Podcasts about Mary Shelley

Maggie Gyllenhaal's 2026 dark romantic Bonnie & Clyde monster movie, THE BRIDE!, is our bonus feature presentation this week! We talk Mary Shelley's ghost, the musical dance pieces, Jessi Buckley, Maggie's ambitious big swing, and much more! We also give updates on Paramount's purchase of Warner Brothers, Tarantino news, and more in Movie News!  Join our Patreon ($2.99/month) here linktr.ee/brokenvcr to watch the episodes LIVE in video form day/weeks early. Find us on Instagram @thebrokenvcr and follow us on LetterBoxd! Become a regular here at THE BROKEN VCR!

Daniel A. Olivas, the grandson of Mexican immigrants, is a fiction writer, poet, playwright, book critic, and attorney. In this episode, Jacke talks to Daniel about his lifelong devotion to literature and its ability to humanize the targets of anti-immigration sentiment. In the interview, Daniel recounts how his interest in literature led to his novel inspired by Mary Shelley, Chicano Frankenstein, and his play inspired by Samuel Beckett, Waiting for Godínez: A Tragicomedy in Two Acts. PLUS Jane Austen expert Janet Todd (Living with Jane Austen) stops by to discuss her choice for the last book she will ever read. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Here comes the bride... and there goes the audience. Alexis Hejna from Honeysuckle Rose Creations, Kat Scott, and Robert Winfree take a look at a modern-day adaptation of 'Bride of Frankenstein', mixed with a dash of 'Bonnie & Clyde', a dollop of 'Metropolis', and a heaping handful of sheer boredom (plus a look at the 2026 Oscars and our team's predictions). Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Oscar-nominated actress Maggie Gyllenhaal follows up her Oscar-nominated directorial debut (The Lost Daughter) from a few years ago with this VERY loose reimagining/adaptation of a portion of Mary Shelley's Frankenstein.  This portion of course focuses on the desire of Frankeinstein's monster (played by Oscar-winner Christian Bale) create a companion which he gets helps doing from another mad scientist Dr. Euphronius (Oscar-nominated Annette Bening) in 1930's Chicago.  The undead woman brought to life is Ida (Oscar-nominated Jessie Buckley) and she relishes her newfound freedom.  Together they embark on a Bonnie & Clyde-like adventure, raising hell wherever they go - hot on their trail are two detectives played by Emmy-nominee Peter Sarsgaard and Oscar-winner Penelope Cruz.  And chaos ensues.....Here Comes the Motherf&%king Bride!!!Host & Editor: Geoff GershonProducer: Marlene Gershon Send a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Synopsis You’ve heard the story of Frankenstein's monster many times. Once just a few months ago in fact. But that is only half the story. Something has long been missing. What we really need is a femininominon. The Bride is about a woman named Ida who is (I think) possessed by the ghost of Mary Shelly. After causing a scene she is pushed down a flight of stairs to her death. Meanwhile our boy Frankenstein’s monster, or as the kids call him, frank, meets with a therapist to talk about his loneliness. Just kidding he goes to a mad scientist and begs for a sexy wife. You can see where this is going. Now resurrected and missing her memory, Ida must make fundamental decisions about her life. Who is she? What is she? Was she really just created to be someone's wife? And does she even want this life? For all this and more, watch the movie yourself or stick around for the spoilers section.  Review of The Bride! It wasn’t too long ago that we were recording an episode about a different take on Frankenstein, and going into the movie I was feeling a little burnt out by the story. I love Mary Shelley’s Frankenstein (and by that I mean the book, not the movie that is literally titled Mary Shelley’s Frankenstein). But I am often left wanting when it comes to these movie adaptations. Luckily The Bride is a fairly unique take on the creature and the creates as they struggle in this world together. The movie has a strong emphasis on women's rights. Based in 1938 we are shown lots of gender inequality in the workplace, as well as some pretty nasty misogyny and sexual harassment and assault of women. All problems that are still very relevant today. I enjoyed watching the Bride attempt to become her own person, while constantly being pulled in different directions from those around her, including the very wacky version of Mary Shelley that lives in her head.  Score 6/10

The Bride! (2026) is an anachronistic, theatrical reimagining of the story of Frankenstein's monster and his bride. Set in Chicago in the 1930's, the film depicts a young woman, Ida (Jessie Buckley), who begins experiencing strange auditory hallucinations, disorganized speech, impulsive outbursts, involuntary echolalia, and memory lapses. Due to an unfortunate accident, she meets an early death. Meanwhile, Frankenstein's monster (Christian Bale), "Frank," seeks the help of a mad scientist, Dr. Euphronious. He asks her to make him a bride. They dig up the corpse of Ida and successfully reanimate her. Though her post-mortem body is functional, Ida's mind remains fragmented. She is unable to piece together her identity. She is haunted by dissociations, traumatic images, and the intrusive, commanding voice of real life author Mary Shelley. As she tries to recollect her memories, Ida--who Frank calls Penny--stumbles into a Bonnie-and-Clyde like world of crime, violence, and life as fugitives.  To hear about our panel at this year's WonderCon, coming later this month, tune into this episode's release on YouTube on Saturday, March 14, at 6pm!

Maggie Gyllenhaal's The Bride! is one of the worst-reviewed, most financially disastrous films of the year. But is "Bonnie and Clyde Meets The Bride of Frankenstein" really that bad? Or, like the Monster in Mary Shelley's classic horror novel--has the hated beast simply been misunderstood?This week, Earth's Mightiest Critics take a long, spoilerific walk down the aisle to see if there is cause for celebration...or annulment! Join us as we renew our vows to confront escapism--even at its ugliest!Support Kicking the Seat on Patreon, subscribe to us on YouTube, and follow us at:XLetterboxdInstagramFacebookShow Links:Watch the The Bride! (2026) trailer.Support all of Earth's Mightiest Critics at their various outlets:Keep up with Jeff York's criticism and caricatures at The Establishing Shot and Pipeline Artists.Check out Mark "The Movie Man" Krawczyk's The Spoiler Room Podcast.Get seated with The Blonde in Front!Follow David Fowlie's film criticism at Keeping It Reel.Get educated with Don Shanahan at Every Movie Has a Lesson…...And Film Obsessive...and the Cinephile Hissy Fit Podcast.Keep up with Annie Banks at The Mary Sue....and We Got This Covered.Make Nice with Mike Crowley of You'll Probably Agree.And save your celluloid soul with Dave Canfield's Substack, "Creature Feature Preacher".

