitch.     The episode will go live on April 16 or 17.

Notes and Links to Will Sommer's Work      For Episode 229, Pete welcomes Will Sommers, and the two discuss, among other topics, his early relationship with the written word, his all-encompassing relationships with and love for student journalism, formative times at Georgetown, his lifelong interest in conservative media, and salient themes in his book, including the growth of QAnon through 4chan and 8chan and Trump's rise to power, QAnon's pop culture connections, questions of true believers and grifters in QAnon, key personalities in the movement, as well as possible remedies for loosening the hold QAnon has on some many people featured in his book.        Will Sommer covers right-wing media, political radicalization and right-wing conspiracy theories in the United States. His 2023 book is Trust the Plan: The Rise of QAnon and the Conspiracy That Reshaped América. He is also featured as an expert on QAnon in HBO's Q: Into the Storm. He has previously written for The Daily Beast, and now works as a media reporter for The Washington Post.  Buy Trust the Plan: The Rise of QAnon and the Conspiracy That Unhinged America     Will's Wikipedia Page   Review of Trust the Plan in The New York Times   Review of Trust the Plan in The Guardian Will Discusses his Book with Terri Gross on NPR's Fresh Air At about 1:50, Will gives background on the inspiration for QAnon's motto, derived from the movie White Squall At about 3:20, Will talks about being “bookish and into writing,” unspooling stories,” high school and college newspapers, and his early love for journalism At about 6:25, Will talks about inspiring and formative texts and writers, including Patrick Radden Keefe, Janet Malcolm, Charles Bowden, and Mike Sager At about 10:00, Pete shouts out Mark Arax and a particularly unforgettable piece At about 10:50, Will responds to Pete's questions about his upbringing in Texas and Will expounds upon his appetite for conservative media and trends and feuds that he has observed over the years At about 14:10, Will traces his career journey from Georgetown to The Patch and on At about 17:20, Pete and Will discuss the book's Introduction, set during the January 6 rallies and riots; Will expounds upon his mindset during the day, the incredible things he heard rioters say, and the importance of his attendance for his research  At about 21:00, Pete asks about QAnon's beginnings, its placement in the Trump presidency, and Will gives background on Q's connections to 4chan At about 24:05, Will gives a summary of QAnon's beliefs and the idea of “The Storm” At about 24:45, Will provides history on “Pizzagate” and its early connections to QAnon At about 26:05, Will replies to Pete's questions about QAnon representation at the January 6 rally, and Pete cites a telling quote from the book by Will at the January 6 rally At about 29:00, Will gives examples of feedback and conversation with QAnon believers, as well as many of their mindsets/motivations and targets for their anger/frustrations  At about 30:20, Pete cites Chapter One's “Easter eggs” for QAnon, and Will talks about “Q Proofs” and other indicators, according to the believers  At about 32:10, Will points to a definition of “conspiracy theory” from the book and connects to real-life theories passed on by QAnon believers  At about 33:05, Will puts into perspectives some statistics about QAnon tenets and American beliefs in these, as measured by polls from the last few years At about 35:55, Will gives some history of 4chan and more connections to QAnon  At about 38:15, Will opines on Trump's ignorance of QAnon versus his manipulating and using their support for him At about 41:25, Pete asks Will about his views on people who believe in QAnon tenets and about those who promote QAnon At about 44:00. Pete traces social media's connections to QAnon and Will describes how Covid led to a resurgence of QAnon At about 46:00-QAnon Anonymous Podcast shout out-incredible episode regarding Jim Caviezel At about 47:00, Pete and Will focus on stories of individuals from the book and on QAnon's future based on its move outside the borders of the United States At about 49:50, Will, while not extremely optimistic, talks about remedies for breaking the QAnon hold       You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast.     I am very excited to be able to share one or two podcast episodes per month on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review-I'm looking forward to the partnership!     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!       This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 230 with Chelsea T. Hicks, a Wazhazhe writer with an MA from UC Davis and an MFA from the Institute of American Indian Arts. Her writing has been published in The Paris Review, Poetry, McSweeney's, and elsewhere. She was selected as a 5 Under 35 honoree by Louise Erdrich for the National Book Award, and her first book, A Calm and Normal Heart, was longlisted for the PEN America Robert W. Bingham Prize.     The episode will air on April 2.  

