Podcast appearances and mentions of Colin Farrell

'The View' co-hosts weigh in after a big night for New York Mayor Zohran Mamdani, as all three candidates he endorsed secured victories, sparking debate over whether democratic socialism is gaining momentum in America. Colin Farrell joins the show as he celebrates turning 50, sharing why he's embracing this new chapter and what he's learning about aging. He also talks about getting back on the case for season two of his hit series 'Sugar' and what's ahead for his character. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Colin Farrell talks new season of 'Sugar'; 'The Bear' cast talks final season; Covenant House CEO talks Strides for Pride. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Colin Farrell talks new season of 'Sugar'; 'The Bear' cast talks final season; Covenant House CEO talks Strides for Pride. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We're down to two shows this week as the world cup (or embargoes, depending on who you ask) closes its vice-like grip on the airwaves. But what a pair they are: we're back in the spy business with Michael Fassbender in the return of Paramount+'s espionage drama The Agency, and on the missing persons beat with Colin Farrell as Apple's sci-fi-cri Sugar makes its return. Plus we mull over some of the Pilot shows that have dragged us out of our comfort zone and not only does Kay Ribeiro make her triumphant return to the podcast this week, but Steph drops by as well, making this a rare full house.Note: time stamps are approximate as the ads throw them out, so are only meant as a guide. If you want to avoid this and would like the podcast entirely ad-free (as well as 17 hours early, with a second weekly show and spoiler specials) then sign up to Pilot+!

Margot Robbie e Colin Farrell intraprendono un viaggio surreale, ma allo stesso tempo in grado di cambiare le loro vite. I loro personaggi sono Sarah e David: entrambi noleggiano un'auto da una compagnia molto bizzarra e, da sconosciuti, si ritrovano a varcare insieme una serie di porte sul loro passato. Nel cast, anche Kevin Kline.See omnystudio.com/listener for privacy information.

Revelaciones y juguetes frente a las nuevas tecnologías en los cines, adioses sorprendentes en las platyaformas y el rugido inminente de los dragones marcan el pulso de una nueva entrega de Estamos de Cine - Edición Series. Esta semana analizamos las tres grandes novedades de nuestro Filtro Rachel: -'Sugar' (Apple TV+): Destaca el regreso de Colin Farrell, que vuelve a meterse en la piel de un detective soñador en una propuesta con sabor a cine clásico negro e impecable factura. - 'Te encontraré' (Netflix) Analizamos el fulgurante estreno de este thriller que ha entrado rompiendo moldes y se ha colocado directamente en el número uno de lo más visto de la plataforma. Desglosamos las claves de esta potente propuesta norteamericana protagonzia por Sam Worthington. - 'Oasis': ¿Es el nuevo placer culpable de la temporada? De los institutos pijos al complejo veraniego de lujo, desgranamos este relevo natural que aspira a heredar el fenómeno de Élite. - ¿Adiós a la maldición de Widow's Bay? Analizamos el bautizado como uno de los "éxito durmientes" de la temporada; la serie de terror que entró de puntillas en la plataforma de Apple y ha terminado convertida en un auténtico fenómeno de masas tras la despedida de La maldición de Widow's Bay. - Y para acabar, Ángel Luque activa su barómetro musical para sumergirse en los suburbios del Nueva York de los años 30 con la esperada banda sonora, con sabor a cine negro de Spider-Man Noir (Prime Video), evaluando si las partituras de Kris Bowers y Michael Dean Parsons logran estar a la altura del listón heredado de Los Bridgerton o Robot salvaje.

¿Qué hay detrás de la magia de la Copa del Mundo? ¿Sabías que la Copa del Mundo fue robada y la encontró un perro en un matorral? ¿O que Francia tuvo que jugar un partido con la camiseta prestada de un club local?En este episodio de "De Un Punto Al Otro", Daniel y Mavi hacen un repaso de las historias más insólitas y los datos que han definido la historia de los Mundiales. Desde récords que parecen imposibles de romper hasta las anécdotas más curiosas ocurridas fuera y dentro de la cancha. Además, hacemos un viaje musical con nuestro Top 10 de las canciones más icónicas que han puesto ritmo a la máxima cita del fútbol. Te contamos también cómo la inteligencia artificial, el balón inteligente y los mapas 3D están cambiando las reglas del juego en este Mundial 2026. ¡Y cerramos el episodio con nuestras recomendaciones imperdibles de cine y series como He-Man, Spider-Noir y Sugar! Dale play, suscríbete y déjanos en los comentarios cuál es tu canción de mundial favorita.Si creías que lo sabías todo sobre el Mundial, prepárate para sorprenderte.PUEDES LEER MÁS DETALLES EN NUESTRA WEBLo que NO SABES de los Mundiales (Anécdotas, Récords y Top 10 Canciones) https://culturizando.com/e73-lo-que-no-sabes-de-los-mundiales/✨ ¡Suscríbete a Culturizando! No te pierdas ningún episodio. Activa la campana

In this Film Ireland podcast, recorded live on location in Washington, D.C. at the Capital Irish Film Festival, Gemma Creagh speaks with filmmaker Dennis Harvey about his exciting documentary Útóipe Cheilteach / Celtic Utopia.Útóipe Cheilteach / Celtic Utopia screens this Saturday, 20th June, at the Oh Yeah Music Centre as part of Docs Ireland. https://docsireland.iePresented annually by Solas Nua, the 20th edition of the Capital Irish Film Festival takes place in March each year, showcasing one of the largest programmes of Irish cinema in North America.Docs Ireland runs until the 21st, celebrating the best of new international documentary filmmaking, showcasing the work of Ireland's indigenous non-fiction culture and creatives.Read more here: https://www.filmireland.net/podcast-filmmaker-dennis-harvey-on-utoipe-cheilteach-celtic-utopiaDennis HarveyDennis is a filmmaker from Ireland. He is best known for his short documentary The Building and Burning of a Refugee Camp (2024), which won the Swedish Academy Award for Best Short Film, was selected by the French Academy of Cinema as one of the Best Short Films of 2024, and received many other awards. Dennis mainly writes and directs documentaries, but has also produced and edited his own films. His first feature, I Must Away (2023), was a kaleidoscopic essay about movement filmed over seven years in six countries. His latest short, The New Policy Regarding Homeless Asylum Seekers (2025), is an uncompromising interrogation of Ireland's inhuman asylum system and a dedication to those resisting it. His second feature, Útóipe Cheilteach (2025), a ballad tour through postcolonial Ireland, premiered at Locarno. With a cinema vérité approach and a particular sensitivity to the human, Dennis' work interrogates the political through the personal. He is a member of the European Film Academy. He is a member of Noncitizen, a film collective which works to hand over the means of making films to migrants.Útóipe Cheilteach / Celtic UtopiaWhat do we do with the violent history we've inherited? Do we accept a repressive culture as is, or do we reshape it in our own image? In a world where oppression, occupation and war have become ambient, Útóipe Cheilteach plays at a different frequency, where hope is possible and a brighter future may be realised. Featuring music from artists including The Mary Wallopers, Poor Creature and Lankum, Celtic Utopia tells the story of a new Ireland and its vibrant music scene, but also that of a post-colonial society wrestling with its heritage. A society where folk music carries both the oppression of the past and the dream of a bright future. The Irish folk music renaissance sees artists coming from punk, hip-hop, and beyond, rediscovering an ancient tradition and taking it in unexpected directions. Winner of the Grand Prix Semaine de la Critique at Locarno Film Festival and the Audience Award at Leeds International Film Festival 2025.Capital Irish Film FestivalSolas Nua's annual Capital Irish Film Festival in Washington, D.C., presents one of the largest programmes of Irish cinema in North America, showcasing the latest Irish dramatic and documentary features, shorts, art films and animation releases by Irish and Ireland-based filmmakers.Read more on SolasNua.org, follow Capital Irish Film Festival on FilmFreeway here.Docs IrelandDocs Ireland is Ireland's international documentary film festival. It celebrates the best of new international documentary filmmaking and showcases the work of Ireland's indigenous non-fiction culture and creatives. It is highly regarded internationally for its cutting-edge film programming and distinctive industry initiatives. Established in 2019 as the sister festival of the long-standing Belfast Film Festival, Docs Ireland takes place each June in Belfast.Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

¿Merece la pena ver Sugar Temporada 2? En esta crítica sin spoilers analizamos el regreso de una de las series más originales de Apple TV, protagonizada por Colin Farrell. Después de una primera temporada que sorprendió a muchos espectadores por su mezcla de thriller detectivesco, cine negro y elementos de ciencia ficción, Sugar regresa con un nuevo caso, nuevos personajes y una historia más ambiciosa. ¿Mantiene el nivel? ¿Mejora respecto a la primera entrega? ¿Sigue siendo una de las propuestas más diferentes de la televisión actual? En este episodio de Razones Para Ver Express, Juan Francisco Bellón comenta qué funciona mejor en esta segunda temporada, cómo evoluciona John Sugar, el trabajo de Colin Farrell y por qué la serie continúa siendo una rara avis dentro del catálogo de Apple TV.

Ian and Hannah review the biggest new films and bingeable shows on UK streaming services for the week beginning Friday 19th June 2026, including:Wrongfully imprisoned for murdering his own son, a father sets out on a desperate rescue mission after learning the boy may still be alive. Sam Worthington stars in Harlan Coben's I Will Find You on Netflix.Nick and Noah face the ultimate test of their love as Noah embarks on her new life at Oxford University while Nick remains in London, working for his father's company in Amazon Prime Video's feature length Your Fault: London.Colin Farrell returns as a dashing private eye navigating the darkest corners of sunny LA in season two of Sugar, on Apple TV.From first loves to dead pet pigs, life in rural Ballymacnoose isn't easy for these sad worms. Can the emotionally constipated lads get it together? Weird, charming comedy. Funboys returns for a second season on BBC iPlayer.Follow Bingewatch on all major podcast players for your weekly rundown of the best binge-worthy shows across Netflix, Prime Video, Disney+ and more.Remember to leave a 5 star review on Apple Podcasts, Podchaser and Goodpods AND you can now show your support and leave a tip for Ian and Hannah.You can also stay in touch with the team via Twitter AND if you like Bingewatch but you're looking for a specific review, check out BITESIZE BINGEWATCH, our sister show making it easier to get the bits you want!Discover your next favourite restaurant with NeoTaste, the exclusive membership unlocking huge discounts at hundreds of restaurants. Get 2 MONTHS FREE on us! Simply use the code BINGE at checkout. Sign up here: https://bingewatch.captivate.fm/neotaste For ad and sponsorship enquiries, email liam@mercurypodcasts.com now!

Diese Folge solltet ihr vielleicht ausnahmsweise mal im Video anschauen: Robert hat sich für eine 60s-Mottoparty den Vollbart abrasiert und steht jetzt mit Schnurrbart da – und erkennt sich selbst nicht mehr wieder. Wir reden über Bärte, Gesichtsproportionen, Method Acting und welche Bart-Vorbilder taugen (von Colin Farrell in True Detective bis Keanu Reeves' löchrigem Versuch). Dann wird's filmisch: Robert hat endlich Stanley Kubricks „2001: A Space Odyssey" gesehen – und ist komplett geflasht. Wir sprechen darüber, warum der Film bis heute Star Wars, Alien und unzählige andere geprägt hat, wie genial die praktischen Tricks von 1968 waren und warum echtes Handwerk für uns oft mehr Wirkung hat als CGI. Von Weta und Avatar über Titanic bis zur Marvel- und Transformers-Müdigkeit – und Christopher Nolans neuem Film „Odyssey", der komplett auf IMAX und 70 mm gedreht wurde. Unsere These: das Analog-Revival ist eine Reaktion auf die KI-Welle, in der wir gerade leben. Zum Schluss noch Fußball: Deutschland startet mit 7:1 gegen Curaçao in die WM. Wir reden über FIFA-Geldmacherei und die nervigen Trinkpausen, runtergekühlte Stadien, überraschende Underdog-Ergebnisse, junge Talente – und warum man Orakeln und „Modellen", die den Weltmeister vorhersagen, lieber nicht trauen sollte.

Clyde Tombaugh, a DVD rant, a die hard Raiders fan, Ben Stiller, Don Music, Kevin's diagnosis, Colin Farrell, and an Airplane clip dump!

Clyde Tombaugh, a DVD rant, a die hard Raiders fan, Ben Stiller, Don Music, Kevin's diagnosis, Colin Farrell, and an Airplane clip dump!

Film Ireland, supported by the Fís Éireann/Screen Ireland Stakeholders Fund, are delighted to present Out of the Box, the first in a six-part podcast series exploring different perspectives in media today.Hosted by writer and filmmaker Róisín Kearney, each episode features conversations with people paving the way for greater equity and inclusion in the screen industries. Together, they discuss what has worked so far, what still needs to be done, and how we can all ensure that all creative voices are properly heard.For the inaugural discussion, Róisín sits down with Paul FitzSimons, a writer, musician and producer who founded Prelude Content to create high-end film and television drama; and Dan Airey, presenter, producer, filmmaker and one half of the award-winning podcast duo behind Dan and Darragh Do Ability. Out of the BoxMedia has always played a powerful role in shaping society. When public health campaigns in the United States sought to promote the idea of a designated driver and reduce road deaths among young men, they turned to popular television shows such as Cheers, L.A. Law and The Cosby Show to help shift public attitudes. Since its inception, media has influenced how we see the world...and each other.So what happens when that media does not reflect the full breadth of society? What happens when people are told which stories they can tell, who they can tell them about, or how those stories should be told? There have been countless studies examining how marginalised communities are perceived by wider society, but far fewer exploring how people from those communities perceive society itself. This series seeks to contribute to that conversation, placing those perspectives front and centre.Paul FitzSimonsPaul is a producer, screenwriter and tutor with 15 years' experience in the film industry. He runs Prelude Content, producing films and TV dramas, working with creatives in Ireland, the UK, Spain and Japan. He recently produced feature film Verdigris, which premiered at the Galway Film Fleadh, won awards at festivals around the world, was nominated for five IFTA awards and was released in April 2025. Paul is now producing the comedy series Starless and developing a number of features and TV dramas.He has a postgraduate diploma in Advanced Producing from TU Dublin and is an EAVE Producers' Workshop graduate. Paul was previously Development Executive at production company Danú Media. He also wrote and produced the feature film The Gift (2017, OC Productions, 15A) and worked as a story writer on the Irish TV drama Fair City. Dan Airey Dan Airey is a presenter, podcaster, producer and filmmaker. He is the co-producer and co-presenter of the award-winning Dan and Darragh Do Ability Podcast, which features conversations with people with disabilities, encouraging listeners to see the world through different perspectives. Dan holds a four-year degree in Creative Digital Media and a Master's in Broadcast Production for TV and Radio. He has worked across multiple genres and formats, from short documentary to prime-time television. His short film L.I.F.E. (Live. It. Fully. Everyday) was written and directed as part of the Virgin Media Sharp Shorts 2023 initiative, exploring themes of resilience and identity. Other production credits include the documentaries A Deluge of Memories and Swim With Richard, which centre on powerful human stories. He has worked as a researcher on major RTÉ programmes including Angela Scanlon's Ask Me Anything, The Late Late Show, and The Late Late Toy Show, and has contributed to content development for future programming. Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