Welcome to Episode 255, where we dig into talking about FRANKENSTEIN by Mary Shelley! We also discuss two adaptations that we've watched. We both plan to watch more adaptations and remain fascinated by Shelley and her work, so we are not done with FRANKENSTEIN. Thanks to everyone who attended the Zoom discussion and to those who have chatted with us via email, Goodreads, and social media. Books we finished since the last episode and talk about include: HOBOMOK AND OTHER WRITINGS ON INDIANS by Lydia Marie Child AWAKE IN THE FLOATING CITY by Susanna Kwan ALL THAT REMAINS by Patricia Cornwell THE RESERVATION by Rebecca Kauffman In Biblio Adventures, we got to see THE LIBRARIANS documentary, directed by Kim A. Snyder, at the Schubert Theater in New Haven. It drew a big crowd of librarians and library lovers. The film documents the attack on school libraries launched by a billionaire and politician, with cookie-cutter campaigns that spread across Texas and into other states, such as New Jersey. Librarians are on the front lines fighting against these threats to our First Amendment rights and the foundations of our democracy. New showings are added to their website regularly, and you may be able to organize one yourself. It is streaming on PBS from Feb 9-May 9, 2026 [https://thelibrariansfilm.com/streaming/] As for Couch Biblio Adventures, we both watched FRANKENSTEIN, directed by Guillermo Del Toro. Chris also recommends Frankenstein: The Anatomy Lesson, a short documentary on the making of Del Toro's adaptation. And she watched FRANKENSTEIN: The Man Who Made a Monster, starring Boris Karloff, who originated the iconic flat-headed creature with neck electrodes. It is interesting to see which aspects of Shelley's story movie makers choose to focus on, what changes they make, and the new elements/characters they create. We are checking off some boxes on our Page-to-Screen Bingo card. We hope you enjoy this episode, and that you are finding comfort, inspiration, and understanding in books. Happy Reading!

The Bride! definitely has style. The visuals look great, Christian Bale is almost unrecognizable as Frankenstein, and Jessie Buckley gives the most interesting performance in the film—even if it sometimes feels a little over-the-top. The movie does a solid job exploring Frankenstein's loneliness and the Bride's confusion about what she is, and some of the creative storytelling choices kept things visually engaging. Unfortunately, the story itself feels more like a collection of ideas than a focused plot. The Mary Shelley possession angle didn't really work for me, and some of the side themes felt underdeveloped. In the end, it's an interesting watch with strong performances, but the messy story makes it hard to fully connect with. I'm landing around 55%—worth streaming, but not a full-price theater ticket. #TheBride #Frankenstein #MovieReview #ChristianBale #JessieBuckley #FilmReview #MovieTok #CinemaTalk #NewMovieReview #WhatToWatch

072 - The Bride!, Dir. Maggie Gyllenhaal From 1931 - 2026, Frankenstein and his Monster have graced the Silver Screen.  Frankenstein's Monster   is as iconic as any of the Classic monsters in the horror genre.  We can go back even further to fin the novel and source material by Mary Shelley in 1818. 2025-2026 has been a good year for the Frankenstein story with a Netflix version nominated for many academy awards and 2026's, The Bride! getting the full treatment of A-list cast and huge budget.  But can the huge cast and budget save The Bride!?  Unfortunately, no.   0:00:00 - Introductions and Banter 0:12:30 - Box Office  0:15:45 - Trailer - Scary Movie 6 0:21:25 - Movie Recommendation - Joker, Dir. Todd Phillips (2019) 0:24:45 - The Frankenstein Legacy 0:41:30 - The Bride!, Dir. Maggie Gyllenhaal 0:42:30 - The Bride!: Thumbs Up / Thumbs Down Hosted, produced and mixed by Grayson Maxwell and Roger Stillion.  Also Hosted by Christopher Boughan.   Visit the new Youtube channel, "Post Credits Podcast" to watch the video version.   Thank you for listening! Check us out on many podcast services: Apple Podcasts, Amazon Music, Google Podcasts, Spotify, Podbean. Check is out on YouTube for the full video each week: https://www.youtube.com/@Postcreditspodcast1

The Bride! (also stylized as THE BRIDE!) is a 2026 American Gothic romance film written and directed by Maggie Gyllenhaal. It stars Jessie Buckley and Christian Bale alongside Peter Sarsgaard, Annette Bening, Jake Gyllenhaal, and Penélope Cruz. The film draws inspiration from the 1935 film Bride of Frankenstein, which was based on Mary Shelley's 1818 novel Frankenstein.The Bride! had its world premiere at the Empire Leicester Square in London, on February 26, 2026.It was released in the United States by Warner Bros. Pictures on March 6, where it received mixed reviews from critics and grossed $14 million. It is considered a box office bomb. Hosted on Acast. See acast.com/privacy for more information.

Courtesy of Warner Bros. Pictures This episode dives deep into The Bride, Maggie Gyllenhaal's bold, genre‑bending reimagining of the classic monster myth. With a cast led by Penélope Cruz as Myrna Malloy, Peter Sarsgaard as  Jake Wiles, Jessie Buckley in a triple turn as the Bride, Ida, and Mary Shelley, and Christian Bale as a creature unlike any he's played before.

