Podcasts about In extremis

Claude est en pleine tournée pour présenter son album "In Extremis", un album très intime qui parle de sexualité, de solitude, de famille... Tête à tête avec cet homme à lunettes dans les loges de la Cabane à Toulouse.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

ART ROCK/POST PROG GROUP ‘DAYS BETWEEN STATIONS' RELEASING NEW ALBUM ‘PERPETUAL MOTION MACHINES' ZOOM EXCLUSIVE WITH OSCAR FUENTES BILLS & SEPAND SAMZADEH MUSIC VIDEO “SEEDS” OUT NOW!   Hello everyone and welcome to another edition of Interviewing the Legends I'm your host Ray Shasho. Days Between Stations are releasing their fourth album, “Perpetual Motion Machines (Music For A Film),” on November 29.  Recently released is the music video “Seeds.” The music video for “Seeds” features artist Jean-Paul Bourdier BOO DWA at work, altering landscapes, coloring bodies, marking up film frames, playing with manufactured items to see how they influence visuals.   “Perpetual Motion Machines (Music For Film)” is the result of DBS founding members keyboardist Oscar Fuentes Bills and guitarist Sepand Samzadeh working on the music for a documentary film about Jean-Paul Bourdier, himself, in the mid-2010s. As the music reached completion, the group was offered the opportunity to release their music as a “proper” album. Sepand says, “Jean Paul's artwork was our muse, and we scored the music to pictures and to existing films.” Pink Floyd backup vocalist Durga McBroom sings on “Being,” which will be released as a video. The album is dedicated to the memory of "Big" Bill Kaylor who engineered early sessions of “Perpetual Motion Machines” and worked on the group's second album, “In Extremis.”  The band has a history of music in films-dating back to “Radio Song” (from the debut album) licensed in the independent film “Young, Single & Angry” in 2006 and then in 2023 in “Paul & Trisha: The Art of Fluidity,” now featured on Apple Movies. PLEASE WELCOME SEPAND SAMZADEH AND OSCAR FUENTES BILLS OF ART-ROCK/POST-PROG GROUP/ DAYS BETWEEN STATIONS TO INTERVIEWING THE LEGENDS … PREORDER  THE NEW ALBUM BY DAYS BETWEEN STATIONS entitled PERPETUAL MOTION MACHINES (MUSIC FOR A FILM) Album official release date Nov. 29th first music video “Seeds” is out now! Pre-Order CD or vinyl at www.daysbetweenstations.com/product-category/perpetual-motion-machines/   FOR MORE INFORMATION ABOUT DAYS BETWEEN STATIONS VISIT https://www.daysbetweenstations.com/ Official website https://www.facebook.com/DaysBetweenStations Facebook https://www.youtube.com/user/DBSMusicOfficial YouTube https://www.instagram.com/daysbetweenstationsband/ Instagram https://daysbetweenstations.bandcamp.com/ Bandcamp   DISCOGRAPHY     2007: Days Between Stations     2013: In Extremis     2020: Giants     2024: Perpetual Motion Machines Support us on PayPal!

Place des Fêtes autour d'un des albums marquants de la rentrée. Un disque de chansons française fait par un garçon qui n'a pas grandi en écoutant de la chanson française. Un disque de pop pervertie par les synthés modulaires et le souvenir du dancefloor. Un disque sensible comme on les aime et dont la poésie intime ne cesse de nous réjouir et de nous faire chialer. Il y a fort à parier que ces chansons nous accompagnent quelques années encore. Ce disque c'est In Extremis, Claude est l'invité aujourd'hui de Place des Fêtes, en direct de la Gaîté Lyrique.

Il en existe peu, des artistes comme lui. Des esprits cartésiens, pour qui la création pourrait presque être assimilée à une affaire de mathématiques. Il se met à écrire, nourri par ses pensées les plus intimes aux observations qu'il fait sur le monde qui l'entoure. Le langage est cru, direct. Tant mieux : le style est là. Aujourd'hui, la discographie de Claude se muscle avec IN EXTREMIS, son premier album, marqué par la rencontre avec le producteur Alexis Delong, une porte d'entrée dans l'esprit de l'artiste : une toile de sujets se déroule, motivée par une profonde envie d'être purement honnête.Photo : Geray Mena Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Certte semaine, 20 jeux, Simon & Sébastien ont donc décidé de tirer au sort pour les présenter ! C'est décousu, mais c'est rigolo ! ______________________________________

A Rádio Disney bateu um papo com parte do elenco da peça "In Extremis" e tirou algumas curiosidades e fatos por traz dessa produção. Aperta o play e vem conferir essa entrevista com a gente!

La boutique In Extremis, c'est d'abord l'histoire de la conviction et des engagements d'une femme : Marie EPPE, ingénieure agro-alimentaire.Soucieuse des enjeux écologiques et environnementaux et passionnée de cuisine et d'alimentation depuis son plus jeune âge, Marie ne souhaite pas faire de compromis entre sa gourmandise, sa santé et celle de notre planète. Durant ses études, elle fait le constat du gaspillage alimentaire aux étapes de production et de transformation de la filière agroalimentaire. Une fois diplômée, c'est une évidence, elle veut mettre à profit sa formation pour (re)donner du sens à notre alimentation ! Allier ses convictions personnelles à ses compétences professionnelles pour la réinventer et la rendre gourmande et cohérente ! Au micro de Dominique Érard, elle nous parle aujourd'hui de ce combat qu'elle mène avec passion contre le gaspillage alimentaire depuis bientôt 6 ans.

Cette semaine, je reçois Carine Fouteau, nouvelle directrice de publication et présidente de Mediapart, qui prend la succession du média après le départ d'Edwy Plenel, son cofondateur historique. Vous en apprendrez plus sur : # Son parcours de journaliste et son arrivée à Mediapart après le rachat des Échos par LVMH en 2008 # Ses premières enquêtes à Mediapart sur les sujets migratoires puis la co-direction éditoriale # Leurs priorités au sein de l'organisation pour faire des égalités entre hommes et femmes une priorité : Mediapart est aujourd'hui le seul média dirigée par 4 femmes aux plus hauts postes (Cécile Sourd, Valentine Oberti et Lénaïg Bredoux) # La succession avec Edwy Plenel et la transmission qui a été préparée de longue date # Les nouveaux champs éditoriaux : l'écologie (avec des enquêtes et le recrutement de deux nouveaux enquêteurs) et la crise climatique traité quotidien # L'importance des valeurs de Mediapart dans sa ligne éditoriale sans le restreindre à un journal militant et partisan # L'ambition de faire de Mediapart un média « populaire » : en assurant que l'information est lisible et accessible - par un travail sur les articles et l'écriture, mais aussi sur l'image, par des nouveaux formats (avec le live sur Twitch, des podcasts, etc) # Leur volonté de développer le lectorat des plus jeunes avec une présence plus importante sur les réseaux sociaux (sur Instagram) et des abonnements groupés (CDIs) # Le bilan carbone de Mediapart et les nouvelles politiques concernant les déplacements des journalistes # La santé financière de Mediapart et leur objectif : mettre de l'argent de côté en cas de coups durs “comme le Scott Trust du Guardian” # Le club des lecteurs de Mediapart, modéré en interne : un espace de free speech encadré par la charte du média # Les prochains objectifs de Mediapart : rentabilité, gagner des abonné•es et constituer un trésor de guerre en cas de coup dur # Le scoop et les enquêtes de Mediapart : un hameçon pour acquérir des abonné•es. Dès les révélations Bettencourt, Mediapart parvient à la rentabilité. En moyenne, les révélations sur la Ministre Amélie Oudéa-Castéra ont permis d'acquérir entre 3000 et 4000 abonné•s # Les newsletters gratuites, pensées comme des produits éditoriaux. Pour aller plus loin : # Les trucs cool de Carine : Aller au musée Picasso et la salle consacrée à l'artiste-peintre Françoise Gilot et relire “Les raisins de la colère” de John Steinbeck, # La série sur le parcours d'Edwy Plenel, Une vie d'enquêtes # La newsletter In Extremis, radiographie de l'extrême droite et des droite. # Rejoignez la communauté WhatsApp juste ici. # Abonnez-vous à la chaîne YouTube ici. Pour découvrir tout ça, c'est par ici si vous préférez Apple Podcast, par là si vous préférez Deezer ou encore là si vous préférez Spotify. Et n'oubliez pas de laisser 5 étoiles et un commentaire sympa sur Apple Podcast si l'épisode vous a plu. Mediarama est un podcast du label Orso Media produit par CosaVostra. Retrouvez Mediarama sur : Apple Podcasts | Spotify |Deezer

Welcome to noseyAF, continuing on with the On the Rock Series, where we dive deep into the intriguing realm of art and creativity. I'm thrilled to introduce our esteemed guest today, Marie Lannoo, a Canadian artist whose boundary-breaking work continues to captivate audiences worldwide. Born in Simcoe, Ontario, and raised in Delhi, Ontario, Lannoo's artistic journey has taken her to the vibrant landscape of Saskatchewan, where she has flourished as a painter primarily based in Saskatoon. Known for her mesmerizing abstract paintings. Lannoo's creations tantalize the senses with their layered colors and intricate textures, challenging us to explore the nuances of perception and form. Throughout her illustrious career, Lannoo has garnered recognition and support from esteemed institutions, including grants from the Saskatchewan Arts Board. Her recent publication, "In Extremis," offers a profound glimpse into her exploration of light and color, enriched by thought-provoking essays from Robin Kingsburgh, Leah Taylor, and Robert Youds. Additionally, Lannoo's involvement with 330g—an independent artist-run space in Saskatoon—underscores her commitment to nurturing artistic dialogue and collaboration within the community. But before we delve into our conversation with Marie, I want to extend an invitation to our listeners. We're planning our first Q+A episode, and we want to hear from you! Whether you have burning questions about Marie's artistry, her creative process, or anything else related to the world of art, we want to hear them. Head over to our Instagram page @noseyAFpod and leave your questions in the comments. Your curiosity could shape the direction of our upcoming episodes! Now, without further ado, let's unravel the colorful world of Marie Lannoo. Connect with Marie Lannoo Instagram: @marielannoo5 Website: https://marielannoo.com/ Check out Marie's Book  Connect with Stephanie Instagram: @noseyaf Check out my art and projects More Episodes at noseyaf.com Ask Me a Question: https://castfeedback.com/noseyaf Support the Show Rate and Review the show Share noseyAF with your friends Buy a pin Buy a print Sign up for the noseyAF newsletter Sponsorship Opportunities

Êtes-vous prêts à plonger au cœur de l'innovation et de l'engagement écologique ? Dans cet épisode, Jeane vous emmène à la découverte du salon Natexpo, le rendez-vous annuel des professionnels du secteur de la bio. Cet événement, qui se déroule alternativement à Lyon et à Paris, rassemble une multitude de marques engagées dans une démarche écologique et durable. J'ai passé une grande partie de ma jeunesse dans les allées de ce salon, c'est un plaisir de vous faire découvrir cet univers aujourd'hui. Différents intervenants prennent la parole pour témoigner de leur expérience sur le salon. Florence Roublot, directrice du salon, partage avec nous l'histoire de ce salon et son importance pour l'industrie des produits biologiques. Avec son expérience et sa connaissance approfondie de l'événement, Florence nous offre un aperçu unique des tendances et des défis auxquels le secteur bio est confronté, notamment en cette année 2023 qui a été difficile pour de nombreuses entreprises. Au cœur de cet épisode, Jeane explore les stands de plusieurs marques engagées. Nous commençons par In Extremis, une entreprise alimentaire anti-gaspi qui a récemment remporté le prix Natexpo pour son engagement et son innovation. Puis, nous rencontrons Nina de Lokki Kombucha, une belle entreprise qui se distingue par son approche de l'intelligence collective et de la communication non violente. Enfin, nous découvrons les secrets du déodorant parfait avec William, cofondateur des Enfants Sauvages. À travers ces échanges, nous percevons la passion et la persévérance des entrepreneurs qui œuvrent pour un monde plus sain et plus durable. Ressources : Natexpo : https://natexpo.com/ Édition 2024 à Lyon du 23 au 24 septembre. In Extremis : https://inextremis-antigaspi.fr/ Lökki Kombucha : https://www.lokki-kombucha.fr/ Les Enfants Sauvages : https://lesenfantssauvages.bio/ Soutenir Basilic : http://instagram.com/basilicpodcast/ https://basilicpodcast.com Production : Jeane Clesse Musique : @Klein Graphisme : Mahaut Clément & Coralie Chauvin Mix : Jeane Clesse Si cet épisode vous a plu, n'hésitez pas à laisser plein d'étoiles et un commentaire sur votre plateforme et surtout à vous abonner grâce à votre application de podcasts préférée ! Cela m'aide énormément à faire découvrir Basilic à de nouveaux auditeurs et de nouvelles auditrices.

This week we're revisiting one of my favourite episodes from one of the first series. It was back in the day when it was still taboo to talk about menopause, so getting a so-called hardened war reporter to do just that was, well a bit of a coup. Here's Lindsey Hilsum admitting to hiding behind a tank!---You know when people say you're “brave” because you've got a few grey hairs?! Well, my guest this week is the living proof - as if it were needed - that that is a right old load of BS. Channel 4 International Editor Lindsey Hilsum is an acclaimed foreign correspondent who has reported from all over the world including Iraq, Syria, Gaza, Kosovo and Rwanda. She also won the James Tait Black Award for In Extremis, her devastating biography of her friend, the foreign reporter, Marie Colvin who was killed reporting from Syria in 2012.Lindsey is just as bold as her job might lead you to expect. She takes no prisoners as she talks about managing menopause symptoms in a war zone, being in a minority on the box and why there needs to be more “old trouts on TV” (and, no, she's not bloody brave for going grey on screen), and how she finally found the perfect answer to “Give us a smile love”. Only took forty years…• You can buy all the books mentioned in this podcast at Bookshop.org, including the book that accompanies this podcast, The Shift: how I lost and found myself after 40 - and you can too by Sam Baker and In Extremis: the life of war correspondent Marie Colvin by Lindsey Hilsum.* And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at www.theshiftwithsambaker.substack.comThe Shift (on life after 40) with Sam Baker is created and hosted by Sam Baker and edited by Emily Sandford. I'd love to hear what you think - please rate and review, or let me know on twitter @sambaker or instagram @theothersambaker. Hosted on Acast. See acast.com/privacy for more information.

Os saluda Raúl Gallego, otra ronda de Metal y buena música en nuestro Suave. Repasamos los mejor del 2022. Vamos a escuchar unos pocos exponentes de lo mas florido del año. Estamos en Radiopolis, Factoría Cultural , en el 92.3 de la FM. Con Pedro Galeano a los mandos. 1 – Satan - Ascendancy 2 – Candlemass - Wizard of the Vortex 3 – Queensrÿche - In Extremis 4 - Immolation - Noose of Thorns 5 – Brutus – Unison Life 6 - Michael Schenker Group - Emergency 7 – Wormrot - Glass Shards 9 - Ten - Fearless 10 –Undeath - Defiled again 11-Avatarium – A love like ours 12 – Sanhedrin – Hero´s End 13 - Kreator - Hate Über alles 14 –Cats in Space - Tattoed millionaires 15 – Blind Guardian – Violent Shadows 16 – Stratovarius - Firefly 17 – Ozzy - Parasite 18 –Saxon - Pilgrimage 19 – Magnum – All you believe in 20 - Earthless - Death to the red sun Blog: suavementeenlanoche.blogspot.com

We choose not to leave Jason Bourne alone as we discuss one of the best action-spy-thriller sequels, The Bourne Supremacy. We talk behind-the-scenes stories, pros, cons, and, of course, the sequel test. My special guest for today's episode is Dan Marcus. He is an award-winning filmmaker of short films including In Extremis, Closure, and Streamline. You can find him online at the following: - Twitter: @Danimalish - Instagram: danimalish - In Extremis: https://www.firstshowing.net/2021/watch-dan-marcus-new-post-apocalyptic-short-film-in-extremis/ - Closure: https://www.firstshowing.net/2017/watch-the-end-of-a-relationship-in-short-film-closure-by-dan-marcus/ - Streamline: https://www.firstshowing.net/2014/watch-dan-marcus-memory-sci-fi-thriller-short-streamline/ You can find me online at the following:- Vero: Daryn Kirscht- Twitter: @Daryn_Kirscht- Website: https://www.oakvalleymediallc.com/My book, The Snyderverse Saga: The Culture-Shattering Phenomena Behind Zack Snyder's DC Film Universe.- Twitter: @SnyderverseSaga- Facebook: The Snyderverse Saga- Amazon Link: https://www.amazon.com/dp/B09JF84L8G/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1Round II: The Film Sequel- Twitter: @RoundIIPodcast- Facebook: Round II: The Film Sequel Podcast- YouTube: https://www.youtube.com/@RoundIIPodcast- Website: https://roundiithefilmsequel.buzzsprout.com/  - Patreon:  https://www.patreon.com/roundiipodcastSpecial thanks to Geraldo Cortes for composing the intro and outro theme music for the podcast and Tom Gehrke for the podcast cover art. All sound effects are courtesy of ZapSplat. The sequel test music is "Mysterious Strange Things" by Yung Logos on YouTube. 

Mathilde Girard est l'autrice de La séparation du monde et écrit In Extremis. Frédéric D. Oberland officie dans Oiseaux-Tempête, FOUDRE !, Le Réveil des Tropiques et NAHAL Recordings. Ils devaient se rencontrer, c'était un lundisoir.

LA HORADEL ROCK 194 Circe Odisea Ellefson-Soto - Vacation in the Underworld (2022)7 - Celebrity Trash. ELISA C MARTIN CARRY ON. DAVID REEDMAN MEDUSA Borealis - Illusions (2022)6 - Believer. ungsten2022 - Bliss8 - Wonderland. HAMMERFALL Brotherhood. Jaded Heart - Heart Attack (2022)2 - Sweet Sensation. 91 Suite - Back In The Game (2022)2. Perfect Rhyme. Astral_Experience Esclavos del Tiempo Saxon - Solid Ball of Rock. Ozzy Osbourne - Patient Number 9 (2022)1 - Patient Number 9 Skid Row - 2022 - The Gang's All Here1 - Hell Or High Water. Anthrax - 2018 - Kings Among Scotland (2CD)CD17 Be All, End All. Traitor - Exiled To The Surface (2022)2 - Exiled To The Surface. jose andrea uroboros bienvenido al medievo1. Matar al Rey. DEBLER ETERNIASINGLES1 Abierto Hasta Enloquecer. DEBLER ETERNIA-20221016T145452Z-001DEBLER ETERNIASINGLES2 Eternia Bonfire - Freedom Is My Belief Master 4416 Kopie. Amon Amarth - The Great Heathen Army (2022)5 - Find a Way or Make One. Queensrÿche - Digital Noise Alliance (2022)1 - In Extremis. The Cult - Under The Midnight Sun (2022)3 - Vendetta X. Imperia - The Last Horizon (2021)10 - Dancing Heartbanger True Love. Nordic Union2022 - Animalistic4. Riot. Blind Guardian - The God Machine (Deluxe Edition) (2022)CD-13 - Secrets Of The American Gods. BLOODHUNTER1_Sharpened Tongues Spitting Venom_Inside

Track Listing 1. In Extremis 4:42 2. Chapters 3:43 3. Lost in Sorrow 5:12 4. Sicdeth 4:43 5. Behind the Walls 6:15 6. Nocturnal Light 5:44 7. Out of the Black 4:19 8. Forest 4:47 9. Realms 3:49 10. Hold On 4:57 11. Tormentum --- Send in a voice message: https://anchor.fm/brutally-delicious/message

Hello and Welcome to Episode 135!Herewith is another June catchup episode for June releases.   This Week in Seattle Rock debuts one new artist on the podcast, and Justin gives us a recent Earworm!   We encourage you to become part of the Washington Rock economy by suporting your artists at live shows, buying some merch, and please introduce yourselves.   Artists truly love hearing your appreciation!Remember: You can hear Episode 135, with all the music included, on your Spotify app!Here's who you will hear on Episode 135:Tin Foil Top Hat DEBUT  - "Rubble Man"Queensryche - "In Extremis"Kitty Junk - "Surfin' KJA"AVOID - "My World"Smokey Brights - "Ocean Sores"

Cerramos la Segunda Temporada y nos vamos de vacaciones hasta el 5 de septiembre con el siguiente setlist: 01 - Amon Amarth - "The Great Heathen Army" 04:04 02 - Fallujah - "Embrace Oblivion" 05:55 03 - Greylotus - "Shadow Archetype" 03:59 04 - Hatriot - "Hymn For The Wicked" 02:05 05 - Queensrÿche - "In Extremis" 04:41 06 - Soulfly - "Scouring The Vile" 02:51 07 - Vita Imana - "Adversario" 05:10 08 - Hexed - "Repentance" 04:51 09 - Fellowship - "Oak & Ash" 04:42 10 - Seventh Storm - "Haunted Sea" 08:16 11 - Revocation - "Diabolical Majesty" 04:56 EPÍLOGO DE CIERRE DE TEMPORADA 12 - Amon Amarth - "Put Your Back Into The Oar" 60 minutos de Metal y Derivados presentados por Marco Rondán y ofrecidos cada semana por HEAVYS: "Metal Headphones Made For MetalHeads". ****************************************************************** We close the Second Season and go on holiday until 5th September with the following setlist: 01 - Amon Amarth - "The Great Heathen Army" 04:04 02 - Fallujah - "Embrace Oblivion" 05:55 03 - Greylotus - "Shadow Archetype" 03:59 04 - Hatriot - "Hymn For The Wicked" 02:05 05 - Queensrÿche - "In Extremis" 04:41 06 - Soulfly - "Scouring The Vile" 02:51 07 - Vita Imana - "Adversario" 05:10 08 - Hexed - "Repentance" 04:51 09 - Fellowship - "Oak & Ash" 04:42 10 - Seventh Storm - "Haunted Sea" 08:16 11 - Revocation - "Diabolical Majesty" 04:56 SEASON CLOSING EPILOGUE 12 - Amon Amarth - "Put Your Back Into The Oar" 60 minutes of Metal and Derivatives presented by Marco Rondán and offered every week by HEAVYS: "Metal Headphones Made For MetalHeads".

We close the Second Season and go on holiday until 5th September with the following setlist:01 - Amon Amarth - "The Great Heathen Army" 04:04 ALBUM: "The Great Heathen Army"02 - Fallujah - "Embrace Oblivion" 05:55 ÁLBUM: "Empyrean"03 - Greylotus - "Shadow Archetype" 03:59 ÁLBUM: "Dawnfall"04 - Hatriot - "Hymn For The Wicked" 02:05 ÁLBUM: "The Vale Of Shadows"05 - Queensrÿche - "In Extremis" 04:41 ÁLBUM: "Digital Noise Alliance"06 - Soulfly - "Scouring The Vile" 02:51 ÁLBUM: "Totem"07 - Vita Imana - "Adversario" 05:10 ÁLBUM: "VI"      08 - Hexed - "Repentance" 04:51 ÁLBUM: "Pagans Rising"09 - Fellowship - "Oak & Ash" 04:42 ÁLBUM: "The Saberlight Chronicles"10 - Seventh Storm - "Haunted Sea" 08:16 ÁLBUM: "Maledictus"11 - Revocation - "Diabolical Majesty" 04:56 ÁLBUM: "Netherheaven"                                             SEASON CLOSING EPILOGUE12 - Amon Amarth - "Put Your Back Into The Oar"60 minutes of Metal and Derivatives presented by Marco Rondán and offered every week by HEAVYS: "Metal Headphones Made For MetalHeads".

