Podcasts about Fuerza Bruta

Ep. 157 – Justin BriggsJustin is the mastermind behind the record label Warthog Speaks and a member of bands such as Desolation, The Hunting Party, and Vacuum.These days, you can find him playing in The Government or at the record store he co-owns in Oakland, California - Moving Records.We talk about getting into hardcore through a tape passed around his high school, his teenage years, living at the Maximum Rock n Roll house, sobriety, opening Moving Records, and more.Warthog Speak just announced pre-orders for the brand-new Fuerza Bruta 10-inch. Go check it out!

Do not forget to follow us and make our community grow

Do not forget to follow us and make our community grow

Un nuevo spin-off exclusivo para repasar la serie completa. Cer0 revisitará la serie de Buffy y luego, en conjunto, la de Angel. Cada domingo un nuevo episodio. Redes y cositas: linktr.ee/obsecine

We review the hotly anticipated Broadway transfer of the latest revival of Hello Dolly, starring Imelda Staunton and Jenna Russell; Fuerza Bruta are back at the Round House with their new show Aven; And we went to see The Bakers Wife, the Stephen Schwartz musical, at The Menier Chocolate Factory, starring Lucy Jones and Clive Rowe. Hosted on Acast. See acast.com/privacy for more information.

Lo prometido es deuda y no podía ser de otra manera, teníamos que continuar con la segunda parte de la charla con Santi Botero, un campeón que en el episodio pasado, nos metía en su mundo y en una faceta que poco conocíamos de él, y que de nuevo en esta segunda entrega seguiremos explorando, descubriendo y rematando con historias que no solo no conocíamos, sino que también nos harán morir de risa. Spoiler: mucho rock y fashionismo, ah, y también tiradera a Víctor Hugo Peña, que seguramente vamos a tener dentro de poco en nuestros micrófonos para que haga su respectiva defensa.

Pasan los años, el tiempo vuela, pero hay cosas que no se trastocan; Santiago Botero, como un roble, se mantiene erguido y apenas se le notan los años, , su contextura permanece fuerte y su mente es un baúl abierto de buenos recuerdos. Hoy los invitamos a una charla amplia (primera parte) pero muy diferente con un ídolo del ciclismo nacional.Esta vez no vamos a repasar a profundidad cada uno de sus logros, que son muchísimos, si no que  vamos a descubrir algunas facetas poco conocidas del único campeón del mundo de contrarreloj que ha tenido Colombia en su larga historia. Como siempre, este podcast es para ustedes. Esperamos que lo disfruten queridos cyclasters.

Hoy en Jessie Cervantes en Exa, el Hombre espectáculo de México, Gil Barrera, nos habla del espectáculo de Fuerza Bruta y lo nuevo de Shakira.See omnystudio.com/listener for privacy information.

Confabulació en comunió col·lectiva. Crítica teatral de l'obra «Fuerza Bruta Wayra». Creació: Diqui James. Producció: Diqui James, Alejandro García, Fabio D'Aquila i Gaby Kerpel. Música de Gaby Kerpel. Direcció: Diqui James. Companyia amb dotze intèrprets. Teatre Cúpula Arenas, Barcelona, 28 febrer 2024. Veu: Andreu Sotorra. Música: White Buffalo. Interpretació: Wayra. Composició: Tradicional. Àlbum: The Dance of Sun (The Best Indian Songs), 2013.

Seguimos aquí, haciendo episodios como si no hubiera un mañana con más pelis, y un cliffhanger!!!

Briana Bowie began her theatrical career as a professional dancer and quickly sharpened her skills as an acrobat and aerialist performing for companies such as Cirque du Soleil, Diavolo Dance Theatre and Fuerza Bruta. Utilizing the skills she has learned over her seventeen-year career, including choreography, direction and production, she has galvanized these techniques and styles to create works for both the stage and camera. Enthusiastically motivated by the art of storytelling, her favorite projects are the ones where she has the opportunity to not only entertain viewers, but also deeply move them.     @theatreartlife Thank you to our sponsor @clear-com The TheatreArtLife Podcast is a branch of our larger TheatreArtLife Community. Come visit us at www.theatreartlife.com

Briana Bowie began her theatrical career as a professional dancer and quickly sharpened her skills as an acrobat and aerialist performing for companies such as Cirque du Soleil, Diavolo Dance Theatre and Fuerza Bruta. Utilizing the skills she has learned over her seventeen-year career, including choreography, direction and production, she has galvanized these techniques and styles to create works for both the stage and camera. Enthusiastically motivated by the art of storytelling, her favorite projects are the ones where she has the opportunity to not only entertain viewers, but also deeply move them.    “ATTENTION SPOTIFY LISTENERS: IF you want to WATCH this with VIDEO, you can also subscribe to our video version: https://open.spotify.com/show/5e9KnBRZdjUTXTvCe6Nrqm?si=6639537c61044396”   @theatreartlife Thank you to our sponsor @clear-com The TheatreArtLife Podcast is a branch of our larger TheatreArtLife Community. Come visit us at www.theatreartlife.com

Fecha de Grabación: Martes 13 de junio de 2023. Algunas noticias y temas comentados: Akira y su tremendo impacto en la narrativa gráfica contemporánea. Las mejores etapas de Swamp Thing (además de la de Alan Moore) Bill Mantlo: ¿Qué le sucedió y cuál es su actual estado de salud? La continuidad ochentera de New Teen Titans y Tales of the Teen Titans. X-Men: ¿Qué son y quiénes son los mutantes omega? ¿Por qué muchas máscaras de héroes ocultan sus ojos? Elencos mal aprovechados en las películas de superhéroes. Además: Edward Laroche, Black Canary and Zatanna: Bloodspell, The Age of Apocalypse, ¡...y mucho más! Comentario de cómics: American Born Chinese, novela gráfica escrita, dibujada, coloreada y rotulada por Gene Luen Yang. (:01 First Second) Comentario de streaming y televisión: The Outlaws (범죄도시 - Ciudad del Crimen), película surcoreana de acción y crimen, dirigida por Kang Yoon-sung, con Ma Dong-seok y Yoon Kye-sang. (B.A. Entertainment) The Roundup (범죄도시2 - Fuerza Bruta), película surcoreana de acción y crimen, dirigida por Lee Sang-yong, con Ma Dong-seok, Son Suk-ku y Choi Gwi-hwa. (B.A. Entertainment/Prime Video) American Born Chinese, serie de fantasía, artes marciales y comedia desarrollada por Kelvin Yu, dirigida por Destin Daniel Cretton, Lucy Liu y otros, con Ben Wang, Jimmy Liu, Sydney Taylor, Daniel Wu, Michelle Yeoh y Ke Huy Quan, entre otros. Basada en la novela gráfica de Gene Luen Yang. (20th Television/Disney+) Pueden escuchar el podcast en este reproductor: Descarga Directa MP3 (Botón derecho del mouse y "guardar enlace como"). Peso: 91.7 MB; Calidad: 128 Kbps. El episodio tiene una duración de 1:39:28, y la canción de cierre es "El frío misterio" de Electrodomésticos. Además de nuestras redes sociales (Twitter, Facebook, Instagram), ahora tenemos una nueva forma de interactuar con nosotros: un servidor en Discord. Es un espacio para compartir recomendaciones, dudas, memes y más, y la conversación gira alrededor de muchos temas además de cómics, y es una forma más inmediata de mantenerse en contacto con Esteban y Alberto. ¡Únete a nuestro servidor en Discord! También tenemos un Patreon. Cada episodio del podcast se publica allí al menos 24 horas antes que en los canales habituales, y realizamos un especial mensual exclusivo para nuestros suscriptores en esa plataforma. Tú también puedes convertirte en uno de nuestros patreoncinadores™ con aportaciones desde 1 dólar, que puede ser cada mes, o por el tiempo que tú lo decidas, incluyendo aportaciones de una sola vez. También puedes encontrar nuestro podcast en los siguientes agregadores y servicios especializados: Comicverso en Spotify Comicverso en iVoox Comicverso en Apple Podcasts Comicverso en Google Podcasts Comicverso en Amazon Music Comicverso en Archive.org Comicverso en I Heart Radio Comicverso en Overcast.fm Comicverso en Pocket Casts Comicverso en RadioPublic Comicverso en CastBox.fm ¿Usas alguna app o servicio que no tiene a Comicverso? En la parte alta de la barra lateral está el feed del podcast, el cual puedes agregar al servicio de tu preferencia. Nos interesa conocer opiniones y críticas para seguir mejorando. Si te gusta nuestro trabajo, por favor ayúdanos compartiendo el enlace a esta entrada, cuéntale a tus amigos sobre nuestro podcast, y recomiéndalo a quien creas que pueda interesarle. Deja tus comentarios o escríbenos directamente a comicverso@gmail.com