Page One, produced and hosted by author Holly Lynn Payne, celebrates the craft that goes into writing the first sentence, first paragraph and first page of your favorite books. The first page is often the most rewritten page of any book because it has to work so hard to do so much—hook the reader. We interview master storytellers on the struggles and stories behind the first page of their books.About the guest author:Ramona Ausubel is an award winning author of three novels and two short story collections. Her latest book, THE LAST ANIMAL, published by Riverhead, was named Best Book of The Year by Oprah Daily, NPR and Kirkus Reviews. Her debut novel, NO ONE IS HERE EXCEPT ALL OF US was a New York Times Editor's Choice and winner of both the PEN USA Fiction Award and the VCU Cabell First Novelist Award. It was also named  one of the Best Books of the Year by the San Francisco Chronicle and the Huffington Post as well as being a finalist for the New York Public Library Young Lions Fiction Award, the California and Colorado Book Awards, longlisted for the Story  Prize Frank O'Connor International Story Award and and nominated for the International Impac Dublin Literary Award.A native of New Mexico, Ausubel holds an MFA from the University of California, Irvine where she won the Glenn Schaeffer Award in Fiction. Her work has appeared in The New Yorker, Tin House, The New York Times, NPR's Selected Shorts, One Story, Electric Literature, Ploughshares, The Oxford American, and collected in The Best American Fantasy and online in The Paris Review. She has also been a finalist for the prestigious Puschart Prize and a Fellow at the Bread Loaf Writers' Conference and the Sewanee Writers' Conference. She has taught at Tin House, The Community of Writers, Writing by Writers, the Low-Residency MFA programs at the Institute of American Indian Arts and Bennington. She is currently an assistant professor at Colorado State University in Fort Collins. About the host:Holly Lynn Payne is an award-winning novelist and writing coach, and the former CEO and founder of Booxby, a startup built to help authors succeed. She is an internationally published author of four historical fiction novels. Her debut, The Virgin's Knot, was a Barnes & Noble Discover Great New Writers book. She recently finished her first YA crossover novel inspired by her nephew with Down syndrome. She lives in Marin County with her daughter and enjoys mountain biking, surfing and hiking with her dog. To learn more about her books and private writing coaching services, please visit hollylynnpayne.com or find her at Instagram and Twitter @hollylynnpayne.If you have a first page you'd like to submit to the Page One Podcast, please do so here.As an author and writing coach, I know that the first page of any book has to work so hard to do so much—hook the reader. So I thought to ask your favorite master storytellers how they do their magic to hook YOU. After the first few episodes, it occurred to me that maybe someone listening might be curious how their first page sits with an audience, so I'm opening up Page One to any writer who wants to submit the first page of a book they're currently writing. If your page is chosen, you'll be invited onto the show to read it and get live feedback from one of Page One's master storytellers. Page One exists to inspire, celebrate and promote the work of both well-known and unknown creative talent.  You can listen to Page One on Apple podcasts, Spotify, Pandora, Stitcher and all your favorite podcast players. Hear past episodes.If you're interested in getting writing tips and the latest podcast episode updates with the world's beloved master storytellers, please sign up for my very short monthly newsletter at hollylynnpayne.com and follow me @hollylynnpayne on Instagram, Twitter, Goodreads, and Facebook. Your email address is always private and you can always unsubscribe anytime. The Page One Podcast is created at the foot of a mountain in Marin County, California, and is a labor of love in service to writers and book lovers. My intention is to inspire, educate and celebrate. Thank you for being a part of my creative community! Thank you for listening! Be well and keep reading.~Holly~ Thank you for listening to the Page One Podcast, where master storytellers discuss the stories and struggles behind the critical first page of their books. If you liked this episode, please share it on social, leave a review on your favorite podcast players and tell your friends! I hope you enjoy this labor of love as much as I love hosting, producing, and editing it. Please keep in touch by signing up to receive my newsletter at www.hollylynnpayne.com with the latest episodes each month. Delivered to your inbox with a smile. For the love of books and writers,Holly Lynn Payne@hollylynnpaynewww.hollylynnpayne.com

