Podcasts about sweetwater music hall

Celebrating 50 Years+ of Sweetwater Music Hall with Tommy Castro!Tales From The Green Room redux!  In Mount Tam Media's first drop of it's “one from the vault” series of never released episodes -recorded during Sweetwater Music Hall's 50th Anniversary celebration in Nov. 2022 -  host Dennis Strazulo sits down with legendary blues musician, Tommy Castro.  Castro reminisces about his deep connections with the iconic venue, including early gigs, significant milestones, and memorable performances alongside notable musicians like Bonnie Raitt and John Lee Hooker. The conversation also highlights the return of long-time saxophonist Keith Crossan for the anniversary gig and the venue's rich history under the stewardship of Jeanie Patterson and now Maria Hoppe. Tune in for an engaging trip down memory lane and insights into the vibrant music scene at Sweetwater.This timeless episode is released on the day of Tommy Castro & The Painkillers'  return to Sweetwater celebrating their chart topping new album “Closer To The Bone" - proving the star of Castro is also timeless!Follow Tales From The Green Room on InstagramMusicTommy Castro And The Painkillers - Closer To The Bonehttps://www.facebook.com/watch/?v=928828868796614https://tcastro.bandcamp.com/album/closer-to-the-boneLinkshttps://www.tommycastro.com/https://sweetwatermusichall.org/ Social Mediahttps://www.instagram.com/p/DHhcjAPSWEE/?hl=en

The Journey and Legacy of Sweetwater's Uncelebrated Icon - An Interview with the late Austin de LoneIn this interview, which took place in October 2022 before Mount Tam Media launched its Tales From The Green Room podcast, Austin de Lone sits down with host Dennis Strazulo to discuss his rich musical journey and his pivotal involvement with Sweetwater Music Hall, as the venue approached its 50th Anniversary. This is the raw recording of Dennis's visit with Austin for the purpose of writing a feature story on Austin for Mt. Tam Media's Mill Valley Living Magazine to celebrate that event. With Austin's recent passing, the recorded conversation was re-purposed to release as this special podcast episode, honoring Austin's lasting legacy.Moving to Sweetwater in the early 1970s, Austin recounts the creation and rise of his band Eggs Over Easy, their unexpected London ventures working with Chas Chandler (The Animals, Producer and Manager for Jimi Hendrix), recording at the famed Olympics Studio, and the birth of the pub rock scene. He also discusses the transformation of Sweetwater into a cornerstone of the local music scene, brining the venue to national fame as he worked with John Goddard of Village Music and Sweetwater's beloved owner, Jeannie Patterson, highlighting key interactions with notable musicians like Elvis Costello, Nick Lowe and so many more.  The conversation transitions into Austin's personal efforts in starting the Prader-Willi California Foundation in response to his son's condition. This story captures the essence of a musician's enduring influence on his community and provides insight into the historical and emotional layers of Sweetwater's musical heritage.LinksMill Valley Living October 2022 Feature Story on Austin de Lone Sweetwater Music Hall Website - History 

In this episode of Backstage Bay Area, host Steven Roby chats with Emily Turner, bassist and vocalist of the genre-bending trio Free Creatures.  Hailing from Southern Oregon, Free Creatures fuses alt-hip-hop, indie, psych-rock, and EDM to create what they call "the umami of music." Emily shares the band's journey from its unique beginnings on a farm during wildfire season to becoming a powerhouse trio with a sound that defies boundaries. From the upright bass to the MPC beats and left-handed guitar magic, this band is as eclectic as it is innovative. We also explore the stories behind fan-favorite tracks like “Inviting You In” and “Get It Done,” their upcoming vinyl release of While We Can, and their exciting plans for 2025, including live album recordings and new collaborations.  Plus, get a sneak peek at what to expect at their December 12th show at the Sweetwater Music Hall in Mill Valley—a holiday dance party that promises shopping, secret guest musicians, and pure Free Creatures magic. Guest Information: Emily Turner Role: Upright Bassist and Vocalist for Free Creatures Website: www.freecreaturesmusic.com Facebook: Free Creatures Music Instagram: @free.creatures Call-To-Action: Don't miss Free Creatures at the Sweetwater Music Hall on December 12th! Doors open at 7:00 PM, and the show kicks off with Mill Valley's Maggie Trevers at 8:00 PM. Get your tickets now: Sweetwater Music Hall Tickets. Support the podcast by subscribing on YouTube and Apple Podcasts. Stay tuned for more artist interviews and behind-the-scenes music stories! Podcast Playlist: “Inviting You In” “Oregon Knights” “Get It Done” Essential Episode Takeaways: Free Creatures blends various genres to create a uniquely captivating sound. Their music often originates from deep collaboration, improvisation, and their connection to the Pacific Northwest's nature and culture. Upcoming plans include a new album recorded live and exciting collaborations with artists like Dirtwire and Kuf Knotz. Don't miss their special show at Sweetwater Music Hall, featuring local flair, holiday vibes, and exclusive vinyl releases. Suggested Hashtags: #FreeCreatures #BackstageBayArea #SweetwaterMusicHall #WhileWeCan #UmamiOfMusic #IndieMusic #LiveMusic #HolidayDanceParty

In this episode of 'Tales from the Green Room,' we welcome the band Spafford in the green room at Sweetwater Music Hall in Mill Valley, CA to discuss their origins, musical influences, and journey. The conversation covers the genesis of their unique band name, evolving from 'Officious Tortfeasor' to 'Spafford,' inspired by a close friend. Members, Brian Moss, Nick Tkachyk, Corey Schechtman, and Shon Gordon share personal anecdotes about their musical backgrounds, influences from legends like the Grateful Dead, and their approach to blending multiple genres seamlessly. They also delve into their experiences with sobriety on tour, maintaining family lives, and the significance of performing at iconic venues like Sweetwater. Additionally, the band reflects on their growth and success, largely credited to their dedicated fan community, the Spaffnerds, and serendipitous opportunities that propelled them into the national spotlight. All the while, hosts Dennis Strazulo and Tami Larson marvel at their first experience listening to the band and becoming instant fans!LinksSpafford Official Website Spafford - Mad World (Tears For Fears) | 1/14/24 | Pembroke, MA Sweetwater Music Hall 

