Podcasts about Ludwig van Beethoven

Jeffrey Biegel is a Spectacular Concert Pianist. He's a Grammy winner and has a remarkable back story. At age three he was barely able to hear or speak, in fact he could hear only vibrations, until he had corrective surgery. This so-called 'reverse Beethoven' phenomenon is at the heart of his commitment to music. In 2025 he premiered three new works including one by Melissa Manchester. In 2021 he premiered a work in honor of former Supreme Court Justice Ruth Bader Ginsburg. He's worked with conductors JoAnn Falletta and Lucas Richman.  He received high praise from Leonard Bernstein who called him “a splendid musician and a brilliant performer." And he's performed music by George Gershwin, Duke Ellington, Keith Emerson and Neil Sedaka.My featured song is “New York City Groove”, from the album Made In New York by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH JEFFREY:www.jeffreybiegel.com—----------------------------------------ROBERT'S NEWEST SINGLE:“SUNDAY SLIDE” is Robert's newest single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

For Episode 85, Andrene and Joel talk pets with 1992's “Beethoven”. When George Newton's (Charles Grodin) family convinces him to keep a stray Saint Bernard named Beethoven, his life is upended. However, after Beethoven's life is threatened by a local veterinarian, George realizes he loves the dog and goes to great lengths to save him.

The boys talk about Beethoven (the dog and the musician) and the top selling living artist in the U.S. Plus here about how the opening of Washing Machine Workout Session went and the launch of the GAPO the Clown patreon.www.patreon.com/gapotheclow

Beethoven pushed the symphonic form in a new direction with this heroic work that sounds larger than the sum of its parts. John Banther and Evan Keely show you what to listen for, how it pushed boundaries in 19th-century music, the famous Napoleon dedication, and more!Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

La chronique musique de Bruno Fraitag

Ludwig van Beethoven (1770 - 1827) - Ottetto per fiati in mi bemolle maggiore, op. 1032 oboi, 2 clarinetti, 2 corni, 2 fagotti1.      Allegro2.      Andante3.      Minuetto4.      Finale: PrestoOttetto Italiano

Idag möter vi Gillis Edman, medlem i Betlehemskyrkans församling i Göteborg. Idag tar han sin utgångspunkt i temat längtan. Lyssna på alla avsnitt i Sveriges Radio Play. Ur andakten:Längtan är inre bilder och inre beskrivningar av något vi ännu inte har och kanske inte heller kommer att få. Men själva längtan är en kraft i sig då den som vågar längta också vågar hoppas på den framtid som ännu inte sett dagens ljus. Längtan blir till en inre kraft, en bild av något framtida åtråvärt. Den jordens brukare som sår vill också skörda, en skördefest som jordbrukaren längtar. Konstnären längtar att på den vita duken till ett sammanhang av färger och perspektiv som tillsammans blir till ett budskap från konstnärens hjärta till betraktarens öga på sin väg till dennes hjärta.Andakten sändes första gången 2024.Text:Psaltaren 42:1Musik:Pathetique (Sonat För Piano Nr 8 c-moll Op 13, andra satsen) av Ludwig van Beethoven med Daniel BarenboimProducent:Susanna Némethliv@sverigesradio.se

Send us a textDescriptionForm, Function, and Flourish: The Classical Sonata in 60 Seconds. Take a minute to get the scoop!Fun FactBeethoven's “Moonlight” Sonata wasn't named by him at all—the nickname came years later, when a critic compared its first movement to moonlight on Lake Lucerne. Beethoven might have rolled his eyes, but the title stuck, and today it's one of the most famous (and misinterpreted) sonatas ever written.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.You can FOLLOW ME on Instagram.

Idag möter vi Gillis Edman, medlem i Betlehemskyrkans församling i Göteborg. Han tar sin utgångspunkt i olika sinnestillstånd och inleder veckan med temat glädje och lycka. Lyssna på alla avsnitt i Sveriges Radio Play. Ur andakten:Den största delen av livet är när allt kommer omkring ganska grått, vardagligt och enahanda och så skall det förmodligen vara för livet är mestadels mycket vanliga dagar. Det är därför ögonblick av glädje och lycka är så viktiga. De dagarna skall ta plats, ge energi och forma all den kraften du behöver för ditt liv. Men, hur hittar vi glädjen och lyckan? Det sökandet kan definitivt tidvis kännas övermäktigt. Jag vill tro att ingångsporten heter engagemang, att ta steget för att ta del i en gemenskap i ett sammanhang där jag förunnas möta människor som jag aldrig annars skulle ha mött. I sådana sammanhang uppstår känslor av glädje och lycka.Andakten sändes första gången 2024.Text:Filipperbrevet 4:4-7Musik:Pathetique (Sonat För Piano Nr 8 c-moll Op 13, andra satsen) av Ludwig van Beethoven med Daniel BarenboimProducent:Susanna Némethliv@sverigesradio.se

durée : 00:05:19 - Ode et Désordre à la joie - par : Max Dozolme - A l'occasion de l'Ode2Joy Challenge, un concours européen de reprises de l'Ode à la joie de Beethoven sur les réseaux sociaux, Max Dozolme nous fait découvrir quelques reprises savoureuses de notre autre hymne ! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:00:07 - Vincent Delerm, auteur, compositeur, interprète - par : Priscille Lafitte - D'où Vincent Delerm tient-il son goût pour la chanson ? Pas uniquement de l'écoute de Barbara ou de Divine Comedy, mais aussi du sens de la mélodie qu'il entend chez Haendel, Bach, Beethoven... et Lully, dont la marche pour la cérémonie des turcs a été une source d'inspiration adolescente. - réalisé par : Claire Lagarde Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The Phoenix Symphony opens its 2025-2026 season October 3-5 at Symphony Hall with Dvorak's "New World" Symphony and guest pianist...

Hast du dir schon einmal die Frage gestellt, ob du erfolgreich bist? Viele Mütter, mit denen ich arbeite, antworten darauf spontan mit „eigentlich nicht“. Sie sehen ihre Leistungen im Alltag als selbstverständlich, klein oder nicht erwähnenswert. Dabei übersehen sie oft, wie viel Stärke, Liebe und Wachstum in ihren täglichen Schritten steckt. Wenn wir an Erfolg denken, haben wir schnell Bilder von großen Namen und Zahlen im Kopf: Bücher schreiben, Unternehmen aufbauen, ein makelloses Leben führen. Doch ist das wirklich Erfolg? Oder ist Erfolg vielleicht etwas viel Persönlicheres? In dieser Podcast-Episode nehme ich dich mit auf eine Gedankenreise. Ich erzähle dir von Beethoven und den Gebrüdern Wright, von Elizabeth Gilbert und von den Stürmen, die zum Leben dazugehören. Und ich teile, warum für mich **„der Weg das Ziel ist“** mehr bedeutet als ein Spruch an der Wand – es ist die Essenz von Erfolg.

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutch Logo design by Robbie Mailer Howat robbiemailerhowat Thank you for listening - please do get in touch with any comments!

Die Oper Graz feierte zur Eröffnung der neuen Spielzeit 75 Jahre Grazer Philharmoniker. Vassilis Christopoulos, seit 2013 Chefdirigent, hat für den Termin ein Programm mit Musik von Richard Strauss, Gustav Mahler und Ludwig van Beethoven zusammengestellt. Nach welchen Gesichtspunkten? Seine erste Opernproduktion in dieser Saison ist Verdis Rigoletto Mitte November. Später folgen unter seiner Leitung Alban Bergs Wozzeck und der Rosenkavalier von Richard Strauss. Auf dieses Werk freut sich auch die Solobratschistin Elke Chibidziura sehr. Marion Eigl hat die beiden an ihrem "Arbeitsplatz" in der Oper Graz zum Gespräch getroffen.

Musique classique Jean Perron, Laurent Patenaude et Jean Lecomte Tous les samedis matins, de 9 h à 12 h, L'Accroche-coeur propose aux auditeurs et auditrices férus de découvertes et de musiques rares, plus de 1000 ans de musique, des premiers temps du Moyen-Âge à aujourd'hui.; musiques savantes ou populaires, profanes ou sacrées mettant en vedettes les plus grands artistes capables de mettre en valeurs les oeuvres des Pérotin, Machaut, Dufay, Bach, Vivaldi, Beethoven, Chopin, Debussy, Poulenc, Jarrett et tous ces anonymes dont la postérité n'a retenu que les oeuvres. Le samedi matin, c'est le moment privilégié que CKRL, la radio culturelle de Québec, vous offre pour entendre les plus belles oeuvres de la musique occidentale, celles qui ont fait la meilleure partie de l'humanité. Jean Perron, Laurent Patenaude et Jean Lecomte mettent, tour à tour, leurs connaissances et leur amour de la musique à la portée de tous et toutes. C'est le rendez-vous bien-être de la semaine sur nos ondes.