Emission du jeudi 07 juillet 2022 [TRACKLIST][Les Classiques]01 Dio - The Last In Line 02 Dream Theater - Pull Me Under 03 Napalm Death - The Kill & You Suffer & Common Enemy [Nouveautés]04 Journey - Let It Rain 05 Black Star Riders - Better Than Saturday Night 06 King's X - Let It Rain 07 John Norum - Sail On 08 Ozzy Osbourne - Patient Number 9 (feat. Jeff Beck) 09 Trust - Tout ce qui nous sépare 10 Queensrÿche - In Extremis 11 Shinedown - Planet Zero 12 Beyond The Black - Reincarnation [Jeu Concours]13 Scariff - Eyes Wide Open [Nouveautés, suite]14 Tankard - Beerbarians 15 Lamb of God - Nevermore 16 Megadeth - We'll Be Back 17 Soilwork - Nous Sommes la Guerre 18 Misery Index - Infiltrators 19 Witchery - Witching Hour 20 Nyktophobia - Winter Assault [Cartouche Masters of Brutality (1992)]Morbid Angel - Abominations Death - Secret Face Morgoth - Body Count Dismember - And Is So Life Loudblast - The Horror Within Massacre - From Beyond Unleashed - Dead Forever Atheist - Your Life's Retribution Benediction - Senile Dementia Napalm Death - Suffer The Children Obituary - Rotting Ways Cannibal Corpse - Butchered at Birth Grave - Hating Life No Return - Memories Carcass - Incarnated Solvent Abuse Pungent Stench - S.M.A.S.H.Entombed - Strangers Aeons Master - Heathen Vader - Vicious Circle

As of this episode, it's the last day of the first half of 2022, and there's a veritable plethora of NEW METAL that's either already been unleashed OR is scheduled to be unleashed during the second half of 2022. There's metal we're not as familiar with, metal we've been eagerly anticipating, metal we'd almost forgotten about, there's even some incredibly “titillating” metal.   For this episode, we decided to “take the weekend off” and try something NEW. Get ready to understand the consequences of “going full Beavis” and accept the reality that a good “meat and three” is often just as powerful as an unintentional “Black Album reference” when you JOIN US for a look at some brand-spank metal that's NEW FOR ‘22!!!   Visit www.metalnerdery.com/podcast for more on this episode Leave us a Voicemail to be played on a future episode: 980-666-8182 Metal Nerdery Tees and Hoodies – metalnerdery.com/merch and kindly leave us a review and/or rating on the iTunes/Apple Podcasts - Spotify or your favorite Podcast app Listen on iTunes, Spotify, Podbean, Google Podcasts or wherever you get your Podcasts. Follow us on the Socials: Facebook - Instagram - Twitter Email: metalnerdery@gmail.com Can't be LOUD Enough Playlist on Spotify Metal Nerdery Munchies on YouTube: https://www.youtube.com/channel/UCN2NrnCuSrAaLcIzI2wpaiQ    Show Notes: (00:01):  #GetTheFlapsOut #uncorking #nowwereready / WELCOME BACK TO THE METAL NERDERY PODCAST!!! / 33rd Floor Inverted Underground Bunker Poon Tri-County Metropolitan Entertainment Complex / #thisepisodesclinkyoftheepisode #verynice #DeadMansFingersSpicedRum #DMF ***Cornish Soul*** #ThanksDoro  / #segue #thisepisodesbeeroftheepisode / #buffalonewyork #thinmanbrewery #minkydoodle #sweet #dontletherpicknexttime #itsquitetart #sevenpercentabv / #cousin / A “Papa Jacks” story (and a lesson on #patience) / #southernfood #notcomplicated #howyallduhrn #fooddixie / #RussellsReflections #nodeadlines #disrespect / #anger ***For the #bacon consumers:  is there ANY other way to cook it other than #crispy and #welldone?*** / #markthetime / #Recommended #patronage (*Sounds delicious!!!*) #bigportions #point ***Why the HUGE “gap”!?*** #meatandthree #newsexposition / #Suburban #BruOysterBar ***A special #postshowedition of #RussellsReflections and #bassplayingprinciples*** / Different boots, galoshes and flops… / #Shoutout to #DancingSkullsATL #excellentroom #responsivecrowds #awesomecrowds / “The “other” #philia” / #iphiliu / #nobodywantstogofirst #unbearabletension #theperfectcomedicsetup #uncomfortablecreateshilarity #pointpounder / ***GO TO #SWEETWATER LIVE IN DULUTH, GA ON SATURDAY JULY 2ND  IF YOU'RE IN THE TRI-COUNTY AREA AND WANT TO COME ROCK YOUR BALLS OFF with #StonedHenge!!!*** / *** Remembering the original smoking ban back in 2005 and the #economicdevastation    (13:50):  #clammy ***NO WE'LL PLAY YOUR SHIT-AH” this week!!!*** #backupjingle #takingtheweekendoff #imnotgonnadoit / ***Listen to this:  go check it out on #YouTube its #JimCarrey talking about #thrashmetal and the other video that's synched up with #Pantera and #TheGreatSouthernTrendkill #itsexcellent #yourewelcome #hilarious #hahahaha #earlydeathmetalcomedy #JimPanterrysTrendkill #yeah #LMAO #tgstk #thegreatsoutherntrendkill #Pantera #fuckingawesome  ***GO TO OUR FACEBOOK PAGE, FOLLOW US  AND CHECK IT OUT!!!*** / GIVE US A CALL AND LEAVE US A VOICEMAIL at 980-666-8182 #yeah #whyyougottascream #thecheapseats #antarctica    (18:18):  Time to discuss some NEW Metal (as in recent, as in the '22:  #NewFor2022):  Buying CD's NOW is like buying vinyl in the 90's…it's weirdly out of time. / CD's & LP's and #artwork / Inflation vs hyperinflation and #thepriceofvinyl / Reflecting back to cheap gas… / #noteven #inflationhasnocorrelation #newmegadeth #wellbeback #thesickthedyingandthedead #oldschool #oldschoolMegaDeth #VicRattleHeadOriginStory #Megadeth Chapter 1:  WE'LL BE BACK ***GO CHECK OUT THE #YOUTUBEVIDEO for WE'LL BE BACK!!!*** #nextlevelRIP #HailToKiko #LookingForward #FuckCancer and some #hollerin from #UncleDave!!! #DaveMustaineForPresident    (24:24):  New #OzzyOsbourne:  The video version for PATIENT NUMBER 9 (w/ Jeff Beck on lead guitar, Zakk Wylde on rhythm guitar) #coolgraphics #adifferentkindofOzzy #popitup #thecount #JeffBeck /  #Sabaton:  Wait, what? #Weirdsoftintro SAREJEVO #softintroASMR #VikingVictoryMetal #PowerMetal #TriumphMetal #TransSiberianOrchestraASMR #justaddlights STORMTROOPER (#scrotum) #vikingmetal #VikingVictoryPowerMetal #imagery #new #KoRn #Requiem #hiatus #wow THE WORST IS ON ITS WAY / #thehitsingle #psychedelicMeshuggah #greatgroove #deftonesplusmeshugguah #balls   (33:55):  #Corpsegrinder ACID VAT #killeropener #respecttheneck / #Queensryche #titilated #fullnipbone IN EXTREMIS (check out the new, #unabridged version of the #ScreamFromTheBalls #audiobook) / #MunicipalWaste #onmicburp HIGH SPEED STEEL #TheRedFangOfThrash #oldschoolmetal #MachineHead UNHALLOWED (*Go check out our Machine Head episode*)   (44:27):  #LornaShore #itsthatkindofmusic INTO THE EARTH #wtf #hfs #deathcore / #AleStorm SEVENTH RUM OF A SEVENTH RUM #victorypiratemetal / #Adema VIOLENT PRINCIPLES #KoRnIsH / #Stryper RISE TO THE CALL #salvationcore / #GregPuciato NO MORE LIVES TO GO / #AliceInChains vs #Soundgarden / The origin of #Bolth and #MetalNerderyTrivia / #ArchEnemy HANDSHAKE WITH HELL #shredfordays and a completely #tangentional #BlackAlbumReference #AugustTwelfth #ihadtodoit    (58:44):  #PrayingMantis CRY FOR THE NATIONS #killeropener #progmetal #powerprogmetal #powermetal / #Scorpions PEACEMAKER / #Kreator HATE UBER ALLES #FullBeavis #YESYESYES #titlaytrack / #Voivod SYNCHRO ANARCHY (Definitely not confined to a “single box”) / #Behemoth OV MY HERCULEAN EXILE #thefirstsingle / THANK YOU FOR JOINING US FOR METAL THAT IS #NEWMETALFOR2022 / #thelastword #untilthenext #andgoodnight #outromix #hehahuh   

#61Le zappodcast c'est tous les mois, un zapping des meilleurs moments des podcasts francophones. La sélection est entièrement participative alors si vous tombez sur un passage qui mérite de se retrouver dans le zappodcast, notez le nom et le numéro du podcast en question ainsi que le minutage du passage incroyable et envoyez nous ça à LeZappodcast@gmail.comCe mois-ci des extraits de CLAP M EN CINQ (benoit hamon devoile le vrai du faux dans les films series politiques), A LA RECHERCHE DU PAIN PERDU (Le Filet de Carpe a la biere de Noel croute de Miel et Pain d epices de Christiane Barbiche), INSPIRE DE FAITS REELS (Into The Metaverse), PROFILS (Violent femmes), INSPIRE DE FAITS REELS (Into The Metaverse), PROFILS (Violent femmes), POST SCRIPTUM (Cher President), LES OMBRES (3 J adore discuter avec les journalistes mais le lendemain je me retrouve dans Le Figaro), APERO DU CAPTAIN (303 La rubrique cinema des 10cm2 du Lord of Glencoe ), POST SCRIPTUM (Cher President), LES BALADEURS (53 In Extremis a l aiguille Verte avec Gaelle Cavalie), POST SCRIPTUM (Cher President), BALADO 24 IMAGES (31 mars 2022 24 images no 202 Penser l avenir Peter Bogdanovich), APERO DU CAPTAIN (309 Le rigging d anus de CGWhy), LES OMBRES (1 Collaborateur politique ca devient une identite alors que c est un travail), APERO DU CAPTAIN (309 Le rigging d anus de CGWhy), CLAP M EN CINQ (benoit hamon devoile le vrai du faux dans les films series politiques), APERO DU CAPTAIN (305 Le DiscoramApero), POST SCRIPTUM (Je t aime), A LA RECHERCHE DU PAIN PERDU (Le Filet de Carpe a la biere de Noel croute de Miel et Pain d epices de Christiane Barbiche), APERO DU CAPTAIN (316 Le train de la hype du dogue allemand), A LA RECHERCHE DU PAIN PERDU (Le Filet de Carpe a la biere de Noel croute de Miel et Pain d epices de Christiane Barbiche), POPOPOP (Popopodcast episode 30 On the Verge), A LA RECHERCHE DU PAIN PERDU (Le Filet de Carpe a la biere de Noel croute de Miel et Pain d epices de Christiane Barbiche), CHOYEZ VOS OREILLES (semaine de la langue francaise et de la francophonie), APERO DU CAPTAIN (348 Le squirt en 18 du carre rose).

One of my favourite things about making The Shift podcast is all the fascinating women I get to interview - and learn a little bit from. This is a replay of one of my all time favourites. I was in awe of the indomitable Channel 4 international editor Lindsey Hilsum when I interviewed her 15 months ago and even more so now, as we watch her daily reporting from the devastation that has been wrought on Ukraine by Russian troops. Here are the original show notes:You know when people say you're “brave” because you've got a few grey hairs?! Well, my guest this week is the living proof - as if it were needed - that that is a right old load of BS. Channel 4 International Editor Lindsey Hilsum is an acclaimed foreign correspondent who has reported from all over the world including Iraq, Syria, Gaza, Kosovo and Rwanda. She also won the James Tait Black Award for In Extremis, her devastating biography of her friend, the foreign reporter, Marie Colvin who was killed reporting from Syria in 2012.Lindsey is just as bold as her job might lead you to expect. She takes no prisoners as she talks about managing menopause symptoms in a war zone, being in a minority on the box and why there needs to be more “old trouts on TV” (and, no, she's not bloody brave for going grey on screen), and how she finally found the perfect answer to “Give us a smile love”. Only took forty years…You can buy all the books mentioned in this podcast at Bookshop.org, including the book that accompanies this podcast, The Shift: how I lost and found myself after 40 - and you can too by Sam Baker and In Extremis: the life of war correspondent Marie Colvin by Lindsey Hilsum.The Shift (on life after 40) with Sam Baker is created and hosted by Sam Baker and edited by Emily Sandford. I'd love to hear what you think - please rate and review, or let me know on twitter @sambaker or instagram @theothersambaker. See acast.com/privacy for privacy and opt-out information.

Wir möchten euch herzlich zur fünfzehnten Episode der siebzehnten Staffel des Hörgeschichten-Podcasts Clue Cast begrüßen. Sie basiert auf der Story „In Extremis“ von Rahel und ist Teil des Clue Writing Horror-Monats. Wenn das Schlimmste nach dem Tod kommt … Diese Kurzgeschichte wurde nach einer Titelvorgabe verfasst. Der Sprecher dieser Episode ist Robin Hartmann. SFX by … „S17E15 | Halloween-Special | In Extremis“ weiterlesen The post S17E15 | Halloween-Special | In Extremis first appeared on Clue Writing.

