Podcasts about new york philharmonic orchestra

Orin O'Brien is a trailblazing double bassist, who became the first female musician in the New York Philharmonic Orchestra in 1966 and is the subject of the Oscar nominated documentary ‘The Only Girl in the Orchestra' To tell us more about it, we are joined by Documentary Maker Molly O'Brien

What does it take to perform at your best in critical moments?It's what differentiates the great from the good. Being at the top of your game requires years of courage, skill, and discipline. This is why some falter whilst others shine.In this episode I am joined by the multi-award-winning trumpet soloist, Alison Balsom. She shares what it takes to get to, and sustain, the highest levels of performance. These are concepts and practises that leaders in all fields would do well to apply.Alison talks about how she chooses the right repertoires to play and people to work with. She also discusses the importance of finding your own interpretation of a piece and what it's like to perform with the conductors and musicians.Music plays a huge role in all our lives, whether we know it or not.This conversation is for anyone looking to perform at the highest of levels and pushing the frontiers of their craft.“It's certainly a high wire act” – Alison BalsomYou'll hear about:●      Alison's process for finding the right work●      How to know when the project is right for you ●      Building relationships in orchestras●      What helps Alison to excel?●      How do you know you've impacted people?●      Alison's mindset minutes before taking the stage●      You are not better in rehearsal●      Has Alison had moments of self-doubt?●      How Alison nurtures and looks after herself●      The impact Alison wants to have on the worldAbout Alison Balsom:Alison has performed as a solo trumpeter worldwide with many of the greatest conductors and orchestras of our time, including Pierre Boulez, Lorin Maazel, Claudio Abbado, the New York Philharmonic Orchestra, Philadelphia Orchestra and London Philharmonic Orchestras, as well as The Balsom Ensemble, a handpicked group of leading Baroque soloists.Balsom has commissioned much music, and had hundreds of works written for her, including by composers such as Betsy Jolas, Dobrinka Tabakova, James MacMillan, and Thea Musgrave.She has been awarded an OBE for Services to Music, and has dedicated her career to broadening the artistic horizons of the trumpet.Resources:Profile: https://bit.ly/3LTvGV0Discography: https://bit.ly/3AbVE3DConcerts: https://bit.ly/3LXD026My resources:Take my new Becoming a Strategic Leader course (https://bit.ly/3KJYDTj)Sign up to my Every Day is a Strategy Day newsletter (http://bit.ly/36WRpri) for modern mindsets and practices to help you get ahead. Subscribe to my YouTube channel (http://bit.ly/3cFGk1k) where you can watch the conversation.For more details about me:●      Services (https://rb.gy/ahlcuy) to CEOs, entrepreneurs and professionals.●      About me (https://rb.gy/dvmg9n) - my background, experience and philosophy.●      Examples of my writing https://rb.gy/jlbdds)●      Follow me and engage with me on LinkedIn (https://bit.ly/2Z2PexP)●      Follow me and engage with me on Twitter (https://bit.ly/36XavNI)

SYMPHONIC ROCK PIONEERS RENAISSANCE WILL PERFORM THEIR ‘IN GRATITUDE' FAREWELL TOUR FALL 2024: ZOOM SPECIAL EVENT WITH LEGENDARY SONGSTRESS ANNIE HASLAM ON INTERVIEWING THE LEGENDS!   Hello everyone and welcome to another edition of Interviewing the Legends I'm your host Ray Shasho. Renaissance, the legendary symphonic rock band featuring Annie Haslam, will be back in the US playing select dates from October 17th through October 31st. This will mark 54 years since the formation of the band and its 16th consecutive year of touring since its reactivation in 2009. Renaissance leader and vocalist Annie Haslam remarked that “We are very proud but sad to announce our ‘In Gratitude' Farewell Tour. Where did the time go? Looking back over the years, I believe we have made history in the worlds of Progressive and Symphonic Rock.” The upcoming shows will include stunning arrangements of “Ocean Gypsy,” “Northern Lights,” “Forever Changing,” “Mother Russia,” “Carpet of the Sun,” “Ashes are Burning” and other favorite classics. Ms. Haslam will be joined on stage by long-time musical associate Rave Tesar on piano, along with Mark Lambert on guitars/vocals, Geoffrey Langley on keyboards/vocals, Frank Pagano on drums, percussion/vocals, and John Galgano on bass. Renaissance is a band with a rich history unique to themselves as progressive rock pioneers who rose from the ashes of the seminal UK rock band, The Yardbirds. The band has toured throughout the world and has performed at Carnegie Hall with the New York Philharmonic Orchestra and at the Royal Albert Hall with the Royal Philharmonic Orchestra and Royal Chorale Society. Renaissance had a top ten hit in the UK with their song “Northern Lights” that still demands airplay to this day. PLEASE WELCOME THE LEGENDARY VOICE OF SYMPHONIC/PROG ROCK GROUP RENAISSANCE ANNIE HASLAM TO INTERVIEWING THE LEGENDS … PURCHASE RENAISSANCE THE LEGACY TOUR 2022 In celebration of Annie Haslam's 75th year, Renaissance performed classic songs with the remarkable Renaissance Chamber Orchestra and music from Annie's solo career.   Double live audio CD in fold-out digipack cover with 12-page booklet. Recorded at the Keswick Theatre Glenside PA USA on October 21 2022. Personalized autograph by Annie Haslam. Includes unlimited streaming of The Legacy Tour 2022 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Available at https://renaissancetouring.bandcamp.com/album/the-legacy-tour-2022 Tracklist 1.Carpet Of The Sun 03:43 2. Black Flame 06:39 3. The Sisters 06:39 4. Ananda 04:26 5. The Captive Heart 04:46 6. Symphony Of Light 13:08 7. Blessing In Disguise 03:42 8. Celestine 04:41 9. Reaching Out 03:57 10. The Angels Cry 04:33 11. Day Of The Dreamer 10:07 12. Running Hard 10:26   ALSO TUSCANY  (2024 Remaster) By RENAISSANCE Amazon.com   FOR MORE INFORMATION ABOUT ANNIE HASLAM AND RENAISSANCE VISIT www.renaissancetouring.com Renaissance band official website www.facebook.com/renaissancetouring Renaissance band Facebook www.twitter.com/MysticAndMuse Renaissance Twitter www.youtube.com/user/RenaissanceTouring Renaissance YouTube www.anniehaslam.com Annie Haslam official website www.facebook.com/anniehaslamart Annie Haslam Facebook www.ravetesar.com Rave Tesar official website Renaissance: In Gratitude Farewell Tour 2024 Thursday October 17, 2024 – NEW YORK CITY The Town Hall 123 W 43rd St, New York, NY 10036   Friday October 18, 2024 – ALBANY, NY Lewis A. Swyer Theatre at the Egg Agency Building 1, S Mall Arterial, Albany, NY 12203   Saturday October 19, 2024 – Ridgefield, CT The Ridgefield Playhouse 80 E Ridge Rd, Ridgefield, CT 06877   Sunday October 20, 2024 – Boston MA City Winery Boston 80 Beverly St, Boston, MA 02114   Wednesday October 23, 2024 – Rochester, NY The Theater at Innovation Square 131 Chestnut St, Rochester, NY 14604   Thursday October 24, 2024 – Homer, NY Center for the Arts of Homer 72 S Main St, Homer, NY 13077   Friday October 25, 2024 – Newton, NJ The Newton Theatre 234 Spring St, Newton, NJ 07860   Saturday October 26, 2024 – Lansdowne, PA Lansdowne Theater 31 N Lansdowne Ave, Lansdowne, PA 19050   Tuesday October 29, 2024 - Edwardsville, IL Wildey Theatre 252 N. Main St. Edwardsville IL 62025   Wednesday October 30, 2024 - Edwardsville, IL Wildey Theatre 252 N. Main St. Edwardsville IL 62025   RENAISSANCE Discography Studio albums Year        Title        1969        Renaissance 1971        Illusion 1972        Prologue        1973        Ashes Are Burning       1974        Turn of the Cards 1975        Scheherazade and Other Stories        1977        Novella   1978        A Song for All Seasons       1979        Azure d'Or     1981        Camera Camera    1983        Time-Line      2001       Tuscany 2013       Grandine il vento  Reissued in 2014 as Symphony of Light with bonus tracks   Live albums 1976 Live at Carnegie Hall 2002 In the Land of the Rising Sun: Live in Japan 2001 2011 Renaissance Tour 2011 – Turn of the Cards and Scheherazade & Other Stories Live in Concert (DVD and double CD set)   2016 Renaissance 2012 (recorded April 16, 2015) – Renaissance Live at the Union Chapel (DVD and digital only audio set) 2016 Renaissance Live at the BBC Sight & Sound (DVD and 3-CD set) Contains radio/television broadcasts of three live concerts, one each from the years 1975-77. The DVD contains the video of the televised concert in London on 8 January 1977. 2018 A Symphonic Journey (recorded October 27, 2017) – Live In Concert (DVD and double CD set)    ― 2021 Renaissance 50th Anniversary: Ashes Are Burning - An Anthology - Live in Concert (Blu-ray/DVD/2CD Box) (2019 lineup performing 12 October 2019 in Glenside, PA.) 2023 The Legacy Tour 2022 (2CD) Recorded on 21 October 2022, at the Keswick Theatre, Glenside, PA.   Support us on PayPal!

On this day in 1939, world-renowned Black opera singer Marian Anderson performed on the steps of the Lincoln Memorial.See omnystudio.com/listener for privacy information.

