Podcast appearances and mentions of alan stivell

durée : 00:02:30 - Alan Stivell

Vu sur Le Club Breton N°36 : reportages et actualités avec Yves Averty et Marie. Reportage : A Rennes, à la manifestation en soutien aux écoles Diwan, rencontres avec Alan Stivell, Brieg Guerveno et Céline Bruneau, de l'école Diwan de Nantes. Actualités cinéma : Sortie le mercredi 28 mai du film « Monsieur Constant » d'Alan Simon. Programme musical : Brieg Guerveno, Hebiou din – Alan Stivell et Bob Geldof, Brezhoneg ‘Raok – Emezi, […] Cet article provient de Radio AlterNantes FM

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Subterranea Rarities, una vez con el trío habitual. Carles Pinós virará hacia el Folk con detalles progresivos, nos hablará de Labanda, Alan Stivell y Pentrangle; por su parte, Carlos Romeo profundizará en los tres primeros discos de estudio de Kevin Ayers en solitario; y David Pintos continuará analizando la discografía de Jadis. Hay muchos podcasts de música, pero pocos como éste. Edición: David Pintos www.subterranea.eu www.davidpintos.com Escucha este episodio completo y accede a todo el contenido exclusivo de Subterranea Podcast. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/17710

Un accordéoniste qui réveille les rythmes du mezzogiorno x un Français qui met en musique le 10è arrondissement de Paris. Notre 1er invité est l'accordéoniste italien Giuliano Gabriele, pour la sortie de l'album Basta!.Rythmes cathartiques du sud de l'Italie, dans un album dissident au titre emblématique Basta! raconte les individus en mouvement, idéalement ou inconsciemment libres, emprisonnés dans les «systèmes contemporains», là où vivent toutes les frustrations et les peurs. Les cadences traditionnelles s'enlacent avec des métissages actuels entre Méditerranée et musiques du monde. L'album est produit par l'éclectique DJ Martin Meissonnier (Fela Kuti, Khaled, Alan Stivell, Robert Plant and Jimmy Page, Manu Dibango, Papa Wemba, Tony Allen…) avec  RFI Vidéos.Titres interprétés au grand studio- Réveillez-vous Live RFI - Muoviti, extrait de l'album- Mammasantissima Live RFI  / Lien youtube des 2 vidéos.Line Up : Giuliano Gabriele, chant, accordéon ; Laurence Cocchiara, violon ; Eduardo Vessella, tambourin ; Gianfranco de Lisi, basse ; Ricardo Bianchi, batterie et Martin Meissonnier, guitare.► Album Basta (Giro Music 2024). Puis nous recevons Philippe Cohen-Solal pour la sortie de 75010.Sous la bannière un peu codée et énigmatique de « 75010 », le Dj producteur français s'est donné pour mission de créer une musique globale avec une scène hyper locale, à savoir son quartier, le 10ème arrondissement de Paris. Fort de plus de 70 communautés venues du monde entier, la mixité des cultures se rencontre à chaque coin de rue, entre coiffeurs africains, restaurants indiens et barbiers turcs.Titres interprétés au grand studio- Seher Yelleri feat. Rusan Filiztek Live RFI- Homesick Melody feat. Sarah Manesse, extrait album voir le clip - Zan Zendegi Azadi feat. Ariana Vafadari Live RFI.Line Up : Philippe Cohen-Solal, machines ; Rusan Filiztek, chanteur ; Ariana Vafadari, chanteuse.Son : Mathias Taylor, Benoît Letirant.► Album 75010 (Ya Basta! 2024).

Un accordéoniste qui réveille les rythmes du mezzogiorno x un Français qui met en musique le 10è arrondissement de Paris. Notre 1er invité est l'accordéoniste italien Giuliano Gabriele, pour la sortie de l'album Basta!.Rythmes cathartiques du sud de l'Italie, dans un album dissident au titre emblématique Basta! raconte les individus en mouvement, idéalement ou inconsciemment libres, emprisonnés dans les «systèmes contemporains», là où vivent toutes les frustrations et les peurs. Les cadences traditionnelles s'enlacent avec des métissages actuels entre Méditerranée et musiques du monde. L'album est produit par l'éclectique DJ Martin Meissonnier (Fela Kuti, Khaled, Alan Stivell, Robert Plant and Jimmy Page, Manu Dibango, Papa Wemba, Tony Allen…) avec  RFI Vidéos.Titres interprétés au grand studio- Réveillez-vous Live RFI - Muoviti, extrait de l'album- Mammasantissima Live RFI  / Lien youtube des 2 vidéos.Line Up : Giuliano Gabriele, chant, accordéon ; Laurence Cocchiara, violon ; Eduardo Vessella, tambourin ; Gianfranco de Lisi, basse ; Ricardo Bianchi, batterie et Martin Meissonnier, guitare.► Album Basta (Giro Music 2024). Puis nous recevons Philippe Cohen-Solal pour la sortie de 75010.Sous la bannière un peu codée et énigmatique de « 75010 », le Dj producteur français s'est donné pour mission de créer une musique globale avec une scène hyper locale, à savoir son quartier, le 10ème arrondissement de Paris. Fort de plus de 70 communautés venues du monde entier, la mixité des cultures se rencontre à chaque coin de rue, entre coiffeurs africains, restaurants indiens et barbiers turcs.Titres interprétés au grand studio- Seher Yelleri feat. Rusan Filiztek Live RFI- Homesick Melody feat. Sarah Manesse, extrait album voir le clip - Zan Zendegi Azadi feat. Ariana Vafadari Live RFI.Line Up : Philippe Cohen-Solal, machines ; Rusan Filiztek, chanteur ; Ariana Vafadari, chanteuse.Son : Mathias Taylor, Benoît Letirant.► Album 75010 (Ya Basta! 2024).

Zdarzyło mi się parę razy zaśpiewać na scenie.  Zdarzyło mi się parę razy pogawędzić o piosenkach dla publiczności. Ale największą swoją muzyczną przygodę przeżyłem w listopadzie ubiegłego roku. Legendarny zespół Ryczące Dwudziestki zaproponował mi abym poprowadził ich jubileuszowy koncert podsumowujący obchody czterdziestolecia działalności. Takich propozycji się nie odrzuca, zwłaszcza, że drugim prowadzącym był Marek Wikliński, lider fenomenalnych Sąsiadów. Koncert składał się z paru części. Dwie z nich miały charakter taki trochę jarasaseasongowy, każdą piosenkę wyśpiewaną przez jubilatów okrasiłem (mam nadzieję, że okrasiłem) krótką o niej opowieścią. A wszystko odbyło się 12 listopada ubiegłego roku w ramach festiwalu Tratwa w Chorzowskim Centrum Kultury. Widownia centrum do małych nie należy ale pomieściła znikomy ułamek fanów Ryczących Dwudziestek. Pomyślałem więc, że ja Was zaproszę na taki podcastowy ekwiwalent jubileuszowego koncertu. Opowiem Wam o każdej zaśpiewanej piosence i razem posłuchamy jak ryczący dżentelmeni ją zaśpiewają. Żeby było jak na koncercie zachowam kolejność utworów. Całość podzielę na 3 części, przed Wami pierwsza. Aha, a żeby zrekompensować Wam fakt, że nie słuchacie szanownych jubilatów na żywo, zaproszę specjalnie dla Was na podcastową wirtualną scenę wykonawców piosenek będących źródłem lub inspiracją dla przebojów Ryczących Dwudziestek. A więc pierwsza część – A capella. Zamknijcie oczy. Zespół już gotowy na scenie, goście za kulisami a Wy siedzicie wygodnie w fotelach i słuchacie…   Audycja zawiera utwory: “Rivers of Babylon”, wyk. Boney M, sł. I muz. Brent Dowe i Trevor McNaughton na podst. Psalmu 137 “By The Waters”, wyk. Ryczące Dwudziestki, sł. Psalm 137  muz. Lee Hays, na podst. Philipa Hayesa “Tri Martolod ”, wyk. Alan Stivell, sł. i muz. trad. “Tri Martolod ”, wyk. Ryczące Dwudziestki sł. Andrzej „Qńa” Grzela, muz. trad. (“Tri Martolod ”) “Alasdair Mhic Colla Ghasda”, wyk. Anne Lorne Gillies, sł. i muz. trad. “Nie pamiętam”, wyk. Ryczące Dwudziestki, sł. Artur Sczesny, muz. trad. (“Alasdair Mhic Colla Ghasda”) “Brian Boru's March”, wyk. Arno Kilhoffer I Marina Lys, muz. trad. “Brian Boru”, wyk. Ryczące Dwudziestki, sł. Artur Sczesny muz. trad. (“Brian Boru's March”) “Greenland Whale Fisheries”, wyk. Pogue Mahone, sł. i muz. trad. “Grenlandzcy Wielorybnicy”, wyk. Ryczące Dwudziestki, sł. Andrzej Mendygrał i muz. trad. (“Greenland Whale Fisheries”) #music #history #folk #szanty #shanties #shanty #żeglarstwo #muzyka #historia #historie #piosenki #szanty #shanties #folk #forebitter #żeglarska

CHEST#9 ----- breath (the motifv) /// for episode 9 of chest we will be 4x2 lungs in the studio with guests nelly & Kelly And we will be thinking about this recurring image : : /// (THE OCEAN IS MY) CHURCH (THE OCEAN IS MY) CHEST ISSIT WEEKLY CHEST, OPEN & CLOSE LIVE THURSDAYS AT 11.15 AM CET AT THE LAKE RADIO ///// TRACKLIST 1) A Thosand Years - The Piano Guys 2) Not Love (Interlude) - Cassie 3) intro ft. oceanfloor.group 4) At Your Best (You Are Love) [Extended] 5) Chimes ft. A.dult & Lou Child 6) This Connection of Everyone with Lungs - Juliana Spahr 7) FluteClari1 - Nelly & Kelly 8) With or without you - Vocaloid Prima 9)La harpe, l'eau, le vent (A) - Alan Stivell 10) A Compelling Collection of Atmospheres - Xander Clinthorne 11) Promise of the world - Kimura Yumi 12) Ved Siden Af mig - Nelly & Kelly 13) Pictures of Childhood: Lullabies - Indra Rise 14) FluteClari2 - Nelly & Kelly 15) Have you ever? - 01, E+E ///

Alan Stivell : une harpe celtique est a l'origine d'un succès planétaire qui dure depuis cinquante ans . Grace à lui, la musique celtique a trouvé un public qu'il fait danser a la fin de [...]

durée : 00:54:46 - Côté club - par : Laurent Goumarre - Côté Club, le rendez-vous de toute la scène française et plus si affinités. Une heure pour faire le tour de l'actualité musicale et plus encore. Quand la musique rencontre les arts, du cinéma à la BD, du théâtre à la littérature. Bienvenue au Club !

