Podcasts about Panta

In this enlightening podcast, Dr. Basanta Panta dives deep into the challenges and opportunities within medical studies in Nepal, exploring the current state of post-graduate medical programs and the growing significance of FCPS in Nepal. We uncover the struggles faced by medical students, the complexities of medical residency, and why 8000 students are still waiting to enroll in post-graduate studies. Dr. Panta also sheds light on the medical pay scale in Nepal, the evolution of health insurance schemes, and how Nepal is becoming a hub for brain tumor treatment and advanced neuro treatments. From the concept of reality shaped by psychedelics like DMT, ketamine, psilocybin, and LSD, to their potential for treating depression and anger issues, we discuss how these groundbreaking therapies are reshaping mental health treatment globally and in Nepal. We also compare US healthcare vs Nepal's healthcare, discuss why patients no longer need to go abroad for treatments, and uncover Nepal's hidden potential in medical advancements. Don't miss Dr. Panta's insights into how surgery is revolutionizing anger management and why he says, “Apple is not red,” during a fascinating discussion about psychology and perception. Join us as we uncover why Nepal's healthcare system is rising to international standards and how psychedelics are redefining modern medicine. Watch now to explore these captivating topics!

For 52 weeks I will introduce you to the many names and titles of God. The goal is to learn about his nature and to encourage your faith. Week 42: Di Ou Ta Panta Scriptures: ‭‭I Corinthians‬ ‭8‬:‭6‬, Col 1:15-17? Ephesians 4:5-6, Revelation 2:4 and Deuteronomy 6:5. God Over Everything T-Shirts https://www.bonfire.com/god-over-everything160-8/

22 12 2024 06 Radio Revista Panta Folk by ABC Color

22 12 2024 07 Radio Revista Panta Folk by ABC Color

Are you looking to create a limitless life? Tune in for an inspiring discussion with Chloe Panta on her new book Untapped Magic: Manifestation Methods for Living a Limitless Life. Moments with Marianne airs in the Southern California area on KMET1490AM & 98.1 FM, an ABC Talk News Radio affiliate! Chloe Panta is the author of Untapped Magic and a highly sought-after mindset expert and transformational coach who helps people achieve their ultimate life goals. She uses an evidence-based, proven system with scientific data to support its effectiveness to help her clients overcome obstacles that are keeping them stuck in life. Chloe has been featured in numerous media outlets, including the Los Angeles Times, Newsweek, and Medium. https://chloepanta.coFor more show information visit: www.MariannePestana.com#book #newbook #bookclub #mustread #wellbeing #selfdiscover #selfhelp #personalgrowth #personaldevelopment #manifesting 

17 11 2024 04 Radio Revista Panta Folk by ABC Color

17 11 2024 05 Radio Revista Panta Folk by ABC Color

Canadian producer and actress Panta Mosleh embraces these essays from author andrea bennett. Host Jo Reed and AudioFile's Alan Minskoff discuss this mix of personal revelations, food prep experiments, and observations on foodways, family, and life. Mosleh narrates with a strong voice and clear tone and neatly adopts the author's sometimes interrogative style. A poet, editor and essayist, the author tries recipes, stores seeds, experiments with various crops and methods of resisting pests in their home in British Columbia. They write well on the joys of carrots and the importance of seed saving.  Read our review of the audiobook at our website. Published by ECW Press. Discover thousands of audiobook reviews and more at AudioFile's website.       Support for AudioFile's Behind the Mic comes from HarperCollins Focus, and HarperCollins Christian Publishing, publishers of some of your favorite audiobooks and authors, including Reba McEntire, Max Lucado, Kathie Lee Gifford, Bob Goff, Lysa TerKeurst, and many more! Learn more about your ad choices. Visit megaphone.fm/adchoices

00:00 Introducción 00:21 Foxonn ensamblara super chips de Nvidia en el país  Y el monto de inversión no es menor, pues se espera que sea mayor a los 300 millones de dólares.  01:21 Prime Video usa sets virtuales  Las streaming han tenido que idear nuevas estrategias para desarrollar contenido a un menor costo.  02:16 Meta usará IA e identificará biometría en Facebook  La empresa usará esta herramienta para identificar celeb-bait un tipo de fraude. ¿Quieres un 2x1 para ir a la Fan Zone del GP de la CDMX? Usa el código FANZONE001 en este link de promoción y asiste al este evento con 50% de descuento.  Si quieres saber más sobre estas noticias, suscríbete a nuestro newsletters de Expansión, entra a Expansión.mx/tecnologia, ve nuestros videos de Geek Hunters en YouTube y síguenos en nuestras redes @ExpansionMx, y @Guarolf_, @Eresinaeresina Learn more about your ad choices. Visit megaphone.fm/adchoices

Os dentistas Rocheli de Matos Garcia, Fabiane e Fabiano Panta, estiveram no Programa Arauto Saúde e falaram sobre saúde bucal na infância.

Os dentistas Rocheli de Matos Garcia, Fabiane e Fabiano Panta, estiveram no Programa Arauto Saúde e falaram sobre saúde bucal na infância.

Hoje é dia de descobrir tudo que você sempre quis saber sobre contrabaixo. Atenção músicos e apaixonados pela música. Nesse episódio temos os dois grandes baixistas: Alexandre Panta e Thiago Espirito Santo para conversar sobre música!.

We're trying some rebrews this episode. Dry & Bitter has been putting out interesting Danish beers for years. Double Dippy Doo was last seen in 2020. We both gave it a really good rating. A lot has changed in the beer world since then. This double IPA comes back and kills it once again. Why can't we get this all year around in Sweden? Stigbergets Panta Rei 2024 is a collab beer coming out of the Panta Rei beer festival they attended. Last seen in 2018, collab beers can be a big hit or miss with no one brewery really doing their best work. Stigbergets shows they don't have any problems here by doing what they do best. #beer #craftbeer #drinks #dipa #ipa #neipa

- Intro- Portræt af Onughka (00:02:48) - Portræt af Panta (00:23:36)- Ejerskabsdebat (00:31:18)- Optakt FCM (01:09:14)Medvirkende: David Just Bertelsen, Victor Johansson, Onkel Hawaii, Lars Werge, Jordi fra Kaaskijker og Kasper fra Sort SnakStøt Absalons Radio:www.buymeacoffee.com/absalonsradioellerwww.patreon.com/absalonsradioT-shirt: https://absalonsradio.bigcartel.com/Støt tifokassen:Mobilepay: 710300Meld dig ind i S12 foreningen:https://s12.dk/foreningen

Today's HeadlinesChildren in Lebanon find relief at summer camp amid threats of warMissio Nexus 2024: progress, prospects, and the Panta ta EthneSGA meets with leaders in Armenia

„Panta rhei - Alles fließt“: Schon die alten Griechen und ihr Philosoph Heraklit wussten, dass Wasser unverzichtbar für das Leben ist. Nur mit Wasser ist Bewegung möglich. Das gilt auch in unserem Körper und in der Ernährung!

No episódio de hoje, o nosso co-host Ícaro Leite tem o prazer de entrevistar a Cynara Bastos, psicóloga especializada em Inteligência Emocional e desenvolvimento de líderes. Juntos, discutem a importância do domínio emocional nas lideranças, especialmente num mundo em constante mudança, onde a resiliência e a gestão das emoções se tornam competências-chave para o sucesso. Cynara explica como a autoconsciência, autogestão, consciência social e gestão dos relacionamentos são pilares da Inteligência Emocional, fundamentais para líderes que desejam criar ambientes de trabalho saudáveis e produtivos. Através de exemplos práticos, Cynara aborda a relevância da resiliência, empatia e comunicação não-violenta nas organizações. Ao longo da conversa, Cynara destaca como a liderança emocionalmente inteligente pode transformar equipas e projetos, promovendo inovação, colaboração e confiança mútua. Para aqueles que buscam entender melhor como as emoções influenciam o desempenho e a cultura organizacional, este episódio é imperdível!

Emis Killa festeggia 15 anni di carriera.Nuovo singolo per Disco Bambino (al secolo Beppe Savoni): “A te”.Si è conclusa l’edizione del Pod 2024. Con noi Fabio Ragazzo, direttore creativo del festival, e Daniele Vaschi, voce e co-autore insieme ad Andrea Franceschi del Sole 24 Ore del podcast vincitore, “Comprami”.In libreria per Bompiani “Panta. Agenda Marchesi” di Mariarosa Bastianelli e Michele Sancisi.

Are you ready to succeed in life and help use your untapped magic? Welcome This Week's Guest Chloe Panta Chloe Panta is the author of the self-development book, Untapped Magic. She has been featured and seen on CBS, ABC, Fox News, Newsweek, The Los Angeles Times, The Chronicle and more outlets from across the globe.… The post From Vision to Reality: Mastering the Manifestation Mindset With Chloe Panta |227 appeared first on Melissa Vogel.

Chaque vendredi, l'émission est consacrée aux nouveautés musicales de ces dernières semaines et aux chansons cultes dans la séquence gold. Dans la séquence Génération Consciente, les auditeurs prennent la parole à travers des notes vocales envoyées via Whatsapp au 00336.37.42.62.24. Bonus : Le blind test opposant Sidi Diop et Herman Amisi, nos invités lundi 24 juin 2024. Par téléphone, Sosso Bamba de Viseho présente la 2ème édition du Forum International des Compétences les 24 et 25 juillet 2024 au Palais des Congrès à Nouakchott, en Mauritanie. Et Vincent Kunda, promoteur du festival Kongo River, dont la 4ème édition aura lieu à Brazzaville et Kinshasa du 22 au 28 juillet 2024. Pour visionner les clips, cliquez sur les titres des chansons :Extra Musica Nouvel Horizon feat Roselyne Layo - C'est vraiOrquesta Akokàn - Con licenciaTiken Jah Fakoly - Le prix du paradisTitaï feat Maud Elka, Youka - J'suis plus làOlivier Cheuwa - MamaleLenny Silver et Lookman - CallingAdmiral T feat Panta son - Dream bigSidy Diop - Laisse les parlerLow Jay - ExVegedream X Singuila - Elle veut jouerDidi B - BoomrangRetrouvez notre playlist sur Deezer. 

Chaque vendredi, l'émission est consacrée aux nouveautés musicales de ces dernières semaines et aux chansons cultes dans la séquence gold. Dans la séquence Génération Consciente, les auditeurs prennent la parole à travers des notes vocales envoyées via Whatsapp au 00336.37.42.62.24. Bonus : Le blind test opposant Sidi Diop et Herman Amisi, nos invités lundi 24 juin 2024. Par téléphone, Sosso Bamba de Viseho présente la 2ème édition du Forum International des Compétences les 24 et 25 juillet 2024 au Palais des Congrès à Nouakchott, en Mauritanie. Et Vincent Kunda, promoteur du festival Kongo River, dont la 4ème édition aura lieu à Brazzaville et Kinshasa du 22 au 28 juillet 2024. Pour visionner les clips, cliquez sur les titres des chansons :Extra Musica Nouvel Horizon feat Roselyne Layo - C'est vraiOrquesta Akokàn - Con licenciaTiken Jah Fakoly - Le prix du paradisTitaï feat Maud Elka, Youka - J'suis plus làOlivier Cheuwa - MamaleLenny Silver et Lookman - CallingAdmiral T feat Panta son - Dream bigSidy Diop - Laisse les parlerLow Jay - ExVegedream X Singuila - Elle veut jouerDidi B - BoomrangRetrouvez notre playlist sur Deezer. 

Wellness expert Heather Grzych interviews mindset expert and fellow author Chloe Panta about manifestation, the topic of Chloe's inspiring 2024 book Untapped Magic. They discuss how to make your life better. They address why we sometimes feel like we can't get what we want, and the challenges of trying to improve your life when others around you are struggling. They also discuss how we know when we're close to manifesting versus when it's still far away. Chloe Panta is the author of Untapped Magic and a highly sought-after mindset expert and transformational coach who helps people achieve their ultimate life goals. She uses an evidence-based, proven system with scientific data to support its effectiveness to help her clients overcome obstacles that are keeping them stuck in life. Chloe has been featured in numerous media outlets, including the Los Angeles Times, Newsweek, and Medium. She lives in Los Angeles and you will find her online at https://chloepanta.co. Heather Grzych, AD is an American author and expert in Ayurvedic medicine who was formerly the head of product development for a multi-billion-dollar health insurance company. She is a board-certified Ayurvedic practitioner at the Ayurvedic Doctor level, serving on the faculty at Mount Madonna Institute College of Ayurveda and on the Board of Directors for the National Ayurvedic Medical Association. Heather's first book, The Ayurvedic Guide to Fertility, has sold thousands of copies worldwide, and her writing has been featured in Sports Illustrated, Yoga Journal, and the Sunday Independent. Her podcast, Wisdom of the Body, holds an average rating of 5 stars on Apple Podcasts. In addition to creating, supporting her clients, and leading an organization, she's often helping out at her son's baseball practices. Visit her online at www.heathergrzych.com   Connect with Heather: Instagram.com/heathergrzych Facebook.com/grzychheather   Read the first six pages of The Ayurvedic Guide to Fertility for FREE: https://www.heathergrzych.com   Connect with Heather to balance your health for your fertility: https://www.heathergrzych.com/book-online   This podcast is for educational and entertainment purposes only.

