Podcasts about Virtual museum

Transforming Lives By Recognizing Our Unique Value, Purpose and PowerImagine, if you will my friends, a world where our first identity is our value, truly recognizing our own value – where understanding our unique purpose and power can transform not only our lives but also the lives of those around us. That's the vision of my friend Regi Wilson, a true 21st-century Renaissance man. Now you may remember Regi from DTH episode 148 if you've been listening awhile.  Regi's incredible journey spans the music industry, where he's worked alongside legends like Chaka Khan, Mary J. Blige, and the one and only Prince Rogers Nelson, better known as just “Prince”. But his mission goes beyond music. Regi is the driving force behind the concept of value identity and the Human Value Initiative at theequaluniverse.com.Today, Regi returns to the show to share updates on his groundbreaking work in Hawaii, including an online education tool and a virtual museum dedicated to value identity. He'll explain how embracing our value identity creates safety and connection, moving us away from divisive identity politics and towards a focus on our common humanity. We'll explore the lessons learned from pain, the power of individual observation, and the boundless potential that lies within each of us.TakeawaysValue identity is about creating safety in our relationship with ourselves and becoming safe spaces for others.Our first identity is that we are all valuable, and understanding our unique purpose and power allows us to empower ourselves and others.Observing and learning from every situation and person helps us grow and find the benefits in discomfort and pain.We should focus on our common humanity and the benefits we bring to each other, rather than getting caught up in identity politics.Nature wastes nothing, and we should strive to make the most of our time, minds, bodies, and love.Learn more about and connect with Regi Wilson online by checking out the full show notes for this episode at www.DerateTheHate.com.What have you done today to make your life a better life? What have you done today to make the world a better place? The world is a better place if we are better people. That begins with each of us as individuals. Be kind to one another. Be grateful for everything you've got. Make each and every day the day that you want it to be! Please follow The Derate The Hate podcast on: Facebook, Instagram, Twitter(X) , YouTube Subscribe to us wherever you enjoy your audio or directly from our site. Please leave us a rating and feedback on Apple podcasts or other platforms. Not on social media? You can share your thoughts or request Wilk for a speaking engagement on our site's contact page: DerateTheHate.com/Contact If you would like to support the show, you're welcome to DONATE or shop Amazon by going through our Support Us page and I'll earn through qualifying purchases at no extra cost to you. I look forward to hearing from you!

Ací estem tots hi-hi ha-ha “els jocs són cultura” i després on es guarda eixa cultura eh? A les prestatgeries de l'IKEA? Quina responsabilitat tenim com a societat per a preservar la cultura del joc? Enllaços recomanats: The Centre for Computing History (Cambridge, UK) - https://www.computinghistory.org.uk The Strong National Museum of Play (Nova York, USA) https://nyheritage.org/organizations/strong-national-museum-play Museé Suisse du jeu (La Tour-de-Peilz, Suïssa) - https://museedujeu.ch/fr/ Virtual Museum of Games - http://gamesmuseum.uwaterloo.ca Recordem que també ens podeu vore (si vore'ns!) a YouTube (https://www.youtube.com/c/CaselladEixida), on les animacions han estat carrec del gran Nacho Naya (nachonaya.net). Mil gràcies xicon! Amb música de Mamvt, surf instrumental en valencià (https://open.spotify.com/artist/24n4dIehIgk5jSsmsFG6WS) Vos animem a seguir-nos a les xarxes: twitter.com/casellaeixida instagram.com/casellaeixida

In this episode, we explore what it's like to create born digital projects in India with support from the two AIIS research centers: the Center for Art and Archeology (CA&A) and the Archives and Research Centers for Ethnomusicology (ARCE). Both units share an online archive and digital exhibit space, the Virtual Museum of Images and Sounds, that you can visit and browse at vmis.in.The DIL Summer Student Fellowships for Digital Sonic and Visual Projects has supported two cohorts of students in 2022 and 2023 to travel to India and conduct research at the CA&A and ARCE under the fantastic guidance of Dr. Vandana Sinha and Dr. Shubha Chaudhuri. We will hear reflections on the process of creating the 2023 DIL summer digital exhibits from beginning to end with Arya Adityan, a graduate student in the Department of Religion at Florida State University, Ava Bush, an undergraduate student completing her B.A. in Art History at Tulane University, Balakrishnan Raghavan, a graduate student at the University of California, Santa Cruz, Jamphel Shonu, a graduate student in the Department of History at Pennsylvania State University, and Tyler Thom, a graduate student in the Department of Ethnomusicology at the University of Denver. We'll begin with a conversation at the beginning of the summer program and then catch up with the participants after the program has ended.Explore the digital projects on the VMIS website:Arya Adityan - Oral Epics and Narratives: Villupāttu Ava Bush - People's Art: Clay Modelling in Ancient IndiaBalakrishnan Raghavan - Oral Epics and Narratives of India: Annanmar Katai  Jamphel Shonu - The Great Monastery of NalandaTyler Thom - The Song Lines of Arnold BakeFor more information on AIIS digital program and fellowships, visit https://www.indiastudies.org/digital-scholarship.The DIL Digital Sonic and visual Projects fellowships are partially supported by a grant from the US Department of Education.Produced by AIISIntro and Outro music: “Desh” by Stephen Slawek

In this special reairing for Labor Day, join Peter Ravella and Tyler Buckingham as they explore the extraordinary legacy of the USS New Jersey (BB-62), the most decorated battleship in U.S. Navy history. Guests Ryan Szimanski and Libby Jones provide an in-depth look at the ship's diverse service history, spanning World War II to the Cold War. Discover how the ship has been rejuvenated through digital media, allowing virtual access to this floating monument from the comfort of your home. Tune in for a deep dive into naval history and the innovative ways we can interact with it today—only on ASPN.

The Virtual Museum is about gathering images showing women at high levels of leadership in the church both in the medieval era an in earlier centuries as well. The post Episode 156 The Visual Museum, Women in Early Christian Art first appeared on Lanier Theological Library and Learning Center.

The Virtual Museum is about gathering images showing women at high levels of leadership in the church both in the medieval era an in earlier centuries as well. The post Episode 156 The Visual Museum, Women in Early Christian Art first appeared on Lanier Theological Library.

The Virtual Museum of Australian Palaeontology, or VAMP, as it is known, was launched several months ago to much acclaim. So, what is it, why does it matter, and how has it been going?   In another episode recorded live during the Palaeo Jam National Science Week tour, we discuss why in an age of of misinformation, it is important that researchers and the public have access to information, and why projects such as VAMP are a great way of doing just that.   In this episode we also talk in a more general sense about access to academic collections and research, touching on a model that sees a great deal of publicly funded research hidden behind paywalls, and not accessible to the public.    Joining Palaeo Jam host Michael Mills are three of the original VAMPers, all from Flinders University, in Dr Alice Clement, Dr Aaron Camens, and PhD candidate Jacob van Zoelen.   You can check out the VAMP website at… https://sites.flinders.edu.au/vamp/   You can follow Aaron on Twitter at https://twitter.com/DiprotoRon, and check out his Flinders University profile at https://sites.flinders.edu.au/palaeontology/home/people/academics/aaron-camens/   Check out Alice's blog posts at https://draliceclement.com, and follow Alice on Twitter at https://twitter.com/DrAliceClement   You can follow Jacob at https://twitter.com/Zoelenotherium   Michael is on Twitter at https://twitter.com/Heapsgood   For more info on the project team we are a part of, head to… https://linktr.ee/HeapsGoodProductions

Today's guest is Lino Miani - https://www.linkedin.com/in/linomiani/ and we are talking Deep Dive 2023 - https://combatdiver.org/deep-dive-2023 at the Flora-Bama Bar at Orange Beach (https://www.florabama.com/) Lino is a multilingual advisor with 20+ years of global experience in military, diplomatic, and humanitarian circumstances. An accomplished author and communicator trusted to provide advice and manage relationships in a broad range of business and foreign policy contexts. Solves complex problems that reside at the intersection of foreign policy, international business, and underdeveloped markets.The Mission of Combat Diver Foundation - https://combatdiver.org/Cataloging Every class at the Special Forces Underwater Operations School creates a plaque. Most of these include historical photographs of all the members of that class. In many ways this serves as a who's who of US and Allied Special Operations Forces. We intend to catalogue the members of the community and tell their stories.Preservation Many of the class plaques at the Special Forces Underwater Operations School require maintenance and professional restoration. The Combat Diver Foundation will take this on as a principal task along with the preservation of donated artifacts from among the community. The Museum Our ultimate goal is to fund and coordinate the construction of the Combat Diver Museum. This will be a repository of the history and heritage of this elite class of warriors. Fundraising Unfortunately, we cannot achieve our worthwhile goals without funding. The Combat Diver Foundation will organize live fundraisers as well as crowdfunding campaigns to reach well-defined targets. Also take a look at the Virtual Museum for the Combat Diver Foundation - https://virtual-museum.combatdiver.org/