Seks, drank, drugs: de lust van Leonard Bernstein was onstilbaar. Joris en Guido duiken even in zijn leven, maar toch vooral in zijn werk. Telde de man van de musical West Side Story mee als een serieuze componist? Wat was zijn aandeel in de revival van Mahler? And what about the Lenny leap? * Leonard Bernstein spreekt tijdens een van de Young People's Concerts* Leonard Bernstein, 'Lucky to be me', uit: On the Town, studio-orkest o.l.v. Leonard Bernstein* Aaron Copland, Doppio movimento, uit: Appalachian Spring, New York Philharmonic Orchestra o.l.v. Leonard Bernstein* Igor Stravinsky, Glorification de l'élue, uit: Le sacre du printemps,  New York Philharmonic Orchestra o.l.v. Leonard Bernstein* Gustav Mahler, deel 4 (Finale), uit: Zesde symfonie, Wiener Philharmoniker o.l.v. Leonard Bernstein* Leonard Bernstein, 'I Don't Know', uit: Mass, Baltimore Symphony Orchestra o.l.v. Marin Alsop* Benjamin Britten, Sunday Morning, uit Four Sea Interludes, Boston Symphony Orchestra o.l.v. Leonard Bernstein

Edgard Varèse is one of the most influential musicians of the twentieth century and was called  "The stratospheric Colossus of Sound."  He lived life with intensity and composed the same way.  Varèse lived most of his composing life in New York City and  made music out of the  compelling cacophony of NYC street noises: sirens,  firetrucks, river sounds, foghorns, and even skyscraper construction.Density 21.5 was composed in 1936 (and revised in 194) at the request of Georges Barrère to inaugurate his new platinum flute.  (21.5 is the density of platinum.) Density 21.5 breaks the stereotype of typical French music. This 4 minute-long  ground-breaking piece offers free tonality, an immense dynamic range,  surgically precise rhythms, steely and wispy colors, and it showcases Varèse's love for percussion. Varèse was more interested in the nature of sound rather than the aspect of melody.  Listen with curiosity to the sounds and enjoy the emotional ride.Music:Georg Philip Telemann, Fantaisie No. 12 for solo flute by Karen KevraEdgard Varèse -Poème électronique Kees Tazelaar, Edgard Varèse & Institute for Computer MusicJacques Offenbach - Barcarolle from Tale of Hoffman, Sir Neville MarinerFrédéric Chopin - Ballade #4, Opus 52, Alfred CortotErik Satie - Gymnopédie No. 1,  Philippe EntremontEdgard Varèse - Amériques, The Philadelphia OrchestraEdgard Varèse, Ionisation, The New York Philharmonic Orchestra, Pierre BoulezEdgard Varèse - Déserts, Choeurs de Radio France, Ensemble Intercontemporain, Pierre BoulezClaude Debussy - Syrinx, Karen KevraCécile Chaminade - Concertino, Karen KevraEdgard Varèse - Density 21.5, Karen KevraSupport the show

Hello everyone and welcome to another edition of Interviewing the Legends I'm your host Ray Shasho Renaissance is a band with a rich history unique unto themselves as progressive rock pioneers who rose from the ashes of the seminal UK rock band, The Yardbirds. Acclaimed for their unique blending of progressive rock with classical and symphonic influences, the band's career has now spanned fifty years spearheaded by the 5-octave voice of Annie Haslam and the masterful songwriting skills of Michael Dunford. They are widely considered to be the band that most successfully and routinely utilized the sound of a full orchestra in their recordings. The band has toured throughout the world and has performed at Carnegie Hall with the New York Philharmonic Orchestra and additionally at the Royal Albert Hall with the Royal Philharmonic Orchestra and Royal Chorale Society. Renaissance had a top ten hit in the UK with their song “Northern Lights” that still demands airplay to this day. PLEASE WELCOME SINGER, SONGWRITER, ARRANGER, INTUITIVE ABSTRACT EXPRESSIONIST, PAINTER … BEST KNOWN AS THE MAGNIFICENT & LEGENDARY VOICE OF PROGRESSIVE ROCK GROUP RENAISSANCE…ANNIE HASLAM TO INTERVIEWING THE LEGENDS …. PURCHASE  THE MOST RECENT RELEASE BY RENAISSANCE “50th Anniversary - Ashes are Burning –  an Anthology - Live in Concert" AVAILABLE AT https://store.renaissancetouring.com/album/a-symphonic-journey and amazon.com Deluxe set contains two CDs + NTSC/Region 0 DVD + Blu-ray. 50th Anniversary - Ashes Are Burning - An Anthology Live in Concert is a perfect celebration of a legendary and treasured body of music. 2019 live show featuring a set list which included songs which had never been orchestrated or performed with an orchestra before. The most memorable concert took place at the Keswick Theater in Glenside, PA on 12th October 2019. This sold-out concert saw the band perform a set which included such classics as 'Carpet Of The Sun', 'Ocean Gypsy', 'Running Hard', 'Day Of The Dreamer' and 'A Song For All Seasons' and also saw a special guest appearance by Renaissance founder JIM McCarty who performed on the song 'Island' and the epic closing piece 'Ashes Are Burning'. It was a truly magical evening. To celebrate the 50th Anniversary of the formation of Renaissance, vocalist Annie Haslam and band performed a series of concerts with an orchestra in the USA in October. FOR MORE INFORMATION ABOUT ANNIE HASLAM AND RENAISSANCE VISIT www.renaissancetouring.com Renaissance official website www.facebook.com/RenaissanceTouring Facebook https://twitter.com/MysticAndMuse Twitter www.youtube.com/user/RenaissanceTouring YouTube anniehaslam.com/annies-welcome-page Annie Haslam official https://anniehaslam.com/product-category/annie-haslam-original-art/ Annie Haslam Art www.facebook.com/AnnieHaslamArt Annie Haslam Facebook   RENAISSANCE DISCOGRAPHY Studio albums Year  Title 1969 Renaissance 1971  Illusion 1972  Prologue 1973  Ashes Are Burning 1974  Turn of the Cards 1975  Scheherazade and Other Stories 1977  Novella 1978  A Song for All Seasons 1979  Azure d'Or 1981  Camera Camera 1983  Time-Line 2001 Tuscany 2013 Grandine il vento Live albums Year  Title 1976  Live at Carnegie Hall 2002 In the Land of the Rising Sun: Live in Japan 2001 2011  Renaissance Tour 2011 – Turn of the Cards and Scheherazade & Other Stories Live in Concert (DVD and double CD set) 2016 Renaissance 2012 (recorded April 16, 2015) – Renaissance Live at the Union Chapel (DVD and digital only audio set) 2016 Renaissance Live at the BBC Sight & Sound (DVD and 3-CD set) Contains radio/television broadcasts of three live concerts, one each from the years 1975-77. The DVD contains the video of the televised concert in London on 8 January 1977. 2018 A Symphonic Journey (recorded October 27, 2017) – Live In Concert (DVD and double CD set) 2021 Renaissance 50th Anniversary: Ashes Are Burning - An Anthology - Live in Concert (Blu-ray/DVD/2CD Box) 2019 lineup performing 12 October 2019 in Glenside, PA.   ANNIE HASLAM Solo discography 1977: Annie in Wonderland 1985: Still Life 1989: Annie Haslam 1994: Blessing in Disguise 1995: Supper's Ready: (Genesis tribute Album) (guest vocalist) 1995: Tales From Yesterday (Yes tribute Album) (guest vocalist) 1998: Live Under Brazilian Skies 1999: The Dawn of Ananda 1999: Portraits of Bob Dylan by Steve Howe (album) (guest vocalist) 2000: It Snows in Heaven Too 2002: One Enchanted Evening 2005: Icon by John Wetton & Geoff Downes (album) (guest vocalist) 2006: Miles of Music by Bob Miles (guest vocalist) 2006: Live Studio Concert 2006: Night and Day EP with Magenta written for Haslam by Rob Reed and Christina Booth 2007: Woman Transcending 2012: Songs of the Century: (Supertramp tribute Album) (guest vocalist) 2014: 'Live' Studio Concert Philadelphia 1997 (Re-release)   Support us!