"I learned that I can literally do anything that I put my mind to, but I can't do everything, and I had to be okay with that." – Chloe PantaToday's featured bestselling author is a wife, multi-faceted entrepreneur, hypnotherapist, and transformational life coach, Chloe Panta. Chloe and I had a fun on a bun chat about her book, “Untapped Magic: Manifestation Methods for Living a Limitless Life”, the power of being present, her experience as a woman of color in the male-dominated IT field, and more!Key Things You'll Learn:What inspired her to write her book and what she learned about herself through the processHow Chloe balances her coaching business with IT consultingWhat is manifestation and what to do when you want to manifest somethingWhat major setback led to Chloe creating more successChloe's Site: https://chloepanta.co/Chloe's Book: https://a.co/d/cHgeC8fThe opening track is titled "Heatsource" by the magnanimous chill-hop master, Marcus D (@marcusd). Be sure to visit his site and support his craft. https://marcusd.net/Please support today's podcast to keep this content coming! CashApp: $DomBrightmonDonate on PayPal: @DBrightmonBuy Me a Coffee: https://www.buymeacoffee.com/dombrightmonGet Going North T-Shirts, Stickers, and More: https://www.teepublic.com/stores/dom-brightmonThe Going North Advancement Compass: https://a.co/d/bA9awotYou Might Also Like…Ep. 350 – “Stay on Track Tips” with Dr. Ro (@everythingro): https://www.goingnorthpodcast.com/ep-350-stay-on-track-tips-with-dr-ro-everythingro/Ep. 691 – “How to Spark Your Heart and Ignite Your Life” with Hilary DeCesare (@HilaryDeCesare): https://www.goingnorthpodcast.com/ep-691-how-to-spark-your-heart-and-ignite-your-life-with-hilary-decesare-hilarydecesare/273 – “Rewiring Your Brain For Manifestation Success” with Bob Doyle (@bobdoyle): https://www.goingnorthpodcast.com/273-rewiring-your-brain-for-manifestation-success-with-bob-doyle-bobdoyle/Ep. 520 – “A Powerful Tool for Massive Abundance” with Melisa Caprio (@PCtotheUniverse): https://www.goingnorthpodcast.com/ep-520-a-powerful-tool-for-massive-abundance-with-melisa-caprio-pctotheuniverse/Ep. 383 – “Abundance On Demand” with Colette Streicher: https://www.goingnorthpodcast.com/ep-383-abundance-on/275 – “How Thoughts Become Things” with Dr. Marina Bruni (@DrMarinaBruni): https://www.goingnorthpodcast.com/275-how-thoughts-become-things-with-dr-marina-bruni-drmarinabruni/Ep. 820 – How to Sculpt Your Future Through Flowdreaming with Summer McStravick (@flowdreaming): https://www.goingnorthpodcast.com/ep-820-how-to-sculpt-your-future-through-flowdreaming-with-summer-mcstravick-flowdreaming/Ep. 823 – The Illumination Code with Kim Chestney (@KimChestney): https://www.goingnorthpodcast.com/ep-823-the-illumination-code-with-kim-chestney-kimchestney/Ep. 777 – Attract & Manifest Good Luck with Victoria Marie Gallagher (@LOAHypnotist): https://www.goingnorthpodcast.com/ep-777-attract-manifest-good-luck-with-victoria-marie-gallagher-loahypnotist/Ep. 800 – The Power of Eight with Lynne McTaggart (@LynneMcTaggart): https://www.goingnorthpodcast.com/ep-800-the-power-of-eight-with-lynne-mctaggart-lynnemctaggart/Ep. 426 – “Success Left a Clue” with Robert Raymond Riopel (@RobRox69): https://www.goingnorthpodcast.com/ep-426-success-left-a-clue-with-robert-raymond-riopel-robrox69/Ep. 690 – “Prosper mE” with Victoria Rader, Ph.D. (@VicaRader): https://www.goingnorthpodcast.com/ep-690-prosper-me-with-victoria-rader-phd-vicarader/Ep. 339.5 – “From Limited to Limitless” with Adri Kyser (@AdriKyserYoga): https://www.goingnorthpodcast.com/ep-3395-from-limited-to-limitless-with-adri-kyser-adrikyseryoga/Ep. 308 – “Every Day Is A New Day” with Kim O'Neill (@KimsONaMission): https://www.goingnorthpodcast.com/ep308-every-day-is-a-new-day-with-kim-oneill-kimsonamission/Ep. 379.5 – “Awaken Your Inner Awesomeness” with Melissa Oatman (@MelissaOatman): https://shorturl.at/U7ibI

I dagens avsnitt gästar artisten Bell som slog igenom med låten ''Missförstått'' och som nu är stjärna i PANTAMERAS årliga PANTAMERA-LÅT. Vi pratar pant, musik, hat, nya affärsideer och mycket mer!I betalt samarbete med Pantamera https://pantamera.nu.

This week on Finding Your Bliss, Celebrity Interviewer and Bliss Coach Judy Librach is joined by the author of

This week on The KORE Women podcast, Dr. Summer Watson welcomes Chloe Panta, who is the author of Untapped Magic: Manifestation Methods for Living a Limitless Life and a highly sought-after Mindset Expert and Transformational Coach, who helps people achieve their ultimate life goals. In Untapped Magic: Manifestation Methods for Living a Limitless Life published by New World Library, March 12, 2024, Panta shares her personal story and offers readers a step-by-step approach for activating their inner power and manifesting the life of their dreams. Chloe grew up in one of the roughest areas of west Detroit and is here to share a bit of her journey from adversity to entrepreneurial success. Chloe has been featured in numerous media outlets to include the Los Angeles Times, Newsweek, and Medium.  You can follow Chloe Panta on Facebook, Instagram and at: chloepanta.co Thank you for taking the time to listen to the KORE Women podcast and being a part of the KORE Women experience. You can listen to The KORE Women podcast on your favorite podcast directory - Pandora, iHeartRadio, Apple Podcast, Google Podcast, YouTube, Spotify, Stitcher, Podbean, JioSaavn, Amazon and at: www.KOREWomen.com/podcast. Please leave your comments and reviews about the podcast and check out KORE Women on Instagram, Twitter, and Facebook.  Please leave your comments and reviews about the podcast and check out KORE Women on Instagram, Twitter, and Facebook. You can also learn more about Dr. Summer Watson, KORE Women, High Performance Coaching, how to create a journey you love, and creating an incredible professional community of support at: www.korewomen.com. Again, thank you for listening to the KORE Women podcast! Please share this podcast with your family and friends.

Learn how to tap into your magic with Chloe Panta.Women in particular have a tendency to take care of everyone else around them first, while putting their own self care and wellness on the back burner. This podcast is designed to give you actionable advice and tools to help you power up your own wellness journey, and live the best life possible!I am your host, Amy Zellmer. I am editor-in-chief of MN YOGA + Life magazine and author of The Chair Yoga Pocket Guide. Additionally I am passionate about yoga, photography, wellness, and all things glittery! You can find out more about me at www.creatingwellnessfromwithin.comFollow me on: Instagram, Facebook, LinkedIn, and Twitter         Today's guest is: Chloe PantaChloe Panta is the author of Untapped Magic and a highly sought-after mindset expert and transformational coach who helps people achieve their ultimate life goals. She uses an evidence-based, proven system with scientific data to support its effectiveness to help her clients overcome obstacles that are keeping them stuck in life. Chloe has been featured in numerous media outlets, including the Los Angeles Times, Newsweek, and Medium. She lives in Los Angeles and you will find her online at https://chloepanta.co.Consider supporting the podcast for $5 though BuyMeACoffeeSupport the show

Chloe Panta is the author of Untapped Magic: Manifestation Methods for Living a Limitless Life. She is a highly sought-after mindset expert and transformational coach who helps people achieve their ultimate life goals. She uses an evidence-based, proven system with scientific data to support its effectiveness to help her clients overcome obstacles that are keeping them stuck in life. Chloe has been featured in numerous media outlets, including the Los Angeles Times, Newsweek, and Medium. She lives in Los Angeles, and you will find her online at https://chloepanta.co. To purchase Chloe's book: https://a.co/d/2qNKvrh. And find her on social media at: Instagram: https://www.instagram.com/chloepanta Facebook:  https://www.facebook.com/profile.php?id=61555679682838 To reach out to guest host, Amanda Wonderland: https://www.amandawonderland.com/ #mindtomatter #blissbrain #highenergyhealth #untappedmagic #eft #manifestation #limitlesslife #mindset

Our guest is Chloe Panta. Untapped Magic delves into ancient wisdom and foundational principles to help readers break free from the constraints of their circumstances and forge a path towards success and personal fulfillment. Panta uses a rich combination of real-life examples, exercises, insights, and mantras to help readers from all walks of life unlock their full potential for a joyous and limitless life.   “Consider this book as your guide, your toolbox, and all you'll need to make the shift from where you are right now to where you want to be.” writes Panta. “You can do whatever you put your mind to. You just have to believe in yourself and believe in the power of your special magic.” Untapped Magic shows readers how to:   ·     Use the Law of Attraction to make their dreams a reality ·     Identify and release limiting beliefs ·     Raise their vibrational frequency ·     Take focused action toward their goals ·     Shift from a scarcity mindset to an abundant mentality ·     Expand their vision of what is possible Instagram: https://www.instagram.com/chloepanta Facebook Personal: https://www.facebook.com/chloepanta Facebook Professional: https://www.facebook.com/billionairebeauty www.theliberateedhealer.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Part of the Things To Remember series. Sermon by Pastor Dave Scherrer

In this episode of The Healers Café, Manon Bolliger, FCAH, RBHT (facilitator and retired naturopath with 30+ years of practice) chats with Chloe Panta, shedding limiting beliefs like unworthiness to create the life you truly desire. For the transcript and full story go to: https://www.drmanonbolliger.com/chloe-panta     Highlights from today's episode include: Chloe Panta  But that was the reason why was because so many people, they have feelings of shame, or torment or invisibility or unworthiness because of what someone has instilled in them. And they've taken that as their truth. And I felt it was my job to unravel the pieces back and the layers to get them to come back to their whole, authentic, worthy self.   Manon Bolliger  28:14 We are co-creators. So why not create something?   Chloe Panta  So, people who are ready for change, it works for them, because they are willing to be susceptible, they're willing to have an open mind and shift their perception of what they thought they knew to take on new experiences that may seem different for them and just explore new options that they probably never have explored before.     ABOUT CHLOE PANTA:  Chloe is a Mindset & Transformational Coach, and RTT® Practitioner, specializing in helping women, men and teens overcome unworthiness, shame, broken mentality mindset, weight issues, phobias and trauma with rapid transformational techniques. With her extraordinary manifestation method, backed by neuroscience, energetics, and a touch of magic, Chloe guides individuals to embrace a life without limits. She uses an evidence-based, proven system with scientific data to support its effectiveness to help her clients reach transformational goals and overcome obstacles that are keeping them stuck in life, helping them move towards freedom. Chloe's guiding mantra, & live life limitlessly, because there are no limits, reflects her core belief in the boundless potential that resides within each person. This philosophy serves as a driving force behind her coaching, encouraging individuals to break free from perceived limitations and embrace a life of unlimited possibilities. Core purpose/passion: Whether you're looking to holistically improve your life, overcome an addiction such as smoking, lose weight, relieve yourself of phobias, anxiety or depression, my rapid transformational therapy and coaching can help. I work with clients from all walks of life who are looking to remove blocks that are keeping them stuck, whether that is past trauma or a recent situation, my role is to help you heal past your experiences and transform your life into the one you've only dreamed of. Website | Facebook | Instagram | Twitter |   ABOUT MANON BOLLIGER, FCAH, RBHT  As a de-registered (2021) board-certified naturopathic physician & in practice since 1992, I've seen an average of 150 patients per week and have helped people ranging from rural farmers in Nova Scotia to stressed out CEOs in Toronto to tri-athletes here in Vancouver.  My resolve to educate, empower and engage people to take charge of their own health is evident in my best-selling books:  'What Patients Don't Say if Doctors Don't Ask: The Mindful Patient-Doctor Relationship' and 'A Healer in Every Household: Simple Solutions for Stress'.  I also teach BowenFirst™ Therapy through Bowen College and hold transformational workshops to achieve these goals. So, when I share with you that LISTENING to Your body is a game changer in the healing process, I am speaking from expertise and direct experience". Manon's Mission: A Healer in Every Household!  For more great information to go to her weekly blog:  http://bowencollege.com/blog.  For tips on health & healing go to: https://www.drmanonbolliger.com/tips   Follow Manon on Social – Facebook | Instagram | LinkedIn | YouTube | Twitter | Linktr.ee | Rumble   ABOUT THE HEALERS CAFÉ:  Manon's show is the #1 show for medical practitioners and holistic healers to have heart to heart conversations about their day to day lives.  Subscribe and review on your favourite platform: iTunes | Google Play | Spotify | Libsyn | iHeartRadio | Gaana | The Healers Cafe | Radio.com | Medioq | Follow The Healers Café on FB: https://www.facebook.com/thehealerscafe     Remember to subscribe if you like our videos. Click the bell if you want to be one of the first people notified of a new release.   * De-Registered, revoked & retired naturopathic physician after 30 years of practice in healthcare. Now resourceful & resolved to share with you all the tools to take care of your health & vitality!

