Podcasts about Contemporary art

Gugs Mhlungu speaks with Faarooq Mangera, Creative Arts Patron & a friend of Kaza Kamba, about the festival’s return to the Market Theatre under the theme Memory Against Forgetting, inspired by Milan Kundera’s words. They discuss the festival’s celebration of theatre, music and film, alongside workshops, a colloquium and a marketplace of local goodies. In Others Interview: Gugs Mhlungu chats with Sara Hallatt, Director of the META Foundation, founder of Contra.Joburg and Africa Collect,about the 5th edition of this two-day cultural experience, featuring live performance, dance, art, architecture, making, music and exhibitions. Gugs Mhlungu gets you ready for the weekend each Saturday and Sunday morning on 702. She is your weekend wake-up companion, with all you need to know for your weekend. The topics Gugs covers range from lifestyle, family, health, and fitness to books, motoring, cooking, culture, and what is happening on the weekend in 702land. Thank you for listening to a podcast from 702 Weekend Breakfast with Gugs Mhlungu. Listen live on Primedia+ on Saturdays and Sundays from 06:00 and 10:00 (SA Time) to Weekend Breakfast with Gugs Mhlungu broadcast on 702 https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/u3Sf7Zy or find all the catch-up podcasts here https://buff.ly/BIXS7AL Subscribe to the 702 daily and weekly newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702See omnystudio.com/listener for privacy information.

Episode No. 772 features art historians Zanna Gilbert and Andrew Perchuk; and curator Meg Linton, museum director Taras Matla, and associate museum director Steve Comba. Along with Emily Pugh, Gilbert and Perchuk are the project leads for "Ed Ruscha's Streets of Los Angeles," a Getty Research Institute project that has, among other things, digitized Ed Ruscha's five-decade-long photographic project to document the streets of Los Angeles. The GRI project also considers Ruscha's Streets of Los Angeles archive within a range of historical frameworks, spotlights what it tells us about modern and contemporary art, architecture, and the physical, social, and cultural geographies of Los Angeles. GRI-produced websites include: "Artist, Image, Archive, City," a free digital book featuring visualizations, essays, images and more (the book is also available in free PDF and EPUB formats); "12 Sunsets," which features Ruscha's famed photos of the Sunset Strip, including how the street has changed over the last 50 years; The Ed Ruscha's Streets of Los Angeles Archive at the GRI; Research Collections Viewer for Ruscha's photographs of Sunset Boulevard and Hollywood Boulevard; Research Collections Viewer for Ruscha's photographs of (other) Los Angeles streets; Digitized images from the collection. On the second segment, we discuss the dispersal of artist Steve Roden's estate with curator Meg Linton, who has advised the estate, University of Maryland Art Gallery director Taras Matla, and Benton Museum of Art at Pomona College associate director Steve Comba. Roden was a Los Angeles-area-based artist who worked in sound, sculpture, painting, and other media, who passed away in 2023 at the age of 59. The Roden estate has recently dispersed works to museums all over the United States, including those represented on this week's program, as well as to the Grunwald Center at the Hammer Museum, the Los Angeles County Museum of Art, the Museum of Contemporary Art, Los Angeles, the UC Irvine Langson Orange County Museum of Art, Ruby City, San Antonio, and more. Roden created sound for The MAN Podcast in 2011. Air date: August 20, 2026.

[REBROADCAST FROM July 7, 2026] Artist and author Christopher Myers has a new exhibition of stained glass and tapestries opening at the Brooklyn Public Library, ahead of his new children's book Night Ride. Myers discusses the exhibit, called ‘Unbound.' Image courtesy of Christopher Myers Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It's the school summer holidays and I'm taking a break. So instead of new chats, I'm replaying some of my old favourites!This is a repeat of episode #86. In this episode of NeedleXChange I interview Stephanie Kelly Clark.Stephanie is a contemporary embroidery artist whose work transforms humble homes and everyday moments into rich visual stories stitched with painterly precision. In this first part of our conversation, we explore her creative upbringing, the role of art in parenting, and her evolving relationship with embroidery as a medium. From homemade Halloween costumes to thread-based storytelling, Stephanie shares how her domestic life and artistic journey are deeply intertwined.Timestamps:00:00:00 - Intro00:01:29 – Life as Art: Parenting and Creativity00:10:25 – Artistic Process: From Painting to Embroidery00:13:34 – The Evolution of an Artist: Finding One's Voice00:16:18 – Contemporary Art vs. Craft: Defining the Medium00:19:27 – Conceptualising Art: The Role of Medium in Storytelling00:22:39 – The Journey of an Artist: Embracing Change and Growth00:25:42 – Creating with Intention: The Importance of CompositionLinks:Website: stephaniekclarkInstagram: artiststephaniekellyclarkIntro music is Sunset by OTE via Epidemic Sound. About NeedleXChangeAn artist interview podcast exploring contemporary embroidery and textile art. Hosted by Jamie "Mr X Stitch" Chalmers.Stay Connectedneedl.exchange | Newsletter: bit.ly/NeedleXChangeNewsmrxstitch.com | xstitchmag.com

This week, Wes and Todd talk with Multimedia Artist, Madi Brunetti. Madi discusses Instagram handles, Black Sabbath, Death Metal, having the support of her parents, the mediums she works in, taxidermy, pinning bugs, cicadas, tattoos, therapy, moths, being neurodivergent, change, self-portraits, overcoming her eating disorder, mental health, marathons, masking, coping mechanisms, autism, embroidery, some of her pieces, getting her degree in studio art from Fort Lewis College, her residency at Art Gym, Bell Projects, road kill, death, pricing, hand embellishment, art as therapy, selling work, living your life, Bitfactory's “US” exhibition, and what the future holds for her.Join us for an illuminating conversation with Madi Brunetti!Check out Madi's work at www.madibrunetti.comFollow Madi on social media:Instagram - www.instagram.com/fairy.bootz/ - @fairy.bootzSend us Fan MailFollow us on Instagram:@tenetpodcast - www.instagram.com/tenetpodcast/@wesbrn - www.instagram.com/wesbrn/@toddpiersonphotography - www.instagram.com/toddpiersonphotography/ Follow us on Facebook:www.facebook.com/TenetPodcast/Email us at todd@toddpierson.com If you enjoyed this episode or any of our previous episodes, please consider taking  a moment and leaving us a review on your favorite podcast platform.Thanks for listening! 