Sigue la promoción de Supergirl con un clip con un gusano de protagonista . ¿Premonición de lo que le espera en taquilla? Más filtraciones de Man Of Tomorrow . Otras noticias y nuestras secciones habituales. ESDP 12/06/2026 22:30 CLIP DE SUPERGIRL ¿PREMONICIÓN? ✴️ SUPERGIRL 1) El pasado fin de semana tuvo lugar en Los Ángeles un evento con un pase de la película el viernes por la noche. Opiniones que van del “es una maravilla” al “no está mal” 2) Dos nuevos Clips: El de la visión calorífica con efectos de sonido denigrantes digno de una spoof movie y el del gusano que caga las golosinas que luego se come Supergirl. 3) Preventa de Supergirl. Parece ser que la preventa está yendo a buen ritmo. Las previsiones han mejorado respecto a las iniciales de entre 47 y 65M$ y ahora mismo se espera una recaudación de entre 60 y 77 M$ en su primer fin de semana en USA según Global Box Office. ✴️ MAN OF TOMORROW 1) Más videos y fotos filtradas del rodaje. Y foto de Superman by Gunn 2) Escena eliminada del metraje de Superman ✴️ RESTO DCU 1) Paradise Lost noticias de la serie de las Amazonas que parecía medio muerta. Kira Snyder (El Cuento de la Criada) y Janet Lin (Los Bridgerton) aparecen en la web de la Writers Guild of America como guionistas de la serie. También se puede ver que se preveé el lanzamiento entre 2027 y 2028. 2) The Batman 2: Colin Farrell comenta en declaraciones a Collider que el rodaje comenzará la semana que viene y que él empezará dentro de un mes más o menos. (Collider) 3) Mis Aventuras con Superman la tercera temporada se strena este domingo 14 de junio en Max en España (el 13 en Adult Swim) HABLEMOS DE MOÑECOS: SUPERMAN: RECOVERY SUIT EDITION + SUPERMAN: RED SON EL SOTANO NO RECOMIENDA: EL SOLO DE GUITARRA DE COREY FELDMAN ❇️ Si quieres saber más de El Sótano de Planet os dejamos todos los enlaces de interés: PÓDCAST IVOOX: https://www.ivoox.com/podcast-podcast-el-sotano-del-planet-podcast-superman_sq_f173777_1.html TWITCH: https://www.twitch.tv/elsotanodelplanet YOUTUBE: https://www.youtube.com/channel/UCVezUEZeVU2pDJvQ0NFM6CQ INSTAGRAM: https://www.instagram.com/elsotanodelplanet/ FACEBOOK: https://www.facebook.com/ElSotanoDelPlanet TWITTER: https://twitter.com/SotanoPlanet DISCORD: https://discord.gg/qtarkDZpyB (Si no funciona la invitación, solicitadlo por redes sociales y os ofreceremos la nueva invitación activa) E-MAIL: ElSotanoDelPlanet@gmail.com PÓDCAST ITUNES: https://podcasts.apple.com/es/podcast/podcast-el-s%C3%B3tano-del-planet-podcast-superman/id1041625748 PÓDCAST SPOTIFY: https://open.spotify.com/show/1nlF54BDI8dsIxo6Az51zK?si=5XQJoWR1Rq6kN-FMo9RN2g PÓDCAST ANTIGUOS: https://go.ivoox.com/sq/1136166

In Episode 458, Madden and Kolsky figured out a way to get this thing on tape, which should be enough, as they talk through: The somewhat underwhelming season finalé of Top Chef (0:50) and how not leaving the Carolinas for the final felt strange… The new Apple TV+ series Cape Fear (16:30) and how one of our hosts just isn’t here for this sort of thing, but the other is ALL IN… A look back at a few show-favorite series that wrapped up for good in the last couple weeks: the enjoyable endpoint of The Boys (26:05), the only-sometimes-beautiful mess that was Euphoria’s last season (29:55) and the triumph of Hacks (41:30)… Homework for some time in a couple weeks (48:30), which is TOTALLY UP IN THE AIR other than World Cup and NBA Finals (if necessary), but may also include the return of Colin Farrell’s Apple TV+ show Sugar…

For nearly four decades, the Ojai Film Society has been bringing people together through the shared experience of watching great films outdoors, in community, and for free.In this episode of Ojai Talk of the Town, Bret sits down with Ojai Film Society board members David Lawrence Bell and Natalia Iyudin to discuss the organization's upcoming Summer Series at Libbey Bowl, which begins July 2 with Taika Waititi's beloved adventure-comedy Hunt for the Wilderpeople and concludes August 27 with Steven Spielberg's blockbuster classic Jurassic Park. Along the way, audiences can enjoy documentaries, mockumentaries, science fiction, and special appearances by filmmakers including Selena y Los Dinos director Isabel Castro and Cookie Queens director Alysa Nahmias. The conversation explores the art of film programming, the challenge of building community in the streaming age, memorable movie-going experiences, and why gathering under the stars at Libbey Bowl remains one of Ojai's most cherished summer traditions. The guests also offer insights into this year's lineup, from the emotional power of Arrival to the enduring appeal of Best in Show and Jurassic Park. We did not talk about Coralie Fargeat's Revenge, Colin Farrell's Ojai misadventures, or the history of the 60-degree screw.Whether you're a devoted cinephile or simply looking for a great summer evening in Ojai, this episode offers a behind-the-scenes look at one of the Valley's most successful cultural institutions.For more information, and to get on their mailing list, check out https://ojaifilmsociety.org/

This year, Bloomsday Film Festival will present a special screening of Ulysses, New York - an ambitious 24-part adaptation of Ulysses introduced by director, Caveh Zahedi and hosted by Irish filmmaker Dean Kavanagh.Caveh is an American autobiographical filmmaker celebrated for his experimental, self-reflexive and adventurous work across film, web series, and podcasting. In this podcast, we catch up with Caveh to chat about his art, craft, and plans for the festival.Listen now on SoundCloud, Apple, Spotify, Acast and Amazon, or subscribe to Film Ireland wherever you get your podcasts or watch the original recording here.https://www.filmireland.net/podcast-filmmaker-caveh-zahedi-ulysses-new-york-at-bloomsday-film-festivalThis screening and talk will be taken place on 12th June 2026 7pm to 8:30pm in Belvedere College. Get your tickets here.The Bloomsday Festival runs from 11th–16th June, with screenings hosted at the historic James Joyce Centre and the Irish Film Institute (IFI).About Ulysses, New York An Introduction with Director Caveh Zahedi Ulysses, New York is an ambitious 24-part adaptation of James Joyce's Ulysses by Caveh Zahedi, an American autobiographical filmmaker known for his self-reflexive and formally adventurous approach to cinema. His feature films include Autobiographical Filmmaker Seeks Camera-Friendly Companion (2025), The Sheik and I (2012), I Am a Sex Addict (2005), In the Bathtub of the World (2001), I Don't Hate Las Vegas Anymore (1994), and A Little Stiff (1991). He is also the creator of the web series The Show About the Show and the writer/host of the podcast 365 Stories I Want To Tell You Before We Both Die.With Ulysses, New York, Zahedi attempts to do to Joyce's Ulysses what Joyce did to Homer's The Odyssey: transpose a canonical work into a new time, place and form. The events of 16 June 1904 in Dublin are reimagined as taking place on 16 June 2022 in New York City, on the centenary of the novel's publication. Following eight actors performing in a Bloomsday stage production of Ulysses, the film moves between Joyce's chapters onstage and the corresponding hours of the actors' real day. This special presentation features a work-in-progress version of the introductory episode, followed by a discussion with Zahedi on the challenges of adapting Joyce.Bloomsday Film FestivalIreland's most literary film festival was established as a celebration of cinema, literature, and artistic innovation, inspired by the far-reaching influence of Ireland's father of modernism, James Joyce. The festival is presented in partnership with the Bloomsday Festival and the James Joyce Centre, and runs from 11–16 June, with screenings hosted at the historic James Joyce Centre and the Irish Film Institute (IFI). Continuing its annual traditions, the festival marks the birthday of W.B. Yeats on 13 June with a curated programme of poetry and literature-inspired short films. On 14 June, in keeping with Joyce's radical and experimental spirit, the programme showcases a selection of innovative experimental films. The following day, 15 June, celebrates the anniversary of the publication of Dubliners with screenings of Joycean short films and adaptations of Dublin-based stories.Alongside its cinematic programme, the Bloomsday Film Festival presents a diverse range of events, including director Q&As, workshops, musical performances, and poetry readings. At its core, the festival is committed to fostering artistic innovation - championing filmmakers who forge their own paths and create work that pushes the boundaries of the medium, in the same pioneering spirit that defined Joyce's literary legacy.Check out the programme & get tickets at www.bloomsdayfestival.ie.Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

This is an extended preview clip of our massive WLM episode on Minority Report! To access the full show, click through here and sign up for our Patreon. Instantly unlock this episode, along with countless hours of exclusive commercial-free content you can't get anywhere else!“I love the setup, I love the whole idea of the wrong man here...” - Eric On this month's We ❤️ Movies episode, we're getting in the Spielberg mood in anticipation of Disclosure Day by chatting about one of his big sci-fi thrillers of the early-aughts, Minority Report!Was it the right move for this movie to forgo a non-stop action vibe? What did the production designers get right about our near future? Was this the last great Max von Sydow performance? Is this one of the more not-great haircuts Tom Cruise has had in a movie? Didn't we need a few more scenes with Colin Farrell? Should that creepy guy be working in the pre-cog pool alone? And how much wood is being wasted by this machine crafting all these ornate wooden balls? PLUS: Ralph Kramden gets locked in the pre-crime jail!Minority Report stars Tom Cruise, Colin Farrell, Samantha Morton, Steve Harris, Neal McDonough, Lois Smith, Tim Blake Nelson, Arye Gross, Mike Binder, Jessica Harper, Peter Stormare, William Mapother, and Max von Sydow as Lamar Burgess; directed by Steven Spielberg.Come hang out in Vegas with us this summer as we do a three-night stand at ST:LV to celebrate 60 years of Star Trek and 10 years of The Nexus! We'll be at the convention Thursday, Friday and Saturday night doing three Nexus shows on Wrath of Kahn, Generations, and First Contact! Best part is, you don't need to have a convention pass to attend, each show is ticketed separately. Click through to snag your tix now!Be sure to visit the WHM Merch shop over on Dashery and check out all the latest show-related designs you can slap on t-shirts, hats, coffee mugs, stickers, whatever! Make your friends jealous by flaunting some WHM merch today! Original cover art by Felipe Sobreiro.

Recorded live at RENDR 2026 we caught up with Oscar-shortlisted animator and acclaimed storyboard artist Giovanna Ferrari about her latest short film Éiru.With a career spanning major European productions and some of Ireland's most celebrated animated features, Ferrari reflects on her creative journey, the rewards and challenges of storyboarding, and the evolving language of animation. From her early work in France to her current role at Cartoon Saloon, she discusses the collaborative process behind award-winning films, as well as the personal inspiration driving her own directorial work.In partnership with RENDR Festival and supported by the National Talent Academy for VFX, this series of talks was recorded in The Spinners Mill Studio, a podcast and DJ studio based in Banana Block offering tailored solutions for DJ sessions, small-scale events and podcasting from concept to final distribution.About Giovanna FerrariSince the early 2000s, Giovanna has worked on several feature films across Europe both as Storyboard Artist and Animator. After working in France for 10 years, she moved to Ireland and worked with Cartoon Saloon on a number of projects, including Song of The Sea, The Breadwinner and Wolfwalkers. Recently she was Head of Story and Animation Director of Cartoon Saloon's new feature film My Father's Dragon produced by Netflix and directed by Nora Twomey. Giovanna's storyboarding on The Breadwinner was awarded with an Emile Award in 2018. ÉIRU, a short film written and directed by Giovanna, and produced by Cartoon Saloon was one of 15 Animated Short Films shortlisted for the 98th Academy Awards® and has screened at festivals all across the globe.Éiru is the smallest child of a mighty and powerful clan of Iron age Irish warriors. When the village well mysteriously dries up, she can finally prove herself worthy of her clan's name by descending into the belly of the earth and facing whoever or whatever has stolen their water.RENDR FestivalThis is a unique event celebrating creative craft and artistry in a fully immersive two-day festival exploring the space between Creativity and Technology. Ignite your imagination with inspiring speakers from the worlds of Film, Gaming, Animation, Immersive, and more! Learn from the best, with 30+ creatives from the likes of Netflix, Pixar, Walt Disney Studios and Epic Games among others.Witness creative uses of new technology, explore the gallery of digital art, chow down at the food village or play in the arcade. You will be transported to the future, and provide you with unforgettable and inspirational nights. Like nothing you have experienced before, our unique combination is guaranteed to provide two nights you can't miss. Come for the talks, stay for the experience!National Talent Academy for Visual EffectsAs the newest of the Academies, the National Talent Academy for VFX provides support and opportunities for anyone interested in a career in VFX. Launched in 2024, the National Talent Academy for VFX is an initiative of Fis Eireann/Screen Ireland, managed by Cultural & Creative Industries Skillnet. Their mission is to transform aspiring VFX artists into industry-ready professionals while providing ongoing upskilling opportunities for current talent.Through comprehensive courses and programmess, we introduce participants to best practices both locally and globally, creating clear pathways and solidifying Ireland's reputation as a premier destination for VFX. The National Talent Academy for VFX is dedicated to attracting individuals from diverse backgrounds and disciplines, fostering greater awareness of VFX as a viable and exciting career choice. Learn more about the work they do hereOver the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

National Smile day. Entertainment from 2022. Tulsa race riots began, Asphalt invented, Widest tornado ever recorded. Todays birthdays - Don Ameche, Clint Eastwood, Johnny Paycheck, Tom Berenger, Lea Thompson, Corey Hart, Brooke Shields, Colin Farrell. Jack Dempsey died.Intro - God did good - Dianna Corcoran    https://diannacorcoran.com/When I see you smile - Bad EnglishAs it was - Harry StylesWasted on you - Morgan WallenBirthdays - In da club - 50 Cent         http://50cent.com/Bar room buddies - Merle Haggard Clint EastwoodTake this job and shove it - Johnny PaycheckSunglasses at night - Corey HartExit - Damn Cowboy - Austin Hooks    Austin on FacebookHistory & Factoids about today Playlist on SpotifyHistory & Factoids about today webpagecooolmedia.comcountryundergroundradio.comNational Days - May Puzzle BookGrace & Grit Christian Country Radio

SerieSelektor #252 Garbellem el calendari del mes destacant les millors estrenes i grans retorns com el de "Sugar" (Apple TV), protagonitzada per Colin Farrell.

Hedwig koos voor deze aflevering Sofia Coppola; een mooie aanleiding om het onder andere te hebben over representatie en privilege. De keuzefilm van Hedwig is Marie Antoinette (2006), de snoep-kleurige kostuumfilm over de laatste koningin van Frankrijk. Ruud greep de gelegenheid aan om Southern Gothic-film The Beguiled (2017) eindelijk eens te kijken, waarin Colin Farrell een heel huis vol vrouwen probeert te verleiden.  "(26:10)" - Marie Antoinette (keuzefilm Hedwig) "(39:07)" - The Beguiled (keuzefilm Ruud) "(52:45)" - Schandaalschaal, afronding, en aankondiging aflevering 4

Time to close out the month celebrating DeVaughn and Colin Farrell's birthday as we discuss The Killing of a Sacred Deer directed by Yorgos Lanthimos. Talking the impeccable performances, the concept of Martin's curse, themes of accountability, and if this is Yorgos' masterpiece. It's that critical moment we all knew would come!We had a microphone error, apologies Garrett doesn't sounds as clean as usual!New episodes drop every Tuesday, subscribe so you don't miss out. Rate us 5 stars while you're at it! Enter The Phantom Zone to access all sorts of bonus goodies like our monthly side show "Watching the Watchlist", movie commentaries, and polls to help shape the podcast: https://patreon.com/spectercinema Haunt Garrett on social media:TikTokTwitterBlueskyInstagramLetterboxdYouTubeHaunt DeVaughn on social media:BlueskyTwitterTikTokInstagramLetterboxdYouTubeSpecter Cinema Club Original Theme by Andrey Kinnard

In episode 26 of the DocArena Podcast, Ross Whitaker catches up once again with BAFTA Award-winning director John Dower (Lockerbie, Thriller in Manila, My Scientology Movie) to discuss his latest film, The Balloonists. In cinemas on 22nd May, this gripping documentary follows explorer Bertrand Piccard and British flying instructor Brian Jones as they take on the world's top aeronauts and billionaires in a high-stakes race to become the first to fly nonstop around the globe in a balloon.This podcast has been made possible with the support of the Fís Éireann/Screen Ireland Stakeholders Fund.Listen now on SoundCloud, Apple, Spotify, Acast and Amazon, or subscribe to Film Ireland wherever you get your podcasts.Welcome to The DocArena Podcast in association with Film Ireland. My name is Ross Whitaker and every fortnight, I want to dig deeply into the motivations of documentary filmmakers – how do they choose their subject material and what approaches and strategies do they employ to fund, craft and distribute their work…John DowerJohn Dower is a British director who recently won a BAFTA for his series Lockerbie. His feature Thriller in Manila played at Sundance in 2009, went on to be BAFTA and Emmy-nominated, and won a Grierson and a Peabody. His film Bradley Wiggins: A Year In Yellow was BAFTA nominated in the Best Director category. John's other films include the music documentary Live Forever, My Scientology Movie, the Netflix series Sophie – A Murder in West Cork, and The Mystery of DB Cooper, described by The Guardian as, “a real-life Twin Peaks … highly entertaining” and the Times calling it “all but flawless.”The BalloonistsThe Balloonists, a thrilling new documentary opens in the winter of 1999, when Piccard - from a family of record-breaking explorers - and Jones set out to complete the last great aviation challenge of the 20th century: circumnavigating the globe nonstop in a hot-air balloon. With rival teams launching across the world, the race is on to secure a place in the history books.Working together, they must overcome extreme weather conditions, survive potentially fatal technical failures, and endure mounting mental and physical exhaustion. An exhilarating ride through breathtaking heights and perilous challenges, The Balloonists is a life-affirming story of adventure, obsession and friendship - drawn from a rich archive capturing the highs and lows of their extraordinary journey.The Balloonists is produced by Rise Films, the Oscar-winning company behind Icarus, All That Breathes, Nuisance Bear, The Invisible War, The Interrupters and George Carlin's American Dream. The film is produced in association with Anonymous Content and Red Bull Studios.In Irish cinemas 22 May 2026.Check out more DocArena episodes herePodcast music composed by michaelflemingmusic.comRoss Whitaker is a filmmaker and former editor of Film Ireland Magazine and programmer of the IFI Dublin Documentary Film Festival @RossWhitakerTVRoss is a producer and/or director of the feature documentaries Beat the Lotto (2025), Katie (2018), Between Land and Sea (2016), Unbreakable (2014) and Saviours (2007). His recent work includes the TV documentaries This Is Open Country (2025) for NBC/Sky, Birdsong (2024) for RTÉ (+ BBC, ARTE), Rachael Blackmore: A Grand Year (2021) for ITV/RTÉ, Barney Curley Beat the Bookies (2021) for BBC/RTÉ and The Boys in Green (2020) for RTÉ. His short documentaries include the award-winning Bye Bye Now (2009) and Home Turf (2011), as well as the documentary commercial Sleeping Flags (2019), which won prestigious D&AD and Cannes Lions Awards. Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

In this Film Ireland Podcast, we catch up with writer/director Róisín Kearney whose latest short, ÉIST, starring Stephen Rea, is set to premiere at the Fastnet Film Festival on Sunday 24th May following its Puttnam Script Award win.Róisín has established a career across film, TV and theatre, from directing RTÉ documentary series Keep It Up to producing award-winning shorts including The Ferry and Prodigy. She directed the short multi-award-winning short PADDY, which screened at festivals around the world. In this episode, Róisín joins fellow filmmaker Rachel Melita to talk about coming back into the industry, the realities of funding and development, directing documentary versus drama, writing authentic characters, and the collaborative process of bringing ÉIST to life.ÉIST Starring Stephen Rea, Aaron Monaghan, and Louis Kirwan, Éíst is written and directed by Róisín Kearney and produced by her long-time collaborator Caroline Grace-Cassidy as well as Kevin Cassidy for Document Films.Éíst is a meditation on memory, loss, and childhood trauma, explored through the quiet bravery of a young boy who listens. When he hears his ailing grandfather cry out, he hatches a plan to break him out of his nursing home and return him to his island home, where he hopes to make peace with the ocean that claimed his brother's life. A story of innocence and empathy, the film explores a child's sense of fairness as he breaks the rules to fulfil his grandfather's wish. A story of innocence and empathy, Éíst explores a child's sense of fairness as he breaks the rules to fulfil his grandfather's wish. Shot on location in West Cork, the film's cinematography is by Eleanor Bowman.Éíst will premiere at Fastnet Film Festival on Sunday, 24th May in the Palace Cinema at Schull Harbour Hotel. The screening will be followed by a Q&A with Róisín Kearney, Caroline Grace-Cassidy, Stephen Rea, David and Patsy Puttnam, Jean Van Sindern Law, moderated by John Kelleher.Róisín Kearney Beginning her career in theatre lighting design and stage direction, Roisin moved into film after working on low-budget independent productions in the late 1990s and early 2000s. She later stepped back to focus on family, working on the periphery of the industry in script development and copywriting for producers. She returned to writing with the comedy short The Love Agency (2014), later developed as a radio play.Her film work includes The Ballad of Olive Morris (EP, shortlisted BAFTA 2023), The Secret Life of Jim (producer, multiple award winner), PADDY (director, premiered Galway Film Fleadh 2020), The Ferry (co-producer, Academy long-listed 2021), The Family Way (writer/producer, shortlisted EdFest New Voice Award), RUN (co-writer/director, premiered Galway Film Fleadh 2019 and toured internationally), No Dogs (writer/director, nominated Best Female Director Cork Indie FF), and Keep It Up (hybrid documentary series for Macalla Teo and RTÉ, Celtic Media Festival nominated).She is also producer of the award-winning radio play Adventures of a Young Pirate Queen, now in its third season on RTÉ Jr Radio. Her projects in development include Playing For Ireland (documentary, Tile Media), RIP (comedy drama series, Babyjane Productions, Screen Ireland supported), Spoke (feature film, Roundstone Media, Screen Ireland supported), Moon Walk(theatre, Arts Council supported), and Like, Vintage (comedy drama feature, with Caroline Grace Cassidy and Document Films). She has also developed TV scripts including Patrius (Belfast crime thriller) and Bloodlines (blue-sky drama series).Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

In this Film Ireland podcast, recorded live on location in Washington, D.C. at the Capital Irish Film Festival, Gemma Creagh chats with producer, writer and director Ruán Magan his films Báite and Daniel O'Connell: The Emancipator, which were both screening in the programme. Presented annually by Solas Nua, the 20th edition of the Capital Irish Film Festival ran from 26th February to 1st March 2026, presenting one of the largest programmes of Irish cinema in North America. We learn more about the great work they do by catching up with the festival's director Maedhbh Mc Cullagh.Finally we hear from some of the attendees at the event...BáiteA woman's body is found under the waters of a lake in the countryside, and the arrival of a Detective from Dublin is the last thing Peggy, the owner of Casey's Pub, needs as she tries to save her business and her family.Daniel O'Connell: The Emancipator Narrated by Domhnall Gleeson, this hour-long documentary explores the life and legacy of Daniel O'Connell to mark the 250th anniversary of his birth in 2025.Ruán Magan Ruán is a producer, writer and director whose work in drama, documentary and stadium events has reached audiences of millions throughout the world. Having begun his career in the movie business, Ruán has worked as an assistant director and location manger in major Hollywood films including Far & Away, The Devil's Own and Michael Collins. Ruán established Create One in 1996 spurred by the ideal of creating high end content that explored and celebrated the human condition. The company's first production was a documentary presented by the writer and playright, Manchán Magan filmed in India. This led to a long collaboration which saw the two brothers producing 30 documentaries filmed in India, South America, the Middle East, the USA, Europe and China.In 1998, Create One produced By Design. This 6 part documentary series produced by Ruán Magan in collaboration with Fox Laurber and Little Bird, design expert, Garrett O'Hagan and directer, Geoff Dunlop, looked at the crucial role that design plays in the human world. It aired across Europe and the US. Since then Ruán has continued to produce project through Create One while also embarking on an international career that has seen him direct and produce projects in the US, Europe and China for Discovery, History Channel, Smithsonian, BBC, ARTE and Tencent. Drama projects directed by Ruán Magan include Báite (Danu Media), Wrecking The Rising/Éirí Amach Amú (Tile Films), Éoinín na nÉan (TG4) and Angel (Create One). His screenplays No Fury and The Noticer.Maedhbh Mc Cullagh Maedhbh is a multidisciplinary cultural producer, arts programmer and creative consultant. For more than two decades she has been producing and managing artistic programs, presentations, productions, and special events for international festivals, cultural institutes and organizations, in Europe and the US, including appointments as the Associate Director of Irish Screen America, Managing Director of the world-renowned Abrons Arts Center, independent freelance producer at Performance Space NY, The Civilians Theater Company, The Foundry Theatre, the Alliance of Resident Theatres, and program director of the international Dublin Fringe Festival.About Capital Irish Film FestivalSolas Nua's annual Capital Irish Film Festival in Washington, D.C., presents one of the largest programmes of Irish cinema in North America, showcasing the latest Irish dramatic and documentary features, shorts, art films and animation releases by Irish and Ireland-based filmmakers. The festival provides a US platform that amplifies the work of independent filmmakers working in Ireland and beyond, and celebrates the strength of Ireland's contemporary cinematic culture. The programme highlights the country's rich cultural heritage while fostering an inclusive and diverse community of Irish filmmakers.Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

The cast for The Batman: Part II is starting to come together, and it already looks like one of the most stacked comic book movie ensembles in recent memory. Robert Pattinson is back as Batman, with major returning players like Andy Serkis, Colin Farrell, Jeffrey Wright, Jayme Lawson, and Gil Perez-Abraham helping carry Matt Reeves' Gotham into its next chapter.In this episode of Geek Freaks Headlines, Frank breaks down the confirmed cast, the new names joining the sequel, and the biggest question hanging over the movie: who is actually missing? With Zoë Kravitz, Paul Dano, and Barry Keoghan not currently listed, the conversation turns toward Catwoman, Riddler, Joker, Harvey Dent, and whether all that snowy imagery could be teasing Mr. Freeze.00:00 The Batman: Part II Cast Is Looking StackedFrank opens with the confirmed names and why the missing cast members may be the most interesting part of the update.00:14 Returning Cast From The BatmanRobert Pattinson, Andy Serkis, Colin Farrell, Jeffrey Wright, Jayme Lawson, and Gil Perez-Abraham are discussed as key returning pieces of Reeves' Gotham.00:33 New Cast Members And Mystery RolesSebastian Stan is reportedly tied to Harvey Dent, while Charles Dance, Sebastian Koch, Brian Tyree Henry, and Scarlett Johansson raise major questions.00:51 Missing Names From The First MovieZoë Kravitz, Paul Dano, and Barry Keoghan are not currently listed, which stands out after Joker and Riddler were teased together.01:18 Could Mr. Freeze Be The Big Bad?Frank connects the snowy imagery to Mr. Freeze and explains why the character could fit perfectly into Matt Reeves' grounded Gotham.01:50 Who Will Be The Villain Of The Batman: Part II?The episode closes with speculation about Harvey Dent, Two-Face, Penguin, Joker, Riddler, and Mr. Freeze.The Batman: Part II has a strong returning cast led by Robert Pattinson as Batman, Jeffrey Wright as Jim Gordon, Andy Serkis as Alfred, and Colin Farrell as Penguin.Sebastian Stan reportedly playing Harvey Dent could be a major clue about the sequel's focus, even if he does not become Two-Face right away.Scarlett Johansson, Brian Tyree Henry, and Sebastian Koch are confirmed without roles, making them the biggest sources of speculation.Zoë Kravitz, Paul Dano, and Barry Keoghan are not currently listed as returning, which is especially notable after the Joker and Riddler tease in the first movie.The snowy imagery surrounding the sequel has Frank wondering if Mr. Freeze could be part of the story.The cast has serious awards pedigree, making The Batman: Part II feel like a major expansion of Matt Reeves' crime-focused Gotham.“Batman Part II cast is looking pretty stacked, but I think it's the missing names that are more interesting.”“Barry Keoghan was specifically teased at the end of the last movie, so I had assumed that he was going to play some part in the next movie.”“Catwoman leaving Gotham makes sense to me, because her whole point was to erase her identity so she could have some freedom.”“We're getting a lot of snowy imagery from different places, so I'm hoping that's teasing Mr. Freeze.”“With this cast, I mean, think about how stacked this cast is. This is an all-star cast.”Subscribe to Geek Freaks Headlines for quick breakdowns of the biggest movie, TV, gaming, and comic book news. Leave a review, share the episode with another Batman fan, and join the conversation using #GeekFreaks.Who do you think will be the main villain in The Batman: Part II? Will Harvey Dent become Two-Face, or is Matt Reeves setting up someone like Mr. Freeze?Geek Freaks Podcast: https://GeekFreaksPodcast.comFacebook: https://www.facebook.com/thegeekfreakspodcastThreads: https://www.threads.net/@geekfreakspodcastPatreon: https://www.patreon.com/GeekFreakspodcastTwitter: https://twitter.com/geekfreakspodInstagram: https://www.instagram.com/geekfreakspodcast/

Award-winning screenwriter Malcolm Campbell has worked on some of the most influential shows on UK television. His impressive back catalogue of films includes the gripping What Richard Did as well as the deeply affecting Herself. Now, his latest feature, 500 Miles, has just hit cinemas. This moving family drama, featuring Bill Nighy and Maisie Williams, follows two young brothers on a poignant journey across Ireland.In this Film Ireland Podcast, Malcolm discusses adaptation, notes, writing with empathy, working with actors, and the collaborative process of bringing 500 Miles to the screen.Listen now on SoundCloud, Apple, Spotify, Acast and Amazon, or subscribe to Film Ireland wherever you get your podcasts.Malcolm CampbellMalcolm is an award-winning screenwriter from Mansfield, whose credits include the acclaimed feature films, What Richard Did and Herself. He created and wrote C4's hit TV drama series Ackley Bridge, now in its 5th and final series, and he has written for some of the UK's most popular dramas, including Shameless and Skins. Malcolm's ​screenplay for What Richard Did, directed by Lenny Abrahamson and produced by Element Pictures, won numerous awards including The Evening Standard British Film Award's Best Screenplay, The Writer's Guild's Best Screenplay and the Irish Film and TV Award's Best Film Script. Malcolm co-wrote the film Herself with its star Clare Dunne. Directed by Phyllida Lloyd, reviews for the film were outstanding and it was released globally across 2021, winning Best Script at the IFTAs that year.500 MilesWhile their fighting parents (Clare Dunne & Michael Socha) tear their hair out with worry, runaways Finn (Roman Griffin Davis) and his live-wire younger brother Charlie (Dexter Sol Ansell) embark on an epic adventure from Yorkshire, over land and sea, to the Wild West coast of Ireland. With the free-spirited busker Cáit (Maisie Williams) helping the young boys along the way, their destination is Dingle, County Kerry, and their estranged, beloved Grandfather (BAFTA-award winner Bill Nighy), who their parents haven't spoken to since the fateful events of the previous summer.Directed by BAFTA-winner Morgan Matthews and written by Malcolm Campbell, this powerful adaptation of Mark Lowery's acclaimed book Charlie and Me: 421 Miles from Home is produced by New Origin, Port Pictures and Minnow Films. Produced by David M. Thompson, Alexander Gordon, Martina Niland and Keren Misgav Ristvedt, and with music from Jamie Duffy, 500 MILES stars Bill Nighy (Love Actually, Living) alongside Roman Griffin Davis (Jojo Rabbit), Dexter Sol Ansell (A Knight of the Seven Kingdoms), Clare Dunne (Herself, Kin), Michael Socha (This is England) and Maisie Williams (Game of Thrones).In cinemas 15th May 2026.Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

Recorded at the 2026 edition of the Berlin International Film Festival, this episode sees Naemi Victoria catching up with two impactful and thought-provoking films screening at the festival.First, she speaks with filmmaker Fanny Texier about her powerful short A Woman's Place Is Everywhere, which won The Silver Bear Jury Prize for Best Short Film. Set in Williamsburg, Brooklyn, the film identical twin sisters Emilija and Ona as they face grief, looming eviction and an uncertain future after the sudden death of their mother. Then, Naemi is joined by director Fil Ieropoulos and writer Foivos Dousos to discuss Uchronia, a bold and visually expansive docu-essay inspired by Arthur Rimbaud's Une Saison en Enfer. The film follows the ghost of the French poet on a time-travelling journey through alternative histories, revolutionary politics and queer resistance.A Woman's Place Is Everywhere Identical twin sisters Emilija and Ona have lived in a rent-controlled warehouse loft in Williamsburg, Brooklyn for as long as they can remember. After the sudden death of their mother – a Lithuanian artist and dancer who first called the loft home in the 1970s – they find themselves on the brink of eviction. The neighbourhood has transformed; the landlord wants them out. Adding to the turmoil, Ona discovers she is pregnant. Fanny TexierThe documentary filmmaker was born in Paris, France and is now based in Brooklyn. She studied journalism at the University of Montreal and has a master's degree from the Sorbonne. As a feminist director, she is drawn to intimate and unusual stories, particularly those of women and individuals who are under-represented in traditional media. Her work has been presented by organisations including HBO, Netflix, “The New Yorker”, the BBC and Showtime. She recently participated in the Film at Lincoln Center Artists Academy and the newportFILM lab to develop her debut feature-length documentary.UchroniaIn this docu-essay inspired by Arthur Rimbaud's “Une Saison en Enfer”, we meet the French poet's ghost embarking on a time-travel adventure. His delirious visions become portals opening onto alternative timelines – or “uchronias”. Rimbaud gains the opportunity to meet revolutionary figures such as Emma Goldman, David Wojnarowicz and Marsha P. Johnson. Together, they explore the possibility of social change and reflect on the meaning of revolution in times of disillusionment. Inspired by the rich history of 20th-century experimental queer cinema, the film is a celebration of enfants terribles and dissident freaks across the globe. Ultimately, the film considers the current political milieu and its parallels with Rimbaud's own time. Could post-internet ennui and widespread defeatism be understood through the eyes of a late 19th-century decadent poet? Fil Ieropoulos, DirectorFil studied film, cultural studies and communication in the UK, completing a PhD in film poetry at the University of Kent in 2010. Since 2003, he has been a senior lecturer at Buckinghamshire New University, teaching video art, film theory and animation. His first feature, Orfeas2021, premiered at the Thessaloniki International Film Festival and was nominated for Greek Film Academy awards. His second feature, Avant-Drag!, premiered at the International Film Festival Rotterdam and has been selected for over 70 international festivals, earning a Special Jury Mention at the Thessaloniki International Documentary Festival.Foivos Dousos, WriterFoivos completed his PhD on narcissism in new media cultures in 2019. He was a contributing curator for the Athens Biennale and was a founding member of Sound Acts Festival, the Athens Museum of Queer Arts (AMOQA) and the publishing initiative Queer Ink. In his creative practice as part of the artistic duo FYTA, he has performed in Athens, Geneva, Berlin and London. FYTA's work problematizes Greek identity and nationalism and often employs playfulness, humour and irony.Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

Recorded live on location at RENDR 2026 in Banana Block Belfast, we caught up with acclaimed filmmaker Fede Álvarez, the director, writer and producer behind genre-defining features including Evil Dead, Don't Breathe and Alien: Romulus.In this in-depth conversation, he discusses breaking into Hollywood from Uruguay, working with iconic horror franchises and the key moment he reassessed his career. Fede has collaborated with some of the industry's biggest names, including Ridley Scott, and reflects on the success of Alien: Romulus, the evolution of genre filmmaking, and the cinematic worlds he enjoys building.If you want to watch the video recording of this talk, check out the episode page here.We are delighted to present this very special speaker series in partnership with RENDR Festival and supported by the National Talent Academy for VFX, recorded in The Spinners Mill Studio. Fede ÁlvarezDirector, writer & producer Federico Javier Álvarez Mattos is a Uruguayan filmmaker whose directorial debut was the 2013 remake of Evil Dead, which he also wrote. The film starred Jane Levy, Shiloh Fernandez and Lou Taylor Pucci, and opened at number one at the box office. Following the success of his first film, Alvarez wrote, directed and produced the hit genre film Don't Breathe. The film premiered to rave reviews, grossed over $157 million globally.Alvarez also directed and wrote the action-crime film The Girl in the Spider's Web, starring Claire Foy and LaKeith Stanfield, based on the characters from the bestselling Stieg Larsson series, The Girl with the Dragon Tattoo. He also produced and wrote Don't Breathe 2 and later produced and wrote the 2022 film Texas Chainsaw Massacre, which premiered at number one on Netflix's Top 10 list. On the TV side, Alvarez created, directed and wrote the Apple TV+ series Calls, an English adaptation of the French series of the same name.Most recently, Alvarez's film Alien: Romulus, which he wrote, directed and executive produced, was released in the summer of 2024, starring Cailee Spaeny, David Jonsson, Isabela Merced, Archie Renaux, Spike Fearn and Aileen Wu. The film is a standalone instalment in the Alien franchise and follows a group of young people on a distant world who find themselves in a confrontation with the most terrifying lifeform in the universe. The film grossed over $350 million worldwide and received positive critical acclaim. It won Best Horror Film at the Saturn Awards, received a Golden Globe nomination for Cinematic and Box Office Achievement, and an Oscar nomination for Best Visual Effects.RENDR FestivalThis is a unique event celebrating creative craft and artistry in a fully immersive two-day festival exploring the space between Creativity and Technology. Ignite your imagination with inspiring speakers from the worlds of Film, Gaming, Animation, Immersive, and more! Learn from the best, with 30+ creatives from the likes of Netflix, Pixar, Walt Disney Studios and Epic Games among others.National Talent Academy for Visual EffectsAs the newest of the Academies, the National Talent Academy for VFX provides support and opportunities for anyone interested in a career in VFX. Launched in 2024, the National Talent Academy for VFX is an initiative of Fis Eireann/Screen Ireland, managed by Cultural & Creative Industries Skillnet. Their mission is to transform aspiring VFX artists into industry-ready professionals while providing ongoing upskilling opportunities for current talent.Through comprehensive courses and programmess, we introduce participants to best practices both locally and globally, creating clear pathways and solidifying Ireland's reputation as a premier destination for VFX. The National Talent Academy for VFX is dedicated to attracting individuals from diverse backgrounds and disciplines, fostering greater awareness of VFX as a viable and exciting career choice. Learn more about the work they do here. Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Film Ireland podcast, Gemma Creagh sits down with Dungannon actor Fra Fee to chat about his impressive catalogue of work that spans stage, film & TV, while delving into those key moments that shaped his career.From his breakout screen role as Courfeyrac in Les Misérables to performances in local films including Animals & Boys From County Hell, Fra has built a strong presence on screen, balancing indie projects against large-scale productions like Hawkeye on Disney+ & Zack Snyder's Rebel Moon.Now, Unchosen is available to stream on Netflix, in which he plays the enigmatic & manipulative Sam. Fra discusses his approach to this complex, morally ambiguous role, the contrast in working across different mediums, & how he develops a character from script to performance.This podcast has been made possible with the support of the Fís Éireann/Screen Ireland Stakeholders Fund.Listen now to the podcast on SoundCloud, Apple, Spotify, Acast & Amazon, subscribe to Film Ireland wherever you get your podcasts or watch the original recording back:https://www.filmireland.net/podcast-actor-fra-fee-unchosen-rebel-moon-hawkeyeAbout Fra FeeImmediately after graduating from the Royal Academy of Music, Dungannon actor Fra landed a role in the West End production of Dirty Dancing. Since then, he has worked consistently across stage & screen. Recently, Fra Fee starred in the leading role of Emcee in the Olivier Award-winning production of Cabaret in the West End. Fra also appeared in Jez Butterworth's critically acclaimed run, The Ferryman at the Royal Court Theatre, London's West End & on Broadway. Fra won the 2018 WhatsOnStage Award for Best Supporting Actor in a Play, for his role in the show. Fra's other theatre credits include Translations & As You Like It, both at the National Theatre, the World Premiere of The Wind in the Willows, & the title role in Candide at the Menier Chocolate Factory. On screen, Fra is known for his portrayal of Courfeyrac in Tom Hooper's film adaptation of Les Misérables. In 2021, he appeared as Kazi in the Disney+ series Hawkeye, which is set in the Marvel Cinematic Universe. He worked with director Zack Snyder, starring as Balisarius in Rebel Moon Part 1 & 2. He also had roles in Animals, Boys From County Hell, Pixie & The Laureate.UnchosenAll six episodes are available to stream on Netflix now.Molly Windsor & Asa Butterfield (Sex Education) star alongside Christopher Eccleston, Siobhan Finneran, & Fra in the series from Intergalactic writer/creator Julie Gearey. This psychological thriller takes viewers behind the closed doors of a fictional conservative religious sect.Unchosen follows Rosie, who lives in a cloistered Christian community with her husband, Adam (Butterfield) & their daughter. The fateful arrival of the mysterious Sam, an escaped prisoner, throws into relief the reality & restraints of Rosie's world: Perhaps her hidden religious community doesn't have her best interests at heart. As cracks begin to appear in Rosie & Adam's marriage, Sam presents himself as Rosie's savior. But with his dark criminal past, where does the greatest danger lie - with the cult, or with Sam?Sam is an escaped convict who was arrested as a teen for a deadly crime. He quickly integrates himself into the fellowship & uses his powers of coercion to become a pillar of the community. While balancing an affair with Rosie & flirtation with Adam, Sam lives in fear of being sent back to prison. “He is fiercely intelligent, highly manipulative, & able to get what he wants by abusing other characters' insecurities or their weaknesses,” Fee tells Tudum. “A lot of the time, I don't think it's necessarily premeditated. He's just very reactionary & a real survivor.” Figuring out how to play Sam was a lesson in embracing the grey areas. Because the character's intentions were often murky & complex, Gearey encouraged Fee to never “fully dot the i's or cross the t's” in scenes. “There always had to be room for an alternative intention,” Fee explains. Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

In episode 25 of the DocArena Podcast, Ross Whitaker catches up with directors Peter Mortimer (The Alpinist, The Dawn Wall) and Nick Rosen (The Alpinist, Reel Rock) to talk about their biggest project to date, The Dark Wizard, which is available to stream now on HBO Max.This HBO Original four-part documentary series, The Dark Wizard, gives an up-close and unflinching portrait of Dean Potter, one of the world's most influential and controversial climbers, BASE jumpers, and highline walkers.This podcast has been made possible with the support of the Fís Éireann/Screen Ireland Stakeholders fund.Listen now on SoundCloud, Apple, Spotify, Acast and Amazon, or subscribe to Film Ireland wherever you get your podcasts.The Dark Wizard traces the jaw-dropping feats that made him a legend, as well as the personal turmoil that defined his life.From an early age, Dean grappled with inner demons that led him to seek the limits of human possibility. Climbing became his outlet and Yosemite National Park became the canvas for his unique talent and artistic expression. As his accomplishments on El Capitan and Half Dome elevated him to hero status in the adventure sports world, his mental state began to fracture and his fierce competitive drive pushed him to try to outdo both himself and others, including rising star Alex Honnold. Ultimately, it was wingsuiting and his lifelong desire to fly that would prove to be his riskiest and most transcendent endeavour.Drawing from decades of archival footage, Dean's personal journals, and intimate interviews with those who knew him best, The Dark Wizard chronicles the triumphs, tragedies, rivalries, romances, and near-death moments that shaped the life of a brilliant yet tormented artist and athlete whose imagination and audacity redefined what the body and mind could do.Episode 4 will be available to stream on HBO Max on 4th May 2026.Peter MortimerPeter grew up in Boulder, Colorado where he learned to rock climb as a kid and made his first home videos of climbing and skiing exploits with friends. After graduating with a geology degree from Colorado College, Peter made his first "real" climbing film (Scary Faces, starring Zac Barr) then went on to get his MFA in film at USC. He's blended his life-long passion for climbing, travel & adventure with his love of telling stories about the incredible people he's met along the way. Peter lives in Boulder with his wife Joss, daughter Pia, son Xavi, and little dogs Macho and Gnarly. Nick RosenNick received his BA in political science from Colorado College, and his masters at Columbia's School of International and Public Affairs. Nick began working as a writer, producer & director for Sender in 2005, and since then has created award-wining feature films, TV programs and creative campaigns. Nick lives in Boulder, Colorado with his partner and two kids.Check out DocArena Episodes herePodcast music composed by michaelflemingmusic.comRoss Whitaker is a filmmaker and former editor of Film Ireland Magazine and programmer of the IFI Dublin Documentary Film Festival @RossWhitakerTVRoss is a producer and/or director of the feature documentaries Beat the Lotto (2025), Katie (2018), Between Land and Sea (2016), Unbreakable (2014) and Saviours (2007). His recent work includes the TV documentaries This Is Open Country (2025) for NBC/Sky, Birdsong (2024) for RTÉ (+ BBC, ARTE), Rachael Blackmore: A Grand Year (2021) for ITV/RTÉ, Barney Curley Beat the Bookies (2021) for BBC/RTÉ and The Boys in Green (2020) for RTÉ. His short documentaries include the award-winning Bye Bye Now (2009) and Home Turf (2011), as well as the documentary commercial Sleeping Flags (2019), which won prestigious D&AD and Cannes Lions Awards.Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

Sean discovers a beer-swillin', apple chompin' vampire has moved in next door in Fright Night (2011), a remake of the beloved 80s horror classic which casts the late Anton Yelchin as the hapless teen whose mom and girlfriend fall under the spell of Colin Farrell's bloodsucker, with former Doctor Who David Tennant as a Chris Angel-style Vegas occult expert brought in to assist with all the vampire-killin' that needs done. Listen as we talk alpha dude-bro Vegas vampires, CGI splatter, 3D gloom, and more on this week's exciting episode! Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Film Ireland podcast, Gemma Creagh catches up with writer/director David Gleeson ahead of the release of his semi-autobiographical feature Once Upon a Time in a Cinema. Growing up in a family-run cinema, he was immersed in the magic of the big screen...an influence that continues to shape his work today. He talks about his unusual start in the industry (including working in oil exploration in the Arctic Circle) and how he made the transition to selling scripts in the US.Listen now on SoundCloud, Apple, Spotify, Acast and Amazon, or subscribe to Film Ireland wherever you get your podcasts.You can listen on SoundCloud, Apple, Spotify, Acast and Amazon, or watch the original video recording here: https://www.filmireland.net/podcast-director-writer-david-gleeson-once-upon-a-time-in-a-cinemaA dramatic night at the movies meets a powerful love letter to the cinema experience in Once Upon a Time in a Cinema, the new feature from acclaimed filmmaker David Gleeson (Tolkien, Don't Go, The Front Line, Cowboys & Angels). Set over the course of one eventful evening in a cinema in 1980s Ireland, a cinema owner wrestles with the legacy of the past and the challenges of the future in a drama that is funny, wise and rings of authenticity. Featuring a blend of some of Ireland's most-respected actors and exciting new talent, Once Upon a Time in a Cinema, is set over one night at the movies - where the plot twists offscreen are as surprising as any of those onscreen. Renowned Irish actor Colin Morgan (Belfast, Merlin) plays Earl Clancy, the manager of a small-town cinema who is firefighting the Friday night from hell while mulling over the sale of his cinema to a shady politician. Like James Stewart in It's a Wonderful Life, his journey leads him to realise his value to the community. Once Upon a Time in a Cinema is in cinemas 1st May 2026.David GleesonBorn to a family of Irish cinema-owners who opened their first theater in 1942, David grew up steeped in all things celluloid. Following a colourful and varied path, including a 5-year stint in oil exploration deep inside the Arctic Circle, Gleeson made his feature film debut as a writer/director with 2003's Cowboys & Angels. A youth comedy/drama set in his native Limerick, Cowboys & Angels was released in cinemas by Buena Vista International (Disney). The film won eight international film awards including Best Screenplay at Newport Beach (U.S.) and two Gold Medal Awards at Giffoni (Italy). The New York Times commented, [the film] 'offers a fresh mix of open-minded intelligence and a heartfelt point of view,' while The Chicago Tribune commented, 'Stack "Cowboys" against most of the fare American studios offer young adults and it's meatier by far'. Gleeson's next film which he also wrote and directed, the crime drama The Front Line, was released in cinemas in 2006 also through Buena Vista Intl. In 2008, Gleeson sold his time travel sci-fi spec screenplay The End of History to Sony Pictures. He followed this up over the next decade with several more spec sales and commissions to studios including Walt Disney Pictures, Fox Searchlight, Focus Features, 20th Century Fox, Mattel Studios and Paramount Pictures. In July 2017, Gleeson wrote and directed Don't Go starring Stephen Dorff and Melissa George. In May 2019, Fox Searchlight Pictures released Tolkien, a Chernin Entertainment production based on Gleeson's original screenplay about the legendary author of The Hobbit and The Lord of the Rings, J. R. R. Tolkien. Now, the semi-autobiographical Once Upon a Time in a Cinema is about to hit cinemas. Gleeson continues to work in wildly different genres and is currently in preproduction on a musical comedy called Violence, Foul Language and Scenes of a Sexual Nature.Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

In this podcast, Gemma Creagh catches up with actor Anne McCrudden, who plays bereaved widow Catherine in drama feature Sunphlowers. We chat with Anne about her love of storytelling, how she found her character, and the exciting projects that lie ahead.Listen now on SoundCloud, Apple, Spotify, Acast and Amazon, or subscribe to Film Ireland wherever you get your podcasts.Sunphlowers is Directed by Dave Byrne. In a rural village along the east coast of Ireland, recently bereaved widow Catherine uncovers the truth of what her deceased husband has been hiding. Catherine must fight against all odds to keep her family business and home.Anne McCruddenAnne began acting in the 1980s and early '90s, performing in theatre productions by playwrights including John B. Keane, Synge, Martin McDonagh, Brian Friel and Jim Nolan. After stepping away from acting to pursue other work, she later returned to performance, when a chance meeting with filmmaker Dave Byrne led to her screen debut as Phyllis in Somebody (2023). After this followed by her role as Catherine in Sunphlowers (2025). Now represented by Capulet Actors Agency, she is developing film and television projects focused on complex female characters. Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

This week, we review Phone Booth (2002), Joel Schumacher's razor-tight psychological thriller about guilt, vanity, and public exposure. Colin Farrell stars as slick publicist Stu Shepard, with Kiefer Sutherland as the chilling unseen Caller and Forest Whitaker as the police captain caught in the chaos, in a story that explores morality under pressure. With one man trapped in a phone booth by a sniper who knows all his secrets, this film raises intriguing questions about truth, punishment, and whether people only change when they are forced to.Is this one call too close for comfort or a ringing endorsement of high-concept thriller madness? Listen on to find out!Join Colin & Niall as we embrace the weird, the wonderful, and the downright awful of cinema!Contact us: itwasamoviepodcast@gmail.comSpotify: It was a movie..Spotify pageFollow, rate & review us here:https://linktr.ee/itwasamovieYoutube: It was a movie channel...Facebook: https://www.facebook.com/itwasamovieInstagram: https://www.instagram.com/itwasamoviepodcast/X: https://x.com/itwasamoviepodTikTok clips & highlights: https://www.tiktok.com/@itwasamoviepodSee all our ratings & reviews: Google SpreadsheetIMDb List: IMDb | Letterboxd: Letterboxd

In the latest episode of the State of the Arts podcast (@sotapod), filmmaker and writer Des Doyle sits down with senior entertainment executive Scott Farris to discuss his role in shaping global franchise storytelling.Produced in partnership with Film Ireland and supported by Fís Éireann/Screen Ireland through the Screen Stakeholders Funding Scheme, the State of the Arts series explores the creative processes, industry challenges, and new opportunities that both Irish and international creatives face in today's ever-evolving artistic landscapes.In this conversation, Scott discusses his experiences in the changing world of TV development, offering insight into how large-scale projects are developed from the ground up. He discusses the realities of working with major IP, the collaborative processes behind franchise storytelling, and how the industry is evolving in response to changing audience expectations, technology, and global demand.Follow the journey of State of the Arts here: https://www.instagram.com/sotapod/Read more about the podcast here: https://www.filmireland.net/state-of-the-arts-podcast-senior-entertainment-executive-scott-farris-with-des-doyle/Scott FarrisScott is a senior entertainment executive with over 15 years of experience shaping global franchise storytelling. One of the earliest creative hires at Amazon MGM Studios and Prime Video, he helped build the studio from the ground up and played a key role in establishing Amazon as a major force in premium television.Scott pioneered Amazon's strategy for adapting global gaming franchises, securing and developing landmark properties including God of War, Mass Effect, Warhammer 40K, and The Sims, as well as the breakout hit Fallout, which drew over 100 million viewers worldwide and earned 16 Emmy nominations.Beyond gaming, his work focuses on large-scale worldbuilding and IP-driven storytelling, with projects including Mike Flanagan's upcoming adaptation of Stephen King's Carrie, RoboCop with James Wan, and Fourth Wing, based on Rebecca Yarros' bestselling romantasy phenomenon. Scott is particularly passionate about the intersection of creativity, technology, fandom, and the future of franchise storytelling.Des DoyleDes is a D.I.T. graduate who spent fifteen years working in the Camera Department in the Irish film industry before moving into directing. He is the writer/director of the critically acclaimed feature documentary Showrunners: The Art of Running a TV Show, featuring JJ Abrams (Alias, Lost, Fringe), Robert and Michelle King (The Good Wife), Ronald D. Moore (Outlander, Battlestar Galactica) and Bill Prady (The Big Bang Theory) amongst others.He has created a number of courses in conjunction with Screen Ireland over the last few years, which provide breakdowns of all the major US and international streaming networks and what their evolving programming needs may be. He also initiated the Pitching Programme for TV Drama and Comedy with Screen Ireland, giving a selected group of writers the opportunity to pitch directly to some of the major Irish production companies based on briefs they provide, and created the LA Writers Room Placements scheme, which allowed Irish writers to travel to LA and spend time in real-world US TV series writers' rooms.He has also lectured on Showrunning, US TV Production and the Future of Content at USC Los Angeles, Rowan University Philadelphia, Scriptmakers Berlin, APIT TV Producers Conference Lisbon, Northern Ireland Screen, IADT Dublin, Writers Guild of Ireland and as part of the recent Greenlight Screenwriting Labs in Galway. He is currently developing a new documentary series, which is a US/Irish co-production, as well as providing creative consultancy services to Irish producers, writers and directors with projects targeting the US or global streaming markets.Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

In this episode, we sit down with co-writer/directors John-Paul Davidson and Stephen Warbeck to discuss their latest film The Three Urns, in cinemas from April 17th. They chat about their creative partnership, their fascinating (and very different) career paths, and what they learned from making their first feature that they brought onto this one.Listen now on SoundCloud, Apple, Spotify, Acast and Amazon, or subscribe to Film Ireland wherever you get your podcasts.The Three UrnsEqual parts picturesque and picaresque, Mr. O'Connor's journey across Ireland is filled with playful misadventures and serendipitous encounters. Along the way, he stumbles upon a cohort of colourful characters: a Lithuanian painter, an itinerant priest, horse traders and whisperers, and a Choctaw native travelling to commemorate the Great Famine. He is also given refuge by a group of mystic women, whom he finds worshipping at the ancient Beltany Stone Circle.He visits his brother, who still runs the family dairy farm, and uncovers the truth about his wife's favourite cousin. Yet misfortune dogs his path. From the outset, Mr. O'Connor is followed by a mysterious Woman in Black, who trails him in a diminutive electric car plagued by persistent charging issues.Will Penn goes on a musical pilgrimage in his review of ‘The Three Urns.'John-Paul Davidson and Stephen WarbeckStephen Warwick is one of Britain's most successful composers, soundtracking films such as Shakespeare in Love (for which he won an Oscar), Captain Corelli's Mandolin, and Billy Elliott.John-Paul Davidson is best known for his documentary travelogue series with Michael Palin and Stephen Fry In AmericaJohn-Paul Davidson and Stephen Warbeck go back a long way. They have known each other since they attended Bristol University in the mid-1970's. They lived together in a London squat and although their lives within the creative sphere spiralled off into different directions – Stephen becoming one of Britain's most successful composers, soundtracking films such as Shakespeare in Love (for which he won an Oscar), Captain Corelli's Mandolin, and Billy Elliott, and John-Paul Davidson becoming a director and film producer, best known for his documentary travelogue series with Michael Palin – they remained friends. “We have known each other since Bristol University,” says Warbeck. “We often spend holidays together in France and our children are all friends with each other.” Davidson and Warbeck are friends and creative partners. Davidson adds: “I got Stephen to do some music for films I was making at the BBC and that's how our working collaboration started again after university.” Both schools of absurd comedy were manifested in The Man in the Hat (2020), Davidson and Warbeck's first directorial collaboration.” Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

Send us Fan MailRewind to 16 April to 22 April 2006 — and the internet is arguing about journalism, Rihanna's quietly becoming a global takeover, parody movies are still printing money and celebrity scandals are… very 2006.

How is important art and fandom shaped? In today's episode, we're joined by more wonderful LGBTQIA creatives from starGAZE: multidisciplinary artist Venus Patel, writer/filmmaker Jack Warren and director, screenwriter, and concept artist Stephen T. Lally discuss their literal journeys, professional achievements, the films and art that inspired them, and the impact starGAZE has had on their careers so far.We're delighted to partner with the GAZE International LGBTQIA Film Festival and the National Talent Academy for Film & TV Drama to celebrate this year's starGAZE participants.starGAZE, the professional development initiative supporting six emerging LGBTQIA filmmakers, returns for its third year in 2026. Applications are now open and will close at 5pm on Monday 20th April. For more information on how to apply, visit www.nationaltalentacademies.ie/film-tv.Listen now on SoundCloud, Apple, Spotify, Acast & Amazon, or subscribe to Film Ireland wherever you get your podcasts.Venus Patel is an award-winning multidisciplinary artist working in film, theatre & visual arts. Her work examines social conformity & Queer/POC suppression through the lens of absurdity, informed by her experiences as a trans woman of colour. Her debut short film, Eggshells, which she directed, wrote & acted in, premiered at GAZE Film Festival & won the RDS Taylor Art Award & the Image Now Multimedia Award. Her most recent short film, Daisy: Prophet of the Apocalypse, has screened at film festivals across the US, the UK, Ireland, Germany, & France, & won an Audience Award from Translations: Seattle Trans Film Festival. Her film work has been exhibited in the Crawford Art Gallery, the Complex, IMMA, Butler Gallery & Hypha Gallery (Mayfair, London).Jack Warren is a writer/filmmaker based in Dublin. Their award-winning short films have screened all over the world, including: Papergirl, which has screened at GAZE, Final Girls Berlin, Body is Reality: Trans Horror on Screen at the Irish Film Institute & the Trans Genre, Trans Form Film Festival, where it took home the audience prize; Toxic Astrology Ex-Best Friends, which has screened at the FRINGE! Queer Film & Arts Fest & TITE; and Artemis, which screened at the Woodstock Film Festival. Jack recently took home the Bronze Prize from Soho Horror Film Festival for their horror comedy short Blair's Craft Projects, where it was honoured by Eduardo Sanchez (The Blair Witch Project) & Jed Shepherd (Host). Jack's screenplay Violent Delights was selected to be pitched at the American Cinematheque's PROOF Festival, as well as selected for workshop by Stowe Story Labs and the NTAs Writers' Club, facilitated through the GALPAL Collective. Their screenplay Forty Foot, which they co-wrote with Beatrix Herriott O'Gorman, was selected for a Screen Ireland Fellowship for the Stowe Story Labs Connemara Writers' Retreat.Stephen T. Lally is an award-winning queer director, screenwriter & concept artist known for his visually inventive storytelling & commitment to LGBTQIA narratives that blend humour with heart. A graduate of Technological University Dublin, his breakout short film musical Lost for Words screened at over thirty international festivals, including Cork Film Festival, Brno 16 & Stuttgart Filmwinter. The script was nominated for an Oxygen SMEDIA Award, while the film won multiple accolades, including at the New York International Independent Film Festival. His work is defined by bold, whimsical storytelling & a distinctive visual style. Alongside his narrative projects, Lally has directed commercial content, music videos & animation for global clients such as RuPaul, Rimmel London, Disney, Universal & The Royal Opera. His LGBTQIA fantasy romcom Empress Clawscream marked a significant step into narrative filmmaking, earning awards including Best Sci-Fi Film at the Berlin Short Film Festival.The National Talent Academy for Film & TV Drama is an initiative of Fís Éireann/Screen Ireland & is managed by Ardán.Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

UNLOCKED from the WIZARDS Patreon vault comes the Patreon exclusive Super Cinema review of Daredevil (2003) starring Ben Affleck, Jennifer Garner, Colin Farrell and Michael Clarke-Duncan recorded in 2024. Join Adam, Michael, Mike and Pete as they share their takes on this early Marvel Comics film adaptation in both its theatrical and Director's Cut. Is love blind or will they give the Devil his due? Listen now and find out!Get access to the entire back catalog of Super Cinema movie reviews, plus new exclusive ToyFares: The Podcast and many more perks when you become an official GEEK at Patreon.com/WIZARDASCOMICS today! Thanks to our monthly supporters Matthew Strange Hombre Richard Cocchi Shawn Robare Andrew Burt Brandon Whitmore Michael Johnson Eric Najjar Brock626 Tom Goodwin Matt and Lissy Poisso Lennon Patton Patrick McFadden Marvin Dupree Jay M Lunchlady Doris Aaron Krieger Mark Syp Seth Johnson Dapper Dan Paladin Phillip Sevy Robb Matt Frank Anderson Russell Sheath Kevin Decent Damon Bjorn watson David Ellis acovio Alex Giannini Nate Clark William Bruce West Mark Florio David Fink Brent Cranfill MarWe Bruno Cavalcante David M Dalibor Žujović Evin Bryant Gary Hutcherson Fernando Pinto Jeremy Dawe Greg Schueller MeltFaceKillah Brian Acosta Joe Marcello DenimJedi Miitchell Hall Lee Markowitz Mark McDonald ★ Support this podcast on Patreon ★

This week on Group Chat NEWS, a Wall Street Journal deep dive reveals 400,000 Americans are now worth over $30 million and the number is climbing fast. The guys break down what that means for the economy, why a real recession might be impossible, and how the $90 trillion boomer inheritance is about to reshape everything. TikTok is launching its own TV shows, and the crew can't help but point out that Jeffrey Katzenberg and Quibi had this exact idea seven years too early. Short form premium content is now the norm, and China's numbers prove it. Tiger Woods flipped his car again in Jupiter, Florida, this time with a DUI charge. The guys debate whether anything actually changes for him professionally and why certain icons get unlimited passes. The average age of a US gamer is now 36 years old. What does that mean for kids on headsets, for the culture, and for dating? Anand shares an emotional recap of Colin Farrell's event in Pasadena for special needs families and what it meant to his family personally. Plus: Drama is funding a social experiment, Javi has the wildest story of the year, and Dee finally settles the $350 baseball bat debate once and for all. Group Chat is a weekly podcast breaking down the biggest trends in business, technology, fashion, sports and more! Hosted by Dee Murthy, Drama aka Chris Pfaff and Anand Murthy  successful entrepreneurs with honest perspectives.  

This week we cover the 2003 movie Daredevil. Starring Ben Affleck, Jennifer Garner, and Colin Farrell. A movie with enough Dutch angles to build a city of windmills. After we get through that we talk about the trailer for Spider-Man: Brand New Day. Dan Moren, John Moltz and Guy English.

This week we cover the 2003 movie Daredevil. Starring Ben Affleck, Jennifer Garner, and Colin Farrell. A movie with enough Dutch angles to build a city of windmills. After we get through that we talk about the trailer for Spider-Man: Brand New Day. Dan Moren, John Moltz and Guy English.