Ce n'est un secret pour personne, il y a dans la musique de Michel Berger et les histoires qu'il raconte, une infinie mélancolie. Et tous ceux de sa génération qui l'ont vu évoluer et parler à la télé ont ressenti que malgré la réussite artistique et la vie du couple idéalisé qu'il formait avec France Gall, cet homme n'a pas été heureux. Il a connu des joies, nombreuses, mais il n'a pas réussi à se construire un monde achevé, encore moins parfait dans sa tête. Sans doute est-ce ce qui nous a touché le plus dans sa musique.Bien sûr, je vous ai parlé du drame de sa vie avec un père célèbre qui prétexte l'amnésie pour abandonner sa famille. Mais il y a bien plus encore. Regardez Michel jouer du piano : il a tout du concertiste, n'est-ce pas ? Il a sûrement fait le conservatoire. Et bien pas du tout. Non, Michel, quand il suit les cours de piano, à domicile, a bien du mal à se concentrer sur Chopin et Beethoven. Il faut dire que les professeurs ennuyeux ont du mal à rivaliser en cette fin des années cinquante avec cette musique qui vient des Etats-Unis, le rock'n'roll.Pour Michel, comme pour la plupart des jeunes de sa génération, cette musique occupe toute la place dans sa vie. Il passe ainsi des heures à écouter le single  What'd I Say de Ray Charles. Et que dire du grand Jerry Lee Lewis qui, lui, a trouvé comment jouer du piano d'une manière intéressante. Mais voilà, jamais dans sa famille qui vit dans un hôtel particulier avec personnel de maison, où on doit toujours bien se tenir y compris le dimanche, il ne pourrait pas ôter sa cravate, ni monter sur son piano et encore moins, en jouer debout. Non, lui, le seul truc rythmé qu'on l'autorise à jouer, c'est du Gershwin. Mais Michel ne se révolte pas : pas assez de force ni de soutien pour briser la couche formée par les convenances de la haute société et le drame qui pèse sur le noyau familial, autant qu'il ne l'a soudé.Même quand Michel commence à jouer du rock avec deux copains de lycée, aussi guindés que lui, il demeure un Hamburger ou un Haas-Guggenheim selon qu'on lui trouve une ressemblance avec son père ou sa mère.Alors quand avec ses comparses, il se rend à l'audition des disques Pathé-Marconi annoncée par le journal France Soir, Michel a du mal de jouer à être un autre que lui-même. Difficile. Impossible, coincé dans l'uniforme de son école, de faire comme Dick Rivers des Chats Sauvages, ce Niçois de 16 ans, un an de plus que lui, devenu une star et découvert par Jacques Scingland, l'homme devant lequel Michel se tient. Et quand il entend dire cet homme à qui il faut plaire lors de cette audition des idoles de demain : C'est bien, ça, Petit, ce que vous venez de jouer. Tu t'appelles comment ?, Michel n'en croit pas ses oreilles. Comment a-t-il pu déceler dans le jeune bourge qu'il est, qui est loin d'avoir l'insolence d'Eddy Mitchell ni le charisme de Johnny Hallyday, l'attraction qu'il va exercer sur le public et le métier de la chanson ? C'est vrai, quand on vous dit ça, c'est qu'on va vous engager. Mais quelle était sa question déjà ? Ah oui, tu t'appelles comment.Et là, Michel, qui en a assez qu'on lui parle de pommes frites à cause du nom de ce père qu'il ne connaît pas, répond : Berger, Monsieur, je m'appelle Michel Berger.

durée : 00:05:11 - L'œuvre la plus énigmatique de Beethoven - par : Max Dozolme - Max Dozolme se plonge dans l'une des œuvres les plus fascinantes et étranges de Beethoven, donnée ce soir par l'Orchestre Philharmonique de Radio France et le chef Robin Ticciati, en direct de l'Auditorium de Radio France. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

FICHTE, UN IDEALISTA A LA INTEMPERIE. "Como filósofo y como persona, Fichte es honrado, vehemente y directo. Se dirige en linea recta al corazón del hombre buscando sus intuiciones más transparentes, y sus sentimientos más sinceros y profundos". Con estas conmovedoras palabras, LUIS MARTÍNEZ DE VELASCO, profesor colaborador de la Universidad Nacional de Educación a Distancia (UNED), y uno de los mayores expertos actuales en la figura de KANT y en el IDEALISMO ALEMAN, inicia hoy su charla sobre JOHANN GOTTLIEB FICHTE, uno de los pensadores más apasionantes y también más difíciles de explicar y de entender. Y es que, partiendo de Kant, cuando nuestra Razón intenta comprender realidades que están más allá de nuestra experiencia, por ejemplo, el Universo, tropieza irremediablemente, con una serie de contradicciones, a las que este autor denominó ANTINOMIAS de la Razón Pura. Y así, a la hora de explicar o intentar comprender el universo, es decir, la estructura de los fenómenos visibles, se abren dos caminos o perspectivas muy distintas, pero que pueden desarrollarse sin problema cada una a su manera: una más fácil adoptada por un tipo de hombre limitado a aceptar sólo lo que sus temores y esperanzas le empujan a creer (Perspectiva Antropocéntrica), y otra, más arriesgada y difícil, pero también más valiente y honesta, centrada en la Razón o Logos (Perspectiva Logocéntrica) que supera los miedos y las estrecheces del ser humano porque supone un esfuerzo más honrado ya que tiene el valor de enfrentarse a la idea de un universo infinito, superando la subjetividad de los hombres para buscar una definición más objetiva del Universo. Ahora bien, nos advierte Luis, el precio a pagar por adoptar esta postura centrada en la Razón es muy grande, consiste en ser capaz de enfrentarse a la incertidumbre y soportar la sospecha, muy alta, de que quizá, el universo carece de sentido (que es tanto como decir, que la vida, carece de sentido). Y es aquí, en mitad de esta incertidumbre, donde debemos situar el Yo de Fichte, porque sus intuiciones y sentimientos, son los que nos guiarán entre la niebla. De todo esto y de mucho más, nuestro profesor hoy nos hablará. Por otra parte, continuamos narrando los consejos y las enseñanzas del ESTOICISMO, pero ahora a través de la figura de MARCO AURELIO y de su texto MEDITACIONES. Igualmente y como novedad, leeremos y haremos una breve descripción, de las ideas y la obra de MARTHA NUSSBAUM, una de las filósofas actuales más reconocidas y con más prestigio internacional. En concreto, hoy abordaremos fragmentos de su libro "PAISAJES DEL PENSAMIENTO". La melodía que hoy contextualiza a la filosofía, es un directo de los primeros movimientos de la Sonata CLARO DE LUNA, de BEETHOVEN.

One of my favorite things about having Patreon sponsors is that they often suggest the most fascinating pieces and topics for shows. Adrian, who sponsored a show last year, gave me one of my favorite prompts when he suggested looking at works based on literature. Now he's sponsored another episode, this time with an equally compelling idea that I was eager to explore right away. His prompt was: “The evolution of conducting techniques throughout recorded history. How have innovations from great conductors changed how music is performed and understood?” As a conductor, the thought of diving into different recordings of a single piece naturally whets my appetite. But the real reason I was so excited about this episode is that interpretation is, in my view, wildly misunderstood. I've tried to tackle this idea in many different ways, in my episode about the sound of the violin with Soovin Kim and my dad, Donald Weilerstein; in my “What Does Music Mean?” episode; and even in “What Does a Conductor Really Do?” But I've never taken a single piece and focused solely on its interpretation, and on how that interpretation has changed over time. This gives us the chance to dig deeply into what makes an interpretation. So today, I'm going to share a set of recordings of one piece (and don't worry, I'll reveal which one in a moment). I'll talk about what sets them apart, both the obvious differences, like pitch and extremes of tempo, and the more subtle ones, like vibrato, phrasing, and other elements of performance that most listeners aren't trained to notice. So, let's do some exploring together, coming right up, on Sticky Notes.