. Descubre cómo la colosal erupción del volcán Tambora en Indonesia sumió al mundo entero en una crisis de frío, oscuridad y hambruna al cubrir la estratosfera con un velo de aerosoles de ácido sulfúrico . Pero de esta pesadilla climática no solo surgieron catástrofes; también brotó la luz de la innovación y el arte . Acompáñanos a las tormentosas orillas del lago Lemán en Suiza, donde el clima extremo obligó a un grupo de brillantes y escandalosos jóvenes —entre ellos Mary Shelley, Lord Byron y John Polidori— a confinarse en la mítica Villa Diodati . Sumérgete en este encierro lleno de egos desmedidos, debates sobre el galvanismo y un histórico desafío literario que culminó con la creación de dos iconos inmortales del terror moderno: Frankenstein y el arquetipo del vampiro aristócrata,

For this week's main podcast review, Katie Johnson, Ema Sasic, Nadia Dalimonte, Megan Lachinski, and Sara Clements join me to discuss the latest film from Maggie Gyllenhaal, "The Bride!" starring Jessie Buckley, Christian Bale, Peter Sarsgaard, Annette Bening, Jake Gyllenhaal, and Penélope Cruz. Drawing inspiration from the 1935 film "Bride of Frankenstein," which was based on Mary Shelley's 1818 novel "Frankenstein," the film is a reimagining of Shelley's characters set in 1936 that spans many genres and takes a pro-feminist approach. What did we think of it, though? Tune in as we discuss the story, performances, makeup work, visual aesthetic, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Maggie Gyllenhaal's latest film - The Bride! - has now hit theaters. This is the latest film from Mike De Luca and Pam Abdy's Warner Bros. slate where they let a bunch of filmmakers off the leash to make some wild, original movies... and this one is no exception. Delays and rumors of bad test screenings aside, I have been hyped to see a new take on the Bride side of the original Frankenstein story from Mary Shelley and I'm glad to say that I had a really good time with it, despite the film being overstuffed and packed with just a few too many ideas for it's own good. Listen on to hear more!The Bride!:Written and Directed by: Maggie GyllenhaalProduced by: Maggie Gyllenhaal, Osnat Handelsman Keren, Talia Kleinhendler, Emma Tillinger KoskoffExecutive Producers: Pete Chiappetta, Courtney Kivowitz, Andrew Lary, Carla Raij, Anthony Tittanegro, David WebbMusic by: Hildur GudnadóttirDirector of Photogrpahy: Lawrence SherEdited by: Dylan TichenorCasting by: Douglas AibelProduction Design by: Karen MurphyCostume Design by: Sandy PowellCast: Jessie Buckley, Christian Bale, Jake Gyllenhaal, Anette Bening, Peter Sarsgard, Panélope Cruz, John MagaroSynopsis: A lonely Frankenstein travels to 1930s Chicago to ask groundbreaking scientist Dr. Euphronious to create a companion for him. The two revive a murdered young woman and The Bride is born. But what ensues is beyond what either of them imagined.

The Bride! is a 2026 American Gothic romance film written and directed by Maggie Gyllenhaal. It stars Jessie Buckley and Christian Bale alongside Peter Sarsgaard, Annette Bening, Jake Gyllenhaal and Penélope Cruz. The film draws inspiration from the 1935 film Bride of Frankenstein, which was based on Mary Shelley's 1818 novel Frankenstein. In 1930s Chicago, groundbreaking scientist Dr. Euphronious brings a murdered young woman back to life to be a companion for Frankenstein's monster. What happens next is beyond what either of them could ever have imagined.Hosted on Ausha. See ausha.co/privacy-policy for more information.

This week Dave checked out Maggie Gyllenhaal's latest film as writer-director, THE BRIDE! (1:42), a reimagining of Mary Shelley's "Frankenstein" novel and its various film iterations. Starring Jessie Buckley as The Bride (exclamation point) and Christian Bale as The Monster, it's a roller coaster ride that doesn't have either the thrills or chills one may expect, and its stale plotting can't prop up its more ambitious social commentary. And because there was no critics' screening for SCREAM 7 (14:07), Evan and Dave hit the local multiplexes to see it. Is it the shitshow everyone seems to think, or is it better than that? Take a listen to find out! Over on Patreon, we talk about the 2007 action film SHOOT 'EM UP.

Whose Frankenstein is it anyway? Who cares! Live, laugh, love.Who's responsible for this?Director: Guillermo deal TotoroWriters: Guillermo del Toro, Mary Shelley Stars: Oscar Isaac, Jacob Elordi, Mia Goth, Christoph WalzRecommendations: Greg - The Anatomy Lesson, Bernard Rose's Frankenstein, Birth/RebirthEmily - Cabinet of Curiosities, Ex-MachinaJeremy - Ex-Machina, Poor Things, Saltburn, One Battle After Another, JOIN JEREMY'S ZOOP CAMPAIGN AND HELP MAKE GREAT COMICS! https://zoop.gg/c/slayTake our listener survey: http://bit.ly/progressivelyhorrified-surveySign up to support Progressively Horrified on Patreon for as little as $5 a month and get bonus episodes! https://www.patreon.com/c/progressivelyhorrified Hosted on Acast. See acast.com/privacy for more information.

THE BRIDE! hits theaters this week, so we wanted to enjoy the original 1935 film THE BRIDE OF FRANKENSTEIN in anticipation of the upcoming adaptation. Zach and Danny sit down to watch and yap (it's meaningful yapping, so it's ok) over James Whale's classic story of outsiders looking for acceptance in a cruel, cruel world. Enjoy this intro to our PATREON EXCLUSIVE commentary on THE BRIDE OF FRANKENSTEIN, and join for only $3/month at patreon.com/howimetyourmonster for the full episode! Subscribe on Apple Podcasts, Spotify, and YouTubeFor bonus content and commentaries, check out our PatreonFollow the show on Instagram, TikTok, and FacebookWant to support the show and save 20% on Fangoria? Visit Fangoria and enter PROMO CODE: HOWIMETYOURMONSTER at checkout!Looking for How I Met Your Monster merch? Check out TeePublic for shirts, stickers, mugs, and more!Questions and comments: howimetyourmonsterpodcast@gmail.com

Mary Shelley wrote Frankenstein at nineteen. Cinema has been retelling it ever since - and mainly getting it wrong.Hosts Laura Gommans and Tom Ooms dig into the big question: is Frankenstein the story of a misunderstood outcast, an abandoned child who never asked to exist, or a cautionary tale about scientists who should really know better? More importantly, why is Frankenstein always so ugly?They trace the monster on screen through James Whale's Universal original in 1931, Hammer Horror's gloriously excessive franchise — essentially the Marvel Universe before Marvel existed — and into modern Frankenstein-by-another-name films like Ex Machina and Blade Runner. Plus reviews of the two new adaptations, Frankenstein and The Bride, putting the myth back in the spotlight.Also: Laura confesses to having seen Fifty Shades Darker in the cinema three times and to watching Arrival at the gym. This is relevant. Kind of.Fill out our survey and win up to €100 worth of prizes.Get your tickets to The Bride @ LAB111Get your tickets to Female Frame @ LAB111Listen back to The Immortal Cinema of Bloodsuckers And NightstalkersListen back to Why Zombies Refuse To DieListen back to How Sex And The City 2 Maps The Rise And Fall Of American Empire

Sergio Pérezgrovas y Andrea Dada conversan en esta ocasión sobre «Frankenstein», la novela inmortal de Mary Shelley publicada en el siglo XIX, cuya adaptación del 2025 corre a cargo del cineasta mexicano Guillermo del Toro.

durée : 00:11:27 - Les Midis de Culture - par : Marie Labory - Pour son second long-métrage, Maggie Gyllenhaal s'inspire de Mary Shelley et James Whale pour redonner vie à la Fiancée de Frankenstein. - réalisation : Laurence Malonda - invités : Raphaëlle Pireyre Critique de cinéma, elle publie régulièrement des articles sur le site AOC; Philippe Azoury Journaliste, critique et auteur

Luther College professor Amy Weldon reimagines the life of Mary Shelley in her novel 'Creature,' offering a fresh perspective on the author of a classic. Then three-time Paralympic gold medalist Kevin McKee looks ahead to the Milano Cortina Games.

This week, we’re talking to director and screenplay writer Maggie Gyllenhaal about her upcoming film, The Bride! Maggie reveals how she gave a character from the 1930s with only a few minutes of screentime a big dose of main character energy. Danielle and Maggie also discuss the unthinkable thoughts of Mary Shelley, IMAX screenings, and what it was like to narrate a 48-hour audio book. Plus, get a sneak peek of the March Reese’s Book Club Pick, Lady Tremaine. BOOKS MENTIONED: Good Morning, Midnight by Jean Rhys Frankenstein by Mary Shelley Romeo and Juliet by William Shakespeare Anna Karenina by Leo Tolstoy The Lost Daughter by Elena Ferrante My Brilliant Friend by Elena Ferrante Lincoln in the Bardo by George Saunders Jane Eyre by Charlotte Brontë Mating by Norman RushSee omnystudio.com/listener for privacy information.

Space is a dangerous place. Even recently we learned that the entire Artemis program has been rebooted, adding more rockets and risks! In other worlds and other galaxies, “space” is full of human life, music, adventure, romance, and fantastical new worlds. Just in time for Firebreak, book 1 of the Firebird Interlude Trilogy, we're joined by longtime science fiction novelist Kathy Tyers to explore how the best space operas sing through this teeming expanse. Episode sponsors Firebreak by Kathy Tyers Realm Makers 2026 Conference & Expo The Hole-Man by Dan Dietz The Lorehaven Authorship Mission update New at Lorehaven: Andromache review, weekly reviews Subscribe free to get updates and join the Lorehaven Guild You'll get notified of monthly events, like last week's livestream. Backstory: Kathy (Tyers) Gillin Kathy Tyers sold her first novel, Firebird, to Bantam Spectra in 1986. Since its initial 1987 publication, it has been rereleased by Bethany House Publishers, Marcher Lord Press, and Enclave Publishing, and was followed by further Firebird-universe novels Fusion Fire and Crown of Fire. Kathy finished the Firebird series in 2011 and 2012 with Wind and Shadow and the messiah tale Daystar. Enclave Publishing has also re-released her early novels One Mind's Eye, Shivering World (Christy Award winner, 2019), and Crystal Witness. Now she's returning to the Firebird whorl for a new series of novels. The Firebird Interlude trilogy begins March 10 with the release of Firebreak. Kathy is also known for her Star Wars Expanded Universe novels—The Truce at Bakura and New Jedi Order: Balance Point. She lives in Montana with her husband William T. Gillin. KathyTyers.com on Facebook 1. What are the origin stories of space opera? 1818: Mary Shelley's first sci-fi-ish/horror novel Frankenstein 1830: British author Percy Greg's poetical Across the Zodiac Late 19th century: the prolific Jules Verne, across Earth and space Late 19th/early 20th century: H. G. Wells brings the humanism Early 20th century: Edgar Rice Burroughs shares pulp adventure Other written tales and film serials helped create early space opera This tradition focused not just on big ideas, but big human stories Without these tales, we might not have stories like Star Wars And that's one way that today's guest learned she liked sci-fi 2. Why do today's fans love space opera? Kathy Tyers has written harder science fiction, like Shivering World. Spaceships are cool, but many fans like human drama even more. For example, the Firebird Series is set in a far future galactic Whorl. Readers resonate with Lady Firebird and her husband Brennan. This, by the way, marks a rare example of married-couple heroes. Similarly, Star Wars has spaceships, but focuses on human heroes. Christians also see cool ideas and tech as means to human ends. Without our humanity, we become “minds of metal and wheels.” Even the best Star Trek episodes well understood this reality. 3. What might be the future of space opera? More about the Firebird Interlude series—titles, dates, speculation. Coming this June, Kathy Tyers gives a keynote at Realm Makers. Meanwhile, we may expect to March onward into big space opera. Project Hail Mary, based on Andy Weir's novel, gets early plaudits. Next up, actor Ryan Gosling and director Shawn Levy's Starfighter movie (set in the Star Wars universe) is receiving a new hope from fans. People do want futuristic, human-centric science-accented drama. And yet Christians see this not as simply “hope in the human spirit” but hope of redemption, for grace-filled humans and a future age. Com station Top question for listeners What space opera stories help you sing in joyful gratitude? Next on Fantastical Truth Kaizoku ou ni ore wa naru! Today around the world, millions of fans who love Japan's hit manga/anime series, One Piece, are rejoicing. First, because after 1,170+ chapters and nearly 30 years since 1997, creator Eiichiro Oda's pirates-with-powers story is sailing toward its final arcs. Second, because the popular anime is following soon after, breaking hiatus to resume in April. And third, because on March 10, Netflix is christening the One Piece live-action series Season 2, after 2023's Season 1 flagrantly and happily broke the “anime to live-action curse.” Why do fans (like Stephen himself) love these comical, earnest adventures of Captain Monkey D. Luffy and the Straw Hat Pirates?

