Podcasts about Contemporary art

In this special episode of Art & Cocktails, artist Danielle Clough joins host Ekaterina Popova (Kat) to share her journey to becoming an internationally recognized embroidery artist. Known for her bold, painterly thread work and playful approach to fiber, Danielle opens up about finding her voice, building a creative career on her own terms, and embracing the power of intuition and process. She reflects on the evolution of her practice, from sewing plush toys and experimenting with “thread sketching” to creating intricate embroidered portraits that feel like paintings. Danielle also discusses her breakout moment with Colossal, the inspiration behind her newest solo show Cruel Intentions at Paradigm Gallery, and how she reimagines vintage imagery through a contemporary lens. This episode explores the value of craft in the art world, the importance of protecting what you love when working with commercial brands, and the joy of slowing down through hands-on making. Danielle offers heartfelt encouragement for emerging fiber artists and shares the story behind her iconic Instagram handle, @fianceknowles. To explore more of Danielle's work, visit danielleclough.com or follow her on Instagram at @fianceknowles. If you are in Philadelphia, don't miss her solo exhibition Cruel Intentions, now on view at Paradigm Gallery. Submissions are now open for Create! Magazine's 9-year anniversary print issue. Apply today at createmagazine.co/call-for-art. https://www.paradigmarts.org/blogs/news/danielle-clough-crewel-intentions Stay Connected Follow Danielle Clough and explore her work: Website: danielleclough.com Instagram: @fianceknowles Visit her solo exhibition Cruel Intentions now on view at Paradigm Gallery: paradigmarts.org Apply to be featured in Create! Magazine's 9-Year Anniversary Print Issue: createmagazine.co/call-for-art Subscribe to Create! Dispatch on Substack for weekly artist interviews, open calls, and creative insights: createmagazine.substack.com Explore online courses, artist resources, and creative business content at Create U: createu.co Follow us on Instagram: @createmagazine

Episode No. 717 features artist Erin Shirreff, curator Davide Gasparotto, and conservator Ulrich Birkmaier. The Milwaukee Art Museum is presenting "Erin Shirreff: Permanent Drafts" through September 1. Across 40 recent collages, photographs, sculptures, and videos, the exhibition reveals Shirreff's interest in the space between images and the objects they picture. The exhibition was curated by Kristen Gaylord. Among the museums that have presented solo exhibitions of Shirreff's work are SITE Santa Fe, the Clark Art Institute, Williamstown, Mass., SFMOMA, and the Institute of Contemporary Art, Boston. "Artemisia's Strong Women: Rescuing a Masterpiece" is at the J. Paul Getty Museum, Los Angeles through September 14. The exhibition reveals conservation work done on Gentileschi's ~1635-37 Hercules and Omphale, a significant painting damaged in a massive explosion in Beirut in 2020. Birkmaier led the conservation of the work, which Gasparotto joined to four other Gentileschis in this exhibition, which particularly highlights Gentileschi's focus on strong women from the classical and Biblical traditions. Instagram: Davide Gasparotto, Tyler Green. Air date: July 31, 2025.

It's the dog days of summer, and we're bringing you our top picks for things to do, see, and eat in our beautiful city. Host Bianca Martin chats with executive producer Hayley Sperling and newsletter editor Rob Thomas about everything from Orton Park Fest and free rooftop movies at the Madison Museum of Contemporary Art, to Dane Dances and the Taste of Madison. Plus, are y'all ready for Badger game days? Tune in and make the most of August in Madison.

A new exhibition at The Shed called 'Open Call: Portals' spotlights the work of 12 New York City artists at the start of their careers. Curator Deja Belardo and Darren Biggart, director of civic programs at The Shed, discuss the exhibit, which runs until August 24.

What happens to a country's art when it was suppressed by decades of authoritarian rule?  A leading Lithuanian art historian, curator, critic and museum administrator discusses the effects of Soviet rule on Lithuanian contemporary art -- even today, after more than 35 years of independence.

What transforms raw materials into meaningful art? How do artists develop their unique voice while standing on the shoulders of those who came before them? In this thought-provoking second part exploration of Jerry Saltz's "How to Be an Artist," we unpack the practical realities of the creative journey and the mindsets that sustain artistic growth.The conversation begins with the critical practice of capturing ideas—through sketchbooks, journals, voice memos—creating an ever-expanding archive of inspiration that artists can mine for future work. We share personal systems for documenting fleeting thoughts and how this practice often reveals what's truly happening in our minds. These captured moments become the seeds from which our most authentic work grows.We tackle the intimidating challenge of finding one's artistic voice, challenging the myth that great artists spring forth with fully-formed originality. All masters begin as students—imitating, copying, and gradually infusing their personal perspective into established forms. The studio becomes the sacred space for this transformation—a sanctuary where imitation evolves into innovation without judgment or shame. Whether your workspace resembles the pristine order of Agnes Martin or the chaotic energy of Francis Bacon, it should serve as your laboratory for experimentation.Perhaps most profound is the discussion of embedding thought and emotion into physical materials—creating work that communicates even when you're not present to explain it. This alchemical process requires deep listening to both your materials and your inner voice. Great art puts out more energy than went into its making, resonating with viewers on levels beyond literal understanding.We close with an essential reminder: there are no wasted days in the studio. Even apparent failures move your practice forward. The struggle itself is valuable—often taking you further than easy successes ever could. Learn to finish work and move forward rather than getting trapped in perfectionism. Your next piece will benefit from everything you've discovered in creating this one.Whether you're a seasoned artist or just beginning your creative journey, this episode offers practical wisdom and permission to embrace both the struggle and joy of making meaningful work that's distinctly yours.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

Iva Gueorguieva (b.1974, Sofia, Bulgaria, lives and works in Los Angeles, CA) received her B.A. from the Tyler School of Art, Philadelphia, PA. She has had recent solo exhibitions at Night Gallery, Los Angeles, Bradwolff & Partners, Amsterdam, and Gavlak Gallery, Palm Beach, FL. Her work is included in public collections such as the Los Angeles County Museum of Art, Los Angeles, CA; Minneapolis Institute of Art, Minneapolis, MN; Museum of Contemporary Art, Los Angeles, CA; Museum of Contemporary Art, San Diego, CA, among others. Iva Gueorguieva, Field 8, 2025 acrylic, charcoal and gauze on canvas 76.25 x 53 inches Iva Gueorguieva Animal 12, 2024 acrylic and gauze on canvas 72 x 50.5 inches Iva Gueorguieva, Kukeri: Birds, 2024 acrylic and gauze on canvas 78 x 50 inches Sketchbook of the artist referenced in the interview.

【目次】怪しい洋館の家主がお出迎え/ キミはもう夏を食べたか / ぴちぴちもろこし / かき氷、好き？/ 1モリモリに対して / 「全然違うやつきた」/ デュエルミス / 高速でぶらしたらもうほぼ同じ / 東京の不動のかき氷人気店はここだ / ピピー！イシイ、レッドカード！/ 【オススメの旅行先】/ かあかあカラスが鳴いてらあ！ / イシイの国内旅行のススメ①京都の◯◯ / natitaの国内旅行のススメ① 長野の◯◯ / イシイの国内旅行のススメ②鹿児島の◯◯ / 「人間はちっぽけとなる」（呪文？） / 生まれて初めて往復10時間かけて歩きました / 抱いたことのない感情と感動 / 「みんな違ってみんないい」のは人間だけじゃない / 富士山気になるよね / 突然呼び出された白雪姫 / 拝啓、「もののけ姫」とジブリ好きのみなさん / いつか屋久島に行きたい方へ、リアル有益情報 / こだまの効果音合ってる？/ ラマーズ法 / 縄文杉トレッキングのオススメコンディション / natitaの韓国の美術館巡り旅 / Leeum美術館 / D MUSEUM / 30代の礼儀としてハート絵文字は声に出して言うようにしています / National Museum of Modern and Contemporary Art (国立現代美術館) がすごい/ 石川県に行きたいんだ！ダン！/ 21世紀美術館 / 冬の石川県 / 雪景色の中の白川郷を生でみたいんや！ / 合掌造り / 自分の生まれ育った国、全部行きたくない？という話 / 黒川温泉と別府温泉のススメ / 熊本があたいを呼んでいる / 入湯手形 / イシイとnatitaの海外旅行のススメ殿堂入り枠◯◯ / natitaの海外旅行のススメ① ドイツの◯◯ / 「進撃の巨人」のモデルとなった街 / ベルリンとミュンヘンのおもひで / イシイの海外旅行のススメ① スコットランドの◯◯ / ◯◯自体が世界遺産 / 「ハリー・ポッター」が生まれたところ / ホグワーツ魔法魔術学校のモデル / 不朽の名作映画「トレインスポッティング」の舞台であり撮影地 /鼻歌になるだけでこんなにも / 絶対に負けられない戦い / 越後製菓！の勢いで / 撮り方、ファッション、セリフ、全部鮮烈 / イシイの特に好きな海外はここだ！/ 土地との相性もあるよねぇ / マチュピチュに行きたいと言い続けて億千光年 / ハムナプトラで育ったイシイ / 「世界・ふしぎ発見!」で育ったnatita / いつか行こうっていつのつもり？/ イシイが熊本に行きたい理由 / ◯◯が好きなnatita / コメントどしどしお待ちしてます！/ PODCASTだろうとジェスチャーしていくのが大人のたしなみ