I've always been amazed by the fact that there are genius levels of human intelligence that are far beyond the ordinary. Some people seem to be born with remarkable talents and capabilities that the rest of us clearly don't have. That's not to say that these people don't need to work and practice to perfect their skills. They clearly do. Still, they possess brilliant talents that are far above those of the average person.           Take music for example. My mother was a real lover of classical music. She attended concerts regularly and had a great collection of records that she would play in our house all the time. And without question, I knew that her fondest hope for me was that I would become a concert pianist, not that I had ever shown any talent or the slightest bit of interest in it.           Still, she made sure that I took piano lessons every week for about six years, until the painfully obvious became painfully obvious, and she finally let me quit.  On some level though, I've always been kind of sorry about it and I've tried to pick it up every now and then. I've even taken a few lessons here and there but still, all I can do is play a few basic scales and bang out a couple of elementary songs, and that's it. As a result of all this, to say that I have the keyboard finesse of an aging chimpanzee would be more kind than accurate.            So, it always makes me wonder - what's the story with these geniuses, who are able to play as if the music is pouring out of their very soul. They perform these outrageously difficult compositions by heart, without reading any music at all. In a state of pure inspiration, they don't even open their eyes half of the time and yet, these magnificent melodies flow out of them in perfect timing and sequence, seemingly with no effort at all. It just boggles the mind. If you want to see a truly amazing example of this, watch Leonard Bernstein conduct the New York Philharmonic Orchestra at Lincoln Center in 1976, performing Rhapsody in Blue. The multi-talented maestro conducts the fifty-piece orchestra while he performs as the piano soloist at the same time. I've probably watched it over twenty times and I still can hardly believe my eyes and ears. But this astounding manifestation of genius intelligence also has two other forms of it that are just as hard for me to grasp. They are child prodigies and polymaths. We've had child prodigies among us for many centuries. For some inexplicable reason, certain young children manifest extremely advanced talent and abilities at a very early age, and no one has been able to figure out why this happens. Probably the most famous prodigy in musical history was Wolfgang Amadeus Mozart.           By age five, he was already extremely competent on the violin and piano and he began composing music. At six, he embarked on a three-year career, playing before the crowned heads of Europe. Can you imagine that? Think about what you were like at that age.  By six I had memorized the theme song to the Mickey Mouse Club and my parents probably thought I was a genius because of it.             Anyway, there have been child prodigies in dozens of different fields including math, science and the visual arts, but it's still pretty rare. The current thinking is that it's only a one-in-ten-million phenomenon. And staying within the realm of music, even though it's quite a stretch from Mozart, Stevie Wonder was clearly one of them, as well.    Born six weeks premature, he went blind from having too much oxygen in his incubator. Still, in his early childhood he taught himself how to play the piano, harmonica and drums and along with his powerful singing voice, signed his first recording contract in 1961 at age eleven. Since then, he has won far too many awards to list here, including, twenty-five Grammies, eight Honorary Doctorates, an Academy Award and the Presidential Medal of Freedom. And in all this time, he hasn't slowed down a bit.             Now, let's go on to the polymath, which is another manifestation of intelligence that I just can't fathom.  Simply put, these are people who are able to excel in several different fields, which are often completely unrelated.  Some of the most famous ones have been Leonardo da Vinci, Benjamin Franklin and Thomas Jefferson. But there have been other, quite surprising ones as well.  I was pretty amazed when I found out that Danny Kaye, the famous performer from the golden age of movies and TV, was one of them. He was an extraordinarily gifted actor, singer, and dancer. But it turns out that his genius as an entertainer was just the tip of the iceberg. He was also an expert jet pilot who flew his own plane. He owned a Lear Jet and flew it to sixty-five different countries, mainly on UNICEF tours for the United Nations. In addition, he spoke eleven different languages and although he couldn't read a note of music, he was a talented conductor of symphony orchestras and spent fifteen years giving benefit performances with the finest orchestras in the world including the National Symphony, the Boston Symphony and the New York Philharmonic.   He was also a bit of a sports nut. He was a single digit golfer who grew up a die-hard Brooklyn Dodgers fan. And as a lifelong lover of baseball, as well as a savvy businessman, he was one of the founders of the Seattle Mariners.           But that's not all. He was also a master chef, particularly in Chinese and French cuisine and he is still the only non-professional chef to ever be awarded France's highest culinary award, which is bestowed by the Sorbonne.            And finally, and probably the most unexpected, he was an honorary member of the American College of Surgeons as well as the American Academy of Pediatrics. He had always wanted to be a doctor, but his family couldn't afford  higher education, so he went into show business instead. Still, he always maintained his serious interest on medicine.           But it went a little further than that. He was close friends with the heart surgeon who performed history's first coronary bypass. He would observe operations, which they would later discuss in great detail. “Danny has had no medical training, but he knows his way around an operating room” the doctor said. “He's so intelligent he picks up immediately what he has observed.”           This was all absolutely remarkable to me because I had been aware of Danny Kaye as an entertainer for many years, but had never heard about all of his other abilities.           When it comes to observing this kind of extraordinary talent, I had a similar experience when I ran across someone who was a child prodigy, but was also a budding polymath as well. It happened when I was beginning to explore the world of personal growth, which was really just a by-product of having been a die-hard Beatles fan for over a decade.   Capturing global attention, the Fab Four had gotten into meditation in 1968 and had been studying under a teacher named the Maharishi, who was a classical Indian guru, with flowing white robes and a long, grey beard.   Like the millions of other Beatles devotees throughout the world, I basically mirrored whatever they did, so I started practicing the same form of meditation. But I wasn't very sincere about it and after a couple of months, I stopped. Then, a few years later, a friend told me that he had started practicing a deeper form of meditation that was doing him a lot of good. A little while later, he told me that the teacher of that meditation, who was supposed to be a major authority on inner growth, was coming to Philadelphia to give a talk about it. It sounded interesting until he told me that the teacher was only fourteen years old. I don't remember what my exact reaction was, but I'm pretty sure I burst out laughing because it seemed ridiculous on the face of it. I mean the Beatles' guy looked like he was in his mid-eighties and this kid was barely a teenager. What could he know about the evolution of higher consciousness? Out of deference to my friend, I decided to do a little research and I learned to my surprise that in the East, this kind of thing does happen from time to time. There were child prodigies who were renowned spiritual teachers.   There was Sri Ramakrishna, a globally respected teacher during the mid-1800s, who had been recognized as a spiritual master at the age of nine. His successor, Swami Vivekananda, was recognized in the same way at age of nineteen. And the current Dalai Lama assumed the full authority of his role when he was fifteen years old.  As an aside, in our culture, Dr. Martin Luther King Jr. became a fully ordained minister at nineteen.           Anyway, this fourteen-year-old teacher was named Prem Rawat, and when I went to hear him speak at the Irvine Auditorium of the University of Pennsylvania, I found him to be surprisingly impressive. There was a calm, but extremely powerful presence about him, and he seemed to really know what he was talking about. I observed him rather carefully from the time he entered the prestigious auditorium until he left, and perceived nothing about him that had anything to do with his age whatsoever. Rather than seeming like a young teenager, he had the presence of a secure adult about him. In fact, he seemed to be the most centered individual I had ever seen. But there was also a subtle, yet clearly present joyfulness about him that seemed foundational to his being. Again, it was quite impressive. By the way, as far as being a child prodigy is concerned, he had been in this teaching mode for quite some time.  He had begun his work at the age of four and started meditating at six. At the age of nine, he became the recognized teaching authority to several hundred thousand Indian meditators. But there's also a profound element about being a teacher of inner growth that I found to be most intriguing. It's different from being a genius in art, music or science because in those realms, you can tell if someone is truly a master of their craft just by observing their work. You look at the art, listen to the music or watch the dance, and you can quickly get a sense of how good they are.           But with a teacher of inner growth, it's quite different, because the purpose of the teaching isn't just to entertain and inspire you, it's to actually help you expand and grow your own consciousness. And the only way you can tell if the teacher is truly a master of the craft is by the actual experiences you start having within your own awareness. And this is not just in the short-term. It pertains to the long-term as well.  Are you continually growing beyond where you were? Are you becoming kinder and more compassionate?  Are you feeling more connected to the larger and higher consciousness? You have to determine all this for yourself. It doesn't matter what anyone says, what matters is what's going on inside of you. Along these lines, that night at Penn, Prem made a statement that I still remember. He said if you find his information to be helpful, then enjoy it. If not, then immediately leave it and move on.            So, as a child prodigy, I found him to be most impressive, but surprisingly, he was also blossoming into becoming a polymath as well. Over the years that followed, while his primary focus was always on teaching meditation and inner growth, his considerable other talents spread out into seemingly unrelated fields.   For instance, in the aviation world alone, his accomplishments are truly noteworthy. He is a fully licensed jet pilot, with tens of thousands of hours of flight time, and was one the youngest pilot in aviation history to be certified to fly a certain sophisticated jet aircraft. He is also a helicopter pilot and a veteran helicopter instructor as well. More down to earth, he is also a master car mechanic and one of his hobbies is the total restoration of antique automobiles, of which he has completed several. In addition, he is also a prolific photographer on a professional level, and several of his photographs are hung in galleries around the world. On top of all this, as an author, his recent book on personal growth is a New York Times best seller. And on the lighter side, he is a tremendous chef and has been approached a few times to host a cooking show. And get this last one - he writes his own computer code and is a master programmer. For some reason, to me that one really takes the cake. After using a computer for over forty years, I still have absolutely no idea how they work. Well, so much for geniuses, prodigies and polymaths. In essence, as impressive as they are, this episode isn't really about just listing their incredible accomplishments. It's really about the fact that they exist at all and what that says about human intelligence, and our possible potential.    For starters, it puts things into perspective. If they're only one in ten million, then the nine million, nine hundred thousand, nine hundred and nine of the rest of us have an opened door to feeling truly humble. We've all heard the phrase - a jack of all trades but a master of none. Well as far as I'm concerned, I'm not even one of the jacks. Still, to close, here are a couple of quick, rather optimistic things to consider.    First, neuroscience believes that within the next hundred years, we will find methods that will enhance our intelligence exponentially, taking us into levels of existence that are inconceivable to us now. According to them, we all have genius potential within us and as the brain sciences evolve, we will find ways to bring it into the forefront. And they also say that we all possessed genius intelligence through the age of five, so in one way or another, we were all child prodigies. And finally, the essence of our intelligence shows that we are all inherently positive beings, biased to the highest. And that is revealed by the simple fact that we have a finite capacity for suffering and pain, while we each have an infinite capacity for happiness and joy. I don't know about you, but all of this inspires a great deal of hope in me. So that will be the end of this episode. As always, keep your eyes mind and heart opened, and let's get together in the next one.

Je dagelijkse portie muzikale verwondering. Welkom in mijn wonderkamer, vol muziek, verhalen en voorwerpen. Een muzikale reis door eeuwen, windstreken en genres. ‘Der Dichter spricht' Over Robert Schumanns (https://www.nporadio4.nl/componisten/5e042b8d-1035-4ad8-b465-4c90d62ec790/schumann-robert) Vioolconcert Meer zien? Klik hier Robert Schumann Vioolconcert, WoO.23: Langsam  Antje Weithaas (viool) NDR Radiophilharmonie olv Andrew Manze (Album: Schumann & Brahms Violin Concertos) Robert Schumann Vioolconcert, WoO.23: Langsam (opname: 20 dec. 1937) George Kulenkampff (viool) Berliner Philharmoniker olv Hans Schmidt-Isserstedt (Album: Violin Concertos 1935-1937) Robert Schumann Vioolconcert, WoO.23: Langsam (opname: 9 feb. 1938) Yehudi Menuhin (viool) New York Philharmonic Orchestra olv John Barbirolli (Album: Schumann & Dvorak Violin Concertos) Franks Klassieke Wonderkamer is straks niet meer via de Bach van de Dag feed te beluisteren. Niks missen? Abonneer je dan op de podcast Franks Klassieke Wonderkamer.

On today's episode, Scott interviews a musician that he's never met or performed with, Rob Paparozzi, an American Grammy-nominated harmonicist and singer from NJ. Rob is widely recognized as a former member of the original Blues Brothers Band and the reformed Jazz-Rock group, Blood, Sweat & Tears. His credits include opening several times for Bruce Springsteen in the 1970s, touring with country artists Dolly Parton and George Jones, and has contributed to works by artists that include Whitney Houston, Cyndi Lauper, Judy Collins and James Galway. In addition, my guest has also played on the NY Broadway shows “Big River” and “The Will Rogers Follies”, performed a duet with Bernadette Peters, and was as a guest soloist with the New York Philharmonic Orchestra. This harmonicist, singer and “Soul Man”, absolutely GOT CHOPS! Follow Rob on Website: www.robpaparozzi.com Instagram: @robpaparozzimusic @robpaparozzi YouTube: https://www.youtube.com/channel/UC0oBRrcjM71l6kK8fnhTPig Facebook: https://www.facebook.com/rob.paparozzi Follow Got Chops on Instagram: @gotchopspodcast Listen to Got Chops Podcast on - Spotify: https://open.spotify.com/show/6Pjh7tC3aTpeMFEhmn4fp4?si=699ae5b84e544cb5 - Apple Podcasts: https://podcasts.apple.com/us/podcast/got-chops/id1587699754 - Anchor: https://anchor.fm/gotchops - YouTube: https://www.youtube.com/playlist?list=PLp5wwP8DvMPkqI4VM2VMlcufn6a-CzlHM Follow Scott on Instagram: @scottgrimaldimusic Twitter: @GrimaldiMusic Facebook: Scott Grimaldi - "The Color Of Midnight" Website: www.grimaldimusic.com --- Send in a voice message: https://anchor.fm/gotchops/message