The boys hit the books as they set the stage discussing Mary Shelley's Frankenstein; or, The Modern Prometheus by Mary Shelley, as we dive into its various adaptations. First up is the Hammer Horror classic The Curse of Frankenstein directed by Terrence Fischer. We're talking Victor's bitchy hubris, which parts of the book were adapted, and whatever the deal is with Victor's "tutor" Paul Krempe. It's alive!New episodes drop every Tuesday, subscribe so you don't miss out. Rate us 5 stars while you're at it! Enter The Phantom Zone to access all sorts of bonus goodies like our monthly side show "Watching the Watchlist", movie commentaries, and polls to help shape the podcast: https://patreon.com/spectercinema Haunt Garrett on social media:TikTokTwitterBlueskyInstagramLetterboxdYouTubeHaunt DeVaughn on social media:BlueskyTwitterTikTokInstagramLetterboxdYouTubeSpecter Cinema Club Original Theme by Andrey Kinnard

Nereden Edebiyat'ın bu bölümünde, edebiyat dünyasının en ikonik figürlerinden biri olan, gotik edebiyat türündeki eserleriyle öne çıkan Mary Wollstonecraft Godwin Shelley konuğumuz oldu.

This week, we're going full gothic horror romance with Guillermo del Toro's Frankenstein. Cullen goes down a Crimean War rabbit hole, Hannah can't stand this version of Victor Frankenstein, and Tish reminds us of Mary Shelley's emotional depth and genius. Check out Tish on Instagram, TikTok and Substack (@TalesWithTish). AND be sure to grab her book, “Ebony, Blood, and Snow,” from wherever you buy books online or request it at your local library!   Referenced in this episode: Frankenstein Is Actually About Being a Woman - Final Girl Digital ==================================== Watch Us on YouTube! Follow Our Adventures on Social Media: @notmyfantasypod Instagram TikTok   Research & Writing by Cullen Callaghan.  This episode was edited by Hannah Sylvester.   Cover Art by William Callaghan Intro Music: "The Quest" by Scott Little.

Juan Manuel de Prada nos cuenta en sus depradados el lado oscuro de Frankenstein y su autora, Mary Shelley

Ben and Rob crack open the lab and fire up the lightning rods for their trip into Frankenstein, the long-gestating passion project from Guillermo del Toro, and things get stitched together fast. Before they even get near the operating table, the pair dig back to the source, Frankenstein by Mary Shelley, unpacking the Creature's original, deeply human motivation and how often adaptations miss the tragic point entirely.From there, Rob unveils a chaotic brand-new segment (almost definitely probably returning… maybe) in a heroic attempt to keep the episode on the rails, before the conversation lurches through cinema history: from the shadow of Boris Karloff's silver-screen monster in Frankenstein, to how that imagery still crackles through del Toro's gothic sensibilities. The boys also can't help noticing eerie déjà vu, debating why parts of this version feel like a near carbon copy of Mary Shelley's Frankenstein directed by Kenneth Branagh, and whether homage, coincidence, or mad-science recycling is to blame.Along the way, they detour into one of the wildest behind-the-scenes stories in Hollywood; how James Cameron reportedly helped Guillermo to save del Toro's kidnapped father and how that real-life horror shaped the filmmaker's lifelong obsession with monsters, loss, and empathy.It's bolts, brains, and big feelings as Ben and Rob ask what still shocks, what feels stitched together from past versions, what makes this Creature tick in 2025… and, as always, beneath the thunder, tragedy, and tortured men of science… what does Frankenstein really mean?CONSUUUME to find out all this and much, much more!PLUS! We have a Patreon with EXCLUSIVE content just for you starting at just ONE POUND a month - click the link below!Find us on your socials of choice at www.linktr.ee/everymovieeverpodcast

Have you seen The Bride yet? No, not Maggie Gyllenhaal's new film - we mean the 1985 film by Frank Roddam, director of Quadrophenia. Like Gyllenhaal's film, it's an attempt at a female-centred sequel to Mary Shelley's novel. Unlike Gyllenhaal's film, it has an actively deranged cast list including Quentin Crisp, Alexei Sayle, Ken Campbell, David Rapaport... and, as Dr. Frankenstein, Sting.Join Graham and Mark as they divide Roddam's film cleanly into the bits that work and the bits that don't, which is made surprisingly easy by its two-stranded plot. We also discuss how the film compares to Poor Things, talk about Rapaport's remarkable career, reflect on the end of Sting's movie-star dreams and play a challenging game of FMK. Plus, an appreciation of Roddam's TV work, including one of the most groundbreaking documentaries ever made and Masterchef.If you don't want to see us reduced to joining a travelling circus, you can donate to our Patreon where we're about to follow up this episode with an exclusive bonus discussion of Roger Corman's Frankenstein Unbound - and we're also about to launch two new podcasts, including Rob's They'll Love Me When I'm Dead and Graham's The Arts Hole. None of this is available anywhere else, and the same goes for our weekly written features on classic TV SF. Follow us on Bluesky, Facebook and Instagram to find out more.

