Podcasts about Geography

Dolly Parton, OnlyFans millions, the internet's sketchiest glory days, trailer park memories, a $50 million phone call, the return of Greek Fire, and grown adults getting absolutely dismantled by elementary-school math. Somehow, that's all one episode of The Rizzuto Show. The show starts on a more emotional note as the crew remembers Dolly Parton and the kindness, humor, generosity, and unmistakable personality that made her such a beloved icon. Unfortunately, Rizz had recently expressed concern about Dolly's health, which means listeners immediately dust off the completely scientific and legally airtight Rizz Show Curse and start blaming him. The emails arrive. The accusations fly. Rizz maintains his innocence. Nobody believes him.Lern shares what Dolly meant to her growing up, the crew revisits some of Dolly's funniest moments, and for a brief shining moment, The Rizzuto Show experiences genuine human emotion.Then we start talking about trailer parks.Because of course we do.After a mobile-home community gets unfairly dragged into headlines surrounding the arrest of 49ers owner Jed York, the crew clears up what actually happened—and that sends everybody barreling into stories about growing up around mobile homes. We get Rafe's single-wide childhood, homemade deer-skull decor, Lern's surprise taxidermied boar head, wood-burning stoves, freezing bedrooms, tornado shelters, questionable carpet, decks built onto decks, and enough rural engineering to make HGTV quietly leave the room.From there, things get even more sophisticated with toilet paper, padded toilet seats, an aggressively powerful handheld bidet, National Dog Day, dog breeds, genetically modified animals and the looming possibility that humanity will eventually build Jurassic Park despite having several movies explaining why we absolutely should not.Then it's time to discuss the modern economy.OnlyFans has reportedly paid creators $30 billion since launch, including billions in 2025 alone. Sounds like easy money—until the crew discovers just how tiny the percentage of million-dollar creators actually is. Naturally, this inspires an extremely serious business discussion about celebrity accounts, niche content, and whether there's an untapped market for shirtless men vacuuming their houses.Please do not put that idea into a business plan.The conversation then heads back to the simpler, uglier and significantly more dangerous internet of our youth: MySpace, Napster, mp3.com, GeoCities, eBaum's World, ICQ, AOL chat rooms, Fark, The Chive and Chatroulette—the website Rafe accurately describes as Russian roulette with considerably worse odds.Moon remembers Story of the Year hitting number one on mp3.com with “Until the Day I Die” before the site disappeared, and everybody remembers when the internet felt less like an algorithm trying to sell you something and more like a bunch of weird digital neighborhoods where nobody's parents had any idea what their children were doing.Which, in retrospect, was maybe not ideal.The nostalgia continues into physical media, old video games, vintage magazines, classic barbershops, and the slow realization that future antique stores might be pretty boring when everything we own is technically a license stored on a server somewhere.There's also entertainment gossip, Rizz admitting he's spent years pretending he's seen Donnie Darko, and then Moon drops the big announcement: Greek Fire is returning to the stage for its first headline show in seven years, with new music and a show at Delmar Hall.And because this daily comedy show still hasn't caused enough intellectual damage, we finish with the Rizz Quiz.First, the crew tackles a $50 million hypothetical: if someone offered you $50 million tax-free to call somebody right now, and you only get the money if they don't answer, who are you calling?The answer around the studio is basically King Scott.Congratulations, Scott. Your inability to answer a phone is finally an asset.Then callers take on 45 seconds of supposedly easy trivia. Colors. Animals. Geography. Third-to-fifth-grade math. The sort of questions every adult thinks they could answer until a timer starts ticking and suddenly 60 divided by 6 is zero, 8 times 4 is 36, 18 plus 22 is 50, and a dollar apparently contains 50 nickels.The Rizz Quiz remains undefeated.So this episode has everything: a heartfelt tribute to Dolly Parton, the Rizz Show Curse, trailer park vindication, taxidermy, dangerous bathroom equipment, OnlyFans economics, internet nostalgia, Chatroulette trauma, disappearing physical media, Greek Fire's return, a hypothetical $50 million payday, and basic arithmetic publicly humiliating grown adults.In other words, another completely normal episode of The Rizzuto Show.Come for the funny celebrity gossip and weird news. Stay for the St. Louis chaos, nostalgic stories, Rizz and the gang roasting each other, and the comforting knowledge that no matter how bad your day is going, at least you probably know that 60 divided by 6 is 10.Probably.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Join the conversation by letting us know what you think about the episode!At the young age of 14, guest Linda Gambill decided that she wanted to join the Peace Corps. In her early 20s, Linda took the plunge and became one of the many Peace Corps volunteers in 1978. In her memoir, The Geography of Desire, Linda takes us along as she revisits her time in The Gambia. If you ever wanted to know what it's really like to be a volunteer in a foreign land, this is the episode for you. Linda Gambill has been a therapist at a state psychiatric hospital, a Peace Corps volunteer, a nationally exhibited photographer, and a teacher of English as a Second Language. Her writing has appeared in Persimmon Tree and Parhelion Literary. The Geography of Desire is her first book. A fellow of the Hambidge Center, she lives in Tennessee with her husband and their talkative rescue cat.Where to find Linda Gambill:Facebook: https://www.facebook.com/lindaVgambill/Instagram: https://www.instagram.com/lindagambillwriter/Support the showBe part of the conversation by sharing your thoughts about this episode, what you may have learned, how the conversation affected you. You can reach Raquel and Jennifer on IG @madnesscafepodcast or by email at madnesscafepodcast@gmail.com.Share the episode with a friend and have your own conversation. And don't forget to rate and review the show wherever you listen!Thanks!

The Daily Quiz - Geography Today's Questions: Question 1: Which region of the world uses '.ni' at the end of its web addresses? Question 2: The country of Guinea-Bissau is on which continent? Question 3: Which region of the world uses '.ie' at the end of its web addresses? Question 4: Which of these countries borders Portugal? Question 5: Which country is also known as Suomi? Question 6: The City Of Timbuktu Is In Which African Country? Question 7: In which country would you find Mount Fuji? Question 8: Which country's flag can be described as 'Green with a yellow diamond in the center with a blue celestial globe.'? Question 9: What is the capital city of Uruguay? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

In this podcast, I review a litany of super HY USMLE associations that can give you firm clues as to what they are going after in a Q stem. Do the WORKSHEET first (linked below), then listen to the podcast to review. Audio Download Worksheet Download

Have you ever caught yourself repeating a story about your life that, if you're really honest, isn't even true anymore? Maybe it's the "I had a perfect childhood" story, or the "I love my business" story, or the "I just don't know what I want to do" story. We tell ourselves these things so often we forget to check if they're real. That's exactly where this conversation with Philip McKernan took me, and honestly, it wrecked me in the best way. In this episode of The Happy Hustle Podcast, I sit down with Philip McKernan, a man who has built a global reputation for his unapologetic work with entrepreneurs. Philip has caddied golf for the president of Ireland, been chased by a bull elephant in Nigeria, made wine in Australia, traveled to 85 countries, helped build an orphanage in Peru, written five books despite being dyslexic, and directed an award winning documentary. For the past five years he's been restoring a 500 year old castle on 22 acres of Celtic rainforest on Ireland's west coast called Brave Castle, where he now hosts soul searching entrepreneurs and EO forum retreats. His whole philosophy, which he calls Soul Set, is about helping people uncover their unique gifts and use them to actually impact the world, not just talk about it. This episode matters because Philip doesn't let you hide. He has this gift, or maybe it's a curse depending on how you look at it, of hearing what people aren't saying. He calls himself insanely sensitive under all that toughness, and that sensitivity is exactly why he can spot a false narrative from a mile away. If you've ever felt like you're performing a version of your life instead of living it, this conversation is going to hit close to home. We give ourselves what we feel we deserve. Philip shared this belief that most entrepreneurs, deep down, don't fully like who they are, and that shapes everything from how they run their business to how they show up in relationships. Until you challenge that inner narrative, you'll keep recreating the same patterns no matter how much success you stack up. Life is a series of three mountains, and most people get stuck on the second one. The first mountain is about you. The second is about building something with others, your family, your business, your team. The third mountain is where it gets powerful, because that's where you turn your deepest scar into service for someone else. Philip's own mission became eradicating loneliness in the world, because loneliness was the thing he wrestled with his whole life. Busyness is often just a way to avoid feeling. Philip talked about how consuming endless information, chasing the next book or podcast, can actually be a form of running from yourself. He challenged listeners to stop consuming for a while and just sit with what comes up. Spoiler, it's usually clarity you've been avoiding. Geography quietly shapes your happiness more than we admit. Philip pointed out that so many of us build our lives in places we don't even want to be, hoping success will make it worth it. He's convinced that if you build something in a place that doesn't light you up, either it won't work, or it won't matter even if it does. Stop using so much "I" language. When Philip listens for what's really holding someone back, he notices how much people center themselves in their own fear. His advice was blunt and simple, your gift was given to you on loan, and your job is to give it away, not hoard it out of fear. By the end of our talk, Philip reminded me that the story you keep telling yourself, whether it's about your childhood, your business, or your fear, deserves to be questioned. Sometimes the bravest thing you can do is simply ask yourself, is this actually true. This is one of those episodes you'll want to listen to twice. Go catch the full conversation with Philip McKernan at https://happyhustle.com/podcast, and let it challenge the story you've been telling yourself too. What does Happy Hustlin' mean to you? Philip said it's about having a mission you're relentlessly going after, but never sacrificing who you are at the core, what you believe, or the people around you in the process. He admitted he doesn't do it perfectly, but he does it with intention. His final word was this, have something you believe in and stand for, but don't chase it at the cost of everything else, because if you do, it will never feel worth it in the end. Connect with Philiphttps://www.facebook.com/philip.mckernanhttps://www.instagram.com/philip_mckernan/https://www.youtube.com/@philipmckernanhttps://www.linkedin.com/in/philip-mckernan/ Find Philip on this website: https://philipmckernan.com/ready/ Connect with Cary!https://www.instagram.com/caryjack/https://www.facebook.com/SirCaryJackhttps://www.linkedin.com/in/cary-jack-kendzior/https://twitter.com/thehappyhustlehttps://www.tiktok.com/@caryjackhttps://www.youtube.com/channel/UCFDNsD59tLxv2JfEuSsNMOQ/featured Get a copy of his new book, https://www.thehappyhustle.com/book Sign up for The Journey: 10 Days To Become a Happy Hustler Online Course @ https://thehappyhustle.com/thejourney/ Apply to the Montana Mastermind Epic Camping Adventure @ https://thehappyhustle.com/mastermind/ “It's time to Happy Hustle, a blissfully balanced life you love, full of passion, purpose, and positive impact!” Episode Sponsors: Kiln Your environment shapes your energy and your results. That's why we're proud to partner with Kiln, a premium workspace experience designed to help you work smarter, connect with amazing people, and elevate your lifestyle. From co-working and private offices to meeting rooms and event spaces, Kiln (https://kiln.com/) has everything you need to thrive. Mention "Happy Hustle" for a special hookup! =================================================================== If you're feeling stressed, not sleeping great, or your energy's been kinda meh lately—let me put you on to something that's been a total game-changer for me: Magnesium Breakthrough by BiOptimizers. This ain't your average magnesium—it's got all 7 essential forms that your body needs to chill out, sleep deeper, and feel more balanced. I take it every night and legit notice the difference the next day. No more waking up groggy or tossing and turning all night If you're ready to sleep like a baby, calm your nervous system, and optimize your recovery, go grab yours now at https://www.bioptimizers.com/happy and use code HAPPY10 for 10% OFF. =================================================================== My Green Mattress If you've been waking up with back pain, feeling stiff, or just not getting that deep, quality sleep. This might be what you're missing: My Green Mattress. It's made with clean, non-toxic, and eco-friendly materials, so you're not just sleeping better, you're sleeping healthier too. The comfort and support are on another level, and you can really feel the difference night after night. 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More of the countdown and sports geographySee omnystudio.com/listener for privacy information.