Music News: Pink Floyd and Joni MitchellIn this episode of the Deadhead Cannabis Show, Larry Mishkin reflects on the intersection of music and cannabis in the wake of the recent elections. He delves into the Grateful Dead's legacy, highlighting a notable performance from 1973, and explores the lyrical depth of 'To Lay Me Down.' The conversation also touches on music news, including Pink Floyd's 'Dark Side of the Moon' and Joni Mitchell's recent birthday. The episode concludes with a discussion on recent research indicating that cannabis may serve as a substitute for more dangerous substances. This conversation explores the complex relationship between cannabis use and substance consumption among young adults, the implications of Florida's failed marijuana legalization initiative, and the potential of cannabis as a harm reduction tool for opioid use. It also highlights popular cannabis strains and their effects, alongside a cultural reflection on the Grateful Dead's music. Chapters00:00 Post-Election Reflections: Music and Cannabis08:29 The Grateful Dead's Musical Legacy14:48 Exploring the Lyrics: To Lay Me Down21:59 Music News: Pink Floyd and Joni Mitchell37:06 Weather Report Suite: A Musical Journey43:10 Second Set Highlights: Mississippi Half-Step and Beyond49:36 Marijuana Research: Substitution Effects51:24 Cannabis Use Among Young Adults56:13 Florida's Marijuana Legalization Initiative01:05:01 Cannabis as a Tool for Opioid Harm Reduction01:11:10 Strains of the Week and Cannabis Culture Larry's Notes:Grateful DeadNovember 11, 1973 (51 years ago)Winterland ArenaSan Francisco, CAGrateful Dead Live at Winterland Arena on 1973-11-11 : Free Borrow & Streaming : Internet Archive Happy Veteran's Day  A very famous show from a very famous year.  Many feel 1973 was the peak of the band's post psychedelic era.  Certainly right up there with 1977 as top years for the band, even by November they were still in full stride during a three night run at Winterland, this being the third and final night of the run.  In 2008 the Dead released the box set:  “Winterland 1973: The complete recordings” featuring shows from Nov. 9, 10 and 11, 1973.  This was the Dead's second “complete recordings” release featuring all of the nights of a single run. The first was “Fillmore West, 1969, the Complete Recordings” from Feb. 27, 28 and March 1 and 2 (IMHO the best collection of live music ever released by the band).  The band later released a follow up, Winterland 1977: The Complete Recordings a three night run June 7, 8 and 9, 1977 that is also an outstanding box set. Today's show has a 16 song first set, a six song second set and a three song encore, a true rarity for a Dead show of any era (other than NYE shows). The second set consists of ½ Step, Big River, Dark Star with MLBJ, Eyes of the World, China Doll and Sugar Magnolia and is as well played as any set ever played by the band.  They were on fire for these three days.  A great collection of music and killer three night run for those lucky enough to have snagged a ticket for any or all of the nights. Patrick Carr wrote in the NY Times that: “The Dead had learned how to conceive and perform a music which often induced something closely akin to the psychedelic experience; they were and are experts in the art and science of showing people another world, or a temporary altering (raising) of world consciousness.  It sounds pseudomystical pretentious perhaps, but the fact is that it happens and it is intentional.”  INTRO:                                 Promised Land                (show opener into Bertha/Greatest Story/Sugaree/Black Throated Wind)                                                Track #1                                                0 – 2:10 "Promised Land" is a song lyric written by Chuck Berry to the melody of "Wabash Cannonball", an American folk song. The song was first recorded in this version by Berry in 1964 for his album St. Louis to Liverpool. Released in December 1964, it was Berry's fourth single issued following his prison term for a Mann Act conviction. The record peaked at #41 in the Billboard charts on January 16, 1965. Berry wrote the song while in prison, and borrowed an atlas from the prison library to plot the itinerary. In the lyrics, the singer (who refers to himself as "the poor boy") tells of his journey from Norfolk, Virginia, to the "Promised Land", Los Angeles, California, mentioning various cities in Southern states that he passes through on his journey. Describing himself as a "poor boy," the protagonist boards a Greyhound bus in Norfolk, Virginia that passes Raleigh, N.C., stops in Charlotte, North Carolina, and bypasses Rock Hill, South Carolina. The bus rolls out of Atlanta but breaks down, leaving him stranded in downtown Birmingham, Alabama. He then takes a train "across Mississippi clean" to New Orleans. From there, he goes to Houston, where "the people there who care a bit about me" buy him a silk suit, luggage and a plane ticket to Los Angeles. Upon landing in Los Angeles, he calls Norfolk, Virginia ("Tidewater four, ten-oh-nine") to tell the folks back home he made it to the "promised land." The lyric: "Swing low, sweet chariot, come down easy/Taxi to the terminal zone" refers to the gospel lyric: "Swing low, sweet Chariot, coming for to carry me Home" since both refer to a common destination, "The Promised Land," which in this case is California, reportedly a heaven on earth. Billboard called the song a "true blue Berry rocker with plenty of get up and go," adding that "rinky piano and wailing Berry electric guitar fills all in neatly."[2]Cash Box described it as "a 'pull-out-all-the-stops' rocker that Chuck pounds out solid sales authority" and "a real mover that should head out for hit territory in no time flat."[3] In 2021, it was listed at No. 342 on Rolling Stone's "Top 500 Greatest Songs of All Time". Apparently played by the Warlocks and the Grateful Dead in their earliest days, Bob Weir started playing this with the Dead in 1971, and it remained a regular right through to the band's last show ever in 1995.  Among those deeply touched by Chuck's genius were Jerry Garcia and the Grateful Dead. They often paid homage to Chuck by weaving his songs into their performances, breathing new life into his timeless melodies. "Promised Land," with its relentless drive, became an anthem of journey and aspiration. Their electrifying renditions of "Johnny B. Goode" were not mere covers but jubilant celebrations of a narrative that resonated with the dreamer in all of us. The Grateful Dead's performances of "Around and Around" echoed Chuck's mastery of capturing life's cyclical rhythms—a dance of beginnings and endings, joy and sorrow. And when they took on "Run Rudolph Run," they infused the festive classic with their own psychedelic flair, bridging the gap between tradition and innovation. A moment etched in musical history was when Chuck Berry shared the stage with the Grateful Dead during their induction into the Rock and Roll Hall of Fame in 1994. The air was thick with reverence and electricity—a meeting of titans where the past, present, and future of rock converged in harmonious resonance. Again, in May 1995, Chuck opened for the Grateful Dead in Portland, Oregon. It was a night where legends collided, and the music swirled like a tempest, leaving a lasting impression on all who were fortunate enough to witness it. This version really rocks out.  I especially love Keith's piano which is featured prominently in this clip. Played:  430 timesFirst:  May 28, 1971 at Winterland Arena, San Francisco, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, IL, USA  SHOW No. 1:                    To Lay Me Down  (out of Black Throated Wind/into El Paso/Ramble On Rose/Me and Bobby McGee                                                Track #6                                                2:21 – 4:20 David Dodd:  “To Lay Me Down” is one of the magical trio of lyrics composed in a single afternoon in 1970 in London, “over a half-bottle of retsina,” according to Robert Hunter. The other two were “Ripple” and “Brokedown Palace.” Well, first—wouldn't we all like to have a day like that! And, second—what unites these three lyrics, aside from the fact that they were all written on the same day? Hunter wrote, in his foreword to The Complete Annotated Grateful Dead Lyrics:”And I wrote reams of bad songs, bitching about everything under the sun, which I kept to myself: Cast not thy swines before pearls. And once in a while something would sort of pop out of nowhere. The sunny London afternoon I wrote ‘Brokedown Palace,' ‘To Lay Me Down,' and ‘Ripple,' all keepers, was in no way typical, but it remains in my mind as the personal quintessence of the union between writer and Muse, a promising past and bright future prospects melding into one great glowing apocatastasis.” “‘To Lay me Down' was written a while before the others [on the Garcia album], on the same day as the lyrics to ‘Brokedown Palace' and ‘Ripple'—the second day of my first visit to England. I found myself left alone in Alan Trists's flat on Devonshire Terrace in West Kensington, with a supply of very nice thick linen paper, sun shining brightly through the window, a bottle of Greek Retsina wine at my elbow. The songs flowed like molten gold onto the page and stand as written. The images for ‘To Lay Me Down' were inspired at Hampstead Heath (the original title to the song) the day before—lying on the grass and clover on a day of swallowtailed clouds, across from Jack Straw's Castle [a pub, now closed and converted into flats--dd], reunited with the girlfriend of my youth, after a long separation.” Garcia's setting for the words is, like his music for those other two songs, perfect. The three-quarter time (notated as having a nine-eight feel), coupled with the gospel style of the melody and chords, makes for a dreamy, beauty-soaked song. I heard it on the radio today (yes, on the radio, yes, today—and no, not on a Grateful Dead Hour, but just in the course of regular programming), and it struck me that it was a gorgeous vehicle for Garcia's voice. By which I mean: for that strongly emotive, sweet but not sappy, rough but not unschooled instrument that was Garcia's alone. I have started to think that my usual recitation of where a song was first played, where it was last played, and where it was recorded by the band borders on pointless. All that info is readily available. What's interesting about the performance history of “To Lay Me Down” is that it was dropped from the rotation for more than 200 shows three times, and that its final performance, in 1992, came 125 shows after the penultimate one. The reappearance of the song, in the 1980 acoustic shows, came nearly six years after the previous performances in 1974. “Ripple” had a similar pattern, reappearing in those 1980 acoustic sets after 550 performances, or nearly ten years. Of the magical trio from that day of molten gold in West Kensington, “Brokedown Palace” had the most solid place in the Dead's performance rotation, with only one huge gap in its appearances—165 shows between 1977 and 1979. So, in terms of story, what can be discerned? The short version, for me: even if it's just for a day, even if it's just once more, even if it's just one last time—it's worth it. It's golden. It's home. This version is really great to listen to.  Jerry's voice is still so young and strong.  And the group singing works really well.  Jerry's also kills it with his lead guitar jamming. Released on “Garcia” in 1972 Played:  64 timesFirst:  July 30, 1970 at The Matrix, San Francisco, CA, USALast: June 28, 1992 at Deer Creek Music Center, Noblesville, IN, USA MUSIC NEWS:                                                           Music Intro:                       Brain Damage                                                                                    Pink Floyd                                                                                    Pink Floyd - Brain Damage (2023 Remaster)                                                                                    0:00 – 1:47             "Brain Damage" is the ninth track[nb 1] from English rock band Pink Floyd's 1973 album The Dark Side of the Moon.[2][3] It was sung on record by Roger Waters (with harmonies by David Gilmour), who would continue to sing it on his solo tours. Gilmour sang the lead vocal when Pink Floyd performed it live on their 1994 tour (as can be heard on Pulse). The band originally called this track "Lunatic" during live performances and recording sessions. "Brain Damage" was released as a digital single on 19 January 2023 to promote The Dark Side of the Moon 50th Anniversary box set.[4]             The uncredited manic laughter is that of Pink Floyd's then-road manager, Peter Watts.             The Dark Side of the Moon is the eighth studio album by the English rock band Pink Floyd, released on 1 March 1973, by Harvest Records in the UK and Capitol Records in the US. Developed during live performances before recording began, it was conceived as a concept album that would focus on the pressures faced by the band during their arduous lifestyle, and also deal with the mental health problems of the former band member Syd Barrett, who had departed the group in 1968. New material was recorded in two sessions in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London.             The Dark Side of the Moon is among the most critically acclaimed albums and often features in professional listings of the greatest of all time. It brought Pink Floyd international fame, wealth and plaudits to all four band members. A blockbuster release of the album era, it also propelled record sales throughout the music industry during the 1970s. The Dark Side of the Moon is certified 14x platinum in the United Kingdom, and topped the US Billboard Top LPs & Tape chart, where it has charted for 990 weeks. By 2013, The Dark Side of the Moon had sold over 45 million copies worldwide, making it the band's best-selling release, the best-selling album of the 1970s, and the fourth-best-selling album in history.[3] In 2012, the album was selected for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It was inducted into the Grammy Hall of Fame in 1999. David Gilmour Addresses Synchronicity Theory Between ‘The Dark Side of the Moon' and ‘Wizard of Oz'On Thursday, November 7, 2024, Pink Floyd's David Gilmour appeared on The Tonight Show Starring Jimmy Fallon amid his extensive run at New York's Madison Square Garden, where he is supporting his latest solo release, Luck and Strange. During the music industry legend's stop by the late-night talk show, he spoke with the program's host, who questioned the theory of synchronicity between TheDark Side of the Moon and The Wizard of Oz, commonly referred to as the Dark Side of the Rainbow.“You said that you think it's your best work since Dark Side of the Moon,” Fallon questioned at the top of the segment, comparing Gilmour's comments regarding his latest release, and the Pink Floyd classic. “When we finished Dark Side, there was a lot of crossfades and stuff between all the tracks. They had all to be done separately and then they all have to be edited in the old days before Pro Tools. When we finally finished, we sat down in the control room at Abbey Road and listened to it all the way through. And, wow. I–I guess all of us–have the feeling that it was something quite amazing–that we got it, and at the same point on this album, I had a very similar feeling, which is why I said that.” Fallon stewed on Luck and Strange during a series of follow-up questions that assisted in painting a portrait of familial involvement during the making of Gilmour's 2024 release–harnessing the conversation to the artist's preferred homebred approach before they segued into the realm of the Emerald City. Fallon landed on the topic of Oz during a bit aimed at busting rumors that have populated throughout the musician's 60-year tenure in the spotlight.“The Pink Floyd album, Dark Side of the Moon, was written to synchronize with the movie Wizard of Oz,” Fallon suggested. Prompting Gilmour's humor-tinged response, “Well, of course it was.” Fallon threw his hands up in response, acting on the comedic angle, before the musician clarified, “No, no. We listened to it, Polly and I, years ago–” Fallon stopped the artist to ask, “There's no planning that out?” Gilmour continued, “No. No, I mean, I only heard about it years later. Somebody said you put the needle on–vinyl that is– and on the third–you know you got the film running somehow–and on the third roar of the MGM lion, you put the needle on for the beginning of Dark Side, and there's these strange synchronicities that happen.” Fallon asked if Gilmour had ever tested the theory, to which he exclaimed, “Yeah!” He went on to admit, “And there are these strange coincidences–I'll call them coincidences.”  Joni Mitchell turns 81 - Joni Mitchell was born on Nov. 7th in 1943, making her 81 this past Thursday. Mitchell began her career in small nightclubs in Saskatoon, Saskatchewan, Canada, and grew to become one of the most influential singer-songwriters in modern music history. Rising to fame during the 1960s, Mitchell became a key narrator in the folk music movement, alongside others like Bob Dylan. Over the decades, she has released 19 studio albums, including the seminal “Blue,” which was rated the third best album ever made in Rolling Stone's 2020 list of the "500 Greatest Albums of All Time.” In 2023, Joni Mitchell at Newport was released, a live album of her 2022 performance at the Newport Folk Festival.  More recently she was the featured performer at the Joni Jam at the Gorge in George, WA in June, 2023 3.    Dan “Lebo” Lebowitz to Celebrate 50th Birthday at Sweetwater Music Hall with Members of ALO, Tea Leaf Green and More Sweetwater Music Hall (in Mill Valley, CA) has announced details pertaining to Dan “Lebo” Lebowitz's 50th Birthday Bash. The event is slated to take place on Saturday, November 23, 2024, and functions as a celebratory occasion to honor the jam stalwart and beloved member of the Bay Area music scene's five decade ride.  The six-string virtuoso, known for his work with Animal Liberation Orchestra (ALO), Phil Lesh & Friends, and his own self-titled Friends project, has tapped an all-star group of regional talent to assist during the live show. Appearing on the birthday lineup, in addition to the bandleader are Vicki Randle (percussion, vocals; The Tonight Show Band), Steve Adams (bass; ALO), Trevor Garrod (keys; Tea Leaf Green) and Scott Rager (drums; Tea Leaf Green).  “Possessing a signature tone, the vehicle for his fluid, buttery sound is a flat top acoustic guitar that he has personally sliced and diced into an electric flat top, with a vintage style humbucker pickup. Inherently committed to an improvisational approach, Lebo embodies the realm of melodic and soulful sounds,” the press release includes, drawing on the unique factors which have made Lebo a standout amongst his musical contemporaries. As an added distinction, and play into the birthday angle of event's surprise and celebration, special guest appearances are slated to occur, as referenced via press release and the artist's post on Instagram, where he noted additional inclusions as TBA.   SHOW No. 2:                    Weather Report Suite Prelude  (out of China >Rider/Me & My Uncle/Loose Lucy                                                Track #14                                                3:10 – end                                                   INTO                                                 Weather Report Suite Part I  (out of WRS Prelude/ into WRS Part II (Let It Grow)/Set break  - 16 songs                                                Track #15                                                0:00 – 1:03 David Dodd:  This week, by request, we're looking at “Weather Report Suite,” (Prelude, Part 1, and Part 2). For a short time, the three pieces that comprise the Suite were played as such, but that was relatively short-lived by Grateful Dead standards. The Prelude debuted in November 1972, originally as a separate piece from its eventual companions. The Dead played it, according to DeadBase, four more times in the spring of 1973 before it was first matched up with Weather Report Suite Parts 1 & 2, in September of that year. It was played regularly through October of 1974, and then dropped from the repertoire. The instrumental “Prelude,” composed by Weir, sets the stage for the two pieces to follow. I think it's one of the most beautiful little pieces of music I know—I have never once skipped through it over years of listening. I just let it wash over me and know that its simplicity and beauty are preparing me for the melancholy of Part 1, and the sometimes epic grandeur of Part 2. Part 1 is a song co-written with Eric Andersen, a well-known singer-songwriter who wrote the classic “Thirsty Boots.” He was on the Festival Express Tour (of “Might As Well” fame) across Canada along with the Dead, and I'm guessing that's where Weir and he met and concocted this piece. Happy to be corrected on that by anyone who knows better. Andersen and Weir share the lyric credit, and the music is credited to Weir. Once it appeared in the rotation, in September 1973, it stayed in the repertoire only as long as the Prelude did, dropping entirely in October 1974. The song addresses the seasons, and their changing mirrors the the singer's state of mind as he reflects on the coming of love, and maybe its going, too: a circle of seasons, and the blooming and fading of roses. I particularly like the line “And seasons will end in tumbled rhyme and little change, the wind and rain.” There's something very hopeful buried in the song's melancholy. Is that melancholy just a projection of mine? I think there's something about Weir's singing that gets at that emotion. Loss, and the hope that there might be new love. Weather Report Suite, Part 2 (“Let It Grow”) is a very different beast. It remained steadily in the rotation for the next 21 years after its debut, and the band played it 276 times. Its season of rarity was 1979, when it was played only three times, but otherwise, it was not far from the rotation. It could be stretched into a lengthy jamming tune (clocking at over 15 minutes several times), building to a thundering crescendo. And the “Weather Report” aspect of the song is what was really the most fun many times. Released on Wake of The Flood in 1973. WRS Prelude and Part I:Played:         46 timesFirst:  September 8, 1973 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USALast:  October 18, 1974 at Winterland Arena, San Francisco, CA, USA SHOW No. 3:                     Mississippi Half Step Uptown Toodeloo  (Second Set Opener/into Big River/Dark Star)                                    Track #17                                    3:17 – 4:55 Released on Wake of the Flood in 1973. Mississippi Half-Step Uptown Toodeloo was first performed live by the Grateful Dead on July 16, 1972. It was a frequent part of the repertoire through to 1974. From 1976 onward it was played less frequently with usually between 5 and 15 performances each year. It was not played at all in 1983 and 1984. The last performance was in July 1995. In total it was performed around 236 times. The majority of performances from 1978 onward were as the opening song of a show. Huner/Garcia special.  Great story.  Great lyrics:  “what's the point of calling shots, this cue ain't straight in line.  Cue ball is made of Styrofoam and no one's got the time” Always one of my favorite songs to hear in concert.  ½ Step>Franklin's were especially fun as a one two show opener punch. Played:  236 timesFirst:  July 16, 1972 at Dillon Stadium, Hartford, CT, USALast:  July 6, 1995 at the Riverport Amphitheatre in Maryland Heights (St. Louis), MO MJ NEWS:                 INTRO MUSIC:       Willin'                                                Little Feat                                                Little Feat - Willin' sung by Lowell George Live 1977. HQ Video.                                                0:10 – 1:32                                                1977 "Willin'" is a song written by American musician Lowell George, and first recorded with his group Little Feat on their 1971 debut album. The song has since been performed by a variety of artists.          George wrote the song while he was a member of the Mothers of Invention. When George sang an early version of the song for bandleader Frank Zappa, Zappa suggested that the guitarist form his own band rather than continue under Zappa's tutelage.[1] He did just that, and the song was subsequently recorded by Lowell's band Little Feat. The song was included on Little Feat's 1971 self-titled debut album. The band re-recorded the song at a slower tempo to much greater success on their 1972 Sailin' Shoes album. A live version recorded in 1977 appears on their 1978 album Waiting for Columbus. The lyrics are from the point of view of a truck driver who has driven from Tucson to Tucumcari (NM), Tehachapi (CA) to Tonopah (AZ)" and "smuggled some smokes and folks from Mexico"; the song has become a trucker anthem.  And of course, he asks for “weed, whites (speed) and wine” to get him through his drive. 1.      Using Marijuana Is Tied To Lower Consumption Of Alcohol, Opioids And Other Drugs, New Study Reveals 2.     Why Florida's Marijuana Legalization Ballot Initiative Failed Despite Trump Endorsement, Historic Funding And Majority Voter Support 3.     Marijuana Has ‘Great Deal Of Potential' To Treat Opioid Use Disorder, Study Finds, Predicting It'll Become More Common In Treatment 4.     Colorado Springs Voters Approve Two Contradictory Marijuana Ballot Measures To Both Allow And Ban Recreational Sales Strains of the week: Sub Zero - Sub Zero is a potent Indica-dominanthybrid cannabis strain that combines the robust genetics of Afghan, Colombian, and Mexican origins. This marijuana strain offers a complex flavor profile with notes of apple, menthol, chestnut, lime, and berry, providing a unique and refreshing sensory experience. The aroma of Sub Zero is as intriguing as its flavor, characterized by a rich combination of woody, earthy, and citrus notes, thanks to a terpene profile rich in Humulene, Limonene, Linalool, and Carene. These terpenes not only enhance the flavor but also contribute to the strain's therapeutic properties. Apple Fritter - Apple Fritter, also known as “Apple Fritters,” is a rare evenly balanced hybrid strain (50% indica/50% sativa) created through crossing the classic Sour Apple X Animal Cookies strains. Best known for making the High Times' 2016 “World's Strongest Strains” List, this baby brings on a hard-hitting high and super delicious flavor that will have you begging for more after just one taste. Extract:             Dulce Limon – hyrbrid sativa dominant            Pineapple Fizz – slightly indica dominant hybrid strain SHOW No. 4:                    Dark Star  (Mind Left Body Jam)                                                Track #18                                                34:45 – end This is the name given to a 4-chord sequence played as a jam by the Grateful Dead. It is thought by some to be related to the Paul Kantner song "Your Mind Has Left Your Body." The title "Mind Left Body Jam" was originally used by DeadBase. The first Grateful Dead CD to include a version was "Dozin' At The Knick", where the title was "Mud Love Buddy Jam" in a humorous reference to the DeadBase/taper title. But subsequent releases have adopted the "Mind Left Body Jam" title.Here, it comes out of a 36 minute Dark Star that many say is one of the best ever and links it to an excellent Eyes of the World.Fun to feature one of the band's thematic jams every now and then.  The truly improvisational side of the Dead and their live performances.  Played:  9 timesFirst:  October 19, 1973 at Jim Norick Arena, Oklahoma City, OK, USALast:  March 24, 1990 at Knickerbocker Arena, Albany, NY, USA                                                 INTO                                                 Eyes of the World  (into China Doll/Sugar Mag as second set closer)                                                Track #19                                                0:00 – 2:25 David Dodd:  “Eyes of the World” is a Robert Hunter lyric set by Jerry Garcia. It appeared in concert for the first time in that same show on February 9, 1973, at the Maples Pavilion at Stanford University, along with “They Love Each Other,” “China Doll,” “Here Comes Sunshine,” “Loose Lucy,” “Row Jimmy,” and “Wave That Flag.” Its final performance by the Dead was on July 6, 1995, at Riverport Amphitheatre, in Maryland Heights, Missouri, when it opened the second set, and led into “Unbroken Chain.” It was performed 381 times, with 49 of those performances occurring in 1973. It was released on “Wake of the Flood” in November, 1973. (I have begun to notice something I never saw before in the song statistics in Deadbase—the 49 performances in 1973 made me look twice at the song-by-song table of performances broken out by year in DeadBase X, which clearly shows the pattern of new songs being played in heavy rotation when they are first broken out, and then either falling away entirely, or settling into a more steady, less frequent pattern as the years go by. Makes absolute sense!) Sometimes criticized, lyrically, as being a bit too hippy-dippy for its own good, “Eyes of the World” might be heard as conveying a message of hope, viewing human consciousness as having value for the planet as a whole. There are echoes in the song of a wide range of literary and musical influences, from Blaise Pascal to (perhaps) Ken Kesey; from talk of a redeemer to the title of the song itself. In an interview, Hunter made an interesting statement about the “songs of our own,” which appear twice in “Eyes of the World.” He said that he thinks it's possible each of us may have some tune, or song, that we hum or sing to ourselves, nothing particularly amazing or fine, necessarily, that is our own song. Our song.  The song leaves plenty of room for our own interpretation of certain lines and sections. The verse about the redeemer fading away, being followed by a clay-laden wagon. The myriad of images of birds, beeches, flowers, seeds, horses.... One of my all time favorite songs, Dead or otherwise.  A perfect jam tune.  Great lyrics, fun sing along chorus and some of the finest music you will ever hear between the verses.  First really fell for it while at a small show one night my junior year at Michigan in the Michigan Union, a Cleveland based dead cover band call Oroboros.  We were all dancing and this tune just seemed to go on forever, it might have been whatever we were on at the time, but regardless, this tune really caught my attention.  I then did the standard Dead dive to find as many versions of the song as I could on the limited live Dead releases at that time and via show tapes.  Often followed Estimated Prophet in the first part of the second set, china/rider/estimated/eyes or scarlet/fire/estimated/eyes and sometimes even Help/Slip/Frank/Estimated/Eyes.  Regardless of where it appeared, hearing the opening notes was magical because you knew that for the next 10 – 12 minutes Jerry had you in the palm of his hand. This is just a great version, coming out of the Dark Star/Mind Left Body Jam and then continuing on into China Doll (two great Jerry tunes in a row!) and a standout Sugar Mag to close out the second set.  Any '73 Eyes will leave you in awe and this one is one of the best. Played:  382 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 6, 1995 at Riverport Amphitheatre, Maryland Heights (St. Louis), MO  OUTRO:                               And We Bid You Goodnight  (encore out of Uncle John's Band/Johnny B. Goode) 3 song encore!!                                                Track #25                                                :40 – 3:03 The Grateful Dead performed the song a number of times in the 1968-1970 and 1989-1990 periods but infrequently during the rest of their performing career. On Grateful Dead recordings the title used is either And We Bid You Goodnight or We Bid You Goodnight. The Grateful Dead version of this traditional 'lowering down' funeral song originates from a recording by Joseph Spence and the Pindar Family which was released in 1965. The title used on that recording, as on many others, is I Bid You Good Night. This song appears to share a common ancestry with the song Sleep On Beloved from North East England. I got to see it the first night at Alpine Valley in 1989 (the Dead's last year at Alpine) and it really caught the crowd off guard.  Great reaction from the Deadheads.  Kind of a chills down your spine thing.  I was with One armed Lary and Alex, both had been with us at Deer Creek right before.  Lary stayed for all three nights but Alex had to take off after the first show.  Great times.  Played:  69 timesFirst:  January 26, 1968 at Eagles Auditorium, Seattle, WA, USALast:  September 26, 1991 at Boston Garden, Boston, MA, USA  Thank you for listening.  Join us again next week for more music news, marijuana news and another featured Grateful Dead show. Have a great week, have fun, be safe and as always, enjoy your cannabis responsibly.   .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