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week, Emily features an interview with Zeina Barakeh, an animation artist from Beirut now residing in Alameda, California. Zeina discusses her journey from studying interior design in Beirut to obtaining an MFA from the San Francisco Institute of Art and her current PhD in philosophy focused on global security. Her work often reflects her experiences with war, exemplified by her projects like 'CYBOTAGE,' which explores the neuro enhancement of soldiers using art. Zeina's art and educational journey highlight the intersection of creativity with themes of war, resistance, and personal experience. She emphasizes the importance of involving diverse voices in ethical discussions around technological advancements in warfare. About Artist Zeina Barakeh:Zeina Barakeh is a Palestinian-Lebanese artist based in the San Francisco Bay Area. Exhibitions and film festivals include: Poetry is Not a Luxury, The Center for Book Arts, New York City; Silent Narratives, Yinchuan MOCA, Yinchuan, China; Preoccupations: Palestinian Landscapes, Minnesota Street Project, San Francisco; Another Hole in the Head (15th), New People Cinema, San Francisco; The Shape of Birds: Contemporary Art of the Middle East and North Africa, Newport Art Museum, Rhode Island; Kerry Film Festival (19th), Killarney Co. Kerry, Ireland; Altered, Gallery106, Minnesota Street Project, San Francisco; PHOTOFAIRS SF, Connected: The Channel of Democracy: Womanhood, Power & Freedom in Video Art, Fort Mason Center for Arts & Culture, San Francisco; Blue Plum Animation Festival (13th), Johnson City, Tennessee; Detritus, San Jose Institute of Contemporary Art, San Jose; What Makes Us?, Focus Gallery, Zimmerli Art Museum, New Jersey; Harlem International Film Festival (11th), MIST Harlem, New York City; Creation Stories, Johnson & Johnson World Headquarters Gallery, New Jersey; Bring It Home: (Re)Locating Cultural Legacy Through the Body, San Francisco Arts Commission Galleries, San Francisco; PULSE New York, Art Fair, New York City; UNTITITLED, Art Fair, Miami Beach, Florida; Editions/Artists' Book Fair, New York City; International Film Awards Berlin, KINO im Kulturhaus Spandau, Berlin; The Chasm Arena, Yerba Buena Center for the Arts, San Francisco; Women Redrawing the World Stage, SOHO20 Chelsea Gallery, New York City; The Fertile Crescent: Gender, Art, and Society, Bernstein Gallery, Princeton University, New Jersey; The Third Half, The Public Theater, New York City; Facettes, Espace SD, Beirut. Residency awards include: Perspectives: Here and There, Brodsky Center for Innovative Editions, Rutgers University, New Jersey; and Vermont Studio Center.Zeina worked for numerous years at the San Francisco Art Institute, with her last position being Assistant Dean of Academic Affairs. She currently teaches art at Cal State East Bay university as a lecturer.Visit Zeina's Website: ZeinaBarakeh.comFollow Zeina on Instagram: @Zeina.BarakehFor more on Zeina's exhibit "CYBOTAGE" at the Catharine Clark Gallery, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Dreams in Migrations: AAPI Identity, Diaspora, and Resistance in Contemporary Art In this special live episode of What's My Thesis?, host Javier Proenza moderates a closing panel discussion at BG Gallery for Dreams in Migrations—the third annual AAPI (Asian American and Pacific Islander) exhibition curated by artist and organizer Sung-Hee Son. This timely conversation assembles a multigenerational roster of artists whose practices interrogate identity, memory, imperialism, and the myth of the model minority through distinct formal languages and lived experiences. Featuring artists Dave Young Kim, Mei Xian Qiu, and others, the episode moves fluidly between personal narrative and structural critique. Kim speaks candidly about growing up Korean American in Los Angeles, navigating ADHD through drawing, and finding community through both art and street culture. He reflects on his work's deep connection to place—evoking the layered histories of Koreatown through archival images, signage, and symbolic compositions. Mei Xian Qiu offers a moving account of displacement, spiritual ritual, and postcolonial trauma. Born into Indonesia's Chinese diaspora, she discusses her early artistic impulse to create “sacred objects” as a means of processing survival and systemic erasure. Her multimedia works—reminiscent of stained glass and batik—expose the mechanisms of propaganda and the cultural inheritance of violence. Her series Let a Thousand Flowers Bloom revisits China's Hundred Flowers Campaign with a provocative inversion: a mock invasion of the U.S. staged entirely by AAPI artists and academics. Together, the panelists explore diasporic kinship, cross-cultural solidarity, and the politics of visibility within the art world. Proenza draws compelling parallels between the AAPI and Latinx experiences, from forced assimilation and linguistic loss to state violence and Cold War geopolitics. The conversation challenges the flattening effects of labels like “model minority,” advocating instead for nuance, specificity, and coalition-building. The episode concludes with reflections on the power of artist collectives, including the Korean American Artists Collective co-founded by Kim, and a roll call of exhibiting artists whose works are transforming the gallery into a space of resistance, celebration, and shared memory. Featured Artists in the Exhibition: Dave Young Kim Mei Xian Qiu Bryan Ida Tia (Otis MFA ‘23) Miki Yokoyama Key Topics: AAPI identity in fine art Postcolonial trauma and Chinese-Indonesian history Korean American experience in L.A. Propaganda, memory, and resistance The myth of the model minority Artist collectives and community organizing Explore how contemporary AAPI artists are reshaping cultural narratives and reclaiming space through radical aesthetics and collaborative practice.

On this week's episode, I had the joy and honor of speaking with Jordia Benjamin, Executive Director of Indigo Arts Alliance, and Ashley Page, Studio and Program Manager at Indigo Arts Alliance, an arts organization working at the nexus of citizenship, community-building, and creativity.We discuss Indigo's upcoming symposium, Deconstructing the Boundaries: Tending to Communities, which will take place this Saturday, July 26th at the Coastal Maine Botanical Gardens. Culminating a three year partnership between Indigo and the Gardens, this day of sensorial and participatory programs exemplifies Indigo's commitment to cultivating the development of Black and brown artists, especially those working around issues of environmental justice, preservation, and land. Stay tuned for the second part 2, where I'm joined by visual artist Daniel Minter and poet & artist Arisa White.Jordia Benjamin, Executive Director of Indigo Arts Alliance, has a passion for creating compelling programs and cultivating creative environments. She embodies a commitment to equity, inclusion, empowerment and advocacy for communities of color. Jordia leads the Indigo Arts Alliance's day-to-day operations. Her role ensures that the quality and global impact of IAA's activities and programs directly support its mission. A highly effective collaborator, manager, relationship builder, and communicator, she guides and refines the artist residency program, developing related programming that connects our local, national and international communities.Ashley Page is the Studio and Program Manager at Indigo Arts Alliance. She serves as a point of contact for artists and supports the development of related public programs and special projects to best connect artists and communities. In her role, she ensures the smooth operations of the studio and its administrative needs. As an interdisciplinary artist, community organizer, and social disruptor, Ashley's creative spirit, passion for community, and dedication to the artistic growth of artists of color is interwoven into her own artistic philosophy. Drawing from the power of vulnerability, collaborative honesty, and mutual understanding, her work creates the bridges between art and people.To learn more about Indigo Arts Alliance, visit here. Visit Deconstructing the Boundaries: Tending to Communities for more information about the symposium.This episode was produced with support from Indigo Arts Alliance. Follow the show on IG at @theartofitallshow and follow the host at @dariasimoneharper! Don't forget to rate, review, and subscribe. Sharing an episode with a friend never hurts either;)

Grant was born in 1982 in Worthing, and is a London based artist who completed a MA in Painting at the Royal College of Art in 2012. In 2019 Grant was International Randall Chair at Alfred University, New York, and in 2016 was Fellow in Contemporary Art with The British School at Rome.In 2007 he was a Prizewinner in John Moores 25, and is currently a mentor on The Turps Banana painting program and founding member of audio/visual recording project in a skull. 

