Podcasts about shakespeare

In this episode of Half Hour with Jeff & Richie, we break down the Free Shakespeare in the Park production of Twelfth Night at the Delacorte Theater in New York City. We discuss Saheem Ali's direction, the blend of contemporary and classical choices, and standout performances from Peter Dinklage and Lupita Nyong'o. We also consider the unique outdoor setting of Central Park and the ongoing accessibility of Shakespeare to modern audiences. Follow and connect with all things @HalfHourPodcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Share your thoughts with us ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey everyone, do you like Shakespeare? What about The Lesser Troi? No one? Well too bad, because we are reviewing "Facination"! Deep Sheetz Nine is having a groovy slice of life episode with some sort of new years thing, but then our favorite(!) ambassador shows up and everyone gets a case of the horny. It's wacky! It's also somehow...not the worst?

Tyler Ballgame is a modern savant. On his four released tracks, there's a sweeping melancholy underpinned by the haunting beauty of Roy Orbison or wry-smiled dreamy Harry Nilsson. In this chat, Tyler talks of Shakespeare inspiration, studying songwriting Berkeley but never successfully shaking the idea that he was an outsider, and blagging a job interview that transplanted him on the other side of the country - where he started his new life, and now, career. Get yourself some top class Shure microphone gear: https://shu.re/3YhV7p2 DistroKid makes music distribution fun and easy with unlimited uploads and artists keeping the ENTIRETY of their revenue. Get 30% off the first year of their service by signing up at https://distrokid.com/vip/101pod Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is for you if you need: - To tap into your intuition and imagination in a deeper way than ever before - A boost of hope for your creative future and the future of human creativity - To hear two creativity nerds getting EXTREMELY excited about art, story and human potential!!! Pretty much everyday you are told that AI is coming for your job, but NOT TODAY, because today we talk with Angus Fletcher PhD. Angus is an expert in story AND neuroscience, and in this episode, we will dive into Fletcher's research that will show you how to access your “Primal Intelligence” AKA something AI cannot do!! Angus Fletch has a PhD in Literature from Yale studying Shakespeare and a BS in neuroscience from the University of Michigan. This unique blend of story and science makes him one of the most fascinating people I have ever met and I ABSOLUTELY LOVED this conversation! I HIGHLY recommend you pick up Angus' new book “Primal Intelligence:https://www.penguinrandomhouse.com/books/740110/primal-intelligence-by-angus-fletcher/ Learn more about Angus Fletcher here: https://www.angusfletcher.co   SHOW NOTES: Producer / Editor: Sophie Miller http://sophiemiller.coAudio Editing / Sound Design: Conner Jones http://pendingbeautiful.coSoundtrack / Theme Song: Yoni Wolf / WHY? http://whywithaquestionmark.com SPONSORS:SQUARESPACEHead to https://www.squarespace.com/PEPTALK to save 10% off your first purchase of a website or domain using code PEPTALK Learn more about your ad choices. Visit megaphone.fm/adchoices

FOLLOW RICHARD Website: https://www.strangeplanet.ca YouTube: @strangeplanetradio Instagram: @richardsyrettstrangeplanet TikTok: @therealstrangeplanet EP. #1246 Unmasking the Bard: The Shakespeare Authorship Conspiracy What if the greatest playwright in history wasn't the humble glove-maker's son from Stratford, but a nobleman with access to forbidden ancient texts? In this mind-bending episode of Strange Planet, we unravel the Shakespeare authorship mystery with Dr. Earl Showerman. Drawing from his book Shakespeare's Greater Greek, Showerman exposes how the plays echo untranslated Greek epics and tragedies—like Aeschylus' Oresteia in Hamlet—knowledge impossible for the official Bard. Could Edward de Vere, the 17th Earl of Oxford, be the true genius? We dive into clues from medicine, law, and court life that shatter the 400-year myth, challenging everything you learned in English class. Prepare to question the canon! GUEST: Dr. Earl Showerman is a Harvard-educated physician and retired emergency medicine specialist who now applies his diagnostic expertise to literary enigmas. Author of Shakespeare's Greater Greek, he argues that the Bard's works reveal deep knowledge of ancient Greek sources unavailable in English during Shakespeare's time, pointing to Edward de Vere as the likely true author. A leading voice in the Shakespeare authorship debate, Showerman has presented his research at conferences and in scholarly journals, bridging medicine, classics, and Elizabethan history. BOOK: Shakespeare's Greater Greek: An Exploration of Greek Drama, Epic & History in the Works of Shakespeare  SUPPORT OUR SPONSORS!!! FABRIC BY GERBER LIFE Life insurance that's designed to be fast and affordable. You could get instant coverage with no medical exam for qualified applicants.   Join the thousands of parents who trust Fabric to help protect their family.  Apply today in just minutes at meet fabric dot com slash STRANGE  TESBROS We're a small business built by Tesla owners, for Tesla owners. Everything we do is about helping our customers customize, protect, and maintain their ride — whether it's through our products or YouTube how-tos and reviews.  Go to tesbros.com and use code POD15 for 15% off your first order. That's T-E-S-B-R-O-S dot com and use code P-O-D-1-5 at checkout. ⁠BUTCHERBOX⁠ ButcherBox delivers better meat and seafood straight to your door – including 100% grass-fed beef,free-range organic chicken, pork raised crate-free, and wild-caught seafood. Right now, ButcherBox is offering our listeners $20 off their first box and free protein for a year. Go to ⁠ButcherBox.com/strange⁠ to get this limited time offer and free shipping always. Don't forget to use our link so they know we sent you. HIMS - Making Healthy and Happy Easy to Achieve Sexual Health, Hair Loss, Mental Health, Weight Management START YOUR FREE ONLINE VISIT TODAY - HIMS dot com slash STRANGE https://www.HIMS.com/strange QUINCE BEDDING Cool, Relaxed Bedding. Woven from 100% European flax linen. Visit QUINCE BEDDING to get free shipping on your order and 365-day returns.    BECOME A PREMIUM SUBSCRIBER!!!  https://strangeplanet.supportingcast.fm  Three monthly subscriptions to choose from.  Commercial Free Listening, Bonus  Episodes and a Subscription to my monthly newsletter, InnerSanctum.  Visit https://strangeplanet.supportingcast.fm Use the discount code "Planet" to receive one month off the first subscription.  We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. By using our website and services, you agree to our use of cookies as described in our Cookie Policy. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://strangeplanet.supportingcast.fm/

In this College Deep Dive Diane Timmerman Professor of Theatre and Department Chair and MTCA Director Charlie Murphy discuss: 

No, not that Anne Hathaway. The Shakespearean one.Topics in this episode include Socratididion's Epipsychidion, unparalleled pettiness, Stephen's unfair characterization of Shakespeare's wife Anne Hathaway, why commentary about Anne Hathaway has been so problematic historically, Anne as a Gertrude stand-in, how we can learn factual information about the Shakespeares' lives, sixteenth century age gap discourse, Anne and Will's marriage prospects, “Venus and Adonis,” marriage and weddings in Elizabethan England, how Anne Hathaway became a symbol of Victorian propaganda, Shakespeare and the “Scylla and Charybdis” schema, and why Ulysses is a terrible place to go to learn about Shakespeare's life.Support us on Patreon to access episodes early, bonus content, and a video version of our podcast. On the Blog:A Shakespearean Ghost Story Part 2: Anne Hath a WayBlooms & Barnacles Social Media:Facebook | BlueSky | InstagramSubscribe to Blooms & Barnacles:Apple Podcasts | Spotify | YouTube

Welcome back ragers to the best movie review podcast on the planet. The rage rolls on from the Film Rage Studio. This week the Film Rage Crew review three movies. One Cohen Bro film, a Riz Ahmed thriller and some animated nonsense from China. This week there is no Rage or Dare or Lists segment and these wieners still manage to drone on for almost an hour. Listen at your own risk and don't tell me I didn't warn you. Introduction-0:00 The Amazing Murman Predicts-1:41 In Cinema Honey Don't (2025)-7:27 Relay (2025)-17:55 Ne Zha 2 (2025)-30:31 Murman Minute-44:07 Open Rage Jim's open rage-Cineplex Showtime Shuffle-48:46 Bryce's open rage-Ne Zha 2 instead of War 2-52:34 Outro-55:05 Thanks Ragers for listening to our film review podcast. Rage On! https://www.filmrageyyc.com/ https://filmrage.podbean.com/ https://www.facebook.com/filmrageyyc https://nerdyphotographer.com/social/ https://www.leonardconlinphotos.com/

In this memorable episode of The Christopher Perrin Show, Christopher welcomes Dr. Grant Horner and Karen Moore—two veteran classical educators and authors—for a spirited conversation about the power of language, memory, and the poetic imagination in Christian classical education. Together, they explore how reading, writing, and reciting great texts form not only the intellect but the soul, training students to love truth, beauty, and goodness through embodied habits of attention and delight. As a key method of embodied learning, they consider the importance of doing some teaching in situ and walking the ground where these events and stories originated.Drawing on decades of classroom experience and curriculum development, Dr. Horner and Moore discuss the importance of early exposure to Latin, the recovery of ancient rhetorical arts, and the integration of poetry into daily learning. Their reflections touch on everything from biblical literacy and etymology to Shakespeare, Cicero, and the Book of Common Prayer—showing how the classical tradition equips students not only to analyze language but to inhabit it with grace and conviction.Listeners will come away invigorated to cultivate memory, nourish imagination, and recover the lost arts of eloquence—beginning in their homes, schools, and homerooms.

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this mini-episode, we explore the world of the Court Masque, a form of entertainment that flourished in the Tudor and Stuart courts. From its roots in medieval pageantry and music to its height as a vehicle for royal celebration and political display of wealth, the masque became a defining cultural event during Shakespeare's time.  While Shakespeare never wrote a Court Masque, we will explore how Ben Jonson's Hymenaei may have influenced Shakespeare's choices for the masques that appear in As You Like It and The Tempest.  For more on some of the topics we've previously covered that also mention the Court Masque, check out: Mini: Ben Jonson, Shakespeare's Colleague and Competitor Twelfth Night: Plays for the Court Stuff You Should Know Part 2: Elizabethan and Jacobean England & Theatre (Revised) Mini: Traveling Theatre Companies Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Special thanks to Nat Yonce for editing this episode.  For updates: join our email list, follow us on Instagram at @shakespeareanyonepod or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, buying us coffee, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod (we earn a small commission when you use our link and shop bookshop.org). Find additional links mentioned in the episode in our Linktree. Works referenced: Butler, Martin. “The Court Masque | The Cambridge Works of Ben Jonson.” The Cambridge Edition of the Works of Ben Jonson Online, 2014, universitypublishingonline.org/cambridge/benjonson/k/essays/court_msq_essay/1/.  “History of the Masque Genre.” Edited by Helen L Hull et al., Reformations of A Mask, Maryland Institute for Technology in the Humanities, 2000, archive.mith.umd.edu/comus/cegenre.htm#expand.  Shapiro, James. The Year of Lear: Shakespeare in 1606. Simon & Schuster Paperbacks, 2016.   

Episode 163: Growth in the Chaos — How Our Parenting Has Inspired Our Personal Evolution

This week on Lone Lobos, we're bringing you a special episode. Xolo Maridueña sits down with one of his classmates from his Shakespeare summer program to talk about theater. He and his classmate Jorge Rodriguez share their first impressions of each other and how the summer experience has influenced them. They also discuss the future of Latinos in theater. Listen to an extended version of the episode available only on Supercast. Free Discord Access:https://discord.gg/KnDhbnBMCjJoin Supercast Today for the full episode:https://lonelobos.supercast.com/Follow Lone Lobos on Instagram: https://www.instagram.com/lonelobos.Follow Jacob Bertrand on Instagram: https://www.instagram.com/thejacobbertrand.Follow Xolo Maridueña on Instagram: https://www.instagram.com/xolo_mariduenaFollow Jordan on Instagram: https://www.instagram.com/jmkm808Follow Monica on Instagram:https://www.instagram.com/officialmonicat_http://www.heyxolo.com/Jacobs Channel: @ThreeFloating

Shakespeare's Julius Caesar feels urgently contemporary in Rosa Joshi's new production at the Oregon Shakespeare Festival—one of America's largest and longest-running theater festivals, now in its 90th season. Staged in partnership with Seattle's upstart crow collective, the production explores the threat of autocracy, drawing on global histories of dictatorship. Performed entirely by women and nonbinary actors, Joshi's Julius Caesar offers new perspectives on a historically male-dominated political landscape. The result is a fresh reading of Shakespeare's classic tale of power, loyalty, and betrayal. In this episode, Joshi reflects on the production, the politics of performance, and why Shakespeare's plays continue to illuminate moments of crisis. >> Discover more about Julius Caesar at the Oregon Shakespeare Festival From the Shakespeare Unlimited podcast. Published August 25, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Rosa Joshi (she/her) is a director, producer and educator. She currently serves as Associate Artistic Director of Oregon Shakespeare Festival. Rosa's directing work spans from Shakespeare to modern classics and contemporary plays. Throughout her career she has created work independently through self-producing, and in 2006 she co-founded upstart crow collective a company that produces classical plays with diverse casts of women and non-binary people. With upstart crow, she has directed King John, Bring Down the House, Richard III, Titus Andronicus, and Coriolanus. She is committed to creating ambitious productions of classical work featuring women, non-binary, and BIPOC artists. As Interim Artistic Director of Northwest Asian American Theatre, Rosa produced a range of Asian American performances, including: A-Fest, an international performance festival; Traces, a world premiere multi-disciplinary, multi-media, international collaborative work. She was also a Resident Director and Artistic Director of the Second Company at New City Theater, where she directed and produced various classical and contemporary plays. Rosa has been a faculty member at Seattle University and has also taught at The Old Globe University of San Diego Shiley Graduate Theatre Program, Hong Kong University, Hong Kong Academy of Performing Arts, and Cornish College for the Arts. Rosa holds an MFA in Directing from the Yale School of Drama and a BA in Theatre and Psychology from Bucknell University.

This season is dedicated to helping you pick your summer reads and my guest today is the novelist Charlotte Mendelson whose writing has been compared to “late Shakespeare meets Modern family!” So you know where to turn if you're looking for a painfully funny, on the nose look at the dynamics of love and marriage. Charlotte worked as a publisher for twenty years before becoming an award winning novelist. She's written seven bestselling novels, the most recent of which are The Exhibitionist and Wife, both out now in paperback, which are kind of a pair in that they both deal with the reality of being married to monsters! She has also been gardening correspondent for the New Yorker and now writes for The Observer. I met Charlotte at her home in North London to snoop around her houseplants and her bookshelves while we discussed how to go grey without looking like you're looking after chickens in the wood, the puberty midlife confluence, the disproportionate stress of deciding what to wear, the lifelong impact of growing up nerd, being a pre internet lesbian, internalised homophobia, finding love as a grown up, perimenopausal horniness and so so so much more. It's chaos but delightful chaos! * You can buy all the books mentioned in this podcast at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Shift bookshop on Bookshop.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, including Shred Sisters by Betsy Lerner as well as the book that inspired this podcast, The Shift: how I lost and found myself after 40 - and you can too, by me. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠buymeacoffee.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theshiftwithsambaker.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ • The Shift (on life after 40) with Sam Baker is created and hosted by Sam Baker and edited by Juliette Nicholls at Pineapple Production. If you enjoyed this podcast, please rate/ review/ follow as it really does help other people find us. And let me know what you think on Bluesky @theothersambaker.bsky.social or instagram @theothersambaker or message me on substack The Shift with Sam Baker. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join host Darnelle Radford as he sits down with Ang Bey, also known as Rayne, to discuss her innovative play "New Heaven, New Earth." This episode delves into the creative process behind adapting Shakespeare's "Antony and Cleopatra" into a modern narrative that explores themes of identity, power, and cultural legacy. ABOUT NEW HEAVEN, NEW EARTH On the edge of empire, Cleopatra battles a soothsaying Crocodile in this revisionist, Afrocentric adaptation of Shakespeare's “Antony and Cleopatra”. Written by Rayne, directed by Shamus, with live music by Karen Smith, "new heaven new earth” is an allegory that blends ancient history with poetic futurism. When peace demands war, what will you become, and for whom? After an over-sold, one-night showing at Philly Theatre Week, "new heaven new earth" continues its development through Philadelphia Theatre Company's Text and Dramaturgy Cohort at Cannonball. Join us for two, developmental staged-readings of this new play commissioned and produced by Shakespeare in Clark Park with Upstream Performance Collaborative and Cannonball. Rayne the Playwright Kishia Nixon* as Cleopatra Ross Beschler* as Marc Antony STARFIRE as Charmian & Crocodile Adam Howard as Octavius et al Jo Vito Ramírez* as Enobarbus et al Katherine Perry as Octavia et al Live Original Music by Karen Smith Stage Management by Randi Alexis Hickey* FOR TICKETS AND INFORMATION: https://phillyfringe.org/events/new-heaven-new-earth/

As part of the "25 for '25" series, Jacke starts the episode with a look at #20 on the list of Greatest Books of All Time, The Adventures of Huckleberry Finn, by Mark Twain. Then he reclaims a previous episode devoted to Lorraine Hansberry, author of A Raisin in the Sun, a brilliant playwright who died at the tragically young age of 34. (The Hansberry episode, which was originally released in February 2021 as Episode 310, was lost from the archives for several years.) Join Jacke on a trip through literary England (signup open through the end of September)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠John Shors Travel⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠historyofliterature.com⁠. Or visit the ⁠History of Literature Podcast Tour itinerary⁠ at ⁠John Shors Travel⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠gabrielruizbernal.com. Help support the show at ⁠patreon.com/literature ⁠or ⁠historyofliterature.com/donate ⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Audiences at the latest production of the Public Theater's Free Shakespeare in the Park this summer have been treated to a Delacorte Theater with an 85 million dollar makeover. The renovations mark the end of an era of the original Delacorte Theater, graced by both famous actors and raccoons over the years. Greg Young, co-host of the Bowery Boys podcast, discusses the history of the Delacorte Theater, and how the Free Shakespeare in the Park program first began with an unlikely friendship between founder Joe Papp and New York power broker Robert Moses. Plus, listeners share their memories of seeing shows at the old Delacorte.

Singer, songwriter, and actor Moses Sumney discusses making his theatrical stage debut in "Twelfth Night" as part of Shakespeare in the Park. Sumney plays Feste, a jester who becomes involved in a mean-spirited prank. "Twelfth Night" is running at the Delacorte Theater through September 13.  

The city business leaders hoped the Shakespeare Festival would do OK, but just in case it tanked, they insisted that it share the stage with a series of prizefights. The boxing matches bombed badly; luckily, the Shakespeare plays did not. (Ashland, Josephine County; 1930s) (For text and pictures, see https://offbeatoregon.com/1704a.shakespeare-festival-vs-boxing.html)

This week on The Filmmakers Podcast, hosts Conor Boru and Francis Annan welcome two icons of the filmmaking world: producer, writer and director Chris Columbus, and Academy Award-winning actor Sir Ben Kingsley. Chris Columbus – the creative force behind classics such as Home Alone, Mrs Doubtfire and the first two Harry Potter films – shares his experiences of working with visionary directors like Robert Eggers, his approach to shaping scripts as a director, and the importance of collaboration with actors. He also reflects on the role of rehearsals, the unique magic of making films for the big screen, the movies that continue to inspire him, and why he believes there is so much to learn from the new generation of filmmakers. Sir Ben Kingsley – whose career spans over five decades with landmark performances in Gandhi, Schindler's List and Sexy Beast – discusses the inspirations that continue to fuel his craft. He speaks about his Shakespearean roots, the nuances of performing for stage versus screen, and offers invaluable insights for emerging actors looking to build their careers. An unmissable conversation with two true legends of cinema. The Thursday Murder Club is out now! Four irrepressible retirees spend their time solving cold case murders for fun, but their casual sleuthing takes a thrilling turn when they find themselves with a real whodunit on their hands. OTHER LINKS FOOD FOR THOUGHT documentary out NOW | Watch it FREE HERE. A documentary exploring the rapid growth and uptake of the veganlifestyle around the world. – And if you enjoyed the film, please take amoment to share & rate it on your favourite platforms. Every review& every comment helps us share the film's important message withmore people. Your support makes a difference! PODCAST MERCH Get your very own Tees, Hoodies, on-set water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on filmmaking? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written and produced by Giles Alderson @gilesalderson Edited by @tobiasvees Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 183:Today's episode is the first of a short run of guest episodes to see us through the end of the English summer and first up is Daniel Swift, author of ‘The Dream Factory: London's First Playhouse and the making of William Shakespeare'. Given that title I don't think Daniel's book needs any further introduction other than to say that I found it a fascinating read and I hope this episode gives. You a taster of Daniel's work and the research he has undertaken.Daniel Swift is associate professor of English at Northeastern University, London, and has written books on Shakespeare, Ezra Pound, and the poetry of the Second World War and articles for The New York Times, The New Statesman and The Spectator.Links to'The Dream Factory':Yale University Press London: https://yalebooks.co.uk/book/9780300263541/the-dream-factory/Macmillan New York https://us.macmillan.com/books/9780374601270/thedreamfactory/Amazon UK:https://www.amazon.co.uk/Dream-Factory-Londons-Playhouse-Shakespeare/dp/0300263546/ref=sr_1_1?Amazon USA: https://www.amazon.com/Dream-Factory-Londons-Playhouse-Shakespeare/dp/0374601275/ref=sr_1_1?Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

“I think this be the most villanous house in all London road for fleas..." - Henry IV Part I (II.1)So complains one of Shakespeare's characters in The Merry Wives of Windsor, voicing what was surely a common frustration in the 16th and 17th centuries. Fleas were an ever-present part of daily life—so much so that they appeared in poems, jokes, love songs, and even seven different times across Shakespeare's plays. This week, we're scratching the surface of these itchy invaders to explore what their presence reveals about hygiene, health, and humor in the early modern world. Our guest is 17th-century historian Andrea Zuvich, here to help us explore how people really managed fleas in Shakespeare's lifetime. Hosted on Acast. See acast.com/privacy for more information.

Sonnet 145 stands out in the collection for several reasons. Some factual, some conjectural, some somewhere in-between. Most obviously and beyond interpretation evident is the fact that it is the only poem composed in iambic tetrameter: it consists of 14 lines of eight syllables each, in contrast to the iambic pentameters present in all the other sonnets, giving each line of those ten or eleven syllables.Also still difficult to dispute, though already in the realm of opinion, is the observation, so as not to say contention, put forward by many scholars and commentators, that the sonnet is poetically, stylistically, literarily 'slight': it strikes a simple tone, uses some extremely familiar imagery and analogy, and is, as far as we can tell, mostly devoid of the high level compositional and rhetorical devices used in many of the other, 'regular', sonnets.Pure supposition, though intelligent and fully valid as a suggestion, is the idea that the sonnet puns on the name Hathaway and is therefore not about the Dark Lady or any other mistress, but about Shakespeare's wife, Anne; and even more adventurous is the conjecture drawn from it that therefore the poem be an early stab of Shakespeare's at as-yet-imperfect sonneteering: there is absolutely no proof that this is so, and it is just as conceivable that Shakespeare with Sonnet 145 deliberately and most intentionally not only employs a different format but also aims for a categorically different tone.

My guest again this week is RICHARD SCHOCH, author of the much-acclaimed recent book, HOW SONDHEIM CAN CHANGE YOUR LIFE. In the first two episodes of this series, Richard took us deep inside the inner workings and underlying meanings of Gypsy, Company, Follies, and A Little Night Music, and the fascinating characters who inhabit them. This week, we explore two of Sondheim's most challenging and brilliant works, Pacific Overtures and Sweeney Todd —The Demon Barber of Fleet Street. If you missed the first episode in this series, you may want to catch up with that before embarking on this one. Richard Schoch is a Professor of Drama at Queen's University Belfast in Northern Ireland. He is the author of eight books, both popular and academic, on topics ranging from musical theatre to Shakespeare to Queen Victoria. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode Summary:In this episode, host Steve Roby welcomes singer Stella Heath for an intimate look at the Billie Holiday Project—a heartfelt tribute to Lady Day's music and legacy. Ahead of her performances at SF Jazz, Stella shares her journey from a musically rich upbringing in Petaluma, California, to her deep dive into jazz and acting, and how these experiences shape her storytelling on stage.Key Topics & Highlights:Stella's early musical influences included Louis Armstrong, Edith Piaf, and her mother's eclectic taste.The impact of classical training and acting (including Shakespeare) on her jazz phrasing and storytelling.The origins and inspiration behind the Billie Holiday Project, focusing on Billie's emotional depth and social impact, especially through songs like “Strange Fruit.”Live performances from the Billie Holiday Project, including “No Regrets” and “I'll Be Seeing You.”Stella's approach to interpreting Billie Holiday's phrasing—balancing homage with her own voice.Insights into “back phrasing” and how Billie Holiday reshaped melodies.The band lineup for the SF Jazz shows, featuring musicians like Neil Angelo Fontano (piano), Robbie Elman (reeds), Daniel Fabricant (bass), Spike Klein (drums), Ian Sheer (guitar), and guest trumpeter Justin.What audiences can expect at the live shows: a mix of classic and lesser-known 1930s tunes, narrative arcs, and a unique setlist for each performance.Show Details:The Billie Holiday Project with the Stella Heath Sextet comes to SF Jazz's Joe Henderson Lab:Saturday, September 6th: 7:00 PM & 8:30 PMSunday, September 7th: 6:00 PM & 7:30 PMFor tickets and more information, visit sfjazz.org.Connect with Stella Heath:Website: stellaheathmusic.comListen & Subscribe:Find this episode, past conversations, and show notes (including ticket links) wherever you get your podcasts.Thanks for listening, and we'll see you at the show!

This week on The Bulletin, Clarissa Moll talks with National Review's Noah Rothman about President Trump's meetings with Vladimir Putin and Volodymyr Zelenzky, the relationship between church and state in the three countries, and the possibility of peace. Then, Liam Karr joins us from American Enterprise Institute to give us a primer on the conflict in Sudan. Lastly, Mike Cosper and Eliot Cohen discuss what Shakespeare has to say about authoritarian leaders.    GO DEEPER WITH THE BULLETIN:  -Join the conversation at our Substack.  -Find us on YouTube.  -Rate and review the show in your podcast app of choice.    ABOUT THE GUESTS:   Noah Rothman is a senior writer with National Review and a contributor to MSNBC. He is the author of Unjust: Social Justice and the Unmaking of America and The Rise of the New Puritans: Fighting Back Against Progressives' War on Fun.  Liam Karr is the Africa team lead for the Critical Threats Project at the American Enterprise Institute. He covers sub-Saharan Africa and specializes in the Sahel and Somalia. He graduated from the University of Notre Dame with a B.A. in Political Science, History, and Arabic and an International Security Studies Certificate. Eliot Cohen is a contributing writer at The Atlantic. He is the author of The Hollow Crown: Shakespeare on How Leaders Rise, Rule, and Fall, and co-host of the Shield of the Republic podcast. He created the strategic studies program at Johns Hopkins School of Advanced International Studies and served as the school's ninth dean. He has also served as the counselor of the Department of State and in other positions in the U.S. Department of Defense and the intelligence community. ABOUT THE BULLETIN:  The Bulletin is a twice-weekly politics and current events show from Christianity Today moderated by Clarissa Moll, with senior commentary from Russell Moore (Christianity Today's editor in chief) and Mike Cosper (director, CT Media). Each week, the show explores current events and breaking news and shares a Christian perspective on issues that are shaping our world. We also offer special one-on-one conversations with writers, artists, and thought leaders whose impact on the world brings important significance to a Christian worldview, like Bono, Sharon McMahon, Harrison Scott Key, Frank Bruni, and more.    The Bulletin listeners get 25% off CT. Go to https://orderct.com/THEBULLETIN to learn more.    “The Bulletin” is a production of Christianity Today  Producer: Clarissa Moll  Associate Producer: Alexa Burke  Editing and Mix: TJ Hester Graphic Design: Rick Szuecs Music: Dan Phelps  Executive Producers: Erik Petrik and Mike Cosper   Senior Producer: Matt Stevens Learn more about your ad choices. Visit podcastchoices.com/adchoices

Soooooo.... for once, we are currently in the same city, in the same building, in the same rehearsal room every day, rehearsing an English play based on a French novel, Les Liaisons Dangereuses. (See below for link for tickets!!!)And French stuff is on our minds, for sure!! Obviously, that led us to thinking about all the French stuff in the Shakespeare canon - words, characters, situations, historical events, tout ça!!!In this episode, we dive into the proverbial Seine. Viens dans l'eau, c'est bien!!!!Come see Les Liaisons Dangereuses!!!https://www.theschoolhousetheater.org/?fbclid=IwY2xjawLtyfRleHRuA2FlbQIxMABicmlkETFOR2g5ZUpGNGRIMk1qaFBVAR4PACXDUlljU24chGkkYPILhFYCq2Jztc8j11_RWQOIhrUIyjpdm_GjP3xr9g_aem_Gd3FdO68x1sbVCVB5CL25QTo send us an email - please do, we truly want to hear from you!!! - write us at: thebardcastyoudick@gmail.com To support us (by giving us money - we're a 501C3 Non-Profit - helllloooooo, tax deductible donation!!!) - per episode if you like! On Patreon, go here:  https://www.patreon.com/user?u=35662364&fan_landing=trueOr on Paypal:https://www.paypal.com/donate/?hosted_button_id=8KTK7CATJSRYJWe also take cash!   ;DTo visit our website, go here:https://www.thebardcastyoudick.comTo donate to an awesome charity, go here:https://actorsfund.org/help-our-entertainment-communiity-covid-19-emergency-reliefLike us? Don't have any extra moolah? We get it! Still love us and want to support us??   Then leave us a five-star rating AND a review wherever you get your podcasts!!The Education News Comedy Quiz -- Some of the AbovePlay along with guest contestants from the education world. Laugh some & learn some...Listen on: Apple Podcasts Spotify

JOIN SHERI HORN HASAN @ FOR THIS WEEK'S ASTROLOGICALLY SPEAKING PODCAST WHICH DROPS AUGUST 22 @ https://www.karmicevolution.com/astrologically-speaking. As we approach the Virgo New Moon at 0'23” Virgo at 11:07 p.m. PT August 22 & 2:07 a.m. ET August 23, we're asked to plant seeds that allow us to take care ourselves, so we can remain healthy enough to then be of service to others. This is an especially important message now because, in addition to the Sun's entrance into Virgo & the Virgo New Moon today, we've got another one coming on September 21--which also happens to be a solar eclipse! And, in addition, the transiting nodal axis's Virgo South Node has been in play since January 2025 & will last until July 2026, asking us to let go of the Virgo archetype's less than desirable traits.  In short, we've got a whole lotta Virgo goin' on! This podcast takes a deep dive into all things Virgo-related, including its positives, negatives, & this archetypes' correlation with sacred geometry & numerology, & the mathematical belief that nature & the universe are all part of a perfectly divine order.  The Mercury-ruled Virgo archetype includes, among other things, understanding that we're not on this earth to strive for perfection because, well, if the universe is already perfectly designed & we are part of that perfect design, then we're ALREADY PERFECT!Thinking we need to constantly strive to reach a level of perfection denies this universal belief. And that means continually striving for perfection proves antithetical to our understanding of ourselves & the world around us. That's because the concept that there is such a thing as “perfection” only causes feelings of inadequacy which, in turn, produces feelings of shame & guilt since we'll inevitably believe we've always fallen short in the end.That this Virgo New Moon follows last month's Leo New Moon lunar cycle which asked us to recognize our special uniquely creative talents as an individual, we're asked now to recognize that as individuals we need to remain as healthy as possible. And that means physically (Virgo is an earth sign, after all), mentally (Virgo is ruled by Mercury), emotionally, & spiritually. Isn't it better to understand we are all different from each other & therefore each of us is perfect in his or her own way? And, once we've realized this, we can then make headway toward taking better care of ourselves now so that we have what it takes to take care of others when the time comes.This podcast discusses the importance of the Virgo archetype to us all right now. We look at the benefits of realizing that we're all part of the divine universal order & therefore perfect—even in all our imperfections. And how continuing to strive for perfection simply obscures & delays our knowledge that we are already there…So, we're reminded now that we cannot be imperfect beings if we are one with a universal energy that comprises the geometric perfection of nature & everything in it. Think: Golden ratio; the Fibonacci sequence, & the symbolic nature of numbers which form astrological divisions of the circle, & numerical aspects between planets, etc., & you'll begin to conceptualize the importance of the earthy Virgo archetype as a means to better understand not only the world around us but ourselves.The currently transiting Virgo SN, however, has been asking us since January of this year to let go of Virgo's shadow side archetypal energies, which include being overly critical, & the feelings of shame & guilt as a result of feeling inadequate when we fall short of being “perfect.” We're witnessing this shadow side obsession with perfection here in the U.S. right now as we watch anyone deemed “imperfect” being jailed, deported, or otherwise abused within the collective. Name calling & labeling (read: categorizing) for the purpose of weeding out imperfection is nothing more than a negative Virgoan trait that deprives those deemed as “others” to be considered less than human therefore not deserving of dignity or rights. Similarly, the focus on numbers right now highlights how statistical data can be used to manipulate—especially when such data is “faked” by those who want people to believe that “nothing is but what is not,” as Shakespeare wrote.TIME TO CHANGE OLD BELIEFS & RAISE OUR CONSCIOUSNESSThis Virgo New Moon is accompanied by a mutable square of both luminaries in Virgo to Uranus in Gemini, which the Sun perfects on August 24. We're likely to experience a sudden change of some kind then, perhaps including a sudden announcement from a prominent person, given that all planets involved are now transiting through a Mercury-ruled sign.Meanwhile, we explore the deeper meaning of the yod forming too from the Virgo Moon & Sun to both Saturn & Neptune in Aries & Pluto in Aquarius, as well as that of the sextiles between Saturn & Neptune to Pluto. The Saturn/Pluto sextile presents us all with the opportunity to “understand the forces that make you an individual,” according to astrologer Rob Hand in his book “Planets in Transit.” “You know exactly what you can demand of yourself, and you push yourself to the limit, but not beyond,” under this influence, he explains. “Consequently, this can be a time of great achievements.” Focused energy is recommended so that your “energy hits exactly the right target,” Hand advises. This applies both to internal & external work, he adds. Combined with the longer-term Neptune/Pluto sextile—which has been around off & on since 1950 & will be strong again from 2026 through 2032-- we're starting to see “larger forces for social change” happening around us that may ultimately “prove that beliefs and opinions you have held all your life are invalid,” agrees Rob Hand. Therefore, “this is an opportunity to clear away the deadwood in your brain & start over again,” he concludes. Since both NE & PL are known as collective planets, this bodes well for society in general, as does the UR/PL airy trineWhen Venus enters Sun-ruled Leo August 25, we've got a prouder louder orientation toward our partnerships, but also the potential to forget about those we don't feel are worthy of our love, respect, or attention. And when Venus then opposes Pluto in Aquarius August 26/27, depending on your time zone, the astrological recipe changes to one of potential emotional manipulation. Emotions intensify if/when we realize we're being forced to submit to the power of a group opposed to our individual freedoms. However, as Uranus waxes toward its exact sextile Neptune on August 28, we've the opportunity to rise above—or to use--this intensity to help open our minds to higher levels of consciousness. That's because between now and then we may begin to transform our ideals, aims, & objectives, according to Rob Hand. “As your consciousness evolves, you will begin to associate with others whose views are similar, so that you can reinforce & strengthen each other's insights,” he notes. The bottom line is that this particular sextile helps us rise above orthodox religion & other more mundane Saturnine-type belief systems & allows us to benefit from a more spiritual understanding of our world through metaphysics such as astrology. This is because more rigid analyses of the world will not suffice now. And this jibes as well with the yod formed at this Virgo New Moon whose outlet point is the 9th H (under expansive Jupiter's natural rulership) in Neptune-ruled Pisces, which includes the expansion of collective empathy.Tune in for all this & more Astro News You Can Use--There's a lot to unpack here, so be sure to have a listen! @ https://www.karmicevolution.com/astrologically-speaking starting today, August 22!See you later! Namaste…

Our August Special Subject is Literature vs. Welles vs. Moreau: we discuss the three finished films that Orson Welles made with Jeanne Moreau, whom he considered "the greatest actress in the world." The Trial (1962) stars Anthony Perkins in an adaptation of the Kafka novel; Chimes at Midnight (1965) stars Welles as Falstaff in an adaptation of Shakespeare's Henriad focused on the Prince Hal/Falstaff relationship; and The Immortal Story (1968) stars Welles and Moreau in an adaptation of a Karen Blixen story. Come for Welles' handling of these immortal stories, stay to find out how Moreau assisted the magician.  Time Codes: 0h 00m 25s:    THE TRIAL (1962) [dir. Orson Welles] 0h 35m 24s:    CHIMES AT MIDNIGHT (1965) [dir. Orson Welles] 0h 52m 19s:    THE IMMORTAL STORY (1968) [dir. Orson Welles] +++   * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

What if the dead never stopped writing? From Mark Twain and Shakespeare ghostwriting books, to A.I. uncovering ancient secrets, to CIA psychics claiming the Ark of the Covenant's resting place — this week's Paranormal 60 News is packed with stories that blur the line between history, mystery, and the supernatural.Dave Schrader, Chachi, Sweet-T, and Greg also uncover eerie discoveries in Jerusalem, Navy UFO patents, the dangers of Annabelle, and the latest “solution” to the Bermuda Triangle. Hold tight — this is one news edition you won't forget.Ghost Writer Edition - The Paranormal 60 NewsPLEASE SUPPORT THE ADVERTISERS THAT SUPPORT THIS SHOWHappiness Experiment - https://go.happinessexperiment.com/begin-aff-o2?am_id=podcast2025&utm_source=podcast&utm_medium=podcast&utm_campaign=michaelFactor Meals - Get 50% off your first order & Free Shipping at ⁠⁠www.FactorMeals.com/p6050off⁠⁠ & use code: P6050off at checkoutMint Mobile - To get your new wireless plan for just $15 a month, and get the plan shipped to your door for FREE, go to ⁠⁠www.MintMobile.com/P60⁠⁠Shadow Zine - ⁠⁠https://shadowzine.com/⁠⁠Love & Lotus Tarot -  ⁠⁠http://lovelotustarot.com/⁠⁠PLEASE RATE & REVIEW THE PARANORMAL 60 PODCAST WHEREVER YOU LISTEN! Learn more about your ad choices. Visit megaphone.fm/adchoices

How are some people so much smarter than the rest of us? Where do visionary creatives and savvy decision-makers like Vincent Van Gogh, Marie Curie, Albert Einstein, Maya Angelou, Warren Buffet, and William Shakespeare,get their extraordinary mental abilities?In 2021, researchers at Ohio State's Project Narrative, the world's leading academic think-tank for the study of how stories work, and a place renowned for collaborations with NASA, Hollywood, and Silicon Valley, announced they had the answer. They named it Primal Intelligence. And they published scientific proof that Primal Intelligence was impossible for computers—but could be strengthened in humans.Intrigued, U.S. Army Special Operations developed Primal training for its most classified units. The training succeeded. The Operators saw the future faster. They healed quicker from trauma. In life-and-death situations, they chose wiser.From there the Army authorized training for civilian entrepreneurs, doctors, engineers, managers, coaches, teachers, investors, and NFL players. Their leadership and innovation improved significantly. They coped better with change and uncertainty. They experienced less anger and anxiety. And when they offered the training to college and K-12 classrooms it produced substantial effects in students as young as eight.In today's conversation with Angus Fletcher who serves as Professor of story science at Project Narrative,holds dual degrees in neuroscience and literature, a PhD in Shakespeare, and is author of the powerful new book: Primal Intelligence: You Are Smarter than You know.We'll take a deep dive into the groundbreaking research and training they've been developing at Project Narrative over the past 4 years. And Angus will share his often surprising and unexpected journey into this work. Including some of the most potent insights and practices he gained from collaborating with U.S. Special Operations along the way.To learn more about Primal Intelligence, including the inspiring new book, Angus's work, and Primal trainings please visit operationhuman.comEnjoying the show? Please rate it wherever you listen to your podcasts!Did you find this episode inspiring? Here are other conversations we think you'll love:On How the Arts Transform Us | Susan Magsamen & Ivy RossUnwinding Anxiety | Dr. Jud BrewerThanks for listening!Support the show

In this episode Adam speaks with translator Frank Wynne and Argentinian writer Samanta Schweblin about the first-ever English edition of Mafalda, the beloved Argentine comic strip by Quino (Archipelago Books). Together, they explore how this precocious, principled six-year-old girl—who challenged everything from soup to capitalism—shaped generations of readers in Argentina and beyond. Frank discusses the joys and puzzles of translating Mafalda's quick wit and political edge, while Samanta recalls how the strip introduced her to feminism, philosophy, and satire as a child. The conversation touches on cartooning as subversion, and why Mafalda's questions still matter today. Whether you're meeting Mafalda for the first time or grew up with her, this episode is a moving celebration of one of the 20th century's most enduring comic heroines.Buy Mafalda: https://www.shakespeareandcompany.com/books/mafalda-3*Samanta Schweblin won the 2022 National Book Award for Translated Literature for her story collection, Seven Empty Houses. Her debut novel, Fever Dream, was shortlisted for the International Booker Prize, and her novel Little Eyes and story collection Mouthful of Birds have been longlisted for the same prize. Her books have been translated into more than forty languages, and her stories have appeared in English in The New Yorker, The Paris Review, Granta, Harper's Magazine and elsewhere. Originally from Buenos Aires, Schweblin lives in Berlin. Good and Evil and Other Stories is her third collection.Frank Wynne is a writer and award-winning literary translator. Born in Ireland he has lived and worked in Dublin, Paris, Amsterdam, London, Buenos Aires and currently lives in San José, Costa Rica. He has translated more than a dozen major novels, among them the works of Michel Houellebecq, Frédéric Beigbeder, Pierre Mérot and the Ivorian novelist Ahmadou Kourouma. A journalist and broadcaster, he has written for the Sunday Times, the Independent, the Irish Times, Melody Maker, and Time Out.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

I'm Nicholas Gordon, host of the Asian Review of Books podcast, done in partnership with the New Books Network. On this show, we interview authors writing in, around, and about the Asia-Pacific region.King Lear, one of Shakespeare's most famous tragedies, starts with Lear dividing up his kingdom between his three daughters: Goneril, Regan and Cordelia. Goneril and Regan win the kingdom through flattery, Cordelia's honesty is rewarded with exile. That opening–and the other developments in Lear's tragic story–hold special resonance for Nan Z. Da, who uses Shakespeare's play as a way to grapple with China's history, and her own personal experiences with it. The result is The Chinese Tragedy of King Lear (Princeton UP, 2025)Nan Z. Da is associate professor of English at Johns Hopkins University and the author of Intransitive Encounter: Sino-US Literatures and the Limits of Exchange (Columbia University Press: 2018) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Chinese Tragedy of King Lear. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

I'm Nicholas Gordon, host of the Asian Review of Books podcast, done in partnership with the New Books Network. On this show, we interview authors writing in, around, and about the Asia-Pacific region.King Lear, one of Shakespeare's most famous tragedies, starts with Lear dividing up his kingdom between his three daughters: Goneril, Regan and Cordelia. Goneril and Regan win the kingdom through flattery, Cordelia's honesty is rewarded with exile. That opening–and the other developments in Lear's tragic story–hold special resonance for Nan Z. Da, who uses Shakespeare's play as a way to grapple with China's history, and her own personal experiences with it. The result is The Chinese Tragedy of King Lear (Princeton UP, 2025)Nan Z. Da is associate professor of English at Johns Hopkins University and the author of Intransitive Encounter: Sino-US Literatures and the Limits of Exchange (Columbia University Press: 2018) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Chinese Tragedy of King Lear. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

I'm Nicholas Gordon, host of the Asian Review of Books podcast, done in partnership with the New Books Network. On this show, we interview authors writing in, around, and about the Asia-Pacific region.King Lear, one of Shakespeare's most famous tragedies, starts with Lear dividing up his kingdom between his three daughters: Goneril, Regan and Cordelia. Goneril and Regan win the kingdom through flattery, Cordelia's honesty is rewarded with exile. That opening–and the other developments in Lear's tragic story–hold special resonance for Nan Z. Da, who uses Shakespeare's play as a way to grapple with China's history, and her own personal experiences with it. The result is The Chinese Tragedy of King Lear (Princeton UP, 2025)Nan Z. Da is associate professor of English at Johns Hopkins University and the author of Intransitive Encounter: Sino-US Literatures and the Limits of Exchange (Columbia University Press: 2018) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Chinese Tragedy of King Lear. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

I'm Nicholas Gordon, host of the Asian Review of Books podcast, done in partnership with the New Books Network. On this show, we interview authors writing in, around, and about the Asia-Pacific region.King Lear, one of Shakespeare's most famous tragedies, starts with Lear dividing up his kingdom between his three daughters: Goneril, Regan and Cordelia. Goneril and Regan win the kingdom through flattery, Cordelia's honesty is rewarded with exile. That opening–and the other developments in Lear's tragic story–hold special resonance for Nan Z. Da, who uses Shakespeare's play as a way to grapple with China's history, and her own personal experiences with it. The result is The Chinese Tragedy of King Lear (Princeton UP, 2025)Nan Z. Da is associate professor of English at Johns Hopkins University and the author of Intransitive Encounter: Sino-US Literatures and the Limits of Exchange (Columbia University Press: 2018) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Chinese Tragedy of King Lear. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Local leaders raise awareness about affect of ICE raids on Asian-Americans. Also, a new adaptation gives Shakespeare's classic play a feminine update. Finally, a free summer concert series keeps music accessible in Amador County.

I'm Nicholas Gordon, host of the Asian Review of Books podcast, done in partnership with the New Books Network. On this show, we interview authors writing in, around, and about the Asia-Pacific region.King Lear, one of Shakespeare's most famous tragedies, starts with Lear dividing up his kingdom between his three daughters: Goneril, Regan and Cordelia. Goneril and Regan win the kingdom through flattery, Cordelia's honesty is rewarded with exile. That opening–and the other developments in Lear's tragic story–hold special resonance for Nan Z. Da, who uses Shakespeare's play as a way to grapple with China's history, and her own personal experiences with it. The result is The Chinese Tragedy of King Lear (Princeton UP, 2025)Nan Z. Da is associate professor of English at Johns Hopkins University and the author of Intransitive Encounter: Sino-US Literatures and the Limits of Exchange (Columbia University Press: 2018) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Chinese Tragedy of King Lear. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

I'm Nicholas Gordon, host of the Asian Review of Books podcast, done in partnership with the New Books Network. On this show, we interview authors writing in, around, and about the Asia-Pacific region.King Lear, one of Shakespeare's most famous tragedies, starts with Lear dividing up his kingdom between his three daughters: Goneril, Regan and Cordelia. Goneril and Regan win the kingdom through flattery, Cordelia's honesty is rewarded with exile. That opening–and the other developments in Lear's tragic story–hold special resonance for Nan Z. Da, who uses Shakespeare's play as a way to grapple with China's history, and her own personal experiences with it. The result is The Chinese Tragedy of King Lear (Princeton UP, 2025)Nan Z. Da is associate professor of English at Johns Hopkins University and the author of Intransitive Encounter: Sino-US Literatures and the Limits of Exchange (Columbia University Press: 2018) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Chinese Tragedy of King Lear. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Another silly dumb game from the mind of Anthony. Support the show and follow us here Twitter, Insta, Apple, Amazon, Spotify and the Edge! See omnystudio.com/listener for privacy information.

I'm talking to Eleanor Conlon and Martin Vaux from the Three Ravens podcast about the difficulties in defining 'folklore', the importance of storytelling, which of England's 39 historic counties has the best folk tales, why people love ghost stories, and making folklore accessible to wider audiences! Eleanor Conlon and Martin Vaux are the brains behind the Three Ravens podcast, and they are a real life couple, based in Sussex. Eleanor was born in Suffolk and grew up in Sussex, and after developing a passion for storytelling and stage performance as a child, become involved in amateur dramatics and completed her BA in English Literature and earned her MA in Shakespeare and Early Modern Drama. She also founded the theatre company Rust & Stardust, which tours original work and education projects rooted in English folklore. Martin was born in Somerset and grew up in the developing world, including in Uganda and Papua New Guinea. After leaving school, he completed his BA in English and won National Student Television Awards for comedy and directing. Having been a freelance journalist, radio presenter, and English teacher, he also won the BBC Moo! New Writers Prize in 2009. He gave up teaching after the pandemic to undertake his MA in Romantic and Victorian Literature and Culture at Goldsmiths, and to launch Three Ravens. Buy their book, The Three Ravens Folk Tales: New tellings of half-forgotten stories from England's 39 Historic Counties: https://uk.bookshop.org/a/12992/9781803999685 Visit the Three Ravens Podcast website: https://www.threeravenspodcast.com/ Get your free guide to home protection the folklore way here: https://www.icysedgwick.com/fab-folklore/ Become a member of the Fabulous Folklore Family for bonus episodes and articles at https://patreon.com/bePatron?u=2380595 Buy Icy a coffee or sign up for bonus episodes at: https://ko-fi.com/icysedgwick Fabulous Folklore Bookshop: https://uk.bookshop.org/shop/fabulous_folklore Pre-recorded illustrated talks: https://ko-fi.com/icysedgwick/shop Request an episode: https://forms.gle/gqG7xQNLfbMg1mDv7 Get extra snippets of folklore on Instagram at https://instagram.com/icysedgwick Find Icy on BlueSky: https://bsky.app/profile/icysedgwick.bsky.social 'Like' Fabulous Folklore on Facebook: https://www.facebook.com/fabulousfolklore/

“If I wanted to pick up and move, I pick up and move, and then I would just fall into whatever job I could find. And even though it was scary, I still did it because I was like, this could be a story, there could be a story in this.” – Nkrumah Mensah Today's featured author is a mom, anime enthusiast, ballroom dancer, and lover of Star Trek and Shakespeare. So, let's give it up for Nkrumah Mensah. Nkrumah and I had a fun on a bun chat about her book, “Anne of Survivor”, her journey from shy college student to published writer, what helps her stay creative and more from the kitchen sink, a bag o' popcorn, and anime with a hint of sledgehammer!Key Things You'll Learn:How Nkrumah found her voiceHow her daughter helped her get back into writing and officially publish her booksHer writing process and how she keeps character continuity with a 7-book seriesHow anime can be a major source of motivationSome amusing historical facts and why she loves making history relatableNkrumah's Site: https://www.between-the-line.com/Nkrumah's Books: https://a.co/d/3KUimvJThe opening track is titled, “North Wind and the Sun” by Trevin P. To listen to and download the full track, click the following link. https://compilationsforhumanity.bandcamp.com/track/north-wind-and-the-sunPlease support today's podcast to keep this content coming! CashApp: $DomBrightmonDonate on PayPal: @DBrightmonBuy Me a Coffee: https://www.buymeacoffee.com/dombrightmonGet Going North T-Shirts, Stickers, and More: https://www.teepublic.com/stores/dom-brightmonThe Going North Advancement Compass: https://a.co/d/bA9awotYou May Also Like…Ep. 330 – “A Long Way from Ordinary” with Ann Charles (@AnnWCharles): https://www.goingnorthpodcast.com/ep-330-a-long-way-from-ordinary-with-ann-charles-annwcharles/Ep. 378 – “Writing Adventures with The Dialogue Doctor” with Jeff Elkins (@Jffelkins): https://www.goingnorthpodcast.com/ep-378-writing-adventures-with-the-dialogue-doctor-with-jeff-elkins-jffelkins/51 - "How to Turn Your Pain Into a Paycheck" with Crystal Santoria @PhirstPoet: https://www.goingnorthpodcast.com/51-how-to-turn-your-pain-into-a-paycheck-with-crystal-santoria-phirstpoet/176 - "Life Has a Way" with Dwayne Jenkins (@LeDwayneJenkins): https://www.goingnorthpodcast.com/176-life-has-a-way-with-dwayne-jenkins-ledwaynejenkins/13 - "Water in a Broken Glass" with Odessa Rose: https://www.goingnorthpodcast.com/13-water-in-a-broken-glass-with-odessa-rose/120.5 (Local Author Bonus Special) [LABS] - "The Children of Time" with Victory Parsons (@ReadLiftRepeat): https://www.goingnorthpodcast.com/1205-local-author-bonus-special-labs-the-children-of-time-with-victory-parsons-readliftrepeat/Ep. 335 – “Last of the Gifted” with Marie Powell (@mepowell): https://www.goingnorthpodcast.com/ep-335-last-of-the-gifted-with-marie-powell-mepowell/Ep. 318 – “Beautiful, Frightening and Silent” with Jennifer Anne Gordon (@JenniferAnneGo5): https://www.goingnorthpodcast.com/ep-318-beautiful-frightening-and-silent-with-jennifer-anne-gordon-jenniferannego5/Ep. 626 – “Finding Grace within Grief” with Portia Booker: https://www.goingnorthpodcast.com/ep-626-finding-grace-within-grief-with-portia-booker/Ep. 836 – The 6% Club with Dr. Michelle Rozen (@DrMichelleRozen): https://www.goingnorthpodcast.com/ep-836-the-6-club-with-dr-michelle-rozen-drmichellerozen/Ep. 314.5 (Holiday Bonus) – “Turning Point” with Kristy Smith (@kristynotkirsty): https://www.goingnorthpodcast.com/ep-3145-holiday-bonus-turning-point-with-kristy-smith-kristynotkirsty/Ep. 337 – “The Accessory to Magic” with Kathrin Hutson (@ExquisitelyDark): https://www.goingnorthpodcast.com/ep-337-the-accessory-to-magic-with-kathrin-hutson-exquisitelydark/247 – “Cozy Mysteries & Inclusive Children's Books” with Kelly Brakenhoff (@inBrakenVille): https://www.goingnorthpodcast.com/247-cozy-mysteries-inclusive-childrens-books-with-kelly-brakenhoff-inbrakenville/

In this Artist Exploration, Gerianne Perez from Broadway's In Transit chat with MTCA Director Charlie about:  The importance of staying active + connected with your agent Balancing a side job while pursuing your craft How early exposure in NYC shapes your path Growing authentically + organically to find the right school fit If you have any questions about the college audition process, feel free to reach out at mailbag@mappingthecollegeaudition.com. If you're interested in working with MTCA for help with your individualized preparation for your College Audition journey, please check us out at mtca.com, or on Instagram or Facebook.  Follow Us!  Instagram: @mappingthecollegeaudition YouTube: @MTCA (Musical Theater College Auditions)  TikTok: @mtcollegeauditions  Charlie Murphy:@charmur7  About MTCA:  Musical Theater College Auditions (MTCA) is the leader in coaching acting and musical theater students through the college audition process and beyond with superlative results. MTCA has assembled a roster of expert artist-educators who can guide students artistically, organizationally, strategically, and psychologically through the competitive college audition process. MTCA provides the tools, resources, and expertise along with a vast and strong support system. They train the unique individual, empowering the artist to bring their true, authentic self to their work. MTCA believes that by helping students reveal their potential it allows each school to connect with those who are truly right for their programs, which in turn guides each student toward their best college fit.  About Charlie Murphy:  Charlie is a proud graduate of Carnegie Mellon University's BFA program. As an Actor he has performed with theaters such as: NY Public Theatre's “Shakespeare in the Park”, The Pearl Theatre Company, Hudson Valley Shakespeare Festival, Chautauqua Theatre Company, Kinetic Theatre Company, and the Shakespeare Theatre of DC. With MTCA [Musical Theater College Auditions -- mtca.nyc], he has been helping prospective theatre students through the college process for over 15 years. As a Teacher and Director, he is able to do a few of his favorite things in life: help students to find their authentic selves as artists, and then help them find their best fit for their collegiate journey. Through this podcast, he hopes to continue that work as well as help demystify this intricate process. This episode was produced by Meghan Cordier, Kelly Prendergast and Socials by Jordan Rice. Episode theme music is created by Will Reynolds with Additional Vocals from Elizabeth Stanley Learn more about your ad choices. Visit megaphone.fm/adchoices

Batman ’66 S2 Ep32 – The Duo Is Slumming The Puzzler, a villain with a fondness for both Shakespeare and aviation, indicates he is after the fortunes of Artemus Knab. He convinces the billionaire to invest in his puzzle balloon business, but when the Dynamic Duo find that Knab seems too intelligent to fall for […] The post BatChums Episode 68 – The Duo Is Slumming appeared first on The ESO Network.

El programa comienza con la compositora española Alba Sánchez Torremocha, creadora de la banda sonora de 'Los futbolísimos 2'. Su trabajo se suma a una franquicia muy querida por el público joven, aportando una identidad musical renovada que acompaña la energía y el humor característicos de la saga que dirige Miguel Ángel Lamata.Desde Málaga viajamos al Festival Internacional de Teatro Clásico de Mérida, donde se estrena 'Los hermanos', de Terencio, bajo la dirección de Chiqui Carabante. La obra, protagonizada por Pepón Nieto, plantea con humor el eterno debate sobre los modelos educativos: una crianza severa y rígida frente a otra más abierta y liberal. A través de los personajes interpretados por Cristina Medina y Eva Isanta, la comedia contrapone estilos de vida y concepciones sociales que aún hoy siguen vigentes. La cobertura la ofrece Julio Noriega.El Museo de América, dependiente del Ministerio de Cultura, avanza en la renovación de sus exposiciones con un enfoque más actual y participativo. Una de sus nuevas muestras se centra en un objeto cotidiano cargado de simbolismo e historia, poniendo de relieve cómo la museografía puede actualizar la mirada hacia piezas que parecían relegadas al pasado. Lo cuenta Ángela Núñez.En Barcelona, el Museo del Diseño dedica una amplia exposición a Miguel Milá, referente del diseño barcelonés y figura clave en su modernización. La muestra reúne 200 piezas entre prototipos, planos y obras recientes, ofreciendo un recorrido de más de 70 años de trayectoria creativa. La información llega de la mano de Agnes Batlle.La música clásica cierra el programa de la mano de Martin Llade con una adaptación de 'Romeo y Julieta' de Sergei Prokofiev. Cristina Cordero (viola) y Juan Barahona (piano) presentan una lectura personal estrenada en el Palau de la Música Catalana y ahora publicada en disco por el sello Pirastro. Con ilustraciones de Emma de la Fuente y la narración a cargo de los propios intérpretes, la obra conecta tanto con la tragedia de Shakespeare como con la versión anterior de Luigi da Porto. Una propuesta que une interpretación musical, relato y tradición literaria en un mismo proyecto.Escuchar audio

BOSSes, get ready for an electrifying conversation with a true entertainment icon. In this episode of the VO Boss Podcast, Anne Ganguzza is joined by the legendary Rolonda Watts, an Emmy-winning, talk show host, actress, and award-winning voice actor. Rolonda's career is a masterclass in professional reinvention. From her groundbreaking syndicated talk show, The Rolonda Show, to her powerful voice acting work on Professor Wiseman in Curious George and her on-screen roles in Mind Your Business and Survival of the Thickest, she embodies the art of pivoting with purpose. The hosts discuss how her journey from journalism to entertainment shaped her, why listening is the most important tool for any communicator, and the life philosophies that have guided her to become a true BOSS.   00:01 - Anne (Host) Hey, bosses, Anne Ganguzza, you know your journey in voiceover is not just about landing gigs. It's about growing both personally and professionally. At Anne Ganguzza Voice Productions, I focus on coaching and demo production that nurtures your voice and your confidence. Let's grow together. Visit Anneganguzza.com to find out more. 00:48 Visit anganguza, hey. Hey everyone, welcome to the VO Boss Podcast. I'mGanguzzayour host, Anne Ganguza, and I have something amazing for you 00:53 , bosses, today.  00:55 Today's guest is a one-woman entertainmentRolondaempire. She's done it all award-winning journalistRolonda daytime talk show host, actor, stand-up comic, best-selling author and one of the most recognizable voices in voiceover. You may have heard her as Professor Wiseman on Curious GeorgeRolonda in the Proud FamilyRolonda kung Fu Panda and now Invincible Fight Girl. She's also the annoucer and promo voice of the Sherry Show, where Sherry Shepard calls her a daytime talk show legend, which I happen to agree. Rolanda Watts is currently lighting up the screen on Bounce TV's hit comedy Mind your Business which I always get to see all the shorts on the Facebook feed, by the way where she plays Lucille, the sharp, sassy family matriarch that keeps it real with tough love and somehow I feel like that just echoes your character to a T. And she I feel like that just echoes your character to a T, and she's also appearing in the upcoming season of Netflix's Survival ofRolondathe Thickest, and was recently inducted into the prestigious Silver Circle by the National Academy of Television Arts and Sciences at the 2024 Emmys, recognizing her lifetime of groundbreaking work in television.  02:04 Bosses, please welcome the incomparable Rolanda Watts, thank you. Thank you, rolanda. I have to tell you, you know I'm a big fan. I mean, I've said this to you before, but, bosses, I am the biggest fan of Rolanda. I actually know Rolanda from watching her on daytime talk TV, and that was a while ago. I want to say that daytime talk shows had just kind of come into like being, and you're one of the first that I watched and I just I just you, your personality, just everything about you was just amazing. It's just magnetic, and so I am so excited to be able to interview you, a talk show host. So I was like, oh man, how am I going to prepare to talk to you? But you are just so gracious and wonderful, and so that kind of gave me a little bit of of hope that I wouldn't completely flub it up today, rolanda.  03:05 - Rolonda (Guest) I don't think you would do that, Anne.  03:08 - Anne (Host) My goodness. So for the bosses, who you know don't really know your story and how you started off, I mean, my gosh, you're a media empire, so I don't even like we could have like five days worth of interviews with you, but it all started as broadcast journalism correct interviews with you, but it all started as broadcast journalism correct?  03:28 - Rolonda (Guest) Yes, Tell us about that. Well, I grew up in Winston-Salem, North Carolina, and I, you know, I went to well, it's a long story about how I became an actor, but it all started with being 12 years old and going to Broadway with my family and seeing Guys and Doll and I was just like, oh my God, I love the stage and that's what I Anne do. So I went to Spelman and majored in theater arts and then there weren't a lot of roles when I got out of college. There just wasn't a track for folks who looked like me in the acting world, and so I fell in love with journalism, went to Columbia's Graduate School of Journalism and I was a news reporter and investigative anchor woman and producer for many years for New York WABC, WNBC Inside.  04:16 - Anne (Host) Edition, and that's impressive. And all of a sudden. Well, yeah, I was an investigative journalist. I mean you just said it like it came so easy. But I Anne imagine at the time. I mean you must have had to really work to get yourself in that space.  04:33 - Rolonda (Guest) Well, it was a crazy time because it was the 1980s. There weren't a lot of women in investigative news reporting, not in New York City, and so it was a groundbreaking time for women and and there was so much in the news, especially in New York, it was the big gang wars, the mob wars. You know, gotti hadn't even come into into play yet, so it was murder and mayhem. I was covering, wow and yeah, an inside edition. I was more murder and mayhem.  05:04 - Anne (Host) I remember that.  05:06 - Rolonda (Guest) Yeah. And then a man by the name of Roger King, who in heaven remains the number one selling as human being in television, asked me if I would like to do my very own syndicated talk show. So for four years I did the Rolanda show and then, when that was over let's loop back to the 12 year old who wore the subway token around her neck as a good luck charm. I said I'm not going to be on a porch when I'm 80 years old, going I could have, would have, should have. I am going to take my chances and go for my lifelong dream and make that 12 year old inside of me happy.  05:41 And I took off and went to Hollywood and that's where I became an actor and a writer and a producer and had my own production company and stumbled into voice acting and all of these things were part of what so many people call me the reinventionist. But I have had to reinvent my life for so many reasons and so many times. But I believe that isRolondamany different things that I've done and it's all around one thing and that's what we do as voice actors Good storytelling.  06:13 - Anne (Host) Yeah, absolutely Absolutely. And it's so interesting because before I had really come into like knowing you again, after you know, watching your talk show, and then knowing you as in voiceover yeah, the Anne and promo voice of the Sherry show, how interesting. Like you started to talk show, you're like a legend and talk show in my, in my brain. I'm like Rolanda, that's so awesome, like you. And now you kind of came full circle back to it a little bit Right, being the Anne and the promo voice.  06:46 And I was watching a clip of you the other day and Sherry was saying something. She was going on. She was gushing about you, which I get that. She was gushing about you and it was so interesting. She was giving you this credit about talking about your talk show and how wonderful you were and you turned it right. The conversation went right back to her about how wonderful she was and I was just blown away by how gracious that was and I just thought, well, no wonder. Well, no wonder you made such a great talk show host, such a great communicator, such a great actor and stand-up comedian and everything, because you just have this wonderful way of connecting with people.  07:29 - Rolonda (Guest) Well, you're awfully sweet, Anne. I'm going to receive all of that, but I thank you for that. You know it's, it's it. I, you know I was. I get blown away too, because Sherry does not hold back about what. What do the folks say? Giving me my flowers? And it's nice to receive them when you can smell them. You know, you know, know, it's really interesting because we did pave the way for sherry and and kelly and and drew and tamron all of them and I also know the hard work that those ladies are doing.  08:04 This job called talk is not easy. The politics that go on, the struggles day to day, the whole idea that the show is bigger than you as a human. It's very trying and you're out there by yourself. So I of course give her her flowers back because you can hand over the baton, but if the person can't run with it it really doesn't count. So to be able to see that continuum is a beautiful, beautiful thing.  08:29 And you know what's really funny is that Sherry's executive producer, who you see on the show all the time, John Murray. John was a college student when he first came to see my show and that's when he got the TV bug. He was bitten by the TV bug and so I would invite him back. In fact, one time I put him on the show so he could come and see how the producers worked and the behind the scenes working Skip to him becoming the executive producer of the Sherry show, and he said there's no other voice that we would have introduced, Sherry, and pass on the legacy than you. So it's really good. I mean, you got to be nice to kids, because they're coming up and they'll be your boss.  09:10 - Anne (Host) Right. Isn't that the truth?  09:12 - Rolonda (Guest) It is, it's like full circle.  09:13 - Anne (Host) You've, really you've done so much and you are.  09:15 I feel as though you've got. I feel like, look, I know how busy I am and I do a lot of stuff, but I feel like you, you're, you're doing it all. I mean you're, you're in that sitcom and I see, I'm thankful. I see the clips that you're posting on Facebook and it's so funny how the Rolanda that I know right, that I had a conversation with at VO Atlanta, I mean I feel like it is just so true to your character. Tell us a little bit about that role. I feel like you're just having the best time doing it.  09:44 - Rolonda (Guest) Oh my God, Lucille Williams, or Lucille is just one of the most wonderful characters. I mean, she's just great. And this coming weekend she's going to break off into her cougarlicious life, I know, oh wow.  10:05 She and her besties. They call themselves the silver sneakers. The nieces have convinced them that they need to give up the old guys, who just need a nurse and a purse, and go and get some of the young guys to go get some cool you know, be cougars and so we see how that works. But it's very, you know, it's fun to play her. She's sassy, she's the matriarch of the family, but at the same time we're writing storylines that give her a full bodied woman-ness. At this certain age, absolutely, absolutely.  10:42 - Anne (Host) I love that.  10:43 - Rolonda (Guest) But Mind your Business is a wonderful sitcom. It's one of those wonderful family sitcoms. It's produced by Bentley Evans, who did Jamie Foxx and Martin, so you're going to get that kind of zany funniness, but it's. But my character is lost her business almost during covid and calls on her family to come in and help save the business. And so she moves in with the family to save some money and all hell breaks loose. They need more of a referee than they do business partners. Now.  11:14 - Anne (Host) I love it. Now, if I'm correct, you're on season two, is that correct?  11:20 - Rolonda (Guest) We're on season two. That's right.  11:22 - Anne (Host) That's right Will there be more seasons. We certainly hope so. I hope so too.  11:25 - Rolonda (Guest) Listen, we're depending on you to watch and binge and love it. We're on Bounce TV or the Brown Sugar app and you Love it.  11:32 - Anne (Host) We're on Bounce TV or the Brown Sugar app and you can go look up where you can watch it. Yeah, I love that. Well, ok, so All right, we have to. Now we have to come to the voiceover aspect of things. So you actually have been doing voiceover since you came to LA, right?  11:46 - Rolonda (Guest) And well, you know what's so crazy, Anne, is that I was doing voiceover work, promos and Anne and voiceovers, and I didn't even know I was a voice actor, because I was doing all of that stuff for my show. I mean, had I known I was a voice actor at that time, I would have had a very different contract, trust me. But but it let meRolonda you know. But, just being a news reporter for so many years in New York City and on Inside Edition across the nation, people just knew my voice. And when, when I moved to LA and gave up the whole news and talk business to come out here and be an actor and a producer, nine months into the game the writers went on strike and instead of hosting an internationally syndicated talk show, I was on the picket line serving pizza to the striking writers.  12:39 And I was like what am I going to do? And I had to eat, I had to pay my rent, I mean what, what? And it was like I'm not going back to news, so what am I going to do? And I remembered that I used to call 411 back when you used to get information and the operator even knew my voice. They would go is this Rolanda. And so I said well this, I know I've got a voice, I'll go do voice acting. And I could not catch a cold because I didn't understand what the business was about. I had a voice and I had a microphone, but I had no idea what voice acting was about. I had a voice and I had a microphone, but I had no idea what voice acting was about.  13:14 So I went over to Calumson and Calumson over there in Burbank and I took a class and that thing saved my life because those that was the one of the that was the well, it was one of the longest strikes in Hollywood nine months and by that time I had created a whole new career and the voice actors weren't on strike. So I said this is a great backup for my physical acting and there are times and when my voice works more than my physical acting and now that I'm becoming a woman of a certain age those roles aren't coming in as quickly. But, honey, I can play a hot 30 year old.  13:53 - Anne (Host) Well, my voice. I love that you're using the woman of a certain age because, as a woman of a certain age, as well, what are you?  14:02 - Rolonda (Guest) going to do.  14:04 - Anne (Host) Exactly. I mean, I say use it Right, I mean absolutely. And so let's talk just for a brief moment about what. So acting and voice acting, same, different, what? What would you say are the key differences? Because you said, oh, I had to go to Kalmanson and Kalmanson, right.  14:22 - Rolonda (Guest) So there are some things, yeah, oh, absolutely.  14:25 - Anne (Host) Bosses need to know that are different and I absolutely always tell people yes, you should, you should, you know, take acting classes. But also there are some, some differences.  14:35 - Rolonda (Guest) Yeah, I find that there there's. It's just a different set of muscles, I think that's what you would say. One is just strictly your imagination and I think, well, for me, one helps the other. Well, for instance, the character I play we talked about Lucille, lucille talks like this she's got a little quiver in her voice and she just real high pitch, like that. So some of those tricks that we learn in terms of texture and pitch and pacing and all of that that we do as we imagine our characters, I do the same thing when I see the character on the page and I say how does that voice, what? What is it about her voice that's going to make her stand out. And they know that's Lucille, that's part of her, because she doesn't have cause. That character doesn't have this voice, not my voice. So I think that that that helps me find my characters In fact.  15:29 In fact I did a play and I had I did three plays at one time. Craziest thing in the world never been done Did three plays at one time, playing 10 different characters, from a nine-year-old girl to a 76-year-old grandmother, and all of those are different voices. You know, one was a journalist, one was a, you know, grandmother one, a, a little girl who grew up in mississippi. I mean, those are just such different voices and I also have bring my physical things, like when I'm thinking of a character in my voice, acting. I think what would they wear?  16:04 Shakespeare said, the clothes make the man and the woman too. Are they wearing a cape that they sold over there, you know? Are they carrying a sword? Does she have really tight bobs in her hair? I mean, does she have a mustache? So there are all kinds of things that I think. If I'm in my prop room or my wardrobe room and it's just my imagination, what can I do to help bring those things to light? Just the way, when they put the wig on and the clothes and the heels on for stage or screen, you could become that character. You do the same in your imagination, yeah.  16:37 - Anne (Host) I love that, I love that parallel.  16:40 That makes so much sense, actually, and it's interesting. So, for voice actors, who have not necessarily acted, what sort of tips would you have to for them to be better actors? Let's say, because it's funny, I do a lot of the stuff that people don't think you need to act for in terms of voiceover, like corporate narration or e-learning, and they think that you don't need to act. But in reality you're always a character, and so when I'll say to my students, envision that scene, it's just to them they're like what, why? Why do I need to do that? Why don't I just read the words? You know why?  17:20 - Speaker 3 (Announcement) I hear it. Yeah, exactly, you know why?  17:22 - Rolonda (Guest) Because we're not looking for readers, we're looking for actors, and I think that's one of the biggest mistakes that folks make who don't become a VO boss is because they don't understand what this industry is about. It's really not even about your voice. It's not about I mean, everybody has a beautiful, unique voice, because there are no two voices alike but it's the acting that's going to make you so different. It's those subliminal things under those lines. Sometimes you have a whole commercial that tells a whole life story in four lines and they, they fought over those lines. Attorneys, 50 people made all those lines. So they mean something. What is the story we're telling here? Right, and who am I in this story and who am I talking to? You know all of those questions. Where am I? Why am I even this story and who am I talking to? You know all of those questions. Where am I? Why am I even talking about this toilet paper? You know, and I'm a bear.  18:21 Why am I. Even I'm a mama bear. I mean why? You know why am I, and I'm not going to act like a bear, but I'm going to act like a mom who's concerned about her kids not wiping themselves. And that's just real stuff. So how do you tap into the authenticity? How do you make it human? Because what our job is is to connect with another human being. That's something that folks down there on Madison Avenue, the big advertisers, can't do in their suits, so they depend on us as actors, to be human, to be just plain old ourselves and human. No bravado, as we're hearing so much in our copy and in our instruction and directions as actors. Authenticity, throw it away, just give it to me. No salesy, no Anne, and I got to tell you that's the hardest thing in the world to do. Even for us seasoned actors, it's sometimes hard to shake off the the, the formality and just get real with it. You know and feel comfortable and confident with that.  19:21 - Anne (Host) Can I ask you to repeat that, can you that you said, you said what you said. It was hard, it's hard, it is hard, right. It is so hard Like I love it because you create that scene Right. It is so hard, like I love it because you create that scene Right In which those words make sense, right.  19:36 And tell a story and sometimes those words are really we don't know. We don't know that, Like I, have some people that are almost indignant that they don't have a storyboard or they don't. They don't understand the words. So therefore, if they don't, they're just kind of well, let's just say them then.  19:58 - Rolonda (Guest) Right In a melody that I think they want to hear. Rolonda, that's great, then they'll have a melody that they just heard, but they won't have the commercial.  20:03 - Anne (Host) I love it, so yes, so you said it's hard, rolanda says it's hard, it is.  20:09 - Rolonda (Guest) I go on record as saying the hardest thing I've ever had to do whether it was talk, tv or vocal or physical acting is being myself. Now in life, I have no problem beingRolondaauthentically Rolanda. What you see is Rolonda you get. But it's something that happens when we pick up that script and that microphone is in front of us and, all of a sudden, things start changing and happening. We're just not ourselves. I don't sound like myself. I don't like toRolondahear my voice. It takes, it's really acting. When you hear people who sound like how did they get that job? They don't even sound like a voice actor. It's because they are turning themselves Rolonda a virtual pretzel justRolondato sound like that, to sound so normal.  20:58 I remember when I first started doing my talk show um, the, the demand of being a, an actor I mean not an actor, but a talk show host with a talk show called rolanda was that you had to be Rolanda. You couldn't be the news reporter anymore. That was crucial to the success, and so it was very hard to even do it then, and I can remember my bosses and my partners calling going get that news reporter out of there, bring back Rolanda. And I said but I've got this crazy laugh and a raspy voice and I, you know, I'm a Southern accent and that's everything that makes my brand. I mean, it's crazy, but that's Rolanda. When you say Rolanda, that's what you hear. So whatever that is about you, whatever that quirky, crazy thing that you think is your fault, that's going to be your greatest asset. You know, when I was a little kid, they called me froggy and I always played all the guys in all my all girls school plays and I thought that was a real fault of mine. And now I can play women, men, little boys, pirates, anything in this industry of voice acting, and there's no limitation. The only limitation is your imagination. It's not about the equipment, it's not even about your voice. It's about your brilliant imagination and what you bring to that character, not even the microphone, what you bring to that character that nobody else thought about. That made that animator go. Oh, I can't wait to draw this character, um, and to make the casting director's job easy. They want you to win, they want you to get this job, so give it to them, show them your special sauce.  22:43 But I think it takes real practice, practice, practice. Like carnegie hall, they say. You just don't walk up into carnegie hall and start playing the violin. No, you got to learn how the instrument works. You got to learn how to maintain it, take care of it, how to make love to that instrument so it delivers that God given art and craft that you've put into it. You've got to do the work. And a lot of people think, well, I can just go pick this up and read. And the sad thing is, and they don't take classes and they have no idea what they're doing wrong. The worst thing that can happen is you go years and years and years building on the wrong stuff because you never took the time to learn the right stuff. You don't know what you don't know. Yeah, that's so.  23:29 - Anne (Host) I'm.  23:29 - Rolonda (Guest) I'm real big on training and classes so that you get the education and the acting experience and you understand how to break down scripts, you understand the vocabulary of this industry and how to network and and and use your resources that are right there at your fingertips.  23:46 - Anne (Host) Well, I think I think you're probably very much a VO Boss on using those resources and networking throughout your whole career. That's absolutely something that I feel that you've you've done so successfully. What would you say is probably the most important thing tip that you could give to to ensure success in this industry? Because it's a evolving industry and, yes, being the the queen of reinvention, right, you've had to reinvent yourself, and reinvent yourself not only in, you know, voiceover, but in, like all the media and how it's evolved over the years. So what would be your, your best tip to ensure success? Don't quit there. You go.  24:26 - Rolonda (Guest) I like that. The only people who don't succeed in voice acting are people who quit. I like that. You know, even the greatest ones. And you know, when we're at the VO Atlanta conference and we're with the greats I mean we're with Bob, who's Porky the pig, and we're with Joe, who's every network's Anne and when you hear these, these, these major vo stars and pros say, man, I do 50 to 100 auditions and may not nab the job a lot of us went whoa.  24:59 - Anne (Host) thank god, it's just not us, because yeah, I mean I can show you a stack in my head. I'm like oh, thank god, because, yeah, I, I just did a ton, I know, yeah, and look, listen I hear some auditions from this month okay yeah, am, I, am, I am I booking every one of them?  25:16 - Rolonda (Guest) no, but that's but. But you have to change your mindset. Every time I show up that microphone and I'm doing an audition, I'm not going up there. Well, I'm not going to get the job anyway. If you've got a bad attitude like that, it's time for you to jump into a classroom and just realign yourself, because this is a long game. And let me tell you what's going to happen when you get great you nab that job, you go and do that commercial. One hour it's gone and you're right back to auditioning again. So don't put all of your emphasis on just the job, but the but, the practice, the maintenance of it. Uh, going to conferences like the VO Atlanta conference, vo Dallas conference, sosa look up these places. That's a good place to hobnob. This is a very solo business. You're a solopreneur, you're by yourself, you, your microphone, your computer and your imagination. That's it. So get out and join memberships. Like Anne. You can come and take my class, the voice acting masterclass with Rolanda. In fact, I'm going to offer your listeners a very special deal if they're interested.  26:29 But that's another way that we build community and you learn what's the cutting edge. Right now we're dealing with AI. What does that mean? Staying on the cutting edge of things that are going to affect your career and really take it as a business. This is not just a hobby. Understand how your taxes work, understand the legalities and understand the questions to ask when you're signing a contract. Now just don't run out there all willy-nilly and not ask the right questions or your voice will be used forever and you not get paid. You know the video game people just had a strike and got some. Where are we moving forward in the business?  27:10 Be able to talk intelligently about the business. So when you're out there meeting people, they know, oh okay, this is somebody really serious. This isn't just somebody who just got a microphone on amazon and call themselves a voice actor, because there's a lot of that. But I say that um, really, just don't quit and understand that every time you show up in front of that microphone, it's another opportunity to show you a special sauce. And if the casting director doesn't get you into this particular job and that's not their decision, it's the producer's or whoever the client is. If you don't make it then, then at least they've heard you. I get a lot of times where they're. Rolonda same client will keep calling me back and I know I've impressed them in those other auditions I've done, so I know they're looking for something for me, so I just keep showing up, doing the best that I possibly can and finding ways to make it different. Because they've heard the same audition 50 million times, sometimes 500 times.  28:12 So what can you do to make it a little different and still stay within the parameters? So there's Ganguzza kinds of tricks and strategies and all kinds of things that you can do to stand Ganguzza and also how you market yourself like anything else. This is a brand Just because Rolonda have a microphone. Anything else this is a brand. Just because you have a microphone doesn't mean you have a brand. So reallyRolonda you know, that's one of the things I tell my students all the time. Once you get the breaking down the script and understand how the microphone and the vocab let's, let's talk about marketing, social marketing. How do we brand ourselves? How can you be one name like Rolanda and people immediately know what that means, and so that's really knowing your stuff and knowing your own voice too, that's so interesting because for a while, when I first started, I had different names.  29:00 - Anne (Host) I mean I, of course I started VO Peeps, I have VO Boss, and then I have Anne Ganguza brand and I'm like I really just need to wrap it all up into the Anne Ganguza brand. So finally, people say I need an Anne Ganguza, like I need a Rolanda. I need an Anne Ganguza, and so I love that that you have that brand and you build on that brand. But, rolanda, let me ask you a question, because I saw the stack of auditions. Do you I mean still, do you get, still I say still do you get an imposter syndrome?  29:31 - Rolonda (Guest) I think I'm pretty much. I'm pretty much at this time in my life. I know who I am. You know I'm not trying to. I've done enough and achieved enough and have enough confidence in myself. I think you know what I think this is. The other thing about this industry is confidence, because you can hear I can hear through a microphone. If you're not confident and you don't even believe yourself, if you see it, I'm going to see it. If you believe it, I'm going to believe it. And that's half the battle, I mean, and that's also part of the practice of this art and this craft, is learning how to still your nerves. Breathing is so much a part, warming up is so much a part of it and it's a full body job. This is an inside job because your beautiful vocal cords are right here in this body encases it. So you got to work out, you got to stretch. You know I love this. Old morgan freeman used to say that the secret to his great voice was a good, deep yawn.  30:29 Absolutely, you know because it just loosens up everything and these 41 muscles up here need to be worked out. A lot of people just jump right up, start reading, don't even warm up their mouths.  30:40 - Anne (Host) As evidenced by your. I think it was yesterday when I saw you on Facebook and you were like all right, I'm going back to the gym.  30:48 - Rolonda (Guest) I know. I messed up.  30:50 - Anne (Host) That's it. I'm going back.  30:54 - Rolonda (Guest) I'm a hot mess but.  30:56 - Anne (Host) I think that warming up I mean it helps, it absolutely does. Just a physical walk, you know, if you go to the gym, a physical warmup does absolutely help. Now, we did talk, we touched upon the confidence issue. We did talk, we touched upon the confidence issue, and one thing that I'm really excited about is that in let's see, is it in September, on the 17th, we are going to have you doing a guest directorship for the VO bosses on improv to improve your confidence and connection. So we will be talking about how bosses can remain confident or stay confident or get confident in the booth, and I love that.  31:35 You said that we can hear. We can hear that confidence and it's really interesting because even if you're telling a story and it may not be the story that ends up being on the video or the commercial right or the commercial right If we're auditioning and we're telling a story and we're convinced of it and we are confident in it, then the people listening, the casting directors, the people that will cast us, will believe it as well, and I think that's one of the telltale signs that they say, ah, shortlist, or that's what's gonna get you the gig.  32:05 - Rolonda (Guest) I think confidence and that's really believing in yourself and being able to take chances and risks. Because you know, think about it. The casting director is hearing 500 people say the same three lines. What are you going to bring to that story that's going to make a difference? I'll give you an example.  32:23 I did an at t commercial and it was about it. It was a very little short commercial and it was about a young girl who sees her mother, who has gone out for girls night at a salsa club, and she says mom, is this you on social media? And the mother goes oh, yes, honey, we were out with Raul last night and we were just dancing and then I something happened. And I said and I just to world. That was not even a line in the script, but I just had this imagination, cuz I used to go out salsa with my girlfriends in California and, honey, when Eduardo would ask us to dance, we would to world. And that just brought that into that like an aunt Lucille, and that's what got me the gig. And it was, and it was just that little button that we say, you know, because they've heard 500 times that people say the same thing yes, I went salsaing with my girlfriend, but nobody twirled but me, nobody's.  33:26 - Anne (Host) nobody else is twirling except for Rolanda. Nobody else is.  33:29 - Rolonda (Guest) honey, that's how much fun I had, which lets you know what that video must have looked like, that the girl saw.  33:36 Absolutely, absolutely, and listen and the fact that these old ladies were even on social media, lets, you know, those boys were young. They taught him how to tick and tock and twirl, you know. So I'm having a whole imaginative thing about going out with my girlfriends and then my girlfriend, my daughter, catching me. Oh please, child, we had a good time. You know, we don't care about what people think at this age. So bringing all of those things, even my own wisdom at this age, like I don't care, honey, I'm twirling with Eduardo because the guys my age don't twirl, so I'm bringing all of that fun into it, you know.  34:11 Another example was when I did judge Joe Brown. You know I was the Anne for that show and when I was doing the audition we had to, you know, was a promo, so I would have to read the line and then listen to the sound bite and then read the line in between. And listen to the sound bite, read, read the line. And I was so big. Judge Joe was such a crazy, freaking judge show. I would say, coming up today on Judge Joe, I'm going to slit your tire and I'm going to beat Shaniqua Mary can't stand, john and then I'm going to cut your other tire and then I would be.  34:46 And then one time I just went, whoa, the next Judge, joe. Honey, they fell on the floor. I was so busy listening that I was reacting like an at home person and I was like, ooh, on the next Joe. I was so irreverent that they created a little animation called lady justice and it was a little bug and I made up this whole story that lady justice was in love with joe just like the daytime audience was gone. Joe, tell them, joe, that's judge, joe, you know because I know the daytime audience. Yeah, so that's the other question we asked who are you talking to?  35:30 - Speaker 3 (Announcement) absolutely, this wasn't the inside edition audience. This. Don't be afraid to take that risk.  35:53 - Rolonda (Guest) You can do a straight one on the next Judge. Joe and Shanique was going to go, but honey, one time let it rip and show them that you can have fun. Fun is the main key. If it's not fun, don't do it.  36:05 - Anne (Host) Yeah, I agree, I think if you can make, if you can make someone laugh, if you can, if you can, if you can bring a smile to that casting director, that person listening to you, oh my goodness. And speaking of because normally I try to make this, you know, a 30 minute podcast, but I do want to touch upon. I do want to touch upon the fact that you are a stand up comedian as well, and we had quite a conversation at VO Atlanta on that, and so I feel like that's just all embedded in your personality and I think you were always a funny person, like from maybe a young girl. But talk to us about being at stand up comedy is tough.  36:41 - Rolonda (Guest) Oh, it's really tough.  36:42 - Anne (Host) But you know something that's a rough audience.  36:45 - Rolonda (Guest) Know your audience. Who are you talking to? That's true. And you know something Lunell taught me that she said know your audience, be able to switch on a dime, whatever. But I'm going to tell you just, VO bosses, that comedy helps immensely. It helps your timing, you know. So much of comedy comes in threes. So when you're doing animation or even some fun commercials, what's that third line where the funny ABC?  37:10 - Anne (Host) read right Where's that?  37:11 - Rolonda (Guest) Where's that? Third line where the funny? Or they want an ABC. Read Right, where's that? Where's that? Where's the funny? And that also gives you the confidence and the imagination and and I tell you funny, joan Rivers told Sherri Shepherd funny girls always work, funny women, funny girls always work, funny women, funny women always work. So adding a little humor to something I think makes you stand out. But I love the craft of comedy. I'm uh got uh some comedy shows here in New York at the comedy village comedy in Harlem, and then I'm going to go out to flappers in LA this winter December for the holidays and I'm opening for Lunell and that's really exciting so yeah, I'm getting my comedy on Awesome.  37:58 - Anne (Host) Look out for me on Netflix one day. I do not doubt it. Well, rolanda, it has been such a pleasure. I wish I could talk to you for another. Well, another five episodes.  38:07 - Rolonda (Guest) Oh, wait a minute. Wait a minute Speaking of Netflix. I got to do this and we're talking about Michelle Boutot's show survival of the thickest.  38:15 - Anne (Host) I'm on that one as well on Netflix. Awesome. Oh, and before and before we actually go, talk to us a little bit about September 17th improv to improve your confidence. A little bit about what we're going to, we're going to be diving into in that class.  38:30 - Rolonda (Guest) Oh, I can't wait to that class because improv is such a great way to gain your confidence, to loosen up and to have a whole bunch of fun. The beautiful thing about improv is there are certain rules that we go by, but it's just fun and it's going to help you tap into your authenticity. One good example we improv every day in life. You talk to your lover very different than you do to your boss, and don't let your best girlfriend call you in the middle of the day, and then, when your mother calls, listen to all the different voices that we have, and that's a lot of improv too. Improv also helps you listen and much of acting is about listening and I think you will surprise yourself, and part of the improv to improve your confidence is finding your own voice and discovering things through this exercise about your own experiences and about your being able to to react on a dime and have fun and laugh about it. Then when you you get those scripts, you can improv in your head.  39:32 I always do a little role play before I start, something Like if I have to play an old grandma, then I talk like an old grandma. Okay, I spin and rush them out. Our teeth don't fit too well. You got a little pain in the rats every once in a while. So you keep building these wonderful things that help you. Listen, you may not get that job, but you know you're going to doggone. Put in the effort because you've done the work. You know you. You will be so surprised, all the places that your voice will take you. And improv too. I mean there are times you're going to meet strangers, a new boss, and going to have to improv too. I mean there are times you're going to meet strangers, a new boss and going to have to improv too.  40:13 So improv is going to be a fun exercise for us. We're going to then take scripts, break down those scripts and do some acting. I'm going to teach you about Uta Hagen's nine questions. We're going to talk a little bit, a bit about Sandy Meisner's techniques, and these are just little things that you can put in your hip pocket that will help you. When you go out into the world and you're in that booth by yourself and you look to the right and the left and there's nobody there but padded walls, what are you going to do? You're not going to freak out, because we're going to learn about warmups and what we do with all this body when we're nervous and behind a microphone, because I can hear nervousness, I can hear it. So let's uh, let's work on that rolanda, did you hear my nerves?  40:57 - Anne (Host) did you hear my nerves when I was interviewing you are so not nervous listen, you need to make it easy.  41:05 - Rolonda (Guest) You've got the ganguza method, that's it there you my own method. I want to be gangouza'd. I love it.  41:12 - Speaker 3 (Announcement) I love it oh my gosh.  41:14 - Anne (Host) Thank you so so much. It has been such a pleasure talking to you today.  41:19 - Rolonda (Guest) You know how much fun we have. We get together and start talking and the sun can come up.  41:23 - Anne (Host) So true, so true.  41:23 - Rolonda (Guest) Thank you, thank you so much.  41:25 - Anne (Host) I so true, thank you. Thank you so much. I'm so excited for you, for our class in September. Bosses, I'm going to give a great big shout out to our sponsor, ipdtl. You, too, can connect and network like bosses, like Rolanda and myself. Find out more at IPDTLcom.  41:42 - Rolonda (Guest) I just wanted to add this that if any of your listeners wanted to check out my voice acting masterclass voice acting masterclass I'm going to offer 50% off if they use the code VO Boss 50.  42:01 - Anne (Host) Oh, I love it. Vo Boss 50.  42:01 - Rolonda (Guest) I'll put that on the show notes, guys. Thank you so much, Just for your listeners. 50% off. Vo Boss listeners go to Rolandacom.  42:08 - Anne (Host) Awesome Thanks. Bye bosses. Thank you, Rolandacom. Awesome Thanks, Bye bosses. Thank you, Rolanda. Bye.  42:13 - Speaker 3 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via ipdtl.   

Join us as we dive into Clarence's dream and murder in Shakespeare's Richard III.

A nonprofit group of actors is popping up in unusual places, like parks and breweries to provide more intimate and affordable ways to experience classic plays.

As the National Theatre's production of The Importance of Being Earnest transfers to the West End with Stephen Fry taking the role of Lady Bracknell, but do older actresses lose out when men are cast in women's roles? Nikolai Foster, Artistic Director of the Leicester Curve Theatre and Nicky Clark, founder of the Acting Your Age Campaign discuss. The bestselling author of Yellowface, R.K. Kuang, discusses her new novel Katabasis.Director Daniels Evans talks about his production of Born With Teeth which sees actors Ncuti Gatwa and Edward Bluemel reimagine the relationship of Marlowe and Shakespeare.And we hear archive of the late actor Terence Stamp, one of the defining cinematic figures of his generation talking about working with Federico Fellini.Presenter: Samira Ahmed Producer: Ruth Watts

“Ditto.” Join your favourite TransAtlantic podcasting duo – Ian & Liam – for our 292nd episode as we step into the supernatural, spin the pottery wheel, and revisit one of the great romantic blockbusters of the '90s: Ghost (1990). We're trading dream layers for subway spirits and Whoopi Goldberg one-liners as we discuss: Which member of the cast desperately needed an advocate behind the scenes just to get the part. Are there times when being a bad actor or actress is actually the right call in casting? Ian stumbles upon an almost-casting he would've loved to have seen—and another rumoured choice we take great umbrage with. Is the pottery scene one of the greatest cinematic moments of all time… or do we only remember it that way? Are Molly and Sam too perfect as a couple? Or is that exactly why the film works? Who on earth came up with the name Sam Wheat for the protagonist? We've got questions. Why does the cat only show up in two scenes—and does it secretly hold the key to ghost physics? Speaking of which: we welcome back Ghost Physics 101 as a proud course in the ever-expanding BFE syllabus. The sad story (both in canon and real life) of the Subway Ghost—no $5 footlongs here, just heartbreak and haunting. And finally, whether Ghost is the Best Film Ever—or just the most romantic take on death since Shakespeare. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE. We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor. Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/.