The history of the United States wasn't always pretty, and that was proven on June 25, 1876. On that infamous day, General George Armstrong Custer met on the battlefield with member of the Sioux and Cheyenne tribes in what would become known as Custer's Last Stand. What else was being reported in newspapers on that same day? _____ SOURCES “6 Everyday Inventions That Debuted at World's Fairs.” History.com. Accessed May 31, 2023. https://www.history.com/news/worlds-fairs-inventions. “Advertisement: Lee & Perrin's (Page 3).” The Daily Journal (Wilmington, North Carolina), June 25, 1876. www.newspapers.com. “Alexander Graham Bell.” Biography.com. Accessed May 31, 2023. https://www.biography.com/inventors/alexander-graham-bell. “Battle of the Little Bighorn - Location, Cause & Significance.” History.com. Accessed May 31, 2023. https://www.history.com/topics/native-american-history/battle-of-the-little-bighorn. “Harrison Mastin Carter (1849-1876).” Find a Grave. Accessed May 30, 2023. https://www.findagrave.com/memorial/63260469/harrison-mastin-carter. “The News from the Frontiers -- A Centennial War.” New York Daily Herald (New York City, New York), June 25, 1876. www.newspapers.com. Osborn, Bob. “Witchcraft in Yeovil.” Yeovil's Virtual Museum. Accessed May 20, 2023. https://www.yeovilhistory.info/witchcraft.htm. “Philadelphia Letter.” Knoxville Daily Tribune (Knoxville, Tennessee), June 25, 1876. www.newspapers.com. “Seven Prisoners Escape From the Penitentiary - Four of Them Captured - Attack on the Warden.” The Deseret News (Salt Lake City, Utah), March 22, 1876. www.newspapers.com. “Warden Matthew B. Burgher.” The Officer Down Memorial Page (ODMP), March 9, 2018. https://www.odmp.org/officer/16521-warden-matthew-b-burgher. “What Really Happened at the Battle of the Little Bighorn?” History.com. Accessed May 31, 2023. https://www.history.com/news/little-bighorn-battle-facts-causes. “Wholesale Escape.” The Deseret News (Salt Lake City, Utah), June 28, 1876. www.newspapers.com. “Witchcraft in Somersetshire.” The Weekly Dispatch (London, England), June 25, 1876. www.newspapers.com. “‘Seven Prisoners Broke out of the Penitentiary at Salt Lake Friday...'” Columbus Sunday Enquirer (Columbus, Georgia), June 25, 1876. www.newspapers.com. SOUND SOURCES Al Jolson. “I'll Say She Does.” www.pixabay.com/music. Lucille Hegamin and The Dixie Daisies. “Cold Winter Blues.” www.pixabay.com/music. Sophie Tucker. “Reuben Rag.” www.pixabay.com/music.

In this episode, we shine a spotlight on Dr. Shamara Wettimuny, a distinguished historian and specialist in ethno-religious conflict and discrimination, in Sri Lanka. Dr. Wettimuny's extensive research and unique perspective have shed new light on the 1915 anti-Moor pogrom, a pivotal episode in Ceylon's history. With a background in International Relations and History from the London School of Economics, as well as a D.Phil from the University of Oxford, Dr. Wettimuny possesses a wealth of knowledge and academic expertise. As a Beit Scholar, she has honed her understanding of identity formation across majority and minority communities in Sri Lanka, focusing on the Sinhalese and Moor populations. In her thesis, Dr. Wettimuny critically examines the roots of ethno-religious violence, drawing attention to the role of colonial policies and discourse that exacerbated tensions between the Sinhalese and Moors. By re-evaluating existing historiography and popular narratives surrounding the pogrom, she offers a fresh perspective on the outbreak, spread, and aftermath of this tragic event. Moreover, Dr. Wettimuny's research unearths a comprehensive history of ethno-religious violence, exploring the complex interplay between indigenous practices, colonial legislation, and global influences. Through her meticulous analysis of religious, economic, and social spheres, she illuminates the evolution of ethnic and religious identities in Sri Lanka from the mid-nineteenth century onward. As the Lead Researcher for the Minor Matters' Virtual Museum on Religious Freedom in Sri Lanka, Dr. Wettimuny not only unearths hidden narratives but also advises Sri Lankan and international organizations on countering hate speech and disinformation targeting minority communities. Follow Shamara's interesting work @shamara4w on Twitter. --- Send in a voice message: https://podcasters.spotify.com/pod/show/suren-ladd/message

In this episode, Alice introduces the Visualising Peace project's virtual Museum of Peace. (To listen to the tour with a set of images showcasing some of the museum's contents, please follow this link.)Alice begins by outlining the wider research questions which members of the Visualising Peace team have been exploring:What recurring stories do individuals and communities tell about war's aftermath, conflict resolution, peace and peace-building in art, text, film, photography, news reports, museums, music, sculpture, gaming, and other such media?Are narratives of peace always constructed in relation to narratives of war? And what (if anything) makes any given narrative identifiable as a ‘peace story'? Whose narratives or ideas of peace dominate in different parts of the world, and why?And what role can peace-storytelling play in peace-building? As she explains, we are surrounded by images and narratives of war, but much less 'literate' in peace and peace-building. Our virtual museum aims to make a modest contribution to wider efforts to render peace-making more visible, more discussed, and better understood, by generating more conversation about what peace looks like to each of us. Our aim is to harness the power of story-sharing to illuminate different habits of visualising peace and their influence (actual or potential) on how it is experienced, promoted, created and sustained. Our project is both disruptive of entrenched habits and generative of new or different ways of thinking about, and working towards, peace. By juxtaposing a myriad – or a kaleidoscope – of different manifestations of peace, we aim to question, challenge and stretch assumptions and interpretative frameworks; and we hope that our array of ‘exhibits' not only helps to make peace more visible and more broadly understood but also more tangible and realisable in the everyday.  In the podcast, Alice tours listeners through a range of items in each virtual room, highlighting the diversity of media and perspectives. She reflects on the ethics of visualising peace for others, and also on the importance - and challenges - of incorporating different voices and experiences. The museum was conceived as a collaborative project, and Alice encourages museum visitors to offer feedback and suggestions for new items to include in the museum. As she explains, the structure of the museum encourages visitors to explore open-mindedly, and we hope that each visit to the museum represents an ongoing process of critical discovery of possibly endless conceptualisations. The ideas and images of peace that we have curated are not to be taken didactically; they merely offer an opening to further reflection and inquiry. We do not wish this project to be seen as the be-all and end-all of how one should or could visualize peace. Rather, it is a metaphorical call to (lay down) arms in a collaborative, open-ended exploration of prevailing habits and alternative ways of picturing, framing, evoking and engendering peace, through many different lenses. Inclusive conversation on this topic is important because peace is conceived and made by all of us, not just by experts. We hope you enjoy this tour of our peace museum. For a version of our podcast with images and close captions, please use this link. You can find out more about the Visualising Peace project on our website.Music composed by Jonathan YoungSound mixing by Zofia Guertin

Today's guest is Paige Donner. She is a social entrepreneur, Web3 entrepreneur and co-founder of the FrontierDAO. This is a decentralized autonomous organization focused on space exploration, fusion energy innovation and climate solutions through collaboration and decentralized science. This episode was recorded through a StreamYard call on February 14, 2023.You find the show notes here: https://webdrie.net/how-the-outer-space-virtual-museum-is-revolutionizing-education-with-blockchain-and-web3-technologies-with-paige-donner/PS: Did you already hear about our my new W3X Mastermind? 

This week Maureen Taylor, The Photo Detective, is joined by Bill Becker, who is the curator of  The American Museum of Photography, as well as an award-winning author, and Emmy-award winner for his writing and production work. The two discuss the importance of imagery, storytelling, and preservation through images.Related Episodes:Episode 173: Cabinet Cards of Broadway and Silver Screen StarsEpisode 167: Victorian Photo Studio SecretsLinks:American Museum of PhotographyThe Daguerreian SocietySign up for my newsletter.Watch my YouTube Channel.Like the Photo Detective Facebook Page so you get notified of my Facebook Live videos.Need help organizing your photos? Check out the Essential Photo Organizing Video Course.Need help identifying family photos? Check out the Identifying Family Photographs Online Course.Have a photo you need help identifying? Sign up for photo consultation.About My Guest:Wm. B. Becker tackled the job of establishing The American Museum of Photography™. A noted historian of photography whose research has been published in American Heritage, History of Photography: An International Quarterly, and other forums, Bill Becker is also a television producer and writer whose work has been honored with four EMMY® awards. He is the author of Brady of Broadway, a one-man play about the photographer Mathew Brady that's been performed at the Smithsonian Institution and other venues.The American Museum of Photography™ is “A Museum Without Walls…for an Art Without Boundaries.” Its predecessor, Photography's Beginnings: A Visual History, made its debut on the World Wide Web on May 25, 1996.About The MuseumThe American Museum of Photography is an award-winning Virtual Museum dedicated to educating, informing, and sharing great photographs with millions of visitors world-wide. The Collection includes five thousand individual images, from the earliest daguerreotype portraits to the work of Ansel Adams. About Maureen Taylor:Maureen is a frequent keynote speaker on photo identification, photograph preservation, and family history at historical and genealogical societies, museums, conferences, libraries, and other organizations across the U.S., London, and Canada.   She's been featured in The Wall Street Journal, Better Homes and Gardens, The Boston Globe, Martha Stewart Living, Germany's top newspaper Der SpI wanted to remind you all that I run one-on-one Photo Consultations, that help identify photo clues that you may have missed, in order to help you better understand your family history. Not many people realize that the saying is true - and that a photo can tell a million stories. All sessions are recorded, and there's a discount for bulk image sessions. Find out more on my website at https://maureentaylor.com. Support the show

A conversation with the artists who created Coffee Talk: playwright Marcel Petit, director Jennifer Dawn Bishop, actors Cheyanne Lemaigre, Kam Miller, and Dominga Robinson, sound designer Tim Bratton, and artistic director Stephen Waldschmidt. With original music by Darryl Dozlaw, Jordan Daniels, Marc Okihcihtaw, and Donny Speidel.  Gratefully created on Treaty 6 Territory and the traditional homeland of the Métis.  If you're listening for the first time, we encourage you to start from episode one. Subscribe or follow so you don't miss an episode. See artist bios, upcoming episodes, and support our work with a donation at https://burntthicket.com.    Free to stream on-demand on our website, Apple Podcasts, Spotify, or wherever you get your podcasts, with English subtitles/closed captions available on our YouTube channel. Audience advisory: Content may not be suitable for children.   One way to learn and take action: Explore the Métis Voices video collection of oral histories (https://www.metisvoices.ca/), The Virtual Museum of Métis History and Culture (https://www.metismuseum.ca/), the Métis Memories of Residential Schools online mural (https://www.muralmosaic.com/metis-memories/), the National Centre for Truth and Reconciliation virtual exhibits (https://nctr.ca/exhibits/), or visit the Canadian Museum for Human Rights (https://humanrights.ca/). We want to hear what you think – leave a comment on our social media or send your feedback through the widget on our website.  Burnt Thicket Theatre is committed to creating spaces for diverse artists to be honest and open about their experiences and perspectives even when those views don't necessarily represent those of Burnt Thicket Theatre as an organization. We invite you as an audience member to lean in to hear those who are different from you, to be brave and allow the space between all of us to be one of respect. This project is made possible by a Digital Now Grant from Canada Council for the Arts, and by our major sponsors Shercom Industries, SK Arts, and Creative Saskatchewan. 