Host Scott Rettberg speaks with Aarhus University Associate Professor Christian Ulrik Andersen about autonomous AI imaging and his co-authored book, Objects of Interest and Necessity. They examine how fringe user communities, micro-models, and platforms like Civitai, AI Horde, and Hugging Face challenge big-tech dominance in generative AI. The conversation also delves into "minor tech" strategies, alternative infrastructures, and the role of digital art in rethinking our political and cultural relationship to technology.References Andersen, C. U., & Cox, G. (2017). The Metainterface: The Art ofPlatforms Cities and Clouds. MIT Press.https://mitpress.mit.edu/9780262038133/the-metainterface/Andersen,C. U., Milev, N., & Velasco, P. (2024). Objects of Interest and Necessity:A Tour Guide to Autonomous AI Imaging. Digital Aesthetics Research Center /Centre for Advanced Visualization and Interaction (CAVI).https://darc.au.dk/publications/darc-booksDeleuze,G., & Guattari, F. (1986). Kafka: Toward a Minor Literature (D. Polan, Trans.).University of Minnesota Press.https://www.upress.umn.edu/9780816615155/kafka/LAION(Large-scale AI Open Network). (2021). Open-Source Datasets and MachineLearning Infrastructure. LAION.https://laion.ai/Marx,L. U.(2020). The Small File Media Festival. Simon Fraser University Schoolfor the Contemporary Arts.https://smallfile.ca/Pamuk,O. (2012). TheMuseum of Innocence. Vintage Books.https://www.orhanpamuk.net/book.aspx?id=96&lng=engRombach, R., Blattmann, A., Lorenz, D., Esser, P.,& Ommer, B. (2022). High-Resolution Image Synthesis with Latent Diffusion Models. Proceedings of the IEEE/CVFConference on Computer Vision and Pattern Recognition (CVPR), 10684–10695.https://arxiv.org/abs/2112.10752

What happens when you stop trying to force "meaning" onto art and just allow yourself to experience it?In this candid, thought-provoking conversation, poet, philosopher, photographer, and author Steven Seidenberg joins Carmen in The Private Lounge. Together, they strip away the intimidation of "high art" to explore why being confused by a piece of work can actually be its greatest gift.From finding hidden human stories in abandoned, decaying architecture to the rhythmic "isness" of poetry, Steven and Carmen dive deep into why understanding is overrated—and why leaning into what confuses us is where real growth happens.

Rod Liddle was a columnist and broadcaster who strongly divided opinion. Some saw him as an entertaining satirist, others, a bigot. As a teenager he joined a punk band and studied social psychology at the London School of Economics. He was politically active too, first as a member of Socialist Workers Party and then a Labour speech writer. He later joined the BBC as a trainee producer, working his way up to become editor of the Today programme. His former boss, Roger Mosey, told us how he immediately stood out from the crowd.Vicki Wickham was one of the music industry's most influential managers with clients including Marc Almond, Morrissey, and Dusty Springfield. She landed the job of booking acts for ITV's Ready Steady Go! despite knowing little about music and became the driving force behind the show, arranging appearances by the likes of Jimi Hendrix and The Beatles. Vicki's friend Simon Napier Bell, who himself managed artists like Wham!, Marc Bolan and Ultravox, recalls the lasting impact she had on the industry.Simone Forti was the pioneering dancer and choreographer whose pieces often use improvisation and draw on inspiration from the world around her using everyday objects like rope and wood alongside the human body. Simone's start in life was challenging. Her Jewish family had to flee from the increasing threat of the Italian fascist dictator Benito Mussolini. Her biographer Ann Cooper Albright shares her story.Justin Hardy was a Bafta and Emmy-nominated director known for historical films. His father was Robin Hardy the director of cult classic The Wicker Man. Robin had eight children by five different women and the making of the tortured film tore Justin's family apart. Justin went onto make a documentary with his half-brother Dominic Hardy, Children of the Wicker Man, where they interrogated their childhood using newly discovered documents from his father. Justin also completed his father's Wicker Man trilogy with new film Wrath of the God's - the release of which he never saw.Presenter: Matthew Bannister Producer: Ben Mitchell Assistant producer: Catherine Powell Researcher: Jesse Edwards Editor: Andrea KennedyArchive: Channel 4 News, 19/06/2014, YouTube; BBC Two, Have I Got News For You, 19/10/2002; BBC Radio 4, Start the Week, 02/06/2014; LA Women, EZTV, Kate Crash, 15/10/2012, YouTube; Huddle, Friends of the High Line, 12/11/2013, YouTube; Simone Forti, Slant Board, 1961. © 2026 The Museum of Modern Art, New York, Audio courtesy of MOCA - The Museum of Contemporary Art, Los Angeles, Performed January 29, 2023, during the exhibition Simone Forti (presented at MOCA Grand Avenue, January 15 – April 3, 2023); BBC World Service, Outlook, 09/04/2024

Send us Fan MailThis week, we're featuring a story from reporter and producer Shay Castle. Shay wrote a piece for the August edition of Caribou Current about a family of artists being featured in a Boulder Museum of Contemporary Art exhibit through September, called "Tres Voces, Un Corazon". In this week's episode, the trio tells us who their biggest influences in art are, how they fell in love with their respective mediums, and what it's like being a family of creatives all sharing one heart.Read the full story at cariboucurrent.com.We featured some music from Cipriano's band Los Lo Los in this episode. Check them out here: youtube.com/@loslolosrock.For a full schedule of BMoCA events related to the exhibit, head here: www.bmoca.org/2026/tres-voces-un-corazon-summer-exhibitionOur theme song is courtesy of singer-songwriter Brittney Wagner. Stream her record Better off Dead here. Support the showThank you for listening to The Mountain-Ear Podcast, featuring news and culture from peak to peak! Additional pages are linked below.If you want to be involved in the podcast or paper, contact:Barbara Hardt, our editor-in-chief, at info@themountainear.comTyler Hickman, multimedia producer, at tyler@themountainear.comJamie Lammers, podcast host, at media@themountainear.comGeneral inquiries: frontdesk@themountainear.comHead to our website for all of the latest news. Subscribe to The Mountain-Ear in print and online.Submit local events to promote them in the paper and on our website.Find us on Facebook @mtnear and Instagram @mtn.earListen and watch on YouTube today.Share this podcast by scrolling to the bottom of our website home page or by heading to our main hub on Buzzsprout.Thank you for listening!

On the Aug. 7 episode of Friday LIVE, we're broadcasting from the Haymarket Mill Coffee & Tea. Guest host Penelope Morrow has lively conversations about: - composer Masayoshi Ishikawa's latest album Migration (1:09); - author David Moscovich's latest book, Premieres: A Memoir in Verse (18:52); - artists of the month at Cozad's Robert Henri Museum and Art Gallery, Beth Jasnoch and Jeri-Jasnoch-Schultheiss (10:34); and - a new theater production coming out of Omaha's Union for the Contemporary Arts, Frydaddies (37:25). We also hear poetry from Eleanor Reeds (31:36) and KJ Teder learns about Kim Hager and Angie Seykora in her series about the artists of Omaha's new public library (44:45).

On the Aug. 7 episode of Friday LIVE, we're broadcasting from the Haymarket Mill Coffee & Tea. Guest host Penelope Morrow has lively conversations about: - composer Masayoshi Ishikawa's latest album Migration (1:09); - author David Moscovich's latest book, Premieres: A Memoir in Verse (18:52); - artists of the month at Cozad's Robert Henri Museum and Art Gallery, Beth Jasnoch and Jeri-Jasnoch-Schultheiss (10:34); and - a new theater production coming out of Omaha's Union for the Contemporary Arts, Frydaddies (37:25). We also hear poetry from Eleanor Reeds (31:36) and KJ Teder learns about Kim Hager and Angie Seykora in her series about the artists of Omaha's new public library (44:45).