Diana Bellessi es sinónimo de poesía argentina. Diana nació en Zavalla, provincia de Santa Fe, Argentina, en 1946. Estudió Filosofía en la Universidad Nacional del Litoral, y entre 1969 y 1975, mochila en la espalda, recorrió a pie el continente. Durante dos años coordinó talleres de escritura en las cárceles de Buenos Aires, experiencia encarnada en el libro ‘Paloma de contrabando' (1988). Ha publicado: ‘Crucero ecuatorial' (1981); ‘Tributo del mudo' (1982); ‘Contéstame, baila mi danza' (1984) (sel. y trad. de poetas norteamericanas contemporáneas); ‘Danzante de doble máscara' (1985); ‘Eroica' (1988); ‘Buena travesía, buena ventura pequeña Uli' (1991); ‘Días de seda' (sel. y trad. de poemas de Ursula K. Le Guin, 1991); ‘El jardín' (1993); ‘Lo propio y lo ajeno' (un libro de reflexiones, 1996); ‘Sur' (1998); ‘Gemelas del sueño' (1998) (con U. K. Le Guin); ‘Mate cocido' (2002); ‘Desnuda y aguda la dulzura de la vida' (AH, 2002) (sel. y trad. de la obra de Sophia de Mello Breyner Andresen); ‘La edad dorada' (que fue reeditado por Caleta Olivia); ‘La rebelión del instante' (AH, 2005); ‘Persecución del sueño' (2006); ‘La penumbra que mira el oro' (2007); ‘La voz en bandolera' (2008); ‘Variaciones de la luz' (2012); ‘Zavalla con Z' (memorias, 2012), ‘Pasos de baile' (AH, 2014) y ‘Fuerte como la muerte es el amor' (AH, 2018) . En 1993 recibió la beca Guggenheim; en 1996 la Beca Trayectoria en las Artes de la Fundación Antorchas; el Diploma al Mérito de la Fundación Konex (2004); en 2007, el premio Trayectoria en poesía del Fondo Nacional de las Artes; en 2010, el Premio Internacional de Poesía “Ciudad de Melilla”, España; y en 2011 el Premio Nacional de Poesía. Adriana Hidalgo publicó ‘Tener lo que se tiene. Poesía reunida' (2009), galardonado con el Premio Fundación El Libro al Mejor Libro Argentino de Creación Literaria de ese año, y acaba de reeditarlo con prólogo de Jorge Monteleone pero en el marco de un proyecto que incluye poemas inéditos y que, en lugar de un volumen, podrían llegar a ser dos. O tres. En la sección En voz alta, ña actriz Débora Zanolli leyó un fragmento de “Aldao” de María Teresa Andruetto. Debora } es egresada del Conservatorio Nacional de Arte Dramático. Se formó también con Javier Daulte, Rafael Spregelburd, Ciro Zorzoli, Marcelo Savignone, Ana Frenkel , entre otros. Fue integrante de las compañías de Fuerza Bruta y De la Guarda con las que realizó giras por Australia, Italia, Portugal, España, Grecia, Turquía y Méjico. Actualmente se la puede ver en la premiada obra “Lo que el río hace” de Maria y Paula Marull en el Teatro San Martín. Y los jueves de junio estrenará "Entre tus siestas " de Brenda Howlin en Dumont 4040. En la sección Mesita de luz el periodista y escritor Alejandro Caravario nos contó que libros está leyendo. Alejandro Caravario nació en Buenos Aires el 13 de agosto de 1963. Publicó las novelas Costumbres de la carne (2002), Palermo (2003), La Presentación (2012) y Librería Palmer (2020. Es autor de la biografía Trinche (2019) y de la comedia Descubrimiento del climaterio. Diario de noviembre (2021). Desde 1985 ejerce el periodismo gráfico. Trabajó durante muchos años en el diario Clarín, fue cofundador de las revistas De Puntín al establishment y Llegás a Buenos Aires. También participó en la publicación deportiva Un Caño. En la actualidad, colabora con la revista digital La Agenda y con elDiarioAR y acaba de publicar por Híbrida editora “Una isla argentina” En la sección Bienvenidos, Hinde habló de “Vías de Extinción”, de Ana López (Mandrágora) y de “Lectores rebeldes”, de Graciela Bialet (La Crujía) y en Libros que sí recomendó “Escritores norteamericanos”, de Ricardo Piglia (Tenemos las máquinas) y “La mujer helada”, de Annie Ernaux (Cabaret Voltaire)

Esta ocasión hablo de “Fuerza Bruta” (película), ¿Que pasa con el “¡Eh… pu+*!” en

En un nuevo Página 13 cargado de cine, Iván Valenzuela conversó con Ascanio Cavallo y Antonio Martínez sobre “Fuerza bruta”, “Lou”, “Earwig”, “Broad Peak”, “El efecto ladrillo” y “Destello bravío”. En tanto, el clásico estuvo dedicado a los 85 años del lanzamiento de la película “Yo, Claudio” (1935).

En un nuevo Página 13 cargado de cine, Iván Valenzuela conversó con Ascanio Cavallo y Antonio Martínez sobre “Fuerza bruta”, “Lou”, “Earwig”, “Broad Peak”, “El efecto ladrillo” y “Destello bravío”. En tanto, el clásico estuvo dedicado a los 85 años del lanzamiento de la película “Yo, Claudio” (1935).

It was a busy 2 weeks for Neil! In ep189 he recounts his adventures going to see Poison Boys (Delilahs), the Meteors (Reggies Music Joint) and Zero Boys (Reggies Rock Club). With music by Poison Boys, The Meteors, Fuerza Bruta, Zero Boys, and Blanks 77.