On Episode 6 of the Stroke Alert Podcast, host Dr. Negar Asdaghi highlights two articles from the July 2021 issue of Stroke: “Prevalence and Clinical Correlates of Intracranial Dolichoectasia in Individuals With Ischemic Stroke” and “Dose Escalation and Safety of Capsaicin for Cerebral Perfusion Augmentation.” She also interviews Dr. Osama Zaidat about his article “Impact of Age and Alberta Stroke Program Early Computed Tomography Score 0 to 5 on Mechanical Thrombectomy Outcomes.” Dr. Negar Asdaghi: 1) Is intracranial dolichoectasia the new intracranial atherosclerotic disease? 2) What is the latest on collateral flow improvement through sphenopalatine ganglion stimulation in patients with acute ischemic stroke? 3) Is endovascular therapy futile in patients presenting with a low ASPECTS score? These are the topics that we will cover in today's podcast. You're listening to the Stroke Alert Podcast. Stay with us. Dr. Negar Asdaghi:         From the Editorial Board of Stroke, welcome to the Stroke Alert Podcast. My name is Negar Asdaghi. I'm an Associate Professor of Neurology at the University of Miami Miller School of Medicine and your host for the monthly Stroke Alert Podcast. Dr. Negar Asdaghi:         For the July 2021 issue of Stroke, we have a systematic review and meta-analysis of safety and efficacy of dual antiplatelet therapy with P2Y12 inhibitors and aspirin versus aspirin monotherapy in patients with mild ischemic stroke or high-risk transient ischemic attack, which I encourage you to review in addition to today's podcast. Dr. Negar Asdaghi:         Later in the podcast, I have the pleasure of interviewing Dr. Osama "Sam" Zaidat, Professor of Neurosurgery and Neurology at Bon Secours Mercy Health Neuroscience Institute. Dr. Zaidat will speak to us about his work on endovascular therapy in patients presenting with a large ischemic core as determined by a low ASPECTS score on presentation. But first with these two articles. Dr. Negar Asdaghi:         In the setting of acute ischemic stroke, intracranial large-vessel disease is often equated with processes which result in narrowing of the intracranial vessels, such as what is seen in the setting of intracranial atherosclerotic disease, or ICAD, where much research has focused on the degree of noumenal stenosis. Less is known about intracranial dolichoectasia, or IDE, which is characterized by ectasia, that is dilation, or dolichosis, which is increased length or tortuosity of the intracranial arteries. Dr. Negar Asdaghi:         IDE can occur due to inflammatory, infectious, or genetic abnormalities. But much like its stenotic counterpart, or ICAD, most cases of IDE are diagnosed in the setting of uncontrolled vascular risk factors. Keeping in mind that the pathophysiology of ICAD and IDE are entirely different. Dr. Negar Asdaghi:         Despite recent advances in recognition of IDE beyond an arteriopathy involving the basilar artery alone, the prevalence of IDE in patients with acute ischemic stroke is unknown, in part related to the lack of a unified diagnostic criteria for this condition. In this issue of the journal, Dr. Victor Del Brutto from the Division of Cerebrovascular Disease at the University of Miami and colleagues studied the prevalence and clinical correlates of IDE among 211 consecutive acute ischemic stroke patients admitted to a tertiary care hospital during a four-month period. IDE was defined as either ectasia or dolichosis of at least one proximal intracranial artery equal or greater than two standard deviations from the study population mean as measured by semi-automated segmentation method. Dr. Negar Asdaghi:         So, what they found was that IDE was identified in 24% of stroke cases: a small percentage, which was only 5%, with only isolated ectasia; 9.5% with isolated dolichosis; and the rest with both ectasia and dolichosis. Anterior and posterior circulation were equally involved, but not surprisingly, the basilar artery was the single most common affected artery by IDE. After a complete stroke work-up, stroke was classified as cardioembolic in 25.5% of their population, large-artery atherosclerosis in 30%, small-artery occlusion in 14.5%, and undetermined in 25.5% of cases. Using cardioembolic stroke as a reference, the prevalence of IDE was significantly higher across strokes of undetermined etiology with odds ratio of 2.8. And there was a trend towards higher IDE prevalence in those whose stroke was classified as small-vessel disease. Dr. Negar Asdaghi:         Furthermore, IDE was considered the most likely pathogenic mechanism in 6% of the entire cohort, which represented over 23% of strokes initially categorized as undetermined etiology and 21% of those with strokes categorized in small-vessel disease category, suggesting a likely causal correlation between parent vessel dolichoectasia and occlusion of the small vessel perforators in these patients. Dr. Negar Asdaghi:         The authors concluded that IDE is an arteriopathy frequently found in patients with acute ischemic stroke and likely responsible for a sizable fraction of strokes initially categorized as undetermined etiology and those with small-vessel ischemic disease. Dr. Negar Asdaghi:         The concept of freezing ischemic penumbra refers to either pharmacological or non-pharmacological interventions that aim to reduce tissue energy requirements for increased oxygen delivery and collateral perfusion to the tissue at risk for ischemia while awaiting revascularization therapies. Sphenopalatine ganglion, or SPG, electrical stimulation via an injectable implant had been previously shown to augment collateral flow and improve clinical outcomes in patients with acute ischemic stroke. Dr. Negar Asdaghi:         The benefit of SPG stimulation is likely conferred not only from its potent collateral augmentation properties, but also from other mechanisms, such as blood-brain stabilization, direct neuroprotection and enhancement of neuroplasticity, though the need to implant the device diminishes its applications in the hyperacute stroke setting. Dr. Negar Asdaghi:         Capsaicin, the pungent ingredient in hot chili peppers, is an SPG chemical stimulator, which affects the trigeminal vascular system, resolving in vasodilation and improved collateral flow. In the paper titled "Dose Escalation and Safety of Capsaicin for Cerebral Perfusion Augmentation: A Pilot Study," Dr. Juan Manuel Marquez-Romero from IMSS Institute in Mexico and colleagues completed a dose escalation study of capsaicin ranging from 33 to 165 micromole topically applied to the posterior surface of the subject's hemi-palate in 30 healthy volunteers. By applying capsaicin in the palate mucosa, the SPG can be stimulated directly through the greater and lesser palatine nerves while minimizing that pungent sensation. Dr. Negar Asdaghi:         During the 20-minute applications, the investigators used transcranial Doppler to study various flow parameters, including the mean velocity, positivity index, and the CBF index, or cerebral blood flow index, over the middle cerebral artery. The median age of participants in the study was 21. All reported having consumed capsaicin in their diets sometimes in the past. So, what they found was, at baseline, TCD measurements and the calculations were all within normal limits. All the tested doses of capsaicin reduced augmentation of the MCA mean velocity while reducing the positivity index. The effects peaked between the five and the 10 minutes measurements and then returned to basal levels for all doses of capsaicin, except for the 66 micromole dose group, in which the effect remained stable with the same pattern. There were no side effects reported, and the investigators found no correlation between the perceived pungency and the dose of capsaicin administered. Dr. Negar Asdaghi:         The authors noted that capsaicin appears to produce a hemodynamic response in the intracranial circulation, similar to the one achieved with SPG electrical stimulation. Understanding that this is data from a small pilot study, the results are hypothesis-generating at this point, and further research is required to measure the safety and efficacy of capsaicin in the elderly stroke population. Dr. Negar Asdaghi:         Endovascular thrombectomy is an effective evidence-based treatment to improve outcomes in patients with acute ischemic stroke. Studies to expand the applications of this therapy to late-presenting patients, those with large ischemic cores, or distal occlusions are leading to major changes in clinical practice worldwide. Whether the ischemic core is measured by volumetric methods or by ASPECTS score, the presenting infarct core beyond which endovascular therapy is futile, or even potentially harmful, has not been established. Dr. Negar Asdaghi:         So, the commonly encountered question in routine practice is whether thrombectomy should be offered to patients with presenting low ASPECTS. In other words, what are the characteristics of patients who continue to benefit from thrombectomy despite presenting with a large ischemic core? In the paper titled "Impact of Age and ASPECTS of 0 to 5 on Mechanical Thrombectomy Outcomes: Analysis From the STRATIS Registry," we learn about the outcomes of thrombectomy-treated patients stratified into low and high ASPECTS categories and the specific interaction between increasing age and low ASPECTS. Dr. Negar Asdaghi:         I'm joined now by the first author of the paper, Dr. Osama "Sam" Zaidat, who's one of the principal investigators of the STRATIS Registry. Dr. Zaidat, of course, needs no introduction to our listeners. He's the past president of the Society of Vascular and Interventional Neurology. He's a leader in the field of neurointerventional therapists and currently is the neurology residency director and the endovascular fellowship director at the Bon Secours Mercy Health Neuroscience Institute. Welcome Sam. Welcome to our podcast. Thank you for joining us. Dr. Osama Zaidat:           Thanks for having me. I really appreciate Dr. Negar and the Stroke journal team for featuring our research and our results and sharing it with your listeners today. Thank you for having me. Dr. Negar Asdaghi:         Thank you very much. So, let's start by learning about the STRATIS Registry. Can we please hear an overview of the registry? Dr. Osama Zaidat:           Yes, that's a good question because this is kind of the database where we really go and mine for questions that we still need answers for in the stroke field. For example, and specifically in the thrombectomy field, the STRATIS Registry was designed to evaluate post-marketing, real-life experience and results using Solitaire device stent retriever as the first mechanical thrombectomy choice. So, if you have enrolled a patient, that means the first attempt to take the clot out was using the Solitaire device for large vessel occlusion that presented with acute ischemic stroke. Dr. Osama Zaidat:           We planned about 1,000 patients, so we needed a bigger patient population than the randomized trial. So, we have 1,000 patients treated with Solitaire device within eight hours from symptoms onset with large vessel occlusion presenting with acute ischemic stroke. To do that, we needed 55 medical centers with various clinical experience, various volume, and various operator experience because that really reflects a little bit of not a selection bias, meaning that data can be reproducible and can be validated across different spectrum of centers and neurointerventionalists and stroke neurologists for that matter. Dr. Osama Zaidat:           This also, the aim of it — the spectrum — in addition to validate and reproduce randomized clinical trial data, to try to address questions that are hard to address with a clinical trial. For example, what's the outcome in nonogenarians? What's the outcome in tandem lesion? What's the outcome in different technique we use in the lab? What's the outcome of large infarct sites? Until we find the randomized trial, we can have some signals from those large registry to really inform future randomized trial. Dr. Osama Zaidat:           So that's kind of the scope of the STRATIS Registry. Dr. Negar Asdaghi:         Perfect. So truly a real-life, large cohort of endovascularly-treated patients, allowing us to look at the many aspects of this therapy in real life, rather than in a randomized setting. Dr. Negar Asdaghi:         So, now coming to the current paper, we often think of low ASPECTS as a phenomenon of late presenters. Yet the current paper included endovascularly treated patients in a relatively early time window, within eight hours of symptom onsets. Please walk us through what percentage of your study patients actually had low ASPECTS, and what were their baseline characteristics as compared to high ASPECTS of patients? Dr. Osama Zaidat:           That's an excellent question. STRATIS was basically a core lab adjudicated. So, independent, experienced core lab have read all the angiogram outcomes and have read all the CT scan, all the MRI, so he doesn't know about what's going on at 90 days functional outcome. And we wanted to restrict the analysis to the available baseline CT scan that was evaluated by the core lab, like you mentioned. So, from the 984 evaluable patients, only 763 patients, almost 75%, had the CT scan available for the core lab and the core lab blinded to the functional outcome and blinded to the angiographic outcome have read the ASPECTS. Dr. Osama Zaidat:           So, this is a centrally read ASPECTS score by experienced interpreter that read them. So, 75% has available CT, or 763 patients. From those 763 patients, as a clinical practice out there, 92.5% had an ASPECTS of six to 10, consistent with the guidelines that we all treat on everyday basis. If the CT scan looks good, we treat. STRATIS is consistent with that. 92.5% had an ASPECTS of six to 10, or 706 patients. 7.5%, close to 8%, of the site had enrolled patients with low ASPECTS, or 57 patients have low ASPECTS, zero to five. So, about one out of maybe eight, less than one out of 10 patients, had low ASPECTS at the time the STRATIS was conducted between 2014 and 2016. Dr. Osama Zaidat:           People were following the AHA/ASA guideline, with an ASPECTS of six to 10 the majority of the time, like in the STRATIS. It came up to 92% with ASPECTS and 8%, very low ASPECTS, for example. Dr. Osama Zaidat:           So, kind of really what we like about the STRATIS, the real-life practice tried to adhere to the guideline for most of the time. However, we managed to find good sample size, 57, that people kind of did not necessarily, for one reason or another follow the guidelines. Dr. Osama Zaidat:           And I feel like the first things, when you asked me the second question, the baseline characteristics, is there is a difference between the low ASPECTS group and the good ASPECTS. The first thing, really, that stand out-- the young age. So, the age was 62 years versus almost 69. So there's absolute difference of about seven years between low ASPECTS and good ASPECTS, six to 10 versus less than five. And the P value was significant. The listener can look at the paper, but it was a very statistically significant ASPECTS. Dr. Osama Zaidat:           My feeling and my interpretation to this difference is that the physician felt, even with the low ASPECTS, he wanted to give the younger population a chance and take the clot out and see if they do well. So, I think they were more aggressive to take a low ASPECTS in a young patient than not necessarily offering them a mechanical thrombectomy, which probably mirrors what you do and what I would do in real life. If you have 55 years old and ASPECTS of four, you want to say, "Let me take the clot out and see how the functional status pans out." So, that's one thing. Dr. Osama Zaidat:           The other difference, besides the difference in age, slightly more diabetic in the low ASPECTS, but it didn't reach statistical significance. Slightly less AFib than the ASPECTS of six to 10. What really also makes sense, besides the age, is the stroke scale, the stroke severity scale. The stroke severity scale was higher in the low ASPECTS, which makes sense. The infarct is completed, the patient had a worse stroke scale at baseline. So, their stroke scale was almost 20 versus 17, consistent with literature and the good ASPECTS. So, 17 in the good ASPECTS, the average score, and 20 in the low ASPECTS, slightly higher stroke severity scale. Dr. Osama Zaidat:           What also makes sense in the low ASPECTS is you have more ICAT occlusion. When you have an ICAT occlusion, will lead to loss of collateral, will lead to more tissue, and more core infarct volume with a completed stroke. Dr. Osama Zaidat:           So, I feel like also that's consistent. So, the difference between the baseline characteristic can be summarized with younger age, higher proximal occlusion, and more severe stroke than usual. And then the general anesthesia use was more often because now you have more severe stroke, now you have more core infarct volume, you are more likely to need anesthesia than not. So again, that's also consistent. Dr. Osama Zaidat:           The onset to puncture time, because you may need more anesthesia, the patient was sicker to stabilize, the onset to puncture time was also more prolonged in the lower ASPECTS group versus the good ASPECTS. Dr. Osama Zaidat:           So, those are the differences at baseline, Negar, as you can see. Not sure how you think about it, how you feel about them as well, but kind of the best way to explain them. But I'm curious also to hear your thought about them, if you have any comment or questions. Dr. Negar Asdaghi:         Yeah, I think I want to repeat just what you said and the point you raised because it's, as you mentioned, it is not surprising to see that low ASPECTS patients are presenting with more severe strokes with higher NIH Stroke Scale, have more tandem occlusions or more proximal occlusions. They're obviously sicker patients. So, those differences were not surprising at all to a reader of your paper. What was surprising is that age gap that you mentioned within your low ASPECTS and high ASPECTS category, and that from the registry-based study is actually, exactly what you mentioned, is a signal that clinicians are more comfortable to push the guidelines boundaries in the younger population. That's something that has to be taken with a grain of salt, because we're not talking about a population-based study where we're comparing age groups between low ASPECTS and high ASPECTS. We're talking about a highly selected group of individuals who've already received endovascular therapy, and now we're comparing the age groups depending on their lower ASPECTS. So that's an important distinction that you beautifully outlined for our listeners. Dr. Negar Asdaghi:         Now, coming to your primary outcomes, please tell us about the reperfusion rates in the study and comparing the low to high ASPECTS categories. Dr. Osama Zaidat:           That's an excellent question, to try to see — in spite of you're taking the chances — and treating patients with low ASPECTS. How did they do functionally and angiographically? The angiographic outcome and revascularization success can be a surrogate of functional outcomes. So, let's try to review with your listeners and readers the reperfusion outcome, like you mentioned. If you look at the reperfusion outcome in the paper, and I direct the readers and the listeners to Table 2. Specifically, what stands out is the rate of complete reperfusion because that's the one with the highest difference and significance between the two groups, which is TICI 3. The frequency of obtaining TICI 3 was 83 patients out of 662 that had an angiographic outcome with a good ASPECTS was zero out of the 55 patients; none of them had a TICI 3 complete occlusion. Dr. Osama Zaidat:           What's really astonishing in the result is the fact that there's a statistical difference between complete reperfusion, TICI 3, between the low ASPECTS group and cohort versus the good ASPECTS cohort of six to 10, and the theory and explanation, one of the explanations at least that may be plausible, is the fact that you probably had a good collateral in the good ASPECTS to have less core infarct, and the good collateral reduced the clot length, because the pial flow goes all the way backward into the clot in a retrograde fashion and makes it probably more likely to have a successful removal of the clot and hence achieving a TICI 3. Dr. Osama Zaidat:           So, but overall, if you just lump TICI 2b or higher, the standard definition of successful reperfusion as TICI 2b or higher, there was no statistical difference between the group. It was 85.5% in the low ASPECTS and 87.6% in the good ASPECTS group. So, that was not statistically different. Dr. Osama Zaidat:           When we looked at the first-pass effect, there was a trend toward more first-pass effect in the good ASPECTS group, but 61% and 57% in the low ASPECTS. That's defining first pass as TICI 2b from the first attempt, and not TICI 3, for example. Dr. Osama Zaidat:           So again, you can see that your success of reperfusion probably related to the ASPECTS in an indirect way, as a surrogate of collateral. Poor collateral tissue dies quickly, low ASPECTS and higher core infarct volume, and hence low success of reperfusion, but again, the only statistical significance here is in the complete reperfusion and TICI 3. Dr. Osama Zaidat:           So, if you kind of evaluate if the reperfusion outcome translated to a difference in the functional outcome, yes, indeed. In the low ASPECTS group, three out of 10 patients achieved independence at 90 days, or to be precise, 28.8% of that cohort and population had mRS of zero to two at 90 days in comparison to 59.7% in the good ASPECTS group. Dr. Osama Zaidat:           So, it's almost six out of 10 patients in the good ASPECTS versus three out of 10 patients in the low ASPECTS group. Still, they achieved a good outcome because we don't have a control group, but in comparison to the good ASPECTS, it's lower outcome, as you can see on Table 2, as well. Dr. Osama Zaidat:           The mortality is higher; it's almost 31% in the low ASPECTS versus 13.4% in the good ASPECTS group. The symptomatic hemorrhage rate was 7% versus almost 1% only in the good ASPECTS group. So, functional outcome across the board is lower than the good ASPECTS, but since this is not a randomized trial, we don't know if doing nothing to those low ASPECTS will necessarily yield similar results. Dr. Osama Zaidat:           So, it could be better than control, but clearly it's the likelihood of the patient doing better correlates with a better ASPECTS, which we all kind of already know, but we want to try to identify the group beyond which, like you started, Dr. Negar, beyond which the mechanical thrombectomy may be futile. Dr. Negar Asdaghi:         Right. So a very unfortunate vicious cycle almost, that those who needed the first-pass effect, TICI 3 perfusion the most actually ended up achieving it less than their high ASPECTS counterpart, as you mentioned. And again, it's important to understand that these observations are based on an observational large registry study. Dr. Negar Asdaghi:         Now, you found an important interplay between age and low ASPECTS in the clinical outcomes from thrombectomy in your study. Can you please elaborate on those findings? Dr. Osama Zaidat:           Absolutely. That's an excellent question because that's kind of the unique part of our research and our paper is we're trying to really combine the low ASPECTS with another variable that we all know as a clinician and people who treat stroke on a daily basis, that influence outcome. If you combine two poor predictors of good functional outcome. A good predictor that they could predict the outcome one way or another in either direction, good or bad outcome, you know ASPECTS was one of them, and age. So, we wanted to see if there's a threshold beyond which, if you combine the two, you can identify the patients that are almost less likely to benefit and the resources and the, if you may say, the resources and the message to the patient and their families should be with this consideration to try to provide guidance to the clinician nowadays. Dr. Osama Zaidat:           So, based on the previous data, we kind of wanted to really trichotomize the age into young, less than 65, 65 to 75, and 75. Dr. Osama Zaidat:           There is enough signal in the literature out there that 75 with low ASPECTS is a good cutoff to see. And indeed, we looked at that and we compared those three cohorts. We compared less than 65, 65 to 75, and more than 75 in the low ASPECTS group to see which one stands out. Now, the sample size is fairly small. So, I want to caution the reader and the listener to us today that this is a good signal, this is a good hypothesis-generating result; however, it needs to be reproduced in, again, large sample size and see if other researchers and investigators can have similar results. Dr. Osama Zaidat:           What we've found in this group of more than 75 and less than 65, I feel like the equipoise should remain between 65 and 75, but less than 65 is probably beneficial more than 75. Unfortunately, we could not find a strong signal of good functional outcome in those people more than 75. Dr. Osama Zaidat:           We had 12 patients; none of them achieved (mRS of) zero to two at 90 days, 0% at zero to two. And their mortality was close to 60%, and their symptomatic hemorrhage was close to 15%. So, when you treat a low ASPECTS (zero to five), and they are older than 75, the current data or the current signals suggest that the likelihood of good outcome is 0%, if you consider good outcome as (mRS) 0-2, and the likelihood of mortality close to 60%. More than half of them will die, and the likelihood of symptomatic hemorrhage is going to be higher, close to 16%. Dr. Osama Zaidat:           So, that's the cohort that we have to be very cautious about. I think the younger cohort had even better outcome than the overall zero to five. If you recall, from the previous question of Dr. Negar, discussion that the overall was 28.8%. If you restrict the analysis to the young, they have probably a good plasticity, good recovery, good rehab potential. If you look at those less than 65, their mRS zero to two went up to 44.8%, which is decent, acceptable, functional outcome in those young patients, and their mortality went down from 30% or 31% to 20%, and the symptomatic hemorrhage from 7% to 6%. So, it seems that there is a good signal in those less than 65 for being aggressive and try to provide them with a therapy, less aggressive with 75, and in between, where we really have no clear answer, and their mRS score was close to 20% versus 44 and 0%. So 44%, 18%, and 0%; less than 65, 65 to 75, and older than 75. Dr. Osama Zaidat:           Hopefully, this will shed the light and make the decision-making in the middle of the night probably more informed to the best of our knowledge nowadays. Dr. Negar Asdaghi:         Right. And how do these rates, the symptomatic intracerebral hemorrhage rates and mortality rates, compare in the low ASPECTS group as compared to those reported from the randomized trials? Dr. Osama Zaidat:           This is an excellent question because the randomized clinical trial had the advantage of having a control group, and the HERMES meta-analysis in all patient-level meta-analysis have looked at the CT ASPECTS. However, they combined it with the MRI ASPECTS, so kind of a heterogeneous population. It's not exactly the same, like the STRATIS low ASPECTS study that we're discussing today, and they have a very small sample size. What they found in that group from three to five, that 31%, so almost identical- if you think about -it to our outcome in the ASPECTS group. HERMES group didn't go to the 24 hour; they did up to six hours. Maybe the ESCAPE was 12 hours, the only one with the expanded time window, but interesting that their three to five ASPECTS had a good outcome of mRS zero to two at 31% versus 16% in the tPA group with an absolute difference about 15%. Dr. Osama Zaidat:           So, again, our result is consistent with the HERMES patient-level meta-analysis. However, in the (ASPECTS) zero to two group, they found the futility in the zero to two. They found 0%  (90 day mRS) in the mechanical thrombectomy. We didn't have that much of a sample size of zero to two (ASPECTS), and we didn't obtain a 0% (90 day mRS) similar to them, but we did obtain a 0% (mRS) if you are zero to five (ASPECTS) and older than 75. They have not really looked at the intersection and the interaction with the age like we looked at it, for example. So again, in their trial, the three to five (ASPECTS) is consistent with the ASPECTS with our low ASPECTS trial at 28.8% (90 day mRS) versus 31% in the HERMES meta-analysis, for example. Dr. Osama Zaidat:           MR-CLEAN group, however, even they have a better outcome, zero to four (ASPECTS), than us and HERMES, at about (90 day mRS) 36.7%. Their sample size was very small, less than 30 patients in the whole cohort, almost half the size of our sample size. So MR-CLEAN showed also, so if you think about it, the registry is close to 30% (mRS of 0-2 at 90 days), the randomized trial 31% to 35%. So, we are within the confidence interval of what's the likelihood of good outcome, which is almost one-third of the patients with low ASPECTS would have a good outcome. Dr. Osama Zaidat:           The good news that the standard care therapy with tPA gives you half of that outcome almost. So, there's a good signal that future randomized trial may be positive if they follow the STRATIS registry, HERMES, or MR-CLEAN data. Dr. Negar Asdaghi:         So, Sam, very important information and percentages to keep in mind as we counsel patients and family members, especially those elderly patients we see with large ischemic cores and low ASPECTS in the early timeframe from stroke onset. Dr. Negar Asdaghi:         I know you alluded to the future randomized trials, but I want to end with our takeaway message from your study, and how do you see these randomized trials in low ASPECTS population unfolding in the future? Dr. Osama Zaidat:           I mean, this is an excellent question that has two aspects about it. One is, can we use some of this data to guide us nowadays until we have future randomized trial? And I think each patient is individual, each family's individual family. I want the listener and the readers to take their time to explain the data to the patient. They have to keep in mind that there is a small sample size and also how definitive they feel about their reads with ASPECTS score, how definitive they feel about the large core infract, and is this plus minus one, is five the cutoff, in the elderly? Is it four or zero? Dr. Osama Zaidat:           So, I think if you are confident that your score may be zero to three, and the patient is more than 75, is more justifiable, kind of, at that extreme and to say this is less likely to benefit (from endovascular therapy) based on collective data. Dr. Osama Zaidat:           Again, without randomized trial, it's hard to strongly send a message, don't treat them (endovascularly) and futile. But based on HERMES, based on our analysis, extreme ASPECTS in older than 75, probably you have to be cautious taking them to the (cath) lab, for example. Now that's been said, the future trial will answer that. We are running the randomized trial ourself, myself and my co-PI, Dr. Albert Yoo, are doing an international TESLA trial. We are close to 125 patients randomized from two to five ASPECTS score and up to 85 years of age. So, we have almost 60-plus randomized in each arm, and we are hoping if we continue at this rate in the next two years to complete the enrollment and have some answer. Dr. Osama Zaidat:           Our sample size-it's an adaptive design trial called TESLA Trial--and our sample size is 300 patients. In Germany, there is an ongoing Tension trial. In U.S., there is another trial that mixed a CT scan with the perfusion for large core infarct called SELECT 2. That's ongoing, as well. And then a fourth trial, which is the IN EXTREMIS trial in France, that also going to answer it, and hopefully we can do a meta-analysis among those four large core infarct trials. Dr. Osama Zaidat:           Some of them allowed diffusion MRI, as well as CT scan; some of them allowed perfusion. And this way, if we combine all our data together, we can have probably a more reliable and precise answer to this important clinical question that has been identified by the National Institutes of Health [inaudible 00:36:43] as priority number one for thrombectomy following what we know so far. It's ranked as the next question that needs answer. Dr. Negar Asdaghi:         Dr. Sam Zaidat, congratulations on this work, and we look forward to the completion of TESLA results and the results of other randomized trials. Thank you for being with us today. Dr. Osama Zaidat:           Thank you for having me, and I appreciate the listener tuning in, and I appreciate the ASA and the journal team for having me. This is on behalf of my co-authors, the sponsor of the registry. Thank you very much. Dr. Negar Asdaghi:         Thank you. Now, before we end the July podcast, I want to draw your attention to a special invited report prepared by the Stroke Council Leadership on behalf of the American Heart and Stroke Associations on diagnosis and management of cerebral venous sinus thrombosis, or CVST, with vaccine-induced immune thrombotic thrombocytopenia. Dr. Negar Asdaghi:         This report is to heighten clinicians' awareness regarding the six cases of CVST, with thrombocytopenia in patients who received the Johnson & Johnson vaccine in the United States. Similar thromboembolic events were reported in Europe following the administration of AstraZeneca vaccination. These are adenoviral vector–containing vaccines, which are mechanistically different from the mRNA SARS-CoV-2 vaccines produced by Pfizer and Moderna. Dr. Negar Asdaghi:         The putative mechanism of vaccine-induced thrombotic thrombocytopenia is believed to be related to the leakage of DNA from the adenovirus-infected cells that subsequently binds to the platelet factor 4 and triggers the production of auto-antibodies against platelets. Dr. Negar Asdaghi:         The authors emphasize that while we wait for further research on the causal nature of the relationship of vaccines to CVST with thrombocytopenia, it is important to keep in mind that the reported risk of CVST associated with COVID-19 infection itself is far greater than that associated with vaccination. Dr. Negar Asdaghi:         And with that, we conclude our podcast for the July 2021 issue of Stroke. On behalf of the Editorial Board, I want to thank you all for listening and a special thanks to our healthcare providers and clinicians who continue to work on the front lines of this pandemic. We hope that you find this information useful, and until our next podcast, stay alert with Stroke Alert. This program is copyright of the American Heart Association, 2021. The opinions expressed by speakers in this podcast are their own and not necessarily those of the editors or of the American Heart Association. For more, visit AHAjournals.org.