Tras la playlist en la que dimos un repaso a los musicales, ópera y operetas del gran Leonard Bernstein, este podcast vamos a dedicarlo a sus trabajos más sinfónicos. Sus piezas que se suelen interpretar en las salas de conciertos. El joven Bernstein pronto se ganó una merecida fama como director de la New York Philharmonic Orchestra. En 1944 ya había dirigido su primera composición, la sinfonía “Jeremy”. También había escrito la música para el ballet “Fancy free” de su amigo el coreógrafo Jerome Robbins, que terminaría convirtiéndose en el musical “ON THE TOWN” con un libreto y letras de sus amigos y compañeros de piso Adolph Green y Betty Comden, con los que escribiría años después el musical “WONDERFUL TOWN”. Su versatilidad y fama como compositor, pianista y director de orquesta se vio acrecentada con su capacidad pedagógica en los 53 programas de televisión, en los que acercó la música clásica a los jóvenes. Ha compuesto sinfonías, una misa , música coral y de cámara. Ha escrito para el teatro y el cine. 00h 00'00" Presentación 00h 03'06" Cabecera 00h 03'43" FANCY FREE 00h 03'43" Enter three sailors 00h 06'36" Scene at the bar 00h 08'14" Enter two girls 00h 10'20" Pas de deux 00h 13'43" Competition scene 00h 16'47" Variation I Galop 00h 18'07" Variation II Waltz 00h 20'31" Variation III Danzon 00h 25'07" Finale 00h 27'42" ON THE TOWN - Three dances 00h 27'42" The great lover 00h 29'22" Lonely town: Pas de deux 00h 32'47" Times Square 1944 00h 37'23" ON THE WATERFRONT 00h 37'23" Suite 00h 59'00" WONDERFUL TOWN 00h 59'00" Overture 01h 03'35" Ballet at the Village Vortex 01h 06'22" DIVERTIMENTO FOR ORCHESTRA 01h 06'22" Sennets & Tuckets - Allegro non troppo, ma con brio 01h 07'35" Waltz - Allegro, con grazia 01h 09'43" Mazurka - Mesto 01h 11'41" Samba - Allegro giusto 01h 12'36" Turkey Trot - Allegretto, ben misurato 01h 14'27" Sphinxes - Adagio lugubre 01h 15'00" Blues - Slow blues tempo 01h 16'54" In memoriam - March "The BSO Forever" 01h 20'24" FACSIMILE - Choreographic essay for orchestra 01h 20'24" Molto Adagio 01h 30'05" Allegratto 01h 39'02" SERENADE AFTER PLATO'S SYMPOSIUM 01h 39'02" Phaedrus - Pausanias 01h 45'41" Aristophanes 01h 50'00" Eryximachus 01h 51'26" Agathon 01h 58'29" Socrates . Alcibiades 02h 09'01" WEST SIDE STORY 02h 09'01" Suite para violín y orquesta

Tony Lindsay, who was born in Kingston, New York, now calls San Francisco his home, is back in the SANTANA lineup. He first toured with SANTANA in 1991 and can be heard on the 1992 release, Milagro. When not touring with SANTANA, he sings for Spang-a-Lang, a local R&B/Jazz/Pop group he founded that has opened for several well-known acts, including Curtis Mayfield, Jr. Walker, Tower of Power, and Average White Band, to name a few. As an individual, Tony has recorded or performed with several artists, including Tevin Campbell, O'Jays, Al Jarreau, Steve Winwood, Johnny Gill, Teddy Pendergrass, Aretha Franklin, and Lou Rawls. His full-bodied tenor voice and unique style have paved the way for his participation in a variety of musical projects, including a 1993 duet performance with Angela Bofill and the New York Philharmonic Orchestra at Avery Fischer Hall in NY. (The song was written by Narada Michael Walden, and entitled "Enough for Everyone.") Tony's voice can also be heard on Mazda, Hotwheels, Dreyer's Ice Cream and Wendy's commercials as well as on the "Adventures of Kanga Roddy." Tony is also a talented song writer, and sings with the Dancing with the Stars Road Tour. Find out more about Tony on his website, Facebook, Instagram, and YouTube.

In this episode, we discuss:What he looks for when hiring subs for his shows.What a lock-in period is and what itis expected when starting a new broadway show.How he landed the drum chair at Come From Away.What NOT to do in a Broadway pit.Why he only uses Yamaha drums. His thoughts on Sabian cymbals.Why he's focusing on producing and music directing in the future.Larry Lelli is a veteran Broadway musician. He's played drums and/or conductor in over 40 Broadway shows.   Some of his  Broadway drumming credits include The Producers. Assassins, How To Succeed In Business, Million Dollar Quartet.  He's recorded and performed with  Melissa Etheridge, Josh Groban, Anne Hathaway, Nick Jonas, Vanessa Williams, Heather Headley, The Mamas & The Papas, Anika Noni Rose, ), Audra McDonald, Neil Patrick Harris, Patti LuPone, Jerry Lee Lewis, Bernadette Peters, Sebastian Bach, Anika Noni Rose, Doug Stone, Lesley Gore, Larry Gatlin, Darlene Love and The New York Philharmonic Orchestra.  Larry is also a clinician for Yamaha Drums and Sabian Cymbals, and he's currently performing in the Tony Award-winning hit, Come From Away.https://www.larrylelli.comIf you haven't yet, please become a paid subscriber today. This podcast can only survive if we have enough people willing to fund its future. Your subscription will ensure its survival.Please click the button below and subscribe. Thank you!Become a regular listener HEREClayton Craddock, the drummer of the hit broadway musical Ain't Too Proud. He hosts the Broadway Drumming 101 Podcast and has played drums in several hit broadway and off-broadway musicals, including "Tick, tick…BOOM! Altar Boyz, Memphis The Musical, and Lady Day At Emerson's Bar and Grill. Also, Clayton has worked on: Footloose, Motown, The Color Purple, Rent, Little Shop of Horrors, Spongebob Squarepants, The Musical, Evita, Cats, and Avenue Q.You can follow Clayton on the following social media platforms: InstagramTikTokYouTubeFor more: claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Larry Lelli is a veteran Broadway musician. He's played drums and/or conductor in over 40 Broadway shows.   Some of his  Broadway drumming credits include The Producers. Assassins, How To Succeed In Business, Million Dollar Quartet.  He's recorded and performed with  Melissa Etheridge, Josh Groban, Anne Hathaway, Nick Jonas, Vanessa Williams, Heather Headley, The Mamas & The Papas, Anika Noni Rose, ), Audra McDonald, Neil Patrick Harris, Patti LuPone, Jerry Lee Lewis, Bernadette Peters, Sebastian Bach, Anika Noni Rose, Doug Stone, Lesley Gore, Larry Gatlin, Darlene Love and The New York Philharmonic Orchestra.  Larry is also a clinician for Yamaha Drums and Sabian Cymbals, and he's currently performing in the Tony Award-winning hit, Come From Away.https://www.larrylelli.comIn this episode, we discuss:Growing up in the midwest, playing in baton and drum corps.Moving to Nashville and touring with the country star Doug Stone.How a jazz cruise led to him moving to New York City to pursue a career on Broadway.Why subbing for Michael Hinton on Miss Saigon was his big break.Meeting John Redsecker led to subbing at Beauty and The Beast and many more shows.Working with Paul Gemignani and learning how unstable the business of Broadway can be.How long does it take for him to learn a show.If you haven't yet, please become a paid subscriber today. This podcast can only survive if we have enough people willing to fund its future. Your subscription will ensure its survival.Please click the button below and subscribe. Thank you!Become a regular listener HEREClayton Craddock, the drummer of the hit broadway musical Ain't Too Proud. He hosts the Broadway Drumming 101 Podcast and has played drums in several hit broadway and off-broadway musicals, including "Tick, tick…BOOM! Altar Boyz, Memphis The Musical, and Lady Day At Emerson's Bar and Grill. Also, Clayton has worked on: Footloose, Motown, The Color Purple, Rent, Little Shop of Horrors, Spongebob Squarepants, The Musical, Evita, Cats, and Avenue Q.You can follow Clayton on the following social media platforms: InstagramTikTokYouTubeFor more: claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Im ersten Teil unseres Programms werden wir einige Nachrichten besprechen, die diese Woche Schlagzeilen gemacht haben. Wir beginnen mit der Reaktion der chinesischen Regierung auf den diplomatischen Boykott der Olympischen Winterspiele 2022 in Peking durch die USA. Danach sprechen wir über den Besuch von Papst Franziskus in Griechenland, der das Ziel hatte, die Beziehungen zwischen dem Vatikan und der griechisch-orthodoxen Kirche zu verbessern. Der Papst hat auch ein Flüchtlingslager auf der Insel Lesbos besucht. Dann werden wir das Ergebnis einer neuen Studie besprechen, die zeigt, dass Umweltfaktoren und soziale Faktoren das Verhältnis zwischen Mädchen und Jungen bei Neugeborenen beeinflussen könnten. Und zum Schluss werden wir über die neue Werbeaktion einer thailändischen Fast-Food-Kette für ihre „Crazy Happy Pizza“ sprechen, eine Pizza, die mit einem Cannabisblatt belegt ist. Weiter geht es mit der Ankündigung für den zweiten Teil unseres Programms, „Trending in Germany“. Wir werden über Angela Merkel sprechen, die für den traditionellen großen Zapfenstreich letzte Woche drei Lieder ausgesucht hat. Was wollte sie uns mit ihrer Musikauswahl sagen? Wir werden auch darüber sprechen, dass das New York Philharmonic Orchestra im Mai 2022 zu Gast auf der Ostseeinsel Usedom in Deutschland sein wird. Die Konzerte finden auf dem Gelände der ehemaligen Heeresversuchsanstalten statt, wo während des Nationalsozialismus Raketen entwickelt wurden. - Die USA kündigen einen diplomatischen Boykott der Olympischen Winterspiele in Peking an - Papst Franziskus besucht Griechenland und das Flüchtlingslager auf Lesbos - Umweltfaktoren und soziale Faktoren können das Verhältnis zwischen Mädchen und Jungen bei Neugeborenen beeinflussen - Kein Rausch durch thailändische Cannabis-Pizza - Merkels Großer Zapfenstreich - New York Philharmonic Orchestra zu Gast auf Usedom