Jala is joined by Moxie (The Level) to discuss Guillermo del Toro's 2025 movie, Frankenstein. This episode covers the story (Prologue and Victor's Tale). Related Episodes: Jala-chan's Place Ep 87: Frankenstein (Novel) - Jala and Dave Jackson discuss the original novel as well as the life and times of author Mary Shelley. Jala-chan's Place Ep 88: Frankenstein (2025 Movie), Part 1 - Jala, Moxie and Ryn discuss production, artistry, characters and design. Music: Opening: “Victor's Tale” by Alexandre Desplat featuring Eldbjørg Hemsing Ending: “Body Building” by Alexandre Desplat featuring Eldbjørg Hemsing Articles & Resources Wikipedia (film) Wikipedia (Evelyn tables) Butou performance Frankenstein and the Occult Frankenstein: Written and Directed by Guillermo del Toro by Sheila O'Malley Check out the Swag Shop to share your love with the world! Support this show via Ko-fi! Just like Patreon, there are subscription tiers (with bonus content!) in addition to the ability to drop us a one-time donation. Every little bit helps us put out better quality content and keep the lights on, and gets a shout out in a future episode. Check out ko-fi.com/fireheartmedia for the details! Don't forget to rate & review us on your podcasting platform of choice~ Jala Prendes Bluesky - @jalachan Bluesky - @fireheartmedia The Level Twitch Moxie The LevelSpecial Guest: Moxie.

The world of Frankenstein was even darker and more... electrifying... than we thought. Join us as we explore the mad scientist, the empathetic monster, the faminist icon bride, and the brilliant English novelest who created and inspired it all, Mary Shelley. And what the heck does prussian blue have to do with all of this?!   Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ "Long Note Two", "SCP-x6x", "The Bandit", "Past the Edge", "Gathering Darkness", "Wizardtorium", "Heart of Nowhere"

Joseph Pearce and Kris McGregor explore Mary Shelley's Frankenstein, examining its moral vision, the consequences of unchecked scientific ambition, the novel's cultural misreadings, and the enduring relevance of its questions about technology, responsibility, and love. The post GWWL2 – Mary Shelley and Frankenstein – Great Works in Western Literature with Joseph Pearce – Discerning Hearts Podcasts appeared first on Discerning Hearts Catholic Podcasts.

Raging Ghoul  Robert DeNiro couldn't speak the Queen's English even before Kenneth Branagh stitched his lips onto other body parts for a 1994 retelling of Mary Shelley's Frankenstein.  Will the miscast actor need to hide at the North Pole to escape the embarrassment of his screen romance with Helena Bonham Carter?  Or was this a worthy creation denied life at the box office because of the bad press the director received over his off-screen dalliances?  Listen Now as Arnie, Brock, and Stuart dig up a classic movie monster and his bride for another re-animated podcast {Individual Movie Reviews} {Frankenstein Series}

Raging Ghoul  Robert DeNiro couldn't speak the Queen's English even before Kenneth Branagh stitched his lips onto other body parts for a 1994 retelling of Mary Shelley's Frankenstein.  Will the miscast actor need to hide at the North Pole to escape the embarrassment of his screen romance with Helena Bonham Carter?  Or was this a worthy creation denied life at the box office because of the bad press the director received over his off-screen dalliances?  Listen Now as Arnie, Brock, and Stuart dig up a classic movie monster and his bride for another re-animated podcast {Individual Movie Reviews} {Frankenstein Series}

Welcome to Episode 254! We are so excited to welcome Tiya Miles to the podcast to discuss her most recent book, NIGHT FLYER: Harriet Tubman and the Faith Dreams of a Free People. Don't miss our conversation, which immediately follows our regular segments. [Should we put in a time stamp?] Chris has finished FRANKENSTEIN by Mary Shelley, and Emily is #currentlyreading the novel, so we talk about it, but not too much, since we will discuss it in depth on Episode 255 after our March 1st Zoom conversation with listeners. We still have some spots available–if you'd like to join in, send us an email (hello@bookcougars.com). Other books we are currently reading include IN THE SHADOW OF YOUNG GIRLS IN FLOWER: In Search of Lost Time, Volume 2 by Marcel Proust, THE RESERVATION by Rebecca Kauffman, and RUSS & DAUGHTERS: 100 Years of Appetizing by Niki Russ Federman and Josh Russ Tupper. Our BiblioAdventures have primarily been of the Couch variety: Chris watched a Jane Austen-inspired romance called SENSE, SENSIBILITY, & SNOWMEN, and Emily watched the second event in the Aspen Winter Words series featuring Mitzi Rapkin in conversation with Lily King about her new novel, HEART THE LOVER. We did run into a delightful Little Free Library after a delicious dinner at Fair Haven Oyster Co. along the banks of the Quinnipiac River, and we sing the praises of a #LFL we both often visit in Stony Creek, CT. NEW BOOKSTORE ALERT! If you're in Chicago, Partners in Crime Bookshop just celebrated their grand opening. Let us know about it if you check it out, or tag us (#bookcougars) if you post photos of your visit. Okay, we'll stop writing now so you can start listening. We hope you enjoy this episode as much as we enjoyed recording it! Happy Reading! Show notes for the episode can be found here: https://www.bookcougars.com/blog-1/2026/episode254