Dans Le Coin des Confidences, on dit tout à VERO au Boudu fil ! Chaque semaine, un artiste parle de son projet musical et dévoile sa playlist perso. Cette semaine : Jean-françois DECOURTEIX  Page de l'Artiste : https://www.radiolocalitiz.fr/jean-françois-decourteix/ Cinquante ans déjà que ces chansons ont été écrites et interprétées dans différents lieux à Paris. A l'époque d'une certaine insouciance et d'une grande liberté. J'avais alors dix huit ans et partageais mon temps entre les études, de petits boulots et la musique.Cette musique qui m'a permis de rencontrer Alan Stivell, David Alexandre Winter, Rika Zaraï, Claudette TOKARZ des éditions SFORZANDO (Pepper Box), Roger DAVY (La blanche caravelle avec Hugues AUFRAY) sans pour autant réussir à trouver ma voie dans un milieu qui m'étais inconnu. Mes diplômes en poche, obtenus à la faculté du Panthéon-Sorbonne, je me suis résolu à entrer dans la vie dite active et ai travaillé dans la grande distribution. Bien vite pourtant j'ai pris mon indépendance en ouvrant des vidéo-clubs puis en participant au phénomène des Usines Center en 1985. A Paris, Beauvais, Evry puis Toulouse j'ai toujours cherché à innover, à m'émerveiller du monde qui nous entoure. Il y a vingt-six ans j'ai parallèlement à mon poste de Directeur de Centre commercial j'ai créé la Société SUDE Communication qui m'a permis de renouer avec la musique. De musiques de relaxation aux comptines, d'arrangements d'œuvres d'opéra à la production d'une comédie musicale, d'enregistrements de jazz et autres genres musicaux au studio de la rue Lafon, à la production de concerts de musique dont le Zenith de Toulouse, tout cela m'a permis de patienter, comme en coulisse.  SUDE est devenu incontournable dans le domaine des CD promotionnels avec des millions de CD vendus, avec parfois ma voix anonyme, et j'ai pu rencontrer les talents Toulousains qui aujourd'hui m'accompagnent dans la réalisation de ce premier projet musical. Cinquante ans déjà, plus qu'un CD, un projet qui renaît au grand jour. Le Coin des Confidences : https://www.radiolocalitiz.fr/le-coin-des-confidences/ Titres diffusés : Jean-françois DECOURTEIX -  L'espoir chagrin : https://music.apple.com/fr/album/lespoir-chagrin/1550712893?i=1550713127 Michel Delpech - Quand J'étais Chanteur : https://music.apple.com/fr/album/quand-jétais-chanteur/1443820501?i=1443820790 Yvonne Printemps - Véronique : Duo de l'escarpolette : https://music.apple.com/fr/album/véronique-medley-duo-de-lescarpolette-poussez/571995122?i=571995222 France Gall - Résiste : https://music.apple.com/fr/album/résiste/571511177?i=571511187 Supertramp - Cannonball : https://music.apple.com/fr/album/cannonball/1440756022?i=1440756790 Supertramp - Its A Hard World : https://www.youtube.com/watch?v=ssjUQfJkPlE Jean-françois DECOURTEIX -  La demence : https://music.apple.com/fr/album/la-demence/1550712893?i=1550713142    

S6 E3 Tha Mi Sgith, Buain na Rainich, Cutting Bracken, Drummond Castle, Loch Ness With Guests Ian Crane, Jessica (@thehighlandharper) and Anna Seda (@doescellothingz) So it turns out my worries about the historical accuracy of cutting bracken was way off. Tunes: David Young: New Bigging, Drummond Castle Robert Bremner: Loch Ness Aird: Loch Ness Buttrey: Loch Ness Niel Gow & Sons: Drummond Castle Edinburgh Repository of Music: Drummond Castle Albyn's Anthology: Why Should I Sit and Sigh? Roud: Sovay Ross: Drummond Castle Reel Donald MacDonald: The Weary Maid Angus MacKay: Drummond Castle Big thanks To my guest musicians on this episode. Check out Jessica, Anna and Karl on Tiktok: Jessica: https://www.tiktok.com/@thehighlandharper Anna: https://www.tiktok.com/@doescellothingz?lang=en Karl: https://www.tiktok.com/@karl_folkmusic?lang=en And Check out Ian Crane's Music Ensemble in Cleveland: https://www.kbbproductions.net/cleveland-celtic-ensemble.html +++XXXX+++ Cutting Bracken: Thanks to Jessica aka https://www.tiktok.com/@thehighlandharper for the lovely playing of Buain na Rainich on Harp: https://www.tiktok.com/@thehighlandharper/video/7039348892063878406?isfromwebapp=1&senderdevice=pc&webid7021613407767152133 Her video is worth a watch for some more details about the Gaelic lyrics of that version of the song. Thanks to Anna Seda aka https://www.tiktok.com/@doescellothingz?lang=en She is a stellar follow on Tiktok, and has quite a few interesting things going on if you check out her links! https://linktr.ee/annasedacellist?utmsource=linktreeprofileshare<sid=e3808e2f-79ad-42a2-92c4-ccf93bed1c1e For the “Crunchy Folk cello” Version of Waulking song. https://www.tiktok.com/@doescellothingz/video/7010005230494551302?isfromwebapp=1&senderdevice=pc&web_id7021613407767152133 +X+X+ 1734: New Bigging from David Young's Drummond Castle Manuscript: http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/drummond1.pdf Gaelic Singing links: The Mystery Tune from last week was Cutting Bracken (also Known as Buain na Rainich or Tha Mi Sgìth), big Thanks to those that let me know! Here are some links to recordings of it from Kist of Riches: http://tobarandualchais.co.uk/en/fullrecord/32380 http://tobarandualchais.co.uk/en/fullrecord/72046 http://tobarandualchais.co.uk/en/fullrecord/88532 http://tobarandualchais.co.uk/en/fullrecord/101278 http://tobarandualchais.co.uk/en/fullrecord/105641 (this is the version where the Fairy is complaining to be working alone). Here is the live 1972 Video I played a Sample from Alan Stivell: https://youtu.be/aJtdHmpjzxo +X+X+ 1734: Drummond Castle: From David Young: It is on page 45 of the PDF: http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/drummond1.pdf 1757 Robert Bremner's Loch Ness: https://digital.nls.uk/special-collections-of-printed-music/archive/105002614 1790s: Lochness from Aird: https://digital.nls.uk/special-collections-of-printed-music/archive/90484496 (I didn't play this, but it is very similar to the above) 1802: Lord Chief Baron's Favorite: A Fourth Book of new Strathspey Reels ... for the piano forte or harp ... Compiled and composed by Robert Mackintosh https://www.google.com/books/edition/AFourthBookofnewStrathspeyReels_fo/rWmtxUyTXkoC?hl=en&gbpv=1&pg=PA32&printsec=frontcover +X+X+ 1800: Loch Ness From the Buttrey Manuscript: http://www.cpartington.plus.com/Links/Buttrey/Butt001-043.pdf This is another awesome collection to look at like Litten, you can look at the art and more information about Buttery's Manuscript here: https://buttreymilitarysocialtunes1800.wordpress.com/ 1805: Drummond Castle (High B Setting from Selected from the works of Niel Gow & Sons) https://digital.nls.uk/special-collections-of-printed-music/archive/105822164 1816: Drummond Castle Edinburgh repository of music : containing the most select English, Scottish & Irish airs, reels, strathspeys &c. arranged for the German-flute or violin https://digital.nls.uk/special-collections-of-printed-music/archive/91461080 (I didn't play these, but they are similar to the above) 1820: Drummond Castle (From Anderson's budget of strathspeys, reels & country dances : for the German-flute or violin https://digital.nls.uk/special-collections-of-printed-music/archive/87783060 (I didn't play these, but they are similar to the above) 1850s: Drummond Castle: Davie's Caledonian Repository https://digital.nls.uk/special-collections-of-printed-music/archive/104998401 +X+X+ 1816: Why Should Sit and Sigh: Song Version from Albyn's Anthology https://archive.org/details/albynsanthologyo00camp_0/page/14/mode/1up +X+X+X+X+ Intermission to talk about awesome mail and sing another song! Sovay, the Female Highwayman Thanks to Karl Sinfield for the Book, check his tiktok out here: https://www.tiktok.com/@karl_folkmusic?lang=en Pick up his lovely book here (you can download a PDF and listen to Karl sing them there as well): http://singyonder.co.uk/ 1869: Drummond Castle Reel (From Ross's Collection of Pipe Music) https://digital.nls.uk/special-collections-of-printed-music/archive/104973538 ++X+X+X++ Back to Drummond Castle/Weary Maid/Cutting Bracken 1838: The Weary Maid: From Donald MacDonald: https://digital.nls.uk/special-collections-of-printed-music/archive/105683012 1854: Drummond Castle: From Angus MacKay's Piper's Assistant https://digital.nls.uk/special-collections-of-printed-music/archive/105007113 +X+X+X+ Ian Crane Singing Tha Ma Sgith: https://youtu.be/vJO7uB668us Especially if you are in Ohio check out Ian's Group: Cleveland Celtic Ensemble which features himself on Highland Pipes, Scottish Smallpipes and Border pipes, but also Brian Bigley on Uilleann Pipes (as well as some non Pipers who I am sure are great too

Bonne année normale à tout le monde ! En espérant qu'elle soit plus douce que les deux précédentes. Pour lancer cette nouvelle année, nous allons nous en retourner vers le milieu des années 70, dans une région qui s'enorgueillit auprès des bretons de son Mont-Saint-Michel, la Normandie ! C'est là-bas, au pays du cidre et de la mère Poulard que s'est formé le groupe Asgard, sous l'impulsion des tout jeunes Patrick Grandpierron et Bernard Darsch. Très orientée folk et celte, cette formation avait toutes les qualités pour se faire un nom dans le genre à l'image de Tri Yann et Alan Stivell, mais malheureusement, le destin en a voulu autrement. Retour sur la carrière de ce groupe et sur les deux albums qu'ils nous ont laissés, L'hirondelle en 76 et Tradition & Renouveau en 78. Un grand merci à Bernard Darsch pour toutes les informations qu'il m'a fournies. Erratum : ce n'est pas le festival de Force Ouvrière que le groupe a fait comme il est dit dans l'épisode, mais celui de Lutte Ouvrière. Titres diffusés durant l'émission : J'Ai Mon Ami Sous Les Brandebourgs - Asgard Pelot d'Hennebont - Tri Yann Sur L'I Sur L'O (Derrière Chez Nous Y A Un Étang) - Asgard La Payse - Asgard Le Lac D'argent - Asgard La Petite Hirondelle - Asgard Le Vent - Asgard Le Braconnier - Asgard Bernard Darsch, Patrick Grandpierron et William Lawday Le Twitter de l'émissionLe Twitter de Fox

