Podcasts about Hollywood

Rob and Michele Reiner did everything right. They showed up to every therapy session. They paid for eighteen rehab stays. They hired private instructors and family therapists. They let their troubled son live in their guesthouse even after he destroyed it—multiple times. And on December 14, 2025, they were found stabbed to death in their Brentwood home. Their son Nick, 32, was arrested that night and now faces two counts of first-degree murder.Today on True Crime Today, we break down the troubling history of Nick Reiner—the entitled Hollywood son whose struggles with addiction and mental illness were met with endless resources and zero consequences. A 2009 rehab roommate tells the Daily Mail that Nick was "a fucking pompous little punk" who constantly ranted about hating his parents—the same parents who attended every family session while other wealthy families sent nannies.We examine Nick's own admissions on the Dopey podcast: destroying property with "no logic," stealing OxyContin from sick elderly people, and getting high during the press tour for Being Charlie—a film about his recovery that his father directed. We look at the 2020 mental health conservatorship, the reported medication change weeks before the killings, and the disturbing scene at Conan O'Brien's Christmas party where guests say Nick was "freaking everyone out" just hours before his parents' deaths.This is the story the headlines won't tell you. Money couldn't save Rob and Michele Reiner.#TrueCrimeToday #NickReiner #RobReiner #MicheleReiner #ReinerMurder #TrueCrime #HollywoodMurder #BrentwoodMurder #Parricide #BreakingJoin Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspodInstagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/tonybpodListen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872This publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.

By the time Nick Reiner was fifteen, he'd already learned a dangerous lesson: there is no bottom, because someone will always catch you. His parents—legendary director Rob Reiner and photographer Michele Singer Reiner—spent decades trying to save their troubled son. Eighteen rehab stints. Private wellness instructors. Family therapy. A guesthouse on their $13.5 million Brentwood estate that sources say he destroyed multiple times and they kept repairing.On December 14, 2025, Rob and Michele were found stabbed to death. Nick was arrested that night.In this Hidden Killers deep dive, we examine who Nick Reiner really was—not the redemption story from the 2015 film Being Charlie, but the darker reality hidden behind Hollywood privilege. A rehab roommate describes him as "a fucking pompous little punk" with "no sense of gratitude." A family yoga instructor recalls childhood tantrums so intense she'd "never seen a child like it." And Nick himself, on the Dopey podcast, admitted to destroying property with "no logic" and stealing medication from the elderly.We trace the path from entitled child to alleged killer—through a 2020 mental health conservatorship, a reported medication change weeks before the murders, and a Christmas party at Conan O'Brien's house where multiple guests saw a man in crisis and no one called 911. This is a story about what happens when money can't buy accountability and love becomes enabling.#NickReiner #RobReiner #MicheleReiner #HiddenKillers #TrueCrime #HollywoodMurder #ReinerMurder #Parricide #Addiction #MentalHealthJoin Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspodInstagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/tonybpodListen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872This publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.

Millions of movie buffs knew Robert Osborne as the elegant, erudite film historian and host of Turner Classic Movies, but few knew that he spent time as a struggling actor, was mentored by comedy legend Lucille Ball, and even appeared in the pilot of “The Beverly Hillbillies” — a show he was certain would “never catch on.” Some years ago, Gilbert sat in as TCM's “Guest Programmer” and Robert generously returned the favor by traveling to Manhattan's Society of Illustrators on a hot July evening to dish a little dirt and share anecdotes about Hollywood luminaries Bette Davis, Olivia de Havilland, Natalie Wood and Walt Disney (among others). Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's Cringe, we give an Amber Heard update. Dive deep into the Queer Eye drama. Discuss a little Mr. Big AKa Chris Noth and turns out Stef can do an amazing impression!Want $5 in your account? Head to acorns.com/ROSEPRICKS or download the Acorns app to get started.

Rush Hour – Morning Episode • Blake Lively vs. Justin Baldoni explodes as new PR around Taylor Swift raises eyebrows • Reports suggest Travis Kelce helped convince Taylor that Blake wasn't being a good friend • Behind-the-scenes texts and strategy fuel the growing Hollywood fallout • Tragic shooting in Minnesota leaves a community shaken and searching for answers • Super Bowl matchup is set — who's heading to the big game and what to expect

Natalie and Paige break down Blake Lively's career, public image, and how she became one of the most talked-about women in pop culture. From Hollywood sweetheart to discourse magnet, this episode explores the high and lows of Blake's life thus far. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Gangland Wire, Gary Jenkins sits down with author Craig McGuire to discuss his gripping book, Empire City Under Siege, a deep dive into three decades of FBI manhunts, mob wars, and organized-crime investigations in New York City. Craig explains how the project grew out of his collaboration with retired FBI agent Anthony John Nelson, whose career spanned the most violent and chaotic years of New York's Mafia history. From Nelson's early days as a radio dispatcher in 1969 to his transition into undercover and frontline investigative work, the book captures the gritty reality of law enforcement during the 1970s and 1980s. We explore how Nelson's career mirrored the evolution of organized crime and law-enforcement tactics, including the rise of undercover stings, inter-agency cooperation, and the increasing role of technology. Craig highlights the close working relationship between Nelson and NYPD detective Kenny McCabe, whose deep knowledge of Mafia families and quiet professionalism led to major breakthroughs against organized crime. He tells how these two investigators wathced and uncovered the Gambino Family Roy DeMeo crew under Paul Castellano and Nino Gaggi. Throughout the conversation, Craig shares vivid, often humorous slice-of-life stories from the book—tense undercover moments, dangerous confrontations, and the emotional toll of living a double life. These anecdotes reveal not only the danger of the job but also the camaraderie and resilience that sustained agents and detectives working in the shadows. The episode closes with a reminder that Empire City Under Siege is as much about honoring unsung law-enforcement professionals as it is about mob history. Craig encourages listeners to support true-crime storytelling that preserves these firsthand accounts before they're lost to time. Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here. 0:02 Welcome Back to Gangland Wire 2:14 The Journey to Anthony John Nelson 4:46 The Life and Work of Law Enforcement 15:00 Inside Anthony Nelson’s Early Career 26:49 The Dynamic Duo: Nelson and McCabe 30:16 Tales from the Underworld 35:55 The Tragedy of Everett Hatcher 39:12 The High-Stakes World of Undercover Work 40:56 Closing Thoughts and Inspirations transcript [0:00] Hey, all you wiretappers. Good to be back here in studio of Gangland Wire. I say the same thing every time. I hope it doesn’t bore you too much, but I am back here in the Gangland Wire studio. And I have today an author who interviewed and wrote a book with an FBI agent named Anthony John Nelson, who was one of the premier FBI agents in New York City that was working the mob. And even more interesting about him to me was he formed a partnership with a local copper named Kenny McCabe, who you may know the name. I had read the name before several times as I started researching this and looking at the book, but he was a mob buster supreme and Agent Nelson really formed a dynamic duo. But first, let’s start talking to Craig, your book, Empire City Under Seize, Three Decades of New York FBI Field Office Manhunts, Murders and Mafia Wars. How did you get involved with Anthony John Nelson? [0:55] Hi, Gary. Thanks for having me on your show. Big fan. Appreciate the opportunity. Very interesting and winding path that led me to Anthony’s doorstep. I also previously wrote another book, Carmine and the 13th Avenue Boys, which was about an enforcer in the Colombo family during the Third Colombo War. And I was introduced to Carmine Imbriali through Thomas Dades. Tommy Dades, he’s a famous retired NYPD detective. So after the success of that book, Tommy introduced me to another member of law enforcement. I started to work on a project that sort of fell apart. And one of the sort of consultants, friends that I met with during that was Anthony Nelson. And then one day as that, due to my own fumbling, as that project was falling apart, I had a delightful breakfast with Anthony and his wonderful wife, Sydney, Cindy, one Sunday morning. And Anthony’s pulling out all these clips of all these investigations and all these Jerry Capiche gangland clips. And it was just fascinating. And so I started to realize that there’s something here because I’m also a true crime fan and I remember many of these cases. [2:08] So it took a while to get Anthony to agree to write a book. He’s not one for the spotlight. He’s really your sort of quintessential G-man, modern G-man. It’s also somewhat of a throwback. But he eventually was interested in doing a book if we didn’t just shine the spotlight on him. Gary, you should know the original, the working title of the book was In the Company of Courage. And that’s really the theme that Anthony wanted to bring forth. You’ll notice throughout the book, there are some vignettes and some biographical information about many of the members of law enforcement that I interviewed, but then we also covered and who are no longer with us. It was my privilege to write this book sharing Anthony’s amazing history, 30 years at the FBI and then several years at the Brooklyn District Attorney’s Office as an investigator. And just like one of the themes is just to really shed some light on the valuable work that members of law enforcement, including you, sir. Thank you for your service. And we think too often these days, members of law enforcement are maligned and there’s a negative light cast on them. It’s the most difficult job in the world. And we just want to make sure that we’re shining some light on that valuable work that the thousands of members of men and women in law enforcement do every day protecting us. [3:24] I appreciate that. I’ll tell you what, all the way from the rookie on the street making those domestic violence calls and party armed calls and armed robbery alarms calls that are, there’s nothing there the first five times you go. And then all of a sudden there’s a guy running out with a gun all the way up to the homicide detectives. And even the people that handle the budget, they all paid their dues out on the streets and organized crime investigators, of course, and narcotics. I really appreciate that. It’s a thankless job for the most part. Once in a while, you get a little thanks, but not much. As we used to say, it was fun. I can’t believe they pay us to do this. [4:01] Gary, it’s like you’re repeating some of the lines of Frank Pergola to Al King, just like that. And that’s key, that thankless piece. I remember interviewing Frank Pergola, just famous New York City detective, worked on Son of Sam. He also worked on solving 79 homicides related to the Gambinos and the DeMeo family. And he echoed those same sentiments. While you’re investigating a case, it’s the victims’ families and the victims, their nerves are so fraught. It’s such a stressful situation. And the members of law enforcement bear the brunt of a lot of that frustration. [4:41] And too often, there’s no thank you at the end. And it’s not that they want to thank you. It’s just that they want the sort of closure, not even the recognition, just some sort of realization that they did a great job. And it’s unfortunate that they don’t, that doesn’t happen as often as it should. I appreciate it. Let’s talk about Anthony Nelson. He sounds like a very interesting character. Talk a little bit about what you learned from him about his early career. And I want to tell you something, that recalcitrance, I believe that’s the word, $25 word if I’ve ever heard one. His refusal to really make himself a hero or the center of attention. That’s pretty common among cops and FBI agents. I’ve noticed we’ve got, I’ve got a good friend here in Kansas City, wrote a book about the mafia in Kansas City called Mopsers in Our Mist, but he refused to put himself into the book. He had a publishing company that wanted him to do it and was going to pay him to do it, but it had to have him as a hero. He said, we have to have a hero in this book. He says, I won’t do it. So that Mr. Nelson, Agent Nelson, that’s not that uncommon. So tell us a little more about some of his early cases. [5:49] Anthony Nelson, interestingly enough, his career trajectory and really his life tracks with the latter half of the last century. And a lot of the technological evolution, the rise of organized crime post-prohibition, these themes of urbanization, radicalization that came out from the starting in the middle of the century. But really heating up as a young Anthony Nelson joins the FBI in 1969, really mostly in administrative roles, radio dispatcher first, eventually he’s an electronics technician. So I’m sure, Gary, you can reflect on, and some of this will resonate with you, just how archaic some of the technology was. Oh my God, yeah. Yeah. Back then, we have some fantastic anecdotes and stories in the book, but just also like, for example, when you’re responding to a hostage crisis and you don’t have a cell phone, you don’t have minimal communications and talking about, you better make sure you have a pocket full of dimes and knocking on a neighbor’s door because time is of the essence and to establish contact. So just some of this great, really interesting material there. Eventually, Anthony was sworn in as an agent in 1976, and he entered the FBI Academy at Quantico, graduated in 77. [7:13] And interestingly enough, Anthony reflects like some of his fellow graduates, perhaps were not as keen on going to New York, one of the larger field offices, perhaps wanting to cut their teeth at a smaller office, but he obviously wanted to go home. So he was, and he jumped right into the fray, really assigned to hijacking. And he was an undercover operative in Red Hook during the 1970s, like the really gritty. And from the stories and from the various folks I interviewed, this really was gritty New York back then with the economy failing, crime on the rise. [7:48] Gary, you look, I heard an interesting stat last week where you had, there was almost a record setting that New York City had not reported a homicide for a record 12 consecutive days. And that had not happened in decades. So when Anthony joined the FBI, they were recording five homicides in New York City. And also during the 70s, you also had this, when you talk about radicalization, with 3,000 bombings nationwide, corruption was rampant. You had credit card fraud was just kicking off. You had widespread bread or auto theft and hijacking. Again, at the street level, Anthony was the front for a Gambino-affiliated warehouse where he had first right of refusal, where some of the hijackers would bring in the loads. And he was doing this on an undercover basis. So he jumped right in. They set him up in a warehouse and he was buying like a sting, what we called a sting operation. He was buying stolen property. They thought he was a fence. [8:50] Yeah, they started doing that in the 70s. They hadn’t really done, nobody had done that before in the 70s. ATF kind of started sting operates throughout the United States. We had one here, but they started doing that. And that was a new thing that these guys hadn’t seen before. So interesting. He was that big, blurly guy up front said, hey, yeah, bring that stuff on. Exactly. If you look on the cover, there are three images on the cover, and one of them is following one of the busts afterwards where they tracked down the hijacked goods. I believe it was in New Jersey. So you could get the sense of the volume. Now, think about it like this. So he’s in Red Hook in the mid-70s. This was actually where he was born. So when Anthony was born in 49, and if you think about Red Hook in the early 50s, this was just a decade removed from Al Capone as a leg-breaking bouncer along the saloons on the waterfront. And this was on the waterfront, Red Hook eventually moved to Park Slope. [9:49] And this was where Crazy Joe Gallo was prompted, started a mob war. And this was when any anthony is coming of age back then and most of his friends is gravitating so to these gangster types in the neighborhood these wise guys but this was a time pre-9-1-1 emergency response system so the only way to report or get help was to call the switchboard call the hospital directly call the fire department directly so you had the rise of the b cop where it wasn’t just the police they were integral part of the community and there’s this really provocative story Anthony tells the first time he saw a death up close and personal, an acquaintance of his had an overdose. And the beat cops really did a sincere effort to try to save him. And this really resonated with the young Anthony and he gravitated towards law enforcement. And then a little bit, a while later as a teenager, they’re having these promotional videos, these promotional sort of documentary style shows on television. And Anthony sees it, and he’s enamored by it, especially when they say this is the hardest job in America. So he’s challenged, and he’s a go-getter. So he writes a letter to J. Edgar Hoover, and Hoover writes him back. [11:03] So it’s a signed letter, and now Anthony laughs about it. He says it was probably a form letter with a rubber stamp, but it really had an amazing impact. And this is at the time when, you know, in the 50s, you really had J. Edgar really embrace the media. And he actually consulted on the other famous, the FBI television show, several movies, the rise of the G-Man archetype. So Anthony was fully on board. [11:28] Interesting. Of course, J. Edgar Hoover wanted to make sure the FBI looked good. Yes, exactly. Which he did. And they were good. They had a really high standards to get in. They had to be a lawyer or accountant or some extra educated kind of a deal. And so they always think, though, that they took these guys who had never been even a street policeman of any kind and they throw them right into the DPN many times. But that’s the way it was. They did have that higher level of recruit because of that. So, Anthony, was he a lawyer or accountant when he came in? Did he get in after they relaxed that? Oh, that’s spot on. I’m glad you brought that up. So now here’s a challenge. So Anthony needs that equalizer, correct? So if you’re a CPA, obviously a former member of the military, if you’re a successful detective or a local police force, one of these type of extra credentials. [12:20] Anthony’s specialty was technology. Now, when you think of technology… Not the ubiquitous nature of technology nowadays, where you have this massive processing power in your phone, and you don’t really have to be a technologist to be able to use the power of it. This is back in the 1960s. But he always had an affinity for technology. And he was able to, when he, one of the other requirements was as he had to hit the minimum age requirement, he had to work for a certain amount of time, he was able to get a job at the FBI. So he was an electronics technician before he became an agent. [12:59] And he had all of the, and back then this was, it was groundbreaking, the level of technology. And he has some funny story, odd, like man on the street stories about, I’m sure you remember Radio Shack when there was a Radio Shack on every other corner, ham radio enthusiasts. And it was cat and mouse. It was, they had the members of organized crime had the police scanners. And they were able to, if they had the right scanner, they had the right frequency. They were able to pick on the bugs planted really close to them. And he tells some really funny stories about one time there was a member of organized crime. They’re staking out, I believe it was the cotillion on 18th Avenue. And then I believe he’s sitting outside with Kenny McCabe. And then one of this member of organized crime, he’s waving a scanner inside and he’s taunting them saying, look, I know what you’re doing. And so it was that granularity of cat and mouse. [13:55] Rudimentary kind of stuff. Yeah. We had a guy that was wearing what we called a kelk kit. It was a wire and he was in this joint and they had the scanner and so but they had to scan her next door at this club And all of a sudden, a bunch of guys came running and there’s somebody in here wearing a wire. And my friend’s guy, the guy I worked with, Bobby, he’s going, oh, shit. And so he just fades into the background. And everybody except one guy had a suit on. Nobody had a suit on except this one guy. So they focused on this one guy that had a suit on and went after him and started trying to pat him down and everything. Bobby just slipped out the front door. So amazing. I mean, you know, Anthony has a bunch of those slice of life stories. I also interviewed a translator from the FBI to get a sort of a different perspective. [14:42] It’s different. Like the agents a little bit more, they’re tougher. They’re a tougher breed. They go through the training. Some of the administrative professionals, like the translators. So this one translator, it’s a pretty harrowing experience because remember the such the insular nature of the neighborhoods and how everyone is always [14:59] looking for someone out of place. So she actually got a real estate license and poses a realtor be able to rent apartments and then she spoke multiple dialects and then just to have to listen in and to decipher not only the code but also the dialects and put it together when you have agents on the line because remember you have an undercover agent if they get discovered more often than not the members of organized crime are going to think they’re members of another crew so you’re dead either they’re an informant if they think they’re an informant you’re dead if they think you’re an agent yeah just turn away from you say okay we don’t deal with this guy anymore if you think you’re informant or somebody another crew or something trying to worm their way in then yeah you’re dead exactly so interviewing maria for this you get that sense from someone who’s not in like not an agent to get true how truly harrowing and dangerous this type of activity was and how emboldened organized crime was until really the late 90s. And back then, it truly was death defying. [16:02] Oh, yeah, it was. They had so many things wired in the court system and in politically in the late 70s and early 80s and all these big cities. No big city was immune from that kind of thing. So they had all kinds of sources. They even had some clerks in the FBI and they definitely had all the court. The courthouses were just wired. And I don’t mean wired, but they had people in places and all those things. So it was death to find that you got into these working undercover. Ever. Hey, you want to laugh? I don’t want to give away all the stories, but there was a great story. I remember Anthony saying, they set up a surveillance post in an apartment and they brought in all the equipment while they were, then they got the court orders and the surveillance post actually got ripped off twice. So while they try, like after hours, someone’s going, yeah, ripping off all the FBI equipment. So you have this extra level of, so that gives you like, It really was Wild West then. Really? [17:00] So now he gets into organized crime pretty quick, into that squad and working organized crime pretty quick. I imagine they put him in undercover like that because of his accent, his ability to fit in the neighborhood. I would think he would have a little bit of trouble maybe running into somebody that remembered him from the old days. Did he have any problem with that? I spot on, Gary. I tell you, this was he. So he’s operating in Red Hook and actually throughout the next several years, he’s periodically flying down to Florida as a front for New York orchestrated drug deals. So he’s going down to Florida to negotiate multi-kilo drug deals on behalf of organized crime. But at the same time, he’s an agent. He eventually rose to be supervisory special agent. He’s managing multiple squads. So there did come an inflection point where it became too dangerous for him to continue to operate as an undercover while conducting other types of investigations. [18:02] Interestingly enough they opened up a resident agency office the ras are in the major field offices in the fbi they have these they’re called ras i’m sure you’re familiar these like mini offices with the office and they’ll focus on certain areas of crime more geographically based so they opened up the brooklyn queens ra and that really focuses heavily on organized crime but also hijacking because you had the, especially with the airport over there and a lot of the concentrations of, especially in South Brooklyn, going into Queens. So he worked there. Also the airport. Also the mass, you have this massive network of VA facilities. You have the forts. So you need these other RA offices. So you have a base of operations to be able to investigate. But Anthony has such a wide extent of case history, everything from airline attacks to art theft heists to kidnappings, manhunts, fugitives. There was Calvin Klein, the famous designer, when his daughter was kidnapped by the babysitter, it did do it. Anthony was investigating that. So it’s just, and while he has this heavy concentration in organized crime. I mentioned that. What’s this deal with? He investigated a robbery, a bank robbery that was a little bit like the dog day afternoon robbery, a standoff. What was that? [19:30] This was actually, it was the dog day afternoon robbery. They based a dog day afternoon on this. Exactly. What you had, and this was before Anthony was when he was still in his administrative role. So he had a communications position. So he was responsible for gathering all the intel and the communications and sharing it with the case, the special agents on site. So what you had was like, he’s with the play by play of this really provocative hostage. It was a bank robbery that quickly turned into a hostage crisis. And then, so throughout this whole, and the way it eventually resolved was the perpetrators insisted on a particular agent. I apologize. It slips my mind, but he’s a real famous agent. So he has to drive them to JFK airport where they’re supposed to have a flight ready to fly them out of the country. And what happens is they secrete a gun into the car and he winds up shooting the bank robbers to death. And there were so many different layers to this bank robbery. It eventually became the movie. And a funny story aside, the movie, while they’re filming the movie, Anthony’s at his friend’s house in downtown Brooklyn. It may have been Park Slope. And they’re calling for extras. His friends run in and say, hey, they’re filming a movie about this bank robbery that happened on Avenue U. You want to be an extra? And he said, nah, no thanks. The real thing was enough for me. [20:55] I’ll tell you what, it wasn’t for a New York City organized crime and New York City crime. Al Pacino wouldn’t have had a career. That’s the truth. [21:05] Now, let’s start. Let’s go back into organized crime. Now, we’ve talked about this detective, Kenny McCabe, who was really well known, was famous. And during the time they worked together and they were working with the Brooklyn District Attorney’s Office. Is that correct? Were both of them working for it? Was he at the FBI and Kenny was with the Brooklyn DA’s office? [21:26] When you think about thematically, in the company of courage, Kenny McCabe was really close. This was a career-long, lifelong, from when they met, relationship, professional relationship that became a deep friendship between two pretty similar members of law enforcement. [21:46] Kenny McCabe had a long career in the NYPD as organized crime investigator before he joined the Southern District Attorney’s Office as an investigator. So the way they first crossed paths was while Anthony was working a hijacking investigation. So he gets a tip from one of his CIs that there’s some hijacked stolen goods are in a vehicle parked in a certain location. So he goes to stake it out. Like they don’t want to seize the goods. They want to find out, they want to uncover who the hijackers are and investigate the conspiracy. So then while he’s there, he sees a sort of a familiar face staking it out as well. Then he goes to the, he goes to the NYA, a detective Nev Nevins later. And he asks about this guy. And so this detective introduces him to Kenny McCabe and right away strike up with his interesting chemistry. And they’re like, you know what? Let’s jointly investigate this. So they wind up foiling the hijacking. But what starts is like this amazing friendship. And I’ll tell you, the interesting thing about Kenny McCabe is almost universally, he’s held in the highest regard as perhaps law enforcement’s greatest weapon in dismantling organized crime in the latter half of the 20th century. For example, I interviewed George Terra, famous undercover detective who eventually went to the Brooklyn District Attorney’s Office. [23:12] And he had a great way. I hope I don’t mangle. Kenny knew all the wise guys and they all knew Kenny. And when I say he knew all the wise guys, he knew their shoe sizes. He knew who they partnered with on bank jobs years ago. So he knew who their siblings were, who their cousins were, who they were married to, who their girlfriends were, what clubs they frequented. For example, during the fatical hearings, where they would do sentencing, often the defense attorneys would want the prosecutors to reveal who their CIs are for due process, for a sense of fairness. And they refused to do that, obviously, for safety reasons, and they want to compromise ongoing investigations. So in dozens, perhaps so many of these cases, they were bringing Kenny McCabe. He was known as the unofficial photographer of organized crime. [24:07] For example, I think it was 2003, he was the first one who revealed a new edict that new initiates into Cosa Nostra had to have both a mother and a father who were Italian. Oh, yeah. I remember that. Yeah. He was also, he revealed that when the Bonanno family renamed itself as Messino, he was the one who revealed that. And then when Messino went to prison for murder, his successor, Vinnie Bassiano, Vinnie gorgeous. When he was on trial, that trial was postponed because so many of law enforcement leaders had to attend Kenny McCabe’s funeral, unfortunately, when he passed. So this is such a fascinating thing. Now, why you don’t hear more about Kenny McCabe, and I interviewed his son, Kenny McCabe Jr. Duke, is like Kenny McCabe like really issued the media spotlight. He would not, he wasn’t interested in grabbing the microphone. So you have almost no media on Kenny McCabe. If you do a Google search for him, I believe the only thing I ever found was a picture in his uniform as an early career police officer. [25:19] So it’s really hard to even do a documentary style treatment without having any media because B-roll is just going to get you so far. So really what Duke has been doing over the last two decades or more is really consolidating all of these as much material as he can. And I think eventually when he does put out a book, this thing’s going to explode. It’s going to be like true Hollywood treatment. But now going back to the mid-70s, so these two guys hook up. You have the FBI agent and you have the police detective. [25:49] Craig, what you always hear is that the FBI is suspicious and doesn’t trust local authorities. And local policemen hate the FBI because they always grab all the glory and take everything, run with it. And they’re left out. And I didn’t have that experience myself. They’ve got the case. They’ve got the laws. We don’t locally, county and statewide, you don’t have the proper laws to investigate organized crime. Yes, sir. But the feds do. So that’s how it works. This really blows that myth up that the local police and the FBI never worked together and hated each other. [26:25] I’m so glad you brought that up because this was very important to Anthony. He has so many lifelong friends in the NYPD, and I’ve interviewed several of them. And just this sincerity comes across, the camaraderie. In any walk of life, in any profession, you’re always going to have rivalries and conflict, whether healthy conflict or negative conflict. [26:46] Even more, you’re going to find that in law enforcement because the stakes are so high. But it’s a disservice to… And what we want to do is sort of dispel the myth that there was no cooperation. Why there were very well-publicized conflicts between agencies prosecuting certain cases. This was the time where technology was really enabling collaboration. Remember, and you had a time, if you had to investigate a serial crime, you had to go from jurisdiction to jurisdiction and you had to interview investigators. You had to comb through written records to piece this together. So it really was not conducive for collaboration. [27:22] So what you saw was the rise of, and then you had these investigative tools and these legal tools like RICO, while they were still trying to figure out and to build. So now you had the litigious tools where you could build conspiracies and prosecute them. So this sort of helped ferment this sort of collaborative interagency, which eventually led to these joint task force that were very successful. What I really love is this microcosm of Anthony Nelson and Kenny McCain. Now, Anthony Nelson was issued a Plymouth Grand Fury with the full police interceptor kit. If you’re familiar with that make and model, no automobile ever created screams cop-mobile like the Grand Fury. And so what you had was after hours, Anthony and Kenny would join up and they would go prowling the underworld with the Grand Fury on purpose. They wanted to be as conspicuous as possible. to the point where they would park in bus stops across the street from these social clubs. And when I say social clubs, they were… [28:29] Everywhere. There were dozens of them all over Brooklyn and Queens. And these are cafe, social clubs, bars, restaurants with heavy OC presence, blatantly conducting their business. So you have these two, Anthony’s always driving. Kenny’s always riding shotgun with his camera. I assume it was some sort of 35 millimeter hanging out the side, taking down names, license plates. Just a great story. You had Paul Castellano in front of Veterans and Friends on 86th Street when he had Dominic Montiglio start that social club so he could have more of a presence in Brooklyn on the street so that he actually crosses the street and he goes to Kenny and Anthony. And he’s saying, guys, you don’t have to sit out here. You could come down to Ponte Vecchio in Bay Ridge. I have a table there anytime you want to talk to me. So it’s that level of bravado. But pretty soon it changed. Once more of this intel started to build these real meaningful cases, Castellana put an edict, don’t talk to these two, don’t be photographed. What came out of that was an amazing partnership where they gathered so much intelligence and Anthony is very. [29:46] Quick to have me point out, give more credit to the investigators, to the agents, to the detectives. They gathered a lot of the intelligence to help with these investigations, but you had so many frontline folks that are doing a lot of the legwork, that are doing the investigations, making the arrests, that are crawling under the hoods. So it’s pretty inspiring. But then you also had some really good, and I don’t want to share all the stories [30:12] in the book. There’s a great story of Kenny and Anthony. They go into Rosal’s restaurant because they see this. [30:21] There may have been a warrant out on this member of law enforcement. So they had cause. So they go in and there’s actually some sort of family event going on. And they’re playing the theme song of The Godfather. As they go in and then they have to go into the back room to get this member of organized crime who’s hiding. So it’s these kind of really slice of life kind of stories that just jump out, jump out of the book. Really? I see, as I mentioned, they had some kind of a run-in with Roy DeMeo at the Gemini. You remember that story? Can you tell that one? Yeah, there’s, so Kenny and Anthony, throughout the hijacking investigations. [30:59] Were, they were among the first to really learn of this mysterious Roy. And his rise. And then also Nino. Remember Nino Gadgi was the Gambino Capo who took over Castellano’s crew, Brooklyn crew, when he was elevated. And then Roy DeMeo was really this larger than life maniac serial killer who formed the Gemini crew, which was a gang of murderers really on the Gemini Lounge in Flatlands, which is really close to Anthony’s house. And Kenny’s not too far. Didn’t they have a big stolen car operation also? Did they get into that at all? Yes. Stolen cars, chop shops. Remember, this is when you had the introduction of the tag job, where it was relatively easy to take the vehicle identification numbers off a junked auto and then just replace them with the stolen auto, and then you’re automatically making that legitimate. And then, so they’re doing this wholesale operation where they’re actually got to the point where they’re shipping hundreds, if not thousands of these tag jobs overseas. So it was at scale, a massive operation. Roy DeMay was a major earner. He was such an unbalanced, very savvy business for the underworld, business professional, but he was also a homicidal maniac. [32:22] Some say they could be upwards of a hundred to 200 crimes. Frank Pergola alone investigated and So 79 of these crimes associated with this crew. And it got to the point where, and he had a heavy sideline in drugs, which was punishable by death in the Gambino family, especially under Castellano. So then what you had was all these investigations and all this intelligence that, and then with this collaboration between the FBI and NYPD. Oh, wow. It is quite a crew. I’m just looking back over here at some of the other things in there in that crew in that. You had one instance where there was a sentencing hearing and of a drug dealer, I believe, a member of organized crime. And Kenny McCabe is offering testimony to make sure that the proper sentencing is given because a lot of times these guys are deceptive. [33:16] And he mentions DeMeo’s name. So DeMeo in a panic. So then maybe a couple of nights later, they’re parked in front of veterans and friends. And DeMeo comes racing across 86th Street. Now, 86th Street is like a four-lane thoroughfare. It’s almost like, oh, I grew up in the air a few blocks away. So he’s running through traffic. And then he’s weaving in and out. And he’s screaming at Kenny McCabe, what are you trying to kill me? Putting my name into a drug case? They’re going to kill me. And so it’s that kind of intimate exchanges that they have with, with these key members of organized crime of the era. [33:52] Wow. That’s, that’s crazy. I see that they worked to murder that DEA agent, Everett Hatcher, that was a low level mob associate that got involved in that. And then supposedly the mob put out the word, but you gotta, we gotta give this guy up. But you remember that story? Now, this is another instance where I remember this case. And I remember afterwards when they killed Gus Faraci. So what you had was, again, and this is very upsetting because you had DEA agent Everett Hatchard, who is a friend of Anthony’s. To the point where just prior to his assassination, they were attending a social event together with their children. And he would also, they would run into each other from time to time. They developed a really beyond like camaraderie, like real friendship. So then, so Hatcher has, there’s an undercover sting. So there’s Gus Faraci, who’s, I believe he was associated with the Lucchese’s, with Chile. [34:55] So he gets set up on the West Shore. And so he’s told to go to the West Shore Expressway. Now, if you’ve ever been on that end of Staten Island, that whips out heading towards the outer bridge. This really is the end of the earth. This is where you have those large industrial like water and oil tankers and there’s not really good lighting and all this. It’s just like a real gritty. So he loses his surveillance tail and they eventually, he’s gunned down while in his vehicle. So then Anthony gets the call to respond on site to investigate the murder. He doesn’t know exactly who it is until he opens up the door and he sees it’s his friend. And this is the first assassination of a DEA agent. It was just such a provocative case. And the aftermath of that was, again, like Gus Faraci, who was, he was a murderer. He was a drug dealer, but he did not know. He set him up. He thought he was a member of organized crime. [35:53] He was just another drug dealer. He did not realize he was a DEA agent. And then all hell broke loose. And you had just the all five families until they eventually produced Gus Faraci, set him up, and then he was gunned down in Brooklyn. [36:06] Case closed, huh? Exactly. Yeah. And as we were saying before, I don’t remember it was before I started recording or after that. When you’re working undercover, that’s the worst thing is they think that you’re an informant or a member of another crew and you’re liable to get killed. At one say, I had a sergeant one time. He said, if you get under suspicion when you’re like hanging out in some of these bars and stuff, just show them you’re the cops. Just get your badge out right away because everything just, all right, they just walk away then. It’s a immensely dangerous thing to maintain your cover. Yes, sir. Anthony was always good at that because tall gentleman has the right sort of Italian-American complexion. He’s passable at Italian. So with some of these folks, especially from Italy that come over, he could carry a conversation. He’s not fluent. [36:56] And he just walks in and talks in. It’s a different… George Terror was a fantastic undercover detective. And you talk to some of these undercovers, it’s like you have to be… There’s sort of this misperception that the organized crime members are like these thugs and flunkies. These are very intelligent, super suspicious, addled individuals that are able to pick up on signals really easy because they live on the edge. So you really can’t fake it, the slightest thing. And again, they’ll think that their first inclination is not that you’re a member of law enforcement. Their first inclination is that you’re a member of a rival crew that’s looking to kill me looks at looking to rip me off so i’m going to kill you first it’s just it’s just a wild and imagine that’s your day job oh man i know they could just and i’ve picked this up on people there’s just a look when you’re lying there’s just a look that just before you catch it quick but there’s a look of panic that then you get it back these guys can pick up that kind of stuff just so quickly any kind of a different body language they’re so good with that. [38:02] And he’s also, he has to be able to say just enough to establish his connection and credibility without saying too much that’s going to trip him up. And that’s like being able to walk that line. He tells, again, I hate giving away all these stories because I want readers to buy the book, but he has this fantastic story when he’s on an undercover buy and he’s, I don’t know if it’s Florida, if it’s Miami or it’s Fort Lauderdale and he has to go into a whole, like the drugs are in one location and he’s in that with the drug deals in one location and he’s in this location and, but he knows the money’s not going to come. [38:42] So he has to walk into this hotel room with all these cartel drug guys who are off balance, knowing that he’s got to figure out, how do I get out of this room without getting killed? And once I walk out, will the timing be right that I could drop to the floor right when the responding FBI agents, again, these are FBI agents from a different [39:08] field office that he perhaps doesn’t have intimate working. knowledge of. I got to trust that these guys got my back and they’re not distracted. So I can’t even imagine having to live with that stress. No, I can’t either. All right. I’ll tell you what, the book, guys, is Empire City Under Siege, the three decades of New York FBI field office man hunts, murders, and mafia wars by Craig McGuire with former retired FBI agent Anthony John Nelson. I pulled as many stories as I could out of the book from him. You’re going to have to get the book to get to the rest of. And believe me, I’m looking at my notes here and the stuff they sent me. And there are a ton of great stories in there, guys. You want to get this book. [39:50] I also want to say there’s something special going on at Wild Blue Press. My publisher specializes in true crime. And it’s just, they’re so nurturing and supportive of writers. Just fantastic facilities and promotions. And they just help us get it right. That’s the most important thing, Anthony, accuracy. So if there’s anything wrong in the book, that’s totally on me. It’s really hard to put one of these together, especially decades removed. But then I’m just thankful for the support of nature of Wild Blue and Anthony and all the remarkable members of law enforcement like yourself, sir. Thank you for your service. And Anthony, and I’m just so inspired. I just have to say, they’re like a different breed. And you folks don’t realize how exciting. Because there are so many stories like Anthony would come up with and he would say, do you think readers would be interested in this story? And I fall out of my chair like, oh my God, this could be a whole chapter. So it was as a true crime fan myself of this material, it’s just, it was a wild ride and I enjoyed it. [40:56] Great. Thanks a lot for coming on the show, Craig. Thanks, Gary. You’re the best.

Any day is a terrific day to talk about Natalie Wood, and this week the beloved actress is coming into full focus on Done and Dunne. Included in this first episode of Natalie Wood Week, we investigate her childhood and early stardom, along with those family complications. Next it is her teenage years, with the accompanying struggles found in Hollywood for a young woman. Natalie's two marriages to and one divorce from Robert Wagner is a focus, although her second divorce and love affairs are covered as well. The spiderwebs are off the charts in this one bringing in many previous players into the frame. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Justin Baldoni and Blake Lively deposition texts have been released , and the details are raising serious questions in Hollywood. In this episode, we break down the key messages, legal claims, and behind-the-scenes dynamics revealed in the court documents. We walk through what's actually in the texts, what's being disputed, and how this case could impact both Baldoni and Lively's reputations and future careers. If you've seen the headlines but want the real breakdown of what's in the filings, this episode lays it all out. Follow Us On ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Us On ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Us On ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon ⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

The Dana Buckler Show is BACK!

Chris Vogler, legendary story consultant and author of The Writer's Journey, joins Park Howell to reveal how the Hero's Journey is more than a Hollywood formula—it's a living, breathing blueprint for personal and brand transformation. You'll discover why wish fulfillment is at the heart of every great brand story, how to turn obstacles ("threshold guardians") into opportunities, and why stories have the power to heal, orient, and energize us in a chaotic world. Chris shares behind-the-scenes stories from Disney, explains the science of story energy, and offers practical advice for marketers, leaders, and anyone looking to create deeper connections with their audience. Whether you're building a business, leading a team, or searching for your own path, this episode will help you unlock the universal patterns that move people—and move the world. Related Episodes: • How to Use The Hero's Journey in Business and In Life, With John Bucher • Robert McKee: The Science of Story • Park Howell: The ABT Framework for Business

In this episode, Hilliard talks to five awesome, diverse, talented TV writers from the popular MENTORSHIP MATTERS WRITERS PROGRAM: Rich Scott, Renee Cunningham, Stephen Nolly, Mahalia Latortue-Pridgett and Joshua B. Kazemi! Tune in and listen to these amazing writers journeys. HIGHLIGHTS: The current climate in Hollywood and how to maneuver it, writing genre and comedy, how to pitch yourself, the writers' room, the future of Hollywood and so much more.

In this week's episode of the Black Girl Nerds podcast, we welcome X Mayo and Jean Elie who appear in the upcoming Marvel series 'Wonder Man' streaming on Disney+.  Aspiring Hollywood actor Simon Williams is struggling to get his career off the ground. During a chance meeting with Trevor Slattery, an actor whose biggest roles may be well behind him, Simon learns legendary director Von Kovak is remaking the superhero film “Wonder Man”. These two actors at opposite ends of their careers doggedly pursue life-changing roles in this film as audiences get a peek behind the curtain of the entertainment industry.X Mayo: X has continued to build an impressive range across film and television. She co-starred in Lionsgate's hit horror-comedy The Blackening, appears in Apple TV+'s acclaimed comedy Loot and in Disney's Freakier Friday. Her sharp comedic voice and distinctive presence continue to solidify her position as one of the most engaging performers in comedy today.  Jean Elie: Jean is best known for his portrayal of Issa's brother Ahmal Dee on the Emmy award-winning HBO series, Insecure, for his role on the Netflix hit series, Colin in Black and White and his work on The Eric Andre Show.His series (AMC) Allblk series Send Help, which he created with producing partner Mike Gauyo (also a writer from Insecure). Inspired by his own experiences, Send Help is a coming-of-age dark comedy series centered on a first-generation Haitian-American young man (Elie as Fritz Jean-Baptiste) who is struggling to overcome the challenges of “making it” in Hollywood while coming to terms with a recent family tragedy. Send Help is currently streaming on Tubi.Wonder Man premieres Jan 27th on Disney+Host: JamieMusic by: SammusEdited by: Jamie Broadnax

In this episode of Let's Get Dressed, I'm joined by stylist Karla Welch, one of Hollywood's most beloved celebrity stylists, whose clients have included Justin Bieber, Olivia Wilde, Sarah Paulson, and Tracee Ellis Ross.We talk through what really goes into an award season press tour, from Cannes to the Oscars, how red carpet moments come together, and how Karla approaches custom looks, designer relationships, and individuality over trends. We also touch on the realities of award season, career-defining fashion moments, and the work Karla is doing beyond fashion with the Period Company.Follow Karla on Instagram https://www.instagram.com/karlawelchstylistLearn more about the Period Company here https://period.coGet 20% an annual membership of our newsletter, Let's Get Dressed, here https://letsgetdressed.substack.com/lgdLove the show? Follow us and leave a review on Apple Podcasts and Spotify. To watch this episode, head to YouTube.com/@LivvPerezFor more behind-the-scenes, follow Liv on Instagram, @LivvPerez, on TikTok @Livv.Perez, and shop her closet here https://shopmy.us/livvperez Hosted on Acast. See acast.com/privacy for more information.

EPISODE 124 -  “EARL CARROLL VANITIES: SCANDAL, SPECTACLE AND THE JAZZ AGE” - 1/27/2026  When we think about the great showmen of early Hollywood, we often think of FLO ZIEGFELD, SID GRAUMAN or maybe BUSBY BERKELEY, but another man who certainly fits well into this fraternity of daring, flamboyant, and imaginative purveyors of entertainment was EARL CARROLL. Carroll was a producer, songwriter, and impresario whose career helped define the glamour and excess of Hollywood's Golden Age. Rising to prominence in the 1920s with his bold Broadway revues, Carroll brought to Hollywood a uniquely theatrical blend of elaborate staging, haute couture costuming, and the provocative extravagance that became his trademark. His famed Earl Carroll Theatre on Sunset Boulevard—adorned with a giant neon likeness of showgirl BERYL WALLACE —quickly became a Los Angeles landmark, drawing celebrities, industry moguls, and curious audiences eager for a sexy, entertaining show. Inside, his productions showcased meticulously choreographed ensembles, ornate sets, and the legendary showgirls, who were called “the most beautiful girls in the world.” Beyond the stage, Carroll influenced the broader culture of old Hollywood nightlife: his clubs were gathering places for stars, tastemakers, and dreamers, helping establish the city's reputation for glittering evenings, lavish entertainment, and unabashed showmanship. Though his life ended tragically, Carroll's imprint on Hollywood and his reputation for over-the-top glamour remains a defining element of its early history. This week, we look at this flamboyant life and career. SHOW NOTES:  Sources: The Body Merchant: The Story of Earl Carroll” (1976), by Ken Murray; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Beryl Wallace Homepage : https://www.facebook.com/profile.php?id=100028021463896 --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hollywood's Headlines covers a wild mix of stories, including a Heat security guard sentenced to three years for stealing millions in memorabilia, Green Bay Packers' Rasheed Walker caught trying to bring a gun through airport security, and ex-Olympic snowboarder Ryan Wedding's shocking turn into the cocaine trade—Joe dubs it Snowboarding Narcos. Plus, Hollywood continues to poke fun at Joe Schad.

Sam Darnold leads Seattle to Super Bowl 60 against the Patriots, and Joe breaks down how New England's turnaround and Seattle's success highlight the importance of coaching and having a franchise quarterback. The Dolphins hire Bobby Slowik as offensive coordinator, but Miami still has a long way to go roster-wise. Joe also dives into Miami's NFL draft prospects, spotlighting Bain, Mauioga, and Carson Beck, calling Beck the “mystery man” of this year's quarterback class. Finally, Hollywood's Headlines covers wild stories from a Heat security guard sentenced for stealing memorabilia to ex-Olympic snowboarder Ryan Wedding turning cartel drug trafficker—plus, Hollywood keeps roasting Joe Schad.