Jason and Brett talk to Tommy Orange (Wandering Stars) about dreams and spirituality, learn about sound engineering and roller hockey, and how understanding your history can shape your future. Come for special insider info about a character's playlist, stay for a Moulin Rouge debate.Tommy Orange is a graduate of the MFA program at the Institute of American Indian Arts. An enrolled member of the Cheyenne and Arapaho Tribes of Oklahoma, he was born and raised in Oakland, California. His first book, There There, was a finalist for the 2019 Pulitzer Prize and received the 2019 American Book Award. He lives in Oakland, California.**BOOKS!** Check out the list of books discussed on each episode on our Bookshop page:https://bookshop.org/shop/gaysreading | By purchasing books through this Bookshop link, you can support both Gays Reading and an independent bookstore of your choice!Join our Patreon for exclusive bonus content! Purchase your Gays Reading podcast Merch! Follow us on Instagram @gaysreading | @bretts.book.stack | @jasonblitmanWhat are you reading? Send us an email or a voice memo at gaysreading@gmail.com

Memoirist and director of the Institute of American Indian Arts MFA program Deborah Jackson Taffa talks to Jared about her new book, Whiskey Tender. Deborah shares how memoir writing is a form of familial and historical preservation, and offers advice on having difficult conversations with the real people who appear in our creative nonfiction. Plus, she discusses the value of the low-res IAIA program for both indigenous and non-indigenous writers, offers strategies for sustaining creative energy, and describes methods to avoid falling into a common misstep for MFA students: social comparison. A citizen of the Quechan (Yuma) Nation and Laguna Pueblo, Deborah Jackson Taffa is the director of the MFA in Creative Writing program at the Institute of American Indian Arts. She is the author of the memoir WHISKEY TENDER and holds an MFA in Creative Writing from the University of Iowa. Her writing can be found at PBS, Salon, LARB, Brevity, A Public Space, The Boston Review, The Rumpus, and the Best American Nonrequired Reading. In late 2021, she was named a MacDowell Fellow, Kranzberg Arts Fellow, and Tin House Scholar. In 2022, she won a PEN American Grant for Oral History and was named a Hedgebrook Fellow. Find her at deborahtaffa.com and on social media @deborahtaffa. MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com. BE PART OF THE SHOW — Donate to the show at Buy Me a Coffee. — Leave a rating and review on Apple Podcasts. — Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience. — Apply to be a guest on the show by filling out our application. STAY CONNECTED Twitter: @MFAwriterspod Instagram: @MFAwriterspodcast Facebook: MFA Writers Email: mfawriterspodcast@gmail.com

At the center of Tommy Orange's new novel sits a family nearly destroyed. It's suffering the long-term effects of government-ordered separation, from decades of displacement and neglect, and from the white American philosophy best summed up by the phrase: Kill the Indian, save the man. It's a theme familiar to readers who loved Orange's first novel, “There There.” In fact, “Wandering Stars” functions as both a prequel and a sequel to that best-seller. Orange joined MPR News Host Kerri Miller on this week's Big Books and Bold Ideas to discuss how he weaves stories that are both historical and modern in an attempt to highlight the importance of family and honoring ancestors as a way to rebuild identity and belonging. Guest: Tommy Orange is an author and a teacher at the Institute for American Indian Arts. His first book, “There There,” was a finalist for the 2019 Pulitzer Prize and received the 2019 American Book Award. His new novel is “Wandering Stars.” Subscribe to Big Books and Bold Ideas with Kerri Miller podcast on Apple Podcasts, Google Podcasts, RSS or anywhere you get your podcasts.Subscribe to the Thread newsletter for the latest book and author news and must-read recommendations.