Pacho O'Donell repasó la historia de circo criollo, el verdadero circo nacido en 1886, con los Hermanos Podestá, con la obra Juan Moreira, por lo que conversó con Gabriel Kerpel, creador de la música de espectáculos teatrales como La Organización Negra, El Descueve, De la Guarda y Fuerza Bruta. En ese sentido, Kerpel habló Fuerza Bruta Wayra, la experiencia de teatro dinámica y de inmersión que se propone quebrar el sometimiento intelectual del lenguaje utilizando todos los medios disponibles para operar eficazmente sobre la sensibilidad del espectador.

El coordinador y cofundador de Fuerza Bruta en Mejor País del Mundo.

Alex and Danielle investigate the case of Fatima's magically missing coffee and Lauren's anger issues. Plus, Dominique and Whitney pair up but still square off in a mini go-see challenge. And, Claire faceplants into the Fuerza Bruta fashion shoot.

Graciela Fernández Meijide, Daniel Pedercini, Marcelo Moreno, Cacho Lemos, Fernando del Priore, Diego Recalde, , Pablo Marchetti y Diego Rivarola nos comparten sus textos elegidos. - ¿Qué entendemos por “Complementariedad”? ¿Y por “Colombina”?, ¿En qué consiste la “Literatura Humoristica”? ¿Cuál es el significa del término “Elipsis”? ¿Qué sorpresiva respuesta obtuvo por parte del público y la prensa la primera obra estrenada de Harold Pinter? Camille Claudel le envía una carta a su hermano Paul, contándole parte del conflictivo final que tuvo su relación con Rodin. ¿Qué clase de relación fue la que cultivaron a lo largo de sus vidas, Truman Capote y Harper Lee? ¿Es un pueblo inventado el Macondo de García Márquez? ¿En qué tipo de literatura era la que se especializaba la escritora Lidya Davis? Descubrimos una singular anécdota que relaciona a Mark Twain con el Cometa Halley ¿Qué sentimientos le despertaban los carnavales a Roberto Arlt? ¿Cuáles fueron las causas que llevaron a Sor Juana Inés de la Cruz a elegir una vida de reclusión? Alicia Kozameh, Franz Kafka, Rodolfo Walsh, Fuerza Bruta, Paul Verlaine, Ambrose Bierce y Alejandro Dumas, nos regalan sus palabras a través de las voces de nuestros locutores.Nos detenemos a pensar las letras de las canciones de artistas como Patty Bravo, Avua, John Lennon y Rosana, entre otros. Y como siempre, escuchamos las voces de nuestros oyentes quienes nos acercan sus propios textos o aquellos que escogieron de otros, para seguir creando este infinito collage sonoro de lecturas compartidas. POESIA 1110: Un espacio para pensar y resonar el acto poético en todas sus formas; la poesía de todas las cosas

¿Estamos en medio de una Guerra Fría en la industria de los videojuegos? Esta semana analizamos la compra millonaria de Microsoft, la primer respuesta de Sony y Nintendo comiendo poporopos. --- Send in a voice message: https://anchor.fm/aftershock/message

Hola Nestor, muchísimas gracias por acceder a esta entrevista. ¿Cómo estás?……………………………….Nestor, ¿Por qué no nos das una pequeña introducción sobre tu experiencia laboral? …………………………………Muchas gracias Nestor,  en este episodio me gustaría abarcar un tema super popular estos días, especialmente durante estas dos últimas semanas.  El Miércoles pasado aprendimos que 1,6 Millones de páginas de WordPress sufrieron ataques con la intención de crear un nuevo usuario no autorizado y el Viernes pasado aprendimos sobre Log4Shell, la vulnerabilidad en Java que pone en peligro a medio internet.Así que no creo que haya un tema más relevante hoy en día en el mundo de la tecnología.  Nestor, ¿Qué es lo que opinas de lo que está pasando esta semana?………………………………………..Bueno pues, imaginemos que tengo un sitio de WordPress y que el miércoles pasado recibí un mensaje de WordPress diciéndome que un usuario nuevo ha sido creado y que yo,  como el administrador, no reconozco el usuario.  Así que entro en mi WordPress y efectivamente tengo un usuario no autorizado con un rol de Administrador.¿Qué es lo primero que debo hacer antes de contactarte?¿Dame una definición sencilla de un WAF?¿Que es un ataque DDos y Fuerza Bruta?¿Qué son las medidas de endurecimiento, o hardening?¿Qué es la Autenticación de Dos Factores, o 2FA?¿Qué es una Copia de Seguridad? y ¿Cómo nos aseguramos que no está corrupta?¿Cuál es tu respuesta a la pregunta de con qué frecuencia debo actualizar mi sitio web teniendo en cuenta que me puede crear problemas de incompatibilidad?¿Cuál es la importancia de elegir un hosting bueno .vs. barato? 

JAMES CALLERI along with his partners Paul Davis and Erica Jensen own Calleri Jensen Davis, a creative casting partnership. They have been awarded 16 Artios Awards for Outstanding Achievement in Casting. James proudly served on the Board of the Casting Society of America for many years. He is an Associate Professor of Theater at Columbia University School of the Arts where he co-heads the Graduate MFA Acting Program. He is the co-author with Robert Cohen of ACTING PROFESSIONALLY: RAW FACTS ABOUT CAREERS IN ACTING published by Palgrave MacMillan, in it's eighth edition it is one of the leading books in the country for young actors. He also runs his studio www.calleristudio.com where he coaches and explores the craft with professional actors. He resides in New York City and Saugerties, New York. Broadway Theater: Broadway credits include the current running Thoughts of a Colored Man and his office will cast the upcoming revival of For Colored Girls…this Spring. Other credits include Burn This starring Adam Driver and Keri Russell, Fool for Love starring Nina Arianda and Sam Rockwell, and Hughie starring Forest Whitaker, The Visit starring Chita Rivera and Roger Rees, Renee Fleming in Living on Love, the Tony winning revival Hedwig & The Angry Inch starring Neil Patrick Harris and Lena Hall, the revival of The Elephant Man starring Bradley Cooper, Patricia Clarkson and Alessandro Nivola which traveled to London's West End as well and Of Mice and Men with James Franco, Chris O'Dowd and Leighton Meester.  Other Favorite Broadway credits include: Venus in Fur with Tony-winner Nina Arianda and Hugh Dancy, 33 Variations starring Jane Fonda, A Raisin in the Sun with Sean Combs, Audra MacDonald, Phylicia Rashad, Chicago with Usher, and James Joyce's The Dead starring Christopher Walken. Off-Broadway includes Ives Lives of Saints and his revival of All in the Timing, Buyer & Cellar, Murder for Two, The Hilltown Plays, Satchmo at the Waldorf, My Name is Asher Lev, the long-running Fuerza Bruta and The Revisionist with Vanessa Redgrave and Jesse Eisenberg.   Most proud of long terms collaborations with : Playwrights Horizons (10 seasons) including such premieres as Betty's Summer Vacation, Lobby Hero, Small Tragedy, Goodnight Children Everywhere, Violet to name a few. Over 10 years with Classic Stage Company- including A Month in the Country with Peter Dinklage & Taylor Schilling, Peter Sarsgaard as Hamlet, Passion, New Jerusalem, Three Sisters, The Cherry Orchard, Uncle Vanya with Maggie Gyllenhaal & Peter Sarsgaard and The Seagull with Dianne Wiest & Alan Cumming. and was Resident Casting Director ... for CSC, Rattlestick Playwrights Theater, Long Wharf Theater, The Flea, Keen Company, Williamstown Theater Festival, and Playwrights Realm. Other: City Theater, Berkeley Rep, Oregon Shakes, Naked Angels, New Georges, stageFARM, Epic Theater Ensemble and many seasons of SPF (Summer Play Festival) and NY Stage & Film Company. Some long running past productions... include Fuerza Bruta, Lobby Hero, The Guys, Fully Committed, Dinah Was, and The Vagina Monologues Nat'l Tour. TV: Love Life for HBO, Dickinson for Apple+, Queens for ABC , NY casting for When They See Us for Netflix, The Path for Hulu, Army Wives, Lipstick Jungle, Z Rock on IFC, the critically acclaimed A Raisin in the Sun on ABC also the hit series Ed, Hope & Faith, and Monk. Film: Beautiful Darkness, I Origins, Emoticon ;), Saint Janet, Another Earth, Refuge, Merchant Ivory's The City of Your Final Destination, Heights, and The White Countess, Yearbook, Lisa Picard is Famous, The Jimmy Show, Ready? OK!, Trouble Every Day, Peter & Vandy and Armless. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Poema: Cecilia Martínez Ruppel Voz y música: Joe Louis

