Podcasts about Judaism

BLOOD MOON PORTALS - 03.02.2026 - #919 BestPodcastintheMetaverse.com Canary Cry News Talk #919 - 03.02.2026 - Recorded Live to 1s and 0s Deconstructing World Events from a Biblical Worldview Declaring Jesus as Lord amidst the Fifth Generation War! CageRattlerCoffee.com SD/TC email Ike for discount https://CanaryCry.Support   Send address and shirt size updates to canarycrysupplydrop@gmail.com Join the Canary Cry Roundtable This Episode was Produced By:   Executive Producers Sir Igorious Baron of the Squatting Slavs*** Rebecca T*** Sir LX Protocol Baron of the Berrean Protocol*** Sir Jamey Not the Lanister*** Michael B*** Anonymous*** Cage Rattler Coffee***   Producers of TREASURE (CanaryCry.Support) Sir Darrin Knight of the Hungry Panda's, Producer Claudia B, Jared M, Rebecca T, Tracy W, Armondo A, Cage Rattler Coffee, Amy W, Sir Casey the Shield Knight   Producers of TIME Timestampers: Jade Bouncerson, Morgan E Clankoniphius Links: JAM   SUPPLY DROP Calendar and Goldback bonus to new sign ups Cage Rattler Coffee       UFOs 7:26 Retired Air Force official McCasland missing (Fox) → Wikipedia page references UFO connection (Wikipedia)   WW3 42:26 OPERATION EPIC FURY Clip: Gen. Dan Caine gives operation epic fury rundown (X) Clip: Iran war could go 4-5 weeks, "we wont get bored" (X)   Timing of US-Israel attack on Iran bears symbolic meaning in Judaism as Netanyahu references holiday of Purim (CNN)   333 blood moon (Space.com) AKA the "worm" Moon (Almanac) Most Notable 2026 Astronomical Events: A Year of Watching the Skies (NASA) Post: Square and Compass sky in Gonz' backyard   Clip: Bombing Iran and Biblical Prophecy - John Haggee (X) Clip: Kim Clement - long time ago (X) Clip: Greg Laurie says rapture is next (X)   Clip: insert clip of Iranian Baal Burning Clip: Iranian says "we're fighting the Epstein class" (X) Operation Epstein fury? (x)   Iran declares jihad (Telegraph)  Clip: Pete Hegseth says US ready for sleeper cell attacks (X)  ShatterTheDarkness.net   FBI: FBI investigating 'potential nexus to terrorism' in 6th Street shooting that left two dead, 14 injured | Shooter also killed (KVUE) Clip: Mass shooter at Austin Texas bar wearing "Property of Allah" hoodie (X/Raw Alerts)   PORTALS/GATES OF THE GODS 2:41:07 Clip: Portals in the forest? On News Nation! (X)  → The alleged location of the portal (X)    Tim Dillon on OpenAI thinking they are summoning Sumerian gods (X) → Some believe Osiris was an ancient AI (X)    EXECUTIVE PRODUCERS  TALENT/TIME END 3:13:02

Mazel morons! This week we welcome Dr. Craig Koniver (Josh's wellness wizard- not the Southern Charm star) to break down peptides, GLP-1s, methylene blue, muscle loss myths, and why half the internet is buying research-grade chemicals with “not for human use” on the label. Plus: bungalow discourse, Jewish kiddush engineering, microdosing Judaism, Botox myths, hair loss panic, and why Ben once accidentally did ketamine in a bathroom for 90 minutes. What are ya nuts?!Write in your questions to goodguyspodcast1@gmail.com!Follow us on Instagram and TikTok! Sponsors:Grab Goodwipes for free at Walmart so you can upgrade your restroom routine! Buy any one, two or three pack in Walmart or Walmart.com, text them your receipt, and get reimbursed almost immediately. For more details, head to goodwipes.com/GOODGUYS.Right now, Mizzen & Main is offering our listeners 20% off your first purchase at mizzenandmain.com, promo code goodguys20Please note that this episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this episode.Produced by Dear Media.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