In conversation with Tailinh Agoyo Tommy Orange is the author of There There, a novel of ''pure soaring beauty'' (The New York Times) that tells the story of 12 interconnected Native Americans living in Oakland, California. A national bestseller and lauded by scores of publications as one of the best books of 2018, it was a finalist for the Pulitzer Prize and won the PEN/Hemingway Award, the John Leonard Prize, and the American Book Award. There There was also the 2020 One Book One Philadelphia selection. An enrolled member of the Cheyenne and Arapaho Tribes of Oklahoma, Orange teaches in the MFA program at the Institute of American Indian Arts. In Wandering Stars, he revisits some of the characters from There There and paints new protagonists in America's past as he examines the tragic legacies of the Sand Creek Massacre of 1864, the Carlisle Indian Industrial School, and the country's contemporary war on its indigenous peoples. Tailinh Agoyo is co-founder and director of We Are the Seeds of Culture Trust, a non-profit organization committed to amplifying Indigenous voices through the arts. She also hosts From Here, With a View, a podcast that honors the voices of Indigenous artists and educators, and is a co-founder of Project Antelope, an online marketplace platform developed by Indigenous business leaders for Indigenous artists. Her other work includes the children's book I Will Carry You and the photo collection The Warrior Project. Because you love Author Events, please make a donation to keep our podcasts free for everyone. THANK YOU! The views expressed by the authors and moderators are strictly their own and do not represent the opinions of the Free Library of Philadelphia or its employees. (recorded 3/7/2024)

Tommy Orange is the author of the novel Wandering Stars, available from Knopf. Orange is a graduate of the MFA program at the Institute of American Indian Arts. An enrolled member of the Cheyenne and Arapaho Tribes of Oklahoma, he was born and raised in Oakland, California. His debut novel, There There, was a finalist for the 2019 Pulitzer Prize and it received the 2019 American Book Award. He currently lives in Oakland, California. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram  TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the first half-hour, Tiokasin speaks with Frank Buffalo Hyde (Onondaga and Nez Perce), one of the five Native artists featured in the upcoming exhibition, “Sensing Sasquatch,” which will be on view March 2, 2024 - January 12, 2025 at the High Desert Museum in Bend, Oregon. Native peoples of the Plateau have long known about, encountered, depicted and told stories about Sasquatch, and the exhibition will examine the primate-like, reclusive and elusive being in the context of the High Desert region through an Indigenous lens. Frank Buffalo Hyde grew up in New York on his mother's Onondaga reservation. He began exhibiting his artwork at 18 years old as a hobby. He began taking his artwork career more seriously when he attended the Institute of American Indian Arts in Santa Fe. His artwork has been described as “Bold, Culturally Relevant and Inspiring!” featuring vibrant colors and animal subjects, most commonly buffaloes and his tribe. Frank's way of creating his artwork is to combine numerous aspects of modern culture with the internet and technology and combine it with Native American ideas. Frank has stated that the intention of his artwork is to highlight the social and political problems today's society. In addition, issues in today's society and in the lives of Native Americans is what drives him to continue with his career. Frank's goal for his artwork is to change the way people perceive Native American artwork and abolish any stereotypes that follow Native American artwork. He hopes to teach aspiring Native American artists to make the artwork that they want to make and not worry about their artwork being "Indian enough" or "Native enough.” Frank says, “Indigenous people are now at a point where they have to be dealt with … the popular culture, and the world can no longer ignore what we know and who we are.” More about Frank can be found at https://frankbuffalohyde.com/ In the second half-hour, Tiokasin welcomes back our friend Ed Kabotie with an important update. "The continued contamination of lands occupied by the Indigenous nations of the Colorado Plateau must be recognized for what it is: a continuation of the genocidal philosophies of Manifest Destiny. Many issues that Indigenous people face remain out of sight, out of mind to the general public,” says Ed. Ed Kabotie is an artist and musician from the Hopi village of Shungopavi and the Tewa village of Khap'o Owinge. He considers himself to be an “edu-tainer,” combining visual art, music, and education for his lectures and performances about “Alter-Native History” and issues related to the Indigenous people and lands of the four corner states region. Ed is also an event organizer and, along with his band Tha ‘Yoties and the generous support of nonprofits and committed friends, has held events that feature the Native voices in his homeland. Ed's solo music incorporates acoustic guitar, Native American flute, harmonica, percussion and voice. His lyrics are sung in English, Hopi and Tewa, and are often written in a storytelling fashion. Ed describes the music as “Nu-Native,” utilizing contemporary instrumentation as a vehicle to share the virtues of his Indigenous heritage, as well as our past and present struggles with colonialism. Production Credits: Tiokasin Ghosthorse (Lakota), Host and Executive Producer Liz Hill (Red Lake Ojibwe), Producer Karen Ramirez (Mayan), Studio Engineer, Radio Kingston Tiokasin Ghosthorse, Audio Editor Kevin Richardson, Podcast Editor Music Selections: 1. Song Title: Tahi Roots Mix (First Voices Radio Theme Song) Artist: Moana and the Moa Hunters Album: Tahi (1993) Label: Southside Records (Australia and New Zealand) 2. Song Title: History Repeats Itself Artist: Jane's Addiction Album: N/A Label: N/A 3. Song Title: Delcho Drums Taken From: Denetah Radio, Yellowknife, NWT, Canada Album: N/A Label: N/A 4. Song Title: Tell Me a Tale Artist: Michael Kiwanuka Album: Home Again (2012) Label: Universal Music Group 5. Song Title: Don't Worry Be Hopi Artist: Ed Kabotie and Tha ‘Yoties Album: N/A (Can be heard on YouTube) Label: Ed Kabotie 6. Song Title: Funky Yotie Party Artist: Ed Kabotie and Tha ‘Yoties Album: N/A (Can be heard on YouTube) Label: Ed Kabotie AKANTU INTELLIGENCE Visit Akantu Intelligence, an institute that Tiokasin founded with a mission of contextualizing original wisdom for troubled times. Go to https://akantuintelligence.org to find out more and consider joining his Patreon page at https://www.patreon.com/Ghosthorse

This episode marks the second time featuring artist and friend Raven Chacon on Broken Boxes. The first time I interviewed Raven was in 2017, when I visited with him at the Institute of American Indian Arts where he was participating in a symposium on Indigenous performance titled, Decolonial Gestures. This time around, we met up with Raven at his home in Albuquerque, NM where recurring host and artist Cannupa Hanska Luger chatted with Raven for this episode. The conversation reflects on the arc of Ravens practice over the past decade, along with the various projects they have been able to work on together, including Sweet Land (2020), an award-winning, multi-perspectival and site-specific opera staged at the State Historical Park in downtown Los Angeles, for which Raven was composer and Cannupa co-director and costume designer. Raven and Cannupa also reflect on their time together traveling up to Oceti Sakowin camp in support of the water protectors during the resistance of the Dakota Access Pipeline. Raven provides context to his composition Storm Pattern, which was a response to being onsite at Standing Rock, and the artists speak to the long term impact of an Indigenous solidarity gathering of that magnitude. Raven speaks about being named the first Native American composer to win the Pulitzer Prize or Voiceless Mass, and shares the composition's intention and performance trajectory. To end the conversation, Raven shares insight around staying grounded while navigating the pressures of success, travel and touring as a practicing artist, and reminds us to find ways to slow down and do what matters to you first, creatively, wherever possible. Raven Chacon is a Pulitzer Prize-winning composer, performer, and installation artist from Fort Defiance, Navajo Nation. As a solo artist, Chacon has exhibited, performed, or had works performed at LACMA, The Renaissance Society, San Francisco Electronic Music Festival, REDCAT, Vancouver Art Gallery, Haus der Kulturen der Welt, Borealis Festival, SITE Santa Fe, Chaco Canyon, Ende Tymes Festival, and The Kennedy Center. As a member of Postcommodity from 2009 to 2018, he co-created artworks presented at the Whitney Biennial, documenta 14, Carnegie International 57, as well as the two-mile-long land art installation Repellent Fence. A recording artist whose work has spanned twenty-two years, Chacon has appeared on more than eighty releases on various national and international labels. His 2020 Manifest Destiny opera Sweet Land, co-composed with Du Yun, received critical acclaim from the Los Angeles Times, the New York Times, and The New Yorker, and was named 2021 Opera of the Year by the Music Critics Association of North America. Since 2004, he has mentored over 300 high school Native composers in the writing of new string quartets for the Native American Composer Apprenticeship Project (NACAP). Chacon is the recipient of the United States Artists fellowship in Music, The Creative Capital award in Visual Arts, The Native Arts and Cultures Foundation artist fellowship, the American Academy's Berlin Prize for Music Composition, the Bemis Center's Ree Kaneko Award, the Foundation for Contemporary Arts Grants to Artists Award (2022) and the Pew Fellow-in-Residence (2022). His solo artworks are in the collectIons of the Whitney Museum of American Art, the Smithsonian's American Art Museum and National Museum of the American Indian, Los Angeles County Museum of Art, Getty Research Institute, the Albuquerque Museum, University of New Mexico Art Museum, and various private collections. Music Featured: Sweet Land, Scene 1: Introduction (feat. Du Yun & Raven Chacon) · Jehnean Washington · Carmina Escobar · Micaela Tobin · Du Yun · Raven Chacon · Lewis Pesacov. Released on 2021-09-24 by The Industry Productions