The Gospel must be preached to all nations because God has elected some from every tribe, language, people, and nation to be in heaven. - SERMON TRANSCRIPT - Turn in your Bibles if you would, to Mark, chapter 13, and you can also turn as well to Matthew 24. We're going to be looking at both of those places. The Scripture reveals that despite all of its swirling complexity, human history has a purpose. We are moving to a destination. We're going somewhere with all of this. It's not just random chaos, but God has a plan and a purpose. The destination the Bible reveals, to which we're going, is a perfect universe, a perfect world free from all sin and a beautiful radiant city. The New Heavens and the New Earth are that perfect universe and that radiant city is called the New Jerusalem. The Bible reveals that the light source of that new universe and of the New Jerusalem, according to Revelation 21 and 22, is the glory of God, the glory of God. Revelation 21:23 says, "The city”[the New Jerusalem] "does not need the sun or the moon to shine on it for the glory of God gives it light and the lamb is its lamp." Again, in the next chapter, Revelation 22:5 it says, "They will not need the light of a lamp or the light of the sun, for the Lord God will give them light." But what is that? What is the glory of God? In my studies and my meditations, I've thought a lot, it's an important topic. I believe the glory of God is the radiant display of the attributes or the perfections of God. Sometimes it's just brilliant light, as 1 Timothy 6:16 says, "God dwells in unapproachable light." Well, think about that, unapproachable light. How amazing must that be? For this reason, the Seraphim in Isaiah's vision were constantly covering their faces, though they had no sin or guilt, but just in that unapproachable light, the presence of the glory, they were covering their faces. For this reason also, the theophanies, or the displays of God, where God shows up in human history are frequently attended by overpowering light, like in Ezekiel's vision of the likeness of the glory of God by the Kibar River east of Babylon. Ezekiel 1 says, "High above on the throne was a figure like that of a man. And I saw from what appeared to be his waist up, He looked like glowing metal as if full of fire. And that from there down He looked like fire and brilliant light surrounded Him, like the appearance of a rainbow in the clouds on a rainy day, so was the radiance around him. This was the appearance of the likeness of the glory of the Lord. And when I saw it, I fell face down." So radiant, light, brightness connected with the glory of God. Also at the time of the birth of our Lord in Bethlehem, an angel appeared to shepherds outside Bethlehem and it says in Luke 2:9-10, "There were shepherds living out in the fields nearby, keeping watch over the flocks at night. An angel of the Lord appeared to them and the glory of the Lord shone around them, and they were terrified." This was a glory of the eye, not of the mind or heart. It was just bright light, and it stunned the shepherds that night. But the glory of God is seen not just in brilliant light, sometimes it's in the radiant display of the perfections of God, the attributes of God woven into the tapestry of historical events. That takes the eye of faith to see it, but it's there. The attributes of God woven into the tapestry of history. The perfections of God, attributes of God, include His wisdom, His power, His love, compassion, justice, patience, kindness, mercy. These are attributes. God has ordained history, the story of history, for this reason to put Himself on display in the sequence of events and unfolding history. He put Himself on display in a history, a story, that He predestined before Christ began, written in His own mind before time began. The sequence of events, this history, has all been written out by the author of history and it's intrinsically connected with the Christ event, the story of the Gospel of Jesus Christ. Jesus himself said in Revelation 22:13, "I am the alpha and the omega. I am the first and the last, the beginning and the end." History is linear, and Jesus is history. Jesus is what the story is all about. The radiant display of the glory of God in heaven, I believe, will consist in part in a retelling of His mighty works in saving His people from their sins and in their individual context all over the world, across the centuries, a retelling of the mighty works of God and saving sinners. I believe it's the most glorious thing God has ever done. His glory is greatly on display in salvation. Revelation 7:9-10 says, "After this, I looked, and there before me was a great multitude that no one could count from every nation, tribe, people, and language, standing before the throne and before the Lamb. They were wearing white robes, and they were holding palm branches in their hands, and they cried out in a loud voice, 'Salvation belongs to our God who sits on the throne and to the Lamb.'" "The radiant display of the glory of God in heaven, I believe, will consist in part in a retelling of His mighty works in saving His people from their sins and in their individual context all over the world, across the centuries." Here's a multitude, a huge quantity of people, from all over the world, every imaginable context, standing around the throne of God in heaven praising God for salvation. The specific stories of these individual people that make up these millions from every nation on Earth, will bring infinite and eternal glory to God. A few verses later, Revelation 8:13, "Then one of the elders asked me, 'These in the white robes, who are they and where did they come from?'" As I've said many times before, that story will take forever to tell fully. It is so complex, but it is woven through with light, it’s woven through with glory. "These redeemed," who are they and where do they come from? Well, how long do you have? We have all eternity. So, pull up a chair and let's hear the story of how God redeemed this one and that one and the other one from all over the world. Heaven will be filled with the stories of the greatness of God put on display in the amazing tapestry of history that He wove in every century. This is the story of missions. The spread of the Gospel of Jesus Christ from Jerusalem to the ends of the Earth across every generation of history, that unspeakable glory as before us this morning. We're going to focus just on two verses of scripture. Mark 13:10, right in the middle of our Mark study, and then a parallel verse, Matthew 24:14. Mark 13:10, "And the gospel must first be preached to all nations." Matthew 24:14, "And this gospel of the kingdom will be preached in the whole world as a testimony to all nations and then the end will come." I want to tell you something about the science of Bible interpretation. The Gospels, there are four of them, three of them basically take the same approach to the life of Jesus. Matthew, Mark ,and Luke. They're called synoptic because they see things from about the same perspective. Then the fourth Gospel, John, comes at it from a different perspective, but they all tell the same thing. We believe that all scriptures God-breathed is perfect, so therefore these are four perfect accounts of the life of Christ, but they have some differences with one another. When we have those differences between, let's say, Matthew and Mark, we harmonize. We don't pit them against each other, we put them together. We try to harmonize, and that's not always easy to do. Generally, I look on it as a two-for-one sale. I'm going to take both statements here as true, and if one of them tells me one thing, He said that and that's true, and if one of them tells something else, He said that, and I just harmonize, I put it together. I. Context: Jesus’ Prediction of the Destruction of the Temple Let's talk about the context here. We're moving through the Gospel of Mark. Mark 13 is Jesus's description of the history of the end of the world and the events leading up to the destruction of Jerusalem and the Temple and the end of the world. It came from a statement Jesus made in Mark 13:2: "Not one stone will be left on another. Everyone will be thrown down." This was a prediction of the destruction, at least of the Temple, but probably really of the whole city of Jerusalem and focused on the temple. It was the final week of Jesus's life. Things were hurdling to a conclusion, the dramatic turbulent events culminating in His arrest and His trial before the Jewish leaders. His condemnation by them is being handed over to Pontius Pilate for condemnation by the Romans and then His crucifixion by Pontius Pilate and the Romans. So that's where we're heading. Jesus has given a seven-fold denunciation of the Scribes and Pharisees, the spiritual leaders of the Jewish nation. It's fully depicted in Matthew 23. It's just quickly summarized in Mark. But it culminates in this statement in Matthew 23: 38-39, "Jesus says, 'Behold your house is left to you desolate.'" This is a very important statement—your house is left to you desolate. “Desolate” means “empty." The reason I'm saying that is, "For, I tell you, you will not see Me again until you say ‘Blessed is He comes in the name of the Lord.’" “Not seeing Me again” is the essence of your desolate house. That's what makes your house desolate. Then Jesus dramatically walked out of the Temple, never to return again. The disciples came up at that moment and chose that moment to talk about how beautiful the Temple was. We shouldn't be surprised at this. This is what the disciples, the apostles were like, frequently off message. This is who we are as well. “As Jesus was leaving the temple, one of his disciples said to him, ‘Look, teacher, what massive stones, what magnificent buildings.’ ‘Do you see all these great buildings?’ replied Jesus. ‘Not one stone here will be left on another, every one will be thrown down.’" That must've been incredibly distressing to them. They come to Him later, privately, when He's out of the city, He's up on the Mount of Olives, across the Kidron Valley, they're out of the city and they're there. As Jesus was sitting on the Mount of Olives, Matthew 24:3, “The disciples came to Him privately. 'Tell us,' they said, 'When will this happen and what will be the sign of Your coming and of the end of the age?’" Matthew 24 and Mark 13 cover roughly the same ground, but Matthew 24, in much more detail. There's almost nothing found in Mark 13 that's not found in Matthew 24, and there are other things besides in Matthew 24, so I have my eye on both. Matthew 24 has the full question the disciples asked and the fuller answer that Jesus gives. The three parts of the question in Matthew 24 are, "Tell us, when will this happen?" And, "What will be the sign of Your coming and of the end of the age?" The complexity of Matthew 24 and of Mark 13 comes in discerning and kind of to some degree, unweaving the tapestry of Jesus's answer. What is He talking about right now in this part? Is He talking about the destruction of Jerusalem in 870 AD by the Romans? Is He talking about the end of the world? What is it? They weave it through. Jesus, I believe, is giving a history of the world between His First and Second Comings. It's bigger than just the destruction of the Temple. Just to tell you, if you look at Mark 13:10, a key word for me in that is the word “first.” First. "This gospel must first be proclaimed to all nations." First before what? Before the destruction of the temple? That didn't happen. So clearly, Jesus's scope is bigger than the destruction of the Temple. He's looking at, I believe, all history, from the First to the Second Comings of Christ, and He's traveling and traversing that history. Look at verses 5-13, Mark 13. Jesus has said to them, “Watch out that no one deceives you. Many will come in my name claiming I am He and will deceive many. When you hear of wars and rumors of wars, do not be alarmed. Such things must happen, but the end is still to come. Nation will rise against nation and kingdom against kingdom. There'll be earthquakes in various places and famines. These are the beginning of birth pains. You must be on your guard. You'll be handed over to local councils and flogged in the synagogues. On account of Me, you'll stand before governors and kings as witnesses to them." Here's our focus verse, verse 10, "And the gospel must first be preached to all nations. Whenever you are arrested and brought to trial, do not worry beforehand about what to say. Just say whatever is given to you at the time, for it is not you speaking, but the Holy Spirit. Brother will betray brother to death and a father his child. Children will rebel against their parents, and have them put to death. Everyone will hate you because of Me, but he who stands firm to the end will be saved." Last week, we traced out those thirteen verses and looked at the whole answer. Just to summarize, it begins with a warning against false teaching. He goes from that to a prediction of the ordinary convulsion of events of history, wars and rumors of wars. That happens in every generation, almost every year of history, nation rising against nation, kingdom against kingdom. That's all the time. There'll be famines, earthquakes, various places. He calls all this the beginning of birth pains. The birth pains means a terrible convulsion or pain resulting in something beautiful and wonderful. We're heading to a good destination, but we have a lot of pain to go through first. That's what “beginning of birth pain” means. Then He mentions persecution. They will be handed over to the local councils. They'll be flogged in synagogues. These will be opportunities for them to be witnesses to Him. They will testify to Jesus. "On account of me, you'll stand before governors and kings as witnesses to them." The flow of human history is a canvas on which the masterpiece of redemptive history is being painted. These commonplace convulsions, wars, rumors of wars, famines, earthquakes, arrests, trials, all of that is being sovereignly controlled to accomplish the spread of the Gospel, to accomplish the salvation of God's people, to accomplish the glory of God. That's what's going on here. It's amazing how God controls history even down to the micro-level, to achieve His purposes. I found a number of years ago a great example of this in the life of John Calvin. John Calvin is a great reformer who spent most of his life in Geneva, a great theologian, tremendous leader. However, he was not originally Swiss. Geneva is a city in Switzerland. He was French and he was basically a refugee, a religious refugee running for his life because he believed in the Reformation. The Catholic King of France was persecuting what they called Lutherans, and he was running for his life. By this time, he had already written a significant theological work, and he was on his way to the French city of Strasbourg. He had in mind a quiet life as a scholar. He was going to be quiet in his room and eat little bowls of gruel and write theology books, and that was going to be his life. That would've made him happy. He was that kind of person. At any rate, he was a scholar but already well known. Amazingly, en route to Strasbourg, he couldn't go there because an obscure war had broken out between the King of France and Charles the Fifth, the Holy Roman Emperor. It's not at all one of the most famous wars ever. It's one of those wars and rumors of wars that Jesus talked about. But as a result, the straight road to Strasbourg was blocked with troop movements. So here, this fleeing man, this refugee has to divert through the city of Geneva. At any rate, there he is in Geneva, and William Farel, who started a Reformation work there hears that Calvin is there, and he thinks this is just the guy that we need for the Reformation here in Geneva. He was right, but Calvin had no such intention. When Farel came and said, "I want you to work here in Geneva," he said, "No, no, I'm going to go have a quiet life writing books in Strasbourg." He didn't say it just like that, but it probably went something like that. After Farel tried to persuade him and wasn't successful, Farel rose up in what Calvin called intemperate zeal and threatened him with the judgment of God if he chose a quiet life of academia rather than taking part in the Reformation in Geneva. Calvin was wired to fear that kind of thing and said, "Okay, I guess I'll stay in Geneva,” and he did. He was there most of the rest of his life. What's my point? Wars and rumors of wars for a purpose. "Are you saying that God orchestrated a war between Catholic King Francis of France and Catholic King Charles the Fifth, so that John Calvin would end up in Geneva and not Strasbourg?" Yes, that's what I'm saying, and other things too. Other things too, but at least that. That's what God does. Isn't it amazing that history has a purpose? Even as it seems to be churning and random and destructive, God is at work in the midst of all of it. The central work of all of this is, "You will be witnesses for me. You'll be my witnesses. You are going to proclaim this gospel." Look at verse 10, "And the gospel must first be preached to all nations." The power of the Holy Spirit is central to this mission. He said, "Do not worry ahead of time what to say, what to speak. It will not be you speaking, but the Holy Spirit." The Spirit is the driving orchestrator and force of the spread of the gospel, the third person of the Trinity, that is His role and He's extremely good at his job. As Acts 1:8 says, "You'll receive power when the Holy Spirit comes in you and you'll be My witnesses in Jerusalem and Judea, Samaria to the ends of the Earth." In the midst of all this, there'll be a tremendous amount of pain for the witnesses, painful betrayals, family relationships will be compromised. Your own closest relatives will turn their backs on you. "Everyone will hate you because of Me," Jesus says. Intense persecution, and that's what makes this journey so glorious. The courage, the boldness, the suffering, the willingness to pay the price. That's the story. That's big picture. II. A Command in Mark Let's zero in on the command, Mark 13:10, “And the gospel must first be preached to all nations." In Mark's version, Mark 13:10, it takes a command form, effectively. It's a command in Mark. It uses the Greek word “dei”, which means “it is necessary,” but that's frequently a command, a sense of a command. It is necessary for the Gospel first to be preached to all nations. What is the Gospel? The Gospel is the message of the kingdom of God with Jesus as the King of the kingdom of God. He's the centerpiece, he is the King, he's the Lord, he's the Savior. The Gospel is the good news about Jesus Christ and all that that means. That's what the Gospel of Mark has been unfolding all along. It's a message about the kingdom of God, that God is King. "What is the Gospel? The Gospel is the message of the kingdom of God with Jesus as the King of the kingdom of God. He's the centerpiece, he is the King, he's the Lord, he's the Savior. The Gospel is the good news about Jesus Christ and all that means." The kingdom is the spiritual realm where the subjects of the King are delighted to have God as their King, and they're pleased to obey Him and to follow Him. They're delighted about it. God's sovereignty over rebels is a different matter, but the advancing kingdom of God has to do with individuals who throw down their weapons of rebellion and come in gladly under the kingship of Christ. The Gospel is, as we've said before, God, man, Christ, response. That God created the universe, the heavens and the Earth, and as the Creator, He has the right to make laws and rules by which we live our lives. God, the Creator, God the King, God, the Lawgiver and God the Judge. That's God. Man, we are created in the image of God to have a relationship with Him, to have a love relationship with Him and to love each other, but we have sinned. We have broken the two Great Commandments. We have not loved God with all of our hearts, all mind and strength. We have not loved our neighbor as ourselves. We have sinned. Therefore, we stand under God's judgment, physical death, eternal death in hell. Christ is God's answer to that problem. The Son of God, fully God, fully man, born, took on human flesh. We celebrate it this time of year. He lived a sinless life under the laws of God. He died in our place as our substitute, a transfer of guilt effected. When we believe in Jesus, our guilt put on Jesus, He dies in our place, His righteousness is given to us, and that's the white robes that we're going to stand in on Judgment Day and for all eternity. The imputed righteousness of Christ, that's what Christ came to do. Then the response, we need to repent of our sins, turn away from our rebellion against God the King. Believe in Jesus, trust in Him, and we'll receive forgiveness of sins. That's the Gospel: God, man, Christ, response. It is necessary for that message to be preached, to be proclaimed to all nations. That's what He's saying. That has to happen first, before the end of the world. That's what first, first is tied to the end of the world. Why? Why is it necessary? Why don't I give you four reasons, four reasons why it is necessary for the Gospel. Let's keep it simple, because Christ the King commanded it. We'll start there. Christ told us to do this. These were his last words before He ascended back to heaven. The Great Commission, so-called, which is a commandment to all of His followers, to make disciples of all nations, is in all four Gospels, a different version but in all four Gospels and in Acts. The most famous version is Matthew 28, "Jesus came to them and said, ‘All authority in heaven and Earth has been given to me. Therefore, go and make disciples of all nations, baptizing them in the name of the Father, and of the Son, and the Holy Spirit, teaching them to obey everything I have commanded you. And surely I'm with you always to the very end of the age.’" To all nations in all eras of history, that's the Great Commission. It is necessary, therefore, that this happened because it is the will of God and of Christ for us. Secondly, it is necessary because the Gospel is the only way for sinners to be forgiven and reconciled to God. There is no other way. There is no other plan. The Gospel is the power of God for the salvation of everyone who believes. Or as it says in Romans 10:12 -15, "There is no difference between Jew and Gentile. The same Lord is Lord of all and richly blesses all who call on Him, for everyone who calls on the name of the Lord will be saved. How then, can they call on one they have not believed in and how can they believe in one of whom they have not heard? And how can they hear without someone preaching to them? And how can they preach unless they're sent?" As it is written, ‘How beautiful are the feet of those who bring Good News?’” That's the logic of missions. It's a logical work that Paul does in Romans 10, using a series of rhetorical questions, assuming negative answers. The statement is made worldwide, anyone in any nation on Earth who calls on the name of the Lord Jesus in faith will be saved. But how can someone call on someone they've not believed in? They can't do that, can they? No, of course, they can't. No one can believe in someone they've never heard of, can they? No, of course they can't. And no one can hear without someone preaching or proclaiming the message. No, they can't. Absolutely not. And no one can do that preaching unless they're sent out. Hence, the need for missions. That's the logic of missions, and it's the answer to why it is necessary for this Gospel to be proclaimed. Thirdly, it is necessary for the Gospel to be proclaimed to all nations because God has chosen people in every tribe and language and people and nation. They're called the Elect, chosen before the foundation of the world. God wants those people reached. Jesus said in John's Gospel, "I have other sheep that are not of this sheep pen. They must be brought in, and there'll be one flock and one shepherd." Those are people, not just Jews, but all the ends of the Earth. God has people out there. There will be people from every tribe, language, people, and nation. It's been ordained. They were chosen in Christ before the creation of the world to be holy and blameless and they have to be brought in, and the only way they're going to be brought in is by the preaching of the Gospel. That's the third reason. The fourth, it is necessary for the Gospel to be preached for the maximum glory of God. That's the ultimate reason for everything. It is for the glory of God that this be done. Ephesians 1:11-12 says, "In Him we're also chosen, having been predestined according to the plan of Him, works out everything in conformity to the purpose of His will, in order that we who are the first to hope in Christ might be for the praise of His glory, that we might be, exist, for the praise of His glory and that we might praise His glory, that we might ourselves notice His glory.” So we will be glory, and we will see glory, and we'll praise Him for it. That's the reason why. Or again, in Romans 15:9, "That the Gentiles might glorify God for His mercy." So those are four reasons why it is necessary for the Gospel to be preached. To whom should the Gospel be preached? What we've already said, to all nations. To all nations, the Greek is “panta ta ethne”. The word “ethne” is from which we get the word “ethnic”, and that's the key. We as Protestants, as Evangelicals, we have had a progressive, growing understanding of missions over the last 500 years. Little by little by little, we've understood more and more clearly our obligation in this matter. For the first three centuries, the church just exploded all over the Roman Empire. People were going everywhere preaching the gospel. Apostles, non-apostles, everybody, and it was spreading everywhere. It went as far north as Scotland, it went as far south as Sub-Saharan Africa. There's clear evidence of this. It went as far east as India. It went as far west as Tarshish, which is like Gibraltar. It was all over the place, and the Gospel was spreading. However, once the Dark Ages fell and politics wove together with some form of Christianity, Christendom came about. We had the Crusades, which are the most abhorrent misconstrued incident of mission that's ever been in history; we still paying the price. But there was this mixture of church and state, and it was a mess. To make matters worse, the Gospel itself, for the most part, was lost in a false “gospel of works" religion. The Dark Ages fell, but praise God, the Reformation came and scraped away all that darkness and the Gospel was reclaimed. The Gospel of justification by faith alone, apart from works of law, was shining in those Protestant churches, Lutheran churches, Calvinist churches, the Anabaptist churches. But those folks weren't doing missions initially. They were really just trying to survive. Missions, at that point, was done mostly by Roman Catholics through the Jesuits, who were spreading the power of the Pope and of their Catholic kings, like the King of Spain and the King of Portugal to distant places like Japan and other places. But they didn't bring the true Gospel with them. Meanwhile, the Protestants continued to establish doctrine and to reach their own countries, but not doing missions. But God worked in Protestant churches, little by little, a clearer understanding of our obligation concerning missions in four key steps. The first step, or insight, comes from William Carey. He was a Baptist, a cobbler, a blue collar guy, and he wrote an incredible work called An Inquiry into the Obligation Christians Have to Use Means for the Evangelization of the Missions to the Heathen. Heathen will be pagans or lost people. He was a trailblazer in Protestant missions. The insight is that we Protestants should do missions. We should go to distant lands and share the Gospel. Not just the Jesuits should do that, we should do it. That was step one. Step two came from a leader named Hudson Taylor. Hudson Taylor was a missionary to China. He went on his first missionary trip and just like most missionaries did in the mid-nineteenth century, he stayed on the coastlands such as Shanghai, port cities. He had a vision for the inland regions of China, teeming hundreds of millions of Chinese that had no hope of hearing the Gospel. He founded something called the China Inland Mission. So step number two is, we need to get off the coast and go into the dark heart of Africa, the dark heart of India and of China, and find people there who have no physical access to the Gospel. Step two, inland missions. Step three came from a leader at the end of the 19th century into the beginning of the 20th century named Cameron Townsend. He was a missionary in Latin America and South America. He was working with some tribal people, and they were doing all of their work in Spanish, the trade language. At one point, one of these tribal men said, "If your God is so smart, how come he doesn't speak my language?" Good question, right? Good question. So Cameron Townsend started a ministry called Wycliffe Bible Translators to get the Bible into the heart language of people all over the world, and that work continues to this very day. Insight number four came in the middle of the 20th century from a missionary leader named Donald McGavran, and he began to see that the issue wasn't reaching political nations, like nations that are represented at the United Nations. It had to do with understanding the word ethne as a people group, a group of people characterized by a language and a culture and a heritage and a self-identifying focus. And so that started the people group conception of the work. “Panta ta ethne” means to all people groups. Now, how many people groups are there in the world? No one knows, only God knows. It's very difficult to see lines of border and demarcation between people groups. Donald McGovern did his work in India, and there are probably at least 5,000 people groups, if not more, in India, but there's a lot of overlap. Joshuaproject.net, which you can go and check that out, they say 17,446. As an MIT engineer, I'm like, "I don't think there's that many significant figures." I would say roughly 18,000. or roughly 16,000. I don't think we can get down to 17,446. However, there's a lot. There's a lot of people groups. IMB has a smaller number of people groups. Then you go to the next level, which is “unreached people groups.” What are unreached people groups? It's defined as less than two percent evangelical in that nation. When I was a missionary to Japan, the Japanese were the largest unreached people group in the world, less than two percent evangelical. Since then, they've been superseded by another group. But that's a people group. That's what “unreached” means. “Unengaged,” another U is added, meaning, as far as the IMB knows, there is no effort to try to reach that people group. There's no one working on that, as far as they know. So you've got the UUPG, which is unengaged, unreached people groups. That's the focus. That's where the work should go. It is necessary for us to do that, for the church to do that. It is necessary for us to reach them with the Gospel. And this stands as a permanent command from our Lord and King Jesus Christ. "If you love Me, you'll keep my commandment." That's Mark 13:10, the command. III. A Prophecy in Matthew Look over at Matthew, where it comes across as a prophecy, or perhaps a promise. I'm okay with either one. Look what it says in Matthew 24:14, "And this gospel of the kingdom will be preached in the whole world as the testimony in all nations and then the end will come.” So prophecy, promise. What is Jesus saying there? "And this Gospel of the kingdom will be preached in the whole world as the testimony of all nations, and then the end will come." The preaching of the Gospel to every tribe, language, people, and the nation is as guaranteed as the end of the world is. They're equally guaranteed. It's going to happen. This is a remarkable assertion by Jesus, more remarkable than not one stone left on another. Picture Jesus on that tiny little rocky outcropping there in the Mount of Olives surrounded by a band of followers that were frequently off message. You know those guys. Surrounded by a very small number of people saying, "This thing that we're doing here is going worldwide, everyone on Earth will hear about this." All peoples on Earth, all peoples, all nations will hear. That's incredible. Effectively, then, “the Jewish conception of their own kingdom will end, the Messianic kingdom, and My kingdom will be established and will reign for all eternity." That's awesome. How does He know that? He knows it because He's God, but He also knows it because the Old Testament scripture predicted that this would happen. God willing, next week, we'll look at Isaiah 49, but in Luke 24, "This is what is written. The Christ will suffer and rise from the dead on the third day. And repentance for the forgiveness of sins will be preached in His name to all nations, beginning at Jerusalem." It's going to happen. Which scriptures? Many. There are many scriptures. But I'm going to look at Isaiah 49 next week. Isaiah 49, 1 and 6, "Listen to me, you islands, hear this, you distant nations." Islands and nations, distant nations. God says to Jesus, "It is too small a thing for You to be my servant, to restore the tribes of Jacob and bring back those of Israel I have kept. I will also make You," [Jesus] "a light for the Gentiles that you may bring My salvation to the ends of the Earth.” Jesus is actually not saying anything different than Isaiah the prophet said or that many other prophecies gave. Friends, this is a great encouragement. How does a team play if it's guaranteed, if they think they're absolutely going to win? They're going to play better than if they think they're going to lose. How does an army fight if they think ultimate victory is guaranteed? They fight better. We are going to win because Christ is going to win. This gospel is going to win. The task seems difficult. 3,150 unreached, unengaged, unreached people groups. None of them are easy to reach, or they would've been reached. They're in very difficult situations or places. I went through and thought about some of our units. If you guys don't know what the word “units” means, it means either a married couple, like a family or single. That's why we use the word units because some of them are single men and women, but sometimes family. We call them a mailing address or a group, a family unit. That's what we mean by it. I was reading about units in Turkey, 1.29 million practice Shia Islam. They speak North Levantine Arabic, a significant minority in Turkey. Their goal is to keep their Arabic culture alive in the secular Muslim state of Turkey and pass that on to their children and grandchildren. They mix elements of Sufism, which is Islamic mysticism and Shia Islam. Then we've got Thailand, where we have some units, I won't say their names, but they're there working, and there are people there that are following a certain flavor of Theravada Buddhism. Then in Bangladesh, overwhelmed with poverty, where we have another family unit there. People there are practicing Sunni Islam. They're tragically poor, and they're in darkness, in the grip of darkness. When we think about how difficult it is, and how long it takes to learn a language well enough to share the Gospel in it, and how long it takes to learn a culture, and how long it takes to make friendships, and then that whole journey, and then how long it takes to see one person cross over from darkness to light, that's the challenge in front of us. We need to be encouraged. Remember the lesson of the fig tree that we preached on a number of months ago? Mark 11:23-24, "Truly, I tell you, if anyone says to this mountain, 'Go throw yourself into the sea,' and does not doubt in his heart, but believes that what he has said will happen, will be done for him. Therefore, I tell you, whatever you ask for in prayer, believe that you have received it, and it will be yours." Mountain moving, faith-filled prayer is made for the Great Commission. That's the mountain that needs to be moved. Remember what I said about prayer at that time. Prayer is not you giving God an idea He didn't have before or persuading Him to do something He didn't want to do. That's not what prayer is. Prayer is you learning from Scripture what God is doing in the world and asking Him to do what He has decreed and ordained to do but hasn't done yet. That's what it is. God has decreed and ordained that people from every tribe and language and people and nation will be standing in those white robes around that throne. That's what He's decreed. It is encouraging to see the progress of the Gospel. Those other signs, wars, rumors of wars, famines, earthquakes, those don't mark anything. They're characteristics of every generation. But the progress of the Gospel, that's like a ticking clock to the end of the world. If you were to put dots on a map all over the world of what we would consider to be healthy Bible-believing, gospel-preaching churches in the year 1550, where would you put the dots? It would be almost all Central and North Europe, 1550. If you advance 50 years later, [1600] you would see more dots in those same areas, but still nowhere else. If you put dots where you had healthy Bible-believing, gospel-preaching churches in 1650, by then you would have to add some North American colonies, in Virginia, and New England, and other places, and more over Europe, but nowhere else [1650]. If you advance another 50 years, many more dots up and down the 13 colonies. Many more dots in Europe, and nowhere else. By 1750, by then you had the Great Awakening, lots of dots all over the 13 colonies that eventually became the United States of America. You have some dots in the Caribbean where some Moravian missionaries went and sold themselves into slavery to preach the Gospel to the slave population there. Then, of course, Central and North Europe, some in the Catholic areas in Europe as well, but nowhere else. By 1800, William Carey's in India. So you put a dot there. But all the rest, just more dots in those same areas. As the new country of the United States spreading westward, there's more dots there, et cetera. In 50 more years, unbelievable. The 19th century, called the great century of missions, and they started to explode. By this time you've got Hudson Taylor in the inland regions. You've got dots in China. You've got a lot more dots in India, definitely dots in Burma. Because by the time Adoniran Judson finished his work, there were 25,000 baptized Burmese Christians. Now in 1850 there are dots all over. And by this time you can start putting them in Sub-Saharan Africa and other places. Add another 50 years, 1900, the great century of missions has ended. You got churches all over Asia, Mongolia, India, Burma, South America, Sub-Saharan Africa. In 50 more years, post-World War II, you've got the Gospel spreading to the islands of South Pacific, Irian Jaya, and Papua New Guinea. Soldiers that had fought there then went back to some of those places with the Gospel. Remarkable. 50 years later, the year 2000, the map's covered with dots, the entire world map. There's not a political nation on earth that doesn't have a healthy church. Not one. All the nations, I don't know how many nations are in the United Nations,230 some odd, all of them have some healthy church planted. But still, you've got those unreached people groups. So big picture, I can't tell you this progression without smiling. We are winning, the Gospel's spreading. The Holy Spirit is good at His job. He puts a compulsion on people, and they go where He wants them to go, and they lay down their lives as He wants them to, and the Gospel spreads. But there's still work to be done. I'm not going to burden you with statistics, that would be hard to communicate. But there's been a kind of a flattening of mission endeavor over the last 10 or 15 years. It's a little discouraging as you look, and it's just a narrow window, but missionary thinker Ralph Winter said, "More of the same will not get it done.” The burden is laid on churches like us and many other churches around the world to recommit ourselves to missions, recommit ourselves to the work left to be done, and to give sacrificially as we are called to do. IV. Applications First and foremost, if you're here listening to this mission sermon, but you came in here not a Christian, your work is to believe in Jesus. No point in talking about missions if you're lost. First and foremost, you've heard the gospel: God, man, Christ, response. I'm calling on you while there's time, repent and believe in Christ for the forgiveness of your sins. If you're already a Christian, understand both the command in Mark 13 and the promise or the prophecy in Matthew 24. Take it seriously. This is the command laid on us, but rejoice in the sovereignty of Christ to get it done. Be confident in the final outcome. The Lord is going to win. He will be glorified. I'm looking forward to all eternity of hearing those stories. It's going to be phenomenal. Pray confidently in the spirit of Matthew 9 for more laborers, laborers in the harvest field. Churches like ours send out two precious commodities to the mission field: people and money. That's what IMB does. We gather people, and we gather money from Southern Baptist churches and point them strategically in directions. The Lottie Moon Christmas offering that we take every Christmas, our goal is $150,000. The Southern Baptist Convention exists in part for that. It was originated for that, and it's why we do. It's the crown jewel, I think, of our cooperation with Baptist churches all over the country. We pool resources to do a job too big for any one church to do. We couldn't afford to send very many fully-supported missionaries, just one church, to these various places. So we pool resources with thousands of churches. Truly, 100% of the money you give to Lottie Moon goes to missions. I was a trustee for nine years. What that means is we take more money in than Lottie Moon. It takes more money than Lottie Moon to put those missionaries on the field. I don't know how they tag dollars that go... Whatever, it gets pooled. The point is, the budget is bigger than the Lottie Moon offering. Where does the rest of the money come from? It comes from something called the Cooperative Program, where throughout the year, 12 months a year, we pool resources and a chunk of that goes to missions as well. A hundred percent of your giving goes, and our goal is $150,000. What I always say to you as a member of this church is engage, pray about your financial giving. We also have the opportunity through our home fellowships and through just your own initiative to get to know our friends that are serving overseas. We live in an iPhone or a smartphone world. You can contact them and be with them real-time. I FaceTime with these folks. You can find out what they're going through, support them, pray for them. I'm going to end this time now in prayer, and then we can get ready for the Lord's Supper. Father, thank You for the message that we have heard, the Gospel message of the Gospel going to the ends of the Earth and to the end of time. Now as we turn our hearts to the Lord's Supper, we thank You for the Word that we've heard and for the ordinance we're about to partake in. In Jesus' name, Amen.