How do you build a creative life that spans music, writing, film, and spiritual practice? Alicia Jo Rabins talks about weaving multiple creative strands into a sustainable career and why the best advice for any creator might simply be: just make the thing. In the intro, backlist promotion strategy [Written Word Media]; Successful author business [Novel Marketing Podcast]; Alliance of Independent Authors Indie Author Bookstore; Bones of the Deep – J.F. Penn This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Alicia Jo Rabins is an award-winning writer, musician, performer, as well as a Torah teacher and ritualist. She's the creator of Girls In Trouble, a feminist indie-folk song cycle about biblical women, and the award-winning film, A Kaddish for Bernie Madoff. Her latest book is a memoir, When We Are Born We Forget Everything. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Building a sustainable multi-disciplinary creative career through teaching, performance, grants, and donations Trusting instinct in the early generative stages of creativity and separating generation from editing Adapting and reimagining religious and cultural source material through music, writing, and performance The challenges of transitioning from poetry to long-form prose memoir, including choosing a lens for your story Making an independent film on a shoestring budget without waiting for Hollywood's permission Finding your creative voice and building confidence by leaning into vulnerability and returning to the practice of making You can find Alicia at AliciaJo.com. Transcript of the interview with Alicia Jo Rabins Joanna: Alicia Jo Rabins is an award-winning writer, musician, performer, as well as a Torah teacher and ritualist. She's the creator of Girls In Trouble, a feminist indie-folk song cycle about biblical women, and the award-winning film, A Kaddish for Bernie Madoff. Her latest book is a memoir, When We Are Born We Forget Everything. So welcome to the show, Alicia. Alicia: Thank you so much. I'm delighted to be here. Joanna: There is so much we could talk about. But first up— Tell us a bit more about you and how you've woven so many strands of creativity into your life and career. Alicia: Yes, well, I am a maximalist. What happened in terms of my early life is that I started writing on my own, just extremely young. I'm one of those people who always loved writing, always processed the world and managed my emotions and came to understand myself through writing. So from a very young age, I felt really committed to writing. Then I had the good fortune that my mother saw a talk show about the Suzuki method of learning violin—when you start really young and learn by ear, which is modelled after language learning. It's so much less intellectual and much more instinctual, learning by copying. She was like, that looks like a cool thing. I was three years old at the time and she found out that there was a little local branch of our music conservatory that had a Suzuki violin programme. So when I was three and a half, getting close to four, she took me down and I started playing an extremely tiny violin. Joanna: Oh, cute! Alicia: Yes, and because it was part of this conservatory that was downtown, and we were just starting at the suburban branch where we lived, there was this path that I was able to follow. As I got more and more interested in violin, I could continue basically up through the conservatory level during high school. So I had a really fantastic music education without any pressure, without any expectations or professional goals. I just kept taking these classes and one thing led to another. I grew up being very immersed in both creative writing and music, and I think just having the gift of those two parts of my brain trained and stimulated and delighted so young really changed my brain in some ways. I'll always see the world through this creative lens, which I think I'm also just set up to do personally. Then the last step of my multi-practice career is that in college I got very interested in Jewish spirituality. I'm Jewish, but I didn't grow up very religious. I didn't grow up in a Jewish community really. So I knew some basics, but not a ton. In college I started to study it and also informally learned from other people I met. I ended up going on a pretty intense spiritual quest, going to Jerusalem and immersing myself after college for two years in traditional Jewish study and practice. So that became the third strand of the braid that had already been started with music and writing. Torah study, spiritual study, and teaching became the third, and they all interweave. The last thing I'll say is that because I work in both words and music, and naturally performance because of music, it began to branch a little bit into plays, theatre, and film, just because that's where the intersection of words, performance, and music is. So that's really what brought me into that, as opposed to any specific desire to work in film. It all happened very organically. Joanna: I love this. This is so cool. We are going to circle back to a lot of this, but I have to ask you— What about work for money at any point? How did this turn into more than just hobbies and lifestyle? Alicia: Yes, absolutely. Well, I'm very fortunate that I did not graduate college with loans because my parents were able to pay for college. That was a big privilege that I just want to name, because in the States that's often not the case. So that allowed me to need to support myself, but not also pay loans, which was a real gift. What happened was I went straight from college to that school in Jerusalem, and there I was on loans and scholarship, so I didn't have to worry yet about supporting myself. Then when I came back to the States, I actually found on Craigslist a job teaching remedial Hebrew. It was essentially teaching kids at a Jewish elementary school who either had learning differences or had just entered the school late and needed to be in a different Hebrew class than the other kids in their grade. That was my first experience of really teaching, and I just absolutely fell in love with it. Although in the end, my passion is much more for teaching the text and rituals and the wrestling with the concepts, as opposed to teaching language. So all these years, while doing performance and writing and all these things, I have been teaching Jewish studies. That has essentially supported me, I would say, between 50 and 70 per cent. Then the rest has been paid gigs as a musician, whether as a front person leading a project or as what we call a sideman, playing in someone else's band. Sometimes doing theatre performances, sometimes teaching workshops. That's how I've cobbled it together. I have not had a full-time job all these years and I have supported myself through both earned income and also grants and donations. I've really tried to cultivate a little bit of a donor base, and I took some workshops early on about how to welcome donations. So I definitely try to always welcome that as well. Joanna: That is so interesting that you took a workshop on how to welcome donations. Way back in, I think 2013, I said on this show, I just don't know if I can accept people giving to support the show. Then someone on the podcast challenged me and said, but people want to support creatives. That's when I started Patreon in 2014. It was when The Art of Asking by Amanda Palmer came out and— It was this realisation that people do want to support people. So I love that you said that. Alicia: It's not easy. It's still not easy for me, and I have to grit my teeth every time I even put in my end-of-year newsletter. I just say, just a reminder that part of what makes this possible is your generous donations, and I'm so grateful to you. It's not easy. I think some people enjoy fundraising. I certainly don't instinctively enjoy it, but I have learned to think of it exactly the way that you're saying. I mean, I love donating to support other people's projects. Sometimes it's the highlight of my day. If I'm having a bad day and someone asks for help, either to feed a family or to complete a creative project, I just feel like, okay, at least I can give $36 or $25 and feel like I did something positive in the last hour, even if my project is going terribly and I'm in a fight with my kid or something. So I have to keep in mind that it is actually a privilege to give as well as a privilege to receive. Joanna: Absolutely. So let's get back into your various creative projects. The first thing I wanted to ask you, because you do have so many different formats and forms of your creativity—how do you know when an idea that comes to you should be a song, or something you want to do as a performance, or written, or a film? Tell us a bit about your creative process. Because a lot of your projects are also longer-term. Alicia: Yes. It's funny, I love planning and in some ways I'm an extreme planner. I really drive people in my family bonkers with planning, like family vacations a year in advance. In terms of my creativity, I'm very planful towards goals, but in that early generative state, I am actually pure instinct. I don't think I ever sit down and say, “I have this idea, which genre would it match with?” It's more like I sit on my bed and pick up my guitar, which is where I love to do songwriting, just sitting on my bed cross-legged, and I pick up my guitar and something starts coming out. Then I just work with that kernel. So it's very nebulous at first, very innate, and I just follow that creative spirit. Often I don't even know what a project is, sometimes if it's a larger project, until a year or two in. Once things emerge and take shape, then my planning brain and my strategy brain can jump on it and say, “Okay, we need three more songs to fill out the album, and we need to plan the fundraising and the scheduling.” Then I might take more of an outside-in approach. At the beginning it's just all instinct. Joanna: So if you pick up your guitar, does that mean it always starts in music and then goes into writing? Or is that you only pick up a guitar if it's going to be musical? Alicia: I think I'm responding to what's inside me. It's almost like a need, as opposed to, “I'm going to sit down and work.” I mean, obviously I sit down and work a lot, but I think in that early stage of anything, it's more like my fingers are itching to play something, and so I sit down and pick up my guitar. Sometimes nothing comes out and sometimes the kernel of a song comes out. Or I'm at a café, and I often like to write when I'm feeling a little bit discombobulated, just to go into the complexity of things or use challenging emotions as fuel. I really do use it as a—I don't know if therapeutic is the word, but I think it maybe is. I write often, as I always have, as I said before, to understand what I'm thinking. Like Joan Didion said—to process difficult emotions, to let go of stuck places. So I think I create almost more out of a sense of just what I need in the moment. Sometimes it's just for fun. Sometimes picking up a guitar, I just have a moment so I sit down and mess around. Sometimes it's to help me struggle with something. It doesn't always start in music. That was a random example. I might sit down to write because I have an hour and I think, I haven't written in a while. Or I do have an informal daily writing thing where I'll try to generate one loose draft of something a day, even if it's only ten pages. I mean, sorry, ten words. Joanna: I was going to say! Alicia: No, no. Ten words. I'm sorry. It's often poetry, so it feels like a lot when it's ten words. I'll just sit down with no pressure, no goal, no intention to make anything specific. Just open the floodgates and see what comes out. That's where every single project of mine has started. Joanna: Yes, I do love that. Obviously, I'm a discovery writer and intuitive, same as you. I think very much this idea of, especially when you said you feel discombobulated, that's when you write. I almost feel like I need that. I'm not someone who writes every day. I don't do ten lines or whatever. It's that I'll feel that sense of pressure building up into “this is going to be something.” I will really only write or journal when that spills over into— “I now need to write and figure out what this is.” Alicia: Yes. It's almost a form of hunger. It feels to me similar to when you eat a great meal and then you're good for a while. You're not really thinking of it, and then it builds up, like you said, and then there's a need—at least the first half of creativity. I really separate my generation and my editing. So my generative practice is all openness, no critique, just this maybe therapeutic, maybe curious, wandering and seeing what happens. Then once I have a draft, my incisive editing mind is welcome back in, which has been shut out from that early process. So that's a really different experience. Those early stages of creativity are almost out of need more than obligation. Joanna: Well, just staying with that generative practice. Obviously you've mentioned your study of and practice of Jewish tradition and Jewish spirituality. Steven Pressfield in his books has talked about his prayer to the muse, and I've got on my wall here—I don't talk about this very often, actually — I have a muse picture, a painting of what I think of as a muse spirit in some form. So do you have any spiritual practices around your generative practice and that phase of coming up with ideas? Alicia: I love that question, and I wish I had a beautiful, intentional answer. My answer is no. I think I experience creativity as its own spiritual practice itself. I do love individual prayer and meditation and things like that, but for me those are more to address my specifically spiritual health and happiness and connectedness. I'm just a dive-in kind of person. As a musician, I have friends who have elaborate backstage rituals. I have to do certain things to take care of my voice, but even that, it's mostly vocal rest as opposed to actively doing things. There's a bit of an on/off switch for me. Joanna: That's interesting. Well, I do want to ask you about one of your projects, this collaboration with a high school on a musical performance, I Was a Desert: Songs of the Matriarchs, and also your Girls in Trouble songs about women in the Torah. On your website, I had a look at the school, the high school, and the musical performance. It was extraordinary. I was watching you in the school there and it's just such extraordinary work. It very much inspired me—not to do it myself, but it was just so wonderful. I do urge people to go to your website and just watch a few minutes of it. I'm inspired by elements of religion, Christian and Jewish, but I wondered if you've come up against any issues with adaptation—respecting your heritage but also reinventing it. How has this gone for you. Any advice for people who want to incorporate aspects of religion they love but are worried about responses? Alicia: Well, I have to say, coming from the Jewish tradition, that is a core practice of Judaism—reinterpreting our texts and traditions, wrestling with them, arguing with them, reimagining them. I don't know if you're familiar with Midrash, but just in case some of your listeners aren't sure I'll explain it. There's essentially an ancient form of fanfic called Midrash, which was the ancient rabbis, and we still do it today, taking a biblical story that seems to have some kind of gap or inconsistency or question in it and writing a story to fill that gap or recast the story in an interestingly different light. So we have this whole body of literature over thousands of years that are these alternate or added-on adventures, side quests of the biblical characters. What I'm doing from a Jewish perspective is very much in line with a traditional way of interacting with text. I've certainly never gotten any pushback, especially as I work in progressive Jewish communities. I think if I were in an extremely fundamentalist community, there would be a lot of different issues around gender and things like that. The interpretive process, even in those communities, is part of how we show respect for the text. When I was working with the high school—and I just want to call out the choir director, Ethan Chen, who has an incredible project where he brings in a different artist every two years to work with the choir, and they tend to have a different cultural focus each time. He invited me specifically to integrate my songwriting about biblical women with his amazing high school choir. I was really worried at first because most of them are not Jewish—very few of them, if any. I wanted to respect their spiritual paths and their religious heritages and not impose mine on them. So I spent a lot of time at the beginning saying, this project has religious source material, but essentially it is a creative reinterpretive project. I am not coming to you to bring the religious material to you. I'm coming to take the shared Hebrew Bible myths and then reinterpret those myths through a lens of how they might reflect our own personal struggles, because that's always my approach to these ancient stories. I wanted to really make that clear to the students. It was such a joy to work with them. Joanna: It's such an interesting project. Also, I find with musicians in general this idea of performance. You've written this thing—or this thing specifically with the school—and it doesn't exist again, right? You're not selling CDs of that, I presume. Whereas compared to a book, when we write a book, we can sell it forever. It doesn't exist as a performance generally for an author of a memoir or a novel. It carries on existing. So how does that feel, the performance idea versus the longer-lasting thing? I mean, I guess the video's there, but the performance itself happened. Alicia: I do know what you mean. Absolutely. We did, for that reason, record it professionally. We had the sound person record it and mix it, so it is available to stream. I'm not selling CDs, but it's out there on all the streaming services, if people want to listen. I do also have the scores, so if a choir wanted to sing it. The main point that you're making is so true. I think there's actually something very sacred about live performance—that we're all in the moment together and then the moment is over. I love the artefacts of the writing life. I love writing books. I love buying and reading books and having them around, and there's piles of them everywhere in this room I'm standing in. I feel like being on stage, or even teaching, is a very spiritual practice for me, because it's in some ways the most in-the-moment I ever am. The only thing that matters is what's happening right then in that room. It's fleeting as it goes. I'm working with the energy in the room while we're there. It's different every time because I'm different, the atmosphere is different, the people are different. There's no way to plan it. The kind of micro precision that we all try to bring to our editing—you can't do that. You can practice all you want and you should, but in the moment, who knows? A string breaks or there's loud sound coming from the other room. It is just one of those things. I love being reminded over and over again of the truth that we really don't control what happens. The best that we can do is ride it, surf it, be in it, appreciate it, and then let it go. Joanna: I think maybe I get a glimpse of that when I speak professionally, but I'm far more in control in that situation than I guess you were with—I don't know how many—was it a hundred kids in that choir? It looked pretty big. Alicia: It was amazing. It was 130 kids. Yes. Joanna: 130 kids! I mean, it was magic listening to it. And yes, of course, showing my age there with buying a CD, aren't I? Alicia: Well, I do still sell some CDs of Girls in Trouble on tour, because I have a bunch of them and people still buy them. I'm always so grateful because it was an easier life for touring musicians when we could just bring CDs. Now we have to be very creative about our merch. Joanna: Yes, that's a good point because people are like, “Oh yes, I'll scan your QR code and stream it,” but you might not get the money for that for ages, and it might just be five cents or whatever. Alicia: Streaming is terrible for live musicians. I mean, I don't know if you know the site Bandcamp, but it's essentially self-publishing for musicians. Bandcamp is a great way around that, and a lot of independent musicians use it because that's a place you can upload your music and people can pay $8 for an album. They can stream it on there if they want, or they can download it and have it. But, yes, it's hard out there for touring musicians. Joanna: Yes, for sure. Well, let's come to the book then. Your memoir, When We Are Born We Forget Everything. Tell us about some of the challenges of a book as opposed to these other types of performances. Alicia: Well, I come out of poetry, so that was my first love. That's what I majored in in college. That's what my MFA is in. Poetry is famously short, and I'm not one of those long-form poets. I have been trained for many years to think in terms of a one-page arc, if at all. Arc isn't even really a word that we use in poetry. So to write a full-length prose book was really an incredible education. Writing it basically took ten years from writing to publication, so probably seven years of writing and editing. I felt like there was an MFA-equivalent process in the number of classes I took, books I read, and work that went into it. So that was one of my main joys and challenges, really learning on the job to write long-form prose coming out of poetry. How to keep the engine going, how to think about ending one chapter in a way that leaves you with some torque or momentum so that you want to go into the next chapter. How many characters is too many? Who gets names and who doesn't? Some of these things that are probably pretty basic for fiction writers were all very new to me. That was a big part of my process. Then, of course, poets don't usually have agents. So once it was done, I began to query agents. It was the normal sort of 39 rejections and then one agent who really understood what I was trying to do. She's incredible, and she was able to sell the book. The longevity of just working on something for that long—I have a lot of joy in that longevity—but it does sometimes feel like, is this ever going to happen, or am I on a fool's errand? Joanna: I guess, again, the difference with performance is you have a date for the performance and it's done then. I suppose once you get a contract, then for sure it has to be done. But memoir in particular, you do have to set boundaries, because of course your life continues, doesn't it? So what were the challenges in curating what went into the book? Because many people listening know memoir is very challenging in terms of how personal it can be. Alicia: Yes, and one thing I think is so fascinating about memoir is choosing which lens to put on your story, on your own story. I heard early on that the difference between autobiography and memoir is that autobiography tries to give a really comprehensive view of a life, and memoir is choosing one lens and telling the story of a life through that lens, which is such a beautiful creative concept. I knew early on that I wanted this to be primarily a spiritual memoir, and also somewhat of an artistic memoir, because my creativity and my spirituality are so intertwined. It started off being spiritual, and also about my musical life, and also about my writing life. In the end, I edited out the part about my writing life, because writing about writing was just too navel-gazing. So there's nothing in there about me coming of age as a writer, which used to be in there, but that whole thing got taken out. Now it's spiritual and musical. For me, it really helped to start with those focuses, because I knew there may be things that were hugely important in my life, absolutely foundational, that were not really going to be either mentioned or gone deeply into in the book. For example, my husband teases me a lot about how few pages and words he gets. He's very important in my life, but I actually met him when I was 29, and this book really mainly takes place in the years leading up to that. There's a little bit of winding down in the first few years of my thirties, but this is not a book about my life with him. He is mentioned in it. That story is in there. Having those kinds of limitations around the canvas—there's a quote, I forget if it was Miranda July, but somebody said something like, basically when you put a limitation on your project, that's when it starts to be a work of art. Whatever it is, if you say, “I'm taking this canvas and I'm using these colours,” that's when it really begins, that initial limitation. That was very helpful. Joanna: It's also the beauty of memoir, because of course you can write different memoirs at different times. You can write something about your writing life. You can write something else about your marriage and your family later on. That doesn't all have to be in one book. I think that's actually something I found interesting. And I would also say in my memoir, Pilgrimage, my husband is barely mentioned either. Alicia: Does he tease you too? Joanna: No, I think he's grateful. He is grateful for the privacy. Alicia: That's why I keep saying, you should be grateful! Joanna: Yes. You really should. Like, maybe stop talking now. Alicia: Yes, exactly. I know. Marriage, memoir—those words should strike fear into his heart. Joanna: They definitely should. But let's just come back. When I look at your career— You just seem such an independent creative, and so I wondered why you decided to work with a traditional publisher instead of being an independent. How are you finding it as someone who's not in charge of everything? Alicia: It's a great question. The origin story for this memoir is that I was actually reading poetry at a writing conference called Bread Loaf in the States. This was 16 years ago or something. I was giving a poetry reading and afterwards an agent, not my agent, came up to me and said, you know, you have a voice. You should try writing nonfiction because you could probably sell it. Back to your question about how I support myself, I am always really hustling to make a living. It's not like I have some separate well-paying job and the writing has no pressure on it. So my ears kind of perked up. I thought, wait, getting paid for writing? Because poetry is literally not in the world. It's just not a concept for poets. That's not why we write and it's not a possibility. So a little light turned on in my brain. I thought, wow, that could be a really interesting element to add to my income stream, and it would be flexible and it would be meaningful. For a few years I thought, what nonfiction could I write? And I came up with the idea of writing a book about biblical women from a more scholarly perspective, because I teach that material and I've studied it. I went to speak to another agent and she said, well, you could do that, but if you actually want to sell a book, it's going to have to be more of a trade book. So if you don't want an academic press, which wouldn't pay very much, you would have to have some kind of memoir-like stories in there to just sweeten it so it doesn't feel academic. So then I began writing a little bit of spiritual memoir. I thought, okay, well, I'll write about a few moments. Then once I started writing, I couldn't stop. The floodgates really opened. That's how it ended up being a spiritual memoir with interwoven stories of biblical women. It became a hybrid in that sense. I knew from the beginning that this project—for all my saying earlier that I never plan anything and only work on instinct, I was thinking as I said that, that cannot be true. This time, I actually thought, what if, instead of coming from this pure, heart-focused place of poetry, I began writing with the intention of potentially selling a book? The way my fiction writer friends talked about selling their books. So that was always in my mind. I knew I would continue writing poetry, continue publishing with small presses, continue putting my own music out there independently, but this was a bit of an experiment. What if I try to interface with the publishing world, in part for financial sustainability? And because I had a full draft before I queried, I never felt like anyone was telling me what to write. I can't imagine personally selling a book on proposal, because I do need that full capacity to just swerve, change directions, be responsive to what the project is teaching me. I can't imagine promising that I'll write something, because I never know what I'll write. But writing at least a very solid draft first, I'm always delighted to get notes and make polish and rewrite and make things better. I took care of that freedom in the first seven years of writing and then I interfaced with the agent and publisher. Joanna: I was going to say, given that it's taken you seven to ten years to do this and I can't imagine that you're suddenly a multimillionaire from this book. It probably hasn't fulfilled the hourly rate that perhaps you were thinking of in terms of being paid for your work. I think some people think that everyone's going to end up with the massive book deal that pays for the rest of their life. I guess this book does just fit into the rest of your portfolio career. Alicia: Yes. One of the benefits of these long arcs that I like to work on is, one of them—and probably the primary one—is that the project gets to unfold on its own time. I don't think I could have rushed it if I wanted. The other is that it never really stopped me from doing any of my other work. Joanna: Mm-hmm. Alicia: So it's not like, oh, I gave up months of my life and all I got was this advance or something. It's like, I was living my life and then when I had a little bit of writing time—and I will say, it impacted my poetry. I haven't written as much poetry because I was working on this. So it wasn't like I just added it on top of everything I was already doing, but it was a pleasure to just switch to prose for a while. It was just woven into my life. I appreciated having this side project where no one was waiting for it. There were no deadlines, there was no stress around it, because I always have performances to promote and due dates for all kinds of work. It was just this really lovely arena of slow growth and play. When I wanted a reader, I could do a swap with a writer friend, but no one was ever waiting for it on deadline. So there's actually a lot of pleasure in that. Then I will say, I think I've made more from selling this than my poetry. Probably close to ten times more than I've ever made from any of my poetry. So on a poetry scale, it's certainly not going to pay for my life, but it actually does make a true financial difference in a way that much of my other work is a little more bit by bit by bit. It's actually a different scale. Joanna: Well, that's really good. I'm glad to hear that. I also want to ask you, because you've done so many things, and— I'm fascinated by your independent film, A Kaddish for Bernie Madoff. I have only watched the trailer. You are in it, you wrote it, directed it, and it's also obviously got other people in, and it's fascinating. It's about this particular point in history. I've written quite a lot of screenplay adaptations of my novels, and I've had some various amounts of interest, but the whole film industry to me is just a complete nightmare, far bigger nightmare than the book industry. So I wonder if you could maybe talk about this, because it just seems like you made a film, which is so cool. Alicia: Oh yes, thank you. Joanna: And it won awards, yes, we should say. Alicia: Did we win awards? Yes. It really, for an extremely low-budget indie film, went far further than my team and I could ever have imagined. I will say I never intended to make a film. Like most of the best things in my life, it really happened by accident. When I was living in New York— I lived there for many years—the 2008 financial collapse happened and I happened to have an arts grant that gave a bunch of artists workspace, studio space, in essentially an abandoned building in the financial district. It was an empty floor of a building. The floor had been left by the previous tenant, and there's a nonprofit that takes unused real estate in the financial district and lets artists work in it for a while. So I was on Wall Street, which was very rare for me, but for this year I was working on Wall Street. Even though I was working on poems, the financial collapse happened around me, and I did get inspired by that to create a one-woman show, which was more of a theatre show. That was already a huge leap for me because I had no real theatre experience, but it was experimental and growing out of my poetry practice and my music. It was a musical one-woman show about the financial collapse from a spiritual perspective, apparently. So I performed that. I documented it, and then a friend who lives in Portland, Oregon, where I now live, said, “I'm a theatre producer, I'd like to produce it here.” So then I rewrote it and did a run here in Portland of that show. Essentially, I started to tour it a little bit, but I got tired of it. It was too much work and it never really paid very much, and I thought, this is impacting my life negatively. I just want to do a really good documentation of the show. So I wanted to hire a theatre documentarian to just document the show so that it didn't disappear, like you were saying before about live performance. But one of the people I talked to actually ended up being an artistic filmmaker, as opposed to a documentarian. She watched the archival footage, just a single camera of the show, and said, “I don't think you should do this again and film it with three cameras. I think you should make it into a feature film. And in fact, I think maybe I should direct it, because there's all this music in it and I also direct music videos.” We had this kind of mind meld. Joanna: Mm. Alicia: I never intended to make a film, but she is a visionary director and I had this piece of IP essentially, and all the music and the writing. We adapted it together. We did it here in Portland. We did all the fundraising ourselves. We did not interface with Hollywood really. I think that would be, I just can't imagine. I love Hollywood, but I'm not really connected, and I can't imagine waiting for someone to give us permission or a green light to make this. It was experimental and indie, so we just really did it on the cheap. We had an amazing producer who helped us figure out how to do it with the budget that we had. We worked really hard fundraising, crowdfunding, asking for donations, having parties to raise money, and then we just did it and put it out there. I think my main advice—and I hear this a lot on screenwriting podcasts—is just make the thing. Make something, as opposed to trying to get permission to make something. Because unless you're already in that system, it's going to be really hard to get permission to make it. Once you make something, that leads to something else, which leads to something else. So even if it's a very short thing, or even if it's filmed on your phone, just actually make the thing. That turned out to be the right thing for us. Joanna: Yes, I mean, I feel like that is what underpins us as independent creatives in general. As an independent author, I feel the same way. I'm never asking permission to put a book in the world. No, thank you. Alicia: Exactly. We have a vision and we do it. It's harder in some ways, but that liberation of being able to really fully create our vision without having to compromise it or wait for permission, I think it's such a beautiful thing. Joanna: Well, we're almost out of time, but I do want to ask you about creative confidence. Alicia: Hmm. Joanna: I feel I'm getting a lot of sense about this at the moment, with all the AI stuff that's happening. When you've been creating a long time, like you and I have, we know our voice and we can lean into our voice. We are creatively confident. We'll fail a lot, but we'll just push on and try things and see what happens. Newer creators are struggling with this kind of confidence. How do I know what is my voice? How do I know what I like? How do I lean into this? So give us some thoughts about how to find your voice and how to find that creative confidence if you don't feel you have it. Alicia: I love that. One thing I will say is that I always think whatever is arising is powerful material to create from. So if a lack of confidence is arising, that's a really powerful feeling to directly explore and not just try to ignore. Although sometimes one has to just ignore those feelings. But to actually explore that feeling, because AI can't have that, right? AI can't really feel a crisis of confidence, and humans can. So that's a gift that we have, those kinds of sensitivities. I think to go really deep into whatever is arising, including the sense that we don't have the right to be creating, or we're not good enough, or whatever it is. Then I always do come back to a quote. I think it might have been John Berryman, but I'm forgetting which poet said it. A younger poet said, “How will I ever know if I'm any good?” And this famous poet said something like—I'm paraphrasing—”You'll never know if you're any good. If you have to know, don't write.” That has been really liberating to me, actually. It sounds a little harsh, but it's been really liberating to just let go of a sense of “good enough.” There is no good enough. The great writers never know if they're good enough. Coming back to this idea of just making without permission—the practice of doing the thing is being a writer. Caring and trying to improve our craft, that's the best that we can have. There's never going to be a moment where we're like, yes, I've nailed this. I am truly a hundred per cent a writer and I have found my voice. Everything's always changing anyway. I would say, either go into those feelings or let those feelings be there. Give them a little tea. Tell them, okay, you're welcome to be here, but you don't get to drive the boat. And then return to the practice of making. Joanna: Absolutely. Great. So where can people find you and your books and everything you do online? Alicia: Everything is on my website, which is AliciaJo.com, and also on Instagram at @ohaliciajo. I'd love to say hello to anyone who's interested in similar topics. Joanna: Brilliant. Well, thanks so much for your time, Alicia. That was great. Alicia: Thank you. I love your podcast. I'm so grateful for all that you've given the writing world, Jo.The post Creative Confidence, Portfolio Careers, And Making Without Permission with Alicia Jo Rabins first appeared on The Creative Penn.

In this episode of the Jewish Inspiration Podcast, Rabbi Aryeh Wolbe shares a profound insight on Parshas Tetzaveh, inspired by a D'var Torah from Rabbi Blachman (Jerusalem). The Parsha describes the High Priest's vestments twice mentioning the names of the 12 tribes: once on the Choshen (breastplate) with individual stones over the heart, and again on the Avnei Shoham (shoulder stones of remembrance). Why the duplication? The sages explain it as a model for every Jew, especially the Kohen: the heart must first hold deep love and concern for every fellow Jew (as exemplified by Aharon, the ultimate lover and pursuer of peace – ohev shalom v'rodef shalom), feeling their pain and joy internally. But love alone is insufficient; the shoulders must carry their burdens – sharing grief, challenges, and responsibilities as one's own ("you're my brother, you ain't heavy").Rabbi Wolbe illustrates this with stories: Aharon reconciling disputants through empathy; Reb Chaim Shmulevitz's Yom Kippur teaching that one who hasn't lost sleep over the Jewish people's spiritual/physical plight has no business praying; feeling Hashem's "pain" over estranged children; carrying joy (dancing alone for a distant student's wedding); and practical empathy (e.g., yellow ribbons for hostages as reminders to feel others' pain). He stresses avoiding desensitization in a news-saturated world, pursuing peace without quarrels (a Kohen in conflict couldn't serve), and living beyond oneself – feeling others' burdens while maintaining joy (as the Shechinah rests only in simcha). The episode ends with a discussion on positive communication (e.g., the Still Face experiment, praise boosting performance) and responding to children's needs through listening rather than waiting for tantrums._____________This Podcast Series is Generously Underwritten by Peter & Becky BotvinRecorded at TORCH Centre in the Levin Family Studios (B) to a live audience on February 27, 2026, in Houston, Texas.Released as Podcast on March 2, 2026_____________Listen, Subscribe & Share: Apple Podcasts: https://podcasts.apple.com/us/podcast/jewish-inspiration-podcast-rabbi-aryeh-wolbe/id1476610783Spotify: https://open.spotify.com/show/4r0KfjMzmCNQbiNaZBCSU7) to stay inspired! Share your questions at aw@torchweb.org or visit torchweb.org for more Torah content.  _____________About the Host:Rabbi Aryeh Wolbe, Director of TORCH in Houston, brings decades of Torah scholarship to guide listeners in applying Jewish wisdom to daily life.  To directly send your questions, comments, and feedback, please email: awolbe@torchweb.org_____________Support Our Mission:Our Mission is Connecting Jews & Judaism. Help us spread Judaism globally by sponsoring an episode at torchweb.org.Your support makes a HUGE difference!_____________Listen MoreOther podcasts by Rabbi Aryeh Wolbe: NEW!! Hey Rabbi! Podcast: https://heyrabbi.transistor.fm/episodesPrayer Podcast: https://prayerpodcast.transistor.fm/episodesJewish Inspiration Podcast: https://inspiration.transistor.fm/episodesParsha Review Podcast: https://parsha.transistor.fm/episodesLiving Jewishly Podcast: https://jewishly.transistor.fm/episodesThinking Talmudist Podcast: https://talmud.transistor.fm/episodesUnboxing Judaism Podcast: https://unboxing.transistor.fm/episodesRabbi Aryeh Wolbe Podcast Collection: https://collection.transistor.fm/episodesFor a full listing of podcasts available by TORCH at http://podcast.torchweb.org_____________Keywords:#JewishInspiration, #Parsha, #Tetzaveh, #Choshen, #Shoham, #Aharon, #Shalom, #CarryTheBurden, #KlalYisrael, #PursuePeace, #Empathy, #OneNationOneSoul, #JewishUnity ★ Support this podcast ★

This episode of the Meaningful People Podcast features Dovi Neuburger, a popular comedian and influencer who grew up as the son of a prominent rabbi and built his brand by poking at the frum world from the inside. In this conversation, he opens up about guilt over influencing younger followers, using religious culture as comedy material, and whether Jewish "inspiration" today is actually inspiration or just kosher entertainment. He challenges institutions, questions tuition, takes aim at the over-correction of emotional Judaism, and doesn't shy away from uncomfortable debates about shidduchim, schools, and community politics    It's funny, sharp, and at times confrontational. From Rabbi's son stereotypes to anti-Semitism content, from Thank You Hashem culture to whether kids should ever be thrown out of yeshiva, this episode doesn't tiptoe around anything. This episode was made possible thanks to our sponsors: ► PZ Deals   Download the app and never pay full price again!   https://app.pz.deals/install/mpp    _________________   ► Colel Chabad Pushka App   The easiest way to give Tzedaka   https://pushkapp.cc/meaningful   _________________   ► Batya Kitchen   150+ Gluten-Free, Non-Gebrokts Recipes, Make-Ahead Tips, Holiday Guides, and Everything You Need for a Calm, Beautiful Pesach. Order now on Amazon.   https://amzn.to/4a1S1x7   _________________   ► Ness Vacation Homes   EDEN GARDENS' LARGEST LUXURY HOME COLLECTION  Handpicked, high-end homes available exclusively through Ness. OPTIONAL PROGRAM-LEVEL PESACH EXPERIENCE  Upgrade your stay with a complete A–Z Pesach setup, including kitchen preparation, catered meals, and fully arranged details by Glatt Gourmet.   https://nessvacationhomes.com/   _________________   ►Rothenberg Law Firm   Personal Injury Law Firm For 50+ years! Reach out Today for Free Case Evaluation   https://shorturl.at/JFKHH   _________________   ► Town Appliance   Visit the website or message them on WhatsApp   https://www.townappliance.com https://bit.ly/Townappliance_whatsapp   

Saturday, 28 February 2026   And when they had come to the multitude, a man came to Him, kneeling down to Him and saying, Matthew 17:14   “And they, having come unto the crowd, he approached Him – man, knee-falling to Him, and saying...” (CG).   In the previous verse, it said that the disciples understood that Jesus was speaking of John the Baptist in His reference to Elijah. Next, it says, “And they, having come unto the crowd.”   Mark's gospel includes more detail, saying –   “And when He came to the disciples, He saw a great multitude around them, and scribes disputing with them. 15 Immediately, when they saw Him, all the people were greatly amazed, and running to Him, greeted Him. 16 And He asked the scribes, ‘What are you discussing with them?'” Mark 9:14-16   Luke's gospel includes the thought that this was the next day after descending the mountain. With Luke's reckoning, it could mean the next morning. That would square with the general statement by both Matthew and Mark that they descended the mountain and came upon what next transpires, which is, “he approached Him – man, knee-falling to Him, and saying...”   There is a new word, gonupeteó. It is derived from gonu, the knee, and an alternate form of piptó, to fall. Thus, it means he fell to his knees. As for what occurred, some texts finish this verse with the words, “and saying...” Other texts begin the next verse with those words.   Either way, a man has come and fallen before Jesus concerning an issue that has the disciples and the scribes disputing with one another.   Life application: Mark records that there was a dispute going on when Jesus and the others came to them. Though the matter of the dispute is not yet stated, we can learn from this. People dispute matters all the time concerning religion, theology, and doctrine.   Religious disputes require determining if what one believes corresponds with reality. In other words, we can know things about God even without the Bible. This is known as general revelation. When evaluating a religion, we need to see if the source of that religion corresponds with what we can know about God by using logic and reason.   Does the Bible match what general revelation tells us must be true about God? Does the Koran? Are there many gods or only one God? We can rather quickly whittle things down by understanding God's nature.   Once we have thrown out Islam, Hinduism, etc., we are left with only one possible religious source of what is true about God. That is the Bible. This is God's special source of revelation, telling us things we could not deduce from general revelation. From the Bible, we can do more whittling, using both general and special revelation.   Does the message of the Bible support Judaism? Does it support Mormonism or the doctrine of the Jehovah's Witnesses? This is important because if we have a faulty view of God, even though we are using the Bible to pursue Him, we still will not be right with Him.   Once we have tossed out the incorrect theologies, we are left with what is proper. However, there are still doctrinal issues that are debatable within what we might call “biblical Christianity,” meaning the proper path of pursuing God.   Again, where do we go to resolve these issues? The answer is “to the Bible alone.” The people came to Jesus, the Word of God, to settle a dispute. He has now left us with His testimony, the word of God, meaning the Bible. If you are having trouble with conflicting doctrines being placed before you, the Bible will be where you need to go.   Is salvation eternal? Some say yes, and some say no. The Bible will provide the answer. Is there a rapture? What is the timing of the rapture? And so on. These issues may be debatable, but only because one (or both) of the people is incorrectly teaching the doctrine. The Bible will have one correct answer.   The way to determine if a particular teaching is correct is to keep things in their proper context. One or both of those debating eternal salvation may not be applying the proper context. This is the way we end disputes in our minds. Think about God, think about how He has presented Himself, and then meditate on His word. In doing this, we will be on the right path as we pursue our relationship with Him.   Lord God, help us to have the desire and the gumption to read Your word. How easy it is to read books about the Bible. But those books may or may not be in accord with what is right. Rather than wasting so much time on books about the Bible, help us to find a proper balance in pursuing You, with the majority of our time being in Your word. Yes, help us in this, O God. Amen.

The sisters are THRILLED to build with their dear friend, Morgan Bassichis. Morgan is a comedian, musician, Anti-Zionist activist and writer who has been called “a tall child or, well, a big bird” by The Nation and “fiercely hilarious” by The New Yorker. Their show, Can I Be Frank? just won an Obie!The trio discuss finding the funny in the sad and tragic, the life of a Jewish artist fighting for Palestine, being brought up in the cult of 'it's complicated', the clarity of doing what we can to disentangle Judaism and Zionism, tapping into compassion, how haters can't make good art, shared power vs. siloed power and the precipice of something big happening in OUR lifetime.---⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TRANSCRIPT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠---⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUPPORT OUR SHOW⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Endoftheworldshow---HTS ESSENTIALS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUPPORT Our Show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Endoftheworldshow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PEEP us on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/endoftheworldpc/⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠

This week, Judaism Unbound is thrilled to feature the 3rd episode of Door to Door: A Pilgrimage Across Generations -- another podcast in Judaism Unbound's family of podcasts! ------------------------- Head to JudaismUnbound.com/classes to check out our up upcoming courses in the UnYeshiva! This time around we are offering courses on an Intro to Judaism (Judaism Inbound), the book of Genesis, the Magic & Medicine of Psalms, Jews and Revolution, and a Jewish embrace of Fatness! -------------------------- Door to Door is a deeply personal, five-part podcast series tracing one Jewish family's multigenerational pilgrimage from a once-lost home in Wachenbuchen, Germany, to the present-day echoes of inherited memory, trauma, and resilience. Told through archival recordings, family reflections, and emotional returns to ancestral ground, this podcast chronicles the survival of Simon—a Holocaust survivor taken to Buchenwald Concentration Camp during Kristallnacht—and the generations that followed him. It's a story shaped by suffering, but defined by rebuilding, remembrance, and an enduring commitment to legacy. Door to Door invites listeners to witness what it means to reclaim identity from the wreckage—and to carry forward the names, the stories, and the truths nearly erased. If you've ever felt the weight of inherited memory, or the pull to understand where you come from — subscribe to Door to Door wherever you get your podcasts. Let this be part of your story, too. We'd love to hear from you, so you can email us at miriam@judaismunbound.com or find us at: www.judaismunbound.com/door-to-door

WOW!!!

Praying at Moshiach's Door

Jewish law, known as halakhah, is a unique legal system that has developed over a period of nearly two millennia, across multiple continents, and in innumerable different contexts. Dealing not only with ritual, Jewish law extends to virtually every aspect of life including ethics, business, war, and sex. This Handbook highlights foundational questions about the nature of Jewish law, emphasizing what distinguishes it from other legal systems and illuminating its vitality throughout history. The Oxford Handbook of Jewish Law (Oxford UP, 2025) navigates core issues such as halakhah's authority, its interpretation, and the meaningfulness of an ancient legal system in a modern period. With contributions from an interdisciplinary cast of authors, the Handbook spans law, history, sociology, and religion. Its chapters draw from a wide range of sources, including traditional texts such as Mishnah and Talmud, rabbinical codes, and legal opinions known as responsa. Moreover, chapters addressing pressing modern issues cover the material from diverse denominational perspectives. As halakhah remains deeply woven into the fabric of Jewish life and scholarship, The Oxford Handbook of Jewish Law offers readers an in-depth understanding of this rich and enduring legal tradition. Zev Eleff is President and Professor of American Jewish history at Gratz College. Roberta Rosenthal Kwall is the Raymond P. Niro Professor at DePaul University College of Law. Chaim Saiman is Chair in Jewish Law at Villanova University Charles Widger School of Law. Geraldine Gudefin is a modern Jewish historian researching Jewish migrations, family life, and legal pluralism. She is currently a Visiting Scholar at the Centre for Asian Legal Studies at the National University of Singapore, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939. Mentioned in this episode: Ronit Irshai and Tanya Zion-Waldoks, Holy Rebellion: Religious Feminism and the Transformation of Judaism and Women's Rights in Israel (Brandeis University Press, 2024). Shari Rabin and Michael R. Cohen (eds.), The Oxford Handbook of American Jewish History (Oxford University Press, 2025). Roberta Rosenthal Kwall, Remix Judaism: Preserving Tradition in a Diverse World (‎Rowman & Littlefield Publishers, 2022). Chaim N. Saiman, Halakhah: The Rabbinic Idea of Law (Princeton University Press, 2018). Benjamin Steiner, Translating the Ketubah: The Jewish Marriage Contract in America and England (University Alabama Press, 2025). Essays from the Oxford Handbook of Jewish Law: Chapter 15: Chaim Saiman, “Formalism in Jewish Law.” Chapter 19: Roberta Rosenthal Kwall, “Lawmaking in the Conservative Movement: A Balance of Law and Norms.” Chapter 21: Arye Edrei, “The Impact of Zionism on Jewish Law.” Chapter 24: Rachel Levmore and Steven Gotlib, “Divorce and Agunah: Halakhic Responses to Modernity.” Chapter 30: Zev Eleff, “Judaism and the Modern Family.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Rabbi Amy Bernstein's weekly Torah study class via Zoom guest teacher Rabbi Daniel Sher - February 27, 2026.

In this episode of the Parsha Review Podcast, Rabbi Aryeh Wolbe delves into Parshas Tetzaveh, focusing on the garments (bigdei kehuna) of the Kohen Gadol (High Priest). He highlights the verse commanding Moshe to speak to the "wise-hearted" (chachmei lev) whom Hashem invests with wisdom to create these sacred vestments, questioning how former slaves in Egypt, unskilled in craftsmanship, could suddenly excel. The key insight: True wisdom stems from a deep desire (ratzon) for it, not prior education or skills—Hashem grants wisdom to those who seek it passionately, as per the Mishnah's definition of wisdom as learning from everyone without prejudice.Rabbi Wolbe illustrates this with modern and historical examples: Elon Musk's rapid mastery of cars and rockets despite no prior knowledge, driven by insatiable curiosity; Reb Elyashiv's fervent Torah study at age 102; Rav Moshe Feinstein's multiple completions of the Talmud (101 times, four cycles); and a Talmudic story responding to a Roman noblewoman's query on why wisdom goes to the wise—they're the ones who will use it productively. He contrasts this with mediocrity, urging never-ending pursuit of knowledge to avoid spiritual stagnation, and ties it to parenting: Instill a love for Torah from infancy (e.g., teaching "Torah Tziva Lanu Moshe" as first words) and encourage children's "why" questions to foster curiosity.The discussion extends to appreciating Hashem's daily miracles in nature (e.g., the apple's infinite potential), rejecting "mother nature" for divine command (mishpatei piv), and the Amidah's first request for wisdom. Ultimately, desire is the root of achievement—eternal in Torah vs. temporary in wealth or fame—warning against boredom leading to sin and advocating lifelong vitality through learning. He concludes with a blessing for wisdom-seeking and an amazing Shabbos._____________This episode of the Parsha Review Podcast is dedicated in honor of Lenny & Teresa FriedmanDownload & Print the Parsha Review Notes:https://drive.google.com/drive/folders/1ncaRyoH5iJmGGoMZs9y82Hz2ofViVouv?usp=sharingRecorded at TORCH Meyerland in the Levin Family Studios (B) to a live audience on February 24, 2026, in Houston, Texas.Released as Podcast on February 27, 2026_____________Subscribe: Apple Podcasts (https://podcasts.apple.com/us/podcast/parsha-review-podcast-rabbi-aryeh-wolbe/id1651930083)Spotify (https://open.spotify.com/show/22lv1kXJob5ZNLaAl6CHTQ) to stay inspired! Share your questions at awolbe@torchweb.org or visit torchweb.org for more Torah content.  _____________About the Host:Rabbi Aryeh Wolbe, Director of TORCH in Houston, brings decades of Torah scholarship to guide listeners in applying Jewish wisdom to daily life.  To directly send your questions, comments, and feedback: awolbe@torchweb.org_____________Support Our Mission:Help us share Jewish wisdom globally by sponsoring an episode at torchweb.org. Your support makes a difference!_____________Subscribe and Listen to other podcasts by Rabbi Aryeh Wolbe: NEW!! Hey Rabbi! Podcast: https://heyrabbi.transistor.fm/episodesPrayer Podcast: https://prayerpodcast.transistor.fm/episodesJewish Inspiration Podcast: https://inspiration.transistor.fm/episodesParsha Review Podcast: https://parsha.transistor.fm/episodesLiving Jewishly Podcast: https://jewishly.transistor.fm/episodesThinking Talmudist Podcast: https://talmud.transistor.fm/episodesUnboxing Judaism Podcast: https://unboxing.transistor.fm/episodesRabbi Aryeh Wolbe Podcast Collection: https://collection.transistor.fm/episodesFor a full listing of podcasts available by TORCH at http://podcast.torchweb.org_____________Keywords:#Torah, #Parsha, #Exodus, #Shemos, #Terumah, #Mishkan, #Dwell, #JewishPride, #HashemWithin, #Tabernacle, #TorahPortion, #Middot, #CharacterTraits, #EmulateGod, #TikkunMiddot, #ShabbosPrep, #TorahPodcast, #HashemInUs ★ Support this podcast ★

In this episode of the Parsha Review Podcast, Rabbi Aryeh Wolbe delves into Parshas Tetzaveh, focusing on the garments (bigdei kehuna) of the Kohen Gadol (High Priest). He highlights the verse commanding Moshe to speak to the "wise-hearted" (chachmei lev) whom Hashem invests with wisdom to create these sacred vestments, questioning how former slaves in Egypt, unskilled in craftsmanship, could suddenly excel. The key insight: True wisdom stems from a deep desire (ratzon) for it, not prior education or skills—Hashem grants wisdom to those who seek it passionately, as per the Mishnah's definition of wisdom as learning from everyone without prejudice.Rabbi Wolbe illustrates this with modern and historical examples: Elon Musk's rapid mastery of cars and rockets despite no prior knowledge, driven by insatiable curiosity; Reb Elyashiv's fervent Torah study at age 102; Rav Moshe Feinstein's multiple completions of the Talmud (101 times, four cycles); and a Talmudic story responding to a Roman noblewoman's query on why wisdom goes to the wise—they're the ones who will use it productively. He contrasts this with mediocrity, urging never-ending pursuit of knowledge to avoid spiritual stagnation, and ties it to parenting: Instill a love for Torah from infancy (e.g., teaching "Torah Tziva Lanu Moshe" as first words) and encourage children's "why" questions to foster curiosity.The discussion extends to appreciating Hashem's daily miracles in nature (e.g., the apple's infinite potential), rejecting "mother nature" for divine command (mishpatei piv), and the Amidah's first request for wisdom. Ultimately, desire is the root of achievement—eternal in Torah vs. temporary in wealth or fame—warning against boredom leading to sin and advocating lifelong vitality through learning. He concludes with a blessing for wisdom-seeking and an amazing Shabbos._____________This episode of the Parsha Review Podcast is dedicated in honor of Lenny & Teresa FriedmanDownload & Print the Parsha Review Notes:https://drive.google.com/drive/folders/1ncaRyoH5iJmGGoMZs9y82Hz2ofViVouv?usp=sharingRecorded at TORCH Meyerland in the Levin Family Studios (B) to a live audience on February 24, 2026, in Houston, Texas.Released as Podcast on February 27, 2026_____________Subscribe: Apple Podcasts (https://podcasts.apple.com/us/podcast/parsha-review-podcast-rabbi-aryeh-wolbe/id1651930083)Spotify (https://open.spotify.com/show/22lv1kXJob5ZNLaAl6CHTQ) to stay inspired! Share your questions at awolbe@torchweb.org or visit torchweb.org for more Torah content.  _____________About the Host:Rabbi Aryeh Wolbe, Director of TORCH in Houston, brings decades of Torah scholarship to guide listeners in applying Jewish wisdom to daily life.  To directly send your questions, comments, and feedback: awolbe@torchweb.org_____________Support Our Mission:Help us share Jewish wisdom globally by sponsoring an episode at torchweb.org. Your support makes a difference!_____________Subscribe and Listen to other podcasts by Rabbi Aryeh Wolbe: NEW!! Hey Rabbi! Podcast: https://heyrabbi.transistor.fm/episodesPrayer Podcast: https://prayerpodcast.transistor.fm/episodesJewish Inspiration Podcast: https://inspiration.transistor.fm/episodesParsha Review Podcast: https://parsha.transistor.fm/episodesLiving Jewishly Podcast: https://jewishly.transistor.fm/episodesThinking Talmudist Podcast: https://talmud.transistor.fm/episodesUnboxing Judaism Podcast: https://unboxing.transistor.fm/episodesRabbi Aryeh Wolbe Podcast Collection: https://collection.transistor.fm/episodesFor a full listing of podcasts available by TORCH at http://podcast.torchweb.org_____________Keywords:#Torah, #Parsha, #Exodus, #Shemos, #Terumah, #Mishkan, #Dwell, #JewishPride, #HashemWithin, #Tabernacle, #TorahPortion, #Middot, #CharacterTraits, #EmulateGod, #TikkunMiddot, #ShabbosPrep, #TorahPodcast, #HashemInUs ★ Support this podcast ★

Jewish law, known as halakhah, is a unique legal system that has developed over a period of nearly two millennia, across multiple continents, and in innumerable different contexts. Dealing not only with ritual, Jewish law extends to virtually every aspect of life including ethics, business, war, and sex. This Handbook highlights foundational questions about the nature of Jewish law, emphasizing what distinguishes it from other legal systems and illuminating its vitality throughout history. The Oxford Handbook of Jewish Law (Oxford UP, 2025) navigates core issues such as halakhah's authority, its interpretation, and the meaningfulness of an ancient legal system in a modern period. With contributions from an interdisciplinary cast of authors, the Handbook spans law, history, sociology, and religion. Its chapters draw from a wide range of sources, including traditional texts such as Mishnah and Talmud, rabbinical codes, and legal opinions known as responsa. Moreover, chapters addressing pressing modern issues cover the material from diverse denominational perspectives. As halakhah remains deeply woven into the fabric of Jewish life and scholarship, The Oxford Handbook of Jewish Law offers readers an in-depth understanding of this rich and enduring legal tradition. Zev Eleff is President and Professor of American Jewish history at Gratz College. Roberta Rosenthal Kwall is the Raymond P. Niro Professor at DePaul University College of Law. Chaim Saiman is Chair in Jewish Law at Villanova University Charles Widger School of Law. Geraldine Gudefin is a modern Jewish historian researching Jewish migrations, family life, and legal pluralism. She is currently a Visiting Scholar at the Centre for Asian Legal Studies at the National University of Singapore, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939. Mentioned in this episode: Ronit Irshai and Tanya Zion-Waldoks, Holy Rebellion: Religious Feminism and the Transformation of Judaism and Women's Rights in Israel (Brandeis University Press, 2024). Shari Rabin and Michael R. Cohen (eds.), The Oxford Handbook of American Jewish History (Oxford University Press, 2025). Roberta Rosenthal Kwall, Remix Judaism: Preserving Tradition in a Diverse World (‎Rowman & Littlefield Publishers, 2022). Chaim N. Saiman, Halakhah: The Rabbinic Idea of Law (Princeton University Press, 2018). Benjamin Steiner, Translating the Ketubah: The Jewish Marriage Contract in America and England (University Alabama Press, 2025). Essays from the Oxford Handbook of Jewish Law: Chapter 15: Chaim Saiman, “Formalism in Jewish Law.” Chapter 19: Roberta Rosenthal Kwall, “Lawmaking in the Conservative Movement: A Balance of Law and Norms.” Chapter 21: Arye Edrei, “The Impact of Zionism on Jewish Law.” Chapter 24: Rachel Levmore and Steven Gotlib, “Divorce and Agunah: Halakhic Responses to Modernity.” Chapter 30: Zev Eleff, “Judaism and the Modern Family.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

The Mishneh Torah printed in Venice in the 1570s was the product of a broad and deliberate program of censorship. Beyond removing the handful of references to the Christian founder, which we discussed in the prior class, the censors altered many other words and phrases. In some places, entire laws disappear; in others, the language is carefully adjusted to soften its force. In this class, we trace the principles that guided the censors and examine how their work left a lasting imprint on one of Judaism's foundational texts. Censoring the Rambam: Part II

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Tell me if this makes sense… We live in a world today characterized by a fetishized pornographic addiction to rape. If it were not so, Law & Order: SVU wouldn’t have made it past a single season – let alone, into SYNdication for nearly 30 years…! I loathe Adorno and the CULTural Marxists who SYNthesized (read: weaponized) Marx and Freud to the general detriment of mankind, beginning with the ‘West’. But, he raised some legit points, as often the baddies do. It’s their SOLUTIONS we all need be wary of. For nigh on 100 years, we’ve basked in the jaundiced glow of the Frankfurt School, as legions of university students continue having their minds and spirits poisoned in the name of ‘Progress’. See also the ancient Roman Collegium, a concept dating back to (at least) the days of Plato – who, incidentally, literally wrote the book on The Republic. I digress… In Adorno’s “Fetish-character” essay, he states, a fetish is a substitute object of desire.[1] I would submit that in the latent undercurrent of this Nietzschean ‘power-evolving universe’ of today’s America; men and women, by and large, secretly harbor a craven desire for rape. It sounds crazy! Until one considers the popularity of Law & Order: SVU for the last 27 years. America is Kung-Fu LARPing, with each new iteration of the ‘fetish substitute object of desire’ further blurring the lines between fantasy and reality (schizoaffective disorder) as we creep ever closer to the Chaos Magick of bringing these secret desires to life. But, beware; LARPing has consequences.[2] The Epstein Saga has been publicly ongoing for 2+ decades. More than a thousand witnesses have come forward – including dozens who’ve accused Trump (E. Jean Carroll) – and yet, only Epstein and Maxwell have been ‘brought to justice’. Speaking of ‘justice’, Thomas Massie probably said it best:[3] Congress created the Department of Justice, Congress funds the Department of Justice, and Congress is responsible for the oversight of the Department of Justice. When will we see justice? I’ll tell you what I’ve not seen. I’ve not seen any arrests from the revelations in the Epstein Files – over 3 million documents describing horrible things, describing unspeakable things, much of it redacted. Over two dozen people have resigned; CEOS, members of government, worldwide. But, I haven’t seen any arrests or investigations here in the United States, from this Department of Justice. Prince Andrew, Duke of York, who has since been stripped of his royalty, his royal titles, due to his affiliation with Jeffrey Epstein, has been arrested. Peter Mandelson, who previously served as UK’s Ambassador to the United States, resigned in disgrace from United Kingdom’s House of Lords and the Labor Party, and he’s been arrested. Former Prime Minister of Norway Thorbjorn Jagland has been charged. But, we don’t see any charges, arrests, or investigations in the United States. What do we see? We see our FBI Director celebrating in the locker room at the Olympics overseas. It’s fine to be proud of this country. But, we should be proud of this country because we have a system of justice that works. And yet we do not. … We need justice. We want the Department of Justice to get to work, and that’s what they need to do – now. The Trump (45/47) DOJ is unwilling to rat itself out – and so are the other 77+ million co-conspirators… And then there’s the 77 million co-conspirators who voted for Epstein’s best friend Trump as many as three times, knowing he’d been accused of sexual assault by dozens of women, and even after he was found liable for sexually assaulting E. Jean Carroll. For 77 million men and women it was not a dealbreaker! He rapes, but he saves. He saves more than he rapes … but he probably does rape.[4] Considering the aforementioned, what would be crazy is not acknowledging America’s fetishized pornographic addiction to rape – which is precisely what we’re doing. We are gaslighting ourselves at this point, as we turn a blind eye to our own culpability. After all – on the eve of America’s 250th Anniversary of Independence – wasn’t this always to be a government of, by, and for The People…? 18 For the wrath of God is revealed from heaven against all ungodliness and unrighteousness of men, who hold the truth in unrighteousness; …21 Because that, when they knew God, they glorified [him] not as God, neither were thankful; but became vain in their imaginations, and their foolish heart was darkened.22 Professing themselves to be wise, they became fools, …24 Wherefore God also gave them up to uncleanness through the lusts of their own hearts, to dishonour their own bodies between themselves: …26 For this cause God gave them up unto vile affections: for even their women did change the natural use into that which is against nature:27 And likewise also the men, leaving the natural use of the woman, burned in their lust one toward another; men with men working that which is unseemly, and receiving in themselves that recompence of their error which was meet.28 And even as they did not like to retain God in [their] knowledge, God gave them over to a reprobate mind, to do those things which are not convenient;29 Being filled with all unrighteousness, fornication, wickedness, covetousness, maliciousness; full of envy, murder, debate, deceit, malignity; whisperers,30 Backbiters, haters of God, despiteful, proud, boasters, inventors of evil things, disobedient to parents,31 Without understanding, covenantbreakers, without natural affection, implacable, unmerciful:32 Who knowing the judgment of God, that they which commit such things are worthy of death, not only do the same, but have pleasure in them that do them. — Romans 1:18, 21–22, 24, 26–32 KJV 4 Rejoice in the Lord alway: [and] again I say, Rejoice.5 Let your moderation be known unto all men. The Lord [is] at hand.6 Be careful for nothing; but in every thing by prayer and supplication with thanksgiving let your requests be made known unto God.7 And the peace of God, which passeth all understanding, shall keep your hearts and minds through Christ Jesus. 8 Finally, brethren, whatsoever things are true, whatsoever things [are] honest, whatsoever things [are] just, whatsoever things [are] pure, whatsoever things [are] lovely, whatsoever things [are] of good report; if [there be] any virtue, and if [there be] any praise, think on these things. — Philippians 4:4–8 KJV #Links Clips [1:58] Etymology (the origins of words) was taken out of schools in the early 1900’s for a reason. (See also entry below) [5:39] Demons in the Headlines EXPOSED: The War for Power and Souls in D.C. | Strange Encounters | Ep 29 – YouTube (See also Blaze Media article below) [3:15] Rep. Massie Asks, “When Will We See Justice” Following Latest Epstein Files Revelations (See also C-SPAN Congressional Chronicle entry below[3:1]) Previous RWR broadcasts referenced 2026-02-25 2026-02-26 Proof of America’s fetishized pornographic addiction to rape Amanda Seyfried Wore A “Prosthetic [redacted]” For ‘Testament Of Ann Lee’ Amanda Seyfried will go to extreme lengths for a film role — especially when it comes to feeling comfortable during a nude scene. The actor wore what she described as a “prosthetic [redacted]” in her recent movie The Testament of Ann Lee, as she revealed in a Feb. 25 interview with BBC’s The Scott Mills Breakfast Show. “This movie, it needed to be graphic, so, like, I had a prosthetic [redacted],” she said in a clip posted to Instagram, which understandably perplexed Mills himself. When pressed for more details, she surprisingly had a rave review about the experience. “It was cool. It was exciting.” Seyfried plays the real-life Ann Lee, a Christian woman in 18th-century Great Britain who viewed herself as a representative of God and eventually founded a religious sect called Shakers, with the film capturing her group’s move across the pond to New York during the Colonial era. Son of megachurch pastor sentenced after horrific materials found at home ‘among worst investigators have seen’ An Indiana megachurch once known for preaching purity and sexual morality has found itself at the center of a scandal that has shaken a congregation, rattled political allies, and ended with a six-year prison sentence. Jonathan Peternel, 24, of Pendleton, was sentenced Friday after pleading guilty in January to one Level 4 felony count of child exploitation and three felony counts of possession of child sexual abuse material. The case drew intense public scrutiny not only because of the disturbing evidence uncovered by investigators, but because his father, Nathan Peternel, remains listed as lead pastor at Life Church and is a longtime mentor and close associate of Indiana Lt. Gov. Micah Beckwith. Why Viewers Say You Should Watch ‘Nymphomaniac’ Alone Due to Its Graphic Scenes Both volumes of Lars von Trier’s Nymphomaniac are streaming on Netflix in the U.S., and its return to an easy, familiar platform has revived a warning that has followed the film since 2013: ‘Watch this one by yourself.‘ … So why does this movie come with a warning like that? The movie’s name actually answers that on its own. The term nymphomania is used to classify someone who has an uncontrollable compulsion toward sex, and that is exactly what the film follows across 2 volumes and 8 chapters. It opens with a woman named Joe, found beaten in an alley. A man named Seligman brings her home, and she begins telling him the story of her life from her earliest sexual memories through decades of escalating need. Von Trier was telling the story of a woman whose entire life is shaped by a compulsion she cannot control. … The discomfort the audience feels isn’t incidental. It’s the mechanism. Von Trier built the film so that watching it puts you closer to Joe’s experience than any non-explicit version ever could. The surface reading is addiction… What Joe is actually chasing is not sex but connection. Every encounter she describes to Seligman moves her further from other people rather than closer to them. Sex becomes the thing she reaches for because the thing she actually needs keeps slipping out of range. That distance between the act and the need behind it is where von Trier plants the real story. The compulsion is real, but the loneliness underneath it is what he keeps circling back to. He called this technique “Digressionism,” a term he coined to describe a storytelling style that deliberately wanders away from its own plot. He cited Marcel Proust as an influence. Nymphomaniac is the final film in what von Trier and critics call the Depression Trilogy. Following Antichrist in 2009 and Melancholia in 2011. After years infiltrating child exploitation rings, expert reveals an even DARKER American underworld | Blaze Media Demons in the Headlines EXPOSED: The War for Power and Souls in D.C. | Strange Encounters | Ep 29 – YouTube [31:30–33:26] Back to the politics piece; everybody within politics – even if they disagree with exploitation or whatever – they show partiality. And, I believe it’s, is it second Peter? … It says, ‘where partiality exists, exists every form of deceit and evil’. We can look it up … but I think that’s it. But, where partiality exists, exists all forms of evil. ***[Did he mean this passage?]For where envying and strife [is], there [is] confusion and every evil work. But the wisdom that is from above is first pure, then peaceable, gentle, [and] easy to be intreated, full of mercy and good fruits, without partiality, and without hypocrisy. – James 3:16–17 KJV*** And, what is happening in our political world that I’ve that I’ve seen now is; you have career politicians – even if they claim to be Christians – they sell access. And, it might be access to conservative organizations. But, they sell access – and they’re partial to donors. … they’re unbelievably partial. And, they’re partial to their ‘club’, as opposed to the people they’re elected to represent. And, you have a bureaucracy that’s in place, and you have these elitists that are in place, that think that they can buy – because they have been able to buy your position – buy you, buy access to you, or buy access to somebody else, and ‘own’ – in this case, a US Senator, what I’m running for. But, it’s across the board for everything; Congressmen, even the President … Everything’s for sale. And, it’s ‘access’ that they’re selling, right? And, that’s the thing that stood out to me the most; partiality. More proof / Trump-Epstein Saga DOJ’s Epstein Files Screwups Get Worse With Unredacted Nudes and Images of Kids The Justice Department is under fire after newly released Jeffrey Epstein case materials reportedly included unredacted nude images and photos involving minors. Analysis by CNN uncovered nearly 100 explicit pictures of two naked young women on a beach, the news outlet reported. The materials also included photos showing a young girl kissing Epstein on the cheek. At least one unredacted image depicted Epstein alongside a nude female, and additional selfie-style nude photos of at least two other unidentified females were also published, with their ages unclear, according to CNN. Under the Epstein Files Transparency Act, which Congress passed and President Trump signed in late November, the DOJ is obligated to omit sexually explicit imagery and anything that might identify victims. The images have now been redacted. DOJ Gives Shameless Reason for Hiding Photo of Howard Lutnick and Jeffrey Epstein Donald Trump’s White House Chief of Staff Susie Wiles is ‘Shocked’ the FBI Dared to Come for Her ‘Uncle Jeff’ shifts focus on Erika Kirk grooming allegations post-Epstein file release – We Got This Covered Most Americans in new survey dispute Donald Trump’s economic boom claim CBS’s new hire appeared 1,700 times in Epstein’s files, and John Oliver just exposed his disturbing emails – We Got This Covered Epstein Had Close Ties to Prosecutor Behind Key Provision of Plea Deal | The New Republic Turns out ICE is just a bunch of scared widdle guys Fear as senator discovers staggering true amount Trump spent on arming ICE – Raw Story Congressional Chronicle – Members of Congress, Hearings and More | C-SPAN.org[3:2] [standalone clip] Rep. Massie Asks, "When Will We See Justice" Following Latest Epstein Files Revelations | Video | C-SPAN.org The Purpose Of the System Is What It Does (POSIWID) Millions at Risk as Android Mental Health Apps Expose Sensitive Data US defense secrets sold to Russians for millions in crypto – Newsweek Tucker Carlson pushes DNA tests for Jews, ‘Khazar’ theory | The Jerusalem Post The largely discredited theory states that Ashkenazi Jews are genetically descended from a Turkic minority that converted to Judaism in the Middle Ages rather than from the 12 tribes of Israel. During Tucker Carlson’s interview last week with Mike Huckabee, the US ambassador to Israel, both men made considerable waves with their takes on history and theology. Anthropic says it will not accede to Pentagon demands as deadline looms | AP News Anthropic said it sought narrow assurances from the Pentagon that Claude won’t be used for mass surveillance of Americans or in fully autonomous weapons. But after months of private talks exploded into public debate, it said in a Thursday statement that new contract language “framed as compromise was paired with legalese that would allow those safeguards to be disregarded at will.” From the Wayback. Why – and why now – is Daily Mail breaking these stories out of the dust bin…? Secret mind-control techniques using TVs revealed in disturbing patent | Daily Mail Online Declassified CIA memo reveals plan to turn citizens into unwitting assassins | Daily Mail Online On the lighter / brighter side… Why age is an advantage for starting a business – Fast Company Sardonic levity, as Rome burns… Images That Might Indicate Society is in Decline | eBaum’s World Caller Dialogue David – WI Feminism dating back to early 1800s (CH: Owenism – Wikipedia) Valerie Solanas, SCUM Manifesto – Wikipedia Friedrich Nietzsche, Beyond Good and Evil (1886)[5] Insanity in individuals is something rare–but in groups, parties, nations, and epochs it is the rule. Bitchute: Etymology (the origins of words) was taken out of schools in the early 1900’s for a reason. Also on YouTube: Etymology ~ The Origins Of Words Was Taken Out Of Schools In The Early 1900s For A Reason – YouTube James – Vancouver The Scribner-Bantam English dictionary : Williams, Edwin B. (Edwin Bucher), 1891-1975 : Free Download, Borrow, and Streaming : Internet Archive #Footnotes Clowney, David W. “On the Fetish-Character in Music and the Regression of Listening” Reading Notes for the 1938 Essay by Theodor Adorno. 3 Nov. 2005, p. 6, users.rowan.edu/~clowney/aesthetics/ReadingGuides/Adorno.ppt. Accessed 26 Feb. 2026. More (e.g., “course guides” at Clowney’s aesthetics page: users.rowan.edu/~clowney/aesthetics/. ︎ Berenson, Alex. “On the Dangers of Cosplay.” Substack.com, Unreported Truths, 11 Jan. 2026, alexberenson.substack.com/p/on-the-dangers-of-cosplay. Accessed 26 Feb. 2026. ︎ C-SPAN. “Congressional Chronicle – Members of Congress, Hearings and More.” C-SPAN.org, C-SPAN, 24 Feb. 2026, www.c-span.org/congress/?chamber=house&date=2026-02-24. Accessed 26 Feb. 2026. Click on “Speakers” tab, select Thomas Massie in “Speakers” dropdown menu, and see timestamp (10:45:03 AM) and transcript of Massie’s remarks. ︎ ︎ ︎ [Massie:] Congress created the Department of Justice, Congress funds the Department of Justice, and Congress is responsible for the oversight of the Department of Justice. When will we see justice? I’ll tell you what I’ve not seen. I’ve not seen any arrests from the revelations in the Epstein Files – over 3 million documents describing horrible things, describing unspeakable things – much of it redacted. Over two dozen people have resigned; CEOs, members of government, worldwide. But, I haven’t seen any arrests or investigations here in the United States, from this Department of Justice. Prince Andrew, Duke of York, who has since been stripped of his royalty, his royal titles, due to his affiliation with Jeffrey Epstein, has been arrested. Peter Mandelson, Who previously served as UK’s Ambassador to the United States, resigned in disgrace from United Kingdom’S House of Lords and the Labor Party, and he’s been arrested. Former Prime Minister of Norway, Thorbjorn Jagland has been charged. But, we don’t see any charges, arrests, or investigations in the United States. What do we see? We see our FBI Director celebrating in the locker room at the Olympics overseas. It’s fine to be proud of this country. But, we should be proud of this country because we have a system of justice that works. And yet we do not. Who are the men that should be investigated? I’ll name them right here. Leon Black; you don’t even have to see past the redactions to see that this man needs to be investigated. Jess Staley; accused of terrible things, it’s right there in the files. Why is he not being investigated? And, Leslie Wexner; why did the FBI list him as a co-conspirator in their own documents in a child sex trafficking case, and then tell him, according to him, that they had no questions for him? Why is that? Well, the Epstein Files Transparency Act requires the DOJ and the FBI to disclose to us their internal memos and emails about how they made those decisions, whether to prosecute or not prosecute. Yet, they have not delivered those memos. And, we still don’t have the memos and documents and emails from 2008, to explain why Jeffrey Epstein was given such a light sentence in what would have been an open and shut case of child sex trafficking, which allowed him to go back and recommit these terrible crimes, create hundreds of more victims, and ensnare so many other people in his conspiracy. Where are those documents that describe those decisions? We need justice. We want the Department of Justice to get to work, and that’s what they need to do – now! Jones, Marcie. “Gee, Look at All These Co-Conspirators in the Epstein Files That Pam Bondi and Kash Patel Say Never Existed.” Wonkette.com, Wonkette, 25 Feb. 2026, www.wonkette.com/p/gee-look-at-all-these-co-conspirators. Accessed 26 Feb. 2026. ︎ Nietzsche, Friedrich. Beyond Good and Evil. 1886. Gutenberg.org, Chapter IV. Apophthegms And Interludes, ln. 156, 4 Feb. 2013, gutenberg.org/files/4363/4363-h/4363-h.htm. Accessed 28 Feb. 2026. from The Complete Works of Friedrich Nietzsche (1909-1913). ︎

Renue Healthcare https://Renue.Healthcare/Todd Your journey to a better life starts at Renue Healthcare. Visit https://Renue.Healthcare/Todd Bulwark Capital https://KnowYourRiskPodcast.com Be confident in your portfolio with Bulwark! Schedule your free Know Your Risk Portfolio review. Go to KnowYourRiskPodcast.com today. Alan's Soaps https://www.AlansArtisanSoaps.com Use coupon code TODD to save an additional 10% off the bundle price.Bonefrog https://BonefrogCoffee.com/Todd Get the new limited release, The Sisterhood, created to honor the extraordinary women behind the heroes. Use code TODD at checkout to receive 10% off your first purchase and 15% on subscriptions.LISTEN and SUBSCRIBE at:The Todd Herman Show - Podcast - Apple PodcastsThe Todd Herman Show | Podcast on SpotifyWATCH and SUBSCRIBE at: Todd Herman - The Todd Herman Show - YouTubeDemocrats Love Black People Like Kids Love Orangutans at the Zoo // The Save Act Meets the Unholy Temple of the United States Senate // NewsMax Pretends Jesus Christ is Not The Foundation of ChristianityEpisode Links:Gov. Newsom to a black crowd in GA: "I am like you. I'm a 960 SAT guy. I can't readGavin Newsom claims he “can't read,” but a few months back, he claimed he had read a book of over 300 pages in less than two hours.Hunter College professor under fire after hot-mic remark about black students branded 'blatantly racist'This is an all-time classic - NY Governor Hochul:  "Young black kids in the Bronx that don't even know what the word of 'computer' means"Joe Biden: "Poor kids are just as bright and just as talented as white kids." - Well...that's racist.BREAKING: Sen. Mike Lee confirms some of the 50 Republican Senate co-sponsors of the SAVE America Act are NOT on board with enforcing the talking filibusterSAVE ACT: Leader Thune explained that Senators don't have time to debate and vote on the SAVE Act. For example, today would have been a problem since Sen Thom Tillis had to participate in a dog parade featuring the dogs of Congress.Newsmax: "Christians, your foundation is Judaism. Your savior is Israel." - Imagine dictating theology to millions of believers to serve a foreign political agenda

On today's page, Menachot 46, the rabbis are talking about priestly life in Yavne, the town that became Judaism's unlikely headquarters after Rome burned Jerusalem to the ground. It's a story that starts with a scholar smuggling himself out of a besieged city and ends with three surprisingly wise requests that have a lot to say about how any of us survive upheaval. When everything breaks, what do you actually rebuild first? Listen and find out.

