Podcasts about Broadway

Today's Mystery: A woman is murdered and the only clue Danny has as to why she was killed i her high school yearbook.Original Radio Broadcast Date: August 14, 1950Originated in HollywoodStars: Larry Thor as Lieutenant Danny Clover, Charles Calvert as Sergeant Gino TartagliaSupport the show monthly at https://patreon.greatdetectives.netPatreon Supporter of the Day: Tom, Patreon supporter since December 2019.Support the show on a one-time basis at http://support.greatdetectives.net.Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey…http://survey.greatdetectives.netGive us a call 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesBecome one of our friends on Facebook.Follow us on Twitter@radiodetectivesJoin us again tomorrow for another detective drama from the Golden Age of Radio.

Stars announced for MTC’s ‘Queens,’ JLo to produce ‘R&H’s Cinderella’ series, ‘Hamilton’ Ham4Ham 10th anniversary lottery Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BroadwayRadio Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio read more

Have you ever felt like you're destined for something more… but no matter what you try, you keep hitting an invisible wall? If so, this episode is your permission slip to leap into possibility. This week, we're joined by Dr. Victoria Rader, also known as the Possibility Coach®, a globally recognized transformational speaker, bestselling author, quantum teacher, and the mind behind the Empower-mE and Master-mE apps. Her teachings have reached audiences in over 40 countries… and even made it to the moon through the Lunar Legacy Project. But don't let the accolades intimidate you; Victoria breaks down quantum-level concepts into grounded, actionable steps that you can start using today to shift your energy, release fear, and finally align with the abundance that's waiting for you.In This Episode, You'll Discover:The 3 powerful questions that will help you move from fear to freedom (and why your brain resists them!)How to use the Law of Magnetism, not just attraction, to reprogram your realityWhy neutrality, not relentless positivity, is the real secret to quantum manifestationHow subconscious beliefs become “filters” that distort your life, and how to clean the lensThe difference between manifesting from your head versus from your field of energyWhat to do when manifestation “isn't working” (spoiler: it has nothing to do with trying harder)Who This Episode Is For:Spiritual seekers feeling blocked or stuck in old patternsSkeptics curious about the science behind manifestationAnyone ready to take back their power from limiting beliefs and create a life of purpose, peace, and prosperityAbout Victoria Rader, Ph.D.: Victoria is the founder of YU2SHINE, creator of transformational tools like MyGiftOffer.com, Empower-mE and Master-mE, and a multiple-time bestselling, award-winning author. Her work blends quantum physics, spiritual insight, and neuroscience-backed mindset mastery into real-world transformation. She teaches that LOVE (Life Originating Vibrant Emotion) is the key to true freedom. From the Soviet Union to the global stage, from Broadway to boardrooms, and from personal trauma to planetary healing, Victoria is a living example of what's possible when you align your energy, mind, and heart with divine grace. Resources & Links Mentioned:Learn more about Victoria: https://yu2shine.comTry her transformational tools: Empower-mE App | MyGiftOffer.comStart your Morning Reset Journey: Morning Reset CourseCheck out the Q-Link Pendant mentioned in the episode (affiliate link): https://share.shopqlink.com/1116-0-3-3.html  Be sure to use Coupon Code: SkepticmetaphysicianRegister for the FREE True You Accelerator Webinar: https://www.thejudahchannel.com/a/2147532744/P8VXA2KJListen Now and Learn How To: Identify and release the energetic blocks holding you backShift your frequency from fear to faith—without bypassing your feelingsManifest with magnetic alignment, not just mental effort Subscribe, rate, and review The Skeptic Metaphysicians wherever you listen—and don't forget to share this episode with someone who's ready to shine.Connect with Us: 

This week on the Wrestling Mayhem Show, Sorg and Rizz are joined by special guest Referee George Ross, aka Big Match Bubby, for an action-packed and off-the-rails episode full of wrestling insights, travel horror stories, deathmatch madness, and plenty of mayhem. They break down the latest from TNA Slammiversary, the crossover storyline potential with WWE NXT, and what a two-night SummerSlam means for wrestling fans. George dives deep into what it's like officiating at independent shows, JCW vs. GCW chaos, and deathmatch culture—including wild teddy bears, 50 panes of glass, and exploding barbed wire setups. Plus, the gang reminisces about old Rise Wrestling moments, mysterious family ties with Ray Lyn, and who might be Braylon's dad… all while being harassed by a supportive lizard puppet. ⸻

Masta Ace On 'Falling Season' On Broadway & Being A Playwright and Manny Pacquiao Listens to Shakira Before Fights + Shares His Take on Canelo vs Crawford! See omnystudio.com/listener for privacy information.

It’s been a successful few months for 40-year-old writer Branden Jacobs-Jenkins and his play, “Purpose,” which won both the Pulitzer Prize for Drama and the Tony Award for Best Play. Senior arts correspondent Jeffrey Brown spoke with him recently at Broadway’s Hayes Theater for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders

Rogers for America with Lt. Steve Rogers – There are concerns that this situation could have a significant impact on the city's finances. Citing Broadway as a symbolic example, the potential effects may extend throughout New York City, with repercussions for the theatre district, Wall Street, and the wider community. Such developments may prompt broader questions about the future of not only the city but...

Meet Scott Westmoreland, a talented Southern California-based artist with a rich background in the entertainment industry. Scott shares his journey from performing on Broadway to becoming a successful fine artist, discussing the challenges and triumphs of transitioning from corporate work at Disney to independent artistry. Discover his insights on the importance of creativity, the evolution of art marketing, and the impact of AI on the art world. Whether you're an aspiring artist or simply love art, this conversation is packed with valuable lessons and inspiration! (00:00) - Introduction to Scott Westmoreland's Journey (05:10) - Scott's Background and Artistic Evolution (10:20) - The Shift from Disney to Independent Art (15:30) - Navigating the Art Selling Landscape (20:40) - Licensing Agreements and Challenges (25:50) - Teaching Art and Inspiring the Next Generation (30:00) - The Importance of Marketing and Building a Collector Base (35:10) - Advice for Emerging Artists (40:20) - Thoughts on AI in Art Scott's Website https://www.scottwestmorelandart.com/ Scott on Instagram https://www.instagram.com/scottwestmorelandfineart Stay Up To Date With The Latest https://linktr.ee/artmarketingpodcast

‘John Proctor Is the Villain’ extends on Broadway and gets film adaptation, Moretz to lead ‘Caroline’ Off-Broadway, ‘Sunset’ closing night highlights Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | read more

In Search of Excellence Podcast - with Randall KaplanMy guest today is Mike Tyson, a former heavyweight boxing champion of the world and one of the greatest boxers of all time!  At the age of 20, he became the youngest boxer ever to win a heavyweight title.  He was the first heavyweight boxer to simultaneously hold WBA, WBC, and IDF titles and a member of the international boxing Hall of Fame.Mike has appeared in many movies and TV shows.  He is the actor and creator of a one-man Broadway show Undisputed Truth, and the author of the best-selling book of the same name.Mike is also a very successful entrepreneur and a founder of two cannabis companies, including Tyson 2.0.  He is an incredible person and a dedicated philanthropist through his Mike Tyson's Care foundation, and the support of other charities including The Make a Wish Foundation and The Special Olympics.00:00 Mike's childhoodHis dad was a pimp, his mom an alcoholic and a sex industry workerHe was bullied in his childhood ("you can't run from them, you must confront them")Started robbing people to buy food for his pigeonsA traumatic event with the birds that changed himMike's first fight and from being bullied, to being the bullyWent pick-pocketing and stealing with his friendsStarted with crime at 11, by the age of 13, he was arrested more than 37 timesThe stealing mentality - nobody else mattersHis mom encouraged him to steal (his goal was to be a professional criminal)18:13 Juvenile facilities and Mike's first steps in boxingWatched the movie “The Greatest”, the story of Mohammed AliTransferred to Elwood CottageMike was always handcuffed in a dangerous environment Met Bobby Stewart who inspired him to finish school and started training himAt 13, Bobby wanted to take him to the next level - introduced him to Cus D'Amato21:14 Mike's first mentor - Cus D'AmatoRelationship with Cus D'Amato (Cus taught him to never give up)Cus became a father figure for himThe time Mike first experienced loveCus saw in him the future world championWorking out for 6 hours a day while going to schoolWanted to get kicked out of school, but Cus didn't allow thatThere is no progress without struggle (study about rats)29:32 The beginning of his fighting careerAt 18, a fight with Hector Mercedes - beat him in one roundWasn't afraid of losing, but being a bad loserMike's desire to be the world champion consumed him completelyBecame the youngest boxing champion everHis mother's reaction - never got affirmed by her34:47 From millions of dollars to bankruptcyStarted making millions of dollars (became highest paid athlete in the world)Went bankrupt being reckless, didn't know how to manage money as a street kidBeing rich and going broke multiple timesFame and money won't make you happyBecome your own alarm systemThe pain is the same at the top and the bottom of the worldListen to this episode on the go!

Singer Lisa Simone is the only person in the world who can call Nina Simone 'mommy'. Lisa was the beneficiary of Nina's incredible talent and her affection, but she was also at the mercy of her mother's erratic moods. Lisa is the only child of the legendary singer, songwriter, and civil rights activist Nina Simone.As a little girl, Lisa loved trying on her mum's stage costumes and singing with her at the piano at home.But after her parents divorced, Nina's moods became erratic, and Lisa was often the target of her mother's violent outbursts.Lisa escaped back to New York, then into the United States Air Force, and then onto Broadway, finally launching her own musical career.It was only after she had her own daughter that Lisa found a way to reconnect with her mother on her own terms.Further informationLisa is on tour in Australia at the moment with her show, A Daughter's Tribute to Nina SimoneShe is performing at the QPAC in Brisbane on Wednesday 23 July and at Adelaide's Her Majesty's Theatre on Saturday 26 July.Find out more about the Conversations Live National Tour on the ABC website.This episode of Conversations was produced by Meggie Morris, executive producer is Nicola Harrison.It explores family dynamics, jazz music, motherhood, therapy, songwriting, mental health, mental illness, bipolar, performance, Dublin Jazz Festival, mother daughter relationships, epic origin stories, the military, the US military, veterans, musical theatre.

