Podcasts about Art history

Episode 514 / Michael BrennanMichael Brennan (b. 1965, Pine Island, FL; lives Brooklyn, NY) has exhibited his paintings and works on paper nationally and internationally for the past three decades, including in the United States, Mexico, Belgium, France, Germany, Italy, China, Australia, and New Zealand.  Here at the gallery, he previously mounted four very well-received solo exhibitions – Floating Weeds (2023), Late Spring (2018), Grey Razor Paintings (2014), and Knife Paintings (2006) – and has participated in numerous group exhibitions including our major survey exhibition MINUS SPACE at MoMA PS1 in 2008-2009 and Twenty (2023).Brennan's work have been reviewed in publications including The New York Times, Art in America, ARTnews, Art New England, The Brooklyn Rail, ArtNet Magazine, NY Arts, and Philadelphia Inquirer. He is also an accomplished arts writer, and his reviews and essays have been published in The Brooklyn Rail, ArtNet Magazine, Two Coats of Paint, The Village Voice, The Architect's Newspaper, American Abstract Artists, and Archives of American Art/Smithsonian Institution, as well as in numerous exhibition catalogues.Brennan's work is included in collections such as the Baltimore Museum of Art, National Gallery of Art, San Francisco Museum of Modern Art, San Jose Museum of Art, American Express, General Dynamics, Daimler AG, and Sony Corporation. He holds an MFA in Painting and an MS in Art History from Pratt Institute and a BA in Classics from the University of Florida. He has taught at Pratt Institute since 1998 and is currently Adjunct Professor in the Fine Arts Department. He has also previously taught at the School of Visual Arts, Hunter College, and Cooper Union (all NYC).  

In this episode, we sit down with Walker Antonio, a Virginia-based Filipino-American painter whose work blurs the boundaries between the real and surreal, the physical and psychological. Working primarily on a large scale, Walker's process moves from energetic chaos to deliberate refinement—a philosophy that extends to his remarkable career trajectory. Just 18 months after graduating from Wofford College with his BA in Studio Art and Art History, Walker has built an impressive professional practice. He shares his unconventional journey from receiving the 2023 Whetsell Family Fellowship to spending 10 months at a ski resort in Germany, and how he quickly gained representation with three galleries upon returning stateside. We dive into Walker's evolving artistic practice—from large-scale figurative works exploring themes of environment and identity to experimental 6x6-inch pieces that challenge his understanding of composition. He opens up about the pivot points in his career, including creating 34 pieces in 10 days during the Foundation House Artist Residency and showing alongside Picasso and Basquiat at the Palm Beach Modern Contemporary Art Fair. As the first visual artist selected for the Kenan-Lewis Fellowship at Woodberry Forest School, Walker offers candid insights on balancing teaching, pursuing his MA in Fine Arts from Falmouth University, and managing the business side of art. He emphasizes the power of authentic networking over social media growth, the many hats artists must wear (accountant, marketer, graphic designer), and why he's chosen to avoid commissions to protect his creative vision. With solo exhibitions at Stevenson & Co. (Charleston, SC) and the Rhodes Art Center (Gill, MA) in 2025, plus upcoming shows at Sheridan Studios (Macon, GA) in February 2026 and the Baker Gallery (Woodberry Forest, VA) in November 2026, Walker's career is rapidly expanding. His work has been published in American Art Collector and Suboart Magazine, with forthcoming publication in the Penn Journal of Arts and Sciences. Whether you're an emerging artist or simply curious about the art world, Walker's perspective on treating Instagram as a living portfolio, his strategic approach to artist residencies (including his upcoming 2026 Elf School of the Arts Residency), and his commitment to "just keep going" will inspire you to pursue your creative path with intention and authenticity. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It's a celebration as well as a reckoning: After seven years, the Studio Museum in Harlem reopened this fall in a new building that showcases its history of highlighting Black artists. It's a history and project credited with helping change and diversify the art world. Senior arts correspondent Jeffrey Brown visited the museum for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

What if the hardest days in the studio are not detours, but the path itself? We open up about the real fight behind the work—those sessions where flow vanishes, doubt gets loud, and the canvas refuses to cooperate—and why that tension can become your most reliable teacher. Drawing from Rashid Johnson's candid reflection with Carrie Scott on battling the work, we unpack the difference between inspiration and perspiration and why chasing “perfect” kills momentum.Along the way, we trade tools and stories: turning fight-or-flight into practical choices, switching pieces to redirect energy, and using rituals like Morning Pages, breath work, and device-free sessions to clear mental noise. Sun Tzu helps us name the real enemy—resistance expressed through fear and comparison—while Julia Cameron and Nick Cave remind us to cooperate with process, loosen our grip on control, and operate under the “cloud of artistic unknowing.” We talk about repainting, scrapping, and starting over, not as failure but as fidelity to the work's evolving voice.The thread tying it all together is permission. You don't need a bigger studio, pricier materials, or the perfect plan to make authentic art. You need consent to be where you are, to use what you have, and to let mystery lead when the plan breaks. If you've asked yourself, “Have I lost it?” you're in good company—and you're exactly where growth happens. Subscribe, share this with a friend who needs a nudge, and leave a review telling us how you keep the conversation with your work alive.The Episode from Carrie Scott with Rashid Johnson.https://www.youtube.com/watch?v=c41I_sre-UkSend us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg Watch the Video Episode on Youtube or Spotify, https://www.youtube.com/@JustMakeArtPodcast

Narrator: Arif Hodzic

In the 1970s, American curator Donna Stein served as an art advisor to Empress Farah Diba Pahlavi, the Shahbanu of Iran. Together, Stein and Pahlavi generated an art market in Iran, as Stein encouraged Pahlavi's patronage of the Tehran Museum of Contemporary Art. Today, the contemporary section of the Iranian National Collection―most of which continues to languish in storage―is considered one of the most significant collections of modern art outside of Europe and the United States. The Empress and I: How an Ancient Empire Collected, Rejected and Rediscovered Modern Art (Skira, 2020) is a vivid account of Stein's experience working on this storied intercultural initiative. In crafting her highly readable narrative, Stein cites a number of previously confidential documents, including private correspondence with artists and dealers. This text explores the relationship between two women united by their shared passion for the arts and the continued legacy of their partnership in today's art world. Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the 1970s, American curator Donna Stein served as an art advisor to Empress Farah Diba Pahlavi, the Shahbanu of Iran. Together, Stein and Pahlavi generated an art market in Iran, as Stein encouraged Pahlavi's patronage of the Tehran Museum of Contemporary Art. Today, the contemporary section of the Iranian National Collection―most of which continues to languish in storage―is considered one of the most significant collections of modern art outside of Europe and the United States. The Empress and I: How an Ancient Empire Collected, Rejected and Rediscovered Modern Art (Skira, 2020) is a vivid account of Stein's experience working on this storied intercultural initiative. In crafting her highly readable narrative, Stein cites a number of previously confidential documents, including private correspondence with artists and dealers. This text explores the relationship between two women united by their shared passion for the arts and the continued legacy of their partnership in today's art world. Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

It's YOUR time to #EdUp with Dr. Joy Connolly, President, American Council of Learned Societies (ACLS)In this episode, sponsored by the ⁠⁠⁠ELIVE 2026 Conference in Denver, Colorado, April 19-22, & the 2026 InsightsEDU Conference in Fort Lauderdale, Florida, February 17-19,YOUR cohost is Dr. LaNitra Berger, Associate Professor, History & Art History & Director of the African & African American Studies Program at George Mason UniversityYOUR host is ⁠Elvin Freytes⁠How did ACLS place over 40 scholars in jobs in 3 months during COVID when it typically takes 15 to 24 months & why does this prove humanities can pivot quickly?Why does the Public Humanities Graduate Fellows program break the myth of the English major barista by connecting PhD scholars with finance, law, healthcare & social work organizations?How can the new academy vision help scholars link arms around creativity & experimentation by co creating knowledge with communities outside academia & talking about humanities work with the same excitement we bring to students?Listen in to #EdUpThank YOU so much for tuning in. Join us on the next episode for YOUR time to EdUp!Connect with YOUR EdUp Team - ⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Elvin Freytes⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Dr. Joe Sallustio⁠⁠⁠⁠⁠● Join YOUR EdUp community at ⁠The EdUp Experience⁠We make education YOUR business!P.S. Want to get early, ad-free access & exclusive leadership content to help support the show? Become an #EdUp Premium Member today!

402-521-3080In this conversation, Stephanie Olson speaks with Kimberly Haley Coleman, the founder and executive director of Globe Aware, about the organization's mission to provide meaningful volunteer experiences through service vacations in various countries. They discuss the evolution of volunteerism, the importance of understanding local needs, and the impact of volunteers on communities. Kimberly shares insights on navigating safety, cultural immersion, and the empowerment of women in global communities. The conversation emphasizes the value of global service while addressing criticism and the broader impact of volunteerism on local communities.TakeawaysKimberly Haley Coleman founded Globe Aware to provide meaningful volunteer experiences.Volunteers pay to participate, which supports local staff and projects.The vocabulary around volunteerism has evolved due to past unethical practices.It's essential to engage with local communities to understand their needs.Volunteers often come with preconceived notions but learn through experience.Safety assessments are crucial for project management and volunteer safety.Cultural immersion is a key aspect of the volunteer experience.Women play a vital role in local communities and leadership.Volunteering abroad can inspire individuals to make a difference at home.Criticism of global service often overlooks the importance of cultural understanding.Bio of Kimberly Haley-ColemanKimberly Haley-Coleman is the founder and Executive Director of Globe Aware, a US & Canada-based nonprofit that leads and mobilizes volunteers for short-term service projects in over 25 countries (since the year 2000). With a background in international business development and finance, she previously held leadership roles at global firms including CNBC.com, Space Services International, and Investtools. Kimberly holds an MBA in International Business, an MA in Art History, and a BA from Emory University. A multiple patent holder, SMU Guest Lecturer, and recipient of the Texas Business Hall of Fame Award and long-time Hall of Fame member, Chairman of the Executive Board for the International Volunteer Programs Association (IVPA) and actively engaged with organizations like the Building Bridges Coalition and United Nations ESOC Consultative Status Committee and variety of other nonprofit boards focused on international service, community development, and environmental improvement.Selected press about Globe Aware:·         ABC: More Americans Take Volunteer Vacations·         BBC: BBC Travel Show - Passengers with a Purpose·        Support the showEveryone has resilience, but what does that mean, and how do we use it in life and leadership? Join Stephanie Olson, an expert in resiliency and trauma, every week as she talks to other experts living lives of resilience. Stephanie also shares her own stories of addictions, disordered eating, domestic and sexual violence, abandonment, and trauma, and shares the everyday struggles and joys of everyday life. As a wife, mom, and CEO she gives commentaries and, sometimes, a few rants to shed light on what makes a person resilient. So, if you have experienced adversity in life in any way and want to learn how to better lead your family, your workplace, and, well, your life, this podcast is for you!https://setmefreeproject.net https://www.stephanieolson.com/