Miért okozott Sztálinnak csalódást Sosztakovics IX. szimfóniája? Hogy kalandoznak a hangnemek a műben, és hogyan jelenik meg a második világháborúvége benne? Miért kavart vihart Prokofjev II. zongoraversenye a bemutatójakor, és kicsoda írt bele Beethoven társalgási füzeteibe utólag?Sorozatunk legújabb epizódjában Hózsa Zsófia ezúttal Kovács Sándor zenetörténésszel beszélgetett Sir Antonio Pappano és a és a Londoni Szimfonikus Zenekar október 1-i koncertje kapcsán.Hallgassátok szeretettel!

Een Betrouwbare Bronnen-aflevering opgenomen in het Concertgebouw in Amsterdam, samen met het Arethusa Quartet. Een experiment: hoe kun je de identiteit van Betrouwbare Bronnen op een ongebruikelijke, eigenzinnige wijze vertolken? In veel afleveringen van deze podcast klinkt steeds weer door hoe politiek, kunst, tradities, inspiratie, muziek en de macht van heersers toen en nu met elkaar verbonden zijn. En soms grootse, maar vaak fatale prestaties opleveren. In een live-uitvoering vertellen we met de musici van het Arethusa Quartet het verhaal van de grote componist Dmitri Sjostakovitsj (1906 - 1975) in dit herdenkingsjaar. In zijn leven en werk werden zijn strijkkwartetten het ‘intiem, geheim dagboek’, vertelt Daniel Rowland, eerste violist van 'Arethusa'. Zijn muzikaal genie, zijn inspiratie, angsten, wanhoop, liefde, verzet en triomfgevoelens kon hij daarin voluit laten klinken. Jaap Jansen en PG Kroeger verkennen hoe leven, politiek, muziek en noodlot bij Sjostakovitsj samen kwamen. De alles overheersende figuur daarbij - voor de componist ten goede en ten kwade - was Jozef Stalin, de meedogenloze tiran, maar ook kenner en liefhebber van de klassieke muziek waarin Sjostakovitsj zo uitblonk. *** Deze aflevering is mede mogelijk gemaakt door Het Concertgebouw en met donaties van luisteraars die we hiervoor hartelijk danken. Word ook vriend van de show! In het Concertgebouw zijn de komende maanden meerdere Sjostakovitsj-uitvoeringen. Heb je belangstelling om in onze podcast te adverteren of ons te sponsoren? Zend een mailtje naar adverteren@dagennacht.nl en wij zoeken contact. *** Sjostakovitsj begon als jonge ster in een periode dat jeugdig experiment bon ton was in Rusland. Elke grote revolutie had immers zijn Beethoven nodig, dus ook deze rode. In elk repertoire schitterde hij. Zijn filmmuziek sleepte heel de Sovjet-Unie mee, zijn optimistische koren en ballades waren uitermate populair. Tegelijkertijd zag Lenin al hoe machtig film als propagandamiddel kon zijn. Politiek, heerschappij en muziek raakten meteen verstrikt. Stalin werd in 1928 alleenheerser en protegeerde de jonge musicus. Meer en meer werd Sjostakovitsj helder hoezeer privilege en gunsten van de tiran ook een gifpil waren. Het was een vloek. Een kooi met gouden tralies. In 1936 begonnen Stalins moorddadige zuiveringen. Sjostakovitsj werd symbool van die repressie toen zijn bejubelde opera 'Lady Macbeth van Mtsensk' in partijkrant de Pravda veroordeeld werd en hij voor zijn leven vreesde. Daniel Rowland vertelt aangrijpend welke doodsangsten beroemde kunstenaars in deze jaren dag en nacht beleefden. Maar toen Adolf Hitler in juni 1941 Operatie Barbarossa begon had Stalin zijn kunstenaars weer hard nodig. Zij moesten het volk bemoedigen en de grootse cultuur van Rusland naar het westen doen schitteren. Sjostakovitsj deed zijn patriottische plicht. Na de overwinning op Nazi-Duitsland was de stank voor dank van de tiran ongekend. Golven van repressie, hongersnood en een nieuwe zuivering maakten Sjostakovitsj wanhopig. Een nieuwe cultuurcampagne van de paranoïde heerser bracht hem aan de afgrond van leven en dood. Het Arethusa Quartet vertolkt de muziek waarin hij zijn wanhoop en levensmoed durfde te uiten. Stalins dood in 1953 betekende een soort dooi, maar de componist bleef doodsbenauwd en tegelijk moedig voor anderen die vervolgd werden. Nu moest hij de triomfen laten klinken van de Sovjet-Unie als wereldmacht in wording – nu met de Spoetnik-satelliet! Zijn leven kreeg een late zonnegloed door de liefde van en voor zijn Irina. Daniel Rowland vertelt over zijn bijzondere contact met haar en hoe zij het muzikale motto 'pom - pom - pom' voor hem ontraadselde. in 1974 schreef Dmitri Sjostakovitsj zijn laatste strijkkwartet in het besef dat zijn leven voorbij was. Het was zijn eigen requiem voor een bestaan waarin schoonheid, gruwelen en hoop zijn levenslot waren. Het Arethusa Quartet speelt in deze aflevering delen uit strijkkwartetten (bij de tijdstippen moet je 1 à 2 minuten optellen als er advertenties in de aflevering zitten) 00:03:23 – Het openingsdeel van het 8e Strijkkwartet, door Sjostakovitsj 'mijn grafsteen' genoemd. 00:37:11 - Het openingsdeel van het 2e Strijkkwartet uit Sjostakovitsj' jonge jaren als lefgozer van de moderne muziek. 00:59:43 - Het Scherzo uit het 3e Strijkkwartet vol van doodsangsten. 01:18:40 - Het Adagio uit het 4e strijkkwartet dat hij opdroeg aan zijn joodse vrienden en slachtoffers van geweld en vervolging. 01:36:52 – Het voorlaatste deel uit het 8e Strijkkwartet, dat hij de afgrond van zijn leven noemde. 01:59:24 -Het Scherzo uit het 9e Strijkkwartet waarin Sjostakovitsj' muzikale virtuositeit zijn late liefde voor Irina tot uiting bracht. 02:08:14 -Het slot van het 15e Strijkkwartet: “Mijn requiem.” *** Verder lezen Solomon Volkov – De kunstenaar en de tsaar, sovjetcultuur in de jaren ’30 en ’40 (Arbeiderspers, 2003) Solomon Volkov – Getuigenis. Herinneringen van Dmitri Sjostakovitjs (Arbeiderspers, 1979) Simon Sebag Montefiore – Stalin: het hof van de rode tsaar (Spectrum, 2004) Lenin – Over de volksopvoeding (Progres, 1976) Julian Barnes – Het tumult van de tijd (roman) (Atlas Contact, 2016) *** Verder kijken Nationale Opera - Lady Macbeth van Mtsensk olv Mariss Jansons, met oa Eva-Maria Westbroek *** Verder luisteren Stalin en Rusland 354 - Eenzaamheid, machtsstrijd en repressie in het Russische rijk van Poetin, Stalin en tsaar Nicolaas II https://art19.com/shows/betrouwbare-bronnen/episodes/411a9106-9da2-40f5-9f06-9f19aff37246 395 - Winterboeken, met Stephen Kotkins monumentale Stalin-biografie https://art19.com/shows/betrouwbare-bronnen/episodes/8451693e-9bbe-4b87-906b-4a494edfca2e 394 – Honderd jaar na zijn dood: de schrijnende actualiteit van Lenin https://art19.com/shows/betrouwbare-bronnen/episodes/27f967ab-d2e5-496f-83bd-d5d3c1e26413 257 - Het machtige Rusland als mythe: hoe 'speciale militaire operaties' een fiasco werden https://art19.com/shows/betrouwbare-bronnen/episodes/c9bf723e-2e02-4471-99c6-c5410883ce27 258 - De kille vriendschap tussen Rusland en China https://art19.com/shows/betrouwbare-bronnen/episodes/ad5bd584-a93d-4a0a-9d1d-4d1eb6ca3819 58 - 70 jaar China, de Volksrepubliek van Mao, Deng en Xi https://art19.com/shows/betrouwbare-bronnen/episodes/16914bf4-3e63-42a8-a1ff-b561d1c31216 453 – 75 jaar Volksrepubliek China. Stalin wantrouwt Mao. https://art19.com/shows/betrouwbare-bronnen/episodes/2268a339-e0ca-4d2a-85bd-2ec5c4b6a1ca 163 - De ondergang van de Sovjet-Unie: hoe een wereldmacht verdampte https://art19.com/shows/betrouwbare-bronnen/episodes/0b674b5e-f7aa-4606-8b1e-b3340c796f25 Muziek en historie 346 - Alle Menschen werden Brüder! https://art19.com/shows/betrouwbare-bronnen/episodes/1c369825-dd76-463a-abd9-8d522f58e759 498 - Gustav Mahler en zijn tweede stad Amsterdam https://art19.com/shows/betrouwbare-bronnen/episodes/e7f7fa4f-c2db-484b-b3a3-c4a751034c23 373 - Nederland en België: de scheiding die niemand wilde - Hoe een opera België van Nederland afscheurde https://art19.com/shows/betrouwbare-bronnen/episodes/0eb00268-9b56-427c-8687-505a0f69f401 387 - Niets is zó politiek als opera - 100 jaar Maria Callas https://art19.com/shows/betrouwbare-bronnen/episodes/cdff059b-3e0c-4a27-b04e-e1093b8250b2 305 - Andrea Wulf, Hoe rebelse genieën twee eeuwen later nog ons denken, cultuur en politiek beïnvloeden https://art19.com/shows/betrouwbare-bronnen/episodes/9679f995-4a1c-4988-b385-73a882528902 43 - Mozart op het Binnenhof https://art19.com/shows/betrouwbare-bronnen/episodes/2f944a46-f9bf-46cc-bba8-9f0edabde41c 360 - Mar-a-Lago, de plek waar het al 100 jaar gebeurt https://art19.com/shows/betrouwbare-bronnen/episodes/d3a58eb1-086c-4fb6-8688-6d87a37d3925 *** Tijdlijn 00:00:00 – Deel 1 01:12:17 – Deel 2 01:36:29 – Deel 3 02:14:27 – Einde See omnystudio.com/listener for privacy information.