In this episode of Backstage Sonoma, host Steve Roby interviews singer-songwriter Jeffrey Martin, known for his profoundly moving storytelling and soulful folk sound.  From being an English teacher to becoming a full-time musician, Jeffrey shares his creative process and stories behind some of his most compelling songs, such as “Garden,” "Red Station Wagon," and "Lost Dog."  Jeffrey's latest album, Thank God We Left the Garden, recorded in a hand-built shack, exemplifies raw, honest music with a profound connection to nature. Listen in as Jeffrey discusses his inspirations, songwriting journey, and upcoming performance at the Sweetwater Music Hall. Timestamps: 0:00 – Introduction by Steve Roby 1:15 – Jeffrey Martin's background and transition from teaching to music 4:20 – Inspirations behind Thank God We Left the Garden 7:10 – The creative process behind "Red Station Wagon" 12:30 – Performing live and the significance of intimate venues 16:00 – Upcoming tour and what fans can expect at the Sweetwater Music Hall 19:45 – Reflections on the current state of folk music 23:00 – Closing thoughts and what's next for Jeffrey Martin Guest Information: Name: Jeffrey Martin Bio: Jeffrey Martin is a celebrated singer-songwriter whose music resonates with raw storytelling and an emotive folk style. His journey from English teacher to full-time musician has earned him a devoted following and critical acclaim. With several albums under his belt, including Thank God We Left the Garden, Jeffrey continues to touch audiences with his vivid portraits of life's challenges and beauty. Website: https://www.jeffreymartinmusic.com/ Social Media: Instagram, Facebook, Twitter Links and Resources: Thank God We Left the Garden album: Spotify Jeffrey's upcoming show at Sweetwater Music Hall: Event Details Songs featured: “Garden,” "Lost Dog," and "Red Station Wagon." Call-To-Action: Don't forget to subscribe to Backstage Sonoma on your favorite podcast platform! Leave a review and share this episode with fellow music lovers. Follow us for more inspiring conversations with artists who bring stories to life through their songs. Social Media and Contact Information: Podcast Website: Backstage Sonoma Contact: Email us with feedback or guest suggestions.

In today's episode, we're thrilled to welcome Brian Watch-horst, guitarist and vocalist for Yellowwood Junction.  Formed in San Francisco in 1993, this six-piece band has captivated audiences with their sophisticated adult alternative rock sound, blending Steely Dan's complexity with singer-songwriter melodies.  Yellowwood Junction built its reputation by touring extensively across the Western U.S., earning acclaim as one of the Bay Area's most promising unsigned bands in the mid-1990s and sharing stages with acts like Train. Coming up in today's conversation, we'll explore the band's unique musical evolution, the stories behind their fan-favorite tracks like “Fade to Blue” and “After Today,” and what fans can expect at their upcoming show at Sweetwater Music Hall in Mill Valley.  Key Takeaways: Learn how Yellowwood Junction's unique sound evolved and gained a following across the Western U.S. Hear about the band's early days in the 1990s Bay Area music scene. Discover the inspiration behind some of their most popular songs. Get excited for the upcoming live performance and what surprises are in store. Sound Bites: “We wanted to create a sound that was complex but accessible, somewhere between Steely Dan and the storytelling of singer-songwriters.” “Sharing a stage with Train in the '90s was electric—it felt like a sign we were doing something right.” “Fans coming to Sweetwater can expect a mix of our classics and some surprises we've been working on.” Links: Yellowwood Junction Website Follow Yellowwood Junction on Instagram Like Yellowwood Junction on Facebook Tickets for Sweetwater Music Hall Performance Relevant Hashtags: #BackstageSonoma #YellowwoodJunction #LiveMusic #BayAreaBands #SweetwaterMusicHall #AlternativeRock #IndieMusic #MusicInterviews #BayAreaMusicScene Tune in to experience the compelling stories behind the music and get a sneak peek of what's next for this timeless Bay Area band!