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As the Rocky movies demonstrate, hero myths can create cults. Joe talks about the homage paid to the Rocky statue on the steps of the Philadelphia Museum of Art and relates it to the cult that arose from the tale of Ulysses' Odyssey. There are many examples of cult formation around fascinating narratives; Joe and Jon touch on Star Wars, The Matrix, the Arthurian legends, The Holy Blood and the Holy Grail, as well as The Da Vinci Code, showing how stories easily become doctrines believed by many. Links:Joe's art pageMore about the Rocky Statue in PhiladelphiaNote from Spike: You don't have to spend a fortune on plane tickets to see the great artworks of humanity. Many of the major world museums now have virtual tours. Here's a modest sample, in no particular order: Rijksmuseum - Amsterdam, NetherlandsThe Louvre - Paris, FranceVan Gogh Museum - Amsterdam, NetherlandsThe British Museum – London, UKTate Britain - London, UKThe Museum of Modern Art - New York, USNational Museum of Modern and Contemporary Art, Korea - Gwacheon-si, South Korea Museo Del Prado – Madrid, Spain

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Episode No. 769 features a conversation with Betye Saar recorded in 2016. Saar died on Sunday a few days short of her one hundredth birthday. Saar, known especially for her use of assemblage and her often pioneering address of complicated and often troubling US, and diasporic African and Caribbean histories, was one of the most influential artists of the last 60 years. Generations of artists, including Saar's artist-daughters Lezley and Alison, have found Saar's work foundational. Even though Saar was recognized around the world as among the most influential artists of late-twentieth and early twenty-first century United States, remarkably, shamefully, and revealingly, none of Saar's hometown art museums ever launched a retrospective of her work. Saar was a guest on The Modern Art Notes Podcast in 2016 on the occasion of a survey of her work organized by De Domijnen (which was formerly known as Museum Het Domein) in Sittard, the Netherlands in partnership with Scottsdale (Ariz.) Museum of Contemporary Art. For images of artworks discussed in this conversation, see Episode No. 222. Air date: July 30, 2026.

Artist Betye Saar, a pioneering figure in the Black Arts Movement, has died at 99. Her influential work transformed racist imagery into powerful symbols of resistance and inspired generations of Black artists while reshaping contemporary American art. Subscribe to our newsletter to stay informed with the latest news from a leading Black-owned & controlled media company: https://aurn.com/newsletter Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Writer Rachel Cusk asked: "Can a Woman who is an Artist Ever Just Be an Artist?" (NYT). Our host, contemporary art writer and curator Joana P. R. Neves, turns this  question of gender and skill on its head: can men be (good) artists? Cusk's book "Parade" (2024) is this Art & Literature special episode's book of choice.Joana embarks on an art and feminism quest: is gender a prison? Or is it the forceful power of the patriarchy? She is helped by living and fictional contemporary artists and writers, intersectional feminism, and philosophy of art via Vilem Flusser and his "theory of gestures".Did you enjoy the episode? Think about supporting Exhibitionistas by leaving a small donation: https://buymeacoffee.com/exhibitionistaArt and Feminism claim to walk hand in hand, but what if the structure of the art system itself was an inheritance of archaic patriarchal systems? The famous artist Georg Baselitz, who passed away this year, is a central figure in Cusk's book "Parade". Was he a product or an instigator of the system? And what is the patriarchal system? How and where does it manifest? And finally, where are modern men now, within this system that seems to block creative flow and artistic expression?Sign up for a tiered monthly support: https://www.buzzsprout.com/2624749/monetization/supporter_settings Your contribution keeps us going.Listen to the Women who Sarcast Episode" Sarcasm and Contemporary Art.Read Cusk's article in the New York Times (07/11/ 2019).Jingle: "Wunder", experimental poem by Joana P. R. Neves.Did the episode stir Art Wonderment memories? Share them via text or voice message.Support the showCreated & Hosted by Dr. Joana P. R. Neves, art curator and writer with over 20 years of experience in the contemporary art field. Artistic director of Drawing Now Paris since 2018, she has worked across the industry, from the art market to education. She co-launched the art residency and project space Worlding in 2020. Exhibitionistas' first year offered exhibition discussions with guest co-host Emily Harding; organically, it grew into a more experimental show exploring art topics, stories and interviews complemented by Joana's publication Art Thinkosaurus on Substack. She champions ‘Art Wonderment's' embrace of complexity against the lure of ready-made opinions. A polyglot, she grew up in Lisbon, studied and lived in Paris, to finally settle in London with her artist husband, four children and two cats. Find us:On Instagram – @exhibitionistas_podcastOn Substack (NEWSLETTER: sign up!): Art Thinkosaurus > Exhibitionistas FilesOnline: www.exhibitionistaspodcast.comDo you want to be a guest on Art Etiquette? Reach out: joana@exhibitionistaspodcast.comCopyright: Joana P. R. Neves, 2024.

Episode No. 768 features artist Derrick Adams. The Institute of Contemporary Art/Boston is presenting "Derrick Adams: View Master" through September 7. It is the first mid-career survey of Adams' twenty-year career. The exhibition was curated by Dexter Wimberly and Tessa Bachi Haas. An Adams monograph was published by Monacelli in association with Gagosian, an art dealership chain, last year in anticipation of the exhibition. Adams' work celebrates contemporary Black Life in works that emphasize joy and leisure. Among the institutions presenting solo exhibitions of his work are the Cleveland Museum of Art, the Hudson River Museum, Yonkers, NY, and the Museum of Contemporary Art, Denver. His work is in collection of museums such as the Metropolitan Museum of Art, New York; the Whitney Museum of American Art, New York; the Virginia Museum of Fine Arts, Richmond; the Studio Museum in Harlem; and Adams' hometown Baltimore Museum of Art. Series of Adams' work discussed on the program: Floater; Figure in the Urban Landscape; Profile Pics; and Family Portraits. Instagram: Derrick Adams, Tyler Green. Air date: July 23, 2026.

Artists Katherine Hubbard and Sophie Thun explore how Hubbard's work is positioned within queer feminist art and critically engages with the tradition of analogue photography. The conversation was recorded during the installation of the exhibition on 7 June 2026. Katherine Hubbard The Great Room 12.6. – 30.8.2026 How do you capture the inner life of a person whose reality no longer aligns with the outer world? And how do you remain in relation to someone who is both intimately familiar and irreversibly changing? Katherine Hubbard began her five-year project The Great Room in 2020, at the onset of the Covid-19 pandemic, when her mother, Antonette Berger, became increasingly unwell and the artist became her primary caretaker. It took several months in a time of anxiety and isolation until Berger was diagnosed with LATE (limbic-predominant age-related TDP-43 encephalopathy), a form of dementia. Hubbard has described this diagnosis as both necessary and insufficient: a gesture towards control and classification that ultimately fails to grasp the lived, shifting reality of her mother's condition. It is precisely this gap that the project inhabits. More Katherine Hubbard (b. Philadelphia, PA, 1981) considers analog photography as a mimesis of the body and asks how its procedures might be called upon to investigate social politics, history, and narrative. In her photographs the positioning of one's body has an essential relationship to how one processes images, exploring this encounter as a time-based experience. Hubbard's writing practice forms the core of her performances, harnessing the malleability of vision to frame a politics of looking. Hubbard is a 2024 Guggenheim fellow in photography and received her MFA in 2010 from the Milton Avery Graduate School of the Arts at Bard College. She is Associate Professor and MFA Photography Program Director at Pratt Institute, School of Art in Brooklyn, NY. Solo exhibitions include The great room, Company Gallery, New York (2023); Avoid glancing blows, Company Gallery, New York (2020); Katherine Hubbard, Higher Pictures, New York (2018); stages, Baxter St. Camera Club of New York, New York (2017); and Bring your own lights, The Kitchen, New York (2016). Her work has been exhibited in group exhibitions including Time Management Techniques, The Whitney Museum of American Art, New York; Ecstatic Land, Marfa Ballroom, Texas; A Collection of Slow Events, The Luminary, St. Louis, Missouri; The Artist's Museum, The Institute of Contemporary Art, Boston; and Greater New York, MoMA PS1. Hubbard's performances have been presented at the Chinati Foundation, Marfa, Texas; Konstfack, Stockholm, Sweden; the Metropolitan Museum of Art, New York; and the Whitney Museum of American Art, New York. Her work is included as part of the permanent collection at the Whitney Museum of American Art. Sophie Thun (*1985, lives and works in Vienna) works primarily with analogue photography techniques, their spaces, processes and production and exhibition conditions. Thun grew up in Warsaw and completed her master's degree at the Academy of Fine Arts in both Vienna and Krakow. Thun has been a member of the board of the Secession since 2021, where she had a solo exhibition in 2020; from 2023 to 2025 she was interim professor of the photography class at the Kunstakademie Düsseldorf. Since 2026, she has been Professor of Artistic Photography at the Institute of Fine Arts and Media Art at the University of Applied Arts Vienna. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Executive Producer: Bettina Spörr