Im ersten Teil unseres Programms werden wir einige Nachrichten besprechen, die diese Woche Schlagzeilen gemacht haben. Wir beginnen mit der Reaktion der chinesischen Regierung auf den diplomatischen Boykott der Olympischen Winterspiele 2022 in Peking durch die USA. Danach sprechen wir über den Besuch von Papst Franziskus in Griechenland, der das Ziel hatte, die Beziehungen zwischen dem Vatikan und der griechisch-orthodoxen Kirche zu verbessern. Der Papst hat auch ein Flüchtlingslager auf der Insel Lesbos besucht. Dann werden wir das Ergebnis einer neuen Studie besprechen, die zeigt, dass Umweltfaktoren und soziale Faktoren das Verhältnis zwischen Mädchen und Jungen bei Neugeborenen beeinflussen könnten. Und zum Schluss werden wir über die neue Werbeaktion einer thailändischen Fast-Food-Kette für ihre „Crazy Happy Pizza“ sprechen, eine Pizza, die mit einem Cannabisblatt belegt ist. Weiter geht es mit der Ankündigung für den zweiten Teil unseres Programms, „Trending in Germany“. Wir werden über Angela Merkel sprechen, die für den traditionellen großen Zapfenstreich letzte Woche drei Lieder ausgesucht hat. Was wollte sie uns mit ihrer Musikauswahl sagen? Wir werden auch darüber sprechen, dass das New York Philharmonic Orchestra im Mai 2022 zu Gast auf der Ostseeinsel Usedom in Deutschland sein wird. Die Konzerte finden auf dem Gelände der ehemaligen Heeresversuchsanstalten statt, wo während des Nationalsozialismus Raketen entwickelt wurden. - Die USA kündigen einen diplomatischen Boykott der Olympischen Winterspiele in Peking an - Papst Franziskus besucht Griechenland und das Flüchtlingslager auf Lesbos - Umweltfaktoren und soziale Faktoren können das Verhältnis zwischen Mädchen und Jungen bei Neugeborenen beeinflussen - Kein Rausch durch thailändische Cannabis-Pizza - Merkels Großer Zapfenstreich - New York Philharmonic Orchestra zu Gast auf Usedom

PROFESSIONAL EXPERIENCE1942– Born in Ul-Ju-Gun, Kyng Sang Nam Do, South Korea1970– Earned a B.A. Degree in Mechanical Engineering at Han-Yang University1971-Immigrated to the U.S.1972– Established the Tae Kwon Do Academy in Cedar Rapids, Iowa1979– Established New Life Fitness World fitness club1981– Established Tri-Mount Publication, Inc.– First published the Tae Kwon Do Times1982-9– President of the Korean-American Society of Iowa1985-88– First U.S and Canadian Tae Kwon Do tour to Korea (Hosted by TKD Times)1987– Coordinated sister city founding between Cedar Rapids, Iowa and Ul-Ju Gun, South Korea1991– Formed joint Tae Kwon Do demo team, with athletes from North and South Korea, as well as the U.S.1995– Eagle's Nest (a Tae Kwon Do practice facility) opens at Colorado Springs1998-01– Member of NUAC (National Unification Advisory Council)2000– First North Korean Tae Kwon Do Tour (Hosted by TKD Times)2001-Pres.– Kyung-Hee University Honorary Professor2005-Pres.– Member of Kyung-Sang-Buk-Do, Korean Honorary Advisor2006– 2nd World TKD Festival Prayer for Unification — 60 participants from 12 countries performed board-breaking ceremony at the north side of the Korean DMZ (AP special news)2007– North Korean TKD Demo Team performs at Goodwill Tour (first time North Korean national anthem played in 5 major U.S. cities)2008– In response to Goodwill Tour, New York Philharmonic Orchestra plays American National Anthem for the first time in North Korea.2009– Established Woo-jin Jung Tree in Cedar Rapids, Iowa2010– Kye-Myung University — Tae Kwon Do Department Special Professor2011– 2nd North Korean Tae Kwon Do Demo Team performs in 3 major eastern U.S. cities during Goodwill Tour2016– 37 years, 9 fitness centers in US. Semi-retired, next generation, my son, continued in Las Vegas.– Back to original location, created history room, established Jung's Taekwondo Black Belt Association, a non-profit entity.2017– 1st ever ITF Taekwondo Team visits S Korea and joint demonstration with WTF team.– Helped WTF, ITF to meet in S Korea, 45 years later to try to make peace. I was invited to the meeting.2018– N Korea and S Korea special opening ceremony demonstration at            Pyeong Chang winter  Olymics. Special guest at this event. KBS                  made special documentary.2019-After 2007/ 2011 Good Will Tours to N Korea and 2008 New York          Philharmonic exchange program, KBS asked me to arrange a 3rd                  Goodwill Tour.AWARDS1985– Honorary Korean Award, presented by Prime Minister1986– Iowa Minority Small Business Person of the Year, presented by the Small Business Administration1990– Iowa Economic Development Award2009– TKD Ambassador Award, presented by the U.S. Taekwondo Grandmaster Society– Founding of Woojin Jun Tree Monument, dedicated by the City of Cedar Rapids)2011– Multi-Ethnic Sport Hall of Fame, 2011 inductee for Tae Kwon Do2012– Living Legend of Tae Kwon Do, presented at the Legends of Martial Arts Hall of Fame Awards2013-2017– So many awards and letters of thanks from all over the world. My focus has been on poor and disabled people all over the world.2017-North Korea & ITF returns to WTF World Championship in South Korea for the first time in 45 years. Woojin Jung arrived barefoot, only in his dobo with a sign to mark the historic event, carrying the spirit of traditional TaeKwonDo founder General Choi Hong Hi, realizing their dream of returning to their homeland. Not WTF or ITF, I am a pioneer of TKD. Not North or South Korea, I am Korean.2018-Winter Olympics opening ceremony in Pyeong Chang, South Korea in February 2018. Woojin Jung helped to facilitate the demonstrations between the North & South Korean Taekwondo demonstration teams. There was a KBS documentary(태권도, 하나를 위한 도전) done mentioning Woojin Jung's help as being instrumental in bringing these two countries together for this historic event. This documentary was shared at the event before the closing on February 24th. 2019-KBS full length documentary made to document the efforts of Taekwondo Times, Woojin Jung & U.S. Taekwondo people in bringing North & U.S. Taekwondo people together, starting with the Goodwill Tours of 2007 & 2011. These historic events were sponsored and funded by Woojin Jung. With the release of the KBS documentary(태권도 평화를 위한여정), the Korean government has more excitement about hiring KBS for a Third and last Goodwill Tour in the future.FOUNDATIONS1978– Jung's Black Belt Foundation1988– Woo Jin Scholarship, awarded to elementary and middle school students in Master Jung's hometown of Ulsan, South Korea2000– Grand Master Honorary Foundation2005– Jung Family Charitable FoundationCURRENT ACTIVITIES– Jung's Tae Kwon Do Academy, Inc. (45 branches in 4 states)– Point Aerie Ltd., LLC – Mountain Top Co. (Department Store, Office Building)– Tae Kwon Do Times (internationally-published magazine)– Jung's charity family foundation (focused on handicapped and disadvantaged children worldwide)

What does Mr. Rogers, the flute, music education, passing out on stage, and the Utah Symphony have in common? Guest soloist DeMarre McGill. While a guest soloist with the Utah Symphony in May 2021, Seattle Symphony principal flutist DeMarre McGill joined co-hosts Jeff Counts and Carol Anderson. They discuss the state of the classical music world, what it's like growing up in a musical family (his brother is the principal clarinet for the New York Philharmonic Orchestra), his advice to young musicians, and a story of a time when he fainted on stage DURING a performance. Hear their conversation on the first episode of season six of the Ghost Light Podcast.

This is part two of my podcast that features Ray Marchica. He is a graduate of Brooklyn College, where he studied percussion with Morris Lang of the New York Philharmonic Orchestra and received a Bachelor of Science Degree in Music Performance.He's been an in-demand player in New York for more than 25 years, appearing on countless sessions, Broadway productions, and TV shows. One of the most diverse freelance drummers in New York City, Marchica is a longstanding member of The Ed Palermo Big Band, which specializes in the music of Frank Zappa, a challenging gig that demands the most highly skilled of drummers (Terry Bozzio, Vinnie Colaiuta, and Chad Wackerman filled the drum chair during Zappa's heyday). He is also a member of The Mike Longo New York State of the Art Jazz Ensemble, The Russ Kassoff Big Band, The Gary Morgan Pan Americana Big Band. He also plays regularly with The Birdland Big Band.As the drummer in the house band for “The Rosie O'Donnell Show” for its entire six-year run, he performed with Phil Collins, Tony Bennett, Bette Midler, Cher, Marc Anthony, Robert Palmer, Jennifer Holiday, Chaka Khan, and Neil Diamond, among other guests that appeared on the show.His Broadway and theater credits include Radio City Music Hall, A Chorus Line, Woman of The Year, La Cage Aux Folles, Starlight Express, The Will Rogers Follies, How to Succeed in Business Without Really Trying, Damn Yankees, Mamma Mia, A Trip of Love, Disaster, Something Rotten (took over the drum chair from Perry Cavari) and the 2017 revival of Miss Saigon.He also played on three of the biggest Broadway flops in history:1978's “A Broadway Musical, 1992's “The Red Shoes, and 2003's “Dance of The Vampires.”Paul Adamy and Ray - Part 1Paul Adamy and Ray - Part 2Ray Marchica GroupBarbra Streisand at the Village VanguardThe Ed Palermo Big Band at the IridiumThe Ed Palermo Big Band playing ”More Trouble Everyday” at the Iridiumhttps://www.facebook.com/watch/?v=10157891675946737Interview with Alan CohenThe Mike Longo Big Band playing “Ding A Ling”Nina Hennessey Ray Marchica Group Promo ClipFor more: http://raymarchica.comHOST: Clayton CraddockClayton Craddock, the drummer of the hit broadway musical Ain't Too Proud. He earned a Bachelor of Business Administration from Howard University's School of Business and is a 28 year veteran of the fast-paced New York City music scene. He has played drums in several hit broadway and off-broadway musicals, including "Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, and Lady Day At Emerson's Bar and Grill. Also, Clayton has worked on: Footloose, Motown, The Color Purple, Rent, Little Shop of Horrors, Spongebob Squarepants, The Musical, Evita, Cats, and Avenue Q.Follow him on Instagram, Twitter or read more on his website: claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