In questa puntata Matteo Saudino aka Barbasophia racconta le vicende, la vita, la morte e il pensiero del filosofo del “Panta rei“, ovvero tutto scorre. Di colui che ha sostenuto che non vi è salute senza malattia, amore senza odio, vittoria senza sconfitta, poiché tutta la realtà si regge sull’eterno scontro tra opposti. In questo episodio di “Pensiero Stupendo“ si parla della filosofia di Eraclito, ma soprattutto di come può esserci utile nella vita di tutti i giorni.See omnystudio.com/listener for privacy information.

Dr. Sagun Ballav Panta is a MBBS, MD in Psychiatry, who is currently an adolescent substance use consultant at UNICEF headquarters Nepal, and mental health consultant at EpiC for Key Population and PLHIV in Nepal. Dr. Rachana Sharma Basnet is the Associate Professor at Kathmandu Medical College, who is an experienced clinical and academic psychiatrist with expertise in children, adolescents, adults, and elderly patients.

https://five.libsyn.com/show/episodes/addI used to believe that God only gave dreams in the Bible, but then I began to meet people who came to Christ because of a DREAM! This is one such story. Panta's father was a Buddhist monk, but a single dream led her to Jesus Christ  …  SteveHemphill1@me.com Join the MOVEMENT: Take the Stake Challenge #StakeTheLand Active-Faith.org https://active-faith.org/donate/

In our 50th episode of Hobby Farms Presents, Maseualkualli Farms' Pantaleon Florez pays the podcast another visit to update listeners on what he's been up to since episode 16. Listen as the Lawrence, Kansas, farmer and food-systems thinker shares changes to the priorities he's working toward and much more. Listen in as Panta discusses the important work he's doing with the local Farm2School and Work-based Learning programs as an experiential learning specialist with Lawrence County Schools. In addition to bringing locally grown food into school cafeterias, the Farm2School program seeks to make garden education systemic within the education system and already has 22 school gardens up and going in the Kansas county. Hear what Panta means when he talks about "the death of the farm" (spoiler alert: He's not quitting farming) and how traditional beliefs led him to pivot his approach to agriculture. And as a new father, Panta talks about how the arrival of a child into his busy life prompted him to move toward a seed breeding program and other initiatives. Panta shares his struggles with permanency, experience with no-till techniques, his favorite fruits to grow and much more.  Maseualkualli Farms website Maseualkualli Farms Instagram Lawrence USD497 Farm 2 School Program

Chill Pill is a platform where we talk about random things/ events/ moments and try to entertain people. The Show is hosted by Mr. Kshitiz Kc and Mr. Utsab Sapkota where we have brought Mr. Suraj Khadgi, co-founder of Comedy Circle in this episode. We have tried to open up and be as natural as we are, therefore this show might contain languages and materials that may not be appropriate for all the audience, hence tagged as 18+ content. We hope to get remarkable feedback as that's going to help us grow more.

Jennifer Biggs and Chris Herrington talk over the details of a newsy week in food.

Jennifer and Chris brainstorm some food they'd like to see Kelly English serve at his series of popups, but they can't manage to feed themselves breakfast reliably.

Zelfreflectie is het toverwoord voor Hatzie, zoals de ras-AZ'er in de kleedkamer ook wel wordt genoemd. Hij analyseert zich suf en grijpt alles aan om van te leren. Maar hij houdt op zijn verjaardag ook ons AZ-fans een spiegel voor. Wat gaat goed, en wat kan beter? Want de Ben-Side speelt een grote rol, leren we van Pantelis Hatzidiakos. Uitfluiten raakt een speler meer dan je denkt, maar we kunnen vanaf de tribune ook de zege over de streep trekken, zoals tegen Volendam. Hierbij nog wat sfeerverhogende tips, overgoten met een flinke Griekse saus.