Fluent Fiction - Catalan: The Secret of the Rambla's Majestic Sculpture Unveiled Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ca/episode/2026-01-23-08-38-20-ca Story Transcript:Ca: Un matí clar d'hivern, la Rambla bullia d'activitat.En: One clear winter morning, the Rambla was bustling with activity.Ca: Els carrers eren plens de gent: turistes curiosos, músics tocant cançons alegres, i artistes mostrant les seves obres.En: The streets were full of people: curious tourists, musicians playing cheerful songs, and artists displaying their works.Ca: Entre totes aquestes persones, hi havia la Montserrat.En: Among all these people was Montserrat.Ca: Era una artista jove, amb bigues a les mans i el cap ple de somnis.En: She was a young artist, with paints on her hands and a head full of dreams.Ca: Vivia per la passió de l'art i volia deixar la seva empremta en el món artístic de Barcelona.En: She lived for the passion of art and wanted to leave her mark on the artistic world of Barcelona.Ca: De cop, una bona part de la multitud es reuní al voltant d'una figura misteriosa.En: Suddenly, a large part of the crowd gathered around a mysterious figure.Ca: Encara que era difícil veure-ho, la Montserrat va aconseguir obrir-se pas fins a la primera fila.En: Although it was difficult to see, Montserrat managed to make her way to the front row.Ca: Allà, una escultura majestuosa s'erigia davant seu, emergint inesperadament durant la nit com una aparició màgica.En: There, a majestic sculpture stood before her, emerging unexpectedly during the night like a magical apparition.Ca: Qui era l'artista d'aquella meravellosa obra?En: Who was the artist of that wonderful work?Ca: Això ningú ho sabia.En: This no one knew.Ca: Oriol, un historiador d'art amb una mirada crítica però curiosa, es trobava entre la multitud.En: Oriol, an art historian with a critical yet curious outlook, was among the crowd.Ca: Ell, conegut pel seu mètode de treball rigorós, volia saber si l'escultura tenia una història darrere.En: He, known for his rigorous working method, wanted to know if the sculpture had a story behind it.Ca: Montserrat i Oriol, tot i tenir objectius molt diferents, es van mirar amb complicitat compartint un mateix desig: descobrir la veritat.En: Montserrat and Oriol, despite having very different objectives, looked at each other with shared complicity, both wishing to discover the truth.Ca: Montserrat va decidir preguntar a altres artistes de la Rambla.En: Montserrat decided to ask other artists on the Rambla.Ca: Va parlar amb pintors i escultors, buscant pistes.En: She spoke with painters and sculptors, searching for clues.Ca: Mentre, Oriol es dirigí a la biblioteca, volent analitzar estils i èpoques de la peça.En: Meanwhile, Oriol headed to the library, wanting to analyze the piece's styles and periods.Ca: Els dos, sumits en la recerca, van trobar-se al cap d'uns dies al mateix cafè a prop del Liceu.En: The two, immersed in their search, met a few days later at the same café near the Liceu.Ca: Montserrat, emocionada, comentà que un dels artistes li va parlar d'un creador oblidat que possiblement podria haver estat l'autor.En: Montserrat, excited, commented that one of the artists had told her about a forgotten creator who could possibly have been the author.Ca: Oriol, amb els seus llibres, revelà descobriments sobre una signatura amagada en la base de l'escultura, que coincidia amb un artista que ningú recordava.En: Oriol, with his books, revealed discoveries about a hidden signature at the base of the sculpture, which matched an artist no one remembered.Ca: Amb aquesta informació, Montserrat i Oriol van decidir compartir la història amb la comunitat.En: With this information, Montserrat and Oriol decided to share the story with the community.Ca: Van organitzar una petita exposició on explicaven la vida i obra del creador, un artista que havia caminant per la Rambla temps enrere, creant obres amb l'ànima.En: They organized a small exhibition explaining the life and work of the creator, an artist who had once walked the Rambla, creating works with soul.Ca: Montserrat, pel seu esforç, va guanyar-se el respecte i l'admiració dels altres artistes.En: Montserrat, through her effort, earned the respect and admiration of the other artists.Ca: Va trobar en aquesta investigació la confiança que necessitava i una inspiració renovada per a la seva vida.En: She found in this investigation the confidence she needed and a renewed inspiration for her life.Ca: Oriol, en canvi, va aprendre a valorar la intuïció i l'esperit col·lectiu, que sovint passa desapercebut en els llibres d'història.En: Oriol, on the other hand, learned to value intuition and the collective spirit, which often goes unnoticed in history books.Ca: La peça de La Rambla esdevingué un emblema de la creativitat i història compartida.En: The Rambla piece became an emblem of creativity and shared history.Ca: De llavors ençà, la Rambla no només vibrava art, sinó també històries oblidades ressuscitades per l'empeny d'una jove artista i un entregat historiador.En: From then on, the Rambla not only vibrated with art but also with forgotten stories resurrected by the determination of a young artist and a dedicated historian. Vocabulary Words:the street: el carrerthe tourist: el turistathe sculpture: l'esculturathe crowd: la multitudthe signature: la signaturathe morning: el matíthe aspiration: l'aspiraciómajestic: majesticthe exhibition: l'exposicióthe historian: l'historiadorthe song: la cançóthe view: la miradato rustle: bullirthe piece: la peçathe library: la bibliotecaunexpectedly: inesperadamentthe artist: l'artistato resurrect: ressuscitarthe base: la basethe admiration: l'admiracióthe painting: la pinturato erige: erigirthe clue: la pistato analyze: analitzarthe determination: l'empenythe café: el cafèthe truth: la veritatthe discovery: el descobrimentthe passion: la passióto succeed at: aconseguir

Myles has already been accepted to 10 colleges—and as an autistic student, having real options feels both exciting and overwhelming.A drummer who plans to major in Music or Art History, Myles cast a wide net across the country, looking for schools with strong programs in his interests and meaningful supports for students on the autism spectrum.His list includes:Trinity University (San Antonio, TX)University of Puget Sound (Tacoma, WA)Loyola University Chicago (Chicago, IL)Marquette University (Milwaukee, WI)Whitman College (Walla Walla, WA)Wheaton College (Massachusetts)Drexel University (Philadelphia, PA) …and more.But now comes the hard part: choosing. Myles lives in Los Angeles and has realized he's not thrilled about the idea of a long, cold winter—plus there are a dozen other factors that matter when you're picking a school that truly fits.In this episode of Autism Goes to College, Myles breaks down: ✅ How he built his college list (and what he prioritized) ✅ What “support” actually means when you're comparing schools ✅ How he'll make the final decision once all offers are in ✅ What he'd do differently if he could start overIf you're an autistic student (or a parent) navigating college admissions, this conversation is a practical look at what it's really like to weigh multiple acceptances and find the right next step.Listen now and tell us in the comments: What matters most to you when choosing a college—program strength, location, supports, campus vibe, or something else?Support the show

Tom O'Mahony (Lions Led by Donkeys, Beneath the Skin, Bloodwork) joins the lads in Odyssey for further adventures in tower construction, child death dreams, and what happens when an honest to God ANGEL comes to town. Topics include the myth of the Tower of Babel, the brain soup of Phil Lollar, and what it means to believe that incredibly attractive men in very expensive suits are constantly watching your every move. Tom O'Mahony: Bluesky // Instagram BLOOD WORK: A podcast about the economy of violence. Spotify // Apple Podcasts // Patreon // Bluesky // Instagram Beneath the Skin: A podcast chronicling the interconnected history of the world through the complicated history of tattooing. Hosted by Art History professor, museum curator, and tattoo historian Dr. Matt Lodder, and podcast producer, and tattoo collector Thomas O'Mahony. The show is trying to tell the history of tattooing as it interweaves with politics, society, and the weirdest corners of the world. So why don't you join us, and take a journey beneath the skin. Spotify // Apple Podcasts // Patreon // Bluesky // Instagram Lions Led By Donkeys: A military history podcast for laughing at the worst military failures, inept commanders, and crazy stories from throughout the history of human conflict. Spotify // Apple Podcasts // Patreon // Bluesky // Instagram Media Referenced in this Episode: Adventures in Odyssey #416 - “The Tower” #144 - “Someone to Watch Over Me” #406-408 - “Malachi's Message, Parts 1-3” TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com Interstitial: “Three Guys, A Bear, and A Burger Place” // Written by A.J. Ditty // Feat. Brian Alford as “Alistair Adelman”, A.J. Ditty as “Melvin/Estragon/Phoebear”, and Josh Boerman as “Timmy ‘Taxman' Thompson”

After facing divorce, financial hardship and even losing her home in a wildfire, Bridget Venus Grimes rebuilt her life and career around helping other women do the same, taking control of their finances, finding community and redefining success on their own terms. In this episode of The Healthy Advisor, host Diana Britton sits down with Grimes, president of WealthChoice and co-founder of Equita Financial Network, to explore her journey from Wall Street trader to pastry chef to financial planner for breadwinner women. From personal struggle to powerful purpose, Grimes reveals how she built a network to uplift female advisors and how coaching, balance, and connection helped her thrive through life's toughest seasons. She discusses: The unconventional path that led Bridget from trading floors to Paris kitchens and back to finance How divorce, debt and disaster shaped her passion for empowering women through financial planning Why pay inequity and lack of flexibility persist for women in financial services What inspired her to create Equita Financial Network How coaching, community, and boundaries can protect advisors from burnout Resources: Listen to The Healthy Advisor on Wealth Management Subscribe and listen to The Healthy Advisor on Apple Podcasts Subscribe and listen to The Healthy Advisor on Spotify The Healthy Advisor: Overcoming Insecurities and Self-Doubt With Stephanie Bogan Focused on the Future: Breadwinner Women, Gen Z, and Succession with Bridget Venus Grimes Connect with Wealth Management: Wealth Management LinkedIn: Diana Britton diana.britton@informa.com LinkedIn: Informa LinkedIn: Wealth Management Connect With Bridget Venus Grimes: LinkedIn: Bridget Venus Grimes bridget.grimes@wealthchoice.com Equita Financial Network LinkedIn: Equita Financial Network WealthChoice LLC LinkedIn: WealthChoice LLC About Our Guest: Bridget Venus Grimes, CFP, is President of WealthChoice, a wealth management firm for women executives, and Co-founder of the SEC-registered investment advisor Equita Financial Network, a community of women-led financial planning firms. Bridget began her career in 1987, trading stocks for private hedge funds in New York City, before pursuing her passion for financial planning for women. Bridget believes in empowering women to take confident steps toward a better life. She authored the best-selling book Corner Office Choices: The Executive Woman's Guide to Financial Freedom and has written countless articles for major US media channels. Her commitment to women's financial education extends not only to women professionals but also to fellow financial planners. She has spoken at major industry conferences and co-hosted the Financial Planning Association's Women's Knowledge Circle. Bridget splits her time between Arizona and California and enjoys boating, golf, entertaining, anything French, and, most of all, cooking. She holds a B.A degree in German language and literature and a minor in Art History from Mount Holyoke College.