This podcast features Ray Marchica. He is a graduate of Brooklyn College, where he studied percussion with Morris Lang of the New York Philharmonic Orchestra and received a Bachelor of Science Degree in Music Performance.He's been an in-demand player in New York for more than 25 years, appearing on countless sessions, Broadway productions, and TV shows. One of the most diverse freelance drummers in New York City, Marchica is a longstanding member of The Ed Palermo Big Band, which specializes in the music of Frank Zappa, a challenging gig that demands the most highly skilled of drummers (Terry Bozzio, Vinnie Colaiuta, and Chad Wackerman filled the drum chair during Zappa's heyday). He is also a member of The Mike Longo New York State of the Art Jazz Ensemble, The Russ Kassoff Big Band, The Gary Morgan Pan Americana Big Band. He also plays regularly with The Birdland Big Band.As the drummer in the house band for “The Rosie O'Donnell Show” for its entire six-year run, he performed with Phil Collins, Tony Bennett, Bette Midler, Cher, Marc Anthony, Robert Palmer, Jennifer Holiday, Chaka Khan, and Neil Diamond, among other guests that appeared on the show.His Broadway and theater credits include Radio City Music Hall, A Chorus Line, Woman of The Year, La Cage Aux Folles, Starlight Express, The Will Rogers Follies, How to Succeed in Business Without Really Trying, Damn Yankees, Mamma Mia, A Trip of Love, Disaster, Something Rotten (took over the drum chair from Perry Cavari) and the 2017 revival of Miss Saigon.He also played on three of the biggest Broadway flops in history:1978's “A Broadway Musical, 1992's “The Red Shoes, and 2003's “Dance of The Vampires.”For more: http://raymarchica.comClayton Craddock, the drummer of the hit broadway musical Ain't Too Proud. He earned a Bachelor of Business Administration from Howard University's School of Business and is a 28 year veteran of the fast-paced New York City music scene. He has played drums in several hit broadway and off-broadway musicals, including "Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, and Lady Day At Emerson's Bar and Grill. Also, Clayton has worked on: Footloose, Motown, The Color Purple, Rent, Little Shop of Horrors, Spongebob Squarepants, The Musical, Evita, Cats, and Avenue Q.Follow him on Instagram, Twitter or read more on his website: claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

三大芭蕾舞劇，胡桃鉗，睡美人，天鵝湖的作曲家，柴可夫斯基，是名同性戀，這個大家應該都知道了， 但關於他性取向的所有書信，一直到近年，才一一被俄羅斯政府公開， 這周我們來看看其中很有趣又很可愛的幾個信件片段! [BGM（opening）] Tchaikovsky, Symphony No. 5( New York Philharmonic Orchestra, Leonard Bernstein) [BGM（background）] Satie, The Gymnopédies   Powered by Firstory Hosting

YolanDa Brown connects with New York and Berlin for a trio of Philharmonics: London, New York and Berlin. She is joined by horn player Leelanee Sterrett from the New York Philharmonic Orchestra, violist Matthew Hunter from the Berlin Philharmonic and double bass player Sebastien Pennar from the LPO as they compare and contrast orchestral life in the UK, America and Germany. From thoughts about their regular audiences to differences in the audition process this episode is a fascinating glimpse into life at three of the worlds great symphony orchestras. Produced by Tandem Productions for the London Philharmonic Orchestra. #OffstagePodTwitter: @LPOrchestraInstagram: @londonphilharmonicorchestraFacebook: @londonphilharmonicorchestra Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

‘Candide Overture' by Leonard Bernstein is a fantastic piece. Fun for the listener and virtuosic for the orchestra, it bursts with energy and excitement. In this episode I share insights into the piece and I discuss the ‘feel' of music by exploring the role of the Time Signature. Also I answer the question, ‘What is an Overture?'. This episode features ‘Candide Overture' by the composer Leonard Bernstein. I recommend the recording by the New York Philharmonic Orchestra conducted by the composer. Further information: www.athousandpictures.com/episode6.   I hope you enjoy the show! Please subscribe and help us grow by leaving a rating and a review. And please share the podcast with others!   Feel free to contact Scott Wilson via:  EMAIL: feedback@athousandpictures.com  FACEBOOK: www.facebook.com/1000PicturesPod INSTAGRAM: @1000picturespod TWITTER: @1000PicturesPod WEBSITE: www.athousandpictures.com

Chris Martin and Joe Alessi hold the principal trumpet and trombone positions with the New York Philharmonic. In addition to being iconic musicians in the brass world, they both teach at the Juilliard School of Music and have active solo careers.In Part 1 of our conversation, Chris and Joe talk in depth about how they work together in the New York Philharmonic Orchestra and discuss working with students on these concepts. We end this part of our conversation with Chris and Joe talking about methods they use to constantly critique their own playing.

For the video interview, go here and subscribe: https://youtu.be/MfwReL5AU9I Nina Hennessey was born in Denver, CO. After graduating from Barnard College and a stint at Radio City Music Hall (where she met Ray Marchica) and the 1st National Tour of ANNIE, she moved to Broadway..... WOMAN OF THE YEAR, SNOOPY, DREAMGIRLS, LES MISERABLES, CATS, CHESS in CONCERT, THE BEST LITTLE WHOREHOUSE IN TEXAS in CONCERT and BYE BYE BIRDIE . Ray Marchica is a graduate of Brooklyn College, where he studied percussion with Morris Lang of the New York Philharmonic Orchestra and received a Bachelor of Science Degree in Music Performance. He’s been an in-demand player in New York for more than 40 years, appearing on countless sessions, Broadway productions and TV shows. Ray is married to singer-actress-dancer Nina Hennessey, and their children, Paolo Marchica and Maddy Ruff, are now young adults. raymarchica.com https://www.ninahennessey.com https://www.ibdb.com/broadway-cast-staff/nina-hennessey-91112

La música fue parte importante en la vida de Meredith Willson desde pequeño ya que con sus hermanos Rosalie, Cedrick y Dixie jugaban practicando con el piano, el fagot y el arpa. Estando en la escuela secundaria, aprovechó las vacaciones veraniegas para enrolarse en una banda pero tenía que tocar la flauta y el pícolo, pero un día el líder de la banda se marchó Willson ocupó su sitio. Tras graduarse marchó a Nueva York arrancando una carrera que le llevaría a cumplir su sueño de formar parte de la banda de John Philip Soussa. Tres años más tarde entró en la New York Philharmonic Orchestra que dirigía Toscanini. Trabajó como director musical en programas de radio en San Francisco y Los Ángeles donde compuso para importantes cantantes de la época.  También escribió música clásica y para el cine, incluso para musicales como veremos en el recorrido al que te invitamos, por la carrera del gran Meredith Willson Espero te guste 00h 00'00" Presentación 00h 01'26" Cabecera 00h 02'04" Inicio 00h 02'15" EL GRAN DICTADOR 00h 03'06" Selección 00h 10'16" LA LOBA 00h 10'54" Selección 00h 12'46" CANCIONES 00h 13'30" Chicken fat - Robert Preston 00h 20'01" It’s beginning to look a lot like Christmas - Thomas Quasthoff 00h 24'17" May the Good Lord bless and keep you - Aled Jones & R. Watson 00h 29'06" You and I - Frank Sinatra & Tommy Dorsey  00h 31'50" THE MUSIC MAN 00h 32'20" 76 trombones - Boston Pops 00h 35'06" Goodnight my angel - Aviva Timoner & Herve Lae Cam 00h 38'37" My white knight - Kristin Chenoweth 00h 41'46" Till there was you - Katherine Jenkins 00h 45'08" Ya got troubles - Matthew Broderick 00h 48'55" MOLLY BROWN, SIEMPRE A FLOTE 00h 49'54" Colorado my home - Harve Presnell 00h 50'57" He's my friend - Debbie Reynolds & Cast 00h 57'04" I never say no - Debbie Reynolds 00h 58'55" I ain't down yet - Debbie Reynolds & Harve Presnell  01h 00'00" HERE’S LOVE 01h 00'39" You don't know - Janis Page 01h 02'52" Here's love - Laurence Naismith & Ensemble 01h 06'49" Look little girl - Janis Paige 01h 09'13" That man over there - Paul Reed & Ensemble  01h 11'11" 1491 01h 11'44" A Queen 01h 13'49" Pretty girls 01h 15'55" Sail on 01h 21'40" Theo Paco 01h 23'42" SINFONÍA NÚMERO 2. Las misiones de California 01h 24'20" I - Junípero Serra 01h 33'41" II - San Juan Bautista 01h 44'25" III - San Juan Capistrano  01h 49'15" IV - El Camino Real

In today's episode for the first time ever Clarineat is guest hosted by Richard Hawkins, who is a master mouthpiece craftsman and Professor of Clarinet at the Oberlin Conservatory. His guest today is Anthony McGill, Principal Clarinetist of the New York Philharmonic Orchestra. They discuss dealing with insecurities while playing, what it was like adjusting from playing in the MET Opera Orchestra to the New York Philharmonic, how to collaborate in a professional and productive way, advice for those thinking of auditioning for music in college, and what's next on Anthony's "bucket list."

Keyboardist and composer Dave Bryant is best known for his work as a member of Ornette Coleman’s Prime Time group. Bryant’s addition to the group marked Ornette Coleman’s first extended work with a keyboard instrument in decades. Starting in 1990, Bryant toured as part of the group and performed on the Prime Time “Tone Dialing” CD. During Bryant’s tenure with Prime Time, the band also performed with Jerry Garcia of the Grateful Dead, Lou Reed and Laurie Anderson, and numerous symphony orchestras throughout the world, including the New York Philharmonic Orchestra under conductor Kurt Mazur.

About Deborah Kan Deborah is an award-winning journalist and media entrepreneur. She spent five years as executive producer of video for the Wall Street Journal where she oversaw the expansion of multi-media throughout Asia. Deborah interviewed many business and political leaders throughout her career, including Google's Eric Schmidt when she broke the story of Google's criticism of the U.S. National Security Agency. She has also covered exclusive stories, including the New York Philharmonic Orchestra's historic trip to North Korea, when she was selected as the only journalist from Asia to cover the story. Deborah is a Young Global Leader of the World Economic Forum. She founded Being Patient after her mom's Alzheimer's disease diagnosis to reinvent how people get accurate information on long-term illness, pioneering a community-driven editorial strategy. When not working, she can be found on a running trail or covering mom duties for her three children. ➜ Connect to Deborah Kan via https://www.beingpatient.com/team/deborah-kan/ ➜ Please leave a comment below, it's like oxygen to get your feedback. ➜ Subscribe: https://www.youtube.com/simonsquibb About GLC The Good Luck Club is a podcast and video series that focuses on the idea that luck is an ingredient that's absolutely necessary in order to have a successful life and business. In each episode of The Good Luck Club we invite an entrepreneur or change-maker to share their journey to success. For most, it's never a straightforward one, and there's much inspiration and learnings in the struggles they've been through along the way. And, as our name suggests, we'll also dive into their stories about luck; the good and the bad, and its role in success. Connect @ Linkedin: http://bit.ly/2vFY3Cp Twitter: https://twitter.com/GoodLuckpodcast Socialize @ Facebook: https://www.facebook.com/GoodLuckClubPODCAST Snap @ Instagram: https://www.instagram.com/goodluckclubpodcast If you enjoyed this episode, please share with your friends. Subscribe to The Good Luck Club channel https://bit.ly/2xzfHZS We always reply to comments, so please let us know what you think below! Thanks for watching. ————— About our host Simon Squibb Simon is a serial entrepreneur, angel investor, motivational speaker, and mentor. He has started 17 businesses, invested in over 65, and has mentored hundreds of founders. Having sold his award-winning insight-driven branding and digital agency, Fluid, to PwC, Simon now focuses on inspiring, motivating and guiding both budding and experienced entrepreneurs by sharing his personal experiences, insights, ideas and tips on his website simonsquibb.com and through his social channels. Watch @ YouTube: https://www.youtube.com/simonsquibb Connect @ Linkedin: https://www.linkedin.com/in/simonsquibb/ Invest @ AngelList: https://angel.co/simonsquibb Socialize @ Facebook: https://www.facebook.com/SimonASquibb/ Debate @ Twitter: https://twitter.com/simonsquibb Dance @ TikTok: https//tiktok.com/simonsquibb8 Snap @ Instagram: https://www.instagram.com/simonsquibb/