In this episode of Backstage Sonoma, host Steve Roby sits down with David Noble, the talented guitarist and vocalist from the San Francisco-based band Wreckless Strangers.  Known for their distinctive "Bay Area Gumbo" style—a seamless blend of blues, rock, Americana, and funk—Wreckless Strangers brings a unique flavor to the region's rich musical landscape.  David shares insights into the making of their new EP , Blue Sky Fantasy, produced by the acclaimed four-time Grammy-winning producer Dave Way, and discusses their upcoming show at Sweetwater Music Hall. The conversation also highlights the band's dynamic songwriting, collaborative spirit, and musical roots that tie into the San Francisco tradition. Links: Wreckless Strangers Website: https://www.wrecklessstrangers.com Wreckless Strangers on Instagram: https://www.instagram.com/wrecklessstrangers/ Wreckless Strangers on Facebook: https://www.facebook.com/WrecklessStrangers Sweetwater Music Hall: sweetwatermusichall.com Top Takeaways: 1.    The Creation of "Blue Sky Fantasy": Noble discusses the inspiration and collaborative process behind their EP, produced by Dave Way. 2.   Musical Heritage and Influence: Wreckless Strangers pay homage to the San Francisco rock and roll legacy through innovative songwriting and live performances. 3.   Upcoming Show Details: Insights into what fans can expect from their show at Sweetwater Music Hall, including special guest appearances. Hashtags: #BackstageSonoma #WrecklessStrangers #BlueSkyFantasy #SweetwaterMusicHall #BayAreaMusic #DavidNoble #LiveMusic #MusicInterviews #AmericanaRock #Podcast

In this episode of 'Tales From the Green Room,' the hosts welcome guest co-host Paul McCaffrey ("Paulie Mac") -  formerly of the 'Murph & Mac' morning sports radio show on KNBR -  for an engaging and wide-ranging conversation with members of Boston-based band, Bearly Dead, Nick Swift, Michael "Butzy" Butler, and founder Tyler Brooks.  Recorded backstage at the iconic Sweetwater Music Hall in Mill Valley, the discussion traverses topics from the evolution of their musical journey, the influence of the Grateful Dead, and their unique approach to setlists and performance. The episode also touches on Boston sports, the local music scene, and the camaraderie within the Grateful Dead tribute band community.  Butler's reflection on the band's musical journey, touring, and relationship with its fans is met with a surprise voice from the past from their greatest influencer, adding an interesting dynamic to the discussion!Linkshttps://www.bearlydeadmusic.com/Bearly Dead - CorrinaMarch 23, 1975 Grateful Dead Performance and Jerry Garcia Interview - The Deadpod

Episode Overview: Join host Steven Roby on this special episode of Backstage Sonoma as he sits down with renowned acoustic folk artist Joshua Radin, whose journey from screenwriter to celebrated singer-songwriter is as heartfelt as his music.  With over a billion streams and hits like “I'd Rather Be With You,” Joshua opens up about his early days, serendipitous breaks, and upcoming independent double LP, One Day Home. Discover the stories behind his new tracks, reflections on touring with Ron Pope, and the cherished atmosphere of venues like the Sweetwater Music Hall in Mill Valley. Key Takeaways: Joshua Radin's unconventional path from art teacher and screenwriter to singer-songwriter. His major break came with the song "Winter" featured on Scrubs. Insights into his creative process, including the inspiration behind the double LP format of One Day Home. Radin's reflections on the importance of physical media and his favorite aspects of touring. Featured Music: “I'd Rather Be With You” – Joshua Radin's breakout single. “I Believe I'm Falling” – An evocative new track inspired by love and personal musings. “Let Me Be Right” – A song born from Radin's experiences with past relationships. Sound Bites: “I was floored…an audience had come to me organically for the first time, and I thought, maybe I should give this a shot.” – Joshua on his first big break. “I've never actually said this about any of my albums, but this is the most ‘me' I've ever been.” – Joshua discussing One Day Home. “It's just two guys with a lot of feelings.” – Radin on touring with Ron Pope. Upcoming Live Show: Catch Joshua Radin live with Ron Pope at the Sweetwater Music Hall in Mill Valley on Tuesday, November 12th. Doors open at 7 PM, and showtime is at 8 PM. Get tickets here. Connect with Joshua Radin: Official Website Venue Info: Sweetwater Music Hall Hashtags: #BackstageSonoma #JoshuaRadin #SweetwaterMusicHall #IndieFolk #OneDayHome #RonPope #MusicInterviews #LiveMusic Credits: Hosted by Steven RobyGuest: Joshua RadinProduction: Backstage Sonoma Podcast TeamListen and subscribe to the show on YouTube, Spotify, and Apple podcasts!

 Episode Description: Join Steven Roby for a captivating episode as he interviews the renowned guitarist and vocalist Dan “Lebo” Lebowitz of ALO (Animal Liberation Orchestra).  Lebo shares his musical journey, from picking up a guitar at age 13 to collaborating with legends like Bob Weir and the late Phil Lesh. Discover the stories behind standout tracks such as “Try,” “Undertow,” and “I Wanna Feel It,” and get a sneak peek into what's in store for his 50th birthday bash at Sweetwater Music Hall. Key Takeaways: Lebo reflects on how an inspiring high school moment propelled him to pursue music as a full-time career. Insight into ALO's recording process, especially during the creation of Silver Saturdays post-pandemic. The importance of improvisation in Lebo's music, described as “spontaneous composition in real time.” Highlights from Lebo's collaborations with Phil Lesh and other influential artists. Preview of his upcoming birthday show at Sweetwater Music Hall, featuring a dynamic lineup and special guests. Sound Bites: "It's like going down into a mine full of jewels when I pick up my guitar—these gems never run out." – Lebo on his lifelong passion for music. “Improvisation is composing in real-time.” – Lebo, on the art of musical spontaneity. "Phil Lesh always made it feel peer-oriented, sharing deep wisdom with humility." – Lebo on working with the legendary bassist. Event Details: Show: Lebo & Friends 50th Birthday Bash Date: Saturday, November 23 Venue: Sweetwater Music Hall Tickets: Available now at SweetwaterMusicHall.com Doors Open: 8 p.m. Showtime: 9 p.m. Connect with Lebo: Instagram ALO's Website Hashtags: #BackstageSonoma #LeboMusic #ALO #JamBand #SweetwaterMusicHall #Improvisation #PhilLesh #LiveMusic #RockAndRoll #MusicInterview #50thBirthdayBash Tune in for inspiring stories and music that captivates—only on Backstage Sonoma!

In this episode of Backstage Sonoma, host Steve Roby chats with Keith Frazier, a founding member of the legendary Rebirth Brass Band. Rebirth has been a cornerstone of New Orleans brass for over four decades, blending the Crescent City's traditional sounds with modern funk, soul, and hip-hop influences. The band's infectious energy and genre-defying innovation have earned them two Grammy Awards, and they continue to inspire a new generation of music lovers worldwide. In this exclusive interview, Keith dives into the band's evolving sound, songwriting process, and what it's like to keep the spirit of New Orleans alive while continually pushing boundaries. Whether they're parading down the streets of their hometown or taking the stage at iconic venues like Sweetwater Music Hall, Rebirth Brass Band remains a force of musical celebration. Tune in as Keith shares some of his favorite memories, from collaborations with Ani DiFranco to the origins of their iconic hit, "Do What You Want To." Episode Highlights: The Roots of Rebirth: How Rebirth Brass Band keeps New Orleans traditions alive while incorporating funk, soul, and hip-hop influences. Songwriting Evolution: Keith discusses the band's democratic process, in which all members contribute ideas and the magic behind their biggest hits. Fan Connection: Keith shares how Rebirth engages with their audience during live shows, often letting the crowd dictate the setlist. Tour Talk: Excitement about their upcoming tour and how each new audience brings fresh energy to the band's performances. Behind "Do What You Want To": The story behind one of their most famous Mardi Gras anthems and its timeless New Orleans spirit. Featured Songs: "Feel Like Funkin' It Up" "New Orleans Girl" "Do What You Want To" Links: Rebirth Brass Band Official Website Sweetwater Music Hall Social Media Hashtags: #RebirthBrassBand #NewOrleansMusic #BrassBand #SweetwaterMusicHall #BackstageSonoma 

Show Notes In this episode of Backstage Sonoma, host Steve Roby sits down with Brian Moss, guitarist and founding member of the renowned jam band Spafford. Known for their genre-blending sound and incredible improvisational skills, Spafford has built a loyal following of "SpaffNerds" nationwide.  With two upcoming shows at the Sweetwater Music Hall on October 30th and 31st, Brian shares insight into the band's creative process, setlist curation, and how the group locks into unforgettable grooves during their live performances. Brian also dives into the story behind some of the band's fan-favorite songs, including “Gold Glitter Hat” and “Duncan's Uncle,” and gives us a glimpse into his prized custom guitar, "The Crow." Tune in for a deep conversation about Spafford's evolution, the joys of improvisation, and how each live show takes on a unique life of its own.  Episode Highlights: - The Magic of Spontaneous Jams: Brian explains how Spafford's extended improvisations come together and the musical intuition that guides these moments on stage. - Custom Guitar Spotlight: Learn about Brian's custom hollow body guitar, "The Crow," and the inspiration behind its name. Fan Favorite Songs: Brian discusses the personal stories behind tracks like "Gold Glitter Hat" and "Duncan's Uncle." - Halloween Surprises: A hint of what fans can expect during Spafford's Halloween show at the Sweetwater Music Hall. - The SpaffNerds Community: How Spafford's dedicated fanbase influences the band's performances and approach to releasing music.  Featured Songs: - “Dirtbath” - “Gold Glitter Hat” - “Duncan's Uncle”  Links: - Tickets for Spafford at Sweetwater Music Hall: https://www.sweetwatermusichall.com - Spafford Official Website: (https://www.spafford.net  Social Media Hashtags: #BackstageSonoma #Spafford #BrianMoss #JamBand #LiveMusic #GoldGlitterHat #DuncansUncle #TheCrow #SpaffNerds #Improvisation #SweetwaterMusicHall #HalloweenShow #CustomGuitar

Show Notes:   In this episode of Backstage Sonoma, host Steven Roby dives into the world of Bearly Dead with guitarist and vocalist Nick Swift. Known for their powerful renditions of Grateful Dead classics, Bearly Dead has captured the hearts of Deadheads with their authentic yet fresh interpretations. Nick shares what it's like to be part of a tribute band dedicated to preserving the Grateful Dead's iconic sound while keeping the energy alive with their own musical style. Nick discusses how Bearly Dead recreates the Grateful Dead's magic on stage, balancing setlists between fan favorites and deep cuts, and why improvisation is at the heart of everything they do. As the band gears up for their upcoming show at Sweetwater Music Hall on October 22, Nick offers a behind-the-scenes look at life on the road, connecting with the Deadhead community and delivering performances that stay true to the Grateful Dead's legacy. Episode Highlights: - Bearly Dead's formation and evolution in the Grateful Dead tribute scene - Nick's thoughts on honoring Jerry Garcia's guitar work while adding his personal touch - The band's dynamic setlist creation and how they keep each performance unique - Memorable stories from live shows and the tight-knit bond with the audience - Anticipation for Bearly Dead's upcoming Sweetwater Music Hall show on October 22 Featured Songs: - "Mississippi Half Step" - "New Speedway Boogie" - "Playing in the Band" Concert & Artist Links:   - Bearly Dead Official Website: https://www.bearlydead.com - Nick Swift on Instagram: https://www.instagram.com/nickswift/   - Bearly Dead Tour Dates:(https://www.bearlydead.com/tour) - Tickets for Sweetwater Music Hall show: https://sweetwatermusichall.com Social Media Hashtags:  #BearlyDead #GratefulDeadTribute #NickSwift #SweetwaterMusicHall #BackstageSonoma #JamBands #DeadHeads #GratefulDead #LiveMusic  

In this episode of Backstage Sonoma, host Steven Roby welcomes Keith Roberts, The Young Dubliners's charismatic lead vocalist and guitarist. With 30 years of electrifying performances, The Young Dubs have become legendary for their unique fusion of Celtic music and rock, captivating audiences worldwide. In a candid conversation, Keith opens up about the band's incredible journey from their humble beginnings as a duo in Santa Monica to headlining international stages. Along the way, they've crafted a distinctive sound, blending Irish traditional influences with the raw energy of American rock. Keith shares fascinating behind-the-scenes stories from their extensive discography, highlighting songs like "Rosie," a fan favorite, and "We The Mighty," a powerful anthem that resonates with their audience's spirit. The discussion also dives into the band's latest single, "Drive," reflecting their forward-thinking ethos in life and music. As they prepare for their 10th studio album, produced by longtime collaborator Tim Boland, Keith talks about how crowdfunding has provided the band with creative freedom, offering fans a direct role in shaping their new music. Whether you're a longtime fan or discovering the band for the first time, this episode is filled with energy, insight, and a celebration of three decades of Celtic rock. Episode Highlights: The story behind The Young Dubliners' formation and how a Santa Monica bar was pivotal in their rise. A deep dive into the inspiration behind "Rosie," "We The Mighty," and "Drive." How the band embraces crowdfunding for their 10th studio album and what fans can expect from it. Keith's reflections on the band's 30-year career, their influences, and how they've maintained their unique blend of Irish and American musical elements. The excitement around their upcoming show at Sweetwater Music Hall and their popular Irish tours with fans. The band's continued evolution, including new members and how their dynamic has shaped their latest work. Featured Songs: "Rosie" "We The Mighty" "Drive" Links: Tickets for The Young Dubliners at Sweetwater Music Hall: Sweetwater Music Hall Support The Young Dubliners' new album through crowdfunding: Young Dubliners Pledge Page Social Media Hashtags:#BackstageSonoma #YoungDubliners #CelticRock #Rosie #WeTheMighty #Drive #30YearsOfMusic #SweetwaterMusicHall #FanPoweredMusic #CrowdfundingMusic #TimBolandProductions #LiveMusic #MillValleyConcerts