durée : 00:27:41 - Disques de légende du mercredi 24 septembre 2025 - Malgré leur demi-siècle d'écart, ils se sont unis pour enregistrer les plus grands concertos pour violon. Karajan avait découvert Anne-Sophie Mutter dès ses 13 ans, en 1976, et disait qu'elle était « le plus grand talent précoce depuis le jeune Menuhin ». Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Decía el gran violinista JEHUDY MENUHIN que la mùsica es el arte creativo más apasionante. Y lógicamente la historia de la música está llena de curiosidades que son el argumento de este programa: conocer a músicos importantes que. desgraciadamente son desconocidos, comprobar cómo Beethoven está hoy en repertorios de blues, cómo la cantante MADELEINE PEIROUX ha conseguido que más de cien millones de personas hayan escuchado su verisón de una canción de LEONARD COHEN o qué canción dio origen a eso que hoy llamamos nuevo flamenco. Un programa de curiosidades musicales.

On this episode of The Founder's Sandbox, Brenda speaks with Anbern R. Guarrine: a partner of The Guarrine Group (tGG), a global training company based in Illinois. tGG has facilitated team building, leadership, and organizational development workshops around the world for over 30 years. tGG partners with excellent facilitators who help groups have FUN, which is a hallmark of tGG Anbern R. Guarrine calls herself a "Facilitator of Family Play." By facilitating games, she helps participants gain insights about their strengths, their relationships with peers, and how they can use their skills to move forward in their professional and professional lives. As a partner in tGG, Anbern enjoys challenging herself by taking on uninteresting topics and developing them into fun, game-based learning modules. She is Gallup trained in Strengths Coaching and has received the Family Firm Institute (FFI) Certificate in Family Business Advising. She enjoys sharing best practices with professionals of various disciplines and continually grows her understanding of the consulting space. You can find out more at: https://www.theguarrinegroup.com/       Transcript:  00:04 Welcome back to the Founder's Sandbox. I am Brenda McCabe, your host, now in this fourth season  of the Founder's Sandbox podcast. This monthly podcast reaches entrepreneurs, business owners who learn about 00:33 building resilient, purpose-driven, and scalable businesses with great corporate governance. My guests also share this mission and actually working with entrepreneurs and um business owners  to also work on those aspects, each in their own manner. My guests are  founders,  professional service providers, who like me want to use the power of the enterprise, be it small, medium, or large. 01:02 to make change for a better world. Through storytelling with a guest on topics that's gonna touch on their, you know, why they do what they do today. And we are recreating a fun sandbox environment where we can equip one business owner at a time to build a better world. Today, I'm absolutely delighted to have as my guest, Anberne Guarrine. Guarrine? 01:31 Anberne Guarrine. Yes, Anberne Guarrine. um And she is, thank you, Anberne, for joining the podcast today as CEO and founder, the co-founder of the Guarine Group out of Illinois. As the founder sandbox host, Brenda McCabe and blogger, I often have guests who speak about playfulness and innovation. 01:59 And I write about the hidden value  that playfulness brings to innovation and creativity in teams. When Anber was introduced to me by a fellow guest, um she truly brings uh the playfulness that is used in the  business environment to a next level. As facilitator of family play, think listeners. We're team building. 02:27 rubber ducks and beach balls meet second and third generation family business owners. So I am absolutely delighted to have you here today. Thank you, Ann-Bern.  Oh, thanks for having me. I'm so excited.  Fantastic. So  I would love you to share with uh my listeners the origin story. I mean, how did  you use playfulness  in the business environment in a very structured 02:56 manner now you're going on I believe 10 years  with the Guarine group working with family owned businesses. What was the origin? What was that seed that you had in your mind? Thank you. Yeah, so when I was in college undergrad  is psychology and  I learned that I like working with groups. Okay. And so while I was 03:21 you know, doing my day job  of whatever it was that I was doing, I knew that I always gravitated towards doing team buildings and leadership programs. And so  at some point I said, you know what, I should start making this a business. And so the entrepreneurial spirit came in and I created a training company with a friend of mine. And so we were doing team buildings and leadership and communication programs. 03:51 We had corporate groups. We also had  government contracts.  And at some point, it was really all fun. I was doing what I wanted to do, but at some point there was just a tug in the heart, know, in my spirit. I was looking for something more. I was looking for sustainable impact because I was thinking as fun and as wonderful as our experience is with the groups that I was doing. 04:20 I just felt like  there's gotta be something more. There's gotta be more sustainable  impact. And around that time, my business partner's brother  said, you know, I'm going into inheritance planning. I'm thinking maybe my clients need some team building.  And  you know, I know a whole lot about team building and groups. 04:46 I did not know a whole lot about families and especially families who own businesses together. That's  a whole different dynamics. And so my, my business partner and I,  you know,  went through what resources can we get? And we found that there is a group that actually does this  for a living. Yes. They do family business consulting. And so  we both got our certificate for family business advising. 05:15 And then we hit the ground running. um But we cannot shake off our fun activities and our games. We can't shake it off. And so we took it with us in the family boardroom. And that's how I got started. And I still use rubber ducks and beach balls and whatnot. Right. And later on in the interview, you'll talk about what a typical engagement looks like, right, with the Guarani group. 05:45 in which uh you not only touch on  the family use family play, right playfulness, but you also get into kind of the um Constitution of the family. So let's carry on. Let's carry on. You know, what have you found is unique  about the family business experience? Unlike working for the corporates, right?  What is that? I don't know secret sauce. 06:12 that are the uniqueness that you've had to kind of curate your business around? Yeah, so what I found out  is that uh family businesses actually live in three ecosystems, okay, whether they're aware or not, there's the ecosystem of the family. There's the ecosystem of the business. And then there's the ecosystem of  ownership. 06:41 And those three systems have different values. They protect those values differently and they have different goals. So let me explain this. If you think about your family, you think about your objective is to support the growth and development of everyone in the family. Your values are love, unconditional regard, you know, you want everybody to thrive. There's  all of that  social. 07:10 Connections. Yes. When you think about the business experience, you think about people, what are their contributions? How can they help this business grow? We're thinking of keeping the business for the long term. You know, you're making decisions for the long term. And so  you're thinking of profit. You're thinking of growing the company. So those are the values and those are your mindsets, right?  As an owner, oh 07:38 If you are investing in the business, you're thinking of  what's my ROI?  How can I get as much profit in a short period of time? And so those are the values and the objectives. Now, if you think  of all these three circles as not just individual circles, but connected kind of like a Venn diagram. Yes, like a Venn diagram.  A family business is right in the middle of it. 08:04 So you're making decisions, thinking about the family, thinking about ownership, thinking about the business. And  whether you're aware of it or not, you're making the, you have different hats that you're wearing, right? And so what we do as family consultant or consultants to family businesses is we help you kind of untangle that and kind of understand this is my situation and these are my goals for the family, my goals for the business. 08:34 there could be some friction there, but there's also a unity there. And so just the awareness and the appreciation of your unique experience. So uh how do  you, is it typically the CEO, the chairman? um Is it the general counsel? Again, because you're working on uh family wealth um creation,  who is the typical 09:03 uh decision maker that would get engaged with a querying group? So sometimes the people, yeah, no, that's a great question.  Sometimes the people that  make the decision are actually not sometimes not always not the people that have the title. 09:26 So sometimes it is the people that are in the family ecosystem that are not necessarily part of the business or not necessarily owners, but they have a big say in terms of the family dynamics. Interesting. So a confidential mentor is it maybe general counsel, so an outside they're already an outside advisor to the family.  It could be because sometimes when you're very close to the situation,  you 09:54 don't know what you don't know, right? Right, right. Yes. um Sometimes on the rare occasion, there are family leaders who are very in tune to what their family needs and they're constantly looking out, right?  But sometimes there have to be somebody  else that is not currently involved in the day-to-day that says, hey, you might want to have a conversation with this person. Right. 10:24 That makes sense.  Yeah.  Particularly as some family companies evolved to bring in professional management, right? So there are probably many, many aspects or many entry points. All right, you're 10 years into uh the great chlorine group. uh I would love to ask, you know, what are some best practices, right, that you've identified without revealing the names of the businesses? But what have you found to be 10:55 best practices  in, I guess, G2,  G3, right? Yes. um Before I say anything, I want to preface it to say that you see one family business, you just see one family business, so they're not all the same. But there is a thread that is common.  And I'd  like to say three things. So first  is, there is a clear 11:22 and conscious separation  of the family ecosystem and the business ecosystem. And they have two separate government structures. Okay. So for the business, you have your board, have, you know, typically the board would have an independent non-family member that sits on the board.  They have regular meetings that are prepared and scheduled. 11:50 And in the same manner,  the family also has that type of family governance structure. So not as formal as the family board, but you do have what they call a family council. Yes. So it could be a  council of cousins, a council of  siblings, all branches are represented. And this is a way for the family to keep the business of being a family. Right. And so they talk about um 12:19 They talk about uh family gatherings. They talk about traditions.  They talk about, you know, family fun, you know, what do we do,  birthdays and all of that thing. um And so, yeah, so this is, so they're very conscious about keeping the two separate. Yes. So that's the first one. I think the  next um best practice would be that they have a shared purpose. 12:50 They know why are we in business together?  Or why are we hanging out together? What is our what is the legacy that we are leaving in the world? So they have they're very connected to that. And they're, they acknowledge it and they articulate it. And I think that's a great  best practice that I've Yeah, I guess I would call that purpose, right? Purpose. Yes, driven. And it's shared purpose, or purpose. 13:18 And I think the third one would be that they have  a sense of what their values are. Okay.  guides them. And so where their purpose kind of helps them soar and go into the future, their values kind of keep them grounded. Oh, so that they don't just fly away where the wind blows. Does that make sense? It's it does. um I had never it doesn't the at the 13:48 I don't work with family businesses, right? So it's,  I've seen this in very well run  growth companies. They, right? um The shared practice  or the leaving a legacy is typically the founding team, right? Whereas it's a family here.  So I do see a lot of similarities.  And I love your  sharing that values,  it keeps them grounded while the 14:17 shared purpose, right?  Is kind of their long term vision soaring. Yes.  Well, we'll get to meanings of purpose driven later. And I'm certain you'll come back to this. All right. Thank you for sharing that best practices. Now, what does a typical engagement look like? Are you playing all day long?  Or how does play come into how right or  more? um 14:47 Seriously, how would we've already talked about how you may be retained for an engagement, but what would be a typical engagement or typical engagements, right? Depending on the stage  of uh evolution of that, family business. Thank you. Yeah. Yeah. So  we start with finding out what the goals of the family is.  So we talk to individual members. What is it that you want? What are you? 15:14 engaging us for? Are you engaging us for just one day of family fun, which is great?  Are you trying to clarify your values or are you trying to  go deeper dive and create a family constitution? Okay.  And in all of those,  I always lean on my experiential learning background where I take, you know, the the  fun tools, the rubber ducks and the beach balls and the plastic balls. 15:43 sticks  and we play  and I  get everybody to kind of break that ice and forget their hats, know, the  CEO hat or the accounting hat or  whatever hats you have to kind of shed that a little bit and be more human.  And  once we get to that level, then we can talk about,  what are your goals? If your goal is trying to clarify your values, 16:13 what is it when you were playing earlier, how did your value show up? You know,  or when we're talking about a family constitution, we talk about, you know, how do we pass on things from one generation to the next? So when you were passing on the beach ball, how what made it successful? Let's look at that. And are there ways that we can make sure that we do those similar things  as we pass on the baton from  one generation to the next? And,  yeah, and so m 16:43 A typical engagement could be  one day,  we'll do fun and then we'll talk about why does that matter? Okay. Or it could be more deeper dive. And at the end of the day, we have a family constitution that everybody can sign and commit that we can then turn over to their legal counsel to make it more legally binding. Right, right.  So it could be anywhere from three months to six. 17:11 to 12 months, right, depending on the level of engagement and the actual oh whether it's to G2 G3, right, the complexity. Yes. Oh, and these  engagements by  design are probably in person. Okay. Is that correct? They have to be right? Particularly? 17:38 Yeah, so we in the beginning, there's when we're trying to kind of get everybody on board, we could do it online, we could do zoom. But the actual engagement, it will have to be we all have to be breathing the same air. Right?  Yes. Yeah, there's something to be said about sharing the space. There's something to be said about being in the same place. 18:06 being able to touch somebody, being able to hear their laughter real time in the same room. There's just something about that. Yes, that comes from a practitioner's  experience and been  worrying from the worrying group.  And facilitating, I would say good governance and family businesses. 18:32 I just that just occurred to me while we're talking, right? I was so set on playfulness, but also it's really about achieving good corporate governance because you alluded to something here. Well, you know, what does a typical family constitution comprise? What is the comprised of family constitution? Yeah, that's a really good question. So, yeah, so we first off, we define what does family mean to everybody? 18:58 And then we talk about, you know, what are the family practices that we want to keep? So,  um, so that's the, so again, when, when I was talking about the three ecosystems,  the family constitution is meant to kind of  set the stage for governance structures for each of the three ecosystems. Okay. So for the family, what are our values? What are the, what's our legacy? What is our history? 19:27 know, m what is our hopes and dreams for  the family members? Do we have an educational program for, you know, understanding what our history is about? um If there are people that are coming in as married-ins  or in-laws, how do we kind of educate them into our culture? And so that's the family piece.  For the business piece,  we talk about 19:54 What is our hiring process for family members? Do we hire straight out of college? Do they have to have so many years of experience? And then we talk about the tricky things like, okay, do they have  job  evaluation?  Do they have an annual performance reviews? What happens if they don't quite meet the standard? um Can they work directly under their parents? 20:23 know, or their siblings, you know. So, one of these questions that are potential sticky spots, we talk about them ahead of time before  you're actually in that situation and then  all the emotions are wrapped up in  both the brainstorming, trying to figure out the solution, and then you're also in the thick of it. 20:47 So I mentioned the family system, the business system, and then in the ownership system, we talk about things like, do you even have a shareholder's agreement? What happens if somebody wants to sell their shares?  And how do we figure out what the  value of the shares are?  What's the process going to be like? How long will it take? we pay them immediately, or do we want to think about  long term? 21:14 Do the other siblings or the other family members have the right of first refusal?  Can they just share, you know, all these things. Right.  So we talk about those things again, hopefully before you meet the situation, you already have systems in place that allows the family to say, Oh, you know what? We've talked about this. This is our process. This is what we're going to do. Or if we don't have a process. 21:39 then we say, this is our decision-making matrix. This is how we're going to come up with decisions. Because you can't potentially talk about everything. No. There are emotions involved.  Yes. Possibly on a greater scale than in a private company, right?  Yes. so  we recognize that. And so we create systems. How do we make decisions together  if we come up with or if we find ourselves in a situation that we haven't anticipated? 22:10 you know, preparing for your node. Yes, I wonder, you know, why do you continue to have the role of play in your toolkit? Right? Gosh, that's a wonderful question. I see it at the beginning, but do you use it throughout? Just? Yeah. Why is that part of your toolkit? Yes, because it's fun. And, and I, I now say fun, as in both 22:39 F-U-N and also F-U-N-N.  So a friend and colleague of ours,  the late Carl Runke, he  is known, very well known and a  key individual in creating adventure programming.  He coined the term  F-U-N-N, meaning functional understanding, not necessary. Sometimes we do fun things because we have to have fun. 23:09 know, we don't need that said,  my husband in his career as an outdoor education um specialist and director,  he took Carl's idea of FUNM and said, Okay, what if fun has an acronym? And he came up with fundamental universal need. Okay, and he said, it's very basic, as basic as food and water and shelter, the sense of I need to have fun. Like if you look at 23:39 children all over the world, you give them a stick and mud and they're clean, right? And so it's fundamental, it's universal and it's a need.  And  with  neuro-psychology um and all these studies, we now know that FUN is actually a very good tool, not only for brain development for children, but also for neuroplasticity for grownups, right? So if we want to keep our brains fresh, m 24:09 we need to play and it's a need,  right? Right, almost like biological.  And we learn so much better and so much easier when we're in a state of play. So when we're talking about creating a family governance structure,  if the family doesn't know what that is, if the family is not used to having a formal meeting talking about family matters,  it's really hard  to learn that unless you're in a state of 24:38 play.  And so that's the reason why I use play because it brings down the boundaries.  Take the hats off, you know, so you're not formal. You're engaged. You're engaged with your whole body, your whole mind and your soul. Okay, it's easier to learn about the other person and it's easier to learn new skills and new mindsets when you're in a state of play. So yeah, and uh 25:07 I like sharing this story. Einstein  had said when he was, when he gets  stuck in a problem,  he steps away from it and he does something that's not related at all to the problem that he's doing. So sometimes he plays the violin or  he tickers around and he says something about  activating that different part of your brain.  Helps him so that when he goes back, 25:36 and looks at the same problem that he was stuck in, it kind of changes his mindset and he finds different ways to solve that situation. And so if I'm thinking, you know what, if it works for Einstein, it should probably work for us, for ordinary people, right? You heard it here on the founder's sandbox. I love that. You know, I know that quite a few, like mathematicians, scientists, 26:05 even composers, Beethoven like walking, right? Being in nature is an area that foments their creativity. I hadn't thought of that or hadn't heard about the Einstein like stepping away, maybe playing violin, maybe just right doing another activity. Why not play? Why not plenty? Right? Yes. No shame adults. We can increase and improve our neuroplasticity. 26:35 Yes.  Being playful. Yes. Thank you. Can I share with you a story? Yes. So one time I was doing, you know, the typical activities that I was doing.  And  one time a family member in the midst of all the laughter and the like  really big shouts and all of that. And he just said, you know what? I don't remember the last time I played with my siblings.  Oh. 27:03 And this was the time that they got to do that  with their parents. Their parents were all in on the fun. it's like, that is such a gift.  It is such a gift for them to have that experience, but it's a gift, a privilege that I got to see that. And so, yes, it is fun. Wow. Wow. I almost, okay. I got emotional. 27:33 Thank you.  I would like you to have uh this opportunity to provide information  on how to contact you, your group.  This information will be in the show notes. So take it on that, please.  Yeah. Yeah. So our website is the Guarrien group. That's G like George, U-A-R-R-I-N like Nancy. 28:02 Theguarriengroup.com and my email is Anbern, N like Nancy,  B-E-R-N like Nancy at Theguarrienroup.com. That's the best way to get a hold of me. 28:19 But I  like to bring my guests back to my sandbox so we can be playful.  No, seriously, um I am passionate in my own work um with  growth stage companies to provide uh good corporate governance practices while scaling, while finding or increasing the purpose,  and um really 28:48 building that resiliency. And I like to ask each of my guests, you know, what does the term resilience mean to you and your own practice? Yeah. So to me, resilience is like, think of a river that's flowing. Okay.  Even if you put a boulder in front of it, it's going to find its way. It's going to keep going to where it wants to go. Yeah. And to me, that's resilience. Wow. Beautiful. 29:19 and very  visual, I can imagine a boulder and a river. How about purpose driven enterprise? What's purpose driven? ah Purpose driven, I feel like it's our ability to know that our time on this earth is limited.  Okay, we have a role to play. And so  what is my role? And that kind of gives me 29:48 a sense of direction. What am I in this world for?  Wow. 29:59 And that goes for individuals, businesses, families, organizations.  Yeah, I guess you could interchange role with legacy. Yes. Right. Oh, I like that. I like that. Well, you just said it here. And I'm just taking notes. uh And I listen. That's my gift is to my guests.  Final. Well, second to last question, scalable growth. What's scalable? So how can you 30:28 scale those. I imagine you in your daily work, generation two, generation three, that's you think about this a lot. Yes. I think scalable  is creating the right foundation. Okay. So that when  as you grow,  your if your foundation is strong, then you can build on top of it anyway, in any way, however big you want to build. So I feel like scalable growth has to be 30:58 on a good foundation.  You know what you're about.  You're rooted in your values. And so you can grow exponentially. Nice. Last question. Yes. Did you have fun in the sandbox today? Gosh, did talking with you savor or satisfy my fundamental universal need? Yes, it did. And we didn't have to revert to  rubber ducks. 31:27 Right? No rubber ducks.  No. Thank you.  So to my listeners, if you like this episode with Anne-Bern Guarine, sign up for the monthly release where founders,  professional service providers, and business owners  share their experience on how to build with strong corporate governance, resilient, scalable, and purpose-driven companies to make profits for good. 31:55 Signing off for this month. Thank you again, Anne-Bern. It was a true pleasure to have you here. My gosh, I had so much fun. Thank you.    