B”H Today, you'll hear what happens when a successful financial professional is helping others build wealth… while secretly drowning in debt and avoiding his own bill collectors. Yes — that's part of my guest's story. In this deeply honest and eye-opening conversation, financial trainer Avraham Byers shares his personal journey — from credit card chaos and financial avoidance to clarity, responsibility, and financial confidence. And in an unexpected plot twist, Avraham shares how choosing Judaism, despite his Catholic upbringing, reshaped not just his faith, but how he related to money. We explore why traditional budgeting often fails, how emotional and spiritual emptiness shows up in spending, and why true financial change begins inside — not in a spreadsheet. Avraham also introduces what he calls the “Magic Number,” his system for finally knowing how much you can actually spend. He explains why couples fight about money even when the numbers make sense, and shares how bitachon, responsibility, and values-based decision-making can transform not just your finances — but your life. Here's Avraham Byers. The post 458: From Financial Shame to Financial Strength with Avraham Byers appeared first on Yael Trusch.

At Sinai, the mountain hovered overhead and faith felt inevitable. In Shushan, God's name disappeared and everything could be dismissed as coincidence. So when was Torah truly accepted — in the blaze of revelation or in the darkness of exile? In Rabbi Dunner's dazzling Purim shiur, he uncovers why Judaism's deepest commitment was forged not in thunder, but in hiddenness.

Sarai, the matriarch of the Jewish people, makes a stunning statement to her husband: take Hagar, my maidservant, as a concubine. Whatever child comes from this will be mine. This episode unpacks one of the most emotionally layered moments in Genesis. Why does G-d communicate this plan through Sarai rather than directly to Avram? Why does Avram need convincing?What follows is a layered conversation about how this whole arrangement comes to be, and why G-d chooses to communicate it through Sarai rather than speak directly to Avram. The Talmud draws a striking conclusion from this: Sarai had a greater level of divine inspiration than her husband. Rabbi Epstein traces that idea back to a teaching about modesty that reframes what modesty actually means in Jewish thought, pulling it out of the narrow lane most people put it in and revealing something much deeper about how a person tunes in to the divine.Also in this episode: the backstory of how Hagar ended up in this household, and a Torah-rooted explanation for why you can never truly force a human being to do anything.

The recent interview between Tucker Carlson and Mike Huckabee was eye-opening for a variety of reasons, just one being the remarkable portion devoted to questions about ancestry, biblical claims, and modern political sovereignty in Israel. The two discussed whether historical, religious, or genetic lineage determines land rights, with Carlson finding Huckabee's answers on why nonpracticing Jews from Eastern Europe like Benjamin Netanyahu should have a birthright to the land of Israel evasive and disingenuous.  Jimmy and Americans' Comedian Kurt Metzger expand the conversation to critique the conflation of Judaism with modern Zionism, citing statements from anti-Zionist Jewish groups who argue that political nationalism is distinct from religious faith. The segment concludes with broader commentary on Middle East history and identity debates. Plus segments on Kash Patel's recent scandalous appearance in the locker room with the US men's hockey team at the Winter Olympics and the FBI's coverup of a potential new suspect in Charlie Kirk's killing. Also featuring Stef Zamorano, Baron Coleman and Mike MacRae. And a phone call from JD Vance!

In this first live Q&A of our Lent 2025 series ⁠Jesus in Galilee⁠, Dom and I work through 35 questions from the more than 2,000 people who have joined the class — and true to form, Dom tries to honor every single one of them. The conversation ranges from the silver cups of Boscoreale to the Gulf of Mexico, from Josephus's gritted-teeth defense of Judaism to what a State of the Union address might look like if Jesus gave it tonight. Dom argues that the apocalyptic imagination is, bluntly, a loss of faith; that coinage was the only real mass media of antiquity; that nonviolent resistance was invented — not borrowed — in first-century Judea; and that if you want to understand what an autocrat is planning, read very carefully what the autocrat accuses his opponents of. It is, in other words, exactly the kind of conversation I look forward to all year. ⁠If you want in on the rest of the series — the lectures, the live Q&As, and the full archive — head to CrossanClass.com⁠. ⁠You can WATCH the conversation YouTube⁠ ⁠ONLINE LENT CLASS: Jesus in Galilee w/ John Dominic Crossan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ What can we actually know about Jesus of Nazareth? And, what difference does it make? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠This Lenten class ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠begins where all of Dr. John Dominic Crossan's has work begins: with history. What was actually happening in Galilee in the 20s CE? What did Herod Antipas' transformation of the "Sea of Galilee" into the commercial "Sea of Tiberias" mean for peasant fishing communities? Why did Jesus emerge from John's baptism movement proclaiming God's Rule through parables—and what made that medium so perfectly suited to that message? Only by understanding what Jesus' parables meant then can we wrestle with what they might demand of us now. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The class is donation-based, including 0, so join, get info, and join up here.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ John Dominic Crossan, professor emeritus at DePaul University, is widely regarded as the foremost historical Jesus scholar of our time. He is the author of several bestselling books, including The Historical Jesus, How to Read the Bible and Still Be a Christian, God and Empire, Jesus: A Revolutionary Biography, The Greatest Prayer, The Last Week, and The Power of Parable. He lives in Minneola, Florida. Previous Podcast Episodes with Dom & Tripp ⁠A Tale of Two Gods: Why C.S. Lewis's Famous Argument Falls Apart⁠ ⁠From Iron Swords to Nuclear Bombs: Tracing 3,000 Years of Escalatory Violence⁠ ⁠Paul, Christ, & the Mystery of Execution & Resurrection⁠ ⁠Paul, Josephus, & the Challenge of Nonviolent Resistance⁠ ⁠Paul, Rome, & the Violent Normalcy of Civilization⁠ ⁠Paul & the Fictional History of Luke-Acts⁠ ⁠Paul & Thecla⁠ ⁠Ask JC Anything⁠ This podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Homebrewed Christianity ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠production. Follow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠the Homebrewed Christianity⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theology Nerd Throwdown⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Rise of Bonhoeffer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ podcasts for more theological goodness for your earbuds. Join over 75,000 other people by joining our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack - Process This!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get instant access to over 50 classes at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.TheologyClass.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow the podcast, drop a review⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, send ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠feedback/questions⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or become a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠member of the HBC Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Deeper the Darkness The Greater the Joy by The Chassidic Story Project with Barak Hullman

In this interactive Q&A episode, Rabbi Aryeh Wolbe addresses listener questions on a range of Jewish topics, starting with a critique of the musical/film Fiddler on the Roof. He argues it has harmed American Judaism by portraying Jewish observance as mere "tradition" rather than divine Torah commandments, leading to shaky foundations where practices become optional or emotion-based, rather than rooted in absolute truth and commitment to God. He contrasts this with the unbreakable commitment seen in truly Torah-observant individuals (e.g., refusing to desecrate Shabbos for any price) and ties the title's "fiddler on the roof" imagery to instability without Torah's protective "fence" (ma'akeh, the biblical requirement for railings on roofs to prevent falls).Other questions cover practical halacha, such as the sea splitting being on dry land (citing explicit verses in Exodus 14:29 and 15:19, not just midrash), kosher meat preferences (no halachic preference for rare/medium/well-done once kosher; focus on certified kosher and avoiding waste), grace after meals (Birkat Hamazon applies after bread; dessert is part of the meal for Birkat but not satiating, so separate brachot may apply), and the spies' sin (not lying about the land, but lacking self-belief and positive self-view, leading to negativity).The discussion extends to self-esteem as a mitzvah-like belief in oneself (paralleling belief in God), modesty in Torah knowledge, reflections on Schindler's List (a wake-up call against regret for not doing more mitzvos), handling late guests at meals (start reasonably without ruining Shabbos peace), beautifying mitzvos (zeh Eli v'anveihu – seeing God and glorifying Him with the best), Tu B'Shvat as a Rosh Hashanah for trees/produce/Torah growth (a powerful time for prayer on livelihood, learning, and shidduchim), and the era of Moshiach (clarity where the world recognizes Hashem as One, ending confusion/war, with righteous non-Jews welcomed in a house of prayer for all nations).Throughout, Rabbi Wolbe emphasizes intentional Judaism (kavanah), trusting Hashem (Hashem li lo ira – no fear when God is the pilot), avoiding anxiety through emunah, and prioritizing eternal mitzvos over fleeting concerns.Please submit your questions at askaway@torchweb.org_____________The Everyday Judaism Podcast is dedicated to learning, understanding and appreciating the greatness of Jewish heritage and the Torah through the simplified, concise study of Halacha, Jewish Law, thereby enhancing our understanding of how Hashem wants us to live our daily lives in a Jewish way._____________This Podcast Series is Generously Underwritten by Marshall & Doreen LernerDownload & Print the Everyday Judaism Halacha Notes:https://drive.google.com/drive/folders/1RL-PideM42B_LFn6pbrk8MMU5-zqlLG5This episode of the Everyday Judaism Podcast by Rabbi Aryeh Wolbe of TORCH is dedicated to my dearest friends, Marshall & Doreen Lerner! May Hashem bless you and always lovingly accept your prayer for good health, success and true happiness!!!Recorded in the TORCH Centre - Levin Family Studio (B) to a live audience on February 1, 2026, in Houston, Texas.Released as Podcast on February 25, 2026_____________Connect with Us:Subscribe to the Everyday Judaism PodcastApple Podcasts: https://podcasts.apple.com/us/podcast/everyday-judaism-rabbi-aryeh-wolbe/id1600622789Spotify: https://open.spotify.com/show/3AXCNcyKSVsaOLsLQsCN1CShare your questions at askaway@torchweb.org or visit torchweb.org for more Torah content.  _____________About the Host:Rabbi Aryeh Wolbe, Director of TORCH in Houston, brings decades of Torah scholarship to guide listeners in applying Jewish wisdom to daily life.  To directly send your questions, comments, and feedback: awolbe@torchweb.org_____________Support Our Mission:Help us share Jewish wisdom globally by sponsoring an episode at torchweb.org. Your support makes a difference!_____________Subscribe and Listen to other podcasts by Rabbi Aryeh Wolbe: NEW!! Hey Rabbi! Podcast: https://heyrabbi.transistor.fm/episodesPrayer Podcast: https://prayerpodcast.transistor.fm/episodesJewish Inspiration Podcast: https://inspiration.transistor.fm/episodesParsha Review Podcast: https://parsha.transistor.fm/episodesLiving Jewishly Podcast: https://jewishly.transistor.fm/episodesThinking Talmudist Podcast: https://talmud.transistor.fm/episodesUnboxing Judaism Podcast: https://unboxing.transistor.fm/episodesRabbi Aryeh Wolbe Podcast Collection: https://collection.transistor.fm/episodesFor a full listing of podcasts available by TORCH at http://podcast.torchweb.org_____________Keywords:#AskAway, #Torah, #Halacha, #Q&A, #Jewish, #Halacha, #FiddlerOnTheRoof, #TraditionVsTorah, #BirkatHamazon, #TuBShvat, #Moshiach, #Emunah, #SelfEsteemInJudaism, #BeautifyMitzvos ★ Support this podcast ★

On this episode, host Rockne Roll continues the conversation around contemporary Jewish art with Art/Lab founder and director Shoshana Gugenheim Kedem. They discuss Art/Lab's founding, the world of its alumni and take another run at trying to define Jewish art. Learn more at artlabpdx.org. Check out more about contemporary Jewish art in Portland at northwestjewishartists.org and ojmche.org.Contribute to the Jewish Federation of Greater Portland's Passover4All campaign at jewishportland.org/passover4all26.

February 25, 2026Torah Smash! The Podcast for Nerdy JewsEpisode 101 - TS101 A Lesson in BasicsIn our 101st episode, we go back to the fundamentals, the level 101 we need to know about Judaism. Are there really only ten commandments? What rules do we have to know for Star Trek? What are the lessons we need to know for board games? What are the basics when it comes to comic books? You should explore new ideas and hobbies, but before you do you'll need to know the core rules.Share this episode with a friend: https://www.torahsmash.com/post/episode-101-ts101-a-lesson-in-basicsConnect with us online, purchase swag, support us with a donation, and more at www.torahsmash.com.

Rashi Class, a weekly exploration of Torah featuring a deep dive on the text and lively conversation focused on an 11th-century French commentary, conducted by Rabbi Rebecca Schatz at Temple Beth Am, Los Angeles, on Wednesday, February 25, 2026. (Zoom)

In this interactive Q&A episode, Rabbi Aryeh Wolbe addresses listener questions on a range of Jewish topics, starting with a critique of the musical/film Fiddler on the Roof. He argues it has harmed American Judaism by portraying Jewish observance as mere "tradition" rather than divine Torah commandments, leading to shaky foundations where practices become optional or emotion-based, rather than rooted in absolute truth and commitment to God. He contrasts this with the unbreakable commitment seen in truly Torah-observant individuals (e.g., refusing to desecrate Shabbos for any price) and ties the title's "fiddler on the roof" imagery to instability without Torah's protective "fence" (ma'akeh, the biblical requirement for railings on roofs to prevent falls).Other questions cover practical halacha, such as the sea splitting being on dry land (citing explicit verses in Exodus 14:29 and 15:19, not just midrash), kosher meat preferences (no halachic preference for rare/medium/well-done once kosher; focus on certified kosher and avoiding waste), grace after meals (Birkat Hamazon applies after bread; dessert is part of the meal for Birkat but not satiating, so separate brachot may apply), and the spies' sin (not lying about the land, but lacking self-belief and positive self-view, leading to negativity).The discussion extends to self-esteem as a mitzvah-like belief in oneself (paralleling belief in God), modesty in Torah knowledge, reflections on Schindler's List (a wake-up call against regret for not doing more mitzvos), handling late guests at meals (start reasonably without ruining Shabbos peace), beautifying mitzvos (zeh Eli v'anveihu – seeing God and glorifying Him with the best), Tu B'Shvat as a Rosh Hashanah for trees/produce/Torah growth (a powerful time for prayer on livelihood, learning, and shidduchim), and the era of Moshiach (clarity where the world recognizes Hashem as One, ending confusion/war, with righteous non-Jews welcomed in a house of prayer for all nations).Throughout, Rabbi Wolbe emphasizes intentional Judaism (kavanah), trusting Hashem (Hashem li lo ira – no fear when God is the pilot), avoiding anxiety through emunah, and prioritizing eternal mitzvos over fleeting concerns.Please submit your questions at askaway@torchweb.org_____________The Everyday Judaism Podcast is dedicated to learning, understanding and appreciating the greatness of Jewish heritage and the Torah through the simplified, concise study of Halacha, Jewish Law, thereby enhancing our understanding of how Hashem wants us to live our daily lives in a Jewish way._____________This Podcast Series is Generously Underwritten by Marshall & Doreen LernerDownload & Print the Everyday Judaism Halacha Notes:https://drive.google.com/drive/folders/1RL-PideM42B_LFn6pbrk8MMU5-zqlLG5This episode of the Everyday Judaism Podcast by Rabbi Aryeh Wolbe of TORCH is dedicated to my dearest friends, Marshall & Doreen Lerner! May Hashem bless you and always lovingly accept your prayer for good health, success and true happiness!!!Recorded in the TORCH Centre - Levin Family Studio (B) to a live audience on February 1, 2026, in Houston, Texas.Released as Podcast on February 25, 2026_____________Connect with Us:Subscribe to the Everyday Judaism PodcastApple Podcasts: https://podcasts.apple.com/us/podcast/everyday-judaism-rabbi-aryeh-wolbe/id1600622789Spotify: https://open.spotify.com/show/3AXCNcyKSVsaOLsLQsCN1CShare your questions at askaway@torchweb.org or visit torchweb.org for more Torah content.  _____________About the Host:Rabbi Aryeh Wolbe, Director of TORCH in Houston, brings decades of Torah scholarship to guide listeners in applying Jewish wisdom to daily life.  To directly send your questions, comments, and feedback: awolbe@torchweb.org_____________Support Our Mission:Help us share Jewish wisdom globally by sponsoring an episode at torchweb.org. Your support makes a difference!_____________Subscribe and Listen to other podcasts by Rabbi Aryeh Wolbe: NEW!! Hey Rabbi! Podcast: https://heyrabbi.transistor.fm/episodesPrayer Podcast: https://prayerpodcast.transistor.fm/episodesJewish Inspiration Podcast: https://inspiration.transistor.fm/episodesParsha Review Podcast: https://parsha.transistor.fm/episodesLiving Jewishly Podcast: https://jewishly.transistor.fm/episodesThinking Talmudist Podcast: https://talmud.transistor.fm/episodesUnboxing Judaism Podcast: https://unboxing.transistor.fm/episodesRabbi Aryeh Wolbe Podcast Collection: https://collection.transistor.fm/episodesFor a full listing of podcasts available by TORCH at http://podcast.torchweb.org_____________Keywords:#AskAway, #Torah, #Halacha, #Q&A, #Jewish, #Halacha, #FiddlerOnTheRoof, #TraditionVsTorah, #BirkatHamazon, #TuBShvat, #Moshiach, #Emunah, #SelfEsteemInJudaism, #BeautifyMitzvos ★ Support this podcast ★