Lesley Logan and Brad Crowell unpack a strategically bold conversation with high-performance coach Molly Asplin about the difference between high achievement and overachievement. They explore why many ambitious people confuse loyalty with strength and how that mindset can quietly lead to burnout. The discussion also dives into how most people are time-blocking their lives without accounting for their natural energy cycles. Whether you are defending a career you no longer enjoy or waiting for the "perfect time" to pivot, this recap might be the nudge you need to start. If you have any questions about this episode or want to get some of the resources we mentioned, head over to LesleyLogan.co/podcast https://lesleylogan.co/podcast/. If you have any comments or questions about the Be It pod shoot us a message at beit@lesleylogan.co mailto:beit@lesleylogan.co. And as always, if you're enjoying the show please share it with someone who you think would enjoy it as well. It is your continued support that will help us continue to help others. Thank you so much! Never miss another show by subscribing at LesleyLogan.co/subscribe https://lesleylogan.co/podcast/#follow-subscribe-free.In this episode you will learn about:Distinguishing between the habits of high achievers and overachievers.The hidden trap of linking professional loyalty with personal strength.Auditing your energy levels instead of relying only on time blocking.Why your peak morning brainpower should go to your hardest task.The power of committing to one bold, courageous move every day.Episode References/Links:Contrology Pilates Conference (Wroclaw, Poland) - xxll.co/polandPilates Workshop (Bruges, Belgium) - xxll.co/brusselsPilates On Tour® (London, UK) - xxll.co/potOPC Spring Training (Virtual Event) - opc.me/eventsSubmit your wins or questions - https://beitpod.com/questionsWhen: The Scientific Secrets of Perfect Timing By Daniel Pink - https://a.co/d/06aFMhMZMolly Asplin's Website - https://mollyasplin.comMolly Aplin's Podcast - https://beitpod.com/mollyasplinpodcastMolly's Free Resource - mollyasplin.com/momentum If you enjoyed this episode, make sure and give us a five star rating and leave us a review on iTunes, Podcast Addict, Podchaser or Castbox. https://lovethepodcast.com/BITYSIDEALS! DEALS! DEALS! DEALS! https://onlinepilatesclasses.com/memberships/perks/#equipmentCheck out all our Preferred Vendors & Special Deals from Clair Sparrow, Sensate, Lyfefuel BeeKeeper's Naturals, Sauna Space, HigherDose, AG1 and ToeSox https://onlinepilatesclasses.com/memberships/perks/#equipmentBe in the know with all the workshops at OPC https://workshops.onlinepilatesclasses.com/lp-workshop-waitlistBe It Till You See It Podcast Survey https://pod.lesleylogan.co/be-it-podcasts-surveyBe a part of Lesley's Pilates Mentorship https://lesleylogan.co/elevate/FREE Ditching Busy Webinar https://ditchingbusy.com/Resources:Watch the Be It Till You See It podcast on YouTube! https://www.youtube.com/channel/UCq08HES7xLMvVa3Fy5DR8-gLesley Logan website https://lesleylogan.co/Be It Till You See It Podcast https://lesleylogan.co/podcast/Online Pilates Classes by Lesley Logan https://onlinepilatesclasses.com/Online Pilates Classes by Lesley Logan on YouTube https://www.youtube.com/channel/UCjogqXLnfyhS5VlU4rdzlnQProfitable Pilates https://profitablepilates.com/about/Follow Us on Social Media:Instagram https://www.instagram.com/lesley.logan/The Be It Till You See It Podcast YouTube channel https://www.youtube.com/channel/UCq08HES7xLMvVa3Fy5DR8-gFacebook https://www.facebook.com/llogan.pilatesLinkedIn https://www.linkedin.com/in/lesley-logan/The OPC YouTube Channel https://www.youtube.com/@OnlinePilatesClasses Episode Transcript:Brad Crowell 0:00  Most high achievers are taking their morning when their brains are the best, you know, like processing time and they're using it for dumb things like responding to emails or random things that set them down a side trail, when instead they should be focusing on like the big project that's going to move the ball forward on the company.Lesley Logan 0:22  Welcome to the Be It Till You See It podcast where we talk about taking messy action, knowing that perfect is boring. I'm Lesley Logan, Pilates instructor and fitness business coach. I've trained thousands of people around the world and the number one thing I see stopping people from achieving anything is self-doubt. My friends, action brings clarity and it's the antidote to fear. Each week, my guest will bring bold, executable, intrinsic and targeted steps that you can use to put yourself first and Be It Till You See It. It's a practice, not a perfect. Let's get started. Lesley Logan 1:01  Welcome back to the Be It Till You See It interview recap where my co-host in life, Brad, and I are going to dig into the strategically bold convo I had with Molly Asplin in our last episode. If you haven't yet listened to that interview, you can hit pause and go listen to that one, and then listen to this one. If you like to hear the ending first, I don't blame you. I love that. I do that too. Brad Crowell 1:23  She literally does that. Lesley Logan 1:24  I do. I actually tried to get my client today we're talking about the new Love is Blind season. And I was like, I'm only on episode three. She's like, well, I won't ruin it for you, because it's like, obviously she's all the way to Mexico. And those who know Love is Blind know what I'm talking about. And I was like, I don't even remember the names. You could tell what's going on. She's like, No, I don't want to ruin it for you. And I was like, you, I'm gonna Google it like, I know that there's ways to find out who stays together before the recap. So you can ruin it. Brad Crowell 1:49  Ruin it. Lesley Logan 1:50  Except for, you know, what? Brad Crowell 1:52  What? Lesley Logan 1:52  I thought that I would watch glitter and gold documentary, and I would just be okay, a little late to the Olympics, because, you know, I'll just watch it later. Like, not a big deal. You can just Google it later. And then we were listening to a podcast has nothing to do with sports, and they ruined it. Brad Crowell 1:53  Oh, I was laughing at you, because you Google everything. Lesley Logan 1:54  I know, but I hadn't Googled that because I was, like, I was trying to do it the way you wanted me to, and they ruined it. And, you know, when they ruined it, I'm just gonna tell you all in case, I'm gonna ruin it for you now, because you know what it's fucking March. You should know. I know the villains won like the villains won. Anyways.Brad Crowell 2:30  The villains won. Lesley Logan 2:31  Today is March 19th 2026, and it's Companies That Care Day. Companies That Care Day celebrate on the third Thursday in March to encourage employers to start caring for their employees instead of overworking or exploiting them. This year, that would be today. Yes, the happier the employees, the more productive they will be. Most importantly, employers must keep in mind that both physical and mental health can have an impact on the performance of workers. Hence, to have a long lasting there's a comma hence, to have a long lasting workforce that can produce quality work, employees must show that they care. This includes celebrating the success of the employees or honoring them in their great contribution to the company. We kick ass. I think, as best we can at this, I also think that if, like, more companies didn't have to make sure their shareholders were happy, they would make sure their employees are happy. Brad Crowell 3:13  Yeah, I know it's, that's weird, right? Lesley Logan 3:15  You wanna know what's really weird. I just saw a reel where they asked all the like head CEOs of the top health insurance companies, like, if they're publicly traded, raise your hand. They're all publicly traded. Okay, keep your hand raised if you also own a pharmacy. Keep your hand raised if you also own doctor's offices. So the health insurance companies and the states, of course, they are not only publicly traded, which means they have to make sure that they are doing as what they can for profit margins for their stakeholders, but then they own the doctor's offices who prescribe the prescriptions, that own the pharmacies that fill the prescriptions, which means they're in charge of whatever you pay, whether you pay or not, right? It was abhorrent. Brad Crowell 3:59  That makes it a monopoly. They own every part of the chain. Lesley Logan 4:03  Right. Disgusting. Anyway, we. Brad Crowell 4:03  Fascinating. Capitalism at its finest. Lesley Logan 4:04  Yeah? And here's the thing I'm not like, if you are a small business owner in this capitalist society, we do have to play with by the rules that are made. Your IRS is going to want to make sure that you are doing something that's profiting every year. Otherwise, they call it a hobby, but in that, there are ways to make sure that your employees are thought of and not overworked.Brad Crowell 4:29  I was gonna say that those guys are breaking the rules or not playing, or they have no rules for their game they're playing. Not cool, but I, but I agree shifting back here to focusing on companies that care.Lesley Logan 4:41  There's things you can do. There's this one female business owner that she forces the company to be closed one week per quarter. It's built into the schedules. They don't have meetings on there. That way, whatever employees need to do, they can do. Obviously, they could take vacation times other times. But like, you know that's gonna compound their work. But they have that to guarantee. The other thing that they have, they have paid family leave for all parents, no matter the gender. And they also have leave if you had to go to a hospital for sickness, things like that. Like they have all this extra leave. And also, you can take your meetings from anywhere. It's a rule. Wherever you want to take a meeting, you can take a meeting as long as you get your work done, it doesn't matter. That's one way you could do it. We have a wins channel, oh, it's a wins and gratitude channel where, like, different people on our team just thank each other for, like, what they're doing. It's super fun. We celebrate everyone's birthdays on there. And the win isn't like, oh, we nailed this launch. It's like, hey, so and so helped me with this project. And like, that is really fun. We really pride ourselves in that we built in, like, donating. It's not huge numbers. Like, no one's gonna, you know, go a wow, or put Lesley and Brad on the on the wall. But like, we built that in, like, there's ways to do things that make sure that you care in different ways. You just have to build it in. And then you do when you can do better, you do better, you know, so.Brad Crowell 5:53  100% agree, 100% and it's fun. I mean, honestly, it's been a dream of mine to have a team of capable, enthusiastic, yeah, human beings who are experts at what they do, and bring them all together. And it's been really, really fun to make that dream a reality.Lesley Logan 6:16  It's really cool. It's forced. It's also forced us, like, if we want our people to not overwork and get their work done in a timely manner, so they can be happy with their families and be we've had so many people on our team have babies and things like that, then that means we, too can, like, we have to show them that we take time for ourselves. Because otherwise, if they're like, if the boss never stops working, then I can never stop working, right? So those that's another way to care in a company like, if you're like, I don't have any extra. Brad Crowell 6:39  Lead by example. Lesley Logan 6:39  Extra money right now, then lead by example of what you want them to do, and you'll and then you'll build that in. And then the other thing is, like, that means we also hire people who care. You know, we're we were just talking today. This is, you know, you're hearing this in a month ago, month. I don't know. We're in the past, we're in the (inaudible), but we're trying to refill three jobs, and we're struggling to find people that actually aren't just using AI to answer all of the questions. Yeah, it's like, I love that you know how to use AI, but this job that you're gonna do doesn't use it and your personality matters.Brad Crowell 7:09  Well, it can, but that's not the point. We want to know you. Lesley Logan 7:12  Right, well, we're big fans of hiring a personality and trained skills. So like, if you are a bot, then I'm so sorry. We have a bot. We don't need a bot. We need a person who's cool. Anyways.Brad Crowell 7:26  Come hang out with us in Poland, March. We're gonna be there.Lesley Logan 7:30  Yeah, actually, Brad, it's March 19th. Brad Crowell 7:31  Come hang around with us tomorrow in Poland. Because that's where we are right now. Lesley Logan 7:36  Come to the event in Poland. Brad Crowell 7:38  We may or may not have recorded this in the past future. Lesley Logan 7:40  Yeah, and next week you can join us in Bruges, which I've been calling Brussels this whole time. And, well, it'll be in Bruges so.Brad Crowell 7:47  It's near, it's near. Lesley Logan 7:49  I think so also, I also wish I had known that, because, like, people said we're gonna be in Brussels. And then she said, Bruges, I'm like, there's a whole movie. We all saw it. Very hot actor, of course, we saw it. Brad Crowell 7:59  We did? Lesley Logan 7:59  Yes, Colin Farrel, Colin Farrel, right. That's a hot one. That's a hot Colin, right? Brad Crowell 8:00  Hot. Sure. Lesley Logan 8:04  Well, because there's the Colin Firth, not hot, but very great actor, then there's Colin. Is it Colin Farrell? What's his name? Brad Crowell 8:13  I don't know the movie. Lesley Logan 8:15  The movie is called, oh, I'm just messing with my camera. The team hates me, In Bruges.Brad Crowell 8:21  In Bruges is hold on. Lesley Logan 8:25  2008 Yeah, Colin Farrell. Brad Crowell 8:27  I have never seen this.Lesley Logan 8:28  Oh my god. It's so up your alley. It's totally up your alley. I can't believe you haven't seen it. I've seen it so many times. Brad Crowell 8:33  It's about a hit man who shoots people. Lesley Logan 8:34  Yeah, probably not gonna watch. Brad Crowell 8:36  I'm gonna watch that tonight. Lesley Logan 8:37  Go watch it tonight. Okay. And then. Brad Crowell 8:38  I will report back to decide if he's as hot as we're thinking is, I don't know if it's Colin Farrell. Lesley Logan 8:46  Yeah. Then after our second honeymoon in France, which we still haven't planned, but hopefully by the time you're hearing this, we have some idea, we'll be in London for Balanced Bodies On Tour, Pilates On Tour at the time recording this the last I heard about my my workshop says there's only room in the Sunday one, there's a few spots left xxll.co/POTis London. So you want to go to that, guys, we probably won't be in Europe for a while, and I don't say that to frighten you. Brad Crowell 9:14  Yeah, no, I think that's fair. I mean. Lesley Logan 9:16  Transparency and honesty are part of our value system. Brad Crowell 9:19  Here's the reality is, I'm very excited about the idea of going to Australia and New Zealand. We haven't done that together. You have. I have not. And I would love to go. And not only that, I want to spend time driving around in circles in Australia. That one's on my bucket list. Lesley Logan 9:33  Yeah. Yeah, and if you're like, oh my god, when are you coming? This is not planned. This is just, we're putting it out in the universe.Brad Crowell 9:39  What that means is that, if we're going there, that means we're not going here. It's what that ultimately means. And we are going to Cambodia, because we literally put down roots there. So, that will always be on the on the list but.Lesley Logan 9:50  Spring training is in May, and that is online. So if you're like, guys, I can't get on the plane anywhere, I don't have the funds or the time, or whatever, Spring Training, it's going to be all about getting overhead. If you're an OPC member, it will be free for you. You just have to register. Well make sure you check your email for how to do that. If you're not an OPC member yet, you can turn into one and then get it for free, or you can pay for it and then fall in love with us and turn into one, opc.me/events is all your what you want to want to do, so make sure you get the early bird information.Lesley Logan 10:13  Yeah, that'll put you on the wait list. Yeah. opc.me/events, so.Lesley Logan 10:23  Well, we have taken our sweet time getting into this interview, but we still have to answer an audience question. Brad Crowell 10:28  Yeah. So actually, RawsomeYoga from Instagram is asking, hey dou run your biz as an S Corp or an LLC? Lesley Logan 10:37  I actually love this question, because so many people we in our Profitable Pilates coaching years, we've been doing for a very long time. So many people say, my accountant says I don't make enough money. This is obviously, for the people in the States, I don't make enough money to be an S corp and LLC, so I'm a sole proprietor and Brad, why is that, Brad?Brad Crowell 10:57  Oh, I mean, first off, high level, I'm gonna, I'm gonna step back and try to keep this really simple, risk. It's all about risk management. Okay? And what do we mean by that? If the rest, if you're, if you're not in the United States, you're probably laughing, because everyone here likes to sue each other, and so. Lesley Logan 11:14  There's a lawyer for every 100 people.Brad Crowell 11:17  That's insane. Ridiculous. That's insane.Lesley Logan 11:21  Have you met a happy lawyer? Not me. They all become Pilates instructors. So anyways, so to go to just keep going risk is a thing. So if you're a sole proprietor and someone gets hurt doing Pilates with you, and you're in the States and you're a sole proprietor, that means your personal assets become part of what they can take advantage of. And so you want to be an S Corp or an LLC, they have there's different reasons to want to be one or the other, and I don't think we need to bore anybody with this, but you should already have been doing that. If you are a fitness instructor who takes money from clients to teach fitness, I don't care what your accountant says. They are not a lawyer. They're not a lawyer. So you want to pick one of those. Now in California, I can say we weren't S Corp, which was very nice for California and Nevada, I think we are. Brad Crowell 12:12  There's a couple of things to understand here too. Is that when people say S Corp versus LLC, technically they're confusing two things. Okay, so it's actually Corporation versus Limited Liability Corporation or LLC. So it's C Corp versus LLC, you can actually have the S election on both of them. Oh, that's fun. Yeah. So that is a conversation to have with your accountant. Why would you have an S Corp or an S LLC? That's a conversation that you should have with them, because that depends on a lot of different factors, right? But typically, what we're what we mean when we say, Oh, I have an S Corp, it means we have C Corp, a corporation with an S election for the federal government's, you know, understanding. And the reason that we would do that is because it's just a different way of being taxed. Okay, so again, that's why you'd have this conversation with the with your accountant. But high level, you know, the pros of an LLC are that it's, it can be owned by one person, it can be owned by multiple people, but all profits are subject to self employment tax. So like, that's where, this is where the big conversation is, how are you paying yourself? How are you paying your team? Do you have a team? You know, pros for an LLC is that it's simple, relatively flexible. The cons of an LLC, well, it traditionally was that, you know, and this is hearsay, because I don't have any proof on this, but the new guy at the IRS who was doing audits was always going through the LLCs. They were very rarely going through the corporations. Corporations are typically larger companies.Lesley Logan 13:48  Yes, that's what my accountant told me when he brought me into his office. You never want to get called in. Calls me in, done my taxes for like, two years, and he's like, Hey, we have to change how you're filing, because you're gonna get audited. Because people get audited the most are sole proprietors, and they are the bottom of the totem Well, actually, can't say that, because the bottom of the totem pole is the best of the people. I was just educated. So they are the youngest, newest. They've not like. All they do is like these and so, and they're easy, like, kind of, kind of be an asshole and audit you because you're a sole proprietor, and it's not a ton of stuff to go through, whereas the people who are auditing the S corps or the corporations they have supposedly have had more experience. So they understand that corporations have multiple locations for rent. They understand that corporations have multiple different types of write offs. So I chose a corporate because I was like, I want the best. I want to I want.Brad Crowell 14:40  Well also about that time we weren't married and you didn't have, like, the the there's a very clear tax benefit to having a multi member LLC versus a single member LLC. I remember this whole conversation, so because you didn't have a partner, no, then you went in the corporation route because it was better for taxing. So and then eventually.Lesley Logan 15:01  And then you proposed a month later. And I was like, Well, me, that would have been nice information a month ago. But at any rate, whatever you choose is going to be a conversation about your growth strategy, your goals for your business, with your accountant, and if you have an accountant that says you don't, you shouldn't do either of these. You should get a new accountant, because that person does not understand the risk, and they also are clearly not understanding, like your growth strategy.Brad Crowell 15:25  Yeah, no, I do want to clarify. If you're an employee for someone. Lesley Logan 15:28  Oh, this doesn't matter. Brad Crowell 15:29  Yeah, none of this matter, because you you know. And what I mean to say is, if you are only an employee for someone, if you're still taking clients on the side, this matters, but if you are not taking clients on the side, and you're an employee for someone, then what you need is just typical teacher liability insurance and youre, yeah, the studio.Lesley Logan 15:49  Make sure that you are classified as an actual employee. Oh, this is because way too many this pisses me off. It really pisses me off. Way too many studios are misclassifying their teachers as 1099s, right? Yeah. They're not W2. Brad Crowell 16:06  They're, correct. So what is that for people have no idea what we mean, so they're not employee versus contract. Lesley Logan 16:11  So they're treating like a contract. Brad Crowell 16:13  So if you are an ICA or an independent contractor, oh, IC, sorry. Brad Crowell 16:18  Yeah, an IC, that you so I don't a true IC means you make your own schedule, you have your own insurance, you have your own waivers. You take the payments, you decide how much money you're charging. True, true, true. You would have already even part of the conversation Brad and I had already. If you think you're an employee somewhere, but they are treating you like an IC as far as taxes go, and they are trying to sell to you like it's better for you, because it means you get write offs. Get write offs. You actually are under that risk part that makes me really nervous and then you would need to. Brad Crowell 16:46  Now we're talking like, should you have a company so that you can protect your own, like, house, car, 401(K) whatever.Lesley Logan 16:48  Let's say the equipment at the studio you're at breaks.Brad Crowell 16:55  Let me just finish my thought, is that if you're an employee, and only an employee and a proper W2 employee, then the studio has the insurance. So if, if someone were to sue, they wouldn't be suing me, Brad, the employee, they might. I might be named in the suit, but really, they're suing the company. Lesley Logan 17:16  Yeah, the company's insurance would do it, yeah. Brad Crowell 17:17  So then, so, yeah, that's the big difference.Lesley Logan 17:20  So you can see why I get really, like, I get really pissed when people are misclassified because you don't understand the liability that you're set under, and then they try to cloak it in, oh, it's better for you. It's it could be, yeah, if you know that, and you are insured properly, and your business is set up properly, sure.Brad Crowell 17:37  Yeah, yeah. All right. Well, hey, that was, that was welcome to Brad time.Lesley Logan 17:40  Send your question. These are things we do at Agency, by the way, in our office hours. So send your questions into beitpod.com/questions or text us at 310-905-5534, that's a plus one. If you're out of the country, I don't know your tax systems, but happy to answer. Brad Crowell 17:53  Yeah. Or if you don't want to text internationally, go to beitpod.com/questions beitpod.com/questions or you can leave us both a question or a win, because we'll use those wins on the FYFs the Friday pod. So we should be getting wins all the time, people, I'm gonna tell you that we're not getting enough wins.Lesley Logan 18:15  People, sometimes you guys, DM them to me, and I actually don't know if you want them to stay private, and so then I don't know, so I need you to send them into this thing so that I know that I can share it. I'm happy to celebrate in the DMs with you, but, like, also, you won't hear it on the pod, because I won't know if I can.Brad Crowell 18:34  Yeah, so be it pod.com/questions. All right, stick around. We'll be right back. We're going to talk about Molly Asplin, and we're going to dig into, you know, why she has her podcast, what she does and how she is kicking ass and taking names. We'll be right back. Brad Crowell 18:49  Welcome back. Welcome back. Let's talk about Molly Asplin. Molly is the host of the Dream It, Do It podcast, and a high performance coach who works with the with high achieving women who feel like there's something more or something different for their lives and careers than what they're currently doing and and I'm already like, ready to jump into the conversation, because I thought it was a really amazing thing to be a distinguish between over achieving and high achieving. Love this. Okay, anyway, after spending 10 years in corporate finance, she made the shift into coaching and now supports women in exploring what they're truly good at, what they enjoy, and how they bring more of that into the work and life that they love, whether they're pivoting into something new or finding fulfillment where they are. Lesley Logan 19:33  So yeah, I mean, I want to jump in on what you were saying. Because, like, I actually have only ever heard of overachieving, right? So when I heard the word high achieving, I was like, is that just like a rebrand of overachieving, but it's not. It's it's not. And as a recovering overachiever and perfectionist, I actually was like, Oh, I could still want to achieve things and not end up in my addiction. So, right? Like, I.Brad Crowell 20:05  I feel like, I feel like, you know, like, if you compared it to this idea of high performance, we've probably heard of high performance athlete, usually is, what is the next word that comes, you know, but, but it's very rare that you hear of over performance athlete. No, he don't, well, I mean, I mean, probably just because no one uses that phrase, but I think there certainly are those kinds of people.Lesley Logan 20:26  Well, anyway, she said, I think it was, I think it was I liked, that we finally got to, like, address that. Because I don't think on any of the episodes of having someone talk about, like, performance and achievement, that, like, we distinguish the difference between the two, and I think that that's really helpful. And then she also said, like, a lot of times with high achievers, and I would say, I would also say, with the overachievers, we, they. I said we, because hello, associate loyalty with strength. Like you say to yourself, I need to stick this out. I'm a loyal person. And this is something that, like, I come across a lot of times with. I just had a coaching call with one of our members, and she's like, Oh, this person's leaving in May. And I'm like, are they bringing you any benefit right now? No, it's costing me a lot of money right now. Why are they staying until May? Well, I mean, I told her she could, like the loyalty part of it, and I'm like, no, no, no, there's nothing. There's no law that says you have to do that. They're an employee at an at will state. Like, you can say, thank you so much for your time. This will be your last date. But, like, I understand this from a different perspective, and I'll share it like I think it's on episode.Brad Crowell 21:31  Y'all were talking about burnout, right, and being the person who is an overachiever, being in the environment, and then what are the story that we tell ourselves? We tell ourselves, well, you know, we might not even be like explicitly saying I'm loyal, but that's how I used to define myself. I'm loyal to a fault. Yes, well, the irony is that it was my own fault. I was hurting myself.Lesley Logan 21:58  I think companies that care come in as well, because like, so companies that don't care will take people like you and I, who are like, Oh, I'll help with that. Oh I'll help with that, and they won't go, wow, that person is taking on a lot. Maybe we should take some things off of their plate so that they can do these things, right?Brad Crowell 22:14  I literally just had this conversation with someone on our team who's like, this project is shifting, and in the interim it will, it'll basically come back to me, and I'll be handling this role of it. And I was like, whoa, whoa, whoa, I, that is not, that's not for you, that shouldn't be for you, and I'm grateful that you're willing to do it, but that's that's the wrong your efforts are better than that, like, bigger than that. Or, you know, the way you think is bigger than that. So how do we adjust it so that this doesn't land back on your plate? It shouldn't. Lesley Logan 22:50  Right and so I think, like, if you're someone who's like, because you said you would do it, you're having a hard time taking yourself away from it. Or you're finding yourself going, Oh, once this happens, then I'll give my notice. Or once this happens, then I'll break up with this person. Or once this happens, then I'll it's like the reality is, is like that somewhere in the waiting till this happens, you will take on something else for them and or something else. And so it's really important that you understand you can still be loyal and strong and a committed team member and stop doing it, like you can't, there's conversations that might have to be had, there's things, but I think it's important to, like, at least spot it in yourself, so that you can recognize when you're doing it. Yeah, and something that I'm having a hard time with in my own life is like, I know that I'm someone who is very present when I'm with you, like I try really, really hard to when a friend visits or a family member is visiting, not so much with people I live with, but the people who are visiting they're really hard to clear my schedule be really intentional about them knowing how much time I have all these different things, which means that I might not respond to a text for a bit, because I I can't be present in the conversation at the time. I would have to, like, sit down, think about it, answer it. I can't just read it and move on. Like, I have to, I have to close the loop, right? That's who I am and so.Brad Crowell 24:11  Well, also, too, it's not just that. It's like, it's like, if you're gonna say something and then that, you know they're gonna respond back, but you know you won't be able to get to that response, like.Lesley Logan 24:21  I can't do it. I That's not wrong. That's just like, like, I can't be there for the ping-ponging back and forth. And so for me, I am really trying to honor that about myself. I'm a high achiever. I don't want to be overachiever. Brad Crowell 24:41  You know, that's how they used to sell Slack. That was literally the the selling point. Lesley Logan 24:45  Keep the ping-pong going. Brad Crowell 24:45  Yep, no, well, not the key, not that wasn't, they didn't say it like that, but it was effectively like, you get to it when you when you can get to it. Oh, and that was like the selling point was like, Oh yeah, they can leave you a message. You can come circle back when you're ready.Lesley Logan 24:52  That is also how Slack feels for like, to me, and text messages feel like you're supposed to respond, you know, so, like, because I can't, because I'm working on just like, not over committing myself, I'm not responding, which is, in turn, you know, some people don't like that, because that's effect that's changing the boundaries and the status quo that they're used to. And I am working really hard and going it doesn't mean I'm not loyal to them. It doesn't mean I don't love them. It just means I can't do it right now. So I'm just sending that to you because, like, if you're trying to recalibrate, which is what Molly talked about. She said, if you find yourself defending what you're doing more than you're enjoying it, complaining about it a lot, but you're just fine at the same time, it might be time to recalibrate. And I think that recalibration means like, not just like going to a hotel and like getting a spa weekend and like, yes, or just that time, take some time to go okay, what? What can I change here? What can I share here? What can I ask for help on? Can I say, Hey, I know I said I could do this. It's taking a little more bandwidth than I thought. Is it possible to get some help on these things or postpone these due dates if you told family members you would do something, and that is like actually becoming something that you're frustrated by? Is it possible say, Hey guys, unless somebody really wants to do this, do you mind if I like, cater it? Do you mind if I like, is there someone else? Like, it's okay.Brad Crowell 26:04  Asynchronous communication tool is what that is called, by the way, down this rabbit hole.Lesley Logan 26:09  I heard the typing. I was like, what is he doing? What did I say? Anyways, I just, I just want to say, if, if this episode resonated with you. Hello, I see you. I see you. And you're still loyal, and you're still an amazing, committed person, even if you are taking step backs from things, taking more time on things, asking for space on things, it doesn't mean you're an asshole.Brad Crowell 26:33  Doesn't mean you're an asshole. Love that. Lesley Logan 26:35  Yeah, that's my next book. You're not an asshole. You need space.Brad Crowell 26:43  Well, I really loved when she was talking about high achievers, who are generally good at time blocking and getting stuff done, but they're actually not great at. Lesley Logan 26:53  They're not, naturally. Brad Crowell 26:55  They're not managing their energy well. So while they might be like, Okay, I'm blocking out this time to do this, I'm blocking out that time to do that.Lesley Logan 27:05  Brad, this isn't This is insane. This is, like, literally every single woman that we work with,Brad Crowell 27:10  Oh, I was gonna say it's very much me, too. Lesley Logan 27:11  Yeah, they're, you're, they're so good at time blocking, but not necessarily putting the blocks of time when the energy is there.Brad Crowell 27:19  And specifically what she was talking about, and this is what made me laugh, is it's one of I've heard this a million times, but for some reason this really stood out to me this time was when you're thinking what your brain is like at the best capacity, relatively early in your day, in the morning, And that's like science, right? So.Lesley Logan 27:42  Unless you're an owl, there's owls and larks and. Brad Crowell 27:44  Well, for sure that, for sure that is me. Lesley Logan 27:47  Daniel Pink wrote a book. I can't tell you which book it is, but you can just look up which one has time management there. And he explains there is, like, a small percentage of population who are naturally designed to be night people, but most people are beginning of the day.Brad Crowell 28:02  His book is called When: The Scientific Secrets of Perfect Timing, 2018. So, When. Lesley Logan 28:09  You know what, it's crazy, I can remember when he said that in a podcast, and where I was walking home to our apartment in LA, but the title of the book not in there.Brad Crowell 28:18  Well, well anyway, so most high achievers are taking their morning when their brains are the best, you know, like processing time, and they're using it for dumb things like responding to emails or random things that set them down a side trail, when instead they shouldn't be focusing on like the big project that's going to move the ball forward on the company. Lesley Logan 28:43  I think that's the eat the frog mantra, right? There's the eat the frog first you do the big thing in the earlier part of your day.Brad Crowell 28:49  Yeah or, you know, hug the cactus, yeah. But, but the you're right, it's the eat the frog concept of, like, all right, get it out of the way, because your brain is functioning the best then, but we are letting ourselves be be taken down these other random trails by stuff that is not.Lesley Logan 29:09  After lunch, after I've had lunch.Brad Crowell 29:13  I mean, think about it, from the studio.Lesley Logan 29:15  I am the worst, the worst at creative stuff after I've had a lunch. Like, I, I'm a little different now that we've had the Adderall. I'm not gonna lie, like I actually wasn't pretty impressed myself what I did in the afternoon. But I naturally the I'm good at teaching and coaching. I can actually really present and pour into somebody else, but to, like, creatively, think about some project. No, no, that would be a good time for me to do my emails if I had to.Brad Crowell 29:42  Yeah, today was really interesting. I actually did my that kind of stuff, Slack, emails at the end of the day. Lesley Logan 29:49  Do you like it? Brad Crowell 29:49  Yeah, actually, I thought it was good. I mean, it didn't set me up for the phone call I had at five o'clock but. Lesley Logan 29:55  But it's a new system, so, you just said now, you had to figure that out. Brad Crowell 29:59  Yeah that was the first time I was like, oh, oops. Anyway, the point is that if you have a bigger project that's going to move the company forward, you want to do it in the day, like for studio owners, imagine, you know, waking up in the morning and the first thing you do is, like, pull out the dust pan and broom and you sweep the studio. You're like, wasting your brain on the on something that is just mundane. Lesley Logan 30:20  And just in case you're not a company or a studio owner, this could be, like, life stuff, you know, like a lot of people on the weekends are like, oh, I want to do this big thing. I want to, like, clean out my closet. But you don't do that in the morning. You like, go grocery shopping, you organize the clean the kitchen. Like, in fact, if you were to do that in the beginning part of your day, when you have a lot more energy, and then you did the other stuff at the slower time, it would be better. Brad Crowell 30:46  Yeah. Well, you know. Lesley Logan 30:48  I mean, Molly can tell you how to manage your time. What we're saying is, if you're listening to this podcast, you're probably someone who time blocks the fuck out of your life and doesn't have the energy to do what you've time blocked. Here's your sign. Brad Crowell 30:59  You know, I mean, also too, we're so distracted, right? It's so easy for like, I can't tell you how many times I actually caught myself today, which is really interesting, that I hopped on to dig into Slack, the chat, you know, to get through everything for the team. The first thing I did took me to my email, which took me to this other thing, took me this other thing, took me to this other thing. And then, like, all of a sudden, 10 or 15 minutes had gone by. I was like, what was I even doing? Oh, I literally got to one message in what I was trying to do, which was Slack, right? It's like, oh, okay, hold on. I'm this is not a win. Like, also, too, I the notifications on my phone, if my phone is up, it's like, every every two minutes. So like minimizing those that's important to do you know, but effectively, when you know this about yourself, if you can reorient your projects so that your morning or your when your peak time that your brain is functioning is when you're doing the thing that needs to actually happen to get things done, you're going to love life so much better. Yeah. All right, stick around. We'll be right back, because we're going to dig into those Be It Action Items that we got from Molly Asplin in a moment. Brad Crowell 32:09  All right. So finally, let's talk about those Be It Action Items, what bold, executable, intrinsic or targeted action items can we take away from your conversation with Molly Asplin? She was talking about pivoting to something new, like changing things, you know, in mid stride. Pivoting usually is like, I'm going this way and now I'm changing it to go that way, right? So she's saying that it's not about taking this big leap immediately. For her, she did it in a little bit more of a thoughtful way. She said, you usually already know what your next bold move is, just kind of inherently know. But the question is, when are we ready to tackle that thing right? And it's very easy to say, I'm going to get to say, I'm going to get to it, I'm going to get to it, I'm going to get to it. So how do we actually get to it? And she was talking about her clients, and she's like, you know, she had a client say to her, I want to start a podcast, and I'm going to do that at some point. And she's like, Well, why don't you start it now? And she's like, Oh, I guess. I guess I could start it now. Lesley Logan 33:22  Yeah, start recording. You don't have to figure it out. You can always add an intro later, like you don't have to have the name figured out. You could just, like, start recording yourself.Brad Crowell 33:31  Yeah, but, but, but that left her, that led her down to this tool that she uses that is like, one bold move a day, one bold, one bold, courageous move a day. And that means, after 30 days, you have done 30 bold, courageous moves, right? And so what is a bold, courageous move? What could that be? It might be like actually responding to the text message you've been avoiding. Lesley Logan 33:54  Yeah, that could be bold. Brad Crowell 33:57  It might be making the phone call that you're like, I just don't want to take the time. Well, if you do it when your brain is active, the most active, you know, it will be less burdensome for y'all.Lesley Logan 34:07  For my ADHD people listening, you'll be shocked how quickly it it goes if it's the phone call you've been avoiding, like, I hate, well, it's not, I mean, like, it's true. It's an actual sign of ADHD. So, and because you and I have it, and we attract people who are, like most of our listeners probably like, you're really good at, like, a lot of, like, big thinking projects, but like, you know, calling your accountant just feels like the most annoying thing to do, and then you like, thank God I got their voicemail. Like, you know what I mean? No, just me, but the other day, I had to make two phone calls. And I was so shocked that I was able to do two phone calls in five minutes. And I was like, whoa. Why did I put that off for like, 72 weeks, like, so I just would say, like, do it when you have the high energy for it. I like that. I like that.Brad Crowell 34:54  Yeah, you know, but, but, but then, like, also, too, it starts a progression, one bold move a day. Lesley Logan 34:59  That's how confidence is built, by the way, by doing the same. Brad Crowell 35:02  Messy action. Lesley Logan 35:03  And then, by the way, I'll just that'll go into my thing, think about that thing, and then you want to do the future and then do it today. Like, it's actually like, don't, like, Don't go, Oh, I'm gonna talk to my friend about doing it. No. Like, go do it. Send the email. Like, hire the coach. Like, oh, I've been really wanting to get on this dating app so I could find something, put the build up the profile like do the actual thing. Because one, you'll be surprised how quickly some of these things are able to be done in our head, that we've built up to be this hard thing that we have to do. Brad Crowell 35:30  Oh, me too. Lesley Logan 35:31  So take the actual action, and don't let that get covered up with plans of just thinking about it. I'll tell you one thing, one way to really irk my you know, situation is if you just keep talking about the thing you're going to do with me, I can't. I don't have patience for it. So I don't it's how, it's how I met Brad. Y'all want to know this girl friend of mine just kept complaining about the scarf she lost, and I had the exact same scarf. I love that scarf. And I said, if you want, you can have my scarf, the one that you lost. I have the other one, but you're gonna do it with Brad, because I just needed her to shut up, like, go buy a new scarf. Go call the thing. Go see if there's a lost and found or it's a fucking I can't so anyways, I'm clearly not the person to call for you to repeat yourself. I'm gonna tell you, take the actual action, and then if you want to understand how to get momentum going, she did share a free resource called Momentum Builder at mollyasplin.com/momentum.Brad Crowell 36:29  Yeah, that's Molly A-S-P-L-I-N dot com mollyasplin.com/momentum, it's pretty cool, like you can print it out. She she recommends doing it monthly, and it helps you build that momentum. And if you take one bold move a day, by the time you're done 30 days, you're ready to fill out another one of these Momentum Builders. Lesley Logan 36:47  This is so great for so many people I know who listen to this podcast or in Agency, because they're like, I just need to figure the system that helps me get the things done. Like, just keep writing new lists down. And this Momentum Builder. All right, I'm Lesley Logan. Brad Crowell 36:59  And I'm Brad Crowell. Lesley Logan 37:00  You're amazing. We're so grateful for you. I hope you enjoyed we had Clare the last two weeks for the recap, so hopefully you enjoyed that she'll be back for a recap coming up, because she's excited about the guest so once, so you'll hear from her again. But we appreciate you guys letting someone else jump in on these recaps. Sometimes it's for me, sometimes for Brad, and we appreciate that you share this with a friend. So share this with a friend who you're tired of hearing them complain about the thing that they think they're gonna do. They won't know why you did it until this point. So at any rate, until next time, Be It Till You See It. Brad Crowell 37:31  Bye for now. Lesley Logan 37:32  That's all I got for this episode of the Be It Till You See It Podcast. One thing that would help both myself and future listeners is for you to rate the show and leave a review and follow or subscribe for free wherever you listen to your podcast. Also, make sure to introduce yourself over at the Be It Pod on Instagram. I would love to know more about you. Share this episode with whoever you think needs to hear it. Help us and others Be It Till You See It. Have an awesome day. Be It Till You See It is a production of The Bloom Podcast Network. If you want to leave us a message or a question that we might read on another episode, you can text us at +1-310-905-5534 or send a DM on Instagram @BeItPod.Brad Crowell 38:15  It's written, filmed, and recorded by your host, Lesley Logan, and me, Brad Crowell.Lesley Logan 38:20  It is transcribed, produced and edited by the epic team at Disenyo.co.Brad Crowell 38:25  Our theme music is by Ali at Apex Production Music and our branding by designer and artist, Gianfranco Cioffi.Lesley Logan 38:32  Special thanks to Melissa Solomon for creating our visuals.Brad Crowell 38:35  Also to Angelina Herico for adding all of our content to our website. And finally to Meridith Root for keeping us all on point and on time.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