CONTENT WARNING: Discussion of racism, . Mel Brooks' now-classic Western spoof is as controversial as it is well-regarded. Mel pulled absolutely no punches making this movie, and assembled a writer's room that was willing to push the envelope. The only problem is that Mel is too focused on landing the joke and less attentive to the story. It's funny, because that same year he'd release what may have been his masterpiece, a focused, fantastic parody of classic horror. It's hard to know what to cut here, but he definitely needed to figure out what story to tell. Grab your Gucci saddlebacks as we watch Blazing Saddles on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "Signature / Main Title (Instrumental)" from the film Blazing Saddles, written and composed by John Morris, Max Steiner and Mel Brooks. Copyright 1974 Warner Bros. All Rights Reserved. Excerpts taken from "Blaze of Glory" from the film Young Guns II, written and performed by Jon Bon Jovi. © 1990 Bon Jovi Publishing/PRI Music, Inc. (ASCAP). ℗ © 1990 PolyGram Records, Inc.

In the second half of a special two part conversation, conductor Devin Patrick Hughes speaks with broadcaster and author John Suchet in Part 2 of a special two-part One Symphony series on Beethoven, based on Suchet's new book In Search of Beethoven: A Personal Journey. This episode explores Beethoven's life in Vienna — his patrons, performance venues, and independence as a composer. We also dive into his personal struggles, including his court battle for custody of his nephew Karl and his gradual onset of deafness, described as the “worst fate for a musician.” Through it all, Beethoven's music speaks of resilience and triumph. Suchet reminds us: “If I can overcome what I had, the worst fate that can befall a musician, you too can overcome.” Featured Music Includes: Wolfgang Amadeus Mozart Piano Concerto No 22 in E-flat Major, K. 482 I. Allegro. Performed by the English Chamber Orchestra featuring Murray Perahia on piano. Ludwig van Beethoven composed the rest of the featured music in this episode. Cello Sonata No 3 in A, Op. 69 II. Scherzo (Allego Molto). Performed by Mstislav Rostropovich on cello and Sviatoslav Richter on piano. Symphony No 3 Eroica in E-flat Major, Op. 55. I. Allegro con brio. Performed live by the Swedish Radio Symphony Orchestra conducted by Sergiu Celibidache.  Muzik zu einem Ritterballet (Music for a ballet of Knights), WoO 3. Jagdlied (Hunting Song), 6. Trinklied (Drinking Song), 4. Romanze (Romance). Performed by the Staatskapelle Berlin, conducted by Günther Herbig.  Symphony No 5. I. Allegro con brio. Performed by the Weiner Philharmoniker conducted by Carlos Kleiber.  Sonata No. 29 in B-flat Major, Op. 106 Hammerklavier. IV. Largo allegro resoluto. Performed live by Tatiana Nikolayeva.  Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo Performed by the Berliner Philharmoniker conducted by Herbert von Karajan.  Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Szene am Bach. Andante molto mosso. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan. Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan. Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter, Sturm. Allegro. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan. Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan. Piano Sonata No. 26 in E-flat Major Op. 81a “Les Adiuex” I. Das Lebewohl, Adagio-Allegro. Performed by Tatiana Nikolayeva.  Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 “Moonlight:” III. Presto agitato. Performed by Emil Gilels.  Piano Sonata No. 17 in D minor, Op. 31 No 2. “Tempest”: III. Allegretto. Performed by Alfred Brendel.  Piano Sonata No. 28 in A Major, Op. 101. I. Etwas lebhaft, und mit der innigsten Empfindung. Performed by Emil Gilels.  

durée : 01:29:25 - André Navarra, la puissance et le lyrisme - par : Aurélie Moreau - André Navarra alliait à son immense talent de violoncelliste des qualités de pédagogue exceptionnel. En plus de ses nombreux concerts, il a formé plusieurs générations d'interprètes au XXe siècle. Aujourd'hui : Beethoven, Dvořák, CPE Bach, Schumann… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Music shapes our memories and creates connections across generations, from legendary drummers who defined rock to the venues that launched careers and the songs that withstand time.• John Bonham of Led Zeppelin died September 25, 1980, at age 32• Exploration of the greatest drummers of all time across various lists• Hal Blaine, session drummer extraordinaire, played on over 35,000 songs including hits by The Beach Boys, Simon & Garfunkel, and Frank Sinatra• Cameron Crowe's "Almost Famous" premiered September 22, 2000, drawing from his teenage experiences writing for Rolling Stone• The film features Stillwater, a fictional band incorporating elements from various bands Crowe encountered• "The Odd Couple" premiered on television September 24, 1970, with the "Password" episode remaining a fan favorite• APB live at My Father's Place in Roslyn, New York, a venue crucial in launching careers of bands like Billy Joel and The Police• Camper Van Beethoven's 40th anniversary performance of 'Telephone Free Landslide Victory' at 40 Watt, Athens, GA“Music In My Shoes" where music and memories intertwine.Learn Something New orRemember Something OldVisit our Facebook and Instagram pages and spread the word if you enjoy the podcast. Contact us at musicinmyshoes@gmail.com with your own musical memories.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

Ephesians 6:1-9 The Family Circle (vv. 1-4) The practice The promise The Workplace Circle (vv. 5-9) The respectful employee The regardful employer More to Consider Paul did not condone slavery when urging both slaves and masters to live as responsible Christians; his concern was to change Christians attitudes toward each other. The gospel is opposed to slavery. Where the gospel permeates lives, the institution of slavery will be undermined and abolished. It is worth noting that the first generation of Christians who had been freed from slavery to sin, gladly called themselves slaves of God or of Christ (see 1 Tm 6:1; Phm 16). Paradoxically, this latter slavery is the highest human freedom. Cabal, T., Brand, C. O., Clendenen, E. R., Copan, P., Moreland, J. P., Powell, D. (2007). The Apologetics Study Bible: Real Questions, Straight Answers, Stronger Faith (p. 1770). Holman Bible Publishers. The New Testament emphasizes a voluntary (James 4:7) rather than a forced (Luke 10:17) submission. Submission is appropriate in social roles (as citizen or servant, see Rom. 13:1; Titus 2:9). It is also appropriate in Christian interpersonal relationships. Here the image is one of responsiveness and willingness to yield to one another out of love. Richards, L. O. (1987). The teachers commentary (p. 927). Victor Books. Start Owne Wister, an old college friend of Theodore Roosevelt, was visiting him at the White House. Roosevelt's daughter Alice kept running in and out of the room until Wister finally asked if there wasn't something Roosevelt could do to control her. "Well," said the President, "I can do one of two things. I can be President of the United States or I can control Alice. I cannot possibly do both." Bits Pieces, December 9, 1993, p. 16. A manager and a sales rep stood looking at a map on which colored pins indicated the company representative in each area. "I'm not going to fire you, Wilson," the manager said, "but I'm loosening your pin a bit just to emphasize the insecurity of your situation." Bits Pieces, May 26, 1994, Page 9. The work of a Beethoven, and the work of a charwoman, become spiritual on precisely the same condition, that of being offered to God, of being done humbly "as to the Lord." This does not, of course, mean that it is for anyone a mere toss-up whether he should sweep rooms or compose symphonies. A mole must dig to the glory of God and a cock must crow. C.S. Lewis, The Weight of Glory.

Deborah Prentice became the Vice-Chancellor of the University of Cambridge in 2023.She's the first American to take on the role, and she's leading the university at a challenging time for higher education in the UK, with questions about funding, freedom of expression, student protest, striking academics and even vice-chancellors' pay never far from the headlines.Before Cambridge, she was Provost at Princeton University, and a professor of psychology, where she focused on the social norms that govern human behaviour and the impact of unwritten rules and conventions. And before that, her first degree at Stanford was in Biology and Music.Deborah's music choices include Beethoven, Bach, Mussorgsky and Ravel.

durée : 01:00:04 - Jean-Michel Othoniel, plasticien - par : Priscille Lafitte - Mis à l'honneur dans la ville d'Avignon, le plasticien Jean-Michel Othoniel investit le Palais des Papes de ses formes monumentales en verre soufflé. A son travail répondent les musiques de Philip Glass, Lully, Beethoven, et le geste scénique de Bob Wilson et Peter Sellars. - réalisé par : Claire Lagarde Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Musician and songwriter Joe Stilgoe and Oscar-winning composer and arranger Anne Dudley join Jeffrey Boakye and Anna Phoebe to add the final five tracks of the series, taking us from calypso to K-pop via Beethoven and Brubeck.Add to Playlist returns on 14 November.Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Calypso Queen by Calypso Rose Concrete and Clay by Unit 4 + 2 Piano Concerto in G Major: III (Rondo) by Beethoven Blue Rondo à la Turk by Dave Brubeck Gangnam Style by PsyOther music in this episode:Disco Inferno by The Trammps WHO AM I by Berwyn Abatina by Calypso Rose I Love to Love by Tina Charles Rock the Boat by Hues Corporation Concrete and Clay by Eddie Rambeau Take Five by Dave Brubeck

Novelist and journalist Tom Piazza struck up a friendship with the irreplaceable John Prine in the last years of his life. This relationship, which began as a profile for a magazine, almost blossomed into an autobiography and involved a road trip in an inadvisable vehicle, has resulted in a new book “Living In The Present With John Prine”. Which involves:•⁠ ⁠setting off in a 1977 Coupe De Ville and driving “until the engine burns up”.•⁠ ⁠sitting up all night playing old country songs.•⁠ ⁠remembering how he came to write some of the greatest songs of the last fifty years•⁠ ⁠an evening's swapping stories with Elvis Costello which ends with the alarming word “the jukebox is on fire!”•⁠ ⁠what Prine's last album “The Tree Of Forgiveness” has in common with Beethoven's late quartetsBuy Living In The Present With John Prine: https://amzn.eu/d/9vWv9rgFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Novelist and journalist Tom Piazza struck up a friendship with the irreplaceable John Prine in the last years of his life. This relationship, which began as a profile for a magazine, almost blossomed into an autobiography and involved a road trip in an inadvisable vehicle, has resulted in a new book “Living In The Present With John Prine”. Which involves:•⁠ ⁠setting off in a 1977 Coupe De Ville and driving “until the engine burns up”.•⁠ ⁠sitting up all night playing old country songs.•⁠ ⁠remembering how he came to write some of the greatest songs of the last fifty years•⁠ ⁠an evening's swapping stories with Elvis Costello which ends with the alarming word “the jukebox is on fire!”•⁠ ⁠what Prine's last album “The Tree Of Forgiveness” has in common with Beethoven's late quartetsBuy Living In The Present With John Prine: https://amzn.eu/d/9vWv9rgFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