A poem about a map opens North and South, the first collection of the great twentieth century poet Elizabeth Bishop, and since, maps have been associated with her poetic vision—at once telescoping and binocular—and with the polarities and preoccupations of her work. The map's privileged, sweeping, bird's eye view of the earth is also hand-held, man-made, intimate. Depending on its level of minuteness or obsession, it can contain the tiniest details as well as, let's say, the whole enchilada. And though it purports to be scientific and objective, it is representational and therefore subjective, particular, imaginative, and personal. For several episodes, Wes & Erin will be reading a selection of some of Bishop's most anthologized poems, starting with “The Moose” as expressions of, among other things, her map-like imagination. Upcoming Episodes: Nolan’s adaptation of “The Odyssey”; more Elizabeth Bishop poetry: “First Death in Nova Scotia,” “One Art.” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website Transcript 0:11 Erin: A poem about a map opens north and south, the first collection of the great 20th century poet Elizabeth Bishop. And since maps have been associated with her poetic vision, at once telescoping and binocular, and with the polarities and preoccupations of her work. The map's privileged, sweeping, bird's eye view of the earth is also handheld, man made intimate. Depending on its level of minuteness or obsession, it can contain the tiniest details as well as, let's say, the whole enchilada. And though it purports to be scientific and objective, it is representational and therefore subjective, particular, imaginative and personal. Over the next few episodes, we'll be reading a selection of some of Bishop's most anthologized poems, starting with the moose as expressions of, among other things, her map, like imagination. This is Erin O'Luanaigh. And this is Wes Alwan, and you're listening to Subtext. Wes, have you ever seen a moose in the wild? 1:12 Wes: I have not, but I have seen Instagram videos of them and people getting too close, and I've heard that they actually are quite dangerous. 1:23 Erin: Oh, perfectly harmless. 1:24 Wes: As cute as they look. So not safe as houses. Which is a very surprising line, unless you think that houses maybe aren't as safe as they seem or ought to be. But that's something we'll talk about later. How about you? 1:38 Erin: I have not. And I actually, it's become a running joke among certain friends of mine that I haven't seen a moose because I long to see a moose in the wild. This is my dearest wish. 1:52 Wes: Is that the first time anyone said that in history? I long to see. 1:56 Erin: I don't know. 1:57 Wes: It's a good first line for a poem, actually. Why do you long. Long to see a moose in the wild? 2:03 Erin: Really? Maybe because of the poem. I don't know. I just really want to, but I. Maybe this will become significant without getting too personal or maybe with getting too personal. With apologies to the listeners. Ten years ago now, when my grandfather passed that summer, my grandmother wanted to go up to Maine and revisit certain places that she had been with him. And we ended up going to Acadia. And I was so excited to see. Am just. I got it into my head that I had to go to Acadia and see a moose. And I even bought a sweatshirt. I'm not wearing it right now. I looked down to see if I was wearing it. It's the same size and shape as this one. This is a Yankees, 1996 World Series sweatshirt. 2:42 Wes: It's not a Rocky and Bullwinkle sweatshirt, is it? 2:45 Erin: No, no, no. It's an acadia and it has a. It has a mousse on it. And so I bought it the first day that I was there and I was like, this is my sweatshirt and it has a moose on it. And I'm gonna. I'm gonna see a moose. And I did not see a moose. And then I. I bought a moose sweatshirt in, I think Grand Teton, and I was like, I'm gonna see a moose. And I did not see a moose. And then I lived obviously many years in Utah, and things would happen. Everybody knew I wanted to see a moose. And I would go to these trails where you could see moose. And I would like be going up a trail and someone would be coming down saying, there are moose up there. We just saw a moose. You just saw baby moose. I'd get all upsided and I would. I would run up and it was gone and people would taunt me. 3:32 Wes: So you don't want to see like a magic white heart or something like that? 3:38 Erin: No, no, I just want to see him. Even the garden variety moose? No, no. Just a humble moose will hide itself from me when. When it knows that I am after it. 3:49 Wes: Because they are a goofy, right? Are they majestic? Are they goofy looking? Are they both? 3:55 Erin: I think they're both. And I think that kind of qual quality is really well captured in the poem. No, I mean that quality of if not being then looking safe as houses or being a gargantuan size, and yet having. I know this is a female moose, which I believe is called a cow, as opposed to a bull. Right. But the bulls, even their horns have that hand like quality to them. You know, it looks kind of like an outstretched hand. 4:22 Wes: Interesting. 4:24 Erin: Yeah. They're not majestic. 4:25 Wes: Yeah, I think that's important to the poem. It's not some obviously majestic creature, although it is large and there is majesty in it in the poem, but it's not the typical majesty that you can just get from, oh, look at this beautiful animal. 4:41 Erin: Yeah. And this is kind of why I brought up my grandfather. There was some connection for me as I think there is something quite personal going on with the moose at the end, other than the shared experience of everybody in the bus, all of that. Like there's something bigger than us, more than us, and yet familiar in a way. And it's magical in a sense, because to see it is kind of a rare thing. Yet it also comes out of the landscape that she's that she's grown up in and that she's part of. I think there's a. Yeah. A lot of interesting dualities going on. 5:17 Wes: Okay. So maybe you can read the whole thing and then you could give a little bit. Or we could give a little bit of the biographical background because this is a bus trip she actually took. Right. 5:26 Erin: Yeah. 5:27 Wes: The significance of Nova Scotia, which is where she's departing from in the poem and all of that stuff. But. Yeah. Do you want to start by reading? 5:35 Erin: Sure. The moose from narrow provinces of fish and bread and tea, home of the long tides, where the bay leaves the sea twice a day and takes the herrings long rides where if the river enters or retreats in a wall of brown foam depends on if it meets the bay. Coming in the bay, not at home, where silted red sometimes the sun sets facing a red sea and others veins the flats. Lavender rich mud and burning rivulets. On red gravelly roads, down rows of sugar maples, past clapboard farmhouses and neat clapboard churches, bleached ridged as clam shells, past twin silver birches through late afternoon a bus journeys west, the windshield flashing pink, pink glancing off of metal, brushing the dented flank of blue beat up enamel, down hollows, uprises and waits patient, while a lone traveler gives kisses and embraces to seven relatives and the collie supervises goodbye to the elms, to the farm, to the dog. The bus starts. The light grows richer. The fog shifting, salty, thin, comes closing in. Its cold round crystals form and slide and settle in the white hen's feathers in gray glazed cabbages on the cabbage roses and lupins like apostles. The sweet peas cling to their wet white string on the whitewashed fences. Bumblebees creep inside the foxgloves and evening commences. One stop at Bass river, then the economies, lower middle, upper five islands. Five houses where a woman shakes a tablecloth out after supper. A pale flickering gone the Tantramar marshes and the smell of salt hay. An iron bridge trembles and a loose plank rattles but doesn't give way. On the left a red light swims through the dark. A ship's port lantern. Two rubber boots show illuminated, solemn. A dog gives one bark. A woman climbs in with two market bags. Brisk, freckled, elderly. A grand night. Yes, sir. All the way to Boston. She regards us amicably. Moonlight as we enter the New Brunswick woods. Hairy, scratchy, splintery moonlight and mist caught in them like lamb's wool. On bushes in a pasture the passengers lie back, snores some long sighs. A dreamy divagation begins in the night, a gentle auditory slow hallucination in the creakings and noises, an old conversation not concerning us but recognizable somewhere back in the bus, grandparents, voices uninterruptedly talking in eternity, names being mentioned. Things cleared up finally. What he said, what she said, who got pensioned. Deaths, deaths and sicknesses. The year he remarried, the year something happened, she died in childbirth. That was the son lost when the schooner foundered. He took to drink. Yes, she went to the bad when Amos began to pray, even in the store and finally the family had to put him away. Yes, that peculiar affirmative. Yes, a sharp indrawn breath, half grown, half acceptance. That means life's like that, we know it. Also death talking the way they talked in the old featherbed, peacefully on and on, dim lamplight in the hall, down in the kitchen, the dog tucked in her shawl. Now it's all right now, even to fall asleep, just as on all those nights. Suddenly the bus driver stops with a jolt, turns off his lights. A moose has come out of the impenetrable wood and stands there, looms rather in the middle of the road. It approaches, it sniffs at the bus's hot hood, towering antlerless, high as a church, homely as a house or safe as houses, a man's voice assures us, perfectly harmless. Some of the passengers exclaim in whispers, childishly, softly, sure are big creatures. It's awful plain. Look, it's a she. Taking her time. She looks the bus over, grand, otherworldly. Why. Why do we feel. We all feel the sweet sensation of joy? Curious creatures, says our quiet driver, rolling his Rs. Look at that, would you? Then he shifts gears for a moment longer by craning backward. The moose can be seen on the moonlit McAdam. Then there's a dim smell of moose, an acrid smell of gasoline. 11:05 Wes: Thank you. Very nice. It's really great to hear it spoken out loud. Spoken is the wrong word. It's the word read, performed. Do you want to say anything about the form of the poem before I ask you about some of the autobiographical background? 11:22 Erin: Yeah. Short lines, six line stanzas, 20, I believe. 28 stanzas in all. Irregularly rhymed, should we say? Kind of like a lot of bishop, you know, we get A, B, C. Then sometimes not rhymed where you might expect. So the rhymes peek their heads out and then. And then recede. Chatty a little bit in places, lots of repetitions of words. But that. That's something we could talk about More. But, yeah, kind of. Kind of mysterious form. One of the best things I've ever heard or read, I guess, about Bishop was by Michael Hoffman, who wrote quite a bit about her. And he said that it seems as though every time Bishop is writing, whether in form or in a kind of nonce form that she's creating, that she seems to be just inventing every form, like from scratch. You know, there's no blueprint. She doesn't have a familiar style in which she writes or particular kind of verse form that she seems to gravitate to. And when she writes, you know, a sistina or a villanelle or a sonnet or something like that, it seems like she's almost inventing the form as she goes along. And in this instance, there's a real. I keep wanting to say homemade after Crusoe in England. But, yeah, I think that's maybe what he was trying to get at, that homemade quality, that sort of bespoke kind of quality. And in the places where the rhyme goes in and out, I think that's really exemplified. 12:53 Wes: Well, it better be bespoke. She took forever to write it. 12:55 Erin: Yeah, that's right. She started this in, I think, 1946. 13:01 Wes: And then she finished it when this 13:04 Erin: was published in Geography 3. So she finished it in the 70s. 13:07 Wes: Okay. 13:08 Erin: Geography 3 came out in 1977. And this must have been published before then, individually, perhaps in the New Yorker, I think. Oh, geography three is 76. I would say maybe 72 is the date that comes to mind. Don't quote me on that. 13:24 Wes: Do we know why it took her so long? Obviously, she put it down for a couple days here and there. 13:29 Erin: It was the July 15th issue, 1972. So close to the day that we're recording. Why did it take her so long? She just worked on things forever and ever and ever. You see it, if you read. I highly recommend to listeners that they Get Words in Air. A very, very thick book of all the letters between Bishop and her friend Robert Lowell. You see her bringing up things or even mentioning in a description that she's writing to Lowell in a letter, a line that will later show up in a poem. Yeah. Low rate of productivity is great to. 14:08 Wes: You know, I can relate to that. 14:11 Erin: I take it as my model, honestly. Like, you know, live. Live Large and die with a slim Collected is kind of a. 14:19 Wes: Kind of a great Monroe Doctrine. But call it. What's another name? Bishpro. 14:28 Erin: That's right. 14:29 Wes: Is it right that she was forced to complete it because she agreed to read it this is something for deadlines. Right. At Harvard's Phi Beta Kappa ceremony. 14:38 Erin: I didn't know that. I know she read it at that ceremony, but I didn't know that that's what. The impetus for completing it. But that doesn't surprise me. 14:45 Wes: Yeah. So deadlines help every once in a while. 14:47 Erin: Absolutely, absolutely. 14:49 Wes: And then biographically. Right. This is based on a trip that she actually took, and she. She'd been to visit relatives in Nova Scotia and then came back on this bus trip. And the. There really was a moose. There really was a collie. Seven relatives for the rest of it. Yeah, yeah. Seven else. 15:11 Erin: Yeah, yeah. The specificity and all of it's. You know, there is a kind of like a photo realism, not just in the style, but in the. You know, we could sort of be certain that these things happened the way that she is recording them somehow, and yet she's spinning it into something more than just reportage. 15:30 Wes: So she was raised partly by her grandparents in Great Village, Nova Scotia. Right. Her. Her father had died in infancy and her mother was institutionalized. 15:41 Erin: That's right, yeah. 15:41 Wes: She aged at. When she was 5. 15:43 Erin: That's right. 15:44 Wes: So it's important just because. Yeah. The bus is leaving Nova Scotia, but go. Go ahead. 15:48 Erin: Yeah, it is important. She was born in 1911 in Worcester, Massachusetts, and she's buried there. I've seen her grave up there. It has a line or two lines from the bite on her tombstone. All the untidy activity continues. Awful but cheerful. Yeah. So she was born in 1911. Her father died, I think, of Bright's disease when she was 8 months old. And then her mother was institutionalized when she was 5, and she never saw her again. She didn't die until the 30s, I think, while Bishop was at Vassar. 16:23 Wes: Do we know what she was institutionalized for? Mental illness in general? 