BOSSes, Anne Ganguzza and Tom Dheere dive into a lively and often debated topic for voiceover professionals: industry awards. Prompted by Anne's multiple Award nominations, they explore whether these accolades are simply vanity projects or powerful marketing tools. This episode delves into evolving perspectives on awards, the true meaning of a nomination, and practical strategies for leveraging any recognition to propel your voiceover business forward. They emphasize understanding the subjective nature of awards and how to use them for credibility, even beyond winning.   00:40 - Anne (Host) Hey everyone, welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and I'm here with real boss, Tom Dheere. Woo-hoo, hi, Tom Dheere. I feel like there's pomp and circumstance for you, Tom Dheere, because it's that season again. Do you know what season it is? Deer season.  01:00 - Tom (Guest) Get it Tom Dheere, Deer season oh my God, that is really funny actually. That was terrible. It was not funny.  01:04 - Anne (Host) Well, okay, in addition to being deer season, right, it's award season. Woo-hoo, that's right it is award season. And I know there's always there's always always discussions about awards, and I've had discussions about awards before. I think we've probably talked about them before, but let's talk about them again, shall we? Because I think it's an ever-evolving thing and there are some people who are really for awards and some people who really detest awards.  01:32 - Tom (Guest) Yes, the reason why we're having this conversation, Anne, is because you got nominated for how many One Voice Awards.  01:41 - Anne (Host) Five why,thank you.  01:43 - Tom (Guest) Yes.  01:43 - Anne (Host) Why, thank you.  01:46 - Tom (Guest) I'm very excited about that. Wow, this is exciting and it's for all of the amazing work that you have gotten out of your students.  01:54 - Anne (Host) Yeah, for demos. 01:55 - Tom (Guest) That's amazing. Congratulations to you and all of your students. I'm very excited.  01:59 - Anne (Host) Yes, thank you, thank you. I like awards. I am one of those people that I actually endorse awards and I know some people think they're a vanity thing and in reality, for me it's always been about the marketing aspect. Tom, what are your thoughts?  02:15 - Tom (Guest) I used to be part of the anti-awards crew. I thought it was an exercise in vanity. I thought it was a money grab by the voiceover organizations that were hosting the awards, and my thoughts have evolved on the subject. Okay, I'd love to hear that. Well, I really do see now that it is truly a marketing tool and that is okay. All awards in all industries, from the Oscars all the way down to, you know, dog Catcher of the Year, these are all marketing. It's all about marketing. Is it about recognition? Yes. Is it a celebration of the industry in question? Yes. Is it to shine a spotlight on excellence, either from an individual or a group of individuals or a company, or whatever? Yes, is it to shine a spotlight on excellence either from an individual or a group of individuals or a company, or whatever? Yes, all of that is good and it should be supported. Is it an exercise of vanity? Yeah, sure, it's okay. There's nothing wrong with wanting to get dressed up and have people applaud you. There's nothing wrong with that, it's totally cool, it's totally cool.  03:22 - Anne (Host) Any excuse to get dressed up.  03:24 - Tom (Guest) Well, especially as voice actors who are stuck in closets in our pajamas all day,  03:27 - Anne (Host) Exactly exactly.  03:28 For me, it's always been marketing. First, because we have this whole conversation that awards are subjective. Right, I watch the awards, I watch the music awards, I watch the Emmys, the Oscars, I watch them all. Some people just they have so much to say about the awards, but honestly, I enjoy them if there's entertainment involved and I actually feel like it's wonderful when people get recognition that I feel deserve recognition. But of course, there's always the times where you're like I don't know how that person won or I don't know how that person didn't win, and so it is so very subjective and I think, first and foremost, we all need to remember that that is a fact. Right, it is very subjective and if you do not win an award, it has no bearing whatsoever on your worth or your quality at all, absolutely.  04:17 - Tom (Guest) It's interesting because the prism that most people look through all awards through is the Oscars. Right, and it's like Billy Crystal said it's an evening for three hours where millionaires are handing each other gold statues, which is pretty funny and accurate. But here's the thing I just realized about all this is that if you are a member of the Academy the Film Academy and you get your screeners, you know that Daniel Day-Lewis is up for best actor and you're watching the movie, or whatever excerpts of the movie that they sent you for you to cast your vote for him or somebody else.  04:50 - Anne (Host) Right or anybody else in any other category, or if you're not a voter right, you're a person going. Oh, hmm, somebody thinks that movie's credible, maybe I'll go see it. Guess what that resulted in Purchasing right, purchasing right, purchasing a ticket to go see that movie. So marketing, it worked, so marketing.  05:05 - Tom (Guest) But here's the interesting Anne that I just realized when it comes to the One Voice Awards which we both got, I got nominated for a little one, just one, yay, congratulations.  05:13 - Anne (Host) Tom Dheere.  05:13 - Tom (Guest) The commercial category.  05:14 - Anne (Host) Oh, that's right. That's right, Tom, that's awesome.  05:25 - Tom (Guest) So for your performance, but it's really nice. It's just being like, hey. But here's the thing about it is that when you submit, it's my understanding that when they listen to these demos that you help produce or these voiceovers that I did, they don't know who they're listening to.  05:41 - Anne (Host) Yeah, theoretically.  05:43 - Tom (Guest) So it's theoretically, I mean.  05:44 - Anne (Host) In a closed industry. Sometimes, like I know Tom De're listening to yeah, theoretically, so it's theoretically, I mean In a closed industry. Sometimes, like I know Tom Dheere voice.  05:48 - Tom (Guest) Well, that's exactly what I was about to say. I would like if there were three or four or five, if there were five people who were listening to these, I think that maybe two or three of them would probably be like that's Tom.  05:58 - Anne (Host) Yeah, yeah, yeah, but they don't talk to one another.  06:01 - Tom (Guest) But they don't talk to one other so it's generally anonymous and it's generally done in isolation.  06:06 - Anne (Host) I can say that for certain because I've been a judge prior.  06:09 - Tom (Guest) Right, oh, okay, so.  06:10 - Anne (Host) I can say for certain that it is closed and that you do not know who the entry is. You don't know who submitted it, right, and it's isolated.  06:18 - Tom (Guest) So for the five lovely voice actors whose demos were nominated that you produced. They didn't know who they were and they didn't know that necessarily that it was you that produced it. I mean, after a while, if you listen to enough demos, you can be like that's a Chuck Duran demo, that's a Nancy Wolfson demo because there's just like styles, there's styles you know what I mean, but for the most part they're not going to know who these voice actors are, who are nominated for any of these or for the demo.  06:43 So I think it's more of a pure. There's a level of purity in it that there isn't in the Oscars, for example.  06:48 - Anne (Host) Yeah, there's a combination for that particular category of not just the demo but the performance in the demo and hopefully, if you have created that demo and produced that demo, that has lent itself to a wonderful performance. And just being nominated, I want to say to anybody out there, just being nominated is a win. It doesn't matter, honestly, if I win, and I've been entering awards for years now. There's been many, many years where I didn't win and so I have to like always talk to myself and talk to my students to make sure that if I don't win it doesn't mean that I'm not worthy, it doesn't mean that that nomination wasn't really a win, because you can still believe it or not, you can market a nomination just like a win.  07:28 - Tom (Guest) Absolutely, and the Oscars— it sounds pretty darn similar. The Oscars do it all the time.  07:32 - Anne (Host) Mm-hmm. Award-nominated versus award-winning.  07:35 - Tom (Guest) Right. Did you ever watch the Secret Life of Walter Mitty?  07:38 - Anne (Host) That's the one that Ben Affleck wrote, and directed and starred in.  07:42 - Tom (Guest) I thought that movie was exceptional and I swore I was going to get all these nominations. It didn't get a one.  07:48 - Anne (Host) And.  07:49 - Tom (Guest) I don't know if it's because they didn't think it was off to snuff, if it was too past the deadline, or if they just chose not to submit it, because that's the other thing. We choose to submit ourselves for these awards. Now for actors in Broadway and television and film. They have their production companies or networks or whatever deciding to do these. Oh, we think these people have the best chance and they still have to pay submission fees as well, application fees for the nominations, just like any other nomination, which I think is-.  08:16 - Anne (Host) Well, there's a cost to running an award show. There's a cost to having people judge the awards. There's a cost for people's time, absolutely. So paying to enter yourself into an awards is. I don't find anything necessarily wrong about that.  08:33 - Speaker 2 (Announcement) No.  08:33 - Tom (Guest) Maybe how much you pay, I don't know I mean if it's a for-profit scheme, then you know, okay, I mean people who organize awards. Should they or do they deserve to make a profit, Like I don't know if, like the Oscars, if that's a nonprofit situation where they don't make any money off of it, they just want to celebrate the industry and recognize people for it, and they don't make a dime. And they make the fees just enough to cover the cost to produce the show and print and, you know, make the gold statues.  08:59 - Anne (Host) Well, it becomes a marketing effort for the venue. It becomes a marketing effort for the people who put stuff in the swag bags. It becomes a marketing effort for so many things really. And it's like it's not always obvious, but in reality it really does lend itself to marketing quite a bit.  09:17 - Tom (Guest) One of the other questions. One of the anti-award swath of the voiceover industry says winning award isn't going to book you more work. And for the Oscars? We know that's not true, because when actors or actresses win an Oscar, they get a lot more scripts on their desk. They've all said that they just get more acting opportunities. So in that context it's 100% true. Is it true for voice actors? I'd say it probably isn't, because your typical explainer video production company has never heard of the One Voice Awards. But that's not the reason that you do it. But yeah.  09:52 - Anne (Host) However, let's just go beyond it, because if you market yourself as an award-nominated voice actor or an award-winning voice actor, right, if somebody happens to find you or find your website, right, it lends some credibility. I believe it lends some credibility to who you are. So if I'm a person and I don't know the voices and I have two equal voices that I like if I see that one has won an award or has a history of winning awards or being nominated for awards, I'm going to feel like, oh, maybe they've been in business a little bit longer, maybe they're considered by others to be top of their field, and so I would maybe sway toward an award nominated or award winning. And again, it really depends on how people, given equal circumstances, award winning, award nominated versus maybe not.  10:42 - Tom (Guest) I think that's a very fair point. Now, where my mind was going where Tom Dheere, the VO strategist, business and marketing guy, was going is what's the SEO value of?  10:53 - Anne (Host) the terms award-winning.  10:55 - Speaker 2 (Announcement) Like how is that what's the?  10:56 - Tom (Guest) score. Yeah, what's the keyword score? You know what I mean. So actually, I want to make a note of that. I want to look that up when we get off of this.  11:03 - Anne (Host) I'll tell you, when I look for a company to purchase from right, what's the criteria? I want to make sure that that company's been in business for a while. I want to make sure that they put out a quality product and I want to know that there's testimonials of other people who have used that product that are actually saying yes, it helped me, it was wonderful, it was quick and painless. And think about that. This could be right. Anybody who might have won an award and has testimonials on their website. Right, If you've award winning, then that gives it a little bit of credibility that maybe other people have listened to this person. They're definitely a professional in the industry, right? You don't submit for an award unless you're a professional, so sometimes you just don't know who you're working with. It can help people, I think, to get to know you a little bit better, or really, I think, put that credibility forward first when people are making a buying decision.  11:58 - Tom (Guest) Yeah, I mean, and now that I'm thinking about it as we're talking about it, what's a better testimonial than an award nomination? Right, yeah, I mean, and now that I'm thinking about it as we're talking about it, what's a better testimonial than an award nomination?  12:04 - Anne (Host) Right, yeah, I mean really.  12:06 - Tom (Guest) Right, what's a better endorsement?  12:07 - Anne (Host) That was kind of my point right, it's a wonderful way. So if I buy because of they've been in business, they're not going to just go out of business and take my money and steal it. They're credible, right? They have a good product, right? Well, if they're award nominated, award-winning, that lends me to think that when I look for a beauty product, hello, I'm going to go back to you know award-winning award-winning formulas.  12:28 If I have no knowledge whatsoever of the product, right, I'm going to tend to look there first and after I look there, right, I'm going to look for it. Actually, if I do my shopping on Amazon or I do shopping on anything, right, I'm looking for the number of stars, the ratings, right, A lot of times they go hand in hand. Right Ratings and reviews.  12:46 Ratings and reviews and so award nominated best beauty product of 2024 by Elle magazine, that kind of thing. That kind of means something to me. I'm like, well, somebody did their research right and so therefore, if it's talking about a voice talent that's award-nominated and award-winning, I would feel like, oh okay, maybe there's some credibility there. Now I can go ahead and listen. Let me listen to the voice and see if it's something that I want.  13:10 - Tom (Guest) Yeah, yeah. And of course the capitalist in me thinks oh and if you're an award-winning voice actor, maybe you can charge more.  13:18 - Anne (Host) Well, I right, that's very true, but I also know like if people come to me for a demo, right, they're like I want to win an award. I always try to say to them well, that shouldn't be like I really have people say that to me.  13:28 That shouldn't be the goal. However, they're like I want an award-winning demo. What are they saying to me? They're saying to me that they want the absolute best demo that is valued by the community or valued by others in the community. So they want a valuable product. That's what they're saying to me and I'll kind of say, well, okay, I don't design demos to win an award. However, I want to design a demo to get you work right and if it wins an award, that's a great bonus. And they're like yeah, I know, but I still want an award winning right? People will say that to me, so it's kind of human nature, I think, to want to lean toward a product that is award-winning.  14:05 - Tom (Guest) Right, Because nobody says I want to eat something that's been not approved by the FDA. Yeah right, Exactly, I will never. I will eat at no restaurant that's ever won a Michelin star. I refuse, it's like no, that's ridiculous.  14:17 - Anne (Host) Because it's not just the recognition, it's what the recognition represents. Yeah, absolutely, absolutely so. For me that's where the awards have always sat and I did have issues for years until I explained to my students who I said I think you should enter this into the awards. I will always say, hey look, I think it's an award worthy product, right. And so they're like oh really, and that gives them like a sense of worth or a sense of like pride. Hopefully I wouldn't say it if I didn't think it had a chance of getting some recognition.  14:52 So if I say that to someone, then I've given them a sense of accomplishment, I'm giving them confidence in their product so that they can then represent themselves and sell it better, and that's basically how that'll work. But I will always explain to them look, if you do not win, remember awards are very, very subjective. There have been some amazing, just like there have been some amazing movies that didn't win the best picture of the year. There have been some amazing actors that have not won best actor or best actress, and so you know, you have to really make yourself aware, even though in your heart you might be disappointed if you don't win right or don't get nominated. But you do have to realize that it is very, very subjective especially if you've got an award show that it doesn't cost anything to enter. Nothing ventured, nothing gained. You're not losing out on anything really by submitting.  15:46 - Tom (Guest) I mean, take a chance. It's like playing the lottery, right. Take a chance, Absolutely. So, with all that in mind, what do you do from a marketing stance? And I've got my own ideas too, about how we could tell VO bosses. You've got a thing, whether it's a spot that I did for a college or if there's a demo that you produce with a student.  15:59 - Anne (Host) What are the?  16:00 - Tom (Guest) steps to use it, to use the award, nomination and hopefully the win, as a marketing tool.  16:05 - Anne (Host) Well, absolutely put it on your website right.  16:08 Absolutely throw it on YouTube, put it on your website. Label it as being award nominated, award winning, like. Make sure the text is in there, because that's SEO value. Make sure that it's on your website, make sure that it's on every single profile, make sure that it's in every single description, make sure that it's literally like SEO optimized. And then make sure that wherever you're describing it as an award nominated, right, award winning entry or whatever that might be, make sure that you're also giving information about the industry that you're in best performance voice actor, corporate narration, right or whatever, or best performance demo, reel, animation so it then allocates the other words that are important. So when people are searching for animation, voice, right and then all of a sudden, this will come up, as I'm so excited that my award-winning entry or award-nominated entry or whatever if something comes up or shows up in their search, that's going to lend its credibility and also hopefully lead to your website so that they can then inquire further or get an audition from you or find out more and contact you.  17:14 - Tom (Guest) Yes, I'll layer on top of that, like, for example, when I found out I got my One Voice nomination, I wrote a blog about it.  17:22 - Anne (Host) Yep, that's wonderful.  17:24 - Tom (Guest) So what that does is a number of things. Every time that you write a blog, you publish a blog, it adds another page to your website and All of the content on that particular website is saying voice over, this voice acting, that voice talent, this voice artist, that. So it's got all of the keywords that would further enrich the search engine optimization of your website, to make it more searchable and for it to rank higher. So just writing about it is extremely important on a technical SEO level. However, you don't want to turn it into a self-aggrandizing. Oh, look at me. It could be about a number of things.  18:05 - Anne (Host) It could be about the company that created the one voice in this situation, or about the company that you voiced for.  18:11 - Tom (Guest) Or about the company that you voiced for exactly. So a couple years ago I got a one voice nomination for a public service announcement I did for the Humane Society. Remember those 4,000 beagles were rescued from a lab in Virginia. A few years ago.  18:25 And then the American Humane Society got all 4,000 beagles adopted. So I auditioned and booked the voiceover for the public service announcement announcing that all 4,000 beagles were adopted. So when I blogged a few years ago back then about hey, I got this award nomination, it wasn't about the award, it wasn't about the nomination, it wasn't about me, it was about bringing awareness, it was about the beagle puppies. That's what it was about. I made it about the puppies.  18:53 - Anne (Host) And that's wonderful, because what's a better draw than animals, your fur babies, right?  18:59 - Tom (Guest) Yes.  19:02 - Anne (Host) Which is I lead all my award nominations with my cats there you go.  19:04 But that's an actual great idea, like somehow, let's just say, my Bengal Manx mix Sebastian, who everybody's gotten to know because they have their own Facebook and Instagram and TikTok right. So we could just say, oh, they're in my studio listening and then all of a sudden you can silently incorporate or just in the back end, incorporate that performance or that particular working on a demo for blah blah, blah blah blah For me on my website, because I advertise that I do demo production. Under the demo page, the landing page, I have all the awards and nominations that I've ever done and received, and for the VO Boss, because we've won awards for the VO Boss podcast and nominations. I also have it on my VO Boss website as well, as well as writing a blog on VO Boss about it. So absolutely trying to garner an award-winning podcast.  19:49 - Tom (Guest) Yeah, the other thing that I do is I make sure that I reached out to the production company that cast me for it, so my nomination this time was for North Idaho. College just a real tiny, tiny little postage stamp-sized college in the Northwest of our country and that one got nominated and it's a great. It's a great ad. It's beautifully shot, the editing is just superb. The music is perfect. You know, I'm probably the worst thing about the whole thing.  20:16 - Anne (Host) I love how generous you are. I think that's the way you need to approach it. They could just break apart and say it's your voice, but in reality, when you're presenting a product or a piece for an award, it's the whole darn shebang. If you think about it, that helps with that presentation. It's the media, the music behind it, the voice. It's all like a beautiful symphony in reality.  20:36 And so paying it forward and having gratitude for the other parts of it that helped you to win that award or that nomination, I think is a wonderful way to not appear to make it like a vanity thing, because you're showing appreciation for all of the components that help make it happen. I mean, whenever I make an announcement by the way, the other thing that I do to market is on social media, right so I'm highlighting the demo clients of mine that their voice has been nominated, and I'm also giving thanks to my audio engineer and in reality, it's like I could not have done it without you, to be quite honest, and so that then lends it to be a little less vanity ridden or sounding, I should say.  21:16 - Tom (Guest) Right, I mean in the Oscar Awards, do they go up there, accept the award, thank themselves and then get off the stage?  21:21 - Anne (Host) No, they're always thanking the people that helped them make it possible, really Exactly Also just from a technical and SEO perspective.  21:28 - Tom (Guest) Another reason why I like to let the production company know is because now they have the opportunity to use this nomination as marketing fodder for their own campaigns on their website and social media and newsletters and things like that.  21:43 So it's just paying it forward also on a marketing level. So the production company just has because all the voice seekers are as desperate to come up with quality content to put on their website and social media and their communications as us voice actors are. So to give them saying, hey, here's a free nugget of marketing gold that you can go do something with it helps everybody.  22:05 - Anne (Host) Absolutely. I actually got a statue. I got one of the awards for one of my partners on the podcast and shipped it. When I won this podcast I'm trying to think a couple years ago I also ordered an award for the person that I interviewed on that show and I shipped it, and that was actually for Alex Srdjak from Respeecher, so I shipped it to. Ukraine.  22:27 So I literally and that's how grateful I was. And it was really cool because when he received it, of course, what did he do? He took a picture of it with him, right, and then he used it for his own marketing, which I thought was really wonderful. So it kind of was like it all works for everybody involved.  22:42 - Tom (Guest) See, haters. There are so many great things about a voiceover award nomination and a win. There's so many great things that you can do, not just for yourself, but for the people that made the nomination possible.  22:53 - Anne (Host) Absolutely. You know what do you say to the haters? I mean you don't have to enter and you don't have to watch. I mean you don't have to enter and you don't have to watch awards and you don't have to participate. If you don't agree with it, that's completely fine. It's completely fine in reality, but for those that do, there's value to it beyond the award. Really, it's beyond the award and, like I said, even if you don't get nominated, if your coach or somebody says you should submit that for an award, consider that a win. Really. If you have a colleague that listens to this and say, oh my God, that was amazing, you should submit that. Right, there is an award for confidence, for somebody believing in you and believing in your work and thinking that it is worthy of an award, and that, to me, is a win right there.  23:36 - Tom (Guest) Absolutely.  23:37 - Anne (Host) So good stuff. Tom Dheere, Congrats on your noms.  23:42 - Tom (Guest) Congrats on your noms.  23:43 - Anne (Host) Yeah, thank you. And bosses out there, utilize this for good, for marketing efforts. And even if you just want to submit your work to your colleague and say, what do you think right, consider that your award submission for a job well done. And if you don't win, don't let it affect you. It has nothing to do with your worthiness, with your performance. It basically is something that you know. What if you don't win, try, try again. What is it If you don't?  24:09 - Tom (Guest) If at first you don't succeed try, try again.  24:12 - Anne (Host) Well, yeah, well, if you don't win, try, try again. That's what I say. I always think there's something good in a little bit of competition, right? That keeps us motivated and keeps us inspired to want to be better and do better. So allow that to help you further your career. So, whether or not you win an award, allow it to inspire and motivate you. So good stuff. All right, Tom, thank you so much. I'm gonna give a great big shout out to our sponsor, ipdtl. You too can connect and be award-winning bosses. Find out more at IPDTLcom. Tom, thank you so much, and bosses have an amazing week.  24:54 - Speaker 2 (Announcement) We'll see you next time. Bye, join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution, with permission. Coast to coast connectivity via ipdtl.   