join us as we talk about the spectacle that is Fuerza Bruta!

Podcast de la pasada emisión del 06/06/2021. Volvemos con nuestro programa junto a Agustín Lara, Espartanos del cine, David Larrad de Cinemascomics, y Sergio Reina. Hoy os comentamos Raya y el último Dragón, Nación Cautiva, Muchos hijos, un mono y un castillo, Cruella, Mare os Easttown, El reparto, Krush Groove, Bala Perdida, Fuerza Bruta y mucho más.... Y además un buen puñado de noticias de cine.

En este episodio te invito a reconocer que adentro de ti existe fuerza, peligrosidad y garra... pero tú eliges cómo manejarlo ya sea para edificar o para destruir.Vence tus pasiones y atrévete a entrenar tu mente y cuerpo

Buen viernes, aunque se este ya acabando :)En el episodio de hoy hablamos dle Chip M1 de Apple y que me parece los ultimos acontecimientos surgidos alrededor del mismo. Tambien te doy mi opinion personal sobre los ultimos iMac.Recuerda seguirme en redes sociales: Twitter, Instagram, Stero y Clubhouse como @minchuaviles y aquí te dejo tambien el enlace a mi canal de youtube:https://youtube.com/channel/UCdPsYKJ9JEmC4di_n2BjV0wTambién y conmemorando el dia Star Wars el próximo Marte 4 de Mayo, estoy participando en el Podcast de mis Amigos Manu y Fran, Movie Brothers, donde desgranamos las peliculas de una de las sagas más famosas de la historia. Aquí te dejo el link para que puedas escucharlo:https://apple.co/3t94LZCRecuerda siempre: hay muchas manzanas, pero pocos que sepamos apreciarlas.Feliz fin de Semana y hasta el lunes

Narela es bailarina y actriz, y vivió 8 meses en China como parte de una gira de Fuerza Bruta. Nos cuenta su experiencia de vivir en una ciudad china en la que ella y su staff eran los únicos occidentales.

Fuerza bruta hace referencia un tipo ataque en el que un actor malicioso utiliza distintas técnicas para descubrir la contraseña de un tercero. --- Support this podcast: https://anchor.fm/josrod11/support

Fuerza Bruta Alex Rangel discusses the day he saw Fuerza Bruta. LSD was involved and a gun. Other topics include: -Kenny Ortega -Dave Chappelle -“Pound for Pound” -Usher        

Hannah Brady is a versatile stage performer. Having started as a self-proclaimed "comp kid" in the east coast dance scene, she took every genre of dance class in New York City while starting her professional career in commercials and short films. Soon, she turned her focus towards singing professionally. Through a surprising turn of events, she was offered a contract in China where she created the lead singer role in a cirque production similar to Fuerza Bruta. From there, she became the principal vocalist on Royal Caribbean's first 2 ships in China. Along with those original roles, she crafted the lead singer and emcee "Miss Monet" in the first burlesque show at sea, produced by EPlus Productions. In between ship contracts, Hannah tours Mexico as a bilingual hotel singer and producer. She now lives permanently in Las Vegas, where she teaches dance class and online voice lessons to students of all levels. She plans to use this time as an opportunity to cement herself as a principal singer on the Las Vegas strip. @HannahABrady@MissHannahTheCoachhannahabrady.comVoice Lesson on Booksy  SFX by Zapsplat

This week, we are excited to welcome Marlyn Ortiz to the podcast! A New York native, Marlyn is a dancer, choreographer, and aerialist for the stage and screen as well as functioning as Madonna's personal fitness trainer for several years. We talk about her career-defining roles in De La Guarda, Fuerza Bruta, plus Disney's Tarzan on Broadway, creating fitness regimens for Hard Candy Fitness and what it's like to have danced with Madonna on two of her most enduring tours- Drowned World and Reinvention. You can visit Marlyn's website: marlynortiz.com and you can work up a sweat with her weekly on her Instagram Live work out sessions- @marlynortiz

“Yo creo en la innovación. Yo creo que lo mejor está por venir” – Fernando Moya Fernando Moya es el fundador & CEO de Ozono Producciones. También es uno de los podcasts más notables e inolvidables que he grabado. Mientras estaba en Argentina grabé podcasts con cuatro personas, tres de los cuatro unicornios. Los tres unicornios; Hernan Kazah de Mercado Libre, Guibert Englebienne de Globant y Matias Woloski de Auth0. Fernando Moya fue mi bicho raro (atípico).  Fernando Moya es un pionero del show business en Argentina. Produjo a artistas como Celeste Carballo, Los Twist, Los Abuelos de la Nada, Fabiana Cantilo, Charly García, Calamaro, Divididos, Los Pericos, Mercedes Sosa y a Fito Páez, que incluso lo menciona en uno de sus temas. También estuvo a cargo de las carreras televisivas de Jorge Lanata y Natalia Oreiro.  Ozono Producciones, es una empresa dedicada a la creación, producción y comercialización de experiencias en vivo con formato de exportación y a la producción de eventos internacionales. Shows como Aladin, Soy Luna, School of Rock, Fuerza Bruta, Radio Disney, Paul McCartney y más.  Comencé este podcast como un experimento con siete invitados. Uno de esos invitados fue Sergio Pabón (episodio 4), cofundador de Estéreo Picnic aquí en Colombia. Después de mis siete invitados, no tenía a nadie más en el podcast y pensé que iba a morir. El universo, como a menudo lo hace, te envía un mensaje. Estaba en un momento de necesidad y llegó el mensaje.  Este mensaje me llevó a una conferencia donde encontré a mis próximos 10 invitados. Nueve speakers y el maestro de ceremonias Julio Correal. Julio es un hombre cuya historia está más cerca de la ficción que de la realidad. Es una leyenda por su historia animada sobre Guns N 'Roses hecho por VICE. Puedes verlo en YouTube, escucharlo en el episodio 20 de mi podcast, o mejor aún, ambos. Durante la conferencia, envié un mensaje a Sergio Pabón preguntándole qué pensaba sobre Julio Correal para un posible invitado. Respondió, sin duda, el hombre es una leyenda. Durante mi gira de Endeavor a México, Perú, Chile, Uruguay y Argentina, conversé con algunas de las mentes emprendedoras más destacadas de América Latina. Antes de cada país, investigaría a cada una de las personas de Endeavor a través de la página web de Endeavor. Miré el perfil, LinkedIn, Twitter, sitios web y, por supuesto, google. Luego hice una referencia cruzada con mi contacto en cada país de Endeavor. Al final de este proceso, tendría mi lista. Fernando Moya era diferente. Antes de Julio Correal nunca había oído de Gustavo Cerati y antes de Fernando, nunca había oído de Charly García o Fito Páez. ¿Qué puedo decir? Soy mucho más bruto de lo que la gente piensa. Entonces, le envié un mensaje a Julio preguntándole sobre este tipo, Fernando Moya. Su respuesta, el hombre es una leyenda. De una leyenda a otra leyenda y el resto es historia, literalmente, historia. En este podcast discutimos, un viaje a Londres, el inicio del rock en Argentina, el ascenso de Charly García, un momento en Quito, el poder internacional de un espectáculo sin palabras, y mucho más.Fernando Moya tiene sus raíces en la historia musical y teatral de Argentina, América Latina y el mundo. No había plan ni meta. Había solo y siempre el presente. Durante 146 minutos fui transportado a otro mundo, otro tiempo y otra cultura. Y al igual que este podcast, Fernando Moya es único.   ***Si te gusta el podcast, ¿podrías considerar dejar una breve reseña en Apple Podcasts | iTunes? Es rápido, no duele y hace una gran diferencia para convencer a los futuros invitados y promocionar el podcast.Enlaces importantes:The Frye Show.com con más información, libros, artículos y más...Boletín creativo - 747The Corvus Show - CorvusThe Frye Show LIVE - LIVEThe Frye Show - MembresíaLinkedIn - robbiejfryeTwitter - robbiejfryeInstagram - robbiejfryeFacebook - robbiejfrye★ Support this podcast ★