16:28 Erin: Yes. I don't know exactly what. In a short story of Bishop's, she describes as her. A scream coming from her mother. And whatever was wrong was exacerbated by her husband's death. And so then Elizabeth was left to be raised by her grandparents in Nova Scotia who were quite poor. And I guess she was kind of running around barefoot on the farm and stuff like that. And her father's family were very wealthy, and so when they came up to visit Elizabeth, they were, I guess, horrified by the fact that she was just like, you know, running around, hanging out with farm animals. And they took her to. Back with him to Worcester, and she was very unhappy there. Very ill child. She had asthma and eczema. And really, like, I think almost died of both at one time or other, very unhappy. And then eventually she moved to an aunt's house in, I want to say, in Revere, Massachusetts, and she was a little happier there. And then she went to Vassar, and I've been to the Vassar campus to see various buildings associated with Bishop and also to see. They did a really fabulous exhibition of her postcards at the Vassar Library a couple of years ago, which I really loved, seeing her hand and her little. In jokes and asides and really amazing to see. Anyway, at Vassar, the librarian there set up a meeting between Bishop and Marianne Moore, who became a mentor to her. They were very close. And then also over the course of her life, she was very close with and had an important friendship with Lowell. Hence the enormous book of letters. I have it here. It's so heavy I could barely pick it up. But this is a great book. It's kind of like an epistolary novel. Yeah. And she was. I think it's important to say, too, that she was a lesbian who had a very long relationship with a Brazilian architect named Lota de Mecedo Soares, who was her partner in Brazil for 15 years. She lived down there, known for travel. A lot of her collections, whether it's Geography three, which is the most obvious one, or north and south, have. There are a lot of Brazilian pumps. There are a lot of geographical poems. The first poem in her first collection, north and south, was the Map, which is often read as a kind of ars poetica. She's known for these types of, you know, sweeping landscapes that the moose begins with, and an interest in landscape and in this kind of bird's eye view. But then also you get these telescoping details, like a cinematic close up interspersed. Much is made of that in Bishop, of that kind of vision of hers, and specifically of, I don't know, the idea that she creates these. These beautiful miniatures, which is true, but maybe sometimes can be a little. I mean, she's revered, as she should be, and she's one of the most popular poets and she also has a great ear and she has so many other great things going on. So I don't want to exclusively focus on that kind of visual element, though it's there and it's very rich. 19:43 Wes: So from narrow provinces of fish and bread and tea. That's a very good opener. Why are they narrow provinces? And what is the. What are the fish and bread and tea doing? Fish and bread sounds vaguely like it could be a biblical reference, but maybe it's not. But you add tea. Right. There's something mundane here and perhaps restricted, provincial. And that's what she's going to be departing from. I mean, well, begins with the tides, but. 20:12 Erin: Yeah, right. Yeah, that's right. Narrow in a few kinds of ways. Because there's a strange. Because of the Bay of Fundy, there's almost that like U shaped corridor of land around it. So Nova Scotia is kind of narrow. And then up into. Then there's the narrow isthmus. I don't know, I don't know if I'm using that word correctly. Up into New Brunswick. Yeah, so there's something maybe a little, I don't want to say spiritually narrow, maybe somewhat limited or like practical. Practical and, you know, just the necessities and a place we learn that that is. That maybe has to be stalwart in response to the vagaries of the water around it. The Bay of Fundy, I was reading online, the tide, over the course of just one tide, can rise and fall 50ft because the bay is like a giant funnel. When it goes out, it just leaves this vast, open, muddy plain basically behind it. 21:16 Wes: She portrays this very beautifully. We get the image of the tide retreating and then the flats that are being illuminated by the setting sun as burning rivulets. And then there's almost a transition into the bus ride when she says on red gravelly roads, eventually the subject of that is going to be the bus. Although in the beginning, before we get to the bus, it looks like the rivulets have almost become roads. So you almost get the sense like the tides come in and it's going to go further inward, it's going to go all the way to Boston, but it's going to become the inhabitants of the bus who are much like the herrings. Right. In the first stanza. The herrings on the tides take herrings on long rides. So it's almost as if as the tide comes in, she is caught in the tide and brought along with it towards her destination. 22:08 Erin: That's right, yeah. And the bay itself, the water itself is also like a traveler, you know, you might go to visit it and find it's not at home, it's gone out for on a trip or something. So there's also that connection as well. Whereas the roads are part of this more solid and dependable and the water being fickle and not always depended on to be there. 22:31 Wes: Well, I was going to say there's something very poignant about the way she describes the tides and whether they're in or out. And I can't put my finger on it exactly. It's almost. It's this idea of. Right. Where if the river enters or retreats in a wall of brown foam depends on if it meets the bay. Coming in the bay, not at home. If the tide is in or coming in the river clashes with it in a wall of brown foam. Is that the idea now? And what's the image there? Is it always a wall of brown foam? Well, either way, I just. Something about this idea of. It depends on whether the bay is at home or something like that. It's a poignant image. 23:12 Erin: It is. It's that sense of just. Of disappointment or just missing someone, like a missed opportunity. Seems kind of surprisingly emotionally resonant, considering that she's talking about a tide. 23:25 Wes: And we. You know, it introduces the idea of home and. Which I think will be significant. And later on we'll talk about whether the moose is safe as houses and the reflections of the elderly and all that stuff. But. 23:40 Erin: And boundaries, too, right. You have very slippery boundary between the bay and the. And the sea, between the rivers and the bay that feeds them. And I think that boundary very much plays into the idea of home. And you could say that the bus seems to be a part of that too. Right. Like the bus becomes the home. So there's a little bit of the slippery idea of this transposition of home life into the bus, or the people on the bus all becoming the. We like a family within it. The way that it can literally cross national boundaries. It's going to Boston across the border. 24:18 Wes: Yeah. And then they'll be observing provincial life, I guess, from within the bus. And. And, you know, a woman shaking out an apron, for instance, or home life. But, yeah, I had the same thought to you. The bus. The interior of the bus becomes its own kind of mobile home, I guess. I guess the wall brown foam part. There's that push and pull, or it's a matter of who's doing the pushing. Right. In one case, the brown foam. The wall of brown foam is caused as. As the river pushes on the retreating tide. And the other case, it's the tide pushing back against the river as it comes in. But in either case, there's a clash there. 24:58 Erin: Then there are places, though, where there's blurring of boundaries. Like one of my favorite lines in the whole poem, the idea of the churches as ridged as clamshells. She always takes that. This is much remarked upon among scholars of Bishop. Where you get the thing that's. That's really big, suddenly reduced in size to the handheld, but coming out of the same idiom. You know, both the clamshell and this clapboard church are in a way equally native to Nova Scotia. The brilliance of connecting those two things and fishing being an industry in the area, you know, sort of springing out of the fishing industry. 25:42 Wes: Yeah. And shells are what's left as the tide retreats. Right. As it's as if the houses are just the natural residue of a retreating tide. 25:52 Erin: That's great. 25:52 Wes: From the beginning of the poem, there's a sense of momentum, and almost like you, at least in my case, I felt like I'm on a camera moving over the landscape, and it starts with the tide, and then it moves to the burning rivulets. Right. So now we're hovering over. I don't know what you would call it, a. A tidal plane. Anyway, she calls it the flats. Right. So all the silt, and we're moving along there, and then suddenly we're on a gravelly road. So the sun takes over from the sea. The redness of the sun. And then the bus takes over from the sun. But that's the momentum of the poem is from sea to sun to bus. 26:37 Erin: Yeah. The bus flashes pink. We get lots of pairs of the same word, creating a kind of chime with each other. So we get the windshield flashing pink. Pink glancing off of metal. And we wonder, I suppose, because part of the reason why the roads are red is because of the clay content. Right. Of the road itself. So we get that combination of, like, something red in the road or in the composition of the soil and rock of the area. 27:07 Wes: Laterite, I think, which I only know because of Graham Green, who I've been reading. Oh, and what heart of the matter. He's talking about laterite houses, like. So from the red clay, you can make, you know, homes from as well, and common in Sierra Leone. So he used the word like a hundred times before he finally looked it up. All right. There must be something that's going to not know what he's talking about. I'm like, oh, okay, now I get it. Yeah. 27:41 Erin: So that's the mineral, the. 27:44 Wes: It's reddish. Yeah. Reddish clay type of soil, topsoil or something like that. I should know more about this because I used to write about this, too, when I was writing about transportation and engineering. 27:56 Erin: Right. 27:57 Wes: It's important what kind of soil you're building on. But anyway, I remember nothing about that. But, yeah. So it could be the right word. Who knows? But. But, yeah. So you're getting at the. Yeah. The way the redness of the sun is interacting with the. 28:12 Erin: Yes, it's coming. 28:13 Wes: The redness of the soil. 28:14 Erin: Yeah. And that kind of redness coming from below and above to glint off of the bus. The windshield is flashing pink from the sun and the metal is flashing pink from the road. They're both brushing the dented flank of the blue beat up enamel from one direction or the other, it seems. Yeah. Sort of tunnel of red in which the. In which the bus is traveling. 28:41 Wes: Such a vivid image that she gives us. It made me think, you know, sometimes it's almost better than film. It's more vibrant or more. Don't know how to say it, but I was thinking about this because in some of the philosophy podcasts we do, there are philosophers who deny that we have imagery in our head. Exactly. Or we can never. Which seems true. Right. We can't imagine anything with the vividness that we would have if we actually saw it. But it makes me think when I read a poem like this, but also. And also reading some of the novels I've been reading. Well, there's a special kind of vividness to figurative language that perception can't capture. In some ways it's more. More vivid, definitely. 29:26 Erin: I think the sonic quality of the word, the repeated. Right. It's on the one hand a repeated image, but then it also creates that kind of just the soundscape, makes them feel somehow more synesthetic to say, but somehow more picturable or more tangible or more. I don't know, the pink glancing off metal, the dented flank beat up enamel. You know, there's just. It's like. I think that's contributing to it, to the vividness of the image. And yeah, you talked about momentum, too. I mean, this entire. This whole first sentence is six stanzas long. It ends with. And Akali supervises. So there's also that kind of. Yeah. Locomotive propulsion of the camera work, so to speak, Zooming in and then following the road into the bus. And then the bus arrives to sort of catch again, quite cinematically the scene that's actually happening or the place where the eye, if there is an eye in the poem, actually is the lone traveler embracing these relatives with the collie watching on. So there's a sense in which the I eye of the poem doesn't actually catch up with the speaker until stanza six and the end of this first sentence until we get goodbye to the elms, to the farm, to the dogs. So there's kind of lamination at that moment of the I eye and the capital I. 30:49 Wes: We seem to be gradually getting more of a point of view. Right. It's very omniscient in the beginning, hovering over the landscape. And I think gradually we're going to be getting a her point of view in the bus and then a we. But also just to note, this is one. I think this is the first of three pauses. Right. There's gonna. It's gonna pause here, the bus. The momentum is gonna stop as the bus lets on the lone traveler, which I presume is her. Right. Her saying goodbye. And then there'll be a pause when the amicable freckled woman gets on. She's there because we need everything to be in threes. And then we. Then we're gonna pause for the moose in the very end. I didn't miss anything. Right. There's not other places where we stop? 31:32 Erin: No. I mean, there are, of course, stanzas that end some more definitively than others and stopped with a period. There's a stop at Bass River. Right. So there is a little bit of that kind of start. Stop syntactically. But I think you're right that those are the stops where there's content. 31:49 Wes: Content goes. 31:50 Erin: Yes. And where there's a very particular. Yeah, the content of the bus, except for the moose obviously doesn't get on the bus. But there's a stop that's motivated, let's say, rather than just being described as various stops along the way where we don't know who got on and who got off or whatever. Certainly there's also a movement toward that more personal experience of the speaker. But then there are also things that the speaker couldn't possibly know or you know, because once she's said goodbye to everyone and gets on the bus, then we also get the sort of nature show close ups. The crystals of fog, the lupins like apostles, the sweet peasants clinging. One of my favorite parts, clinging to their wet white string on the whitewashed fences. Again, we get two uses of white right next to each other. Bumblebees creeping in the foxgloves. All things you really can't see from certainly from a moving bus. 32:43 Wes: Yeah, the point of view gets focused very, very gradually, maybe through the whole palm. Maybe it's not fully focused until the very end, but. Yeah. So you're pointing out something important which is at the sort of omniscient point of view is still here in these very. What do you call it when you take a close up with your phone? Macro, ironically. Yeah. These very close up pictures of flora and fauna and very Beautiful. 33:12 Erin: Yeah. They compound and then they get more and more loaded and mysterious. And just when we're about to maybe go over the edge, we get recalled back a little bit. That's at least how I'm reading, for instance, stanza 12, about the ship's port lantern and the boot and the bark of the dog. And then suddenly a woman climbs on the bus. And so we're sort of stopped from going off into some sort of train of thought that you could follow there down a rabbit hole. But I love that stanza on red light swimming through the dark. It reminds me of the last stanza of disillusionment, of 10 o'. Clock. Do you know the old sailor, drunk and asleep in his boots, catches tigers in red weather? I think that's how it goes, the Stevens bomb, because we get the boots and the red light in the ship, so they're probably. No. No real connection there. 34:07 Wes: So all of these little intricate descriptions that she's giving, right. It begins with the light growing richer, which I take it mean, means we're approaching dusk and evening, or we're in dusk and it's evening is approaching and a kind of mini winter, Right. Something. It's a diurnal cycle, but there's a bit of a parallel to something seasonal. Right. So we get crystals forming and the images like sweet peas clinging and the bumblebees inside foxgloves. As evening commences, it's almost like. I don't know if this is true, but it's almost as if we're getting the response of the animals and flora and fauna to the commencement of evening. That's our first indication of it. So I was surprised to see, okay, it's still light out enough for us to see a woman shaking a tablecloth out after supper. And that is beautifully described as a pale flickering. Right. Almost as if that's something like the light reflecting off the enamel bus, or not pink anymore, but just a flickering of pale light and then gone, I suppose. Does that mean that we're now without light? Is that sort of the way nighttime is ushered in by the end of the next stanza? And it's in the next stanza that we see a red light in the dark. Now we have a ship in the dark. So it's almost as if. Yeah, the shaking of the tablecloth is like a magician. Abracadabra. Now it's nighttime, Right? 35:39 Erin: Yeah. I love that. Yeah. You're making me realize how many connections there are to Keats in this poem. Right. There's something Keatsian about it, very. To Autumn, you get the sweet peas clinging on the fence. You get that image of fecundity things on top of other things. You know, the mossed cottage trees and the late flowers for the bees. And then the shaking out of the tablecloth is like the hair lifted by the winnowing wind. Right. Because there's. There's wind, there are flowers and bees. And then there's also, of course, redness and that image of, you know, like the evening. Autumn. Evening redness. And maybe this is. Yeah. Rows of sugar maples. Those could be red as well. If we're in an autumnal landscape, can't be too late because everything is, you know, it's got to be like August, maybe because we have this. Or. No, I guess maybe not. Gray glazed cabbages. I don't know enough about cabbages to know at what point in their development. 36:40 Wes: Yeah. Whatever season it is. I just think that the evening is almost like a mini winter. It gets colder and we see the. 36:46 Erin: Definitely. 36:47 Wes: We see the effects of it. But, yeah, maybe autumn is probably the logical season for. 36:53 Erin: Right. Yeah. And that point. Or that point in the transition from summer to autumn where, I mean, even on a summer night in Nova Scotia, the evening temperature is quite autumnal regardless. And so when the woman climbs on with the market bags, we get. 37:09 Wes: Shall we take a. Shall we? 37:12 Erin: Oh, yes. 37:13 Wes: Let's let the freckled amicable woman on in part two. 37:17 Erin: She'll have to wait. 37:18 Wes: Let's not let her on the bus yet. 37:20 Erin: You have to wait for everyone else to get off before you can get on. It's one of the cardinal rules of public transportation. Okay, we will continue in part two. Thank you. 37:29 Wes: Thank you.