Episode No. 623 features artists Melissa Cody and Roksana Pirouzmand. Cody and Pirouzmand are both included in "Made in L.A. 2023: Acts of Living," the sixth iteration of the Hammer Museum's biennial. The exhibition, which is on view through December 31, was curated by Diana Nawi and Pablo José Ramírez, with Ashton Cooper. This is the first of two MAN Podcast episodes that will feature artists from the program. Cody, a fourth-generation Navajo weaver, creates tapestries from traditional techniques that engage both ancestral and contemporary ideas and forms. Her work is partly informed by the Germantown style, developed in the nineteenth century by weavers who used industrially dyed yarns produced in Germantown, Pennsylvania and shipped west to be used by Diné weavers. Cody's work has been included in exhibitions at the Crystal Bridges Museum of American Art, Bentonville, Ark., the National Gallery of Canada, Ottawa, SITE Santa Fe, the Institute of American Indian Arts, and more. Pirouzmand is an Iranian multidisciplinary artist whose work reference and use the human body to address diaspora and memory. She has exhibited across southern California at venues such as the California Institute of the Arts' REDCAT. Instagram: Melissa Cody, Roksana Pirouzmand, Tyler Green.

We are delighted to offer this extended conversation between host Pádraig Ó Tuama and the poet Sasha taqʷšəblu LaPointe. Together, they take a deep dive into the story and language of her poem "Blue," featured in Season 7 of Poetry Unbound, as well as Sasha's beginnings in poetry.Sasha taqwšəblu LaPointe is the author of Rose Quartz. She is from the Upper Skagit and Nooksack Indian Tribes. Native to the Pacific Northwest, she draws inspiration from her coastal heritage as well as her life in the city. She is the author of the critically acclaimed memoir Red Paint, and holds a double MFA in creative nonfiction and poetry from the Institute of American Indian Arts. Her work has appeared in The Rumpus, Yellow Medicine Review, Hunger Mountain, and elsewhere. She lives in Tacoma, Washington.Find the transcript for this show at onbeing.org.Listen to our episode featuring Sasha's poem “Blue,” and stay connected with Poetry Unbound throughout this season.

In a poem that explores a story of a name, a story of a color, a story of a sound, a story of an identity, a the story of a person — we hear of ancestors, childhood innocences, exclusions, memories, sensualities, and the way that the dead are not always dead.Sasha taqwšəblu LaPointe is the author of Rose Quartz. She is from the Upper Skagit and Nooksack Indian Tribes. Native to the Pacific Northwest, she draws inspiration from her coastal heritage as well as her life in the city. She is the author of the critically acclaimed memoir Red Paint, and holds a double MFA in creative nonfiction and poetry from the Institute of American Indian Arts. Her work has appeared in The Rumpus, Yellow Medicine Review, Hunger Mountain, and elsewhere. She lives in Tacoma, Washington.Find the transcript for this show at onbeing.org.We're pleased to offer Sasha taqwšəblu LaPointe's poem, and invite you to connect with Poetry Unbound throughout this season. Find the companion bonus episode in your feed, with Pádraig Ó Tuama in conversation with Sasha taqwšəblu LaPointe.

If you could put a lock of your hair under a microscope, what would it contain? DNA certainly, but here in dg nanouk okpik's poem, the hair also contains memory, smell, location, disease, dreams, and medicine.dg nanouk okpik is Iñupiat-Inuit from Alaska. Her first book, Corpse Whale (University of Arizona Press, 2012), won the American Book Award and May Sarton Award. okpik was long-listed for the PEN American Award for Blood Snow (Wave Books, 2022). She is a Lannan Fellow with the Institute of American Indian Arts. okpik resides in Santa Fe, NM.Find the transcript for this show at onbeing.org.We're pleased to offer dg nanouk okpik's poem, and invite you to connect with Poetry Unbound throughout this season.