THE RIP MOVIE REVIEW When it comes to Hollywood power couples, there aren't many that have stood the test of time or the pressures of the star machine better and longer than Matt Damon and Ben Affleck, and they've reunited once again in a tightly wound crime thriller directed by Joe Carnahan. The Rip unfolds […]

Front Row Classics is taking a look at several of the greatest scenes on trains throughout movie history. Brandon is joined, once again, by author John Malahy to rank their top 5 favorite scenes on trains in films. The two approached their lists in different ways. Brandon's focuses on Hollywood's Golden Age. John decided to take a look at scenes from films of the 1980s to coincide with his recent book, "Rewinding the 80s" from TCM and Running Press. Let us know what your picks would be. 

Episode Overview In this episode, Michael sits down with Steven Puri, a former Hollywood studio executive turned founder of Sukha, to explore career reinvention, sustainable creativity, and the science behind focus and flow. Drawing from Steven's journey through the film industry and his transition into building tools for deep work, the conversation uncovers practical strategies for productivity, work-life balance, and long-term creative success. From Hollywood Sets to Studio Executive Leadership Steven and Michael begin by unpacking Michael's career trajectory in the film industry, from working directly on major motion pictures to stepping into senior executive leadership. Michael shares stories from his time collaborating with renowned directors and how those formative experiences shaped his understanding of storytelling, leadership, and execution. His career evolved into executive roles at DreamWorks as Executive Vice President, where he oversaw high-profile projects including Transformers and Fringe, and later as Vice President at 20th Century Fox, managing large-scale summer action franchises. These experiences laid the foundation for his later work in leadership, burnout prevention, and performance. Crafting Success Through Sustainable Creative Environments Steven shares insights from his own career about the importance of craftsmanship and sustainability, particularly for writers and creative professionals. Rather than relying on bursts of inspiration, he emphasizes designing environments that consistently support deep focus and high-quality output. He highlights examples of successful creatives who intentionally tied their work to specific locations, including writing teams who returned to the same villa in Puerto Vallarta or repeatedly booked the same room at the Universal Hilton to trigger a focused mental state. Steven encourages listeners to identify or create their own dedicated spaces that signal it is time to do meaningful work. Remote Work Rituals and Focus Michael reflects on his early experience working remotely as far back as 2007, long before remote work became mainstream. He explains how he established rituals to mentally transition into and out of work, including maintaining a dedicated workspace, dressing as if going to an office, and even using intentional entry and exit routines to mark the workday. Steven connects this to his own writing on the concept of “commuting to your home office,” reinforcing how rituals can replace the psychological cues that traditional offices once provided. Work-Life Balance, Boundaries, and Productivity As a father and entrepreneur, Michael shares how he learned to balance presence with productivity. He discusses setting clear boundaries during work hours while remaining fully engaged with his children outside of them, a strategy that helped him avoid burnout while maintaining performance. The conversation moves into procrastination and task management, with Michael explaining how breaking large projects into smaller, manageable steps helps reduce resistance. Steven adds insights from his work with Sukha, noting that limiting visible tasks to just three at a time can significantly improve focus and execution. Flow States and High Performance The episode concludes with a deep dive into flow states, drawing on the research of psychologist Mihaly Csikszentmihalyi. Steven and Michael explore how elite performers across industries enter flow and the conditions required to sustain it. Steven shares a pivotal personal experience of entering a deep flow state during a flight, which ultimately inspired the creation of Sukha. The company's name itself came from a user who described how the tool helped them find balance between meaningful work and family life, perfectly capturing the mission behind the platform. Key Takeaways Sustainable success is built through intentional environments and rituals, not constant hustle Flow states can be designed, not left to chance Clear boundaries support both productivity and well-being Limiting task overload is a powerful antidote to burnout and procrastination For more information on Steven Puri and his work, visit https://thesukha.co or reach out directly at https://www.thesukha.co/media    

One of the more bizarre projects to come out of a Hollywood studio in the late 1960s, Paint Your Wagon felt like a turning point movie. Lee Marvin and Clint Eastwood - and they're both singing? How did that happen? Turns out it's quite a story. Then, ahead of an appearance at the BFI to talk about his work in David Lynch's The Elephant Man, Dexter Fletcher joins Simon for a chat about it. That, and a bit of Alan Rickman, and inviting Christopher Walken over for dinner... Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode Description “Have you ever left a restaurant still hungry, wondering if you should've just ordered the steak?”

Episode Description “What's the wildest thing you've ever seen someone do while driving?”

Convidado: Kleber Mendonça Filho, diretor e roteirista de “O Agente Secreto”. No dia 15 de março, Kleber Mendonça Filho percorrerá o tapete vermelho da mais importante premiação do cinema mundial, em Los Angeles (EUA). Na cerimônia do Oscar, ele poderá ver “O Agente Secreto”, filme que escreveu e dirigiu, levar até quatro estatuetas – concorre nas categorias Melhor Filme Internacional, Melhor Elenco, Melhor Ator (com Wagner Moura) e Melhor Filme. Ainda em janeiro, ele já conquistou dois Globos de Ouro, nas categorias Melhor Filme Internacional e Melhor Ator. Ao todo, seu longa-metragem soma mais de 50 premiações nos festivais de todo o mundo. No Brasil, a produção já levou 1,5 milhão de pessoas aos cinemas. Neste episódio especial do Assunto, Kleber Mendonça Filho conversa com Natuza Nery sobre o que faz de “O Agente Secreto” um filme que vem conquistando a audiência e a crítica especializada em todo o mundo. Ele retorna ao ano de 2020, quando começou a escrever este roteiro, que desde o primeiro momento seria destinado para que Wagner Moura fosse o protagonista. O cineasta também explica o processo de escolha de atores e atrizes que dariam forma aos mais de 60 personagens do longa. Nesta entrevista, Kleber olha para vários aspectos de sua identidade artística. Ele explora sua profunda conexão com Recife, cidade que é personagem de seus filmes e é fonte de inspiração cultural e política para ele. E comenta sobre como foi crescer “ouvindo histórias sobre a História” – ele que é filho da historiadora Joselice Jucá. Por mim, ele reflete sobre o aspecto da memória em sua obra.

Bradley and Dawn start the show with their thoughts on a very difficult weekend. Blinded by the Item is full of juicy bits of gossip with the names left out, including but not limited to Sydney Sweeney's Hollywood sign antics. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Bradley watched a poignant Oscar nominated documentary; Sydney Sweeney hangs bras from the Hollywood sign; A woman lies to get on the show My Strange Addiction; One Star Reviews and the Five second rule See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

(Aniversario de la Muerte de José Ferrer) José Vicente Ferrer de Otero y Cintrón nació en Santurce, Puerto Rico, el 8 de enero de 1912. A los seis años se trasladó con su padre a la ciudad de Nueva York. De ahí que en 1934 obtuviera su Licenciatura en Humanidades de la Universidad de Princeton, donde se apasionó por el arte dramático, y que posteriormente estudiara literatura francesa en la Universidad de Columbia. En 1943, su interpretación de Yago en la obra «Otelo» lo lanzó a la fama en el mundo artístico. En 1947, cuando se otorgaron por primera vez los premios Tony, recibió el primero de cinco premios Tony de teatro por interpretar por primera vez el personaje Cyrano de Bergerac. Un año más tarde obtuvo la primera de tres nominaciones al Óscar por su actuación como el Delfín en la película «Juana de Arco» protagonizada por Íngrid Bergman. En 1950, José Ferrer recibió la prestigiosa estatuilla por la versión fílmica de «Cyrano de Bergerac», llegando a ser el primer actor en ganar un Óscar por la recreación de un papel teatral en una película. Ese codiciado Óscar lo donó al Teatro de la Universidad de Puerto Rico para que les sirviera de estímulo a los futuros aspirantes a carreras teatrales. Su tercera y última nominación la logró en 1952 por su actuación en la versión original de la película «Moulin Rouge». Entre las obras teatrales que hizo, se destaca «El hombre de la Mancha», en la que encarnó al célebre Don Quijote. Ese mismo año, la Organización de Estados Americanos le rindió homenaje por ser vínculo de excelencia entre la cultura latina y la anglosajona. En total, Ferrer actuó en setenta películas y dirigió trece producciones de Broadway y siete películas. Entre los muchos reconocimientos que recibió durante su carrera como actor, director, escritor, productor, cantante y compositor, se destacan su propia estrella en el Paseo de Estrellas de Hollywood, la primera Medalla Nacional de Arte en 1985 (que le otorgó el ex presidente Ronald Reagan), y su selección en 1981 al Paseo de la Fama del Teatro. Con sobrada razón se le dedicó, en 1990, el Festival de Teatro Latinoamericano. En lo personal, José Ferrer se casó cuatro veces y tuvo seis hijos, uno de ellos el también actor Miguel Ferrer. Quienes no saben que José Ferrer fue tío del actor George Clooney y suegro de la cantante Debby Boone, tal vez tampoco sepan que hablaba cinco idiomas —español, inglés, francés, italiano y alemán— y que los dominaba a tal grado que durante una conferencia de prensa se dirigió a todos los periodistas en sus respectivos idiomas.1 «Un autor puede escribir algo que perdure trescientos años después de su muerte —observó José Ferrer durante una entrevista en 1986—, pero cinco minutos después de mi muerte, ya no puedo actuar ni dirigir más.»2 Quiera Dios que esas palabras, que pronunció el reconocido actor unos seis años antes de su muerte el 26 de enero de 1992, nos lleven a reflexionar que, antes de afrontar nuestra propia muerte, debemos pedirle a Dios que desempeñe el papel de Director de la obra sin igual que es nuestra vida, en la que nosotros somos los actores principales. Porque una vez que muramos, ya será demasiado tarde. Y lo cierto es que cinco minutos después de nuestra muerte, Dios, que es el Guionista que inspiró la Biblia, que ha perdurado miles de años, será el único capacitado para dirigir nuestra actuación eterna. Carlos ReyUn Mensaje a la Concienciawww.conciencia.net 1 Clarissa Santiago Toro, «José Ferrer», Biografías, Fundación Nacional para la Cultura Popular En línea 27 noviembre 2007; Constance Clark, En línea 28 julio 2008; «José Ferrer: Perfil», Puerto Rico Herald, 14 julio 1999 En línea 27 noviembre 2007; Wikipedia, s.v. «José Ferrer» En línea 14 noviembre 2007. 2 «José Ferrer: Perfil», Puerto Rico Herald.

Chris Pratt's new movie defeated the new Avatar movie. 

Phantom of the Opera came out on this day and is Ben Affleck seeing someone new?

AI is hitting entertainment like a sledgehammer ... from algorithmic gatekeepers and AI-written scripts to digital actors and entire movies generated from a prompt.In this episode of TechFirst, host John Koetsier sits down with Larry Namer, founder of E! Entertainment Television and chairman of the World Film Institute, to unpack what AI really means for Hollywood, creators, and the global media economy.Larry explains why AI is best understood as a productivity amplifier rather than a creativity killer, collapsing months of work into hours while freeing creators to focus on what only humans can do. He shares how AI is lowering barriers to entry, enabling underserved niches, and accelerating new formats like vertical drama, interactive storytelling, and global-first content.The conversation also dives into:• Why AI-generated actors still lack true human empathy• How studios and IP owners will be forced to license their content to AI companies• The future of deepfakes, guardrails, and regulation• Why market fragmentation isn't a threat — it's an opportunity• How China, Korea, and global platforms are shaping what comes next • Why writers and storytellers may be entering their best era yetLarry brings decades of perspective from every major media transition — cable, streaming, global expansion — and makes the case that AI is just the next tool in a long line of transformative technologies.If you care about the future of movies, television, creators, and culture, this is a conversation you don't want to miss.⸻

Having already taken over Paramount, David Ellison was vying to add Warner Bros. Discovery to his portfolio. Are his dad's politics behind his drive to run Hollywood or is there something else going on?Guest: Reeves Widemann, features writer at New York Magazine.Want more What Next TBD? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

Having already taken over Paramount, David Ellison was vying to add Warner Bros. Discovery to his portfolio. Are his dad's politics behind his drive to run Hollywood or is there something else going on?Guest: Reeves Widemann, features writer at New York Magazine.Want more What Next TBD? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

This week's Hollywood leading man turned radio detective is Dana Andrews, who starred on screen in Laura, Where the Sidewalk Ends, Boomerang, and more. On the air, Andrews played Matt Cvetic, undercover agent, in the syndicated series I Was a Communist for the FBI. We'll hear a pair of his adventures in Red-bashing: "Pit Viper" and "Jump to the Whip." Plus, Andrews plays a reporter out to clear a wrongfully convicted man in a radio adaptation of Call Northside 777 from Hollywood Sound Stage (originally aired on CBS on December 27, 1951).

Having already taken over Paramount, David Ellison was vying to add Warner Bros. Discovery to his portfolio. Are his dad's politics behind his drive to run Hollywood or is there something else going on?Guest: Reeves Widemann, features writer at New York Magazine.Want more What Next TBD? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

Today on Word Balloon, we go deep with one of the true originals of independent cinema — Lloyd Kaufman, the co-founder and guiding force behind Troma Entertainment, the longest-running indie film studio in the world and the birthplace of cult classics like The Toxic Avenger and Class of Nuke 'Em High.For more than five decades, Kaufman has made movies on his own terms — low budget, high attitude, and unapologetically weird — and along the way helped shape the underground film movement while launching the careers of creators fans now respect. In this conversation we dig into his career from scrappy beginnings to becoming a permanent thorn in the side of Hollywood orthodoxy, the philosophy behind Troma's outrageous aesthetic, how he keeps creative freedom alive in an industry that rewards conformity, and why genuine independent filmmaking still matters.

Today on Word Balloon, we're joined by one of the true originals of independent cinema, Lloyd Kaufman, the co-founder and driving force behind Troma Entertainment, the longest-running independent film studio in the world and the home of cult classics like The Toxic Avenger and Class of Nuke 'Em High.For more than five decades, Lloyd has made movies completely on his own terms, low budget, high attitude, zero apologies. In this conversation, we talk about how Troma survived outside the Hollywood system, why embracing the underground still matters, what it really takes to stay independent, and how creativity thrives when you stop waiting for permission. This isn't just a trip through cult-film history, it's a master class in doing it yourself and sticking around long enough to prove it works

"God is really moving in Hollywood in a way that I've never seen before." Director, producer, and co-founder of Kingdom Story Company, Andrew Erwin, introduces his new film, "I Can Only Imagine 2." He describes the process behind creating the sequel and themes the film explores. Andrew also discusses the evolution of the film industry and the growing demand for faith-based content in Hollywood.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this episode, Travis and his producer Eric break down a powerful Quentin Tarantino clip about being “dream adjacent” and how that concept applies to chasing your own ambitions. Through Tarantino's story of leaving a comfortable-but-stagnant video store job and moving closer to Hollywood, Travis unpacks what it really takes to stop circling your dream and start living it. The conversation hits on environment, networking, brutally honest self-audits, and why changing your surroundings might be the most practical first step toward the life you actually want. On this episode we talk about: What it means to be “dream adjacent” instead of truly living your dream How Tarantino's story shows the danger of staying in “good enough” environments Why your environment quietly shapes your future more than your intentions do The power of brutally honest self-reflection (the “Detest Fest”) How changing rooms, cities, and inputs can fast-track your growth Top 3 Takeaways Being “dream adjacent” feels comfortable, but it can quietly put your ambition to sleep if you stay there too long. Your environment will either reinforce your current identity or pull you toward the person you want to become—changing it is often the fastest lever you can pull. Radical honesty about where you are, paired with decisive action (moving, changing rooms, changing inputs), is what turns vague dreams into real progress. Notable Quotes “It's not my dream what I'm doing, but it's dream adjacent.” – Quentin Tarantino (clip discussed in the episode) “You can have any life you want, but you can't have every life you want.” – Travis “Your outputs are directly influenced by your inputs, so if you can't change your environment yet, change what you're feeding your mind.” – Travis Connect with Travis Chappell: Instagram: https://www.instagram.com/travischappell X (Twitter): https://twitter.com/traviscchappell LinkedIn: https://www.linkedin.com/in/travischappell Website: https://travischappell.com  Travis Makes Money is made possible by High Level – the All-In-One Sales & Marketing Platform built for agencies, by an agency.  Capture leads, nurture them, and close more deals—all from one powerful platform.  Get an extended free trial at gohighlevel.com/travis Learn more about your ad choices. Visit megaphone.fm/adchoices

Having already taken over Paramount, David Ellison was vying to add Warner Bros. Discovery to his portfolio. Are his dad's politics behind his drive to run Hollywood or is there something else going on?Guest: Reeves Widemann, features writer at New York Magazine.Want more What Next TBD? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

Episode 373 of RevolutionZ hears about people trained to perform deciding to build power. Celia Crowley—actor, organizer, and then California's governor but later to become Vice President—to unpacks how a quiet coalition inside Hollywood traded optics for organization and turned celebrity into a conduit for collective action. From a first awkward meeting in a palatial living room to strikes that rebalanced power on set, Celia lays out some moves that mattered: an intensive “social school” for film workers, a high-stakes push for pay transparency, and films that funnel surplus revenue into real campaigns.Perhaps most revealingly, Celia dismantles the myth of artistic exceptionalism with great clarity. Creativity doesn't need hierarchy to thrive. It can do still better with equity, shared decision-making, and room for many voices. She discusses how democratic planning can fund cultural work without dictating its content, how balanced jobs expanded total creativity, and how evidence from RPS-style productions challenged the old game of genius-for-power. She also gets personal about beauty as currency, the risks behind the red carpet, and the hard line to draw between admiration and structural privilege.Along the way, she answers questions about a pivotal Oscar night, a landmark industry strike, and the steady rise of worker councils across sets and studios. The episode provides a template with lessons for journalism, sports, and any field where a few have long held center stage. Celia provides reason to rethink who decides what gets made, who gets paid, and how audiences become stakeholders. Her experience offers strategy, examples, and proof points to use whatever your work and passion may highlight.Support the show

Anna David is a New York Times bestselling author, publisher, and founder of Legacy Launch Pad Publishing, a boutique publishing company that helps high-level entrepreneurs turn their ideas into books that build authority, influence, and revenue. She is the author of eight books spanning fiction, memoir, recovery, and business strategy, and the host of the podcast Behind the Book Cover. Anna first rose to prominence with her semi-autobiographical novel Party Girl, which explores addiction, ambition, and recovery in Hollywood and is currently in development as a feature film. Since then, she has become widely recognized not just as a bestselling author, but as a leading expert on how books can be used strategically to grow a business and establish credibility. Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: https://www.tiktok.com/@itskatecasey?lang=en Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon List: https://www.amazon.com/shop/katecasey Like it to Know It: https://www.shopltk.com/explore/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This hour, we open the phone lines so that you can ask Dr. Karl Payne any questions you have on the topic of spiritual warfare. We will tackle questions like: Can demons read our minds? Is a crucifix needed for an exorcism? Does casting out a demon require a professional exorcist? Learn to separate biblical Truth from Hollywood’s made-up ‘theology’ on the very real subject of spiritual warfare.Become a Parshall Partner: http://moodyradio.org/donateto/inthemarket/partnersSee omnystudio.com/listener for privacy information.

One of the only pig kidney recipients in the world just made medical history, again. Cursive is making a comeback nationwide, but these middle schoolers were ahead of the curve. A group of Buddhist monks are walking across the US with an inspiring message. We tell you about a TikTok trend that's encouraging to cut down on screen time. Plus, as Hollywood spotlights table tennis, an American phenom shares how the sport changed her life.  Sign up for the CNN 5 Good Things newsletter here.  Host/Producer: Krista Bo Polanco  Producer: Eryn Mathewson Showrunner: Faiz Jamil  Senior Producer: Felicia Patinkin  Editorial Support: Kameryn Griesser, Melani Bonilla, and Andy Buck Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hollywood has a new cash cow, and his name is Jesus. As studios scramble for post-COVID relevance, they've traded superheroes for the "chosen" ones, grossing hundreds of millions by turning ancient dogmas into bingeable blockbusters. We're dissecting the "happy gauze" applied to biblical atrocities and the rise of masculine religion vs. feminine spirituality on screen. From Avatar's blue-tinted woo to the thirst for religious sequels, it's clear the industry cares less about salvation than the bottom line. It turns out even the Son of God needs a high-budget filter to be marketable.News Source:The Year Faith-Based Films Finally Grew Up: The Top 10 Movies of 2025By Rapt Interviews for RaptJanuary 10, 2026

On this episode of America at Night McGraw Milhaven, welcomes Danny Funt, author of “Everybody Loses: The Tumultuous Rise of American Sports Gambling,” for a deep dive into the rapid expansion of legalized sports betting across the United States. Funt explains how gambling has been normalized through mobile apps, advertising, and professional sports partnerships, while also outlining the financial, psychological, and social costs often overlooked as the industry grows. Next, Matt Wolfe, CBS News Entertainment reporter, joins the conversation to break down this year's Oscar nominations. Wolfe analyzes the biggest surprises and omissions, discusses which films and performances are gaining momentum, and explores how industry trends, streaming platforms, and cultural shifts are shaping the awards race. Finally, the show shifts to lighter fare as Theo Lewis Clark, Hollywood Executive for a Day, joins McGraw for the weekly movie trivia segment. The fast-paced game tests Hollywood knowledge while offering a fun wrap-up to a night that blends serious cultural analysis with classic entertainment. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Actor George Stults Interview | The Brett Allan Show Actor George Stults joins The Brett Allan Show for an in-depth conversation about his career in television and film, longevity in Hollywood, and what it really takes to stay relevant as an actor. Best known for his work on long-running network television and popular made-for-TV films, George opens up about his journey, lessons learned on set, and how the industry has evolved over the years. This episode dives beyond credits, focusing on craft, mindset, and the personal side of building a sustainable acting career. Topics Covered Breaking into television and early career momentum Life on long-running network TV shows Transitioning between series television and TV movies The realities of typecasting and reinvention Auditions, preparation, and staying sharp as an actor How Hollywood has changed — and what hasn't Advice for aspiring actors navigating today's industry Key Takeaways Consistency and professionalism matter more than hype Longevity comes from adaptability and discipline Building relationships is as important as talent Every role contributes to long-term growth About the Guest George Stults is an American actor known for his work across network television, primetime dramas, and made-for-TV films. With decades of experience in the industry, he brings a grounded, honest perspective on acting, career sustainability, and creative fulfillment. About the Show The Brett Allan Show features conversations with actors, comedians, filmmakers, and creatives from film, television, and comedy. Each episode explores career journeys, storytelling, and the realities of working in entertainment. Connect & Subscribe

Today on the show we break down King Charles reportedly ordering Princess Kate, Meghan Markle and the rest of the royals to get back together in a surprise family reunion moment that's lighting up headlines, the odd political bromance spotlight on President Donald Trump and California Governor Gavin Newsom backstage at Davos despite their usual feud, and the bizarre spike in online interest around a hockey-inspired adult site search term that's making waves across the internet. We also touch on the Oscars 2026 nominations and what's got Hollywood buzzing this awards season. Expect sharp takes, the latest twists from global politics, royal drama and the strangest corners of pop culture trending right now.#KingCharles #Davos #HockeyPornGet more AoA and become a member to get exclusive access to perks:https://www.youtube.com/channel/UCOfx0OFE-uMTmJXGPpP7elQ/joinGet Erin C's book here: https://amzn.to/3ITDoO7Get Merch here - https://bit.ly/AnthonyMerchSubscribe to the Anthony On Air Podcast here:Facebook - https://bit.ly/AntOnAirFBYouTube - https://bit.ly/AntOnAirYTApple Podcast - https://bit.ly/AntOnAirAppleSpotify - https://bit.ly/AntOnAirSpotTwitter - https://bit.ly/AntOnAirTwitterInstagram - https://bit.ly/AntOnAirInstaTikTok - https://www.tiktok.com/@anthonyonairpodDiscord - https://discord.gg/78V469aV22Get more at https://www.AnthonyOnAir.com

Tabitha Brown reveals the prayer that changed everything: "God, if you heal me, you can have me."After battling chronic illness for a year and seven months, she made a choice that terrified her, to stop pretending and start living as her authentic self. The transformation didn't just heal her body. It cost her friendships, tested her marriage, and forced her to walk away from the version of herself she'd spent decades creating.On the other side of that bathroom prayer, she found something more valuable than any acting role or endorsement deal: freedom. Her journey from conforming in corporate America and Hollywood to building a multimedia empire on authenticity proves that when you finally stop performing for approval, abundance finds you. The path forward starts with one question you need to ask yourself today: What mask are you wearing, and what would happen if you took it off?Tabitha's books:Cooking from the SpiritFeeding the Soul (Because It's My Business)Seen, Loved and Heard: A Guided Journal for Feeding the SoulI Did a New ThingHello There, SunshineIn this episode you will:Learn the signs of confirmation that keep appearing in your life and what they're trying to tell you about your purposeBreak through the fear of losing relationships when you step into your truth and understand why some people can't come with youDiscover why habitual prayer kept you stuck and how to shift into true connection that transforms your realityUncover the difference between dreams deposited inside you and goals you create, and why only one will let you restMaster the practice of obedience over sacrifice and why choosing the harder path now creates the easier life laterFor more information go to https://lewishowes.com/1880For more Greatness text PODCAST to +1 (614) 350-3960More SOG episodes we think you'll love:Lewis HowesToby RobbinsDr. Daniel Amen Get more from Lewis! Get my New York Times Bestselling book, Make Money Easy!Get The Greatness Mindset audiobook on SpotifyText Lewis AIYouTubeInstagramWebsiteTiktokFacebookX Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week Fran and Alvin play a movie game, discuss "the big snow storm" and pay tribute to an unsung Hollywood hero. Learn more about your ad choices. Visit podcastchoices.com/adchoices

IN THE NEWS: OnlyFans models and social media influencers are claiming half of coveted US visas meant for movie stars, Chef Andrew Gruel (@ChefGruel) on X made meal for less than 15$, Brooklyn Beckham slammed as ‘spoiled brat' for blasting famous parents, Clintons held in contempt of congress over the Epstein case. FOR MORE WITH GREG FITZSIMMONS:LIVE DATES:Jan 30/Feb 1-Comedy Mothership-Austin, TXFeb 5-7 - Punchline - Sacramento, CAFeb 13-15 - Helium - Philadelphia, PAWEBSITE: GREGFITZSIMMONS.comPODCASTS: ‘Fitzdog Radio' & ‘Sunday Papers'TWITTER: @GregFitzShowINSTAGRAM: @gregfitzsimmonsFOR MORE WITH RUDY PAVICH: INSTAGRAM: @rudy_pavichWEBSITE: www.rudypavichcomedy.comLIVE SHOWS: January 29 - New York, NY (2 shows)January 30 - Chester, NYJanuary 31 - Washington, DC (2 shows)February 4 - Tampa, FLFebruary 5 - Orlando, FL (Live Podcast)February 6 - Naples, FL (2 shows)February 7 - Naples, FL (2 shows)Thank you for supporting our sponsors:ForThePeople.com/Adamoreillyauto.com/adamPluto.tvRosettastone.com/ADAMSHOPIFY.COM/carollaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.