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The Daily Quiz - Geography Today's Questions: Question 1: What American city, with a population of 2 million people, is nicknamed "Space City"? Question 2: Which river is joined by the Atbarah River in northern Sudan as its last tributary? Question 3: In which country would you find the Lut Desert? Question 4: Which of these cities is in China? Question 5: Which Rock Is On The South Coast Of Spain? Question 6: Which country has the oldest national flag? Question 7: Which of these cities is in New Zealand? Question 8: What two US states are rectangular? Question 9: The Hagia Sophia is an iconic structure in what city? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

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My Spiritual Geography Week 2 - The Wilderness | Wini by Door of Hope Christian Church

"How do we continue doing this work when the socio-political realities are unimaginable? I've been living in Paris the last few years, and I continue to have a full caseload in Tehran and other cities. There was a time that the internet was cut off for our Iranian patients, so there is reality, and then there is a reality that actually affects the frame -  they couldn't contact their analyst. But in the middle of all of these things, something very interesting came up, which is, some patients, as soon as there was the possibility of contacting me, they would find a way. There were other things that came up in the supervisions I was doing, particularly if the analysts were outside of Iran and the patients were in Iran. For example, one thing that came up in the supervision was that the analyst would write to the patient all the time, saying, "Are you safe? Are you okay?"  That's not something I chose to do. When we discussed this and reflected upon this in the supervisions I felt like the analysts were feeling quite guilty for feeling that they are in a safe place and the patients weren't, or they were at times terrified of the aggression that could be awaiting them in the session. It was in a sense like a little bit of an acting out on the part of the analyst."  Episode Description: We begin by acknowledging the ongoing war and Gohar's safety in Paris while many of her patients remain in Iran. We explore what this gradient  in danger between analyst and analysand means and evokes for both parties. Gohar notes that many supervisees contact their patients to ask, "Are you OK?" and she invites them to reconsider this response. She also describes working with Russian colleagues, many of whom were abandoned by their Western supervisors after Russia's invasion of Ukraine. This leads to a discussion of analytic work with patients whose political views sharply differ from those of their analysts. Gohar reflects on Jonathan Lear's concept of "radical hope" and shares her perspective on the Woman, Life, Freedom movement. She closes by reminding us that, even with those we regard as 'other,' "our emancipation is inherently intertwined, whether we like it or not." Linked Episodes: https://ipaoffthecouch.org/2022/10/15/episode-120-foreignness-the-blues-and-psychoanalysis-in-iran-with-gohar-homayounpour-psyd-tehran/ https://ipaoffthecouch.org/2025/09/21/episode-189-when-we-feel-provoked-by-the-politics-of-our-patients-with-heribert-blass-dr-med-md-dusseldorf-germany/ Our Guest: Gohar Homayounpour PsyD is a psychoanalyst and author. She is a member of the International Psychoanalytic Association, the American Psychoanalytic Association, the Italian Psychoanalytical Society, and the National Association for the Advancement of Psychoanalysis (NAAP). She is a Training and Supervising Analyst of the Freudian Group of Tehran, of which she is  the founder and past president. She is a member of the scientific board of the Freud Museum in Vienna and of the IPA group Geographies of Psychoanalysis. She serves on the editorial board of The Psychoanalytic Quarterly, Vestigia and Psychoanalysis, Culture & Society. She is also the editor-in-chief of the series Psychoanalytic Notebooks, published in Iran by Ghatreh Publishing House. Her first book, Doing Psychoanalysis in Tehran won the Gradiva Award and has been translated into many languages. Her latest book is Persian Blues: Psychoanalysis and Mourning.    Recommended Readings:  Homayounpour, G. (2012). Doing Psychoanalysis in Tehran. Cambridge, MA: MIT Press.   Homayounpour, G. (2022). Persian Blues: Psychoanalysis and Mourning. London: Routledge.   Lear, J. (2006). Radical Hope: Ethics in the Face of Cultural Devastation. Cambridge, MA: Harvard University Press.   Busch, F., & Delgado, N. (Eds.). (2024). The Ego and the Id: 100 Years Later. London: Routledge.   Lorena Preta (2024). Geographies of Psychoanalysis - Encounters in Tehran. London: Routledge.   Bolognini, S., & Nicoli, L. (2024). Freud and the Changing World: Contemporary Psychoanalysis and Its Troubles. Bicester, UK: Phoenix Publishing House.  