Matthew James Thomas opens up in this heartfelt conversation about his journey from a rebellious, bullied teen in the English countryside to finding truth and belonging on stage. Growing up feeling misunderstood, he found safety and purpose in acting, discovering early on that truth-telling through performance was his way of making sense of the world. He shares the emotional weight he carries playing Harry Potter on Broadway, how he navigates the show's intense emotional peaks night after night, and why live theatre never gets old — even after over 135 performances. We also dive into the legacy of Spider-Man: Turn Off the Dark, his love-hate relationship with social media, and why he believes musicals are only great when they get it exactly right. And yes, there's some mutual fan-girling over Severance, a hilarious attempt at explaining Les Misérables, and plenty of insight into what makes live theatre both terrifying and electrifying. Matthew James Thomas is a British actor, director, and songwriter. He originated the title role in the 2013 Broadway revival of Pippin, starred as Peter Parker in Spider-Man: Turn Off the Dark, and has appeared in Accused, Summer of Rockets, Britannia High, Billy Elliot, and About a Boy. He currently stars as Harry Potter in Harry Potter and the Cursed Child on Broadway. Connect with Matthew: Instagram: @mattjamesthomasyes Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

“I don't want to be at the mercy of my emotions. I want to use them, to enjoy them, and to dominate them.” – Oscar Wilde Check Out These Highlights: I feel that people often respond with aggressive behavior to share their feelings and emotions. I also think that many people don't understand emotional intelligence and believe that sharing their thoughts is the only alternative, assuming their opinion should be heard because they feel they are right. However, in reality, this type of thinking can hinder us professionally and personally.  In today's powerful episode, my guest reveals how your emotional state directly impacts your business outcomes—from work performance to decision-making and leadership presence. You'll learn why emotional mastery isn't just about feeling better; it's a strategic advantage that fuels clarity, resilience, and measurable growth. Whether you're navigating change, hitting a plateau, or scaling to new heights, this conversation will give you tools to align your energy and elevate your results.  About Donnalynn Riley: Donnalynn is a strategic executive coach, joyologist, and international speaker who helps high performers achieve exceptional results without sacrificing their well-being. A former award-winning CEO and Broadway designer, she blends visionary creativity with sharp business insight to guide leaders through complex challenges and spark powerful breakthroughs. Her engaging keynotes and workshops deliver practical tools and transformative experiences, igniting personal fulfillment, professional excellence, and lasting growth. How to Get in Touch with Donnalynn Riley Website:   https://donnalynn.blog/ Email: dlr@donnalynnriley.us Free Gift: https://donnalynnriley.kit.com/7a2703416d Stalk me online! LinkTree: https://linktr.ee/conniewhitman   Subscribe to the Enlightenment of Change podcast on your favorite podcast streaming service or YouTube. New episodes are posted every week. Listen to Connie explore new sales and business topics or address problems you may have.

Mariah Reives is a dancer, choreographer, and entrepreneur who is currently performing in The Great Gatsby on Broadway. Her previous credits include Funny Girl on Broadway, Cassandra on the 1st National Tour of ‘Cats' The Musical, Macy's Thanksgiving Day Parade, and The Tonight Show starring Jimmy Fallon. In today's episode, Mariah discusses her time performing on Broadway, why she stepped down as Dance Captain, and how she prioritizes her mental health. She gives advice including when NOT to get an agent, why we should focus on our weaknesses, and why she wishes she did more regional productions before Broadway. She also shares the story of her Broadway Debut, what it was like bringing her dog along on a National Tour, and why she created The Performer's Circle to give accessible information to performers.Enjoy our episode with Mariah Reives!Chapters:(01:13) Broadway's The Great Gatsby(01:46) Stepping Down As Dance Captain(05:23) What is An Onstage Dance Captain?(08:24) To Dance Captain or Not To Dance Captain(13:51) Advocating for Your Needs in a Professional Setting(19:29) Enjoying the Ensemble Track(21:45) Giving Dancers Accessible Information(28:20) When NOT To Get An Agent(31:42) Don't Rush to Broadway(33:55) Broadway Debut in Funny Girl(40:52) Mariah's Human Bio (feat. Leo the Pup)(43:14) Dog Momming on a National Tour(46:08) Loving Words and GoodbyesAbout Mariah:Mariah Reives is a dancer, choreographer, and entrepreneur who began dancing in Sanford, North Carolina at the age of three. She then went on to train at the University of North Carolina School of the Arts for high school and then graduated from Marymount Manhattan College with a B.A. in Teaching Dance. She is currently the dance captain and in the ensemble of The Great Gatsby on Broadway. Her credits include Funny Girl Broadway, Cassandra in the First National Tour of ‘Cats' The Musical, Carmen, Me and My Girl , The New Yorkers, Jerome Robbins Broadway, and The Wiz. She has been seen on television for The Tony Awards, Macy's Thanksgiving Day Parade, and The Tonight Show starring Jimmy Fallon. Reives created a professional workshop for aspiring artists called ‘The Performers Circle' and is excited to guide the next generation of Broadway stars!