You know when people say you're “brave” because you've got a few grey hairs?! Well, my guest this week is the living proof - as if it were needed - that that is a right old load of BS. Channel 4 International Editor Lindsey Hilsum is an acclaimed foreign correspondent who has reported from all over the world including Iraq, Syria, Gaza, Kosovo and Rwanda. She also won the James Tait Black Award for In Extremis, her devastating biography of her friend, the foreign reporter, Marie Colvin who was killed reporting from Syria in 2012.Lindsey is just as bold as her job might lead you to expect. She takes no prisoners as she talks about managing menopause symptoms in a war zone, being in a minority on the box and why there needs to be more “old trouts on TV” (and, no, she's not bloody brave for going grey on screen), and how she finally found the perfect answer to “Give us a smile love”. Only took forty years…You can buy all the books mentioned in this podcast at Bookshop.org, including the book that accompanies this podcast, The Shift: how I lost and found myself after 40 - and you can too by Sam Baker and In Extremis: the life of war correspondent Marie Colvin by Lindsey Hilsum.The Shift (on life after 40) with Sam Baker is created and hosted by Sam Baker and edited by Emily Sandford. I'd love to hear what you think - please rate and review, or let me know on twitter @sambaker or instagram @theothersambaker. See acast.com/privacy for privacy and opt-out information.

Jane Arraf (@janearraf) didn’t go seeking war, war came to her. She first moved to Iraq in 1997 under Saddam Hussein and was kicked out twice before returning when the U.S. invaded. She also bore witness to the carnage in Mosul in the wake of ISIS. Her reporting on conflict stands out for its humanity, vibrancy and - when possible - hope. She is now the Baghdad bureau chief of The New York Times. Countries featured: Canada, Haiti, Iraq, Jordan, Egypt Publications featured: NPR, CNN, Reuters, New York Times Jane discusses growing up in Canada and starting in local TV (4:51), reporting in Montreal, Haiti, the Middle East and elsewhere for Reuters (11:56), opening the CNN bureau in Baghdad and getting kicked out a couple times under Saddam (22:08), covering the Iraq war (31:22), how the nature of conflicts (such as the war with ISIS) has changed and made it more dangerous for journalists (40:14), her story about how young people began rebuilding Mosul post-ISIS without government help (51:27) and the lightning round (58:24).   Here are links to some of the things we talked about: Jane’s story on Yazidi’s reburying their dead post-ISIS - http://nyti.ms/3qXoQlo Her CNN story that got her expelled from Iraq - http://cnn.it/3bP1hES Lindsey Hilsum’s book In Extremis - https://amzn.to/2O4rwiK Jane’s story D.I.Y. Mosul for Rough Translation podcast - http://n.pr/3uFLIYQ Iraq Oil Report - https://bit.ly/3dTEOcM AFP story Baghdad: Forever on the Brink - https://bit.ly/2NEFFTY Jane’s story on the Prophet Joshua’s tomb in Baghdad - http://nyti.ms/3kwuJ6U Martha Gellhorn wiki - http://bit.ly/3cnZGVT It’s a Beautiful day in the Neighborhood on IMDb - http://imdb.to/3r1aXTt   Follow us on Twitter @foreignpod or on Facebook at facebook.com/foreignpod Music: LoveChances (makaihbeats.net) by Makaih Beats From: freemusicarchive.org CC BY NC

Dans cet épisode, nous avons parlé avec Marie, la fondatrice de la marque In-extremis. Originaire de Lorraine et passionnée de cuisine, elle s’engage dans les enjeux écologiques et environnementaux. In Extremis s’engage contre le gaspillage alimentaire en proposants des biscuits anti-gaspi à partir d’invendus de pains, de son de blé et de cerneaux de noix cassées. Vous pourrez retrouver une sélection de biscuits pour le petit-déjeuner aux pépites de chocolat, au miel et éclats de noix.Dans cette interview, Marie nous explique sa démarche anti-gaspillage, sa mission de créer des produits d’invendus et des astuces et recettes pour mieux consommer les biscuits In-Extremis.https://inextremis-antigaspi.frhttps://www.instagram.com/inextremis.fr/

En este quinceavo episodio hablamos sobre los santa clauses que a nosotros mas nos han gustado, un episodio a solicitud de Zuicyd con la misma dinámica que el de "BRUJAS" si creen que falto alguno importante puedo escribirnos. VOLVAMOS A SER NIÑOS!! Portadas a Detalle: https://www.facebook.com/media/set/?set=a.155757829602828& 00:00 Intro 00:20 Bienvenida 00:46 Semana de Zuicyd 09:25 El Origen de los Guardines (Película) 11:19 "In Exremis" 12:40 Santa Claus ya encargo el Pedido 14:55 Saludo a un Escucha y su Top 5 20:16 Kirby Nightmare in DreamLand 23:02 SANTA CLAUSES 24:00 "In Extremis" 27:37 El Origen de Santa Claus 32:22 Spoiler de un Futuro Podcast (Velocistas) 34:01 Santa Claus de Narnia 37:20 Santa Clauses de Los Padrinos Mágicos (El Rockero y el Ejecutivo) 45:00 Steve Claus de Arthur Christmas 52:24 Santa Claus de Santa Clausula (Scott Calvin) 59:20 Santa Claus en Turno de Arthur Christmas 1:01:30 Santa Claus de The Big Bang Theory 1:05:03 Santa Claus de Milagro en la Calle 34 1994 1:09:27 Santa Claus de The Nanny 1:12:56 Santa Claus de Arthur Christmas (Grandsanta) 1:15:59 Santa Claus de Miracolous Lady Bug 1:19:24 Santa Claus de la película Mexicana de 1959 1:24:40 Santa Claus de Klaus 1:27:35 Santa Claus de Rise of the Guardians (Norte) 1:32:51 Santa Claus de los Simpsons 1:34:48 Santa Claus de Bob Esponja 1:38:32 Skin de Minecraft 1:39:50 Santa Claus de Coca-Cola 1:42:15 Santa Claus de Pepsi 1:46:17 Santa Claus de Jimmy Neutrón 1:46:37 Santa Claus de Peppa Pig 1:48:30 Santa Claus Mary Kay 1:59:44 Despedida 2:05:50 Santa Claus de El Extraño Mundo de Jack "In Extremis"

Guillaume Durand et ses chroniqueurs se sont installés pour trois émissions à l'Institut de France, temple du savoir qui rassemble les élites scientifiques, littéraires et artistiques de la nation française, dont la célèbre Académie française. Au sommaire : Francophonie, une identité ? Débat autour de l'ouvrage « La Francophonie pour l'amour d'une langue », publié par l'éditeur belge Nevicata, en partenariat avec l'OIF. Un livre qui à travers le récit de Jean-Marie Gustave Le Clézio et d'entretiens avec des écrivains ou artistes francophones (Barbara Cassin, Fawzia Zouari, Rithy Pahn, Dorcy Rugamba...) interroge l'identité francophone. « À l'aube revenant » de Francis Cabrel Après « In Extremis », il aura mis cinq ans à livrer un nouvel album et les fans sont au rendez-vous. En France, « À l'aube revenant », de Francis Cabrel, est en tête des ventes depuis sa sortie au coeur de l'été. On écoute, on en parle. « Adieu les cons » d'Albert Dupontel Page cinéma avec « Adieu les cons », écrit et réalisé par Albert Dupontel, également à l'affiche aux côtés de Virginie Efira, Nicolas Marié, Jackie Berroyer. Un film qui, comme tant d'autres, a connu une carrière éphémère avant la fermeture des salles pour cause de Covid-19. Invité : Laurent Petitgirard, secrétaire perpétuel de l'Académie des beaux-arts. Présentation : Guillaume Durand. Avec la participation de Michel Cerutti (RTS), Sylvestre Defontaine (RTBF), Laura Tenoudji (France Télévisions), Yves Bigot (TV5MONDE). Depuis l'Institut de France, à Paris.

Con ustedes, el podcast del programa 238 de Cerca de la Orilla, para que lo tengan y lo escuchen a la hora que quieran. Esta emisión repasamos dos GRANDES canciones progresivas: "Behind The Wall of Sheep" del grupo alemán Electric Orange así como "In Extremis" del grupo estadounidense Days Between Stations. Lista de canciones: Behind The Wall of Sheep - Artista Electric Orange, disco Volume 10 In Extremis - Artista Days Between Stations, disco In Extremis Ficha técnica: Fecha de transmisión: 14/febrero/2017 Horario: 19:00 hrs. Centro de México Locución, edición y grabación: Esteban Corona Producción y guion: Javier Heliodoro Aguirre ¡Saludos progresivos!

Con ustedes, el podcast del programa 238 de Cerca de la Orilla, para que lo tengan y lo escuchen a la hora que quieran. Esta emisión repasamos dos GRANDES canciones progresivas: "Behind The Wall of Sheep" del grupo alemán Electric Orange así como "In Extremis" del grupo estadounidense Days Between Stations. Lista de canciones: Behind The Wall of Sheep - Artista Electric Orange, disco Volume 10 In Extremis - Artista Days Between Stations, disco In Extremis Ficha técnica: Fecha de transmisión: 14/febrero/2017 Horario: 19:00 hrs. Centro de México Locución, edición y grabación: Esteban Corona Producción y guion: Javier Heliodoro Aguirre ¡Saludos progresivos!

"Los retos de la vida no están ahí para paralizarte, sino para ayudarte a descubrir quién eres. (Bernice Johnson Reagon).?????" Y nuestro programa de hoy se lo dedico a Juan Fco. Garrido de Valparaiso (Chile), nuestro 2º suscriptor del mes de Mayo... ¡Bienvenido a la Comunidad Dragonz! Y hoy hablamos de cine y artes marciales con Sergi Subirá Coordinador de Especialistas en IN EXTREMIS, trabajando en películas como la próxima Xtremo de Teo García, o las conocidas REC 3, Superlópez, Anacleto agente secreto, y otras muchas... y que en este tiempo de confinamiento no se ha estado quieto, y desde casa ha estado trabajando en "StuntFromHome".

The inability for churches to gather, due to sheltering-in-place orders has prompted some bishops in the United Methodist Church to allow for online communion. Bishop Cynthia Fierro Harvey, resident bishop in Louisiana, has allowed for online communion, "For such a time as this, we will allow virtual Holy Communion under the church’s theological understanding of “In Extremis” which means that, we will allow an irregular practice, like in other unprecedented times in the life of the church.”   To do this, she asked  Reverends Lane Cotton Winn and Juan Huertas help create options for pastors in the Louisiana Conference to celebrate the sacraments using technology.    Online communion is not mandatory and it has also not come without its fair share of debate. We visited with Rev. Juan Huertas who helped write the online material and answers questions about the debate.    Also in today’s episode - a poem about the online communion debate from Rev. Matt Rawle of Asbury United Methodist Church in Bossier.   

Les manchettes de Mario et Alexandre : Le Canada sur le pied d'alerte au sujet du COVID-19, le budget provincial, une petite remontée du prix du pétrole et Donald Trump blâme les Démocrates. Entrevue avec Yves Poirier, journaliste TVA Nouvelles : Retour sur les procès d’Éric Salvail et d’Éric Lapointe. Entrevue avec Camille Dufresne, étudiante à la maîtrise en gestion de projet à l’UQAM, revenue d’échange étudiant en Italie : Elle est revenue In Extremis d’Italie tout juste avant que le pays ne tombe en quarantaine généralisée. Chronique culturelle avec Anaïs Guertin-Lacroix : Pearl Jam annule sa tournée, Coachella serait annulé en raison du COVID-19, Beach Boys de retour à Montréal et la fin pour Fugueuse. Segment Sports avec Jean-Charles Lajoie : L'Impact affronte une équipe du Honduras en Ligue des Champions, les Sharks à huis clos la semaine prochaine. L'actualité vue par Mario et Alexandre : Annonce du budget provincial. Le Buzz d’Alexandre Moranville-Ouellet : Un jeu vidéo à saveur politique, un mollusque qui en dit beaucoup et Trump se moque de la grippe. Entrevue avec Michel Girard, journaliste économique au Journal de Montréal : Dépôt du budget provincial de la CAQ. Mario et Alexandre discutent du nouveau budget de la CAQ. Master Bougaricci pose une colle à Mario : saurez-vous répondre avant notre animateur ? Une production QUB radio Mars 2020

Entrevue avec Camille Dufresne, étudiante à la maîtrise en gestion de projet à l’UQAM, revenue d’échange étudiant en Italie : Elle est revenue In Extremis d’Italie tout juste avant que le pays ne tombe en quarantaine généralisée.

C'est l'histoire d'une jeune femme qui a osé, malgré la peur et les risques de l'entrepreneuriat...Jeune ingénieure de l'agro-alimentaire, Marie est sortie des sentiers tracés, refusant d’atterrir chez un groupe comme Danone ou Nestlé pour ne pas les citer. A seulement 24 ans, elle décide de fonder sa propre entreprise, afin de pouvoir créer sur mesure des produits qui correspondent à ses valeurs. In Extremis : un projet à impact direct, avec pour objectif de réduire le gaspillage alimentaire, développer l'entrepreneuriat dans le grand Est, mettre en valeur les producteurs locaux, et concevoir des biscuits sains et gourmands. L'histoire parait simple, mais elle ne l'est pas. Se lancer dans l'inconnu, avec des obstacles des peurs et des doutes, c'est ce que Marie a fait. Choisir de tenter sa chance, ce qui l'aura fait le plus grandir. Au menu : s'engager dans le zéro-déchet, imaginer des biscuits de petits-déjeuner bons pour la santé, prendre confiance en soi, oser prendre des risques, ne rien avoir à perdre ... Vous pouvez retrouver Marie Eppe et suivre son projet sur Instagram @inextremis.fr et vous abonner à sa newsletter (histoire de surveiller l'arrivée des biscuits !)Si cet épisode vous a plu, pensez à me laisser une petite note sur itunes, c'est ce qui m'aide le plus

This week, after the news, we’ll cover the drive-in classic, “Suspiria” from 1977 followed by our discussion of the short film, “In Extremis”, and our modern-horror feature film, “Suspiria” from 2018.    News Features: Fandango has put together an 8-minute-long supercut of some of the most anticipated upcoming horror movies in 2019 as a very cool montage of previews, teasers, and clips. Brightburn, The Curse of Llorona, A Hole In The Ground and many others are coming soon, so check this out. https://www.youtube.com/watch?v=RYGTdDJguI0 In a light news mention, on March 10th, Stephen King tweeted “I'm getting responses from people who liked POLICE ACADEMY 3. You guys are going to love POLICE ACADEMY MEETS THE CHILDREN OF THE CORN.” We suspect that he’s pulling our leg, but you never know... If you’re in Denver, Colorado March 14th through the 24th, go see the immersive art and opera production of “Bluebeard’s Castle” for us and tell us how it was. With audience sizes limited to 30, a small cast will bring to life the story of a mysterious royal who brings his fourth wife, Judith, home to his castle. What happened to the first three? Well, that’s what everyone finds out, and it doesn’t sound like they went peacefully. A minimal set will be augmented by surreal projections for multiple settings. Check out the story in the Denver Post for lots of interesting details. https://theknow.denverpost.com/2019/03/10/bluebeards-castle-immersive-opera-denver/210706/ Deadline Hollywood reports that Mayans M.C.‘s Richard Cabral of FX Network’s show will be starring in an installment of Hulu’s “Into The Dark”, a monthly horror event series from Blumhouse Television. The series started in October 2018 and features a story based on a holiday from each month. Cabral will be playing Santo, a cartel killer in the Independence Day themed episode. We overlooked this series existing, so we were glad to see this news. Blumhouse does a lot of really good work, and this one looks really entertaining. https://deadline.com/2019/02/hulu-sets-premiere-dates-into-the-dark-im-just-fcking-with-you-all-that-we-destroy-ramy-ask-dr-ruth-1202554427/ This Saint Patrick’s Day Sunday the 17th what would be better than a “Leprechaun” horror-movie marathon? Starting at 9 am, The Syfy channel kicks it off with “Leprechaun: Back 2 tha Hood” and will be showing all seven of the films (though not in sequential order). Then repeating three of them into the wee hours of the morning. Grab a load of corned-beef cabbage and snacks for a day-long binge of impish-horror goodness. We dare you to watch them all. https://www.syfy.com/schedule/1552795200 History of Horror This week, we watched the FIRST of the Universal Horror classics: The Hunchback of Notre Dame, black-and-white, silent film from 1923. Amazon Link: https://amzn.to/2XVT4r1 Drive-In Special: “Suspiria” (1977) An American newcomer to a prestigious German ballet academy comes to realize that the school is a front for something sinister amid a series of grisly murders. Amazon Link: https://amzn.to/2F1d82e Horror Short: (Youtube) “In Extremis” A night watchman is sent to guard the cellar of a museum by its mysterious curator, but once alone in these vaults he starts to hear something. IN EXTREMIS is a short in the mould of classic British horror films of the 1960s and 70s. YouTube Link: https://www.youtube.com/watch?v=xdKdbb27o2I Feature Presentation: “Suspiria” (2018) A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up. Amazon Link: https://amzn.to/2UH5pgo  Closing And now the sun is starting to come up, so we’re going to have to get going, the Drive-in is closing down for the weekend. Return your speakers and leave in an orderly fashion. Stop in during the week at www.horrorbulletin.com for news and horror updates, to comment on this podcast, or to contact us. Check out our Twitter feed at @HorrorBulletin http://twitter.com/HorrorBulletin and our website at http://www.horrorbulletin.com I’m Kevin. And I’m Brian. And please pick up your litter and return your speakers before you leave the drive in. Drive back in next weekend! Theme Music by Kevin MacLeod of Incompetech.com

Papercuts #10: Cutting to the ChasePapercuts is here for your February book news and recommendations. We chat about The Ockhams longlist,Jacqui Sturm, dear Peter Wells and Ashleigh Young. As well as your usual book reviews and a bonkers Who the Fuck Is?, that could almost be a psychological thriller. TWITTER & INSTA: @papercutspod EMAIL: papercutspod@gmail.com    Thank you Mātātuhi Foundation for your support, The Spinoff and Tina!   Book News - Ockham Longlist is out, check it out here! Shortlist is out March 6th http://www.nzbookawards.nz/new-zealand-book-awards/2019-awards/longlist/   - James K Baxter week on The Spinoff. Our favourite piece is this one about Jacqui Sturm. - RIP Peter Wells - Ashleigh Young - is the new(ish) Spinoff poetry editor. Here's her first column in Canvas.   Unity Book of the Month  In Extremis: The Life of War Correspondent Marie ColvinLindsey HilsumVintage, 2018Written by fellow foreign correspondent Lindsey Hilsum, this is the story of the most daring war reporter of her age. Drawing on unpublished diaries and notebooks, and interviews with Marie's friends, family and colleagues, In Extremis is the story of our turbulent age, and the life of a woman who defied convention.Format: Hardback Price: $55.00    Book reviews LK: Women in the Field, One and Two / Thomasin SleighLawrence & Gibson, 2018 JT: The Age of Light by Whitney Scharer - also mentions Never Anyone But You by Rupert Thompson KD: A Mistake - Carl Shuker (pub March 14)   Who the fuck is... AJ Finn/Dan Mallory We love this piece in The Listener by Michele Hewiston   Not Books LK: Roma on Netflix JT: NARRATIVE MUSE - book and movie matcher is now launched KD: How to Fail pod by Elizabeth Day See acast.com/privacy for privacy and opt-out information.

War correspondents risk life and limb to report on conflict. Increasingly, it’s a leath profession. Marie Colvin was one of the best in the business. She was so good that Bashar al Assad’s regime ordered her execution.This week on War College, Lindsey Hilsum walks us through Colvin’s life and death. Hilsum is a journalist and friend of Colvins. She’s just published a new book, In Extremis, that follows Colvin’s fascinating and heartbreaking career.You can listen to War College on iTunes, Stitcher, Google Play or follow our RSS directly. Our website is warcollegepodcast.com. You can reach us on our Facebook page: https://www.facebook.com/warcollegepodcast/; and on Twitter: @War_College. See acast.com/privacy for privacy and opt-out information.

Ça nous intéresse avec Thomas Leblanc; une exposition de livres interdits. Écrivains sur le terrain avec Sarah Berthiaume et Alain Farah; les sports de combat. J'avoue que j'ai vécu avec Jean-Claude Poitras. Qu'est-ce que ça raconte? avec Martin Bilodeau et Donald Cuccioletta; Barbra Streisand et son nouvel album Walls. Textes obscurs avec Samuel Archibald; Behold a Pale Horse, de Milton William Cooper. Sophie Langlois et Guillaume Lavallée ont lu la biographie In Extremis. The Life and Death of the War Correspondent Marie Colvin, de Lindsey Hilsum.

This week, Liberty and Jenn discuss The Best Bad Things, Kingdom of the Blazing Phoenix, In Extremis, and more great books. This episode was sponsored by Book Riot Insiders, Love Like Sky by Leslie C. Youngblood, and ThirdLove.

By the time she died in Syria, in 2012, Marie Colvin was one of the world's most renowned and courageous war correspondents. Recognised for her trademark eye patch - the consequence of a grenade in Sri Lanka, in 2001 - and revered as a journalist, with a 25 year tenure at The Sunday Times, Marie Colvin had a personal life as tumultuous as the war zones she covered. With the help of 300 of Marie's journals, her friend and colleague, Channel 4's International Editor, Lindsey Hilsum, has written a funny, frank and moving biography, In Extremis: The Life of War Correspondent Marie Colvin, where she separates the myth from the woman: as brave as she is glamorous; as fierce as she is vulnerable. Ahead of the release of A Private War - a film of Marie's life, with Rosamund Pike as Marie and Jamie Dornan as photographer, Paul Conroy - we talk to Lindsey about her friendship with Marie, the reality of being a war correspondent and how you keep mentally strong and sane, the bad news cycle, social media and MeToo. Pre-order In Extremis, by Lindsey Hilsum (published 11th November by Penguin) here: https://www.penguin.co.uk/books/111/1111214/in-extremis/9781784740931.htmlDopesick, by Beth Macy https://www.hive.co.uk/Product/Beth-Macy/Dopesick--Dealers-Doctors-and-the-Drug-Company-that-Addicted-America/22704243Tom Daley's Desert Island Discs https://www.bbc.co.uk/programmes/b0blhfpjWitness for the Prosecution, an Agatha Christie play on London's Southbank https://www.southbanklondon.com/Witness-for-the-ProsecutionHow Goop's haters made Gwyneth Paltrow's Company worth $250 million - by Taffy Brodesser-Akner for The New York Times https://www.nytimes.com/2018/07/25/magazine/big-business-gwyneth-paltrow-wellness.htmlRecommended apps: Deliveries: https://itunes.apple.com/gb/app/deliveries-a-package-tracker/id290986013?mt=8Gone For Good: https://itunes.apple.com/gb/app/gone-for-good/id1055619157?mt=8Treatwell: https://itunes.apple.com/gb/app/treatwell-nails-hair-wax/id814443140?mt=8Taskrabbit: https://itunes.apple.com/gb/app/taskrabbit-chores-done-today/id374165361?mt=8Blythe Danner on The Goop Podcast: https://goop.com/work/parenthood/gwyneth-x-blythe-on-mothers-and-daughters/Simon Cowell on Desert Island Discs: https://itunes.apple.com/gb/podcast/desert-island-discs-archive-2005-2011/id435713614?mt=2&i=1000368646169Sara Pascoe on theatre: https://m.youtube.com/watch?v=enoj6OK9j0UInformation on Lips choir:

Incredibles 2 is writer / director Brad Bird's long awaited sequel to the Oscar winning Incredibles (2005). Produced by Pixar Animation Studios the film follows the Parr family as they balance regaining the public's trust of superheroes with their civilian family life, only to face a new foe who seeks to turn the populace against them. The voice cast includes Craig T. Nelson, Holly Hunter, Sarah Vowell and Samuel L. Jackson. Sam Mendes (Skyfall, King Lear, The Ferryman) returns to the National's Lyttelton Theatre to direct Ben Power's English version of Italian writer Stefano Massini's The Lehman Trilogy, inspired by the events following the economic crisis of 2008. The Lehman Trilogy stars Simon Russell Beale, Adam Godley and Ben Miles as the Lehman brothers and is an epic story of making it and breaking it, charting one family's fortunes over 163 years and tracing the financial sector from boom to bust. Tim Parks is the author of fourteen novels including Europa (shortlisted for the Booker prize), Destiny, Cleaver, Sex is Forbidden and, most recently, In Extremis. He has also written several books of non fiction, the latest of which "Out of My Head" tells the highly personal and often surprisingly funny story of Parks's quest to discover more about consciousness. It seems not a day goes by without a discussion on whether computers can be conscious, whether our universe is some kind of simulation, whether the mind is unique to humans or spread out across the universe. Out of My Head aims to explore these ideas via metaphysical considerations and laboratory experiments in terms we can all understand and invites us to see space, time, colour and smell, sounds and sensations in a new way. Tate Modern joins forces with 14-18 NOW, the UK's arts programme for the First World War centenary, to commemorate the significant contribution of African men and women in this conflict. William Kentridge's "The Head and the Load" is performed against the dramatic backdrop of Tate Modern's Turbine Hall and tells the untold story of the hundreds of thousands of African porters and carriers who served in British, French and German forces during the First World War. It combines music, dance, film projections, mechanised sculptures and shadow play to create an imaginative landscape on an epic scale. Netflix's new 8 part drama series Sacred Games was announced as one of seven Netflix Indian Originals. Based on Vikram Chandra's 2006 thriller novel of the same name it stars Saif Ali Khan, Nawazuddin Siddiqui, and Radhika Apte, and tells the story of a righteous police officer who attempts to thwart a terrorist attack in Mumbai after being warned by a notorious criminal and burrows deep into India's dark underworld. Tom Sutcliffe's guests are Michael Arditti, Shahidha Bari and Sarah Crompton.

This one is a "normal" 2018-style Hour of Slack (HA HA) recorded "live" at Stang Ranch with Lonesome Cowboy Dave calling in. It also has your normal songs by The Rudy Schwartz Project and Bob Walkenhorst, your normal audio collages that Cool Hand Chris sent in, your normal LeMur cuts, and Stang reading a rant by somebody younger (in this case, Rev. Eddie Romanov). In the live part, Dr. G. Gordon Gordon reviews Dave's novel "Neighborworld" and Stang reviews John Shirley's excellent (and opposite!) books "The Other End" (an enlightened and inspirational answer to the Left Behind series) and "In Extremis" (an anthology of his sickest short stories). Also: The coming civil war and The Good Old Days; time machine problems; deadly vermin of Stang Ranch; and the story of "Bob" Dobbs vs. the chem toilets.

Author Jean Anderson reads from her collection, Human Being Songs: Northern Stories published by University of Alaska Press, 2017. In addition, she discusses her writing process and explores the notion of introspection as shadow play for fiction writers, to include worlds of "what if," introspection-as-characterization, and the power of internal imagery in Alaska's relatively young and emerging body of fiction. Works cited include Going Too Far, a novella by Mei Mei Evans, pH, a novel by Nancy Lord, Upon This Rock by David Marusek, A Manuel For Cleaning Women-Selected Stories by Lucia Berlin, and Collected Stories of Ivan Bunin translated from the Russian by Graham Hettlinher. Jean Anderson moved to Fairbanks in 1966 and holds BA and MFA from the University of Alaska Fairbanks, where she taught for nearly ten years. . She is author of In Extremis & Other Alaska Stories and her writings have appeared in Chariton Review, Prairie Schooner, Kalliope, Alaska Quarterly Review, and Cirque. Her literary awards include a PEN Syndicated Fiction Selection, an Individual Artist Award from the Alaska State Council on the Arts and a visiting writer’s residency from The Island Institute in Sitka.

Je höher man steigt, desto tiefer kann man fallen. Eine Weisheit, die die siebte Folge der zehnten Staffel Doctor Who eindrucksvoll untermalt. Nach dem wirklich exzellenten "In Extremis" tut der heutige Absturz besonders weh. Aber zum Glück gibt ihr Titel uns auch direkt einen guten Tipp, wohin wir uns verkriechen können, bis der Ärger vorüber ist: In "The Pyramid at the end of the World" - oder im Fall des zweiten Casters - in "The Glaspyramide am Ende von Stockelsdorf".

Je höher man steigt, desto tiefer kann man fallen. Eine Weisheit, die die siebte Folge der zehnten Staffel Doctor Who eindrucksvoll untermalt. Nach dem wirklich exzellenten "In Extremis" tut der heutige Absturz besonders weh. Aber zum Glück gibt ihr Titel uns auch direkt einen guten Tipp, wohin wir uns verkriechen können, bis der Ärger vorüber ist: In "The Pyramid at the end of the World" - oder im Fall des zweiten Casters - in "The Glaspyramide am Ende von Stockelsdorf".

guests Mallory, Ashley, and Sam, along with new guest Alex. They talk about Ski Douches, dead diamond thieves, lusty MUDs, and Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul Paul YOUR GAMES THIS WEEK ARE: Die by the Sword, for PC; In Extremis, for PC; Westfront Omega: The Amulet of Vega, for PC; Robotron 64, for Nintendo 64; and Wiz 'n' Liz, for Sega Genesis. You can view the current ranked list at bit.ly/letsplace

This week my guest is Dave Jiannis (Epitaph Records, Australia), Dave has a awesome history of playing in metal and hardcore bands in Australia and an interesting story of how he got into working in the music industry and turning that into a career. We talked all things In:Extremis, Within Blood and just loving metal in general - my perfect discussion, over some beers and this was the result! BRUTAL! NEW LIVE PODCASTS! CHECK OUT THE DATES AT WWW.OBLIVIOUSMAXIMUSPODCAST.COM Saturday July 9 - Crowbar Black, Brisbane (5pm, Free Entry) Guests: Innez Tulloch (Deafcult), Rodney Holder (Music Business Facts Podcast), Adrian Kelly (NMA Management) Music from Shane Collins Tinny Bar by Young Henrys --- Saturday July 16 - Reverence Hotel, Melbourne (2pm, $10) Podcast #1 guests: Natalie Hendry (Lecturer and Researcher), Ben Searle (The Bad Times Podcast), Meg Gallagher (Mixed Martial Artist) Podcast #2 guests: Bec Reato (Deathproof PR), Pat Fox (Graphic Designer), Jelena Goluza (Outright) Music from Hoodlum Shouts Cheap Tinnies from Young Henrys

Introducing the progressive rock album In Extremis

Introducing the progressive rock album In Extremis

Person Of Interest 220 - In Extremis

Person Of Interest 220 - In Extremis

Episode #3 - Well, we said that we would get out more than one episode this month, and technically its still the same month, so this is episode #3. We'll try to get the next one out a little more promptly. Get us your songs and we can get them out sooner. Anyway, this episode goes out to all those people who are out there promoting and booking bands here on long island. Some of these are Horns High NY Sinister Shows Long Island Band Bookings Featured Bands: Deathcycle Dry Heave The Ugly Billymark And The Boy Toys Ailanthus In Extremis