Rose loves dance and music.  At a young age, she was a cellist in a youth orchestral program at the University of Michigan Ann Arbors’ School of Music, Theatre and Dance.  Professional highlights include:  Radio City Rockette, Off-Broadway and international tours of De La Guarda, Fuerza Bruta, Lady Gaga and 2nd Species, a NYC stunt crew which she co-founded.  Favorite musical moment was being named the first electric cellist to play inside the Vatican under the musical direction of Tom Kurt of St. Jerome’s Music Ministry.  Follow #MallareMusic on Instagram and Facebook.  Onwards & Upwards!

Imagine being cast in a major motion picture, and suddenly having to fight your truth, or at least hide it until you are ready. You fight it, don't want to confront it, and basically avoid it because you have to heal yourself before you can be yourself. Sound familiar. Brian Falduto of "Fancy Pants" fame from the movie School of Rock, had to start hiding and confronting his truth at age 11, in front of the world. Then he realized, his truth is his truth. Now this actor, singer, and life coach, guides others to freely step into their truth without shame. We're kicking off this pre-pride show with a fun and candid conversation about letting healing guide you to your truth to have PRIDE in yourself. Also make sure you stay on the lookout fro Brian's new music video - God Loves Me Too - being released during PRIDE season. About BrianAt the age of 11, Brian was cast alongside Jack Black by casting director Ilene Starger and Golden Globe-winning director Richard Linklater in the Scott Rudin / Paramount Pictures film School of Rock as Billy, a.k.a. (“Fancy Pants”). Brian returned to working on and pursuing his craft in college. A dual-degree graduate in Theatre Performance and Arts Administration, Brian proudly calls himself an alumnus of Wagner College. Since college, Brian has immersed himself back into the industry, working with renowned theatre organizations such as the Broadway PR firm DKC/O&M, the Broadway producing company Jujamcyn Theatres, the regional Paper Mill Playhouse, the Off-Broadway show Fuerza Bruta, the Venus / Adonis Theatre Festival, and the New York International Fringe Festival. He has also taken a dive into the world of radio with various formats including 95.5 WPLJ, 77WABC on the AM dial, and Radio 103.9. However, he is especially proud of the role he had in helping bring country music back to NYC with NASH FM 94.7, the flagship station of the now national and influential NASH brand. Bit by the music industry bug, Brian is now a singer-songwriter himself, delivering heartfelt lyrics through infectious melodies. His debut, acoustic EP, “Love One Another” was released on June 13, 2017 and within 24 hours hit #94 on the US iTunes Singer-Songwriter charts. By the end of the week, it was #64 on this same chart in the UK and #31 for overall album sales on iTunes in Norway. Prior to releasing his 2018 Live Performance Session series on YouTube, Brian spent the majority of 2017 sharing his music live in concert throughout the tri-state area and also devoted some time partnering with various non-profits including The Trevor Project, H.D.S.A. (Huntington’s Disease Society of America), S.A.G.E. (Services & Advocacy for GLBT Elders), and H.E.A.R.T. (Help Educate At Risk Teens Foundation), all causes dear to his heart. Brian was recently named one of the “20 most influential, outspoken, and optimistic individuals on the planet” by PrideLife Magazine in their 20th Anniversary #20intheir20s issue. The past few Pride seasons have brought great opportunities for Brian to continue his advocacy for the LGBTQ community with Broadway Sings for Pride at their 8th & 9th annual star-studded benefit concerts for the Tyler Clementi Foundation & through his own efforts organizing NYC's 1st ever LGBT Songwriter's Night in support of The Trevor Project, a now annual event. Most recently, Brian has had some amazing opportunities to share his life story openly and honestly through both a self-written piece in The Advocate and a heartfelt interview with Now This News, both of which have since gone viral. Brian is the founder of his own life coaching business in compliance with the International Coach Federation standards and is part of the marketing committee for the Gay Coaches Alliance. He also hosts "The Gay Life Coach Podcast," which provides biweekly queer mindfulness content & can be found on Instagram as @thegaylifecoach. Brian’s 1st studio album “Stage Two” dropped at the end of 2018 & featured...

Ouça os destaques do Caderno 2 desta quarta-feira (02/10/19)See omnystudio.com/listener for privacy information.

L.A. and NYC superstar Lux LaCroix joins Viktor Devonne for a sitdown on the Lower East Side. Lux is a choreographer to the stars, and is First Runner Up and Most Dazzling Performer title holder of 2008 Reigning Queen of Burlesque, and was voted one of the best burlesque performers in Los Angeles by TimeOut Magazine. She has a supporting role in the new Love Connie web series from John Cantwell called Connie-Wood; https://www.youtube.com/watch?v=-suIvYJEpGw&list=PLhgFEi9aNUb0ajjdI3MVoNHhGWq-3zglh | We talk pop stars, race, dance, and more. ... topics: a New Yorker that's often exiled in Los Angeles, performing arts kid, dance class, ballet and proper flooring, Laguardia School for Performing Arts, UC Santa Cruz, Angela Davis, getting the hell out, black studies, Howard Law to burlesque, broken bones, SAG/AFTRA, Debbie Allen, choreographer gigs, film community, saying yes and figuring it out, acts and looks, do you think magnets can contain me, freestyle to choreo, retention, acting, stage work, Watch the Throne/Yeezus, troupe relationships, Madonna and Janet, House of Xtravaganza, Mo'nique, stories the NDA allows!, Grammy Awards '09, white musicians who use blackness, problematic faves, Toddrick has bills to pay, tokenism, Kanye, Tina Turner/Diana Ross worship kick, Rosie Perez, Paula Abdul, getting starstruck, lunch with Blake Edwards and Sidney Poitier, who is the next legend, Xtina, the ladies of 90s R&B, Rihanna, unexpected inspiration, Courtney/Britney, very white and very British, people who weren't supposed to die, Michael, Whitney, legacy, longevity, and relevance; Ariana, the bicoastal experience ... shoutouts: Paris Original, Penny Starr Jr, Jeez Loueez, Angie Pontani, Jack Barrow, Broody Valentino, Lillian Bustle, Nasty Canasta, Little Brooklyn, Jonny Porkpie, Calamity Chang, Broadway Brassy, Bastard Keith ... footnotes: the show Viktor couldn't remember where the dancers are above you is Fuerza Bruta; which is now touring in Asia and Europe... since the recording, Beyonce's Lemonade is available on streaming services like Spotify... this interview was before Paula Abdul killed it at the Billboard Music Awards ... recorded: April 18, 2019 ... intro/outro music: "On A 45" This Way to the Egress (http://www.thiswaytotheegress.com) ... used with permission ... download it at: https://www.amazon.com/This-Delicious-Cabaret-Explicit-Egress/dp/B005D1GROO ... interlude music: "Funkeriffic" "Suave Standpipe" (Kevin MacLeod; incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ ... Support us on Patreon at https://www.patreon.com/weburlesque .. see us live: http://www.weburlesque.com/upcoming-shows ... follow us: @weburlesque @viktordevonne on instagram and twitter; Lux LaCroix: https://twitter.com/fierceandfabu & https://www.instagram.com/fierceandfabu + https://www.patreon.com/luxlacroix ... talk to us: https://www.facebook.com/groups/157673948280099

Nuestro Primer invitado a Stage Latino Podcast, nada más y nada menos que Andrés Albornoz. Hoy día Production Manager en Mark Anthony y Garba Music Corp. Sus inicios en los bares Bogotanos por allá en el 94, del combo de «Fuerza de Paz» (Empresa Colombiana precursora en las áreas de logística y producción de eventos y espectáculos). Su primera experiencia internacional fue con Fuerza Bruta como Stage Manager en Taiwan y desde ahí a recorrer el mundo, con todas las anécdotas y experiencias que ello implica, a nivel personal, familiar y profesional. Organización, paciencia, pasión, equipo humano, hambre de conocimiento, madurez mental, sentido común, empatía y buena comunicación… Son las condiciones para ser un Production Manager, en palabras de nuestro invitado. Nuestra conversación ha estado tan amena y enriquecedora que se nos ha agotado el tiempo por hoy, pero continuaremos la próxima semana con Nuestro invitado, primer referente del área de producción. ¡hasta la próxima!

L.A. and NYC superstar Lux LaCroix joins Viktor Devonne for a sitdown on the Lower East Side. Lux is a choreographer to the stars, and is First Runner Up and Most Dazzling Performer title holder of 2008 Reigning Queen of Burlesque, and was voted one of the best burlesque performers in Los Angeles by TimeOut Magazine. She has a supporting role in the new Love Connie web series from John Cantwell called Connie-Wood; https://www.youtube.com/watch?v=-suIvYJEpGw&list=PLhgFEi9aNUb0ajjdI3MVoNHhGWq-3zglh | We talk pop stars, race, dance, and more. ... topics: a New Yorker that's often exiled in Los Angeles, performing arts kid, dance class, ballet and proper flooring, Laguardia School for Performing Arts, UC Santa Cruz, Angela Davis, getting the hell out, black studies, Howard Law to burlesque, broken bones, SAG/AFTRA, Debbie Allen, choreographer gigs, film community, saying yes and figuring it out, acts and looks, do you think magnets can contain me, freestyle to choreo, retention, acting, stage work, Watch the Throne/Yeezus, troupe relationships, Madonna and Janet, House of Xtravaganza, Mo'nique, stories the NDA allows!, Grammy Awards '09, white musicians who use blackness, problematic faves, Toddrick has bills to pay, tokenism, Kanye, Tina Turner/Diana Ross worship kick, Rosie Perez, Paula Abdul, getting starstruck, lunch with Blake Edwards and Sidney Poitier, who is the next legend, Xtina, the ladies of 90s R&B, Rihanna, unexpected inspiration, Courtney/Britney, very white and very British, people who weren't supposed to die, Michael, Whitney, legacy, longevity, and relevance; Ariana, the bicoastal experience ... shoutouts: Paris Original, Penny Starr Jr, Jeez Loueez, Angie Pontani, Jack Barrow, Broody Valentino, Lillian Bustle, Nasty Canasta, Little Brooklyn, Jonny Porkpie, Calamity Chang, Broadway Brassy, Bastard Keith ... footnotes: the show Viktor couldn't remember where the dancers are above you is Fuerza Bruta; which is now touring in Asia and Europe... since the recording, Beyonce's Lemonade is available on streaming services like Spotify... this interview was before Paula Abdul killed it at the Billboard Music Awards ... recorded: April 18, 2019 ... intro/outro music: "On A 45" This Way to the Egress (http://www.thiswaytotheegress.com) ... used with permission ... download it at: https://www.amazon.com/This-Delicious-Cabaret-Explicit-Egress/dp/B005D1GROO ... interlude music: "Funkeriffic" "Suave Standpipe" (Kevin MacLeod; incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ ... Support us on Patreon at https://www.patreon.com/weburlesque .. see us live: http://www.weburlesque.com/upcoming-shows ... follow us: @weburlesque @viktordevonne on instagram and twitter; Lux LaCroix: https://twitter.com/fierceandfabu & https://www.instagram.com/fierceandfabu + https://www.patreon.com/luxlacroix ... talk to us: https://www.facebook.com/groups/157673948280099

El tercer disco de la banda fusión La Yegros se llama "Suelta" y fue producido por King Coya, el alter ego bailable de Gaby Kerpel de De La Guarda y Fuerza Bruta. El álbum de esta banda trotamundos posee una decena de canciones y además contó con la colaboración en la producción de Cabra, el ex Calle 13. Las canciones incluidas en este podcast: “Linda la cumbia”, “Sube la presión”, “Alegría” y “A ver a ver”.

02-04-19 Primero fuerza bruta despues inteligencia by Andres Gutierrez

Hi Friend, Welcome to Episode 38 of Sally’s Performing Arts Lab Podcast Show Notes and Blog. You've got your show. You've got your team. You might even have a few set pieces and costumes. But you have nowhere to perform. Today, I talk venues! I’m your SallyPAL podcast host, Sally Adams. Every week I talk to people about creating original work for a live audience. Send an email anytime to Sally@sallypal.com. Your ideas keep great conversations coming every week. Check out sallypal.com/join for a cool free theatre resource. It’s never too late to sign up to have access to the Creator’s Notebook inserts. I’m interested in knowing what creators need as a performing arts resource. If there are things you want included in the Creator’s Notebook, let me know by sending an email to Sally@sallypal.com! I read them all… Be sure and listen until the end of the interview for Words of Wisdom from George. Finding a venue is one of the trickiest areas for the performing artist. We often think about venues as a place with a stage and lighting and seats for an audience. But there are so many other options. In fact, today it’s even possible to create a virtual venue. But we'll start with bricks and mortar. When looking around for a space where you can invite an audience into an area to see a performance, you need a couple of things: Space to perform, and space for an audience to experience the performance. Traditionally, this is known as seating. But, of course, there are plenty of examples of shows with no actual seats for an audience. This could be anything from bringing their own seats as they would at a performance in a local park, or rave seating like Fuerza Bruta in New York where the audience stands and moves around for the entire show. You’ve probably seen live bands perform for dancing audiences. For now let’s concentrate on the type of show where you're trying to tell a story to an audience and you want the audience to be focused on the story. This could be improv, dance, a play, an opera, you get the idea. When considering venues, there are two important things to consider with a story show: 1) Is the space appropriate to the production’s size? 2) Can every audience member see and hear the performance adequately? Let’s address the first question. “Is the space appropriate to the production’s size?” There are performances where the performers outnumber audience members even when there’s a full house. This happens sometimes with children’s plays and dance recitals. Every family needs a ticket to see the kids perform. This is a pretty good problem to have. If you’re worried about the size of the venue and whether it will be adequate for the size of the audience, look around for local options. Churches and schools who rent auditoriums to large groups for fairly reasonable rates. Museums, libraries, and universities will sometimes fill the gap with large lecture halls and recital spaces. More often than not, the problem isn’t having too big an audience, but having an audience that barely fills the front row. In a space is built for all-school assemblies it’s hard to enjoy a small show. A friend of mine who teaches at a public school in Tulsa, Oklahoma was able to solve this problem. A cavernous auditorium will swallow a small audience of parents and friends. My friend created seating on the actual stage. She then closed the main curtain. This created a space where the audience sat on three sides of a make-shift stage in the center of an enormous main stage. It kept the performance intimate. And the audience was able to enjoy the show without the gulf of separation many older school buildings have. Other solutions include arranging for a show in a large room of someone’s home, or a backyard stage is an option. Many coffee houses and brew pubs have small performance areas. You can often find galleries, and dance studios that will open their doors to a performance group. There are plenty of basement theaters in big cities including New York and Chicago. As a member of an improv troupe I’ve had some great experiences performing in a yoga studio. There are so many options, it’s sometimes a matter of matching the venue to the performance. In 2015, the avant-garde opera company the Industry staged it’s new opera, Hopscotch, in 24 cars on the roads of Los Angeles. Audience members were chauffeured in limos where scenes from the opera took place both in the cars and in parking lots. The company performed 24 live chapters over the course of 90 minutes. Tickets were naturally limited, so cameras and mics in each limo allowed director Yuval Sharon to live-stream the action to a central hub. Using 24 screens in the round, the public could watch the opera for free. Granted, this is a pretty expensive and technically challenging idea. We can start to see options for performances that would allow for unusual venues that enhance, rather than detract from, the performance. Get creative, look around your community. What’s available? What environment enhances your story? I once saw an opera by Henry Mollicone titled, The Face on the Barroom Floor performed in a bar. Bars are noisy, as you can imagine. But like all venues, there are positives and negatives. The second consideration regarding a venue is “Can every audience member see and hear the performance adequately?” This question can be broken down into three parts: 1) Do the site lines allow for every member of the audience to see the show? 2) Is the lighting adequate? 3) Can the audience hear and understand the show? (I mean, of course, can text and lyrics be understood not whether the ideas are too esoteric.) Let’s talk about site lines first. By site lines, I mean: Is there an unobstructed line of site between each member of the audience and the area you want them to see? You might also include consideration for areas you do not want them to see. These include back stage, the mechanics for onstage effects, or the venue’s bathroom door. Check the site lines by parking yourself in various areas where an audience member might sit and actually see things from that perspective. You don’t necessarily have to sit in every seat to determine if site lines are good. But you know that if there’s a pillar in the middle of your seating area, you want to avoid putting someone behind it. This actually happened to me when I saw Dreamgirls on Broadway. I guess a cheaper ticket in this case meant sitting behind the pillar that held up the balcony section. I spent the entire show leaning left and right and getting friendly with my neighbors. You definitely don’t want the audience distracted by things like bathrooms and exit signs. It's really annoying when exit doors open onto brightly lit hallways during a performance. It’s important to give your audience some guidelines. I often say in this podcast that your audience is the final collaborator. Give them parameters so they can be engaged as collaborators. Remind audience members before each performance to turn off cell phones, and thank them for coming. If your audience is new to live theatre, remind them that the actors are also live human beings engaged in telling a story. I’ve seen people take flash photos of dancers leaping and held my breath waiting for the dancers to land safely. Those announcements concerning flash photography are important for many reasons, including your performers’ safety. Once you have site lines and site line distractions managed, make sure the performance area is well-lit. There is a big challenge when setting up for an audience. That is, lighting the show so that the audience can see it. This is where traditional theatre venues have an advantage. Most theatrical spaces are already set up with stage lighting. If not, there are a lot of ways to light a stage from the super cheap to the hyper expensive. If you’re on a tight budget, a church or school venue may have lighting available for you to use on the cheap. they can sometimes even provide a lighting person. You can usually expect to pay your lighting person for rehearsals and performances. There are also companies that rent out lights. And lighting professionals who, for a price, will go to your venue, set up lights, teach you how to operate their lighting system, and retrieve the lights when you're done. Prices vary, but you can go and look at prices online or even talk to someone local about the costs specific to your needs. The lighting for a one man show is usually much less complicated than the lighting for a full cast musical. You might also consider asking organizations if they already have lighting for their venues. Sometimes parks departments have warehouses where they’ve stored lighting for years along with the holiday decorations. Sometimes they may not even know what they have. My husband, George, likes to say, “If you don't ask, you don't get.” So it never hurts to ask if the venue has lighting equipment. Always have the equipment checked out by a knowledgeable person. Fire hazards are real in the theatre world. If you’re working on a shoestring budget, consider a daytime performance in a mall or small park. Another thing you might ask about at a venue is sound equipment. This is a little trickier when you're working on an outdoor stage. Poor sound at an outdoor event can send audiences running for their cars, and it’s tough to adjust for the outdoors. Again, the people who provide your lighting may also have sound equipment. In Tulsa, a sound company I've worked with many times called Lone Wolf Audio provides professional guidance along with top notch equipment. The prices are reasonable, and they won’t make you feel like an idiot when you need to learn how to use the equipment. Matt will talk to you about your show’s sound and make sure you have what you need. Ask around in your community. The best technical people may not be the most expensive. You'll be able to get recommendations just like you do for hotels or doctors. In 2013, my daughter, Emile, put together her first production outside of high school at the Equality Center in Tulsa. The closest thing to a play they had done up to that point was a drag show. They basically gave her a low set price for the venue and set her loose in the small warehouse. She got a good deal from Lone Wolf Audio and Matt, the owner, came to set up her lighting. The space was small enough and the actors were loud enough to be able to perform without sound equipment. After rehearsing the show in our house for a few weeks, she moved the play to the Equality Center Warehouse. There the actors set up the stage and rehearsed for a week before performing for a full house. I hear the Equality Center now has a permanent black box theater. Knowing your space and what you can do in that space can be helpful. Many performance groups have a theatre or studio home where they can perform. But your home venue may not be perfect for every show you produce. If you have a venue available at a price you can afford but your show is not appropriate to that space, consider trading with someone who has a home space perfect for you show. It’s a great way to cross-pollinate your audiences and develop professional contacts and courtesies. We’ve been able to share costumes, sets, equipment, venues and even staff members at various locations. There’s a relatively new type of venue gaining a foothold in the world of live performance and that’s the digital venue. Watching a live performance on a screen has been around since the early days of television when you could watch nearly everything live. There’s something Homeric about the experience of sharing an event performed live. Just ask 103.4 million Super Bowl fans. And while I understand there is a difference between being in the same room with the performers and watching them on a screen, you are, at least, still sharing the moment. A few years ago I downloaded an app called Periscope so I could stop at a truck stop while traveling with my daughter, Emile, and we could watch a scene from her brother, Will’s, play performed live at a New York theatre. The connection was iffy, and the camera work was not great, but it was a thrill to be sitting in the middle of Nevada in a parking lot watching a live New York performance. Today there are options like FaceBook Live, Life On Air, Livestream, Periscope Producer, Roomsapp.live, Snapchat Live Stories, Streamup, Stringwire, Twitter Live, UStream, YouNow, and YouTube Live and especially for live casting theatre, there are Crowdcast and HowlRound. But almost any platform works. Keep in mind, permission is still necessary for live streaming anything or anyone. If you don’t have permission from the creators and performers, you don’t get to live stream or record the show on any platform. I hope this podcast helps to kick start your search for the perfect venue. Speaking of kick start, in addition to places online to find live streaming options, you’ll also find ways to fund your projects. I’ll go into some detail in another episode. But, just as there are uncommon venue options, there are also some funding options to consider when creating your event.  I hope you'll check out the blog, SallyPAL.com, for articles and podcast episodes. You, too, can be a SallyPAL. Sign up for a FREE Creator’s Notebook insert at SallyPAL.com/join.Thank you for following, sharing, subscribing, reviewing, joining, & thank you for listening. Thanks to Hannah for emailing me, it was awesome to hear from you!If you’re downloading and listening on your drive to work, or falling asleep to my Homeric form like my sister does, let me know you’re out there. I want you to pursue your dream and share your stories. Storytelling through plays, dances, music, and other types of performances is the most important thing we do as a culture. That’s why I encourage you to share your stories because you’re the only one with your particular point of view. And SallyPAL is here with resources, encouragement, and a growing community of storytellers. I want to help you tell your stories. All the stories ever expressed once lived only in someone’s imagination… Now… Go find a venue!  