Kenny and Mike review and disuss faith elements spotted in Guillermo del Toro's latest film and passion project. Frankenstein stars Jacob Elordi as the Creature and, Oscar Isaac as Victor Frankenstein, and co-stars Mia Goff and Christoph Waltz. The film received 9 Oscar nominations including best Picture, Supporting Actor, Adapted Screenplay. Frankenstein is a passion project for del Toro as he weaves elements from the Mary Shelley's novel, James Whale's original 1931 film, as well as his reinterpretation of the story.  Faith Spotted: Humanity's temptation to play or challenge God. This tempation dates to the book of Genesis 3 where Eve and Adam were tempted to eat the fruit from the tree of the knowledge of good and evil. This desire was rooted in a mistrust of God to care for them.  For Victor Frankenstein, the drive to play or become like God was rooted in Victor's loss, grief, and pain associated with the death of his mother and the abuse and rejection from his father, and his father's inability to save his mother. He wanted to reverse his father's failure by not only saving life but restoring and recreating life. Such pain cannot be soothed by satisfying ego and pride. These motivations to create are in direct contrast to God's desire to create which was and is grounded in God's desire for love and community.  The film shows the place and purpose for processing grief and not rushing or suppressing the grief journey. Such processing can involve faith, theology as well as counseling and psychological tools. In Philippans 4 Paul speaks of peace which passes understanding, which includes peace in the midst of the pain and grief of loss of loved ones.  Victor's abuse of the creature models the abuse he suffered at the hands of his father, reflecting the cycle of abusive relationships being passed down to future generations as taught in Exodus 20 and 34. The contrast of the music played during the process of Victor dismembering body parts to be used in the creature reflets the contrast between creation born out of love and that born out of anger and pain. Victor's comment, "It is finished" also reflects on the contrast of Christ's crucifixion which leads from death to eternal life and that of the eternal death the creature experiences in the life given from Victor. Martin Luther's concept of simul iustus et peccator (simultaneously saint and sinner). The human and monster qualities within both Victor and the Creature reflects the saint and sinner within humanity. This concept is at the core of Luther's teaching that righteousness is a gift of grace received through Christ and received by faith. It is Christ who justifies as an act of love and grace.  The film shows the power of forgiveness to bring about transformation and true peace. 

Christina struggled last month with the lack of horror so this month the girls decided to tackle a classic of gothic horror and the first science fiction novel! This month the girls read Frankenstein by Mary Shelley. Intro/Outro Music: 1922 by Ernesto Nazareth If you want to get in touch with us, check out our contact information below.   Instagram: https://www.instagram.com/treatyourshelfpodcast/   Email: treatyourshelfpodcast@gmail.com   Apple Podcasts: http://bit.ly/TYSApplePod   Spotify: http://bit.ly/TYSPodcast

For decades, the director Guillermo del Toro has built a career blending the grotesque and the beautiful in films like “Pan's Labyrinth,” “The Shape of Water” and “Pinocchio.” Now he's earned his latest Academy Award nomination for his adaptation of “Frankenstein,” Mary Shelley's classic novel. On this week's episode, he talks with the host Gilbert Cruz about discovering the book as a lonely child, how it shaped his worldview and why this screenplay is the one he's proudest of. “I always felt the creature is me,” del Toro said of the first time he read the book. “I felt so alone at age 11, and so full of love to give and so full of rage to dispose of. It was a very complicated emotional scope for somebody that young.” Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Enjoy what becomes the Take-Up's most polarized discussion, as our hosts go into whether Guillermo del Toro's new Frankenstein creation has a soul worthy of a few Oscar noms or is a Netflix monstrosity dead on arrival. Debates on the director's camerawork, how much Del Toro's take gels with all the other adaptations that arose from Mary Shelley's novel, and if Elordi is the hottest Creature of all ensue. Next, they have One More Thing, keeping the gothic talk going with Andrea Arnold and William Wyler's adaptations of Wuthering Heights (as well as some thoughts on Emerald Fennel's brat summer take on the classic story) and Abel Ferrara's cyberpunk thriller New Rose Hotel.Next week, Josh and Andrew continue their Oscar talk with one of the most acclaimed films from last year, Ryan Coogler's gangster/musical/horror smash Sinners! Prepare to sink your teeth into a film bursting with genre-bending and commentary fit for a long discussion. Until then, read on at thetake-up.com and follow us @thetakeupstl on Instagram, Twitter, Letterboxd, and Facebook. Special thanks to Social Media Manager Kayla McCulloch and Contributor Ethan Tarantella. Theme music by AMP.

On Eavesdroppin' comedy podcast, Geordie & Michelle look at love stories old and new because they love love!How did you meet the love of your life? When Ryan McLeod got hit by a car, a stranger passing by rushed to his aid and stayed by his side until paramedics arrived. She also noticed he didn't have a wedding ring on... Listen now to how this story ends! Plus Geordie dives into the gothic love story of Mary Shelley and the romance between Frida Kahlo and Diego Rivera. So grab a brown lemonade and settle in as the duo chat Heated Rivalry, support pants, telly recs and more, only on Eavesdroppin' comedy podcast. And remember, wherever you are, whatever you do, just keep Eavesdroppin'!*Disclaimer: We don't claim to have any factual info about anything ever and our opinions are just opinions not fact, sooorrrryyy! Don't sue us!Please rate, review, tell your friends and subscribe in all the usual places – it really helps us keep the mics going and the comedy flowing. Support us on Patreon: https://www.patreon.com/eavesdroppinDo write in with your stories at hello@eavesdroppinpodcast.com or send us a Voice Note!Listen: http://www.eavesdroppinpodcast.comorhttps://podfollow.com/eavesdroppinYouTube: https://www.youtube.com/channel/UCqcuzv-EXizUo4emmt9PgfwFacebook: https://www.facebook.com/eavesdroppinpodcast Hosted on Acast. See acast.com/privacy for more information.

Fleshdance Rock star Sting denies his Frankenstein creation Clancy Brown (Shawshank Redemption) a happy wedding day so that the mad scientist can be the one to kiss The Bride. But will Jennifer Beals (Vampire's Kiss) find reanimated life enjoyable with The Police frontman watching every breath she takes with suitor Cary Elwes (Princess Bride)? And can little person David Rappaport (Time Bandits) successfully reinvent the jilted Monster into a popular circus clown?  Find out if this 1985 Mary Shelley update plays outside Budapest when you Listen Now!

As fans of the novel know, Frankenstein began with a flash of insight during an ill-fated holiday near Geneva in the summer of 1816, when the young woman then known as Mary Godwin contributed the modern-day Promethean tale to the ghost stories being shared by married lover Percy Shelley and their friends Lord Byron and John Polidori. A few months later, the nineteen-year-old Mary (who would eventually become Mary Shelley) arrived in Bath, hiding from London's gossipmongers and determined to work on her burgeoning novel. The next four months proved to be an incredible mix of chaos and creation for Mary and the people closest to her. In this episode, Jacke talks to poet and biographer Fiona Sampson (In Search of Mary Shelley: The Girl who Wrote Frankenstein) about the new book Mary Shelley in Bath, which documents the short yet influential time that Mary Shelley spent in the historic literary city. PLUS D.G. Rampton, Australia's Queen of the Regency Romance, stops by to discuss her choice for the last book she will ever read. Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing ⁠⁠jackewilsonauthor@gmail.com⁠⁠ or ⁠⁠masahiko@johnshorstravel.com⁠⁠, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Act now - sign-up closes March 1! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Guillermo Del Toro's long-awaited adaptation of Mary Shelley's seminal SF/Horror novel has divided fans with passionate takes for and against, so what should we all make of it? In episode 371, author Rachael K. Jones joins Luke & James to play a morbid game of FMK, compare how children learn language to what is portrayed on screen, compare multiple adaptations to this one, and finally cast their votes on which version is best: the book or the movie! Rachael K. Jones Website https://www.rachaelkjones.com/ Bluesky https://bsky.app/profile/rachaelkjones.bsky.social "The Sound of Children Screaming" "Five Views of the Planet Tartarus" Ink to Film Join our Discord channel https://discord.gg/yQpgu9jYB2 Pickup Frankenstein or any of the novels they've covered at the Ink to Film Bookshop https://bookshop.org/shop/inktofilm Support Ink to Film on Patreon for bonus content, merch, and the ability to vote on upcoming projects https://www.patreon.com/inktofilm Ink to Film's Facebook, Instagram, Bluesky (@inktofilm) Home Base: inktofilm.com Intro/outro music: Demon Echoes by Marc Van der Meulen Luke Elliott Website: www.lukeelliottauthor.com Social Media: https://www.lukeelliottauthor.com/social Writing: https://www.lukeelliottauthor.com/publications James Bailey Bluesky: https://bsky.app/profile/jamebail.bsky.social IG: https://www.instagram.com/jamebail/

Have a slice of key limestone pie as Vic talks about how no one gets him, man.This reading of Mary Shelley's Frankenstein has been sleepified as much as possible, but there are unavoidable references to the Big Farm, religion, and mental health. These topics may not be sleepy for all listeners.This episode originally aired on Sleep With Me Plus. If you'd like to hear more bonus episodes (and get episodes without ads), you can start a free trial at sleepwithmepodcast.com/plusGet your Sleep With Me SleepPhones. Use "sleepwithme" for $5 off!!Are you looking for Story Only versions or two more nights of Sleep With Me a week? Then check out Bedtime Stories from Sleep With MeLearn more about producer Russell aka Rusty Biscuit at russellsperberg.com and @BabyTeethLA on IG.Show Artwork by Emily TatGoing through a hard time? You can find support at the Crisis Textline and see more global helplines here.HELIX SLEEP - Take the 2-minute sleep quiz and they'll match you to a customized mattress that'll give you the best sleep of your life. Visit helixsleep.com/sleep and get a special deal exclusive for SWM listeners!ZOCDOC - With Zocdoc, you can search for local doctors who take your insurance, read verified patient reviews and book an appointment, in-person or video chat. Download the Zocdoc app to sign-up for FREE at zocdoc.com/sleep Learn about your ad choices: dovetail.prx.org/ad-choices

Merriam-Webster's Word of the Day for February 2, 2026 is: prescience • PRESH-ee-unss • noun Prescience is a formal word used to refer to the ability to see or anticipate what will or might happen in the future. // He predicted the public's response to the proposed legislation with remarkable prescience. See the entry > Examples: "... novelists have always faced technological and social upheaval. They have mostly addressed it in one of two ways. The first is to imagine an altered future with the prescience of science fiction; Mary Shelley's warning that humans are not always in control of their creations is, if anything, even more resonant today than when Frankenstein was first published in 1818." — Jessi Jezewska Stevens, The Dial, 2 Dec. 2025 Did you know? If you know the origin of science you already know half the story of prescience. Science comes from the Latin verb sciō, scīre, "to know," also source of such words as conscience, conscious, and omniscience. Prescience has as its ancestor a word that attached prae-, a predecessor of pre-, to this root to make praescire, meaning "to know beforehand."

When Oscar-winning filmmaker Guillermo del Toro was a kid growing up in Guadalajara, Mexico, he would draw monsters all day. His deeply Catholic grandmother even had him exorcised because of it. But when del Toro saw the 1931 film ‘Frankenstein,' his life changed. "I realized I understood my faith or my dogmas better through Frankenstein than through Sunday mass." His adaptation of Mary Shelley's classic book is nominated for nine Academy Awards, including Best Picture. Del Toro spoke with Terry Gross about getting over his fear of death, the design of Frankenstein's creature, and his opinion on generative AI.Also, John Powers reviews the noirish drama ‘Islands.' Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy