Podcasts about George Washington High School

NASCAR's Daniel Suárez joins Chris of The Morning Mix to chat about the Chicago Street Race coming to Grant Park July 5th - 6th. Daniel Suárez is the driver of the NASCAR Cup Series No. 99 Chevrolet for Trackhouse Racing and the first Mexican-born driver to win a NASCAR Cup Series race. He lead students at George Washington High School at a special year-end pep rally. Daniel and his wife Julia also spent time with students from the Chicago Park District Harvest Garden after school program at Gage Park for a gardening and healthy eating demonstration.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The 13th Annual UNCF Mayor's Masked Ball Dr. Patrick M. Oates, Senior Vice President at EMSCO Scientific Inc., and Richard Lee Snow, Regional Development Director for the Mid-Atlantic Region at UNCF, join me to discuss the upcoming 13th Annual UNCF Mayor's Masked Ball—a premier fundraising event aiming to raise $1 million to support Philadelphia-area students in their pursuit of higher education.

APM Job Fair  I speak with Nilda Ruiz, CEO of Asociación Puertorriqueños En Marcha (APM), about their upcoming job fair on February 27th, seeking passionate individuals to join APM's Pradera adoption and foster care team.

George Washington High School is helping students prepare for life after graduation by hosting an assembly with an organization dedicated to empowering the next generation.The event is all about giving students in grades 10-12 the tools and inspiration they need to succeed after graduation.Trendsetter Foundation's event, called ‘The 3E's: Enrollment, Enlistment, Employment,' helps high school students explore a wide range of post-graduation opportunities. Founder John Gaiters says he was inspired to start the foundation four years ago.The assembly is designed to introduce students to a variety of career and education pathways, from enrolling in college, to enlisting in the military, or jumping straight into the workforce. Skills taught include the importance of networking, advocating for themselves, and exploring their options.The event wouldn't be possible without the generous support of sponsors like Wade Davis, The DuJuan and Tina McCoy Foundation, and the Gina Radke of Galley Support Innovations.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this day in 1928, Maya Angelou was born Marguerite Johnson in St. Louis, Missouri. See omnystudio.com/listener for privacy information.

Welcome to the daily304 – your window into Wonderful, Almost Heaven, West Virginia.   Today is Tuesday, Sept. 5  Get set to watch the U.S. Men's Volleyball Team compete in the capital city…Marion County's geocache water and rail trail is just one of many fun outdoor activities you can get in on while the weather's still warm…and take a sneak peek at Jennifer Garner's new movie (hint: “13 Going on 30” fans will like it!)...on today's Daily304. #1 – From WV LIVING – Get your red, white and blue ready to cheer on the U.S. Men's Volleyball National Team this fall! The team is set to compete in the 2023 NORCECA Men's Continental Volleyball Championship today (Sept. 5) through Sept. 10 at Charleston Coliseum.  The U.S. Men's team will play against Canada, Cuba, the Dominican Republic, Guatemala, Mexico, Puerto Rico, and Trinidad & Tobago. This tournament is the last one for the U.S. Men's team until they participate in the qualifier for the 2024 Summer Olympic Games. If they qualify, the team will play in Paris during the summer games that are scheduled to run from July 26 to August 11, 2024.   Tickets for the Charleston event may be purchased online on Ticketmaster or at the Charleston Coliseum box office. Read more: https://wvliving.com/champions-in-charleston/   #2 – From WV NEWS –  With only a few weeks left of summer, Marion County officials are encouraging people to step outside and see all the county has to offer while the weather is still nice and warm. “There is still lots of summer left in summer,” said Marion County Convention and Visitors Bureau Executive Director Leisha Elliott. “There are concerts at Palatine Park. We've got Traditional Music Day coming up at Pricketts Fort, as well as other activities there. “We have another Hometown Market coming up in September. There are lots of activities that the family can get out and enjoy as far as entertainment, as well as the rail-trails, disc golf and hiking at Valley Falls State Park.” The CVB combined three popular outdoor activities this summer with a kayaking and rail/trail-based geocaching trail. The 32-cache “Fairmont Land or Aquatic Trail” (F.L.O.A.T.) starts in downtown Fairmont, where geocachers can either kayak nearly eight miles along the river to find 23 caches or get on the rail-trail to find eight additional caches. Both trails end at Pricketts Fort State Park, where an additional “bonus” cache is available to find. Looking for additional fun-filled activities? Check out www.wvtourism.com or www.wvstateparks.com to plan your Almost Heaven adventure. Read more: https://www.wvnews.com/marion-co-west-virginia-officials-encourage-outdoor-activity-during-last-month-of-summer/article_22527ce0-459e-11ee-88d1-97abf4c87966.html   #3 – From IN STYLE – After taking on a darker role in her Apple TV+ series “The Last Thing He Told Me,” West Virginia expat Jennifer Garner is firmly back in the world of comedy. Her next flick is set to be Netflix's “Family Switch,” which involves body switching, so it's only natural that there are a few nods to “13 Going on 30.” “We overtly mention ‘13 Going on 30',” director McG said. “There's a meta sort of runner in the movie because I like showing the audience that kind of respect. We get it, we get it.” The movie will see Garner finding herself in the body of her teenage daughter, played by “Wednesday” star Emma Myers. The film also stars Ed Helms from “The Office” and everyone's favorite, Rita Moreno. Garner's character isn't the only person switching bodies, everyone in the family gets in on the action, including the dog. Garner was born in Houston, Texas, but moved to Charleston, West Virginia at age three. She is a graduate of George Washington High School. Read more: https://www.instyle.com/jennifer-garner-netflix-family-switch-13-going-on-30-easter-eggs-7866801 Find these stories and more at wv.gov/daily304. The daily304 curated news and information is brought to you by the West Virginia Department of Commerce: Sharing the wealth, beauty and opportunity in West Virginia with the world. Follow the daily304 on Facebook, Twitter and Instagram @daily304. Or find us online at wv.gov and just click the daily304 logo.  That's all for now. Take care. Be safe. Get outside and enjoy all the opportunity West Virginia has to offer.  

Welcome to the daily304 – your window into Wonderful, Almost Heaven, West Virginia.   Today is Monday, Sept. 4  A Kanawha library's new nutritional literacy initiative honors Chef Otis Laury…WVU and Marshall team up for First Ascent -- a program to encourage graduates to remain in the state…and, want to see Tyler Childers? Single-day tickets are now available for the Healing Appalachia fundraiser…on today's daily304. #1 – From THE GAZETTE-MAIL –  A few years ago, as word began to spread about just who had moved into the house on the corner, Will Ellis hopped off the school bus, spotted his new South Hills neighbor working in the yard and promptly seized the moment. “I asked if I could help him in the garden in exchange for some cooking lessons,” said Ellis, now 14 and an incoming freshman at George Washington High School. The man next door is Otis Laury, West Virginia's unofficial chef to the stars, who's served as executive chef under three governors here and has catered parties for some of the region's most prominent families for decades. It was a win-win for both: Ellis points to dozens of photos of sophisticated dishes he's learned to prepare, and Laury's garden is a work of art.  The Kanawha Valley is also set to pick up a win: The main branch of the county's Public Library is poised to open its Otis Laury Center this fall, a nutritional literacy initiative with books, resources, recipes, and -- perhaps best of all -- an area for culinary lessons, presentations and demos by some of the best chefs around. Including Otis himself. Read more: https://www.wvgazettemail.com/life/food_and_dining/from-forbidden-to-forever-new-kanawha-library-center-to-honor-otis-laury/article_5c7d084c-e97a-51f7-aef3-18fe2d095c28.html   #2 – From METRO NEWS –  Leaders of West Virginia University and Marshall University have teamed up to introduce a new initiative designed to keep West Virginia college graduates working and prospering here in the Mountain State. The new initiative is called First Ascent and is built on the foundation of Ascend WV, said Danny Twilley, WVU's assistant vice president of economic, community and asset development for the Brad and Alys Smith Outdoor Economic Development Collaborative, which is tied to Ascend WV. First Ascent provides multiple pathways for 1,000 WVU and Marshall graduates to stay here and work remotely, work a hybrid format, or start or expand a business, he said. They can live in one of six locations: the five Ascend WV locales – greater Morgantown, Greenbrier Valley, the Eastern Panhandle, greater Elkins or the New River Gorge — or in the Huntington area close to Marshall. The program offers success coaching, mentorship, networking, an outdoor recreation package, co-working spaces, organized social activities and support for those who want to start or scale a business. Its estimated 1,000 participants could have a $317 million economic impact and create 941 new jobs. Read more: https://wvmetronews.com/2023/08/30/university-leaders-want-more-college-graduates-staying-in-the-mountain-state-for-work/   #3 – From WBOY-TV – If you were overwhelmed by the price of three-day tickets for the Healing Appalachia fundraising concert happening in Lewisburg, the single-day tickets are now available. Tickets for the full event, which includes entry for Thursday, Sept. 21 through Saturday, Sept. 23 and a camping pass, are $174 each. But if you just want to see certain acts, you can now buy tickets for just one day. Thursday's headliner is Jason Isbell and the 400 Unit. Friday features Gov't Mule. And Saturday features Tyler Childers. Tickets for Thursday and Friday's shows are now available for $60 plus fees, and tickets for Saturday's show are available for $90 plus fees. Camping passes for each day are also available. For detail, visit Healing Appalachia on Facebook. Read more: https://www.wboy.com/news/west-virginia/single-day-tickets-for-west-virginias-healing-appalachia-concert-featuring-tyler-childers-now-on-sale/ Find these stories and more at wv.gov/daily304. The daily304 curated news and information is brought to you by the West Virginia Department of Commerce: Sharing the wealth, beauty and opportunity in West Virginia with the world. Follow the daily304 on Facebook, Twitter and Instagram @daily304. Or find us online at wv.gov and just click the daily304 logo.  That's all for now. Take care. Be safe. Get outside and enjoy all the opportunity West Virginia has to offer.  

Rundown -    Tom Asbury - 13:06   Craig Presents His GWHS Hall of Fame Speech - 01:35:21   Troubadour Dave Gunders - 01:52:08   "Moonrise Western Sky" by Dave Gunders - 02:03:13   Tom Asbury was one of the greatest basketball players in the history of George Washington High School, which also produced GW HOF member Chauncey Billups. But Billups can't match Asbury yet as a coach, given Asbury's 238 NCAA coaching wins.   Basketball fans will like this show but it is so much more. We talk about Denver and GW back in the 1960s and how our high school dominated Colorado from its birth in 1960. We talk about s race relations then and now. Learn how college sports have changed.   George Washington High School is a microcosm of the world – right there at Leetsdale and Monaco Parkway in Denver. Education is a key in society. So are race relations. So is competition. We had all that at GW. And they still do – or so we hope.   Tom Asbury was a gifted athlete and a natural born leader of people. We talk about other great coaches like John Wooden who he got to know during Asbury's decades as Pepperdine's head coach. Find out why Coach Asbury now lives in Tucson and how he loved GW.   We fondly remember legendary GW head basketball coach Bill Weimer who was a fantastic teacher at East and then GEORGE. We discuss Coach Bobby Knight, and objecting too much and going too far. And then the show becomes a bit political and the limits of what head coaches can say are discussed.   Sam Silverman, age 20, knew just what to say while introducing his father, the show host, at GW Hall of Fame induction assembly on 9/1/23 at GWHS. Sound of acceptance speech here. It was an event to remember forever and recorded for the end of the show, with video to follow.   Dave Gunders supplies usual great conversation, this week from the East Coast where he's tending to Henry Gunders, our Troubadour's dad, age 99. Gunders' sweet song, Moonrise Western Sky, pays tribute to the orb that fascinates us like a father. https://www.youtube.com/watch?v=JMD4ePd0K8c

Welcome to the daily304 – your window into Wonderful, Almost Heaven, West Virginia.   Today is Thursday, Aug. 31  Get ready for the Great Beckley Beer Festival this weekend -- Cheers!...Business and tourism is booming in the Potomac Highlands region…and the Kanawha Library's new nutritional literacy program is inspired by local Chef Otis Laury…on today's Daily304. #1 – From WVNSTV – The southern West Virginia community is gearing up for the fourth installment of The Great Beckley Beer Festival. Presented by West Virginia Collective, the event takes place Sunday, Sept. 3, at the Beckley Intermodal Gateway. Attendees will have the chance to savor a wide array of handcrafted beers from more than 30 brewers including Weathered Ground Brewery, Freefolk Brewery, and Fife Street Brewery. In addition to craft beer, the festival will also feature delicious food, local arts and crafts, and live entertainment.  For details and tickets, visit www.beckleybeerfest.com. Read more: https://www.wvnstv.com/news/local-news/celebrate-craft-beer-and-community-at-the-4th-great-beckley-beer-festival/   #2 – From WV EXECUTIVE – Characterized by stunning mountaintop views and an abundance of outdoor recreation, every aspect of the Potomac Highlands region reminds us why West Virginia is considered Almost Heaven. Encompassing the eight counties of Grant, Hampshire, Hardy, Mineral, Pendleton, Pocahontas, Randolph and Tucker, this region considers itself a nature lovers' paradise. While home to the highest geographical point in the state, Spruce Knob, which sits approximately 4,861 feet above sea level, this region also prides itself on taking the Mountain State to great economic heights. Whether it's a new health care initiative, educational opportunity or groundbreaking event center, this treasured piece of Appalachia is working diligently to help the state flourish in the areas of economic development, health, education, outdoor adventure and tourism. “Anecdotally, there are a lot of people moving here,” says Kevin Clark, director of the Mineral County Development Authority. “We've done some research, and our market is adjusting to the new housing demands. We're also trying to do some things with the BUILD West Virginia Act so that we get more benefits if a local developer develops properties than if an out-of-state developer develops properties.” Always searching for ways to attract visitors to the area, the Potomac Highlands region is introducing a myriad of exciting new projects and annual events. In Randolph County, a Tygart Hotel Renovation Project is already well underway. The county is also in the final stages of planning for a brand-new event center in an old rail yard that will attract a myriad of new visitors to the region. Read more: https://wvexecutive.com/taking-west-virginia-to-new-heights/   #3 – From THE GAZETTE-MAIL –  A few years ago, as word began to spread about just who had moved into the house on the corner, Will Ellis hopped off the school bus, spotted his new South Hills neighbor working in the yard and promptly seized the moment. “I asked if I could help him in the garden in exchange for some cooking lessons,” said Ellis, now 14 and an incoming freshman at George Washington High School. The man next door is Otis Laury, West Virginia's unofficial chef to the stars, who's served as executive chef under three governors here and has catered parties for some of the region's most prominent families for decades. It was a win-win for both: Ellis points to dozens of photos of sophisticated dishes he's learned to prepare, and Laury's garden is a work of art.  The Kanawha Valley is also set to pick up a win: The main branch of the county's Public Library is poised to open its Otis Laury Center this fall, a nutritional literacy initiative with books, resources, recipes, and -- perhaps best of all -- an area for culinary lessons, presentations and demos by some of the best chefs around. Including Otis himself. Read more: https://www.wvgazettemail.com/life/food_and_dining/from-forbidden-to-forever-new-kanawha-library-center-to-honor-otis-laury/article_5c7d084c-e97a-51f7-aef3-18fe2d095c28.html Find these stories and more at wv.gov/daily304. The daily304 curated news and information is brought to you by the West Virginia Department of Commerce: Sharing the wealth, beauty and opportunity in West Virginia with the world. Follow the daily304 on Facebook, Twitter and Instagram @daily304. Or find us online at wv.gov and just click the daily304 logo.  That's all for now. Take care. Be safe. Get outside and enjoy all the opportunity West Virginia has to offer.

Rundown -    Bruce Hellerstein - 16:47   Troubadour Dave Gunders - 01:02:38   "World Gone Crazy" by Dave Gunders - 01:15:30   Tom Overton in Craig's Lawyers' Lounge - 01:21:36   Show opening highlights the latest in the prosecutions of Trump for crimes against America. Sound of Kyle Clark documenting Big Lie flowing through Colorado via 630 KHOW and 710 KNUS, and Peter Boyles, Dan Caplis, Randy Corporon, Jenna Ellis, and Joe Oltmann is reviewed. https://www.9news.com/article/news/local/next/next-with-kyle-clark/colorado-conservatives-launched-election-rigging-claims/73-ce86c340-29f3-4ed5-b7b6-87eb3562d393   Bruce Hellerstein is a legendary Denver CPA who helped bring major league baseball to his hometown as part of the Denver Baseball Commission. It's a Cinderella story that flows through George Washington High School where Bruce is being inducted this week (with host!) into the 2023 Hall of Fame class. How many guests have a museum? https://ballparkmuseum.com/ Tom Overton makes a triumphant return to Craig's Lawyers' Lounge emphasizing our legal appreciation of jurors on Colorado's Jury Appreciation Day. Overton is a Bar and Ethics leader entering his fifth decade of practice. This wise head solves problems and is a winning litigator. https://cl.cobar.org/departments/celebrate-jury-appreciation-day-on-september-5/   Mid-show features a crazy good performance by show Troubadour Dave Gunders who gives us his rocking song, World Gone Crazy. Winning performance of his band, the Vipers, at Gold Hill Inn last Saturday night reviewed. Here's some proof of that greatness. https://www.youtube.com/watch?v=XiLexPg0piM   End of the show features fresh outrages uttered by Caplis and Brauchler. MAGA is getting mean. Show responds. Please don't be accusing Fulton County prosecutors of acting like Gestapos. That's beneath Colorado lawyers. Brauchler wants to be DougCo DA but says awful things about alleged punks he yearns to punish.   The Craig Silverman Show - Every Saturday morning at 9 a.m. Colorado time

Rundown -    Troubadour Dave Gunders - 10:54   "Eddie Don't Quit" by Dave Gunders - 25:37   Steve Finesilver - 32:13   For many decades, the surname Finesilver has been famous throughout Colorado. Judge Sherman Finesilver was an esteemed federal judge, and before that a popular judge in Denver County and District courts. In the 1940s, Sherm Finesilver was a star football center at North High, and then CU. https://www.findagrave.com/memorial/28409079/sherman-glen-finesilver   Steve followed in his Dad's footsteps, starring in football, wrestling and shot-putting at Denver's George Washington High School where he and host graduated in 1974. Fast friends since fourth grade, learn how guest Finesilver and host experienced careers in education and law respectively. Small college varsity athletics helped form their character.   Coach Steve Finesilver worked hard and well at Montbello HS in the 1980s, and next spent many successful decades coaching the football and wrestling teams at George. He's also been a passionate and dedicated fitness and science teacher who has mentored thousands of Denver high schoolers. Now, he's ready to tell all about Denver educational deficiencies and how to fix them.   Steve Finesilver's book is entitled Hard Knocks & Dirty Socks, Through the Eyes of Coach. In his book, Coach Finesilver peels back the curtain and reveals an educational product lacking in Denver. Hear his harsh condemnations, and constructive calls to action, designed to remedy public school disasters, like the one that exists at Denver Public Schools. https://www.amazon.com/Hard-Knocks-Dirty-Socks-Through/dp/1954077068/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=1681523615&sr=8-1   Recent shooting horrors at East High are discussed. The 1971 GW school riot also gets reviewed. Finesilver reveals the dangers of modern schools and the under-reporting of safety violations. Gone are the days when teachers were treated as professionals and entrusted with the authority, training and backing to do their jobs properly.   Good education starts with good parents and the Finesilver family is renowned for that. We talk about Steve's mom and dad, and his crush on Nancy Silverman, the host's younger sister. It all ended in humorous calamity as you will hear. The experience made everybody stronger, especially Steve Finesilver who then hit the gym.   Ahead of his time when it came to disciplined training and weight-lifting, Steve Finesilver grew his body through hard training and became massively strong. That made Coach Finesilver an ideal instructor in football and wrestling, as proved not just by scores of champion DPS athletes, but by his (and Brenda's) 7 amazing kids. https://www.win-magazine.com/2018/12/21/finesilvers-are-a-gem-of-a-family/   The Finesilver boys are wrestling legends. They've won countless Colorado championships and both sets of twins wrestled collegiately for Duke. Matt Finesilver took advantage of one more eligibility year to just kick ass as a heavyweight for Michigan. Watch this. https://twitter.com/umichwrestling/status/1632088661339815936   Steve Finesilver is still working to help and motivate kids. His book and call to action is his effort to reform education. Knowing Coach, he won't quit. That's the theme of the song by Show Troubadour Dave Gunders titled, Eddie Don't Quit, about a determined high schooler. https://www.youtube.com/watch?v=dJJmE1aHERs   Listen at the outset of the show to a good discussion of outrageous new abortion restrictions headed for review by the US Supreme Court, featuring corrupt Justice Clarence Thomas. Lively discussion ensues over what sports are real and which ones are least athletic. There is locker room flavor and jock smell to the entire show. Enjoy.

In this podcast, I had the great honor to sit down with George Washington High School Quarterback James Mertz. In this episode, James shares his experience playing football for the past 4 years and how he went from a no JV team to the leader of the Varsity team. James shares the ups and downs, his best moments and his future plans. So join us in this podcast. You can catch the full highlights on James Hudl page by clicking the link. James Mertz QB Highlights 23' https://www.hudl.com/v/2K0F9x “You can only get better every time you fail" Please also follow me where you listen to your podcast. I'm available on most podcast platforms. Apple, Spotify, Google Podcast, Amazon Podcast and much more. I also would like to thank you guys for the continued support in all my adventures. Please also take some time and donate to my patreon and Venmo account. Anything helps. From $1 to unlimited. Thank you in advance. The Daily Vlogs and Podcast Merchandise https://thedailyvlogspodcast.myspreadshop.com Venmo - @ericb1642 Patreon - https://www.patreon.com/user?u=29742285 Twitter - @EricB1642 Instagram - @Eric1642 YouTube - The Daily Vlog On YouTube --- Send in a voice message: https://podcasters.spotify.com/pod/show/eric-b43/message Support this podcast: https://podcasters.spotify.com/pod/show/eric-b43/support

(S6, E22) Colorado State athletic director Joe Parker joins the podcast this week for his monthly state of the department conversation with Brian. The two discuss the softball/soccer complex and the hiring of new university president Amy Parsons. Speaking of the new president, we listen back to her interview with Brian at the men's basketball game on Tuesday night. And, we have CSU football recruiting talk including an interview with signee Silas Evans from George Washington High School in Denver. CSU radio sideline report Marty Cesario introduces fans to the newest wide receiver. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Black, white, smart, funny, athletic, anxious, confident, short, tall, spiritual, care free… we all wear different lenses of how we see the world. These shape who we are, build into our identity, and each perspective plays an important role as we grow into who we aim to become.We welcome Teah Stern, an Ellement Ambassador to talk about her different intersections of identity and how digging deep into her own self awareness helps her to embrace her beautiful uniqueness.---Hi, I'm Teah! I am 16 years old and attend George Washington High School, where I am part of the IB program, my school's speech and debate team, and vice president and co-founder of the Self-Defense club (We partner with a Krav amigo studio to teach students how to defend themselves in dangerous situations). I am French, fluent in the French language, but I was born and raised in Colorado. My interests include being an avid reader and going on adventures with my friends and family.TiktokInsta---In Your Ellement is a teen-hosted podcast covering conversations with teen allies. Sixteen-year-old host and TEDx speaker, Abby Jones, chats with some of the most inspiring educators, creators, and changemakers reflecting on their teen years, what makes them feel the most “in their element” on the daily, and things they wish they had known as a teenager.------> Check out our website!---> Join our sister organization the ellement collective at their next workshop in Colorado!

Recap of WVU vs Baylor ... WVU football recruiting update .... George Washington High School coach Rick Greene of his earning his 500th win.

Big announcements this week from IRONMAN and Tour de France. We've been talking for weeks about the 2 Day IMWC dilemma. IM's answer- 2 different locations, 1 month apart and on opposite sides of the globe for women and men. We knew the women were racing in Kona in October '23. It looks like the men will be racing in Nice France in September. We'll talk about this in the news and more.   Show Sponsor: UCAN Generation UCAN has a full line of nutrition products to fuel your sport. UCAN uses SuperStarch instead of simple sugars and stimulants to fuel athletes.  UCAN keeps blood sugar steady compared to the energy spikes and crashes of sugar-based products. UCAN also has hydration products focused on giving you the sodium you need when hydrating, including several clean and light flavors. Steady energy equals sustained performance and a faster finish line!   Use UCAN in your training and racing to fuel the healthy way, finish stronger and recover more quickly!  Use the code 303UCAN for 20% off at ucan.co/discount/303UCAN/ or ucan.co   In Today's Show Endurance News Dual Hosts for 2023+ IRONMAN World Championship Tour de France will skip Paris finale in 2024 Chloe Dygert undergoes surgery to treat tachycardia What's new in the 303 Meet the East HS MTB Team TriDot Pre Season Project Video of the Week Danny MacAskill's Postcard from San Francisco   News Sponsor Buddy Insurance: Buddy Insurance gives you peace of mind to enjoy your training and racing to the fullest. Buddy's mission is simple, to help people fearlessly enjoy an active and outdoor lifestyle.    Get on-demand accident insurance just in case the unexpected happens. Buddy ensures you have cash for bills fast.  Go to buddyinsurance.com and create an account.  There's no commitment or charge to create one.  Once you have an account created, it's a snap to open your phone and in a couple clicks have coverage for the day.  Check it out!   Endurance News: IRONMAN Announces Plan for Dual Hosts for VinFast IRONMAN World Championship TAMPA, Fla. (Nov. 30, 2022) /ENDURANCE SPORTSWIRE/ – Following the first-ever two-day IRONMAN World Championship and a continued commitment to providing women and men their own dedicated day of racing, IRONMAN announced today that the 2023 VinFast IRONMAN® World Championship triathlon will move forward with two different host venues. To ensure that both professional and amateur women and men have a focused IRONMAN World Championship race experience, the women will race in Kailua-Kona, Hawai`i on October 14, 2023, with the men's race date and location outside of Hawai`i currently being evaluated and expected to be announced in January 2023. For 2024, the men and women would exchange locations.   The 2022 VinFast IRONMAN World Championship was held this past October in Kailua-Kona, Hawai`i over two days for the first time in the history of the event, showcasing the very best women and men in the sport while giving both their deserved spotlight. With the future dual host locations and separation of race weeks, the women's and men's races will each garner further attention with all eyes focused on the race week activities and lead up to their respective IRONMAN World Championship race days.   While the 2022 VinFast IRONMAN World Championship two-day format was a success in many areas and the two-day format in Kailua-Kona for 2023 had already been announced, IRONMAN and the County of Hawai'i concluded together that the impact of two days of racing in Kona is not currently in the best interest of the local community.   “We are reinforcing our commitment for a dedicated world championship race experience for women and men to each receive an exclusive spotlight on their race. Hawai`i is in our DNA and we look forward to the first-ever exclusively women's world championship race week in Kona. At the same time, we are looking forward to announcing a co-host location for the men's race that will be worthy of an IRONMAN World Championship and will capture the imagination of our athletes and fans,” said Andrew Messick, President & Chief Executive Officer for The IRONMAN Group.   Hawai`i is the proud birthplace of IRONMAN and despite not being able to undertake a two-day world championship event at this time, it will continue to be an important part in the shared history of IRONMAN, with Kona continuing as a co-host of the IRONMAN World Championship.   “Hawai`i County has long enjoyed partnering with IRONMAN and this year's epic races were another example of world-class athletic competition held on the traditional Kona-Kohala world championship course,” said Hawai`i County Mayor Mitch Roth. We learned, however, that more than one race day during IRONMAN week is too many for the community to manage. We are pleased that IRONMAN plans to return to Kailua-Kona as a co-host of the 2023 VinFast IRONMAN World Championship and look forward to more exciting events in the future.”   With this major move to ensure dedicated IRONMAN World Championship racing for both women's and men's fields, the qualifying cycle and slot allocations will be slightly adjusted. Allocations may be viewed here, www.ironman.com/im-world-championship-2023-slot with further adjustments to occur in line with the Men's Championship race location announcement, expected to occur in January. Additionally, all athletes who have previously qualified and registered for the 2023 VinFast IRONMAN World Championship will be contacted directly with additional information.     Tour de France will skip Paris finale in 2024 For the first time in race history, the Tour de France will not conclude in Paris in 2024. That's according to La Gazzetta dello Sport, which reports that Nice will be the host of the final stage in two years.   Why? With the Olympic Games set for Paris from late July into mid-August, officials do not want the logistical and security issues overlapping between the Games and the Tour.   The final stage of the Tour has always been in Paris (or in nearby suburbs), and since 1975 the final stage has ended on the Champs-Élysées.   The 2024 edition of the Tour is expected to start in Italy for the first time, with stages in Tuscany and the Piemonte regions before dipping into France.   The race would then embark on its traditional “grande boucle” around France, but instead of heading to Paris, it will loop back toward Nice for the finale.   Nice recently hosted the “grand départ” of the 2020 edition of the Tour that was rescheduled for September in the wake of the coronavirus pandemic.   Details of the 2023 edition are already revealed, with the race starting in Spain's Basque Country, and the final stage, as always, in Paris.     Chloe Dygert undergoes surgery to treat tachycardia Chloé Dygert has undergone surgery to treat supraventricular tachycardia (SVT), a condition which causes episodes where the heart beats much faster than usual.   The North American rider revealed the information in a post on Instagram accompanied by video clips of herself lying in a hospital bed.   "My SVT was annoying but not life-threatening, (as long as I stopped immediately if I was training)," Dygert, who is set to embark on her third season with Canyon-Sram next year, wrote.   "My most recent episode happened while I was out on an easy basic endurance ride, my heart rate peaked at 219, then sat at 205 for five minutes and 195 for another ten minutes.   "It would jump between 180 to 205 in the remainder of the episode lasting 35 minutes. I stopped and sat on the side of the road to wait for my heart rate to slow back down below 150."   Dygert explained that she had been suffering from the condition for nearly a decade, though the frequency of the SVT episodes had increased in recent months.   "It started for the first time back in 2015, only happening once or twice a year until this year," she wrote of the condition, which is rarely life-threatening but may cause a cardiac arrest or unconsciousness.   "But just the past two months it has triggered five times. My fear is having one during a race and needing to stop so we made the decision to go in and get it fixed with the frequency increase."   Dygert has endured a hard two years after suffering a brutal crash during the Road World Championships time trial in 2020. She was away from racing for nine months following the devastating knee injury suffered after colliding with a guard rail during the Imola time trial.   Last year she took part in the Olympic Games road race and time trial, though her 2022 season was once again ruined thanks to a bout of the Epstein-Barr virus.   Her SVT surgery seems to only be a minor blip in her recovery, however, as Dygert revealed that she is already back on the bike and training.   "I was awake and lightly sedated during the procedure," she wrote. "Definitely one of the most unique kinds of pains I've ever felt. In the recovery, I wasn't allowed to move for 4 hours, giving the artery time to heal from the catheter ablation. I was back on my bike within 5 days after the procedure with only one minor hiccup happening on day 5."     What's New in the 303: Meet the East High School Mountain Bike Team East is one of several teams in the league made up of kids that attend different high schools. East and South are the only Denver Public School teams in the league. 96 teams make up the league with schools as far north as Spearfish, South Dakota, and south into Northern New Mexico.   How many different schools are represented on the East Team?   Denver Online HS, Denver School of Arts HS, DSST: Byers HS, DSST: Cole HS, DSST: Conservatory Green HS, DSST: Montview HS, East High School, George Washington High School, Hill Campus of Arts and Sciences, Morey Middle School, North High School, Northfield High School.   Describe the growth of the team over the years.   The team was founded in 2010 by Steve Bussey, an employee in the District's Office of Technology. Over the next ten years, the team grew and sometimes shrank before reaching a high point of over 50 riders. However, the team shrank significantly during the pandemic and subsequent cancellation of the racing season. Coming out of the pandemic, we expected the team to be approximately 30 riders, but were pleasantly surprised to field 42 riders and racers by the end of the season. Many are girls and/or high school seniors who joined the team for the first time.   In general, how experienced are kids on the team at racing, does the team attract never-before riders as much as experienced riders?   Most of our riders have some experience riding trails and some already have experience racing mountain, road, or cyclocross. However, the majority of our riders have never raced before joining the team. More interestingly, being a city-based team, some of our new team members have never owned or ridden a mountain bike before, We love attracting those new to the sport. So, while the learning curve can be steep, it is incredibly rewarding. Some of our favorite stories involve our new riders and the improvement they see over the course of a season.   Favorite practice rides and how often do they practice?   We practice Monday and Wednesday evenings on the Front Range trails. To avoid the heat in the early part of the season, Three Sisters and Lair ‘O The Bear are favorites. As the days get shorter and cooler, we frequent Green Mtn, North Table, Chimney Gulch, and Erie Bike Park. On non-race weekends, we try to organize rides a little further afield at places like Buffalo Creek or Trestle Bike Park. The biggest hurdle for the team is getting to the trails. Every practice will have a drive 30 minutes or more just to get to the trails. We rely on riders and parents to organize transportation for those unable to drive themselves. It's not easy.   Invitation to TriDot Pre Season Project The Preseason Project® is a triathlon research initiative that helps TriDot quantify and enhance the performance gains that TriDot's Optimized Training™ delivers over training alternatives. Welcome to the 2023 TriDot Preseason Project (PSP) application.      Submit this 2-minute app to qualify for 2 FREE months of optimized triathlon training with the TriDot Mark Allen Edition.   PSP is an annual R&D initiative that helps triathletes reach their true performance potential through optimized preseason training. It also quantifies the substantial performance gains that TriDot's Optimized Training delivers over training alternatives.   You qualify for the FREE training if you meet the following criteria: Planning an Olympic, Half, or Full triathlon for 2023 season Train using a device with GPS and/or power Have not used TriDot in the last 6 months Not a professional triathlete Enthusiastic and motivated to get a jump start on your season! * Applications are reviewed and accepted on a first-come basis and must be fully completed to be considered.    Register For Free https://app.tridot.com/onboard/sign-up/richsoares   Video of the week: Danny MacAskill's Postcard from San Francisco   Closing: Thanks again for listening in this week.  Please be sure to follow us @303endurance and of course go to iTunes and give us a rating and a comment.  We'd really appreciate it! Stay tuned, train informed, and enjoy the endurance journey!

It was a great pleasure and honor to sit down with Dhiraj Gurung. Senior running back from George Washington High School. Arguably the best running back in San Francisco and probably the Bay Area coming out of Nepal. Join me as we chat football and what got Dhiraj interested in playing. “You can only get better every time you fail" Please also follow me where you listen to your podcast. I'm available on most podcast platforms. Apple, Spotify, Google Podcast, Amazon Podcast and much more. I also would like to thank you guys for the continued support in all my adventures. Please also take some time and donate to my patreon and Venmo account. Anything helps. From $1 to unlimited. Thank you in advance. The Daily Vlogs and Podcast Merchandise https://thedailyvlogspodcast.myspreadshop.com Venmo - @ericb1642 Patreon - https://www.patreon.com/user?u=29742285 Twitter - @EricB1642 Instagram - @Eric1642 YouTube - The Daily Vlog On YouTube --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/eric-b43/message Support this podcast: https://anchor.fm/eric-b43/support

Mike continues to recall memories from living in San Francisco in 1995. Topics discussed include: 8th and Geary apartment, Kodik Joe, Clifton Carter, working at Think Skateboards, The Dirty Dildo, High Speed Productions, Conqr, RJD2, George Washington High School, Cram, regional handstyles, Club Deco, DJ Qbert, Invisibl Skratch Piklz, scratching in stereo, latex gloves, lying to cops, Psycho City, 4th of July, Fame Whore, Coliseum Yard, TDK crew, Dream, Meut, Friday nights on KUNM, Krash, painting on LSD, Susan Farrell, ArtCrimes (graffiti.org), nonsense words as tag names, symmetrical pieces, using brick walls as a grid, increased focus from cannabis use, consistent straight bars versus tapering curves, creating new styles, 20th and Illinois wall, Twist, Reminisce, KR, Sope and Felon, Front Street wall, Lords crew, Rules of Going Over, trippy Goth girl, The Blue Danube, Shoot a Tagger fliers, Tie's murder, Amarjit and Narangkar, Sikhs, Sam Flores, painting trucks on Christmas night, refinishing and painting my 1965 Pontiac Tempest.

 Director: Alan Snitow, Deborah Kaufman Is art's role to provoke or placate? What happens when it no longer reflects current societal views? These questions and many more were the subject of hot debate when Victor Arnautoff's thirteen-panel mural “The Life of Washington” became an object of local controversy, then a media firestorm. On display since San Francisco's George Washington High School opened in 1936, it offers a view of the Founding Father both celebratory and critical, referencing his involvements in slavery and Native American genocide. (The Iroquois dubbed him “Town Destroyer.”) But some present-day students, parents, and observers found those depictions racially offensive, calling for the work to be removed or destroyed. Would doing so be a “redaction of history,” “identity politics gone off the rails”—or a justified blow to a lingering American “colonized mentality” as well as ongoing “traumatization” of young minds? Longtime Bay Area documentarians Alan Snitow and Deborah Kaufman interview historians, artists, activists, and GWHS students to probe a fascinating microcosm of today's culture wars. —Dennis HarveySee omnystudio.com/listener for privacy information.

 Director: Alan Snitow, Deborah Kaufman Is art's role to provoke or placate? What happens when it no longer reflects current societal views? These questions and many more were the subject of hot debate when Victor Arnautoff's thirteen-panel mural “The Life of Washington” became an object of local controversy, then a media firestorm. On display since San Francisco's George Washington High School opened in 1936, it offers a view of the Founding Father both celebratory and critical, referencing his involvements in slavery and Native American genocide. (The Iroquois dubbed him “Town Destroyer.”) But some present-day students, parents, and observers found those depictions racially offensive, calling for the work to be removed or destroyed. Would doing so be a “redaction of history,” “identity politics gone off the rails”—or a justified blow to a lingering American “colonized mentality” as well as ongoing “traumatization” of young minds? Longtime Bay Area documentarians Alan Snitow and Deborah Kaufman interview historians, artists, activists, and GWHS students to probe a fascinating microcosm of today's culture wars. —Dennis HarveySee omnystudio.com/listener for privacy information.

Click here to see the notes for this podcast and read the full transcript: https://therealnews.com/chicago-teachers-suspect-mayor-lightfoot-tried-to-fire-them-for-opposing-a-new-scrapyardIn July, Lauren Bianchi and Chuck Stark, two teachers at George Washington High School on the Southeast Side of Chicago, were on the verge of losing their jobs. In what Chicago Teachers Union officers suspect was an act of retaliation from Mayor Lori Lightfoot, Chicago Public Schools recommended that Bianchi and Stark be fired for their involvement in the student-, teacher-, and community-led effort to stop the relocation of the General Iron metal shredder from the wealthy Northside neighborhood of Lincoln Park to a site half a mile from their school. With the union and their community behind them, though, the Chicago Board of Education issued a stunning rejection of Chicago Public Schools officials' recommendation to fire the two teachers. In this mini-cast, we talk to Bianchi and Stark about the struggle to stop General Iron and the importance of teachers serving the needs of their communities.Pre-Production/Studio: Maximillian AlvarezPost-Production: Jules TaylorHelp us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer: Donate: https://therealnews.com/donate-podSign up for our newsletter: https://therealnews.com/newsletter-podLike us on Facebook: https://facebook.com/therealnewsFollow us on Twitter: https://twitter.com/therealnews

Last week, Lauren Bianchi and Chuck Stark, two teachers at George Washington High School on the Southeast Side of Chicago, were on the verge of losing their jobs. In what Chicago Teachers Union officers suspect was an act of retaliation from Mayor Lori Lightfoot, Chicago Public Schools recommended that Bianchi and Stark be fired for their involvement in the student-, teacher-, and community-led effort to stop the relocation of the General Iron metal shredder from the wealthy Northside neighborhood of Lincoln Park to a site half a mile from their school. With the union and their community behind them, though, the Chicago Board of Education issued a stunning rejection of Chicago Public Schools officials' recommendation to fire the two teachers. In this min-cast, we talk to Bianchi and Stark about the struggle to stop General Iron and the importance of teachers serving the needs of their communities.  Additional links/info below... Chicago Public Schools website, Facebook page, and Twitter page Darryl Fears & Robin Amer, The Washington Post, "To Stop a Scrapyard, Some Protesters in a Latino Community Risked Everything" Maxwell Evans, Block Club Chicago, "2 CPS Teachers Say They're Being Fired In Retaliation For Their Activism Against General Iron" Brett Chase, Chicago Sun Times, "Outspoken Teachers Who Urged Students to Join Environmental Protest Avert Firing by Chicago Board of Ed" Permanent links below... Working People Patreon page Leave us a voicemail and we might play it on the show! Labor Radio / Podcast Network website, Facebook page, and Twitter page In These Times website, Facebook page, and Twitter page The Real News Network website, YouTube channel, podcast feeds, Facebook page, and Twitter page Featured Music (all songs sourced from the Free Music Archive: freemusicarchive.org) Jules Taylor, "Working People Theme Song

CHIEF CECIL RHAMBO is a longtime public safety officer who currently serves as the Chief of Airport Police at LAX. Rhambo was raised by his parents in Compton and South Los Angeles after being adopted from Korea as an infant, graduating from George Washington High School. After graduating from Humboldt State University and earning a Masters Degree in Organizational Leadership from Woodbury University, Cecil joined the L.A. County Sheriff's Department and began a 33-year career in law enforcement.

Chief Cecil Rhambo is a longtime public safety officer who currently serves as the Chief of Airport Police at LAX. Rhambo was raised by his parents in Compton and South Los Angeles after being adopted from Korea as an infant, graduating from George Washington High School in the mid-1970s.  This man has served in so many different roles in Los Angeles County, including as a city manager. From administration to law enforcement leadership, he may be the most qualified candidate running for LA County Sheriff.  #LetsTalkAboutIt   Now, as Chief of Airport Police, Rhambo leads the nation's largest dedicated airport public safety force, with more than 1,100 sworn and civilian personnel at LAX and Van Nuys airports. Notably, he has long been a reform-minded leader. In fact after George Floyd's death, as LAX's Police Chief, Rhambo banned the practice of the chokehold so that what happened to George Floyd could never happen under his watch. You can check out his campaign site at https://www.rhamboforsheriff.com/   #LetsTalkAboutIt   With MY MORNING COFFEE, the conversation is always hot, bold, organic, and full of flavor. Dive in and have a sip. SUBSCRIBE: https://apple.co/3q9SALY Join the #CupCrew https://bit.ly/3BcEBth Follow Tonya on Twitter and Instagram @TonyaMcKenziePR Follow Gia on Instagram @iamgiasneed & @themahoganybox For comments, guest opportunities, or brand collaborations, contact info@sandandshores.com. #ContentMatters #PositivePR #Leadership is Newsworthy! #MyMorningCoffee #Podcast #TonyaMcKenzie #GiaSneed #LLEADtheWay #CommunityEngagement #BusinessOwners #Survivors #WomenOwned #BlackOwned #TrueStory #BlackBusiness #Media #Storyteller #Entrepreneur #TonyaMcKenzie #GiaSneed #MMC

Rundown -   Dr. Kevin Fitzgerald - 08:32   Troubadour Dave Gunders - 01:37:36   "Hole in the Head" by Dave Gunders - 01:52:19   Dr. Kevin Fitzgerald is a world-renowned veterinarian, humanitarian, and television star. He performs regularly as a comedian including this weekend at the Comedy Works. https://comedyworks.com/comedians/kevin-fitzgerald Kevin reveals his fascinating self in this wide-ranging discussion.   Stories start at Denver's George Washington High School but quickly moved to Boulder and a meeting with Barry Fey and Chuck Morris and through them, the Rolling Stones. Kevin explains how it was that he worked with Mick, Keith and Charlie for so long.   Keith Richards help send Kevin Fitzgerald to veterinary school and then, Kevin's comedy ambitions brought him to the attention of television producers. Next thing you know, he was starring as the premier emergency vet on Animal Planet. https://images.app.goo.gl/9AgJp8EVnb9fSQsf9   Kevin's worked with great entertainers including Joan Rivers, George Burns, Willie Nelson, Norm McDonald, Betty White, Louis Anderson, and the man who came in for Kevin‘s 60th birthday roast, the late Bob Saget. Learn from Kevin how and why he thinks his pal Bob died.   Kevin remembers them all and talks about the anti-science movement which is hurting America now. This scientist knows about viruses. We worry about the polarization of society. And Kevin talks polar bears.  Listen to the advice George Burns gave Kevin about comedy.   Troubadour Dave Gunders has the perfect funny song called Hole in the Head which is what we need during these trouble times.  Discussion follows about the partnership in crime of Putin and trump and right-wing media. This funny song takes the edge off.   Sprawling nature of Trump's White Power Coup/Riot now evident. Putin and Trump are partners in crime, and destabilization. So are top lieutenants like Giuliani and Jenna Ellis. Contempt for MAGA-enablers expressed at end of show. Serious times deserve some serious pointed commentary. And satire. Let's keep our senses of humor.

‘Tis the day before Christmas, and all through the town, there may or may not be stirring. I don’t know. I’m not there and away for a family holiday. But there’s too much information to not put out an installment of Charlottesville Community Engagement, no matter where I am. The “I” in that last sentence is Sean Tubbs, who conveniently happens to be me. He and I are the co-hosts in this and every installment of the program. Thanks for listening. On today’s program: It’s unfortunately beginning to look a lot like an omicron Christmas, with this season’s COVID surge on track to surpass last year’sDanville City Council adopts a one-cent sales tax increase to pay for school renovationsMore new bills are filed for the next General Assembly including…In today’s shout-out, a shout-out to the shouters-of out! I want to thank all of the individuals and entities that have supported this newsletter and podcast through a $25 a month Patreon contribution or through some other combination of support. Thanks to the Charlottesville Jazz Society, Code for Charlottesville, LEAP, the Rivanna Conservation Alliance, Lonnie Murray and his penchant for native plants, WTJU, the Albemarle-Charlottesville Historical Society, the Jefferson-Madison Regional Library, the Charlottesville Area Tree Stewards, Cville 350, Piedmont Master Gardeners, and of course, the Valley Research Center. More in 2022Pandemic updateOn the day before Christmas, the Virginia Department of Health reports its second highest total of new COVID cases since the pandemic began with 8,756 cases. The percent positivity rate has increased to 11.3 percent. In the Blue Ridge Health District, there are 170 new cases and another four deaths have been reported since Wednesday. Dr. Costi Sifri, the director of hospital epidemiology at the University of Virginia Health System, is not surprised by the surge.“Importantly what we’re also seeing in certain parts of the state like Alexandria and Arlington, they’re seeing their highest ever one-day totals,”For Alexandria, that meant 316 cases reported on Thursday and 310 cases reported today. Arlington set a one-day total today with 592, surpassing yesterday’s previous one-day record at 359. Richmond also set a one day of 346 today. Rural communities across Virginia are not yet seeing the same spike. “We’re seeing a rapid ascent in terms of total number of cases,” said Dr. Sifri. “This is being seen around the country in a lot of different locations and I think that we should anticipate that we’re going to continue to see this rapid rise, this sort of steep wall of COVID and it appears to be driven by Omicron across most of the state.” Dr. Sifri said researchers are learning more about the variant every day but it appears that cases are not translating into increased hospitalizations, but only time will tell if the size of the wave will still overpower Virginia’s hospitals. He added the UVA Health System had already been recovering from a slight surge from the Delta variant. “I think one of the biggest questions that sort of remains is how well does vaccination and then booster vaccination protect against Omicron,” Dr. Sifri said. “We are learning in the early reports that the two-dose mRNA vaccine does not provide as much protection as we’d like to see. Probably only around 40 percent based on some U.K. early estimates. And then a booster does improve that to around 70 or 75 percent depending on the type of vaccine that you received. Again, those are early data from the United Kingdom. It would be nice and important to see what does that mean here in the United States.”Dr. Sifri strongly recommends everyone get a booster given the unknowns. As of Thursday, 67.2 percent of the total Virginia population is fully vaccinated, but only 1.8 million have received a booster or a third dose. According to the Virginia Department of Health, unvaccinated individuals develop COVID at a rate of 4.1 times of fully vaccinated people, based on data through December 18. “In terms of what we see with people that are hospitalized it is still by and large still to this date people who have not been vaccinated,” Dr. Sifri said. “That is the largest portion of people that are hospitalized with COVID. When we’re taking care of a patient, when they’re in front us we really don’t know if it’s due to Delta or Omicron. We only can collect that information as its reported through our public health agencies.”Dr. Sifri said the situation with Omicron is still fast-moving and more information is needed to tell a complete picture. He said anyone who had COVID before vaccines became available is still potentially vulnerable. “Omicron is different enough that we are concerned that protection is incomplete and we certainly know from other variants and prior studies that the level of protection after so-called natural infection is not as robust as that that is afforded by a vaccination,” Dr. Sifri said.To get a booster or a vaccine, visit vaccinate.virginia.gov. Danville adopts sales-tax increaseIn the upcoming session of the Virginia General Assembly, the city of Charlottesville will seek permission to hold a referendum on a one-cent sales tax increase. That’s the path Danville took in 2020 when they and several other Southside communities petitioned the 2020 General Assembly to the list of “qualifying localities” that could have such a ballot initiative. In November, Danville citizens voted 7,515 to 4,921 in favor of levying the tax.On Tuesday, the seven-member Danville City Council voted unanimously to levy the tax, which will expire at the end of May of 2041. Vice Mayor Gary Miller had this observation before the vote. G.W. is George Washington High School. “Today I had a patient in and her daughter was a proud member of the 1965 GW Women’s Championship basketball team, the last time they won the state championship,” Miller said. “She said she was dismayed. She’d been to GW, that’s where she graduated, and she said how dismal the schools was and she didn’t think it was conducive to learning. And I was just happy to assure her that with the passage of this referendum and the sales tax, that school’s going to look like a different school in just few years and you wouldn’t be able to recognize it.”So far, there’s no pre-filed legislation for Charlottesville to be added to the list of qualifying localities. New 2022 General Assembly billsSeveral new bills were filed on Wednesday. Senator Travis Hackworth (R-Richlands) has introduced a bill eliminating a requirement that local school boards adopt policies regarding the treatment of transgendered students. (SB20)Senator Mamie Locke (D-Hampton) has filed a bill calling for a Constitutional amendment granting the right for people convicted of felons to be able to vote upon release. (SB21)Locke also filed legislation to increase the membership of the American Revolution 250 Commission add four legislators to total of 26 people. (SB22)Another bill from Locke would allow cities with African American cemeteries to be added to the list of entities that can receive state funds to care for them (SB23)Locke’s fourth bill submitted on 12/22 would extend the expiration date of the Eviction Diversion Program one year to July 1, 2024. (SB24)Senator Frank Ruff (R-Clarksville) introduced a bill relating to the cigarette tax that counties can now levy. Businesses that have existing inventory purchased before imposition of the tax could pay the tax without having it stamped or metered. (SB25)Ruff’s second bill would remove a sunset date for a sales tax exemption for the sale of gold, silver, and platinum bullion, as well as legal tender coins. (SB26)Ruff’s third bill would expand the availability of the Neighborhood Assistance Program and the Education Improvement Scholarships Tax Credit program (SB27)Chickahominy PipelineThe state agency that regulates the power generation and the transmission of fuel has ruled that an entity that wants to build an 83-mile natural gas pipeline across several Central Virginia is a public utility. That means the Chickahominy Pipeline must be approved by the State Corporation Commission. The company that wants to build it argued they were merely transporting the gas and not selling it. “The Commission agreed that the pipeline company will own and operate a facility through which natural gas will be sold and used for the purpose of heat, light or power,” reads a press release. “Thus, a certificate of public convenience and necessity is required before constructing facilities for use in public utility service.”According to the release, Chickahominy Pipeline intends to connect with an existing natural gas pipeline. Read the full order here.This is Charlottesville Community Engagement and I want to continue the mixed-up holiday by giving thanks to the Piedmont Environmental Council for their support of the Week Ahead newsletter. For 71 weeks now, PEC has sponsored the creation of each Sunday’s look at what’s coming up in local government. I also want to give thanks to Ting for their matching of Substack payments. Creating a community newsletter that seeks to cover as much ground as this one takes a lot of work, and I’m grateful to everyone’s support. Now, let’s get back to the show! Support the program!Special announcement of a continuing promo with Ting! Are you interested in fast internet? Visit this site and enter your address to see if you can get service through Ting. If you decide to proceed to make the switch, you’ll get:Free installationSecond month of Ting service for freeA $75 gift card to the Downtown MallAdditionally, Ting will match your Substack subscription to support Town Crier Productions, the company that produces this newsletter and other community offerings. So, your $5 a month subscription yields $5 for TCP. Your $50 a year subscription yields $50 for TCP! The same goes for a $200 a year subscription! All goes to cover the costs of getting this newsletter out as often as possible. Learn more here! This is a public episode. Get access to private episodes at communityengagement.substack.com/subscribe

Many students showed up to class in pajamas at George Washington High School in Denver on Tuesday to reflect their school pride as part of homecoming week. But pajama day and their school spirit was cut short, as students and teachers turned their focus to healing from a weekend of vandalism that left swastikas and hate speech sprawled across parts of the campus. Education reporter Erica Breunlin (BRUHN-LIN) is joining Equity Reporter Tatiana Flowers to talk more about the story. Learn more about this story at coloradosun.com See omnystudio.com/listener for privacy information.

Our cultural divides start early in America - some even in childhood. As kids, we learn where we come from and where we belong. Those divisions can really run deep. When Us & Them host Trey Kay was a kid at George Washington High School in Charleston, West Virginia, you were either a ‘hiller' or a ‘creeker.' The sorting followed class lines and separated kids based on their family's income. Trey goes back to his old neighborhood to see if others remember it the way he does. Some of their differences were subtle while others were as basic as the clothes they could afford. But what he learned from these adult conversations is that they had a lot in common. They were all self-conscious and knew that even their shoes could define them. Another thing they all share? The pain of those 40-year-old wounds can sometimes still sting.

Last week, there was a new development in a years-long debate about what to do with a controversial mural at San Francisco's public high school George Washington High. The board is required to leave it as is, after a California Superior Court ruled that they failed to follow environmental impact regulations.

In Episode One of Banished, we covered the controversy around Victor Arnautoff's murals, “Life of Washington” — a series of 13 paintings that cover the entrance and the hallway of George Washington High School in San Francisco. One of the voices in the episode was Professor Dewey Crumpler, an artist who was commissioned to paint so-called “response” murals to Arnautoff’s in the late 1960s when “Life of Washington” first became controversial. In this extended interview, Crumpler waxes lyrical not just about the mural controversy, but also about the place of art in society.“The most important place for young people to confront difficulty is in high school just before you get into the world,” Crumpler told us. “If it’s in the world, it’s for me. If it’s in the world, I have a right to know it. I have a right to experience it. And it’s my youth that helps prepare me for it, even though it will be problematic. That’s how we learn to overcome the difficulties.”Normally, extended guest interviews will only be available to paying subscribers, but we’re sharing this one with all of you to give you a taste of the kind of content you can expect if you subscribe to Booksmart Studios. * FULL TRANSCRIPT *KHALID: This is Banished, and I'm Amna Khalid. Welcome to a special subscriber-only episode of Banished. We're sharing this one with all of you to give you a taste of the kind of content we have in store for paying subscribers to Booksmart Studios. In Episode One, we covered the controversy around Victor Arnautoff's murals, Life of Washington, which is a series of 13 paintings that cover the entrance and the hallway of George Washington High School in San Francisco. These paintings, which were commissioned in the 1930s as part of the New Deal Art Initiative, have recently come under fire. Some people in the community see the imagery as offensive, even traumatizing. For example, one of the murals depicts a dead Native American lying face down on the ground as Washington's troops walk past in their pursuit of westward expansion. Another portrays enslaved African Americans picking cotton and working at Mount Vernon. Just recently, the school board voted to cover the murals with panels at a cost of three quarters of a million dollars. But the alumni association has fought back and filed a lawsuit to prevent this from happening. As part of my research for the story, I interviewed Professor Dewey Crumpler, an artist who was commissioned to paint so-called “response murals” to Arnautoff’s in the late 1960s when Life of Washington first became controversial. Professor Crumpler was only 19 when he painted his set of three murals titled Multiethnic Heritage, which depict the historic contributions and struggles of African Americans, Native Americans, Asians, and other minority groups. Today, Professor Crumpler, who is based at the San Francisco Art Institute, integrates digital imagery, video, and traditional painting techniques to explore themes of globalization and the reduction of culture from a way of life to a mere commodity. Over the next 20 minutes, Professor Crumpler will discuss some of his other work, how he came to paint the response murals, and the importance of context in interpreting art. I had heard that Professor Crumpler saw those horrific photos of Emmett Till's brutalized body at a very young age. I began our conversation by asking him to reflect on that moment.CRUMPLER: Seeing that image of Emmett Till as a six-year-old was traumatizing. And some of the students at George Washington High School were traumatized by seeing that image of a Native American on the ground dead. I empathize completely with those students and felt their pain. And I use that example in relationship to how one comes to grips with difficulty and how important it is for young people to know that they have support, but that the world is complicated, and they will learn to cope. Now, it became more apparent to me that art, that creativity, could do something very important. And so, I understood at a very early age that this was what I wanted to do.KHALID: Could you tell us a little bit about how you identify as an artist? How would you describe who you are?CRUMPLER: Well, culturally I identify as a African American. I don't shy away from that hyphenated reality. I identify myself not as an artist, but as a maker. I think the term “artist” is a flying signifier that moves in any direction that the culture deems necessary at a given moment. But a maker, which is what I believe myself to be, is capable of moving in any direction that interests them spiritually and physically and cognitively to express themselves in the world. And since I was a small child, I believed firmly in that power, because the power of creativity is an extraordinary power. And it really is personal in the sense that it is a projection of my ideas and feelings into the world. I see the creative process as a real privilege and as a real calling. I take it deeply seriously. That's sort of how I see myself as a maker.KHALID: Let me pull you a little bit towards your container series. You've done a whole series of drawings and paintings and imagery that is depicting containers on ships. And as I was seeing some of those works, there was a lot about our current political moment, about movement of things and human beings that was speaking to me. May I ask you to elaborate on that?CRUMPLER: I'd come back from Europe for the first time, and I'd become engaged with tulips because I went to Amsterdam, and I went to the Keukenhof Gardens. And I didn't see them as flowers. I saw them as history, the history of how a flower could become a commodity and how that commodity could become as important as human beings. In fact, they were treated like human beings. They were cultivated for their qualities, and they were experimented on. And their biology changed to create French tulips and German tulips and all these different kinds of tulips. When I got a bit older, I was attracted to the piers in Oakland, California. And I spent years going around those piers, and I wondered one day: why was I paying so much attention to these piers, to this place? It was the water, and it was those ships. And those ships had containers on them. And those containers were full of different colors like those tulips. And those ships really signaled to me time. Because the containers had ridges and those ridges created shadows. And shadows automatically signified time. And because they were about a rhythmic relationship to time, I saw them as similar to what has happened through American history. You could take containers and drop them off anywhere in the world, and they would operate the same everywhere in the world. And I was thinking that this is very much a system that is organized to reinforce capitalism, just like the transportation of bodies after Prince Henry developed a relationship to the caravel, which made the caravel the most efficient vehicle on the seas and permitted those so-called “explorers” to move across the planet, putting down stakes of ownership so that they could reinforce capitalism. And that's why in all those paintings that I made about containers, they're not really about containers. The containers are really markers of Cortez landing on the shores of South America. And those containers and their shadows are about the past, not about the present. They look like the present, but they are about the same system that has existed all the way back to the Phoenicians.KHALID: Our conversation eventually turned to the subject of Arnautoff's murals and Professor Crumpler's own response murals that hang in George Washington High School in San Francisco. I asked him how he understood the sensibilities of the students back in the 1960s who first objected to these murals.CRUMPLER: Well, first of all, I was one of those students. I was not much older than them. They were seniors in high school, and I was moving into my second year at Arts and Crafts in Oakland. I had been making artwork that followed the civil rights movement. And remember also that the 1960s was the hot point of the Black Power movement. And the Black Power movement was about identity and about the acquisition of power, and power meant the knowledge of yourself as a Black person in a country that stripped you of your knowledge of self. When they made a statement that they wanted those murals changed and taken down, the district said they were not going to do this, the students protested, and that's when I became involved, because the students, several of which had seen my work, wanted me to make another mural. The board said no, because I had no proven skills, I was a kid. A week or two later, some ink was thrown on the mural and that made the board decide, “OK, we're going to let him do it.” I told the students that I would make the mural, and I would make a great mural equal to the mural in that other room. You know, the hubris of a young kid. And that I would only make the mural if they left that mural in place, because Arnautoff was trying to expose a history that should be told and understood, even though he knew that the imagery was not easy imagery.KHALID: If I'm remembering your quotation correctly, you said your murals make no sense if Arnautoff's murals are taken away. CRUMPLER: He wanted to tell a truth about the contradiction of a founding father who signed a document that said, “We hold these truths to be self-evident, that all men are created equal, and endowed with certain inalienable rights.” He and those other signers of the great document, and it is a great document, while standing on the neck — while standing on the neck of African peoples who are under his boot, laying on the ground that belongs to the millions of Native Americans who also have died — shed blood fighting for their right to their space. So, I wanted to engage that idea of the founding, that idea of Native Americans, that idea of African Americans, that idea of Asians. I went to Mexico to learn mural painting. I had no doubt that I could paint that mural because my passion was in it. And I tried to create a worthy dialogue. But of course, once I had made that mural, the school board relaxed, and they didn't do what I said at the dedication they should do. You have to use those murals as teaching tools, and you have to put plaques next to them that explain them. Every generation is different. They confront new issues. And therefore, you have to give them information, otherwise they will misunderstand all the implications and symbolisms that are all over those murals. Whether it's Arnautoff or my mural in the future, unless something is done to explain them, to make them clear, this will crop up again. And censorship and cancel culture is all around us. That's why art has to be free to do its work, even though it can make individuals very upset and angry. It's a worthy subject, that an inanimate object can actually do something to a human being, can make a human being think, can make a human being angry. But the point is, you have to work your way through it. Working your way through it is the point of life itself.KHALID: So, Professor Crumpler, this is fascinating because what you're saying is that the school board reneged on its responsibility and promise, if I can say that, to contextualize these murals and to put up plaques explaining where they're coming from, which you had requested.CRUMPLER: Yes. Let me just say that the most important place for young people to confront difficulty is in high school, just before you get into the world. So, a young person seeing difficult imagery — that’s a perfect opportunity for teaching. OK, you're not going to read Huckleberry Finn because of some words. They're offensive. I was offended by them. But if it's in the world, it’s for me. If it's in the world, I have a right to it. I have a right to know it. I have a right to experience it. And it's my youth that helps prepare me for it, even though it will be problematic. That's how we learn to overcome the difficulties. But those murals have to be contextualized. When you are young, everything looks larger than it is. When I saw those murals in 1966, I was incensed by them, and they looked huge. When I came back to engage them, they were much smaller, and I had come to understand much profoundly why he used those images. In fact, one of the people who had been most vociferous about taking those walls down, once he, like me, had graduated from college, he apologized to me: “Mr. Crumpler, I really appreciate what you painted. I appreciate those murals greatly. But if I understood what Arnautoff was doing, I would have never done what we did.” He couldn't have come to that realization if I joined them and said, “Yes, let's tear this s**t down, and when we tear it down, I'll paint over every bit of it.”KHALID: Professor Crumpler, one final question, what would you say to those on the school board today who have voted to cover up Arnautoff’s murals?CRUMPLER: All great art tells difficult truths. And they are always confronted with people who speak against them. And then they become central to the expression of human liberty. Arnautoff was a frail person, he was not some kind of heroic giant. He was just a maker trying to demonstrate a contradiction. He used imagery that functioned in its time. But it's imagery based on a truth: that Native American lying on that ground, representing all of us who have struggled.KHALID: Since I spoke with Professor Crumpler, a court has ruled on the petition by the alumni association to keep the murals up. Just this week, a state judge found that the school board hadn't fully considered all the alternatives to covering the mural. So, for now, the murals stay up. Of course, the school board may still appeal the decision, which means that we may not have heard the last of this case. But the broader questions remain. What is the place of controversial art in society? How do we reckon with difficult historical truths? Can we find a way to acknowledge the pain that some may experience without completely whitewashing the past?If you enjoyed this conversation and would like to have access to more exclusive content, please consider becoming a paying subscriber. You can learn more about this show and our other offerings by going to BooksmartStudios.org. Banished is produced by Matthew Schwartz and Mike Vuolo. N'Dinga Gaba and Chris Mandra mixed the audio.This is Banished. I’m Amna Khalid. This is a public episode. 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In the mid-1930s, Russian-born muralist Victor Arnautoff was commissioned by the New Deal’s Public Works of Art Project to paint a series of frescoes at sites around the San Francisco Bay Area. One of his more ambitious undertakings covered 1,600 square feet of wall space inside the lobby and stairwells of George Washington High School, depicting scenes from Washington’s life as a military leader and statesman. Parts of the work portray a slaughtered Native American and enslaved African-Americans, which Arnautoff — a Communist whose art was an outgrowth of his activism — deliberately foregrounded.Whatever his intentions at the time, Arnautoff is now at the center of a heated controversy among students, parents and community members, some of whom find the images traumatizing and want them “painted over” or removed. Host Amna Khalid spoke with those on both sides of the issue, equally passionate and resolute. She brings us the story.* FULL TRANSCRIPT* ALLISON COLLINS: A Native American that is dead on a wall and having people walk over him? That has cultural significance.DR. JOELY PROUDFIT: Enough is enough. Stop with the racism, stop with the dehumanization, stop with the genocidal artwork. Not in our public schools.COLLINS: That painful history is not something that needs to be consistently in children’s faces.JOHN LEARNED: Hey, as hard as those things are to look at, that's what really happened. There’s Indians that want to tell their history, they want people to know what happened.AMNA KHALID: This is a story of a painting — “Life of Washington,” by Russian artist Victor Arnautoff. It hangs on the walls of a high school in San Francisco. And I say walls because it’s actually 13 separate paintings covering 1600 square feet. It’s a series of vivid and sometimes violent vignettes from George Washington's life. The first panel is of Washington in his 20s. Later on, a scene from the French and Indian War. The Boston Tea Party. Winter at Valley Forge. Surrender at Yorktown.There are members of the community who find some of these images disturbing. Even traumatizing. One painting shows colonists walking past a Native American, dead on the ground. Another is of enslaved African-Americans on Washington’s plantation at Mount Vernon. Many students want the murals ... gone.Of course, it’s not that simple. First, there’s a logistical problem: these are frescoes, which means they were applied directly onto the wet plaster of the walls. But the bigger problem is philosophical: Should we remove the art? Because there are just as many who want these frescoes to stay exactly where they are — where they’ve been since 1936 — forcing us to confront the atrocities of America’s founding for nearly a century. But do they really belong… in a high school?I’m Amna Khalid, and this is Banished.How do we reckon with painful reminders of past sins? What responsibility do we have to shield our children — or adults for that matter — from material that they find offensive? What do we do about paintings and ideas, even people, that we now find unacceptable? Do we just cancel them? What does that even mean? In the case of one high school in San Francisco, it might mean destroying art.TRACY BROWN: The mural depicts violence and triggers emotional trauma, creating an unsafe environment which may get in the way of student learning.  This mural has had no teaching significance ...AMY ANDERSON: The depiction of indigenous warriors attacking white soldiers, who stand with the arms raised in surrender, erases the reality that George Washingtion ordered all-out war without diplomacy against indigenous peoples.TRONG: This mural is not teaching students about the history of slavery and indigenous genocide under George Washington or other settlers. Instead it is teaching students to normalize violence and death of our Black and indigenous communities. Paint it down.AK: Those are the voices of parents and students pleading with the San Francisco school board to paint over the mural. On social media, the movement is called “hashtag paint it down.” One of the women you heard was Amy Anderson. She’s an indigenous mother whose son was in 10th grade at the time. Here she is, again before the school board, on the image of the dead warrior face down on the ground.ANDERSON: The size and placement of the deceased American Indian warrior creates in me a deep sadness for the millions of indigenous people who were killed by forced assimilation or all-out war. With the signers of the U.S. Constitution, George Washington stands beside the fallen warrior, but not a single eye is diverted in his direction. There is no remorse for his death. And students and staff who are rushing to beat the bell breeze past this every day.AK: In June, 2019, the school board voted to paint over the murals. The total cost, including a lengthy environmental impact review, would run to about three quarters of a million dollars.PROUDFIT: My name is Dr. Joely Proudfit. I am Luiseño Payómkawichum. I am the director of the California Indian Culture and Sovereignty Center at Cal State San Marcos and the chair of the American Indian Studies Department at Cal State San Marcos.AK: Dr. Proudfit applauded the Board’s decision. She says the murals are from the perspective of European invaders, they are simply inaccurate and that they are dangerous.PROUDFIT: These false and harmful images do a number on our self-esteem and especially the self-esteem and the aspirations of our young people, especially our children. It reinforces negative stereotypes about non-native people. It keeps us in the past as a people that has been defeated or conquered in some capacity. It internalizes biases, stereotypes, misunderstandings, ignorance, furthers this notion of manifest destiny and colonization.AK: Interpreting art is obviously subjective. We could argue for years, and we have, over what these paintings are communicating. But perhaps a good place to start is with the artist himself. Do we have any idea of what Victor Arnautoff intended when he painted these murals?CHERNY: Arnautoff was living at a time when people on the left were very conscious of the oppression of people of color and wanted to dramatize that.AK: Robert Cherny is the author of Victor Arnautoff and the Politics of Art.CHERNY: And you see that in the four largest murals, he is centering people who were often being either ignored or actively erased. You know, the French and Indian wars mural puts a Native American in the center, the Revolutionary War puts working people in the center, Mount Vernon plantation puts enslaved Black people in the center and the settlement of the West puts a dead Native American in the center.AK: In centering the dead Native American, Arnautoff is critiquing fellow artists of the time, who portrayed colonization as worthy, even laudable.CHERNY: The white settlers are always painted in a fashion that makes it clear that they are being celebrated by the artist, that the artist is celebrating the settlement of the West by white men and women who are taking over empty territory. Arnautoff is breaking with that pattern to show that the white settlers were moving into territory that they had acquired by war, that they had acquired by killing the original inhabitants.AK: If those were Arnautoff’s intentions when he painted these murals, they haven’t always been interpreted that way. They first became controversial back in the 1960s, when Black students at the school started demanding more positive representations of African-Americans on the walls.Now what’s interesting is that the solution at that time was not to cover the murals, but to add even more art. The school commissioned a young Black artist named Dewey Crumpler to paint response murals. He would depict the historic struggles of African Americans, Native Americans and other minorities. Crumpler still lives in the Bay Area, and remembers that when he took the job he had one condition.CRUMPLER: I would only make the mural if they left that mural in place because Arnautoff was trying to expose a history that should be told and understood, even though he knew that the imagery was not easy imagery. He wanted to tell a truth about the contradiction of a Founding Father who signed a document that said, “We hold these truths to be self-evident that all men are created equal and endowed with certain inalienable rights.”He and those other signers of the Great Document, and it is a great document, while standing on the neck, while standing on the neck of African peoples who are under his boot, laying on the ground that belongs to the millions of Native Americans who also have died, shed blood, fighting for their right to their space.AK: There are certainly many Native Americans who agree with Dewey Crumpler that the murals are painful, but they are truthful and should remain. Robert Tamaka Bailey is a Choctaw elder who told me that these paintings are imbued with deep layers of symbolism and meaning. You just have to know where to look.BAILEY: And that’s the first thing that I saw in this one particular mural that had the dead native in it. If you looked in the bottom right hand corner, there's a chief that's sitting there handing a peace pipe over to a settler with his tomahawk behind the back of the settler. That’s the ways of the white man. What they did is they got us to lay our weapons down, came to us, try to make treaties, and then they took. They broke the treaty. What was pointed out to me later that I didn't notice was there's a tree right behind the chief, and if you looked at it, the branch is broken. Arnautoff was conveying there the broken treaties. And when I saw the images of the settlers stepping over the dead bodies of the native in gray — it's the only pictures of all of ’em that was not colored, it was in gray — I immediately thought, here's the gray area of what we're being taught about George Washington.AK: John Learned, of the Cheyenne Arapaho Tribes of Oklahoma, is another Native elder who wants these murals to stay. He sees them as a unique opportunity to remember and to address history.LEARNED: Unfortunately, it was a dark time for American Indians and that, that mural really has an opportunity to tell the story. And I think it'd be great if they, if they added that to their curriculum there in, in California to talk about what the United States and the state of California and the eradication efforts that they took to wipe out American Indians. When you get rid of something, it's gone. It’s finished. You're not talking about it and this mural in California has an opportunity to talk about the history.AK: I asked Dr. Proudfit, the professor at Cal State, what she would say to those Native Americans who are in favor of keeping the murals.PROUDFIT: It's like saying, well, we talked to some African-American folks and you know what, they're OK with the N-word so we're gonna go ahead and use it. No, no, no. And let me tell you how disingenuous the people who want to keep up these murals have been. They have gone so far as to go out of state, find some Native Americans, or self-defined Native Americans that agree with keeping these murals up. But you know what they don't do? They don't listen to the very people whose lands they are on who are opposed to it. And while, yes, not all of us think exactly alike. The majority, and we have ample evidence, when our own national associations like the APA, like the ASA, like Illuminative, have done national surveys to find that these types of images are harmful to us, take our majority word for it. It is inappropriate and we would not allow for this type of racist antics and imagery for any other population.AK: I looked at the surveys that Dr. Proudfit cited. The images that Native Americans were asked about, and that many actually found harmful, were of sports Mascots and other caricatures. They had nothing at all to do with the kind of artistic renditions in the murals.The evidence that I did find of what some Native Americans think about Arnautoff’s murals was from February, 2021. A group of Native American leaders from across the country wrote to the school board protesting the decision to cover the murals. The paintings, they concluded, should be used as educational tools.Of course, there is also the argument that this kind of art simply does not belong on the walls of a high school. Again, Dr. Proudfit.PROUDFIT: This is a public school that should provide safe working and learning environments for all students, not simply just native students, but all students. And so these harmful effects, these stereotypical harmful toxic narratives hurt not only native students, but non-native students who are still learning or have yet to learn about the original nations and people of this land. We would not tolerate this for any other population. What if George Washington High School had images painted by someone who's trying to depict dead Jewish people at the hands of Nazis. Do you think that would be okay to have those images up in a public school?AK: But hang on. Isn’t that part of being a student — contending with deplorable, even distressing, truths? That’s how Dewey Crumpler sees it.CRUMPLER: Let me just say that the most important place for young people to confront difficulty is in high school, just before you get into the world. So a young person seeing difficult imagery, that's a perfect opportunity for teaching. Okay, you're not going to read Huckleberry Finn because of some words. They're offensive. I was offended by them. But, if it's in the world, it's for me. If it's in the world, I have a right to it. I have a right to know it. I have a right to experience it, and it's my youth that helps prepare me for it, even though it will be problematic. That's how we learn to overcome the difficulties.CHERNY: I think we can probably assume that Arnatouff wanted them to be a bit disturbed.AK: Robert Cherny, the author of the book about Arnautoff, says that Arnautoff was deliberate in placing the murals. He wanted them to be precisely where they are, in the lobby and stairwells of a public high school.CHERNY: He wanted them to confront the reality that the settlement of the West had come at an enormous cost to the original inhabitants of the West. He said that it was expansion by war and peace, that he wanted the students to confront the fact that they were living in a place that had been taken from the first people by force. I think that Arnautoff wanted them to be troubled by the image that he was presenting there. He wanted them to be disturbed, I don't think he was trying to traumatize them or offend them, he was trying to get them to think.AK: But what about the fact that now we're in different times, maybe if he was alive today, he'd be part of, you know, people on the left who are campaigning for the rights of people of color, and that's perhaps what he was doing then. But now we know the history. How would you respond to people who say: Well, this may have been all well and good and revolutionary and wonderful when he painted them, but we have moved on and we no longer need these murals.CHERNY: Well, do we ever need art at all? I mean, there's a really big question here. If we disagree with something in the past, do we just erase it and pretend it never happened? You know, that's what Arnautoff was in fact objecting to in the way he presented his art. He was objecting to the erasure of people of color. He was objecting to the erasure of slavery and genocide. And if we say that, okay, maybe his intent was okay, but his intent is irrelevant, and therefore we have to just erase him and his art. I find that really very troubling because we, we’re not learning from it in that case. To me, the purpose of art, any art, is to make you think. And if it is purely decorative, it's not art, it's decoration. And I think that if we are going to ban art that makes you think because someone might be offended by thinking about those topics, then, you know, our culture is going to be a very sad one, I'm afraid. I hope I never see that.AK: In 1935, the San Francisco Chronicle published an interview with Victor Arnautoff. He told the paper: “As I see it, the artist is a critic of society.” What Arnautoff could not have foreseen was that decades later, society would become a critic of the artist.The longer I think about this issue, the more I find myself wondering, why must the solution be reduced to only two options: cover the murals OR let them stay up? Can’t we come up with a more creative solution? How about keeping the murals up and contextualizing them? Well it turns out, Dewey Crumpler suggested exactly this decades ago when he painted his response murals. He asked the school board to put up explanatory plaques alongside Arnautoff’s artwork, much the way museums do.CRUMPLER: Every generation is different. They confront new issues, and therefore you have to give them information, otherwise they will misunderstand all the implications and symbolisms that are all over those murals. Whether it's Arnautoff or my mural in the future, unless something is done to explain them, to make them clear, this will crop up again.AK: As it stands, these murals are devoid of any signposts that tell us where we are and what they might mean.CRUMPLER: Those murals have to be contextualized. And when you are young, everything looks larger than it is. When I saw those murals in 1966, I was incensed by them and they looked huge. When I came back to engage them, they were much smaller. And I’d come to understand profoundly why he used those images. In fact, one of the people who had been most vociferous about taking those walls down, once he, like me, had graduated from college, he apologized to me: “Mr. Crumpler, I really appreciate what you painted. I appreciate those murals greatly, but if I understood what Arnautoff was doing, I would’ve never done what we did.”He couldn't have come to that realization if I had joined them and said, “Yes, let's tear this s**t down. And when we tear it down, I'll paint over every bit of it.” Because they would have been prepared to do that, but the foresight of the board, because they were not going to permit this painting to be destroyed. And it was very important to all those board members and people who had been trained in the notion and understanding of art. But this new cohort of people, they're not trained in the arts, they don't really have that same sense of the importance of an artistic work.I tried to create a worthy dialogue but of course, once I had made that mural, the school board relaxed and they didn't do what I said at the dedication they should do. You have to use those murals as teaching tools and you have to put plaques next to them that explain them.AK: To my mind, that is the smartest solution. High school, where children are becoming adults, isprecisely the place where they need to confront troubling ideas. I asked Dr. Proudfit whether contextualizing Arnautoff’s murals by putting up written explanations might be a way forward.PROUDFIT: A public high school is not the place for that conversation, we are not at that point and we are far from that point. And the analysis or the example you just gave of the promise that was made 50 years ago, 60 years ago, and that that promise has went unmet, American Indians know about broken promises. We're very familiar with broken promises. This is a safety issue. This is a health and wellness issue. Okay, so if that means you take those walls out and you put them in storage until, I don't know, 10, 20, 30, 40, whenever people want to get around to telling the truth, and telling the truth from all sides, then maybe they can be brought out and have that discussion. But I would make a point to say that public high schools are not that place because we don't have the capacity, the information, the people, the structure to have those conversations. And so while that's a noble and nice idea, we are so far from that. And no, we don't believe that that will happen given the 50 years of lies.AK: Mark Sanchez is a member of the San Francisco school board. He says that, sadly, Dr. Proudfit is right, that the school will likely never put up these plaques.SANCHEZ: I don't have a lot of faith that that will happen, even if that's what the board decided to do.AK: Why? You have faith that something that hasn't been removed for so long, has stayed on the walls, now there is faith that we can remove it. Why not have faith that we can actually use it and teach it, which is what an educational institution is about?SANCHEZ: Given the history of that school and the trajectory of what's happening at that school, I don't believe that they would be able to do that.AK: So, tell me, the school will actually be able to paint over these huge murals, but they won't be able to put up plaques contextualizing it.SANCHEZ: I don't believe that they would, no.AK: And why is that?SANCHEZ: Well, they've had how many decades to do that?AK: But is that a reason to destroy something then?SANCHEZ: I don't believe that the school has the wherewithal or the gumption to move in that direction, to use that piece of art as an educational tool.AK: It boggles the mind why the school board refuses to explain these murals, an initiative that would cost mere pennies compared to the three quarters of a million dollars needed to paint over the artwork. Why can’t these public school officials find a creative solution that simultaneously preserves the art, acknowledges hurt feelings and uses these murals as educational tools? I find myself wondering, is this controversy a symptom of something larger that plagues our society? Are our core values so fundamentally divergent that our differences can no longer be bridged?It’s easy to remove works of art when people are offended by them. At times, it can even feel like the humane thing to do. But we must ask ourselves: How does erasing depictions of our history truly help us?CRUMPLER: To me, to destroy Arnautoff's mural would be to destroy truth.AK: We still don’t know how this particular controversy will ultimately play out. The alumni association has a lawsuit pending to preserve these murals. What we do know is that there are countless other works of art, many in public places, awaiting their own public outcry. Once more, Dewey Crumpler.CRUMPLER: Censorship and cancel culture is all around us. That's why art has to be free to do its work, even though it can make individuals very upset and angry. It's a worthy subject that an inanimate object can actually do something to a human being, can make a human being think, can make a human being angry. But the point is you have to work your way through it. Working your way through it is the point of life itself.AK: Who gets a voice in the telling of a story and who gets left out? Why do certain words, ideas and even people get canceled? What does the use of such strategies to silence tell us about our times and our society? These are the issues we’ll be exploring throughout this year on Banished.If you’d like to see photographs of the “Life of Washington” murals and Dewey Crumpler’s response murals, visit our website BooksmartStudios.org. And if you’d like to hear more of our conversation with Dewey Crumpler and other exclusive content, please consider becoming a paying subscriber to Booksmart Studios.I’d like to thank Lope Yap and Peta Cooper for all their help with today’s episode. Banished is produced by Matthew Schwartz and Mike Vuolo. N’Dinga Gaba and Chris Mandra mixed the audio. If you have any thoughts about today’s episode, please leave us a comment at BooksmartStudios.org.This is Banished. I’m Amna Khalid. This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit banished.substack.com/subscribe

THE MURALS is a play dramatizing the ongoing conflict over the George Washington High School murals painted by WPA artist Victor Arnautoff in 1936. The play premieres online at the LaborFest Saturday, July 17 – click here for free tickets – and LHT producer Patrick Dixon chats with playwright Howard Pflanzer about the debate and the issues. The Meany Labor Archive's Alan Wierdak and Mieko Palazzo explore the Fascinating and Complicated Legacy of Bayard Rustin.   And on this week's Labor History in 2:00… The year was 1968. That was the day that the American Indian Movement began at a meeting in Minneapolis, Minnesota. Produced by Chris Garlock; editing by Patrick Dixon. To contribute a labor history item, email laborhistorytoday@gmail.com Labor History Today is produced by the Metro Washington Council's Union City Radio and the Kalmanovitz Initiative for Labor and the Working Poor at Georgetown University. #LaborRadioPod #History #WorkingClass #ClassStruggle @GeorgetownKILWP #LaborHistory @UMDMLA @ILLaborHistory @sf_laborfest

Mrs. Johnnie Fullerwinder was the first Black teacher at George Washington High School in Danville Virginia in 1966. In this episode we hear about her first day on the job, her hands-on approach to teaching, and the changes she led and witnessed over her long career. View the videos: https://teachersinthemovement.com/video-library/ Get Mrs. Fullerwinder's book: https://www.amazon.com/Failure-was-not-Option-Integration/dp/1438963688 Know a teacher we should talk to? Let us know here: https://teachersinthemovement.com/contact/ Theme music “Summer Night” by Vanilla https://vanillabeats.bandcamp.com/track/summer-night-2

Kurt Ogbewele, a Brooklyn, NY native spent his early years at Arizona Western Community College and Colorado Christian University. Where he received a BA in Organizational Management in Christian Leadership. Afterwards, he graduated from the Urban Leadership Foundation which is a prestigious leadership program in the community. In pursuits of his career and dream of playing professional basketball, he joined a traveling team that hosted camps and competed at high levels in Romania, China and France. Where he was later offered a position. Kurt always found time to work with the youth during his career. He participated in Nothing But Net (NBN) Kids Camp, Right of Passage, Friends For Youth, Colorado Uplift, DPSK12 and Archway Housing Family Services. Professionally, Kurt has been a mentor, coach, case manager and held various educational/athletic positions in Colorado schools. In addition, to working at George Washington High School and Cole Middle School, he is currently the physical education teacher and athletic director at KIPP Sunshine Peak Academy. Kurt has always had a passion for cultivating not only athletic talent but wellness within his students. His online educational program will be a great contribution and resource for parents and a stepping stone for growing strong, independent and healthy youth. Lock in Your Crypto Domain name Now!!!!! at "Unstoppable Domain" Link Below https://unstoppabledomains.com/r/589a31673384465 Buy The Dipshits DISCORD link https://discord.gg/8NhGAYQear https://anchor.fm/buythedipshits/support --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/buythedipshits/message Support this podcast: https://anchor.fm/buythedipshits/support

In this episode, you will hear our conversation with an amazing educator, Educational Counselor, and Restorative Justice Coordinator at McGlone Academy, Ms. Eboni Sweat. We love Ms. Eboni, she comes to check in with us each day to see how we are doing. When kids are having a tough day she helps make it better. She is a great person we can trust to help us through tough times. Eboni grew up in the Parkhill neighborhood of Denver and graduated from George Washington High School. Aside from being a great support for students at McGlone, Eboni is also the JV girls basketball coach at East High School. We talked to Eboni to learn about her inspirations and learn more about what Black Excellence means to her. We hope you enjoy this episode! --- Support this podcast: https://anchor.fm/voiceofmontbello/support

This week, Joe and Brian check in once again with Dr. Kristin Waters, the principal of George Washington High School and Leading on Purpose's very first podcast guest back in 2019! Dr. Waters talks about the progress her school is making on its initiatives and strategic plan even during the pandemic and provides insight into education trends as a whole.    Learn more about George Washington High School: https://gwhs.dpsk12.org Learn more and donate to Colorado UpLift: https://coloradouplift.org/

Colorado Music Ambassador and Flobots emcee/lead singer Stephen Brackett talks about music as a tool for liberation, working with young people through his nonprofit Youth On Record and the state of music in Colorado with CCO Director of Marketing and Communications (and longtime friend) Gail Bransteitter. From the halls of George Washington High School to leadership of the Colorado arts world, Stephen and Gail have both been dedicated advocates and artists making a difference in our community for decades. Learn more about the Colorado Music Ambassador position and the word of both Stephen and previous Colorado Music Ambassador Shawn King of DeVotchKa. Stephen co-founded the rap/rock experimental band, the Flobots, nationally known for songs like “Handlebars” and “Rise” and their focus on social and political consciousness.  Check out their music and mission at flobots.com. Watch for new songs dropping every three weeks in 2021! The Flobots created the Denver nonprofit Youth on Record offering for-credit music classes in music production, poetry and ethnic studies during the school day in high schools and middle schools. Stephen sat on the board for about ten years, acted as board chair for two and stepped off the board to become Director of Special Programs last year. During the interview he mentions the Denver Children’s Home, learn more at www.denverchildrenshome.org. Youth On Record offers free and open to the public, virtual programming five days out of the week. Explore their offerings and sign up at www.youthonrecord.org. About Youth On Record, Stephen says: “What started as an attempt of a band to do more than just soapbox but to actually live our lyrics and create pathways to challenging the power and agency that our songs were about, it actually grew into something that far exceeded our expectations. It has been the best contribution that could have come out of my musical career...That is the thing I’m most proud of.”  “We’re using (music classes) as a delivery method for liberation. We’re not teaching music classes for music’s sake, we are teaching music classes so that during the school day, these students have the opportunity to speak their world, their perspective, their view, and to do so with the excellence that the arts kind of require of you.” “When you’re battling perfection, that means that you never win, but the grit that you earn in trying to meet the impossible gives you a kind of resilience that you can then leverage against the rest of your academic day. That’s what I believe when I’m talking about how music can be a great medium for liberation and a great leverage point for somebody becoming a life-long learner.” Stephen has been all over the news in Colorado for more than a year! Check out some of the headlines below: Black History Month Honors Stephen Brackett “Brer Rabbit” - How music gives voice to social justice Nine People to Watch in Denver's Culture Scene in 2021 WE WIN THE DAY BY FLOBOTS (SNEAK PEEK) Flobots co-founder, Denver nonprofit leader named state’s music ambassador B-boy: Someone involved with hip-hop culture, especially a breakdancer Shout out to George Washington High School in Denver, where Gail and Stephen got to know one another and established a love of the arts.  Stephen on his influences: “My influences right now are any of the students who are bold enough to get on stage during the talent show. When I see young creatives doing things when they haven’t learned the rules yet, and the kinda stuff they come out with when they are unafraid, is always a humbling lesson for me.” A list of local artists we should know about from Stephen: Adam Stone, formally Indestructible North, now performs as Lucy (music and visual arts) Kayla Marque, singer/songwriter Joseph Lamar, singer/songwriter/producer of various mediums Buntport Theater, self-described as “a wee group of theater-making humans based in Denver. We’ve worked together for over 18 years, making new stuff.* We work collaboratively—without ‘official’ writers, directors, designers, janitors. We do all the stuff. Because we love it.” Rodney Mullen, Colorado Country Hall of Fame The Downy Sisters, “dynamite songwriters” Suzi Q. Smith is an award-winning artist, activist and educator who lives in Denver, Colorado. Her background is in opera! Stephen also draws inspiration from Disney songwriters Howard Ashman and Alan Menken. Learn more about The Ballad of Baby Doe, an opera commissioned by and premiered at Central City Opera in the 1950s, based on the famous figure of Colorado history Baby Doe Tabor. Watch the video version of this interview and more at centralcityopera.org/opera-central.  

This week, the Lab Out Loud podcast talks with Mallory Wills, a biology and earth science teacher at George Washington High School in Cedar Rapids, Iowa. In August 2020, Cedar Rapids and other parts of the Midwest were slammed by a derecho - an intense storm with straight line winds that damaged every school in the Cedar Rapids system. In the wake of the devastation, Mallory applied for a SSP (Science for Society and the Public) STEM Research Grant, hoping that the grant would provide much needed funding to help start a research club. Adapted for online learning, the award of $1000 provided take home STEM kits that helped Mallory provide hands-on learning opportunities in an online learning environment. Mallory joins co-hosts Brian Bartel and Dale Basler to describe the damage inflicted by the derecho in her district, how she has been using the SSP award to help her students conduct research in an online learning environment, and to remind us of the resilience, unanticipated benefits and the hope that can shine through tragedy. Show notes at: https://laboutloud.com/2021/02/episode-241-learning-science-through-tragedy

Dister Rondon has danced in movies, on VH1, and in national ads for Apple, Verizon, and the Gap, and you’ve seen his art all over upper Manhattan—inside George Washington High School, for example, or at 172nd and Amsterdam, where you'll find his mural thanking essential workers. In 2004 Dister created the I Love My Hood project to promote and preserve the Washington Heights he grew up in. I Love My Hood is now a worldwide collective of artists, educators and activists dedicated to serving the greater good through Hip Hop. Join your host Aaron Simms as he talks to Dister about the joys and challenges of making Black art in upper Manhattan.

Youth Advisory Board: Steve Cohen This is the eighth in a series of episodes featuring the kids of Atari's Youth Advisory Board. In 1983, Atari formed a Youth Advisory Board, selecting teenagers from around the United States to share their opinions about computers and video games, test software, and promote Atari's computers at events. The group consisted of kids aged 14 through 18, including Steve Cohen. He attended George Washington High School in Denver Colorado, where his teacher, Dr. Irwin Hoffman, taught. George Washington High School received a grant from the Atari Institute for Education Action Research, Atari's educational support arm, The Atari Institute Newsletter (fall 1982) wrote: "High school students in a model math and computer program will use their grant of ATARI Home Computer systems to develop individual and group research projects in their own fields of interest. Extensible programming languages, such as FORTH, will be used to develop new syntax for use in other high school subjects: electronics, music, art, history, mathematics, and home economics. This project supports a major 'model school' known for its innovations in computer education over the last twenty years." This interview took place on May 21, 2020. Enter Magazine—When These Kids Talk, Atari Listens Using Fig FORTH On The Atari 800 By Stephen A. Cohen High school teacher Irwin Hoffman IBM PC Commercial Atari Institute for Education Action Research Report Feb. 1983 Atari in Action — Atari Institute Newsletter Fall 1982

In this first episode of West Virginia sports talk, WMOV radio host Michael Susman is joined by all-time Marshall basketball great Jon Elmore. Elmore played high school basketball at George Washington High School in Charleston, West Virginia, where he became the state player of the year as a senior. He then went on to be a star player during one of the most successful stretches in the history of Marshall Thundering Herd basketball, and is the all-time leading scorer in the history of the program.

University of Denver Men's Head Basketball Coach and Denver native Rodney Billups joins Dev, Matt and Mike on the Co HS Bball podcast sponsored by Ziggiscoffee.com/franchise . We discuss a wide range of topics with Coach Billups from his days at George Washington High School to what he has learned being the head coach at a D1 school. The Pics head man also discusses his recruiting philosophies and their unique approach to recruiting during a pandemic.

Dr. Sherri Young, health officer and executive director of the Kanawha-Charleston Health Department, talks about vaping with Susan Prigozen, a 10th grade student at George Washington High School and a writer for Flipside, the Charleston Gazette-Mail's teen journalism program.

Working in an inner-city school presents a unique set of challenges. For our first episode, Dr. Kristin Waters joins Colorado UpLift CEO Dr. Joe Sanders to talk about these challenges, along with success stories, and how GWHS partners with UpLift to raise up leaders in her school. Dr. Waters is the principal of George Washington High School in the Denver Public School District: https://gwhs.dpsk12.org/?team=dr-kristin-waters Learn more about Colorado UpLift: https://coloradouplift.org/  Read full show notes: https://coloradouplift.org/2019/11/01/leading-on-purpose-ep1-show-notes/

On this week's episode, we take a  look at some upcoming programs in schools in West Virginia, we talk to Americans for Prosperity-WV Chapter about their 2019 Legislative Scorecard, and we talk to a high school student and cancer survivor about working with Sen. Manchin.In segment 1, West Virginia First Lady Cathy Justice discusses the ongoing "Communities in Schools" ProgramIn segment 2, West Virginia Board of Education President Dave Perry discusses the boards "Statewide Listening Tour"In segment 3, Jason Huffman, of Americans for Prosperity-WV Chapter discusses their 2019 Legislative ScorecardIn segment 4, Nick Spence, a student at George Washington High School and a cancer patient, talks about working with Senator Joe Manchin (D-West Virginia) on cancer issues.For more Inside West Virginia Politics, go to wowktv.com/iwvp.

CORRECTION: After the recording of this podcast, the San Francisco School Board, in the face of community protest, reconsidered its decision to remove the George Washington murals from George Washington High School and will instead cover them. Against the backdrop of global museums distancing themselves from the Sackler name, two highly controversial Whitney Biennials involving activist calls for the destruction and removal of an artwork and, more recently, calls for the resignation of a Board member who made a fortune building a network of defense equipment companies, and numerous other controversies in the United States about the identity of board members, museum donors and artists, Steve and Katie speak with Max Anderson about controversial board members, donors and works of art.  Max is currently the President of the Souls Grown Deep Foundation and was previously the Director of the Whitney Museum of Art and the Dallas Museum, among other leading museum director roles. About Max Anderson:  http://www.maxwellanderson.com/about Souls Grown Deep Foundation:  http://www.soulsgrowndeep.org/   Resources: https://www.theartnewspaper.com/news/what-price-philanthropy-american-museums-wake-up-to-public-concern https://www.nytimes.com/2019/07/25/arts/whitney-warren-kanders-resigns.html https://int.nyt.com/data/documenthelper/1509-warren-kanders-resignation-whitney/41cf3263664a16cf1a29/optimized/full.pdf#page=1 https://www.nytimes.com/2019/05/15/arts/design/met-museum-sackler-opioids.html https://www.nytimes.com/2019/07/26/arts/design/george-washington-san-francisco-murals.html https://www.nytimes.com/2019/08/21/arts/design/alice-walker-defends-george-washington-murals.html https://www.nytimes.com/2017/09/13/arts/design/walker-art-center-scaffold.html http://www.artnews.com/2018/07/19/following-sam-durant-controversy-walker-art-center-forms-indigenous-public-art-selection-committee/ https://hyperallergic.com/382141/after-protests-from-native-american-community-walker-art-center-will-remove-public-sculpture/  

Within Arms Reach program class 1 2019

MZ discusses his phone call to a colleague in which he expressed joy that they had come to an agreement on an issue of censorship. Their mutual opinion was that the painting at George Washington High School should not be destroyed. His colleague's reaction was tragic and sad for those who have hope for fair dialogue with their political opposites.

Can an artist’s original intentions withstand the test of time and modern sentiment? A mural at George Washington High School in San Francisco that intended to depict America's founding father in true light and criticize the country's racist past has sparked debate for decades. Some have described the mural as degrading; others have called it historic. After years of contention, the S.F. school board plans to obscure the school campus mural from public view. The question is how, and will it be permanent? Guest: Sam Lefebvre, reporter for KQED Arts

Removing a mural of George Washington from George Washington High School because it traumatizes children.See omnystudio.com/listener for privacy information.

Colorado oil and gas regulators are considering enlarging the mandatory buffer zone between new wells and school property. A proposal released by the state Oil and Gas Conservation Commission late Wednesday afternoon would require new wells to be at least 1,000 feet (305 meters) from buildings as well as outdoor areas that schools use, like playgrounds and athletic fields. ---- Denver Public Schools is hosting a community meeting Tuesday at George Washington High School for the public, parents and students to ask questions of Susana Cordova, the sole finalist for the job of district superintendent. District staff will have a chance to quiz Cordova on Wednesday, Dec. 12, at a yet-to-be determined time. Virtual meetings with school leaders are also planned for the week of Dec. 10. https://www.denverpost.com/2018/12/05/denver-public-schools-community-meeting-superintendent-candidate/

West Virginia State Winners – Katy Darnell from George Washington High School and Aaron Withrow from Winfield High School. Wendy's holding a ceremony today in Huntington.

Tracy and Carl discuss George Washington High School’s football season with two of the team’s star players.

On this podcast we had the privilege of featuring students from George Washington High School . We talked about our dreams and why it's important to have a dream.We talked about fear, failure and purpose . This podcast was special to say the least. I learned so much from our conversation...

Weightlifting class might be the place where you'd least expect to find technology use, even in a MyTech school. But at South High School, students are leveraging their Chromebooks, Schoology and the power of video feedback to help themselves and their peers at George Washington High School get the most out of their workouts. Veteran Physical Education Teacher Shawn Feldman has been working with Digital Coach Alexa Schlechter on this ambitious collaboration project that crosses two schools. Theme music is from the song “Joker” by Six Umbrellas (http://freemusicarchive.org/music/Six_Umbrellas/Ad_Astra/09_Six_Umbrellas_-_Joker). Copyright info is here: https://creativecommons.org/licenses/by-sa/4.0/

北米センター長の樺澤哲先生をお迎えして、これまでの経歴と北米センターでの取り組みなどについてお話を伺いました。 Show Notes めっさ可愛いワニ博士登場！ Machikane FM 参加希望申込書 文部科学省の平成28年度科学技術人材育成費補助事業「ダイバーシティ研究環境実現イニシアティブ（牽引型）」に採択されました 講演会「アジアの安定と発展の方向－日米の役割」が開催されました 理工系大学院生のための海外研究発表研修コース 大阪大学北米同窓会10周年記念講演会 in シリコンバレー を開催します -9月10日（土） 大阪大学 工学部／大学院工学研究科 電気電子情報工学専攻 パナソニック - Panasonic VAX-11 - Wikipedia Marvin Minsky - Wikipedia Richard J. Lipton - Wikipedia Startup: A Silicon Valley Adventure, S. Jerrold Kaplan 慶應義塾大学 大学院 政策・メディア研究科 大阪大学 産学連携本部 大阪大学 博士課程教育リーディングプログラム 大阪大学 北米センター 大阪大学 遠隔講義 Saint Mary's College of California George Washington High School Morikawa Sensei UC Education Abroad Program 2016年8月20日(土) 岡山版「大阪大学の集い」 2016年7月23日(土)から8月27日(土) 2016年夏期特集展覧会「科学で楽しむ怪異考 妖怪古生物展」 2016年8月31日(水) Big in Japan: Blue Bottle Coffee's Japan Journey with Founder & CEO, James Freeman 2016年8月28日(日) 大学同窓会合同バーベキュー 2016 2016年9月10日(土) 2016年北米同窓会10周年記念講演会・総会

David and Woody stumble through the story of a landmark west side high school. Help them!

The Philadelphia Student Union's On Blast team is honored to feature guest work from GW Radio, produced by PASS Program (Preparing for, Attaining, & Sustaining Success) at George Washington High School and JEVS Human Services (with support from Yowei Shaw & The School of Rock). Up with youth media for all! GW Radio is an original mini-podcast series produced by seniors at George Washington High School. After identifying many possible issues through a community mapping exercise, students chose the topic of education for their series because they all have a lot to say about what they want in their schools. Students engaged in a story-storming process to identify their own stories as well as other stories that they would like to feature. In small groups, they planned, recorded, and edited eight episodes exploring various aspects of their educational experiences in Philadelphia. Throughout this series, you will hear students share stories that express both positive interactions in school as well as injustices that they demand be made right. As you tune in to GW Radio, we hope that you are inspired by the strength and vision of students in Philadelphia and challenged to take action to improve our schools. Original soundtrack ​introduction: Alen

The Philadelphia Student Union's On Blast team is honored to feature guest work from GW Radio, produced by PASS Program (Preparing for, Attaining, & Sustaining Success) at George Washington High School and JEVS Human Services (with support from Yowei Shaw & The School of Rock). Up with youth media for all! GW Radio is an original mini-podcast series produced by seniors at George Washington High School. After identifying many possible issues through a community mapping exercise, students chose the topic of education for their series because they all have a lot to say about what they want in their schools.  Students engaged in a story-storming process to identify their own stories as well as other stories that they would like to feature. In small groups, they planned, recorded, and edited eight episodes exploring various aspects of their educational experiences in Philadelphia. Throughout this series, you will hear students share stories that express both positive interactions in school as well as injustices that they demand be made right. As you tune in to GW Radio, we hope that you are inspired by the strength and vision of students in Philadelphia and challenged to take action to improve our schools. Original soundtrack ​introduction: Alen

The Philadelphia Student Union's On Blast team is honored to feature guest work from GW Radio, produced by PASS Program (Preparing for, Attaining, & Sustaining Success) at George Washington High School and JEVS Human Services (with support from Yowei Shaw & The School of Rock). Up with youth media for all! Editing support team: Piao, Yifan, Sahal, and Bhargav GW Radio is an original mini-podcast series produced by seniors at George Washington High School. After identifying many possible issues through a community mapping exercise, students chose the topic of education for their series because they all have a lot to say about what they want in their schools.  Students engaged in a story-storming process to identify their own stories as well as other stories that they would like to feature. In small groups, they planned, recorded, and edited eight episodes exploring various aspects of their educational experiences in Philadelphia. Throughout this series, you will hear students share stories that express both positive interactions in school as well as injustices that they demand be made right. As you tune in to GW Radio, we hope that you are inspired by the strength and vision of students in Philadelphia and challenged to take action to improve our schools. Original soundtrack ​introduction: Alen

The Philadelphia Student Union's On Blast team is honored to feature guest work from GW Radio, produced by PASS Program (Preparing for, Attaining, & Sustaining Success) at George Washington High School and JEVS Human Services (with support from Yowei Shaw & The School of Rock). Up with youth media for all! GW Radio is an original mini-podcast series produced by seniors at George Washington High School. After identifying many possible issues through a community mapping exercise, students chose the topic of education for their series because they all have a lot to say about what they want in their schools.  Students engaged in a story-storming process to identify their own stories as well as other stories that they would like to feature. In small groups, they planned, recorded, and edited eight episodes exploring various aspects of their educational experiences in Philadelphia. Throughout this series, you will hear students share stories that express both positive interactions in school as well as injustices that they demand be made right. As you tune in to GW Radio, we hope that you are inspired by the strength and vision of students in Philadelphia and challenged to take action to improve our schools. Original soundtrack ​introduction: Alen

The Philadelphia Student Union's On Blast team is honored to feature guest work from GW Radio, produced by PASS Program (Preparing for, Attaining, & Sustaining Success) at George Washington High School and JEVS Human Services (with support from Yowei Shaw & The School of Rock). Up with youth media for all! GW Radio is an original mini-podcast series produced by seniors at George Washington High School. After identifying many possible issues through a community mapping exercise, students chose the topic of education for their series because they all have a lot to say about what they want in their schools.  Students engaged in a story-storming process to identify their own stories as well as other stories that they would like to feature. In small groups, they planned, recorded, and edited eight episodes exploring various aspects of their educational experiences in Philadelphia. Throughout this series, you will hear students share stories that express both positive interactions in school as well as injustices that they demand be made right. As you tune in to GW Radio, we hope that you are inspired by the strength and vision of students in Philadelphia and challenged to take action to improve our schools. Original soundtrack ​introduction: Alen

The Philadelphia Student Union's On Blast team is honored to feature guest work from GW Radio, produced by PASS Program (Preparing for, Attaining, & Sustaining Success) at George Washington High School and JEVS Human Services (with support from Yowei Shaw & The School of Rock). Up with youth media for all! GW Radio is an original mini-podcast series produced by seniors at George Washington High School. After identifying many possible issues through a community mapping exercise, students chose the topic of education for their series because they all have a lot to say about what they want in their schools.  Students engaged in a story-storming process to identify their own stories as well as other stories that they would like to feature. In small groups, they planned, recorded, and edited eight episodes exploring various aspects of their educational experiences in Philadelphia. Throughout this series, you will hear students share stories that express both positive interactions in school as well as injustices that they demand be made right. As you tune in to GW Radio, we hope that you are inspired by the strength and vision of students in Philadelphia and challenged to take action to improve our schools. Original soundtrack ​introduction: Alen

The Philadelphia Student Union's On Blast team is honored to feature guest work from GW Radio, produced by PASS Program (Preparing for, Attaining, & Sustaining Success) at George Washington High School and JEVS Human Services (with support from Yowei Shaw & The School of Rock). Up with youth media for all! GW Radio is an original mini-podcast series produced by seniors at George Washington High School. After identifying many possible issues through a community mapping exercise, students chose the topic of education for their series because they all have a lot to say about what they want in their schools.  Students engaged in a story-storming process to identify their own stories as well as other stories that they would like to feature. In small groups, they planned, recorded, and edited eight episodes exploring various aspects of their educational experiences in Philadelphia. Throughout this series, you will hear students share stories that express both positive interactions in school as well as injustices that they demand be made right. As you tune in to GW Radio, we hope that you are inspired by the strength and vision of students in Philadelphia and challenged to take action to improve our schools. Original soundtrack ​introduction: Alen

The Philadelphia Student Union's On Blast team is honored to feature guest work from GW Radio, produced by PASS Program (Preparing for, Attaining, & Sustaining Success) at George Washington High School and JEVS Human Services (with support from Yowei Shaw & The School of Rock). Up with youth media for all! GW Radio is an original mini-podcast series produced by seniors at George Washington High School. After identifying many possible issues through a community mapping exercise, students chose the topic of education for their series because they all have a lot to say about what they want in their schools.  Students engaged in a story-storming process to identify their own stories as well as other stories that they would like to feature. In small groups, they planned, recorded, and edited eight episodes exploring various aspects of their educational experiences in Philadelphia. Throughout this series, you will hear students share stories that express both positive interactions in school as well as injustices that they demand be made right. As you tune in to GW Radio, we hope that you are inspired by the strength and vision of students in Philadelphia and challenged to take action to improve our schools. Original soundtrack ​introduction: Alen

The idea that immunizations can cause autism has long been debunked and rejected by health professionals. However, the belief still persists among many parents. In this segment we provide the research, sources, tools and communication strategies to help you handle this concern with parents. Dr. Deborah Wexler, a physician, an executive director of the Immuinization Action Coalition. Lynda Boyer-Chu, RN, MPH Wellness Center Nurse/Tobacco Outreach Coordinator, George Washington High School, San Francisco Unified School District.