Podcast appearances and mentions of Werner Herzog

Inteligencias artificiales de OpenAI piratean una web del Gobierno australiano y varias webs del Gobierno de Estados Unidos Collboni anuncia en Nueva York que Barcelona abrirá tiendas asequibles El anuncio de Sydney Sweeney desnuda, ¿una polémica calculada? Naomi Watts y Werner Herzog reciben los Premios Donostia 2026

No guest this week — just Ben and Ione, back from half the Australian leg of the Two Most Annoying People You Love Tour with Georgia Maq.Ben recaps a Melbourne show that stopped the room: Georgia singing "Rearranging Chairs on the Titanic" in front of her family for the first time, breaking down mid-song, her sister calling out from the crowd. Ben describes playing through it like a "Werner Herzog director" — wanting to preserve the moment while also quietly directing traffic.Also this week: Kate gave Ben a signed early edition of Allen Ginsberg's Howl, which sent him down a rabbit hole back to a night at Sean Lennon's house and a poem that became one of his songs. Ben and Ione unpack the viral lesbian bar mask mandate story — and why it might actually be the left's most useful mirror in years. Plus: Sylvester Stallone's surprising New York Times interview, a Bukowski side nobody saw coming, and why going to the MoMA every day when you're broke and lost might be the best advice anyone's ever given.Next episode: coming to you from Tokyo.Dive deeper into our world at https://weirdertogether.substack.com

Werner Herzog is probably one of the most unusual directors of German cinema. To date, he has made over 80 films and documentaries and is known not only for his idiosyncratic topics, but also for his uncompromising way of working. SBS on Demand has a selection of his films of which we are reviewing “Fitzcarraldo” (1982). - Werner Herzog ist wohl einer der ungewöhnlichsten Regisseure des deutschen Films. Bis heute hat er über 80 Filme und Dokumentationen gemacht und ist nicht nur wegen seiner eigenwilligen Themen bekannt, sondern auch wegen seiner kompromisslosen Arbeitsweise. SBS on Demand hat eine ganze Reihe seiner Werke im Programm. Daraus widmen wir uns heute dem Film "Fitzcarraldo" aus dem Jahr 1982.#sbsaudiopodcast - #sbsaudiopodcast

This is a preview of a bonus episode! Check it out, along with our 5-year backlog of bonus episodes, on our reasonably-priced patreon! Our first Herzog movie, Fitzcarraldo is the story of Werner Herzog attempting to make the movie Fitzcarraldo. ---- HANDS OFF LEBANON Here are some fundraisers to support collective rebuilding and survival efforts on the ground in Lebanon. -Beit El-Baraka started out as a food bank, but has grown to help people afford rent, cover their essentials, and live with dignity.  https://beitelbaraka.org/donate-directly/ or donate in general https://beitelbaraka.org/donate-now/ -LiveLove was a charity for a number of other matters, but since 2024 has been solely comitted to helping people displaced by Israeli attacks. https://livelove.org/donate -Lebanese Food Bank supports displaced and impoverished people https://lebanesefoodbank.org/take-action/donate/ Solar Powered Lebanon is an initiative to restore people's power using solar panels, since larger infrastructure is at constant risk of attack. https://fundahope.com/en/campaigns/solar-powered-lebanon ----- FREE PALESTINE My friend Ahmed still needs to feed his family and afford medicine. Anything you can kick in would be hugely appreciated. https://chuffed.org/project/150817-please-help-ahmed-and-his-family-get-food-drink-and-medicine And these are some more general links you can support collective efforts with! -The Palestinian Communist Youth Union is doing a food and water effort, and is part of the official communist party of Palestine https://www.gofundme.com/f/to-preserve-whats-left-of-humanity-global-solidarity -Water is Life, a water distribution project in North Gaza affiliated with an Indigenous American organization and the Freedom Flotilla https://www.waterislifegaza.org/ -Vegetable Distribution Fund, which secured and delivers fresh veg, affiliated with Freedom Flotilla also https://www.instagram.com/linking/fundraiser?fundraiser_id=1102739514947848 ----- WEB DESIGN ALERT Tom Allen is a friend of the show (and the designer behind our website). If you need web design help, reach out to him here:  https://www.tomallen.media/ Kill James Bond is hosted by November Kelly, Abigail Thorn, and Devon. You can find us at https://killjamesbond.com

Volume 106 of Brad & Mira For the Culture..Mira prepares for a return to the motherland...Mira's dad refuses to use soap...Brad's no good very bad terrible morning...Siri and Kaya weigh in on Spirit's penis...Ed Sheeran cries onstage...Orland Bloom and the Mara sisters have a threesome in the new Werner Herzog film...Is Channing Tatum running a burner account?...Detroit woman gets lost postmortem...Meryl Streep plays Jesus in Greta Gerwig's new Narnia movie... & more... *** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Otherppl with Brad Listi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, etc. Get ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to Write a Novel,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Brad's email newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proud affiliate partner of Bookshop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of Remainders we finish our double-feature with Werner Herzog's Bad Lieutenant: Port of Call – New Orleans. Nicolas Cage as Terence McDonagh, a drug-addicted and increasingly unhinged New Orleans detective navigating murder, corruption, gambling, hallucinations, and a pair of iguanas only Herzog could explain.We talk Cage all the way, Herzog's direction, the incredible supporting cast, how it compares and differs from the original Bad Lieutenant, post-Katrina New Orleans, dancing souls, the reptilian brain, and how Abel Ferrara and Werner Herzog bring their vibes to unhinged actors.Other topics include Chicago baseball, the passing of Gerrit Graham, streaming woes, getting ready for horror movies this October, and Bruce Campbell on his recent health issues.Songs of the WeekHey Cancer by Bruce CampbellPussy Palace by Lily AllenTheme from Friday the 13th, Pt 3 by Harry ManfrediniRemainders Jukebox PlaylistWebsiteFacebookInstagramYouTubeTwitter

Sleepaway Camp II: Unhappy Campers (1988) Director: Michael A. Simpson Starring: Pamela Springsteen, Renee Estevez, Walter Gotell, Brian Patrick ClarkeWhat do you get when you take a trans slasher, send her to summer camp as a counselor, and let her murder anyone who breaks the rules? You get one of the most gloriously stupid, tone-shifted horror sequels of the 1980s — and we wouldn't have it any other way. This week, John and Sean dig into Sleepaway Camp II's bizarre pivot from straight horror to self-aware slasher comedy, marvel at a budget under $500K, and debate whether a movie this ridiculous can still be genuinely fun. In this episode, we discuss:Angela Knows You Know She's the Killer — We break down the surprisingly refreshing choice to show the killer's perspective from frame one, with zero whodunit mystery, zero obfuscation, and zero apologies — and why that bold structural move is both the movie's biggest strength and the reason it runs out of gas before the final act.Dead Bodies That Won't Stop Breathing — From the ghost-powered cordless drill kill to corpses that sneeze, twitch, and gasp on camera, we celebrate the gloriously terrible special effects.The Brat Pack of Camp Rolling Hills — Characters named Charlie, Emilio, Rob, Demi, and Judd roam a camp populated by Bruce Springsteen's sister and Martin Sheen's daughter, running something called the Tit Patrol with a Polaroid camera. We unpack the movie's self-aware horror parodies of Friday the 13th, Nightmare on Elm Street, and a hobo Leatherface, and argue whether this counts as meta before Scream made meta cool.An 80-Minute Movie That Somehow Drags — We dig into why the second half of an hour-and-20-minute movie feels like it's running on fumes, how two added scenes were literally inserted to stretch the runtime to cable-ready length.We Also Talked About:Gates of Heaven (1978) (Youtube) — Errol Morris's first documentary, a rambling, abstract examination of the pet cemetery business in Northern California that famously inspired Werner Herzog to eat his shoe and earned a spot on Roger Ebert's all-time top 10 list.Whatever It Takes: Inside the eBay Scandal (2024) (Amazon) — A documentary about a couple who ran an independent eBay blog and found themselves on the receiving end of live cockroaches, pig masks, Craigslist parties, and physical stalking — all traced back to a shocking source.Exorcist III / William Blatty's Legion (1990) (Tubi) — The director's cut of the Exorcist sequel, assembled from workprint VHS tapes after the studio destroyed the original footage, resulting in a confusing mess featuring George C. Scott, Brad Dourif's unhinged Gemini Killer, and Patrick Ewing as the Angel of Death in a dream sequence.Untold: The Testimony of Vince Young (2025) (Netflix) — A Netflix Untold documentary about the Texas Longhorns legend who peaked in college and crashed in the NFL, with Jeff Fisher lurking in the background ruining quarterbacks like it's his life's purpose.Untold Raygun: Breaking Badly (2025) (Netflix) — Another Netflix Untold entry, this one about the Australian breakdancer who somehow qualified for the Olympics, featuring a husband-coach so unhinged the whole thing feels like a backdoor pilot for a reality show.Teenage Wasteland (Netflix) — A Netflix documentary about a 1990s high school English class where a teacher turned his students into investigative journalists, leading them to uncover mob ties at a local toxic waste dump near Buffalo, New York.Some of the above links are affiliate links — if you purchase through them we get a small kickback, and it's the best way to support the show.New episodes of the Dewey Pod Monster podcast drop every week. We're proud members of the YouRun Podcast Network at https://yourunpodcast.com.

Josh and Jamie got invited to attend the Toronto International Film Festival as members of the press to check out and cover some of new international art and genre cinema that will be coming out over the next few months and awards season, including new films by Lee Chang-dong, Werner Herzog, Takashi Miike, Anna Biller, Danny Boyle, Ryusuke Hamaguchi, Zack Snyder, Jesse Eisenberg, Bassam Tariq, SABU, Shinya Tsukamoto, Jordan Firstman, Beth de Araújo, Michael Dowse, and more! We did our best to avoid spoilers and such but be warned. Next week's episode is a patron-exclusive bonus episode on PUNISHMENT PARK (1971) + BORN IN FLAMES (1983), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-13:38 Night before -- HOPE // 13:38-22:12 Day 1 -- COWARD // 22:12-26:03 ALL OF A SUDDEN // 26:03-31:24 A GIRL UNKNOWN // 31:24-34:16 THE UNKNOWN // 34:16-42:07 WILD HORSE NINE // 42:07-50:10 CLUB KID // 50:10-58:41 RIVER // 58:41-1:06:32 Day 2 -- TOY GUN BANDIT // 1:06:32-1:09:54 WILD WILD EAST // 1:09:54-1:15:01 BUCKING FASTARD // 1:15:01-1:22:10 EVERYBODY WANTS TO F**K ME // 1:22:10-1:26:26 GOD BLESS YOU MR. KOPU // 1:26:26-1:28:48 Day 3 -- YOUR MOTHER x3 // 1:28:48-1:38:18 THE FACE OF HORROR // 1:38:18-1:46:35 IN ALASKA // 1:46:35-1:49:16 Day 4 -- I PLAY ROCKY // 1:49:16-1:55:35 THE SURGEON // 1:55:20-1:58:49 BRIAN MULRONEY // 1:58:49-2:05:00 THE LAST PHOTOGRAPH // 2:05:00-2:16:34 Day 5 -- JOSEPHINE // 2:16:34-2:24:03 HALF // 2:24:03-2:26:00 ANCHORS AWEIGH // 2:26:00-2:30:14 VINTAGE VIOLENCE // 2:30:14-2:36:30 THE DEBUT // 2:36:30-2:43:30 Day 6 -- BAD LIEUTENANT: TOKYO // 2:43:30-2:50:42 A TALENT FOR MURDER // 2:50:42-2:56:04 POSSIBLE LOVE // 2:56:04-3:08:50 Day 7 -- LA BOLA NEGRAS // 3:08:50-3:17:00 INK // 3:17:00-3:25:12 THE ASSASSIN(S) // 3:25:12-3:31:25 Day 8 -- TREES ARE WATCHING // 3:31:25-3:38:36 THE STUNT DRIVER // 3:38:36-3:44:56 THE SPIRAL // 3:44:56-3:49:45 CRYSTAL LAKE // 3:49:45-3:55:07 ARRESTED MEMORY // 3:55:07-4:03:14 Day 9 -- LE FAUX SOIR // 4:03:14-4:09:29 MR. NELSON, DID YOU KILL PEOPLE? // 4:09:29-4:21:02 KICK ON // 4:21:02-4:27:07 Outro // 4:27:07-4:31:22 NEW SLEAZOIDS SHIRT + HAT: https://blackbeltcinema.ca/search?q=sleazoids&options%5Bprefix%5D=last WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

Crazy Cryptid Month continues! This time, we're diving into Incident at Loch Ness (2004), the mockumentary that blurs the line between filmmaking, monster mythology, and absolute chaos. Guest Cody Crain joins us as we explore this strange take on the legendary Loch Ness Monster. Is Nessie real, or is this whole production one giant setup?Episode 246 of Hey, Did You See This One?Please remember to like, comment, subscribe and click that notification bell for all our updates! It really helps us out!Starring: Werner Herzog, Zak Penn, Kitana Baker, Robert O'Meara, Michael Karnow, Gabriel Beristain, Russell Williams II, Adrian Shine, Lena Herzog, Pietro Scalia, Crispin Glover, Ricky Jay & Jeff GoldblumDirected By: Zak PennSynopsis: Believing that the Loch Ness monster is a figment of the collective psyche of the Scottish people, famed avant-garde film director Werner Herzog leads a crew to Scotland, accompanied by producer Zak Penn, to make a movie about the myth, and not the monster. However, Penn has also arranged for a second film production team, led by director John Bailey, to make a documentary about the renowned and sometimes difficult Herzog. While on a boat in the middle of the lake, something unexpected happens.Watch LIVE on Twitch (https://www.twitch.tv/heydidyouseethisone ) and YouTube (https://www.youtube.com/@HeyDidYouSeeThisOne ) every Thursday at 8 PM ESTWE HAVE MERCH - https://www.redbubble.com/people/HDYSTMerch/shop?asc=u & http://tee.pub/lic/GdSYxr8bhtY Website: https://www.ufpodcasts.com/hdysto Audio version of the show: Spotify - https://podcasters.spotify.com/pod/show/heydidyouseethisone Apple Podcasts - https://podcasts.apple.com/us/podcast/hey-did-you-see-this-one/id1712934175YouTube Audio Podcast - https://youtube.com/playlist?list=PLD6BOSx2RcKuP4TogMPKXRMCxqfh5k9IU&si=umIaVrghJdJEu2ARA MEMBER OF THE UNITED FEDERATION OF PODCASTSCheck us out online at: https://www.ufpodcasts.com/Main Intro & outro videos created by Steve Waters & Jason R PhillipsMain Intro and Outro Themes created by Joshua Howard - remixes by Jacob Hiltz & Jake ThurgoodLogo created by Jeff RobinsonWebsite by: https://www.facebook.com/worldmindinfoDirector Of Interstitials - Alex GowAdditional Intro and Outro song written and performed by Windom Earle – please follow at: (https://www.youtube.com/@windomearle)We use White Bat Audio for our pre-show– a user that creates DMCA free music for podcasters and YouTubers. Please follow at: (https://www.youtube.com/@WhiteBatAudio)Chapters:00:00 - Intro06:07 - Brief Synopsis09:30 - Brief Histories15:33 - Production Talk24:17 - The BODY Of The Episode01:48:09 - The Home Alone Of It All, Final Thoughts & Reviews01:58:09 - Plugs02:09:32 - Outro#heydidyouseethisone #IncidentAtLochNess #CrazyCryptidMonth #LochNessMonster #MoviePodcast

Cassie Workman talks with Mike about her new horror-comedy series, Cassie Workman is Witchy AF, a puppet-and-drawings deep dive into occult history that plays, in Mike's words, like "a demented kid show." Workman traces her path from stand-up in Perth, Australia, and a run as head writer on The Aaron Chen Show, to fusing comedy and the occult into a series she finally pitched after years on the back burner, landing with manager Lawrence and Etch's Will Battersby and Phil.They dig into the puppet cast, including Ben Russell's King Grimsquawk, built from one note ("Just do Werner Herzog as a bird"), the brutal two-week Asbury Park, New Jersey shoot (40 pages a day, 4 a.m. calls), and Workman's partnership with producer Lily Wachowski, whom she met by writing her a fan letter. She also talks up the mostly-women, largely-queer cast and crew, the Asbury Park locals who turned out as demons and extras, and Edinburgh Fringe.Find Cassie Workman on Instagram: @TheCassieWorkman.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Cassie Workman talks with Mike about her new horror-comedy series, Cassie Workman is Witchy AF, a puppet-and-drawings deep dive into occult history that plays, in Mike's words, like "a demented kid show." Workman traces her path from stand-up in Perth, Australia, and a run as head writer on The Aaron Chen Show, to fusing comedy and the occult into a series she finally pitched after years on the back burner, landing with manager Lawrence and Etch's Will Battersby and Phil.They dig into the puppet cast, including Ben Russell's King Grimsquawk, built from one note ("Just do Werner Herzog as a bird"), the brutal two-week Asbury Park, New Jersey shoot (40 pages a day, 4 a.m. calls), and Workman's partnership with producer Lily Wachowski, whom she met by writing her a fan letter. She also talks up the mostly-women, largely-queer cast and crew, the Asbury Park locals who turned out as demons and extras, and Edinburgh Fringe.Find Cassie Workman on Instagram: @TheCassieWorkman.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

El Festival de San Sebastián afronta una edición marcada por las películas y visitas evento, desde 'La bola negra' de los Javis a la presencia de Brad Pitt, pero también hay mucho cine de autor que iremos comentando. Por ahora, la inauguración ha traído Fatih Akin y una nueva versión de 'Los miserables', y por supuesto, el premio Donostia a Werner Herzog. En este episodio lo repasamos todo y os contamos los estrenos que ya están en cines y las series que estamos viendo.

"Resident Evil" torna amb una nova entrega dirigida per Zach Cregger, el celebrat director de "Weapons" i "Barbarian".

This week on Bad Dads Film Review, Sidey, Dan and Reegs finish “Reach Around Week” with Jack Reacher, the 2012 Christopher McQuarrie action thriller starring Tom Cruise as Lee Child's wandering ex-military investigator. After watching Alan Ritchson's Prime Video version in the Midweeker, the dads now turn to the film that gave many book fans their first major complaint before the opening credits had even rolled: Tom Cruise is many things, but he is not 6'5".The episode begins with the real main event, which is obviously walking football. The dads' team has beaten Madeira 3–0, Dan has scored, Sidey is still protecting his clean-sheet record, and the squad has somehow been told off at half-time despite being ahead. Christian is missing after a suspected bout of sunstroke, while recent viewing includes Reegs watching The Patient, Dan falling into YouTube pinball and arcade content, Sidey continuing through Barry, and a new version of The Grand Tour that appears to have enough Amazon money behind it to launch a car into another tax bracket.Before the film, the Top 5 theme is short people, or at least people who are not especially tall. That means Dustin Hoffman, Katharine Hepburn, the Oompa-Loompas, Mickey Rooney, Martin Short, Al Pacino, Daniel Radcliffe, Prince, Danny DeVito, Verne Troyer, Hervé Villechaize, Warwick Davis, Charlie Chaplin, Napoleon, Michael J. Fox and Michael J. Anderson all come up in a list that moves freely between Oscar history, Jersey trivia, Austin Powers, Twin Peaks, Bill & Ted, The Simpsons, Purple Rain and the frankly irresistible existence of a 2 foot 9 Filipino action star called Weng Weng in For Your Height Only.Then it is time for Jack Reacher, which opens with a cold and nasty sniper sequence. A man sets up in a parking garage, watches ordinary people through a rifle scope and kills five of them in public. The sequence is not especially gory, but the dads find it grim and effective, especially because the victims seem so arbitrary. The police quickly gather evidence pointing to James Barr, an ex-army sniper with previous, and the case appears open and shut until Barr writes one message during interrogation: “Get Jack Reacher.”Reacher arrives already wrapped in myth. The authorities describe him as a decorated military-police ghost with a ridiculous list of medals, only for him to appear at the door before anyone can find him. He knows Barr from the army and once warned him that if he ever killed again, Reacher would come for him. That means he is not initially there to prove Barr innocent; he is there to make sure the right punishment lands on the right man.Rosamund Pike plays Helen Rodin, Barr's defence lawyer and the daughter of the undefeated district attorney. Reacher agrees to investigate while sending Helen to learn about the victims, because he has already started to suspect that five random deaths may not be random at all. From there, the film becomes a conspiracy thriller about a staged mass shooting, a framed sniper, a murdered woman who may have been the real target, and a corrupt network hiding behind official certainty.The dads enjoy several of the action beats. Reacher's bar fight works because he predicts exactly what will happen before it happens, tells the men they wanted it, and then has to take a few shots while still finishing the job. The car chase is a highlight, partly because the film goes out of its way to show that Cruise is really doing the driving, with clean practical shots rather than incoherent cutting. Robert Duvall also turns up as Cash, a grizzled shooting-range owner who only agrees to help after making Reacher prove he can still hit the target, because apparently crucial murder evidence must sometimes be unlocked through old-man range banter.Werner Herzog is the secret weapon as the Zec, a shadowy villain with a damaged eye, a Gulag backstory and the sort of voice that makes every line sound like a cursed bedtime story. The dads particularly enjoy the scene where he demands a subordinate prove his worth by chewing off his own fingers, because the Zec once did exactly that to survive. Herzog is so strange and sinister that the only real complaint is that the film does not use him more.The final stretch takes the story to a quarry, because action thrillers love a quarry almost as much as they love corrupt cops. Cash provides sniper support, Reacher works his way through the henchmen, fights Jai Courtney's Charlie, exposes Detective Emerson as part of the plot, rescues Helen, and then deals with the Zec in the most Reacher way possible. The villain explains that prison will not scare him and that the case may not stick, so Reacher shoots him. When Helen asks what happened to justice, he says he just delivered it.Verdicts are positive but qualified. Dan thinks the film was more fun to discuss than to watch and prefers Alan Ritchson as the physical idea of Reacher, though he still credits Cruise's stunt work and the film's better action moments. Reegs also prefers the series but sees this as a solid, well-made, pulpy thriller with patient pacing and clear set pieces. Sidey likes the procedural shape, the conspiracy reveal, the car chase, Robert Duvall and Werner Herzog, but finds the film grey and a little sterile, and thinks Reacher's low-charisma wandering-avenger persona can be hard to fully love.So the Bad Dads verdict is a moderate-to-strong recommend: Jack Reacher is not the definitive version of the character, and Tom Cruise is never going to be the 6'5" human wall from the books, but as a tough, slightly overlong, well-staged action conspiracy thriller, it does enough. Also, any film where Werner Herzog quietly explains finger-eating survival tactics deserves at least some respect.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

El Ojo Crítico pone rumbo a San Sebastián para el comienzo de la 74ª edición del Festival Internacional de Cine de San Sebastián. Nuestra compañera Conxita Casanovas, directora de Va de Cine en Radio 4 y Radio 5 y enviada especial al Zinemaldia, nos cuenta el ambiente de esta primera jornada. Ghost Song, de Fatih Akin, abre la competición y Werner Herzog recibe el primer Premio Donostia de esta edición, como reconocimiento a más de seis décadas de trayectoria.Nos acercamos también a Lorca, las horas perdidas, la película sobre el asesinato de Federico García Lorca que se estrena en RTVE coincidiendo con el 90º aniversario de su muerte.El Instituto Cervantes anuncia la apertura de una cátedra en la Queen's University de Belfast, su primera presencia en Irlanda del Norte, coincidiendo con el centenario del Departamento de Español de la universidad.Esta temporada queremos convertir también las artes visuales en una experiencia radiofónica. Comenzamos el recorrido en Nave 0, en Matadero Madrid, acercándonos a las instalaciones a través de las voces de sus propios creadores.Desmenuzamos el nuevo disco de Corizonas y conocemos la nueva sala de Faro Santander, que incorpora a su recorrido expositivo cerca de 80 obras de la Colección de Arte del Banco Santander.Y la Dra. Elena Rosillo nos lleva hasta Huétor Tájar, Granada, para recuperar la historia del Espárrago Rock. Lo que comenzó en 1989 como la incorporación de un concierto a una feria agrícola dedicada al espárrago verde terminó escribiendo su propia página en la historia del underground y de los festivales de música en España.Escuchar audio

Today on Face2Face, David Peck is joined by Ian Goggins, Executive Vice President and Partner at Blue Fox Entertainment, to talk about Cinema Cellar, Criterion and the resurgence of physical media. We explore why a new generation is discovering the pleasure of owning films, the extraordinary response to Criterion's Toronto presence and the community that forms around our collections. Ian and David also talk about the care Criterion brings to cinema and the idea that the movies we choose to keep on our shelves reveal something about who we are. Because sometimes a film collection isn't just a collection it's a little piece of autobiography.Ian Goggins is Executive Vice President and Partner at Blue Fox Entertainment, where he works across film distribution, acquisitions and the company's growing physical media business. A lifelong film and music enthusiast, Goggins has spent his career helping connect audiences with distinctive films while building relationships with filmmakers, distributors and industry partners.Most recently, he has been closely involved in the launch of Cinema Cellar, Blue Fox Entertainment's new Toronto retail and online destination for physical media. The project grew in part from the remarkable response to the Criterion Collection's mobile Closet at the Toronto International Film Festival, where thousands of film lovers, many of them under 30, demonstrated a renewed enthusiasm for collecting and owning movies.For Goggins, physical media represents something beyond simply owning a film. Collections reflect our tastes, memories and emotional relationships with the movies that have shaped us. He is particularly interested in the community that develops around collecting and in the care labels such as Criterion bring to restoration, presentation, supplemental material and packaging.A passionate collector himself, Goggins counts films including The Princess Bride, Trainspotting and Dazed and Confused among personal favourites.David Peck is a writer, speaker, and award-winning podcaster who works at the intersection of storytelling, social change, and meaningful dialogue. As the host of Face2Face and former host of Toronto Threads on 640 AM, he has published over 800 in-depth interviews with some of the world's most compelling thinkers, artists and storytellers, including Viggo Mortensen, Sarah Polley, Raoul Peck, Werner Herzog, Chris Hadfield, David Cronenberg, Jason Issacs, Gillian Anderson and Wade Davis. With a background in philosophy and international development, David brings a thoughtful, globally aware perspective to every conversation.He's a published author and experienced keynote speaker, known for creating spaces where complexity is welcomed and ideas come alive. Whether moderating panels, hosting live events, or speaking on issues ranging from ethics to media, David's work is grounded in a deep curiosity about people. At heart, he simply loves good conversation and believes it's one of the best ways we grow, connect, and make sense of the world.For more information about David Peck's podcasting, writing and public speaking please visit his site here.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission. Hosted on Acast. See acast.com/privacy for more information.

In dieser Episode des Filmfrühstücks nehmen euch Kenan und Luca mit an den Lido: Sie berichten ausführlich von ihren zehn Tagen beim 83. Filmfestival von Venedig. Von der Anreise über die Akkreditierung bis zum ganz normalen Festivalwahnsinn: das neue Badge mit QR-Code, endlose Schlangen, ein enger Zeitplan und entschieden zu viele Filme pro Tag.Doch wie hat sich das Festival in diesem Jahr eigentlich angefühlt? Weniger große Hollywood-Namen, weniger klassischer Glamour, dafür ein spürbar stärkerer Fokus auf Arthouse und weniger Abhängigkeit von Studios und Streamingdiensten. Wir sprechen darüber, was das über den Zustand des Festivalkinos verrät, und über eine Debatte, die uns nicht losgelassen hat: den erschreckend geringen Anteil von Regisseurinnen im Wettbewerb.Natürlich werfen wir auch einen ausführlichen Blick auf die Filme. Chronologisch arbeiten wir uns durch das Programm: vom enttäuschenden „The Girl with the Leica“ über Danny Boyles visuell wuchtiges, wegen des KI-Einsatzes aber diskussionswürdiges „Ink“ bis zu einer Everest-Doku, dem neuen Werner Herzog, Shinji Sōmais „The Catch“ und Shinya Tsukamotos „Mr. Nelson, Did You Kill People?“.Zum Schluss blicken wir auf die Preisentscheidungen und die Vorfreude auf spätere Einzelanalysen. Hört rein und sagt uns: Welcher Film aus Venedig schafft es auf eure Watchlist?---Instagram: https://www.instagram.com/filmfruehstueck/

Today on Face2Face, David Peck is joined by playwright, screenwriter and former human-rights lawyer Suzie Miller to talk about Prima Facie, her powerful exploration of law, sexual violence, truth and the limits of the legal system. We talk about her journey from science to law to theatre and film, and the unsettling divide between legal truth and lived experience. At the heart of our conversation is empathy and what happens when institutions fail to understand the people inside them, and what responsibility follows once we see an injustice clearly enough that we can no longer look away.Suzie Miller is an international playwright, screenwriter and novelist with degrees in law and science drawn to complex human stories and contemporary themes. Suzie's plays have been produced in over a hundred productions around the world and won multiple prestigious awards. Her novel Prima Facie has been published in 6 languages. Miller's play of Prima Facie, starring Sheridan Harbridge and directed by Lee Lewis won a number of Australian awards including three AWGIES. The London version starring Jodie Comer and directed by Justin Martin in the West End and Broadway productions was nominated for 5 Olivier Awards in 2023, winning for Best New Play and Best Actress; 4 Tony Awards 2023 winning for Best Actress; won the 2023 Whatsonstage award for best play and best actress; was nominated for 4 Drama Desk awards and won 2; amongst other awards. It has been translated into over 20 languages, produced all over the world in around 48 countries and published as a novel in 6 languages.Miller is currently under commission for several new plays in London, New York and Australia, alongside major film and TV productions in London and the USA. She is completing her second novel.David Peck is a writer, speaker, and award-winning podcaster who works at the intersection of storytelling, social change, and meaningful dialogue. As the host of Face2Face and former host of Toronto Threads on 640 AM, he has published over 800 in-depth interviews with some of the world's most compelling thinkers, artists and storytellers, including Viggo Mortensen, Sarah Polley, Raoul Peck, Werner Herzog, Chris Hadfield, David Cronenberg, Jason Issacs, Gillian Anderson and Wade Davis. With a background in philosophy and international development, David brings a thoughtful, globally aware perspective to every conversation. He's a published author and experienced keynote speaker, known for creating spaces where complexity is welcomed and ideas come alive. Whether moderating panels, hosting live events, or speaking on issues ranging from ethics to media, David's work is grounded in a deep curiosity about people. At heart, he simply loves good conversation and believes it's one of the best ways we grow, connect, and make sense of the world.For more information about David Peck's podcasting, writing and public speaking please visit his site here.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission. Hosted on Acast. See acast.com/privacy for more information.

The Oscars Race has exploded after Telluride and Venice. The Acting categories are much more formidable, the Best Picture 10 is all but impossible to predict, surprise documentaries have become headlines, and yet, the Standing Ovation times still don't match. This is one of the wildest years we've ever covered, and the buzz isn't getting any quieter. That's for sure. TELLURIDE PREMIERES: The Debut from Jesse Eisenberg feat. Julianne Moore + Song Category Talk - 1:38 Elsinore starring Andrew Scott + Lead Actor Category Talk - 5:26 Tender Loving Care from Mike Leigh & starring Kate O'Flynn - 10:06 The Liberation starring Carrie Coon + More Lead Actress Talk - 14:18 A Long Winter from Andrew Haigh, starring Fred Hechinger & Caitriona Balfe - 15:53 You Can See Everything from Nathan Fielder + Best Picture Talk - 17:19 Berlin, Sundance & Cannes Film Updates + Turturro & Cruz Talk - 25:59 VENICE PREMIERES: Ink from Danny Boyle + Standing Ovation Talk - 29:05 Wild Horse Nine from Martin McDonagh + Malkovich Shirt Talk - 33:59 Primetime starring Robert Pattinson - 44:24 Possible Love from Lee Chang-dong - 48:05 Bucking Fastard from Werner Herzog, starring Kate & Rooney Mara - 49:54 Oasis: Don't Look Back In Anger - OSCAR NEWS: Inde Navarrette goes Lead - 52:12 All Of A Sudden Actresses pick their categories - 54:58 OUTRO: We discuss our larger presence on social media, the links we never knew we had, and some future plans. Plus, we discuss recent films we've watched and loved or loved to hate. https://linktr.ee/mikemikeandoscar

From the writer/directors of Game Night and Dungeons & Dragons: Honor Among Thieves, Apple TV’s Cold War comedy Mayday was a promising title on the 2026 streaming movie calendar. Unfortunately, Matt and Jordan agree that the film isn’t the equal to those earlier films (no thanks to a phoned-in performance from Ryan Reynolds), despite a clever premise and the presence of Kenneth Branagh, who is having the time of his life. Matt digs into Branagh’s strange career in the Rec Seg, suggesting an early Branagh effort (as both director and star) as an alternative, and Jordan answers with a film that finds Christian Bale as a fighter pilot caught behind enemy lines. Plus, Bran-agh Flakes!, a Jordan-hosted game. (Timecodes will not be precise with ads.) Intro (00:00:00–00:05:43) Mayday (00:05:44–00:26:32) Rec Seg! (00:26:33–00:44:40) Game: Bran-agh Flakes (00:44:41–01:02:24) New to Streaming / Credits (01:02:25–01:11:29) Show Notes Now Streaming on Bazooga - A Filmspotting: SVU Archive⁠ https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠ Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th):⁠ https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠ Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠ Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠See omnystudio.com/listener for privacy information.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Hay directores que hacen películas. Y luego está Werner Herzog, un señor que parece haber confundido el cine con un deporte de riesgo. Rober, nos trae un director de esos que le gustan a él. Alemán y como una puta cabra. Un extra de cine "moderno" (con más de 60 años) alemán. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Amuse bouche: Joseph Experience has epiphanies heretofore unknown to humanity. Griftolopopapodopolous feels icky now. Ted Cruz must never be permitted to forget. Brothers Tate Twin Towers. Kimball Musk turns out to be an asshole, too, but he likes Burning Man, so, you—you know the thing.China: BUT AT WHAT COST?! Profoundly cold and unsympathetic and manipulative coverage from The Press concerning a tragic natural disaster. In China, scientists grace the digital billboards, but on the otherhand, in America, we shoot each other a lot, with guns. And also, what if the Joker was a Chinaboo?Trump probably has Lewy Body Dementia and always fast forwards to the fight scenes in Patch Adams.Fact: Ben Gvir and Michelle Bachman and Randy Fine and Mike Fucklebee all got together and rolled around in their own shit while screaming slurs at limbless children. And then they were rewarded for it with money and status because we live in the greatest nation on Earth, just ask John Kiriakou.Geoengineers are our only hope. And even this is debatable. Finally, David Attenborough leaves us with some timeless wisdom.Recorded on Saturday, September 5th, 2569 B.E. around 11.00AM Korea Standard Time. Commiserate on Discord: discord.gg/aDf4Yv9PrYNever Forget: standwithdanielhale.orgGenral RecommendationsJosh's Recommendations: 1) The Audacity 2) Don't mix lithium with NSAIDs 3) Look forward to Werner Herzog's Bucking Fastard (recently dedicated to David Lynch)Tim's Recommendation: Soards of Canada | Q&Tr Further Reading, Viewing, ListeningShow notes + Full list of links, sources, etcEternal thanks to Rm Brown ("King of the Soundboard")More From Timothy Robert BuechnerPodcast: Q&T ARE / violentpeople.co Tweets: @ROHDUTCHLocationless Locationsheatdeathpod.comEvery show-related link is corralled and available here.Twitter: @heatdeathpodPlease send all Letters of Derision, Indifference, Inquiry, Mild Elation, et cetera to: heatdeathoftheuniversepodcast@gmail.comSend us Fan MailSupport the showSupport: patreon / buzzsproutSend us Fan MailSupport the showSupport: patreon / buzzsprout

Venice Film Festival 2026, Werner Herzog on his tribute to David Lynch, two sisters who speak in unison, and a film with no precedent in Bucking Fastard The post “Bucking Fastard”, interview with director Werner Herzog appeared first on Fred Film Radio.

Venice Film Festival 2026, Werner Herzog on his tribute to David Lynch, two sisters who speak in unison, and a film with no precedent in Bucking Fastard The post “Bucking Fastard”, interview with director Werner Herzog appeared first on Fred Film Radio.

Venice Film Festival 2026, Werner Herzog on his tribute to David Lynch, two sisters who speak in unison, and a film with no precedent in Bucking Fastard The post “Bucking Fastard”, interview with director Werner Herzog appeared first on Fred Film Radio.

Venice Film Festival 2026, Werner Herzog on his tribute to David Lynch, two sisters who speak in unison, and a film with no precedent in Bucking Fastard The post “Bucking Fastard”, interview with director Werner Herzog appeared first on Fred Film Radio.

Venice Film Festival 2026, Werner Herzog on his tribute to David Lynch, two sisters who speak in unison, and a film with no precedent in Bucking Fastard The post “Bucking Fastard”, interview with director Werner Herzog appeared first on Fred Film Radio.

È la settimana della Mostra del Cinema di Venezia e assieme ad Andrea Chimento ed Emanuele De Nicola commentiamo alcune delle pellicole presentate al Festival.Partiamo con la “Ragazza con la Laica”, regia di Alina Marazzi con Emilia Schüle, Aaron Altaras, Luna Wedler, Lucas Englander, Thomas Schubert.Proseguiamo con “Ink”, il film di Danny Boyle con Jack O'Connell , Guy Pearce, Claire Foy, Brian Gleeson, Patrick Kennedy. Cast completo .Altra pellicola è “Wild Horse Nine”, film di Martin McDonagh con Sam Rockwell, Steve Buscemi, Parker Posey, John Malkovich, Tom Waits. Werner Herzog è il regista di “Bucking Fastard”, film con Kate Mara, Rooney Mara, Orlando Bloom, Domhnall Gleeson, Hugh O'Conor.Chiudiamo la rassegna dei film dal Lido di Venezia con “Succederà questa notte”, pellicola di Nanni Moretti che mancava alla Mostra del Cinema dal 1989.Non mancano, però, le novità in sala che commentiamo con Boris Sollazzo."Coyote vs. Acme", regia di Dave Green con John Cena, Lana Condor, Will Forte, P.J. Byrne, Nancy Linehan Charles.George Jaques è il regista di "Sunny Dancer", con Bella Ramsey, Daniel Quinn Toye, Ruby Stokes, Earl Cave, Conrad Khan.Tra le novità anche "Ketticè" di Giovanni Tortorici con Salvatore Gallina, Rachele Testagrossa, Monica Bellucci, Tommaso Cristiano Wirz.Chiara Pizzimenti ci racconta “Fammi il piacere”, regia di Reem Kherici con Alexandra Lamy, François Cluzet, Delphine Baril, François Bureloup, François-Xavier Demaison.

Nicodemus, Katja www.deutschlandfunkkultur.de, Vollbild

Venice Film Festival 2026, Werner Herzog on his tribute to David Lynch, two sisters who speak in unison, and a film with no precedent in Bucking Fastard The post “Bucking Fastard”, interview with director Werner Herzog appeared first on Fred Film Radio.

Ep. 418: Jordan Cronk on Venice 2026: Bucking Fastard, The Basics of Philosophy, My Undesirable Friends Part II Exile, Too Much Sugar Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The podcast returns to the Venice film festival in, you guessed it, Venice, Italy! I kick off this year's edition with Jordan Cronk, critic and co-founder of Acropolis Cinema in Los Angeles. We discuss a few films from the first few days of the festival: Bucking Fastard (directed by Werner Herzog, starring Rooney and Kate Mara), My Undesirable Friends: Part II–Exile (Julia Loktev), The Basics of Philosophy (Paul Schrader), and Too Much Sugar (Robert Greene). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Como es ya tradición, empezamos la nueva temporada desde el Festival de Venecia, el certamen que reactiva la carrera de premios. España ya ha elegido a sus tres finalistas para los Oscars y por aquí ya hemos visto las películas de Danny Boyle, Martin McDonagh y Werner Herzog. Por supuesto también hemos visto a George Clooney, la gran estrella que ha marcado la apertura del festival. Entre los estrenos, destacamos ‘Cronos', el thriller de Fernando González Molina sobre el atentado de Barcelona, y ‘Jim Queen', una divertidísima comedia de animación que amenaza con convertir en heterosexuales a los gais. En televisión, hacemos repaso de lo mejor y peor del verano para empezar puestos al día el nuevo curso.

El ser querido, de Rodrigo Sorogoyen; Los domingos, de Alauda Ruiz de Azúa, y La bola negra, de Javier Ambrossi y Javier Calvo, son las tres películas preseleccionadas para representar a España en los Óscar. Hablamos con Marisa Fernández Armenteros, productora de Los domingos, y escuchamos las primeras reacciones de sus responsables tras conocerse la selección.Además, viajamos a la Mostra de Venecia con Jordi Barcia, enviado especial, en una jornada marcada por Bucking Fastard, de Werner Herzog, y Wild Horse Nine, la comedia negra de Martin McDonagh con John Malkovich y Sam Rockwell.Recordamos a Gloria Steinem, referente de la segunda ola del feminismo y Premio Princesa de Asturias de Comunicación y Humanidades 2021, tras conocerse su fallecimiento a los 92 años. Y celebramos los 65 años de Els Joglars con Albert Boadella y una nueva mirada a El retablo de las maravillas, de Miguel de Cervantes.También repasamos los últimos datos de la industria española de la música grabada, Inko Martínez nos acerca las novedades de la programación de la Orquesta Sinfónica y Coro RTVE y el compositor Jonay Armas regresa con una nueva pieza creada para El ojo crítico e inspirada en la cultura del presente.Escuchar audio

Leweke, Anke www.deutschlandfunkkultur.de, Fazit

Bucking Fastard è un film su due sorelle, Jean e Joan Holbrooke, così unite da parlare all'unisono, amare lo stesso uomo e condividere gli stessi sogni. Persino i loro lapsus sono identici e pronunciati all'unisono. Non possiamo vedere il mondo attraverso i loro occhi, ma possiamo osservare il modo in cui il mondo reagisce a loro: attraverso i tribunali e la stampa, attraverso coloro che cercano di aiutarle e coloro che vogliono sfruttarle, attraverso lo sguardo di animali domestici e selvatici, e persino attraverso l'eco delle loro stesse vite nelle profondità della terra.

Rodrigo Sorogoyen, Isabel Peña y Vicky Luengo nos presentan 'El ser querido', la nueva película del director madrileño, protagonizada por Javier Bardem y Vicky Luengo. Una historia sobre un reconocido director de cine y su hija actriz, distanciados desde hace años, que tendrán que volver a encontrarse cuando trabajen juntos en una película.Con ellos hablamos de las relaciones entre padres e hijos, pero también del cine dentro del cine, de quienes trabajan detrás de las cámaras y de la capacidad del séptimo arte para generar pensamiento crítico. Una película que, en palabras de su coguionista Isabel Peña, es también un homenaje a quienes hacen posible el cine.Además, conectamos con nuestro corresponsal Jordi Barcia en el arranque de la 83ª Mostra de Venecia, donde George Clooney recibe el León de Oro honorífico a toda su carrera. Repasamos los grandes nombres de esta edición, entre ellos Nanni Moretti, Werner Herzog, Danny Boyle, Martin McDonagh y el surcoreano Lee Chang-dong.Escuchar audio

Today on Face2Face, David Peck revisits a conversation with Gillian Anderson, Jason Isaacs and director Marianne Elliott about The Salt Path, a beautiful and moving story of love, loss and what remains when almost everything familiar falls away. The film follows Ray and Moth as homelessness and a devastating diagnosis send them onto a 630-mile walk along the English coast. They talk about grief, marriage, memory, nature, resilience and the unexpected freedom that can emerge when life strips away our certainties and perhaps, ultimately, about learning to be present for the people walking beside us.Gillian Anderson, Jason Isaacs and Marianne Elliott bring remarkable careers in film, television and theatre to The Salt Path. Anderson is an acclaimed actor whose extensive work across stage and screen has earned international recognition for complex and deeply human performances. Isaacs is an award-winning British actor with a wide-ranging career that includes Harry Potter, The Patriot, The Death of Stalin and numerous film and television roles. Elliott is one of Britain's most celebrated theatre directors, known for her work on major West End and Broadway productions. The Salt Path marks her feature-film directorial debut, bringing her decades of experience working with actors and telling stories on stage to the screen.David Peck is a writer, speaker, and award-winning podcaster who works at the intersection of storytelling, social change, and meaningful dialogue. As the host of Face2Face and former host of Toronto Threads on 640 AM, he has published over 800 in-depth interviews with some of the world's most compelling thinkers, artists and storytellers, including Viggo Mortensen, Sarah Polley, Raoul Peck, Werner Herzog, Chris Hadfield, David Cronenberg, Jason Issacs, Gillian Anderson and Wade Davis. With a background in philosophy and international development, David brings a thoughtful, globally aware perspective to every conversation.He's a published author and experienced keynote speaker, known for creating spaces where complexity is welcomed and ideas come alive. Whether moderating panels, hosting live events, or speaking on issues ranging from ethics to media, David's work is grounded in a deep curiosity about people. At heart, he simply loves good conversation — and believes it's one of the best ways we grow, connect, and make sense of the world.For more information about David Peck's podcasting, writing and public speaking please visit his site here.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission. Hosted on Acast. See acast.com/privacy for more information.

A coprodução brasileira ‘Retorno a Buenos Aires' está na disputa pelo Leão de Ouro do importante Festival de Veneza de 2026, que começa nesta quarta-feira (2). O longa é dirigido pelo ítalo-chileno Marco Bechis, que viveu entre a Argentina, o Brasil e a Itália. “Retorno a Buenos Aires” acompanha a volta de Mariano Guerra à Argentina depois de 33 anos vivendo na Itália. Ele regressa ao país para depor no julgamento dos ex-militares que o sequestraram, torturaram e escravizaram durante a ditadura militar. O filme de Marco Bechis é uma coprodução da Itália e do Brasil. Pelo lado brasileiro, três produtores assinam o longa: Patrick de Jongh, da 34 Filmes, Cibele Amaral, da Neocórtex, e André Ristum. O filme é estrelado pelo italiano Adriano Giannini e conta, entre outros atores, com os brasileiros Paula Cohen e Eduardo Hoy em papéis de destaque. O diretor de “Terra Vermelha” e “Garage Olimpo” retoma, com essa nova obra, “um pouco as suas origens, ao abordar essa temática tão significativa e tão importante em toda a vida e na formação dele”, destaca André Ristum, amigo de Marco Bechis, que deu o pontapé inicial para a realização do projeto. “A gente estava tendo a volta dos financiamentos no Brasil e, depois de ter lido o roteiro maravilhoso, eu apresentei para o Patrick e para a Cibele. Eles adoraram e nasceu essa relação, esse casamento em torno desse projeto que está sendo realmente muito feliz”, lembra. Tema importante para o Brasil Patrick de Jongh é o fundador e diretor da 34 Filmes. A produtora independente de Brasília venceu o edital de coprodução internacional de 2024 da Ancine para financiar o filme que trata, segundo ele, de um tema importante para o Brasil. “Os tribunais militares aconteceram na Argentina, mas acabaram não acontecendo no Brasil. Eu acho que é uma maneira de trazer esse assunto à tona de novo, justamente em vista de tudo o que tem acontecido após a polarização política dos últimos anos no Brasil”, diz. A seleção para Veneza consolida a atuação internacional da 34 Filmes e coloca Brasília pela primeira vez no mapa do cinema mundial. “Nosso objetivo não é só uma estratégia da produtora de abraçar essas coproduções internacionais, mas também sacramentar essa estratégia federal dos arranjos regionais. A gente ganhou o edital pela cota regional e ter conseguido, já de cara, colocar o filme num festival tão importante só mostra que esses programas precisam continuar. Investir nesses mercados fora do eixo Rio-São Paulo é importantíssimo. São novas narrativas, novas possibilidades, para trazer um outro Brasil também para o mundo”, ressalta Patrick de Jongh. Política pública de sucesso “Retorno a Buenos Aires” é o único representante brasileiro na competição principal de Veneza. Em Cannes, em maio, o Brasil também só esteve presente na disputa pela Palma de Ouro com coproduções internacionais. Cibele Amaral, da Neocórtex, acredita que essa política de coproduções internacionais é uma estratégia de sucesso. “Hoje em dia, você precisa fazer um pacote realmente poderoso para ter êxito de bilheteria e também nos festivais. Esse modelo de coprodução traz uma força grande para o projeto e, com certeza, traz o Brasil para um protagonismo. É uma política pública que está dando seus resultados”, avalia. O filme de Marco Bechis custou € 2,5 milhões, financiados majoritariamente por quatro produtoras italianas: Fandango, 39Films, Karta Film e Rai Cinema. O Brasil entrou com € 700 mil (R$ 4,2 milhões), cerca de 25% do total, e o retorno para a indústria cinematográfica do país já foi significativo. O longa se passa na Argentina, mas foi rodado durante quatro semanas em Porto Alegre, no Brasil, e mais três semanas em Turim, no norte da Itália, com participação destacada de técnicos, atores e atrizes brasileiros. Paula Cohen, filha de uruguaios, faz o papel da juíza no processo dos ex-militares argentinos. “Eu fui criada entre esses países e foi muito especial. O Marco foi sequestrado, foi torturado. Ele viveu essa história muito de perto. Ele é um diretor excepcional e trabalhar com ele, ouvi-lo, foi, para mim, realmente um aprendizado maravilhoso. Acho que me expandi como atriz nesse projeto”, revela a atriz. Paula Cohen participa pela primeira vez do Festival de Veneza. Ela está “felicíssima” por estar na disputa “contando essa história tão importante, tão necessária de ser contada”, salienta. Estreia mundial A coprodução brasileira “Retorno a Buenos Aires” integra uma lista de 21 filmes assinados por grandes nomes do cinema mundial que concorrem ao prestigioso Leão de Ouro do Festival de Veneza. Entre os concorrentes estão diretores como o britânico Danny Boyle, o alemão Werner Herzog, o japonês Kore-eda e o italiano Nanni Moretti. Esta 83ª edição do Festival de Veneza será dominada por temas políticos. A disputa será acirrada, mas a seleção já é festejada pela equipe. “Para nós é um sucesso, um enorme êxito poder estar nessa competição. Vamos para Veneza e vamos curtir esse momento dessa viagem de um filme do cinema brasileiro, por meio de um filme internacional, na disputa com grandes realizadores e equipes talentosíssimas do mundo inteiro. Realmente vai ser uma emoção muito grande estrear esse filme em Veneza”, antecipa André Ristum. “Retorno a Buenos Aires” estreia no Festival de Cinema de Veneza em 11 de setembro, com a presença dos três coprodutores brasileiros, da atriz Paula Cohen e do ator Eduardo Hoy. O filme de abertura na noite desta quarta-feira é “Ink”, de Danny Boyle.

Tom Luddy was a quiet titan of cinema. He presided over the Pacific Film Archive in Berkeley for some 10 years, co-founded and directed the Telluride Film Festival for nearly 50 years, produced some 14 movies, match-made dozens of international love affairs, and foraged for the most beautiful, political, important, risky films and made sure there was a place for them to be seen in the world. And he made sure that the people making this powerful work were known and knew each other. Tom Luddy with his photographic memory, his infinite rolodex, his encyclopedic knowledge of global cinema and his catalytic ability to connect people, caused the most unusual of collaborations to come to be. Tom championed the French New Wave, the Czech New Wave, Brazilian cinema novo, dissident Soviet cinema, directors Francis Coppola, Jean-Luc Godard, Werner Herzog, Agnes Varda, Les Blank, Paul Schrader, Agnieszka Holland, Barry Jenkins, Laurie Anderson and countless others.Tom passed away on February 13, 2023. There's a giant hole in the screen without him here. But his DNA is in the hundreds of filmmakers, musicians, writers and activists he nurtured and inspired. As film enthusiasts gather this weekend at the Telluride Film Festival, The Kitchen Sisters Present... The Tom Luddy Connection: The Man, The Movies, The Rolodex. Produced by Evan Jacoby and The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Brandi Howell and Nathan Dalton. Mixed by Jim McKee.

Verifier Andy presents a Field Report on Werner Herzog's 1976 film "Heart of Glass." Listeners should exercise extreme caution, as Werner Herzog is known to be one of the grimmest, most dire sources of CINEMANIA known to humanity.   Written, performed, and sound design by Andy Slack Final mixing & mastering by Ethan Ireland Music by Karl Casey at White Bat Audio Incidental music and sound courtesy of Epidemic Sound

....Il y a aussi les livres de Cinéma !On y fait votre liste de courses pour l'été.Maurice Tourneur de Christine Leteux (Institut Lumière/Actes Sud)Clint Eastwood, Je suis celui que je veux être de Bernard Benoliel (Éditions de l'œil)Portrait de l'Artiste en sale môme de Yann Dedet (P.O.L.)Rosso Sangue, Le Cinéma italien des années de plomb de Jean-François Rauger ( Façonnage éditions)L'Avenir de la Vérité de Werner Herzog ( éditions Séguier)La Dimension Walter Hill de Thomas Revay ( Rouge Profond)Questions de Cinéma 2 de Nicolas Saada (Carlotta) A vos agendasTout l'été au Cinéma Arvor, cycle "Vacances j'oublie tout" avec un bon paquet de chefs d'œuvre

Spider-Man: Brand New Day is a new Box Office champion! Then we discuss Academy News and the Lineups for the Venice, New York and Toronto International Film Festivals, amongst several other pressing industry topics before ending with our thoughts on La Bola Negra's theatrical release date plan, the Peacock/YouTube update and that WB/Paramount deal. BOX OFFICE REPORT: Spider-Man: Brand New Day sets all kinds of records - 1:11 The Odyssey holds strong - 5:36 ACADEMY NEWS: Lynette Howell Taylor is re-elected as President of AMPAS - 8:44 THE VENICE FILM FESTIVAL LINEUP: Venice has an opening night selection in Ink - 11:09 - Only 1 female directed film lands in the main competition - 12:40 - Main Competition notables from Primetime to Lee Change Dong - 22:05 Werner Herzog calls in to promote Bucking Fastard! - 25:05 NEW YORK FILM FESTIVAL 64: Godzilla Minus Zero is the Spotlight Gala - 27:59 Paper Tiger & 14th are the Opening and Closing Nighters - 29:17 Behemoth is the Centerpiece & we review the Teaser Trailer - 32:24 Thoughts on the rest of NYFF 64's Main Competition - 35:18 TIFF: I Play Rocky and it's 1st trailer - 36:05 Misty Green's first trailer from Chris Rock - 39:28 Other TIFF Galas for potential contenders like Elsinore & Tender Loving Care - 42:23 Intriguing Premieres from Filmmakers like Courtney Cox & Michael Dowse - 50:43 Previously Announced Big Premieres & Crossovers From Sundance - 56:24 - Cannes Crossovers & La Bola Negra's Theatrical Play + Netflix Questions, YouTube/Peacock Deal Reactions & TIFF People's Choice Award Speculation - 59:12 - Crossovers from Venice & Deductions for Telluride - 1:08:08 Films Not Going To Any Festivals? - 1:10:22 Luca Guadagnino's Artificial finds a new home at NEON - 1:17:27 Paramount/WB Thoughts - 1:19:05 OUTRO: Make sure to follow us on social media for daily videos (on tiktok & instagram) +++ written reviews (on Letterboxd). We're everywhere on the internet, and we're all over the place in this outro, discussing our future plans for YouTube, etc. https://linktr.ee/mikemikeandoscar

“When I make a film, it's like a mosaic glass window. It's not planned, it's not distilled like those Hollywood scripts are.” In Part 2 of his conversation with Howie Severino, National Artist for Film Kidlat Tahimik reflects on his extraordinary transformation from Wharton-educated economist to pioneer of independent Philippine cinema. Following a decision to leave his office life in Paris, Kidlat's unconventional path led him to work as a jeepney-driving vendor at the 1972 Munich Olympics, live in an artist commune, and get discovered by famed German director Werner Herzog. This chance encounter sparked the creation of his masterpiece, Mababangong Bangungot (Perfumed Nightmare). Throughout his iconoclastic career, Kidlat has proudly worn the traditional bahag (loincloth), even at formal ceremonies. In this episode, he shares the philosophy behind this act, presenting an oral retrospective of an artist who continues to rewrite the rules of filmmaking. Hosted on Acast. See acast.com/privacy for more information.

In this lean, mean, friendslop keen episode, Andy, Greg, and John shoot the F5 breeze about Werner Herzog documentaries, The Alters, Shift At Midnight, Funnel Runners, God of War: Ragnarok, malware teens, Xbox exclusivity payments, Sony going discless, and more. 0:00 - Intro 1:05 - Death Stranding 2 4:00 - Andy (Roundtable) 4:09 - Fargo season 2 5:18-7:17 - Spoilers 7:18 - Werner Herzog documentaries 7:25 - Grizzly Man 10:15 - Encounters at the End of the World 11:40 - King of the Hill season 15 14:06 - Lorelei and the Laser Eyes 15:54 - The Alters 27:06 - John (Roundtable) 27:14 - The Outlast Trials 29:07 - The Alters: Last Variable DLC 37:23 - Shift At Midnight 38:41 - Greg (Roundtable) 38:42 - Shift At Midnight (cont.) 44:40 - Funnel Runners 51:22 - God of War: Ragnarok 55:16 - "Vito" ("Roundtable") 55:22 - The Finals 55:57 - NEWS 56:07 - FBI arrests teen for infecting PCs with Steam game malware 57:51 - Jennifer English steps away from Tides of Annihilation 59:49 - Xbox paid more than the dev costs to make Stalker 2 exclusive 1:08:40 - Analysts saying that Sony going discless could kill the used game market 1:12:50 - Outro "Awkward Meeting" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Find out more at https://broken-campfire.pinecast.co

Tim Harford investigates some of the numbers in the news. This week:(00:23) Andy Burnham may not be Prime Minister yet, but he's setting out his economic agenda, and its based on his old stomping ground, Greater Manchester. We ask whether the official figures that seem to show an economic miracle can be fully believed, and how much credit he deserves.(10:09) As our towns and cities get hotter, would turning to air conditioning really drive outside temperatures up by 10 to 12 degrees celcius? We learn about the fascinating world of ‘urban heat islands'.(15:40) We turn to homophones in an attempt to continue a running joke. This week, we follow six items about Wales with an item about whales - are our cetacean friends the carbon sinks of our dreams? Will we ever write a stranger paragraph?(22:10) Cult director and maths fanboy Werner Herzog has been waxing lyrical about the intruiging mysteries of prime numbers. Tim cracks out a surprisingly decent impression and we learn about one of the most inscrutable problems in mathematics - what's not to like?More or Less is the programme that looks at numbers and statistics in news and in life. We're always looking for questions from listeners - you can contact us on moreorless@bbc.co.uk.Guests: Paul Swinney - Chief Economist at The Data City Liam Sides - Associate Director at Oxford Economics Dimple Rana - Heat Resilience Leader at Arup Sue Grimmond - Professor of Meteorology, University of Reading Dr Olaf Meynecke - Marine Ecologist, Griffith University James Grime - Mathematician and star of YouTube channel NumberphileSpecial Guest Appearance: The Voice of Werner HerzogPresenter: Tim Harford Series Producer: Tom Colls Reporter: Nathan Gower Producers: Josh McMinn, Lizzy McNeill Editor: Richard Vadon Programme Coordinator: Brenda Brown Sound Engineer: James Beard

Let the good times continue to roll as we extend Lezze Le Bon Temps Summer with our coverage of Werner Herzog’s Bat Lieutenant Port of Call New Orleans, a movie with a clunky title but smooth, smooth action. Does Nic Cage’s performance and a slew of bad decisions save what could otherwise be a run of the mill movie with a so-so plot? Find out, right here on Zero Credit(s).