Show Notes:In this episode of Backstage Sonoma, host Steve Roby sits down with Julie Gussaroff, upright bassist, vocalist, and mandolin player for The Sweet Lilies, to discuss the band's unique fusion of Americana, folk, rock, and even hip hop. Julie shares the band's origins, her creative process, and what it's like working with producer Sergio Rios in Los Angeles. From the band's beginnings as a string duo to evolving into a full four-piece with drums, Julie dives deep into how the band's sound has matured. Featured Tracks: "Bad Moon Rising"  "Tables Turning"  "Words" Highlights of the conversation include: How The Sweet Lilies came together and formed their distinct string Americana style Insight into their songwriting process and how they blend various genres A behind-the-scenes look at recording new material in L.A. with producer Sergio Rios Stories from their summer tour and the inspiration they find on the road A preview of their upcoming show at the Sweetwater Music Hall on September 25th The music featured in this episode was from The Sweet Lilies' latest album, Cover to Cover, including their rendition of "Bad Moon Rising" and the tracks "Tables Turning"  and “Words” from their Equality album. Links Mentioned in the Episode: Tickets to Sweet Lilies' Sweetwater Music Hall show: sweetwatermusichall.com The Sweet Lilies' official website: sweetlilies.com Follow The Sweet Lilies on Instagram: @thesweetlilies Tune in to catch more exclusive interviews and behind-the-scenes conversations with musicians nationwide! Go to: https://www.backstagesonoma.com/ Hashtags:#BackstageSonoma #TheSweetLilies #JulieGussaroff #AmericanaMusic #StringBand #SweetwaterMusicHall #LiveMusic #MusicInterviews #FolkRock #SergioRios #NewMusic

In this episode of Backstage Sonoma, host Steve Roby sits down with Americana roots-rock musician Jeffrey Halford to discuss his legendary career, musical influences, and his current album, Soul Crusade. They delve into how Curtis Mayfield, Howlin' Wolf, and 60s soul have influenced Halford's unique rock, country soul, and blues style.  Jeffrey shares insights into his songwriting process, performances with music icons like Taj Mahal and Los Lobos, and what fans can expect from his upcoming performance with The Healers at Sweetwater Music Hall. He also talks about his daughter, Hannah Halford, who is set to open the show with her neo-soul sound. Featured Tracks: “Rhythm of the Rails,” “Sinner Man,” “Walk to the River” Key Highlights:  - Jeffrey Halford's take on the broadness of the "Americana" genre.   - His reflections on blending rock, country, and R&B.   - Influences from iconic artists like Eddie Cochran, Al Green, and Anderson Paak.   - Personal stories about playing with legends such as Taj Mahal, Los Lobos, and Greg Allman.   - The songwriting process behind his latest album, Soul Crusade.   - Preview of Jeffrey's upcoming performance at Sweetwater Music Hall, featuring a special appearance by his daughter Hannah Halford. Links for Sweetwater Music Hall Tickets Venue website: ⁠http://sweetwatermusichall.com⁠ Jeffrey Halford's Official Website: ⁠http://jeffreyhalford.com⁠ Follow Jeffrey on Social Media:@jeffreyhalford Social Media Hashtags #BackstageSonoma #JeffreyHalford #AmericanaMusic #RootsRock #SweetwaterMusicHall #BayAreaMusic #NeoSoul #SoulCrusade #LiveMusic #Podcast #MusicLegends

Listen in as Tales From The Green Room corrals three star power artists from the 2024 Mill Valley Music Festival! Margo Price joins the green room conversation after her festival performance and moments before her late night exclusive show at Sweetwater Music Hall later that evening - musing on demystifying psilocybin, her journey to “California Sober” status, touring with her husband of 20-years, and her penchant for speaking out on important issues. Dobbrow guitar-player-extraordinaire, Anders Beck of Greensky Bluegrass, follows with what turns out to be a “cosmic” discussion with host Dennis Strazulo about Anders' all-time favorite Grateful Dead show which coincidentally was Dennis' first, then reflecting  on the thrill of playing with his heroes and sharing some memorable stories experienced along the way. Eric Johnson of Fruit Bats closes out chatting about his Marin County music connection, the resurgence of his band, their expanding audience, and the inspiration behind his music.CreditsCalifornia Sober (feat. Willie Nelson)Performed by Billy Strings, Willie NelsonWritten by Aaron Allen, Jon Weisberger, William ApostolMargo Price - Hurtin' (On The Bottle) [Official Video]Performed by Margo PriceWritten by Jeremy Price, Margo PriceOfficialTMR  YouTube ChannelYouTube LinkFranklin's Tower (Live from Lindley Meadows, Golden Gate Park, San Francisco 9/28/75)Performed by The Grateful DeadWritten by Bill Kreutzmann, Jerry Garcia, Robert HunterGrateful Dead YouTube ChannelYouTube LinkGreensky Bluegrass - "Deal" - 08/01/24Performed by Greensky BluegrassWritten by Jerry Garcia, Robert HunterGreensky Bluegrass - YouTube ChannelYouTube LinkFruit Bats - See The World by LightPerformed by Fruit BatsWritten by Eric D. JohnsonProduced by Eric D. Johnson, Jeremy HarrisProvided to YouTube by Merge Media LtdYouTube LinkLinkshttps://www.margoprice.net/https://jeremyivey.net/https://www.amazon.com/Maybe-Well-Make-Memoir-American/dp/1477323503https://greenskybluegrass.com/https://archive.org/details/gd1975-09-28.aud.gofob.86250.flac16https://www.fruitbatsmusic.com/https://www.panoramic-house.com/Creators & Guests Tami Larson - Host Dennis Strazulo - Host

Kris Allen, the humble singer-songwriter from Arkansas, skyrocketed to fame after winning the eighth season of American Idol in 2009. Since then, he has crafted a career defined by authenticity, musical exploration, and personal growth.  Now, with a new album, Pole Vaulter, on the horizon and a show at Mill Valley's Sweetwater Music Hall just around the corner, Kris sat down with Backstage Sonoma's Steve Roby to discuss his journey, influences, and the creative process behind his latest project. Discovering His Sound: A Melting Pot of Influences Kris Allen's musical influences are as diverse as they are deep-rooted. “My parents were listening to a lot of The Eagles and Journey records,” Kris reminisces. “And then also nineties country was a deal... My first show was Reba McEntire, and my dad was obsessed with Garth Brooks.” Growing up in a household that cherished various genres meant that Kris had a broad musical palette from an early age. As he ventured into his musical discoveries, Kris found himself drawn to the grooves of R&B and the power of early hip-hop. “When I first started finding my own music, it was artists like Michael Jackson, or  Boyz II Men, that sort of thing,” he shares.  This eclectic mix of influences—from country and classic rock to R&B and even early hip-hop—has been a defining factor in the evolution of Kris's sound. Read more: https://www.backstagesonoma.com/

In this interview, host Steve Roby chats with renowned cellist Natalie Haas about her musical journey, her new album ‘Haas,' and her upcoming Sweetwater Music Hall performance with her sister Brittany and musician Lena Johnson. Natalie discussed her unique musical experiences, collaborations, and upcoming projects, offering listeners an intimate look into Haas' influences and aspirations. Natalie shared insights about her early introduction to music through the Suzuki Method and her transformative experiences at the Valley of the Moon Scottish Fiddle School, where her passion for traditional music was nurtured. She fondly recounted the camp's significant influence on her and her sister Brittany, helping them develop musical careers and form lifelong friendships within the folk music community. As the conversation progressed, Natalie elaborated on her professional relationship with her sister Brittany, detailing how their musical paths, though initially divergent, eventually converged. This reunion led to their album 'Haas,' which features original compositions and cherished tunes from their youth. Natalie discussed the process of writing and arranging music for the album, highlighting how they have grown as musicians and collaborators. She also shared the backstory of "The Volunteer," a track dedicated to their father inspired by his volunteer work in their local community. Natalie's excitement about her upcoming projects was palpable as the interview neared its end. She discussed her new recording endeavors with Alistair Fraser and her sister Brittany and her enthusiasm for live performances. She emphasized the unique joys and challenges of collaborating with different musicians. The interview concluded with a reminder about Natalie and Brittany's upcoming performance with Lena Johnson at the Sweetwater Music Hall, a testament to their ongoing commitment to sharing their music with the world. #BackstageSonoma #NatalieHaas #Cellist #MusicInterview #NewAlbum #LivePerformance #SweetwaterMusicHall

In this interview, musician John Chi joins host Steve Roby on the Backstage Sonoma Show to discuss his musical journey and current projects.  John, formerly the band leader for Rainmaker, is embarking on a solo career with his latest work, ‘River of Marigolds.' The album blends his introspective songwriting with various styles, reflecting influences from artists like U2, Bruce Springsteen, Bob Dylan, and the Grateful Dead. The conversation delves into John's early musical influences, their impact on his artistic development, and how significant events, such as the pandemic and California wildfires, shaped the themes and songs on ‘River of Marigolds.' Steve and John discuss specific tracks from the album, like "Got to Give the Devil His Due" and the title track "River of Marigolds." John shares the backstories behind these songs, explaining how his experiences during the pandemic and his reflections on family and the environment influenced their lyrics and composition. The discussion highlights how "Got to Give the Devil His Due" captures the joy of returning to live performances post-pandemic and how "River of Marigolds" explores deeper themes of family history and hope amidst challenging times. John's thoughtful approach to songwriting and varied influences are evident as he explains his creative process. Towards the end of the interview, John talks about his current and upcoming engagements, including a performance at Terrapin Sunday Daydream and a show at Sweetwater Music Hall with his band, The Pacific Syndicate. He expresses enthusiasm for sharing the stage with a rotating cast of talented musicians, emphasizing the joy and connection he finds in live performances. John believes his music has evolved to blend songwriter-focused elements with jam band styles, and he looks forward to continuing this fusion in his future work.

This interview with Brian Vander Ark, the lead singer of The Verve Pipe, covers the band's history, creative process, and upcoming music and tour. The conversation kicks off with a discussion of the band's early success, particularly the delayed rise to fame of their song "Photograph," and the challenges they faced in their early years. Brian shares intriguing anecdotes about the songwriting process, including how "The Freshman" was inspired by a random glance at a VHS tape cover, and how he uses modern tools like iPhones to capture melodic ideas, which he used to leave on his answering machine. The interview highlights the evolution of The Verve Pipe's music, with Brian explaining how the band has experimented within the pop genre and pushed the boundaries of their sound. He also delves into the lyrical aspects of their music, detailing a shift from ambiguous, relatable lyrics in songs like "The Freshman" to more straightforward, linear storytelling in their newer work. Brian teases their upcoming album "Reconciled," describing it as a mix of storytelling and catchy tunes that hark back to the 90s grunge era, featuring a song called "Dust," which is already a hit with live audiences. Further, the interview captures the essence of the band's live performances and camaraderie. Brian emphasizes the joy and entertainment value they bring to the stage, likening the band members to the Muppets due to their distinctive on-stage personas. He also touches on the practical aspects of touring, including their pre-show meditation routine and the importance of rituals that keep them grounded. Brian's additional role as a corporate radio host at WLAV Classic Rock 97 also makes an appearance, illustrating his multifaceted career and dedication to both his music and his family. The interview closes with details about the band's upcoming show at Sweetwater Music Hall, promising an engaging and dynamic performance for fans.

This interview on Backstage Sonoma features host Steve Roby in conversation with renowned Country guitarist and singer Junior Brown. The discussion highlights Brown's illustrious career, marked by the release of 12 studio albums and multiple hits on the Billboard Country Singles Charts. It begins with an overview of Brown's musical journey, including influences from television and radio icons of the 50s and 60s, such as Ernest Tubb, and shows like "Hullabaloo" and "Shindig." Brown delves into the creation of his iconic instrument, the Git Steel double-neck guitar, explaining its practical utility in allowing him to switch between electric and steel guitar seamlessly during performances. The talk transitions into Brown's songwriting process, where he emphasizes the importance of titles and hooks in crafting his lyrics, typically before melodies. “When I'm asked about songwriting, a title will practically write the song if it's a good title, and every line of the song must support it. And if it doesn't, then you're getting away from it. You're drifting.” Host Roby draws attention to Brown's famous live rendition of "Highway Patrol," a song by Red Simpson. This performance showcases Brown's ability to personalize and revitalize classic tunes. Memorable performances, such as playing with rock and roll legend Bo Diddley, are recounted enthusiastically, underscoring significant milestones in Brown's career. The interview also touches on collaborative experiences with country music legends like Ray Price, George Jones, and Hank Thompson, hinting at these encounters' profound impact on Brown. Looking ahead, Brown shares his vision for an innovative album blending surf music with his trademark "twangy" sound, inspired by a painting he created called "Git Steel Surfer." The interview wraps up with mutual appreciation and well-wishes for Brown's future endeavors. Overall, the interview is a compelling blend of nostalgia, technical insights, and forward-looking creativity, offering fans a deeper appreciation of Junior Brown's multifaceted artistry. Junior Brown's California tour will make three stops in the North Bay, starting August 14 at Sweetwater Music Hall in Mill Valley. On Friday, August 16, he plays at the Uptown Theatre in Napa and the Raven Theatre in Healdsburg for a show on Saturday, August 17. Ticket info here.

In this engaging interview with Backstage Sonoma host Steve Roby, Truett Heintzelman and Philip Lupton of the Austin-based folk-rock duo Briscoe discuss their musical journey and debut album, "West of It All."  Written in the Lone Star State and recorded in North Carolina, “West of It All” charts its own musical geography. Its production is by Grammy nominee Brad Cook. The duo shares how they met at a summer camp in Texas, how they are inspired by classic folk and rock music and their unique songwriting process.  They provide insights into some of their tracks, including "Coyote," "Sparrows," and "The Well," revealing the stories and inspirations behind them. The conversation also touches on their musical influences, first records, and what fans can expect from their August 18 Mill Valley show at the Sweetwater Music Hall. The interview closes with a fun lightning round of questions, giving fans a deeper look into their personal music tastes and routines.