About Deborah Kan Deborah is an award-winning journalist and media entrepreneur. She spent five years as executive producer of video for the Wall Street Journal where she oversaw the expansion of multi-media throughout Asia. Deborah interviewed many business and political leaders throughout her career, including Google's Eric Schmidt when she broke the story of Google's criticism of the U.S. National Security Agency. She has also covered exclusive stories, including the New York Philharmonic Orchestra's historic trip to North Korea, when she was selected as the only journalist from Asia to cover the story. Deborah is a Young Global Leader of the World Economic Forum. She founded Being Patient after her mom's Alzheimer's disease diagnosis to reinvent how people get accurate information on long-term illness, pioneering a community-driven editorial strategy. When not working, she can be found on a running trail or covering mom duties for her three children. ➜ Connect to Deborah Kan via https://www.beingpatient.com/team/deborah-kan/ ➜ Please leave a comment below, it's like oxygen to get your feedback. ➜ Subscribe: https://www.youtube.com/simonsquibb About GLC The Good Luck Club is a podcast and video series that focuses on the idea that luck is an ingredient that's absolutely necessary in order to have a successful life and business. In each episode of The Good Luck Club we invite an entrepreneur or change-maker to share their journey to success. For most, it's never a straightforward one, and there's much inspiration and learnings in the struggles they've been through along the way. And, as our name suggests, we'll also dive into their stories about luck; the good and the bad, and its role in success. Connect @ Linkedin: http://bit.ly/2vFY3Cp Twitter: https://twitter.com/GoodLuckpodcast Socialize @ Facebook: https://www.facebook.com/GoodLuckClubPODCAST Snap @ Instagram: https://www.instagram.com/goodluckclubpodcast If you enjoyed this episode, please share with your friends. Subscribe to The Good Luck Club channel https://bit.ly/2xzfHZS We always reply to comments, so please let us know what you think below! Thanks for watching. ————— About our host Simon Squibb Simon is a serial entrepreneur, angel investor, motivational speaker, and mentor. He has started 17 businesses, invested in over 65, and has mentored hundreds of founders. Having sold his award-winning insight-driven branding and digital agency, Fluid, to PwC, Simon now focuses on inspiring, motivating and guiding both budding and experienced entrepreneurs by sharing his personal experiences, insights, ideas and tips on his website simonsquibb.com and through his social channels. Watch @ YouTube: https://www.youtube.com/simonsquibb Connect @ Linkedin: https://www.linkedin.com/in/simonsquibb/ Invest @ AngelList: https://angel.co/simonsquibb Socialize @ Facebook: https://www.facebook.com/SimonASquibb/ Debate @ Twitter: https://twitter.com/simonsquibb Dance @ TikTok: https//tiktok.com/simonsquibb8 Snap @ Instagram: https://www.instagram.com/simonsquibb/

About Deborah Kan Deborah is an award-winning journalist and media entrepreneur. She spent five years as executive producer of video for the Wall Street Journal where she oversaw the expansion of multi-media throughout Asia. Deborah interviewed many business and political leaders throughout her career, including Google's Eric Schmidt when she broke the story of Google's criticism of the U.S. National Security Agency. She has also covered exclusive stories, including the New York Philharmonic Orchestra's historic trip to North Korea, when she was selected as the only journalist from Asia to cover the story. Deborah is a Young Global Leader of the World Economic Forum. She founded Being Patient after her mom's Alzheimer's disease diagnosis to reinvent how people get accurate information on long-term illness, pioneering a community-driven editorial strategy. When not working, she can be found on a running trail or covering mom duties for her three children. ➜ Connect to Deborah Kan via https://www.beingpatient.com/team/deborah-kan/ ➜ Please leave a comment below, it's like oxygen to get your feedback. ➜ Subscribe: https://www.youtube.com/simonsquibb About GLC The Good Luck Club is a podcast and video series that focuses on the idea that luck is an ingredient that's absolutely necessary in order to have a successful life and business. In each episode of The Good Luck Club we invite an entrepreneur or change-maker to share their journey to success. For most, it's never a straightforward one, and there's much inspiration and learnings in the struggles they've been through along the way. And, as our name suggests, we'll also dive into their stories about luck; the good and the bad, and its role in success. Connect @ Linkedin: http://bit.ly/2vFY3Cp Twitter: https://twitter.com/GoodLuckpodcast Socialize @ Facebook: https://www.facebook.com/GoodLuckClubPODCAST Snap @ Instagram: https://www.instagram.com/goodluckclubpodcast If you enjoyed this episode, please share with your friends. Subscribe to The Good Luck Club channel https://bit.ly/2xzfHZS We always reply to comments, so please let us know what you think below! Thanks for watching. ————— About our host Simon Squibb Simon is a serial entrepreneur, angel investor, motivational speaker, and mentor. He has started 17 businesses, invested in over 65, and has mentored hundreds of founders. Having sold his award-winning insight-driven branding and digital agency, Fluid, to PwC, Simon now focuses on inspiring, motivating and guiding both budding and experienced entrepreneurs by sharing his personal experiences, insights, ideas and tips on his website simonsquibb.com and through his social channels. Watch @ YouTube: https://www.youtube.com/simonsquibb Connect @ Linkedin: https://www.linkedin.com/in/simonsquibb/ Invest @ AngelList: https://angel.co/simonsquibb Socialize @ Facebook: https://www.facebook.com/SimonASquibb/ Debate @ Twitter: https://twitter.com/simonsquibb Dance @ TikTok: https//tiktok.com/simonsquibb8 Snap @ Instagram: https://www.instagram.com/simonsquibb/

On this week's show Kyle's guest is Elayne Jones, a world renown percussionist and the first Black woman in the New York Philharmonic Orchestra. Jones worked with some of the greatest orchestras and conductors of the 20th Century, including Leopold Stokowski and Duke Ellington.

On this week's show Kyle's guest is Elayne Jones, a world renown percussionist and the first Black woman in the New York Philharmonic Orchestra. Jones worked with some of the greatest orchestras and conductors of the 20th Century, including Leopold Stokowski and Duke Ellington.

On this week's show Kyle's guest is Elayne Jones, a world renown percussionist and the first Black woman in the New York Philharmonic Orchestra. Jones worked with some of the greatest orchestras and conductors of the 20th Century, including Leopold Stokowski and Duke Ellington.

Haley Bangs, a native of Colorado Springs, Colorado, is the Second Flute of the Cincinnati Symphony Orchestra. She previously served as Assistant Principal/Second Flute of the Omaha Symphony, and Principal Flute of the United States Navy Band in Washington, D.C. She has also performed with the Chicago Symphony Orchestra, Milwaukee Symphony Orchestra, Rochester Philharmonic Orchestra, Annapolis Symphony, Evansville Philharmonic, New World Symphony Orchestra, and the Colorado and Breckenridge Music Festival Orchestras.In addition to her performing career, Haley is a passionate educator. Her teaching career began as a flute instructor for Holland Music Studios in Rochester, NY in 2008. She also served as a group flute and oboe instructor for the Eastman School of Music’s New Horizons Band. During the summer of 2009, she was a teaching assistant for the Seattle Youth Symphony’s summer music program, the Marrowstone Summer Music Festival. From 2015-2017, Haley was the teaching assistant for the flute studio of Bonita Boyd at the Eastman School of Music, where she taught flute lessons and led studio classes for students of both the Eastman School of Music and University of Rochester. During her doctoral residency at the Eastman School of Music, Haley was a flute instructor for the Eastman Community Music School. She has also served as a teaching artist for the Very Young Composers’ Seminar, an educational program founded by the New York Philharmonic Orchestra.Haley is a doctoral candidate at the Eastman School of Music where she earned her Bachelor of Music Degree in 2009. While performing in the U.S. Navy Band from 2009-2015, she was able to continue her graduate studies at the Catholic University of America and received her Master of Music Degree in 2015. During her free time, Haley can be found taking care of her two dogs, Annie and Daisy, and enjoying the outdoors as much as she can. She is also an avid skier and scuba diver.Support the show (https://thatsnotspit.com/support/)

Als Ersatzmann sprang Leonard Bernstein am 14.11.1943 kurzfristig für den erkrankten Bruno Walter ein. Sein Konzert mit dem New York Philharmonic Orchestra machte ihn schlagartig weltberühmt, der erst 25-Jährige wurde als „Boy Wonder“ der Carnegie Hall gefeiert.

The Waste Land by T.S. Eliot Rhapsodize Audio presents a performance of the Waste Land, a cross-cultural epic first published in 1922, which, with its phantasmagoric reconstruction of language and imagery, still remains one of the most controversial poems ever written. Performed by Caprisha Page, Denis Daly, Alan Weyman. Winston Tharp, Jannie Meisberger, Bob Gonzalez, Carol Box and Jason Mills. Music: The Rite of Spring by Igor Stravinsky, Performed by the New York Philharmonic Orchestra, conducted by the composer. Rhapsodize is a classic poetry performance initiative dedicated to engaging in, encouraging, instructing, guiding, and facilitating rhapsodizing, that is, performing classic poetry. Rhapsodize represents a community and resources for solo and/or group performance and production of live, audio, and video rhapsodies, or programs, concerts, recitals, and vocal collections of classic poetry in the public domain

The legendary Sam Pilafian on Empire Brass, Leonard Bernstein, and life-threatening pedagogy. We talk about his life as a tubist, arranger, composer, educator, performer, producer, and mentor (and countless other descriptors) on our 100th episode. Sam Pilafian is perhaps best known as a founding member of the internationally renowned Empire Brass Quintet (1971-1993). He has also recorded and performed with the Boston Symphony Orchestra, the New York Philharmonic Orchestra, the Orchestra of St. Luke’s, the Metropolitan Opera Orchestra, the Duke Ellington Orchestra, Lionel Hampton, and Pink Floyd among others. His long career has earned him an Emmy for Excellence in Instructional Video Production, the Walt Disney Award for Imagination and Innovation in Design, the Walter Naumberg Chamber Music Award, the Harvard Music Association Prize, the University of Miami’s Distinguished Alumni Award, the Brevard Music Center Distinguished Alumni Award, the Robert Trotter Visiting Professorship at the University of Oregon and the annual Outstanding Teacher Award from Arizona State University. Sam is the co-author, with Patrick Sheridan, of the best selling pedagogy texts and DVD’s “Breathing Gym” and “Brass Gym”. Professor Pilafian previously served for 44 years on the faculties of Boston University, the Tanglewood Institute, Berklee College of Music, Frost School of Music at the University of Miami and is Professor Emeritus at Arizona State University.  In this fun and lively (and tearful) discussion, we cover: The meaning of J Andrew as a student of Sam "Up an octave" story Life-threatening pedagogy The amazing story of Sam's recent battle with cancer Beating 3+ Million to 1 odds How studios turn into family Meeting Lance part 1, Midwest Band and Orchestra Clinic Meeting Lance part 2, Army Band Conference Brass Band of Battle Creek Scott Hartman fruit salad Meeting Andrew, Andrew was 12 at Tanglewood Meeting Andrew, Andrew was 14 at BUTI The amazing array of young players Sam heard, coached and taught at Tanglewood Hearing Michael Sachs as a young player Leonard Bernstein and the beginnings of Empire Brass Oak trees Gunther Schuller, Michael Tilson Thomas, and Bernstein inspiring the beginnings of Empire Brass Gunther Schuller and Eugene Goossens playing name that tune Parallels with the Emerson String Quartet and how that inspired Empire Brass Finding the nucleus in the music Playing bass lines Working onstage with Alvin Ailey Dance Company at the opening of the Kennedy Center (in brown pajamas) Being Bernstein's daughter's bodyguard at the Kennedy Center reception How Empire Brass become a full-time gig Rolf Smedvig's playing A major Empire Brass blowup at Tanglewood witnessed by Andrew in 1993 How Andrew got the gig with Dallas Brass while in a lesson with Sam The line between obnoxious and oblivious Scrapshoot Winning the 1976 Naumburg Chamber Music Prize, the first brass group to do so, leading to being picked up by Columbia Artists The Empire Brass recordings Bernstein "Always go towards growth" Seeing America on tour Learning to talk on stage His teacher, Connie Weldon Coming up in Miami Frederick Fennell encouraging Sam to diversify his career LINKS: Sam's site Want to help the show? Here are some ways: Help others find the show by leaving a rating and review on iTunes. Show us some love on Instagram, Facebook, and Twitter. Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron. Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.) Tell your friends! Expertly produced by Will Houchin with love, care, and enthusiasm.

This was a MOMENT! Technically it's called the MLB ALL-STAR CHARITY CONCERT BENEFITING SANDY RELIEF IN AT CENTRAL PARK but in a nutshell it's Mariah and The NY Philharmonic Orchestra. Both Dan and Martin were there to witness it. Join us we relive this once in a lifetime show.  Get some merch at www.mariahreportstore.com  Support the show at www.patreon.com/themariahreport  Available on iTunes, SoundCloud, Google Play, and Stitcher. Disclaimer: This is a fan podcast and is not affiliated with Mariah Carey or her record label. Subscribe and Rate on iTunes Follow us on Facebook, Twitter, Tumblr, or Instagram @themariahreport #themariahreport mariahreport@gmail.com Graphic Designer: Sean Marks www.seanmarks.com.au Theme song 'Gimmie Your Love' produced by Ereezybeatz Music www.ereezybeatz.com Thank you! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this episode of the Clarineat Podcast I'm joined by the legendary Stanley Drucker, who is of course the former principal clarinetist of The New York Philharmonic Orchestra, a position he held for over 60 years. During his time with the orchestra, Stanley also maintained a busy schedule as a chamber musician and recitalist. He could, of course, be found performing at illustrious venues like Carnegie Hall, but you might be surprised to learn that he also performed quite often at venues such as churches and school auditoriums, places, of course, where you might not expect to find one of the world's greatest musicians. Today, our conversation focuses on this element of Stanley's work, and most notably the release of an exciting new set of CDs called the "Heritage Collection." This collection features live recordings at many different venues recorded over a 30 year span from the early 1970s to mid 2000s. Stanley is joined in performance on this set by world class chamber ensembles such as the Juilliard String Quartet and, of course, his wonderful wife Naomi Drucker who is an accomplished clarinetist in her own right. I'm thrilled to say that Naomi also joins me in conversation for part of today's interview.

Bienvenidos al episodio número 40 de Mi Gato Dinamita, el podcast que te indica qué música te tiene que gustar según tu signo del zodíaco. Duración total: 56:38.00:01-04:19 - Susanette y Guille arrancan el programa comunicándose telefónicamente con Woody Allen, quien se revela (obviamente) como un neurótico antigato.04:20-07:44 - Música: "You Made Me Love You", por Harry James.07:45-16:04 - Seguimos acosando a Woody Allen, esta vez en nuestra faceta de críticos cinematográficos descarnados. Pasamos por Diane Keaton y terminamos en Keanu Reeves (fan de los gatos, parece) y Jorge Porcel, naturalmente. Moraleja: adopte gatitos (?).16:05-17:08 - Música: "It Had To Be You", por Diane Keaton.17:09-21:40 - Música: "You're So Vain" (en vivo), por Carly Simon.21:41-29:34 - Susanette está en contra de las nuevas inclinaciones musicales de Guille y de los rockeros en la tercera edad. Delia se embarca en una cruzada contra una cadena de cafeterías. Alguien cuyo nombre empieza con S se confiesa como fan de Guido Kaczka y alguien cuyo nombre comienza con G revela su pasado como actor de tiras adolescentes.29:35-33:53 - Entintado habla de Art Spiegelman y su obra maestra, Maus.33:54-37:16 - Música: "Float On", por Modest Mouse.37:17-42:05 - Segmento culinario del programa, en donde se discute cómo disfrutar alimentos en mal estado. La charla deriva en una discusión sobre el dengue, por supuesto.42:06-45:39 - Música: "I Can't Get Started", por Oscar Peterson & Lester Young.45:40-54:42 - La licenciada Susanette intenta solucionar los conflictos del director Guille a base de una mezcla extraña de astrología y psicología que, imaginamos, debería estar prohibida. Alguien pierde el control. Todo termina en una sesión de running.54:43-56:38 - Música: "Do, Do, Do (Instrumental)", por New York Philharmonic Orchestra & Zubin Mehta.Ilustramos este episodio, como corresponde, con imágenes alusivas: Woody Allen y un gato; Diane Keaton y Warren Beatty; Keanu Reeves rodeado de gatos; la tapa de Maus; una ilustración de Maus; y Guido Kaczka. Como siempre, podés disfrutar de este episodio online con el reproductor de acá arriba, bajártelo en formato .mp3 haciendo clic en donde dice "Download" o escucharlo en SoundCloud. Si querés suscribirte a este podcast con tu aplicación favorita, buscanos en iTunes o usá nuestro feed RSS.

(Producer Todd is off recording Two Star Symphony’s new album right now (sweet!), so we have unearthed some old gold for you from the vault. Please enjoy this repeat of our class with conductor James Gaffigan. We’ll be back next week with another spankin’ new episode.) Shostakovich’s Symphony No. 5 is dramatic, cinematic, erratic, sarcastic, and full of existential longing – according to Chief Conductor of the Lucerne Symphony Orchestra, James Gaffigan. Why is it important to listen to this symphony, the musical expression of Shostakovich’s depression and anxiety as he lived under Stalin’s thumb? Listen to this episode and find out! Audio production by Todd “Taller than Necessary” Hulslander with inspired napping from Dacia Clay. Music in the episode includes: – Dmitri Shostakovich, Symphony No. 5 in D minor, Op. 47, New York Philharmonic Orchestra led by Leonard Bernstein   To find out more about hilarious comedian Jim Gaffigan, go to a different website. :)

Shostakovich’s Symphony No. 5 is dramatic, cinematic, erratic, sarcastic, and full of existential longing – according to Chief Conductor of the Lucerne Symphony Orchestra, James Gaffigan. Why is it important to listen to this symphony, the musical expression of Shostakovich’s depression and anxiety as he lived under Stalin’s thumb? Listen to this episode and find out! Audio production by Todd “Taller than Necessary” Hulslander with inspired napping from Dacia Clay. Music in the episode includes: – Dmitri Shostakovich, Symphony No. 5 in D minor, Op. 47, New York Philharmonic Orchestra led by Leonard Bernstein PS, I found a really cool article and video on this symphony from PBS’s Keeping Score.  To find out more about conductor James Gaffigan, go to To find out more about hilarious comedian Jim Gaffigan, go to a different website. :)

With Mark Lawson. Josie Rourke, artistic director of the Donmar Warehouse theatre, discusses her choice of first production, the lack of women running theatres despite a plenitude of acclaimed female directors and whether she's brought a woman's eye to the venue's décor. Conductor Alan Gilbert is Music Director of the New York Philharmonic Orchestra, and is the first New York-born musician to hold the post. He reflects on his role, and on the experience of conducting his mother, who is a violinist with the orchestra. In the week that Angelina Jolie's controversial directorial debut was screened in Sarajevo, depicting Serbian atrocities during the Bosnian War, and Sean Penn has accused Britain of colonialism in deploying Prince William to the Falklands, actor Michael Simkins considers whether actors should speak out on political issues. A new exhibition focuses on the creative relationship between the artists Piet Mondrian and Ben Nicholson during the 1930s. Richard Cork reflects on how friendships between artists have influenced both their work and their reputations. Producer Philippa Ritchie.

Deborah Borda's is Chief Executive Officer of the hugely successful Los Angeles Philharmonic. Her career has also spanned a range of the great American institutions, including the New York Philharmonic Orchestra, the Detroit and San Francisco Symphony Orchestras and the St.Paul Chamber Orchestra. She has a reputation of toughness and a creative approach to managing in often difficult circumstances. She talks to Norman Lebrecht about the future of the American symphony orchestra and reveals her approach to dealing with crises that frequently befall arts organisations.

I offer an explaination for the naming of my last podcast. I think if you've listened to it you'll find little disagreement with what I say. Of course, comments are always welcome. In closing, I offer an excerpt from Igor Stravinsky's, "The Rite of Spring" performed by the New York Philharmonic Orchestra under the direction of Zubin Mehta, conductor. Mic: Shure SM7B; Mixer: Mackie DFX6; Recording device: Garageband. Total running time: 43 minutes 27 seconds.