Tennyson called nature “red in tooth and claw,” but that warning didn't keep Timothy Treadwell from living among the grizzlies of Alaska for thirteen summers–until one of them killed him and his girlfriend. Werner Herzog's 2005 documentary Grizzly Man tells Treadwell's story and raises the issues of what happens when we ascribe human motives and characteristics to animals and the ways in which we all attempt to stake out our own territory in an indifferent world. Incredible bumper music by John Deley. Herzog's most recent book The Future of Truth (2025) is a series of essays about what constitutes truth and the threats truth faces in our age of AI and deepfakes. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Send us a text or a voicemailAfter surviving one deadly game, a group of old friends must now outrun four rival podcasts competing not for chart supremacy, but for a powerful treasure - the friends they made along the way. On Episode 723 of Trick or Treat Radio our featured film discussion is Ready or Not 2: Here I Come from the directing collective known as Radio Silence! We also talk about our favorite films to quote, how Elijah Wood can do no wrong, and we react to the trailer for the upcoming Adam Wingard film, Onslaught! So grab your favorite blood stained wedding attire, give your old Papa Bava Booey a call, and strap on for the world's most dangerous podcast!Stuff we talk about: Fall, 2000 foot towers, The Descent, Frozen, Fall 2: Deadpoint, The Spierig Brother, Undead, Meatballs 2, Police Academy 2, Moving Violations, Spaceballs, Remo Williams, Wendie Jo Sperber, Babes, Bosom Buddies, The Mandalorian and Grogu, John Wayne, mudskippers warp speed and laser guns, Star Wars, Phil Tippet, Frank Henenlotter, Travis Knight, ParaNorman, Kubo and the Two Strings, the Volume technology, Battlestar Galactica, we have Star Wars at home, Werner Herzog, The Unknown, The Hands of Orlac, Revolt of the Zombies, Captive Wild Woman, The Lost Planet, The Nutty Professor, Slaughter of the Vampires, Poltergeist, Star Trek 2: The Wrath of Khan, Harry Potter, The Crow: Wicked Prayer, Splice, Three Days in the Woods, The Battery, Black Lake, The Fun Park, TJ Miller, Cloverfield, Bad Ghost, Sean Pertwee, Dog Soldiers, The Invitation, Dead Heat, The Ring, Event Horizon, Queen of Black Magic, Keith David, They Live, The Thing, John Carpenter, Waxwork, The Prophecy, Ticks, Parker Stevenson, Bruce Dern, Silent Running, Toolbox Murders, Swamp Devil, John Barrymore, Dennis Weaver, UHF, Duel, Don Diamond, Papa Bava, Spider-Noir, Nicolas Cage, Tim Curry, The Rocky Horror Picture Show, Undead, Winchester, The Spierig Brothers, Ready or Not 2: Here I Come, Radio Silence, Southbound, The Mummy, Shawn Hatosy, Sarah Michelle Gellar, Iron Eagle, Kid Video, jump the shark, Kathryn Newton, Samara Weaving, Elijah Wood, Todd Bridges, Gen V, They Will Kill You, Fools and Folklore, Ash from Evil Dead, Shaun from Shaun of the Dead, Reggie from Phantasm, on fleek this week, Papa Bava Booey, and The Critiqueables.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Rambo Van Halen is a pseudonym. He's a Hollywood producer — the real kind, the below-the-line kind, the guy making sure the steel gets to the factory — who worked in the industry for decades, walked away in 2019, and wrote a book about it.The book is called Hollywood Samizdat: Notes from Below the Line. It's published by Passage Press. Lou read it. He dog-eared it. They talked for an hour. Topics include: what a producer actually does (mostly administration, definitely not what people think); what happens to actors when nobody says no to them for 20 years; the feminization of Hollywood and why straight guys stopped being able to do their jobs; military veterans vs. film school graduates on set (no contest); Werner Herzog, Klaus Kinski, and the Amazon river; the unwritten casting rule about who can and can't be the butt of the joke; MeToo — the careers it should have ended, the ones it shouldn't have, and the Joe Gatt story that will make your jaw drop; and why Rambo Van Halen is not his real name and probably never will be. Get the book → https://passage.press/products/hollywood-samizdat?srsltid=AfmBOorHefB5b7WS0T_hiObEIcPzGEWLHKXoL-4gInHttqmha-D5SLuiRambo on Substack → https://substack.com/@rambovanhalenTIMESTAMPS:0:00 — Intro — who is Rambo Van Halen?1:40 — What a producer actually does (it's mostly administration)3:50 — Building a bubble around the creatives — and what it does to them6:20 — Film is a business, not a public service — and film school gets this wrong7:25 — Jim Carrey, Michael Jackson, and what happens when nobody says no10:55 — Plastic surgery, masculinity, and actors who should leave their faces alone12:46 — Lee Marvin, Gene Hackman, and the men who used to be on screen16:25 — How Hollywood got feminized — and why straight guys couldn't do their jobs anymore19:06 — Military guys on film sets — why they beat film school graduates every time21:32 — Fitzcarraldo, Werner Herzog, and Klaus Kinski's on-set meltdown25:04 — Why he made his lateral move out of LA in 201927:30 — White male shit libs coming at him on Facebook30:56 — Comedy as a masculine art form — why wokeness couldn't kill it35:00 — George Floyd, Memorial Day, and saying what you actually think37:25 — The unwritten rule: the black guy can't be the butt of the joke43:28 — Roy Price, MeToo, and the careers that got destroyed45:01 — John Lasseter, Aziz Ansari, and Joe Gatt — three very different MeToo stories50:37 — The sushi bar incident — actress hits on producer, ignores her date54:24 — Bikini casting, auditions, and what actresses will do for a role58:12 — Who is Rambo Van Halen — and why the pseudonym?1:01:16 — Why he wrote Hollywood Samizdat as a journaling exercise1:03:08 — On publicist spam, bad podcast guests, and only booking people worth talking to1:04:01 — Outro — where to find Rambo Van HalenWatch full episodes on YouTube → https://www.youtube.com/watch?v=J4Vb53s4I0A&list=PLb5trMQQvT077-L1roE0iZyAgT4dD4EtJListen on Apple Podcasts → https://podcasts.apple.com/us/podcast/the-lou-perez-podcast/id1535032081Listen on Spotify → https://open.spotify.com/show/2KAtC7eFS3NHWMZp2UgMVU Lou's book — That Joke Isn't Funny Anymore: https://amzn.to/3VhFa1r TheLouPerez.com |  info@thelouperez.com Newsletter: https://substack.com/@louperez#Hollywood #FilmIndustry #RamboVanHalen #HollywoodSamizdat #MeToo #LouPerezPodcast #LionsOfLiberty #BehindTheCamera #FilmProducer #ComedyPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Julian is a competitor who has been lubricating the ole brain box and is currently hosting a dinner party while he pitches a new TV show. Meanwhile, Ryan is very sober (even more so comparatively) and wants Guy to start a consultancy in Las Vegas that's got bit to do with jet propulsion and a little to do with dick-shaped objects and a lot to do with Werner Herzog. But there's a twist and you're going to need to check out the full episode to find out what!Thanks to editor AJ of Cult Popture and graphic designer Tomas Cottle.Support the boys on their modern-day adventures at twioat.substack.com Hosted on Acast. See acast.com/privacy for more information.