In this interview on KOWS-FM's Backstage Sonoma program, host Steve Roby converses with Fletcher Nielsen, the band leader and songwriter of the eclectic musical group Tracorum. The discussion opens with an introduction to Tracorum's unique blend of genres, including southern rock, soul, honky tonk, roots Americana, and more, emphasizing their rhythmic diversity. Nielsen shares the band's origins and his musical influences, rooted in a rich tapestry of sounds from the West Coast of Florida. Nielsen elaborates on the band's evolving lineup, currently featuring members on drums, fiddle, guitar, and bass, with Nielsen handling piano, guitar, harmonica, and vocals. He describes the band's mission to take audiences on a transformative journey during live performances, aiming for a profoundly connective and uplifting experience. The interview discusses Tricorum's upcoming fourth studio album, "Thin Wire," which explores reggae and Latin influences. Nielsen details the album's creative direction and expected release timeframe. The conversation also touches on the meaning behind the album's title and the thematic elements within its tracks. Listeners are given the backstory of one of the band's tracks, "The Lesson," and an insight into Nielsen's connection to New Orleans through the song "Back to New Orleans." The band's name origin, drawn from a magic spell concept, aligns with their mission to infuse spirit into their music. Nielsen shares upcoming performance details, including a notable show at the Sweetwater Music Hall in Mill Valley on August 15, and provides information on where fans can find Tricorum's music and stay updated on their schedule. The interview concludes with Nielsen expressing anticipation for the August performance and a final thanks to Steve Roby for the engaging conversation.

In an engaging edition of Backstage Sonoma, host Steve Roby sits down with Tori Roze, the lead vocalist, and Mike Mulqueen, the guitarist of the Bay Area's renowned funk and soul band, The Humidors. The conversation starts with the host's warm welcome, quickly transitioning into discussing the band's formation and evolution over the years. The Humidors, originally named the San Pablo Project, have been creating their unique brand of party music since 2013. Tori Rose and Mike Mulqueen share insights about the band's journey, dynamic musical influences, and the strong camaraderie among their eight members. The duo delves into the band's rich history, emphasizing their continued commitment to producing vibrant, groove-infused music despite changes in membership.   Highlighting their 10th-anniversary celebration, Tori and Mike recount an all-star lineup featuring former lead singers, making it a memorable event for the band and their fans. The interview also touches upon the band's recent EP, "Show Me," completed during the pandemic through home studio recordings.   Looking forward, they discuss upcoming singles and the potential for a new EP or full-length album in 2024. Tori and Mike are excited about their first post-pandemic performance at the Sweetwater Music Hall on August 2nd. They speak fondly of the venue's excellent hospitality and the joy of returning to live stages. The interview concludes with details on where to find more music, concert information about The Humidors, and a reminder of their highly anticipated live performance at the Sweetwater Music Hall on August 2. Tori and Mike's enthusiasm throughout the conversation showcases their passion for music and dedication to their fans.

In this interview on Backstage Sonoma, host Steve Roby chats with the Atlanta-born blues guitarist Eddie 9V. At just 26, Eddie has already achieved significant acclaim, including a #1 Billboard Blues album with Capricorn. Eddie shares insights about his musical journey, which began at 15, and his roots in classic blues and soul. He discusses his influences, including Freddie King, Mike Bloomfield, and Sean Costello.  As the conversation progresses, Eddie talks about his band's dynamics and upcoming performances, including a highly anticipated show at Mill Valley's Sweetwater Music Hall. He also gives listeners a glimpse into his creative process, explaining the inspiration behind songs like "Chamber of Reflections" and "Saratoga." With a sense of humor, he recounts past tour mishaps and expresses excitement about retrieving some equipment left in Santa Rosa. The interview ends with Eddie promoting his new album and promising an electrifying live performance. He also gives a shout-out to Katie Skeen, who will be opening for his band at the Sweetwater Music Hall and encourages listeners to check out her music. The engaging dialogue between Steve Roby and Eddie 9V provides a fascinating look at the life and career of a rising blues star. Get tickets for Eddie 9v's August 13 Sweetwater Music Hall show here.

In this insightful interview on Backstage Sonoma, musician Rachel Garlin joins host Steve Roby to discuss her musical journey and latest project, "The Ballad of Madeline and Therese." Rachel shares her experiences growing up with a passion for storytelling and music, leading to her current role as a singer-songwriter based in San Francisco. She delves into her latest album's inspiration and creation process, explaining how it began as a song cycle and evolved into a historical fiction narrative about forbidden love in 1940s America. Rachel also discusses the challenges and rewards of transforming the album into a one-woman show and her approach to live performances. She further shares a unique songwriting exercise inspired by a random book paragraph and discusses the deeper meanings behind her songs. Further, Rachel touches on her diverse endeavors, including her appearances on NBC's "American Ninja Warrior," her work as a songwriting instructor at Berkeley Rep and ACT, and her upcoming performances at the Sweetwater Music Hall.  Throughout the conversation, she emphasizes the importance of connecting with listeners and students through music and shared stories, showcasing her talents and passions beyond just performing.

The interview features ukulele virtuoso Vince Esquire and bassist Uncle Don Lopez from the band Kanekoa. Known for their unique blend of ukulele-powered Hawaiian jam rock, Kanekoa has been praised as the "Hawaiian Grateful Dead." With nearly 20 albums over their 25-plus-year career, the band continues to captivate audiences. During the interview, Vince and Don discuss the band's origins, from a humble coffee shop open mic to becoming a staple in Hawaiian music culture. The conversation touches on their various influences, particularly the blues and the Grateful Dead. It highlights significant moments, such as Vince's collaboration with Greg Allman, which led to performances with the Allman Brothers Band. They also share their award-winning accomplishments, including winning a Nahoku Award for Best Reggae Album and being nominated for Best Christmas Album. The conversation then shifts to their experiences performing at esteemed venues like the Kennedy Center, where they were pleasantly surprised by the overwhelming turnout, further solidifying their status in the music industry. The members discuss their highly anticipated upcoming show at the Sweetwater Music Hall and offer a glimpse into their latest project, a re-recording of an old album with guest appearances by notable musicians. They underscore the nature of the jam band's performances, renowned for their spontaneity and energy, leaving the reader eager for more. The interview concludes with information about where fans can find more details about their music and upcoming events, ending on a note of gratitude and aloha. --- Send in a voice message: https://podcasters.spotify.com/pod/show/backstagesonoma/message

In this engaging interview, Grammy Award-nominated singer and songwriter Leslie Mendelson discusses her musical journey, influences, and her latest album, "After the Party." Leslie shares anecdotes about her musical upbringing, including how her father's record collection and musical household inspired her early passion for music. She talks about her love for artists like The Beatles, Radiohead, and Joni Mitchell, which shaped her sound over the years. Leslie dives into the creative process behind "After the Party," revealing how a 1979 Andy Warhol picture influenced the album's title and themes. She explains how the pandemic period, initially a mix of inactivity and introspection, ultimately inspired her to write songs that offer hope and look toward the future. Highlighting her stellar band, Leslie mentions working with renowned musicians like Waddy Wachtell and Leland Sklar, assembled by producer Peter Asher. She also talks about collaborating with three talented producers: Peter Asher, Tyler Chester, and Steve McEwen, who each contributed uniquely to the album. Leslie reflects on her connections with music legends like Jackson Browne, Bob Weir, and Roger Daltrey, sharing the serendipitous moments that led to these collaborations. She also gives a sneak peek into her current tour, promoting "After the Party," and invites listeners to her performance at Sweetwater Music Hall. Overall, the interview captures Leslie Mendelson's candid reflections on her career, creative inspirations, and the exciting potential of her forthcoming shows.  Tickets for Leslie Mendelson's show at the Sweetwater Music Hall on Thursday, July 18, can be found here.   --- Send in a voice message: https://podcasters.spotify.com/pod/show/backstagesonoma/message

This is not just an interview with Paul Kamm, the singer, songwriter, and guitarist for Achilles Wheel. It's a conversation about the inspiration that led to the formation of this group, a journey that we invite you, the audience, to be a part of. We also delve into what you can look forward to at their Sweetwater Music Hall show in Mill Valley on Wednesday, July 10. Achilles Wheel is a California band that blurs the lines between genres with infectious high-energy dance beats and stark lyrical ballads—Roots Rock storytelling combined with dance hall psychedelia. Much like life, their music breathes in and out with joy and pain, hurtling forward like a wheel, intent on hope and love. They play hard as a way to break down walls and celebrate life. Their idealism is not diminished by the harsh light of the modern world as we struggle to live free and have a good time… and, in the end - hopefully make a difference. Achilles Wheel fearlessly sings out to these times, the here and now. --- Send in a voice message: https://podcasters.spotify.com/pod/show/backstagesonoma/message

Joining us now is Asher Belsky, a guitar virtuoso, songwriter, and vocalist. His music, a fusion of rock and R&B, has resonated across the Bay Area, gracing renowned venues like the Black Cat Jazz Club, Great American Music Hall, and the Bottom of the Hill. And, he's only 19. You can catch Asher live at the Sweetwater Music Hall in Mill Vallet on Friday, JUNE 28th, for a 9 pm show. He's here to talk about that and much more. --- Send in a voice message: https://podcasters.spotify.com/pod/show/backstagejazz/message

This is an interview with guitarist Ralph Woodson, a long-time Jimi Hendrix tribute artist. He and his band Purple Haze will perform at the Sweetwater Music Hall in Mill Valley on Saturday, June 22, for a 9 p.m. show. “Get ready to experience the electrifying music of Jimi Hendrix like never before with us, Purple Haze! We're passionate about bringing the spirit of Hendrix back to life. When you see us live, we'll transport you back to the psychedelic rock era, immersing you in the energy and passion that defined Hendrix's music." --- Send in a voice message: https://podcasters.spotify.com/pod/show/backstagejazz/message

We had the pleasure of sitting down with Americana and roots singer-songwriter Jackie Greene before his second of three sold-out shows at The Sweetwater Music Hall in Mill Valley, CA in February 2024. Joined by his wife, Kyle, who reveals some lesser-known stories and behind-the-scenes moments about their life together, Jackie muses about his musical journey, upcoming shows, side projects, being a father and his all time favorite passion he'd give up music to do full time. Whether you're a longtime fan or new to his music, this episode offers a comprehensive glimpse into the life and art of Jackie Greene.Special shout out to Nik Erickson at Full Moon Farms who Jackie credits for teaching him how to garden certain plants.  This episode is released right before his summer tour and a special appearance at a Music Heals International benefit back at the Sweetwater.Credits:Jackie Greene“Gone Wanderin” Written and Performed by Jackie Greene https://open.spotify.com/track/1zgM9dniAiLC4TVCIVFqkKJackie Greene "Victim of the Crime” Written by Jackie Greenehttps://open.spotify.com/track/3c6gmk1di9OI2QAWJwFzemhttps://www.jackiegreene.com/ https://sweetwatermusichall.com/ https://fullmoonhumboldt.com/ https://mttammedia.com/  

Elliott Peck, the beloved and multi-talented San Francisco Bay Area singer/songwriter/guitarist visits with host Dennis Strazulo before her sold out “In The Pines” EP Release Party at Sweetwater Music Hall in Mill Valley, CA. Elliott is both charming and authentic in sharing her thoughts and emotions before the show, while also reflecting on the path that led to her big moment, including her days “growing up” as a musician at Phil Lesh's Terrapin Crossroads and her current experiences as a member of Midnight North.  Elliott's “Friends” lineup for the show reflected both this history and how she is admired by her musical colleagues.  Fellow Midnight North band members Grahame Lesh and Nathan Graham join the show, along with Jason Crosby (via his patented "Tales From The Green Room “fly by”), Ross Eustis and Burt Lewis, to honor the incomparable Elliott. This episode is dedicated to the speedy recovery of Elliott, who endured a health crisis in early 2024, and is presented to spread the love and healing vibes she so richly deserves.CreditsIn The PinesWritten and Performed by Elliott Peckhttps://open.spotify.com/track/1xahnYIPB7EfB4mq0B4qtW?si=525bc37db6ca4869Episode ArtworkStefanie Atkinson Schwartzhttps://stefaniejstudio.comElliott Peck & Friends - Live at Sweetwater Musical 12/8/23Midnight Train To Georgia - Jim WeatherlyDo I Ever Cross Your Mind? - Dolly PartonSir Duke - Stevie Wonderhttps://youtu.be/-CoH9cf_pVA?si=mWaKliQezPP1NoHtYouTube Channel - Elliott PeckLinkshttps://www.elliottpeck.com/https://www.elliottpeck.com/store/elliott-peck-in-the-pines-ep-cdhttps://midnightnorth.com/http://www.grahamelesh.com/https://www.instagram.com/ross.eustis/?utm_source=ig_embed&ig_rid=8021b242-359a-47e1-89a0-54c4cd458146&ig_mid=A2F9ED3B-47DB-43C3-A5D8-92C1C964E2D9https://jasoncrosby.com/https://lebomusic.com/https://www.nataliecressman.com/https://www.facebook.com/gnatdub/#midnightnorth#elliottpeck#grahamelesh#jasonrosby#sweetwatermusichall#nataliecressman