O importante Pantera Negra, o abandonado e resgatado Justiça Jovem, uma nova forma de assistir One Piece, o hipnotizante Com Amor, Van Gogh, o aconchegante A Forma da Água, o esquisito Fuerza Bruta e o novo álbum do Angra, ØMNI.E o que você tem a dizer?Deixe seu feedback acessando o post deste podcast, ou mande um e-mail para contato@jogabilida.deLinks Comentados: Com Amor, Van Gogh: Trailer | Bastidores 1 | Bastidores 2 Veja: Imagens de Homem Duplo Acesse: One Pace Assista: Audição do Aquiles Priester Blocos do Podcast: Filme no Cinema ou em Casa?: 00:01:38 Pantera Negra: 00:13:02 Young Justice: 00:25:33 Com Amor, Van Gogh: 00:36:19 One Piece: 00:42:54 A Forma da Água: 01:11:47 Fuerza Bruta: 01:31:38 Angra - ØMNI: 01:41:18 Trilha do Podcast: “First Crush”, por Saberpulse "Pray For Me", por The Weeknd e Kendrick Lamar "Young Justice Theme", de Young Justice "We Go!", de One Piece "La Javanaise", por Madeleine Peyroux "Magic Mirror", por Angra "Caveman", por Angra

TOKYO ART BLOOM is a program where we invite foreign culture and art creators living in Japan as guests on the show. What kind of TOKYO do these creators who are living far from their origin see and feel?

Album Review Roundtable (April-June 2017). All releases are available on Bandcamp. Thanks to Nic Campa of Otto Mann/Oscar Bait (FMS #66/#62), Adam Kreutzer of The Kreutzer Sonata(FMS #29) and Phil Collins of Change The Rotation (FROM #8) for being our guest panelists this episode. Track listing of featured artists (Format=Band Name 'Name of Album' track featured on episode) 1) Torch The Hive "Such a Wreck" Fool's Gold 2) The Bombats "We Are The Bombats" The Bombats must be destroyed 3) Daisy Glaze "A History Of Human Bliss" A History Of Human Bliss 4) 2Minute Minor "...A Goon's Best Friend" Change my Life 5) Fitness "Puppet Show" Sin Bad 6) Pet Symmetry "Vision" Stare Collection 7) Guardrail "Par At Best" Miserable 8) Fuerza Bruta "Verdugo" Asocial 9) Blystex "Nasty Licks" Un Infierno 10) Shot Fired! Shots Fired! "Calles Sangriento EP" El Emparador Es Naranja 11) Headspins "Burn That Bridge" I Told You So 12) Turn N Fire - "Prone to Making Bad Decisions" Good Intentions 13) Everclear Mimosa - "P.T.A. Suicide Pact" Safe For Moms 14) Sore History - "Sore History" Tongue Honorable Mentions: 1) Knuckleduster - "Everything You Nevr Wanted" 2) Steve Buscemi - "Welcome To Your Party" 3) The Bingers - "Stay Satisfied" 4) Liquids - "Hot Liqs" 5) Young Marshall - "Sad!" 6) Landspeeder - "Hard Merchandise" 7) Heated - "7 Songs" 8) The Rubs - "Impossible Dream LP" 9) Acid Casualty - "Hail Dystopia EP" 10) Racetraitor - "Burn the Idol of the White Messiah" 11) Welcome to Jonestown - "Shut the Punk Up!" 12) The Catburglars - "Bummer E.P." 13) C.H.E.W. - Split w/ Penetrode 14) Scott McGivern - "Where's Jesus?" 15) Bad Mechanics - "You Drink LaCroix" Single 16) Bottle Kids/Crab Legs/Cut Up/Drunk Dial Split 17) Nervous Wreck - "DEMO" 18) Porcupine/Homestand Split 19) Dianetics - "And Psycho Horse" 20) Firecat! - "Firecat! EP" 21) Mace - "LP Promo" 22) The Mizzerables - "No Sleeves" 22) Gear Headed Hippy - "Pitty Party" 23) The Eradicator - "I Am The Eradicator" (Single) 24) Destined - "In Departures" 25) Oedipus Rex & The Mother Fuckers 26) RASH - "Midnight Crooner" 27) Old Man Skate - "EP" 28) Cry Baby Hank - "Instrumentals" 29) Results - "DEMO EP" 30) Rule of Three - "ROT Demo" 31) Stay Asleep - "Stay Asleep" 32) The Desolates - "The Desolates" 33) Horrible - "May 2017" 34) Infinite Knottage - "Government Dystopia Extravaganza" 35) Coronary - "Promised Land" (Single) 36) Law of Keanu - "Gravity" 37) Tigress - "S/T EP" 38) V.O.D. - "P.A.R.A.V.O.I.D." 39) Nude Model - "Double A-side" 40) [redacted] - "First Five Songs' 41) Horrible - "June 2017" 42) Espejos - "Gossip EP" 43) Kicking Queen Victoria - "Softly Now" 44) Wayside Story - "Split EP"

Chamada para trabalho de Direção de Rádio. Locução: Paulo Vita Edição: Felipe Bonifácio

Episode 4: We're mysteriously hungry for crackers, thirsty for new music, high on caffeine but not motivated enough to get this podcast done in a more timely manner.