Thank you for listening to this talk produced by the Art Gallery of South Australia. Curator of Contemporary Art, Leigh Robb, speaks about the practice of artist Joan Ross with a focus on her video work in the AGSA collection, I give you a mountain, currently on display in Gallery 1 in the Elder Wing. This work has also been reimagined as a vivid nocturnal projection for the façade of the Art Gallery of South Australia for Illuminate Adelaide from 4-20 July. For more information visit agsa.sa.gov.au Image: Artist, Joan Ross, born Glasgow, Scotland. Animation, Josh Raymond. I give you a mountain, 2018, Sydney, HD video animation; 6:30 min. Gift of Dr Pei-Yin Hsu, Pam McKee & Jennifer Hallett through the Art Gallery of South Australia Foundation Collectors Club 2022, Art Gallery of South Australia, Adelaide. © Joan Ross; photo: Saul Steed

Episode No. 715 features artist Kandis Williams. The Walker Art Center, Minneapolis is presenting "Kandis Williams: A Surface," the first survey of Williams' career. The exhibition spotlights how Williams has used collage as a tool of Black feminist resistance, to dismantle entrenched histories and power structures, and to rebuild dominant narratives. The exhibition, which was curated by Taylor Jasper with Laurel Rand-Lewis, is on view through August 24. The exhibition catalogue was published by the Walker. Amazon and Bookshop offer it for around $45. Williams is also included in "Performance on Paper" at the Hammer Museum, University of California, Los Angeles. It features prints and drawings created at the intersection of music and dance by about twenty artists active from the 1960s to the present. It was curated by Naoko Takahatake with Jennie Waldow, and is on view through August 10. Williams' previous museum solo exhibition was at the Institute for Contemporary Art, Virginia Commonwealth University. They have been included in group exhibitions at the Museum of Modern Art, New York, the Frye Art Museum, Seattle, at the Studio Museum in Harlem, and in the Hammer Museum's Made in LA biennial. Instagram: Kandis Williams, Tyler Green.

Cheryl Pope is an interdisciplinary visual artist who questions and responds to issues of identity as it relates to the individual and the community, specifically regarding race, gender, class, history, power, and place. Her practice emerges from the act and politics of listening, and recently introduces a novel material to explore the artist's memories. Referencing the familiar repertoire of the French Post-Impressionist, Intimist, and Imagist paintings, Pope recreates deeply personal recollections that cinematically compose the silent complexities of beautiful and tragic oscillations between love and loss in our everyday lives. Images of couples are drawn from memory, referencing the artist's own relationships and moments of disconnect, anxiety, and desire, while beach scenes depicting a mother and child accentuate a tender stillness of caregiving. In these scenes, the figures exist in a nest of choreography–a rotating stage of mystery, tragedy, and poetry of day-to-day living with feelings of presence and absence woven throughout.     Pope (b.1980, Chicago, IL) received her MA in Design (2010) and BFA (2003) from the School of the Art Institute, Chicago, IL, where she is an Adjunct Professor.  Pope has had recent solo exhibitions at moniquemeloche, Chicago, IL (2022, 2019); The Ulrich Museum of Art, Wichita, KS (2022); Rockford Art Museum, Rockford, IL (2019); Galleria Bianconi, Milan, Italy (2019); Andres Guerrero Gallery, San Francisco, CA (2018); and Fort Gansevoort, New York, NY (2017). Notable group presentations include Eli and Edythe Broad Art Museum, East Lansing, MI (2023); The FLAG Art Foundation, New York, NY (2023 2021); Everson Museum, Syracuse, NY (2023); Kalamazoo Institute of Arts, Kalamazoo, MI (2022); Weinberg/Newton Gallery, Chicago, IL (2022); Skin in the Gamecurated by Zoe Lukov, Chicago, IL (2022); Fountainhead, Miami, FL (2021); Santa Barbara Museum of Art, Santa Barbara, CA (2021); Virginia MOCA, Virgina Beach, VA (2021); and the Museum of Contemporary Art, Chicago, IL (2020). Pope's work will be included in the upcoming group exhibition Get in the Game: Sport and Contemporary Culture at SFMoMA in 2024. Pope's work is in the collections of Museum of Contemporary Art Jacksonville, FL; the Museum of Contemporary Art, Chicago, IL; UBS Art Collection, New York, NY; Joan Flasche Artists Book Collection, Chicago, IL; Seattle Art Museum, WA; Honolulu Museum of Art, HI; Museum of Contemporary Art, San Diego, CA; Poetry Foundation, Chicago, IL; DePaul University Art Museum, Chicago, IL; Virginia Museum of Fine Arts, Richmond, VA; Baltimore Museum of Art, Baltimore, MD; United States Embassy, Santo Domingo, Dominican Republic; The Jackson West Memorial Hospital, Miami, FL; and The Ulrich Museum of Art, Wichita, KS. She has been the recipient of several awards and fellowships, including the Public Artist Award, Franklin Works, Minneapolis, MN (2017); Selected Artist, Year of Public Art, Chicago Cultural Center, IL (2017); Mellon Fellowship, Kenyon College, Gambier, OH (2016); and 3Arts Award, Chicago, IL (2015). Pope lives and works in Chicago, IL and Miami, FL. Artist https://www.cherylpope.net/ monique meloche https://www.moniquemeloche.com/artists/35-cheryl-pope/works/ Hyperallergic https://www.moniquemeloche.com/press/492-talking-a-big-game-the-art-of-sports/ | https://www.moniquemeloche.com/press/280-artists-on-basketball-and-its-discontents/ Art Daily https://www.moniquemeloche.com/press/451-the-baltimore-museum-of-art-announces-approximately-75/ Observer https://www.moniquemeloche.com/press/437-early-sales-and-excitement-at-art-basel-miami/ The Guardian https://www.moniquemeloche.com/press/430-strike-fast-dance-lightly-largest-ever-boxing-exhibition/ BOMB https://www.moniquemeloche.com/press/420-cheryl-pope-by-carolina-wheat/ Chicago https://www.moniquemeloche.com/press/406-fall-fashion-artists-in-their-natural-habitats/ Reader https://www.moniquemeloche.com/press/418-chicago-is-a-protest-town/

In this heartfelt and inspiring episode of The Tiberius Show, host Tiberius sits down with Orlando-based abstract expressionist Anthony Astarita for a candid conversation about life, healing, and the power of creativity.From his early days drawing on walls in Brooklyn to becoming a celebrated visual artist in Central Florida, Anthony shares how his instinctual approach to painting and his “frosting” series were born out of remission from cancer. Learn how he uses color, texture, and playful energy to express joy—and why 20% of his art proceeds go to helping children in homeless shelters.Topics Covered:•    What is Abstract Expressionism and how Anthony defines it•    How a cancer diagnosis reshaped his outlook and led to his Frosting Series•    The role of playfulness in creating art as an adult•    Navigating the art world as a self-taught artist•    How he supports young creatives and underserved communities•    His views on AI in the art world•    Practical advice for artists seeking gallery representation•    How math, leadership, and daily creativity play into an artist's lifeAlso, don't miss a fun segment on math, a peek into Anthony's pets and hobbies (yes, he has a bearded dragon!), and powerful reflections on what it means to let art be art.Subscribe now and join us as we explore the soul of creativity through color, courage, and community!Become a supporter of this podcast: https://www.spreaker.com/podcast/the-tiberius-show--3352195/support.

On this edition of The Arts Section, host Gary Zidek visits the Museum of Contemporary Art's new exhibit, CITY IN A GARDEN, that explores Chicago's Queer art and activism communities. The Dueling Critics, Kelly Kleiman and Jonathan Abarbanel, join Gary to review a new ambitious production of ANGELS IN AMERICA. Later in the show, it's all accordions, all the time, as the annual Accordions and Teaches Guild Fest returns to the area. And we'll discuss where to get the best Italian Beefs in the Chicago-area.

⁠Jen Dalton ⁠+ ⁠William Powhida⁠ are the founders of the ⁠Zero Art Fair⁠. The basic concept that drives the fair is to get great art that artists have in storage—out of storage and into people's lives, irregardless of their financial situation to purchase art. They started the⁠ fair upstate last year ⁠and this year, they were invited to present it at a highly respected institution in Chelsea, ⁠The Flag Art Foundation. ⁠ Bill and Jen explore and illuminate their ideas and innovations with Dr. Lisa. They discuss their various projects and processes, (their first project together was in 2008), leading up to this fair and where they are now—getting work into art lovers hands, especially if those folks don't have the disposable income to buy art. Such a fun talk to hear how Jen and Bill have really honed their thinking and process, keeping in mind the desire to make these fairs and interventions scaleable and sustainable simply so the plans can be implemented anywhere. I encourage you to listen to this episode as Bill and Jen describe this important project which seeks to go beyond an art fair and open a dialogue about so much more—such as what is the value of art and what is the social purpose of it? The basics of the Zero Art Fair ⁠HERE⁠ JEN DALTON https://www.jenniferdalton.com/ @jendalton_ Bio: Jennifer Dalton (born 1967) is an American artist. She received her Master of Fine Arts from Pratt Institute in 1997. Dalton's work has been exhibited in galleries and museums internationally, including the FLAG Art Foundation in New York, the Curator's Office in Washington, DC, Kunsthalle Wien (Vienna), Contemporary Museum in Baltimore and the Chicago Museum of Contemporary Art. She was also included in La Superette at Deitch Projects, Participant Inc. and The Cult of Personality: Portraits of Mass Culture at Carriage Trade, both in New York. She has been an artist-in-residence at numerous artist colonies, including the MacDowell Colony, Yaddo, Vermont Studio Center, Millay Colony for the Arts and the Smack Mellon Studio Residency Program. She was a recipient of a Pollock-Krasner Foundation Grant in 2002. WILLIAM POWHIDA https://williampowhida.com/ @williampowhida BIO: William Powhida (born 1976) is an American visual artist and former art critic.Powhida's work is critical and addresses the contemporary art world. Powhida received his Master of Fine Arts in painting from Hunter College in January 2002. He is currently represented by Postmasters Gallery (NY), Charlie James Gallery (LA), Poulsen Gallery (DK), and Platform Gallery (WA). He holds a BFA in Painting from Syracuse University and an MFA in painting from Hunter College. His work has been written about in the New York Times, Artforum, Art in America, The Los Angeles Times, Hyperallergic, ArtFCity, The Guardian, the New Yorker, New York Magazine, and October among other publications. His work in the collections The San Diego Museum of Art, The Henry Art Museum, The Crocker, The Orange County Museum of Art, Casa Maaud, and JP Morgan Chase.

What if the path to becoming an artist wasn't shrouded in mystery but illuminated by practical wisdom? In this deep dive into Jerry Saltz's transformative book "How to Be an Artist," we explore the Pulitzer Prize-winning critic's generous, accessible, and remarkably grounded advice for creative souls at any stage of their journey."Art is for everyone," Saltz declares, immediately dismantling the barriers that keep so many from pursuing their creative calling. Whether you're wondering if you can be an artist without formal education, while working full-time, or while wrestling with crippling self-doubt, his answer rings clear: "Of course you can." Through our conversation, we unpack how Saltz's decades of observing artists have yielded insights that speak directly to the heart of the creative struggle.The book's wisdom resonates powerfully throughout our discussion – from embracing the uncomfortable vulnerability of making art to recognizing that "the faster your work makes sense, the faster people will lose interest." We explore why certainty kills curiosity, how imagination forms the very essence of human existence, and why getting productively lost might be the most direct path to finding your voice. Saltz's practical advice – "cast your nets into the waters" of inspiration and "work, work, work" – offers a refreshing antidote to creative paralysis.Perhaps most encouraging is Saltz's insistence that it's never too late to begin. Through stories of artists who found success later in life (including Saltz himself who didn't become serious about his calling until age 40), we confront the myth that artistic accomplishment requires early specialization. Whether you're just starting out or seeking to deepen your existing practice, this episode offers a roadmap filled with practical wisdom, compassionate encouragement, and the liberating reminder that "nothing happens if you're not working, but anything can happen when you are."Buy "How to be an Artist" by Jerry SaltzSend us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

July 8,  2025 -  We've got Kari Eckert from the Robbie's Hope foundation to talk about their initiatives focused on helping prevent suicide and encourage more positive communication around mental health for America's youth. More information about Robbie's Hope and their upcoming MCA exhibit, “Through Their Eyes” below!   https://foundation.robbies-hope.com/ https://hopefull-conversations.simplecast.com/ https://www.instagram.com/robbieshope1/   Robbie's Hope Handbook and Resources: https://robbies-hope.com/resources/#for-parents-&-trusted-adults   Robbie's Hope “Through Their Eyes” exhibit at the Denver Museum of Contemporary Art is running  Aug 6th - Sept 14th!   "Through Their Eyes" aims to shed light on the often-overlooked struggles and triumphs of young people dealing with mental health issues. The exhibition features a diverse collection of artwork, including paintings, digital media, poetry, and music, all created by talented teen artists who have bravely shared their personal experiences and perspectives.  The works have been curated from Robbie's Hope's annual juried art competition, The Hall of Personal Expression. As always, we're also going over our favorite news, sports takes and upcoming events for Denverites this week!   Follow WDG: YouTube: https://www.youtube.com/channel/UC8u8GmvBi6th6LOOMCuwJKw Instagram: https://www.instagram.com/whats_good_denver/ TikTok: https://www.tiktok.com/@whatsgooddenver   Do you have a Denver event, cause, opening, or recommendation that you want to share with us? We want to hear from you! Tell us what's good at tom@kitcaster.com.   Troy's Takes:    Jokic's Horse wins   Chris Paul Retiring   Most expensive summer league ticket ever     Developing Denver:   Potential Plan for New Broncos Stadium in Burnham Yard     Events:   Denver Brunch Fest (Giveaway on socials)   Inner Circle Takeover @ Larimer Lounge   Summer Concert Series @ Denver Botanic Gardens   Summer of Loud @ The Junkyard   Red Rocks Schedule     Music produced by Troy Higgins Goodboytroy.com  

We sit down with curator Rachel Adams to talk about institutional evolution, artists as infrastructure, and how curatorial practice shifts between museums and biennials. Rachel reflects on working with artists like Cauleen Smith, Liz Magic Laser, and Beatriz Santiago Muñoz, the power of slow curation, and why she's drawn to hybrid spaces that defy the market. Along the way: phantom titles, artist contracts, Minneapolis moments, and a manifesto in a box of ice cream bars. Cauleen Smith cauleensmith.com   Liz Magic Laser lizmagiclaser.com   Beatriz Santiago Muñoz lima.art   Candice Hopkins indigenousnewyork.org   Nato Thompson https://www.natothompson.com/about   Christina Vassallo columbusmuseum.org   Sarah Schultz mplsart.com   Alison Hearst themodern.org   Andrea Andersson riversinstitute.org   Franklin Sirmans pamm.org   Mary Jane Jacob https://never-the-same.org/interviews/mary-jane-jacob/   Independent Curators International (ICI) curatorsintl.org   image: Asad Raza, Orientation, 2022. Courtesy of the artist. Photo: Field Studio.

WBBM's Carolina Garibay stops by the Museum of Contemporary Art to check out its newest exhibit titled "City in a Garden: Queer Art and Activism in Chicago." It explores the role Chicago has played in queer art and activism.

Today I'm sitting down with someone I've known for quite some time. Watching her grow, build, reinvent, and create from the inside out has been inspiring, and honestly, a little wild, in the best way. Cynthia Mensah-Neglokpe is the founder of clicqui and KORE. In this conversation, we talked about starting over,  more than once. About what burnout really looks like when you're the one everyone counts on. And how community, when done right, can quite literally bring you back to yourself.You'll hear how Cynthia went from managing luxury brands to building grassroots spaces in four cities, all while figuring out how to protect her energy and build something that actually lasts. If you've ever thought about creating something real, something that connects people and still keeps you whole. This one's for you.Let's get into it. And if you love this episode, leave a review, send it to a friend, or just hit replay.Read more about the Women Authors of Achievement (WAA) Podcast via waa.berlin/aboutFollow us on Instagram & find us on LinkedInSubscribe to our newsletter via waa.berlin/newsletter ★ Support this podcast on Patreon ★

WBBM's Carolina Garibay stops by the Museum of Contemporary Art to check out its newest exhibit titled "City in a Garden: Queer Art and Activism in Chicago." It explores the role Chicago has played in queer art and activism.

WBBM's Carolina Garibay stops by the Museum of Contemporary Art to check out its newest exhibit titled "City in a Garden: Queer Art and Activism in Chicago." It explores the role Chicago has played in queer art and activism.

23:49 Sun 06.07.2025 I'm with Ashraf in my room after billiards and a walk.Glad I got to upload in time (recorded earlier in the day).I'm not sure what I want to do for next week but it's good to have some goals.I care about this relationship.

Episode No. 713 is a Fourth of July weekend clips episode featuring artist Carmen Winant. This episode was taped in 2023 on the occasion of the Minneapolis Institute of Art's presentation of Winant's “The last safe abortion” through December 31. It features Winant's assemblages of historical photographs gathered from across the Midwest that detail the work of providing health care to women. That work includes answering phones, presenting training sessions, scheduling appointments, and more. “The last safe abortion” was curated by Casey Riley. Winant's work typically explores representations of women through strategies such as collage and installation. Her exhibition credits include the Wexner Center for the Arts at The Ohio State University, the Carnegie Museum of Art, Pittsburgh, Sculpture Center, Queens, the Bemis Center for Contemporary Arts, Omaha, the Institute of Contemporary Art Boston, and many venues in Europe. For images, see Episode No. 621. Instagram: Carmen Winant, Tyler Green.

Join us for a conversation with author and new media artist Scott Snibbe. Snibbe will introduce us to the history of his pioneering use of new technology and his exploration of traditional art forms. His artwork has been featured in leading institutions, from MoMA, SFMOMA, and The Whitney Museum of American Art to London's Institute of Contemporary Art, Tokyo's Intercommunications Center, and beyond. Snibbe has collaborated with renowned artists and creators throughout his career, including multiplatinum recording artist Björk on the groundbreaking “app album” Biophilia, filmmaker James Cameron, musician Beck, and composer Philip Glass. He is the author of How to Train A Happy Mind, featuring a forward written by the Dalai Lama. In his latest work, Snibbe draws from centuries-old Tibetan thangka painting techniques he studied in Nepal, which inspired him to explore the intersections of digital media and ancient craftsmanship. At the confluence of technology, traditional painting, and interactive design, Snibbe creates participatory experiences that push the boundaries of contemporary art and invite audiences to engage with it in new and unexpected ways. A Technology & Society Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. OrganizerGerald Anthony Harris  Learn more about your ad choices. Visit megaphone.fm/adchoices

Lisa Yuskavage creates works that affirm the singularity of the medium of painting while challenging conventional understandings of genres and viewership. At once exhibitionist and introspective, her rich cast of characters and their varied attributes are layered within compositions built of both representational and abstract elements, in which color is the primary vehicle of meaning. Yuskavage's work has been the subject of numerous solo exhibitions, including Lisa Yuskavage: Wilderness, which was on view at the Aspen Art Museum in 2020 and the Baltimore Museum of Art in 2021. In 2015, The Rose Art Museum, Brandeis University, Waltham, Massachusetts, presented Lisa Yuskavage: The Brood, a major survey spanning twenty-five years of the artist's work. The show traveled to the Contemporary Art Museum St. Louis in 2016. Lisa Yuskavage: Drawings just opened at The Morgan Library & Museum and is on view through January 4, 2026.Museum collections which hold works by the artist include the Art Institute of Chicago; Hirshhorn Museum and Sculpture Garden, Washington, DC; The Metropolitan Museum of Art, New York; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; San Francisco Museum of Modern Art; and the Whitney Museum of American Art, New York, among others. She and Zuckerman discuss changing the world, vulnerability, why make art, using pushback as an opportunity, pushing against resistance, getting rid of self-doubt, and how Art makes you feel less alone!

Fluent Fiction - Italian: From Canals to Canvas: Alessandro's Biennale Breakthrough Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2025-06-30-22-34-02-it Story Transcript:It: Il sole d'estate brillava su Venezia.En: The summer sun shone on Venezia.It: La Biennale era in pieno svolgimento.En: The Biennale was in full swing.It: C'erano artisti e amanti dell'arte provenienti da tutto il mondo.En: There were artists and art lovers from all over the world.It: Tra loro c'era Alessandro.En: Among them was Alessandro.It: Era un artista emergente di Firenze.En: He was an emerging artist from Firenze.It: Venne a Venezia con un sogno.En: He came to Venezia with a dream.It: Sognava di far conoscere il suo talento.En: He dreamed of making his talent known.It: Alessandro alloggiava da Marco, il suo amico di infanzia.En: Alessandro was staying with Marco, his childhood friend.It: Marco abitava a Venezia da anni.En: Marco had lived in Venezia for years.It: Era così eccitante avere l'opportunità di partecipare alla Biennale.En: It was so exciting to have the opportunity to participate in the Biennale.It: Alessandro voleva emergere, ma la competizione era forte.En: Alessandro wanted to stand out, but the competition was strong.It: Le strade erano vive, piene di risate e sussurri.En: The streets were alive, filled with laughter and whispers.It: Nel mezzo di questa vivacità, Alessandro cercava di catturare l'attenzione delle persone.En: In the midst of this vibrancy, Alessandro tried to capture people's attention.It: Aveva con sé il suo portfolio.En: He carried his portfolio with him.It: Lo mostrava a chiunque sembrasse interessato.En: He showed it to anyone who seemed interested.It: Ma sembrava difficile distinguersi tra tanti artisti talentuosi.En: But it seemed difficult to stand out among so many talented artists.It: Giulia, una curatrice di Roma, passeggiava tra le esposizioni.En: Giulia, a curator from Roma, was strolling among the exhibits.It: Cercava nuovi talenti per la sua galleria.En: She was looking for new talents for her gallery.It: Amava l'arte contemporanea con una visione fresca.En: She loved contemporary art with a fresh vision.It: Mentre passava davanti a uno stand, vide Alessandro.En: As she passed by a stand, she saw Alessandro.It: Lui presentava i suoi dipinti a un piccolo gruppo di persone.En: He was presenting his paintings to a small group of people.It: Sentì un impulso.En: She felt an urge.It: Decise di fermarsi e guardare.En: She decided to stop and look.It: Alessandro notò Giulia tra la folla.En: Alessandro noticed Giulia in the crowd.It: Sentì che doveva parlare con lei.En: He felt he had to speak with her.It: Si fece strada tra la gente, nervoso ma determinato.En: He made his way through the people, nervous but determined.It: "Ciao, sono Alessandro," disse.En: "Hello, I'm Alessandro," he said.It: "Vorrei mostrarti i miei dipinti."En: "I'd like to show you my paintings."It: Giulia sorrise, accettando.En: Giulia smiled, agreeing.It: Uno dei dipinti attirò subito la sua attenzione.En: One of the paintings immediately caught her attention.It: Era un quadro colorato, pieno di energia e vita.En: It was a colorful painting, full of energy and life.It: "È meraviglioso," disse Giulia.En: "It's wonderful," said Giulia.It: "Riflette un mondo vibrante.En: "It reflects a vibrant world.It: Mi sembra diverso."En: It seems different to me."It: Si trattennero a parlare di arte.En: They stayed to talk about art.It: Discuterono a lungo, nel cuore della Biennale.En: They discussed at length, in the heart of the Biennale.It: Il loro dialogo era animato, pieno di idee e sogni.En: Their dialogue was lively, full of ideas and dreams.It: Entrambi sentirono una connessione.En: They both felt a connection.It: Alla fine, Giulia fece una proposta.En: In the end, Giulia made a proposal.It: "Vorrei esporre il tuo lavoro a Roma," disse.En: "I'd like to exhibit your work in Roma," she said.It: Alessandro non poteva credere alle sue orecchie.En: Alessandro couldn't believe his ears.It: Era entusiasta.En: He was thrilled.It: "Sì, sarebbe fantastico," rispose.En: "Yes, that would be fantastic," he replied.It: Quella sera, camminarono insieme lungo i canali veneziani.En: That evening, they walked together along the Venezia canals.It: L'acqua rifletteva la luce della luna, creando un'atmosfera magica.En: The water reflected the moonlight, creating a magical atmosphere.It: Parlava di progetti futuri e di possibilità.En: They talked about future projects and possibilities.It: Sentivano un leggero battito nei cuori.En: They felt a gentle beating in their hearts.It: C'era più della semplice arte a legarli.En: There was more than just art connecting them.It: Alessandro tornò a Firenze cambiato.En: Alessandro returned to Firenze changed.It: Era più sicuro di sé.En: He was more confident.It: Aveva preso un rischio e aveva vinto.En: He had taken a risk and won.It: Il sogno di esporre le sue opere in una galleria di Roma si stava realizzando.En: The dream of exhibiting his works in a Roma gallery was becoming a reality.It: E aveva trovato anche una nuova amicizia speciale con Giulia.En: And he had also found a new special friendship with Giulia.It: Venezia non era solo una città.En: Venezia was not just a city.It: Era stata anche un nuovo inizio.En: It had also been a new beginning.It: Una porta aperta verso il futuro, piena di promesse e colori vivaci, proprio come i suoi dipinti.En: An open door to the future, full of promises and vibrant colors, just like his paintings.It: Anche il legame con Giulia rappresentava una nuova e luminosa speranza.En: Even the bond with Giulia represented a new and bright hope. Vocabulary Words:the summer: l'estatethe sun: il solethe artist: l'artistathe dream: il sognothe talent: il talentothe childhood: l'infanziathe opportunity: l'opportunitàthe street: la stradathe laughter: le risatethe whisper: il sussurrothe vibrancy: la vivacitàthe portfolio: il portfoliothe curator: la curatricethe exhibit: l'esposizionethe gallery: la galleriathe vision: la visionethe stand: lo standthe impulse: l'impulsothe crowd: la follathe painting: il dipintothe energy: l'energiathe life: la vitathe world: il mondothe proposal: la propostathe moonlight: la luce della lunathe atmosphere: l'atmosferathe beating: il battitothe bond: il legamethe hope: la speranzathe door: la porta

This talk will serve as a comprehensive guide to alternative investments, offering insights into diverse asset classes beyond traditional stocks and bonds, empowering investors to explore opportunities in areas like real estate, wine, watches, art and cars. Joe Twyman (Classic Car Investment), Tom Gearing (CEO of Cult Wines) and Chris Youé (PHILLIPS Auction House representative on Contemporary Art and Watches).  

Episode No. 712 features artist Julian Hoeber and curator María Elena Ortiz. Hoeber is included in "Generations: 150 Years of Sculpture" at the Nasher Sculpture Center, Dallas. The exhibition offers a new selection of works from the Nasher collection that offers conversations between works from the past and present. Hoeber's practice centers perception and searches for ways to exceed and reconcile limits set by binary ideas such as interior and exterior, or psychic and somatic. Paradoxically, he often uses binary systems, such as stereoscopic vision, in his work. His exhibition credits include Desert X 2019, a Hammer Projects show in 2010, and gallery shows in San Francisco, New York, Milan, Los Angeles, London, and more. His work is in the collection of museums such as the Museum of Modern Art, New York; the Museum of Contemporary Art, Los Angeles, the Hammer Museum, and the Nelson-Atkins Museum of Art, Kansas City.  Ortiz is the curator of "Feeling Color: Aubrey Williams and Frank Bowling" at the Modern Art Museum of Fort Worth. "Feeling Color" pairs the work of two Guyanese artists and considers their roles in the history of late-twentieth-century abstract painting. "Feeling Color" is on view through July 27. Instagram: Julian Hoeber, María Elena Ortiz, Tyler Green.

Julie Curtiss was born in 1982 in Paris, France and lives and works in Brooklyn, New York. She studied at the École Nationale Supérieure des Beaux-arts, Paris, during which time she undertook two exchange programmes; one at the Hochschule für Bildende Künste, Dresden and the other at the School of the Art Institute of Chicago. Curtiss graduated in 2006 with a BA and MFA. Recent solo exhibitions include White Cube Hong Kong (2023); Anton Kern Gallery, New York (2022; 2020; 2019); White Cube Mason's Yard, London (2021); Various Small Fires, Los Angeles (2018); and 106 Green, Brooklyn, New York (2017). Group exhibitions include Fondation Carmignac, Porquerolles, France (2024); Dallas Museum of Art, TX (2023); MCA Chicago, IL (2023); Yuz Museum, Shanghai (2023); FLAG Art Foundation, New York (2023); Leeum Museum of Art, Seoul (2022); Biennale des Arts de Nice, France (2022); The Shed, New York (2021); Nassau County Museum of Art, Roslyn, New York (2019); Perrotin, Seoul (2019); Clearing, New York (2019); White Cube Bermondsey, London (2017). She has been the recipient of a number of fellowships and awards, including Youkobo Art Space Returnee Residency Program, Tokyo (2019); Fellow of the Sharpe-Walentas Studio Program, New York (2018); Saltonstall Arts Colony Residency, New York (2017); Contemporary Art Center at Woodside Residency Program, New York (2013); VAN LIER Fellowship, New York (2012); Louis Vuitton Moët Hennessy's Young Artists Award (2004); and Erasmus European Exchange Program Grant, Hochschule für Bildende Künste, Dresden (2003).Curtiss' work is represented in a number of museum collections, among which are Bronx Museum, New York; Columbus Museum of Art, Ohio; High Museum, Atlanta; Los Angeles County Museum of Art; Maki Collection, Japan; Museum of Contemporary Art, Chicago; Walker Art Center, Minneapolis; and Yuz Museum, Shanghai.

A photo of the artist: Judith Simonian with Charles Yuen Many of Simonian's works in the exhibition at JJ MURPHY Gallery are still lifes, such as “Marysia's Salon” (2024), which was inspired by a visit to a Polish beauty parlor in her East Village neighborhood. “Bottle Symphony in Red” (2023) recalls Giorgio Morandi. Whereas Morandi's still lifes are a delicate arrangement of vases, jugs, bowls, urns, and bottles, painted in muted colors—whites, browns, and tans—set against a neutral background, Simonian bombards our senses through her use of high-intensity reds, pinks, blue-greens, grays, blacks, and yellow ochre. In “Inside Outside” (2023), the artist similarly portrays a room as an expressionistic whirlwind of vivid colors. Simonian's paintings deal with intervals, or the spaces between points. Simonian's still lifes often open up an interior space to an exterior one. In “Marysia's Salon,” a photograph tacked on the wall suggests the world outside. “Bobby Pins of Manhattan” (2023-24) provides a glimpse of the city skyline through the window, including the landmark Empire State Building. “Cat in the Lamp” (2024) depicts a black cat inside an illuminated yellow lampshade in front of a large window that overlooks water. Simonian employs careful framing to create meaning. It is possible to view several of her landscape paintings as political allegories. In "Greener Pastures" (2025), the shimmering image of the Statue of Liberty appears to be a mirage, while green brushstrokes seem to hint at water on deck or maybe even a school of fish. "Resting on Her Side" (2024) depicts rocky terrain and the bleak spectacle of a capsized ship. Judith Simonian has had solo exhibitions of her work at 1GAP, Brooklyn; Edward Thorp Gallery, New York City; and John Davis Gallery in Hudson, NY. Her work has been shown in numerous museums, including The New Museum, NYC; MoMA/PS1, NYC; Islip Museum, NY; Montclair Art Museum, NJ; Weatherspoon Art Museum, NC; San Francisco Museum of Art, CA; Santa Barbara Museum of Art, CA; Newport Harbor Art Museum, CA; and the Madison Museum of Contemporary Art, WI. Simonian has been awarded many prestigious honors, including a John Simon Guggenheim Memorial Foundation Fellowship, an Adolph and Esther Gottlieb Foundation Individual Support Grant, and a National Endowment for the Arts Grant. She received her BA and MA degrees from California State University, Northridge. The artist lives and works in New York City. Greener Pastures, 2025, acrylic on canvas, 24 x 32 inches Marysia's Salon, 2024, acrylic on canvas, 30 x 20 inches Enter the Mountain Yellow, 2023, acrylic on canvas, 50 x 66 inches

Episode No. 711 is a summer clips episode featuring artist Patrick Martinez. Martinez is among the artists showing in the Boston Public Art Triennial, which was developed by Pedro Alonzo, Tess Lukey, and a(n unspecified) curatorial advisory group. Martinez's 2025 Cost of Living may be seen at Boston's Downtown Crossing. Martinez is a Los Angeles-based painter whose work investigates socio-economic position, immigration, police violence, and civic and cultural loss. He's had solo shows at museums and kunsthalles such as the ICA San Francisco, the Tucson (Ariz.) Museum of Art, the Madison Museum of Contemporary Art, and the Vincent Price Art Museums. He's been in recent group shows at the Riverside (Calif.) Art Museum, The Broad, Los Angeles, the Museum of Contemporary Art, Los Angeles, the Crystal Bridges Museum of American Art, Bentonville, Ark., and El Museo del Barrio, New York. Martinez also operates Mixed Media Editions. This program was taped in 2024 on the occasion of “Patrick Martinez: Histories” at the Dallas Contemporary. For images, see Episode No. 649. Instagram: Patrick Martinez, Tyler Green.

Dasha Zhukova Niarchos is the founder of Ray, a residential lifestyle brand and real estate development company that builds art-forward residences. Ray's inaugural building in Philly's Fishtown neighborhood comprises 110 residential units and several amenities geared towards creatives and art & design lovers, such as artist studios, co-working space, a gym, a community kitchen, a green roof deck, a lobby living room and an independent art bookstore. One of the best perks of living at Ray is the cultural programming for residents, which includes art classes, gallery openings, and other social activities. The launch of the Philly building was a success, completing lease up in 8 months and proving the thesis that renters want to live in beautifully designed spaces that enhance their everyday experience. Ray's next building in Harlem is designed by Frida Escobedo and includes a new home for the National Black Theatre. The building comprises 222 mixed-income units, a similar suite of amenities, and stunning views of New York from its rooftop terrace.Prior to founding Ray, Dasha founded the Garage Museum of Contemporary Art in Moscow in 2008. The Museum was designed by Rem Koolhaas and is Russia's first and only contemporary art archive. In 2011, she founded Garage Magazine, which she sold and bought back from Vice Magazine. Dasha is also a co-founder of Artsy, a digital art marketplace and discovery platform. She also serves on the board of several organizations and companies, such as the LA County Museum of Art, Soho House, The Met, and more.In this interview, we dove into the business of combining art, design, and real estate development into a cohesive lifestyle brand. I'm excited about Ray because I believe that branded real estate will be a big consumer trend, and I also like the way that Dasha is executing her vision with thoughtfulness and attention to detail.Thank you Peoplevine for sponsoring this episode. Peoplevine is trusted by the best brands in the members club business. Book a free demo to see why at ⁠⁠⁠⁠peoplevine.com.⁠ Thank you to the team at NeueHouse for supporting The Stanza. NeueHouse is the premier work space in NYC and LA for those in the creative industries. Use code ⁠⁠THESTANZA⁠ ⁠for a special offer when applying for your membership.Interview Highlights:How can good design foster community and address the loneliness epidemic?Ray's approach to structuring partnerships with real estate developersPlacemaking in emerging neighborhoodsParameters for choosing the right architectInsights from Dasha's experience in the art world that she brings to RayThe impact of art on mental healthThoughts on the future of the built environment in urban citiesConnect with Dasha ⁠here⁠.Follow Ray here.Follow The Stanza ⁠here⁠.Subscribe to the newsletter ⁠here⁠.

International Arrivals speaks with artist Lau Wai (Hong Kong/USA) (https://www.w-a-i-studio.com/) who discusses their video work, the growth of AI, and the relationship between virtual reality and our physical world. Their work explores identity formation through personal and historic archives, cinematic imagery, and emerging technologies.  The recent exhibition entitled "Facial Recognition" at Jane Lombard Gallery in New York, featured Lau Wai's "Decrypted Sentient 02," a video work with two digitally generated entities discussing their existence and questioning which one of them is the original. Through this work, and others, Wai blurs the boundaries of virtual and physical realities while addressing the impact of AI and digital representation.

Today's guest is Marina Paulenka, program director of Fotografiska Berlin and a fearless voice in contemporary photography. Born in Yugoslavia before the war, Marina's story is one of resilience. From growing up during conflict to building a global platform for artists, often without institutional support.We talked about using photography as a tool for empowerment, activism, and storytelling. Marina shared what it really takes to launch a festival from scratch, the importance of making space for underrepresented voices, and how art can drive real societal change.Let's dive in. And if you enjoy this conversation, don't forget to rate and review us on your favorite podcast platform.Read more about the Women Authors of Achievement (WAA) Podcast via waa.berlin/aboutFollow us on Instagram & find us on LinkedInSubscribe to our newsletter via waa.berlin/newsletter ★ Support this podcast on Patreon ★

For the final installment of the ongoing series 100 Pieces of Art, Sarah Cho, assistant curator at the Queens Museum, recommends 10 pieces of art you should go see in New York City. Listeners share their thoughts on their favorite pieces of art in the city. 

In this episode, we talk with video artist Kadir Kayserilioğlu about his recent work The Walls of Heaven, currently featured in the exhibition Pulsar as part of Projected Ecologies at MUCA Campus in Mexico City. We discuss the accidental origins of the piece, ideas of creation and control through terrariums and Sea Monkeys, god complexes in both art and gaming, reenactment as a narrative device, YouTube aesthetics in video essays, and how humor, chance, and contradiction shape Kadir's broader practice. Plus, we hear about his earlier work The Garden of Forgetting, and a glimpse into what might come next.   Kadir Kayserilioğlu is an artist mainly works on experimental film and video art. His works have been invovled in various exhibitions and screening programs in Turkey and abroad. His artistic practice is grounded in an idea of play that operates across a wide range of forms including video games and collaborative, performance-based videos, documentation and experimental processes. His works often rely on a combination of instructions and protocols on one hand, and collective improvisational processes and chance operations on the other. This often results in works that challenge conventional notions of authorship and authority with a dark humoristic style, and show irreverence towards traditional hierarchies between forms of high and popular culture, assembling high production value with home made and DIY esthetics. His areas of investigation include the nature of social reality, posthumanism, speculative fiction, finiteness, conspiracy theories and micro-stories. He often engages in strategies of the absurd, repurposing mythological narratives as well as science fiction and horror tropes towards a critical take on contemporary political dynamics. https://www.kadirkayserilioglu.com/ https://www.instagram.com/kadirkayserilioglu https://vimeo.com/kadirkayserilioglu https://muca.unam.mx/pulsar.html https://www.lydianstater.co/projected-ecologies https://www.elisagutierrezeriksen.com/  

Episode No. 710 features curator Timothy Anglin Burgard and artist Tony Lewis. Burgard is the curator of "Wayne Thiebaud: Art Comes from Art" at the Legion of Honor in San Francisco. The exhibition details how Thiebaud drew ideas from and reimagined European and US artworks both old and new. It is on view through August 17. A superb catalogue was published by the Fine Arts Museums of San Francisco in association with University of California Press. Amazon and Bookshop offer it for $54-60. Lewis is featured in "What drawing can be: four responses" at the Menil Collection's Menil Drawing Institute, Houston. The exhibition, which also offers work by Jillian Conrad, Teresita Fernández, and Constantin Luser, presents ways in which the four artists stretch the boundaries of drawing and offer new ideas of what it can be. It's on view through August 10. The gallery guide is available here. Lewis' work examines the relationship between semiotics and language as a means to confront subjects such as race, power, communication, and labor. His solo exhibition credits include the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, and the Rose Art Museum, Brandeis University. His work is in the collection of museums such as the Art Institute of Chicago, the Museum of Contemporary Art, Chicago, the Studio Museum in Harlem, and the Museum of Modern Art, New York. Instagram: Tony Lewis, Tyler Green.

Curator, writer, and executive director Jessica Bell Brown returns to reflect on her evolving leadership at the Institute for Contemporary Art at Virginia Commonwealth University. In this conversation, we talk about openness as a strategy, the role of listening in shaping institutions, and what it means to make space for experimentation in times of uncertainty.Jessica shares how porosity, risk, and care shape her curatorial and executive approach—from expanding access beyond traditional art forms to launching chef residencies and community media programs at the ICA. We discuss the influence of her time at MoMA and the Baltimore Museum of Art, the power of contemporary art to respond to crisis, and why joy and curiosity remain central to her vision.Topics Covered:What leadership looks like through the lens of listeningExpanding access to arts beyond galleries and into kitchens and podcastsNavigating risk and limitation in an age of shrinking arts fundingThe evolving responsibility of cultural institutionsThe importance of reflection, care, and creative openness

Lubaina Himid talks to Ben Luke about her influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work. Himid was born 1954 in Zanzibar and lives today in Preston, UK. Her paintings, sculptures and installations are an invitation to consider marginalised figures, communities and diasporic cultures, to expand the histories that frame our worldview, and ultimately to effect change. From the 1980s, Lubaina has been both artist and organiser, a prolific collaborator, and a crucial voice in establishing a platform for Black artists and women artists in the UK and beyond. Engaging directly with historic and contemporary injustice and structural racism, while relating personal and intimate experiences and feelings, and reinterpreting and reimagining Western art history, her work is rigorously critical and yet poetic, sensuous, humorous and often joyous. She talks about the early impact of Stanley Spencer and Bridget Riley, the inexhaustible influence of William Hogarth, her curatorial work of the mid-1980s and her admiration for her peer in the Black British Arts movement Claudette Johnson. She also reflects on the influence of writers including Audre Lorde and Essex Hemphill. Plus, she gives insight into her life in the studio and answers our usual questions, including the ultimate: what is art for?Lubaina Himid with Magda Stawarska: Another Chance Encounter, Kettle's Yard, Cambridge, 12 July-2 November; Connecting Thin Black Lines, Institute of Contemporary Arts, London, 24 June-7 September. Lubaina Himid, British Pavilion, Venice Biennale, 9 May-22 November 2026 Hosted on Acast. See acast.com/privacy for more information.

We head to Sussex to celebrate the newly opened Goodwood Art Foundation. We speak to curator Ann Gallagher, artist Rachel Whiteread and Goodwood Estate proprietor Charles Henry Gordon-Lennox.See omnystudio.com/listener for privacy information.

Live from Andrew Rafacz Gallery, Chicago In this intimate, laughter-filled episode recorded live at Andrew Rafacz Gallery, Duncan and Ryan sit down with artists Jaqueline Cedar and Josh Dihle on the occasion of their concurrent solo exhibitions. The conversation traverses everything from Duchampian bathroom jokes to model train nostalgia, parenthood, masculinity, and why drawing still matters. We dig deep into Cedar's intimate, narrative-rich figure paintings and Dihle's large, toy-like sculptural paintings, both brimming with color, play, and strange tenderness. Along the way, we explore the value of humor, discomfort, labor, scale, and why both artists moonlight as gallerists—Cedar with the roving Good Naked Gallery and Dihle with events at Color Club and The Sugar Hole ice cream shop. It's a heartfelt meditation on art, joy, burnout, and why we keep making. Name Drop List & Related Links Jaqueline Cedar Website | Instagram Good Naked Gallery – Instagram Josh Dihle Website | Instagram Color Club – Website | The Sugar Hole Andrew Rafacz Gallery Website | Instagram Artists & References: Roger Brown Suellen Rocca David Hockney Henry Moore Pieter Bruegel the Elder Duchamp's “Étant donnés” Julius Caesar Gallery (Chicago)  

In this heartfelt and grounding conversation, Kat reconnects with her former professor, artist and printmaker Cheryl Agulnick Hochberg, to explore what it truly means to live a creative life—on your own terms.   Cheryl shares how her work is shaped by place, walking, and deep observation—drawing inspiration from time spent in Wyoming, China, Finland, and her new home in Arizona. Together, they reflect on life after academia, the courage to start over, and the unexpected clarity that comes with experience, loss, and listening to the land.   This episode is a balm for any artist feeling overwhelmed, out of place, or unsure of what comes next. It's a reminder that your work doesn't have to be impressive—it just has to be yours.   In this episode, they discuss: Life after academia and what changed in higher education Making time for your art while raising a family or working full-time How Cheryl approaches residencies, place-based work, and listening Letting go of external pressure and creating from authenticity The real markers of a fulfilling creative life Advice for artists just beginning—or beginning again Cheryl Agulnick Hochberg Website: www.cherylagulnick.com Instagram: https://www.instagram.com/cherylhochberg     ✨ Resources to Support Your Creative Path: Submit to Create! Magazine's open call: createmagazine.co/call-for-art Explore free artist tools + micro-courses at Create U

Few artists aim to make sense of the subjectivity and complexity of time and space quite like the Polish-born, Berlin-based artist Alicja Kwade. In each of her works, ranging from sculptures and large-scale public installations to films, photographs, and works on paper, Kwade displays an astute sense of temporality and the ticking hands of the clock. Her practice, in a literal and figurative sense, is a quest to understand time as a ruler and shaper of our lives and of our world. For her latest exhibition, “Telos Tales,” on view at Pace Gallery in New York's Chelsea neighborhood through August 15, Kwade has created three monumental steel-frame sculptures with treelike limbs alongside new mixed-media works in an effort to engage the intangible nature of time. As with all her work, “Telos Tales” is philosophical, illusionistic, and inspires wonder: Long after a viewer has seen it, it will leave them questioning.On the episode, Kwade considers the unfathomability of all things, finds humor in being human, and explains what a relief it is to know that some questions have no clear answers—and never will. Special thanks to our Season 11 presenting sponsor, Van Cleef & Arpels.Show notes:Alicja Kwade[13:19] “Alicja Kwade: Telos Tales” at Pace Gallery[16:56] “Hiroshi Sugimoto on Photography as a Form of Timekeeping”[18:41] “Alicja Kwade: Pretopia” (2025)[24:42] On Kawara's Date Paintings[25:04] “Alicja Kwade & Agnes Martin: Rhythm, Equilibrium, and Time” (2024)[25:04] “Gegen den Lauf” (2012-2014)[29:48] “Stellar Day” (2013)[31:44] “Against the Run” (2015)[31:44] “Against the Run” (2019)[31:44] Pinacoteca Agnelli Art Center[35:04] “88 Seconds”  (2017)[35:04] Eadweard Muybridge[39:24] Hiroshi Sugimoto[49:00] Salvador Dalí[49:00] Harry Houdini[49:00] Kazimir Malevich[59:27] “iPhone” (2017)[59:27] “Computer (PowerMac)” (2017)[01:04:47] “LinienLand” (2018)[01:04:47] “Alicja Kwade: Parapivot” (2019)[01:04:47] “Alicja Kwade: Viva Arte Viva” (2017)[01:08:30] “L'ordre des Mondes (Totem)” (2024)[01:13:50] Jason Farago[01:13:50] “Celestial Visions on the Met Roof”

In this episode of Art & Cocktails, host Ekaterina Popova speaks with Tatum Dooley—writer, brand strategist, and founder of Art Forecast. Tatum shares how she built a trusted curatorial platform that bridges art, fashion, and design while spotlighting emerging artists and helping demystify the art world.   We discuss:   How Art Forecast evolved from an Instagram account to a Substack and PR studio Why storytelling and consistency matter more than chasing trends How to build your own creative platform with purpose and integrity Practical advice for writers, curators, and creatives entering the art world   Whether you're an artist, curator, or collector, this episode will inspire you to think differently about visibility, community, and the future of contemporary art. Learn more about Art Forecast: https://artforecast.substack.com

We continue our series "100 Pieces of Art" celebrating the must-see works of art in the city. Eileen Jeng Lynch, director of curatorial programs at The Bronx Museum of the Arts, discusses her list of 10 works of art to see, and listeners call in to recommend their favorite works of art in the city.Note: There were technical difficulties during this conversation that made it difficult to understand the guest. We apologize for the issues. 

Episode No. 708 features artist Paul Pfeiffer. The Museum of Contemporary Art Chicago is showing the retrospective "Paul Pfeiffer: Prologue to the Story of the Birth of Freedom." For over 25 years, Pfeiffer has investigated spectacle and mass culture, especially sport, and has found within it the power to create and extend political narratives. Included within the exhibition is only the second US presentation of Pfeiffer's landmark 2007 The Saints, an immersive sound and video installation that considers the 1966 men's World Cup final between England and West Germany that is one of the most significant works of the 21st century. "Pfeiffer" was curated by Clara Kim and Paula Kroll. The MCA presentation, which is on view through August 31, was organized by Bana Kattan with Iris Colburn. The exhibition catalogue was published by the Museum of Contemporary Art, Los Angeles, and MACK. Amazon offers it for $65. Instagram: Paul Pfeiffer, Tyler Green.