A Lecture Series by Rabbi Joseph B. Soloveitchik Lecture 6: Delivered February 5, 1959 Continuing with the idea of Judaism's glorification of the anonymous person, the Talmud says that the participants in the annual “kallah” Torah lectures receive divine reward not according to their intellectual achievements, but according to the amount of discomfort they put themselves through in order to participate. Thus, the diligent ignoramus could receive more reward than the accomplished scholar. Judaism stresses axiological democracy, the equal worth of the great scholar and the little person. Modern Man has yet to live up to this ideal of axiological democracy, and the biggest challenge of today's State of Israel is to live up to this ideal. The Talmud captures this axiological democracy in its dictum, “How do you know that your blood is redder than the blood of your neighbor?” Although Judaism's moral code recognizes the common right to dignity, such that we may not judge or embarrass anyone, it places special emphasis on the dignity on the humble and lowly person, with special injunctions against harming the deaf, blind, orphan, widow, and stranger. Rabban Gamliel the Prince, under the order of execution by the Romans, considered that perhaps he deserved his fate due to once making a widow feel unimportant. This sense of tenderness towards the downtrodden reflects God's own behavior and attitude towards the poor and oppressed, as described in Scripture. Peretz's story “Bontzye Shweig” illustrates this idea as well. This analysis leads to the problem of Jewish loneliness, which requires distinguishing between two different feelings, loneliness and aloneness. Loneliness comes from others inevitably rejecting one's message, one's kerygma. Aloneness comes from the numinous uniqueness inherent in each person. Loneliness brings with it destructive emotions, whereas aloneness is a creative and motivating force. Every person must suffer the loneliness of rejection at some point in life. Next lecture will discuss how Judaism tries to solve the problem of loneliness. Topics triggered by audience questions include the Rosenberg trial, historical controversies among Jews, establishment of a Sanhedrin in Israel, and standardized text for prayer. Jump to: 00:01:15 The Talmudic dictum that reward is granted according to effort 00:08:17 Axiological democracy in Judaism, modern society, and the State of Israel 00:26:24 The human right to dignity and the prohibition to embarrass people 00:44:27 Judaism's concern with the socially anonymous person 00:59:30 Imitatio Dei, imitating God, and the story of the death of “Bontzye Shweig” 01:26:29 Introduction to the problem of Jewish loneliness Access lecture summaries and course materials at www.TraditionOnline.org/JPM  The post A Jewish Philosophy of Man (E6): Judaism's Glorification of the Anonymous Person first appeared on Tradition Online.

Todays Class is an incredible deep dive into the level of Knowledge of Hashem. We talk about the incredible Neshama of Moshe Rabbeinu and the true meaning of Humility. We tap into purim and into our knowledge of really knowing Hashem. We begin with a shameless plug for Chazak La City Div. as our classes grow and the demand of advice and inspiration becomes more demanding we need your help more than ever to keep us Chazak Non-Stop! here is the Link- https://thechesedfund.com/chazak/2026/teams/rabbiariandnaomibensoussan

Never Depend on Yourself

Rabbi Avi Havivi's siddur class at Temple Beth Am Los Angeles via Zoom - February 24, 2026Special Guest: Rabbi Avi Havivi.

In this Prayer Podcast episode on Hodu (the first section of Pesukei Dezimra), Rabbi Aryeh Wolbe explains its structure, purpose, and deeper meaning. Hodu consists of 50 verses (from Chronicles and Psalms), divided into three parts, recited either before or after Baruch She'amar (depending on Ashkenaz/Sephard custom) to remove spiritual barriers (klipot) from the morning offerings and elevate prayer.Key points:Hodu = Give thanks — The prayer begins with a charge to declare Hashem's name and make His miracles known among the nations (“Hodiu ba'amim alilosaiv”). It's an expression of love for Hashem: when you truly love Him, you want to share that love with the world.Practical themes — Publicize Hashem's acts (not keep Judaism secret); take pride in His name (“Hisalu b'shem kodsho”); rejoice in seeking Him (“yismach leiv mevakshei Hashem”); constantly seek His presence and strength (“dirshu Hashem v'uzo, bakshu panav tamid”); remember His wonders, covenant, and chosen status of Israel (“zichru la'olam briso”).Spiritual power — Hodu removes klipot (negative spiritual forces) that block prayer after mentioning offerings. It's sung before the Ark in the Temple (twice daily); today it replaces offerings and connects us to the Temple service.Connection to daily life — Start the day with gratitude and awe: see Hashem's wonders in nature (sunrise, waves, wind, hurricanes, volcanoes), personal blessings, and creation. Share Hashem's greatness—don't hide Jewish identity; attribute success to Him (“kiru bishmo”).Broader message — Hodu inspires sharing Hashem with humanity, just as Abraham did. It's the opening song of Pesukei Dezimra—sing praise, not just recite words.The rabbi emphasizes joyful, intentional prayer: Hodu is about declaring Hashem's sovereignty, remembering the covenant, and rejoicing in seeking Him—turning morning prayer into song and testimony._____________This Podcast Series is Generously Underwritten by Dr. Leonard & June GoldbergDownload the Prayer Podcast Worksheets:https://drive.google.com/drive/folders/1iBVevW1ydyjSeyeO0iCcina7e8vix3Lt?usp=sharingThis episode (Ep. #45) of the Prayer Podcast by Rabbi Aryeh Wolbe of TORCH is dedicated to my dearest friends, Dr. Leonard & June Goldberg! May Hashem bless you and always lovingly accept your prayer for good health, success and true happiness!!!Recorded in the TORCH Centre - Levin Family Studio (B) to a live audience on February 17, 2026, in Houston, Texas.Released as Podcast on February 24, 2026_____________DONATE to TORCH: Please consider supporting the podcasts by making a donation to help fund our Jewish outreach and educational efforts at https://www.torchweb.org/support.php. Thank you!_____________SUBSCRIBE and LISTEN to other podcasts by Rabbi Aryeh Wolbe: NEW!! Prayer Podcast: https://prayerpodcast.transistor.fm/episodesJewish Inspiration Podcast: https://inspiration.transistor.fm/episodesParsha Review Podcast: https://parsha.transistor.fm/episodesLiving Jewishly Podcast: https://jewishly.transistor.fm/episodesThinking Talmudist Podcast: https://talmud.transistor.fm/episodesUnboxing Judaism Podcast: https://unboxing.transistor.fm/episodesRabbi Aryeh Wolbe Podcast Collection: https://collection.transistor.fm/episodesFor a full listing of podcasts available by TORCH at https://www.TORCHpodcasts.com_____________EMAIL your questions, comments, and feedback: awolbe@torchweb.org_____________Please visit www.torchweb.org to see a full listing of our outreach and educational resources available in the Greater Houston area!_____________#Prayer, #Tefillah, #Siddur, #PesukeiDezimra, #PrayerPodcast, #VersesOfPraise, #JewishPrayer, #Hodu, #GiveThanks, #Hashem, #Klipot ★ Support this podcast ★

A great debate had arisen in this first decade of the church. The question was whether the Jewish church had a vision big enough to accept Gentile Christians without requiring them to also become Jews. Were the Gentile Christians just a reform within Judaism, or a sign of a New Covenant with all people where no favoritism or distinctions would be made? The issue at stake was GRACE.

Listen in as Ty talks with Shlomi Bennett about the "parting of the ways" between Rabbinic Judaism and the early Jesus movement, the development of Replacement Theology, and how the destruction of the Temple impacts Jewish-Christian understanding even today.

Go on an extremely deep dive in part 1 of 3 segments where Neil interviews Paul Wallis on his research on Paleo Contact. In this episode Paul Wallis will discuss the time line of the Elohim Before 7thC BCE and the days when Judaism was a polytheistic faith. We will explore the life of Abraham and Moses and see who they really worshipped. Yahweh? An Alien? A Powerful one?

Never Depend on Yourself

We all have a little Tevye in us. In this first episode of a six-part series on money, Rabbi Josh Feigelson explores what Judaism and mindfulness teach about wealth and the feeling of “not enough.” Beginning with Fiddler on the Roof's “If I Were a Rich Man,” he turns to Rabbi Shimon Ben Zoma's question: “Who is wealthy? One who is happy with what they have.” How can Jewish wisdom and mindfulness help us make money a tool rather than a master? Be in touch at josh@unpacked.media. This episode is sponsored by Jonathan and Kori Kalafer and the Somerset Patriots: The Bridgewater, NJ-based AA Affiliate of the New York Yankees. --------------- This podcast is brought to you by Unpacked, an OpenDor Media Brand.For other podcasts from Unpacked, check out:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Jewish History Nerds⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Stars of David with Elon Gold⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Unpacking Israeli History⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Wondering Jews

In this episode I look at Messianic rabbi Jonathan Cahn and some of his teaching methods. I explain how he uses story telling and mythology similar to rabbinic Judaism's aggadic midrashim to make his false prophetic claims as well as borrowing some of the methods of the Kabbalistic teachers. I also briefly touch on some of the names in mainstream Christian and Alt. Christian media who promote him and those false non-biblical teachings and touch on the nephilim grifters in Alt. Christian media to boot!  Cheers and Blessing!Support Oddman https://www.patreon.com/theoddmanoutBuy Me A Coffee!https://buymeacoffee.com/theoddmanoutVenmo Tips -@theoddmanoutCash App Tips - https://cash.app/$theoddmanoutT-shirts, Mugs and Stickers  The Odd Man Out Merch Store At Bonfire https://www.bonfire.com/store/the-odd-man-out/TeeSpring https://theoddmanout.creator-spring.com/All Links https://linktr.ee/_theoddmanoutOddman Rumble https://rumble.com/user/TheOddManOutThe Book- Debunking Jonathan CahnBy: Advanced Apologetics Researchhttps://www.amazon.com/Debunking-Jonathan-Cahn-Comprehensive-Harbingers-ebook/dp/B0DP5FST9Bhttps://www.thriftbooks.com/w/debunking-jonathan-cahn--3-a-comprehensive-critique-of-the-harbingers-i--ii/54260159/#edition=72153842&idiq=74047331Social Media:_theoddmanout on X, and InstagramFacebook: https://www.facebook.com/oddman.out.181923https://www.facebook.com/theoddcastfttheoddmanoutIntro Song Diabolitical Man By Odd Man Out.   Listen or Download Here: We Are The Conspiracy Songs | ReverbNation http://reverbnation.com/wearetheconspiracyA special Thank You to my supporters who contributed to this episode. You are very much appreciated. Their Order Is Not Our Order!

Messianic Apologetics editor John McKee reviews the Greek term proselutos, and whether in the Septuagint it means a formal proselyte convert to Judaism, or had an earlier usage designating a sojourner. This is then followed by a review of important stories and issues from the past day or so, largely witnessed on social media.

In ancient times, Kohanim (priests) and Levi'im (Levites) were responsible for most of the holy work in the Temple in Jerusalem. While their role is now significantly diminished in Jewish life, today's Kohanim and Levites continue to trace their lineage all the way back to Aaron in the Bible. So if you know anyone named Cohen or Levy, they're probably connected to that lineage. It just so happens that some of Israeli music's most recognizable names are members of those tribes - and just for fun, we thought we'd share music by the Cohens and Levys of Israel. And if you're not a Kohen or Levite? Well, then, you're just a plain-old Israelite. We've got you covered there, too - with music by people named 'Israel.' (Original Air Date: February 22, 2026) Full YouTube playlist at https://tinyurl.com/f7cda839 Bring Josh Shron, 'Israel's Soundtrack Storyteller,' to your community, and help spread the joy of Israeli music around the world! Visit https://www.joshshron.com/ Love the show? Please help us grow by becoming a member of MyIsraeliMusic.com: https://myisraelimusic.com/membership

Join host Jeff on Right On Radio Live (Feb 22, 2026) for an impromptu, interactive Sunday episode that weaves scripture, current events, and prophetic interpretation. The show opens with the fan-favorite game "Word on Word," comparing two Bible verses (1 Chronicles 16:11 and 1 John 4:18) and sets the spiritual tone before diving into heavy cultural and geopolitical topics. Jeff breaks down the viral Tucker Carlson interview with Mike Huckabee—offering live commentary on body language, the substance of the debate, and where both men fell short or scored points. He places the exchange in a broader historical and theological context, explaining why much of the public missed deeper implications about identity, Judaism, and Israel, and why the conversation matters to believers. The episode features an audio clip from Newsmax and references to public figures (Tucker Carlson, Mike Huckabee, Candace Owens) and contributors like John the researcher. Jeff connects the Huckabee/Carlson moment to larger threads: the Epstein files and elite corruption, ritual abuse allegations, the ongoing revelations about powerful networks, and how those disclosures intersect with planned "alien disclosure" narratives. Central to the discussion is Operation Stargate, AI-driven medical initiatives, and the prospect of an engineered "singularity" and one-world system. Jeff explores how these technological and esoteric developments—along with the potential externalization of a hierarchy of 'ascended masters'—could form a global deception and one-world religion, and he ties these concerns back to Matthew 24 and signs of the tribulation. What to expect: a candid, spirit-led mix of Bible reading, prophetic warning, geopolitical analysis, and listener interaction. Jeff challenges listeners to keep the big picture in view, warns about seductive global solutions, and calls Christians to stand firm in Christ, seek the Lord continually, and be rooted in scripture as cultural and spiritual storms intensify. Want to Understand and Explain Everything Biblically?  Click Here: Decoding the Power of Three: Understand and Explain Everything or go to www.rightonu.com and click learn more.  Thank you for Listening to Right on Radio. Prayerfully consider supporting Right on Radio. Click Here for all links, Right on Community ROC, Podcast web links, Freebies, Products (healing mushrooms, EMP Protection) Social media, courses and more... https://linktr.ee/RightonRadio Live Right in the Real World! We talk God and Politics, Faith Based Broadcast News, views, Opinions and Attitudes We are Your News Now. Keep the Faith

In this Prayer Podcast episode on Hodu (the first section of Pesukei Dezimra), Rabbi Aryeh Wolbe explains its structure, purpose, and deeper meaning. Hodu consists of 50 verses (from Chronicles and Psalms), divided into three parts, recited either before or after Baruch She'amar (depending on Ashkenaz/Sephard custom) to remove spiritual barriers (klipot) from the morning offerings and elevate prayer.Key points:Hodu = Give thanks — The prayer begins with a charge to declare Hashem's name and make His miracles known among the nations (“Hodiu ba'amim alilosaiv”). It's an expression of love for Hashem: when you truly love Him, you want to share that love with the world.Practical themes — Publicize Hashem's acts (not keep Judaism secret); take pride in His name (“Hisalu b'shem kodsho”); rejoice in seeking Him (“yismach leiv mevakshei Hashem”); constantly seek His presence and strength (“dirshu Hashem v'uzo, bakshu panav tamid”); remember His wonders, covenant, and chosen status of Israel (“zichru la'olam briso”).Spiritual power — Hodu removes klipot (negative spiritual forces) that block prayer after mentioning offerings. It's sung before the Ark in the Temple (twice daily); today it replaces offerings and connects us to the Temple service.Connection to daily life — Start the day with gratitude and awe: see Hashem's wonders in nature (sunrise, waves, wind, hurricanes, volcanoes), personal blessings, and creation. Share Hashem's greatness—don't hide Jewish identity; attribute success to Him (“kiru bishmo”).Broader message — Hodu inspires sharing Hashem with humanity, just as Abraham did. It's the opening song of Pesukei Dezimra—sing praise, not just recite words.The rabbi emphasizes joyful, intentional prayer: Hodu is about declaring Hashem's sovereignty, remembering the covenant, and rejoicing in seeking Him—turning morning prayer into song and testimony._____________This Podcast Series is Generously Underwritten by Dr. Leonard & June GoldbergDownload the Prayer Podcast Worksheets:https://drive.google.com/drive/folders/1iBVevW1ydyjSeyeO0iCcina7e8vix3Lt?usp=sharingThis episode (Ep. #45) of the Prayer Podcast by Rabbi Aryeh Wolbe of TORCH is dedicated to my dearest friends, Dr. Leonard & June Goldberg! May Hashem bless you and always lovingly accept your prayer for good health, success and true happiness!!!Recorded in the TORCH Centre - Levin Family Studio (B) to a live audience on February 17, 2026, in Houston, Texas.Released as Podcast on February 24, 2026_____________DONATE to TORCH: Please consider supporting the podcasts by making a donation to help fund our Jewish outreach and educational efforts at https://www.torchweb.org/support.php. Thank you!_____________SUBSCRIBE and LISTEN to other podcasts by Rabbi Aryeh Wolbe: NEW!! Prayer Podcast: https://prayerpodcast.transistor.fm/episodesJewish Inspiration Podcast: https://inspiration.transistor.fm/episodesParsha Review Podcast: https://parsha.transistor.fm/episodesLiving Jewishly Podcast: https://jewishly.transistor.fm/episodesThinking Talmudist Podcast: https://talmud.transistor.fm/episodesUnboxing Judaism Podcast: https://unboxing.transistor.fm/episodesRabbi Aryeh Wolbe Podcast Collection: https://collection.transistor.fm/episodesFor a full listing of podcasts available by TORCH at https://www.TORCHpodcasts.com_____________EMAIL your questions, comments, and feedback: awolbe@torchweb.org_____________Please visit www.torchweb.org to see a full listing of our outreach and educational resources available in the Greater Houston area!_____________#Prayer, #Tefillah, #Siddur, #PesukeiDezimra, #PrayerPodcast, #VersesOfPraise, #JewishPrayer, #Hodu, #GiveThanks, #Hashem, #Klipot ★ Support this podcast ★

Nosson and Esther Muhr were raised in chaos - abuse, suicide, addiction, psychosis, rejection - and still refused to let trauma decide who they would become. Their path to Judaism stretched over years of setbacks, hospitalizations, lost jobs, and a conversion process that nearly fell apart. They kept going anyway, and today they're building a simple, committed Jewish life they fought hard to earn. This is a raw story of giyures, emunah, mental health, teshuva, and finding purpose inside authentic Torah life.The Muhr's Links:Art: https://www.instagram.com/nossonmendel/Insta: https://www.instagram.com/estherfaigaa/TikTok: https://www.tiktok.com/@estherfaiga✬ SPONSORS OF THE EPISODE ✬ ► Wheels To Lease: #1 Car Company For over 35 years, Wheels To Lease has offered stress-free car buying with upfront pricing, no hidden fees, and door-to-door delivery. → CALL/TEXT: 718-871-8715 → EMAIL: inspire@wheelstolease.com → WEB: https://bit.ly/41lnzYU → WHATSAPP: https://wa.link/0w46ce ► Simchonim: The Best Judaica Deals OnlineGet 12% OFF Your Order with Code: INSPIREWebsite→ https://simchonim.comWhatsapp→ https://wa.link/2d1tfs► Zahler: The Go To Supplement PlaceYaakov's wife said "I love Zahler. They are the best".Take 15% OFF any Zahler product with code: INSPIREGET HERE→ https://bit.ly/3M3CtPI► The Next Big Jewish Neighborhood!Tucson, Arizona is becoming a warm and welcoming home for growing Jewish families. I even have cousins there with my last name, Langer, and after visiting them in 2020, the city left a real impression on me. The sunlight, the mountains, and the calm of the streets have a quiet beauty that feels a bit like Israel.The community is expanding with a new Kollel, a new eiruv, kosher establishments on the way, and an affordable cost of living. Winters are gorgeous and families are moving in because Tucson offers space, warmth, and real growth. There is also a moving bonus for those ready to join.→ Rabbi contact: 786-702-0649→ More info: MyJewishTucson.com→ Email: visit@tucsontc.org_____________________________________✬ IN MEMORY OF ✬ This episode is in memory of: • Miram Sarah bas Yaakov Moshe • Shimon Dovid ben Yaakov Shloima #iftn Lchaim. Inspiration for the Nation is the weekly Jewish podcast from Living Lchaim, hosted by Yaakov Langer.

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comSally is a journalist, columnist, TV commentator, author, wife to Ben Bradlee, and legendary DC hostess. Who better to talk to about the implosion of The Washington Post? She also founded the Post's religion website, “On Faith.” She's the author of six books, including the spiritual memoir Finding Magic, and We're Going to Make You a Star — about her time at “CBS Morning News.” Her latest novel is Silent Retreat, and she's now working on a memoir called Never Invite Sally Quinn. Her energy at 84 is, well, humbling. We had a blast.For two clips of our convo — on Sally's initial impression of Bezos, and the time Bill Clinton called her the b-word — head to our YouTube page.Other topics: born in Savannah, GA, and learning voodoo as a kid; moving as an Army brat; her general dad who captured Göring and helped create the CIA; at Smith College wanting to be an actress; rebelling against Vietnam and the wishes of her dad by marrying Bradlee; the Georgetown party circuit and how it's grown more partisan; throwing a pajama party for Goldwater; dating Hunter S. Thompson; Watergate and Woodstein; the Grahams; Tom Stoppard; Hitchens; Howell Raines; Newt's revolution; Bill's womanizing; Hillary defending her cheater; the Monica frenzy; Obama rising on merit; Barack the introvert; Jerry Brown; the catastrophe of Biden running in 2024; Dr. Jill's complicity and cruelty; Jon Meacham; Maureen Dowd; David Ignatius; Bradlee's dementia; declining trust in journalism; Bezos nixing the Harris endorsement; his life with Lauren Sanchez; sucking up to Trump; the Will Lewis debacle; Sally's spiritual life; silent retreats; Zen meditation; the humor in Buddhism; the denial of death; debating the the Golden Rule; children in Gaza; and the need more than ever for in-person gatherings.Browse the Dishcast archive for an episode you might enjoy. Coming up: Jeffrey Toobin on the pardon power, Michael Pollan on consciousness, Derek Thompson on abundance, Matt Goodwin on the UK political earthquake, Jonah Goldberg on the state of conservatism, Tom Holland on the Christian roots of liberalism, Tiffany Jenkins on privacy, Adrian Wooldridge on “the lost genius of liberalism,” and Kathryn Paige Harden on the genetics of vice. As always, please send any guest recs, dissents, and other comments to dish@andrewsullivan.com. A listener writes:Thanks for all these good episodes. Is Vivek still planning to be a guest soon? I have been looking forward to that episode.He got cold feet. Too bad. On the other hand, I tend to avoid active politicians. Because they're rarely as candid as I'd like a guest to be. Oh well.A fan of last week's pod who lives near Atlanta writes, “The longtime Dishheads on the Mableton cul-de-sac definitely approve of your interview with homegrown talent Zaid Jilani”:I agree with his description of Mableton as a bit like the United Nations; I see that diversity in our grocery stores and local restaurants. He mentioned how he was often the only Pakistani and thus perceived as a nonthreatening minority. It makes me wonder how much the diversity mix affects how people perceive immigration? If a large group from one country arrives, does that seem more like an invasion? If a similar number arrives but from a wide range of locations, does that seem more like the normal American melting pot?After 30 years of living in Mableton, this may partly explain why I am not bothered by immigration in the way that you are, Andrew. I expect to see and hear all sorts of people wherever I go in my neighborhood. Today the teller at the bank spoke accented English. There are regular clerks at my grocery store who are immigrants. Our new HVAC was installed by immigrants. As an Atlanta suburb, there are many people descended from African slaves. European ancestry is merely one possibility off the long colorful menu around here.I think pace and numbers matter. A slower pace and fewer — with no massive homogenous populations arriving at once. And a new emphasis on Americanization over “multiculturalism”.From a listener who wants to “Make Democrats Great Again”:Great conversation with Zaid Jilani last week. I am very concerned that hardly any Democrats are being at all introspective, trying to figure out where they went wrong and how to become a party that can actually win elections — maybe even hearts and minds. They are only defined as anti-Trump, and their only hope is for Trump to go down in flames — which he very well might, but all they aspire to is winning as the least-worst party.The policy directions for reclaiming sanity and moderate voters are obvious (to me, at least). Here are my top three issues:1. AffordabilityThe longest lever to affect affordability is housing. Democrats have been complete failures in this regard, with strongholds like California and NYC being the least affordable places. When they talk about “affordable housing,” they only mean housing that is forced below market rate for the few poor people lucky enough to get it. They offer no solutions for the middle class or young people.The solution is obvious: build more. Plough through the various restrictions that are preventing housing from being built. There is no reason housing can't be cheap, except for NIMBY politics. Scott Weiner in California has been doing great work on this.Health care is the second-longest affordability lever. Obamacare made some progress, but not nearly enough, especially in terms of keeping costs down. But I'm not sure we're ready for another push on this; I say focus on housing.2. ImmigrationObviously there should be some immigration, and obviously we have structured our economy such that many jobs are only done by immigrants. But the Democrats' policy of simply not enforcing immigration law is untenable, especially for a group asking to be put in charge of law enforcement. We need those migrant workers, so find a way for them be here legally. Not through amnesty, but through some sort of bureaucratic process: have the employers fill out a form; have the prospective worker fill out a form in some office in Mexico; have someone process the form; and give them a green card.This is simple stuff! And yes, it would be helpful to admit that open borders, sanctuary cities, and subverting the law were not good ideas.3. CultureEnd wokeness. America is not a country consumed by white supremacy, and the people who voted for Trump are not racists. There are hardly any racists! And drop the other insanities, like the trans stuff.The message needs to be, “We are the Democrats and we want to help anybody from any state who needs help.” Hard to convince struggling white people in the South that you're going to help them when you seem to despise them. Love your brother, for crying out loud. And naturally, today's woke Democrats would be much more accepting of this message if it came from a racial minority candidate.Another wanted to hear more:I wish you had asked Zaid about Josh Shapiro. Also, when Zaid talked about affordability, he never mentioned housing — which is why there are so many ex-Californians in his home state of Georgia and elsewhere. “Build Baby Build” should be the slogan of the Democratic Party, rather than gaslighting Americans into believing housing prices will come down because we are getting rid of immigrants (Vance).Here's a dissent:About 20:30 into your interview with Zaid Jilani, he said that the root of all the Abrahamic faiths is that the meek have rights. You replied that this applied more to Christianity and Islam than to Judaism. I say this neither rhetorically nor to admonish you, but how much do you know about Judaism? Your comment is completely mistaken. Just what do you think Judaism says about the meek?Another has examples:In Genesis, you find that all humans were created b'tzelem Elohim (in the image of God). Moreover, Jewish texts consistently frame care for the poor as a legal obligation and moral imperative, not mere charity. Every Jewish child learns that promoting economic justice is mandated. It is called tzedakah.This religious mandate has manifested itself in the real world. Jews have been disproportionately represented in social justice movements aimed at promoting human equality. It wasn't an accident that two of three civil rights movement activists murdered in Neshoba County, Mississippi by the Ku Klux Klan were Jewish.Points taken. Big generalizations in a chat can be dumb. My quarrel may be semantic: the meek is not merely the weak. It's about the quiet people, those easily trampled upon. Like many of Jesus' innovations, it takes a Jewish idea further.Another listener on the Zaid pod:I wonder if you ever play the game of “which time would you like to go back to”? I do! And only half-jokingly, I often say 1994 in DC. Something about, for example, Christopher Hitchens on CSPAN in a dreary suit jacket discussing such *trivial* aspects of politics in a serious way. How perfect! When I listened to your episode with Zaid Jilani about how the left can win, it seemed dated to about this period in the early ‘90s.Ah yes, the Nineties. They were heady times and I think we all kinda realized it at the time. The economy was booming, crime was plummeting, Annie Leibovitz took my picture, and we had the luxury of an impeachment over a b*****b. Good times.On another episode, a listener says I have a “rose-colored view of President Obama”:In your conversation with Jason Willick, you said that Obama was a stickler for proper procedure and doing things the right way. I might instance, on the other side:* Evading the constitutional requirements on treaties in pursuit of the Iran deal (an evasion that the Republicans were stupid enough to go along with)* Encouraging the regulatory gambit of “sue and settle”* The “Dear Colleague” letter* “I've got a pen and a phone”Points taken. Especially the DACA move. But compared to Biden and Trump? Much better. One more listener email:I've been following you for years, but more recently I became a subscriber, and it's a decision I don't regret! I usually listen to the Dishcast over the weekend, and I always find it extremely stimulating, but there is also something relaxing about the length and scope of your conversations.I want to respond to something you said in your Claire Berlinski episode on the subject of Ukraine. Although I appreciate your position in defence of international law, you implied that Russia's claim to Ukrainian land is somehow “historically legitimate.” This is not only problematic from a logical standpoint (does Sweden have a historically legitimate claim to Finland and Norway, or does the UK have a claim to the Republic of Ireland, the US, and all its former colonies?), but also not based on historical reality.Unfortunately, this is not the first time your comments on Ukraine seem come through the prism of a Russian lens. I am sure it's not intentional; perhaps that's not a subject you have invested much time in, which is legitimate. However, I find it a bit surprising that, as we approach the fifth year of Russia's full-scale invasion, you still don't seem to have had the curiosity to explore this and invite any specialist on Ukraine. If Timothy Snyder is too political these days, I would recommend Serhii Plokhy — possibly the most eminent historian of Ukraine — or Yaroslav Hrytsak. They would each be a very interesting conversation.The Dishcast has featured many guests with expertise on the Ukraine war, including Anne Applebaum (twice), John Mearsheimer, Samuel Ramani (twice), Edward Luttwak, Fiona Hill (twice), Robert Wright, Robert Kaplan, Fareed Zakaria, Douglas Murray, Edward Luce, and Niall Ferguson.A reader responds to last week's column, “The President Of The 0.00001 Percent”:Like you, I'm not against people getting rich. A lot of good is done by a few people who have enough money to seed research and the arts, and pursue things that ordinary worker bees would never have the margin of time or resources to pursue. Good so far.But all strong forces need regulation and/or protective barriers, whether it's the weather, sex, patriotism, or capitalism. What's going on now is obscene. Progressive taxation is a social good: it doesn't stop anyone from getting richer and richer; it doesn't remove the positive motivators for success; it just means that the farther they get, the higher their proportionate contribution to the system that lets them get there. There are various ways to tweak the dials, but there is nothing philosophically wrong with tweaking them in a way the sets some outer limit. Let it be very high, but let it not be infinite.Here's a familiar dissent:You were right to torch the nihilism of the .00001 class. You were right to call out moral evasions. But when you referred to “the IDF's massacre of children in Gaza,” you collapsed a morally and legally distinct reality into a slogan. Words matter. “Massacre” implies intent. It suggests that the deliberate killing of children is policy rather than tragic consequence. That is a serious charge, and it deserves serious evidence.The governing reality in Gaza is not that Israel woke up one morning and decided to target children.