Quelle est la plus vieille invention entre le papier, la géométrie et l'esclavage ? Sans surprise, l'esclavage est le grand gagnant, étant apparu comme l'écriture durant le Néolithique. Depuis le temps, il y a eu beaucoup de révoltes d'esclaves, dont certaines qui ont marqué l'Histoire, comme Spartacus. Mais aujourd'hui, pas d'Antiquité, pas d'Empire romain, on va partir au Brésil et parler de la plus longue révolte d'esclaves de la colonisation de l'Amérique : le quilombo de Palmares !Bonne écoute !

Can nature help us to feel less alone?

If you enjoy this episode, we're sure you will enjoy more content like this on The Occult Rejects.  In fact, we have curated playlists on occult topics like grimoires, esoteric concepts and phenomena, occult history, analyzing true crime and cults with an occult lens, Para politics, and occultism in music. Whether you enjoy consuming your content visually or via audio, we've got you covered - and it will always be provided free of charge.  So, if you enjoy what we do and want to support our work of providing accessible, free content on various platforms, please consider making a donation to the links provided below.  Thank you and enjoy the episode!Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Substackhttps://substack.com/@theoccultrejects?r=7auau0&utm_campaign=profile&utm_medium=profile-pageCash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsPrimary SourcesPrimary SourcesAeschylus. Eumenides.Cicero. On Divination.Herodotus. The Histories.Homeric Hymn to Apollo.Pausanias. Description of Greece. Book 10.Pindar. Pythian Odes.Plutarch. Life of Lycurgus.Plutarch. “On the E at Delphi.” In Moralia.Plutarch. “The Obsolescence of Oracles.” In Moralia.Plutarch. “The Oracles at Delphi No Longer Given in Verse.” In Moralia.Strabo. Geography.Official and Reference SourcesArchaeological Site of Delphi, Hellenic Ministry of Culture. “Excavations.”Archaeological Site of Delphi, Hellenic Ministry of Culture. “History of Delphi.”Archaeological Site of Delphi, Hellenic Ministry of Culture. “Mythological Versions of the Foundation of the Oracle.”Archaeological Site of Delphi, Hellenic Ministry of Culture. “The Sphinx of the Naxians.”Archaeological Site of Delphi, Hellenic Ministry of Culture. “The Temple of Apollo.”Archaeological Site of Delphi, Hellenic Ministry of Culture. “The Treasury of the Siphnians.”Encyclopaedia Britannica. “Delphi.”Encyclopaedia Britannica. “Delphic Oracle.”Encyclopaedia Britannica. “Hieromnemon.”Encyclopaedia Britannica. “Python.”Encyclopaedia Britannica. “Pythian Games.”UNESCO World Heritage Centre. “Archaeological Site of Delphi.”Modern ScholarshipChappell, Mike. “Delphi and the Homeric Hymn to Apollo.” The Classical Quarterly 56, no. 2 (2006).de Boer, Jelle Z., John R. Hale, and Henry A. Spiller. “The Delphic Oracle: A Multidisciplinary Defense of the Gaseous Vent Theory.” Clinical Toxicology 40, no. 2 (2002).Etiope, Giuseppe, et al. “The Geological Links of the Ancient Delphic Oracle.”Fontenrose, Joseph. The Delphic Oracle: Its Responses and Operations, with a Catalogue of Responses. Berkeley: University of California Press, 1978.Forrest, W. G. “The First Sacred War.” Bulletin de Correspondance Hellénique 80 (1956).Fragkaki, Maria. “The Great Rhetra.” Rosetta 17 (2015).McInerney, Jeremy. “Parnassus, Delphi, and the Thyiades.” Greek, Roman, and Byzantine Studies 38, no. 3 (1997).Piccardi, Luigi. “Active Faulting at Delphi, Greece: Seismotectonic Remarks and a Hypothesis for the Geological Environment of a Myth.” Geology 28, no. 7 (2000).Scott, Michael. Delphi: A History of the Center of the Ancient World. Princeton: Princeton University Press, 2014.Strolonga, Polyxeni. “The Foundation of the Oracle at Delphi in the Homeric Hymn to Apollo.” Greek, Roman, and Byzantine Studies 51 (2011).Music, Inscriptions, and ArchaeologyArchaeological Museum of Delphi. Museum collections and interpretive materials.The Delphic Hymns to Apollo.École française d'Athènes. Fouilles de Delphes.Also want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. 

Hello, Puzzlers! Today: A.J. & Greg experiment in the puzzle lab with some extra spicy geography-themed puzzles.Join host A.J. Jacobs and his guests as they puzzle–and laugh–their way through new spins on old favorites, like anagrams and palindromes, as well as quirky originals.Subscribe to Hello, Puzzlers! wherever you get your podcasts! And come join our growing puzzle community over on Patreon, where you can find bonus episodes and other exclusive content!Our executive producers are Neely Lohmann and Adam Neuhaus of Neuhaus Ideas.The show is produced by Claire Bidigare-Curtis.Our Chief Puzzle Officer is Greg Pliska. Our associate producer is Andrea Schoenberg.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Africa Melane speaks to Professor Jasper Knight about the geology, history and natural significance of Augrabies Falls. Presenter John Maytham is an actor and author-turned-talk radio veteran and seasoned journalist. His show serves a round-up of local and international news coupled with the latest in business, sport, traffic and weather. The host’s eclectic interests mean the program often surprises the audience with intriguing book reviews and inspiring interviews profiling artists. A daily highlight is Rapid Fire, just after 5:30pm. CapeTalk fans call in, to stump the presenter with their general knowledge questions. Another firm favourite is the humorous Thursday crossing with award-winning journalist Rebecca Davis, called “Plan B”. Thank you for listening to a podcast from Afternoon Drive with John Maytham Listen live on Primedia+ weekdays from 15:00 and 18:00 (SA Time) to Afternoon Drive with John Maytham broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/BSFy4Cn or find all the catch-up podcasts here https://buff.ly/n8nWt4x Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

The Daily Quiz - Geography Today's Questions: Question 1: Which island country lies to the West of Australia? Question 2: What is the capital city of Afghanistan? Question 3: What is the name of the natural wonder that stretches over 1,250 miles off the east coast of Australia? Question 4: Which region of the world uses '.uy' at the end of its web addresses? Question 5: Where would you find the city of Novosibirsk? Question 6: What is a piece of shallow saltwater seperated from the deeper sea by coral or sand called? Question 7: What does the flag of Estonia look like? Question 8: What is the capital city of Liechtenstein? Question 9: What is the largest desert in India? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Marcus' What You Know 'Bout That trivia game for Wednesday August 5th, 2026. See omnystudio.com/listener for privacy information.

And we're back... Iggy for Mayor. Chat GBT. Lern's dream about sleeping with the Quaker Oats guy. Ken's thoughts. Fan Page nonsense. Guns & Roses. Geography lesson. Swope's Picks. Physical media. Iggy vs. KG. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Geography, German Success in Russia, Economies, and much more in this listener question episodes. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices

Communication is far more than delivering messages — it is the foundation for  trust, innovation, shared vision, and long-term organizational success. In this episode of “The Voice of Leadership,” Dr. Karen explores how executive leaders strengthen communication by creating an environment where employees speak up without fear. When people find their voice, their teams perform … The post Legacy Communication Strategies: Trust Across Generations, Geography, and Change (Episode # 531U) first appeared on TRANSLEADERSHIP, INC®.

I can think of few 18-month periods where shipbuilding, the merchant marine, and the importance of a strong maritime sector in the U.S. has been a more active topic. Near the center of this conversation—or at least a few paragraphs in—is a long-time friend of the show, Dr. Sal Mercogliano—returning to the Midrats Podcast.Sal is the Chair of the Department of History, Criminal Justice and Political Science at Campbell University; a former merchant mariner; and a contributor to USNI Proceedings, Sea History, Naval History, and gCaptain.He is also the host of the YouTube channel, What's Going on With Shipping.Show LinksWhat's Going on With ShippingUnauthorized History Podcast with Sal Mercogliano on WWII OilersSummaryBoth Sals and Mark discuss the importance of maritime security, supply chain resilience, and the strategic challenges posed by geopolitical conflicts in this in-depth interview. Additional discussion dives into global choke points, military logistics, and the future of US shipbuilding.Chapters00:00: Introduction and Guest Introduction02:45: Sal Mercogliano's Background and Expertise04:03: The Growth of Shipping Content and Public Interest06:01: Impact of Evergiven Suez Canal Incident07:02: Fragility of Global Supply Chains09:37: Freedom of the Seas and Modern Challenges10:36: Geopolitical Threats to Maritime Trade12:02: Geography, Choke Points, and Strategic Control13:25: Effects of Strait Closures on Economics and Security14:43: Historical Lessons from Past Conflicts16:06: US Military and Commercial Shipping Interplay18:43: Offshoring Shipbuilding and Its Consequences21:01: Revitalizing US Shipbuilding Industry24:32: Logistics Support and Military Readiness27:18: Protection of Critical Shipping Assets30:42: Rising Sea Blindness and Strategic Awareness33:00: Black Sea and Ukraine Conflict Insights36:20: Trade Interdiction and Potential for Conflict39:37: Global Supply Chain and Energy Security41:33: Manpower and Workforce Challenges in Shipping44:13: Defense Strategies for Maritime Security48:33: Protection of US Naval and Commercial Assets52:50: Technology and Innovation in Maritime Defense55:13: Jones Act and US Maritime Policy58:30: US Energy and Fuel Supply Challenges01:01:53: Future Projects and Research in Shipping

My Spiritual Geography Week 1 | Sandy by Door of Hope Christian Church

On this week's episode, I test my son on his knowledge of Real verses Fake city names. How did you make out with this list of cities? We'd love to hear from you! Please send us an email to not2seriouspodcast@gmail.com. Please enjoy!

As Billy Connolly once said, "Never trust a man when left in a room with a tea cosy...doesn't try it on".Why not make a pot, grab a cup of tea & join the lads on this episode of It's All Music where they reminisce about Mayo winning the GAA football All Ireland Final...last weekend! Reminiscing all ready!How music can only add to an event like that is discussed by the lads and a song thrown in by Carey.Drug testing at Electric Picnic music festival is discussed by Quirky where Carey claims he will never need to use it seen as he's "gone from all that now". He has decided he's "going on the Queencakes" and has found a local dealer "Pablo Ester-bar".Plenry of laughs, chats and craic throughout and Quirky also gives us a song.The boys ended up in Eritrea over in Africa for Geography & Music.The lads have some full video episodes available on YouTube.If you like the videos, make sure to share, like & subscribe.https://youtu.be/sUkjpu1uVzw?si=FBp54wXYw5Rw3H5MMake sure to check out the It's All Music Patreon Page for “behind the scenes” footage & some bonus content…or if you'd just like to support the It's All Music Podcast.https://www.patreon.com/itsallmusicpodcast?utm_campaign=creatorshare_creatorFrom Carey & Quirky @ IT'S ALL MUSIC - THANKS FOR LISTENING Hosted on Acast. See acast.com/privacy for more information.