Backstage interviews during Grateful Guitars' Inaugural Benefit Concert at Great American Music Hall in San Francisco: Music director and show participant Alex Jordan talks about herding the group of talented musicians playing at the show; Zach Nugent (Zach Nugent's Dead Set) chats about his history of playing the famed guitars supplied by Grateful Guitars; Gary Lambert (Sirius Radio Tales From The Golden Road host) reflects on his Grateful Dead journey and the band's staying power; and keyboard player extraordinaire, Danny Eisenberg tells a memorable story about his first exposure to the music and Jerry Garcia's under appreciated voice. Also, a bonus interview with Johnny “Mojo” Flores (Achilles Wheel) moments after he played the famed “Alligator” guitar at Sweetwater Music Hall in Mill Valley, CA. All guests express their deep appreciation for Grateful Guitars Founder and President, Andy Logan!He's GoneInternet Archive.org: Grateful DeadGrateful Dead Live at Musikhalle on 1972-04-29https://archive.org/details/gd72-04-29.aud.vernon.5250.sbeok.shnf/gd72-04-29d2t04.shnUncle John's BandInternet Archive.org: KSANGrateful Dead 1970 Winterland SF KSAN 1970-10-04https://archive.org/details/grateful-dead-1970-winterland-sf-ksan/gd1970-10-04t14.mp3Ripple (2015 Remaster)Robert Hunter/Jerry GarciaYouTube Channel: The Grateful DeadProvided to YouTube by Grateful Dead/Rhinohttps://www.youtube.com/watch?v=5wh7ylJManIMagnificent Sanctuary BandSunshine Garcia Band - Days Between, Laytonville, CA August 7, 2022https://www.youtube.com/watch?v=x9TqJpz_YqIYouTube Channel: Ted Silverman AKA TedToobhttp://www.youtube.com/@TedToobSeasons of My HeartGeorge JonesSeasons of My Heart - Previously unreleased studio rehearsal from 1969https://docs.google.com/document/d/1ylxKwa691if_PVE90rwYwLI3ZJ13WnupFfBz5FS2gO4/editYouTube Channel: DaysBetweenhttp://www.youtube.com/@daysbetween6339Romance of The ViolinSongs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra)Joshua Bell · Michael Stern · Antonín Dvorák · Craig Ogden · Academy of St Martin in the Fieldshttps://www.youtube.com/watch?v=Xw0HqxWJvPkYouTube Channel: Joshua Bellhttp://www.youtube.com/@joshuabellmusicStella BlueRobert Hunter/Jerry Garcia“Stella Blue” - Oteil BurbridgeFrom the album “Lovely View of Heaven”https://www.youtube.com/watch?v=AOy5zVDoyR8YouTube Channel: Relixhttp://www.youtube.com/@RelixMagBilly's BagBilly PrestonProvided to YouTube by The state51 Conspiracyhttps://www.youtube.com/watch?v=IC77Qw9FIfMYouTube Channel: Billy Preston - Topichttp://www.youtube.com/channel/UCk0o3_qkXiJn8ZNiIoAOWmQWharf RatRobert Hunter/Jerry GarciaGrateful Dead - Live at Fillmore East, New York, NY, April 26, 1971https://www.youtube.com/watch?v=P6NDmh86RAYouTube Channel: Grateful Deadhttp://www.youtube.com/@gratefuldeadPeggy-OPEGGY O-GRATEFUL DEAD- 9/3/1977-Vocals and Guitar Isolatedhttps://www.youtube.com/watch?v=KmG3IzrPZOMYouTube Channel: Grungy Channelhttp://www.youtube.com/@GRUNZYLinkshttps://gratefulguitars.org/https://www.alexjordanjams.com/https://www.zachnugent.com/https://www.siriusxm.com/channels/grateful-dead-channelhttps://www.facebook.com/tftgr/: https://oteil.fanlink.to/stellabluehttps://www.facebook.com/danny.eisenberg.758https://www.facebook.com/p/G-Deloian-Band-100070913872268/https://www.motherhips.com/

Take a ride with hosts Dennis Strazulo, Tami Larson, and “Augie” on their  journey visiting with Jerry's Middle Finger, the masterful band recreating the music of The Jerry Garcia Band. Broken up into three parts, the episode features band members talking about the origin of JMF, experiences playing at the famed Sweetwater Music Hall in Mill Valley, CA, and their joyful and love-filled road to gaining notoriety, uplifted by the endorsement of NBA legend Bill Walton after the band's appearance at the Skull & Roses music festival.  Interviews were recorded at The Mystic Theater in Petaluma, CA and Sweetwater, and all reference the wonderful Andy Logan and Grateful Guitars Foundation for generously donating guitars contributing to the magic of JMF. This episode is dedicated to co-host Agustin “Augie” Oropeza who sadly passed before its release. RIP Augie!Episode Linkshttps://jerrysmiddlefinger.com/https://sweetwatermusichall.com/https://mystictheatre.com/https://www.facebook.com/p/G-Deloian-Band-100070913872268/https://www.sonvosongs.com/https://gratefulguitars.org/https://skullandroses.com/https://billwalton.com/https://podcasts.apple.com/us/podcast/bill-walton-and-the-latin-dead-recorded-live-at/id1262809028?i=1000621134440https://mttammedia.com/podcast-2/https://stefaniejstudio.com/Episode CreditsInternet Archive: Jerry's Middle Finger Live at Venice West on 2023-06-23 - "Promontory Rider"https://archive.org/details/jmf2023-06-23.JerrysMiddleFinger2023-06-23.flac16/JMF2023-06-23d2T09.flacInternet Archive: Jerry's Middle Finger Live at Venice West on 2023-06-23 - "Waiting For A Miracle"https://archive.org/details/jmf2023-06-23.JerrysMiddleFinger2023-06-23.flac16/JMF2023-06-23d1T04.flacInternet Archive: Grateful Dead Live at St. Louis Arena on 1977-0515 - “St. Stephen”https://archive.org/details/gd1977-05-15.sbd.bertha.31605.sbeok.flac24/gd77-05-15d3t02.flacInternet Archive: Grateful Dead Live at Greek Theater - University of California on 1983-05-15 -“New Minglewood Blues”https://archive.org/details/gd1983-05-15.fob.sonyecm220t.keshavan.miller.fix.94516.sbeok.flac16/gd83-05-15d1t02.flacInternet Archive: Grateful Dead Live at Oxford Plains Speedway on 1988-07-02 - “Jack Straw”https://archive.org/details/gd88-07-02.sbd-matrix.dan.21211.sbeok.shnf/gd88-07-02d1t02.shnInternet Archive: Grateful Dead Live at Manhattan Center on 1971-04-06 - “Oh Boy”https://archive.org/details/gd1971-04-06.sbd.lai.118.sbefail.shnf/gd71-04-06d1t106.shn The Dan LeBatard Show with Stugotz - June 6, 2023https://youtu.be/5iGQVDFcNq8?si=S_YwhMJG5od_sy7Z

An inspirational conversation with Brenden Tacon, creator of the Latin Dead - the ambitious 11-piece band fusing the music of the Grateful Dead with Latin Jazz. Brenden details the 3+ year journey of making his dream a reality, the involvement of Dead music aficionado John Kadlecik with Latin legends and Grammy award winners, Oscar Hernandez and Peter Nadar, leading to their sold out performance at Sweetwater Music Hall amidst their mini-West Coast tour…with promises of more to come!Show Notes  Episode Links? tami@mttammedia.com https://www.latindead.com/ https://skullandroses.com/box-office/ https://www.johnkmusic.net/ https://www.spanishharlemorchestra.com/ https://mttammedia.com/podcast-2/

A chat with Luther Dickinson of North Mississippi Allstars from the Greenroom at Sweetwater Music Hall in Mill Valley, CA, reflecting on his first performance at that storied venue and the genesis of his entry into the world of Grateful Dead music; paired with our sit-down with Jason Crosby, musing about playing in the scene and his new record, “Gilder.” Luther and Jason have played countless shows together with Phil Lesh & Friends, making for an episode of complimentary talent and experiences. Episode Links https://www.nmallstars.com/tour https://jasoncrosby.com/ http://newwst.com/setsailwe https://skullandroses.com/box-office/ https://sweetwatermusichall.com/event/jason-crosby-solo-piano/sweetwater-music-hall/mill-valley-california/ https://blue-rose-music.myshopify.com/collections/jason-crosby https://mttammedia.com/podcast-2/

A playful, lively, and informative conversation with all members of Pink Talking Fish (Eric Gould, Zack Burwick, Cal Kehoe, Richard James) moments before their recent performance at Sweetwater Music Hall in Mill Valley, CA. The boys delve into some of their favorite stories, including playing with George Porter, Jr, performing Phish kids shows, their history with Berklee School of Music, and other fun antics. http://www.pinktalkingfish.com/tour.html https://www.neighbortunes.com/ https://mttammedia.com/podcast-2/

Tales From The Green Room host, Dennis Strazulo, and Mount Tam Media founder, Tami Larson visit with Wolf Bros./Dead & Co. drummer Jay Lane, Samson Grisman (son of David Grisman), and renowned sax player, Dave Ellis in Sweetwater Music Hall's green room as they share their memorable moments at the venue celebrating its 50th Anniversary. Lane and Ellis recount their early years playing with Bob Weir's Ratdog, and all three guests talk about first meeting Weir and the connections influencing their musical journeys.https://bobweir.net/bobby-weir-wolf-bros-2023-winter-tour/https://www.samgrismanproject.net/http://www.davellis.com/bio.html

Mount Tam Media is thrilled to launch its Tales From the Green Room Podcast with a special season of episodes celebrating the 50th Anniversary of the iconic Sweetwater Music Hall in Mill Valley, California. The roster of artists that have crowded onto the club's little stages, first at the original Sweetwater location two blocks away, and now at the new location which opened in 2013, reads like a Who's Who of roots & rock music: Bob Weir, Aaron Neville, Big Mama Thornton, Carlos Santana, Elvis Costello, Etta James, Greg Allman, Van Morrison… the list of musical luminaries is endless. In the 80's, the Times of London hailed Sweetwater as one of the best nightclubs in America and the legacy continues! Mount Tam Media has been granted special access to Sweetwater's green room during the venue's 50th anniversary year to interview musicians, photographers, managers and the like, and capture their favorite moments and memories, preserving the untold secrets of what has graced these hallowed walls for half a century, before they are lost forever.

Welcome to Tales from the Green Room - Backstage conversations from popular music venues around the country curated by Mount Tam Media.Buckle up and listen in, as host Dennis Strazulo and Mount Tam Media founder, Tami Larson, dig up conversations with artists - before and after shows - in the exclusive confines of the green room. Barriers are down with stories abound! Tales from the Greenroom Special Edition (Sweetwater Music Hall's 50th Anniversary Series) Mount Tam Media is thrilled to launch its Tales From the Green Room Podcast with a special series of episodes celebrating the 50th Anniversary of the iconic Sweetwater Music Hall in Mill Valley, California. The roster of artists that have crowded onto the club's little stages, first at the original Sweetwater location two blocks away, and now at the new location which opened in 2013, reads like a Who's Who of roots & rock music: Bob Weir, Aaron Neville, Big Mama Thornton, Carlos Santana, Elvis Costello, Etta James, Greg Allman, Van Morrison… the list of musical luminaries is endless. In the 80's, the Times of London hailed Sweetwater as one of the best nightclubs in America and the legacy continues!  Mount Tam Media has been granted special access to Sweetwater's green room during the venue's 50th anniversary year to interview musicians, photographers, managers and the like, and capture their favorite moments and memories, preserving the untold secrets of what has graced these hallowed walls for half a century, before they are lost forever. Episode 1: Famed Rock & Roll Photographer Jay Blakesberg It is only fitting this series is kicked-off by presenting an interview with a person who is just as home in green rooms as  most musicians - famed rock and roll photographer, Jay Blakesberg. Join the podcast as Jay recounts the events of many great Sweetwater moments, but one in particular in 1989 you absolutely don't want to miss. Find Jay at(http://www.blakesberg.com)(http://www.rockoutbooks.com)(http://www.retrophotoarchive.com) Check out the complete list of other podcasts from Mount Tam Media, including "The Women Are Smarter" series at www.mounttammedia.com

The Sundilla Radio Hour for the week of 03/28/2022 featuring: Kelly Hunt “Across the Great Divide” Even the Sparrow (2019 Rare Bird) 4:58 Steve Madewell “Early on in Life” Hometown Blues (2021 Stephen W Madewell) 4:29 Brennen Leigh “I Love the Lonesome Prairie” Prairie Love Letter (2020 Brennen Leigh) 3:26 Jefferson Ross “Hot Springs” Southern Currency (2022 Jefferson Ross) 3:17 Scott Martin “The Absence of Angels” Corner of the World (2022 Scott Martin) 3:35 Oliver the Crow “As the Crow Flies” Oliver the Crow (2018 OTC) 3:24 Rupert Wates “Ullswater Cove” For the People (2022 Rupert Wates) 3:22 Mama's Broke “Just Pick One” Narrow Line (2022 Mama's Broke) 3:01 Griffin House “Better Than Love” Live at Sweetwater Music Hall (2020 Evening Records) 3:47 Mark Heard “Nod Over Coffee” Second Hand (2004 pastemusic.com) 4:37 Amythyst Kiah “Firewater” Wary + Strange (2021 Rounder) 3:39 Scott Cook “What to Keep” Tangle of Souls (Scott Cook) 3:50 Joy Oladokun “breathe again” Single (2021 Amigo) 3:49

Paulie went to Sweetwater Music Hall in Mill Valley to sit down with a primary member of the Grateful Dead family for 50 years.  Steve first joined the band as a roadie in 1969. It wasn't long before he became Jerry Garcia's trusted gear handler, began to manage the Jerry Garcia Band, and also be Jerry's Best Man at his wedding.  Enjoy this rare conversation and check out Steve's website https://www.bigsteveparish.com/ See omnystudio.com/listener for privacy information.

Paulie went to Sweetwater Music Hall in Mill Valley to sit down with a primary member of the Grateful Dead family for 50 years.  Steve first joined the band as a roadie in 1969. It wasn't long before he became Jerry Garcia's trusted gear handler, began to manage the Jerry Garcia Band, and also be Jerry's Best Man at his wedding.  Enjoy this rare conversation and check out Steve's website https://www.bigsteveparish.com/ See omnystudio.com/listener for privacy information.

Paulie went to Sweetwater Music Hall in Mill Valley to sit down with a primary member of the Grateful Dead family for 50 years.  Steve first joined the band as a roadie in 1969. It wasn't long before he became Jerry Garcia's trusted gear handler, began to manage the Jerry Garcia Band, and also be Jerry's Best Man at his wedding.  Enjoy this rare conversation and check out Steve's website https://www.bigsteveparish.com/ See omnystudio.com/listener for privacy information.

Paulie went to Sweetwater Music Hall in Mill Valley to sit down with a primary member of the Grateful Dead family for 50 years.  Steve first joined the band as a roadie in 1969. It wasn't long before he became Jerry Garcia's trusted gear handler, began to manage the Jerry Garcia Band, and also be Jerry's Best Man at his wedding.  Enjoy this rare conversation and check out Steve's website https://www.bigsteveparish.com/ See omnystudio.com/listener for privacy information.

Paulie went to Sweetwater Music Hall in MIll Valley to sit down with a primary member of the Grateful Dead family for 50 years, Steve Parish. Steve first joined the band as a roadie in 1969. It wasn't long before he became Jerry Garcia's trusted gear handler and began to manage the Jerry Garcia Band.   See omnystudio.com/listener for privacy information.

Paulie went to Sweetwater Music Hall in MIll Valley to sit down with a primary member of the Grateful Dead family for 50 years, Steve Parish. Steve first joined the band as a roadie in 1969. It wasn't long before he became Jerry Garcia's trusted gear handler and began to manage the Jerry Garcia Band.   See omnystudio.com/listener for privacy information.

Paulie went to Sweetwater Music Hall in MIll Valley to sit down with a primary member of the Grateful Dead family for 50 years, Steve Parish. Steve first joined the band as a roadie in 1969. It wasn't long before he became Jerry Garcia's trusted gear handler and began to manage the Jerry Garcia Band.   See omnystudio.com/listener for privacy information.

Join Heart of Indie Co host, Emme Lentino as she chats with the delightful, Maycie! Maycie, a sixteen-year-old singer/songwriter born in New Zealand, moved to America at the age of seven. She has performed on stage from a young age in Chicago and California, in venues such as the Sweetwater Music Hall. Maycie has been playing piano, guitar, and writing music from a young age. She attended a summer singer-songwriter intensive at the world-renowned Interlochen School Of The Arts. Maycie released her first single, Hide & Seek, in October 2019. Her second single, Cuffing Szn, was released six months later accompanied by a music video, where she collaborated with director Will Noyce. Maycie is continuing to write and produce new music. She is moving to Southern California to start her junior year of high school and is releasing her debut album later this year. She pulls inspiration from artists like Olivia O'Brien, Clairo, and SZA.

Psychedelics, Music, and Art go hand in hand. So many of us are moved to express our insights and visions through our creativity. Join Daniel of Tam Integration as he talks to a wide variety of masterful creatives about how their magical flights of fancy have inspired their art. Streaming every monday on the Deadheadland facebook page. The Happeningest Place On Earth! Bob Minkin is a San Francisco Bay Area based photographer. Bob Minkin discovered rock ‘n’ roll music (Hendrix, Cream, and of course the Grateful Dead) at age 13 in 1972 and began photographing concerts two years later. By 1977 he was shooting professionally. After connecting with Relix Magazine he made contacts and friends in the Dead’s organization that afforded him great access to the band, including being invited by band members to photograph them in their homes. Since then his work has been published in countless music publications, books, and CD/record album covers. Just Jerry, Bob’s latest coffee table book was published October 2019. Bob continues to document the music scene in the San Francisco Bay Area and in Marin County at Terrapin Crossroads, in addition to being the house photographer at Sweetwater Music Hall. Originally from Brooklyn, NY, he lives with his family in Marin County and enjoys hiking on the many trails of Marin and piloting his Piper Cherokee airplane whenever he can. If you feel moved, please support the show https://tamintegration.com/donate https://patreon.com/tamintegration

You've never heard Paula West like this before. In this episode, recorded on November 13, 2019 at Sweetwater Music Hall in Mill Valley California, West discusses her process—and her politics— in this intimate evening of conversation and music. West, who was backed by a jazz trio as she performed a number of songs, was also interviewed by journalist Marcus Crowder in front of a packed house of Alta members.  This event was inspired by Crowder’s profile of West in Alta’s Fall 2019 issue.

Episode 025 of *The Upful LIFE Podcast* welcomes the legendary Eric Krasno to the show for a pretty sweet powwow on a number of salient topics from the guitarist/producer's illustrious career. Co-founder of Soulive, co-founder and former guitarist of Lettuce, Kraz was in the Bay Area in late September for a quick run with E3- (Eric Krasno Trio), at Sweetwater Music Hall in Mill Valley, a club owned by Bob Weir of the Grateful Dead. In between soundcheck and the gig, Kraz and I sat down and chopped it up for nearly an hour, and trust it was a thrill to have this conversation after so many years of being a superfan of so many of his projects. Krasno Introduction & KRAZ "Leave a Little" at 7:30 Eric Krasno Interview at 15:00   We start chatting about the present tense, beginning with his formation of E3, a little about his bandmates and loosely defining what the mission is. From there we pivot to his brand new KRAZ project, and the album Telescope, released on Sept.27. Eric lets us in on why KRAZ is such a departure from his established norm, and what went into the creation of this new lane for the longtime Soulive shredder. Krasno also details his departure from Brooklyn after 20 years, and how that figured into the conception and realization of the concept album Telescope. We also touch on his stoke for his new digs and studio in Los Angeles, and some super funky neighbors.     Since we were at Bob Weir's club, it only felt perfect to get into the Grateful Dead. With reverence, Kraz takes us back to his first GD shows in the late 80's, all the way up through sharing the stage with Phil Lesh, Bobby and the Rhythm Devils. Kraz also tells a few stories about father and son, his own pops, & later Phil and Grahame Lesh for a couple nights out on the NOLA town over Jazz Fest. Naturally, we had to dive into two decades of Soulive, and why they were such a revolutionary band at the turn of the century. Kraz walks us down memory lane a little, but chooses to focus on how fiery the most recent Soulive performances have been. After taking the temperature of Soulive, Kraz opens up a bit about Lettuce. The guitarist reflects on the early days, their meteoric ascent, his decision to walk away (and why), and brings it full circle back at LOCK'N when LETT paid tribute to JGB with Bobby, John Mayer, Oteil and others back in August 2018. Eric then takes a few moments to explain what was behind the difficult decision to step up and perform with Circles Around the Sun, in honor and memory of his dearly departed friend Neal Casal. We finish up our riveting conversation with some guitar shop talk, focusing on the PRS Silver Sky, John Mayer signature model.     LEAH CONCIALDI Inteview begins at 1hr 11m Following that interview is a short, sweet conversation with Leah Concialdi, a saxophonist (and more) with ATOMGA and Tnertle, as well as a major cog in the wheel that is Color Red Music out in Colorado. Over the summer, we got a chance to hear all about the label, the concept and the people behind Color Red, as well as a little bit about both of her bands and her experience in the music industry for the past decade. *Vibe Junkie JAM of the Week* - "Telephone" by Erykah Badu.  Enjoy my look back at Badoula's 7-minute elegy to J-Dilla, written the day after his funeral, about how ODB acted as Dilla's visionary guide to the afterlife. Celebrate Tonight!    Email the show! B.Getz@upfulLIFE.com The Upful LIFE Podcast is available on iTunes! Also available on Spotify!  Theme Song: Mazel Tov by CALVIN VALENTINE

INTERVIEWS: Simrit Kaur (2:58) ahead of her November 8th performance at the Scottish Rite Theater; Tim Bluhm (23:52) of The Mother Hips ahead of their 2-day performance at the Sweetwater Music Hall on in Mill Valley; Mimi Naja (39:22) of Fruition ahead of their Halloween performance at the Mystic Theatre in Petaluma and their new album, Wild As The Night --- Check @PascosPerspctve & @KXSFradio on Twitter, Instagram and KXSF.fm for more!

INTERVIEWS: Rupa Marya of "Rupa & The April Fishes" ahead of her performance at Sweetwater Music Hall on 10/18 in Mill Valley [18:11]; Co-Directors by Kim Bromley and Bruce Vieira of Novato Theater Company's second production of their 2019/20 season (which is also their 100th year) - Sweeney Todd [45:50] * Textline: (415) 723-2151 * --- For more, check out @PascosPerspctve, @KXSFradio, and @KXSFsports on Twitter, Instagram, and Facebook To donate and explore KXSF 102.5 FM further, go to www.KXSF.fm

Music, depression, yoga & video games. Kyle Nicolaides, also known as BEWARE OF DARKNESS, talks with Tiffanie DeBartolo and Braden Merrick about being in a band versus playing solo, battling depression, yoga, learning cord progessions from video games and more. And he plays some songs. SHOW NOTES: Cocktail: *The Vulnerable *(4 count mezcal, 2 count bitters, slice of orange) Listen to Kyle Nicolaides Listen to Beware of Darkness TOPICS Playing acoustic versus electric Making cocktails versus playing Mario Kart On being nicknamed The Queen Being on tour solo w/ Alec Benjamin versus being on tour with Beware of Darkness Embracing feminine energy Learning chord progressions from video games Battling depression and anger Yoga and meditation Authenticity Kyle plays "All is Right in the World Tonight" and "Space Between Us" Kyle Nicolaides: Web Instagram Facebook Beware of Darkness: Instagram Facebook Bright Antenna Records: Web Instagram Facebook Intro/outro music: "Desperate Dance" by In the Valley Below

Things are getting jammy in Northern California this fall! Next weekend, the team behind Mill Valley’s Sweetwater Music Hall will put on the inaugural Sweetwater In The Sun festival featuring Steve Kimock & Friends with a special appearance by the Grateful Dead’s Bob Weir. Plus, beginning October 5th, San Francisco will host the annual Hardly Strictly Bluegrass festival in Golden Gate Park, featuring Howlin’ Rain, Emmylou Harris, I’m With Her and more. We’re got all that and more on this week’s episode. 00:00 - Mic Break 00:56 - That Dream - The Motet 07:02 - So Much Fun - The String Cheese Incident 10:53 - Rainbow Trout - Howlin’ Rain 15:17 - Mic Break 15:53 - Sex In The 70’s - Tea Leaf Green 24:11 - On The Other Side - Cascade Crescendo 31:00 - Mic Break 31:50 - Hey Man - Steve Kimock 41:16 - Governor’s Breakup - Green Mountain Grass 43:16 - So Far Gone - Mike Gordon 45:25 - Mic Break 46:13 - On Time - The Disco Biscuits 49:45 - Crickets - The Freeway Revival 57:26 - Laugh About It - Mike Montrey Band 61:39 - Finish

Shelby Lanterman is a singer-songwriter from Napa, CA, who was exposed to all forms of  music - rock & roll,  pop, blues, Americana --  by her parents practically from the day she was born. So it is not surprising that, at the age of 12 she picked up the guitar, learned Garage Band, and started playing her own shows, and at 16 was writing and singing her own songs.  There was no stopping her. She went on to play Hollywood’s Roxy Theater, the Bottle Rock Festival, Sweetwater Music Hall, the Uptown Theater, Silo’s and many more venues.  She opened for artists like Bob Mould, Lisa Loeb, among many others. If that wasn’t enough, she started producing the Emerging Artist Series at City Winery, attended the Dark Horse Institute inNashville and earned a degree in audio engineering and worked with musicians from all over the country. Her debut album. Paper Thin, an earnest album of carefully crafted folk rock stories, is now available. Raised in the old West Village, NYC, Natalie Gelman grew up amidst artists and true bohemians, which may be why she borrowed a friends guitar at 16, started writing songs and never looked back.  From busking on subway to touring Europe, she has crisscrossed more than one country captivating tourists, straphangers and audiences with her powerful voice, deep-heart stories and witty humor. She continues to play what she calls her favorite stage – the subway - while also performing at the House of Blues, Webster Hall and festivals across the country. And no wonder;  Gelman is often compared to Sheryl Crow, Jewel and Joni Mitchell, for her timeless music and honest songs that make her a modern day troubadour.  Whether it is Live in London or Sundance in Your Eyes, her albums make you long to stand in front on her in a train station and just absorb the power of her heart.