The world is changing fast, but you can learn it at a slower pace.

Meet Cindy Lawrence:Cindy Lawrence is the Executive Director and CEO of the National Museum of Mathematics (MoMath). She started as a volunteer for the organization, and served in a variety of roles including Chief of Operations, Associate Director, and Co-executive Director. She also directs extracurricular mathematics programs with Brookhaven National Laboratory. Previously, she was a Lead Instructor and National Editor for Becker Professional Education. Cindy received a Bachelor's degree in business administration from the University of Buffalo, and an MBA from Hofstra University. Key Insights:Cindy Lawrence is a math enthusiast and leader of the only museum of mathematics in North America: The National Museum of Mathematics (MoMath).Fundraising Through Passion. Asking people for money can be awkward. However, Cindy found that if she focuses on sharing what she's excited about, and ignites interest in others,the fundraising naturally follows. She has raised millions of dollars for MoMath, and credits it to her passion for math. (4:07)Virtual Museum. Early on, Cindy directed her leadership team to brainstorm and prepare for a potential shut down. This allowed MoMath to smoothly transition to zoom events when the pandemic started. Now, Cindy is working on optimizing hybrid programing for in-person visits, as well as for groups around the country that enjoy MoMath virtually. (17:03)Be Careful What You Volunteer For. Cindy started as a volunteer, but found that she spent more and more of her time at MoMath. She eventually made the leap, leaving an organization she had worked with for 18 years, to work at MoMath full-time. (26:08)This episode is hosted by Julie Gerberding, M.D. She is a member of the Advisory Council for Her Story and the CEO of the Foundation for the National Institutes of Health.Relevant Links:Learn more about The National Museum of MathematicsListen to “Steven Strogatz Interviews Cindy Lawrence, Executive Director & CEO of National Museum of Mathematics”Stay update with MoMath on Twitter

On this episode the Old Guys discuss how the perception of gamers have evolved over the years. From early days of group board gaming like D&D to current group gaming in VR, the guys discuss how the world has viewed the life of a gamer. Stu finds the new #MicrosoftXbox Museum on xbox.com and of course Ken goes deep into exploration mode to find all the hidden things we new he would. Go check it out for yourself at xbox.com/museum Lastly the guys discuss the latest challenges on Vanguard (Secrets of the Pacific) and how buggy the updates were on launch day, which Stu and Jason experienced first hand. All this and much more on another edition of #OldGuysPlayingGames --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Hello and welcome to this episode of Ferret64 with your host, YemmytheFerret! This episode covers news and occurrences between 11-22 and 11-28-2021 including: Resident Evil Village: Village of Shadows difficulty, Preventive Strike, Gears of War 3, The Golden Joystick Awards, Harmonix Aquired by Epic Games, the Xbox Virtual Museum, Dying Light 2 has no chance of being delayed again, Fall Guys Season 6 reveal, Tails of Iron Free DLC, Kojima Productions expanding into multiple outlets, Mario Golf: Super Rush's last update, Thymesia, Chorus, Rust Expansion, and much more! Thank you for listening on all platforms!

I am so bored… Because of COVID, I try not to go out that much. If I don't go to places where there are a lot of people, I may avoid getting sick. 因為COVID的關係，我現在都避免外出。 But I miss going out! I miss seeing different things. I miss going to department stores, I miss concerts, I miss museums. 我想念可以外出的時候，可以去百貨公司、音樂會，還有博物館！ Luckily, there is one museum that I can visit without even leaving the house! The New Taipei City Gold Museum has created a "digital museum," 新北市黃金博物館最近有了數位版本。 This means they put the things in their museum online. This way people can see the things inside the museum through their computers, phones, and tablets. 用電腦、手機, 跟平板電腦就可以看到博物館裡面的東西。 Their system also lets people explore the museum using virtual reality technology, 透過虛擬技術，就可以走進博物館！ Virtual reality technology makes it seem like you're really there. You can also look very closely at some of the things inside the museum by clicking on them. 只要點一點滑鼠，就可以近距離觀看。That is so convenient! More museums should do this. 更多博物館應該要這樣做。 ________________________________ Vocabulary 只要有電腦，坐在家裡就可以欣賞博物館裡面的寶貝。 1. Convenient 方便的。 You can buy so many things online! 上網可以買好多東西！ It's very convenient, isn't it? 真方便，不是嗎？ 2. Digital 數位的。 Everything is digital now. 現在所有東西都數位化了。 Not everything. 並不是所有的東西。 For example, we can't eat digital food. 比如說我們就不能吃數位食物。 3. Look 看。 But you can look at the food and order what you like. 但是你可以上網看菜色，然後訂你喜歡的。 You don't have to go out. 都不必出門。 That's true. 這是真的。 4. Gold 黃金。 I love gold. 我愛黃金。 Who doesn't? 誰不愛呢？ Let's visit the Gold Museum this weekend. 我們這周末去拜訪黃金博物館吧。 Alright. 好啊。 So what have we learned today? convenient 方便的 digital 數位的 look 看 gold 黃金 ________________________________ Quiz 1. Where is the museum in this story? a. New Taipei City b. Taipei City c. Tainan City 2. What is the museum called? a. The Gold Museum b. The Rock Museum c. The Virtual Reality Museum 3. What can you use to visit this museum online? a. Computers, phones, and tablets b. Computers, phones, and glasses c. Computers, video games, and earphones Answers 1. A 2. A 3. A

This episode is also available as a blog post: https://thecitylife.org/2021/09/28/lofficiel-launches-virtual-museum-metaverse-a-first-of-its-kind-experience-celebrating-the-global-media-brands-centennial-anniversary/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

พิพิธภัณฑ์ก็เหมือนธุรกิจอื่นๆ ที่ได้รับผลกระทบโดยตรงจากการแพร่ระบาดของโควิด-19 แต่โชคดีที่หลายแห่งในต่างประเทศได้เริ่มทำ Archive ออนไลน์มาตั้งแต่ ค.ศ. 2010 ทำให้มีข้อมูลเพียงพอในการปรับเปลี่ยนการดำเนินการในยุควิกฤตนี้ ศิลปะการต่อสู้ตอนนี้จะพาไป Virtual Tour ที่พิพิธภัณฑ์ระดับโลกหลายแห่ง แล้วตอบคำถามไปพร้อมกันว่า ประสบการณ์แบบนี้สามารถทดแทนการไปพิพิธภัณฑ์ได้ไหม  ดำเนินรายการ : ภาสินี ประมูลวงศ์, ปิ่น มีขำ

The underwater heritage around Malta is one of the richest collections of maritime archaeology in the world. The quality of preservation is outstanding as well as the number of sites, and yet they are inaccessible to so many of us. Not only do you need to be able to dive to see these sites, but for most of them you need to be able to dive very, very deep and that is only possible for a tiny fraction with the requisite skill, experience, knowledge, equipment, support...and lets not forget courage.One man has decided that this is not acceptable. Professor Timmy Gambin from the University of Malta has realised his vision for making this deep underwater heritage accessible by creating a virtual underwater museum: 'The Virtual Museum – Underwater Malta' at www.underwatermalta.org This online platform created by an international team of divers, photographers, archaeologists and computer programmers, brings Malta's underwater cultural heritage to the surface and into the homes of the general public. Using 3D, virtual reality and other media, the aim of this website is to provide access to and share Malta's unique underwater cultural heritage with all members of the public. Dr Sam Willis and Timmy Gambin discuss a number of the sites that have been re-created online with extraordinary 3D photography including a Blenheim Bomber, a German Junkers 88, an X-Lighter; a collection of victorian guns, a German schnellboot and a Phoenician shipwreck. See acast.com/privacy for privacy and opt-out information.

In this episode, a panel of AMT Lab contributors review their experiences with virtual museum engagement technology for institutions including the Benaki Museum in Greece, the Art Institute of Chicago, and the Rijksmuseum in the Netherlands. The featured panelists are Angela Johnson, Emily White, and Junyu Sun.

Happy Museum Day (or day after Nicole's birthday day)! On this episode, Sara has some unique New York City museums you might be interested in visiting; Nicole has a list of museums that will be doing virtual online events for today; and Sal reminds listeners about a fantastic resource to MCPL patrons, Museum Passes. Here's the list Nicole was mentioning regarding virtual events: https://www.mcplibrary.org/museum-day-2021-museum-resources-at-home/ Here's what Sara was talking about:  New York’s quirkiest museums (timeout.com) Want to visit one of the museums Sal mentioned and have an MCPL library card? Click here.

Angela Johnson and B Crittenden discuss the implications of the recent Golden Globe nominations, followed by a conversation about B’s research on if and why some arts organizations should look to distribute their performances on aggregate streaming platforms. They also discuss virtual volunteering and recent virtual solutions to audience engagement found in museums. To jump to a specific topic, go to one of these time stamps: Golden Globe nominations: 1:05 Arts streaming platforms: 8:14 Virtual museum engagement: 23:37

Nachliel Selavan is a professional museum tour guide, entrepreneur, educator, and expert in Biblical archaeology and the history of the ancient Near East. Prior to the COVID19 pandemic, Nachliel was giving tours in the MET, also known as the Metropolitan Museum of Art based in New York City, as well as providing walking tours in Jerusalem, Israel. After most museums closed, he quickly pivoted to delivering virtual tours, creatively using Google Street View and Zoom to expand his tours beyond the borders of his zip code. Going virtual allows Nachliel to now lead tours in museums throughout the world (virtually) from London to Toronto to Chicago to Tel Aviv. He also launched a new website, a YouTube channel, and a Happs account where his prolific output of content digital platforms, attracts him a diverse and international clientele. Paid courses, a podcast, and other programs are also in the works.  I wanted to have Nachliel on the show not only because I’m a history buff and think he is in a particularly interesting niche, but because I think his story serves as a good example of how people who used to do business solely in physical locations can successfully pivot during a tough time when in-person activities are extremely limited or non-existent. His story also exemplifies how people can leverage their knowledge and skills to digital mediums, which should provide inspiration to many of my listeners who are going through a similarly difficult period of transition or who wish to utilize the Internet and social platforms to start or save their businesses. This podcast also has an eLearning focus and I think it’s pretty amazing how Nachliel was able to transition from an on-location museum tour guide to an eLearning content creator and entrepreneur.  Learn more about Nachliel Selavan by checking out the links below:  www.museumtours.co.il Upcoming tours and events www.museumtours.co.il/upcoming List of available virtual tours www.museumtours.co.il/virtual-tours Instagram, YouTube, Facebook, Twitter: @MuseumtoursIL  YouTube: Nachliel Selavan Museum Tours LinkedIn: http://linkedin.com/in/nachliel-selavan Podcast: www.artifacepodcast.com Also available on most listening platforms. Blog www.museumtours.co.il/blog   Happs App: Israel Snapshot https://happs.tv/@IsraelSnapshot Nachliel’s video series and podcast on Tanach Study.com http://www.tanachstudy.com/parasha-plus-study https://www.tanachstudy.com/sefer-study  

Our first guest from the Canadian Heritage Information Network, otherwise known as CHIN, is Lyn Elliott Sherwood. She was the Director General of CHIN from 1993 to 2003. She then went on to become the Executive Director of the Heritage Group at the Department of Canadian Heritage. During her time at CHIN, she was responsible for the creation of the organization’s most well-known program, the Virtual Museum of Canada (VMC). The VMC is a collection of online exhibits contributed by Canadian museums and heritage institutions. The program is still ongoing but is now managed by the Canadian Museum of History. Lyn Elliott Sherwood spoke to hosts Nathalie Nadeau Mijal and Kelly Johnson about her favourite heart-stirring moments while working at CHIN.

A new virtual museum aims to open up cultural heritage across the Pacific. The pilot digital museum contains over 60,000 digitised items from across the region gathered from collections around the world. The project, which went live last week, is funded by the Australian government and implemented by National Library of New Zealand, in collaboration with the National Library of Australia. Kathryn speaks with Pacific Virtual Museum Pilot programme manager , Tim Kong.

A new virtual museum aims to open up cultural heritage across the Pacific. The pilot digital museum contains over 60,000 digitised items from across the region gathered from collections around the world. The project, which went live last week, is funded by the Australian government and implemented by National Library of New Zealand, in collaboration with the National Library of Australia. Kathryn speaks with Pacific Virtual Museum Pilot programme manager , Tim Kong.

It's hoped a new platform will help restore lost cultural records and provide unprecedented access to heritage items from the Pacific.

It's hoped a new platform will help restore lost cultural records and provide unprecedented access to heritage items from the Pacific. A Pacific Virtual Museum, close to 18 months in the making, has finally been launched online. Koro Vaka'uta has the details.

What is art-based learning? And how can art-based learning workshops be successful virtually?In this episode of workshops work, I find out how we can facilitate deep insights through art and how to overcome the challenges of shifting this intimate workshop experience from a physical museum to a virtual one.Here to answer all of my questions is Roumayne Schepers, an art-based learning facilitator at LerenVanKunst.nl. Roumayne speaks passionately about her role and reveals how she uses art-based learning to help people develop personally and build strong bonds with their teams.Listening to her processes was fascinating, and I was especially interested to hear how she's successfully managed to transition her workshops from in-person to a fully online experience. I hope you find this episode as eye-opening as I did and encourages you to approach art in a new and exciting way.Find out about:What led Roumayne to art-based learning and why she's considered a facilitatorWhat art-based learning is and what it aims to achieveHow participants grow, and often surprise themselves, through the learning processHow to shift art-based learning from a museum to an online spaceHow to facilitate the online transition from a personal to a group experienceWhat art-based learning can bring to a teamHow to facilitate a safe space for sharing ideasWhat to bear in mind if you're considering using art in your workshopsDon't miss the next show: Subscribe to the show with your favourite podcast player.Click here to download the free 1-page summaryQuestions and Answers[01:10] – When did you start calling yourself a facilitator?[02:47] – How did you go from the pharmacy to the museum?[05:44] – What does art-based learning mean?[07:47] – What is art-based learning's goal?[12:26] – How do you choose the artwork?[13:59] – How do you choose the question?[16:25] – How does art-based learning work online?[17:56] – How do you guide the group from a personal to a group experience?[22:08] – Is it beneficial if learners know the artwork already? Or is it better to exclude them?[23:18] – What is your experience transitioning from offline to online?[27:59] – What is your strategy or your favourite exercise to create a safe space?[30:19] – How can you find out what's holding a participant back?[33:00] – When you're sharing stories, do you move as a group from artwork to artwork? [34:18] – How do you approach a breakout room without disrupting a potentially intimate conversation?[35:21] – What is your role in smaller group discussions?[36:39] – What makes a workshop fail?[37:21] – How do you create a safe environment?[39:29] – What would you recommend for someone who would like to use art in their workshops?[43:35] – What is the one thing you would like listeners to take away from this episode?[46:17] – Do you use any exercises to help the group be present before starting? LinksRoumayne's websiteFree access to Roumayne's museumThe founder of the art-based learning methodFurther information about Jeroen LuttersConnect to Roumayne:LinkedIn

The Rancho Obi-Wan Virtual Gala 2020 takes place Saturday 21st November and joining us from Petaluma is Steve Sansweet to talk the Gala, Virtual Museum, lockdown life at Rancho and his thoughts on The Mandalorian and Baby Yoda, while Mark and Mark chat Chapter 11 The Heiress, the LEGO Star Wars Holiday Special and its Press Conference, and why Anthony Daniels thinks Mark Newbold is rubbish. All this and some chunky cable-knit sweaters on episode 63 of Making Tracks. Be sure to check out our new show Good Morning Tatooine, our weekly news show on Facebook Live and Fantha Tracks TV on YouTube. You can contact any of our shows and send in your listeners questions by emailing radio@fanthatracks.com or comment on our social media feeds: www.youtube.com/channel/UCZ7LZotr3rQhVJwpO3b2ELw www.instagram.com/fanthatracks www.facebook.com/FanthaTracks www.twitter.com/FanthaTracks www.pinterest.co.uk/fanthatracks/ www.fanthatracks.tumblr.com/ www.tiktok.com/@fanthatracks

In this podcast, we talk about the outstanding work that 6th grade did with our Virtual Museum on Ancient Europe!

In this episode we ask if Change Maker is the top job of the future. Preparing our kids for the adult world is what we do as parents. And work is one of the key areas of this world. In the age of rapid economic, political and social change, are there skills that we can nurture in our kids that will create the difference between staying ahead of the curve to create change and being drowned by waves of unprecedented events? How do we raise passionate kids who are motivated to be explorers and change makers, who stay open minded and hungry to create a better world. This Episode Guests: Xenia Adjoubei specialises in design and research in areas of architecture, urbanism and culture. Xenia teaches in London School of Architecture and Brighton University and leads an education and research centre in the largest Art Park in Europe, the Nikola-Lenivets Classroom, based in rural Russia. Xenia is lead researcher in the Global Free Unit, which is a network for education through live projects in contexts of rapid economic and political change, such as refugee and migration crises. Xenia runs the Moscow office of AdjoubeiScottWhitby Studio, an architecture practice with projects in culture, public realm and education. Her curatorial projects cover topics such as The Virtual Museum, Degrowth: Architecture Povera, The New Rural: designing a contemporary village and Art as Labour: physical labour and craft in a post-work future. Florence Kollie Raja is the founder and director of Ethical Era and the creator of the 2030 Positive Planet Agenda. Florence originally trained to become a ballet dancer and was one of the first POC ballerinas in the UK for Ballet Black Company. She then studied Politics and Economics and went into consulting and investment banking on the asset management side. Worked at Goldman, PwC, Fortress and M&G. Alongside this as a second job ran for office and worked for UK Parliament, European Parliament and Local Government for a decade.

On this episode of RADIO 1138, James Burns is joined by Steve Galloway to discuss the recent virtual LEGO Fan Media Days, LEGO Star Wars leaks and the first anniversary of Star Wars: Galaxy's Edge. James talks to Doug Chiang, Vice President & Executive Creative Director of Star Wars, about Rise of the Resistance and The Mandalorian. Finally, we head to Rancho Obi-Wan where James catches up with Steve Sansweet & Anne Neumann to discuss the new Virtual Museum, remembering Charles Lippincott and their memories of the release of Star Wars: Revenge of the Sith (as it celebrates its 15th anniversary). All this and more, on an action-packed episode of RADIO 1138.   Links: - Rancho Obi-Wan Donations and Membership Rancho Obi-Wan Virtual Museum

With cases of coronavirus spreading in the United States, the idea of martial law is one of the measures considered to enforce social distance as a public safety measure. Under martial law, civil governments would be overridden by the military. It should only be used as a last resort. Only the president has the power to go into martial law on a federal level. On a state level, the governor has the right to impose martial law within the border of the state. Many of these incidents were to protect citizens against foreign attacks, while some were humanitarian efforts for public safety. Here are the three times the United States impose martial law over its citizens. Welcome to Forgotten History of Pacific Asia War Podcast Episode 8: Three Examples of Martial Law Imposed on US Soil. References 1. "Looting Claims Against the U.S. Army Following the 1906 Earthquake". Virtual Museum of the City of San Francisco. Archived from the original on March 28, 2008. Retrieved March 18, 2020. 2. Nolte, Carl (May 27, 2007). "Sam Kagel -- arbitrator in major labor disputes (obit)". SF Gate. Retrieved March 18, 2020. 3. "Martial law in Hawaii". Densho Encyclopedia, Retrieved March 18, 2020 --- Support this podcast: https://anchor.fm/pacific-atrocities-education/support

Virtual museums are cool and so are long-distance relationships ... well not exactly. In this week's episode Niki and Esther discuss how to know whether or not to pursue a long-distance relationship and what to do once you're in one. Need advice? Want to give some advice? CLICK HERE! --- Send in a voice message: https://anchor.fm/darktwistypod/message Support this podcast: https://anchor.fm/darktwistypod/support

Welcome to a very special episode of Making Tracks as we celebrate the 40th anniversary of The Empire Strikes Back with a selection of interviews we've conducted over the years. You'll hear from Irvin Kershner, Billy Dee Williams, Anthony Daniels, Dennis Muren, Jeremy Bulloch, Peter Mayhew, Robert Watts and Kenneth Colley as we raise a glass to the greatest sequel of them all. We also head over to Rancho Obi-Wan to chat with Steve Sansweet and Anne Neumann about their new initiative, the Virtual Museum. You can find us on Apple Podcasts, Google Podcasts, Stitcher, Android, Spotify, Soundcloud, TuneIn IHeart radio and Spreaker. You can find us on Smart Speakers such as Amazon Alexa, Apple HomePod, Google Home, and Sonos. We are also available in your car with Apple CarPlay and Android Auto, on your gaming console, and television; and of course you can find us on the Fantha Tracks App. For all the details on how to listen in and subscribe, check out our dedicated page for Fantha Tracks Radio. You can contact any of our shows and send in your listeners questions by emailing radio@fanthatracks.com or comment on our social media feeds: www.youtube.com/channel/UCZ7LZotr3rQhVJwpO3b2ELw www.instagram.com/fanthatracks www.facebook.com/FanthaTracks www.twitter.com/FanthaTracks www.pinterest.co.uk/fanthatracks/ www.fanthatracks.tumblr.com/ www.tiktok.com/@fanthatracks

Welcome to episode 38 of Making Tracks as we chew over all the current happenings in the Star Wars galaxy. This time out we discuss the latest casting rumours for The Mandalorian, dive into the 3rd episode of Disney Gallery and tackle a mammoth listeners question. Make sure you're tuned in on Thursday 21st as we celebrate the 40th anniversary of The Empire Strikes Back with some vintage interviews and catch up with the team at Rancho Obi-Wan to discuss the Virtual Museum. You can find us on Apple Podcasts, Google Podcasts, Stitcher, Android, Spotify, Soundcloud, TuneIn IHeart radio and Spreaker. You can find us on Smart Speakers such as Amazon Alexa, Apple HomePod, Google Home, and Sonos. We are also available in your car with Apple CarPlay and Android Auto, on your gaming console, and television; and of course you can find us on the Fantha Tracks App. For all the details on how to listen in and subscribe, check out our dedicated page for Fantha Tracks Radio. You can contact any of our shows and send in your listeners questions by emailing radio@fanthatracks.com or comment on our social media feeds: www.youtube.com/channel/UCZ7LZotr3rQhVJwpO3b2ELw www.instagram.com/fanthatracks www.facebook.com/FanthaTracks www.twitter.com/FanthaTracks www.pinterest.co.uk/fanthatracks/ www.fanthatracks.tumblr.com/ www.tiktok.com/@fanthatracks

I am not mad at the virtual attempts but this may go too far. Also, we'll end the talk of another Michael Jordan

Big Al at the Winchester says wolves can't look backwards. Discover other strange medieval folk beliefs and attitudes towards wolves based on folk tales, fables and medieval bestiaries.  Facebook: https://www.facebook.com/historyandfolklorepodcast/ Instagram: https://www.instagram.com/historyandfolklore/ Transcript: The Wolf and the Lamb   A wolf saw a lamb straying from the flock. Unusually, he felt somewhat guilty about taking the life of such a helpless creature without some plausible excuse. So he cast about in his mind for some believable grievance.At last the wolf said to the lamb, ‘I remember you. Last year you grossly insulted me.' That's impossible, cried that lamb, I hadn't even been born then! Well then, said the wolf, you feed on the grass on my land. That's not right, said the lamb, I have never tasted grass. You drink from my spring then, continued the wolf. Not me, squeaked the lamb,I have never drunk anything but milk, Well, anyhow, replied the wolf, I am not going without my dinner. And he sprang upon the lamb and devoured it without more ado. Hello, welcome to History and Folklore, where we look at different folk beliefs through history and how these beliefs have shaped people's perceptions of nature through time. Today we're looking at wolves and because that's a huge subject in folklore we're going to focus it down just to early medieval England. I might widen this out to talk about perceptions of wolves in different countries in a future episode, if people are interested.  Wolves were once actually pretty common in medieval England, and would have been a familiar sight to many people travelling through the countryside of living in villages or town outskirts. Their prevalence is reflected in the use of wolf hides as tribute among kings and nobility, with King Edwin, in 953 AD, demanding a tribute of three hundred wolf skins per year. Wolf hides have also been discovered at burial sites, suggesting they were associated with power, status and wealth.Possibly because of their prevalence, wolves were seen as a pest, and a threat to livestock. As early as 300BC Celtic tribes in England bred wolfhounds to hunt wolves. A thousand years later the monk and scholar Bede claimed that the entire month of January was originally known as ‘wolf month' as it was devoted to the slaughter of wolves. This attitude of seeing wolves as a harmful menace to be exterminated continued into the medieval period, culminating in King Edward I hiring a man called Peter Corbet in 1281 to ‘take and destroy all the wolves he could find.' Peter Corbett was apparently successful, and along with the destruction of a lot of their natural habitat for agriculture, wolves became increasingly rare. The last mention of them in England was in 1305 when it was recorded that they killed eight cattle in the forest of Lancaster. redo Authors of encyclopedias in the Medieval era such as Isidore of Seville, in the 7th century, and Bartholomaeus Anglicus, in the 13th century, argued that the Latin word for wolf, lupus, was most likely to have come from the Greek ‘lukos' as it, apparently, ‘indicates the morals of wolves', which ‘rapaciously kill whatever they encounter and always desire blood' and slaughter whatever they found in a ‘frenzy of violence.' As a result of this Isidore placed wolves within the category of ‘beasts.' According to him all animals in this group could be identified as they shared  particular characteristics. Most notable of these was that they would attack forcefully with their mouth or claws, but also that they had wildness and freedom, and an ability to ‘wander wherever their spirit leads.' As with a lot of ideas in Medieval England, these seem to go back to Ancient Greek authors with Pliny referring to wolves as ‘cruel and fierce' and Aristotle claiming they were ‘wild and untameable.' The apparent violent and bloodthirsty nature of wolves is one that was obviously feared by the majority of people and was strongly imprinted upon their conscious.The majority of images of wolves from this era depicts them sneaking up to the sheepfolds to destroy livestock. This experience of wolves would have been the one that affected the majority of people in rural England, and wolves would have been seen at best as a nuisance and at worse as direct competition for food, particularly true during times of dearth. There was also a common fear in medieval society of man-eating wolves, which was expressed through popular folklore. There was a belief that when a wolf was attacked by a group of people, he would remember who threw the first stone and kill that person if he was harmed.  Strangely, it was believed that if a wolf saw a man before he was spotted, the man would lose his voice, causing him to be unable to cry out for help. If this happened it was said that the solution would be for the man to strip and hit rocks together to prevent the wolf from attacking, which I guess must have made some sort of sense at the time. If a person was in a group and suddenly lost his voice, an onlooker was to say ‘lupus in fabula',translated as ‘wolf in the story' in order to restore the person's voice. If, however, a man saw a wolf first then it was believed that the wolf would lose his fury and would not attack.  However, there were also some positive attributes associated with the wolf in folklore. For example it was said to be good luck for travellers to approach a wolf, but only if they were approaching from the right, the wolf was barring their way and the wolf was eating large mouthfuls of dirt, which seems so specific as to be nearly useless, as I doubt it would have been a situation that occurred all that often. Pliny is also quoted by medieval writers such as Bartholomaeus, as saying that wolves had a love potion in a tuft in the tip of their tails, which had to be taken while the wolf was alive, and which the wolf would bite off if there was a danger of it being trapped by humans.  Wolves also seem to be very connected to sheep in the mind of the average medieval person. They were seen as being so detrimental to sheep that the wool of a sheep attacked by a wolf would become lousy and infected, while the sheep gut strings on a harp would become corrupt if a string made of wolf gut was added. Wolves' position within popular stories are also generally quite negative. Aesop's fables, popular during this period, include such tales as the wolf and the lamb, read at the beginning of this episode, in which the wolf tries to use a false excuse to kill the lamb before just eating him anyway and the ‘wolf and the shepherd', where the wolf gains the trust of a shepherd before attacking his sheep. Both of these reflect the widespread mistrust and fear of wolves as dishonest and violent.  On the other hand, wolves could also play a humorous role, for example in the stories of ‘Reynard the Fox' the wolf, Isegrim, was known for being strong, but greedy and stupid. Ultimately Reynard manages to outwit and kill Isegrim in a fight by distracting him by talking just as Isegrim is about to make the winning blow. In these tales wolves were chosen for the moral they could teach the audience. However, it is also possible that their comic portrayal may have been an attempt to diminish fear through humour, or may have dated from a period when wolves were perceived as less of a threat due to their scarcity. This negative attitude towards wolves also reflected in the religious sphere of medieval life. It was generally believed during this time that animals were granted their characteristics by God as an example of proper conduct for humans to imitate, or to reinforce the teachings of the Bible. In these teachings, used by priests in sermons to convey a moral message to their congregation, wolves were often portrayed as the devil prowling outside the sheep-fold of the faithful.  Bestiary and encyclopedic literature was particularly good at reinforcing these connections. The Aberdeen bestiary claims that wolves have eyes that shine in the dark because, like the works of the devil, they appear beautiful to foolish people, leading them astray. Bartholomaeus and Isidore stated that another possible origin for ‘lupus' was from the Greek ‘leo-pos', meaning ‘lion-footed' as it was widely believed that the wolf's strength, like the lion, was in its feet and the front of its body, the head, neck shoulders and chest. This was interpreted as being a reminder from God that the devil was first an angel in heaven and then turned apostate. These interpretations are obviously intended to prompt the reader to look at nature, remember that it was made by god, and interpret the message that God was communicating.  Wolves also appear to have a strong connection with thunder. It was believed in the early medieval period that there were only twelve days in the year that wolves would mate and that they would then give birth in May, when it thundered, as this was reminiscent of the devil falling from heaven. It was also widely believed that the wolf was unable to turn its neck to look behind it, apart from in May, as ‘like the devil, it can never turn towards the correction of penitence.' The story that seems to encapsulate the medieval attitude to wolves is one told about St Francis of Assisi. In this story a town being terrorized by a wolf, to the extent that the inhabitants were afraid to leave the city walls. This associates the wolf firmly as part of the wilderness, being outside of society and therefore an entity to be feared and avoided. The fact that St Francis manages to tame the wolf, and construct an agreement between the wolf and townspeople seems to reflect the power of God over evil, while the phrase he speaks to the wolf ‘all men cry out against thee, the dogs pursue thee and all the inhabitants of this city are thy enemies', reflects the expected relationship between wolves and humans during this period. Thank you for listening to this episode of the History and Folklore Podcast. If you enjoyed the episode I would really appreciate it if you could follow me on Facebook at History and Folklore Podcast or Instagram at history and folklore, where you will be notified of future episodes and also discover lots or random history and folklore facts.You can also get in touch by emailing me at historyandfolklorepodcast@gmail.com. Thank you for listening, and I hope to see you for the next episode.             Sources Used: Aesop, Aesop's Fables, http://www.netlibrary.com.ezproxy.lib.le.ac.uk/Reader. Badke, D., ed., ‘Wolf', The Medieval Bestiary: Animals in the Medieval Ages (April, 2008) http://bestiary.ca/beasts/beast180.htm. Bagley, A., ‘A Wolf at School' The Virtual Museum of Education Iconics (April, 2007) http://iconics.cehd.umn.edu/lecture_Hall/wolf_at_school.htm. Barber, R., Bestiary: Being an English version of the Bodleian Library, Oxford M.S. Bodley 764 (Woodbridge, 1992). Hudleston, R., The Little Flowers of St Francis of Assisi (New York, 2005). Lewis, W. J., Beach, J. A. and Berghof, O., The Etymologies of Isidore of Seville (Cambridge and New York, 2006). McClintock, D., & McClintock. P.L., eds., Song and Legend from the Middle Ages (1893). McKnight, G. H., ‘The Middle English Vox and Wolf', PMLA, vol. 23, no. 3 (1908), pp. 497-509. Nilson, G., ‘Persecution and Hunting: Wolves, Wild Dogs and Foxes: Page 8' Endangered Species Handbook (2003),  Trevisa, J., ‘On the Properties of Things' Bartholomaeus Anglicus De Proprietatibus Rerum: : A Critical Text Volume II (Oxford, 1975). Yalden, D., The History of British Mammals (London, 1999).

In the last episode we talked about adventure and wildlife tours, and this week we're traveling virtually again! Only this time, we're getting cultured at museums around the globe. From fine art museums to ancient artifacts, these are the top 12 virtual museum tours that you can visit from your couch. Shownotes at https://worldwidehoneymoon.com/best-virtual-museum-tours/ Full blog post with all of our favorite virtual tours can be found here: https://worldwidehoneymoon.com/best-virtual-tours-online-travel-from-home/

Here are the museums around the world who are opening their doors to an online visit

5/5/2020(Tuesday) 二零二零年五月五号（星期二） Our virtual museum tour is from this link https://www.youtube.com/watch?v=CohIrMANNSk&list=PLiXsFkDllNL_sdcsEmWjgKooYTGDRVlU7 --- Support this podcast: https://anchor.fm/chumeichinese/support

Portions of this episode contain dialogue in the Innu language. For reasons of length, we have shortened the portions in Innu for English speakers. The transcript for the episode is available here.If you would like to hear the episode with the full Innu language dialogue left intact, please click please click here (link to YouTube video - audio only). Unfortunately, we can't yet offer a transcript of the portions that are in the Innu language.*Note: given the current temporary closure of TPL due to the COVID-19 pandemic, we have made our best efforts to offer suggestions below for materials which are part our online collections, and available at home to anyone with a current Toronto Public Library card. All TPL print and other in-branch materials will be available once we re-open and are operating under normal conditions. Books by Tsaukuesh Elizabeth Penashue:Nitinikiau Innusi: I Keep The Land Alive Books or Materials About ActivismWhen They Call You a Terrorist: a Black Lives Matter Memoir by PatrisseKhan-Cullors (audiobook) (ebook available here)She Takes a Stand: 16 Fearless Activists Who Changed the World (ebook)Indigenous Women, Work and History (ebook)Violence Against Indigenous Women: Literature, Activism, Resistance by Allison Hargreaves (ebook) Books or Other Materials about the InnuInnu of Labrador (link opens an article on the Virtual Museum of Labrador)Innu People: A History (link opens a Youtube video on Indigenous Americans)Peoples: Innu (link opens an article on Circum-Arctic Gallery)Live Mic: Best of TPL Conversations features curated discussions and interviews with some of today’s best-known and yet-to-be-known writers, thinkers and artists, recorded on stage at one of Toronto Public Library’s 100 branches.Episodes are produced by Natalie Kertes, Jorge Amigo, and Gregory McCormick. Technical support by Michelle De Marco and George Panayotou. AV support by Jennifer Kasper and Mesfin Bayssassew. Marketing support by Tanya Oleksuik.Music is by The Worst Pop Band Ever. 

Hannah Molloy (on the Otago Virtual Museum "@Home") Interview by Jamie Green on Radio One 91fm Dunedin

Hannah Molloy (on the Otago Virtual Museum "@Home") Interview by Jamie Green on Radio One 91fm Dunedin

Tips To Keep The Kids Busy During Quarantine: Virtual Museum Tours! Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

Terry’s first love, Rachel Platt, called in for a conversation. They talked about the positive mindset needed during the COVID-19 pandemic, how Rachel is caring for her elderly mother and what is going on at the Frazier History Museum’s Virtual Museum…

Terry's first love, Rachel Platt, called in for a conversation. They talked about the positive mindset needed during the COVID-19 pandemic, how Rachel is caring for her elderly mother and what is going on at the Frazier History Museum's Virtual Museum…

On January 5, 2020, at the Association of American Law Schools Annual Conference, the Section of Intellectual Property and the Section on Art Law co-hosted a panel on "Museums, Virtual Museum, and Intellectual Property." Brian L. Frye was a panelist, and presented a talk titled, "The Trouble With Conceptual Art." He argued, inter alia, that museums should consider whether the purchase and sale of conceptual art violates the securities laws. He also realized a work of conceptual art titled "Awkward Silence," which comprises a presenter including an unannounced period of silence of indefinite duration. The work is available in an unlimited edition. Send your mailing address to brianlfrye@gmail.com in order to receive a certificate. See acast.com/privacy for privacy and opt-out information.

The Empress of Ireland is a little known sea tragedy that killed more passengers than the Titanic. Kenzie takes over this episode discussing Canada's largest maritime disaster and the curse that may have doomed it.Song in episode: Empress of Ireland by Coole ParkCheck out the rest of their album!Buy the CD the old-fashioned way hereDownload the album here Sources: Please check out all of the sources for this episode out below! Virtual Museum has a wonderful in-depth look of the tragedy, as well as voice overs of witness accounts.Virtual Museum - Site historique maritime de la Pointe-au-Père: The Empress of Ireland, a forgotten historyAdaptation of witness accounts by Denis Leblond (Virtual Museum)Macleans - The Night the Empress Went DownThe Empress of Ireland - Crippen's CurseThe Irish Times - First Titanic, then Empress: an Irish man’s lucky escapesPost Media News - ‘Forgotten Empress’ sank 100 years ago, took 1,012 livesPBS - Lost Liners: The Empress of IrelandBOAT - The Strangest of Sailor SuperstitionsOriginal Theme Music by Ethan Reid (Instagram @ethanareid)Additional music and SFX by Epidemic SoundFollow us!Instagram: https://www.instagram.com/deadmendontpodcast/Facebook: https://www.facebook.com/deadmendontpodcast/Twitter: https://twitter.com/deadmendontpodAdara: @adaralynne on Twitter & InstagramKenzie: @kenzmaclaren on Twitter & InstagramContact us! deadmendontpodcast@gmail.com - Share your story!   

Friday, November 8, 2019 Launching in June 2020, this online exhibition will be a digital platform for youth to discover and rediscover Toronto’s music history and its impact on Canadian history and culture. Sounds Like Toronto encourages visitor engagement with known and unknown stories, by layering them through digital interpretation and storytelling tools: visitors will interact with 3D objects, listen to audio and video interviews, watch archival material, and walk through two 360-degree interactive digital photography experiences of Toronto’s most iconic music venues – Massey Hall and the Concert Hall. Through extensive youth audience research and evaluation, using mobile responsive design, timelines graphic treatments, embedding online listening experiences through Spotify, and encouraging accessible first compliancy, Sounds Like Toronto creates a meaningful, engaging, and relevant online music exhibition. To develop emotional connections with musicians that a younger audience has limited exposure to, we developed a timeless mobile first, design patterns. We discovered the proper balance between a contemporary and historical visual language that connects with all users. Funded through the Virtual Museum of Canada, Sounds Like Toronto will become part of the largest source of online content shared by small and large Canadian museums and cultural institutions. Session Type30-Minute Session (Presentation or Case Study) TrackExperience Chatham House RuleNo Key Outcomes After attending this session, participants will be able to apply new strategies that engage younger audiences digitally by communicating with them in ways that they are comfortable. We will explore how to select and prepare content in an engaging way that connects with the target audience that may initially feel disconnected based on different generational perspectives. Participants will recognize the importance of preliminary, formative, and summative audience research, and discover how accessible projects are not limited creatively and that are mobile responsive. Speakers Session Leader : Warren Wilansky, President & Founder, Plank Co-Presenter : Emily Berg, Interpretive Planning Specialist, Heritage Toronto

A zoo without a live animal, a high school lab that allows students to explore a beating human heart, or a realistic rendering of an architect's design are just a few of the potential use-cases for the Looking Glass Pro, holographic display. Looking Glass Factory Co-Founder and CTO, Alex Hornstein, describes this unit as "a Looking Glass for business." This podcast describes the interview with Hornstein, which may be found at: https://www.viodi.tv/2019/07/20/virtual-museum-display-in-a-box-and-more-awe2019/

The SNF DIALOGUES series of monthly events took its first trip outside Athens. A great number of friends of the event, which was open free and open to all, accompanied the SNF Dialogues in its first “escape” outside Athens, and traveled to Syros, the birthplace of Markos Vamvakaris. The visit to Syros took place in accordance with the event's theme, which was dedicated to the history of rebetiko. The event, which was hosted at the premises of the unique Syros Textile Factory, featured Dimitris Mistakidis, musician and teacher at the School of Arts in the Department of Traditional Music at the University of Ioannina, Giorgos Kokkonis, Assistant Professor in the Department of Music Studies at the University of Ioannina, and Karolos and Tanya Veanus Tsakirian, luthiers. The speakers shared their rich knowledge of the roots and influence of Rebetiko on the world music scene, its sociological value, its relatively recent destigmatization, and the cultural trends that have transported it across the globe. The event featured a presentation of the work of the tireless Rebetiko researcher , Panagiotis Kounadis. Mr. Kounadis has recently been developing, with the support of the SNF, a Virtual Museum dedicated to rebetiko. The project is implemented with scientific support from the University of the Aegean, which participates through its Department of Product & Systems Design Engineering, based in Syros. The Kounadis Archive is one of the best-organized archives, primarily featuring the urban folk music of 1900-1960. Established in 2007, it contains one of the richest collections of rebetiko music recordings and manuscripts, illustrating the uptick in creative musical composing during that era in Greece and abroad.

The podcast that explores the history, language, techniques, and cultural influence of pickpocketing. Hosted by Les S. Moore Pickpocket (1959) https://www.imdb.com/title/tt0053168/

enVu's Jimmy Abraham and Dalton Jenkins share the project for EDPA; a virtual museum for the 65th-anniversary gathering in Tucson, AR at EDPA Access ... Don and Mike talk about grounding the 737 MAX planes and TSA pre-check renewals as a Public Service Announcement, 100th episode coming up next Friday and at 20,000 listens - the show is growing leaps and bounds like a St Patrick's Day leprechaun! St Patty's Day weekend! 1-833-366-2636 Toll-Free or TheDonAndMikeShow@gmail.com to play along! Our new website is almost ready as well!

Face aux diverses restrictions budgétaires, de postes, au rôle décisif de la question de la rentabilité dans les prises de décision scientifique, mais aussi aux destructions patrimoniales et à l'utilisation des analyses des archéologues à des fins politiques, etc. on en vient parfois à se demander devant la machine à café … -“Mais en fait... -Pourquoi ? -Mais oui... Pourquoi fait-on de l'archéologie ?? -Pourquoi, après tout, est-ce qu'on ne ferait pas mieux de quitter tout pour aller élever des chèvres dans le Quercy ?” [caption id="attachment_91027" align="aligncenter" width="291"] (Auguste Rodin, "Le Penseur", 1881-1882, Sculpture (bronze), Musée Rodin, Paris, France - licence CC)[/caption] Parce que les Petits Cailloux s'inquiètent des conséquences économiques de la surproduction de fromage de chèvre qu'engendreraient de telles réorientations de carrière chez les archéologues franciliens, ils vous proposent de prendre le problème à bras le corps et d'entamer une psychanalyse collective ! Si tu es archéologue et que tu veux (re)trouver un sens à ta vie, ou, plus modestement, si tu veux savoir à quoi sert une partie de tes impôts lorsqu'ils financent la recherche archéologique, branche-toi sur Radio Campus Paris jeudi prochain à 20h ! Au programme, micro-trottoir, chroniques et grand débat pour comprendre le rôle de l'archéologie dans notre société (suivis, comme toujours, de notre rubrique “actualités”!) et un invité, David Laporal, responsable du développement culturel et des publics au Musée d'Archéologie Nationale qui nous expliquera comment l'archéologie peut trouver sa raison d'être dans le rapport qu'elle entretient avec les publics. Production et animation : Charlotte Delrue, Enora Gault, Julie Gravier, Léa Hermenault, Mathilde Jean et Rémi Méreuze Réalisation : Ugolin Crépin-Leblond Chroniques et carnet sonore : Charlotte Delrue, Julie Gravier, Léa Hermenault, Mathilde Jean et Rémi Méreuze Pauses musicales : -J'aurais voulu être un artiste, Nicole Croisille, 1981 -Dunkel Deutsch Disco, Bumcello, 2018 Liens utiles : -Pour tout savoir de l'actualité du Musée d'Archéologie Nationale de Saint Germain en Laye. - Anguti's amulet, le livre présenté par Rémi et le lien du Virtual Museum of Labrador. -L'article de Cédric Lavigne mentionné dans la chronique de Julie ("L'archéogéographie, une expertise au service des politiques publiques d'aménagement"). -Below the surface, le site de consultation des artefacts mis au jour lors des fouilles du métro d'Amsterdam.

Face aux diverses restrictions budgétaires, de postes, au rôle décisif de la question de la rentabilité dans les prises de décision scientifique, mais aussi aux destructions patrimoniales et à l’utilisation des analyses des archéologues à des fins politiques, etc. on en vient parfois à se demander devant la machine à café … -“Mais en fait... -Pourquoi ? -Mais oui... Pourquoi fait-on de l’archéologie ?? -Pourquoi, après tout, est-ce qu’on ne ferait pas mieux de quitter tout pour aller élever des chèvres dans le Quercy ?” [caption id="attachment_91027" align="aligncenter" width="291"] (Auguste Rodin, "Le Penseur", 1881-1882, Sculpture (bronze), Musée Rodin, Paris, France - licence CC)[/caption]   Parce que les Petits Cailloux s’inquiètent des conséquences économiques de la surproduction de fromage de chèvre qu’engendreraient de telles réorientations de carrière chez les archéologues franciliens, ils vous proposent de prendre le problème à bras le corps et d’entamer une psychanalyse collective ! Si tu es archéologue et que tu veux (re)trouver un sens à ta vie, ou, plus modestement, si tu veux savoir à quoi sert une partie de tes impôts lorsqu’ils financent la recherche archéologique, branche-toi sur Radio Campus Paris jeudi prochain à 20h ! Au programme, micro-trottoir, chroniques et grand débat pour comprendre le rôle de l’archéologie dans notre société (suivis, comme toujours, de notre rubrique “actualités”!) et un invité, David Laporal, responsable du développement culturel et des publics au Musée d'Archéologie Nationale qui nous expliquera comment l'archéologie peut trouver sa raison d'être dans le rapport qu'elle entretient avec les publics.   Production et animation : Charlotte Delrue, Enora Gault, Julie Gravier, Léa Hermenault, Mathilde Jean et Rémi Méreuze Réalisation : Ugolin Crépin-Leblond Chroniques et carnet sonore : Charlotte Delrue, Julie Gravier, Léa Hermenault, Mathilde Jean et Rémi Méreuze   Pauses musicales : -J'aurais voulu être un artiste, Nicole Croisille, 1981 -Dunkel Deutsch Disco, Bumcello, 2018   Liens utiles : -Pour tout savoir de l'actualité du Musée d'Archéologie Nationale de Saint Germain en Laye. - Anguti's amulet, le livre présenté par Rémi et le lien du Virtual Museum of Labrador. -L'article de Cédric Lavigne mentionné dans la chronique de Julie ("L’archéogéographie, une expertise au service des politiques publiques d’aménagement"). -Below the surface, le site de consultation des artefacts mis au jour lors des fouilles du métro d'Amsterdam.  

Trending Topics: Speaking Tidal Volumes about RTs From tank jockeys to ECMO pumps, Marie attempts to give RTs the spotlight they deserve. Special guests Chris Webb, RRT and Jon Inkrott, RRT, RRT-AACS, flight respiratory therapist. “We are your best friend on your worst day.” Show Notes American Association for Respiratory Care’s Virtual Museum http://museum.aarc.org/   David Oshinsky’s book on the history of the polio vaccine – Polio: An American Story found on Amazon here https://www.amazon.com/Polio-American-David-M-Oshinsky/dp/0195307143   What is ECMO? – Extra Corporeal Membranous Oxygenation. Basically, it is a machine that can replace heart and/or lungs in those that are so sick the kitchen sink isn’t working. Learn more here: https://emedicine.medscape.com/article/1818617-overview   The Checklist Manifesto by Atul Gawande – book we discussed about patient safety from the exalted surgeon/author… https://www.nytimes.com/2010/01/24/books/review/Jauhar-t.html   Why Hospitals Should Fly by Jon J. Nance– the book about patient safety that I couldn’t remember the name of… http://www.jhconline.com/hard-lessons-why-hospitals-shoudl-fly.html   Mallampati score – a score clinicians use to relay how difficult your airway will be to put a breathing tube down it   To contact Jon Inkrott….Jon’s email: srqguy72@gmail.com Jon is also on LinkedIn! Contact him there and take a look at his professional articles which I couldn’t attach here.   To hear EXTENDED interviews of Head-to-Toe podcast guests, visit patreon.com/mariemacmillan   Podcast Episode Music brought to you by: Wesley Price https://soundcloud.com/wesleypricemusic https://www.linkedin.com/in/wesleypricemusic/ Podington Bear http://www.podingtonbear.com/ Thanks to the podcast sponsor Luxe Pillow – get better sleep tonight at luxepillow.com and use the coupon code headtotoe to get 10% off!   Marie MacMillan Writer / Podcast Host Email: macmillanpages@gmail.com  Podcast: headtotoe.podbean.com Website: mariemacmillan.com  Facebook: www.facebook.com/macmillanpages LinkedIn: https://www.linkedin.com/in/macmillanpages/  

Welcome to season two of OOTs, or, Out of the studio where we talk to Graphic designers about what makes them tick, their favourite colours, and random interesting thoughts about baseline grids. This episode's music has been supplied by DJ Lorem Ipsum. For the first episode of this season we were at Winnipeg's Goodwill Social Club back in February of 2018 at the AGM, Annual General Meeting for GDC (Graphic Designers of Canada) Manitoba branch. We decided to do a live taping, not even in a studio, OOTS was OOTS and in front of a small but energetic live audience with Oliver Oike.  Oliver is an Instructor in the Department of Graphic Design at Red River College in Winnipeg, where he has been teaching since 2012. In 2000, Oliver graduated with his Bachelor of Communication Design degree from Emily Carr University in Vancouver.  Over the next twelve years Oliver worked at agencies and studios in Vancouver and Winnipeg (Praxis, DDB Canada, Manlab), producing work for clients like the Canadian Tourism Commission, Telus, Bank of Montreal, Unilever, Sobeys, Travel Manitoba, The Virtual Museum of Canada, and Upper Fort Garry Heritage Park.  For eight years, Oliver sat on the Board of the Manitoba Chapter of the Graphic Designers of Canada (gdc.net), first as Vice-President and National Rep, and then as Chapter President from 2009 to 2013. He continues to volunteer with the GDC, organizing events like Pecha Kucha Night, and sitting as a member of the National GDC Foundation Committee.

This month we're exploring the fascinating and strange world of Duqesne Island, as shown by the newly released 1970s CBC documentary The Neddeaus of Duqesne Island. This never-before-seen footage depicts an absolutely definitely real family living on an isolated island in northern Ontario, immersed in a culture all their own. The Neddeaus provide more than enough fodder for a food-and-fashion deep-dive. We're eating all things potatoes (really, so many potatoes); wondering how on Earth this family got ahold of such modern raincoats; and meditating on what a symbol the Neddeaus really are for Canada, identity, and the human condition. Thanks for listening! Fashionably Ate is on Instagram and Facebook @fashionablyateshow, and we've got photos from this and every episode on Pinterest @fashionablyate. Feel free to email us at fashionablyateshow@gmail.com, and if you haven't already found us on iTunes, now's your chance! Download and subscribe -- and if you would be so kind, please leave us a star rating or review. We'd love the feedback. CHECK OUR FACTS Watch the documentary here FASHION From Gizmodo, the history of rain jackets A U.S.-focused history of raingear And a guide for the more modern history of rain-repellant fabrics that I brushed by in this month's episode FOOD For a bare-bones history of potatoes, check out the Virtual Museum's exhibit The Canadian Encyclopedia has a lot to say about potatoes For nutritional facts of potatoes And an analysis of Chris Voigt's experience eating nothing but potatoes for 2 months (Many thanks to Kelly McCormack, Aaron Shroeder, Caitlin Driscoll, Tara Samuel, and Tim Walker for the wonderfully wacky goodness theyâre putting out to the world. Jam and peels!)

Artist Pippin Barr explores a virtual world where computer game visuals meet the work of artists Donald Judd and Gregor Schneider

In this episode, we discuss the newly launched Virtual Museum of Psychology (http://psychmuseum.uwgb.org/), brought to you by the UW-Green Bay Psychology Program. We discuss what it is, why we built it, and how it came to be. Guests include Kate Farley, Annie Jones, Luke Konkol, Allee Schramm, and Annemarie Schwery.

Dr De Vries and Mr DeKock present their holistic approach to the study, conservation and site display of Umm el-Jimal The site of Umm el-Jimal has been the object of more than 40 years of study by Dr Bert De Vries (Calvin College) and his colleagues. In this lecture, Dr De Vries and Mr DeKock (OpenHand Studios) present their approach to site conservation at Umm el-Jimal, and unveil the main features of the Umm el-Jimal virtual museum (www.ummeljimal.org)

The team from the Frank Lloyd Wright Virtual Museum in Second Life talk to Elrik and Saffia about how the museum has been refused a renewal license from the FLW Foundation and received a cease and desist letter to halt the project. Guests include Rosalie Oldrich, Co-Director, Frank Lloyd Wright Virtual Museum; Rowan Derryth, Board Member, Virtual Museums, Inc.; and Ethan Westland, Chair, Virtual Museums, Inc. Also joining the panel is Michael Schumann (SL:Roy Philbin), Founder/CEO, Second Interest Virtual Business Solutions; and Dirk Talamasca, Virtual Worlds Developer. Designing Worlds

This video teaches the process of using a virtual museum template to create a virtual museum. The focus of the video is on using tools to insert pictures and create non-linear hyperlinks within PowerPoint.To access templates, see the blog titled Educational Virtual Museums.

Download the virtual museum assignment here.For more information on developing virtual museums and their origins, please visit the Educational Virtual Museums Website.

Below is the link to Winter Violet's Instagram account.https://www.instagram.com/wiinter.violet/Below is also the link to Winter Violet's Patreon.https://www.patreon.com/wintervioletWant to know what music Winter Violet used in this episode?  Well, look no further!Intro MusicMusic: Back To Cool by Shane Ivers - https://www.silvermansound.comTransition MusicMusic: Give A Little by Shane Ivers - https://www.silvermansound.comWinter Violet also has another podcast titled “The Virtual Museum with Winter Violet.”  You can listen to it on Apple Podcasts, Spotify, and wherever else you listen to your podcasts.Copyright © 2022 Winter Violet.  All rights reserved.Support this podcast at — https://redcircle.com/winter-aint-dead/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode, Winter Violet brings you through her spoken word poetry process. She also launches her spoken word podcast, The Virtual Museum. Winter Violet also comes up with a future podcast episode in this episode.The Virtual Museum on SpotifyThe Virtual Museum on Apple PodcastsVisit https://www.winteraintdead.ca/links/Copyright © 2022 Winter Violet. All rights reserved.Support this podcast at — https://redcircle.com/winter-aint-dead/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

**** Presently (Sunday, April 10th, 2022), the Rupi Kaur world tour is in Canada and the USA. She stated on her website that more dates will be added soon. ****I now have a spoken word podcast titled “The Virtual Museum with Winter Violet.” Below I have provided a few links as to where you can listen to the podcast!Spotify - https://open.spotify.com/show/3oBuYyWjnX5qtmePvcS1fpApple Podcasts - https://podcasts.apple.com/us/podcast/the-virtual-museum-with-winter-violet/id1617874544Stitcher - https://www.stitcher.com/podcast/winter-aint-dead/the-virtual-museum-with-winter-violetAmazon Music - https://music.amazon.ca/podcasts/8407af60-607b-4cae-833e-0165dcb89014/the-virtual-museum-with-winter-violetRadio Public - https://radiopublic.com/the-virtual-museum-with-winter-vi-WwmwyLHere is also the link to my Discord server:  https://discord.com/invite/KEkXHF4X5k********Winter Violet is a Christian, writer and podcaster. When she isn't busy with work or school, you can find her spending countless hours watching YouTube videos or reading. For business inquiries only, please feel free to email Winter Violet at v.wiinter@gmail.com. Also, please feel free to check out her website and social media below for all other inquiries.Website, Twitter, Podcast Instagram & Personal Instagram, Patreon, Whispers in the Abyss (poetry collection), Discord and Linktree********Winter Violet est une Chrétien, écrivain et podcasteur. Lorsqu'elle n'est pas occupée par le travail ou l'école, vous pouvez la trouver à passer d'innombrables heures à regarder des vidéos YouTube ou à lire. Pour les demandes commerciales uniquement, n'hésitez pas à envoyer un courriel à Winter Violet à v.wiinter@gmail.com. Pour toute autre demande, n'hésitez pas à consulter son site web et ses réseaux sociaux ci-dessous.Site Web, Twitter, Podcast Instagram & Instagram personnel, Patreon, Whispers in the Abyss (Collection de poésie), Discord et Linktree********All music used in my episodes can be found here, and all images can be found here (unless other specified).  Toutes les musiquées dans mes épisodes peuvent être trouvés ici et toutes les images peuvent être trouvées ici (sauf indication contraire).Copyright © 2022 Winter Violet. All rights reserved.Support this podcast at — https://redcircle.com/winter-aint-dead/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Below is the link to Winter Violet's Instagram account.https://www.instagram.com/wiinter.violet/Below is also the link to a photo Winter Violet posted on that Instagram account