If you enjoy this episode, we're sure you will enjoy more content like this on The Occult Rejects.  In fact, we have curated playlists on occult topics like grimoires, esoteric concepts and phenomena, occult history, analyzing true crime and cults with an occult lens, Para politics, and occultism in music. Whether you enjoy consuming your content visually or via audio, we've got you covered - and it will always be provided free of charge.  So, if you enjoy what we do and want to support our work of providing accessible, free content on various platforms, please consider making a donation to the links provided below.  Thank you and enjoy the episode!Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Substackhttps://substack.com/@theoccultrejects?r=7auau0&utm_campaign=profile&utm_medium=profile-pageCash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsFull Episode BibliographyPrimary SourcesAeschylus. Eumenides. Used for the ancient tradition of succession at Delphi and the mythic movement from older powers to Apollo.Cicero. On Divination. Used for ancient discussion of divination and the tradition of Delphic inspiration connected with breath or exhalation.Herodotus. The Histories. Used for Croesus, the danger of ambiguous prophecy, the Athenian “wooden wall” oracle, Themistocles' interpretation, and Delphi's role in war and public decision-making.Homeric Hymn to Apollo. Used for Apollo's Delphic foundation myth, the serpent, the movement from sacred landscape to Apollonian institution, and the Cretan priests connected with Apollo's dolphin form.Pausanias. Description of Greece, Book 10. Used for later ancient traditions concerning Delphi, foundation myths, Gaia, Themis, Python, Apollo, sacred monuments, and the Delphic landscape.Pindar. Pythian Odes. Used for the Pythian Games, victory poetry, Apollo, prestige, and the transformation of athletic victory into sacred memory.Plutarch. Life of Lycurgus. Used for Lycurgus, the Great Rhetra, and the tradition of Spartan law receiving Delphic sanction.Plutarch. Moralia: “On the E at Delphi.” Used for the mysterious letter E at Apollo's temple and ancient philosophical interpretations of its meaning.Plutarch. Moralia: “The Oracles at Delphi No Longer Given in Verse.” Used for Delphic verse, the change in oracular style, and ancient reflection on why the Pythia no longer gave responses in meter.Plutarch. Moralia: “The Obsolescence of Oracles.” Used for Delphi in the Roman period, the decline of oracular centers, Plutarch's reflections on divine inspiration, and the tradition that Delphi once had multiple priestesses.Strabo. Geography. Used for ancient geographical description of Delphi and the tradition of the oracle's inspiration being connected with a breath or vapor rising from below.Official and Reference SourcesArchaeological Site of Delphi / Hellenic Ministry of Culture. “History of Delphi.” Used for Delphi's geography, Mycenaean background, Apollo's cult, Python, Cretan priests, the Amphictyony, sacred administration, Sacred Wars, Roman history, decline, and excavation.Archaeological Site of Delphi / Hellenic Ministry of Culture. “Mythological Versions of the Foundation of the Oracle.” Used for Gaia, Themis, Phoebe, Apollo, Python, Poseidon, the tripod, Athena Pronaia, the Thriae, and the dolphin/Cretan priest tradition.Archaeological Site of Delphi / Hellenic Ministry of Culture. “The Temple of Apollo.” Used for the sacred center of the sanctuary, the adyton, the temple's rebuilding history, and the architectural setting of the oracle.Archaeological Site of Delphi / Hellenic Ministry of Culture. “The Sphinx of the Naxians.” Used for the Naxian dedication, apotropaic symbolism, civic prestige, and the monument's role in the Sacred Way.Archaeological Site of Delphi / Hellenic Ministry of Culture. “The Treasury of the Siphnians.” Used for the Siphnian Treasury, its sculptural program, caryatids, wealth, painted decoration, and sacred display.Archaeological Site of Delphi / Hellenic Ministry of Culture. “Excavations.” Used for the Great Excavation, the village of Kastri, French archaeological work, and the modern recovery of Delphi.Encyclopaedia Britannica. “Delphic Oracle.” Used for the Pythia, Apollo's oracle, Delphi's high prestige, and the use of Apollo's sanction by lawmakers, colonists, and political leaders.Encyclopaedia Britannica. “Delphi.” Used for the general history and significance of Delphi as a sanctuary, oracle, and pan-Hellenic religious center.Encyclopaedia Britannica. “Python.” Used for Python as the serpent or dragon killed by Apollo at Delphi.Encyclopaedia Britannica. “Pythian Games.” Used for the games at Delphi, their musical and athletic character, their relationship to Apollo, and the laurel wreath.Encyclopaedia Britannica. “Hieromnemon.” Used for the Amphictyony, pylagorai, hieromnemones, treasury supervision, and administration of sacred affairs.UNESCO World Heritage Centre. “Archaeological Site of Delphi.” Used for Delphi's world heritage description, pan-Hellenic importance, sacred landscape, and historical significance.Modern ScholarshipChappell, Mike. “Delphi and the Homeric Hymn to Apollo.” The Classical Quarterly 56, no. 2, 2006. Used for the Homeric Hymn's Delphic foundation narrative and Apollo's Pythian identity.Fontenrose, Joseph. The Delphic Oracle: Its Responses and Operations with a Catalogue of Responses. Berkeley: University of California Press, 1978. Used as a major scholarly backbone for Delphic responses, authenticity problems, categories of consultation, and the operation of the oracle.Forrest, W. G. “The First Sacred War.” Bulletin de Correspondance Hellénique 80, 1956. Used for the First Sacred War, Krisa/Crisa, sacred access, and the political framing of Delphi's early pan-Hellenic importance.Fragkaki, Maria. “The Great Rhetra.” Rosetta 17, 2015. Used for the Great Rhetra as a Delphic oracle and the divine validation of Spartan political order.McInerney, Jeremy. “Parnassus, Delphi, and the Thyiades.” Greek, Roman, and Byzantine Studies 38, no. 3, 1997. Used for Dionysus, the Thyiades, Parnassus, mountain ecstasy, and the fact that Delphi's sacred landscape was not purely Apollonian.Piccardi, Luigi. “Active Faulting at Delphi, Greece: Seismotectonic Remarks and a Hypothesis for the Geological Environment of a Myth.” Geology 28, no. 7, 2000. Used for Delphi's faulted landscape and the modern geological debate around the oracle.de Boer, Jelle Z., John R. Hale, and Henry A. Spiller. “The Delphic Oracle: A Multidisciplinary Defense of the Gaseous Vent Theory.” Clinical Toxicology 40, no. 2, 2002. Used for the modern argument that gases, possibly including ethylene, may have contributed to the Pythia's altered state.Etiope, Giuseppe, et al. “The Geological Links of the Ancient Delphic Oracle.” Used for critique and reassessment of the geological and gaseous explanations of Delphic inspiration.Scott, Michael. Delphi: A History of the Center of the Ancient World. Princeton: Princeton University Press, 2014. Used for the broader historical arc of Delphi as sacred center, political institution, cultural symbol, and archaeological site.Strolonga, Polyxeni. “The Foundation of the Oracle at Delphi in the Homeric Hymn to Apollo.” Greek, Roman, and Byzantine Studies 51, 2011. Used for Apollo's foundation myth and the literary shaping of Delphi's origin story.Music, Inscriptions, and ArchaeologyFouilles de Delphes. École française d'Athènes. Used for the archaeological publication tradition connected with Delphi's excavation, architecture, inscriptions, sculpture, and sanctuary remains.The Delphic Hymns to Apollo. Used for Apollo's musical cult, sacred song, and the role of hymn, inscription, and performance at Delphi.Archaeological Museum of Delphi materials. Used for the Charioteer, Antinous, Kleobis and Biton, the Sphinx of the Naxians, the Siphnian Treasury, and other major finds from the sanctuary.Also want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. 

As your hiking boots air out on the back porch, take an audio hike with me into Canada's Cascades. Then, if you've got the nerve venture further north with me to a place nicknamed, "The Headless Valley."Sources:Nch'Kay' Great Flood Story, www.nchkay.comNorth Cascades, WikipediaPeaks of the North Cascades, Northwest Alpine GuidesMt. Garibaldi/Nch'Kay', Fire & Ice Aspiring GeoregionTeachings from Nch'kay' - The story behind the most notable peak in Garibaldi Provincial Park, Mountain Life MediaUnveiling the Mysteries of Black Tusk and the Garibaldi Volcano in British Columbia, Canada, YouTubeSasquatch or Ridgewalker Pete?, CBC NewsFunny Place Names of the North Cascades, The Squamish ChiefMeet the Ghosts of WhistlerThe True Crime History Behind Nahanni National Park Reserve, Valley of the Headless Men, Red Web, YouTubeThe Dark Atlas, Nahanni Valley, CanadaSend us Fan MailIf you are searching for a fresh, binge-able podcast, this might be the one for you!Support the showSupport Curious Cat, an independent, human-made podcast!***Curious Cat Podcast on Substack!***Buy Curious Cat Podcast a Coffee!

Marcus' What You Know 'Bout That trivia game for Friday July 31st, 2026. See omnystudio.com/listener for privacy information.

The Daily Quiz - Geography Today's Questions: Question 1: What is the world's largest sea? Question 2: What is the capital city of Saint Lucia? Question 3: What is the capital city of Tajikistan? Question 4: What is the capital city of Hungary? Question 5: Which of these cities is in Italy? Question 6: In which country would you find Tikal National Park? Question 7: What is the name of the street that runs from the White House to the Capitol and is used for ceremonial parades? Question 8: What is the capital city of Malaysia? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Marcus' What You Know 'Bout That trivia game for Thursday July 30th, 2026. See omnystudio.com/listener for privacy information.