 This week Sidey, Dan, and Cris fly solo — Simon's been called to Southampton on urgent business (he was spotted in a pub surrounded by tea cups, so make of that what you will). The dads are reviewing Ballad of a Small Player (2024), the new Netflix film from Edward Berger — the director behind All Quiet on the Western Front and Conclave — starring a very much on-form Colin Farrell. The Film: Colin Farrell plays Lord Doyle, a dissolute British gambler drowning in debt in the casinos of Macau — and if you thought Vegas was the gambling capital of the world, think again. Doyle owes 352,000 Hong Kong dollars to the house, is blagging his way past the front desk in a crumpled cravat, and somehow still looks magnificent. He falls in with a mysterious young woman at the Baccarat tables, and from there the film slides into gorgeous, ambiguous territory — is she real? Is any of this? And does it even matter when the rush of the bet is the only thing that feels true? Themes of addiction, redemption, obsession, and the question of whether you can ever really stop — all wrapped in the stylised, sun-drenched visual language of Macau's casino underworld. The lads give it two words each: "All in" (Dan), "Bizarre but funny" (Cris), and "Strong recommend" (Sidey). Consensus: go watch it. Top Five: Gardens The boys dig into their favourite cinematic, televisual, musical, and gaming gardens. From the gnome in Amélie and David Lynch's suburban lawn horror in Blue Velvet, to the brutal communal fields of Midsommar, Spirited Away's otherworldly beauty, and the garden in Saltburn that had certain members of the pod seeing quite a lot of a particular actor. Wonka's chocolate garden gets a nod, as does Miss Peregrine's hedge-portal to another time. Sidey & Reegs are also going to see Wu-Tang Clan at the O2. Protect ya neck. You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

Join hosts J.D. Barker, Christine Daigle, Jena Brown, and JP Rindfleisch as they discuss the week's entertainment news, including stories about bookfluencers, Audible, and DNF shelves. Then, stick around for a chat with Ian McGuire! Ian McGuire co-founded the Centre for New Writing with John McAuliffe in 2007 and co-directed the Centre with John until 2017. He is the author of Incredible Bodies (2006), The North Water (2016) The Abstainer (2020) and White River Crossing (2026) and one critical monograph, Richard Ford and the Ends of Realism (2015). The North Water won the Royal Society of Literature's Encore Award, was long-listed for the Man Booker prize and has been made into a BBC television mini-series starring Colin Farrell and Jack O'Connell. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We kick off FOLLOW UP by checking in on Elon Musk's personal dumpster fire, where the EU is investigating Grok for deepfake slop while Tesla's “unsupervised” robotaxis turned out to be supervised by literal chase cars — shocker. At least some of you are getting Siri settlement crumbs in your bank accounts, though you could probably double it betting against Musk's worthless promises on Polymarket.Transitioning to IN THE NEWS, Tesla is killing off the Model S and X to build robots while sales crater, proving that mixing hard-right politics with EV sales is a brilliant move for the balance sheet. Meanwhile, the corporate bloodbath continues with massive layoffs at Ubisoft, Vimeo (courtesy of the Bending Spoons buzzsaw), and Amazon, because “removing bureaucracy” is apparently HR-speak for 16,000 families losing their livelihoods. If that's not enough, Google is settling yet another privacy suit for $135 million, the EU is threatening to weaponize its tech sovereignty against the US, and the Trump administration wants Gemini to write federal regulations—because if there's one thing we want drafting airline safety rules, it's a hallucinating chatbot.Still IN THE NEWS, Waymo is under federal investigation for passing school buses and hitting children, while South Korea's new AI laws manage to please absolutely no one. Record labels are suing Anna's Archive for a cool $13 trillion—roughly three times the GDP of India—and the Winklevoss twins have finally admitted that NFTs are dead by shuttering Nifty Gateway.We pivot to MEDIA CANDY, where the Patriots and Seahawks are heading to Super Bowl 60, and the Winter Olympics are descending on Milan. We're doing the math on the Starfleet Academy timeline, celebrating the return of Ted Lasso and Shrinking, and trying to decide if Henry Cavill is the second coming of Timothy Dalton in the Highlander reboot. Plus, Jessica Jones is back in the Daredevil: Born Again trailer, and Colin Farrell's Sugar is returning to explain that wild noir twist we all totally saw coming.In APPS & DOODADS, the TikTok Armageddon is upon us as the new US owners break the app and drive everyone to UpScrolled, while Native Instruments enters insolvency, leaving our music-making dreams in restructuring limbo. Apple is dropping AirTag 2 with precision finding for your watch, which is great for finding the keys you lost while doom-scrolling.We wrap up with THE DARK SIDE WITH DAVE, featuring the new Muppets trailer and Steve Whitmire's deep thoughts on the state of the felt, plus a look at the artisans in Disneyland Handcrafted. Finally, Looney Tunes finds a new home on Turner Classic Movies, proving that the classics never die—they just move to a cable channel your parents actually watch. Dave finally learns about the Insta360 camera, a countertop dishwasher but no Animal Crackers, and a guide to gas masks and googles... for no particular reason.Sponsors:DeleteMe - Get 20% off your DeleteMe plan when you go to JoinDeleteMe.com/GOG and use promo code GOG at checkout.SquareSpace - go to squarespace.com/GRUMPY for a free trial. And when you're ready to launch, use code GRUMPY to save 10% off your first purchase of a website or domain.Private Internet Access - Go to GOG.Show/vpn and sign up today. For a limited time only, you can get OUR favorite VPN for as little as $2.03 a month.SetApp - With a single monthly subscription you get 240+ apps for your Mac. Go to SetApp and get started today!!!1Password - Get a great deal on the only password manager recommended by Grumpy Old Geeks! gog.show/1passwordShow notes at https://gog.show/731Watch the episode at https://youtu.be/B54je_oJWjMFOLLOW UPThe EU is investigating Grok and X over potentially illegal deepfakesPeople on Polymarket Are Making a Fortune by Betting Against Elon Musk's Famously Worthless PromisesElon Musk Made Tesla Fans Think Unsupervised Robotaxis Had Arrived. They Can't Find ThemTesla Quietly Pauses Its “Unsupervised” Robotaxi Rides as Reality Sets InApple Siri settlement payments hitting bank accounts. What to know.IN THE NEWSTesla bet big on Elon Musk. His politics continue to haunt it.With Tesla Revenue and Profits Down, Elon Musk Plays Up SafetyTesla Kills Models S and XUbisoft proposes even more layoffs after last week's studio closures and game cancellationsVimeo lays off most of its staff just months after being bought by private equity firmAmazon Laying Off 16,000 as It Increases ‘Ownership' and Removes ‘Bureaucracy'Report Says the E.U. Is Gearing Up to Weaponize Europe's Tech Industry Against the U.S.Google will pay $135 million to settle illegal data collection lawsuitGDPR Enforcement TrackerNTSB will investigate why Waymo's robotaxis are illegally passing school busesWaymo robotaxi hits a child near an elementary school in Santa MonicaVideo shows Waymo vehicle slam into parked cars in Echo ParkTrump admin reportedly plans to use AI to write federal regulationsSouth Korea's ‘world-first' AI laws face pushback amid bid to become leading tech powerSpotify and Big 3 Record Labels Sue Anna's Archive for $13 Trillion (!) Alleging TheftAmazon converting some Fresh supermarkets, Go stores to Whole Foods locationsSEC agrees to dismiss case over crypto lending by Winklevoss' GeminiWinklevoss Twins Shut Down NFT Marketplace in Another Sign Crypto Art Is DeadMEDIA CANDYPlur1busShrinkingA Knight of the Seven KingdomsStealHow to watch the 2026 Super Bowl: Patriots vs. Seahawks channel, where to stream and moreWinter Olympics: How to watch, schedule of events, and everything else you need to know about the 2026 Milano Cortina gamesWait, So When Is 'Starfleet Academy' Set, Anyway?The First ‘Daredevil: Born Again' Season 2 Trailer Brings Back Jessica JonesMarvel Television's Daredevil: Born Again Season 2 | Teaser TrailerTed Lasso Gets Kicked Back to Apple TVThere Can Only Be One First Look at the ‘Highlander' RebootColin Farrell's Detective Show ‘Sugar' Will Finally Have to Address that Wild Twist This SummerAPPS & DOODADSTikTok Is Now Collecting Even More Data About Its Users. Here Are the 3 Biggest ChangesTikTok users freak out over app's 'immigration status' collection — here's what it meansTikTok's New US Owners Are Off to a Very Rocky StartTikTok Data Center Outage Triggers Trust Crisis for New US OwnersYes, TikTok is still broken for many peopleSocial network UpScrolled sees surge in downloads following TikTok's US takeoverNative Instruments enters into insolvency proceedings, leaving its future uncertainWispr FlowAirTag 2: Three tidbits you might have missedTHE DARK SIDE WITH DAVEDave BittnerThe CyberWireHacking HumansCaveatControl LoopOnly Malware in the BuildingThe Muppet Show | Official Trailer | Disney+Steve Whitmire, former Kermit the Frog performer, has written a long, thoughtful piece about the current stae of the Muppets.Disneyland Handcrafted‘Looney Tunes' Has Found a New Home: Turner Classic MoviesThe Dark Side of Scooby DooA Disturbing (Yet Convincing) Theory Reveals There Were Never Any "Monsters" In Scooby DooCartoon Conspiracy Theory | Scooby Doo and The Gang Are Draft Dodgers?!Producing A Multi-Person Interview With An Insta360 CameraA listener on Mastodon pointed out that The Verge had a story on countertop dishwashersA Demonstrator's Guide to Gas Masks and GogglesEmma RepairsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nick catches up with Dan Fienberg from The Hollywood Reporter for another round of TV talk, starting with a few standout documentaries from Sundance and the latest run of SNL episodes. From there, Dan digs into a busy slate of new shows, including Memory of a Killer starring Patrick Dempsey, The Beauty from Ryan Murphy, The Fall and Rise of Reggie Dinkins with Tracy Morgan, and a new spinoff from the Game of Thrones universe. Esmeralda Leon joins Nick later as the conversation shifts into what they have been watching lately and quickly veers into some truly baffling casting choices. They revisit moments like Angelina Jolie playing the mother of Colin Farrell and the long tradition of actors in their twenties and thirties somehow passing as high school kids. It's a mix of sharp TV insight, shared viewing notes, and plenty of head shaking over casting decisions that still make no sense.  [Ep 424]