Fluent Fiction - Dutch: Amsterdam's Chilling Art Heist: The Lost Vermeer Find the full episode transcript, vocabulary words, and more:fluentfiction.com/nl/episode/2026-01-10-08-38-20-nl Story Transcript:Nl: De winterse lucht liet fijne sneeuwvlokken op Amsterdam dwarrelen terwijl stilte in de straten heerste.En: The winter sky scattered fine snowflakes over Amsterdam while silence ruled the streets.Nl: Binnen in het Rijksmuseum was het heerlijk warm, maar de sfeer was gespannen.En: Inside the Rijksmuseum, it was wonderfully warm, but the atmosphere was tense.Nl: De wachters deden hun ronde in de stille zalen en de echo van voetstappen vulde de grote, hoge ruimtes met kunstwerken uit vervlogen tijden.En: The guards made their rounds in the quiet halls, and the echo of footsteps filled the large, high spaces with artworks from bygone eras.Nl: Bram, een toegewijde bewaker, liep bedachtzaam langs de schilderijen.En: Bram, a dedicated guard, walked thoughtfully past the paintings.Nl: Hij had het gevoel dat hij iets over het hoofd had gezien, maar kon er zijn vinger niet opleggen.En: He had the feeling that he had overlooked something but couldn't quite put his finger on it.Nl: "De Nachtwacht is er nog," mompelde hij geruststellend tegen zichzelf.En: "The Nachtwacht is still there," he reassured himself softly.Nl: Maar een andere zaal wachtte een schokkende ontdekking.En: But another gallery awaited a shocking discovery.Nl: Sanne, de energieke curator, kwam haastig naderbij, haar ogen groot van schrik.En: Sanne, the energetic curator, approached hastily, her eyes wide with shock.Nl: "Bram, een schilderij is verdwenen!"En: "Bram, a painting is missing!"Nl: riep ze.En: she exclaimed.Nl: Het was een waardevol stuk van Vermeer.En: It was a valuable piece by Vermeer.Nl: De beveiliging was verouderd en niemand had gezien wanneer het schilderij was verdwenen.En: The security was outdated, and no one had seen when the painting had disappeared.Nl: Het was duidelijk dat dit een bedreiging was, niet alleen voor Brams baan, maar voor de reputatie van het museum zelf.En: It was clear that this was a threat, not only to Bram's job but to the museum's reputation itself.Nl: Er was hulp nodig, en snel.En: Help was needed, and quickly.Nl: Lotte, een slimme kunststudent en een regelmatige bezoeker van het museum, had het nieuws gehoord.En: Lotte, a smart art student and a regular visitor to the museum, had heard the news.Nl: Ze was dol op mysteries en wilde helpen.En: She loved mysteries and wanted to help.Nl: "Ik heb een idee," zei ze enthousiast.En: "I have an idea," she said enthusiastically.Nl: Sanne was sceptisch, twijfelend aan de ongewone methoden van een student, maar Bram besloot Lotte te vertrouwen.En: Sanne was skeptical, doubting the unusual methods of a student, but Bram decided to trust Lotte.Nl: Onder Lotte's leiding begonnen ze het museum grondig te doorzoeken.En: Under Lotte's leadership, they began to search the museum thoroughly.Nl: Ze letten op de kleinste details en bekeken alles wat anders leek.En: They paid attention to the smallest details and examined everything that seemed out of place.Nl: "Daar," zei Lotte opeens.En: "There," Lotte suddenly said.Nl: Ze wees naar een gedeelte van de muur dat iets anders aanvoelde.En: She pointed to a section of the wall that felt slightly different.Nl: Met hun gecombineerde krachten wisten ze een geheime deur te openen.En: With their combined efforts, they managed to open a secret door.Nl: Daarachter, weggestopt in een verborgen nis, hing het vermiste schilderij.En: Behind it, tucked away in a hidden niche, hung the missing painting.Nl: De opluchting was groot en ondanks de kou buiten, voelden ze een warme gloed van tevredenheid.En: There was a great sense of relief, and despite the cold outside, they felt a warm glow of satisfaction.Nl: Het schilderij werd met zorg teruggehangen en het nieuws bereikte al snel iedereen in het museum.En: The painting was carefully re-hung, and the news quickly reached everyone in the museum.Nl: Bram werd geprezen als een held.En: Bram was praised as a hero.Nl: Hij straalde van trots en besefte dat hij veel meer was dan alleen een bewaker.En: He beamed with pride and realized that he was much more than just a guard.Nl: Zijn liefde voor kunst en zijn instinct hadden een belangrijk mysterie opgelost.En: His love for art and his instincts had solved an important mystery.Nl: De volgende dagen bleef de rust wederkeren in het museum, en Bram voelde zich meer verbonden met zowel de kunstwerken als de mensen die hem omringden.En: In the following days, peace gradually returned to the museum, and Bram felt more connected to both the artworks and the people around him.Nl: Zijn respect voor Lotte's scherpzinnigheid en Sanne's passie voor kunst bleef groeien.En: His respect for Lotte's sharpness and Sanne's passion for art continued to grow.Nl: Ze hadden een hechte band gevormd.En: They had formed a close bond.Nl: Het was een koude winter, maar in het Rijksmuseum was het warm en veilig, onder de zorgzame ogen van mensen die stonden voor hun passie en trots.En: It was a cold winter, but in the Rijksmuseum it was warm and safe, under the caring eyes of those who stood for their passion and pride.Nl: En zo eindigde een winterse dag met een glimp van hoop en vertrouwen in de kracht van samenwerking en intuïtie.En: And so a wintry day ended with a glimpse of hope and confidence in the power of collaboration and intuition. Vocabulary Words:scattered: liet dwarrelensilence: stiltetense: gespannenguard: bewakerthoughtfully: bedachtzaamreassured: geruststellendawaited: wachtteshock: schrikdiscovery: ontdekkingmissing: verdwenenvaluable: waardevoloutdated: verouderdthreat: bedreigingreputation: reputatieenthusiastically: enthousiastskeptical: sceptischunusual: ongewonetrust: vertrouwenthoroughly: grondigexamined: bekekensecret: geheimeniche: nisrelief: opluchtingpride: trotsbond: bandconnected: verbondensharpness: scherpzinnigheidrespect: respectcaring: zorgzameintuition: intuïtie

Happy 700th Episode!! Amanda Matta is a debut author (her book is coming in 2027!), media commentator, royal analyst, and an art historian. I've mentioned Amanda, and her podcast Art of History, which I love. In that show, she focuses on one particular piece of art and explains the history, context, symbolism, and even the details of how it was made. I like it. So I thought, why not have Amanda Matta give the Art of History treatment to some classic romance covers?We also discuss royal watching, racism, influencing and commentating on popular culture, Henry VIII's codpiece, art history, and more.This is our 700th episode – woooo! – and it be both video and audio. The audio will be available on your regular podcast feeds, and you'll hear us discuss and describe the covers in question. However, on the video, you get to see both of us, and the covers!Want to watch on YouTube? Here you go!Speaking of YouTube – did you know the podcast has a YouTube channel? It's true! Each new episode is automatically uploaded, so if you prefer your podcasts on the ‘Tube, we've got you covered. Also, this channel is brand spanking new (I had to recreate it after YouTube deplatformed my last one without explanation. I presume bitches are to blame) so I'd appreciate it if you'd be so kind as to subscribe! If we hit 100 new subscribers, Amanda and I will live broadcast something very fun and silly to thank everyone.Thank you for being part of the podcast community as we reach 700 episodes! This is a big milestone, and I'm so thankful you're here.You can find Amanda Matta at her website, AmandaMatta.com, on TikTok, and on Instagram.You can find the show notes with all mentioned books and links at SBTB.com, and you can find our podcast on YouTube, or wherever you get your shows!Want more romance commentary? Come hang out at Smart Bitches Trashy Books (https://www.smartbitchestrashybooks.com)We also mentioned:Steve Ammidown's post about Robert McGinnis, who passed away in 2025Windsor Castle: A Royal YearThe Infamous Three Armed Cover The Art of History PodcastOff with Their Headlines PodcastNorthern Disclosure PodcastThe Midtown Scholar bookshopThe Vulgar History PodcastBachelor Lady Butts. Hosted on Acast. See acast.com/privacy for more information.

Happy 700th Episode!! Amanda Matta is a debut author (her book is coming in 2027!), media commentator, royal analyst, and an art historian. I've mentioned Amanda, and her podcast Art of History, which I love. In that show, she focuses on one particular piece of art and explains the history, context, symbolism, and even the details of how it was made. I like it. So I thought, why not have Amanda Matta give the Art of History treatment to some classic romance covers?We also discuss royal watching, racism, influencing and commentating on popular culture, Henry VIII's codpiece, art history, and more.This is our 700th episode – woooo! – and it be both video and audio. The audio will be available on your regular podcast feeds, and you'll hear us discuss and describe the covers in question. However, on the video, you get to see both of us, and the covers!Want to watch on YouTube? Here you go!Speaking of YouTube – did you know the podcast has a YouTube channel? It's true! Each new episode is automatically uploaded, so if you prefer your podcasts on the ‘Tube, we've got you covered. Also, this channel is brand spanking new (I had to recreate it after YouTube deplatformed my last one without explanation. I presume bitches are to blame) so I'd appreciate it if you'd be so kind as to subscribe! If we hit 100 new subscribers, Amanda and I will live broadcast something very fun and silly to thank everyone.Thank you for being part of the podcast community as we reach 700 episodes! This is a big milestone, and I'm so thankful you're here.You can find Amanda Matta at her website, AmandaMatta.com, on TikTok, and on Instagram.You can find the show notes with all mentioned books and links at SBTB.com, and you can find our podcast on YouTube, or wherever you get your shows!Want more romance commentary? Come hang out at Smart Bitches Trashy Books (https://www.smartbitchestrashybooks.com)We also mentioned:Steve Ammidown's post about Robert McGinnis, who passed away in 2025Windsor Castle: A Royal YearThe Infamous Three Armed Cover The Art of History PodcastOff with Their Headlines PodcastNorthern Disclosure PodcastThe Midtown Scholar bookshopThe Vulgar History PodcastBachelor Lady Butts. Hosted on Acast. See acast.com/privacy for more information.

Meredith is the founder of House of Birdie Interiors, a full-service interior design firm known for its eclectic, layered approach that blends modern and traditional design. With a keen eye for texture, pattern, and color, Meredith creates timeless, personalized spaces that truly feel like home.House of Birdie Interiors collaborates closely with architects and builders, offering services ranging from architectural and interior selections to full home furnishings, including furniture, lighting, art, and custom window treatments.In addition to her design work, Meredith is the resident artist for House of Birdie, creating original paintings that serve as bold focal points within a space. She holds a degree in Studio Art with a minor in Art History from Sweet Briar College and an MFA in Design from the University of South Carolina, and has over a decade of professional experience in the Columbia, SC area.Thank you so much for listening! If you would like to see more from House of Birdie, you can find them here:https://www.instagram.com/houseofbirdieinteriors/https://www.houseofbirdieinteriors.com/This episode is sponsored by Columbia Family Chiropractor: https://www.cfcforhealth.comhttps://www.instagram.com/columbiafamilychiropracticIf you would like to follow us, we are on everything at Here For The Health Of It Podcast:https://www.instagram.com/hereforthehealthofitpodcasthttps://podcasters.spotify.com/pod/show/hereforthehealthofit

Jessi Sands is a multidisciplinary artist who uses different mediums such as painting, ceramics, and mixed media to explore how the intersectionality of their multiracial identity influences their roles as an Indigenous parent, queer person, and land steward.Jessi grew up in Oklahoma on the Cherokee reservation and on their Mvskokereservation where they currently live in Tulsa, OK. They received their Associates of Arts Degree from Tulsa Community College in 2021. They received their Bachelor of Fine Arts Degree with minors in American Indian Studies, Pre-Art Therapy, and Art History from Oklahoma State University in 2024.While attending OSU they received several scholarships, the most notable being the Dana, Lisa, and Chris Tiger Scholarship and the Jackson Narcomey Rising Artist Scholarship.Currently, Jessi is working towards receiving their MA in Art Therapy/Counseling and Ecotherapy from Southwestern College and New Earth Institute in Santa Fe, New Mexico.Their career goal is to continue as a studio artist while creating spaces for healing as an art therapist.https://www.milkycreates.comInstagram @milky.creates 

Jessi Sands is a multidisciplinary artist who uses different mediums such as painting, ceramics, and mixed media to explore how the intersectionality of their multiracial identity influences their roles as an Indigenous parent, queer person, and land steward.Jessi grew up in Oklahoma on the Cherokee reservation and on their Mvskokereservation where they currently live in Tulsa, OK. They received their Associates of Arts Degree from Tulsa Community College in 2021. They received their Bachelor of Fine Arts Degree with minors in American Indian Studies, Pre-Art Therapy, and Art History from Oklahoma State University in 2024.While attending OSU they received several scholarships, the most notable being the Dana, Lisa, and Chris Tiger Scholarship and the Jackson Narcomey Rising Artist Scholarship.Currently, Jessi is working towards receiving their MA in Art Therapy/Counseling and Ecotherapy from Southwestern College and New Earth Institute in Santa Fe, New Mexico.Their career goal is to continue as a studio artist while creating spaces for healing as an art therapist.https://www.milkycreates.comInstagram @milky.creates 

Elijah Gowin uses photography to speak about ritual, landscape and memory.  He was born in Dayton, Ohio in 1967 and received his BA in Art History from Davidson College in 1990 and MFA in Photography from the University of New Mexico in 1997. His photographs are in the collection of the National Gallery of Art, Houston Museum of Fine Art, and the Virginia Museum of Fine Art, among others.   His awards include the John S. Guggenheim Fellowship in 2008 as well as grants from the Charlotte Street Foundation and the Puffin Foundation.  He founded Tin Roof Press to publish his books on art and photography including “The Last Firefly” in 2024 and “Of Falling and Floating” in 2011.  Presently, he is a Professor in the Department of Media, Art and Design at the University of Missouri-Kansas City where he directs photographic studies.  Gowin is represented by the Robert Mann Gallery, New York, Photo Gallery International, Tokyo and Bond Millen Gallery, Richmond, Virginia. Elijah Gowin, Tree 1. Date: 2012 Size: 15.33x 23, Pigment inkjet print Elijah Gowin, fireflies in trees, selangor river, malaysia, 2017 Size: 22”x30.75” Elijah Gowin, House 1 Date: 2014. Size: 15.33”x 23” Pigment inkjet print

Fluent Fiction - Hindi: Mystery at Midnight: The Palace Heist on New Year's Eve Find the full episode transcript, vocabulary words, and more:fluentfiction.com/hi/episode/2025-12-30-23-34-02-hi Story Transcript:Hi: नए साल की शाम थी।En: It was New Year's Eve.Hi: उदयपुर का सिटी पैलेस रौशनी से जगमग कर रहा था।En: The Udaipur City Palace was shimmering with lights.Hi: ठंडी सर्दी की रात में, झील पिछोला के पानी में महल की परछाईं गहरी चुप्पी से गूंज रही थी।En: On a cold winter night, the reflection of the palace danced quietly on the waters of Lake Pichola.Hi: मेहमान जश्न मना रहे थे, राजस्थानी वास्तुकला की भव्यता के बीच नाच-गाना हो रहा था।En: Guests were celebrating, with music and dance amidst the grandeur of Rajasthani architecture.Hi: अर्जुन, जो एक उत्साही कला इतिहासकार था, महल की सुंदरता में खोया हुआ था।En: Arjun, an enthusiastic art historian, was lost in the beauty of the palace.Hi: उसी समय, प्रिय, एक स्थानीय गाइड, इतिहास के अनगिनत किस्से सुनाने में व्यस्त थी।En: At the same time, Priya, a local guide, was busy narrating countless tales of history.Hi: तो वहीं, रवि, सुरक्षा प्रमुख, हर आने-जाने वाले पर पैनी नजर रखे हुए था।En: Meanwhile, Ravi, the chief of security, was keeping a vigilant eye on everyone coming and going.Hi: जैसे-जैसे समय बीता, जश्न का उत्साह बढ़ने लगा।En: As time passed, the excitement of the celebration grew.Hi: लेकिन अचानक, थोड़ी हलचल हुई।En: But suddenly, there was a bit of a commotion.Hi: महल की एक दुर्लभ वस्तु गायब हो गई थी।En: A rare object from the palace had gone missing.Hi: यह खबर हर किसी के चेहरे पर चिंता ले आई।En: This news brought concern to everyone's face.Hi: अर्जुन के मन में एक ही बात थी - इस वस्तु को सुरक्षित बचाना होगा।En: One thought occupied Arjun's mind - the object must be recovered safely.Hi: अर्जुन ने प्रिय को मदद के लिए बुलाया।En: Arjun called Priya for help.Hi: प्रिय ने महल और वहां आने वाले मेहमानों के बारे में ज्ञान बांटना शुरू किया।En: Priya began sharing her knowledge about the palace and the guests visiting it.Hi: दोनों ने एक अनूठा सुराग पाया।En: The two of them discovered a unique clue.Hi: हालांकि लोग अर्जुन के इस सुराग को तुक्का मान रहे थे, परन्तु अर्जुन को अपने फैसले पर भरोसा था।En: Although people thought Arjun's clue was just a guess, Arjun had confidence in his decision.Hi: रात गहरी हो गई थी।En: The night grew deeper.Hi: नए साल की रात की ठंडी हवा महल के गलियारों में दौड़ रही थी।En: The cold air of New Year's Eve was sweeping through the palace corridors.Hi: अर्जुन और प्रिय ने उस संदिग्ध व्यक्ति को पहचान लिया।En: Arjun and Priya identified the suspicious person.Hi: उन्होंने उसे महल के बाहर जाते हुए रोका।En: They stopped him as he was trying to leave the palace.Hi: टकराव हुआ, बातें सामने आईं कि उस व्यक्ति ने उस वस्तु को क्यों चुराया था।En: A confrontation ensued, revealing why the person had stolen the object.Hi: अंततः, वस्तु सकुशल लौट आई।En: In the end, the object was safely returned.Hi: अर्जुन की सूझबूझ ने उसे मेहमानों और महल के कर्मचारियों की प्रशंसा दिलाई।En: Arjun's astuteness earned him the admiration of the guests and the palace staff.Hi: जश्न फिर से शुरू हुआ।En: The celebration resumed.Hi: नए साल के सम्मान में आतिशबाजी हुई।En: Fireworks lit up in honor of the New Year.Hi: इस घटना ने अर्जुन को अपने जासूस कौशल पर अधिक विश्वास दिया और उसके करियर को एक नई दिशा मिली।En: This incident gave Arjun more confidence in his detective skills and gave a new direction to his career.Hi: प्रिय को इतिहास पढ़ने का अवसर मिला, जिससे उसका सपना और करीब हो गया।En: Priya got the opportunity to study history, bringing her dream closer.Hi: इस तरह, ठंडी सर्दी और रंगीन रौशनी के बीच, एक नई शुरुआत का जश्न मनाया गया।En: Thus, amid the cold winter and colorful lights, a celebration of a new beginning was held. Vocabulary Words:shimmering: जगमगreflection: परछाईंgrandeur: भव्यताenthusiastic: उत्साहीnarrating: सुनानेvigilant: पैनी नजरcommotion: हलचलrare: दुर्लभconcern: चिंताrecovered: बचानाclue: सुरागconfidence: भरोसाsuspicious: संदिग्धconfrontation: टकरावastuteness: सूझबूझadmiration: प्रशंसाfireworks: आतिशबाजीcelebration: जश्नopportunity: अवसरincident: घटनाcorridors: गलियारोंanticipation: उत्सुकताdetective: जासूसhistorian: इतिहासकारnarrative: कहानीarchitecture: वास्तुकलाquietly: गहरी चुप्पीlooming: उभर रहाcommemorate: स्मरण करनाunravel: सुलझना

Fluent Fiction - Dutch: Snowy Santorini: Maarten's Artful Journey to Success Find the full episode transcript, vocabulary words, and more:fluentfiction.com/nl/episode/2025-12-27-08-38-20-nl Story Transcript:Nl: De zachte winterlucht van Santorini omhulde de straten met een ijzige bries.En: The soft winter air of Santorini enveloped the streets with an icy breeze.Nl: De sneeuw die zich op de blauwe daken van de eilandhuizen nestelde, gaf een ongewoon gezicht.En: The snow settling on the blue rooftops of the island homes presented an unusual sight.Nl: Maarten, een 22-jarige kunsthistorie student, zat op de rand van zijn bed in zijn kleine kamer.En: Maarten, a 22-year-old art history student, sat on the edge of his bed in his small room.Nl: Voor hem lag een stapel ongeopende boeken.En: In front of him lay a pile of unopened books.Nl: Buiten weerklonk het zachte geluid van kerkklokken, herinneringen aan het naderende kerstfeest dat overal voelbaar was.En: Outside, the gentle sound of church bells resounded, reminding him of the approaching Christmas holidays that were palpable everywhere.Nl: Maarten had zijn tijd goed benut – alleen niet met studeren.En: Maarten had used his time well—just not for studying.Nl: Hij had zich laten meeslepen door de prachtige uitzichten en schilderachtige steegjes van Santorini.En: He had been carried away by the beautiful views and picturesque alleys of Santorini.Nl: De charmante eilandcafés, de wandelingen langs de kliffen en de warme gesprekken met de lokale bewoners.En: The charming island cafes, the walks along the cliffs, and the warm conversations with the local residents.Nl: Allemaal uitvluchten om zijn studieboeken te ontwijken.En: All excuses to avoid his study books.Nl: Maar nu naderde het eindtentamen van zijn kunsthistorie klas.En: But now the final exam for his art history class was approaching.Nl: Het was nu of nooit.En: It was now or never.Nl: Maarten wilde deze reis niet gewoon herinneren als een vakantieavontuur maar als een persoonlijk succes.En: Maarten didn't want to remember this trip merely as a vacation adventure but as a personal success.Nl: Hij moest zichzelf bewijzen dat hij academisch kon slagen.En: He needed to prove to himself that he could succeed academically.Nl: Met stevige overtuiging sloot hij de wereld buiten.En: With firm determination, he shut out the world.Nl: Ondanks de feestelijke lampjes die door zijn raam schenen, hield hij vast aan zijn boeken.En: Despite the festive lights shining through his window, he clung to his books.Nl: Hij nam een besluit – hij zou vragen om hulp.En: He made a decision—he would ask for help.Nl: Sanne en Lieke, zijn klasgenoten en persoonlijke reddingsboeien, waren meer dan bereid om hem bij te staan.En: Sanne and Lieke, his classmates and personal lifelines, were more than willing to support him.Nl: Ze kwamen naar zijn kamer en samen maakten ze hoofdstuk voor hoofdstuk door.En: They came to his room, and together they worked through each chapter.Nl: Sanne, altijd georganiseerd, bracht overzicht.En: Sanne, always organized, brought structure.Nl: Lieke, creatief en fantasierijk, maakte het studeren levendig en spannend.En: Lieke, creative and imaginative, made studying lively and exciting.Nl: Ze maakten flashcards, stelden elkaar vragen en wisselden inzichten uit over de praktijkvoorbeelden die ze op het eiland hadden gezien.En: They made flashcards, quizzed each other, and exchanged insights about the practical examples they had seen on the island.Nl: Toen de examendag aanbrak, voelde Maarten een knoop in zijn maag.En: When exam day dawned, Maarten felt a knot in his stomach.Nl: Een moment van paniek overviel hem, maar beelden van zijn wandeltochten, de gesprekken met Sanne en Lieke en zijn nachtelijke pogingen tot leren, verzachtten zijn angst.En: A moment of panic overwhelmed him, but images of his walks, the conversations with Sanne and Lieke, and his late-night study attempts softened his anxiety.Nl: De examenvragen leken complex, maar langzaam begon het Maarten te dagen.En: The exam questions seemed complex, but slowly it started to dawn on Maarten.Nl: De discussies over de betekenis van kunst en de invloed van de oude Griekse meesters kwamen terug.En: The discussions about the meaning of art and the influence of the ancient Greek masters came back to him.Nl: Hij haalde diep adem, en legde zijn pen op het papier.En: He took a deep breath and placed his pen on the paper.Nl: Elke zin vloeide rustiger dan de vorige, versterkt door herinneringen en kennis.En: Each sentence flowed more calmly than the last, strengthened by memories and knowledge.Nl: Na de laatste vraag te hebben beantwoord, liep Maarten de zaal uit.En: After answering the last question, Maarten walked out of the room.Nl: Zijn hart bonsde, maar hij voelde zich licht.En: His heart pounded, but he felt light.Nl: Verlossing.En: Relief.Nl: De eerste sneeuwvlokken dwarrelden naar beneden toen hij zich bij Sanne en Lieke voegde.En: The first snowflakes fluttered down as he joined Sanne and Lieke.Nl: Ze omarmden hem vol vreugde en sleurden hem mee naar een lokale taverna.En: They embraced him with joy and whisked him away to a local taverna.Nl: Aan de houten tafels van de taverna versierden felgekleurde lampionnen het plafond.En: At the wooden tables of the taverna, brightly colored lanterns decorated the ceiling.Nl: Kerstvieringen vulden de lucht.En: Christmas celebrations filled the air.Nl: Onder het genot van warme moussaka en gezang, realiseerde Maarten zich dat hij niet alleen de kunst van balans had geleerd, maar ook de kracht van samenwerking.En: Enjoying warm moussaka and singing, Maarten realized he had learned not only the art of balance but also the power of collaboration.Nl: Met glimlachende blikken tussen vrienden om zich heen, wist Maarten ook dat deze Kerstmis er een was van persoonlijke groei.En: With smiling glances among friends around him, Maarten knew that this Christmas was one of personal growth.Nl: De winterse avond op Santorini eindigde met een twinkeling in de ogen van iedereen.En: The wintry evening on Santorini ended with a twinkle in everyone's eyes.Nl: En voor Maarten met een nieuwe zekerheid; hij kon meer dan hij ooit had gedacht.En: And for Maarten, it ended with a new certainty; he could accomplish more than he had ever imagined. Vocabulary Words:enveloped: omhuldesettling: nesteldeunusual: ongewoonreminded: herinneringenpalpable: voelbaardetermination: overtuigingfestive: feestelijkeclung: hield vastlifelines: reddingsboeienorganized: georganiseerdlively: levendigimagined: fantasierijkdawned: dag gewordenpanic: paniekanxiety: angstcomplex: complexinfluence: invloedplaced: legdepounded: bonsdefluttered: dwarreldenembraced: omarmdenwhisked: sleurdentaverna: tavernalanterns: lampionnenceiling: plafondenjoying: genotrelief: verlossingbalance: balanscollaboration: samenwerkingtwinkle: twinkeling

Fluent Fiction - French: Winter Whodunit: The Mystery of Versailles' Vanished Medallion Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2025-12-26-08-38-20-fr Story Transcript:Fr: Les flocons de neige tombaient doucement sur le Château de Versailles, ajoutant une touche de magie hivernale aux décorations de Noël étincelantes.En: The snowflakes were falling gently on the Château de Versailles, adding a touch of winter magic to the sparkling Christmas decorations.Fr: Les couloirs opulents du château étaient pleins de visiteurs, tous captivés par les merveilleuses histoires de son passé glorieux.En: The opulent corridors of the château were full of visitors, all captivated by the wonderful stories of its glorious past.Fr: Au milieu de la foule, deux personnes se démarquaient : Luc, un historien de l'art, et Sophie, une guide passionnée.En: In the midst of the crowd, two people stood out: Luc, an art historian, and Sophie, an enthusiastic guide.Fr: Luc était venu pour une raison particulière.En: Luc had come for a particular reason.Fr: Ce Noël, le château abritait une exposition spéciale d'artefacts rares.En: This Christmas, the château was hosting a special exhibition of rare artifacts.Fr: Parmi eux, un médaillon ancien, mystérieux et précieux, venait de disparaître pendant une visite guidée.En: Among them, an ancient, mysterious, and precious medallion had just disappeared during a guided tour.Fr: La nouvelle s'était répandue comme une traînée de poudre, mais sans alarmes pour ne pas gâcher l'atmosphère festive.En: The news spread like wildfire, but there were no alarms so as not to spoil the festive atmosphere.Fr: Sophie, connaissant chaque recoin du château, sentit immédiatement qu'il y avait là l'occasion pour elle de vivre son rêve secret de devenir détective.En: Sophie, knowing every nook of the château, immediately sensed that there was an opportunity for her to live out her secret dream of becoming a detective.Fr: Elle réalisa qu'elle aurait besoin de l'aide de Luc, bien qu'elle se méfia facilement de lui, soupçonnant qu'il pourrait utiliser cette disparition pour écrire son roman.En: She realized she would need Luc's help, although she was easily wary of him, suspecting he might use this disappearance to write his novel.Fr: Luc, de son côté, était intrigué par le mystère, mais il savait que pour avancer, il devait s'allier à Sophie.En: Luc, on his part, was intrigued by the mystery, but he knew that to make progress, he had to team up with Sophie.Fr: Malgré leurs doutes mutuels, ils unirent leurs forces.En: Despite their mutual doubts, they joined forces.Fr: Sophie, dans un élan de confiance, décida de partager un secret rarement connu : les passages secrets du château, des chemins réservés autrefois aux rois et reines.En: Sophie, in a burst of confidence, decided to share a rarely known secret: the château's secret passages, paths once reserved for kings and queens.Fr: Ils traversèrent ensemble ces passages mystérieux, esquivant les touristes joyeux qui admiraient les lumières de Noël dans la Galerie des Glaces.En: They traversed these mysterious passages together, dodging the joyful tourists who were admiring the Christmas lights in the Galerie des Glaces.Fr: C'est là, sous les reflets éblouissants des lustres et des miroirs, qu'ils aperçurent quelque chose de curieux : le médaillon, astucieusement caché sur une statue, parmi les décorations.En: It was there, under the dazzling reflections of the chandeliers and mirrors, that they saw something curious: the medallion, cleverly hidden on a statue, among the decorations.Fr: Ils burent de soulagement.En: They breathed a sigh of relief.Fr: Le médaillon avait été bien en vue tout le temps, caché parmi le somptueux décor que peu de gens savaient vraiment voir.En: The medallion had been in plain sight all along, hidden among the sumptuous decor that few people truly knew how to see.Fr: Ils agirent discrètement pour le récupérer et le remettre en place sans attirer l'attention inutile.En: They acted discreetly to recover it and put it back in place without attracting unnecessary attention.Fr: Ce soir-là, alors que le château replongeait dans le calme après une journée bien remplie, Luc et Sophie se sourirent, satisfaits du devoir accompli.En: That evening, as the château plunged back into calm after a busy day, Luc and Sophie smiled at each other, satisfied with a job well done.Fr: Luc avait découvert une passion pour les énigmes insolubles, bien plus excitante que ses simples livres d'histoire.En: Luc had discovered a passion for unsolvable mysteries, far more exciting than his simple history books.Fr: Quant à Sophie, elle se sentait prête à embrasser un futur au-delà des visites guidées.En: As for Sophie, she felt ready to embrace a future beyond guided tours.Fr: Leurs efforts furent salués, non pas par une annonce publique, mais par la connaissance qu'ils avaient fait quelque chose de bon et de juste.En: Their efforts were celebrated, not by a public announcement, but by the knowledge that they had done something good and right.Fr: À Versailles, sous la lueur douce des décorations de Noël, un mystérieux chapitre de plus avait été écrit dans le silence des palais historiques.En: At Versailles, under the soft glow of Christmas decorations, one more mysterious chapter had been written in the silence of the historic palaces. Vocabulary Words:the snowflake: le flocon de neigethe castle: le châteauopulent: opulentthe corridor: le couloirto captivate: captiverglorious: glorieuxmidst: milieuthe historian: l'historienenthusiastic: passionnéthe exhibition: l'expositionthe artifact: l'artefactthe medallion: le médaillonto disappear: disparaîtreto spread: se répandrethe wildfire: la traînée de poudreto spoil: gâcherto sense: sentirthe nook: le recointhe detective: le détectiveto share: partagerthe passage: le passageto traverse: traverserto dodge: esquiverthe chandelier: le lustrethe mirror: le miroirto sigh: soupirerthe relief: le soulagementsumptuous: somptueuxdiscreetly: discrètementto recover: récupérer

What if paint is the vehicle and you are the medium? We dive deep into Jack Whitten's Notes from the Woodshed with guest host Jamel Wright Sr., tracing how a life shaped by the Jim Crow South, pre-med rigor, and carpentry precision produced a studio practice built on invention. From the famed developer tool to a crow's nest for high vantage points, Whitten redesigned the act of making—choosing systems over spontaneity and treating process like a living experiment.Jamel brings a rich perspective as an Atlanta-based artist and professor whose work spans Georgia red clay, Dutch wax cloth, and large-scale textiles. Together we map the long road to abstraction—Turner's atmospheres, Monet's shadows, Cézanne's form, and the New York School's debates—while centering the Black artists too often written out of the frame. We talk Norman Lewis, Joe Overstreet, Sam Gilliam, and the way community quietly powers discovery, even as art remains a solitary grind. The result is a candid look at research, journaling, and “recipes” that transform failed trials into the first real painting, then the next ten that lock in the language.Along the way, we wrestle with Whitten's audacity—“May the history of Western painting die within me”—and why abstraction can be activism: engineering new tools, removing gesture, and insisting on thought as freedom. If you've ever wondered how to balance materials, memory, and ambition without losing your voice, this conversation offers a field guide. Press play, then tell us what rule you're ready to break. If the episode resonates, follow the show, share it with a friend, and leave a quick review—your support helps more artists find their way.Follow Jamele Wright, Sr. at https://www.instagram.com/artthenewreligion Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg Watch the Video Episode on Youtube or Spotify, https://www.youtube.com/@JustMakeArtPodcast

What if taking Mary seriously actually deepens, rather than distracts from, devotion to Jesus? Art historian and theologian Matthew Milliner joins Mark Labberton to explore that possibility through history, theology, and the Incarnation. In a searching conversation about Mary, the meaning of Marian devotion, and the mystery of the Incarnation, they draw from early Christianity, Protestant theology, and global Christianity, as Milliner reframes Mary as a figure who deepens devotion to Christ rather than distracting from it. "I don't see how anyone cannot understand this to be the revolution of revolutions in regards to the way that women are understood." In this episode, they reflect on Mary as presence, witness, and theological key to understanding God's entry into human life. They discuss Marian devotion before the Reformation, excess and restraint in Christian practice, the Incarnation's implications for embodiment and gender, Protestant fears and recoveries, global Marian traditions, grief and discipleship, and why Mary ultimately points beyond herself to Christ. Episode Highlights "I love Jesus so much that I love his mom too. Isn't she great too?" " What relationship do you have in your life where if you knew the parents of the person you're in relationship with, that would damage the relationship? … It's a sign of deep intimacy." "There is no Christianity without Mary. That's how God came into the world." "She is my tutorial in grief." "If it's the real Mary you're dealing with, she will point you to Jesus." "The answer to the abuse is to point to the best use." "She became a presence in the church for me." "I don't see how anyone cannot understand this to be the revolution of revolutions." About Matthew Milliner Matthew J. Milliner is Associate Professor of Art History at Wheaton College, where he specializes in early Christian, Byzantine, and global Christian art. His scholarship explores theology through visual culture, with particular attention to Mary, the Incarnation, and Christian devotion across traditions. Milliner is widely published in academic journals and popular outlets, including Comment Magazine, where he has written extensively on Marian theology and Christian art. He is a frequent speaker and lecturer on Christianity and aesthetics, and his work bridges evangelical theology, Anglican practice, and historic Christian tradition. Milliner is also known for his teaching on icons, pilgrimage, and the relationship between art, doctrine, and discipleship. Helpful Links and Resources Read Matthew Milliner's column, Material Mysticism, for Comment Magazine https://comment.org/columns/material-mysticism/ Matthew Milliner, Mother of the Lamb: The Story of a Global Icon: https://www.amazon.com/Mother-Lamb-Story-Global-Icon/dp/1506478751 Matthew Milliner faculty page: https://www.wheaton.edu/academics/faculty/matthew-milliner/ Stephen Shoemaker, Mary in Early Christian Faith and Devotion: https://yalebooks.yale.edu/book/9780300217216/mary-in-early-christian-faith-and-devotion/ Rosemary Radford Ruether, Goddesses and the Divine Feminine: https://www.ucpress.edu/books/goddesses-and-the-divine-feminine/paper William Johnston, The Wounded Stag: https://www.harvard.com/book/9780823218394 The Angelus Prayer (recited in this conversation): https://www.usccb.org/prayers/angelus Shrine of Our Lady of Walsingham: https://www.walsinghamanglican.org.uk Show Notes Opening prayer invoking Mary's witness, comfort, and example as a way of drawing listeners toward Christ rather than away from him Evangelical identity reclaimed as gospel proclamation rather than political alignment or cultural branding Early Marian devotion emerging "early and often" in Christian history, grounded in Jerusalem rather than later medieval invention "I love Jesus so much that I love his mom too. Isn't she great too?" Honoring Mary without worship, framed through Revelation imagery of the bride and the people of God Archaeological and manuscript discoveries reshaping assumptions about early Christian practice Marian devotion expanding intimacy rather than competing with Christological focus Newman on devotion requiring excess, extravagance, and emotional overflow to be genuinely human "Let the Christian Church let it boil over every once in a while." Reformation dynamics producing extremes: feverish excess on one side and stone-cold rejection on the other Rosemary Radford Ruether, Goddesses and the Divine Feminine Pagan goddess traditions contrasted with Marian imagery and their treatment of women's bodies Aphrodite imagery as endorsement of male desire versus Marian imagery as reverence for God's entry into flesh "Find me an image of Mary that does anything close to that." Incarnation reshaping how Christians see the female body, sexuality, and dignity "This is the body God entered the world through." The angel Gabriel's Annunciation and Mary's consent Annunciation framed as consent rather than coercion, with Luke emphasizing Mary's agency "Nothing happens to her until she consents." Mary as theological answer to pornographic and exploitative religious imaginations "I don't see how anyone cannot understand this to be the revolution of revolutions." Guadalupe as evangelistic bridge for indigenous peoples pointing toward Christ without blood sacrifice Mary's global accessibility across Muslim, Hindu, and non-Christian contexts "She is a real evangelist, Mary." Walsingham pilgrimage as Anglican recovery of Marian devotion Marian attraction functioning as penumbra drawing outsiders toward Christianity "If it's the real Mary you're dealing with, she will point you to Jesus." Abuse of Marian devotion acknowledged alongside historical self-correction within Catholicism "The answer to the abuse is to point to the best use." Matthew Milliner's personal spiritual journey from childhood Catholicism through evangelical conversion Anti-Mary phase followed by rediscovery through art history and theology "She became a presence in the church for me." Mary understood as presence rather than abstract idea, without becoming divine William Johnson's, The Wounded Stag: God is beyond gender Devotional practice as tributary flowing into Trinitarian worship rather than replacing it "There is no Christianity without Mary. That's how God came into the world." Angelus prayer as scriptural meditation culminating in Trinitarian praise "Pour your grace into our hearts, O Lord." Psychological and spiritual healing through Marian presence without theological confusion Mary as guide for grief through images of sorrow and seven swords "She is my tutorial in grief." Black Madonna traditions interpreted through devotion, time, soot, and divine darkness Darkness as sign of overwhelming divine light rather than absence of God #ConversingPodcast #MatthewMilliner #MaryTheology #Incarnation #ChristianTradition #AdventReflections #FaithAndArt Production Credits Conversing is produced and distributed in partnership with Comment Magazine and Fuller Seminary.  

Episode 222: Tunisian Peinture Sous Verre – A History in Reverse This lecture provides an introduction to reverse glass painting in Tunisia, a predominantly figurative form of Islamic art that is often referred to as a “popular” tradition. As very little archival material and original documentation exists, most of what we know about this painting practice comes from collections, scholarship, and stories told about it from the 1960s and on, over one hundred years after it had already been well established in Tunisia. To highlight this belated epistemology, the presentation follows a reverse chronology of the medium. After briefly introducing the technique and artistic process, it starts from the contemporary moment and moves backwards in time to the post-independence era, the Protectorate period, and earlier. It ends with some speculations about the connections between Tunisian under-glass painting and other historical or regional visual-material practices. Ava Katarina Tabatabai Hess is a PhD candidate in Art History at the University of California Los Angeles (UCLA). Her dissertation focuses on vernacular Islamic art from Tunisia, Algeria, and Morocco, examining the proliferation of reverse glass painting and chromolithography in the late nineteenth and early twentieth centuries as well as their post-independence recuperations. She conducted fieldwork in Tunisia in 2022 with support from an AIMS grant, and from October 2023 to April 2025 as a FLAS research fellow and a Fulbright-Hays fellow, with additional research undertaken in Algeria, Morocco, and France. She earned her BA from Columbia University in Middle Eastern, South Asian, and African Studies, and a master's in Visual, Material, and Museum Anthropology from the University of Oxford. Ava is also a curator, a contributing researcher with the Arabic Design Archive, and currently serves as Arts Editor of Ufahamu: A Journal of African Studies. This podcast was recorded at the Centre d'Études Maghrébines à Tunis (CEMA) on the 4th of November, 2025. We thank Mohammed Boukhoudmi for his interpretation of “Elli Mektoub Mektoub” for the introduction and conclusion of this podcast. Production and editing: Lena Krause, AIMS Development and Digital Resources Liaison.

Send us a textArtificial intelligence is everywhere, but how does it fit into the world of art and arts education? On this episode of Speaking Of…College of Charleston, three faculty members discuss how AI is reshaping creative practice and teaching, from sculpture studios to fundraising classes and art history seminars. Guests include:Bex Ferrell, assistant professor in Arts Management Jarod Charzewski, studio art professor in sculptureMarian Mazzone, professor in Art History They share candid insights on the opportunities and tensions AI brings to the arts, why the creative process still matters and how educators are helping students balance efficiency with authenticity.From fundraising and marketing to sculpture and art history, this conversation dives into the opportunities and tensions AI brings to the arts. In this episode, you'll hear:Real classroom examples of students experimenting with AI toolsHow arts managers gamify AI for fundraising and marketingWhy the creative process is messy and why that mattersInsights on the future of AI art, including major museums collecting AI-generated worksResources and links:Learn more about the College of Charleston's Arts Management, Studio Art and Art and Architectural History programsExplore contemporary AI artists like Refik AnadolLos Angeles' AI Museum Dataland, opening spring 2026Full transcript and additional resources in the episode show notesOr, visit  today.charleston.edu/cofc-podcast for more episodes. 

The outbreak of the First World War shattered the established European art market. Amidst fighting, looting, confiscations, expropriation fears and political and economic upheaval, an integrated marketplace shaped by upper-class patrons broke down entirely. In its place, Maddalena Alvi argues, can be found the origins of a recognizably modern market of nationalized spheres driven by capitalist investment and speculation, yet open to wider social strata. Delving into auction records, memoirs, newspaper articles, financial and legal documents in six languages, Alvi explores these cultural and socio-economic developments across the British, French, and German markets, as well as trade spheres such as Russia and Scandinavia. 1914 marked the end of the European art market and cemented the connection between art and finance.  The European Art Market and the First World War: Art, Capital, and the Decline of the Collecting Class, 1910–1925 (Cambridge University Press, 2025) Maddalena Alvi holds a PhD in History from the University of Cambridge, an MSc in Economic and Social History from the University of Oxford, and an MLitt in Art History from the University of Glasgow. Priya S. Gandhi is a writer and strategist based in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The outbreak of the First World War shattered the established European art market. Amidst fighting, looting, confiscations, expropriation fears and political and economic upheaval, an integrated marketplace shaped by upper-class patrons broke down entirely. In its place, Maddalena Alvi argues, can be found the origins of a recognizably modern market of nationalized spheres driven by capitalist investment and speculation, yet open to wider social strata. Delving into auction records, memoirs, newspaper articles, financial and legal documents in six languages, Alvi explores these cultural and socio-economic developments across the British, French, and German markets, as well as trade spheres such as Russia and Scandinavia. 1914 marked the end of the European art market and cemented the connection between art and finance.  The European Art Market and the First World War: Art, Capital, and the Decline of the Collecting Class, 1910–1925 (Cambridge University Press, 2025) Maddalena Alvi holds a PhD in History from the University of Cambridge, an MSc in Economic and Social History from the University of Oxford, and an MLitt in Art History from the University of Glasgow. Priya S. Gandhi is a writer and strategist based in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The outbreak of the First World War shattered the established European art market. Amidst fighting, looting, confiscations, expropriation fears and political and economic upheaval, an integrated marketplace shaped by upper-class patrons broke down entirely. In its place, Maddalena Alvi argues, can be found the origins of a recognizably modern market of nationalized spheres driven by capitalist investment and speculation, yet open to wider social strata. Delving into auction records, memoirs, newspaper articles, financial and legal documents in six languages, Alvi explores these cultural and socio-economic developments across the British, French, and German markets, as well as trade spheres such as Russia and Scandinavia. 1914 marked the end of the European art market and cemented the connection between art and finance.  The European Art Market and the First World War: Art, Capital, and the Decline of the Collecting Class, 1910–1925 (Cambridge University Press, 2025) Maddalena Alvi holds a PhD in History from the University of Cambridge, an MSc in Economic and Social History from the University of Oxford, and an MLitt in Art History from the University of Glasgow. Priya S. Gandhi is a writer and strategist based in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

In this episode, Creative Guts hosts Becky Barsi and Joe Acone are joined by Kyle Wood, the inventive art educator and creator behind the Who ARTed and Fun Facts Daily podcasts. Throughout our interview, Kyle shares his passion for demystifying art history, engaging students with creative media, and making art accessible and fun for all ages. The conversation spans his journey into podcasting as an educational tool, favorite materials and makers, and how he cultivates creativity for kids and teachers alike. To learn more about Kyle, check out the links below:WhoArtEd on InstagramKyle Wood on YouTubeWho ArtEd WebsiteListen to this episode wherever you listen to podcasts or on our website www.CreativeGutsPodcast.com. Connect with us on Instagram, Facebook, LinkedIn, and Discord. Subscribe to our Substack newsletter at creativegutspod.substack.com. If you love listening, consider making a donation to Creative Guts! Our budget is tiny, so donations of any size make a big difference. Learn more about us and make a tax-deductible donation at www.CreativeGutsPodcast.com. Thank you to our friends at Art Up Front Street Studios and Gallery in Exeter, NH and the Rochester Museum of Fine Arts in Rochester, NH for their support of the show!

The outbreak of the First World War shattered the established European art market. Amidst fighting, looting, confiscations, expropriation fears and political and economic upheaval, an integrated marketplace shaped by upper-class patrons broke down entirely. In its place, Maddalena Alvi argues, can be found the origins of a recognizably modern market of nationalized spheres driven by capitalist investment and speculation, yet open to wider social strata. Delving into auction records, memoirs, newspaper articles, financial and legal documents in six languages, Alvi explores these cultural and socio-economic developments across the British, French, and German markets, as well as trade spheres such as Russia and Scandinavia. 1914 marked the end of the European art market and cemented the connection between art and finance.  The European Art Market and the First World War: Art, Capital, and the Decline of the Collecting Class, 1910–1925 (Cambridge University Press, 2025) Maddalena Alvi holds a PhD in History from the University of Cambridge, an MSc in Economic and Social History from the University of Oxford, and an MLitt in Art History from the University of Glasgow. Priya S. Gandhi is a writer and strategist based in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The outbreak of the First World War shattered the established European art market. Amidst fighting, looting, confiscations, expropriation fears and political and economic upheaval, an integrated marketplace shaped by upper-class patrons broke down entirely. In its place, Maddalena Alvi argues, can be found the origins of a recognizably modern market of nationalized spheres driven by capitalist investment and speculation, yet open to wider social strata. Delving into auction records, memoirs, newspaper articles, financial and legal documents in six languages, Alvi explores these cultural and socio-economic developments across the British, French, and German markets, as well as trade spheres such as Russia and Scandinavia. 1914 marked the end of the European art market and cemented the connection between art and finance.  The European Art Market and the First World War: Art, Capital, and the Decline of the Collecting Class, 1910–1925 (Cambridge University Press, 2025) Maddalena Alvi holds a PhD in History from the University of Cambridge, an MSc in Economic and Social History from the University of Oxford, and an MLitt in Art History from the University of Glasgow. Priya S. Gandhi is a writer and strategist based in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The outbreak of the First World War shattered the established European art market. Amidst fighting, looting, confiscations, expropriation fears and political and economic upheaval, an integrated marketplace shaped by upper-class patrons broke down entirely. In its place, Maddalena Alvi argues, can be found the origins of a recognizably modern market of nationalized spheres driven by capitalist investment and speculation, yet open to wider social strata. Delving into auction records, memoirs, newspaper articles, financial and legal documents in six languages, Alvi explores these cultural and socio-economic developments across the British, French, and German markets, as well as trade spheres such as Russia and Scandinavia. 1914 marked the end of the European art market and cemented the connection between art and finance.  The European Art Market and the First World War: Art, Capital, and the Decline of the Collecting Class, 1910–1925 (Cambridge University Press, 2025) Maddalena Alvi holds a PhD in History from the University of Cambridge, an MSc in Economic and Social History from the University of Oxford, and an MLitt in Art History from the University of Glasgow. Priya S. Gandhi is a writer and strategist based in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Giuseppe Castellano talks to illustrator, caricaturist, journalist, author, educator, lecturer, and political commentator, Steve Brodner, about the alchemy of illustration; what he looks for in a portrait; who illustrators should really listen to; and more.To learn more about Steve, visit stevebrodner.com.Artists mentioned in this episode include: Peter Kuper, Andrea Arroyo, Brad Holland, Greg Manchess, Yuko Shimizu, Anita Kunz, Herb Block, Al Hirschfeld, Jean-Jacques Sempé, Garry Trudeau, Milton Caniff, Jackson Pollock, Thomas Hart Benton, Camille Pissarro, Paul Cézanne, Guy Billout, James McMullan, Ed Sorel, Gérard DuBois, Victor Juhasz, Joe Ciardiello, Alison Bechdel, Marjane Satrapi, Keith Knight, Mort Drucker, Jack Davis, Richard Williams, Howard Pyle, N.C. Wyeth, Thomas Nast If you find value in this podcast, consider becoming a paid subscriber on Substack, or a supporter on Patreon. On either platform, you will gain access to bonus episodes we call “Extra Credit”—among other perks and benefits. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This hour, we look at the political erasure of history, and its impacts. Plus, we talk about why artists destroy their own work or the works of others. And, the history and evolution of erasers. GUESTS: Jason Stanley: Bissell-Heyd-Associates Chair in American Studies at the Munk School of Global Affairs & Public Policy at the University of Toronto. His latest book is Erasing History: How Fascists Rewrite the Past to Control the Future Preminda Jacob: Associate Dean of the College of Arts, Humanities, and Social Sciences at the University of Maryland, Baltimore County, where she is also an Associate Professor of Art History and Museum Studies Caroline Weaver: Former shopkeeper at CW Pencil Enterprise, a pencil shop in New York City. She is founder of The Locavore Guide and author of The Pencil Perfect: The Untold Story of a Cultural Icon Join the conversation on Facebook and Twitter. Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Colin McEnroe and Dylan Reyes contributed to this show, which originally aired on April 23, 2025.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

In this episode, Anna Campbell chats with Pinterest and SEO consultant Trona Freeman about how jewellers can use Pinterest as a powerful visual search engine - not just another social platform. Trona breaks down how Pinterest users are intentional, slower scrollers, and often ready to shop, making it an ideal place for jewellery businesses.  She shares practical tips on: Optimising your profile and boards for search Creating keyword-rich, high-performing pins Using product shots, lifestyle content, and text pins strategically Leveraging Pinterest Trends and Pinterest Predicts Avoiding common mistakes like broken links and low-quality images If you want long-lasting traffic, more visibility, and a platform where your jewellery can truly shine, this episode is packed with simple, actionable steps to get started. Jewellery Business Academy 2026 If growing your jewellery business is your goal for 2026 then check out the Jewellery Business Academy. A one year comprehensive program designed for jewellers, this externally accredited program is exactly what you need to stay focused an on track. Plus get one to one mentoring on the topic of your choice, accountability through regular small group Zoom meet ups and more.   https://www.jewellersacademy.com/the-jewellery-business-academy   If you'd like to know more, join the live open day on Tuesday 9th December 2025 at 8pm UK time GMT. Here's the link you need to register (and receive the replay via email if you can't join live) https://mailchi.mp/8a09ab0822ce/jba-2026   About Trona Trona Freeman is a Scotland-based Pinterest and SEO consultant who runs her business under the name Aye Lined Digital Marketing. Originally she started out as a beauty and lifestyle blogger, sharing content on fashion, skincare and photography and through that journey she discovered the potential of Pinterest as a powerful driver of traffic. Over time, what began as a hobby and creative outlet evolved into a full-blown service: Trona now helps small businesses , including creatives and makers, to grow online by leveraging Pinterest and smart SEO strategies. Her background as a creator and MA in Art History gives her a unique perspective on how visual artists and artisans (like jewellers) can use visual platforms to reach new audiences. Connect with her: https://services.ayelined.com/ https://www.instagram.com/trona_freeman  

Giuseppe Castellano talks to award-winning illustrator, artist, designer, and writer, Maira Kalman, about navigating life's inconsistencies; how we can stay centered and grounded creatively; what the most important thing is about being an illustrator; and more.To learn more about Maira, visit mairakalman.com.Artists mentioned in this episode include: Beatrix Potter, Remy Charlip, Maurice Sendak, Edward Gorey If you find value in this podcast, consider becoming a paid subscriber on Substack, or a supporter on Patreon. On either platform, you will gain access to bonus episodes we call “Extra Credit”—among other perks and benefits. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Dr. Lori Bidwell was raised on a farm in Grand Rapids, Michigan. She earned a BFA in Art History, then returned home and started working at a veterinary clinic and decided to pursue veterinary medicine as a career.She earned her DVM from Michigan State University in 2001, then did an Internship at Rood and Riddle Equine Hospital, followed by a Residency in Anesthesia at Michigan State University, becoming Board Certified in Anesthesia and Analgesia in 2008.She then returned to Rood and Riddle to become Head of Anesthesia. Afterwards, she was on faculty at Ross University School of Veterinary Medicine. She returned to Kentucky to work in anesthesia in both equine and small animal practice. At this time she became certified in Acupuncture and Tui Na from Chi University.After returning to Michigan State University to work in Anesthesia and Equine Lameness and Sports Medicine, she Co-Founded her current business, East West Equine Sports Medicine, where she provides sports medicine services and equine anesthesia consultation and training for equine surgical facilities.Please enjoy this conversation with Dr. Lori Bidwell as we discuss her education, clinical practice, holistic training, and participation in organized veterinary medicine.

Dr. Lori Bidwell was raised on a farm in Grand Rapids, Michigan. She earned a BFA in Art History, then returned home and started working at a veterinary clinic and decided to pursue veterinary medicine as a career.She earned her DVM from Michigan State University in 2001, then did an Internship at Rood and Riddle Equine Hospital, followed by a Residency in Anesthesia at Michigan State University, becoming Board Certified in Anesthesia and Analgesia in 2008.She then returned to Rood and Riddle to become Head of Anesthesia. Afterwards, she was on faculty at Ross University School of Veterinary Medicine. She returned to Kentucky to work in anesthesia in both equine and small animal practice. At this time she became certified in Acupuncture and Tui Na from Chi University.After returning to Michigan State University to work in Anesthesia and Equine Lameness and Sports Medicine, she Co-Founded her current business, East West Equine Sports Medicine, where she provides sports medicine services and equine anesthesia consultation and training for equine surgical facilities.Please enjoy this conversation with Dr. Lori Bidwell as we discuss her education, clinical practice, holistic training, and participation in organized veterinary medicine.

Episode: 3344 That Rare Find, Rachel Ruysch.  Today, we talk diversity in art and nature.

Curator of "Niyū Yūrk: Middle Eastern and North African Lives in the City", Hiba Abid, joins us to talk about the exhibition, housed at the New York Public Library's iconic 42nd Street building, which challenges dominant narratives by presenting New York as a city deeply intertwined with Middle Eastern and North African history and culture. Abid delves into the diverse stories of immigration, the often-overlooked North African presence, and the revolution in Arabic publishing in New York. Through fascinating primary documents and personal stories, the discussion explores everything from the surprising origins of the Statue of Liberty to early 20th-century American citizenship guides published in Arabic, revealing the long, complex, and vibrant history of Arab and Middle Eastern communities in New York. The exhibition remains until March 8, 2026. On December 5, is a Middle Eastern/North African take over of the flagship building of the NYPL that's not to be missed

There is no better way to explore the art and politics of the Sforza court in Milan than through the eyes of Leonardo da Vinci. Leonardo spent most of his early career employed by Ludovico il Moro, the regent and eventual Duke of Milan. This episode ties together the drama and intrigue of Sforza court politics with the work Leonardo did during his First Milanese Period (1482-1499). Some of Leonardo's most innovative painting arrived in this period. Beyond his Last Supper, the Renaissance master also worked on court portraits. Looking at both Lady with an Ermine and La Belle Ferronniere, we unpack the history of the ladies of the Sforza court and the complex social structures in Leonardo's Milan. Additionally, we explore the sophistication of Leonardo's style and ingenuity, especially as precursors to his Mona Lisa. This conversation ultimately ties the complicated threads that unite art, court culture, politics, gender, and romance in Renaissance Milan. Support/Watch/Follow: https://linktr.ee/italian_renaissance_podcastWorks Discussed: Leonardo da Vinci, Genevra de' Benci, ca. 1478 https://www.nga.gov/artworks/50724-ginevra-de-benci-obverseLeonardo da Vinci, Lady with an Ermine, ca. 1490 https://artsandculture.google.com/asset/lady-with-an-ermine-leonardo-da-vinci/HwHUpggDy_HxNQ?hl=en-GBLeonardo da Vinci and workshop, La Belle Ferronniere, ca. 1497 https://collections.louvre.fr/en/ark:/53355/cl010062372Salai, Head of Christ the Redeemer, 1511 https://ambrosiana.it/opere/testa-di-cristo-redentore/Get additional content by becoming a Patron: patreon.com/TheItalianRenaissancePodcast Support the show

The curator Thelma Golden is a major presence in New York City's cultural life, having mounted era-defining exhibitions such as “Black Male” and “Freestyle” early on in her career. Golden is the Ford Foundation director and chief curator of the Studio Museum in Harlem, an institution, founded in 1968, that is dedicated to contemporary artists of the African diaspora. But, for a significant portion of her tenure, this singular institution has been closed to the public. Golden led the initiative to create a new, purpose-built home—requiring the demolition of an old building and reconstruction on the same site. To mark its reopening, David Remnick tours the new space with Golden, discussing some key works and the museum's mission. He notes that this triumphant moment for the Studio Museum comes during a time of broad attacks on cultural institutions, particularly on expressions of identity politics. “I take a lot of inspiration from our founders, who opened up in a complicated moment,” Golden reflects. “My own career began in the midst of the culture wars of [the nineteen-nineties]. Understanding museums as a place that should be, can be, must be where we engage deeply in ideas. In this moment, that has to offer some hope as we consider a future.”New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

Giuseppe Castellano talks to illustrator and fine artist, Michael Deas, about his early years as an illustrator; how he created “The Torch Lady” for Columbia Pictures; why he doesn't look back on his long career; and more.To learn more about Michael, visit michaeldeas.com.Artists mentioned in this episode include: Ted Lewin, Betsy Lewin, Herbert Tauss If you find value in this podcast, consider becoming a paid subscriber on Substack, or a supporter on Patreon. On either platform, you will gain access to bonus episodes we call “Extra Credit”—among other perks and benefits. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It's been over 30 years since Bob Ross's The Joy of Painting went off the air, but the painter is still a household name. This hour: a look at the undying force for permed hair and puffy little clouds and happy little trees that is Bob Ross. Plus: Could we do a show about Bob Ross without also talking Thomas Kinkade? No we could not. And so no we do not. GUESTS: Nathan Badley: Cohost of the Nothing But a Bob Thang podcast Alexis Boylan: Professor of Art History at UConn and the editor of Thomas Kinkade, The Artist in the Mall Justin Croft: Cohost of the Nothing But a Bob Thang podcast Emily Rhyne: Cinematographer at The New York Times Join the conversation on Facebook and Twitter. Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Colin McEnroe and Chion Wolf contributed to this show, which originally aired September 26, 2019.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Join Annie Sargent and Elyse Rivin as they dive deep into the tragic and brilliant life of Vincent van Gogh. This episode isn't just about his iconic paintings—it's about the man behind the masterpieces. Elyse, with her deep knowledge of art history and her gift for storytelling, guides us through Van Gogh's tumultuous journey. From his early struggles in the Netherlands to his transformative years in France, we explore how his experiences shaped his art—and how his art, in turn, shaped the world. Listen to this episode ad-free Van Gogh's life was marked by failure, rejection, and mental health struggles. Elyse explains how these challenges fueled his creativity. As a young man, he tried—and failed—at careers as an art dealer, a preacher, and even a Bible translator. His family didn't know what to do with him, and his father even considered sending him to a mental hospital. But it was his brother, Theo, who became his lifeline. Theo provided financial and emotional support, allowing Vincent to focus on painting. This support gave him the freedom to experiment, leading to the bold, vibrant style we associate with him today. Paris was a turning point for Van Gogh. Elyse paints a vivid picture of his time there, living in Montmartre, meeting artists like Toulouse-Lautrec and Pissarro, and discovering new techniques. He hated the city at first, but over time, he began to embrace its energy. His move to Arles was another pivotal moment. He dreamed of creating an artists' colony there, but his relationship with Gauguin ended in disaster. Despite the chaos, this period was incredibly productive. He painted masterpieces like Starry Night Over the Rhône and Sunflowers. After his breakdown in Arles, Van Gogh was committed to an asylum in Saint-Rémy-de-Provence. Elyse's account of this time is heartbreaking yet inspiring. He continued to paint, creating some of his most famous works, including Wheat Fields and more versions of Starry Night. His final days in Auvers-sur-Oise were marked by relentless painting and a tragic end. This episode isn't just about art—it's about humanity, perseverance, and the cost of genius. If you love stories that move you, this is a must-listen. Subscribe to Join Us in France on your favorite podcast app so you never miss an episode. And if you're planning a trip to France, don't forget to check out Elyse's Toulouse Guided Walks for an unforgettable experience.  Table of Contents for this Episode [00:00:15] Introduction [00:00:31] Today on the podcast [00:01:03] Podcast supporters [00:01:33] Bootcamp 2026 [00:01:47] Magazine segment [00:02:25] Vincent Van Gogh with Elyse [00:03:38] Van Gogh's Life in France [00:04:57] The Universal Appeal of Van Gogh's Art [00:05:53] Why do people love his work? [00:09:30] Early Life and Family Background [00:13:49] Struggles with Mental Health and Career Choices [00:14:20] Moving to The Hague [00:16:09] Moving to London [00:21:06] Moving to Paris [00:23:26] Back to England [00:28:04] Returning home [00:28:55] The Decision to Become an Artist [00:29:24] Early Artistic Endeavors and Family Support [00:37:18] Van Gogh's Time in Paris [00:38:38] Van Gogh's Literary Influences [00:39:23] Return to Holland and Artistic Evolution [00:40:28] Personal Struggles and Relationships [00:42:06] Paris and Artistic Friendships [00:45:02] The Move to Arles [00:47:24] The Yellow House and Artistic Breakthrough [00:52:53] Mental Health Struggles and Saint-Rémy [00:59:11] Final Days in Auvers-sur-Oise [01:04:27] Legacy and Impact [01:09:40] Copyright More episodes about art in France #VanGogh, #VincentVanGogh, #ArtHistory, #StarryNight, #Sunflowers, #PostImpressionism, #FrenchArt, #ArtLovers, #ArtistsLife, #TragicGenius, #JoinUsInFrance, #FrancePodcast, #TravelFrance, #FrenchCulture, #ExploreFrance, #DiscoverFrance, #FranceTravelTips, #RealFrance, #Francophile, #FranceAdventures

In this episode of PhotoWork with Sasha Wolf, April Watson, Senior Curator of Photography at The Nelson-Atkins Museum of Art in Kansas City, Missouri, joins Sasha to discuss her upcoming exhibition, American Prospects and Landscape Photography, 1839 to Today. The two dive into an insider's conversation about how acquisitions—whether through donations or direct purchases—shape curatorial decisions. April speaks about the importance of honoring donor gifts through thoughtful exhibitions, and about working closely with museum education staff to shape exhibition language to engage audiences who may not have an art-historical background. She then turns the tables, inviting Sasha to share her perspective on the current state of the photographic art market and how it has evolved or devolved over time. https://nelson-atkins.org/art/exhibitions/american-prospects-and-landscape-photography-1839-to-today/ https://www.instagram.com/nama_photographs/ April M. Watson is Senior Curator of Photography at The Nelson-Atkins Museum of Art in Kansas City, Missouri. During her eighteen-year tenure at the museum, Watson has curated over 20 exhibitions that span the history of photography. These include: American Prospects and Landscape Photography, 1839 to the Present (forthcoming 2026); Strange and Familiar Places (2025); Evelyn Hofer: Eyes on the City (2023, with the High Museum of Art); Jim Dow: Signs (2022); Gordon Parks X Muhammad Ali: The Image of a Champion, 1966/1970 (2020, with the Gordon Parks Foundation); Eugene Richards: The Run-On of Time (2018, with the George Eastman Museum); Impressionist France: Visions of Nation from Le Gray to Monet (2013); and Heartland: The Photographs of Terry Evans (2012). Prior to the Nelson-Atkins, Watson held curatorial research positions at the National Gallery of Art, Washington D.C., and the Center for Creative Photography, Tucson. She holds an MA in Art History from the University of New Mexico and a Ph.D. in Art History from the University of Kansas. She is currently at work on a major exhibition for 2027 that explores the relationship between early photography the antislavery movement. The exhibition will also feature major contemporary works inspired by this history.

Giuseppe Castellano talks to award-winning illustrator, and distinguished educator, Robert Hunt, about why illustrators should embrace “woodshedding”; how he created the DreamWorks logo; what the great Kazuhiko Sano meant to him, and to the illustration world at large; and more.To learn more about Robert, visit roberthuntstudio.com.Artists mentioned in this episode include: John Singer Sargent, London Ladd, Bruce Wolfe, David Grove, Andrew Loomis, George Bridgman, Robert Henri, Brian Stauffer, Marc Burckhardt, Bernie Fuchs, Bob Peak, Mark English, Thomas Blackshear  If you find value in this podcast, consider becoming a paid subscriber on Substack, or a supporter on Patreon. On either platform, you will gain access to bonus episodes we call “Extra Credit”—among other perks and benefits. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Narrator: Thomas Jones