Andrew Graham-Dixon's new book, Vermeer: A Life Lost and Found, rests on the conviction that you cannot understand what's in a painting without knowing what its maker was thinking about. In Vermeer's case, that context includes a forgotten liberal sect — the Remonstrants and Collegiants, Christians without a church who believed peace would come through reading and toleration rather than a returning Messiah. Recover that world and a woman alone in a sunlit room is a radical image in a Europe where half of Germany had just died in war. If he's right, the label beside every Vermeer in every museum will one day have to change. Tyler and Andrew discuss whether it was inevitable we'd rediscover Vermeer, how that vanishingly rare sect left its fingerprints all over his life, why the Met has misread its own Allegory of the Catholic Faith, whether Vermeer painted for money or pointedly refused to, where the Gardner's stolen Concert might be, why Dutch music never blossomed as much as Dutch painting did, how the Church of England rivaled the Cultural Revolution in wiping out British art, whether you can still spot an English painting on sight, the love that saturates late Rembrandt and the mystery of his soaring print prices, the nail on the wall that proves two Vermeer paintings are a pair, why the French are to blame for George Stubbs lack of status, whether we can still love Malevich, why Andrews calls recent Richter "almost like printing money," why female artists and antique textiles remain absurdly cheap, why nobody builds beautiful neighborhoods any longer, and much more. Read a full transcript enhanced with helpful links, or watch the full video on the new dedicated Conversations with Tyler channel. Recorded April 7th, 2026. Other ways to connect Follow us on X and Instagram Follow Tyler on X Follow Andrew on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here. Timestamps: 00:00:00 - Intro 00:00:44 - The Mystery of Vermeer 00:12:53 - Dutch Music 00:15:51 - English Art 00:19:49 - Rembrandt 00:23:17 - Attributions 00:26:22 - Exhibitions and Restorations 00:30:05 - Underrated French Artists 00:35:16 - Howard Hodgkin 00:38:00 - Difficult-To-Love Artists 00:40:53 - Other Dutch Painters 00:44:20 - Contemporary Art 00:48:05 - Buying Art 00:50:39 - Neighborhood Aesthetics 00:54:39 - Advice for Aspiring Art Critics 00:56:14 - Outro Image Credit: Aliona Adrianova

[REBROADCAST FROM March 11, 2026] Carol Bove is a Brooklyn-based artist who is receiving her first museum survey with an exhibit at the Guggenheim. The show displays work from over 25 years of her career, including her drawings, massive steel sculptures, and pieces specifically inspired by the Guggenheim's rotunda. Bove and Guggenheim curator Katherine Brinson discuss the show, on view through August 2. Photo by L. Malik Anderson/WNYC, courtesy of the Guggenheim Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Ed Hicks is a London based visual artist and muralist. His highly dramatic romantic sublime landscapes, heavy on the darks, angelic with his use of light, magma, smoke, brooding skies, rugged hills riddled with text, large scale, are just fantastic. His instagram is well worth following @ed_hicks with his ongoing reel series of “crit time” being funny, informative, cathartic and valuable for all visual artists out there. Instagram: @ed_hicks

Caitlin Keogh (b. 1982 in Anchorage, Alaska) lives and works in New York. Her work has recently been included in group shows at Fondation Carmignac, Porquerolles, France, and The Church, Sag Harbor, NY. Keogh has been the subject of solo exhibitions at the Institute of Contemporary Art, Boston, MA; Melas Papadopoulos, Athens, Greece; and MoMA PS1, Long Island City, NY. In 2021, Keogh completed a mural in the city of Holbaek, Denmark in conjunction with Holbaek Art, and in 2019, she participated in Art Basel Parcours, Basel, Switzerland. Her work has also been exhibited at the Berkeley Art Museum and Pacific Film Archive, CA; MoMA Warsaw, Poland; the Whitney Museum of American Art, New York, NY; Künstlerhaus Bremen, Germany; the Costume Institute at the Metropolitan Museum of Art, New York, NY; and the Queens Museum, Flushing Meadows, NY. Her work is represented in the collections of the Institute of Contemporary Art, Boston; the Whitney Museum of American Art, New York; Amorepacific Museum of Art, Seoul; the Rollins Museum of Art, Winter Park, Florida; and the Rhode Island School of Design Museum, Providence. Caitlin Keogh 07.10.25, 2025 Colored pencil on paper mounted on panel 16 3/8 x 11 5/8 x 3/4 in (41.5 x 29.5 x 2 cm) Caitlin Keogh Beige Matrix, Woman With Opera Glasses, 2026 Acrylic on canvas 72 x 96 in (183 x 244 cm) Caitlin Keogh Ultramarine Matrix, La Fornarina, 2026 Acrylic on panel, postcard 23 1/4 x 13 in (59.1 x 33 cm)

In Fearless, Sleepless, Deathless: What Fungi Taught Me about Nourishment, Poison, Ecology, Hidden Histories, Zombies, and Black Survival (University of North Carolina Press, 2026), naturalist, forager, and educator Maria Pinto uncovers strange and beautiful connections between the natural and human worlds, mingling reportage, research, memoir, and nature writing, touching on topics that range from Black farmers' domestication of the unforgettable aroma of truffles, to the possibility that enslaved people wielded mycological poisons against their enslavers. Pinto brings a new perspective and a distinctive literary voice to this mix of environmental and lived history, and every page sings with her enthusiasm for the networks in which we are embedded: fungal, ecological, ancestral, and communal. Join us in pursuit of beautiful, perplexing, delicious, and deadly mushrooms as we explore this understudied kingdom's awe-inspiring diversity, discovering how fungi have been used by people, especially those on the margins, for survival, pleasure, revelation, and revolution. When she's not in the woods (and sometimes when she is), Maria Pinto is a writer, editor, and educator. She teaches writing for various literary organizations. She reads fiction for Peripheries Journal and serves on the board of Hale, an outdoor education and land conservancy nonprofit. Her writing has been supported by Assets for Artists at Massachusetts Museum of Contemporary Art, Oak Spring Garden Foundation, Vermont Studio Center, the Mass Cultural Council, the Writers' Room of Boston, The Mastheads, and The Garrett on the Green. You can find Maria at her Website and on Instagram.  Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Fearless, Sleepless, Deathless: What Fungi Taught Me about Nourishment, Poison, Ecology, Hidden Histories, Zombies, and Black Survival (University of North Carolina Press, 2026), naturalist, forager, and educator Maria Pinto uncovers strange and beautiful connections between the natural and human worlds, mingling reportage, research, memoir, and nature writing, touching on topics that range from Black farmers' domestication of the unforgettable aroma of truffles, to the possibility that enslaved people wielded mycological poisons against their enslavers. Pinto brings a new perspective and a distinctive literary voice to this mix of environmental and lived history, and every page sings with her enthusiasm for the networks in which we are embedded: fungal, ecological, ancestral, and communal. Join us in pursuit of beautiful, perplexing, delicious, and deadly mushrooms as we explore this understudied kingdom's awe-inspiring diversity, discovering how fungi have been used by people, especially those on the margins, for survival, pleasure, revelation, and revolution. When she's not in the woods (and sometimes when she is), Maria Pinto is a writer, editor, and educator. She teaches writing for various literary organizations. She reads fiction for Peripheries Journal and serves on the board of Hale, an outdoor education and land conservancy nonprofit. Her writing has been supported by Assets for Artists at Massachusetts Museum of Contemporary Art, Oak Spring Garden Foundation, Vermont Studio Center, the Mass Cultural Council, the Writers' Room of Boston, The Mastheads, and The Garrett on the Green. You can find Maria at her Website and on Instagram.  Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of Architecture, Design & Photography, Trent Bell sits down with curator, writer, and arts leader Suzette McAvoy. Suzette reflects on her career at the Farnsworth Art Museum and the Center for Maine Contemporary Art, along with Maine's long history as a place where artists come to live, work, and find space to think.  The conversation explores why art matters beyond beauty or market value, how it can build empathy and connection, and why some work takes time to understand. They also discuss contemporary art, creativity, spirituality, artistic risk, AI, and why artists may become even more important as technology continues to shape how we think and create.  It's a thoughtful conversation about learning to look, staying curious, and the role art plays in helping us better understand ourselves and others. About Suzette:  Suzette McAvoy is an independent curator, arts writer, and art advisor with more than thirty-five years experience in the field of fine art and museums. A leading authority on the art and artists of Maine, she has curated more than sixty exhibitions throughout her career, including nationally traveling exhibitions of the work of Louise Nevelson, Kenneth Noland, Lois Dodd, Karl Schrag, Alan Magee, and Alex Katz.  Website: https://www.suzettemcavoy.me  Instagram: https://www.instagram.com/suzettemcavoy More from us:  Website: www.adppodcast.com  Instagram: http://instagram.com/adppod_  Apple Podcast: https://podcasts.apple.com/us/podcast/architecture-design-photography/id1447381737  Spotify: https://open.spotify.com/show/5qTtT0lpXkVGyksEkN57VS

In Fearless, Sleepless, Deathless: What Fungi Taught Me about Nourishment, Poison, Ecology, Hidden Histories, Zombies, and Black Survival (University of North Carolina Press, 2026), naturalist, forager, and educator Maria Pinto uncovers strange and beautiful connections between the natural and human worlds, mingling reportage, research, memoir, and nature writing, touching on topics that range from Black farmers' domestication of the unforgettable aroma of truffles, to the possibility that enslaved people wielded mycological poisons against their enslavers. Pinto brings a new perspective and a distinctive literary voice to this mix of environmental and lived history, and every page sings with her enthusiasm for the networks in which we are embedded: fungal, ecological, ancestral, and communal. Join us in pursuit of beautiful, perplexing, delicious, and deadly mushrooms as we explore this understudied kingdom's awe-inspiring diversity, discovering how fungi have been used by people, especially those on the margins, for survival, pleasure, revelation, and revolution. When she's not in the woods (and sometimes when she is), Maria Pinto is a writer, editor, and educator. She teaches writing for various literary organizations. She reads fiction for Peripheries Journal and serves on the board of Hale, an outdoor education and land conservancy nonprofit. Her writing has been supported by Assets for Artists at Massachusetts Museum of Contemporary Art, Oak Spring Garden Foundation, Vermont Studio Center, the Mass Cultural Council, the Writers' Room of Boston, The Mastheads, and The Garrett on the Green. You can find Maria at her Website and on Instagram.  Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

In Fearless, Sleepless, Deathless: What Fungi Taught Me about Nourishment, Poison, Ecology, Hidden Histories, Zombies, and Black Survival (University of North Carolina Press, 2026), naturalist, forager, and educator Maria Pinto uncovers strange and beautiful connections between the natural and human worlds, mingling reportage, research, memoir, and nature writing, touching on topics that range from Black farmers' domestication of the unforgettable aroma of truffles, to the possibility that enslaved people wielded mycological poisons against their enslavers. Pinto brings a new perspective and a distinctive literary voice to this mix of environmental and lived history, and every page sings with her enthusiasm for the networks in which we are embedded: fungal, ecological, ancestral, and communal. Join us in pursuit of beautiful, perplexing, delicious, and deadly mushrooms as we explore this understudied kingdom's awe-inspiring diversity, discovering how fungi have been used by people, especially those on the margins, for survival, pleasure, revelation, and revolution. When she's not in the woods (and sometimes when she is), Maria Pinto is a writer, editor, and educator. She teaches writing for various literary organizations. She reads fiction for Peripheries Journal and serves on the board of Hale, an outdoor education and land conservancy nonprofit. Her writing has been supported by Assets for Artists at Massachusetts Museum of Contemporary Art, Oak Spring Garden Foundation, Vermont Studio Center, the Mass Cultural Council, the Writers' Room of Boston, The Mastheads, and The Garrett on the Green. You can find Maria at her Website and on Instagram.  Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

In Fearless, Sleepless, Deathless: What Fungi Taught Me about Nourishment, Poison, Ecology, Hidden Histories, Zombies, and Black Survival (University of North Carolina Press, 2026), naturalist, forager, and educator Maria Pinto uncovers strange and beautiful connections between the natural and human worlds, mingling reportage, research, memoir, and nature writing, touching on topics that range from Black farmers' domestication of the unforgettable aroma of truffles, to the possibility that enslaved people wielded mycological poisons against their enslavers. Pinto brings a new perspective and a distinctive literary voice to this mix of environmental and lived history, and every page sings with her enthusiasm for the networks in which we are embedded: fungal, ecological, ancestral, and communal. Join us in pursuit of beautiful, perplexing, delicious, and deadly mushrooms as we explore this understudied kingdom's awe-inspiring diversity, discovering how fungi have been used by people, especially those on the margins, for survival, pleasure, revelation, and revolution. When she's not in the woods (and sometimes when she is), Maria Pinto is a writer, editor, and educator. She teaches writing for various literary organizations. She reads fiction for Peripheries Journal and serves on the board of Hale, an outdoor education and land conservancy nonprofit. Her writing has been supported by Assets for Artists at Massachusetts Museum of Contemporary Art, Oak Spring Garden Foundation, Vermont Studio Center, the Mass Cultural Council, the Writers' Room of Boston, The Mastheads, and The Garrett on the Green. You can find Maria at her Website and on Instagram.  Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

A local Mexican and award-winning chef is partnering with the Museum of Contemporary Art to create a specialty dish in honor of one of the Museum's newest exhibits.

A local Mexican and award-winning chef is partnering with the Museum of Contemporary Art to create a specialty dish in honor of one of the Museum's newest exhibits.

A local Mexican and award-winning chef is partnering with the Museum of Contemporary Art to create a specialty dish in honor of one of the Museum's newest exhibits.

Moon is a multidisciplinary artist, educator, art handler, and co-founder of DMS Atelier, an artist-run space in Los Angeles dedicated to exhibitions, artist residencies, and community programming. Originally from Chicago and a graduate of Grambling State University, he discusses the experiences that shaped his path from athletics and hip-hop culture to contemporary art and arts education. The conversation explores artistic practice, teaching, community-building, and the development of DMS Atelier's residency program and community feed initiative. Along the way, Moon reflects on regional identity, the cultural differences between Chicago, Louisiana, and California, and the importance of creating spaces that foster sustained artistic practice, accessibility, and meaningful relationships within contemporary art.

Art criticism is vanishing from mainstream media, but here's the uncomfortable question: does art and culture still need critics? Our host, Joana P. R. Neves, art curator and writer, examines why critics are leaving big outlets without being replaced—and what this means for art criticism, artistic quality assessment, curatorial etiquette, and the future of art evaluation itself. What is art criticism actually for? And where does Joana's feminist critique of critique lead to? And who decides what's good art now? Or, rather, is “good art” the yardstick by which art experiences should be measured?Did you enjoy the episode? Think about supporting Exhibitionistas by leaving a small donation: https://buymeacoffee.com/exhibitionistaJoana explores 3 questions in this episode: What is Art Criticism? Who reads it and who or what does art criticism serve? And finally, what is her own relation with it as someone who admittedly is not fond of the genre?Sign up for a tiered monthly support: https://www.buzzsprout.com/2624749/monetization/supporter_settings Your contribution keeps us going.Art Etiquette Segment guest: Elizabeth Botten, Reference Specialist at the Smithsonian's Archives of American Art Art question: what can we do to accommodate visitors and make their exhibition experience enjoyable while preserving art etiquette?Soon: Bonus – full length Art Etiquette episodes.Segment: Brainstorm in a Teacup:Come for the art, stay for the creative writing segment, where Joana reads short texts from her notebooks exposing her inner thoughts and odd fictional flash writing.Jingle: "Wunder", experimental poem by Joana P. R. Neves.0:00: Intro: Where to continue your Exhibitionistas experience.2:27: Today's question: is art criticism still valid?4:56: Why are art critics vanishing? And how?7:05: 3 guiding questions of the episode: what is it, who does it serve and who is reading - or not8:46: What is art criticism? A scandal and a text.15:35: Genius, excellence, quality: are these outdated questions?24:35: Who is reading art criticism?27:12: Art Etiquette with Elizabeth Botten38:08: What does art criticism do, and what or who is it upholding?46:44: Joana's honest reckoning with art criticism54:14: Brainstorm in a Teacup (Creative Writing segment)Did the episode stir Art Wonderment memories? Share them via text or voice message.Support the showCreated & Hosted by Dr. Joana P. R. Neves, art curator and writer with over 20 years of experience in the contemporary art field. Artistic director of Drawing Now Paris since 2018, she has worked across the industry, from the art market to education. She co-launched the art residency and project space Worlding in 2020. Exhibitionistas' first year offered exhibition discussions with guest co-host Emily Harding; organically, it grew into a more experimental show exploring art topics, stories and interviews complemented by Joana's publication Art Thinkosaurus on Substack. She champions ‘Art Wonderment's' embrace of complexity against the lure of ready-made opinions. A polyglot, she grew up in Lisbon, studied and lived in Paris, to finally settle in London with her artist husband, four children and two cats. Find us:On Instagram – @exhibitionistas_podcastOn Substack (NEWSLETTER: sign up!): Art Thinkosaurus > Exhibitionistas FilesOnline: www.exhibitionistaspodcast.comDo you want to be a guest on Art Etiquette? Reach out: joana@exhibitionistaspodcast.comCopyright: Joana P. R. Neves, 2024.

Episode 534 / Nicole EconomidesNicole Economides (b.1992) is an Athens based artist born in New York. She received her BA/BFA from the Department of Fine Arts and Arts Sciences at the University of Ioannina Greece (2015). She is an MFA Fine Arts graduate at Parsons, The New School (2019). Economides has been an artist in residence at the Agora Collective: WHILE WE WORK in Berlin, Germany (2016) and at the Macedonian Museum of Contemporary Art in Thessaloniki, Greece (2014). She was awarded the Elizabeth Greenshields Scholarship for Painters (2017) and the Artists' Grant from the Gerondelis Foundation Inc (2018). She has shown her work in many group exhibitions and workshops in Crete, Ioannina, Athens, Thessaloniki, Paris, Berlin, and New York City. She currently lives and works in New York City. 

This week, Wes and Todd talk with Chloé Duplessis! Chloé discusses her family, her education, growing up in Shreveport, Louisiana, living in New Orleans, moving back home, running for the school board, her involvement in politics, getting her diagnosis of Stargardt disease, moving to Denver, starting her art business, telling lesser known stories of history, working in different mediums, honoring her ancestors and our shared history, travel, being part of a supportive art community, creating the first accessible “I Voted” sticker for the City of Denver, the Colorado Black Equity Study, Cathay Williams, the history behind & the evolution of her exhibition “12 Tablecloths, burlap being her “soul fabric,” her exhibition “Origin Story” at Understudy, her piece “Reclaiming Liberty,” and her advice to Artists to “Serve from where you are.”Join us for a fantastic and inspirational conversation with Chloé Duplessis! Check out Chloe's work at www.chloeduplessis.com Follow Chloé on social media:Instagram - www.instagram.com/duplessis.art/ - @duplessis.art Chloé's exhibition “Origin Story” will be on display at Understudy through July 19th - https://www.denvertheatredistrict.com/understudy Hear Chloé talk about the exhibition “Origin Story” on YouTube - https://www.youtube.com/watch?v=4dNjq1pv9P0 Chloe's exhibition “Shared History” opens July 28th at the Center for Colorado Women's History - http://www.historycolorado.org/center-colorado-womens-history Check out Chloé's other shows happening later this year at www.chloeduplessis.com/eventsSend us Fan MailFollow us on Instagram:@tenetpodcast - www.instagram.com/tenetpodcast/@wesbrn - www.instagram.com/wesbrn/@toddpiersonphotography - www.instagram.com/toddpiersonphotography/ Follow us on Facebook:www.facebook.com/TenetPodcast/Email us at todd@toddpierson.com If you enjoyed this episode or any of our previous episodes, please consider taking  a moment and leaving us a review on your favorite podcast platform.Thanks for listening! 

A new exhibit at the Hessel Museum of Art features the work of artist and educator, Marilou Schultz. Combining traditional Navajo weaving techniques to resemble digital technologies, Schultz's work has sought to reflect the historic efforts of Navajo women as part of our collective, technological futures. Schultz and exhibit curator, Candice Hopkins, offer more insight into the inspiration of "Replica of a Chip: The Weaving Technology of Marilou Schultz." Work by Marilou Schultz: "Popular Chip" 2025, courtesy of the Gochman Family Collection Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In "Kathy Butterly: Assume Yes," a practice spanning for over three decades showcases artist Kathy Butterly's striking and distinctive ceramic sculptures. Butterly and curator Ian Berry sit down to discuss the formation of the exhibit, which is currently open at the Tang Teaching Museum as part of the museum's 25th anniversary program. Installation photo by Mindy McDaniel: 'Kathy Butterly: Assume Yes,' Tang Museum, Skidmore College, 2026 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode, Javier Proenza speaks with South African interdisciplinary artist Azole Njengele, an MFA candidate at Otis College of Art and Design, about the relationship between architecture, drawing, and photography in her evolving practice. Reflecting on her education and professional experience in South Africa before relocating to the United States, Azole discusses how architectural training continues to shape her understanding of space, image-making, and artistic process. Their conversation explores contemporary photography, portraiture, consent and ethics, South Africa's art communities, and the differences between artistic life in Cape Town, Johannesburg, and Los Angeles. They also consider the practical realities of sustaining a creative practice, the opportunities afforded by graduate study, and the role of observation, collaboration, and interdisciplinary thinking in contemporary art.

In 2025, amidst political turmoil around the United States, Brooklyn artist Izzy Barber wanted to feel more connected to her country, and decided to leave the bubble that can often take shape in New York City. She went on multiple road trips across the country, painting what she saw. The result of her travels is a new exhibit, Clay Pigeons, featuring her paintings of the diversity of American life and landscapes. The exhibit is on view through July 31, and Izzy Barber discusses her practice and inspiration for the show.  Art by Izzy Barber (Oil Field, Midland, TX (2026)): Digital photo by Max Yawney Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today's episode was recorded in partnership with flaconi, Germany's leading online destination for beauty and fragrance. And it's one of those conversations that reminded me why I love doing this podcast so much.We're sitting down with Alicia Lindner, who runs a third-generation family business in the beauty industry called Annemarie Börlind. But this conversation is about so much more than a brand story. We talk about growing up surrounded by the scent of plant oils and flowers drifting out of a laboratory in the Black Forest and what it means to carry a legacy without turning it into something rigid.We also talk about sibling leadership, building and growing the brand independently, the spirit of the Schwarzwald, and the beauty industry as it looks today. But also about very human things. Like why skipping lunch is never a good idea and why the forest can be the best mentor when everything feels a bit too loud.This episode is thoughtful and honest. Alicia became an immediate star of the show. Please tune in and enjoy the energy that this episode will give you!Read more about the Women Authors of Achievement (WAA) Podcast via waa.berlin/aboutFollow us on Instagram & find us on LinkedInSubscribe to our newsletter via waa.berlin/newsletter ★ Support this podcast on Patreon ★

AI is forcing us to define what being human is. So, did our host, an art curator and writer, dare to create a Manifesto? Awkward? Or are we not used to women proclaiming things? How can art–seemingly at the brink of commodification–bear new forms of being human? Or is does it spotlight you, art wanderer? The self-help book "Tiny Experiments " by Anne-Laure Le Cunff sparked this art question: why did it excite such a meditative exploration of the role of art, and its urgent proclamation? Tune in to find out.Did you enjoy the episode? Think about supporting Exhibitionistas by leaving a small donation: https://buymeacoffee.com/exhibitionistaWhat else to do when we live in a society of images, but don't know what they are? In Joana's words: "Art Wonderment is me, howling, in recognition, in celebration, in fear, in respect, in defiance." Read the rest of her text here because a podcast episode is not the same beast as a text. The complete experience combines the two.Sign up for a tiered monthly support: https://www.buzzsprout.com/2624749/monetization/supporter_settings Your contribution keeps us going.With the wonderful Catalan artist Susanna INGLADA; the timeless wisdom of LAO TZU's Tao Te Ching translated by Ursula K. LE GUIN–, the most innovative Portuguese poet, Fernando PESSOA and his mind blowing creation of more than 100 heteronyms (poets he invented with a persona, a life, and their own authored poetry), amongst which the most extreme of them all, Alberto Caeiro.Art Etiquette Segment guest: Spencer Moore, Creator and host of The Hairy Chin PodcastArt question: why is contemporary art not considered art?Soon: Bonus – full length Art Etiquette episodes.Come for the art, stay for the creative writing–segment, Brainstorm in a Teacup, where Joana reads short texts from her notebooks exposing her inner thoughts and strange fictional flash writing.Jingle: "Wunder", experimental poem by Joana P. R. Neves.00:00:00 - Intro: A Different Start + Featured Artist Susanna Inglada00:02:06 - The Self-Help trap00:13:36 - Art Wonderment Manifesto00:19:26 - Art Etiquette with S. Moore: why is contemporary art not considered art?00:28:25 - Art Wonderment Manifesto – Holding the paradox wit artist Susanna Inglada00:33:07 - The mysterious life of Portugal's most intriguing poet, Fernando Pessoa00:42:06 - Brainstorm in a Teacup00:43:55 - A message, a rant, a call for voice notes, a see you soonDid the episode stir Art Wonderment memories? Share them via text or voice message.Support the showCreated & Hosted by Dr. Joana P. R. Neves, art curator and writer with over 20 years of experience in the contemporary art field. Artistic director of Drawing Now Paris since 2018, she has worked across the industry, from the art market to education. She co-launched the art residency and project space Worlding in 2020. Exhibitionistas' first year offered exhibition discussions with guest co-host Emily Harding; organically, it grew into a more experimental show exploring art topics, stories and interviews complemented by Joana's publication Art Thinkosaurus on Substack. She champions ‘Art Wonderment's' embrace of complexity against the lure of ready-made opinions. A polyglot, she grew up in Lisbon, studied and lived in Paris, to finally settle in London with her artist husband, four children and two cats. Find us:On Instagram – @exhibitionistas_podcastOn Substack (NEWSLETTER: sign up!): Art Thinkosaurus > Exhibitionistas FilesOnline: www.exhibitionistaspodcast.comDo you want to be a guest on Art Etiquette? Reach out: joana@exhibitionistaspodcast.comCopyright: Joana P. R. Neves, 2024.

Episode No. 764 features artist Louis Fratino. The Baltimore Museum of Art is exhibiting "Fratino and Matisse: To See This Light Again" through September 6. The exhibition shows how Matisse -- specifically Baltimore's great Matisse collection -- has informed Fratino's painting. The exhibition was co-curated by Virginia Anderson and Katy Rothkopf. Fratino, who earned his undergraduate degree at Baltimore's Maryland Institute College of Art, often depicts intimate personal spaces and experiences, usually by centering queer life and the male body. His work has been the subject of a solo show at the FLAG Art Foundation, New York; he has been included in group exhibitions at museums such as the Long Island Museum, Stony Brook, NY; the Institute of Contemporary Art, Boston, the RISD Museum, Providence; and the Columbus Museum of Art. His work is well-collected by art museums such as the Art Institute of Chicago, the British Museum, London, the Metropolitan Museum of Art, New York, the MCA Chicago, and the MFA Houston. Air date: June 25, 2026.

Episode 532 / KoakKoak is an artist born in  Lansing, MI who earned her BFA and MFA from California College of the Arts. In 2025, Koak was the subject of a solo exhibition at Charleston, Lewes, UK. She has participated in many institutional group shows, including at the Frye Art Museum, Seattle, WA; Kemper Museum of Contemporary Art, Kansas City, MO; de Young Museum, San Francisco, CA; Berkeley Art Museum and Pacific Film Archive, CA; Musées d'Angers, France; Xiao Museum of Contemporary Art, Rizhao; and Rudolph Tegners Museum and Statue Park, Dronningmølle, Denmark, among others. In 2020, Koak received a Eureka Fellowship from the Fleishhacker Foundation and completed residencies at the Tamarind Institute in Albuquerque, NM, and at Minnesota Street Project in San Francisco, through the Liquitex Residency program. Koak's work is part of the permanent collections of the de Young Museum, Kemper Museum of Contemporary Art, and Musées d'Angers. She lives and works in San Francisco and is represented by Perrotin, Union Pacific, and Jessica Silverman. 

Pop art and New York share a special relationship. The Guggenheim was particularly important to the evolution of the genre in the city, when a British curator organized the first museum presentation of Pop art in New York in 1963. This summer, the Guggenheim is exploring the Pop art in its collection with a new exhibit, Guggenheim Pop: 1960 to Now, featuring the work of 29 artists who engaged in Pop art, from the past to the present. Guggenheim curator Lauren Hinkson discusses the show and the unique artistic signatures of Pop. Image Courtesy of the artist and Perrotin: Maurizio Cattelan,Comedian, 2019. Bananaand duct tape, 7 7/8×7 7/8×1 15/16 in. (20×20×4.9 cm), edition 3/3. Solomon R. GuggenheimMuseum, New York, Anonymous promised giftT16.2020. © Maurizio Cattelan. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tom Dreesen Obit + Opera Festival of Chicago Gary Zidek Happy Father's Day! On this edition of The Arts Section, host Gary Zidek revisits his interview with celebrated comedian Tom Dreesen. The Harvey native, who enjoyed a decades-long career in show business, passed away this week. Theater critic Jonathan Abarbanel joins Gary to review a world premiere at Lookingglass Theater. Later in the show, Gary highlights the mission the Opera Festival Of Chicago. And we'll take a look at a conversational exhibit at the Museum of Contemporary Art.

Javier Proenza speaks with Ioanna Sakellaraki, a Greek visual artist, photographer, and Fulbright Scholar currently conducting research with the Smithsonian, about the development of her interdisciplinary practice across photography, collage, embroidery, and archival work. The conversation examines Sakellaraki's transition from a career in communications strategy with EU institutions into contemporary art, the influence of personal grief and the discovery of her late father's archive on her work, and her engagement with Greek mourning traditions, Orthodox ritual, memory, and the unstable boundary between documentary and conceptual image-making.

"What does it mean to age – and can we change it?" This is the question that filmmaker David Donnelly set out to explore while writing and directing the award-winning documentary Forever Young. Filmed over three years and spanning three continents, the project takes viewers from the cutting-edge research labs of the Buck Institute in Northern California to communities around the world known for their longevity and healthy aging practices. The result is an 88-minute documentary featuring scientists, physicians, researchers, and thought leaders examining one of humanity's most enduring questions: how do we age, and what can modern science teach us about living longer and healthier lives? Jump in now to discover: Surprising insights from the science of aging and longevity The difference between lifespan and healthspan Emerging therapies and technologies being studied for healthy aging How genetics, epigenetics, and cellular health may influence the aging process David is an award-winning filmmaker, writer, and visual artist whose work explores the intersection of culture, technology, and the human experience. His films, installations, and mixed-media projects have been featured in major museums, international festivals, and private collections worldwide. David's films have been showcased at premier institutions including the Whitney Museum of American Art, the Chicago Museum of Contemporary Art, the Kennedy Center, the Hamburg Elbphilharmonie, the Beijing Music Festival, and the Arvo Pärt Center. Watch the movie Forever Young on Apple TV. Connect with David: Personal Website Forever Young Website IMDB Profile

Bad at Sports Episode 951 has Duncan MacKenzie and Ryan Peter Miller still in Miami for a conversation with Chicago artist Tali Halpern at NADA, representing 1210 Gallery. The conversation spans weaving, sobriety, punk music, queer identity, labor, spectacle, and the ecstatic possibilities of fiber art. Halpern discusses their transition from painting and addiction into weaving, their work with digital looms at Loom Room, and the way embellishment, rhinestones, embroidery, and collage become acts of healing and reconstruction. The episode touches on Chicago's art community, punk aesthetics, club culture, spiritual labor, and the tension between craft traditions and contemporary experimentation.   Name Drops & Links Tali Halpern — https://tali.rocks/ Twelve Ten Gallery — https://twelvetengallery.com/ NADA Miami — https://www.newartdealers.org/ School of the Art Institute of Chicago (SAIC) — https://www.saic.edu/ Loom Room Chicago — https://www.lmrmchicago.com/ Hope Lange — https://en.wikipedia.org/wiki/Hope_Lange Gregg Araki — https://en.wikipedia.org/wiki/Gregg_Araki Nowhere — https://www.imdb.com/title/tt0119809/ Mike Kelley — https://en.wikipedia.org/wiki/Mike_Kelley_(artist) Paul McCarthy — https://en.wikipedia.org/wiki/Paul_McCarthy Tracey Emin — https://en.wikipedia.org/wiki/Tracey_Emin Sylvia Plath — https://en.wikipedia.org/wiki/Sylvia_Plath Elliott Smith — https://en.wikipedia.org/wiki/Elliott_Smith Ken Burns — https://www.pbs.org/kenburns/ Nirvana — https://en.wikipedia.org/wiki/Nirvana_(band) The B-52's — https://en.wikipedia.org/wiki/The_B-52s Guns N' Roses — https://en.wikipedia.org/wiki/Guns_N%27_Roses Howardena Pindell — https://www.garthgreenan.com/artists/howardena-pindell Melissa Cody — https://www.garthgreenan.com/artists/melissa-cody Cranbrook Academy of Art — https://cranbrookart.edu/ Boulder Museum of Contemporary Art — https://bmoca.org/ The Weaving Mill — https://theweavingmill.com/ Mikey Mosher — https://www.mikeymosher.com/ Cindy Sherman — https://en.wikipedia.org/wiki/Cindy_Sherman Noelia Towers — https://www.noeliatowers.com/ The Killers — https://en.wikipedia.org/wiki/The_Killers  

Episode No. 761 features artists Denzil Forrester and William Wylie. Forrester is featured in "Dancing the Revolution: From Dancehall to Reggaetón" at the Museum of Contemporary Art Chicago through September 20. The exhibition explores and expands the visual, political, and spiritual histories of dancehall and reggaetón through contemporary art produced in the Caribbean, New York, London, and beyond. It was curated by Carla Acevedo-Yates with Cecilia González Godino, Iris Colburn, Nolan Jimbo, and nibia pastrana santiago. A catalogue will be published by the museum and DelMonico Books in July. It is available from Bookshop and Amazon for $60-65. The Grenada-born Forrester is best known for paintings that mine London's dub reggae culture and music clubs of the 1980s for subject and verve. The drawings he made in urban dance halls then continue to inform his work. His paintings are full of references to diaspora, the policing of Black people and culture in the UK, and dub reggae music itself. White Columns, New York, the Institute of Contemporary Art, Miami and the Kemper Museum of Contemporary Art, Kansas City have presented solo exhibitions of his work in the US; in the UK, Nottingham Contemporary, the Jackson Foundation Gallery, Cornwall have too. His work is in the collection of museums such as the Tate, London, and the Metropolitan Museum of Art, New York. Wylie's new photobook is titled "The Eighty-Eight: Photographs from a Japanese Pilgrimage." It features pictures from Wylie's experience fo the Shikoku Pilgrimage, a trail that vists 88 temples associated with the Buddhist monk Kūkai (Kōbō Daishi) on the island of Shikoku. The book was published by George F. Thompson Publishing in association with the Center for the Study of Place, and features an essay by Pico Iyer. Amazon offers it for about $42. This is Wylie's seventh book. His pictures are in the collection of museums such as the Metropolitan Museum of Art, New York, the National Gallery of Art, Washington, and the Yale University Art Gallery. Air date: June 4, 2026.