durée : 01:28:34 - En pistes ! du jeudi 18 septembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Des sonates de Scarlatti et une 9ème symphonie de Beethoven ouvrent notre émission ! Et une fois n'est pas coutume, nous écouterons un peu de comédie musicale avec une nouvelle parution de "My Fair lady" sous la baguette de John Wilson. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:34 - En pistes ! du jeudi 18 septembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Des sonates de Scarlatti et une 9ème symphonie de Beethoven ouvrent notre émission ! Et une fois n'est pas coutume, nous écouterons un peu de comédie musicale avec une nouvelle parution de "My Fair lady" sous la baguette de John Wilson. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Novelist and journalist Tom Piazza struck up a friendship with the irreplaceable John Prine in the last years of his life. This relationship, which began as a profile for a magazine, almost blossomed into an autobiography and involved a road trip in an inadvisable vehicle, has resulted in a new book “Living In The Present With John Prine”. Which involves:•⁠ ⁠setting off in a 1977 Coupe De Ville and driving “until the engine burns up”.•⁠ ⁠sitting up all night playing old country songs.•⁠ ⁠remembering how he came to write some of the greatest songs of the last fifty years•⁠ ⁠an evening's swapping stories with Elvis Costello which ends with the alarming word “the jukebox is on fire!”•⁠ ⁠what Prine's last album “The Tree Of Forgiveness” has in common with Beethoven's late quartetsBuy Living In The Present With John Prine: https://amzn.eu/d/9vWv9rgFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Forms and art are a reflection of several key aspects of society, including the amount of common grace at work in and inherited by a society, and of course the prevalent worldview in the minds of those creating the art. So what should a Christian think about classical music produced by composers like Wagner, Beethoven, Mozart, and Haydn? What does the Bible have to say about forms, and how do the principles of honor, chaos and order, and not eating things offered to idols tie into the discussion?

Think you can play the triangle? Think again! In our biggest episode yet, we explore the big world of percussion with Chris DeChiara. Using composers from Beethoven to Ozzy Osborne, he demonstrates over a dozen instruments and shares insider secrets as to what goes on in the back row. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Jonathan Segel of the mighty Camper Van Beethoven joins us on this week's show as we welcome the band back to Georgia for a special 40th anniversary gig at the 40 Watt

Ecoutez L'oeil de Philippe Caverivière du 11 septembre 2025.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

✦ Atlanta Symphony Orchestra will perform a special one-night-only concert on Friday, September 19, and everything on the program is special. Superstar pianist Lang Lang will be the soloist for Beethoven's Majestic Emperor Concerto, and the internationally acclaimed conductor Gemma New will direct the ASO in two works by Mozart. WABE icon and City Lights Collective member Lois Reitzes recently spoke with New to discuss the exhilarating beauty of Beethoven's and Mozart's work. ✦ City Lights Collective member Shane Harrison spends his days at Arts ATL looking for cultural events to share with readers. He joins us weekly to share highlights, and today his mix includes the world premiere of Atlanta playwright Topher Payne's latest comedy, and four upcoming performances from the Atlanta Ballet at the Cobb Energy Performing Arts Centre. ✦ Atlanta's catching its annual case of mural mania once again with the upcoming Forward Warrior Festival. The all-day creative celebration is this Saturday, September 13, in Cabbagetown. Each year, the walls of Wylie Street, right by the Krog Street Tunnel, are transformed with works of new art. Atlanta artist Peter Ferrari founded the festival, and when he spoke with City Lights Collective co-host Kim Drobes, he discussed both the history and the future of community-driven events. ✦ Visual artist and music enthusiast Kosmo Vinyl bought his first LP when he was nine. He spent the next several decades immersed in music and began his professional career at London's pioneering indie label, "Stiff Records." In 1979, Kosmo started working exclusively with "The Clash," who were once billed as The Only Band That Matters, and stayed by their side until the punk icons disbanded in 1986. Over the years, Kosmo's record collection became legendary. In 2014, he began posting about his favorite releases on social media for his series, "Kosmo's Vinyl of the Week," and he joins us weekly to share the stories behind the records he treasures. Today, he shares the story behind the New Miles Davis Quintet's version of "Just Squeeze Me." ✦ Robert Frost once urged us to "take the road less traveled." Atlanta photographer Geo Gerard chose a different path—riding his bike along every road within the I-285 perimeter. From 2020 to 2022, he documented the journey, capturing everyday moments of awe, joy, and humor. The result is "All the Roads Taken," a new exhibit on view at Gallery 100 through September 25. WABE arts reporter Summer Evans spoke with Gerard about the project. ✦ Have you ever been curious about the people running in groups along the sidewalk or on the sidewalk or along the beltline? Well, City Lights Collective member and WABE Studios intern Oli Turner decided to lace up her sneakers and catch up with some of Atlanta's many run clubs. See omnystudio.com/listener for privacy information.

Music includes: Pomp and Circumstance March #4 by Edward Elgar, Ruins of Athens march by Beethoven, March from the English Folk Song Suite by Ralph Vaughn Williams, the Nutcracker March by Tchaikovsky and the Guadalcanal March by Richard Rodgers and Richard Russel Bennett. Conducors include: Arturo Toscanini, Arthur Fiedler, Thomas Beecham and Henry Wood.   

We've been on a run of serious films, so it was time to mix in a Western comedy. At least, that's what this movie is supposed to be, but this is a comedy without a whole lot of jokes. We have some diverging opinions on this one, mostly coming down to the script, because this should be a much better movie than it is. But you can bet we both agree that James Garner is one of the most charming cutie-pies ever. Make sure to order the bars for the jail while we watch Support Your Local Sheriff! on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpts taken from the main theme to the film Support Your Local Sheriff!, written and composed by Jeff Alexander. Copyright 1969 Metro-Goldwyn-Mayer Studios Inc. All Rights Reserved. Excerpt taken from "Signature / Main Title (Instrumental)" from the film Blazing Saddles, written and composed by John Morris, Max Steiner and Mel Brooks. Copyright 1974 Warner Bros. All Rights Reserved.

This one's a real enigma - is The Man Who Wasn't There a film about the alienation of a man who is deeply closeted and searching for connection in a tightly wound post-war world? Is it about a wife guy who doesn't know how to express his feelings? Is it somehow about how Beethoven was not only deaf but suffered from horrific diarrhea at the end of his life? No? Well, that's Jordan Hoffman's theory! Join us for a very silly episode where we go long on Billy Bob, coin a new term for a Shalhoub appearance, and decide that all Austin-based podcasters are just Salacious B. Crumb. Read Jordan's Article about the collapse of “The Messenger” Subscribe to Jordan's SubStack THE Billy Bob Interview Watch the ITYSL Sketch with the great Biff Wiff Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to America's #1 Daily Podcast,  featuring America's #1 Real Estate Coaches and Top EXP Realty Sponsors in the World, Tim and Julie Harris. Ready to become an EXP Realty Agent and join Tim and Julie Harris?  Visit: https://whylibertas.com/harris or text Tim directly at 512-758-0206. ******************* 2025's Real Estate Rollercoaster: Dodge the Career-Killers with THIS Mastermind!

The Cute Ones are so back, and to ring in a new season - it's Beethoven's 2nd! So get the damn dawgs and cozy up to listen to this episode where Chelsea and Donny talk about unneutered balls, inflation prices on McDonald's breakfasts, what dogs eat, Helen Keller (naturally), and most importantly - five little monkeys jumping on the bed.  Also, trigger warning for this CHILDREN'S MOVIE: SA. To access AD FREE versions of our episodes, as well as bonus episodes and uncut audio and video, subscribe to our Patreon!  If today's episode makes you laugh or scream, please do us a favor and rate our show 5 STARS on Apple or Spotify This is the easiest way for us to grow our community! Get your Cutie MERCH! We're on YOUTUBE! Be sure to subscribe so you don't miss a second of our hijinx - now on video! Follow Us on Social Media! TikTok: cuteonepodcast Chelsea: @ohnochels Donny: @realdonnywood Learn more about your ad choices. Visit megaphone.fm/adchoices