Découverte par Alan Stivell dans les années 2000, Gwennyn est une chanteuse à la voix pure et aérienne. Auteur-compositeur, elle a écrit pour des artistes, comme Nolwenn Leroy, Raphaël et bien d'autres encore... Gwennyn a sorti son 7è album « IMMRAM » où elle collabore avec le bagad de Lann-Bihoué et où la magie opère avec des arrangements signés par Patrice Marzin, l'ancien guitariste et chef d'orchestre d'Hubert-Félix Thiéfaine, devenu compositeur, et arrangeur. Pratique. Sur le web, https://gwennyn.com/

Une fois n'est pas coutume, Restons Polis vous parle d'actualité et vous présente les élections régionales et départementales. A l'occasion des prochaines élections, Nemo et Hadrien vous expliquent les enjeux derrière les conseils régionaux et départementaux. Bien moins techniques et abstraits qu'on veut bien le penser, ces deux instances démocratiques sont de vrais piliers de de l'action politique locales. Comme toujours Restons Polis vous expliquent tout, sans prise de tête ! Pour en savoir plus : Sept question sur les départementales - Viepublique.fr Les compétences des conseils départementaux - ministère de l'intérieur Les compétences des régions - ministère de l'intérieur Animation et réalisation : Hadrien et NemoJingle : SuzieQExtrait sonore : Bro gozh ma zadoù - Alan Stivell, Gilles Servat, Tri Yann, Louis Capart, Soldat Louis, Renaud Detressan, Gwennyn, Clarisse Lavanant, Rozenn Talec & Cécile Corbel Illustration : Place Beauvau - Erwmat -- Vous voulez nous soutenir ? Cliquez ici et participez à notre financement participatif. Retrouvez l'équipe de Restons Polis ! sur Twitter @PodcastPolisEt sur Youtube !

Harpist Eira Lynn Jones joins us to chat about her work with the Juniper Project, a flute and harp duo that performs and records not only the most virtuosic repertoire, but also the approachable repertoire that they enjoy coaching. We speak about Eira's work as a composer of chamber music, as well as her connection to the Music in Hospitals program. Eira shares some of her background as someone who “did everything backwards”, having gone from a full-time orchestral position to a freelancer's career. Welsh harpist EIRA LYNN JONES is a versatile musician, who has a passion for creativity and originality. Her eclectic career ranges from orchestral work, recordings and commissions to chamber music collaborations. She is known equally for her committed, dynamic playing and her innovative, dedicated teaching. While a student at the Royal Northern College of Music, Eira won numerous awards, including a Guinness Foundation Scholarship and an I.S.M. Performer Award, resulting in her BBC Radio 3 debut on the ‘Young Musicians' series. Further studies with Kathleen Bride at the Manhattan School of Music in New York led to a Masters Degree. Invited to join the Manhattan Contemporary Music Ensemble, she premiered new works for harp, which ignited her interest in researching unusual and varied repertoire. She did indeed take her harp to the party; to Carnegie Hall, the Aspen Music Festival, Banff Centre of Performing Arts and Creativity, and even to the top of the Empire State Building! On returning to the UK she was appointed Principal Harp with Northern Ballet Theatre. She now regularly freelances with the UK's leading orchestras, including Hallé, BBC Philharmonic, Opera North, Royal Liverpool Philharmonic and the Royal Northern Sinfonia. As soloist, she has performed Debussy Danses with Manchester Camerata and Ravel's Introduction and Allegro with Northern Chamber Orchestra. Eira is also widely recognised as one of the UK's leading harp teachers. As Head of Harp at the RNCM she loves inspiring young musicians, receiving many invitations to run workshops worldwide, including USA, Denmark, Greece, Ireland, Sweden and Iceland. She achieved notable success with her solo album ‘... from within', which is a mix of classical and folk pieces on both pedal harp and clarsach: "I love the album ... a diversity of music, a very accomplished technique, and your heart coming through" (Alan Stivell). From performing at the Hollywood Bowl to under the much loved “Dippy” dinosaur at the Natural History Museum; from appearing in Coronation Street to playing for HRH Prince of Wales in Spain; from recording with the heavy metal band “Venom” to accompanying Kiri te Kanawa; from directing the music of John Cage for 20 harps to leading the RNCM Young Harps Project, Eira approaches each project with passion, and is a true ambassador for this most magical of instruments. The transcript for this episode can be found here. For more information about Eira Lynn Jones, please visit her website, Facebook, and Twitter.

Diálogo con la tradición temas cotidianos, la precariedad, la necesidad. De Málaga a la Bretaña francesa, donde lleva 6 años viviendo, en Rennes, Diego Medina Poveda y "Todo cuanto es verdad" (Ediciones Rialp, 2020), XXVII Premio de la Crítica de Andalucía en la modalidad de poesía y accésit del Premio Adonais 2019. Un viaje con paradas en "Mar de Iroise" y "Un amor de nuestro siglo" (Arroyo de la Manía, 2021). Y la música de Alan Stivell, Georges Moustaki, El Kanka y Quique González. Escuchar audio

Martha grew up playing musical instruments from a young age, including receiving private piano lessons at the age of 5, and she always had a passion for making music. Influenced by dreams she was having and the love of harpist Alan Stivell, Martha purchased a harp at the age of 21 with the help of a few generous friends and embarked on what would become her future career. Although she studied Archaeology at Oxford College in her youth, she felt the calling to become a part of renaissance festivals and has since spent decades of her career delighting patrons with song. 

TUNES: William Dixon: The New Way to Morpeth (Athol Braes) Walker Jackson: Jackson’s Morning Brush Martin Freeman: One Tree Vale. I Ngleaun A Chruing Canon James Goodman: Jackson’s Snack, The Bright Dawn of Day James Aird: The Dawning of the Day Canon Goodman, Courtesy of Mick O'Brien, Emer Mayock, Aoife Ní Bhriain: Ceann Dubh Dileas (My dark-haired darling), Pádruig, Píobaire (Patrick the Piper) / Quadrille, Humours of Glynn. Huge Thank you to Mick, Emer and Aoife for letting my play a few tracks from their new album: More Tunes from the Goodman Manuscripts. Be sure to check it out on Bandcamp: https://goodmantunestrio.bandcamp.com/album/more-tunes-from-the-goodman-manuscripts Be sure to check out Fin Dwyer’s Outstanding Irish History Podcast for a far better discussion of the Famine in his 37 Episode Series: https://irishhistorypodcast.ie/podcast-introduction-to-the-great-famine-series/ I watched several videos on the Famine, but this one was particularly good: When Ireland Starved: https://youtu.be/B_K-q4GCdWg Cover Art for this Episode Comes From The Illustrated London News February 13, 1847: https://www.google.com/books/edition/TheIllustratedLondon_News/1dFCAQAAIAAJ?hl=en&gbpv=1 This week’s episode is a companion piece to a presentation I gave for the Chippewa Valley Museum’s February Folk Arts Festival https://www.cvmuseum.com/visit/folk-arts-fest/ The Mystery Tune from last week was Cutting Bracken (also Known as Buain na Rainich or Tha Mi Sgìth), big Thanks to those that let me know! Here are some links to recordings of it from Kist of Riches: http://tobarandualchais.co.uk/en/fullrecord/32380 http://tobarandualchais.co.uk/en/fullrecord/72046 http://tobarandualchais.co.uk/en/fullrecord/88532 http://tobarandualchais.co.uk/en/fullrecord/101278 http://tobarandualchais.co.uk/en/fullrecord/105641 (this is the version where the Fairy is complaining to be working alone). Here is the live 1972 Video I played a Sample from Alan Stivell: https://youtu.be/aJtdHmpjzxo 1733: William Dixon’s The New Way to Morpeth: from Matt Seattle’s book: https://www.mattseattle.scot/product-page/the-master-piper-new-edition 1774: Walker Jackson’s Jackson’s Morning Brush: The book itself is not available online, but you can look at a fair transcription of the notes on Bill Black’s Website: http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html 1860s: Canon James Goodman’s Jackson’s Airs, Snack Irish Traditional Music Archive (ITMA): http://port.itma.ie/score/ITMA_5894 Or the Original hosted Here: http://goodman.itma.ie/volume-four#?c=0&m=0&s=0&cv=6&z=-1730.7771%2C4123.5859%2C9428.2975%2C3406.3143 To read more about James Goodman you can read here: http://goodman.itma.ie/ https://www.irishtimes.com/culture/the-man-who-saved-a-feast-of-music-from-the-famine-years-1.923981 His Obituary was Reprinted in an Early Issue of An Piobaire: An Píobaire - sraith 2, uimhir 30 (May 1986) https://pipers.ie/source/media/?galleryId=1011&mediaId=25932 https://www.itma.ie/features/discover/canon-james-goodman You can see the article about the Cork Piper’s Club in An Píobaire - sraith. 1, uimhir 1 (March 1969) https://pipers.ie/source/media/?galleryId=1010&mediaId=25878 1913/4: Alexander Martin Freeman’s One Tree Vale: of I Ngleaun A Chruing (The tune appears on page 227) https://www.itma.ie/digital-library/text/journal-of-the-folk-song-society-no-24 1861: Canon Goodman’s The Bright Dawn of Day ABC from ITMA: http://port.itma.ie/score/ITMA_1109 Original: http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=4&z=-1312.2998%2C556.3838%2C10302.6954%2C3722.2222 Here Is the Video of Several Irish Singers singing Fáinne Gael an Lae https://youtu.be/NtQeo09xOGA 1780s: James Aird’s Dawning of the Day: https://digital.nls.uk/special-collections-of-printed-music/archive/87705159 Please take advantage of the Tune Collection tab: https://www.wetootwaag.com/tunesources Also Please take a minute to leave a review of the podcast! Listen on Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Itunes: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Dans Le Coin des Confidences, on dit tout à VERO au Boudu fil ! Chaque semaine, un artiste parle de son projet musical et dévoile sa playlist perso. Cette semaine : Nicolas de DIGRESK page Artiste : https://www.radiolocalitiz.fr/digresk/ Déjà plus de dix ans que Digresk enfonce le clou là où ça fait du bien ! Tous les styles, toutes les tendances. Les thèmes traditionnels rencontrent tantôt l'électro, tantôt des riffs rocks. Accompagné depuis quelques années par le rappeur mc Zegoc, son flow à l'énergie contagieuse sert aussi et avant tout, une musique à danser de haute et basse Bretagne, laissez-vous tenter, voyager sans préjugés et entrez dans la danse ! Après les albums Alkemi en 2011, Rezistañs en 2013 et Kengred en 2017, 2020 est l'année du lien pour leur 4ème opus…Al liamm. « C'est dans nos liens les plus profonds que Digresk a su puiser sa force pour sortir ce nouvel album.Plongeant dans les racines du Rock, du Rap et de l'Electro, ça décoiffe dès le 1er titre ! On veut alors se jeter entièrement dans cette chaîne humaine, main dans la main, impatient de partager ensemble ces nouveaux morceaux, composés avec rage. L'esprit Trad est bien là, répondant parfaitement aux textes engagés du chanteur. Digresk frappe fort une nouvelle fois, créant la surprise avec Al Liamm et nous prouve, malgré tout ce qui nous entoure, que nous ne faisons qu'un.

Voici le cent quarante-septième opus d'"En Cadence", une émission mensuelle consacrée aux grands thèmes éternels de la musique populaire : l'amour, les voyages, les filles, le champagne ou le petit coin.Vous vous ennuyez ferme en ce début d’année ? Patience, les étoiles se rattrapent dès la prochaine heure et vous envoient un magnifique présent : un numéro totalement dédié à l'astrologie signe par signe, décan par décan. Travail, amour et santé, Jupiter galvanise vos forces et votre moral sera au zénith.Liste des morceaux :01. Élizabeth Teissier - Prédestination02. Franco Battiato - Aries03. Paul Cardinal - Taureau qui es-tu ? (extrait)04. Boards of Canada - Gemini05. Ariane - Les Gémeaux06. Alain Bashung - Horoscope07. Quicksilver Messenger Service - Maiden of the Cancer Moon08. M. Ward - Stars of Leo09. Ascendant Vierge - Horoscope10. Broadcast & the Focus Group - Libra, the Mirror's Minor Self11. The Holy Mackerel - Scorpio Red12. The Boniwell Music Machine - Astrologically Incompatible13. I Freddie's - Sagittarius14. Richard Clapton - Capricorn Dancer15. The Supremes - No Matter What Sign You Are16. Curtis Mayfield - Readings in Astrology17. The Spencer Davis Group - (Aquarius) Der Wassermann18. Alan Stivell -  L'Ère du verseau19. William Sheller - Sous le signe des poissons20. Elli Medeiros - La Chanson du poisson21. François de Roubaix - Astralement vôtre Écouter

Tercera parte del concierto de Alan Stivell en Madrid 1979. Concierto tesoro en olor de multitudes organizado y grabado expresamente por RNE, antes de que existiera Radio 3. Para más datos del concierto consultar  https://elpais.com/diario/1979/01/25/cultura/286066804_850215.html ALAN STIVELL: RECITAL EN DIRECTO DESDE EL TEATRO ALCALÁ DE MADRID. 1979. Segundo programa, 25 enero 1979. Organizado por RNE con toma de sonido y mezcla de Producción propia.  Alan Stivell, arpa bretona, gaita, cornamusa y voz. Padrig Kerre: violín y mandola  Mikael Ar Valy: bajo eléctrico  Cris Hayward: flauta  Cristian Peget: teclados Mark Perru: guitarra o quizás Bernard Coutelan Ujan Herve: batería. Al terminar ponemos la parte final del concierto del 15 de mayo en el Cuartel del Conde Duke de Madrid. Algunos músicos cambiaron. Escuchar audio

"MUSIQUE ! - Comment sont nés vos tubes préférés ?" NOUVEAU PODCAST CHAQUE MERCREDI A 18H SUR SOUNDCLOUD La liste des chansons racontées puis diffusées : "I can see clearly now", Johnny Nash, 1972 "Bad", Michael Jackson, 1987 "La tribu de Dana", Manau, 1998 "Assis par terre", Louisy Joseph, 2008 "Way down we go", Kaleo, 2015 + "Hello", 21 juin le duo, 2020 + "I want more", Kaleo, 2020 + "Revolution", Louisy Joseph, 2020 Extraits chansons également diffusés dans l'émission : "I can see clearly now", Jimmy Cliff, 1993 "Tri Martolod", Alan Stivell, 1971 "Ma Terre", Manau, 2020 "Toutes les femmes de ta vie", L5, 2001 Réécoutez vos tubes préférés et découvrez-les sous un autre jour ! Toutes les émissions ici: soundcloud.com/yann-fadigas/sets/musique-comment-sont-nes-vos Concept: Animée par Yann FADIGAS, "MUSIQUE !" raconte dans chaque numéro la naissance des grands tubes français et internationaux des années 60 à 2010 à travers des histoires. L'émission commence par les anecdotes puis la diffusion d'une chanson des années 60 puis 70, 80, 90, 2000 et 2010 pour finir par des chansons récentes datant de la décennie actuelle. Le tout montre l'évolution musicale de ces cinquante dernières années ! Important: Je ne touche aucun droits d'auteur sur ces chansons. Les droits reviennent intégralement aux auteurs/compositeurs/interprètes. Diffusion: Mercredi 10h-11h sur RDL (103.5 dans le Centre Alsace) ou sur le direct du site : rdl68.fr www.vestaradio.net/playerhttps/tre…t.php?radio=271 Tous droits réservés

Segunda parte del concierto de Alan Stivell en Madrid 1979. Concierto tesoro en olor de multitudes organizado y grabado expresamente por RNE, antes de que existiera Radio 3. (En la locución digo una semana antes del "Concierto de Canito", no es correcto; es un año y dos semanas antes de dicho concierto). En la segunda parte, rockera y eléctrica toca una Suite dedicada a la Historia de Bretaña. Para mas datos del concierto consultar https://elpais.com/diario/1979/01/25/cultura/286066804_850215.html Alan Stivell actúa hoy en Madrid | Cultura | EL PAÍS Hoy, jueves, a las 22.30 horas, van a tener lugar dos sucesos importantes, y ambos en tomo al mismo hecho físico. Se trata del recital que Alan Stivell, uno de los más importantes e innovadores ... elpais.com ALAN STIVELL: RECITAL EN DIRECTO DESDE EL TEATRO ALCALÁ DE MADRID. 1979. Segundo programa, 25 enero 1979. Organizado por RNE con toma de sonido y mezcla de Producción propia. Los titulos que el artista dio fueron: 07. TheFoggy Dew 08. Suite Irlandeisa - Port An Deorai 09. An Nighean Dubh 10. O'Carolan's Ferenell - The Musical Priest 11. Danza instrumental Segunda parte del concierto, 12. Ar Gelted Kozh 13. Rollantelezh Ureizh 14. The King of the Fairies 15. Ian Morrison Reel - Danza irlandesa 16. Danza del sur de Bretaña 17. Gavota de las montañas bretonas Alan Stivell, arpa bretona y voz. Se desconoce el nombre del resto de los músicos. El lunes seguiremos con él y parte de su concierto de 1981. Mañana en Discópolis jazz, Jean Luc Vallet y el domingo la Danish Radio Big Band. Escuchar audio

Conciertos Tesoro de RNE. Terminamos el de Guadalquivir (Segunda formación) de 1984 en el Johnny y comenzamos el primero, de dos que tenemos de Alan Stivell. En ambos conciertos la toma de sonido es Producción propia de RNE. GUADALQUIVIR: RECITAL EN DIRECTO. 1984. Colegio Mayor San Juan Evangelista, Madrid. 27 abril 1984. 06. Zambra (8,10) 07. Rockero (6,27) 08. Rumba de Perico (13,47) Intérpretes: Jaime Muela, flauta y saxo tenor; Andres Olaegui, guitarras; Pedro Ojesto, teclados; Jaime Casado, bajo; Larry Martin, batería y presentador ALAN STIVELL: RECITAL EN DIRECTO DESDE EL TEATRO ALCALÁ DE MADRID. 1979. 25 enero 1979. 01. Sagart O Danaill - Jenovefa 02. Suite des Montagnes 03. Silvestrig 04. Stok Dozh An Enez 05. Airde Cuan 06. Hommes Liges des Talus en Transe. (Poema recitado en castellano y luego continuado en francés y bretón) Alan Stivell, arpa bretona y voz. Se desconoce el nombre del resto de los músicos. Mañana seguiremos con él. Escuchar audio

www.moonoverthetrees.com/podcastwjharp.com“Things that we're doing now are going to be the tradition of tomorrow.”William Jackson is one of Scotland's most well respected and sought after performers and teachers of the Scottish harp. Billy's humor and graciousness are a constant as his fans from around the world will agree.Billy's musical journey started with classical piano at the age of 11 and when he became interested in traditional music he took up the mandolin. At 15 he started playing the double bass and bass guitar and joined the band Contraband in Glasgow.Who or what inspired you to play the harp?When Billy was in London he noticed a lever harp in the window of a store that piqued his interest. He had been listening to harpers Alan Stivell, Derek Bell, and Alison Kinnaird. He didn't buy that particular harp, but in 1975 he decided to sell his bass and buy a harp.He played harp, Uilleann Pipes and whistles with the band Ossian for fourteen years starting in 1976. A band that continues to inspire traditional musicians from around the world. Some refer to them as, “The Scottish Planxty”.Like any other instrument the harp is constantly being developed.“It's like a tree and it grows different branches.”Arranging tunes and playing the bouzoukiThe bouzouki has changed a lot. Tuning that's good for Scottish music. only been used in Irish and Scottish music since the 1960s. They work really well with traditional music. It uses open tuning. Like having a drone on the bagpipe with the melody over it. Dance music would not have been accompanied originally in traditional music. That whole sense of harmony has gone onto the harp. Often when playing dance music on the harp and in a lot of the old harp pieces as well, there is so much going on with the ornamentation and variations you actually don't have to do tons [with your accompaniment] anyway.” The melody often speaks for itself and the melody's always telling you what the harmony could be. Scottish tunes are hugely influenced by the Scottish Pipes.On Uilleann Pipes, you can actually block the chanter on your knee and close all the holes and you can actually make a silence, you can even switch the drones off.But, it's the melody that is the important thing. The drones can be continuous But the melody could have actual gaps or silences between the notes, so that's a different style.But, in the Scottish bagpipe to make the second note to make trebles and doubles, you have to use cuts and ornaments to make the rhythm because it's one long continuous sound there's no silence. So that is hugely influential in fiddle music and harp as well.A lot of the old harp music would have a simple melody and a whole series of variations. And that's kind of the form of the Scottish bagpipe, the Pibroch.You're always hugely influenced by every musician you've ever worked with.He is also a music therapist. We talked about how wonderful the harp is for sharing with others in therapy situations and how powerful music therapy can be. He is a multi instrumentalist who started his musical journey learning classical piano, then fiddle, and pipes, among other instruments. He also plays the bouzouki, an instrument in the lute family that is very popular in Greece. It gained popularity in Irish music in the 1960s where it has become a very common instrument to hear in Irish Sessions. Billy often tours and gives harp workshops with his wife, Grainne Hambly as The Masters of Celtic Harp. However during the Covid lockdowns of 2020 they are presenting concerts and workshops online.

Les amoureux de la radio, du moins les plus anciens parmi eux, se souviennent encore de ces émissions mythiques :  « Vous êtes formidable » de Pierre Bellemare, « La question » magazine qui osa aborder la torture en Algérie, « Salut les Copains » de Daniel Filipacchi qui, au-delà du mouvement yéyé, fit connaître le rock en France, ou « Pour ceux qui aiment le jazz » qu’il animait aussi en compagnie de Frank Ténot. Il y avait le Tour de France et les podiums aux étapes, « Musicorama » ou des concerts en direct depuis l’Olympia, avec, entre autres, Charles Aznavour, Barbara, Gilbert Bécaud, Léo Ferré, Juliette Greco, Johnny Hallyday, Claude Nougaro, Michel Polnareff, Alan Stivell, Count Basie, Chuck Berry, Bob Dylan, Jimi Hendrix, Brenda Lee, les Platters, Otis Redding, Stevie Wonder… Et puis, comment ne pas citer les « Campus » de Michel Lancelot qui invita Lanza del Vasto, figure marquante de la non-violence, fit des débats sur la peine de mort, anima une émission avec Martin Luther King qui amena près de huit millions d’auditeurs ! Europe 1, il s’agit d’elle, est la radio qui, dès mon adolescence, a été ma compagne de milliers et de milliers d’heures. Outre son légendaire carillon sonnant les heures, elle possédait un ton particulier fait d’engagement citoyen et de terroir, d’info de terrain et d’actualité musicale avec de multiples présences de vedettes en studio. Il y avait une « âme Europe 1 », comme il y a « l’âme des poètes à Paris ». On dit aujourd’hui un ADN. À l’époque, des années cinquante à quatre-vingt-dix, Europe 1 était la star des radios francophones. Elle était régulièrement sur le podium des radios françaises les plus écoutées, et fut même en tête en 1976. Marc Menant et Pierre Guelff. Eh bien, ma compagne de tant d’émissions distillées depuis la rue François Ier à Paris, s’éteint petit à petit dans une agonie qui perdure depuis plus d’une décennie. Si, avant cela, j’ai encore eu le privilège d’être invité dans la matinale du dimanche animée par Marc Menant, déjà, une certaine érosion de l’audimat se faisait sentir face au développement de la télévision, de la bande FM, d’attaques politiciennes, d’un changement de format, d’habillage sonore et de l’arrivée de nouvelles personnes qui, selon Le Figaro, faisait « fuir les auditeurs ». Où, donc, est passée ma « Radio Barricades » qui, lors de Mai 68, diffusait des directs qui entrèrent dans l’Histoire ? Cet été, elle est tombée, selon « Pure Médias », à la 9e place de la médiamétrie avec à peine 2,32 millions d’auditeurs, derrière France Inter (5,5 millions), RTL, France Info, NRJ, France Bleu, Nostalgie, RMC et Skyrock, et elle est talonnée par Fun Radio et RTL2 ! À la lecture de cette « pire performance historique » d’Europe 1, malgré le déménagement dans des studios de la rue des Cévennes présentés comme parmi les plus performants, la descente aux enfers se fait d’audimat en audimat. Jusqu’à quand ? Je n’ai pas la capacité d’analyser les raisons de cet écroulement si ce n’est à travers ma propre expérience : depuis quelques années, je n’écoute plus qu’épisodiquement cette radio. Une écoute en forme d’espoir, celui de retrouver l’âme d’antan de la station, mais les quelques heures écoutées par ci par là, ne me forcent pas du tout à me brancher à nouveau de manière régulière sur Europe. Et puis, autre information, des millions d’auditeurs perdus par Europe 1, tous ne se branchent pas sur les autres radios. En un an, l’audience des radios françaises a effectivement diminué de près d’1,7 million auditeurs, ceux-ci se tournant vers des podcasts principalement, dont ceux, multiples, diffusant des intox, comme on dit couramment. En conclusion, je n’ai pas du tout envie de corroborer le dicton qui prétend que le « malheur des uns fait le bonheur des autres ». J’ai plutôt envie de dire que la chute d’Europe 1, comme de tout autre média d’ailleurs, c’est aussi de la pluralité de l’information et des opinions qui se perd.

moonoverthetrees.comwww.tristanlegovic.eu/My interview with Tristan was recorded on June 4th of 2020 via Zoom from his home in Brittany. Since then Tristan welcomed his daughter Lena into the world. Tristan also has a new album, Dañs, Historical and modern dances from here and there . You can purchase it from Tristan's website here: www.tristanlegovic.euWe chatted about how COVID has united the world and helps us appreciate the people we love and little things even more. People are turning to the arts more and more these days and are playing music, painting, writing more and more.Tristan is working on his PhD on the Breton harpist Kristen Nogues who was a contemporary of Alan Stivell. Alan Stivell was central to the revival of celtic music. In 1971 he released his famous album, “Renaissance of the Celtic Harp”, which is a must have for any fan of Celtic Music; and in 1972 he launched the celtic revival.Kristen Nogues chose a different path from Alan Stivell by mixing folk, traditional, and jazz in her music, which was very unusual in the 1980s In the 1980s. Kristen was a pioneer of the Camac electro harp and developed a very unique sound along with an interesting way of approaching music. She was a pioneer of the Camac electro-harp.When Tristan was sixteen he met Kristen Nogues. Much of her inspiration came from the space she kept in the music which gave musicians a chance to express themselves and share a unique spirit of the music, which was a huge influence on Tristan's playing.Through Nogues' variations, ornamentation, and improvisation she shared her take on the spirit of the music. Music is more than what is written down it's what you do with what is written down. It's about figuring out how it works. There is a link between jazz music and traditional music in these ways of variation, ornamentation, and improvisation.“We are in an open world.”What happens to our neighbors far away affects and influences us.Breton music has changed a lot through the influence of the world on its music. It's still Breton music, but there is a swing of a jazz influence. “The swing goes with the dance.”, as Tristan observes.The harp as an instrument has gone through a type of dance. As it changes and evolves the music being played has also changed. The newer harps can be tuned to A 442 instead of A 440 creating a brighter sound. The levers on the harp move smoother so changing keys is faster. Also the electro harp has influenced musicians and their playing.Development of the electric harp was inspired by musicians wanting to play on stage and be able to be heard. Musicians like Kristen Nogues, Alan Stivell and Deborah Henson conant.The harp makers saw an opportunity for something new on the market. They wanted to make a harp that people could play at home with headphones so they could practice without disturbing anyone. Or for group harp lessons so all the students could be practicing at the same time.Alan Stivell's idea of the electric harp was so his harp could be heard on stage when he played with the traditional Breton instruments, the Bombard and Binioù during the Breton Fest Noz. The electric harp is a very different instrument from the acoustic harp. The basic technique is the same, but the decay on the electric harp is much longer so the player has to control the note more, not unlike the technique used on a wire strung harp.The Fest NozTristan uses two harps when he plays at The Fest Noz, the electric and the electro-acoustic harp when on stage. He is always amplified when playing with his bass player and drummer. He also plays with Bombard and Binioù during the festival as well.Often when playing at a Fest Noz musicians know each other and collaborate and play. Much of the playing is very organic and spontaneous like musicians coming together at an Irish Session sharing tunes that are common in the Fest Noz community.Historically, each village had its own dance and you wouldn't dance another village's dance, but in the modern open world dances from other villages are shared.In Fes Noz everyone dances together, all ages sing and dance freeing the mind and being with others.UNESCO added Fest Noz dance to the world heritage list.“Our time is very unique because we have so many harp players and we can play in so many different ways we are much more creative, we see so many different ways to play”It is an exciting time in history with the new technological developments to the harp, but also have older recordings to look back on. There are many more harp players from which to draw inspiration.“It's about how does the music and dance make you feel?”“We need connection”On teachingTristan loves to teach the harp and Breton music and share the tradition. He is a regular instructor at The Somerset Folk Harp Festival which happens in Parsippany, NJ every July. (This past year the festival was presented virtually to great success.)“The thing [that a teacher does] is to keep that sparkle.”On the Irish composer Turlough O'Carolan“He is an open window onto the past”Collectif Arphttp://www.tristanlegovic.eu/blog.php?pennad=collectif-arpClotilde Trouillaud, Cristine Mérienne, Alice Soria-Cadoret and Nikolaz Cadoret.https://www.youtube.com/watch?time_continue=4&v=ApLA7i7vERQ&feature=emb_logoTristan's bloghttp://www.tristanlegovic.eu/blog.phpThe revival of the celtic harp and the rise of its popularity.The development of the celtic harp around the world and the community of the harp.“It doesn't matter how old you are or where you're from. Just play.”“The harp world is an image of the society there are all ages.”“It's my part as a teacher to remind them that it doesn't matter who they are, they can do something.”“It's all ages, abilities, and cultures.” It is an open world.It's not just about playing a tune, it's knowing the history of your instrument and the story of the songs. We are lucky to have this history of the harp. It is an epic history.Tristan's Website: http://www.tristanlegovic.eu/Youtube: https://www.youtube.com/user/tristanlegovicTristan's Blog: http://www.tristanlegovic.eu/blog.phpSomerset Folk Harp Festival: https://www.somersetharpfest.com/

Mailbag! Episode! We've got questions about Tuvan throat singing (how does it work??), the Unsolved Mysteries theme (why is it so creepy??), the intro to Don McLean's "American "Pie" (how do they count it??), Steely Dan (why do some people hate them??), Andrew Bird's whistling solo from 2011's The Muppets (how did he do that??), Lynyrd Skynyrd's "Sweet Home Alabama" (what key is it in??), and more. DISCUSSED ON THIS EPISODE: “Unsolved Mysteries Theme” composed by Gary Malkin and Michael Boyd “Halloween Theme” by John Carpenter “Sweet Home Alabama” by Lynyrd Skynyrd from Second Helping, 1973 “Yuve Yuve Yu” by The Hu, 2018 “Chylandyk” by Huun-Huur-Tu, 1997 “The One I’m Waiting For” by Relient K from MMHMM, 2004 “The Breton Kingdom / Rouantelezh Vreizh” by Alan Stivell from Before Landing, 1977 “American Pie” by Don Mclean from American Pie, 1971 “The Squeaky Wheel” by The Dear Hunter from Act IV: Rebirth in Reprise, 2015 “Be My Baby” as recorded by The Ronettes, 1963 “Janie Runaway” by Steely Dan from Two Against Nature, 2000 “Lingala” by the SF Jazz Collective from their self-titled 2005 album “Sweet Talk, Sweet Talk” by The New Pornographers from Together, 2010 “The Whistling Caruso” by Andrew Bird from The Muppets, 2011 OUTRO SOLOIST: Luke Price This episode's outro soloist is the wonderful Portland fiddle player Luke Price. When he's not working as a side man in a variety of killer bands, Luke joins his wife Rachael to form the excellent songwriting duo DEAN!. They've got a new album coming soon and it's gonna be pretty great; in the meantime you can follow them on Instagram and listen to some of their stuff on their website, wearedean.com. KEEP IT SOCIAL You can follow Strong Songs on Twitter @StrongSongs: http://twitter.com/strongsongs And you can find Kirk on Twitter @Kirkhamilton and on Instagram at @Kirk_Hamilton: https://www.instagram.com/kirk_hamilton/ NEWSLETTER/MAILING LIST Sign up for Kirk's mailing list to start getting monthly-ish newsletters with music recommendations, links, news, and extra thoughts on new Strong Songs episodes: https://tinyletter.com/KirkHamilton STRONG PLAYLISTS Kirk has condensed his Strong Songs picks into a single new list, which you can find on Spotify, Apple Music, and thanks to listener L.B., it's now on Google Play. SUPPORT STRONG SONGS ON PATREON! Thank you to all of Strong Songs's Patreon backers - you are making all this possible. For more information on how support Strong Songs, go here: https://Patreon.com/StrongSongs AUGUST 2020 WHOLE-NOTE PATRONS Laurie Acreman Ken Hirsh Jez Jenness Gardner Simon Cammell Guinevere Boostrom Jill Smith-Moore Rachel Rakov Kyle Starr Narelle Horn Mickey Clark Nathaniel Bauernfeind Simon Cramp Bill Rosinger Anne Britt David Zahm Erin Aidan Coughlan Jeanneret Manning Family Four Matt Butler Doug Paton Robert Paul R Watson Viki Dun Christer Lindqvist Sami Samhuri Craig J Covell AccessViolation Ryan Torvik Merlin Mann Glenn CALEB ROTACH Andre Bremer Chad Barnard Mark Schechter Dave Florey Dan Apczynski AUGUST 2020 HALF-NOTE PATRONS Michael Casner Michael York Derek Bender Melanie Andrich Franco Famularo Don Hutchison Lowell Meyer Etele Illes Jeff Almond Stephen Tsoneff Lorenz Schwarz Becca Sample Wen Jack Sjogren Aparajit Raghavan Benedict Pennington Geoff Golden Adam Conway Robyn Fraser Alexander Geddes Pascal Rueger Randy Souza Joe C Latifah Makuyi Clare HOLBERTON Jake Tinsley Georgia Livesay David Zucker Diane Turner Tom Coleman SUELLEN MOORE Brendon Oliver-Ewen Judy Chapple Stuart Terry Mark Perry Malory Dhu Wik Eric Helm Briony Leo Bill Fuller Jonathan Daniels Sheilah Steven Maron MH Michael Flaherty Jarrod Schindler Zoe Little Gerry Nelson Dave King Albukitty Caro Field Wayne Marsh Judith Stansfield Jenifer Carr michael bochner Duncan brant brantphillip Leigh Sales Markus Koester Toni Isaacson Jeremy Dawson Robbie Ferrero Gavin Doig Sam Fenn Tanner Morton AJ Schuster Jennifer Bush David Stroud Amanda Furlotti Andrew Baker SP Brooke Wilford Cyrus N. White Chris Brown Mark Haberlen Juan Carlos Montemayor Elosua Kate Albury Matt Gaskell Elliot Jay O'Neill Jules Bailey Eero Wahlstedt Darryl Stewart Bill Thornton Brian Amoebas Brett Douville Jeffrey Olson Matt Betzel Mueller Nate from Kalamazoo Melanie Stivers Richard Toller Alexander Polson John and Sharon Stenglein Tom Lauer Forrest Chang Earl Lozada Jon O’Keefe Justin McElroy Arjun Sharma Shane DeLeon James Johnson Andrew Lee Kevin Morrell Tom Clewer Kevin Pennyfeather Chas Lednicky Nicholas Schechter Justin Liew Emily Williams

durée : 01:00:09 - Alan Stivell, portrait - par : Françoise Degeorges - Le maestro de la harpe celtique, au micro de Françoise Degeorges pour une interview réalisée le 30 août dernier, lors du festival Les Traversées Tatihou dans la Manche. - réalisé par : Pierre Willer

durée : 00:01:37 - Le monde d'Elodie - par : Elodie SUIGO - Tous les jours, une personnalité s'invite dans le monde d'Élodie Suigo. Aujourd'hui, elle reçoit le musicien, auteur-compositeur et chanteur Alan Stivell.

Parlem amb el music

durée : 01:00:09 - Alan Stivell, portrait - par : Françoise Degeorges - Le maestro de la harpe celtique, au micro de Françoise Degeorges pour une interview réalisée le 30 août dernier, lors du festival Les Traversées Tatihou dans la Manche. - réalisé par : Pierre Willer

First off, thanks to Mickey O'Donnell and Michelle Doyle for doing their interview with approximately two hours advance notice. They don't hang about, those two. Please go here to support their osteoporosis awareness campaign: https://www.mickeymichelle.com/bone-health.html And so. The Harp. When I was at Uni my mates used to laugh at the fact that my passport had 'the Guinness symbol' on the front cover. I'd never really given it much thought up until then, the fact that the passport and the extra stout shared the same symbol. What was the actual mechanism by which the image of a harp ended up on the Irish passport, I wonder? Who decided? There must have been a committee. And given the tendency for committees to be agonizing and infuriating, and given the tendency for Irish republicans to disagree amongst themselves from time to time, I'm sure the decision wasn't arrived at easily. Come to think of it, humans in general have a great talent for separating themselves into different sects over pointless passions. I mean, I worked in a place once where there was a long running and spectacularly ill-tempered series of arguments about whether there should be an electric kettle in the new tearoom that people could switch on 'as and when' they need to make a cup of tea, or one of those giant shiny urns that keeps the water at a constant temperature of 3000 degrees so you can scald yourself instantly without having to wait for a minute and a half. So it'd be no surprise if deciding on the harp was a cause of angst in the early days of the Republic. I looked it up in these antique things I have in my house called reference books, like an intellectual might do. But there was nothing there so I googled it and found this piece from The Irish Post, written by Mary Louise O'Donnell: https://www.irishpost.com/life-style/history-irish-harp-symbol-ireland-57038 Giraldus Cambrensis how are ye! And then there's Turlough O'Carolan. He was blind, a traveling harper and composed a whole rake (I just realized I don't know how to spell that word right) of tunes that are really quite strange to my ear. They have a European feel to them in places, quite elaborately ornamented, and as I think about it now there were two of his tunes I learned to play early on: Sí Bheag, Sí Mhór (The Little Fairy Hill and The Big Fairy Hill) and Fanny Power (emphasis on the second word.) I mentioned Alan Stivell's 'Renaissance of the Celtic Harp' in our chat with Michelle and Mickey. It's one of those records that has the power to pull me back, in what feels like an almost physical experience, back to my youth. (I know, I know, I say that every week, but it's true, that really does happen to me every week, more than one time...it's a wonder I can get out of my scratcher at all some days...) Anyway, the image I have of that album is of a cover with some sort of seascape on the front, kind of ghostly and weirdly Celtic-y, even though at that time I had no idea what that was even about, and still don't really. There were only five tracks on it and one of them took up the whole of Side 2 and had pretty much every 'trad' instrument I'd ever heard of crammed into it, and several I hadn't. And there was another track called 'Ys' that had sea sounds and whistles and a sort of ambient feel to it. It was weird, man. I was introduced to that record by a radical priest who had arrived in our town. When I say radical, I mean he had long hair and a beard and a dog, and talked like a normal human being. And he told me there was this cool thing called General Absolution that meant you didn't have to actually go to confession, you could just have forgiveness bestowed upon you, kind of like having the holy water scattered on you at Easter but without you actually having to show up. He was great. He lent me Van Morrison's 'It's Too Late To Stop Now' (which I still have), 'Meddle' by Pink Floyd, Leonard Cohen's 'Songs From a Room' and loads of other music that was a lot more interesting to me at the time than the Celtic harp. And yet, true story, diving once again through the boundless depths of Spotify one day looking for stuff to send to Darren, what did I find but that very album. And when I listened to the first few seconds of 'Ys,' with the waves and the opening notes and the harmonics, I was, like I say, pulled back towards my youth. That album was released in 1971 and even today it sounds pretty out there. Even when you're not stoned out of your gourd. You should give it a listen sometime. On the way back from the interview with Mickey and Michelle, Darren and me were wondering how people so young have such confidence. Then we realized it's probably at least in part because they're ridiculously talented, and that's kind of lovely to witness. And truth be told, I think we were both a tiny wee bit jealous at the excitement and enthusiasm and joy they have for what's ahead of them - the music and the work and the travel. As a couple of cynics, we found it pretty inspiring. Michelle, Mickey, thanks for the chat, and for the chance to listen to you play. Michelle and Mickey's website and socials are here: www.mickeymichelle.com www.instagram.com/mickeyandmichelle www.facebook.com/mickeymichellemusic Also the Pozible crowdfunding campaign for their debut album finishes on Wednesday the 18th at 8pm. And here's the link for that: https://www.pozible.com/profile/michael-odonnell-3 Enjoy! Darren & Dom ... If you liked this episode and think you got some worth from it, then please pledge $2 over at www.patreon.com/blarneypilgrims. Of course, you don't have to become a patron to listen, but we guarantee you'll enjoy each episode more because you'll be safe in the knowledge that you're a deadset legend. If you can't afford to pledge on Patreon, and we totally understand if you can't, all is not lost. You can still support the show by sharing it on your socials, posting about it in your favourite forums or simply by telling your mates about it down the pub. Till next time. Darren & Dom www.patreon.com/blarneypilgrims www.blarneypilgrims.com facebook.com/BlarneyPilgrimsPodcast @blarneyPilgrimsPodcast

durée : 00:01:40 - Plein feux France Bleu Armorique -

We visit the 2019 Texas Scottish Festival this week on the Irish & Celtic Music Podcast. Celtic music from... Scotland Rising, Beyond the Pale, The Selkie Girls, Reel Treble, Tullamore, Ed Miller, Jed Marum, Skeleton McKee, Anton & The Colts, Cleghorn, Willow and Her Giant, Brother, Jil Chambless, Scooter Muse I hope you enjoyed this week's show. If you did, please share the show with ONE friend. The Irish & Celtic Music Podcast is dedicated to growing our community and helping the incredible artists who so generously share their music. If you find music you love, buy their albums, shirts, and songbooks, follow them on Spotify, see their shows, and drop them an email to let them know you heard them on the Irish and Celtic Music Podcast. Remember also to Subscribe to the Celtic Music Magazine. Every week, I'll send you a few cool bits of Celtic music news. It's a quick and easy way to plug yourself into more great Celtic culture. Plus, you'll get 34 Celtic MP3s for Free, just for signing up today. Thank you again for being a Celt of Kindness. VOTE IN THE CELTIC TOP 20 With the new year comes a new votes in the Celtic Top 20. This is our way of finding the best songs and artists each year. Just list the show number, and the name of as many bands in the episode as you like. Your vote helps me create next year's Best Celtic music of 2019 episode.  Vote Now!   THIS WEEK IN CELTIC MUSIC 0:06 "Desert Reels" by Scotland Rising from Out of the Ashes 3:32 "The Tommy Jig-Dan Murphy's-Four Posts of the Bed" by Beyond the Pale from Wantin' Something More 6:29 "Mo Nighean Donn As Bòidhche" by The Selkie Girls from Pirate Queen 10:37 "Martin Wynne's #2/Dunmore Lasses/The Coalminer" by Reel Treble 14:50 "Sound the Pibroch" by Tullamore from Two to Get Ready 20:13 CELTIC FEEDBACK 24:28 "Room for Us All in the Dance" by Ed Miller from The Edinburgh Rambler 29:18 "Loch Lomond" by Jed Marum from Calla's Waltz 33:08 "Handsome Johnny Flynn" by Skeleton McKee from Leave the World Laughing 37:23 CELTIC PODCAST NEWS 39:09 "My Favourite Song" by Anton & The Colts from No End of the Line 44:56 "Hello Hello" by Cleghorn from Live in Greenville 48:51 "O'Carolan's Farewell to Music" by Willow and Her Giant 52:11 "Take Me Down" by Brother from Pax Romana MMV 59:00 "The Collier's Way" by Jil Chambless and Scooter Muse from The Lang Awa' Ships The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather. To subscribe, go to Apple Podcasts or to our website where you can become a Patron of the Podcast for as little as $1 per episode. Promote Celtic culture through music at http://celticmusicpodcast.com/.   CELTIC PODCAST NEWS * Helping you celebrate Celtic culture through music. My name is Marc Gunn. I am a Celtic musician and podcaster. This show is dedicated to the indie Celtic musicians. I want to ask you to support these artists. Share the show with your friends. And find more episodes at celticmusicpodcast.com. You can also support this podcast on Patreon. Whenever you become a Patron of the Podcast, 10% of all the money I earn goes toward Celtic non-profits. I donate that because I want to help our fellow Celtic organizations grow. One of the festivals I have supported over the years is the Texas Scottish Festival. Thanks to our patrons, I made another nice donation to this festival in North Texas. The festival takes place May 10-12, 2019 in Decatur, Texas. And this week, we're gonna highlight some of the amazing artists performing there this year as well as in past years. I want to give you a quick heads up. I decided to skip the podcast next week. Our official move in date for Atlanta is next week. While we will still be in Birmingham for the most part, we will be getting everything setup at our new home. And since May has five Thursdays, instead of the usual four, I figured it was just easier and less financially stressful for many of our Patrons of the Podcast who don't set a cap on their pledges. That said, I decided last minute to compile a short bonus podcast exclusively for our Patrons of the Podcast. If you want to support the show, please consider joining them. TRAVEL WITH CELTIC INVASION VACATIONS Every year, I take a small group of Celtic music fans on the relaxing adventure of a lifetime. We don't see everything. Instead, we stay in one area. We get to know the region through it's culture, history, and legends. You can join us with an auditory and visual adventure through podcasts and videos. Join the invasion at http://celticinvasion.com/ THANK YOU PATRONS OF THE PODCAST! There are many ways to support the Irish & Celtic Music Podcast. You can make a donation through our website. You can buy a bumper sticker to show your support. You can buy a shirt or get the Sainted Song Henger Collection to tell the world you support Celtic culture through music. The best way is to become a Patron of the Podcast. This show exists because of the kind patronage of people like you. You can make a pledge of a dollar or more per episode and cap how much you want to spend each month. Your generosity funds the creation, promotion and production of the show. It allows us to attract new listeners and to help our community grow. And you also get episodes before regular listeners. You can become a generous Patron of the Podcast at http://patreon.com/celticpodcast. I want to thank our newest patrons: Alexander P   I WANT YOUR FEEDBACK What are you doing today while listening to the podcast? You can send a written comment along with a picture of what you're doing while listening. Email a voicemail message to celticpodcast@gmail.com Lori Wilson emailed: "St. Patrick's Day goals! Didn't know if you saw this. Thought it was neat." http://www.bbc.com/travel/story/20190313-an-irish-pub-born-in-the-dark-ages Mary Malyszka emailed: "Hi Marc - Devoted and highly supportive listener here! We love your podcast. My husband and family and I have a ritual - we love listening to your podcast as we cook dinner. We talk about our days and enjoy your wonderful music! Simple but wonderful! Thank you! In any case, I was just listening to the current podcast, and you mentioned having a podcast devoted to the Celtic harp! I was thrilled. I've spent the last 20+ years studying the "clarsach" or 'Celtic harp - it is a passion. (I am actually a former president of the Scottish National Harp Society of America SHSA)). I wanted to offer some recommendations for some harpists that I've loved listening to over the years. There are so many great harpists - so this isn't a comprehensive list - just some that I feel are great because of their skill and talent as a performer, or because of their unique ability as a composer or arranger. First, I'd like to suggest someone named Cynthia Cathcart. (http://www.cynthiacathcart.com) She is a Scottish US National Champion and professional musician. She plays the clarsach - which is the wire-strung harp played with one's fingernails. She is a small niche artist (even in the harp world), so any of her music from the "Alchemy of a Rose" album should be easy to get permission to play. (She does a great version of Brian Boru's March with the didgeridoo!) I'd also like to suggest Ann Heymann - who, in my opinion, is the finest wire-strung harp player in the world. She is credited with re-inventing the wire strung technique based on extensive research of the Bunting manuscript (Irish harp source) and other sources. My favorite album is 'Queen of Harps'. Another premier Scottish artist is Alison Kinnaird, who is considered one of the leading performers and researchers of the Scottish harp - her book "Tree of Strings" is a must-have for anyone doing historical harp research. Other artists that are absolutely wonderful and renown in the Celtic harp world include Deborah Friou, Kim Robertson, Robin Huw Bowen (Welsh triple harp), Cheryl Ann Fulton, Máire Ní Chathasaigh, Patrick Ball, Laurie Rasmussen, and, of course, some of the original leaders in the Celtic harp world, such as Derek Bell and Alan Stivell. There are so many wonderful harpists that I could name! I hope you do consider doing this podcast. There are some great Celtic harp musicians out there that I know your listeners would welcome learning about. With respect for all the wonderful things you do!"

De Peter Gabriel à Jacques Higelin en passant par Alpha Blondy, Neneh Cherry, Black M ou Alan Stivell, Youssou N’Dour est celui dont on s’arrache les talents vocaux. Des voix il en récoltera aussi, dans un autre domaine, mais pas assez pour devenir président du Sénégal, lui qui à une époque, ne souhaitait pas s’engager en politique ! L’environnement, la propreté de son pays et même le football feront partie de ses autres engagements. Faites connaissance avec les différentes casquettes de Youssou N’Dour via ce troisième épisode.

Inspiration is a funny friend. It finds you and guides you. It takes you to strange and wonderful places. It introduces you to heroes. I started playing Celtic music in 1999... by accident. I had three "Celtic" songs in my song repertoire: "The Scotsman", "Irish Ballad" by Tom Lehrer, and an original Enya-esque song with nonsensical lyrics called "Lounging in La La Land". I was practicing on the South Mall at the University of Texas at Austin when red-haired gentleman asked if I'd like to perform at a Renaissance festival. As a Dungeons & Dragons nerd, I was so excited I asked my friend Andrew McKee to start a band with me. Soon the Brobdingnagian Bards found new Celtic music heroes and inspiration. For me, it was The Wolfe Tones, Christy Moore, The Irish Balladeers, and some random cassette that was called Irish Drinking Songs. That was my introduction to Celtic music. Those were my first Celtic music heroes. Later, I added Ed Miller, Serious Kitchen (featuring Vicki Swan & Jonny Dyer), Dougie MacLean, The Elders, Gaelic Storm, Clandestine, and even Bing Crosby. So of course many of these you have heard on my podcasts. Who are your Celtic music heroes? Welcome to the Pub Songs Podcast, the virtual Public House for Celtic culture and change through music. My name is Marc Gunn. I am a Celtic Geek musician and your guide to a kinder, happier world. Today’s show is brought to you by my Heroic Gunn Runners on Patreon. These generous people pledge $10 per month so that I can keep creating music, podcasts and live streaming video shows like Coffee with The Celtfather. Of course, you can support me for any amount. But these are my heroes. Thank you! If you have comments or want to chat in the pub, email me. Use #PubSongs when talking about this show. Cead mile failte! PubSong.net Celtic bands mentioned in this show: Screeched Inn, Kilt, Spirit of the West, Great Big Sea, Flogging Molly, Koady and Tim Chaisson, Jake Charron, East Pointers, NUA, 10 Strings and a Goat Skin, Andrea Beaton, Syr, Stout Pounders, Patrick Ball, 3 Pints Gone, Darby O’Gill, Young Dubliners, Wicked Tinkers, Bad Gaggis, Kilted Kings, The Chieftains, Silly Wizard, Emerald Rose, Dropkick Murphys, The Larkin’s and the Moranes, The Pogues, The Tossers, Brobdingnagian Bards, Old Blind Dogs, Damh the Bard, Enter the Haggis, Gaelic Storm, The Fighting Jamesons, Celtic Thunder, Celtic Woman, Clannad, Barney McKenna, Lunasa, Solas, Leahy, Off Kilter, The Clancy Brothers, Tullamore, Runrig, Brian McNeil, Back Bush, Tears for Beers, Alan Stivell, The Sweet Sorrows   WHO'S PLAYING IN THE PUB TODAY? 0:16 "As Long As I'm Flyin'" by Marc Gunn from As Long As I'm Flyin' Last week, I raised the question on my Facebook page: Who are your Celtic music heroes? What Celtic bands and musicians inspired you? Here's a link to Irish and Celtic Music Podcast. 4:32 "I's The B'y" by Screeched Inn from Screeched Inn 7:05 "Happy Cammy Drammy Birthday" by NUA from BOLD 11:50 "Run Paddy Run" by Stout Pounders from 3 Drinks Minimum 14:21 "Doctor of Gallifrey" by Marc Gunn from Sci Drinking Songs 17:46 "Skye Boat Song" by 3 Pints Gone from Live at the Shamrock Club 22:19 "The B-52" by Bad Haggis from Trip 25:48 Rant: Is it Good enough to share with a friend? Remarkable enough? 31:19 "Name On My Soul" by Kilted Kings from Name On My Soul 37:27 "Hills of America" by Emerald Rose from Celtic Crescent 41:17 "Terror Time" by Old Blind Dogs from Four on the Floor 45:28 d20 Math Question. 46:36 "Antlered Crown and Standing Stone" by Damh the Bard from Antlered Crown and Standing Stone 51:36 "Lily the Pink" by Brobdingnagian Bards from Brobdingnagian Fairy Tales 54:38 Long-form podcast content 56:00 "Kiss Me I'm Irish" by Gaelic Storm from Bring Yer Willies 1:00:49 "Gasoline" by Enter the Haggis from Casualties of Retail 1:05:38 PUB CHAT I want your feedback. What are you doing today while listening to the Pub Songs Podcast? How has this show inspired you? Send a written comment along with any pictures to marc@marcgunn.com. Use the hashtag #pubsongs in the subject of your email. 1:05:54 NEWS Podcast music submissions form at 4celts.com 1:06:33 "Nancy Whiskey" by Marc Gunn from Not Every Day Is St Patrick's Day 1:08:32 "Sinead Maire" by Lunasa from Cas 1:16:35 "The Ballad Of Jack Dolan (The Wild Colonial Boy)" by Tullamore from Wild and Wicked Youth 1:20:34 "Day After Day" by Tears for Beers from The Secret World of Celtic Rock 1:26:51 UPCOMING SHOWS Coffee with The Celtfather every Wednesday at 11 am Interstellar Ginger Beer & Exploration Co., March 8 at 7:30 PM. No cover charge. St Patrick's Day on YouTube, March 10 at 8 PM. Free show! Join me at The Hangout in Gulf Shores, Alabama on March 17 with Kilted Kings for a St Patrick's Day celebration on the beach. Sherwood Forest Faire, outside Austin, Texas, weekends, March 23 and 30 1:28:50 "Raise a Glass in Parting" by Marc Gunn from Don't Go Drinking With Hobbits The Pub Songs Podcast is listener-supported. Your generous pledge of as little as $1 or more per month allows me to create music, podcasts, and live videos for your enjoyment. Special thanks to my new patrons: Tina R., Kimberly K, UT Scot, Raised pledge, Paige, River G. If you enjoy visiting the pub, please join the Gunn Runners Club on Patreon. You’ll get episodes before regular listeners, free albums, podcasts,  videos and lots more. Go to marcgunn.net to join the Gunn Runners today. If you enjoy the music in this show, support the artists. Buy their music and merch. Follow them on Spotify. Let them know how much you love what they are doing. And tell a friend. Pub Songs Podcast was produced by Marc Gunn. To subscribe, go to Apple Podcasts, Spotify or to my website where you can join the Gunn Runners Club on Patreon and support my music and this podcast. I’ll also email regular updates of new videos, podcasts, stories behind the songs, plus 21 songs for free. Welcome to the pub!  www.pubsong.net.

Hablamos del Visa for Music que tendrá próximamente lugar en Rabat (Marruecos) y del Premio Andrea Parodi, celebrado hace poco en Cagliari (Cerdeña, Italia), con un buen puñado de estrenos también, como los nuevos discos de Alan Stivell, Marockin' Brass o el encuentro quebequés de Le Vent du Nord y De Temps Antan, entre otros sones francófonos, africanos, mexicanos, brasileños, indios... We talk about Visa for Music, that will be held shortly in Rabat (Morocco), and about Premio Andrea Parodi, recently held in Cagliari (Sardinia, Italy), with a bunch of premières, like the new albums by Alan Stivell, Marockin' Brass or the Quebecois meeting between Le Vent du Nord and De Temps Antan, among other Francophone, African, Mexican, Brazilian, Indian, etc., tunes. · Têtes de Chien - Dans les prisons de Nantes - Faces cachées · Alan Stivell - An emglew - Human-kelt · Le Vent du Nord & De Temps Antan - Medley brun - Notre album solo · Toronto Tabla Ensemble - Faceoff - Bhumika · Luc Mishalle / Marockin' Brass - Tchor kerira - Beats and pieces · Pierre Akendengue - La couleur de l'Afrique de ma chanson - La couleur de l'Afrique · Ararat Ensemble Orchestra - Nietaan - [cortesía de: / courtesy of: Premio Andrea Parodi] · La Maschera - Te vengo a cercà - [cortesía de: / courtesy of: Premio Andrea Parodi] · Balarú - Chanson d'un buveur - Gravure · Fidela Peláez - Paz y gloria - Mexico: Luz de luna, the best boleros from the Costa Chica [VA] · Cainã Cavalcante - Forró gaúcho - Corrente · (Cainã Cavalcante - Corrente - Corrente) Imagen / Image: Marockin' Brass

durée : 02:34:22 - Foule sentimentale - par : Didier Varrod - Nouveaux albums, surprises, lives, interviews, rencontres et musique dans la Foule Sentimentale.

Alan Stivell - brezhoneg Raok L'Acoustica - Everything Is Easy Thereafter - Neck Belly/Trip to Herves INST CANCON Vishten - Fleur du Souvenir CANCON Flogging Molly - Reptiles (We Woke Up) Ashley MacIsaac - Cello Song CANCON Pete's Posse - The Brocca Set INSTY Afro Celt Sound System - Sanctus feat. The Amani Choir Dolphin Boy - Too Many Fiddles Coila - The 5am Ceilidh INST Iarla O'Lionaird - For The Heavens We Banjo 3 - Pack It Up Skerryvore - The Rise INST

L'émission qui ne tourne pas à l'eau, présentée par Vincent Sulfite et Billy le bordelais. Et on démarre par une bien triste histoire d'hommes délaissés (2'10) Jean Grelot, nouvel invité est un adoniste du vivant...dont le vin ! Billy dégaine un joli blanc sec, au coeur du Sauternes(9'17)...travaillé par Xavier Planty, du Château Guiraud. Thierry Breton arrive à bicyclette (12'45)...Et pour aller avec ce vin, un film l'Herbe Tendre (Michel Simon et Serge Gainsbourg) Thierry Breton, est patron de restaurant, dont la Pointe du Groin...100% breton Il ramène un vin "différent"...qui pourrait ressembler au Pet' Nat' (24'56)...mais quelque peu cidré ! Et forcément, un chantre breton : Alan Stivell. (35'20)France Gall passe nous voir, avec une réclame vinicole de 1968. Jean Grelot débouche une bouteille, qui rend hommage à Bertrand Blier. A travers "notre histoire"...C'est l'histoire d'un caviste devenu viticulteur, qui se trouve être fanatique des films de Blier. (35'35)Direction St-Patrice en Bourgogne. Et comme accompagnement musical, un titre de Cabadzi : "Grave". (52'20) 4ème bouteille. Un vin nature, de Luc Lybaert, ancien kiné, installé dans les Cévennes et qui a travaillé son domaine : Lous Grezes. Et pour se marier au vin, The Magnificent Seven (ou Cévennes) by The Clash...of curse ! Enregistré au Studio Ground Control (Paris, 12e) 10.03.2018 18H-19H POUR ALLER PLUS LOIN : La Pointe du Grouin https://www.lapointedugrouin.com "Notre histoire", la bouteille hommage au film de Bertrand Blier http://www.wine-et-vin.com/bourgueil-notre-histoire-2014-vin-biologique-biodynamie-vin-nature-vin-sans-sulfites-vin-de-terroir-vins-étonnants-vin-dexception-cabernet-franc-chenin-vin-de-loire Le vin de Luc Lybaert, "Lou Grezes" http://www.lousgrezes.com

This episode of Fair Folk you’ll hear about how an early modern Scottish king literally wrote the book on witchcraft, making Harry Potter possible for future generations, I’ll tell you about the Swedish Queen who is revered to this day for murdering her suitors, and you’ll hear some of the very best folk songs about witches. Music: Opening Theme - "Forest March" by Sylvia Woods "I Once Lived in Service" by The Witches of Elswick "La Harpe et l'Enfant" by Alan Stivell "Willie's Lady" by Anaïs Mitchell & Jefferson Hamer "Martinmas Time" by Andy Irvine and Paul Brady "The Witch of the Westmoreland" by Stan Rogers "Mammy Redd" by John Allison "The Death of Goody Nurse" by John Allison "The Broomfield Hill" by Malinky "Alison Gross" by Dave & Toni Arthur "Come, Witches, to the Dance" by Lady Isadora with Lord Pan "Witches Reel" by Green Crown "The Brown Girl" by Frankie Armstrong

Entre los temas que escuchamos en este programa podemos encontrar una serie de recomendaciones musicales de Marga Lorences, acordeonista asturiana de La Bandina'l Tombo. Marga nos recomienda temas de Archetype, Moving Hearts, Alan Stivell, Cuig y Luke Daniels. Además escuchamos un tema de Solas en directo y música de Brian Finnegan, Malinky, Deanta y Mike Vass. 1. Malinky - The trawlin' Trade, del cd Three Ravens (2002) Greentrax 2. Brian Finnegan - Marga's Moment / Crooked Still Reel, del cd The Ravishing Genius of Bones (2010) 3. Moving Hearts - Category, de una grabación en directo en Correggio, Italia (1984) 4. Mike Vass - Calum James McCrimmon, del cd String Theory (2010) Rusty Squash Horn Records 5. Archetype - Andy's Waltz, del cd Archetype (1989) Escalibur 6. Luke Daniels - Beatrice Fortuna, del cd Secret Sessions (2004) Wren Records 7. Alan Stivell - Tri Martolod, del cd Olympia Concert (1972) Disques Dreyfus 8. Solas - Instrumental, de una grabación en directo en Trumansburg, NY, USA, Julio de 2001. 9. Felpeyu - Nun Quiero Coyer la Flor, del cd Ya! (2002) Tierra Discos 10. Deanta - King of Blues, del cd Deanta (1993) Green Linnet 11. Cuig - The Peacock, del cd The Prospect (1998) Green Linnet