In this episode, our guest is Alexander T. Whalley from the University of Calgary and we talked about his academic journey, paper suggestions, large public R&D policies, space race, and more! Host: Ruveyda Gozen (@ruveyda_gozen on X) 01:35 Big Picture Questions and Alex's Academic Journey 03:35 A Research Habit Recommendation05:01 A “Must-Read” Paper Suggestion (Enrico Moretti: https://moretti.econ.berkeley.edu ) 06:40 Returns to Public R&D: Space Race and Cold War 13:15 CIA Data: Is it Accessible? 15:39 How Should We Understand the “No Productivity Effects”? 18:30 Should Governments Implement More Mission-Focus R&D Policies? 22:01 Surprising Moments from the “Moonshot” Paper23:00 Geography of Innovation 25:56 Gaps in the Literature 27:38 Cheezy Questions & Never Have I Ever!Papers Mentioned:Moonshot: Public R&D and Growth 150 Years of the Geography of Innovation

In this episode, we discuss how geopolitical tensions and disrupted shipping routes are intensifying energy market risks and weighing on the global economy. The discussion and content provided within this podcast is intended for informational purposes only and may not be appropriate for all investors. Reliance upon information provided in a podcast is at the sole responsibility of the listener. The information included herein is not based on any particularized financial situation, or need, and is not intended to be, and should not be construed as, a forecast, research, investment advice or a recommendation for any specific PIMCO or other security, strategy, product or service. Past performance is not a guarantee of future results. All investments contain risk and may lose value. Investors should speak to their financial advisors regarding the investment mix that may be right for them based on their financial situation and investment objective. Podcasts may involve discussions with non-PIMCO personnel and such content contain the current opinions of the speaker but not necessarily those of PIMCO. Other podcasts may consist of audio recording of an existing PIMCO article and such material contains the current opinions of the manager. The opinions expressed in all podcasts are subject to change without notice. Information contained herein has been obtained from sources believed to be reliable, but not guaranteed. PIMCO as a general matter provides services to qualified institutions, financial intermediaries and institutional investors. This is not an offer to any person in any jurisdiction where unlawful or unauthorized. For additional important information go to CMR2026-0521-5513952-T

Organizational leaders are often under constant pressure to deliver simple solutions in the face of deeply complex challenges, with confidence and speed. You may experience this as a kind of "either/or" decision-making, a tension between doing things this way or that way. A leader pressured to decide quickly may miss insights that emerge from sitting with the tension within the paradox they face. Amidst these dynamics, can leaders hold the possibility of "both/and"? Our guest, Wendy Smith, suggests that moving beyond reductionist thinking requires embracing the interdependent tensions of paradox. She encourages us to shift our focus from making forced choices to discovering how opposing forces can reinforce one another. Cultivating "both/and" thinking is no longer a purely theoretical exercise; it is an essential, everyday capability needed to navigate the ambiguity of our changing world, disrupt transactional habits, and build courageous, thriving communities. Dr. Wendy K. Smith is an expert in organizational behavior whose research focuses on paradox theory and how leaders navigate competing demands to drive creative solutions. She is the co-author of Both/And Thinking: Embracing Creative Tensions to Solve Your Toughest Problems. Recognized as a Thinkers50 top global management thinker and one of the most cited researchers in her field, Dr. Smith is the Dana J. Johnson Professor of Management & Faculty Director of the Women's Leadership Initiative at the University of Delaware. She will serve as a Fellow at Harvard Business School for the 2026-27 academic year. This episode Challenges the pervasive demand for immediate clarity and rapid decision-making, demonstrating how rushing to resolve ambiguity can diminish both decision quality and human dignity. Unpacks the conceptual difference between a dilemma (a choice to be made) and a paradox (interdependent, synergistic tensions, such as stability vs. change or the abstract vs. the practical). Plays with the idea of "cauliflower living"—a deep integration where a strong global economy feeds the distinct, hyper-local traditions of communities, an example of "Both/And" thinking that revitalized Fogo Island, Newfoundland. Examines how unheld uncertainty breeds a social contagion of fear, proposing building a capacity for collective courage to hold interdependent tensions rather than retreating into polarized camps. Notes 0:00 - The Curriculum of Experience: Navigating complexity and transition 5:13 - A Career Dilemma: Finding the integration between medicine and leadership 12:04 Engaging in A Paradigm Shift: Moving away from linear reduction and towards holistic and interdependent thinking 25:19 - Cauliflower Living: Fogo Island and honoring tradition through modernity 44:05 - Interlude: Reflection on learning through paradox 46:58 - The Folly of Airport Transactions: Applying paradox in everyday moments 1:01:50 - Emotional Contagion: Addressing the fear of ambiguity in within groups 1:09:08 - Final Thoughts: "Both/And" as the next core leadership practice Citations, Papers & Recommended Reading Berg, David & Smith, Kenwyn. Paradoxes of Group Life. Kerr, Steven. On the Folly of Rewarding A, While Hoping for B. Nisbett, Richard & Peng, Kaiping. The Geography of Thought. Production Credits Learning Through Experience is hosted by Dr. Heidi Brooks and produced by Emberleaf Studio. Theme music composed and performed by Bradley Kemp.

Why do companies choose Greenville County? Site selection expert Susan Donkers reveals the hidden science behind corporate location decisions - and how everyday citizens help win (or lose) the deals that shape our community.Episode Resources:Strata PlatformsThe Ribbon Cut Podcast with Susan DonkersSimple Civics:Simple Civics: Greenville County is a project of Greater Good GreenvilleGet in touchSupport Simple Civics with a tax-deductible contributionSign up for the Simple Civics newsletter.View our entire catalogueSimple Civics: Greenville County is produced by Podcast Studio X.

Marcus' What You Know 'Bout That trivia game for Tuesday July 28th, 2026See omnystudio.com/listener for privacy information.

With increased defense spending becoming the new normal and growing uncertainty on the alliance's eastern front as the Russo-Ukrainian War enters its fifth summer, the Ankara NATO summit was more than just a photo-op.Returning to the Midrats Podcast to discuss the major takeaways will be Jorge Benitez.SummaryIn this episode, Dr. George Benitez discusses the recent NATO summit, focusing on defense spending, alliance strategies, and the evolving threats from Russia, China, and Iran. He provides insights into NATO's strategic shifts, the importance of Ukraine's potential NATO membership, and the challenges of modern military logistics and industrial capacity.Show LinksThe Ankara Summit DeclarationNATO Summit historyNATO nations' defense spending as a percentage of GDPRobert Gates's 2011 speechPatriot missiles produced in GermanyTakeawaysNATO has increased defense spending by 20% since 2023, with a goal of 5% of GDP.Ukraine's military readiness and combat experience are vital for NATO deterrence.The alliance's focus on China has waned, despite growing threats from Chinese cooperation with Russia and Iran.European defense industries are expanding production, e.g., Patriot missile manufacturing in Europe.Geography and proximity to Russia heavily influence NATO members' defense budgets and perceptions of threat.Chapters00:00: Introduction and overview of NATO summit02:07: Dr. Benitez's insights on NATO's recent summit04:12: US leadership and NATO's Article 5 reaffirmation05:50: Defense spending commitments and burden sharing08:10: Russian threat and European defense efforts12:22: Geography and threat perception in NATO20:00: Ukraine's role and NATO expansion37:55: China's evolving role and NATO's strategic focus45:25: European defense industries and supply chain resilience01:01:17: European and NATO industrial cooperation01:02:40: Closing remarks and follow-upDr. Jorge Benitez is Associate Professor of International Relations at the Marine Corps Command and Staff College.Before he joined the faculty of the Marine Corps Command and Staff College, Dr. Benitez served as a Senior Fellow at the Atlantic Council, where he regularly briefed senior US and foreign officials on national security issues. Earlier in his career, he served as Assistant for Alliance issues to the Director of NATO Affairs in the Office of the Secretary of Defense. He also worked on international security issues at the Department of State and the Institute for Foreign Policy Analysis. You can follow his coverage of security issues on X @NATOSource.Dr. Benitez received a B.A. with honors from the University of Florida, where he majored in both Political Science and History. He later graduated with an M.P.P. from the Kennedy School of Government at Harvard University and a Ph.D. from the Fletcher School of Law and Diplomacy at Tufts University.

Today I am honored to welcome activists and organizers from #StopCopCity, a series of actions in Atlanta that drew international attention, and state and federal prosecutions of people involved in protecting the environment and fighting the construction of a massive training facility designed for urban warfare. Ordinary people were labelled antifa terrorists for acts of civil disobedience and for occupying the land as defender. We get an update on the various legal battles that have continued to this day, and talk about what we can learn from organized collective legal resistance. We talk about all this in the context of recent cases such as the Cobb County 3, Broadview, and Prairieland prosecutions, and focus on the struggle for the future in solidarity with others.Jess Fuller is a dedicated, anti-authoritarian legal worker and organizer. Over the last decade, Jess has coordinated on the ground legal support to struggles including Standing Rock, the U.S./Mexico border, work-place union organizing, the Stop Cop City movement in Atlanta and more. Jess is a frontline legal worker experienced in building effective jail support teams and defendant-centered strategies to combat state repression. She knows that solidarity, building power and creative legal strategies are the best defense to the criminalization of resistance.Dr. Hannah Kass is a scholar-activist and former defendant in the ongoing prosecution of Stop Cop City activists. Her work focuses on struggles for land, food, and abolition, and state strategies of authoritarian repression in the US. She earned her joint PhD in Geography and Environmental Studies at the University of Wisconsin-Madison in 2026.Both are part of the ATL 61+ Defense Committee

When Tom Sayiner was diagnosed with the fatal neurodegenerative disease ALS, he and his wife, Tamara, learned that tofersen had been approved in Europe as a therapy that could slow the progression of his genetic form of the disease. But the Sayiners, who live in Sweden, soon discovered they could not access the drug because a Swedish health technology assessment council determined there was insufficient data to demonstrate that the costly therapy provides a clear benefit. Instead, they are working to raise funds to purchase the drug in Germany, while Tom has also enrolled in a clinical trial in hopes of accessing a potentially beneficial therapy. The Sayiners discuss the gap between regulatory approval and real-world access in Sweden, the steps they have taken to explore cross-border care; and how geography, cost, and policy can be as life-limiting as the disease itself.

Welcome to The Relatable Voice podcast.  Today, we're traveling virtually to Massachusetts to chat with Dr. Roxanne Daleo. Dr. Roxanne is a Harvard-trained Health Educator, founder of MindWorks for Children, and a pioneer in mind-body medicine, neuroscience, expressive arts, and emotional well-being.  Her upcoming book, Geography of the Self: SoulScapes, invites readers to explore their inner landscape and discover new pathways to healing and resilience. Find out more at: https://www.drroxannedaleo.com/roxie/

Eric Olander, editor-in-chief of the China Global South Project, joins the pod to discuss the developments on the other side of the globe. From Ho Chi Minh City, Eric explains how the Global South actually sees the US-Iran war, why nobody expects China to ride to anyone's rescue, and how Vietnam's tariff and energy shocks became a never-again moment. He and Jacob dig into the myth that tariffs can implode China, America's fading China literacy, and why the next order won't be Chinese-led - but China will be its transformational character.*Note: There are some weird buzzing sounds in the pod, we know! There was some sort of issue uploading the audio, we're on it.--Timestamps:(00:00) - Welcome and Guest Intro(00:46) - World Cup Travel Chaos(02:01) - Soccer Politics and Tensions(03:33) - Meet Eric Olander(05:32) - China's Transformation Story(07:54) - Global South Views of China(10:26) - China as Daily Operating System(13:12) - Pew Poll Surprises Explained(14:10) - Southeast Asia vs Northeast Asia(17:32) - Why Philippines Aligns With US(20:10) - Japan Taiwan Flashpoint(21:15) - Supply Chains and Sea Lanes(23:36) - Japan Rearms for Post US Era(28:19) - Japan's Regional Influence(30:38) - Japan as Counterbalance(32:04) - Drone Age Security Shift(33:05) - South China Sea Alarm(33:28) - Iran War Global South(38:37) - China Gains and Risks(40:46) - No Alliance Expectations(43:51) - ICBM Test Explained(47:40) - Decoupling and US Pragmatists(50:35) - People to People Breakdown(54:41) - China Blowing Europe Window(58:56) - Mutual Misunderstanding Finale(59:55) - Closing Thanks and Signoff--Referenced in the Show:--Jacob Shapiro Site: jacobshapiro.comJacob Shapiro LinkedIn: linkedin.com/in/jacob-l-s-a9337416Jacob Twitter: x.com/JacobShapJacob Shapiro Substack: jashap.substack.com/subscribe --The Jacob Shapiro Show is produced and edited by Audiographies LLC. More information at audiographies.com--Jacob Shapiro is a speaker, consultant, author, and researcher covering global politics and affairs, economics, markets, technology, history, and culture. He speaks to audiences of all sizes around the world, helps global multinationals make strategic decisions about political risks and opportunities, and works directly with investors to grow and protect their assets in today's volatile global environment. His insights help audiences across industries like finance, agriculture, and energy make sense of the world.--Mentioned in this episode:Check Out Future Hindsight!If you enjoy our podcast, check out our homies over at Future Hindsight! It's an award-winning weekly podcast that takes big ideas about civic life and democracy and turns them into action items for you and me. Learn more at www.futurehindsight.com/

In this episode of Flavors Unknown, Emmanuel Laroche speaks with Chef Maksut Aşkar, the chef behind Neolokal in Istanbul. This is a conversation about much more than one restaurant. It is a journey into Istanbul's food culture, the difference between Anatolian and Ottoman cuisine, the flavors of Antakya, Turkish breakfast, heirloom ingredients, sustainability, pistachios, desserts, mentorship, and the role of design in a dining experience. Chef Maksut explains why “Turkish cuisine” can be an oversimplification, why traditions must evolve to stay alive, and how Neolokal creates a bridge between memory and modern gastronomy. The episode document highlights themes including Istanbul's culinary richness, Anatolian versus Ottoman cuisine, spices, sustainability, storytelling, pistachios, mentorship, Turkish breakfast, desserts, and design. What you’ll learn from Chef Maksut Aşkar Istanbul’s culinary diversity and history Difference between Ottoman and Anatolian cuisine The concept of Neolocale and tradition updating Sustainable sourcing of rare ingredients The role of storytelling in culinary experience The importance of preserving culinary heritage Innovative techniques in traditional recipes The significance of pistachios in Turkish cuisine The open-source approach to culinary knowledge The future of Turkish culinary traditions   Chapters00:00 Introduction and guest introduction01:57 Istanbul as a city of gastronomy04:00 Geography and cultural melting pot of Anatolia06:07 Differences between Ottoman palace cuisine and Anatolian home cooking09:03 Unique ingredients and regional flavors13:02 Must-try foods for first-time visitors to Istanbul15:59 The concept of Neolocale and tradition preservation19:52 Innovating while respecting culinary heritage23:05 Storytelling and educational approach in the restaurant31:00 The importance of ingredients like pistachios and mulberry molasses32:56 Sharing recipes and open source philosophy36:01 Training young chefs and culinary mentorship37:00 Rapid fire questions and personal preferences49:58 Closing remarks and future outlook Beyond the Mic: My Stories in Print A Taste of Madagascar: Culinary Riches of the Red Island invites readers to join me on his unforgettable journey across the island of Madagascar, where a vibrant culture and stunning ecosystem intertwine to create an extraordinary culinary experience. Explore the unique ingredients and traditions that define Madagascar and discover their profound impact on the global culinary landscape. Alongside the captivating stories, the book presents a collection of exciting recipes that showcase the incredible flavors and ingredients of Madagascar. Get the book here! “Conversations Behind the Kitchen Door” is my debut book, published in Fall 2022. It features insights from chefs and culinary leaders interviewed on the Flavors Unknown podcast, offering a behind-the-scenes look at creativity, culture, and the future of the hospitality industry. Get the book here! Links to most downloaded episodes (click on any picture to listen to the episode) Chef Sheldon Simeon Chef Andy Doubrava Chef Nina Compton Chef Jacques Pepin Social media Chef Maksut Aşkar Instagram Social media Neolokal Instagram Links mentioned in this episode Neolokal in Istanbul SUBSCRIBE TO THE ‘FLAVORS UNKNOWN' NEWSLETTER

The pervasive exhaustion resulting from witnessing modern global atrocities often creates a paralyzing "hopeRot," yet the cultivation of an radical "HopeCore" remains an essential engine for systemic transformation. Writer and curator, Shumon Basar, analyzes the rewiring of the global psyche through the rise of Gulf Futurism and the eventual arrival of a post-Western reality. His critique centers on the provincialization of the West, a phenomenon where a minority population disproportionately dictates universal narratives and conceptual models. The discussion further traverses the evolution of Dubai from a startup city to a global urban paradigm, alongside a sobering exploration of the war on amnesia", as Basar describes it, through alternative institutions and magical historical thinking. Ultimately, the conversation confronts the unmasking of power and the abandonment of institutional shame, reinforcing the vital necessity of counter-histories in an increasingly ahistorical digital age.   00:00 Introduction 04:36 The Rewiring of the Global Psyche 07:30 Spectral Enemies and the Geography of Time 10:08 Provincializing the West and Cognitive Mapping 16:13 The Foundational Myths of Unification 27:31 The Paradox of HopeRot and HopeCore 34:39 Absolute Impunity and the Narrative Battle 44:02 The Reckoning of Liberal Fascism 53:48 Alternative Institutions and the War on Amnesia 01:00:10 Magical Historical Thinking in the Extreme Present   Shumon Basar is a British-Bangladeshi writer, editor, and curator born in 1974. He attended Gonville and Caius College, Cambridge University (1993–1996) and studied at the AA School, London (1998–2000). In 2005 he joined Goldsmiths, University of London's doctoral program in Visual Cultures. He is co-author with Douglas Coupland and Hans Ulrich Obrist of The Age of Earthquakes: A Guide to the Extreme Present (Penguin, 2015) and The Extreme Self: Age of You (Walther & Franz König, 2021), and co-curated the large-scale exhibition Age of You at MOCA Toronto and Jameel Arts Centre, Dubai. Since 2010, Basar has been Commissioner of the Global Art Forum, Art Dubai's annual transdisciplinary summit. He became a founding member of Fondazione Prada's Thought Council in 2015. He is Adjunct Curator at Art Jameel and holds editorial and advisory positions at Tank, Bidoun, 032c, and Flash Art. He has lived in Dubai, Vancouver, Berlin, Beirut, and Istanbul.   Connect with Shumon Basar

In JT's Mix Tape #89, JT is joined by Brian of Demon Erasers and Aaron of Tune Thy Heart to examine the growing problem of “conspiracy slop.” The conversation begins with CERN and the latest Mandela Effect claims before moving into celebrity alien videos, demonic imagery in children's entertainment, deceptive social-media advertising and the spiritual cost of sacrificing truth for influence. The guys also confront sensational stories spreading through Christian deliverance and supernatural podcasts. Are these testimonies leading people toward Jesus—or creating fear, pride and dependence upon self-appointed deliverance ministers? Finally, the discussion turns to theories connecting America with Egypt, ancient Israel and the biblical Promised Land. Could America contain remnants of the Old World, or are creators forcing biblical geography to fit viral narratives?In this episode:CERN and the newest Mandela Effect claimsThe difference between being wrong and knowingly lyingWhy false information spreads so quicklyJames Franco's alleged “alien” videosThe demonic symbolism surrounding the MinionsHow social media rewards deceptionChristian deliverance ministries and spiritual fearKatie Souza's supernatural claimsChrist's authority over demonsKathie Lee Gifford's appearance on Blurry CreaturesThe corporatization of independent podcastsWas ancient America connected to biblical Israel?Utah, Judah, the Red Sea and Mount NeboEvidence surrounding Mount Sinai and Sodom and GomorrahHow to explore mysteries without abandoning discernmentThe goal isn't to mock everyone who gets something wrong. We have all changed our minds and corrected past mistakes. The real issue is whether truth still matters once a false story begins generating money and attention. Watch early and uncensored episodes on Patreon, support the show through Modern Roots Life, grab JT Follows JC merchandise and learn more about social-media coaching through the Echoes of Truth Network using the links below. Question for the audience: Where is the line between honest speculation and irresponsible conspiracy content?Become a supporter of this podcast: https://www.spreaker.com/podcast/jt-s-mix-tape--6579902/support.Please support our sponsor Modern Roots Life: https://modernrootslife.com/?bg_ref=rVWsBoOfcFPatreon: https://patreon.com/JT_Follows_JC?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLinkJESUS SAID THERE WOULD BE HATERS: https://jtfollowsjc.com/product-category/mens-shirts/JT's Hats: https://jtfollowsjc.com/product-category/hats/Coaching Program: https://www.echoesoftruthnetwork.com/joinTelegram Group: https://t.me/jtsmixtapeNew Trucker Hat: https://www.shopmmca.com/shop/p/jt-follows-jc-hat

Joel and Meg Kinnard discuss the life of the late Senator Lindsey Graham, his impact on the SC political landscape, the fallout in SC, and so much more!Support the showKeep up to Date with BITBR: Twitter.com/BITBRpodcastFacebook.com/BITBRpodcasthttps://bourboninthebackroom.buzzsprout.com

On August 2, 1943, prisoners at the Nazi extermination camp Treblinka, located in occupied Poland, launched an uprising against their captors, during which hundreds successfully escaped while guards killed as many in the process. In this groundbreaking work, Chad S.A. Gibbs draws upon recently discovered sources and novel research methods to fundamentally reassess Jewish resistance at Treblinka—both before and during the revolt. Using the testimonies of revolt survivors, prior escapees, those who passed through the camp, and a handful of bystander witnesses and former SS guards, Gibbs sheds new light on the events of August 2 as well as many prior acts of resistance in Survival at Treblinka: Geography, Gender, and Social Networks in Jewish Resistance (U Wisconsin Press, 2026). Critical to these new interpretations of the revolt are the actions of women prisoners, who here assume a central place in this story for the first time. Paul Lerner is Chair of the History Department at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He is the author of The Consuming Temple: Jews, Department Stores, and the Consumer Revolution in Germany, 1880–1940. plerner@usc.edu @plerner.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On August 2, 1943, prisoners at the Nazi extermination camp Treblinka, located in occupied Poland, launched an uprising against their captors, during which hundreds successfully escaped while guards killed as many in the process. In this groundbreaking work, Chad S.A. Gibbs draws upon recently discovered sources and novel research methods to fundamentally reassess Jewish resistance at Treblinka—both before and during the revolt. Using the testimonies of revolt survivors, prior escapees, those who passed through the camp, and a handful of bystander witnesses and former SS guards, Gibbs sheds new light on the events of August 2 as well as many prior acts of resistance in Survival at Treblinka: Geography, Gender, and Social Networks in Jewish Resistance (U Wisconsin Press, 2026). Critical to these new interpretations of the revolt are the actions of women prisoners, who here assume a central place in this story for the first time. Paul Lerner is Chair of the History Department at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He is the author of The Consuming Temple: Jews, Department Stores, and the Consumer Revolution in Germany, 1880–1940. plerner@usc.edu @plerner.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

On August 2, 1943, prisoners at the Nazi extermination camp Treblinka, located in occupied Poland, launched an uprising against their captors, during which hundreds successfully escaped while guards killed as many in the process. In this groundbreaking work, Chad S.A. Gibbs draws upon recently discovered sources and novel research methods to fundamentally reassess Jewish resistance at Treblinka—both before and during the revolt. Using the testimonies of revolt survivors, prior escapees, those who passed through the camp, and a handful of bystander witnesses and former SS guards, Gibbs sheds new light on the events of August 2 as well as many prior acts of resistance in Survival at Treblinka: Geography, Gender, and Social Networks in Jewish Resistance (U Wisconsin Press, 2026). Critical to these new interpretations of the revolt are the actions of women prisoners, who here assume a central place in this story for the first time. Paul Lerner is Chair of the History Department at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. He is the author of The Consuming Temple: Jews, Department Stores, and the Consumer Revolution in Germany, 1880–1940. plerner@usc.edu @plerner.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies