Podcasts about Diaspora

Musicians create worlds of their own. They are sonic alchemists. This program, originally produced in 2007, surveys a wide range of artists from throughout the African diaspora, artists with this special ability to spin out their own realities. We hear classic work from Basssekou Kouyate, Habib Koite, Youssou N'Dour, Konono No 1, The Assad Brothers, Dee Dee Bridgewater, and we hear many of them speak about their work. The Malian artists are particularly poignant, as they speak from a time before the turmoil that has enveloped the country since 2012. APWW #539 Produced by Banning Eyre.

AOT2 and Ugochi catch up on the AWS major downtime on October 20, 2025, the DHQ's response to coup rumors, Regina Daniels and Senator Ned Nwoko, and the Senate's approval of life imprisonment for defiling minors. They also dive into fan mails, Believe It or Not, Gym Essentials, Once Upon a Time – King Jaja of Opobo, Prop and Flop of the Week, and other news that made the rounds this week.OUTLINE00:00 - Introduction03:30 - Catch up10:15 - Fan mails42:30 - Believe  it or not01:12:15 - Gym Essentials01:18:42 - Once Upon A Time - King Jaja Of Opobo01:30:00 - AWS downtime01:46:44 - Prop and flop of the week02:09:00 - Sign out

Benin has long tried to highlight its role in the transatlantic slave trade through monuments and memorials in the country, in the hope it would attract tourism.Now it has a new plan.It is offering citizenship to descendants of enslaved Africans around the world.US singers Lauryn Hill and Ciara received their citizenship in July. Filmmaker Spike Lee and his wife Tonya Lewis Lee have also been made Benin's ambassadors to the African-American population in America.The move is an attempt to attract talent and money to its shores and showcase the nation's culture and traditions to a wider audience.This week on The Inquiry we're asking: Can Benin win back its diaspora?Contributors: Dr Bayo Holsey, Association Professor, African American Studies and Anthropology at Emory University, United States Ana Lucia Araujo, Professor in the Department of History at Howard University, United States Dr Leonard Wantchekon, Founder and President of the African School of Economics Tonya Lewis Lee, filmmaker and entrepreneurPresenter: Tanya Beckett Producer: Daniel Rosney Researcher: Maeve Schaffer Technical producer: Nicky Edwards Production Co-ordinator: Hattie Valentine Editor: Tom Bigwood(Photo: Ciara receiving citizenship of Benin. Credit: Government of Benin)

Register here for the Live Call me Back event at the Streicker Center on Thursday Oct 23: https://t.co/Y5tCz9uXwoSubscribe here to INSIDE Call me Back: https://inside.arkmedia.orgRabbi Angela Buchdahl's book: https://tinyurl.com/4m4mrfftGift a subscription of Inside Call me Back: http://inside.arkmedia.org/giftsSubscribe to Amit Segal's newsletter ‘It's Noon in Israel': https://arkmedia.org/amitsegal/Watch Call me Back on YouTube: youtube.com/@CallMeBackPodcastCheck out Ark Media's other podcasts: For Heaven's Sake: https://lnk.to/rfGlrA‘What's Your Number?': https://lnk.to/rfGlrAFor sponsorship inquiries, please contact: callmeback@arkmedia.orgTo contact us, sign up for updates, and access transcripts, visit: https://arkmedia.org/Ark Media on Instagram: https://instagram.com/arkmediaorgDan on X: https://x.com/dansenorDan on Instagram: https://www.instagram.com/dansenorTo order Dan Senor & Saul Singer's book, The Genius of Israel: https://tinyurl.com/bdeyjsdnToday's Episode: For a bonus episode, Dan was joined by Rabbi Angela Buchdahl to discuss her new book Heart of a Stranger: An Unlikely Rabbi's Story of Faith, Identity, and Belonging. Rabbi Buchdahl is the senior rabbi at Central Synagogue in New York City. She was the first East-Asian to be ordained as a rabbi, and has received national recognition for her Jewish leadership, including being listed as one of Newsweek's “50 most influential rabbis.”She shares her journey from feeling like an outsider to Judaism to becoming a contemporary Jewish leader. They also discuss how Rabbi Buchdahl guided her congregation after Oct. 7 and how the past two years have changed the Jewish community around her. CREDITS:ILAN BENATAR - Producer & EditorADAAM JAMES LEVIN-AREDDY - Executive ProducerMARTIN HUERGO - Sound EditorMARIANGELES BURGOS - Additional EditingMAYA RACKOFF - Operations DirectorGABE SILVERSTEIN - ResearchYUVAL SEMO - Music Composer

It turns out that the first American city to host a roster of local African bands was not New York, Miami or Chicago, but the San Francisco Bay Area of northern California. Hugh Masekela brought Hedzoleh Soundz from Ghana, and they settled in Santa Cruz. Nigerian maestros O.J. Ekemode and Joni Haastrup lived in Oakland in the 1970s. South African musicians from the touring stage show Ipi Tombi also settled in the Bay Area and started the band Zulu Spear. By the early ‘80s, the Bay Area “worldbeat” scene was in full swing, and along with it came Kotoja, Mapenzi, Big City, the Nigerian Allstars and more. Join us for a tour through the sounds and stories of the Bay Area's catalytic African music scene. Produced by Banning Eyre APWW #713

Why do we leave our homelands? That is the central question which animates the newest work of San Francisco poet laureate Genny Lim and the Bay Area-based Del Sol Quartet. Together, Lim and the musicians explore the implications of migration and the search for a new home in their work, “Facing the Moon: Songs of the Diaspora.” They join us live in the studio for a performance and conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices

AOT2 and Ugochi catch up following the Loose Talk crossover episode, the Spotify Greasy Tunes event, and more. They dive into your favorite segments - Believe It or Not and Weekly Essentials, while discussing all the stories that made the rounds this week. OUTLINE00:00 - Introduction06:45 - Catch Up26:20 - Fan mails 52:10 - Believe it or not01:21:39 - Once Upon a Time02:08:05 - Weekly essentials02:37:20 - Sign Out

In this third episode in our series on the pantoum, we read and discuss Oliver de la Paz's "Pantoum Beginning and Ending with Thorns," a poem that draws its inspiration from a visual art object as well as the story of migration that shapes the poetic speaker's lived experience. To learn more about Oliver de la Paz, visit his website (https://www.oliverdelapaz.com/). If you love this poem as much as we do, please purchase a copy of The Diaspora Sonnets (https://wwnorton.com/books/9781324092988) (Liveright Publishing Corporation, 2023), which was long-listed for the 2023 National Book Award in Poetry and a finalist for the 2024 Paterson Poetry Prize. Thanks to Liveright and W. W. Norton for granting us permission to read this poem.

Roughly 30,000 Irish emigrants return to Ireland each year to live. But, this process is both bureaucratically and emotionally challenging. Now, there are calls for a dedicated government agency to be established to help the diaspora return.Joining Seán to discuss is Karen McHugh, Chief Executive of Safe Home Ireland…

Esoteric Crossroads: Scholars Meet Practitioners is a new collaborative video series, launched in 2025, co-produced by Rejected Religion and RENSEP. Hosted by Stephanie Shea, each session brings together scholars and practitioners for thoughtful dialogue on esoteric traditions.This audio replay is an edited version of the live session that took place in September 2025. If you are interested to learn more and join the upcoming discussions, please visit www.rensep.org or my Patreon page: www.patreon.com/RejectedReligion. The Free Content video replay can also be viewed on my YouTube channel. In this episode, scholar Sarah Nimfürh and practitioner Raisel Tejeda explore the layered world of Regla de Osha—often known (and contested) as Santería—and its intersections with Judaism, Afro-Cuban spirituality, and lived ritual. Topics we explore: How Jewish exile histories in Cuba intersect with Afro-Cuban poly-religious traditions The term “Santería”: its contested use, political weight, and the preferred name “Regla de Osha” Oral transmission, secrecy, and gendered limitations in research Raisel's training path across multiple traditions and what embodied practice looks like Orishas as energies, guides, and cosmological forces Ritual tools, altered states, and the material language of devotion How practitioners adapt sacred practice to local ecologies and diasporic settings This conversation bridges scholarship and lived experience, offering insight into a tradition that is both deeply rooted and dynamically evolving. Theme Music & Video Production: Stephanie Shea

Send us a textAnge is on location at the Yerba Buena Center for the Arts to celebrate Filipino American History Month at the first-ever SOMA Pilipinas Pride: Makibeki. Raquel Redondiez is the director of SOMA Pilipinas, San Francisco's Filipino Cultural Heritage District; a "celebration of the love, pride and people power of generations of Filipinos in San Francisco and beyond". They sit down to discuss the significance of celebrating SF's first SOMA Pilipinas Pride in the face of queer and trans hate, the deep history of activism in Filipino culture, monumental legislation that SOMA Pilipinas is getting passed, and why now is the time to step up and be brave.Makibaka - A Living Legacy is on display until 1/4/26, for more information click here!Follow director of SOMA Pilipinas Raquel Redondiez on IGSupport the showThanks for listening and for your support! We couldn't have won Best of the Bay Best Podcast in 2022 , 2023 , and 2024 without you! -- Fight fascism. Shop small. Use cash. -- Subscribe to our channel on YouTube for behind the scenes footage! Rate and review us wherever you listen to podcasts! Visit our website! www.bitchtalkpodcast.com Follow us on Instagram & Facebook Listen every Tuesday at 9 - 10 am on BFF.FM

Eliot and Eric welcome back friend of the show Barry Strauss, the Corliss Page Dean Senior Fellow at the Hoover Institution of Stanford University. They discuss the series of Jewish revolts against Roman rule in 67-70 AD and the subsequent Roman siege of Masada, as well as the later Diaspora and Bar Kochba revolts situating them in the geostrategic competition between the Roman and Parthian empires. Barry explains the complications of the ethnic and religious divisions in Judea as well as the role of Jewish apocalyptic and messianic thinking on the protagonists of these serial rebellions. He also touches on the reasons why Judea was seemingly so hard to govern for the Romans, the divisions among Jews, and the degree to which archaeology and numismatics can add to the surviving literary accounts of the wars between Rome and the Jews. Jews vs. Rome: Two Centuries of Rebellion Against the World's Mightiest Empire: https://a.co/d/9xfsZOd Shield of the Republic is a Bulwark podcast co-sponsored by the Miller Center of Public Affairs at the University of Virginia.

ԼուրջCast - Սամվել Հովհաննիսյան - Մաթեմատիկայի դպրոց, սուպերինտելեկտ, սփյուռքի անելիքՄեր հյուրը Fibo School Armenia-ի հիմնադիր, գործարար, նորարար Սամվել Հովհաննիսյանն է։Զրույցի ընթացքում անդրադառնում ենք մաթեմատիկայի դպրոցին, տարիքային շեմերին և սովորական դասերից տարբերություններին, դասերի սկզբունքներին:Քննարկում ենք դասապրոցեսում ուսուցչի դերի կարևորությունը, սփյուռքում հայերի դիրքորոշումները և ԱՄՆ-ում կրթության տարբերությունները, և սուպերինտելեկտի ստեղծման հեռանկարները։ArmComedy թիմը ներկայացնում է ԼուրջCast

Un nouveau média 100 % Afrique et 100 % numérique, baptisé ZOA, a été lancé le 1er octobre à Dakar, au Sénégal. Rattaché au groupe France Médias Monde, la maison mère de RFI, ZOA promet de véhiculer un regard jeune et positif, offrant ainsi une voix et un média aux jeunes du continent africain. Steven Jambot s'est entretenu avec l'équipe de rédaction en chef de ce nouveau média, une semaine après le lancement. Kaourou Magassa, journaliste franco-malien, est rédacteur en chef de ZOA, et Cécile Goudou, journaliste béninoise, est son adjointe. Ce duo encadre la rédaction de ZOA, située dans le hub de France Médias Monde à Dakar : dix journalistes venus de cinq pays, et 16 correspondants répartis dans onze pays africains, pour une moyenne d'âge de 28 ans. Une ligne éditoriale axée sur le quotidien et la société ZOA a fait le choix de se concentrer sur les sujets de société et en évitant la politique politicienne. Les sujets abordés touchent l'entrepreneuriat, les initiatives citoyennes, la culture ou encore le sport.  ► Retrouvez ZOA sur WhatsApp, TikTok, Facebook, YouTube et Instagram Kaourou Magassa explique la conception du journalisme à Zoa : « Le journalisme pour nous, c'est raconter le présent. Quoi de mieux pour raconter le présent de tendre le micro aux personnes qui nous font face, aux personnes qu'on entend pas beaucoup ». Ce sont ces histoires du quotidien, comme celle d'une femme pêcheuse à Pointe-Noire, qui intéressent ZOA. Cécile Goudou détaille les rubriques qui nourrissent cette ligne éditoriale, axées sur l'échange et la transmission : « On a des rubriques comme Diaspora par exemple dans laquelle on raconte ces jeunes qui quittent leur pays pour 'se chercher', comme on dit dans notre jargon ». D'autres rubriques, comme Quand j'avais 20 ans, permettent aux aînés qui ont réussi de raconter leur parcours aux plus jeunes. Proximité, rigueur et lutte contre la désinformation ZOA diffuse ses contenus sur l'ensemble des réseaux sociaux (YouTube, Facebook, TikTok, Instagram, WhatsApp), adaptant ses formats : long format pour les grands reportages sur YouTube, et formats plus courts sur les autres réseaux. L'équipe vise une approche « horizontale » de l'information, adoptant une logique de communautés. La proximité est renforcée par l'incarnation des sujets à l'écran. De plus, le média a opté pour le tutoiement afin de s'adresser directement à son public : « Nous tutoyons ces jeunes-là pour leur dire : 'Nous sommes des jeunes comme vous' », explique Cécile Goudou. L'une des missions fondamentales de ZOA est la lutte contre la désinformation. Cécile Goudou souligne : « Nous donnons des outils, nous partageons des expériences et on se dit qu'on a également cette mission primordiale de donner les clés aux jeunes Africains [...] de pouvoir décellerer le vrai du faux ». Malgré les commentaires sur un potentiel « téléguidage » de ZOA par la France, Cécile Goudou réaffirme l'indépendance de la rédaction : « ZOA est une rédaction qui a une autonomie éditoriale incontestable, vérifiable ». 

Peut-on vraiment dialoguer avec ses parents quand on ne parle pas la même langue ?Et si la barrière n'était pas que linguistique, mais plus profonde, plus invisible ?Dans cet épisode hors-série proposé par les membres de l'association Asiattitudes, Jean-Baptiste Phou, artiste multidisciplinaire asio-descendant, partage sa tentative de lien avec sa mère cambodgienne.Un récit intime autour de son œuvre La langue de ma mère, qui interroge ce que signifie hériter, transmettre, comprendre, dialoguer…Dans cet épisode, Mélanie Hong interroge Jean-Baptiste Phou sur :la difficulté de communication entre parents immigrés et enfants nés en Francela quête d'identité en tant qu'enfant de la diaspora asiatiquele rôle de la langue maternelle dans la transmission culturellel'impact des traumatismes (exil, génocide, silence) sur le lien familialle poids de l'héritage quand il n'est pas nommél'apprentissage du khmer comme tentative de réconciliationles gestes du quotidien comme langage d'amourla place de l'art pour réparer ce qui n'a pas pu être ditUn épisode pour celleux qui n'ont jamais su comment parler à leurs parents. Mais aussi à toustes celleux qui se sentent entre plusieurs langues, cultures, et générations***Cet épisode a été enregistré en public lors de l'évènement “Festival du Printemps” co-organisé par le collectif d'associations Village 13 en octobre 2023. C'est un hors série réalisé par l'équipe Podcast de l'association Asiattitudes Family : Kim Huynh (présentation de l'épisode), Mélanie Hong (interview), Mai Nguyen (réalisation et montage sonore). Générique : Hongli Wang.Pour suivre les actualités de l'association, rendez-vous sur Instagram.Pour rejoindre l'association, rendez-vous sur Hello Asso.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Neale Richmond, Minister of State for International Development & Diaspora and Fine Gael TD for Dublin Rathdown / Matt Carthy, Sinn Féin spokesperson on Justice, Home Affairs & Migration. TD for Cavan Monaghan / Alison O'Connor, Journalist and Commentator / Emma Howard, Economist at TU Dublin

Bachata is a music of the people. Recalling the American blues, bachata was infamous as the anthem of the hard-drinking, womanizing, down-on-his-luck man, vilified as the entertainment of the brothels and the cabarets, and worshipped by the down-trodden poor as the deepest expression of their feelings. Today it is an international sensation. Alex Wolfe, director of the film "Santo Domingo Blues: The Story of Bachata" brings us live ambience and stories of bachata stars Luis Vargas, Antony Santos, Luis Segura, Adridia Ventura. Produced by Alex Wolfe.

Catéchèse du P. Mathieu - 2025-10-09 Diaspora, persécution et ouverture aux païens by Radio Maria France

The smallest belongings can become the most powerful relics. As Palestinians are forced to flee again and again within the Gaza Strip and beyond, people carry personal items that hold deep meaning. In this episode, we explore the stories behind those objects in the midst of a war many are calling genocide. The Take is nominated for the Signal Awards in the Best Daily Podcast category. While we wait for the judges' decisions, you can help us win the listeners' vote. Vote for The Take for Best Daily Podcast. In this episode: Danya Issawi, Fashion News Writer, The Cut Episode credits: This episode was produced by Tracie Hunte, Noor Wazwaz and Sarí el-Khalili, with Phillip Lanos, Spencer Cline, Amy Walters, Duha Mosaad, Farhan Rafid, and our host, Malika Bilal. It was edited by Kylene Kiang. Our sound designer is Alex Roldan. This episode was mixed by Joe Plourde. Our video editors are Hisham Abu Salah and Mohannad al-Melhem. Alexandra Locke is The Take’s executive producer. Ney Alvarez is Al Jazeera’s head of audio. Connect with us: @AJEPodcasts on X, Instagram, Facebook, and YouTube

In this episode of CAA Conversations, Kimberly Sandoval moderates a discussion on what it means to be a border artist and what separates Border Arte from other aspects of Chicana/o art, featuring Amanda Pardo and Samantha Ceccopieri, as well as Dr. Constance Cortez and Dr. Karen Mary Davalos, creators of Mexican American Art Since 1848. Amanda Pardo was working toward a BA in history with a minor in art from the University of Texas Rio Grande Valley (UTRGV) at the time of recording. Her work and research focus on the history of women, gender, and sexuality. She has given a public talk about her work and research as part of a lecture series and participated in pop-up exhibitions dedicated to the discussion of modernity and the domestic space. Samantha Ceccopieri has a BFA with a K–12 certification from UTRGV. Her work and research focus on the usage of art in mental wellness to reduce anxiety in scholars, both young and old, working with students and educators throughout the Rio Grande Valley. She has shared her research at TAEA and other art education conferences as part of UTRGV's Engaged Scholar Program and School of Art and Design. Constance Cortez is a professor at UTRGV for the School of Art and Design, currently teaching Chicano/a art history as well as special topics courses such as Women in Art History. Dr. Cortez is a prominent figure in Chicano/a scholarship, with works like The New Aztlan: Nepantla (and Other Sites of Transmogrification), published in 2001, and has an extensive background in early Mesoamerican art history. Karen Mary Davalos is a professor at the University of Minnesota Twin Cities, currently teaching topics in Chicano studies and art history as affiliated faculty. Dr. Davalos is also a prominent figure in Chicano/a scholarship with works like Exhibiting Mestizaje: Mexican (American) Museums in the Diaspora, also published in 2001, and recently presented a paper on Nepantla aesthetics at the CAA Annual Conference in 2024. Kimberly Sandoval is an independent scholar, artist, and MFA alumna of UTRGV. Her work speaks to the life and experiences occurring around and within the Brownsville, South Texas, borderlands. She has exhibited her video artwork across the United States and Indonesia. She has also spoken about culturally affirming art pedagogies at art education conferences and chaired a panel discussion on Border Arte at the CAA Annual Conference in 2024 .

On January 8, 1959, Fidel Castro and his ragtag army marched into Havana and proclaimed victory in the Cuban revolution. Much of the world knew Cuba primarily from its 1930 megahit "El Manicero" ("The Peanut Vendor") and from the mambo craze of the 1950's. After Castro came to power, the economic, political and cultural doors between Cuba and the U.S. would soon be shut. The doors opened briefly for tours by Cuban artists in the U.S. during the Carter and Clinton administrations. In this broadcast, we savor sounds from the pre-Revolutionary golden age of Cuban music that sets the scene for the international success of Cuban music. We illustrate how popular music in Africa and the Americas is not imaginable without the influence of Cuban music--copied and adapted on three continents. We'll hear the stories and rare recordings of such core styles as son - as well as luminaries like Beny Moré, Arsenio Rodriguez, Celia Cruz and the Sexteto Habanero; along with less well known artists. Produced by Ned Sublette APWW #65

In this episode of the Charity Charge Show, we speak with Cordell Carter, executive director of the Project on Belonging and founding director of the Festival of the Diaspora at the Aspen Institute.Cordell's career has spanned philanthropy, policy, leadership development, and international convenings. At the core of his work is one mission: connecting people across cultures, sectors, and geographies to spark collaboration and impact.From his leadership of Aspen's Project on Belonging to the Festival of the Diaspora's global gatherings, Cordell champions cross-cultural connection and mentorship. In this conversation, he offers candid insights on the future of philanthropy, the urgent need for efficiency in nonprofits, and how humility in leadership can transform organizations.He also unpacks why mergers may be the survival strategy nonprofits need, why funders should be bolder with long-term bets, and why partnerships with local governments often unlock new levels of sustainability.Highlights from the ConversationPhilanthropy should be more risk-taking. Foundations are too often risk-averse, forgetting that their role is catalytic, not conservative.Not every nonprofit needs to exist. Duplication drains resources. Funders can and should incentivize mergers and collaborations.Efficiency is survival. Leaders must be willing to cut, restructure, and refocus to protect the mission.Partnerships matter. Local government and community foundations are critical allies for long-term sustainability.Leadership is about humility. Creating upwardly mobile experiences for staff, retaining talent, and being willing to admit mistakes are all essential.Global belonging. The Festival of the Diaspora creates spaces for cross-cultural collaboration, highlighting innovation from often-overlooked leaders.About Charity Charge:Charity Charge is a financial technology company serving the nonprofit sector. From the Charity Charge Nonprofit Credit Card to bookkeeping, gift card disbursements, and state compliance, we help mission-driven organizations streamline operations and stay financially strong. Learn more at charitycharge.com.

Emmanuel Dunbar grew up hating coffee. Now, coffee is his life.Emmanuel owns Royal Diaspora Coffee Company, a cafe and community gathering place in Tampa. While Royal Diaspora is a proudly Black-owned business, Emmanuel's customers are as diverse as the way they take their cup o' joe.The Zest team visited Emmanuel at Royal Diaspora. In this conversation, he breaks down his love-hate relationship with coffee. (It was never about the taste!) He also shares his big plans for the space, which go far beyond java beans.Related episodes:“Call Anthony” Gilbert Reviews Food at Gas Stations and Other Overlooked EateriesCoffee Uniting People Brews Job Skills for People with DisabilitiesKahwa Coffee Owners Raphael & Sarah Perrier on Building Their Business, Beverage Trends and What They Really Think of Starbucks

Diaspora churches have a tremendous capacity for mission as they practice their faith in the Western world, yet why do they fail to develop effective strategies to break out of their inwardly locked ministries? Addressing this question, Dr. Mehari Tedla Korcho's book Ethiopian Diaspora Churches on Mission: An Intergenerational Perspective on Ethiopian Churches in the United States (Langham Academic, 2024) offers a thorough examination of Ethiopian evangelical churches in the United States, encompassing their historical, sociological, and missiological aspects. Drawing attention to the relatively overlooked nature of the 1.5 diaspora generation, those who came to the United States as children, he explores the missional potential of mobilizing the intergenerational context of Ethiopian diaspora church communities. Outlining a familiar narrative found in many diaspora churches, Dr. Korcho provides comprehensive, strategic recommendations for helping the first, second, and 1.5 generations of these communities engage in mission together. This work offers a fresh perspective to the field of diaspora mission studies through expounding the prospective impact of mission by the diaspora and the challenges faced in establishing missional partnerships Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This week, we talk to artist and historian Fiona Compton about multiculturalism within the Caribbean, what tourists get wrong, and the differences between the Black American and Black Caribbean experiences.For more content, subscribe to our Youtube and Patreon!

Diaspora churches have a tremendous capacity for mission as they practice their faith in the Western world, yet why do they fail to develop effective strategies to break out of their inwardly locked ministries? Addressing this question, Dr. Mehari Tedla Korcho's book Ethiopian Diaspora Churches on Mission: An Intergenerational Perspective on Ethiopian Churches in the United States (Langham Academic, 2024) offers a thorough examination of Ethiopian evangelical churches in the United States, encompassing their historical, sociological, and missiological aspects. Drawing attention to the relatively overlooked nature of the 1.5 diaspora generation, those who came to the United States as children, he explores the missional potential of mobilizing the intergenerational context of Ethiopian diaspora church communities. Outlining a familiar narrative found in many diaspora churches, Dr. Korcho provides comprehensive, strategic recommendations for helping the first, second, and 1.5 generations of these communities engage in mission together. This work offers a fresh perspective to the field of diaspora mission studies through expounding the prospective impact of mission by the diaspora and the challenges faced in establishing missional partnerships Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Diaspora churches have a tremendous capacity for mission as they practice their faith in the Western world, yet why do they fail to develop effective strategies to break out of their inwardly locked ministries? Addressing this question, Dr. Mehari Tedla Korcho's book Ethiopian Diaspora Churches on Mission: An Intergenerational Perspective on Ethiopian Churches in the United States (Langham Academic, 2024) offers a thorough examination of Ethiopian evangelical churches in the United States, encompassing their historical, sociological, and missiological aspects. Drawing attention to the relatively overlooked nature of the 1.5 diaspora generation, those who came to the United States as children, he explores the missional potential of mobilizing the intergenerational context of Ethiopian diaspora church communities. Outlining a familiar narrative found in many diaspora churches, Dr. Korcho provides comprehensive, strategic recommendations for helping the first, second, and 1.5 generations of these communities engage in mission together. This work offers a fresh perspective to the field of diaspora mission studies through expounding the prospective impact of mission by the diaspora and the challenges faced in establishing missional partnerships Learn more about your ad choices. Visit megaphone.fm/adchoices

Diaspora churches have a tremendous capacity for mission as they practice their faith in the Western world, yet why do they fail to develop effective strategies to break out of their inwardly locked ministries? Addressing this question, Dr. Mehari Tedla Korcho's book Ethiopian Diaspora Churches on Mission: An Intergenerational Perspective on Ethiopian Churches in the United States (Langham Academic, 2024) offers a thorough examination of Ethiopian evangelical churches in the United States, encompassing their historical, sociological, and missiological aspects. Drawing attention to the relatively overlooked nature of the 1.5 diaspora generation, those who came to the United States as children, he explores the missional potential of mobilizing the intergenerational context of Ethiopian diaspora church communities. Outlining a familiar narrative found in many diaspora churches, Dr. Korcho provides comprehensive, strategic recommendations for helping the first, second, and 1.5 generations of these communities engage in mission together. This work offers a fresh perspective to the field of diaspora mission studies through expounding the prospective impact of mission by the diaspora and the challenges faced in establishing missional partnerships Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

Send us a text"When someone asks you where you're from, what's the first thing that comes to mind?" This seemingly simple question opens a window into the complex world of cultural identity for Caribbean people living in diaspora communities. Your answer likely depends on who's asking, where they're asking, and your unique migration journey.The Caribbean Diaspora Experience Model (CDEM) provides a way for understanding how our cultural identities form and evolve outside the region. Unlike academic theories, this model emerges from real lived experiences – my own family's migration story, countless conversations with community members, and insights gathered through years of podcast interviews. It offers six interconnected lenses that help us articulate what many have felt but struggled to express about our complex cultural journeys.In this deep dive into the first lens – "Where You Start Shapes the Journey" – we explore how your starting point profoundly influences your relationship with Caribbean culture. Whether you migrated as an adult with established cultural connections, came during formative teenage years like I did at 14, arrived as a young child with few concrete memories, or were born in the diaspora with varying degrees of cultural connection, each starting point creates a different foundation with unique challenges and strengths. The model acknowledges that even within families, different starting points create entirely different relationships to culture. My brothers and I all left Jamaica together, yet our age differences mean we each carry very different connections to our homeland.The model also considers what was happening when your cultural journey began – the decade, political climate, and social context that shaped how freely Caribbean culture could be expressed in your new home. Someone who migrated during the dancehall explosion of the 1990s had vastly different opportunities for cultural expression than someone who arrived during earlier decades when Caribbean cultural visibility was more limited in diaspora spaces.Understanding your starting point isn't about determining who is "more Caribbean" – it's about gaining clarity on your unique journey and extending grace to others whose experiences differ from yours. As we continue exploring the remaining lenses in future episodes, you'll discover how location, cultural anchors, identity shifts, professional expression, and embracing multiplicity all build upon the foundation established by where you began.How has your starting point shaped your cultural journey? Reflect on this question as we continue unpacking the language and framework that helps us make sense of our beautiful, complex Caribbean diaspora experience. Subscribe to the Newsletter Support How to Support Carry On Friends Donate: If you believe in our mission and want to help amplify Caribbean voices, consider making a donation. Get Merch: Support Carry On Friends by purchasing merchandise from our store. Connect with @carryonfriends - Instagram | Facebook | YouTube A Breadfruit Media Production

Help Stop The Genocide In American Ghettos Podcast is a platform for ordinary law abiding citizens from Emmanuel Barbee friends list and from his social groups who are Black Artists, African Artists, Allied Healthcare professionals, Church Leaders, and Black Entrepreneurs, African Entrepreneurs who want to promote their products and services to our listeners from the global community. This no holds-barred talk show focuses on promoting Grassroots Community Advocacy, Business, Finance, Health, Community-Based Solutions, Employment, Social Issues, Political Issues, Black Issues, African Issues and Christianity which speaks to the interests of our listeners. Broadcasting on multiple social networks throughout the United States and around the globe. This show will provide insight on how our creative abilities can be used to create economic tangibles in our communities, neighborhoods and in Black countries. The Grass Roots Community Activist Movement is about uniting the African American community and the African Immigrant community in Chicago and eventually throughout the Diaspora. I'm not just online trying to sell my book, selling items from my virtual store or just trying to get donations for my film project but rather to recruit like minded Black Americans, like minded African Immigrants within America to help me build the best African American business within the United States of America called the Grass Roots Community Activist Institute of Chicago. Our objective is for us to build our own network so that we can support each other in business. #NotAnother33Years #M1

The conversation continues on the eastern Viking diaspora, noting that the power base of the Rus shifted from Novgorod to Kyiv, forming Kievan Rus. Although early rulers had Norsedescent, they assimilated culturally, blending Scandinavian and Slavic elements; Norse names like Ingvar and Helgabecame Igor and Olga. History is flexible, and competing groups interpret this mixed heritage. A major mystery discussed is the Salme ship burials in Estonia (Saaremaa island), dating around 750 AD, prior to Lindisfarne. The high-status dead, likely Swedish men on a diplomatic mission, died violently but were buried carefully with rich goods, including falcons and a king gaming piece in the mouth of a leader. VIKING AGE SILVER

durée : 00:05:17 - Le Grand Reportage - par : Aurélie Kieffer - 75 ans après l'invasion du Tibet par la Chine, la diaspora tibétaine continue de faire vivre la culture de son pays. Tous les ans, des centaines de jeunes apprennent à lire et à écrire le tibétain. Il faut dire que c'est l'une des missions de la diaspora que de transmettre sa culture. - réalisation : Annie Brault

OUTLINE00:00 - Introduction29:38 - Fan mails38:40 - Catch up01:02:40 - New tax law01:45:40 - Release Therapy01:58:20 - Sign out

Il fenomeno migratorio nella letteratura, come è stato rappresentato da autori e poeti nei romanzi e nelle poesie. Scrittori e opere che parlano di migranti, un argomento ancora oggi molto attuale.

This classic episode features Afropop Worldwide's original live recordings of stellar artists Joe Arroyo (Colombia) in London, Paulina Tomayo (Ecuador) in Quito, Los Muñequitos de Matanzas (Cuba) in New York, Los Van Van (Cuba) in Havana, and Willie Colon in New York. Produced by Sean Barlow APWW #292

On a special edition of the Haaretz Podcast – as Israel faces the Jewish High Holidays mired in war and political division, host Allison Kaplan Sommer speaks to Prof. Adam Ferziger about soul-searching and atonement with a focus on the Orthodox Jewish community in Israel and the Diaspora. Ferziger, who is also an ordained rabbi, believes the process of observing Rosh Hashanah and Yom Kippur “is all about humility.” “Rosh Hashanah comes before Yom Kippur, because in order to be able to go before God and do some sort of atonement, I have to first acknowledge my place in the world,” he said. Following October 7 and over the past two years of war, “so many of the players involved, unfortunately, feel that they know all the right answers, and there is a real lack of humility on many sides.” Faith and belief in God, he said, should not “be a cause for saying ‘I am more powerful and better, and I know the truth more than you do.’” In his new book, "Agents of Change: American Jews and the Transformation of Israeli Judaism," the Bar-Ilan University professor chronicles the rise of what he calls “moderate Orthodox Judaism” in Israel, the pioneering immigrant Diaspora Jews behind a more liberal and tolerant religious outlook – even as, politically, their presence in Israel strengthened the right and the settler movement. “Many are right-wing by most standards when it comes to politics, but that does not necessarily go along with their attitude towards Jews who differ from them, or on sexual identity, or the role of women in leadership – and many other subjects.” While it can be “very hard to pull those things apart,” Ferziger sees this dichotomy as an opportunity for “conversation between people in Israel who are moderate in a lot of areas and the broader community in America,” even when there are deep political disagreements. Read more: Israel's Religious Left Finds New Purpose Amid Gaza War What Future Is There for a Young, Leftist, Secular Family in the Israel of 2026? Opinion | What I Wish Rabbis Would Say About Israel, Gaza and the Palestinians in Their High Holy Day SermonsSee omnystudio.com/listener for privacy information.

Anthony Castelvecchi from Filitalia Miami and ORIUNDI, connecting the Italian Diaspora. Visit the ORIUNDI Instagram: Click Here Recorded: September 20, 2025 Running Time: 29 minutes 03 seconds

Today I talk with poet Maya Salameh about her poetry collection, How to Make an Algorithm in the Microwave, which won the prestigious Etal Adnan Poetry Prize in 2022. The judges remarked, “Maya Salameh's poetry stood out for its inventiveness in cracking the code of life ‘between system and culture'…The turns and swerves the poems make are astonishing; the expectations they upend are remarkable… It's a testament to the aesthetic boundaries and intellectual revolt poets of Arab heritage are pushing, breaking, and reinventing.” We talk about what led her to both technology and poetry, language and story-telling, and the challenges and joys of representing life in the diaspora. In a time of war and genocide, Salameh's poetry shows how patterns of life and reproduction and desire persist. In her readings and discussions of three poems, we find a new lexicon and a new grammar.Maya Salameh is the author of Mermaid Theory (Haymarket Books, 2026), How to Make an Algorithm in the Microwave (University of Arkansas Press, 2022), winner of the Etel Adnan Poetry Prize, and the chapbook rooh (Paper Nautilus Press, 2020). She has received fellowships from the National Endowment for the Arts, Sewanee Writers' Conference, Bread Loaf Environmental Writers' Conference, and the President's Committee for the Arts and Humanities, and served as a National Student Poet, America's highest honor for youth poets. Her work has appeared in The Offing, Poetry, Gulf Coast, The Rumpus, AGNI, Mizna, and the LA Times, among others. She can be found @mayaslmh or mayasalameh.com.  

With the Aer Lingus College Football Classic last month and Ireland's first NFL game at the end of this one, Neale Richmond kicks off the episode with a timely gridiron tale.“I'm not just a very old and average rugby player, but I'm the only member of the Irish Parliament who's played American football. I was a defensive tackle for the Dublin Rebels and proud holder of a Shamrock Bull medal from 2016,” says the Fine Gael TD for the Dublin Rathdown constituency and Ireland's Minister of State for International Development and Diaspora.The sport-mad Minister shares examples of the ways these imported American events boost Ireland's economy and provide an ideal platform to advance his ministerial goals of fostering stronger international relations, diaspora engagement, and economic growth.He tells of growing up in a Protestant family with Ulster-Scots roots, right down to his Orange Order grandfather, which hasn't blunted his fatherly pride in his son's embrace of Gaelic Football and the Irish language or his own commitment to a united Ireland.“I'm a passionate United Irelander. I want our country to be united as an independent republic, as part of the European Union. I think that it's in the interest of the over 7.2 million people of all backgrounds that live on this island,” he says, adding, “but one thing I'm really very clear about is that United Ireland will be different. It'll be a new Ireland; it won't be like the republic that I proudly live in today.”He highlights the significance of Ireland's international aid programs particularly in Africa, the evolution of Ireland's diaspora, and the necessity of supporting Irish citizens abroad, including the extension of voting rights for the diaspora in presidential elections.He wraps with an unorthodox “Seamus Plug” for the United Nations, saying that despite its problems, the UN provides a critical forum for international dialogue and that the work of its agencies for Human Rights, Refugees, Family Planning for Women, and its World Food Program all remain vital.Join us!Links:Fine Gael WebpageInstagramFacebookX LinkedInEpisode Details: Season 7, Episode 27; Total Episode Count: 130

The first time Puerto Rican bandleader Willie Rosario heard the word salsa applied to the Cuban-style music he played was in Venezuela, where DJ Phidias Danilo first popularized it. Subsequently applied as a marketing tool by Fania Records in New York, the word quickly became a marker of Puerto Rican identity. We talk to the founding bandleaders of the genre -- Rafael Ithier (El Gran Combo), Quique Lucca (Sonora Ponceña), and Willie Rosario -- and presents immortal hits of early Puerto Rican salsa. Produced by Ned Sublette with José Mandry APWW #207

Learn about Indian-American identity, the value of critical pedagogy, and making meaningful connections in West Africa. _____________________________ Subscribe to The Maverick Show's Monday Minute Newsletter where I email you 3 short items of value to start each week that you can consume in 60 seconds (all personal recommendations like the latest travel gear I'm using, my favorite destinations, discounts for special events, etc.). Follow The Maverick Show on Instagram ____________________________________ Dr. Anu Taranath joins Matt from Seattle and they reflect on their time together in NYC at the WITS Travel Creator Summit, including Anu's keynote panel that centered the genocide in Palestine and got a standing ovation from 600 people. Anu then talks about her experience navigating racism while growing up in an Indian immigrant home in Houston.  She reflects on her trips back to India, her study abroad year in Delhi, her academic journey, and how she eventually found the language to process racism, power inequality, and turn her immigrant diaspora identity into a superpower.  Anu also reflects on her experience teaching in Seattle in the  period after the September 11th attacks, and the importance of critical pedagogy for both teaching and learning.  Finally, she reflects on the role of travel in her life and her teaching.  Anu shares stories from her time in Ghana building connections with locals, and also reflects on her connections with the Indian diaspora communities around the world.  FULL SHOW NOTES INCLUDING DIRECT LINKS TO EVERYTHING DISCUSSED ARE AVAILABLE HERE.  ____________________________________ See my Top 10 Apps For Digital Nomads See my Top 10 Books For Digital Nomads See my 7 Keys For Building A Remote Business (Even in a space that's not traditionally virtual) Watch my Video Training on Stylish Minimalist Packing so you can join #TeamCarryOn  See the Travel Gear I Use and Recommend See How I Produce The Maverick Show Podcast (The equipment, services & vendors I use) ____________________________________ ENJOYING THE SHOW? Please Leave a Rating and Review. It really helps the show and I read each one personally.  You Can Buy Me a Coffee. Espressos help me produce significantly better podcast episodes! :)

Naomi Seidman, Director of the University of Toronto's Center for Diaspora and Transnational Studies joins us to explore the young academic discipline of Diaspora Studies, its history and contents, and its relationship to other academic fields.Subscribe to our collaborative YouTubeFollow us on InstagramIf you like the work we're doing here, please consider supporting us on Patreon!Big thank you to Aly Halpert for continuing to allow us to use her music!

Abarbanel - The gentile minority in Eretz Yisroel.Netziv - The gentiles who move into Jewish neighborhoods in the Diaspora and economically displace the Jews.https://thechesedfund.com/rabbikatz/support-rabbi-katzz-podcast

Dr. Sam Osmanagich is a scientist, megalithic and pyramid sites researcher, internationally acclaimed author and businessman. He's Bosnian-born American citizen who lives and works in Houston (USA) and Sarajevo (Bosnia-Herzegovina).He has discovered the Bosnian Pyramids that consist of at least five colossal pyramid structures and huge network of prehistorical underground tunnel network near the town of Visoko in central Bosnia-Herzegovina. He's been Principal Investigator of the Project from 2005 to present.He holds Ph.D. on Mayan pyramids. He's Anthropology professor and Director of Center for Anthropology at American University in Bosnia-Herzegovina, foreign member of Russian Academy of Natural Sciences, Moscow, Russia (2007) and Croatian Academy of Science and Art in Diaspora, Basel, Switzerland (2015).Author of 18 books on pyramids around the world and ancient civilizations, translated into 17 languages (1986 to present).Recipient of the United States Congressional Certificate of Recognition (2013) “for continuous support in promoting cultural and economic independence for people new to the USA.” First honoree of the Amelia B. Edwards Award for "outstanding research and advancement of knowledge of pyramids around the world", Chicago, USA (2016)His work and scientific field experiments on Bosnian Pyramids has resulted in new definition on pyramids: they are not tombs for kings but energy machines used by living communities for cosmic communication, self-healing, improvement of molecular structure of water and food, development of spiritual senses and refinement of social organization.Official web site: www.samosmanagich.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/earth-ancients--2790919/support.

AOT2 and Ugochi catch up on everything that has made the rounds this past week.OUTLINE00:00 - Introduction26:10 - Fan mails39:35 - X of the week4338 - Catch Up01:16:50 - Believe or not01:23:57 - weekly essentials01:32:20 - Once upon a time01:42:40 - President Tinubu says the creation of state police is inevitable

In this Hip Deep edition, Afropop producer Wills Glasspeigel heads to South Africa to reveal the story of the inimitable Hugh Tracey, a field recordist born at the turn of the 20th century in England. A wayward youth, Tracey found himself in Africa in the 1920s where he became fascinated with music from Zimbabwe. Tracey became a pioneer field recordist, making over 250 LPs of traditional African music for the Gallo label in South Africa. Like John and Alan Lomax in the US, Tracey was instrumental in preserving hundreds of songs that have since gone extinct. Glasspiegel speaks with Dianne Thram, director of Tracey library in Grahamstown, South Africa; Tracey's son Andrew, a musician and field recordist in his own right; Michael Baird, an expert on the Tracey catalog; and esteemed South African anthropologist David Coplan. We'll also head to Malawi to make a field recording of our own with the help of Malawian singer, Esau Mwamwaya. APWW #590

Nadav's Op-ed in Hebrew: ynet.co.il/yedioth/article/yokra14492636Subscribe to Inside Call me Back: inside.arkmedia.orgGift a subscription of Inside Call me Back: inside.arkmedia.org/giftsSubscribe to Amit Segal's newsletter ‘It's Noon in Israel': arkmedia.org/amitsegal/Watch Call me Back on YouTube: youtube.com/@CallMeBackPodcastCheck out Ark Media's other podcasts: For Heaven's Sake: lnk.to/rfGlrA‘What's Your Number?': lnk.to/rbGlvMFor sponsorship inquiries, please contact: callmeback@arkmedia.orgTo contact us, sign up for updates, and access transcripts, visit: arkmedia.org/Ark Media on Instagram: instagram.com/arkmediaorgDan on X: x.com/dansenorDan on Instagram: instagram.com/dansenorTo order Dan Senor & Saul Singer's book, The Genius of Israel: tinyurl.com/bdeyjsdnToday's Episode: On Thursday, Ark Media Contributor Nadav Eyal published an op-ed on Ynet titled “An Existential Crossroads: between exile and state,” in which he argued that both Diaspora Jews and Jews in Israel are at a crossroads. On today's episode, we discuss Nadav's provocative piece with Nadav himself and Ark Media's other contributor, Amit Segal, who, as usual, comes at the issues from a different perspective. CREDITS:ILAN BENATAR - Producer & EditorADAAM JAMES LEVIN-AREDDY - Executive ProducerMARTIN HUERGO - Sound EditorMARIANGELES BURGOS - Additional EditingMAYA RACKOFF - Operations DirectorGABE SILVERSTEIN - ResearchYUVAL SEMO - Music Composer

Islam's complex relationship with arts and culture across Africa, the Middle East, and Asia presents special paradoxes and intrigue in the realm of music. Islam has been used both to nurture and curtail musical expression. This program delves into the historic roots of this debate, all the way back to Baghdad in the early centuries of Islam. Case studies highlight sublime and ecstatic music from Iraq, Iran, Morocco, Algeria, Egypt, Pakistan and more. Author and Middle East specialist Joseph Braude discusses the history and issues with two Islamic scholars. (originally aired 2008) Produced by Banning Eyre APWW #561

Subscribe to Inside Call me Back: inside.arkmedia.orgGift a subscription of Inside Call me Back: inside.arkmedia.org/giftsSubscribe to Amit Segal's newsletter ‘It's Noon in Israel': arkmedia.org/amitsegal/Watch Call me Back on YouTube: youtube.com/@CallMeBackPodcastCheck out Ark Media's other podcasts: For Heaven's Sake: lnk.to/rfGlrA‘What's Your Number?': lnk.to/rbGlvMFor sponsorship inquiries, please contact: callmeback@arkmedia.orgTo contact us, sign up for updates, and access transcripts, visit: arkmedia.org/Ark Media on Instagram: instagram.com/arkmediaorgDan on X: x.com/dansenorDan on Instagram: instagram.com/dansenorTo order Dan Senor & Saul Singer's book, The Genius of Israel: tinyurl.com/bdeyjsdnToday's Episode: Last week, on Inside Call me Back, Nadav and Dan had a conversation prompted by an especially insightful listener question that wound up generating lots of feedback from the “insiders.” The topic was, what do Israelis and diaspora Jews misunderstand about one another? It was an example of the types of discussions we strive for at Inside Call me Back: unfiltered, challenging, and often unresolved while still illuminating. On today's bonus episode, we're giving the general Call me Back audience a taste of what goes on at our members-only edition of the podcast. If you want more of this content, where we bring you into the kind of conversations we have when the cameras stop rolling, subscribe at inside.arkmedia.org. CREDITS:ILAN BENATAR - Producer & EditorADAAM JAMES LEVIN-AREDDY - Executive ProducerMARTIN HUERGO - Sound EditorMARIANGELES BURGOS - Additional EditingMAYA RACKOFF - Operations DirectorGABE SILVERSTEIN - ResearchYUVAL SEMO - Music Composer