Gianfranco Mammi"Pluriball"Nutrimenti Edizionihttps://nutrimenti.netLa signorina Giovanna Maria Campeggi è stata strangolata nel bagno di casa e il suo fidanzato è morto per due colpi di pistola alla schiena. Parrebbe un duplice omicidio e, se fatti tanto efferati talvolta scivolano presto dalla cronaca nera all'indifferenza generale, stavolta no, perché la notizia arriva addirittura fin lassù: a Dio che tutto vede. E poiché Dio, per l'infinità di cose che vede, ogni tanto rischia di lasciarsi sfuggire qualche particolare, eccolo inviare i suoi arcangeli a fare luce sull'accaduto. Le presenze angeliche si ritrovano così in una cittadina in subbuglio per la tappa a cronometro del Giro d'Italia, ma in qualità di detective non ci fanno bella figura – al punto che Dio in persona decide di assumere le sembianze di un noto criminologo per offrire i suoi servigi ai carabinieri. E mentre Dio indaga, altri omicidi e morti affliggono la città, e la ricerca di un assassino finisce per coinvolgere un misero veggente e gli spiriti che riesce a vedere, un demone irrequieto, un prete che sa farsi temere, una hikikomori che evade dall'isolamento, un bambino e quella peste di suo fratello, un pappagallo sboccato, un vecchio solo e rancoroso… fino al sorprendente epilogo.Unico nello stile e indimenticabile come la galleria dei personaggi a cui dà vita, Pluriball riesce a scardinare il giallo facendone un genere multicolore, accecante per energia e inventiva.Gianfranco Mammi è nato in Venezuela ma ha quasi sempre vissuto a Modena. Ha pubblicato vari libri (tra cui Uomini senza Mercedes, Vita di “Ridolini” e Ugo il Duro vincitore del Premio Luigi Malerba 2019) e i suoi racconti sono apparsi su diverse riviste tra cui Linus, Tèchne, Panta, L'accalappiacani, Griselda e Almanacco Quodlibet.IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Ken Winner, wing foil designer extraordinaire talks about his background as a pro windsurfer and how he became a designer at Duotone and developed the first inflatable handheld wing for foiling.  At first there was little interest in his invention but once a few people tried it, the sport of wing foiling really took off. Transcript of the interview:  Aloha friends. It's Robert Stehlik. Thank you for tuning into another episode of the Blue Planet Show, where I interview foil athletes, designers, and thought leaders.  You can watch this show right here on YouTube or listen to it on your favorite podcast app. Today's interview is with Ken Winter, the designer at Duotone wing designer extraordinaire. And as always, I ask questions, not just about equipment and technique, but also try to find out more about his background, what inspires him and how he got into water sports. So Ken was really open in this interview, shared a lot of information about wing design, even showed his computer screen where he designs wings. So that's  at the very end of the interview. So you don't want to miss that part. It's really cool if you're into Wing design and wanna know more about the materials and the construction, the design and Ken's philosophy. This is a really good show for all that kind of information. During this interview, I'm gonna play a little bit of footage of Alan Cadiz Wing foiling in Kailua. I got some drone footage of him, which was after this interview, but he's using the 2023 Duotone unit Wing 4.5 meter wing. I'll play some of that in the background. Thank you so much for your time, Ken, and for sharing all the detailed information. So without further ado, here is Ken Winner. Okay. Good morning, Ken. How are you doing today? Good morning. I'm pretty good. All right. It's a little bit of a rainy and windy day here on Oahu. How's the weather on Maui? Same. Same. Yeah. Yep. So have you had super stormy winds the last few days? It's been crazy windy here. Yeah, it's been gusting 45 at times. Do you actually go out in those kind of conditions or do you wait? Yeah. Windy days. Yeah. It's pretty fun. Yeah. So you've been doing what you, what do you do on days like that? You go on a down window or you just go go off? I only do down windows with my wife nowadays. That's her favorite thing. Otherwise I from a friend's house over on Stable Road and Peter actually lives on Stable Road and so we launched there, go out race around a bit, test different wings, hydrofoils. Nice. What kind of equipment were you on in, on those super windy days? Anything from a two to a four. Sometimes we go out pretty overpowered just cause we have something we wanna try and we don't have many choices. Some days we just have to go and do what we can with what we have. We do a lot of prototyping in the four and five meter size. We do a fair amount in the three meter size and then smaller and bigger. We also prototype and test quite a bit, but maybe not as intensely. Nice. Okay. But before we get more into all the equipment and stuff like that, I wanted to get talk a little bit about your background. So tell us a little bit about start in the beginning, like wh how, where you grew up and how you got into water sports and all that kind of stuff. was born a long time ago, 1955, so there's a lot of history there. You don't wanna hear it all. Grew up near Annapolis, Maryland. Did a fair amount of recreational cruising type sailing. My dad owned boats. Built a lot of stuff when I was a kid. Owned a couple boats when I was a teenager. Started windsurfing in 75. How extensive do you want this to be? Started windsurfing in 75, won the world championship in 77. We won again, 80 in 81. We had the right there on Oahu, where you are. We had the World Cup, the PanAm World Cup, which I. Actually, yeah don't worry about making it short. Like we, we got time. So just actually like how did you get into windsurfing? What was your first experience with that? Or what were you doing? Anything other like surfing or water sports before windsurfing? Yeah. No, I've never actually surfed. As I said, I grew up sailing I, when I was a teenager, maybe 17 or 16, I bought a old wooden boat, a little wooden boat, a Bahamas fixed it sailed around, kept it house else. I also bought a shark catamaran sail out bit. So I was into sailing and I, I saw an ad for a windsurfer and thought that would be a good thing for me to try. So wind, Also about the same time bought a hang glider. So I taught myself to hang glide and but I really enjoyed the windsurfing more so sold everything else and just focused on windsurfing. So that you were around 20 years old? Yeah. About 20. Yeah. Did you you have any like formal education or did you go like straight into wind surfing? Yeah, it's funny, I was gonna University of Maryland when I started windsurf, and I might have stuck with that, but I started windsurf and thinking, oh, I can go to college little, a little time windsurfing. And and then when I'm ready to quit, I can go back to school. But I never did actually go back to school, kept wind surfing. For the next forever , 23 years, but ba So basically you're self-taught, like all the knowledge you have on with computers and aerodynamics or, all that is basically from experience and self-taught kind of thing or? Yeah, I do a lot of reading. I remember in, sometime in the early eighties Barry Spanner, I think got a book. The title was The Aerodynamics of Sailing. And I, I heard him make a comment about it, so I got it and I read from cover to cover several times and really absorbed, I think the lessons of that. And did a lot of other reading after that. But that was sort my foundation for learning about the technical side of sailing. , nowadays, of course, it's super easy to get a lot of information online, really good information. So unless you're pursuing a career like attorney or doctor or degreed engineer or PhD scientist, you don't need formal education as much as you used to. If you need it at all, I don't know. But yeah, I think as long as you're a lifelong learner, you can pretty much teach yourself almost anything. . Yeah. Okay. Yeah, a lot of things, for sure. Yeah. So I'm gonna, I'm gonna do some screen sharing here from the windsurfing Hall of Fame. There's little bit of information about you online here. So in the, so you started windsurfing in 1975. That's, this was the day, days when they, the booms were still made out of wood and so on, right? Talk a little bit about your first first wind windsurfing set up bought a used board for 300 bucks and went out, taught myself to use it, and just became hooked like most people. Did it every chance I had. And at first all I focused on was trying to improve my skills. That was hundred percent of my effort. But then gradually over time, I got more interested in improving the equipment. So over time I did some things like. Built my own boards and built my own rigs, masks spoons. Yeah. And you start, you started winning a lot of races, so you were very focused on the com racing side of windsurfing or also I guess freestyle as well, right? Yeah. So I won the freestyle world two or three times, and that was back, it was a much simpler affair than it's now. Of course, the guys who do freestyle nowadays circles around all of us who did freestyle back then. yeah. Around. But you gotta start somewhere in every sport. And so that, that's a picture of Robbie and Jurgen in me at the pan, the Panta actually which was right there on Wahoo. Over in Kai. Yeah. And you were able to beat Robbie, I guess at that point. Still, and you have several world world titles right? In Windsurf racing. Yeah. Robbie and I were rivals to some extent, but he was younger and when he got to be when he achieved his full adult strength, he was extremely hard. I started when I was 20. He started when he was nine. And it's surprise that he dominated the sport so much for so many years. He's a amazing athlete and really great guy. Good entrepreneurs, got a great business. And and we're still rivals. , it's been a good, it's been a good 40 some years. . And then you started build, you said you started building your own boards and making smaller and smaller boards, right? Yeah. So I, excuse me. Yeah I built a a nine foot board. Actually prior to that I had a board shaped for me and glass, and that was a board I would say. I basically invented carving, jives, cause everybody had boards back then. I had a round tail board, which carve through my, instead of skid through them. And basically from that point on, I focused a lot on trying to improve my equipment. I  you're showing a picture of the Transatlantic Windsurf race, which was a pretty funny. That was in about 98, I think. But this has gotta be pretty boring for anybody watching. People are interested in what's happening now. Yeah. No, I don't think so. I don't think so at all. I don't think any, what he's gonna find is boring at all, but, , yeah, just yeah. And then I guess you yeah, I tell us a little bit about how you got into the Wing, wing des, or were you designing w windsurfing sales for duo to before kites, or like how, or, and then, yeah. Just tell us a little bit about how you got Yeah. So I went surfed intensely for three years. I guess in 97, I think I won the US Racing Championships. And then just shortly after that I tried kiting for the first time. And basically after I tried kiting for the first time, I I sold on my windsurfing gear and got straight into kiting. My, my first kite experience was with Don Monague right off Stable Road on Maui. He was out kiting. I was out windsurfing and I told him I wanted to try that, so he handed me his control bar and the leashed, his board to my ankle, and he told me how to secure the kite. And I, so I kited back and forth down to Kaha for the next half hour. And so that was my, that's how I got hooked on kiting. And so from the very first session, you were able to stay upwind and everything and no, I didn't stay upwind. I ended up down at Kaha, so starting at camp one, ending up at Kaha. Oh, okay. And yeah and when, not long after that, I spent a week on Maui hiding every day. And and then a few months after that I did some, I did a how kite video. Cause there were no schools, hardly anybody knew how to learn. So I did some videos. Robbie was saying needed somehow to kite videos. So took the opportunity to do that. We sold about 30,000 videos and then of course, schools came along and the internet came along. So that was, there's, you don't need that kinda stuff anymore. It's all online. Yeah. Oh, so you had a, like a VHS tape on how to kite and sold it like through magazines and stuff like that. But I actually, I used the Nash distributor network to the dealer network to sell boxes of videos to dealers who would then them, to 'em, to customers. And I had a website so I could retail videos directly to the customers. And we actually did a total of three howto videos over a couple years time. And then I helped convince boards and more, which is the parent company of Duotone and fanatic to get into kite boarding kit, making kites. . And so that was about the year 2000. And we tried to hire people to do the job of designing kites, but there were so few kit designers at the time that I ended up taking it on. So I had learning design kit weeks and in China working 16 hours a day learning how to use computer aid design software, CAD software, and then pumping up existing kites and trying to figure out the geometry and trying to figure out how to do that on the Ultimately it worked, so we ended up with a decent and started growing the company from that point. Okay. So boards and more at that time, they had Brand was fanatic and or what were their brands that they were run? It, I'm just gonna say Boards and More is the parent company of the, the parent company that I work for now. , which is we produce Duotone kites and Fanatic windsurfing gear and kites surfing and surfing gear and, sub foiling gear. Boards and More is the company I've been working for the last 22 years. And right now what is your official role at Duotone? I know, I just wanted to say I've been waiting such a long time to get you on the show because you're always so busy. You said you have to, come up with a whole new line of wings and kites and everything, so you were too busy to meet with me. But Yeah, tell me a little bit about like your job, like your role and how you were able to make time today to come here, . Yeah. Yeah, great question. I I tend to overcom commit and try to do more things than I can reasonably do. So years I was designing kites, but I also decided to start designing hydrofoils and that turned into a lot of work. And then I started designing wings and that turned into more work. So I was to foil design work off on some very capable guys that we in Mauritius and Germany. And then more recently I've been able to push the kite design work off on Sky now. Sky's been working with me for 18 years. We've both been learning a lot about kite design and in the last year, so I've been helping him master the software that we use for kit design. And so now he's doing the kite design. And I would say that he's for sure one of the most experienced and capable designers in the world, even though he hasn't been the lead on kite design until recently, but he's now and he's doing a great job. He's making some really great improvements. So having a good teacher, right? Hope . So having so now I'm just focused on maintenance, so that, like your job basically at duo tone right now is wing designer? Yeah. I'm focused on wing design now, and we have two main wing models the unit has handled, boom. And. The unit is more focused on wave riding and down winding. The slick is more free ride and freestyle. Unit has a little bit more Wingspan Slick has a little less the okay. So before we go into the current gear let's go back to when you first started winging and like how you came up with The Wing. I interviewed mark Rappa Horse and Alan Ez as well on the show. And they both talked about how, you guys used to go out downwind together with the standup paddle foil boards and and then, when one day you showed up with the wing. So can you talk a little bit about. Like how you first came up with the wing and the inflatable wing design and so on. Yeah, I was trying to downwind hydrofoil with these guys, and I wasn't doing it that well, was having great success and I was getting a sore shoulder. So I was trying to figure out how could I do downwind hydrofoiling and not get a shoulder? And I, by chance, I saw a video of Flash Austin with his homemade handheld wing that he was using on a hydrofoil at Kaha. And I thought eight years before I had designed some inflatable handheld wings for suffering. Not with a hydro, but just for, and so I thought I wonder if something like that would work. It fits my skillset because I do inflatable adult toys. And so I, I went home, got on the computer, designed crude. Another crude, handheld, inflatable wing. So those designs are you sent me an email with some pictures. Is that from that time when you designed your first wings? Yeah. That, that blue and black wing was my first effort to do a handheld inflatable wing. My idea was to use it on aboard, and that was back in two 10 Sky and I tried it. So this one was the one the original one that you made for for basically wind windsurfing on or on a regular windsurf board? Well, a sub board, yeah. Board. Ok. Yeah. And so it was very similar to what we have today, actually, you yeah. It has some similarities. Yeah. And then you would, hold one hand would go here on one hand here. Yeah, that's how it was at first. Okay. And I tried another one a month or two later and Sky and I didn't, we tried and we didn't really think it was that much fun. Another guy who designs for us took the idea and made a inflatable rig. We call it the I rig, which was pretty nice for kids, very low impact. So I remember that. So in that picture of six wings, you can see the first two in two 10, 2011. And then in 2018, I tried something. I just yeah, just very quickly threw something together. I modified an existing neo design and like a Neo's, one of our kites. And sent that off to the factory. And then when I took it to the beach and stepped on the board and sailed away, it popped up. I popped up on the foil immediately and sailed right out to the reef. Turning around, I fell and I had trouble getting going again. But basically I considered that a success and I figured that would allow me to do down windows without stressing my shoulders. I kept building prototypes after that sky went, this was June of 2018. Sky went to a dealer meeting in there and demonstrated it for everybody. Everybody there and nobody was interested. And then we took it to the SI show in August and nobody was interested. But then finally in November, people started getting interested. I got our ceo Alber. He's a, he used to be a snowboarder on the German national team, so hes really good. And he had thought it looked too complicated and difficult, but then when he tried it, he discovered that it's not too complicated and difficult. Maybe we make some of these and people will buy 'em. So at that point we decided we were gonna go into production with wings, and I think some other brands decided at that point. Interesting concept. Of your of your wife, and then you also sent me this little video. So she was the fir you said probably the first woman to wing Foil. Is that, Yeah. Sky's wife, Christine and Julie both tried it out. I think right around Christmas time of 2018. And then after that Julie got very interested in it. And I took her out at KEG quite a few times, and I think this was her first time on the North Shore , and she was a little excited by the size of the swell . So nowadays she, she really enjoys doing downs from to the harbor and she can do it in about 35 minutes if she's in a hurry. And it's her favorite sport. Cool. Yeah. And then this was your first wing design? The foil wing. And I actually got one of those. I've been, I was waiting for a long time and then finally got the wing and I think it was a three meter, the first one I got. And it was yeah, it was super cool because same as you were, we were trying to do the foil doman runs and Really kind. It's really hard actually. But talk a little bit about this first wing design and because it had a boom and no strut and then it had full battens and so on. So talk a little bit about the swing. Your first Yeah. Starting from scratch, we had no, I had no idea really what to do with it. We, we tried differentl angles and different patterns. I put bats in it because that reduces the fluttering by quite a bit. Nowadays we don't have belong bats because we've found other ways to reduce the flutter. Some of us have a lot of brands go ahead and continue making wing wings with a lot of flutter, but I don't really care for that. The boom I made my first few wings with handles as you saw in the photo, and I really hated the handles. Then I went to a kind of a strap on rigid handle. And then after that I thought why should I have a strut and a boom or strut and a handle and I can just have this one boom or long tube and potentially save money and hassle. So that was the reasoning there, but, It turns out the strut is really nice for stabilizing draft. And so we went back to using a strut sometime later. Yeah. Like I know the, that first wing, it was it did that TikTok thing right? When you held it by the front handle it, it didn't really behave very well. Just lefting behind you. It didn't yeah. So was that, I guess part of the reason for that was because it didn't have that strut to of stabilize it. Yeah. I think the strut kinda acts like a ruter in some respects helped stabilize the it's really hard to know what's gonna be important to people when you're starting with something new. One of the, one of the things I have to do is I have. I can't just pay attention to the things I like to do. I have to pay attention to what other people like to do. At first, to me, the idea of holding the wing by the front handle I just never did it. I would hold it by the boom. So never really noticed that instability when I was using it myself. Yeah, but basically, yeah, that's what, how when I used it on a wave, I would just hold the front of the boom and it worked fine. But but then, yeah, I guess some of the other wings were really stable, just holding it in the front handle and you'd be able to surf with it, just holding the front handle, which, which then I guess so yeah. So another thing that's kinda interesting is if you wanting, that will be pretty stable when you're just on the, we experimented with. And the thing we found is that if I let the air out of my wing and let it get a little bit floppy, take it down to three or four psi, it will fly on the leash. Really stable. But then if I pump it back up to eight psi and I haven't really tight 12 canopy, which is something I like, then it's no longer really stable on the leash. So far we kinda have to make the choice. Do we wanna, do we want our wing more floppy and therefore it'll fly on the, or do we want our wing more stable? Which it's less stable on the leash, but it's more stable otherwise. And so basic, so that's basically why you have those two different wings. One is the unit for more that's more, I guess more stable being on supplying by itself. And then the unit is more, has more of a profile. And is that kind of the thought behind it? We go for a lot of canopy tension on both models of wings. We're not gonna compromise on canopy tension cause it gives, it helps give lift to the, when it's, and it improves power when you're pumping. It improves de power and stability when you're overpowered. So we're not gonna compromise on canopy tension but the difference, one of the differences between the slick and the unit is the unit has more sleep. In the leading edge, and that helps improve the stability. While it's, if you're surfing a wave and holding it by the front handle, the fact that it has more sweep than the slick makes it a little more stable in that respect than the slick. But then the downside is you have more wingspan, so it's easier to catch a wing tip, by sweep. You're saying like the leading edge in the front is a little bit more like this versus that kind of thing? Or, but what do you mean by sweep? Sweep is the you know how some airplanes, like a fighter jet will have wings that are swept back.  And some wings, like a sail plane will have wings that are not swept back. . So sleep is that back angle in the leading edge. Understood. Okay. And DL is the up angle in the leading edge. So we've done quite a bit with different DL patterns and some things I thought would be better weren't. So I thought a progressive DL would be more stable than a linear dl. And a linear DL is actually more stable. So the new unit has a very linear DL shape and uhno. Another thing that's kinda interesting is some wings have very little dl and the advantage of that is when the wing is lying flat on the water, it's less likely to flip over. The disadvantage of that is it's hard to have a, with a deep canopy and with a lot of canopy tension when you have little, so again we're giving up the fact that. . Our wings when they're lying belly down on the water, are more likely to flip over than somebody else's mic. But on the other hand, we have the ability to put in more depth while maintaining really good canopy tension cause we have more behavioral. So would you say there's a downside to having more canopy tension? Like to, to me it seems like the more tension you have, the, the better the profile works, but I guess like sometimes on a wave or whatever, when you're luing it, it has a little bit more drag, right? Is that, or like what's your experience with a tension? The canopy tension gives you less drag if you have, if more canopy tension gives you less drag when you're, but the wing is more stable while if it has A bit less canopy tension. If I let some air pressure out my wing and make it have less canopy tension, it'll flutter more. And that makes it drier and sad to say it makes it more stable. Yeah. Cause it basically when it doesn't have a lot of attention, it can just completely flatten out and just flutter flat. Versus attention has, it still has that profile. Yeah. So thet thing you can have is a wing that flaps and flutters and loves, but that drag impart a certain amount of stability. I see. This is one of those things where you, it's hard. It's hard to get, it's hard to get everything you want. Divorce, trade offs. Okay. So maybe talk a little bit about things you've tried early on that were that ended up on the trash tape and versus, like things that, I guess like the full battens, you said in the beginning you tried them or used them to reduce the flutter, but I remember those battens used to break really easily too in the waves, right? So the, they're thin battens. Yeah. So early on I never really even imagined I would be using a wing in the waves, which is why I didn't mind putting bats in . They don't, they're not really compatible that way. It's, I did make a three strut wing early on. My, my fourth wing in 2005th wing in 2018 was a three stru wing. And it was, perceptively heavier. So I didn't make any more three str wings for a while. So by, sorry, by three struts you mean three inflatable struts? Like this kind of Yeah. So the blue one? Yeah. The 3.0 from July of two 18. Yeah. Yeah. I tried that and it was, not a great wing and a little on the heavy side. So I decided I was gonna try to stick with just one strut, and then actually went to a home after that.  For the simplicity and the low cost and so forth. So the three stru is something I abandoned early on, but it does have potential advantages. So we've been doing more work with that. F1 has a nice three wing. It has its pros and cons, but there are people who like it. And one of the reasons is the fact that you have strut takes away the corner, the the back corner at the tip of a wing, and that's the place people drag most often when they're trying to get going. Getting rid that, I'm sorry, screen. Share that again. So what you're saying, like this corner is what drags in the water when you're to get foiling, right? Yeah. And so a certain arrangement of three strut, I certain three strut geometry will get rid of that corner. . So I think F1 actually has like a patent a patent or a patent pending for that third strut. But it looks like you were the first one to develop that. So how does that work? They They, if they came to contesting it with us, I don't think they could win. But I don't think either of us or them are interested in having a fight. So I don't think it'll be a problem for us. So basically when, I know Duotone is also has a, I think you, I know you have a patent for the hand, the rigid handles on the unit. Are there any other patents that you're, you've gotten or applied for and Yeah, we've, and the question is like, why didn't you apply for a patent for the inflatable wings in the first place? Or did you? Because I think in part you have to do it pretty quickly and it can't really be in the public domain. So these wings that I made in 2000 10, 2 11 From what I understand is they were out there in the public domain and they were, they happened many years before. And so just trying to patent an inflatable wing I don't think that was an option. But we've tried to, we've applied for patents on various aspects of the inflatable wing design as, things related to the DL and boom. And trying to think, what can I mention? What can I not, there's some things we do that we don't even talk about because some people. Aren't aware and we don't wanna give them ideas. Yeah, you don't wanna give away your secret sauce. So I understand. Not too, it's not too soon. Yeah. . Yeah. Okay. So actually I had a question from a friend, my friend Steve. He was asking, have you ch or about basically, on windsurf sales where the can doer and stuff, they have a left tube to improve the laminar flow on the bottom side of the, have you tried that? Have you tried playing with that and or what are your thoughts on that? Yeah, that, that's a popular topic. It came up in in connection with kite design years ago, and I think when I was picking up. The first kite that I actually owned from Don Monague, he was talking about that very idea and doing it in connection with kites. And Don Monague has done amazing amount of work along those lines in connection with kites. And if you were to see PDFs, he put all the things you tried, you would be astonished. Don would be a really interesting guy for you to talk to on this. Don Monague. Okay. Yeah. . Yeah, he was the kit designer for Nash 20 years ago, or 23 years ago. , he's moved on to a lot of really interesting things. But he was talking about it then he worked with it then, and it, it's never really worked for kites for a variety of reasons. There's weight, there's the tendency for. Water to get in and weigh down the kite. Complexity, cost and the actual benefit is hard to find. I've also tried to do elliptical, leading edges in kites and where I have two leading edges side by side. Kinda two bladders next to each other kind of thing. Yeah, exactly. Trying to thin out the shape of the wing and make it stiffer. And that, that's been really hard to make it work. There are people who, tried this stuff and they, know, somebody's probably gonna succeed at some point someday, but so far hasn't One of the problems with double surface on a wing is that the lower surface tends to keep the flow attached, and that attached flow sucks the second surface down. And actually tends to suck the whole wing down. So we spent a lot of time making sure our wings always lift. If you're locking the wing, it lifts if it, if you get hit by a lifts every, all the time, our wings are lifting. If you add that second surface, boom, your lift goes away. The flow remains attached on the bottom of the wing.  As it passes, the leading edge sucks the lower surface down and sucks the whole wing down with it. And this is something I've actually experimented with and tried and observed, so I'm not just speculating here. Interesting. Again, I'm not saying it'll never work, but it's not a slam dunk. It's not an obvious, easy thing to do.  And the benefits aren't obvious either, so Yeah. And it's more weight, it's more cost. So we and with wings in particular, we have to worry about weight. Wind surfers don't worry about weight nearly as much as we do apparently. Tis are, you have to hold it, hold that thing up in, in your hand, and light wind especially then the weight really makes a difference. It does. Yeah, for sure. What about rigid wings? I know people have been making rigid wings for on the ice and stuff like that, but and forever, have you played around with that or have you tested rigid wings? Yeah. Yeah. I saw early on I'd like to have a rigid wing that opened up like an umbrella. . And I actually have tried some rigid and hybrid prototype. But the problem you run into there is you lose one of the greatest attractions of wings, inflatable wings, which is the simplicity in the fact that you just blow 'em up and go and when you have rigid components, elements. You make a more complex, harder to rig up. They're less robust because something like a carbon fiber tube can break pretty easily, especially in the waves.  And I question whether a lot of people would want give up the simplicity and the robustness of inflatable in order speed or higher or whatever tructure might give you. That's priority for Right. Would working on that for kids and people who aren't fanatical wingers, people who wanna get into it, but aren't gonna be doing it every day, I would, I'm interested in making it better for families rather than, Better for Kailin . Yeah. But obviously you're also very interested in going fast and testing. I know ANCA has told me that you guys go out and race each other and see what's faster and test equipment and that's, he told me about the Mike's lab foil that he let you know, you let him try your foil and then he got one himself and I just got one recently. So those are, yeah, just having a fast foil makes a big difference that alone, right? I do going fast up to a point about the Mike's slab, what happened was during the pandemic we had a shortage of fanatic hydrofoils. We weren't getting the latest stuff. We weren't even able to get anything out China for a while. My wife is pretty into getting the latest stuff. So she ordered Mike's lab hydrofoil and she got it and she actually had a hard time with it, so I started using it. So I used it a fair amount. But she went to an 1100 Mike's Slab and that worked really well for her. Then she moved to 800, which worked well for her. Then she went to a and that worked well for her, and now she's, now, she now, I dunno she's in the five 40 to 800 range nowadays, depending on what she wants to and so through all that I've been using her hydros as well. But I also use, fanatic has some new stuff that I also use. Peter Slate, who I sail with a lot, is using fanatics and he's going really fast with, he's hard to keep up with. And Alan, of course is very hard to keep up with too. Yeah. And I, sorry, should, when we're talking about fast and I should say don't try to go faster race, because I think that but I'm not sure how to put this. I think that racing with slow equipment is actually more interesting than racing with fast equipment. In the old days of windsurfing, we raced with really slow boards. Didn't matter that we were going slow. Cause the important thing was trying to use the wind and the waves and whatever we found out there to go a little bit faster or to take a slightly shorter course than the next person. So I don't of speed as requisite on the, and. just getting on the water and racing with the stuff you have is pretty interesting. . Yeah, I that's I guess the beauty of one design racing where everybody uses the same equipment and it's not an arms race and it's more about this, your skill and sta strategy and so on, right? Yeah, exactly. And I think of it as the most social form of winging on the water because you're actually doing something with other people. And it's a very sort of a responsive thing where you do one thing and somebody will do another thing in response. So you're, there's interaction that you don't have pretty much any other time, except when you're wanting people to stay outta your way on wave, which is different kinda interaction. But getting back to the winging that Alan or Peter and I do if we're racing around side by side, Trying to go faster. What the main thing I'm doing is I'm trying to assess the performance of the wing. I'm trying to, the power delivery, I'm trying to, is the power consistent hit? Does easy to deal with gust? Is it difficult to deal with the gust when a gust hits, do I accelerate or do I just slow down because there's so much drag? And then, we'll go upwind and we'll go downwind. And if we're going downwind, we can, whether we can deeper with one wing rather than another. This all translate into performance that even someone who's not racing is gonna appreciate. And you can notice subtle differences between wings when you're side by side with somebody of equal ability. But you can't notice if you're just out there cruising by yourself. So that, that, I think that's a real valuable thing for us. But the other thing we do is we've got Finn and Jeffrey Spencer out there on our wings. They test every prototype that comes in. They write our little report and every wing that that comes in, they go out, they loop 'em and spin 'em and race around with them. Do everything that anybody does with them and evaluate them in very thorough, in a very thorough manner, I think. Yeah. I think originally they used to ride for what's it called? They used to write for Slingshot. Slingshot, yeah. So how long have they been writing for Duotone? The last few months. Okay. Yeah, they're amazing wingers. Talk a little bit about the r and d process. I guess it's like you can't really make too many changes at once yet, right? You have to change one, one variable at a time, and then like how many prototypes go into like how many prototypes do you have to make to come up with next year's wing, kind of thing. I'm just curious about that. Yeah, so for the 22 4 meter unit i, I design I name every prototype with a, from the alphabet. So I got down to Q on that one. I'm not sure how many. That's maybe 20 or so. And each one is one that you actually made. Is it just a, do they all make it to the, to be actually samples, or those are all actual samples that you made or that's a good question. I might starting design and try five different variations on my computer. , but they'll all be the same letter. That might be, it might be, okay. Four B dash one or four B dash two and I'll, okay. I'll look at all those and then I'll decide which one I wanna try and in person. And I'll send the, I'll generate patterns. Send the patterns to the factory. The factory, ship it out a week later, or five days later. And then we'll test it. But, I can go through dozens and dozens of prototypes before we finalize a line like, The unit from size two to size 6.5, which is 10 sizes. And we do build and test every size before we put any big into production. Yeah. But I guess on Maui, like basically the four meter is your, like that's the one you start with and then once you have a good four meter, then you start working on the other sizes. Is that kind of how you do it or? Usually I'll do a four or a five in a lot of iterations. I'll also do some sixes. I'll also do threes. I did quite a few threes on the latest slick design because it can be hard to get a three meter working really well. So we , we made six or seven threes before we felt like we were in the right ballpark with with the slick. Yeah, because you can't really use the same design and just make it bigger and smaller because obviously the bigger wings the, one of the issues is that they have too much wingspan, so you have to make 'em kind of lower aspect and then, but the smaller wings, it's not, the wingspan isn't so much of an issue. So can you talk a little bit about that? Like the differences be from your bigger swing to your smallest w in the same lineup, or is that Yeah, that's exactly right. The wingspan, the aspect ratio can be a little bit higher in the smaller wings. With the bigger wings, we haven't really gone over seven and we haven't adjusted the aspect ratio that much up to there. But in the future we'll probably have a seven and an eight with a little bit lower aspect ratio. Another thing you can't scale exactly is. Pretty much everything. You can't scale. Exactly. You have to make adjustments with everything. So if you take a five meter that you like and you wanna go smaller, you actually as a percentage have to go bigger with diameter of the leading edge. And because if you were to scale those down exactly to a, like a three meter, the leading edge wouldn't be big enough in diameter to get the stiffness you want. And then it goes small wing. You really want a stiff leading edge. Cuz otherwise when you're winging and gusty wind, it'll just bend. Yeah. And that, let's talk a little bit about that, the leading edge diameter, like the what you learned about that from all your designing and where, what are your thoughts on that and also the different materials. I know you're doing the unit D-lab with the a Lula fabric and stuff like that, and can you make the diameter thinner with the different fabric if you have more pressure and so on. Just go talk a little bit about that. Yeah. At first of course I was trying a lot of different diameters to see what seemed to work OK at my weight. And one of, one of the issues we have is people of all different weights are doing the sport. And we have to optimize around the average weight of the average writer wrap. So why are you showing that? Oh, I just wanted to bring up some of the wings and the different I was gonna show the aula wings and stuff like that. Okay. Sorry. Sorry. Distract you there. Yeah. So leading edge diameter is a huge topic and most of us who test are in the one 40 to one 90 weight range. So we tend to optimize for that weight range. And a four meter wing has a diameter of about 10 inches at the center. And at eight psi or eight and nine psi, that seems to enough, we've. Tried going smaller diameter. When we go to our ULA wings or glab wings are made outta right now and is great cause it's very light. It's very, and you would think that since it's so you could go smaller in diameter, but after making quite a few prototypes with smaller leading edge we see both advantages and disadvantages. So you can have a little less drag if you're going up wind or if you're in a lot of wind, you get less drag with a smaller leading edge. But if you lose a little bit of air pressure, then you have a softer leading edge. And the smaller, the leading edge, the more sensitive it's to small losses and air pressure. So with our DLA wings, our Lulu wings, we've decided to just keep the diameter about the same. And anybody that wants a little bit softer leading edge can run a little air out. And then bigger riders, the 200 pounders or 210 pound riders will have something that's fully stiff enough to handle their weight. That's one of the tradeoffs we've made with leading edge diameter. Another thing, so basically you found that you can't really even though the all Lula can handle more pressure, you can't really reduce the the leading edge diameter by much? Not yet. We can. It's just when we do it, we find that we're not happy with the tradeoffs. . And so we're leaning toward being conservative. We won't, we don't want. We don't want people to have unreasonable we don't want their expectations to be stymied. Yeah we're getting the best all around performance by keeping the leading edge diameter pretty substantial. Recently, for example, we made two identical slick prototypes. One with standard leading edge diameter. One with maybe a not quite a 2% drop up a about a two centimeter reduction from about 10 inches to a little over nine inches. And the smaller leading edge diameter had advantages as we expected. If we were going up wind and a lot of wind, the guy on the smaller levy edge had a, had an advantage. But overall it had a little less power, little less grunt. And if we lost a little bit of air pressure, it had a little less stiffness. And we felt like those were big enough problems to keep us away from that. Okay. So can you talk a little, sorry, go ahead. Another thing we did related to leading edge stiffness is we put a two 30 gram Dacron in the center. That white panel, those white panels in the center are a heavier, stiffer Dacron. So we put those in a place where there's a lot of stress on the leading edge and both in terms of point loading where the strut attaches and that leading edge handle attaches and the leash touches. And it's also a point where there's a lot of bending load. So that helps make our leading edge differ. I know a lot of brands will double up on their clock there. , which we did at one point, but we really prefer the single layer of two 30 gram Dacron. It's very robust. Interesting. Can you explain like how, why you recommend different pressures for, depending on the size of the wing, like I, I see you're the 2.0, you're recommending 12 psi and then for the 5.5 7.5 and kind of in between. So can you talk a little bit about that? Yeah. The load on the seams, first I should say the closing sea of a leading edge has the most load on it. Of all the seams, it has twice the load on it. Segment, the inter segment seems are the ones between panels of, so we do a lot of testing to try and maximize the strength of our closing. But one thing about closing seams is the load on the closing sea is related to, it's proportional to the pressure times the diameter. So if you have a small diameter, you can have higher pressure without overloading the closing sea. But if you have a big diameter, have to have lower pressure to avoid overloading the closing scene. And think every, everybody understands this in the business. They're all recommending higher pressure for small and lower pressure for big, and it's all related to how much load the closing can handle without breaking. I. I see. Okay. Do you our standard Dacron construction can handle 15 or 18 PSI in a four meter size before it breaks. And I've, I. Done test tubes. I do a lot of test tubes where we test the strength of seam and I've done test tubes where I've taken it up to five psi in the standard diameter for four meter before its, so we do actually quite a bit of lab testing and bench testing on things like strength and cloth strength. So the difference between the unit and the D-lab unit is basically just the material of the leading edge and the str. Is that correct? Otherwise? Yeah, that's correct. Another difference is that the materials stretch a little differently and they require different seam construction. So I can't use the same patterns for the D-lab that I use for the unit. Customize the patterns for the D-lab wings.  To make adjustments to allow for a different, not just different stretch, but also different shrinkage because different scene construction will take up more cloth. know, One scene construction might take up X amount and the other scene construction will take up 1.5 x amount. So I have to make those adjustments in the patterns. And then I've noticed let's talk a little bit about the flutter in, in wings. I noticed looks like the unit has like this little tiny Batten thing versus the D-lab doesn't have that. Is that what's the reason for that? No. The D-lab has it. They just didn't put it in the graphic. Okay. They both have it. But that's one thing I noticed, like the first generation wings, they would get really baggy quickly or after a few months of using them, they would get all bagged out and and you would lose a lot of performance and there would be a lot of flutter in the, in especially in the trailing edge. So how did you, do you eliminate that? Or how are you able to get away without battens in the trailing edge and avoid fluter stuff like that? About a year and a half ago we decided we were gonna attack that problem and we built some wings with different materials stronger rip stop materials for the canopy, and we sent 'em out to team writers in schools around the world and got feedback on how durable the different materials were. And so the material we use in the canopy, the white material in the canopy of the, no, not that one. That, so that one has standard kite rip stop, which is 50 gram rip stop, which is pretty good, especially if you get this panel alignments right. And you get the warp orientation. But then the wing, you're showing now the 2023 D-lab which I think is coming up tomorrow. Oh wow. That has our, what we're calling mod three for modules, three ripstop material in the canopy. So the white material in that canopy has three times the bias stretch resistance of the standard kite style. Rip stop and. That makes it not only more resistant to things like rips when you drop it on your hydrofoil, but really makes it more durable and a higher performance material. It makes our standard unit feel more like a D unit because it's more solid and when you're pumping it, you get better response. It's not a spongy response, it's a, it's more rigid response when you hit a gust. The draft is really super stable. So all around it's a big improvement. There's a small weight penalty of course. But we've, we did some testing where we built three nearly identical six meter wings and we put different amounts of this mod three material in the canopy of each one. So they would in weight by bit. And we founded the canopy with the most, with the largest amount of this material in it was far and away the best performers. So we decided to put in all of our wings for 2020 canopy. So that, so basically that combats that bagginess after, after using it for a while. That doesn't stretch as much, basically. Exactly. Yeah. I just noticed that. Okay. Yeah. So this is the traditional canopy, the mod three. You just have less stretch and especially in the d diagonal direction, right? Yes, exactly. So I just noticed that for the unit. You recommend, the D-lab wings, you recommend a lower pressure than the regular unit wings. Why? Why is that? You get more stiffness for the pressure, know, whatever you're given pressure is. The D-lab gives you more stiffness, but the thing about all is it's incredibly strong and stiff. It's incredibly strong everywhere except where you put a hole in it. So if we have to sew these things together so they have thousands of holes in them, and we do a lot of reinforcement on the seams with materials that are not alu. , but our testing shows us that these are the numbers we should be using for inflation to be safe. And so even though you might pump a five meter to seven instead of eight, it's gonna be stiffer at seven than Aron wing at eight. Okay. So you, you just said, so tomorrow you're gonna release the new the 2023 wings. I think on your website, this is still your 2022 model, right? So what is the no that DLA you're pointing at is the 2020. Oh, I'm wrong. It's the 2022. You're right. It's got the windows for 2022. So what has changed? I think I've seen Alan  with some wings that have two windows here. Is that like one of the ways you can tell, or? Yeah. So the new units. Have windows that are more like the current slick, the 2022 Slick has four windows, not just two of them. Ok. And that improved our, that improves the visibility quite a bit. So talk a little bit about the seam orientation. Because it seems like the seams have a little bit more they don't stretch as much as the fabric, right? So is that, is that you're trying to use the seams to add more basically more tension to the canopy? Is that what your thought is on that or? What I'm doing there is I'm trying with the wing design in general, I'm trying to get more tension from tip to tip across the canopy. And in order to deal with that tension, I'm, or I'm making the thread orientation run tip to tip. So it's more about getting the thread orientation. The aligned with the loads that I'm trying to put in the, and that's actually evolved a bit. Those same angles have changed for 2023. And I surprised there's no photo anywhere of the 2020 threes. They've been out for a while now. . So the Duotone Sports website doesn't have the New Wings. Yeah, I dunno. But yeah, so talk a little bit about the changes that you did make in the wings from 22 to 23 other, I guess the windows, the seams, but what else has changed? Yeah the cloth is a huge thing. It's a really big thing. And up to now, the leading edge materials have lasted longer than the can materials, and you really want everything to break all at once, ideally. So we change the windows, we change the, we increase the depth and the power of the wing a bit. The profile depth is greater. So we are getting more power, but the canopy cloth itself also improves the top end, so we have more wind range overall. We we refined the tip angles, tip angles, tip twist has a lot of influence on wing performance. And so we've been, we've gone through a lot of prototypes trying to find the tip angles that are best. So I'd say we have an improvement in overall power delivery in part cause we've got better control over tip twist. Trying to think what else we've done is I know I'm forgetting something. So the, this wing that Alan Kiddas is using is probably the 23 right? As that's probably A2 three prototype. Correct. That's one of our prototypes where we were trying different canopy materials. Material is one of the materials we tested for use production. And we, we decided not to use it, but it's a very good material. We might use it in the future as possible. Okay. Interesting. Cool. That's cool that , you're able to talk about that it's gonna be released shortly for wing design. What's your philosophy and what are you trying to accomplish when you're designing a wing? I guess for this slick, I really like a wing that delivers power as, very consistently across the wind range. And, I've ridden a lot of wings. I've, I've ridden wings that don't do that. Most wings in the past haven't done that. And we're getting better and better at keeping the power on at all times. I like a, that's always lifting. A lot of people don't have that yet. I like a wing with good canopy tension for low flutter good pumping. Never want, I never really want have to move my hands cause I'm in a, the old days of windsurfing and the old days of winging, you hit a, you have back, wind, move back. You used move handle, or, which is one reasons I liked having a boom at first because I could just slide my hand back. I didn't have to let go and grab another handle. Nowadays the wings, our wings are so stable that I never really have to move my hands back or when lull hits, they're always in the right place. So that's really important to me and I think it's important to everyone when I'm thinking about the sport in general and how to, how to make the sport appealing to more people. I think about the fact that we get families doing winging. We get. No, my, the guy who actually runs our wing brand guy named in Germany, lives just off the Baltic Sea, near Keel. He has a seven year old son who started when he was five. And yeah, I think that's awesome. I love the idea being able to do the sport. So I don't ever wanna lose focus on making it easy, making it accessible, making it affordable. We're a high end brand, so we don't tend to go for the bargain basement type wings. But we do wanna make quality wings at a reasonable price, and I don't wanna lose sight. Yeah. And like in terms of price, like obviously the, a Lula wing is much more expensive, the material like, and like what, how much of a performance advantage do you actually get out of that material and is it, only like someone noticed that, is it just for high performance wing foiling or do you think the average user, it's a big advantage for them to go with a Lula fabric? Yeah, I mean anybody that can afford it will benefit from it. It's just a question of do you wanna spend the money and, know, where are your priorities? You have three kids you have to worry about until spending my wife likes them cause they're light and she doesn't need the stiffness, but she likes the low weight, so she always wants to be on, if possible bigger rider like the. Someone who weighs 200 pounds is gonna really benefit from the stiffness or somebody who likes to jump, who benefit from the stiffness. Most people, it's totally a matter of whether they wanna spend the money or not. You, there's always a benefit and the bigger the wing, the greater the benefit. So a six meter gives you more benefit in aula than a three five in Aula for sure. So let's talk a little bit about the equipment that you use personally. What's your go-to wing like on Maui? I know you have, what, which wing do you use the most, on. We use s scores and fives here a lot. Three. Three fives scores and fives a lot. . On a sea breeze days, sea breeze day when it's blowing six, eight knots, I can be on a seven or eight pretty easily. And. Of course if it's blowing like it has last week, I can easily be on it too. And do you prefer the unit or the the slick wing for your personal use? I really like booms a lot because I can, it's easier to locate my harness lines precisely and I can put my hands anywhere and I can fly one handed. When I say I'm getting from my, from a sitting position to a kneeling position I can one hand the boom and that makes it easier. One hand. But, I used to hate handled wings, but we, our handles are good enough that I like the units also. So what I, it's pretty much whatever I'm working on is what I'm writing. So lately I've been working on slicks mostly and I've been writing slicks mostly. But in the coming few months I'll be working on units entirely and I'll be writing units. So what changes have you made to the slick wing for 2023? What have been? So we did a lot of the things on the new slick that we did on the unit. So we went to the mod canopy, we four windows. We have gone with more canopy depth and more power. We fine tune the tip twist and we had some reflex, quite a bit of reflex in the strut of the 2022 slick. With the new canopy cloth. First I should point out that the thing the reflex did was made it so that the back of the canopy didn't bag out so much when you get gust or if you're out in high wind. So the reflex in the stru improved the top end performance of the slick. By however, with our new canopy, We don't have that bagginess in the cloth. So we were able to tone down the reflex by quite a bit. It's just a maybe three degrees now of reflex in the strut. I should point out also that the wider tips of the flick make it so that the slick benefits more from a little bit of reflex than the unit. The unit has narrower tips and it works different. What else on the slick? We've changed the shape of the strut a little bit. And yeah, o overall it's a lift smoother, lift wing, smoother wing. The power development is actually the smoothest of any I've tried. So when we're sailing along through Guston walls, we feel the gusts less with the slick than we have with any other wing we've ever tried. Okay. And then what about your board and your foils? Like what are your go, what's your go-to equipment on that? Yeah, so I I don't use small boards. I did a little bit a while ago, but I don't jump, so I don't really need a small board. I've been using 75 liter five foot boards quite a bit for the last year or two. And lately I've been on a five four, that's 24 wide and we're trending narrower. Some of us are trending narrower, just cause if you're on a small hydrofoil, if you have a little bit longer narrower board, you can pop up on the foil more easily. But. A longer board isn't necessarily good for waves, so anybody who's on, heavily into waves isn't gonna be on the longer board. I see. There's probably, I'm sorry, go ahead. Oh, sorry. I was just gonna say the ta tail shape, I mean I know it people used to have all the kick tails and all that, but it seems like with the, the smaller, faster foils high aspect foils you need, it's almost like you don't want to pop up at a steep angle. You want to keep that board as flat as possible on the takeoff. So do you still use that kick tail or is it just a flat tail in your Yeah, I haven't used kick tail in quite a while. And I think those were mostly valuable in the bigger boards cause it was hard to some lift. Sinking the tail and getting the nose up is easy. So I think you don't really need any kick for a small board. , the boards I use my mask is about six or seven inches from the tail of the board. So there's just not much back there to keep it from kicking up in the nose. And then how long is your mask? What mass length do you like? I've been using in the 90 to 95 range a lot. And I've used longer, but there's a lot of shallow water around here. Yeah, I was gonna ask what's the disadvantage? So a lot of times it's, it is just like you don't want to hit the reef, right? ? Yeah. The longer, longer mass are either they're, to keep 'em stiff, they have to be a bit heavier and maybe a little thick, which. Not necessarily attractive. And then there's, you always have to look at what the tide's doing. Where I ride I don't like to go out. If there's less than a foot of water a foot above mean water. And if it's two feet, that's better . And sometimes I'll just go to the harbor. If it's a super low tide time of day and I need to test something, I might go to the harbor. Cause at least I know they can get away from the beach without hitting the bottom. I'm curious cuz you've done a lot of testing, like when you get scratches on your foil from the, like hitting the reef a few times all my fos are pretty scratched up. How much does it affect the performance, like in your experience? Hugely. Hugely. Yeah. Yeah. It's terrible. I feel it. I've had, I won't say bad luck, but I have had collisions with things in the water that have destroyed my foils. And you really notice yeah, you notice everything. If you're, if you're sailing with somebody else, you notice because you're going slower all of a sudden, if you're not, yeah. Do you repair it? Scratch, do you try to repair scratches in your foils? Or is there a way to Oh yeah. Fix it. Like how do you repair scratches on the bottom of the foil? I usually try to keep the scratching to a minimum and I'll just use a little tiny bit of two epoxy to fill the scratch. Just, just enough to fill it and then sand it smooth. , I wanna get some epoxy paint so that I can, do a proper paint and sand job on some foils. But I haven't got around to that yet. You can't get a shipp here. Oh, yeah. Yeah. So that would be like a two-part paint epoxy paint kind of thing. Yeah, there's stuff called DPO out Think Australia that America's Cup campaigns use for their hydrofoils and boats. That's supposed to be really good, but you have to ship it by boat probably, or something like that. Yeah. Yeah, I think so. Yeah. Interesting. Yeah, . Okay. And then what we talked a little bit about the Mike's lab foils, but like what foils do you use the most and what sizes and so on? Yeah, so we have a phone has a really nice five 90. It's, I don't think it's in the shop. It's a five 90 front wing that I really like. They, we have a seven, we, we've got an eight 50. We've got sizes, I guess the, I really dunno what's on the website. Okay. You just have a look real quick, but okay. So that's pretty small for you. You have five 90 is pretty small foil size for your you're not, probably not as light as Alan could is or someone like that, right? Yeah, Alan and I use a Mike five 40 sometimes my wife uses it too. And so Alan and I can sail around both being on five 40, but 60 pounds, 50 pounds. So work for most days around here, something like a five 90 is a really nice size for me.  Lighter wind days. The seven five is good. It's a very powerful for size. I was looking at the so are they the duotone foils or the fanatic foils did you say? Use those are Oh, the ones you're showing the, there's those are kite hydrofoils. Oh, duo Kite hydrofoils. Okay. And they're not the, they're not the latest stuff. I don't know if we have the latest stuff on the website. Cause it's been quite the challenge to get the new stuff outta Asia. It's basically not in available yet, basically. Yeah, I think so. Okay. So probably by spring on the mainland. Okay. And that, but the, so the foil that. Five 90 that you're saying using, I assume that's a pretty high aspect pretty thin fast foil. Is that kind of what you, how you would describe it? Yeah. It's, yeah, high. It's probably 10 to one aspect ratio and designed to be fast. We have cfd Computational Fluid dynamic in Germany who does, we work for a lot of projects, likeer America's Cup campaigns, and he's designed some profiles for us, for our mask and for our wings that we think are really very competitive. I, Peter rides his stuff all the time and he's extremely hard to keep up with, so I have no doubt that it's fast. , yeah. It's pretty amazing how much the foils have improved over the last couple, or, last three years or so. Coming from the early goal foils, what foils did you start on? I was designing our kite hydrofoils and our windsurf hydrofoils, and we had some decent trading windsurf, hydrofoils. And then when I started making 'em bigger, they weren't very good at first. So I started on some real crap foils. Very difficult to ride hydrofoils. . Then over time they got better and and became pretty easy to ride over the period of some months and maybe a year. Okay. So I just want some of the, a lot of those hydrofoils you just showed on the website or things that I designed Oh, a couple years ago. . Yeah. So actually, let's talk a little bit about the challenges that, during the pandemic, the whole supply chain issues and logistics, shipping issues and things like that, and delays and the demand, obviously during the pandemic when everybody was like staying, could, couldn't, people couldn't go to work, so they added more free time. It seemed like that's when winging just took off, like I know here on Oahu it was like, you just couldn't, we couldn't get enough stuff, there was like more, way more demand than supply. And then now it seems like where it's almost like the op opposite way where there's everything's back in stock and people are back in at work and not buying as much. I don't know, just can you talk a little bit about that and your experience with that? You pretty much said it all except for the fact that when pandemic was. Paradise. There was no traffic, there was no people on the beaches. It was amazing time in so respects sad in many respects, but not

Ann-Christin Villegas is this week's guest on Two Kids and A Career. Her pregnancy journey led her to writing about it. From Ann-Christin:"Becoming a mother and all the struggles that come with it literally opened a new chapter of my life. I am passionate about empowering other parents to pursue the vision they have for their family without giving into the easy way out and the peer pressure around them. I hope my book is the no-nonsense go-to book when dealing with topics most people shy away from.Originally from Friedberg, Germany, I reside in Northern Virginia with my husband Luis, two (for now) daughters Mila and Livia and two cats, Pubi and Panta. I am a PMP certified Biotech Engineer and work as a consultant in the pharmaceutical industry. I love to travel, especially to Germany, where I was born and raised. I enjoy cooking and baking, followed closely by eating. I am always up for an adventure and like scuba diving, just not with unexpected Bull Sharks encircling…but that is another story for another time."She describes her book, “Becoming A Parent” as:"Parenthood: The only place you can experience heaven and hell at the same time. The unsugarcoated guide to help you prepare before birth to your baby's first birthday.When you find out you will be a parent, you realize you have no idea what you have gotten yourself into. You sway between the confidence of being the best parent to your baby, and self-doubt of failing your little one. It only becomes more daunting as you learn so many things no one ever talked to you about.When everyone else makes it seem so easy; what does reality actually look like?*Get an overview of pregnancy, birth, and baby's first year of life*Find answers to your questions not readily discussed in society*Feel better prepared for what lies ahead of you*Find out what matters to you*Understand how you want to raise your baby and some helpful tips to get you there*Purposely decide on how you don't want to raise your babyBecoming A Parent helps you reduce the sleepless nights before your baby is born and gives you the motivation and confidence to get through the ups and downs of early parenthood."Jill Devine and Ann-Christin discuss the book in more detail in this week's guest.Ann- Christin's LinkedInTwo Kids and A Career Website: https://www.jilldevine.com/Two Kids and A Career Instagram: https://www.instagram.com/jilldevine/?hl=enTwo Kids and A Career Facebook: https://www.facebook.com/JillDevineMedia/Thank you to our sponsors:Elemental Esthetics & ZencastrThis episode is brought to you by Elemental Esthetics. When you call or text the following number (314-279-6069) to schedule your appointment, mention my name and you'll get a special gift with your purchase.Use my special link https://zen.ai/twokidsandacareer and use Two Kids and A Career to save 30% off your first three months of Zencastr professional. #madeonzencastr

Bisexual Iranian Director, Panta Mosleh, talks the conflict in Iran, sexism, and what a Japanese love hotel isSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

How can mobilizers help others overcome their own selfishness? How do we assist believers to focus on God's Kingdom instead of our own? Tune in to this episode as host, Dave Jacob interviews Don Allsman and Rickie Bradshaw. Don and Rickie are co-authors of an article titled, "Panta ta ethne or #mybestlife?" which address this timely issue for our day. Specifically, here's what the three of them discussed:  What inspired the two of you to write this article? What is #mybestlife? Let's talk about pante ta ethne for a minute. Explain this concept and where it comes from. How have you seen the pursuit of personal happiness or the pursuit of the American Dream negatively impact missions mobilization? How can mobilizers and other Christian leaders help believers align their aspirations with the Kingdom? 

Nirmala Panta was just a young girl walking to a friend's home one Thursday morning in late July 2018. Then her rape and murder became national headlines. No longer just a 13-year-old from Kanchanpur, Nepal; her face soon represented the growing epidemic of violence against young girls across the country. But Nirmala's family, like the families of so many of those girls whom she came to represent, is still waiting for justice. Want to create your own podcast but don't know where to start? Give Zencastr a try. Recording is as easy as clicking “New” and sharing a link with co-hosts or guests. Plus, you'll get crisp, clear audio every single time! Simply go to http://zen.ai/coffeeandcasespod0 and enter promo code coffeeandcasespod0 for 30% off your first three months. It's the only platform Maggie and so trust for recording remotely and we know you'll love it as much as we do.

Setsu Shigematsu joins Kota to discuss the history of revolutionary feminism and women's liberation movement in Japan.We first discuss the history of feminists in pre-WWII Japan such as Kanno Sugako & Kaneko Fumiko who critiqued the family system and its link with the emperor system, as well as the reality of Japanese imperialism today, its oppression of non-Japanese women and its relation with US imperialism.  We then discuss the women's liberation movement of the 1970s known as Ūman Ribu. Unlike the previous feminist movements in Japan that referred to women as fujin as in “lady” or more neutrally as josei, the Ribu used the term onna which is less bourgeois than fujin and more erotic than josei. The term onna thus signified the movement's opposition to the respectability politics of bourgeois feminism and its particular position on sexual liberation that centred women's sexuality, contrary to how men in the late 60s New Left understood “free sex” as free access to women's bodies.The term also represented the movement's militant stance against the family system that constrained women's sexuality and reproductive freedom. Like the prewar radical feminists, the Ribu saw the connection between the hetero-patriarchal institution of family and Japanese imperialism, between the marriage system represented in the idealized figure of Japanese women as Good Wife, Wise Mother and the colonial prostitution such as the “comfort women” system during WWII.  In order to put their politics into practice, the Ribu established communes across Japan including in Hokkaido and Okinawa to live and raise children together. However, while they may have been successful in challenging patriarchy and hetero-normativity, their avowed anti-imperialist politics did not always align with their action that reproduced the colonial dynamic with the local women they were working with.We discuss the Ribu's perspective on violence and solidarity with women who kill their children. While the movement did not advocate for violence against children, it challenged the dominant narrative that placed the blame on the women instead of the patriarchal society that drove them to commit such crimes. For them, these events showed the necessity of reproductive justice and society where women want to raise children. They were also in solidarity with women involved in the United Red Army which is known for the Asama Sanso Incident and killing its own members in 1972. While the Ribu did not condone the URA's killings, they were sympathetic towards its women members such as Toyama Mieko who was punished for her feminine outlook and Nagata Hiroko who was demonized by the media for her leadership role in the killings disproportionately to her male comrades. The Ribu's critical support for these women drew the ire of the Japanese state and became the target of police surveillance and repression.Finally, we situate the legacy of Fusako Shigenobu in the history of revolutionary feminism in Japan. Shigenobu is a former leader of the Japanese Red Army and political prisoner scheduled to be released from prison on May 28, 2022. To conclude this episode, we discuss how her internationalist commitment to the Palestinian people challenged both Japanese imperialism and the patriarchal family system it's founded on, as well as what her experience tells us about the role of women in political violence and armed struggle.Intro: Cielo by Huma-Huma Outro: Leila's Ballad by Panta & Takumi Kikuchi Donate on GoGetFunding.Support the show

Surakshya Panta is an actor, model, VJ, and engineer who made waves with her role in 'Dhanpati' and ‘Aama'. She has also starred in films such as 'Bhaire,' 'Changa Chet,' and 'Gopi'. In this episode of On Air, we discuss exclusive movies, driving licenses, Batman, horror experiences, Aama, Tom Hanks, and her journey thus far.