Send us a textWhat happens when your entire world collapses, your body betrays you, and even the medical establishment refuses to believe your pain? For Deborah Weed, this nightmare became reality during a three-year health crisis that transformed her from a successful corporate executive to a bedridden patient fighting for her life—and her dignity.Deborah's remarkable journey began at the peak of her career. As Director of Development for Citibank overseeing 19 branches and leading major projects with Disney and Universal, she embodied professional success. Then came the pain—excruciating, relentless pain that doctors repeatedly misdiagnosed or dismissed entirely. For three agonizing years, she received conflicting diagnoses ranging from MS to Lou Gehrig's disease, while others told her it was "all in her head." With iron levels dangerously low at 3-6 (normal being 15), she was literally dying while fighting to be believed.The turning point came from an unexpected source: a 1943 copper penny. Learning that such a seemingly ordinary object could be worth a million dollars sparked a profound realization about self-worth. "If people walk by a penny thinking it's worthless, then who am I?" she wondered. This metaphor became the foundation for her first musical, "The Luckiest Penny," teaching children about inherent worth regardless of external circumstances.After finally receiving proper diagnosis and treatment for a grapefruit-sized tumor pressing against her spine, Deborah emerged with a crystal-clear understanding of the difference between self-esteem and self-worth. "Self-esteem is what we do. Self-worth is what we say we're worth," she explains with hard-won wisdom. This distinction fuels her current mission—the Quills Up movement and development of "Paisley the Musical," a Broadway-scale production about reclaiming personal power.Deborah's story reminds us that sometimes our deepest pain becomes our greatest purpose. When everything falls apart and you have nothing left but yourself, you discover what you're truly made of. Are you ready to reclaim your power and declare your worth? Visit paisleysfashionforest.com to join Deborah's movement and transform your own pain into purpose.Support the show#thetruthaboutaddiction#sobriety#the12steps#recovery#therapy#mentalhealth#podcasts#emotionalsobriety#soberliving#sobermindset#spirituality#spiritualgrowth#aa#soberlife#mindfulness#wellness#wellnessjourney#personalgrowth#personaldevelopment#sobermovement#recoveroutloud#sobercurious#sobermoms#soberwomen#author#soberauthor#purpose#passion#perspective

Josh plays instruments from all around the world, and that's how he's on a crazy number of recordings, including live on Broadway and for anime series' like Naruto or Avatar.We talk about building a wide set of skills, and how that curiosity and love of learning fits really well with the modern world.For 30% off your first year of DistroKid to share your music with the world click ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DistroKid.com/vip/lovemusicmore⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to this pod's blog on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to receive deeper dives on the regular

Kimberly Belflower is a playwright and educator originally from a small town in Appalachian Georgia. This is her Broadway debut, and she's probably crying about it right now. Plays include JOHN PROCTOR IS THE VILLAIN (2024 Huntington Theatre, 2022 Studio Theatre, 2019 Kilroys List, published by Broadway Licensing, Farm Theatre College Collaboration Project); LOST GIRL (2018 Milwaukee Repertory Theatre, Kennedy Center Darrell Ayers National Playwriting Award, published by Concord Theatricals); and SAINT PIGTAIL (commissioned and developed by Studio Theatre, 2023 O'Neill Finalist). Kimberly has worked with South Coast Rep, Manhattan Theatre Club, Alliance Theatre, Ojai Playwrights Conference, among others. She was also a narrative lead at Meow Wolf, where she wrote a short film with original music by Beach House. Kimberly proudly holds an MFA from the University of Texas at Austin and teaches playwriting at Emory University in Atlanta. Gabriel Eber - Broadway: Matilda The Musical (Tony Winner, Featured Actor), Pass Over, Casa Valentina, Brief Encounter, Time And The Conways, Therese Raquin, Red. Off-Broadway: 4000 Miles (OBIE Winner), Preludes, Gently Down The Stream, Sally & Tom, Peer Gynt, Prometheus Bound. Film/TV: News Of The World, “Dickinson,” I Am A Seagull, “Mr. Mercedes,” Ricki And The Flash, The Immortal Life Of Henrietta Lacks, and the upcoming Dope Thief. As a singer, he's performed at Carnegie Hall, Royal Albert Hall and with the New York Philharmonic. Fina Strazza - Broadway: Matilda in Matilda the Musical. Off-Broadway: Animal, A Loss of Roses, Member of the Wedding. TV: “Paper Girls” (series lead), “Law and Order: SVU” (recurring), “Madam Secretary,” “FBI: Most Wanted” “Last Week Tonight.” A student at NYU's Tisch, her eight films include Above the Shadows, A Christmas Melody (recording “Oh, Santa!” with director Mariah Carey), and Netflix's upcoming “Fear Street: Prom Queen.” Learn more about your ad choices. Visit podcastchoices.com/adchoices

While Tim is cruising, Bob takes us off “property”, way off property, even Off-Broadway!!! We review Lion King Live: A Landmark Musical Event, Disney's Off-Broadway hit!!!! Thanks for the download! Thank you for downloading and listening to ResortLoop.com - The Gateway to the Magic! Please Stand Clear of the Doors! To receive a free, no-obligation quote, visit us at Resort Loop Travel! If you would like to consider supporting the show, visit ResortLoop.com/support! Exclusive Resort Loop Gear is available at our TeePublic store! Join our Facebook group here! Thank you for downloading The Resort Loop Podcast!  

Actors Lorna Courtney and Casey Likes star in the new off-Broadway revival of "Heathers: The Musical," based on the 1988 teen crime comedy film. They'll talk about the show, the film it's based on, and why the musical is ripe for revival.

In this episode of 'Make Me a Musical,' we welcome the multitalented Matt Kurzyniec, an actor, director, bartender, and lighting designer currently on the national tour of 'Beetlejuice: The Musical.' Matt discusses his bartending adventures at Broadway shows, the thrill of joining the 'Beetlejuice' tour, and his love for Michigan's rich theater culture. Don't miss this stagecraft-packed conversation! Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 299, the hosts are joined by Jim Reed, RCF USA's Manager of Installed Sound and System Design, for a wide-ranging conversation that includes pivoting from a career as a musician and front-of-house engineer to a job on the manufacturer side in live venue installations, as well as sharing advice for production folks who get asked to help consult on installations, and those who might be looking to make a shift away from freelance/touring work as life and priorities change. This episode is sponsored by Allen & Heath and RCF.Jim also shares stories about RCF's work on the massive PA overhaul for the Indianapolis Motor Speedway, including designing a custom loudspeaker to meet the unique needs of the project, and then turning that loudspeaker into a widely available commercial product.From the start of his time with RCF in sales and products support, Reed has drawn upon a history in the audio industry that includes work as an A1 audio technician, front of house engineer, and installation project manager for several A/V companies. With a primary focus on the installation and larger production company markets, he developed a range of training and instructional materials, including videos and in-person training seminars, covering topics from basic audio theory to system design. His work also extends to on-site product demonstrations and sales training seminars for some of the largest A/V retailers in the U.S.Over several years with RCF, Reed has designed and managed more than 1,500 sound systems for a range of applications, from community theaters to Broadway productions, chapels to cathedrals, and community sporting facilities to professional stadiums and arenas.Episode Links:RCF USA Case StudiesRCF USA Product Catalog“Why Churches Buy Three Sound Systems, and How You Can Buy Only One,” by Jim BrownEpisode 299 TranscriptConnect with the community on the Signal To Noise Facebook Group and Discord Server. Both are spaces for listeners to create to generate conversations around the people and topics covered in the podcast — we want your questions and comments!Also please check out and support The Roadie Clinic, Their mission is simple. “We exist to empower & heal roadies and their families by providing resources & services tailored to the struggles of the touring lifestyle.”The Signal To Noise Podcast on ProSoundWeb is co-hosted by pro audio veterans Andy Leviss and Sean Walker.Want to be a part of the show? If you have a quick tip to share, or a question for the hosts, past or future guests, or listeners at home, we'd love to include it in a future episode. You can send it to us one of two ways:1) If you want to send it in as text and have us read it, or record your own short audio file, send it to signal2noise@prosoundweb.com with the subject “Tips” or “Questions”2) If you want a quick easy way to do a short (90s or less) audio recording, go to https://www.speakpipe.com/S2N and leave us a voicemail there

Monday, July 21st, marks the 100-year anniversary of what I believe to be one of the most significant trials in American history.It didn't have 24-hour cable news coverage, but it was the first trial to ever be broadcast nationally on live radio. Although the trial was held in a small town in Tennessee, the celebrity attorney for the defense hailed from Chicago, and the prosecutor was a three-time presidential candidate. Books, a Broadway play, and movies have been made about this trial. Have you heard of it?It's popularly known today as "The Scopes Monkey Trial." John Scopes was charged with violating state law by teaching that humans came from monkeys. He was convicted and fined $100. But though "the evolutionists" lost the case, they won in the court of public opinion, for they successfully advanced a narrative that those who believed the Biblical account of creation were a bunch of uneducated, red-necked, hillbillies, summarized in a term used in their day -- yokels. "Science" had conquered the Bible. Modernity had dealt a fatal blow to faith. Embarrassed and humiliated, many who continued to believe in the infallibility of Scripture retreated from the public square into their own separate world, seeking to remain unstained by the world. Within two generations, America had become a "secular" nation. To this day, we continue to see the effects of this Scopes decision in our schools as well as the broader culture.I recently sat down to have an in-depth discussion with Dr. Richard Suplita about the Scopes trial and its impact on our nation. I think it's well worth listening to if you are concerned about the waning effect of the church upon our broader culture and how some believers are rising up to right that ship.To find Tom on Instagram, Facebook, TiKTok, and elsewhere, go to linktr.ee/tomthepreacher To support our work, go to www.campusamerica.com************ Do you want to have all your sins forgiven and know God personally? Check out my video "The Bridge Diagram" at    • The Bridge Diagram:What You Must Do to Be ...  *********Check out my website, www.CampusAmerica.com, to learn more about my ministry and sign up for my daily email. And make sure to request a copy of my book, Takin' it to Their Turf, when you visit my website.*********Check out my videos on this channel to learn how to answer tough questions challenging our faith.

New Episode Drop! This week, Bracey teaches us all about the iconic life and legacy of Angela Lansbury — from Murder, She Wrote (12 seasons!) to Broadway royalty, and everything in between. We're talking power, poise, and quiet strength. Tune in for a cozy, curious conversation about one of the greats!Some episodes you may have missed….Here's some good ones from the archives!Confidence: from public speaking to parallel parkingSoft Like EraLife-Changing BooksIf you've enjoyed any of our episodes, we'd appreciate it if you'd share with a friend. That's how podcasts grow - through connection - and we appreciate you helping us grow! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit likehearted.substack.com

In Episode 71, Brennan is joined by Broadway's Julia Knitel, as they jump back to beginning of her days in New Jersey community theatre, and talk about the journey that led to her receiving a 2025 Tony nomination for "Best Featured Actress in a Musical"!Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

pWotD Episode 3000: I Know What You Did Last Summer (2025 film) Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 193,276 views on Saturday, 19 July 2025 our article of the day is I Know What You Did Last Summer (2025 film).I Know What You Did Last Summer is a 2025 American slasher film directed by Jennifer Kaytin Robinson, who co-wrote the screenplay with Sam Lansky from a story by Leah McKendrick and Robinson. It is the fourth installment in the I Know What You Did Last Summer franchise and the sequel to I Still Know What You Did Last Summer (1998). The film stars Madelyn Cline, Chase Sui Wonders, Jonah Hauer-King, Tyriq Withers, Sarah Pidgeon, Billy Campbell, Gabbriette Bechtel, and Austin Nichols, with Freddie Prinze Jr., and Jennifer Love Hewitt. Sarah Michelle Gellar and Brandy from the first two films, respectively, appear in cameos. The plot takes place 27 years after the Tower Bay murders, when another hook-wielding killer appears and begins targeting a group of friends one year after they covered up a car crash in which they supposedly killed someone.Plans for a fourth film in the franchise started in 2014, when Mike Flanagan and Jeff Howard signed on to write a reboot with no connection to the previous installments. However, this version ultimately fell through. Following the cancellation of the 2021 television series adaptation, the project was relaunched when Robinson pitched her version to Sony Pictures. The film was put into early development in February 2023, with producer Neal H. Moritz returning. Prinze Jr. and Hewitt were confirmed to be returning in 2024, with the new cast members joining throughout the year. Filming took place between October 2024 and March 2025 in New South Wales and Los Angeles.I Know What You Did Last Summer premiered at The United Theater on Broadway in Los Angeles on July 14, 2025, and was theatrically released by Sony Pictures Releasing in the United States on July 18. The film received mixed reviews from critics. It grossed $24.6 million worldwide.This recording reflects the Wikipedia text as of 20:57 UTC on Monday, 21 July 2025.For the full current version of the article, see I Know What You Did Last Summer (2025 film) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Emma.

Jena Tesse Fox, James Marino, and Michael Portantiere talk with Doug Besterman. “This Week on Broadway” has been coming to you every week since 2009. It is the longest-running running Broadway and theatrical podcast with hundreds of shows giving thousands of reviews and interviews. Subscribe to BroadwayRadio in Apple Podcasts read more

Interview date: February 9, 2025Episode summary:Alex Wong, a dynamic dancer, choreographer, and social media influencer with over 4 million followers. From his early training in Vancouver to becoming a principal dancer at Miami City Ballet, Alex's journey spans ballet, Broadway, commercial dance, and TV/film work. He opens up about his time on So You Think You Can Dance, his transition into commercial dance, overcoming injuries, and leveraging social media to grow his career. Alex shares valuable insights on making career decisions, staying happy in a competitive industry, and embracing the variety of opportunities that come with being a versatile artist.Show Notes:(0:00) – Introduction to Alex Wong's Multifaceted Dance Career Menina introduces Alex Wong, highlighting his remarkable journey from ballet to commercial dance, Broadway, and social media stardom.(2:30) – Early Training and Transition to Ballet Alex discusses his start in dance, from jazz and tap to the rigorous world of ballet.(6:00) – Joining So You Think You Can Dance and the Shift to Commercial Dance Alex reflects on his decision to audition for So You Think You Can Dance, the challenges he faced, and the realization that commercial dance was the path he wanted to take.(9:00) – The Struggles of Injury: Overcoming Achilles Tendon Tears Alex shares the impact of two Achilles injuries on his career, how he used the time to explore other creative outlets, and his determination to return to dance.(13:30) – Broadway Debut and Transition into Film and TV Work From Newsies on Broadway to working with artists like Taylor Swift and Ariana Grande, Alex discusses his experiences in the world of Broadway and commercial entertainment.(18:00) – Building a Social Media Empire: Over 4 Million Followers Alex talks about his rise as a social media influencer, how he grew his following, and the opportunities for brand collaborations with major companies like Amazon and Google.(22:00) – Navigating a Diverse Career: Dance, Acting, and Influencing Alex shares his thoughts on juggling multiple career paths, staying balanced, and making time for what truly brings him joy, both professionally and personally.(26:00) – Making Career Decisions: Listening to Intuition and Avoiding Regret Alex explains how he makes decisions about which jobs to take, using his gut feeling and the fear of missing out (FOMO) as his guide.(30:00) – Advice for Aspiring Dancers: Embrace Variety and Keep Learning Alex offers advice to young dancers on diversifying their skills, staying humble, and understanding the importance of ongoing training and professional growth.(35:00) – Reflecting on Career Milestones: Proud Moments and Takeaways Alex reflects on the milestones of his career, including his favorite performances, challenges faced, and the lessons he's learned along the way.(40:00) – Looking Forward: Future Goals and Career Aspirations Alex shares what lies ahead for him in the dance world, including future projects and his thoughts on touring with major artists or taking on new creative ventures.(45:00) – Final Thoughts: Finding Happiness and Fulfillment in Your Career Menina and Alex wrap up the episode, discussing the importance of staying true to oneself, finding happiness in the work, and how to maintain a sense of fulfillment in an ever-changing career.(50:00) – Q&A with Business of Dance Mentees: Advice and Inspiration Alex answers questions from Business of Dance mentees, sharing valuable advice on technical training, artistic development, and building a career in dance and entertainment.(55:00) – Closing Remarks: Embracing the Journey and Enjoying the Ride Menina closes the episode with final words of encouragement for aspiring dancers, emphasizing the importance of loving the craft and staying adaptable in the pursuit of success.Connect on Social Media:https://www.facebook.com/alexdwonghttps://www.instagram.com/alexdwongWebsite:https://www.thealexwong.com/

Send us a textTara and EmKay continue their journey into the bulk of season 6: breaking down each scene of "Wicked: Part I"! In this episode they are joined by Roxanne and Bailey Canales to dive into “I'm Not That Girl”! Rabbit holes include parallels to current events, first crushes, and so much more!Show notes:"Wicked The Musical" - The Movie (2024/2025) - DTYBPFlorida lawmakers allowed into ‘Alligator Alcatraz' say detainees packed into cagesNewark mayor sues feds over arrest outside ICE facilityCynthia Erivo Opens Up About Filming Pivotal ‘Wicked' Scene: “My Heart Broke Open and Tears Fell”Behind The Scenes Of Wicked's Set DesignWicked film bikes made by Shipley's Ellis Briggs CyclesPippi PostWithy WorkshopInstagram: @downtheyellowbrickpod#DownTheYBPTara: @taratagticklesEmKay: www.emilykayshrader.netPatreon: https://www.patreon.com/downtheyellowbrickpodEtsy: https://www.etsy.com/market/down_the_yellow_brick_podMusic by: Shane ChapmanEdited by: Emily Kay Shrader Down the Yellow Brick Pod: A Wizard of Oz Podcast preserving the history and legacy of Oz

This episode was originally released on 7/1/2019. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes. ____________ In Breaking Walls episode 93 we ride the rails with some of the most famous stars in radio history. During radio's golden age, there were three main production hubs: New York, Chicago, and Los Angeles. With so much daily content to produce, radio's greatest minds developed programs and episodes centered around every recognizable theme, like the New York city subway. While this episode will take place in or around New York's public transportation system, we'll focus just as much on the relationships forged by radio's legends on both coasts. Highlights: • Mercedes McCambridge, Himan Brown, and Grand Central Station • How Bill Spier influenced the careers of his wife June Havoc and his protégé Elliott Lewis • From Suspense to Broadway is My Beat, Elliott Lewis shines • Jack Benny stars on Suspense • Cathy Lewis: Mrs Radio • Mandel Kramer, Jan Miner, and Subway Soaps from New York • Byron Kane and Subways Are For Sleeping • William N. Robson, Shirley Mitchell, Virginia Gregg and Jack Kruschen on radio in the 1950s • Bob and Ray head down into the Subway • Himan Brown brings dramatic radio back to life in the 1970s • Next Stop: The Soda Shop The WallBreakers: thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: patreon.com/TheWallBreakers The reading material used in today's episode was: • On The Air - By John Dunning • The CBS Radio Mystery Theater Handbook - by Gordon Payton & Martin Grams Jr. • Network Radio Ratings, 1932-53 - by Jim Ramsburg • The Museum of Broadcast Communications Encyclopedia of Radio - by Christopher H. Sterling as well as articles from: • Broadcasting Magazine - November 3rd, 1947 • And Billboard Magazine - May 1st, 1948 On the interview front: • Himan Brown, June Havoc, Mandel Kramer, Elliott Lewis, E.G. Marshall, Jan Miner, William Spier and William N. Robson were with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. These interview can be heard at GoldenAge-WTIC.org. • Ralph Bell, Himan Brown, Lawrence Dobkin, Betty Lou Gerson and Byron Kane, were with SPERDVAC. For more information, please go to S-P-E-R-D-V-A-C.com. • Himan Brown, Virginia Gregg, Elliott Lewis, Mercedees McCambridge, Shirley Mitchell and Alan Reed were interviewed by Chuck Schaden. Hear their full chats and many others from Chuck's over thirty-nine year career and SpeakingofRadio.com. • Ellott Lewis was with John Dunning on May 23rd, 1982. • Jack Kruschen, Shirley Mitchell, and George Walsh were with Jim Bohannon on September 12, 1987. • And Morton Fine was with Dan Haefele on August 9th, 1988. Selected music featured in today's episode was: • It's been a Long, Long Time - by Keely Smith • Smoke Gets in Your Eyes - by the Mallet Men • The Big Heist and Salute to Charlie Christian - by Barney Kessel • Atlantis and Roller Coaster - by Les Baxter • I'll Take Manhattan - by Blossom Dearie • And Fly Me To the Moon - by Julie London

What does it take to go from high school marching band to playing drums for major Broadway tours? Meet Jaren Angud, a versatile percussionist whose journey has taken him from ska cover bands in garages to international stages with Disney and beyond.In this episode, Jaren and I dive deep into his story:* How a high school French horn mishap led him to drums* Playing in ska and punk bands before discovering theater music* Why he originally planned to be an engineer, not a musician* The moment he decided to pursue music seriously and how grad school shaped his path* Landing national and international tours like Flashdance The Musical and Beauty and the Beast* Touring across the U.S. and overseas—from Cairo to Qatar—and what it taught him about culture, travel, and resilience* What life is like as the drummer for the First National Tour of Back to the Future: The Musical* How he and his wife turned RV living into a full-time touring lifestyle* Managing fitness, routine, and mental focus while on the road* Advice for drummers who want to break into the Broadway world: versatility, preparation, and mindsetJaren's story is full of practical advice, real-life insights, and inspiring lessons about saying “yes” to opportunities and staying ready for the big call.Mentioned in this episode:* His early influences: Travis Barker, ska bands, and marching percussion* Transitioning from music education to performance* Why being a “total drummer” is the key to success* Tips for navigating long-haul touring, from budgeting to health* The reality of subbing on Broadway and how Jaren prepared for Back to the FutureWhether you're a drummer dreaming of Broadway, a musician navigating freelance life, or someone curious about the touring lifestyle, this episode is packed with valuable takeaways.And if you've ever dreamed of building a theater career of your own, my new book is almost here.Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career is launching soon.Get your name on the list at BroadwayBoundBook.com to be among the first to grab a copy when it drops.Thanks for listening!Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he has contributed his talents to notable productions such as Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, and Hadestown (tour), among many others. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Excerpt of the 16 Jul 1940 broadcast from Arlington Park with Al Jolson. Appearing in Chicago promoting his last Broadway show then in preview, Al Jolson took time to call a race at the track. This is just the race, there is much more in the ten minute program. The complete broadcast circulates with other Jolson radio shows on the Official Al Jolson Website at www.jolson.org.

Leslie Barker talks with photographer, Jenny Anderson. A Mississippi native and Ole Miss alum, she has spent the last eighteen years working as a photographer in New York City. Jenny's expansive work photographing the Broadway community captures the magic both on and off-stage. The New York Times, Vanity Fair, Vogue, Town & Country, and so many more have featured her stunning photography. Her new book, The In-Between: Intimate and Candid Moments of Broadway Stars gives us a rare glimpse into backstage life of some of the most legendary stages and its brightest stars. Join us for our conversation as Jenny discusses her artistic journey that started right here in Mississippi. If you enjoy listening to this podcast, please consider contributing to MPB. https://donate.mpbfoundation.org/mspb/podcast. Hosted on Acast. See acast.com/privacy for more information.

On Friday's Mark Levin Show, Stephen Colbert's show was cancelled because they were losing millions of dollars a year, it had nothing to do with President Trump. Colbert and his late-night pals destroyed late night comedy by making it overly political and monotonous, rather than focusing on laughter as people seek escape from politics. Past great comedians like Jay Leno, Johnny Carson, and Steve Allen built this genre professionally and these hosts have exploited and ruined it. Also, America First Legal revealed emails showing Biden DOJ and White House coordination on Merrick Garland's 2021 memo directing FBI to address “threats” from parents protesting school policies on COVID, CRT, and transgender issues. The DOJ sought a federal hook despite internal warnings of First Amendment protections and no federal jurisdiction. Emails undermine Garland's independence claims. They coordinated, lied about it and nobody will be held to account. In addition, declassified documents from DNI Tulsi Gabbard reveal the Obama administration politicized intelligence to fabricate a Russian interference narrative in the 2016 election, despite IC reports showing no cyber impact on outcomes, only minor psychological efforts. This laid groundwork for the Trump-Russia probe, involving officials like Clapper, Brennan, Rice, Kerry, Lynch, and McCabe, culminating in a Dec 9 White House meeting and new IC assessment per Obama. We always knew this was corrupt. Later, Alexander Hamilton's views on liberty and government differed with those of Jefferson and Madison. Hamilton's modern appeal among centralized power advocates, as seen in the Broadway musical's popularity with elites and academics. Hamilton proposed lifetime terms for the executive and one legislative branch at the Convention, an idea rejected. Raoul Berger's book critiques implied powers as abusive, emphasizing the Constitution's intent to restrict federal authority and protect state residuary powers. Hamilton in Federalist No. 33 reassured states on the "necessary and proper" clause as means to execute delegated powers only, per Madison and ratification understandings. Afterward, NYC Mayoral candidate Curtis Sliwa calls in with an update on his campaign against Zohran Mamdani, Eric Adams and Andrew Cuomo. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This postcard captures more than just a location. It holds a slice of New York City's vibrant nightlife in the early 1900s, frozen in time. Dozens of sharply dressed men and women fill every inch of the dining hall at Churchill's, a legendary supper club at the corner of Broadway and 49th Street. Their expressions vary—some smiling, some thoughtful, some lost in the moment. There's elegance, mystery, and a hum of excitement you can almost hear. When you look closely, you begin to wonder: Who were these people? What brought them there that night? Did any of them appear in your family tree? This is the kind of image that invites us not only to observe history, but to feel it—and maybe even find ourselves in it... Podcast Notes: https://ancestralfindings.com/churchills-restaurant-new-york-postcard/ Ancestral Findings Podcast: https://ancestralfindings.com/podcast This Week's Free Genealogy Lookups: https://ancestralfindings.com/lookups Genealogy Giveaway: https://ancestralfindings.com/giveaway Genealogy eBooks: https://ancestralfindings.com/ebooks Follow Along: https://www.facebook.com/AncestralFindings https://www.instagram.com/ancestralfindings https://www.youtube.com/ancestralfindings Support Ancestral Findings: https://ancestralfindings.com/support https://ancestralfindings.com/paypal  #Genealogy #AncestralFindings #GenealogyClips

Even bad shows have good elements. Listen along to some Broadway flops for proof of that.

Warren wants revenge on Julia after she got them kicked out of a Broadway play for not having her phone on silent. That was the last straw for Warren and Nachoo is stepping in. Follow us on socials! @themorningmess

Jean Smart extends in ‘Call Me Izzy,’; Szot, Jones, Wolfe to join ‘Hadestown’; Cherry Lane to reopen in September Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | read more

Rachel Christopher brings a poet's heart and a scholar's mind to the stage eight times a week as Hermione Granger in Harry Potter and the Cursed Child. In this conversation, she opens up about her lifelong love of language, her background in translating ancient Greek poetry, and the deeply personal connection she feels to storytelling—both on stage and off. Whether she's talking about her time at Epcot or reflecting on how imagination shaped her childhood, Rachel reveals just how much joy and intention she pours into her work. From cooking lamb meatballs and tending to her city garden to revisiting classic Greek texts, Rachel's passions outside of theater are just as vibrant as the characters she portrays. She shares what it means to step into the legacy of Hermione, how theater expands what we imagine is possible, and why making space for community and curiosity is at the heart of her artistry. Rachel Christopher is an actor and poet currently playing Hermione Granger in Harry Potter and the Cursed Child on Broadway. Her stage credits include For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf and Jaja's African Hair Braiding. Her screen credits include The Girl on the Train and The Upside. A graduate of Vassar College, she double-majored in drama and classics, and has collaborated on stage adaptations of The Aeneid and The Iliad. This episode is powered by WelcomeToTimesSquare.com, the billboard where you can be a star for a day. Connect with Rachel: Instagram: @rachel_e_christopher Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

EP 3 In this explosive episode of NOT ALL HOOD Malcolm-Jamal Warner and Candace Kelley sit down with the unapologetically brilliant poet, actress, and activist Tameka "Georgia Me" Harper. Known for her commanding presence from HBO's Def Poetry Jam to Broadway, Georgia Me shares unfiltered truths about Black excellence, systemic exclusion in the arts, being blackballed in entertainment, and the cultural erasure of poetry. This episode is a masterclass in radical self-love, hood pride, and the resilience of Black creativity. Georgia Me unapologetically uplifts the hood as a sacred space of community, survival, and joy. She also delivers powerful insight on the gentrification of Atlanta, the misrepresentation of Black stories in media, the commodification of struggle, and the need to honor working-class Black Americans. Hilarious, heartbreaking, and healing all at once—this is one of the boldest conversations Not All Hood has ever hosted. From P-Valley to power dynamics in poetry, from street code to spiritual sovereignty, Georgia Me speaks for the unheard and reminds us all to never dim our light. #notallhood #malcolmjamalwarner #CandaceKelly #nahmorethanamonth #companyx #GeorgiaMe #blackexcellence #DefPoetryJam----------------------------------------------------------------------------------------------------- Not All Hood (NAH) podcast takes a look at the lived experiences and identities of Black people in America. Infused with pop culture, music, and headlining news, the show addresses the evolution, exhilaration, and triumphs of being rooted in a myriad of versions of Black America.   Hosted by Malcolm-Jamal Warner, and Candace O.Kelley   Executive Producer: Layne Fontes Producer & Creative Director: Troy W. Harris, Jr.

This week, I cashed in a Hall Pass and picked a sequel that's part slasher, part tropical fever dream — "I Still Know What You Did Last Summer." With a new entry in the franchise on the horizon, there's no better time to revisit the wild ride that is winning a mysterious trip to an abandoned island resort during hurricane season.To help unravel this Rube Goldberg chain of Hook Man chaos, we brought back our horror sequel expert Chris Egan. We cover everything from:Why you maybe should tell your family before skipping townThat weird dummy in the roadJeffrey Combs crushing it as the creepiest hotel manager everThe world's worst resort staffAnd of course... Jack Black in dreadlocks (yikes)

In this vibrant and soul-nourishing episode of What Are You Made Of?, Mike “C-Roc” sits down with Maria Failla, former Broadway star turned professional “plant lady” and host of the wildly popular podcast Growing Joy with Plants. Maria shares her remarkable journey from performing under bright stage lights to cultivating a life of growth—literally and figuratively—surrounded by greenery.Maria opens up about her transition from singing on Broadway to nurturing a thriving plant-based media empire. Once a self-described “plant killer,” she candidly recounts how her curiosity blossomed into a passion that now serves as a powerful force for wellness, connection, and joy. With over 300 podcast episodes, a book deal, speaking engagements, and an ever-growing community, Maria has turned her love for houseplants into a thriving, purpose-driven career.Maria and Mike "C-Roc" explore the wellness science behind our connection to nature, the evolution of podcasting as a personal and communal tool for growth, and the unexpected lessons plants teach us about resilience, healing, and transformation. Maria also discusses how faith, biophilic design, and her “plant parent personality test” are helping people reconnect with the natural world and themselves.If you've ever underestimated the power of a houseplant—or the calling of a new chapter—this episode is for you.Website-www.growingjoywithmaria.comhttps://www.instagram.com/growingjoywithmaria/?hl=en

Author and sports columnist Dave Zirin of The Nation joins us to delve into the Muhammad Ali psychedelia of A.K.A. CASSIUS CLAY (1970), possibly the trippiest sports documentary ever conceived. In this amazing conversation, Dave explains how Ali linked the civil rights movement to growing antiwar protests as well as giving us the lowdown on director Jimmy Jacobs and narrator Richard Kiley, a Broadway legend who looks like a handsy college professor here. Cory and Bob talk about the movie's funkified jazz score by Teo Macro, who scored this movie the same year he produced Miles Davis' fusion opus BITCHES BREW! And Dave sticks around long enough to tell us about the time that George Foreman (RIP) sang Bob Dylan to him. You'll never guess which song Big George sang, so you'll have to listen. Bob and Cory also talk a little bit about the new SUPERMAN movie and speculate if David Zaslav is the greatest studio chief of all time with Super and SINNERS coming out during his watch. We promised Dave Zirin talking Ali and Foreman back in PhilenApocalypse III and gave you THE BIRDS instead. And in THE BIRDS ep, we promised horse movies with Philena's partner Sage and you finally got Zirin and Ali. So the next episode will be Sage joining us for horse movies, but there's yet another programming change. Instead of Smoky and Francis the Talking Mule, you'll get HOT TO TROT (1988) with the great Bobcat Goldthwait plus Elizabeth Taylor in NATIONAL VELVET (1944), which Cory says is the least stony movie of all time but Bob promises is kinda pervy in a disturbing way, so there's that. Please subscribe so you don't miss it. You can find Dave Zirin at https://www.edgeofsports.com/ Hosts: Bob Calhoun and Cory Sklar Philena and Greg are on assignment OMFYS Theme and "Hamburgers for America" by Chaki the Funk Wizard used by permission. Calluses II by William Rosati via YouTube Audio Library Archival audio via Archive.org 20060419.horse.neigh.wav by dobroide -- freesound.org/s/18229/ -- License: Attribution 4.0 Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Contact: oldmoviesforyoungstoners AT gmail DOT com

Send us a textJoin former child actor Moosie Drier, and author Jonathan Rosen, as they chat with Ted Neeley from Jesus Christ Superstar!Ted discusses making the iconic musical, performing on Broadway in Hair and other shows, being directed by Quentin Tarantino in Django Unchained, & much more!Support the show

‘Gypsy’ to close in August, ‘Oh, Mary!’ announces new spectacular cast, discussion on next NYT theatre critic Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BroadwayRadio Patreon: read more

Being Jewish podcast host Jonah Platt—best known for playing Fiyero in Broadway's Wicked—joins People of the Pod to discuss his journey into Jewish advocacy after October 7. He reflects on his Jewish upbringing, challenges media misrepresentations of Israel, and shares how his podcast fosters inclusive and honest conversations about Jewish identity. Platt also previews The Mensch, an upcoming film he's producing to tell Jewish stories with heart and nuance. Recorded live at AJC Global Forum 2025. *The views and opinions expressed by guests do not necessarily reflect the views or position of AJC. Listen – AJC Podcasts: The Forgotten Exodus: Untold stories of Jews who left or were driven from Arab nations and Iran People of the Pod:  Latest Episodes:  Sexual Violence as a Weapon of War: The Dinah Project's Quest to Hold Hamas Accountable Journalist Matti Friedman Exposes Media Bias Against Israel John Spencer's Key Takeaways After the 12-Day War: Air Supremacy, Intelligence, and Deterrence Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts or Spotify. Transcript of the Interview: Manya Brachear Pashman:   Jonah Platt: is an award winning director of theater and improv comedy, an accomplished musician, singer and award winning vocal arranger. He has been on the Broadway stage, including one year as the heartthrob Fiyero in Wicked and he's producing his first feature film, a comedy called The Mensch. He also hosts his own podcast, Being Jewish with Jonah Platt:, a series of candid conversations and reflections that explore the many facets of Jewish identity.  Jonah is with us now on the sidelines of AJC Global Forum 2025. Jonah, welcome to People of the Pod. Jonah Platt:   Thank you so much for having me, happy to be here.  Manya Brachear Pashman:   So tell us about your podcast. How is being Jewish with Jonah Platt: different from Jewish with anyone else? Jonah Platt:   That's a great question. I think it's different for a number of ways. I think one key difference is that I'm really trying to appeal to everybody, not just Jews and not just one type of Jews. I really wanted it to be a very inclusive show and, thank God, the feedback I've gotten, my audience is very diverse. It appeals to, you know, I hear from the ultra orthodox. I hear from people who found out they were Jewish a month ago. I hear from Republicans, I hear from Democrats. I hear from non Jews, Muslims, Christians, people all over the world. So I think that's special and different, especially in these echo-chambery, polarized times online, I'm trying to really reach out of that and create a space where the one thing we all have in common, everybody who listens, is that we're all well-meaning, good-hearted, curious people who want to understand more about our fellow man and each other.  I also try to really call balls and strikes as I see them, regardless of where they're coming from. So if I see, let's call it bad behavior, on the left, I'll call it out. If I see bad behavior on the right, I'll call it out. If I see bad behavior from Israel, I'll call it out. In the same breath that I'll say, I love Israel, it's the greatest place.  I think that's really unfortunately rare. I think people have a very hard time remembering that we are very capable of holding two truths at once, and it doesn't diminish your position by acknowledging fault where you see it. In fact, I feel it strengthens your position, because it makes you more trustworthy. And it's sort of like an iron sharpens iron thing, where, because I'm considering things from all angles, either I'm going to change my mind because I found something I didn't consider. That's going to be better for me and put me on firmer ground.  Or it's going to reinforce what I thought, because now I have another thing I can even speak to about it and say, Well, I was right, because even this I checked out, and that was wrong. So either way, you're in a stronger position. And I feel that that level of sort of, you know, equanimity is sorely lacking online, for sure.  Manya Brachear Pashman:   Our podcasts have had some guests in common. We've had Dara Horn, Sarah Hurwitz, you said you're getting ready to have Bruce Pearl. We've had Coach Pearl on our show. You've also had conversations with Stuart Weitzman, a legendary shoe designer, in an episode titled Jews and Shoes. I love that. Can you share some other memorable nuggets from the conversations you've had over the last six months? Jonah Platt:   I had my dad on the show, and I learned things about him that I had never heard about his childhood, growing up, the way his parents raised him. The way that social justice and understanding the conflict and sort of brokenness in the world was something that my grandparents really tried to teach them very actively, and some of it I had been aware of, but not every little specific story he told. And that was really special for me. And my siblings, after hearing it, were like, We're so glad you did this so that we could see Dad and learn about him in this way. So that was really special.  There have been so many. Isaac Saul is a guy I had early on. He runs a newsletter, a news newsletter called Tangle Media that shows what the left is saying about an issue with the right is saying about an issue, and then his take. And a nugget that I took away from him is that on Shabbat, his way of keeping Shabbat is that he doesn't go on social media or read the news on Shabbat. And I took that from him, so now I do that too.  I thought that was genius. It's hard for me. I'm trying to even start using my phone period less on Shabbat, but definitely I hold myself to it, except when I'm on the road, like I am right now. When I'm at home, no social media from Friday night to Saturday night, and it's fantastic.  Manya Brachear Pashman:   It sounds delightful. Jonah Platt:   It is delightful. I highly recommend it to everybody. It's an easy one.  Manya Brachear Pashman:   So what about your upbringing? You said you learned a lot about your father's upbringing. What was your Jewish upbringing? Jonah Platt:   Yeah, I have been very blessed to have a really strong, warm, lovely, Jewish upbringing. It's something that was always intrinsic to my family. It's not something that I sort of learned at Hebrew school. And no knock on people whose experience that is, but it's, you know, I never remember a time not feeling Jewish. Because it was so important to my parents and important to their families. And you know, part of the reason they're a good match for each other is because their values are the same.  I went to Jewish Day School, the same one my kids now go to, which is pretty cool. Manya Brachear Pashman:  Oh, that's lovely. Jonah Platt:   Yeah. And I went to Jewish sleepaway camp at Camp Ramah  in California. But for me, really, you know, when I get asked this question, like, my key Jewish word is family. And growing up, every holiday we spent with some part of my very large, amazing family. What's interesting is, in my city where I grew up, Los Angeles, I didn't have any grandparents, I didn't have any aunts or uncles or any first cousins. But I feel like I was with them all the time, because every holiday, someone was traveling to somebody, and we were being together. And all of my childhood memories of Jewish holidays are with my cousins and my aunts and my uncles and my grandparents. Because it was just so important to our family. And that's just an amazing foundation for being Jewish or anything else, if that's your foundation, that's really gonna stay with you. And my upbringing, like we kept kosher in my house, meat and milk plates. We would eat meat out but no pork, no shellfish, no milk and meat, any of that. And while I don't ascribe to all those things now, I'm grateful that I got sort of the literacy in that.  In my Jewish Day School we had to wrap tefillin every morning. And while I don't do that now, I'm glad that I know how to do that, and I know what that looks like, and I know what that means, even if I resisted it very strongly at the time as a 13 year old, being like what I gotta wrap this up every day. But I'm grateful now to have that literacy. And I've always been very surprised to see in my life that often when I'm in a room with people, I'm the most observant in the room or the most Jewish literate in the room, which was never the case in my life.  I have family members who are much more observant than me, orthodox. I know plenty of Orthodox people, whatever. But in today's world, I'm very grateful for the upbringing I had where, I'll be on an experience. I actually just got back from one in Poland. I went on a trip with all moderate Muslims from around the North Africa, Middle East, and Asia, with an organization called Sharaka. We had Shabbat dinner just this past Friday at the JCC in Krakow, and I did the Shabbat kiddush for everybody, which is so meaningful and, like, I'm so grateful that I know it, that I can play that role in that, in special situations like that.  Manya Brachear Pashman:   So you've been doing a lot of traveling. Jonah Platt:  Yes. Manya Brachear Pashman:   I saw your reflection on your visit to Baku, Azerbaijan. The largest Jewish community in the Muslim world. And you went with the Jewish Federation's National Young leadership cabinet. Jonah Platt:   Shout out to my chevre. Manya Brachear Pashman:   And you posted this reflection based on your experience there, asking the question, how much freedom is too much? So can you walk our listeners through that and how you answered that question? Jonah Platt:   Yes. So to be fair, I make very clear I don't have the answer to that question definitively, I just wanted to give people food for thought, and what I hoped would happen has happened where I've been getting a lot of people who disagree with me and have other angles at which they want to look and answer this question, which I welcome and have given me a lot to think about.  But basically, what I observed in Azerbaijan was a place that's a little bit authoritative. You know, they don't have full freedom of the press. Political opposition is, you know, quieted, but there's no crime anywhere. They have a strong police presence on the streets. There are security cameras everywhere, and people like their lives there and don't want to mess with it.  And so it just got me thinking, you know, they're an extremely tolerant society. It's sort of something they pride themselves on, and always have. It's a Muslim majority country, but it is secular. They are not a Muslim official country. They're one of only really two countries in the world that are like that, the other being Albania. And they live together in beautiful peace and harmony with a sense of goodwill, with a sense of national pride, and it got me thinking, you know, look at any scenario in our lives. Look at the place you work, look at the preschool classroom that your kid is in.  There are certain rules and restrictions that allow for more freedom, in a sense, because you feel safe and taken care of and our worst instincts are not given space to be expressed. So that is what brought the question of, how much freedom is too much. And really, the other way of putting that is, how much freedom would you be willing to give up if it meant you lived in a place with no crime, where people get along with their neighbors, where there's a sense of being a part of something bigger than yourself. I think all three of which are heavily lacking in America right now that is so polarized, where hateful rhetoric is not only, pervasive, but almost welcomed, and gets more clicks and more likes and more watches. It's an interesting thing to think about.  And I heard from people being like, I haven't been able to stop thinking about this question. I don't know the answer, but it's really interesting. I have people say, you're out of your mind. It's a slippery slope. The second you give an inch, like it's all going downhill. And there are arguments to be made there.  But I can't help but feel like, if we did the due diligence, I'm sure there is something, if we keep the focus really narrow, even if it's like, a specific sentence that can't be said, like, you can't say: the Holocaust was a great thing. Let's say we make that illegal to say, like, how does that hurt anybody? If that's you're not allowed to say those exact words in that exact sequence, you know. So I think if it's gonna be a slippery slope, to me, is not quite a good enough argument for Well, let's go down the road and see if we can come up with something. And then if we decide it's a slippery slope and we get there, maybe we don't do it, but maybe there is something we can come to that if we eliminate that one little thing you're not allowed to say, maybe that will benefit us. Maybe if we make certain things a little bit more restrictive, it'll benefit us. And I likened it to Shabbat saying, you know, on Shabbat, we have all these restrictions. If you're keeping Shabbat, that's what makes Shabbat special, is all the things you're not allowed to do, and because you're not given the quote, unquote, freedom to do those things, you actually give yourself more freedom to be as you are, and to enjoy what's really good about life, which is, you know, the people around you and and having gratitude. So it's just something interesting to think about.  Manya Brachear Pashman:   It's an interesting perspective. I am a big fan of free speech. Jonah Platt:   As are most people. It's the hill many people will die on. Manya Brachear Pashman:   Educated free speech, though, right? That's where the tension is, right? And in a democracy you have to push for education and try to make sure that, you know, people are well informed, so that they don't say stupid things, but they are going to say stupid things and I like that freedom. Did you ever foresee becoming a Jewish advocate? Jonah Platt:   No. I . . . well, that's a little disingenuous. I would say, you know, in 2021 when there was violence between Israel and Gaza in the spring over this Sheik Jarrah neighborhood. That's when I first started using what little platform I had through my entertainment career to start speaking very, you know, small things, but about Israel and about Jewish life, just organically, because I am, at the time, certainly much more well educated, even now, than I was then.  But I was more tuned in than the average person, let's say, and I felt like I could provide some value. I could help bring some clarity to what was a really confusing situation at that time, like, very hard to decipher. And I could just sense what people were thinking and feeling. I'm well, tapped into the Jewish world. I speak to Jews all over the place. My, as I said, my family's everywhere. So already I know Jews all over the country, and I felt like I could bring some value. And so it started very slowly. It was a trickle, and then it started to turn up a little bit, a little bit more, a little bit more. I went on a trip to Israel in April of 2023. It's actually the two year anniversary today of that trip, with the Tel Aviv Institute, run by a guy named Hen Mazzig, who I'm sure, you know, well, I'm sure he's been on the show, yeah.  And that was, like, sort of the next step for me, where I was surrounded by other people speaking about things online, some about Jewish stuff, some not. Just seeing these young, diverse people using their platforms in whatever way, that was inspiring to me. I was like, I'm gonna go home, I'm gonna start using this more.  And then October 7 happened, and I couldn't pull myself away from it. It's just where I wanted to be. It's what I wanted to be spending my time and energy doing. It felt way too important. The stakes felt way too high, to be doing anything else. It's crazy to me that anybody could do anything else but be focusing on that. And now here we are. So I mean, in a way, could I have seen it? No. But have I sort of, looking back on it, been leaning this way? Kinda. Manya Brachear Pashman:   Do you think it would've you would've turned toward advocacy if people hadn't been misinformed or confused about Israel? Or do you think that you would've really been more focused on entertainment.  Jonah Platt:   Yeah, I think probably. I mean, if we lived in some upside down, amazing world where everybody was getting everything right, and, you know, there'd be not so much for me to do. The only hesitation is, like, as I said, a lot of my content tries to be, you know, celebratory about Jewish identity. I think actually, I would still be talking because I've observed, you know, divisions and misunderstandings within the Jewish community that have bothered me, and so some of the things I've talked about have been about that, about like, hey, Jews, cut it out. Like, be nice to each other. You're getting this wrong.  So I think that would still have been there, and something that I would have been passionate about speaking out on. Inclusivity is just so important to me, but definitely would be a lot lower stakes and a little more relaxed if everybody was on the same universe in regards to Israel. Manya Brachear Pashman:   You were relatively recently in Washington, DC. Jonah Platt:   Yeah. Manya Brachear Pashman:   For the White House Correspondents Dinner. I was confused, because he just said he was in Krakow, so maybe I was wrong. Jonah Platt:   I flew direct from Krakow to DC, got off the plane, went to the hotel where the dinner was, changed it to my tux, and went downstairs for the dinner.  Manya Brachear Pashman:   Wow. Jonah Platt:   Yeah. Manya Brachear Pashman:   Are you tired? Jonah Platt:   No, actually, it's amazing. I'll give a shout out. There's a Jewish businessman, a guy named Andrew Herr, who I was in a program with through Federation called CLI in LA, has started a company called Fly Kit. This is a major shout out to Fly Kit that you download the app, you plug in your trip, they send you supplements, and the app tells you when to take them, when to eat, when to nap, when to have coffee, in an attempt to help orient yourself towards the time zone you need to be on. And I have found it very useful on my international trips, and I'm not going to travel without it again. Yeah. Manya Brachear Pashman:   Wow. White House Correspondents dinner. You posted some really thoughtful words about the work of journalists, which I truly appreciated. But what do American journalists get wrong about Israel and the Jewish connection to Israel?  Jonah Platt:   The same thing that everybody who gets things wrong are getting wrong. I mean, we're human beings, so we're fallible, and just because you're a journalist doesn't make you immune to propaganda, because propaganda is a powerful tool. If it didn't work, people wouldn't be using it. I mean, I was just looking at a post today from our friend Hen Mazzig about all the different ways the BBC is getting things horribly, horribly wrong. I think part of it is there's ill intent. I mean, there is malice. For certain people, where they have an agenda. And unfortunately, you know, however much integrity journalists have, there is a news media environment where we've made it okay to have agenda-driven news where it's just not objective. And somehow it's okay for these publications that we've long trusted to have a story they want to tell. I don't know why that's acceptable. It's a business, and I guess maybe if that, if the dollars are there, it's reinforcing itself. But reporters get wrong so much. I'd say the fundamental misunderstanding that journalists as human beings get wrong, that everybody gets wrong, is that Jews are not a group of rich, white Europeans with a common religion. That's like the number one misunderstanding about Jews. Because most people either don't know Jews at all on planet Earth. They've never met one. They know nothing about it except what they see on the news or in a film, or the Jews that they know happen to maybe be white, rich, European ancestry people, and so they assume that's everybody. When, of course, that's completely false, and erases the majority of Jews from planet Earth. So I think we're missing that, and then we're also missing what Israel means to the Jewish people is deeply misunderstood and very purposefully erased.  Part of what's tricky about all of this is that the people way behind the curtain, the terrorists, the real I hate Israel people agenda. They're the ones who plant these seeds. But they're like 5% of the noise. They're secret. They're in the back. And then everybody else, without realizing it, is picking up these things. And so the vast majority of people are, let's say, erasing Jewish connection to Israel without almost even realizing they're doing it because they have been fed this, because propaganda is a powerful tool, and they believe it to be true what they've been told.  And literally, don't realize what they're doing. And if they were in a calm environment and somebody was able to explain to them, Hey, here's what you're doing, here's what you're missing, I think, I don't know, 75% of people would be like, holy crap. I've been getting this wrong. I had no idea. Maybe even higher than 75% they really don't know. And that's super dangerous. And I think the media and journalism is playing a major role in that. Sometimes things get, you know, retracted and apologized for. But the damage is done, especially when it comes to social media. If you put out, Israel just bombed this hospital and killed a bunch of doctors, and then the next day you're like, Oops, sorry, that was wrong. Nobody cares. All they saw was Israel bombed a bunch of doctors and that seed's already been planted. So it's been a major issue the info war, while you know, obviously not the same stakes as a real life and death physical war has been as important a piece of this overall war as anything. And I wouldn't say it's going great. Manya Brachear Pashman:   Did it come up at all at the Correspondent's Dinner, or more of a celebration? Jonah Platt:   No, thank God. Yeah. It was more of a celebration. It was more of just sort of it was cool, because there was no host this year, there was no comedian, there was no president, he didn't come. So it was really like being in the clubhouse with the journalists, and you could sense they were sort of happy about it. Was like, just like a family reunion, kind of a vibe, like, it's just our people. We're all on the same page. We're the people who care about getting it right. We care about journalistic integrity. We're here to support each other. It was really nice. I mean, I liked being sort of a fly on the wall of this other group that I had not really been amongst before, and seeing them in their element in this like industry party, which was cool.  Manya Brachear Pashman:   Okay, so we talked about journalists. What about your colleagues in the entertainment industry? Are you facing backlash from them, either out of malice or ignorance?  Jonah Platt:   I'm not facing any backlash from anybody of importance if I'm not getting an opportunity, or someone's written me off or something. I don't know that, you know, I have no idea if I'm now on somebody's list of I'm never gonna work with that guy. I don't know. I don't imagine I am. If I am, it says way more about that person than it does about me, because my approach, as we've discussed, is to try to be really inclusive and honest and, like, objective. And if I get something wrong, I'll delete it, or I'll say I got it wrong. I try to be very transparent and really open that, like I'm trying my best to get things right and to be fair.  And if you have a problem with that. You know, you've got a problem. I don't have a problem. So I wouldn't say any backlash. In fact, I mean, I get a lot of support, and a lot of, you know, appreciation from people in the industry who either are also speaking out or maybe too afraid to, and are glad that other people are doing it, which I have thoughts about too, but you know, when people are afraid to speak out about the stuff because of the things they're going to lose. Like, to a person, maybe you lose stuff, but like, you gain so many more other people and opportunities, people who were just sort of had no idea that you were on the same team and were waiting for you to say something, and they're like, Oh my God, you're in this with me too. Great, let's do something together, or whatever it is. So I've gotten, it's been much more positive than negative in terms of people I actually care about. I mean, I've gotten fans of entertainment who have nasty things to say about me, but not colleagues or industry peers.  Manya Brachear Pashman:   So you would declare yourself a proud Zionist. Jonah Platt:   Yes. Manya Brachear Pashman:   But you wrote a column in The Forward recently over Passover saying, let's retire the word Zionist. Why?  Jonah Platt:   Yes. I recently wrote an op-ed and actually talked about on my pod as well about why I feel we should retire the word Zionism. Not that I think we actually are. It's pretty well in use. But my main reasoning was, that the way we all understand Zionism, those of us who actually know what it is, unlike a lot of people –is the belief that Jews should have self determination, sovereignty in some piece of the land to which they are indigenous. We have that. We've had it for almost 80 years. I don't know why we need to keep using a word that frames it as aspirational, that like, I believe we should have this thing. We already have it.  And I feel by sort of leaving that sentence without a period, we're sort of suggesting that non-existence is somehow on the table. Like, if I just protest enough, Israel's going to stop existing. I want to slam that door closed. I don't think we need to be the, I believe that Israel should exist people anymore. I think we should be the I love Israel people, or I support Israel people. I'm an Israel patriot. I'm a lover of Israel, whatever the phrase may be. To me, the idea that we should continue to sort of play by their framework of leaving that situation on the table, is it only hurts us, and I just don't think we need it. Manya Brachear Pashman:   It lets others define it, in their own terms.  Jonah Platt:   Yeah, we're playing, sort of by the rules of the other people's game. And I know, you know, I heard when I put that out, especially from Israelis, who it to them, it sort of means patriot, and they feel a lot of great pride with it, which I totally understand. But the sort of more universal understanding of what that word is, and certainly of what the Movement was, was about that aspirational creation of a land, that a land's been created. Not only has it been created, it's, you know, survived through numerous wars, it's stronger than ever. You know, third-most NASDAQ companies in the world. We need to just start talking about it from like, yeah, we're here. We're not going anywhere, kind of a place. And not, a we should exist, kind of a place. Manya Brachear Pashman:   So it's funny, you said, we all know what Zionism is. And I grinned a little bit, because there are so many different definitions of Zionism. I mean, also, Zionism was a very inclusive progressive ideology packaged in there, right, that nobody talks about because it's just kind of not, we just don't talk about it anymore.  So what else about the conversation needs to change? How do we move forward in a productive, constructive way when it comes to teaching about Jewish identity and securing the existence of Israel? Jonah Platt:   In a way, those two things are related, and in a way they're not. You can have a conversation about Jewish identity without necessarily going deep down the Israel hole. But it is critical that people understand how central a connection to Israel is, to Jewish identity. And people are allowed to believe whatever they want. And you can be someone who says, Well, you know, Israel is not important to me, and that's okay, that's you, but you have to at least be clear eyed that that is an extreme and fringe position. That is not a mainstream thing. And you're going to be met with mistrust and confusion and anger and a sense of betrayal, if that's your position.  So I think we need to be clear eyed about that and be able to have that conversation. And I think if we can get to the place where we can acknowledge that in each other. Like, dude, have your belief. I don't agree with it. I think it's crazy. Like, you gotta at least know that we all think you're crazy having that idea. And if they can get to the base, we're like, yeah, I understand that, but I'm gonna believe what I'm gonna believe, then we can have conversations and, like, then we can talk. I think the, I need to change your mind conversation, it doesn't usually work. It has to be really gently done. And I'm speaking this as much from failure as I am from success. As much as we try, sometimes our emotions come to the fore of these conversations, and that's–it's not gonna happen. You know, on my pod, I've talked about something called, I call the four C's of difficult conversation. And I recently, like, tried to have a conversation. I did not adhere to my four C's, and it did not go well. And so I didn't take my own advice. You have to come, like, legitimately ready to be curious to the other person's point of view, wanting to hear what they have to say. You know, honoring their truth, even if it is something that hurts you deeply or that you abhor. You can say that, but you have to say it from a place of respect and honoring. If you want it to go somewhere. If you just want to like, let somebody have it, go ahead, let somebody have it, but you're definitely not going to be building towards anything that. Manya Brachear Pashman:   So before I let you go, can you tell us a little bit about The Mensch? Jonah Platt:   Yeah, sure. So the Mensch is one of a couple of Jewish entertainment projects I'm now involved with in the last year, which, you know, I went from sort of zero to now three. The Mensch is a really unique film that's in development now. We're gonna be shooting this summer that I'm a producer on. And it's the story of a 30 something female rabbi in New Mexico who, life just isn't where she thought it would be. She's not connecting with her congregation. She's not as far along as she thought things would be. Her synagogue is failing, and there's an antisemitic event at her synagogue, and the synagogue gets shut down. And she's at the center of it. Two weeks later, the synagogue's reopening. She's coming back to work, and as part of this reopening to try to bring some some life and some juzz to the proceedings, one of the congregants from the synagogue, the most eccentric one, who's sort of a pariah, who's being played by Jennifer Goodwin, who's a fantastic actress and Jewish advocate, donates her family's priceless Holocaust-era Torah to the synagogue, and the rabbi gets tasked with going to pick it up and bring it. As things often happen for this rabbi, like a bunch of stuff goes wrong. Long story short, she ends up on a bus with the Torah in a bag, like a sports duffel bag, and gets into an altercation with somebody who has the same tattoo as the perpetrator of the event at her synagogue, and unbeknownst to the two of them, they have the same sports duffel bag, and they accidentally swap them. So she shows up at the synagogue with Jennifer Goodwin, they're opening it up, expecting to see a Torah, and it's full of bricks of cocaine. And the ceremony is the next day, and they have less than 24 hours to track down this torah through the seedy, drug-dealing, white nationalist underbelly of the city. And, you know, drama and hilarity ensue. And there's lots of sort of fun, a magic realism to some of the proceedings that give it like a biblical tableau, kind of sense. There's wandering in the desert and a burning cactus and things of that nature.  So it's just, it's really unique, and what drew me to it is what I'm looking for in any sort of Jewish project that I'm supporting, whether as a viewer or behind the scenes, is a contemporary story that's not about Jews dying in the Holocaust. That is a story of people just being people, and those people are Jewish. And so the things that they think about, the way they live, maybe their jobs, even in this case, are Jewish ones. But it's not like a story of the Jews in that sense. The only touch point the majority of the world has for Jews is the news and TV and film. And so if that's how people are gonna learn about us, we need to take that seriously and make sure they're learning who we really are, which is regular people, just like you, dealing with the same kind of problems, the same relationships, and just doing that through a little bit of a Jewish lens. So the movie is entertaining and unique and totally fun, but it also just happens to be about Jews and rabbis. Manya Brachear Pashman:   And so possible, spoiler alert, does the White Nationalist end up being the Mensch in the end? Jonah Platt:   No, no, the white nationalist is not the mensch. They're the villain.  Manya Brachear Pashman:   I thought maybe there was a conversion moment in this film. Jonah Platt:   No conversion. But sort of, one of the themes you take away is, anybody can be a mensch. You don't necessarily need to be the best rabbi in the world to be a mensch. We're all fallible, flawed human beings. And what's important is that we try to do good and we try to do the right thing, and usually that's enough. Manya Brachear Pashman:   Well, I thought that kind of twist would be… Jonah Platt:   I'll take it up with the writer.  Manya Brachear Pashman:   Well, Jonah, you are truly a mensch for joining us on the sidelines here today. Jonah Platt:   Thank you. Manya Brachear Pashman:   Safe travels, wherever you're headed next.  Jonah Platt:   Thank you very much. Happy to be with you.   

On this week's show, Dana and Steve are joined by guest host Isaac Butler to talk truth, justice, and the American way via James Gunn's Superman. They discuss the latest incarnation of the man of steel and the cultural discourse he's generating that has become as volatile as kryptonite itself. Next, they hop to another cultural lightning rod: Lena Dunham. They get into her new series Too Much which she created with her husband Luis Felber. Finally, they report back from Viola's Room, an immersive theater experience by the creators of Sleep No More. In a bonus Slate Plus episode, they respond to the news that Scott Rudin—famous Broadway megaproducer and infamous alleged abuser—is mounting a comeback. Endorsements: Isaac: The Criterion Channel special Brian Cox: The Craft of Acting, hosted by yours truly Isaac Butler. Also, Ari Aster's newest film Eddington before the discourse begins! Steve: Finishing 2666 by Roberto Bolaño and Agnes Varda's breakout Cléo from 5 to 7. Dana: Critic Walter Chaw's essay on the new Superman. Want more Culture Gabfest? Subscribe to Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Culture Gabfest show page. Or, visit slate.com/cultureplus to get access wherever you listen. Podcast production by Benjamin Frisch Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's Mystery:Johnny investigates the murder of a young prize fighter.Original Radio Broadcast Date: August 7, 1950Originating from HollywoodStarring: Larry Thor as Lieutenant Danny Clover; Charles Calvert as Sergeant Gino Tartaglia; Jack Kruschen as Sergeant Muggavan; Tony Barrett; William Conrad; Lynn Ainley; Peter LeedsSupport the show monthly at https://patreon.greatdetectives.netPatreon Supporter of the Day: Jennifer, Patreon supporter since May 2016Support the show on a one-time basis at http://support.greatdetectives.netMail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesFollow us on Twitter @radiodetectivesJoin us again tomorrow for another detective drama from the Golden Age of Radio.

What if pleasure wasn't just allowed on your spiritual path—but essential to it? In this episode, I'm talking with Emily Fletcher, founder of Ziva Meditation and former Broadway star, about how pleasure, embodiment, and emotional alchemy can actually accelerate your healing and manifestation. We explore: