Podcast appearances and mentions of Alex Garland

Inspired by Alex Garland's "28 Days, Weeks, and Years Later" series the following is a recording of Dr. Smith's 28th session with a patient who remains one of the only confirmed cases of a person infected with the “rage virus” who recovered. This is her story.If you like our work, you can donate at Mixtapestories.net or at Patreon/MixtapeStories. Thank you!

 For their 217th episode, two principled film critics, two non-veteran dads, and two warrior teachers, Will Johnson and Don Shanahan, return from a short October haitus for the first of two episodes celebrating their Best Member Podcast nomination from the first annual Astra Awards. The film of choice is Alex Garland's electric 2025 military thriller "Warfare," something Will---a loyal Garland stan---is surprised and maybe even a little ashamed he didn't see on the big screen. He and Don focus their thoughts the same way the movie focuses on the rescue operation at hand. Come learn more and stay for the mutual love and respect that fun movies encapsulate. Enjoy our podcast!Speakpipe - send us a voicemailhttps://discord.gg/N6MKWXU2https://www.teepublic.com/user/ruminationsradionetworkhttps://www.instagram.com/cinephilehissyfit/https://www.instagram.com/casablancadon/www.RuminationsRadioNetwork.comwww.instagram.com/RuminationsRadioNetworkProduction by Mitch Proctor for Area 42 Studios and SoundEpisode Artwork by Charles Langley for Area 42 Studios and Soundhttps://www.patreon.com/RuminationsRadiohttps://everymoviehasalesson.com/https://ruminationsradio.transistor.fm/ ★ Support this podcast on Patreon ★

28 Days Later was chosen by show supporter Dylan — and it's one of the most defining British horror films of the 21st century. Directed by Danny Boyle and written by Alex Garland, the film was a bold reinvention of the zombie genre, injecting it with raw energy, political undertones, and a sense of realism rarely seen in horror at the time. Shot primarily on digital video using Canon XL1 cameras, Boyle and cinematographer Anthony Dod Mantle created a gritty, almost documentary-style aesthetic that captured a hauntingly desolate London. The small budget of around $8 million forced the team to rely on guerrilla-style filmmaking, often closing off sections of central London for only minutes at a time during early mornings to achieve its eerily empty cityscapes.Production began in 2001 and was marked by a collaborative, experimental spirit. Boyle and Garland drew inspiration from a mix of sources — from George A. Romero's Dead series to British social realism and viral outbreak fears of the late 1990s. The cast, led by relative unknowns at the time, brought grounded performances that added emotional weight to the film's chaotic energy. With its pulsing soundtrack, handheld visuals, and visceral tone, 28 Days Later became both a critical and commercial success, revitalizing interest in the zombie genre and influencing a decade of horror and apocalyptic cinema that followed.If you enjoy the show, we have a Patreon, so become a supporter ⁠⁠⁠here⁠⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠Trailer Guy Plot SummaryA deadly virus. A deserted city. And a handful of survivors left to face the unthinkable.From director Danny Boyle comes a new vision of terror — raw, relentless, and shockingly real. When the world collapses overnight, one man wakes up to find that civilization is gone… and something unspeakable has taken its place.28 Days Later — from the ashes of humanity, fear runs faster than ever.Fun FactsThe opening hospital scenes with Cillian Murphy were filmed in the empty Day Ward of a real London hospital that was being decommissioned.The haunting shot of abandoned Piccadilly Circus required the crew to block traffic for only 10 minutes at sunrise, with police assistance to keep curious drivers away.Christopher Eccleston joined the film fresh off his acclaimed role in The Second Coming and brought a darker, militaristic edge to his performance.The movie's terrifying “infected” movement was achieved by casting trained dancers and athletes to create unnervingly fast and fluid motion.Composer John Murphy created the now-iconic track In the House – In a Heartbeat, which went on to be used in Kick-Ass and The Last of Us trailers.Danny Boyle avoided traditional zombie makeup — instead, red contact lenses and digital blood splatter were used to keep the infected design grounded and cheap.The Rage Virus was spread through monkey blood in the film, but the opening sequence with real chimpanzees was filmed under strict animal welfare supervision.28 Days Later was the first horror movie to film inside the UK's M1 motorway tunnels, normally off-limits to filmmakers.The movie was banned in several Asian countries for its extreme violence and realistic depiction of viral infection.The success of the film led to a comic book spin-off titled 28 Days Later: The Aftermath, which bridged the story to the 2007 sequel 28 Weeks Later.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

This week on Fright Mic, join your hosts, Sam and Liz as they discuss the underrated sci-fi flick , EX MACHINA from director Alex Garland which features badass female robots, scheming, an impressive Oscar Isaac dance routine and motherfucking karma. Want more screams and laughs? Join our Fright Club at http://patreon.com/frightmicpodcast and get access to tons more episodes, discussions, rankings, watch parties and more!Fright Mic is an independent horror podcast. We would love to have you join our Fright Fam by following us on all our socials!PATREONMERCHFacebookFRIGHT CLUBInstagramBlueskyTwitterTiktokDiscordSupport the show

We finish our look at "zombie" films with an absolute banger from director Danny Boyle. Andrew Blakely joins Dayton and Eric Dearth across the pond in London for some of the most terrifying infected we've ever seen! Send us a textTwitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcasthttps://discord.gg/T8Nt3YB7 https://www.youtube.com/@DockingBay77podcast https://dockingbay77pod.buzzsprout.com

Alex Garland lo hace de nuevo. Ahora nos trae una gran película de guerra acompañado en la dirección por Ray Mendoza, un ex SEAL que lleva sus memorias en Irak a la pantalla.

Ladies and Gentlemen, here we are at the end of all things. Just kidding, but it is the end of SPOOKTOBER. Sadness. For this episode, we have two special guests. Matt and DREW! It was Drew's pick today and he decided to go with a film that was UNSETTLING. From the legendary director Alex Garland, comes a very creepy, unsettling film called, “Annihilation.” Characters in this film enter The Shimmer and crazy unexplained things begin to happen. Featuring Natalie Portman, This film was absolutely crazy and we REALLY dove into it. Self-Destruction, cancer, loss, marriage, monsters, biology, discovery, etc…We hope you all enjoy this bonkers film. Film Discussed: Annihilation (2018)Letterboxd: Eric Peterson:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/EricLPeterson/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jared Klopfenstein:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/kidchimp/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ethan Jasso:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/e_unit7/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Caleb Zehr:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/cjzehr/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ricky Wickham:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/octopuswizard/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Cody Martin: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/codytmartin/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Here is a COMPLETE LIST of every film that we have done an episode for. Enjoy!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/ericlpeterson/list/a-complete-list-of-every-the-film-snobs-episode/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Five star reviews left on the pod get read out loud!

En este episodio, los Monjes Fanáticos se adentran en los estrenos más escalofriantes del 2025. Con Weapons, el misterioso proyecto de Zach Cregger —director de Barbarian— que ha generado expectación por su atmósfera inquietante y narrativa no lineal, combinando crítica social con terror psicológico.28 años después, de Danny Boyle y Alex Garland.El Teléfono Negro 2, secuela del inquietante thriller sobrenatural de Scott Derrickson. Los monjes analizan cómo esta continuación expande el trasfondo del “Grabber” y profundiza en los traumas psicológicos de las víctimas, jugando con el concepto del más allá y la comunicación con los muertos.Y otras cosas random no tan de terror

I kvällens avsnitt har vi tittat på den rykande färska biofilmen VI DÖR INATT. Det är en typisk butiks-invasion-actionthriller. Två främlingar tar skydd i en lantsortsbutik efter ett maskerat gäng är på jakt efter dem och verkar vilja ta livet av dem. Och de anställda får ett dilemma. Skall de skydda främlingarna eller skydda sig själva? Tomas har längtat efter spin-off-filmen BALLERINA till John Wick-filmserien. Nu finns den att se hemma och Tomas tindrar med ögonen. Thomas är inte lika till sig och vi lämnar två helt olika tankar om filmen. Thomas har sett live-action-versionen av HOW TO TRAIN YOUR DRAGON. Och ställer sig frågande vad poängen är med att göra en helt identisk film som den tecknade filmen från 2010. Med samma regissör dessutom. Och så har vi äntligen tittat på Danny Boyles och Alex Garlands nya installation i deras infekterade filmserie: 28 YEARS LATER. Håller hypen? Är den så bra som den förväntas vara. Vi vräker dessutom flera filmtips på aktuella dvd/blu-ray släpp som: SUPERMAN, THE PHOENICAN SCHEME, MISSION IMPOSSIBLE: THE FINAL RECONING och JURRASIC WORLD : REBIRTH. Så häng med i ett av våra mest komplicerade avsnitt hittills. I alla fall bakom kulliserna. Det blir kul. Vi lovar!  

Alex Garland aka Outdoors55 stops by. We chat about the YouTube Adpocalypse. We play Sharp or Dull with knives and kicks.

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Alyssa Rosenberg, Sunny Bunch and Peter Suderman, the three panelists of the outstanding film podcast Across the Movie Aisle. I really enjoy the show and have been a longtime fan of their individual work.I think that they're a group with genuinely diverse opinions but who have a lot of love for cinema and as a result have some of the most deeply interesting conversations about the art form of any show I listen to. The show just split off from The Bulwark's network and is striking it out independently. Do check them out!This interview has been condensed and edited. Hey, Across the Movie Aisle. Thank you so much for coming on Numlock. I really appreciate it.Absolutely.Thank you for having us.Yes, this is the first three-on-one conversation that I've ever done here, so we're gonna have to juggle a bit. Either way, I am just such a fan of the show. I really, really enjoyed it, subscribed to the Bulwark for it when I heard that you guys were going independent. I was really excited to see what was motivating that, what opportunities you were seeing out there. It's just such a really fun program, and I think it's so unique in the space.Before we get into talking about the movies, do you wanna talk a little bit about where this show came from, where it started, then what you would say your perspective on the film industry is?Sonny: Sure.Alyssa: Who wants to tell the story?Sonny: The origin of the show was back in 2019. I started working for an independent film studio that's based in Dallas, where I live now. I moved here for the job. The pitch was, “it's like Fangoria,” but for action movies and thrillers and heist movies, that sort of thing. And one of the things I wanted to do when we came over was a little podcast network. We were gonna have some shows, some storytelling things, et cetera. And one of the things I had wanted to do for a while (and hadn't really had an outlet for) was a show I had envisioned as like Crossfire or McLaughlin Group or something like that, but by way of movies.So Across the Movie Aisle — I've always shorthanded it as Siskel and Ebert meets Left Right Center. And the idea here is that I am a conservative. I don't know how other people would describe me, but I still think of myself as a center-right person. Alyssa is the center-left person.Peter: Would you even say that you are a neoconservative?Sonny: Well, I'm a neoconservative with libertarian tendencies, which is a funny thing.Peter: “You work at the Weekly Standard,” is a good way to think about your politics? And they basically haven't changed since you worked at The Weekly Standard. Is that fair? That's the long and the short of it.Sonny: Then Peter is whatever Peter is. I'll let him define himself. But the idea here was you have three people with differing political views talking about movies and other stories about movies. The show has two segments. The first is called Controversies and Nontroversies. The second is a review. And the Controversies and Nontroversies segment was initially thought of as we tackle some dumb internet outrage of the day and decide if it's really worth being mad about.And that evolved into something slightly different, right? Right, guys? I feel like it's now more about the business of Hollywood.Alyssa: Yes, exactly. But I think it's worth noting that our story actually starts way before 2019. The three of us were all critics in some respect or other. I was over at ThinkProgress running their culture and sports verticals. Sonny, were you at the Weekly Standard when we started or were you at the Free Beacon then?Sonny: I think I was at the Washington Free Beacon when we met. So it must've been 2012 or 13.Alyssa: The three of us were going to screenings every week and somehow just gravitated towards each other. We would sit together. We were the people who were hanging out and hashing things out together after the screening ended. When I moved to the Washington Post, I ended up bringing Sonny over as a contributor to the blog that I was working on there. They were invited to my wedding. We were authentically contentiously friends years before we started the podcast.I think that's been a little bit of the special sauce for us, right? We are capable of having conversations that are somewhat harder to have elsewhere because (even before we started working together) there were five, six years of trust built up in in-person conversations and discussions over beers at the really terrible bar near the former AMC in Friendship Heights. Nobody is here on this podcast to blow each other up. But it's also not like “We're friends for the camera!”I think the show has always been like both a reflection of our dynamic. It's also the way that we hang out every week, even though Sonny lives in Dallas, and Peter lives in Boston some of the time. So for me, it's like my night out.I mean, as a listener, I really find the appeal to be exactly that. I think that having different perspectives on something as universal as film makes the show super compelling to listen to, even if I don't always necessarily agree with the perspective on it. What makes movies just so good to view from multiple different angles? There are lowercase “c” conservative films, there are lowercase “l” liberal films, that stuff. How do you guys find approaching the current state of the film industry from these different points of view?Peter: Alyssa talked about how our story goes back even before 2019, when the podcast started. And just for people who may not be familiar with the dynamic of Washington that all of us came up in in our 20s, Alyssa was working for ThinkProgress, which was the journalism arm of the Center for American Progress, which is this leading democratic or democratic affiliated think tank. Sonny was working for the Weekly Standard and then for the Washington Free Beacon, these feisty, conservative journalistic outlets.I actually started writing movie reviews for National Review for a couple of years. When I moved over full-time to Reason Magazine, which is where I've been for more than 15 years now, and also to the Washington Times, which is someplace that both Sonny and I wrote for. It's a conservative-leaning paper that has undergone many transformations. If you live in Washington, your social circle and your conversations and your life are so frequently segmented by politics.What we liked about being friends with each other and seeing movies with each other was that we saw that it didn't have to be the case. Movies and art and pop culture, even disagreements about them, were ways that we could come together and maybe not even agree, but like learn about each other. We're really good friends, but we also like each other's minds. This is something that is really important and drew us all together. I have learned a lot about movies from Sonny. I have learned about culture from Alyssa. I don't know if they've learned anything from me. Maybe they've been annoyed about how I'm fine with A.I.Having those perspectives, it's not just that it's like, “Oh, that's nice that you're a little different.” This is a learning opportunity for all of us. It also makes the act of watching movies together much richer. When you're watching the movie, if you're watching it next to Alyssa, I know what she's thinking. Maybe not what I'm thinking, but it's like having another set of eyes. If you're a critic, if you're somebody who likes movies, if you are somebody who likes movies for the social aspect of them, seeing them with somebody else and talking about them afterwards just makes it so much more enjoyable. The fact that we then get to have that conversation in public for an audience that seems to enjoy this is really rewarding.Alyssa: I have a very hard time with certain kinds of violence in movies. But I can sit in a theater with Peter, and he can tell me when I need to cover my eyes, but also when I'm gonna be okay when it's over. And he's always right, right? And that's the thing that we get.Peter: But also when we see the Taylor Swift movie, I show up, and Alyssa has friendship bracelets for us. Everybody's bringing something to the party here.Alyssa: Peter, you joked about whether or not we've gotten anything from you. And I actually think that in some ways, I'm the one of us whose politics and aesthetics have changed most as a result of doing the show with both of you. I came up in an era of lefty cultural criticism when there were real incentives for tearing things apart. And I think I, in some ways early in my career, helped advance a fairly doctrinaire vision of what political conversations about art should be. And I have some regrets about some of the things that I wrote and some non-regrets too. I did a lot of work at that point in my career that I liked a lot.But one of the things I've come to believe in my conversation with these guys is that art is at its most politically powerful not when it affirms an agenda or a worldview that is defined by a political movement, but it is at its most powerful and interesting when it creates space for conversations that are not possible in conventional political formats and political venues. I think the unpredictability of movies and the inability to shove movies neatly into a partisan schema is where their power comes from.It is not in being subordinate to an agenda, but in opening the space for new possibilities. And I think that having a space to come to that conclusion made me a better critic and a better person. Maybe less employable as someone who writes about this stuff full-time in a predictable way. But I really enjoy seeing the world through the lenses that Peter and Sonny helped me apply to all of this.Peter: And just to underline that really quickly, a little bit more. One of the things that brings all of us together is that we are all three people who moved to Washington to work in political journalism, to work in discourse about politics. We have very strongly held beliefs. At the same time, I think all three of us come to movies, to art and to culture thinking, “You know what, you can make good art. You can make a great movie that maybe I find doesn't in any way align with my beliefs, right?” It has nothing to do with my political world or is even critical of my political worldview, but it's still a great movie.And this is a thing that you see very rarely in Washington and political discussions of art and film, but also in criticism. You have so much criticism that is out there, especially in the movie criticism world, that is just straightforwardly, politically determined. I don't think that that is the best way to approach art and to live a life that is about art because. Of course, it engages with politics. And of course you have to talk about that. And of course, you have to deal with that, but it's not just politics. If what you want from a movie is for it to be an op-ed, then what you want isn't a movie, it's an op-ed.I think that's really interesting. And actually, let's dive into that real quick. We'll go around the horn, perhaps. Peter, you brought it up. What is an example of a film or a piece of media that maybe either subverts or goes upstream compared to your personal politics that you nevertheless enjoyed? Or you, nevertheless, in spite of where you were coming from on that, really tended to like?Peter: So we all had mixed reactions to Paul Anderson's, P.T. Anderson's One Battle After Another, which is quite a political film, just came out. All of us thought that on a micro level, scene by scene, as a piece of filmmaking, it's genius. But on a macro level, its big ideas are kind of a mess. I go back to another Paul Anderson film from the aughts, There Will Be Blood, which is fairly critical of capitalism and of the capitalist tendencies that are deeply rooted in America. And it's not just a polemic, just an op-ed. It's not something that you can sum up in a tweet. It is quite a complex film in so many ways. And I'm a capitalist. I am a libertarian. I am a markets guy. And it is, I love that movie.Sonny and I frequently have arguments over whether There Will Be Blood is the first or second best movie of the last 25 years or so. Sonny thinks it's maybe the best. I think it's the second best. This is a movie that I think offers a deep critique of my ideology and my political worldview. But it is so profound on an artistic character narrative, just deep engagement level. I could talk about it for a long time. It's a movie I really love that doesn't support what I believe about politics in the world.Yeah, Sonny, how about you?Sonny: Bernardo Bertolucci's The Last Emperor is commie agitprop, but it's also very good. It's one of those movies where the lesson of the movie is literally “The elite overclass needs to be taught how to pee correctly in a bucket, so as not to annoy the normals.” But it's a beautiful movie, including the bucket. You don't have to agree with a film's politics to recognize that it is a great movie. It certainly doesn't hurt. I flipped through my rankings, and a lot of it does line up.But another one is JFK. Oliver Stone's JFK is a movie that is nonsense as history. If you look at it as a history text, you are reading the film wrong. What it excels at and the way that it is great is that it's the absolute perfect distillation of sitting next to an insane conspiracy theorist and hearing them ramble. The way that Oliver Stone edits together all of these disparate ideas — the way he edits is like hearing a conspiracy theorist talk.The way a conspiracy theorist talks is that they overwhelm you with information. They will just throw out random things and be like, “And this is connected to this, and this is connected to this.” And you are not able to actually judge these things because you have no idea really what they're talking about. You're not steeped in this stuff like they are, but it all sounds right. And all of a sudden, yeah, I believe that the military industrial complex murdered JFK at the behest of a fascist homosexual conspiracy, which is just another amusing little element to JFK by Oliver Stone.Those would be two examples, I would say.I love that. Alyssa, how about you?Alyssa: I would say Dirty Harry. I did a huge project about 10 years ago on depictions of the police in pop culture. And the ways in which law enforcement, as an industry, has actually really shaped their depictions on film. And look, I don't think the police always get everything right. And I think that shooting people is not a viable solution to a crime, especially without a trial. But God damn, does Clint Eastwood make like a sweater and a blazer and a real big gun look awesome, right?Sonny: Those are things that look awesome. Of course, they look awesome on Clint Eastwood.Alyssa: Of course, they look awesome, but they look especially awesome on Clint Eastwood. And they look even more awesome when he's shooting a crazed hippie who has commandeered a busSonny: Full of children.Alyssa: Yes, a bus full of children. The evil hippie deserves to get shot, and Clint Eastwood is the man to set things right. The thing about aesthetics is that they can get you to set aside your politics momentarily in a theoretical way. But I also think that good movies can get you access to spaces and mindsets that you might not have access to otherwise.When you asked that question, the movie that I immediately thought of, not necessarily of challenging my politics, but like bringing me a place I can't go, is Alex Garland's Warfare from earlier this year. It is one of the best movies I've seen this year. And also a movie about (both as a social and cultural environment) an all-male combat unit in the US military and a situation (the war in Iraq) that I have no access to. I cannot go there. My being in the space would fundamentally transform the space. And that opening sequence with this platoon watching this music video in a weird, sexualized group bonding ritual, I just found fascinating and oddly touching in a way that I think is interesting to watch, especially if you're steeped in left-leaning critiques of traditional masculinity in all-male spaces.And I found that movie, despite how harrowing it was, kind of beautiful and tender to watch in a way. And I just felt very grateful for it.Awesome. Yeah, again, I really appreciate how much thought goes into viewing not only movies as cultural entities, but also their space in politics, but also how the culture can overwhelm that. I really think that you guys have such fun takes on this. I wanna back out a little bit and talk a little bit about this year and this moment. I think one thing I really enjoy about your show is that it's obvious how much you guys really enjoy going to the movies, enjoy consuming this stuff. I know that there's a lot of fairly understandable doom and gloom sometimes around the movie industry, around the exhibition industry. A lot of that, I think, comes from some of the more industry side of things and infects the viewing public's view.I'll just throw it to you. What is a trend or something going on these days within movies or Hollywood that you actually think is a good thing, that you're actually enjoying? Or a transitional moment that you think could be fun? I guess, Sunny, I'll start off with you. I don't know.Sonny: That's a hard question to answer because everything is bad right now.Alyssa: To be clear, this is Sonny's default position about all eras and all things. All things.Peter: He's a cheerful man.Sonny: All things, really. No, everything is bad. But if I were looking at a few green shoots, I like the rise of the draft house style theater, a combination of dining, bar, movie space. I know some people have issues with the waiters scurrying back and forth. And it's not my real cup of tea either, but that's all right. You mentioned this question right before we started taping. I was trying to sketch something out, so I didn't have nothing.But I do think the rise of the boutique Blu-ray and 4K UHD retailers has been a good thing. I don't know that it's enough to save physical media in the film context, but the rise of your Vinegar Syndromes. Criterion, of course, is the longest player in this space, and they've been doing it since the days of Laserdisc. They're very good at what they do, and they have a great catalog.But even smaller places, like your Vinegar Syndromes or your Shout Factory and your Scream Factory. The studios themselves are getting into it. Lionsgate has their Lionsgate limited thing that they do, which is just sucking money out of my pockets. A24 has also been good in this space. I like the idea that there is a small but committed cadre of collectors out there. And it's not just ownership for the sake of ownership. It's not the high fidelity, “the things you own matter. So you should show them off so everybody can see them and see how cool you are” kind of thing. There are actual quality differences to having a disc as opposed to a streaming service, which always come in at lower bit rates, and they look and sound worse.But this is so niche. Very few people who collect this stuff (Blu-rays, 4Ks, et cetera) really understand how niche they are.If you look at the monthly pie chart of sales of discs every month, it's still 50 percent DVD, 20 percent to 25 percent Blu-ray, and then 25 percent to 30 percent 4K, depending on what's out at any given time. But 50 percent of discs are still being bought by people browsing Walmart shelves, like “Ooh, I'll watch this new movie for $5. Sure, why not?”Yeah, having something for the sickos is always something viable, right? Peter, I'll throw it to you.Peter: So, on this podcast, I have probably been the biggest MCU, Marvel Movie Universe booster. What I think is a good thing that is happening right now is that the MCU is in a decline, or at least a reset period. It's not overwhelming Hollywood in the way that it was throughout the 2010s. It's hurting theaters and exhibition because those movies are not performing the way they used to, and that's a downside for real.But what it is doing is creating a space for young filmmakers and for young acting talent to rise up without having to immediately be sucked into the MCU or something comparable, like the DC movies that were trying to start up and never really got going. Now they've rebooted the DC universe with the James Gunn Superman film. But, it really felt like in the 2010s, anyone who was in their 20s or 30s and was a really promising actor or a really promising director was gonna make one or two movies. And then they were gonna get sucked into the Marvel or maybe the Star Wars machine, one of these big franchise things.It wasn't like even 25 years ago when Sam Raimi was making Spider-Man films, and they were very distinctly Sam Raimi films. I mean, you watch the Dr. Octopus POV sequence in Spider-Man 2, and it's the same thing he was doing in Evil Dead, except he had $150 million to make that movie, right?These weren't even altruistic superhero films. They were just being brought in to lend their names a small amount of flavor to whatever it was they were doing. And now, in an era in which the MCU is not gone, but is diminished, a lot of acting talent and a lot of directing talent are going to be free to spend that formative period of third, fourth, fifth, sixth movies to make the things that they wanna make and to experiment.Like I said, this does have downsides. This is not great for theatrical exhibitors who are suffering right now because there are fewer movies and because the big movies are not as big. But in that space, you get the opportunity to try new things. And I love seeing new things, and I love watching new talent develop.That is cool. I like that. Alyssa?Alyssa: I'm glad you said that, Peter, because what I was gonna say is I am delighted to see some of the directors who did time in the MCU or other franchises coming back and making original movies. Obviously, Sinners is one of the big success stories of the year. It's also a success story because Ryan Coogler is not only making franchise movies.I saw Seeing Fruitvale, which turned Fruitvale Station, at the Sundance Film Festival. It was like a seminal moment for me early in my career as a critic. I was like, “Holy God, this guy is great.” Even though I like what he did with the Rocky movies and I like the first Black Panther, I just felt this sense of profound regret for him getting diverted from telling these original stories. I'm really excited for Chloe Zhao's Hamnet. I expect to be emotionally incapacitated by that movie. Honestly, it is great for people who love movies that Immortals was just such a disaster.Peter: Eternals.Sonny: Eternals, that's how good it is we can't even remember the title.Alyssa: Yes, Destin Daniel Cretton is working on a Shang-Chi sequel, but he is also collaborating with Ryan Coogler on a project that I think is drawn from their childhoods.Sonny: He's directing a new Spider-Man movie right now.Alyssa: But there's other stuff coming. There's the possibility of life outside franchises. And, I'm excited to see what some of these folks do when they're not in front of a green screen and when they're telling stories about actual human beings. I am excited to just see more movies like Weapons, like Materialists, coming from younger directors who are still figuring things out, but have interesting things to say. And this year, at least, appears to be able to do okay at the box office.I love that. People are recovering from their exile in Atlanta and have a chance to make some cool movies. You guys have been so generous with your time. I do want to just finish on one last note: where do you assess Hollywood's position within the world to be?Obviously, in the States, they've had a lot of pressure from things like TikTok coming from below, things like the federal government coming from above. But even internationally and geopolitically, you've seen international players start to compete with Hollywood at the Oscars. For instance, in Best Animated Film last year, as well as some big markets shutting down for them, like China is not really doing anything. From a political perspective, where do you assess the state of Hollywood right now?Peter: From a political perspective, I think Hollywood is going to start producing movies that read less overtly liberal, less conventionally left-leaning. I think we're already seeing some of that. I don't mean that Hollywood is suddenly going to be MAGA, that it's suddenly gonna be like reading Buckley's National Review or anything like that. I just mean that at the margins, you're gonna see more movies that don't toe the line in the way that you saw movies before. There was a moment, especially right before and right after the pandemic, where it really felt like too many movies were towing a very predictable left-of-center political line. And it was obvious and there was no nuance to it.Again, I do not oppose movies that may have a different worldview than mine, but it felt like they were running scared in a lot of cases. I mean, in sports, if your team is behind, that's the time when you try new stuff. You don't use the same strategy if you are losing. Hollywood's losing right now. They're losing economically and they're losing as a cultural force. While that's in some ways not great for the art form, that is going to be good for experimentation. And that's gonna be formal and craft experimentation. That's going to be talent. We're going to see new and interesting people. And that's also going to be ideas both for stories and for politics and ideology.Sonny: A big question is what happens with the retrenchment of the global box office? Because I do think, for a long time, you could count on basically two-thirds of the box office of a major Hollywood release coming overseas and one-third coming domestically. And those numbers have, in some cases, inverted. It's closer to 50/50 for more of them. It's not universally true. F1 did more business overseas than domestically, which you might expect for something that's based on F1 racing. But the big question is what happens if the rest of the world is like, “We're not that interested in the big Hollywood blockbuster stuff that we have been eating up for the last 15 or 20 years”?This goes hand in hand with Alyssa's point about originals. That's probably a good thing, honestly. It's probably a good thing to get away from the theory of the movie industry being like, “We need to make things that appeal despite language barriers.” Language matters; words matter. And tailoring your words to the correct audience matters. American movie studio should tailor their stuff to American audiences.Alyssa: And also getting away from the idea of appealing to the Chinese censors who controlled which American movies got access to Chinese markets, which was not the same thing as appealing to Chinese audiences. But yeah, I totally agree.My father-in-law works in the foreign exchange industry, and he said something that I've been thinking about a lot. They're just seeing real declines in people who want to come here or feel comfortable coming here. Until July, I was the letters editor at The Washington Post, and it was astonishing to me just how much rage Canadians were feeling towards the United States. I don't know that these will translate into a rejection of American movies. American culture exports have been unbelievably strong for a long time.But I do see an opening for Korean pop culture, which has already been very popular abroad. I think there's a real chance that we will see a rejection of American culture in some ways. And, it will take Hollywood a while to respond to that. It always lags a little bit. But I do think it would be very interesting to see what more aggressively American movies look like. And I think that could take many forms.But scale is in many ways the enemy of interestingness. If there is not and opportunity to turn everything into a two billion dollar movie because you sell it overseas, what stories do you tell? What actors do you put on screen? What voices do you elevate? And I think the answers to those questions could be really interesting.Peter: I agree with all of this in the sense that I think it will be good for the art form, like I have been saying. But there's a cost to this that all of us should recognize. When budgets get smaller and the market shrinks, that is going to be bad for people who work in the industry. And in particular, it's going to be rough for the below-the-line talent, the people whose names you see at the end credits — when these credits now scroll for 10 minutes after a Marvel movie because they have employed hundreds, maybe even a thousand people.And there was a story in The Wall Street Journal just this summer. You mentioned the time in Atlanta about how Marvel has moved most of its production out of Atlanta. There are people there who had built lives, bought houses, had earned pretty good middle-class incomes, but weren't superstars by any means. Now they don't know what to do because they thought they were living in Hollywood East, and suddenly, Hollywood East doesn't exist anymore.We may be in a position where Hollywood West, as we have long know it, L.A., the film center, also doesn't exist anymore, at least or at least as much smaller, much less important and much less central to filmmaking than it has been for the last nearly 100 years. And again, as a critic, I like the new stuff. I often like the smaller stuff. I'm an American; I want movies made for me. But also, these are people with jobs and livelihoods, and it is going to be hard for them in many cases.Sonny: Oh, I'm glad to see the A.I. King over here take the side of the little guy who's losing out on his on his livelihood.Peter: I think A.I. is going to help the little guy. Small creators are going to have a leg up because of it.Sonny: Sure.All right. Well, I love some of those thoughts, love some of those lessons. Publicly traded companies are famously risk-taking, so we're going to be fine, definitely. Either way, I really do love the show. I really, really enjoy it. I think it's one of the best discussion shows, chat shows about any movie podcast out there. It is really, really fun. It is very cool to see you guys go independent.I just want to throw it to you a little bit. What is your pitch? What is the show? Where can they find it? What's the best way to support it? And where can they find you all?Sonny: The show's a lot like this, like what you just listened to.Alyssa: Peter has developed this catchphrase when Sonny asked him how he's doing to kick off the show, and he always says that he's excited to be talking about movies with friends. We want to be your movie friends. You should come hang out with us. Hopefully, we will be going live a little bit more, maybe meeting up in person some. I will hopefully be doing some writing for our sub stack, if you have missed my blatherings about movies and movie trends.But yeah, come hang out with us every week. We're fun.Sonny: Movieaisle.substack.com. That's where you should go. You should I'm I'm I'm sure I'm sure there will be a link to it or something. Movieaisle.substack.com is where it lives now. We'll have a proper URL at some point.Terrific. And wherever you get your podcasts?Sonny: And wherever you get your podcasts!That's great. Peter, Alyssa, Sonny, thank you so much. This is really, really fun. Again, I really dig the show so much. I'm very, very happy for you guys being able to spring out independent. So really, thanks for coming on.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

Day 18 – Episode 168: 28 Years Later (2025)On Day 18 of The Conner & Smith Show's 31 Days of Halloween, Ryan and I dive into 28 Years Later — the long-awaited and utterly breathtaking continuation of Danny Boyle and Alex Garland's apocalyptic saga. What we expected to be another grim survival horror instead left us both deeply moved, even brought to tears by its haunting beauty, humanity, and poetic sense of closure. The film honors the legacy of 28 Days Later and 28 Weeks Later while evolving into something profoundly emotional — a meditation on time, trauma, and the cost of rebuilding. This isn't just another sequel; it's a requiem for the world we once knew.Support The Conner & Smith Show on Patreon here:

HORROR FANS ARE EATING GOOD! Greg Alba & John Humphrey dives into the most anticipated horror movies from November 2025 to December 2026! We're breaking down Keeper (Osgood Perkins of Longlegs & The Blackcoat's Daughter) where a wife faces unspeakable evil in a cabin; Five Nights at Freddy's 2 (December 2025) continuing the animatronic mayhem; Bryan Fuller's Dust Bunny with Mads Mikkelsen (Hannibal) and Sigourney Weaver (Alien); We Bury the Dead starring Daisy Ridley (Star Wars); Sam Raimi's Send Help; Danny Boyle & Alex Garland's 28 Years Later: The Bone Temple; Psycho Killer (Georgina Campbell, Barbarian); The Bride; Scream 7; Mike Flanagan's Untitled Exorcist Movie; Lee Cronin's (Evil Dead Rise) take on The Mummy; Ready or Not: Here I Come; Scary Movie 6; Evil Dead: Burn; Clayface (David Corenswet rumors); Zach Cregger's Resident Evil film; Terrifier 4 (Art the Clown returns!); Remain (Jake Gyllenhaal x M. Night Shyamalan x Nicholas Sparks supernatural rom-thriller); Robert Eggers' Werewulf (13th-century England); Peacock's Carrie series & Crystal Lake; the Conjuring Universe series; American Horror Story 13; Onslaught (Adam Wingard); the Coen Brothers' first horror movie; and an Insidious spinoff! Plus bonus mentions: Silent Night Deadly Night, M3GAN spinoff Soulm8te, and the primal thriller Primate. From vampires to zombies to slasher revivals, this is the ultimate horror preview for 2025-2026! Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

It's that time of year again! Throughout the entire month of October, Time Sensitive will be devoted to blood, guts, and the BEST classic and under-the-radar horror films. We won't be profiling a single film in this episode. We won't be profiling two films in this episode. We will be profiling and comparing all three films of the 28 Days Later franchise, which span over two decades, and will continue to thrill audiences in the coming years.Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media 

Happy Halloween from I Like to Movie Movie! Join us for a super spooky celebration of one of the most enduring fright franchises of all time: 28 Days/Weeks/Years Later! It's been over two decades since the original film brought rage zombies to the big screen, and in the interim, Danny Boyle and Cillian Murphy became Oscar winners, and Alex Garland became a household name. Join us as we look back on the series, dissect the latest entry, and look into the future of the franchise (which is coming soon than you think!)Follow I Like to Movie Movie on Instagram and Twitter, and be sure to like and subscribe on your podcatcher of choice! Check out ScullyVision.com for more fun! Dan is in a movie and on a show! Watch .ask on TubiTV and Amazon Prime, and Found Footage Finds on FoundTV and YouTube!

After nearly two decades in development hell, the long-awaited continuation of the 28 Days Later saga finally chewed its way into cinemas. Returning are director Danny Boyle and writer Alex Garland, the creative team behind the original films. The film sees a time jump as well, as it is now nearly three decades since the Rage virus turned the U.K. into mindless zombies. We follow Spike, a young boy who has grown up on an isolated island off the British coast, as he navigates a coming-of-age trip to the mainland impress his father by killing his first infected. Of course, things go sideways, and what starts as bonding turns into a fight for survival - and the realization that the living must face their own inner rage. With multiple sequels on the way, this reanimated franchise seems hungry for box-office dollars, but is it too much, too late? Join us as we unwrap the bloody present of 28 Years Later! This is Legends of Halloween!    For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/

Greetings haomies! As we march onward into techno/christofascist hell, this episode we review not one, but two of the year's most highly anticipated genre films, 28 YEARS LATER and BRING HER BACK.   For those counting, it's been 18 years since the 2007 sequel to 2002's modern horror classic, 28 Days Later. In the years since, Danny Boyle has won an oscar and Alex Garland graduated from screenwriter to becoming a formidable director (and show creator) in his own right. What'd these two come up with for the long awaited sequel, 28 YEARS LATER, and what did the three of us think? It's on Netflix currently if you've yet to see it or would like to give it a rewatch.   BRING HER BACK is the follow up to the film debut of brothers Danny and Michael Philipou, writer/directors of 2022's breakout A24 horror hit, Talk To Me. How did the Brothers Philipou, of former youtube horror/comedy RackaRacka video fame, do in their sophomore effort? Bring Her Back just became available to stream on HBOMAX.  "Some people believe the spirit stays in the body for months after death...the more you kill, the easier it gets. Don't feel bad about it. The infection takes away their minds -- it's got no mind, it's got no soul." It's The Who Goes There Podcast Episode 440! Join our Patreon to support the show! As a patreon member you get the episodes early, bonus content, and access to our Discord. It also helps us keep doing it. We recently sent out a bunch of exclusive merch too. The Who Goes There Podcast is available to subscribe to on iTunes and Spotify. You can also find us on Instagram.  Huge thanks as always to the incredible @thecalgee for the original art! 

On the thirteenth night of our #31DaysToHalloween the Mister joins me in reviewing 28 YEARS LATER (2025), from director Danny Boyle  with a script by Alex Garland.  Set nearly three decades after the Rage virus devastated the UK, the film focuses on a small, isolated community living on a fortified island off the English mainland.  Twelve-year-old Spike (Alfie Williams) ventures onto the infected mainland with his father (Aaron Taylor-Johnson) for a coming-of-age ritual, but their journey is interrupted by mutated infected and a crisis concerning Spike's terminally ill mother, Isla (Jodie Comer).  In a desperate act to find a cure, Spike defies his father to take his mother to a reclusive doctor named Kelson (Ralph Fiennes), leading them on a perilous trek where the evolving nature of both the infected and the surviving humans is revealed.  The film clocks in at 1 h and 55 m, is rated R and we caught the film on Netflix but you can also catch it to buy/rent on Prime Video.  Please note there are SPOILERS in this review. #28YearsLater #DannyBoyle #AlfieWilliams #Spike #AaronTAylorJohnson #Jamie #JodieComer #Isla #ChristopherFulford #Sam #RalphFiennes #DrKelson #JackOConnell #SirJimmyCrystal #Horror #SciFi #Thriller  @Netflix  @PrimeVideo ⁠⁠#31DaysToHalloween #SpookySeason #Day13  #FridayFamilyFilmNightOpening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

It took two decades, but the rage virus is back. Jason and Rachel review 28 Years Later (2025), the shocking sequel from Danny Boyle and Alex Garland — now available on digital. We unpack the performances (Jodie Comer, Aaron Taylor-Johnson, Ralph Fiennes as Dr. Kelson, Alfie Williams), the bold genre twists, and whether the film lives up to the 28 Days Later legacy. From the chilling Rudyard Kipling poem to the Lindisfarne setting, the “Bone Temple” setup, and the controversial train sequence — we cover it all. Subscribe to Thumb War for more unhinged reviews of movies and TV you probably shouldn't watch (but we do, so you don't have to). Hit us up: ThumbWarPod@gmail.com Join our Patreon for ad-free episodes + bonus shows: http://bit.ly/44Mo8xU Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On the eleventh night of our #31DaysToHalloween the Mister joins me in reviewing 28 DAYS LATER (2002), from a screenplay by Alex Garland, the film is directed by Danny Boyle.  Bike courier Jim (Cillian Murphy) awakens from a coma 28 days after a hyper-contagious rage virus has been accidentally unleashed, finding London deserted and overrun by fast, homicidal infected people.  Jim joins a small band of uninfected survivors, including the hardened Selena (Naomie Harris), on a perilous journey across a desolate Britain toward a military quarantine promising safety.  However, upon reaching the military compound, they discover the soldiers pose a threat more monstrous than the infected, forcing the survivors into a desperate final battle for their lives and humanity.  The film clocks in at 1 h and 56 m, is rated R and we caught the film on Netflix but it is streaming on AMC+, PlutoTV but also to buy/rent on Prime Video.  Please note there are SPOILERS in this review.#28DaysLater #AlexGarland #DannyBoyle #CillianMurphy #Jim #NaomieHarris #Serena #NoahHuntley #Mark #BrendanGleeson #Frank #MeganBurns #Hannah #ChristopherEccleston #MajorWest #DystopianSciFi #MonsterHorror #PsychologicalHorror #Horror #SciFi   @Netflix  @amcplus  @PlutoTV  ⁠@PrimeVideo  ⁠⁠#31DaysToHalloween #SpookySeason #Day11  #FridayFamilyFilmNightOpening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

It's our spooky season episode! Remember Shuffle turns to a much requested topic, the zombie films of the 2000s. After tracing the history of zombie media and mythology, they review two major tentpoles of 2000s Zombie films, Danny Boyle and Alex Garland's "28 Days Later" (2002) and Zack Snyder and James Gunn's "Dawn of the Dead" (2004). The Shuffle Bois discuss the themes and big ideas of these films, including individualism vs communitarianism, politics and class, as well as their tropes and style.Join the patreon to listen to the 2nd part of this episode on Zombie parody films, dropping next weekend ⁠⁠https://www.patreon.com/c/RememberShuffle⁠⁠Give Remember Shuffle a follow on Twitter⁠⁠⁠⁠⁠⁠ And on Instagram⁠⁠⁠⁠⁠ ⁠@RememberShufflePod⁠⁠⁠⁠⁠⁠ to interact with the show between episodes. It also makes it easier to book guests.  

We had some scheduling snafus that caused the delay of our Saw episode, so our schedule is getting pushed back a week. Luckily, we had this beautiful podcast about 28 Years Later set to release on the Patreon later this month, and instead, we're putting it out for free for all the fine folks out there. Matt and Kota have a very spoiler-filled discussion about Danny Boyle's 28 Years Later. Like all zombie movies, it's not actually about zombies, it's about…. Well, it's about a lot of stuff. This is a meaty, hefty movie. Not unlike what the Alpha carries around with him. Next week: Saw with HFK & Spooky T! Bonus video: Matt reviews the 1980s Disney movie The Great Mouse Detective and wonders if it's secretly the best Disney movie of the era https://youtu.be/PpWYKmU1KuQ  Subscribe to our Patreon, Load Bearing Beams: Collector's Edition for $5 a month to get two extra episodes! https://patreon.com/loadbearingbeams    Time stamps: 00:05:35 — Opening thoughts on 28 Years Later 00:10:07 — Mini-history segment on the careers of Danny Boyle and Alex Garland 00:23:45 — Movie discussion 01:52:20 — Final thoughts and star ratings   Follow ScreenTimeKota: TikTok: @screentimekota Instagram: @screen_time_kota  YouTube: @ScreenTimeKota Facebook: @ScreenTimeKota   Artwork by Laci Roth.   Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).  

Chuck and Justin take on Alex Garland's Annihilation, a film that's as haunting as it is hard to pin down. They dig into how it compares to Jeff VanderMeer's novel, what Garland nailed, and where it falls short. From the nightmare bear to the lighthouse and those uncanny doppelgängers, they break down the movie's wild mix of beauty, horror, and existential dread, and ask whether it ever truly captures the book's strange, Lovecraftian soul. Hosted by Charles Phillips Co-hosted by Justin Morgan Mixing by Scratchin' Menace Music by Daniel Birch and Ben Pegley Follow us on Facebook and Bluesky for updates. Listen on Apple Podcasts, Spotify, YouTube, and all major platforms. Please subscribe, rate, and review. We appreciate the support!

In 2010, Ninja Theory released Enslaved: Odyssey to the West, a post-apocalyptic reimagining of the Chinese epic Journey to the West. We trace Tameem Antoniades' turbulent path from Kung Fu Chaos and Heavenly Sword to founding Ninja Theory and building Enslaved on a shoestring budget. The episode highlights the extraordinary creative lineup—Andy Serkis shaping Monkey, Alex Garland embedding with the team as co-designer, and Nitin Sawhney composing its score. Our conversation explores its lush environments, groundbreaking performance capture, and the dynamic between Monkey and Trip that critics compared to ICO and Prince of Persia. While sales fell short of expectations, expansions like Pigsy's Perfect 10 and cult acclaim cemented its legacy. Join us as we climb, fight, and journey west through Enslaved on today's trip down Memory Card Lane.Read transcript

Julian, Madeline, and Emilio continue their episode cycle on Audience Interrogation with a "Two-Shot" on Dan Gilroy's "Nightcrawler" (2014) and Alex Garland's "Civil War" (2024), and are joined for the conversation by Michael Cramer, professor of Film History at Julian's alma mater, Sarah Lawrence College. Looking at this surprisingly fitting pair of movies, the group begin by zooming in on "Nightcrawler" and discussing how Jake Gyllenhaal's unforgettable portrayal of a wide-eyed sociopath cements the film's parable about the ethics of procuring and propagating "newsworthy" footage. Then, jumping forward a decade, the group consider the similar questions posed by "Civil War" in its depiction of war photographers navigating the ruins of the United States in a fictional future conflict, along with the polarized reception of its narrative ambiguities. Michael Cramer is on the Film History faculty at Sarah Lawrence College and is the author of "Utopian Television: Roberto Rossellini, Peter Watkins, and Jean-Luc Godard Beyond Cinema," along with numerous scholarly articles on European Cinema and television. If you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

This week, our hosts, Josh and Jade give a full review of 28 Years Later (Netflix). The post-apocalyptic horror film is produced and directed by Danny Boyle and written by Alex Garland. The third film in the 28 Days Later series, following 28 Days Later (2002) and 28 Weeks Later (2007), it stars Jodie Comer, Aaron Taylor-Johnson, Alfie Williams in his feature film debut, and Ralph Fiennes.Listen in as Josh and Jade give their opinions on what was trash and what was treasure in this film. They also ask the important questions like, "who brings a 12-year-old to a zombie filled island?"

Tonight I'm joined again by professor and musician Doug Bielmeier for another Late Night Series Review! In this episode, we're continuing our analysis of the incredible 2020 limited series DEVS by Alex Garland. In the finale of the series, we're talking about parts 7 and 8! YouTube Censored Version Join our Patreon to watch the uncut version! Show music by OGRE. Support the show!

Welcome to Watch. Review. Repeat. This is the podcast where two best friends discuss the latest in film and television and then do it all over again the following episode! Colton and Andrew return to the Rage virus-infected British Isles in '28 Years Later', which marks the reteaming of writer Alex Garland and director Danny Boyle! 00:00:00 - Intro 00:05:17 - Andrew's Totally Embarrassing Dad Joke of the Episode! 00:07:11 - Colton's Fun Facts About '28 Years Later' 00:16:46 - 'Dances With Wolves' Indigenous Actor Graham Greene Dead at Age 73 00:22:20 - IMAX Pioneer David Keighley Dead at Age 77 00:27:49 - ‘Mortal Kombat II' Delayed to May 2026 00:33:08 - ‘Task' Official Trailer 00:37:59 - ‘Fallout' Season Two Teaser Trailer 00:44:13 - ‘The Pitt' Season 2 Official Teaser 00:47:38 - Marvel Animation's ‘Marvel Zombies' Official Trailer 00:51:58 - '28 Years Later' (Non-Spoilers and Recommendation) 01:29:20 - '28 Years Later' (Spoilers) 02:05:05 - '28 Years Later: The Bone Temple' Official Trailer 02:09:29 - Catching Up With Andrew ('Alien: Earth', Odyssey by Stephen Fry, 'Secret Millionaire', College Football) 02:16:53 - Catching Up With Colton (Nine Inch Nails Peel It Back Tour, NY/Vermont Trip, 'Abbott Elementary' and 'It's Always Sunny in Philadelphia' Crossover) 02:24:54 - Conclusion/Outro Visit our website! Support us on Patreon! Thank you for listening, and please send any feedback to watchreviewrepeat@gmail.com! Intro/Outro Credit: Mechanolith Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

Moody Movies: Linda Linda Linda (2005), Blast From The Past (1999), Annihilation (2018), It's Never Over, Jeff Buckley (2025). Kylie and Elliott admire the punk rock realness of a new favourite, fight the mega Sunday Scaries with a comfort watch, pick at the scab of a filmmaker they just don't seem to be able to like, and consider the trickiness of documentary.Watch The Big Snit.Follow along onInstagram: @moodymovie.clubLetterboxd: kylieburton Letterboxd: ElliottKuss Hosted on Acast. See acast.com/privacy for more information.

Welcome to Dev Game Club, where this week we complete our series on Portal. We talk about the ending part of the game, the increasing difficulty, the cake, and the boss and declare ourselves Still Alive. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Finished the game! Issues covered: puzzle hockey stick, having puzzles cross through multiple rooms, mechanical additions to the sequel, limiting the additional portal mechanics, having to think about getting across rooms, timing puzzles, how the portals line up, not supporting the twitch elements well, is Chell an android? (she is not -B), the feeling of escape, test subjects getting behind the walls, tactical freedom vs strategic freedom, the importance of context, the meta aspect of these narratives, the subtlety of the cake (until it isn't), "now I'm in Half-Life," competing with Black Mesa, the boss fight, thinking in portals, the final exam and having all the tools, timers as a crutch, the perfectly balanced end point, seeing the outside and being in the Half-Life world, the cake room, the character of GLaDOS as an amalgam of personality modules, triumphant GLaDOS, "the cake is a lie," the game hitting in a different way, the Weighted Companion Cube, having to be interactive, using games as a substrate for "non-interactive" entertainment, the grungy environment vs what's going on, a better show than a game (except maybe a couple of scenes), freeing your mind, the limits of new mechanics, being just one idea with some small sub-ideas, lean/no fat, really great onboarding, a light touch with narrative, everything coming together and artistic cohesion, a meta moment about the SteamDeck, portals!, safety in the portals, portal-based renderers, the one game that brought you in, another very kind review that we sometimes live up to. Games, people, and influences mentioned or discussed: The Stanley Parable, BioShock, Half-Life, President Obama, Claire Danes, Chris and Susan McKinley Ross, Jonathan Coulton, Ellen McLain, The Office, Office Space, Fallout, Saw, Ex Machina, Alex Garland, The Last of Us, Giovanni Giorgio Morodor, Diana Ross, Daft Punk, Fez, Fumito Uedo, Keita Takahashi, J. K. Simmons, Stephen Merchant, Jacques Rivette, Valve, Aperture Desk Job, Erik Wolpaw, Calamity Nolan, BioStats, Endofunctor, Morrowind, Halo CE, Paolo, Outer Wilds, Kirk Hamilton, Aaron Evers, Mark Garcia.  Next time: TBA! Twitch: timlongojr and twinsunscorp  Discord  DevGameClub@gmail.com 

We're diving into 28 Years Later, the long-awaited sequel to 28 Days Later and 28 Weeks Later!

"You are dead center of the greatest scientific event in the history of man." For Episode 375, Brandon and David are joined by Paige Klaniecki to discuss Alex Garland's Ex Machina for CineNation's Hard Sci-Fi series. Paige is a screenwriter, podcaster, and voice actress based in Los Angeles, and she serves as a co-writer and associate producer on the Mission: Rejected spy comedy podcast, while also serving as a voice actress on the show. Listen as Brandon, David, and Paige discuss Garland's inspirations behind the film, the movie's casting process, how the crew created the environment of the film, how A24 became a major player in getting the film released, and much more.  Also, don't forget to join our Patreon for more exclusive content: Opening - Talking about Coherence -  (00:00:10) Introducing Paige Klaniecki - (00:03:45) Recap of Hard Sci-Fi Movies (00:05:44) Intro to Ex Machina (00:08:03) How Ex Machina Got to Production (00:13:40) Favorite Scenes (00:25:16) On Set Life - (00:51:22) Aftermath: Release and Legacy (01:00:19) What Worked and What Didn't (01:07:24) Film Facts (01:15:13) Awards (01:15:56) Final Questions on the Movie (01:21:01) Wrapping Up the Episode (01:27:47) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast Visit to find out more about Mission: Rejected!

In this bonus epsiode, Mike and Becky revisit Danny Boyle and Alex Garland's 2002 zombie masterpiece, 28 Days Later, as well as its two sequels, before speculating on the upcoming 28 Years Later: The Bone Temple... Bring Her Back is available to buy or rent on your favourite digital stores like Apple TV plus, Amazon Prime and Sky Store. 28 Days Later & 28 Years Later are both available to buy and watch at home Hosted, Produced and Edited by Mike Muncer Music by Jack Whitney.  Artwork by Mike Lee-Graham Get ad free episodes and weekly bonus content on our Patreon! www.patreon.com/evolutionofhorror  Mike Muncer is a producer, podcaster and film journalist and can be found on BLUE SKY and INSTAGRAM Visit our website www.evolutionofhorror.com  Buy tickets for our UPCOMING SCREENINGS & EVENTS Buy yourself some brand new EOH MERCH! Email us!  Follow EOH on INSTAGRAM Like EOH on FACEBOOK Join the EOH DISCUSSION GROUP Join the EOH DISCORD Follow EOH on LETTERBOXD    

This week on Horror Hour with the Hanna's, we journey into Alex Garland's Annihilation (2018), a surreal and unsettling blend of science fiction and horror. Starring Natalie Portman, Tessa Thompson, and Jennifer Jason Leigh, the film follows a team of scientists who enter “the Shimmer”—a mysterious, expanding zone where nature and biology mutate in eerie and violent ways. We break down the film's hypnotic visuals, cerebral storytelling, and existential themes of self-destruction and transformation. From the infamous bear scene to the unforgettable finale, Annihilation is equal parts terrifying and mesmerizing—a modern cult classic that pushes the boundaries of genre. We also compare it to the 2014 Novel.   Follow Us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @horrorhourwiththehannas   Music by Aries Beats - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/watch?v=DPpnxLYrzVA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

As we head closer to the 2025 spooky season, we're offering a grab bag of assorted films for you, continuing this week with 28 YEARS LATER, the long-deferred sequel to the groundbreaking thriller 28 Days Later from 2002. The creative team of Danny Boyle and Alex Garland return to the world of the infected to offer up a thoughtful and disarmingly poignant story about the survivors of the viral infection who not only struggle to sustain life under the constant threat of attack but also must face the harsh realities of life beyond merely the trappings of the apocalypse.Nathan is joined this week by Kate Micham, his sister and new friend to the show, to dive into this film's terrors and wonders, reminding us all to remember that we must die and to remember that we must love. Also featuring a Patron-only "Whatcha" segment, it's a sensitive and heartfelt conversation that we really hope you enjoy!Patron Only Segment: Whatcha Watchin' / Readin' / Listenin' To?6:49 - 28 YEARS LATER12:31 - Interlude - Two Questions with Kate Micham24:35 - Back to 28 YEARS LATERSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Frank and Jonathan kick off with the Question of the Week about who Alan Ritchson should play in the DCU, then break down A24 developing an Elden Ring movie with Alex Garland. They unpack the Avengers Doomsday “on-set feud” rumor and why it fell apart on closer reporting, talk through Kumail Nanjiani's Eternals comments and what they reveal about Marvel's planning, and close with a spoiler-lite review of Peacemaker Season 2 Episode 1, focusing on themes, character beats, and where the season might be headed. Timestamps and Topics 00:00 Welcome and rundown of today's topics 00:27 Question of the Week Alan Ritchson's DCU role ideas from the community 01:58 Aquaman trivia and fan casting talk Green Arrow, Bane, Killer Croc, Deathstroke, Absolute Batman 04:10 A24 is developing an Elden Ring movie with Alex Garland why this pairing fits dark fantasy 07:11 What makes game adaptations work today fan respect over algorithms 09:24 Quality over hype The Last of Us effect and what general audiences respond to 13:22 Avengers Doomsday feud rumor gets debunked how shaky sources spread 16:15 The scooper economy pros, cons, and why credibility matters 21:00 Eternals postmortem Kumail Nanjiani's six-project deal and the mental health fallout 25:29 What Marvel planned for Eternals and why the execution stumbled 29:03 Three takeaways Marvel seems to have learned after Eternals 32:17 Peacemaker S2E1 review themes, character arcs, and that multiverse doorway 38:13 Standout scenes Justice Gang mic hot, Guy Gardner moment, team chemistry 41:59 Network updates Challenge Accepted, Outlast, This Is Starting, Fandom Portals 45:58 Weekly recommendations King of the Hill's new season and Kpop Demon Hunter 49:46 Wrap up and listener call to action Key Takeaways Alan Ritchson is not Batman, but he did meet with James Gunn. Fan casting ranged from Aquaman to Bane and Absolute Batman, with smart cases made for each. A24 plus Alex Garland on Elden Ring is a strong match. Expect scale, mood, and respect for the lore over jump scares. The Doomsday “feud” rumor fizzled once credible on-set sourcing surfaced. Hype without receipts is noise. Kumail Nanjiani's comments show how big Marvel's Eternals plans were and how hard a miss can hit the people involved. Likely Marvel lessons after Eternals Infrastructure is not inevitability Keep the door open but the funnel narrow Prestige plus scale is not a strategy without story Peacemaker S2E1 centers on loneliness, found family, and a doorway that tempts Chris with a perfect life. The team still clicks when they are together, and the Justice Gang scene lands. Quotes “Infrastructure is not inevitability.” “I think we might be in an era where people are hungry for well made stuff again.” “The misfit toys work well together.” “Listen to different sources, but check your sources.” Call to Action Enjoyed the episode? Follow the show, tap the bell, and leave a five-star review on Apple Podcasts or Spotify. Share the episode with a friend and tag us using #GeekFreaksPod. Links and Resources GeekFreaksPodcast.com is the source for all news discussed on our shows and where you can find reviews, links, and more Follow Us Website: https://geekfreakspodcast.com Twitter: https://twitter.com/geekfreakspod Instagram: https://www.instagram.com/geekfreakspodcast/ Threads: https://www.threads.net/@geekfreakspodcast Facebook: https://www.facebook.com/thegeekfreakspodcast Patreon: https://www.patreon.com/GeekFreakspodcast Listener Questions Send your questions and hot takes for next week's Question of the Week. Drop them on Twitter or Threads, or email us via the site. Apple Podcast Tags Geek Freaks, movies, TV, pop culture, Marvel, DC, James Gunn, Avengers Doomsday, Eternals, Kumail Nanjiani, A24, Elden Ring, Alex Garland, Peacemaker Season 2, John Cena, Guy Gardner, video game adaptations, fandom, reviews, podcast

Tonight I'm joined again by professor and musician Doug Bielmeier for another Late Night Series Review! In this episode, we're continuing our analysis of the incredible 2020 limited series DEVS by Alex Garland. In this video, we're talking about parts 5 and 6! YouTube Censored Version Join our Patreon to watch the uncut version! Show music by OGRE. Support the show!

In this episode of Chick Flicks, McKenzie and Bridget revisit 2002's 28 Days Later, a film directed by Danny Boyle that revitalized and changed the zombie subgenre. We also discuss 28 Years Later, the newest installment of this franchise that sees Boyle reteam with screenwriter Alex Garland. Tune in to hear us talk about the startling beauty of young Cillian Murphy, post-apocalyptic world building, and our new favorite tv shows and books.Chick Flicks is a film review podcast hosted by McKenzie Chapman and Bridget Hovell. You can follow Chick Flicks on instagram  @chickflickspod and email us at chickflickspodcast@gmail. McKenzie and Bridget are on letterboxed as @kenzchap and @brovell

In this episode of ClassHorrorCast, we revisit Alex Garland's haunting and surreal folk horror MEN (2022) — a film that shocked audiences, split opinions, and delivered one of the most disturbing endings in recent memory.We dive deep into the unsettling atmosphere Garland creates, the layered symbolism woven through the story, and Jessie Buckley's powerhouse performance as Harper, a woman seeking escape from grief only to find herself stalked by something far darker.We'll break down the film's rural English setting, its eerie use of repetition, and Rory Kinnear's unforgettable (and unnerving) multi-role performance.From the visceral body horror to the heavy thematic undercurrents about guilt, gender, and cycles of violence, we explore why MEN is so divisive — and why that shocking final act still has people talking.Whether you loved it, hated it, or are still trying to figure out what you just watched, this conversation will give you plenty to think about.If you enjoyed this - Check out my other content here - https://linktr.ee/FirstClassHorrorBecome a supporter of this podcast: https://www.spreaker.com/podcast/class-horror-cast--4295531/support.

What is a call of Duty campaign without veteran difficulty? We are going to find out this year, plus Mass Effect has a filming date, Nintendo Switch 2 beats the price allegations, Nic Cage is headed to HBO and Superman breaks the $600 million barrier. Plus a lookback at gamescom, horror icons hit the soda aisle and South Park is moving slow.

Nat, Cody, and Robert take a trip to the sun and perhaps touch the face of God with Danny Boyle's SUNSHINE. Time tracks: 0:00:00 - SUNSHINE Discussion 1:06:39- Next Movie and Outro

Film critic and host of The Losers' Club and The Lady Killers podcast, Jenn Adams, returns to talk about the Frankenstein movie of the 2010s: Alex Garland's Ex Machina (2014). New episode every Friday.Follow us on Letterboxd to see what films we're covering.Produced and presented by Anna BogutskayaResearch Assistant: Frankie Wakefield***Music: "Neon Alley" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring horror film history through a feminine lens.→ Support us on Patreon for bonus content.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter and Instagram.→ Read Feeding the Monster

This week, the boys grab a few beers and head back to 2018 to catch up on what was happening the year “Annihilation” came out, before diving into a discussion about re-watching Alex Garland's follow-up to his 2015 hit “Ex Machina”. Dave owns the film, John has seen it 3 or 4 times but the time lines get blurred (movie reference), and Jeff hasn't gone back since his shimmery experience in the cinema summer 2018. What did we think? We have to keep it positive. linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro + News; 14:00 Gripes; 17:12 2018 Year in Review; 41:52 Films of 2018: “Annihilation”; 1:26:17 What You Been Watching?; 1:34:23 Next Week's Episode Teaser Additional Cast/Crew: Natalie Portman, Oscar Isaac, Alex Garland, Tessa Thompson, Jennifer Jason Leigh.  Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Alien: Earth; Jason Bourne, Foreign Correspondent; The Social Network, Hearts of Darkness; Apocalypse Now; Pirates, The Yogurt Shop Murders, Blood Simple. Additional Tags: Frances McDormand, The Coen Brothers, Peter Weir, Paramount, Poop Cruise, Netflix, Apple Film, Times Square, Formula 1, British Grand Prix at Silverstone, Austrian Grand Prix, Lando Norris, Charles Leclerc, Oscar Piastri, Shane, Stick, Peter Pan, Roman Holiday, Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, Tom Cruise, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), The Canadian Grand Prix. Montana, 

We discuss some recent movie and shows!Happy Gilmore 2M3gan 2.0King of the Hill (Season 14)WarfareJoin the conversation... FacebookInstagramTwitterTikTokYouTubeRate/Review/Subscribe:Apple PodcastsSpotifyYouTube

Send us a textA group of survivors of the gherkin virus live on a small island. When one of the group leaves the island on a mission into the mainland, he discovers the secrets, wonders, and horrors of an encounter with alpha cock Samson. On Episode 680 of Trick or Treat Radio we discuss 28 Years Later from director Danny Boyle! We also engage in the infected vs. zombie debate, ponder whether clothing would stay intact for 28 years, and spend some time hanging out with Kraven Buttstuff! So grab your field guide to plant medicine, stay away from the Track Suit Mafia, and strap on for the world's most dangerous podcast!Stuff we talk about: Tasty Flesh, Jaws, The Rocky Horror Picture Show, 20th Century Fox, who's the smartest man alive, original release date for 28 Days Later, when will then be now, this day in horror history, A Haunting We Will Go, Invisible Agent, The Wonder World of the Brothers Grimm, Jason and the Argonauts, Heavy Metal, Tarzan the Ape Man, Condor Man, Student Bodies, 1981, Masters of the Universe, Raising Cain, John Lithgow, Abby Cornish, Alexandre Aja, Charlize Theron, Aeon Flux, Monster, Charlotte Lewis, Embrace of the Vampire, David Duchovny, Wayne Knight, Seinfeld, Jurassic Park, Basic Instinct, John Glover, Smallville, Tobin Bell, Boogeyman, Billie Burke, Superman's first appearance, Kraven Buttstuff, Aaron Taylor-Johnson, Slumdog Millionaire, Quiz Show, Danny Boyle, Alex Garland, 28 Years Later, Monkey Man, Dev Patel, BRB Going to Flavortown, picking people out of a lineup, The Crazies, George A. Romero, Night of the Living Dead, water fountain or bubblah?, the great infected vs. zombie debate, Sydney Sweeney, clothes that wear down and fall off, Count Orcock vs. Alpha Cock Samson, Alfie Williams, Chi Lewis-Parry, Land of the Dead, Nia DaCosta, The Invisible Fight, rabid wolverines and honey badgers, Films on Film, in a way we're all Kraven Buttstuff, Ebony and Ivory, Jim Hosking, Rocky from Knowman, Elijah Wood, Ralph Fiennes, the Track Suit Mafia, The VVizard, She's Got Sammy Davis' Eye, The Ghost of Bruiser Brody, Gurkins in the Grass, 24 Points of ar-dick-ulation, No One's Coming To Get You Barbara, and The Further Adventures of Alpha Cock Samson.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

In episode 1903, Jack and Miles are joined by adult film star, activist, host of the upcoming 12-hour live-stream extravaganza Corn Telethon, and host of First Thirst, Siri Dahl, to discuss… Saint Ghislaine of Maxwell, Trump Is In The Files, They Keep Coming Up With Alternative Definitions of WORKER ALIENATION, Has Hollywood Made A Single Good Movie About The Pandemic? And more! Saint Ghislaine of Maxwell Burchett dismisses Trump being friends with Epstein: "It's just like me. I know a lot of dirtbags myself." House Republicans back Epstein subpoena House panel votes to subpoena Bill and Hillary Clinton over possible links to Ghislaine Maxwell Swallowing Reservations, Democrats Go On Offense on Epstein Files They Keep Coming Up With Alternative Definitions of WORKER ALIENATION Eddington is a political satire by horror auteur Ari Aster. But is it also a western? Covid, social media, Black Lives Matter: Ari Aster’s Eddington takes 2020 on and mostly succeeds Eddington: Western Noir Chaos Made Boring 5 Years After COVID-19, Eddington Is The Best Pandemic Movie We've Gotten Hollywood loves a world-shaking disaster – so why is it still silent about Covid? For This Sex Satire, the Pandemic Built a Perfect Set How Pandemic Isolation Inspired Zach Dean To Write Scott Derrickson’s Genre-Bending Thriller ‘The Gorge’ Danny Boyle and Alex Garland on '28 Years Later' and how COVID influenced long-awaited sequel The spectacular frenzy of 28 Years Later offers a new breed of pandemic storytelling LISTEN: Sold My Soul by BSEARLSee omnystudio.com/listener for privacy information.

MOVIE MIKE'S MOVIE PODCAST: Mike talks to Adam Stein and Zach Lipovsky who directed Final Destination Bloodlines. They share stories behind the coolest deaths, how veteran stuntwoman Yvette Ferguson came out of retirement to become the oldest person ever set on fire on camera, the films that inspired them to become directors, and the episode of Goosebumps that Zach starred in as a kid! Final Destination Bloodlines is now available on digital and on 4K UHD on July 22! In the Movie Review, Mike talks about 28 Years Later starring Aaron Taylor-Johnson. Oscar-winning director Danny Boyle and writer Alex Garland reunite. It's been almost three decades since the rage virus escaped a biological weapons laboratory, and now, still in a ruthlessly enforced quarantine, some have found ways to exist amidst the infected. Mike talks about what sets it apart in the franchise, why it’s one of the most beautiful horror films he’s watched and why it is what he describes to be as ‘butt drenching’. In the Trailer Park, Mike talks about Jeremy Allen White as Bruce Springsteen in Deliver Me from Nowhere which is an upcoming biographical musical drama film about the iconic singer. Are we over biopics, does embody Bruce and is it too soon to tell his story? New Episodes Every Monday! Watch on YouTube: @MikeDeestro Follow Mike on TikTok: @mikedeestro Follow Mike on Instagram: @mikedeestro Follow Mike on X: @mikedeestro Follow Mike on Letterboxd: @mikedeestro Email: MovieMikeD@gmail.com See omnystudio.com/listener for privacy information.

It's been 23 years in the makes but the long awaited sequel to 28 Days Later (and 28 Weeks Later) is finally here! With Danny Boyle and Alex Garland returning some people are like ‘we hate this!' Plus we talk John Bernthal's The Punisher returning for Spider-Man: Brand New Day, Tom Rhys Harries playing Clayface, Supergirl: Woman of Tomorrow retitled, James Gunn thinks superhero showdowns are stupid and his thoughts on the MCU decline, Ballerina, Thunderbolts and Mission Impossible: The Final Reckoning underperforming, no Transformers One Two, our first look at He-Man in Masters of the Universe, trailers for Naked Gun 2025 and SpaceBalls 2 plus more! Thanks for listeningNew bonus clickbait podcast episode out now! Plus entire back-catalogue of let's play videos, bonus podcasts, movie commentaries, early access and ad-free episodes all available on https://bigsandwich.coPLEASE be aware timecodes may shift up to a few minutes due to inserted ads.00:00 The Start04:18 The Punisher in Spider-Man 4 Movie08:53 Clayface Movie Actor Cast11:56 Supergirl Movie's Title14:10 Superman's Power Level in New DCU16:33 James Gunn Shoots Down MCU Debate18:55 Movies Behaving Badly at Box Office25:44 Transformers One Sequel Not Happening27:56 He-Man Movie First Look29:10 Naked Gun Trailer32:11 Spaceballs 2 Trailer34:33 28 Years Later Movie Review56:33 28 Years Later Spoiler Segment01:11:14 What We Reading, What We Gonna Read01:17:18 Letters, It's Time For LettersSUBSCRIBE HERE ►► http://goo.gl/pQ39jNJames' Twitter ► http://twitter.com/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-moviesThe Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.

The new apocalyptic horror film 28 Years Later takes place in the same world as 28 Days Later, where a deadly virus transformed the citizens of the U.K. into rabid blood-spewing creatures. The new film brings back the original's director and screenwriter, Danny Boyle and Alex Garland. It's set on a small island where a group of survivors (including Jodie Comer and Aaron Taylor-Johnson) eke out a modest existence. A desperate expedition reveals new allies and new horrors – because the infected have evolved.Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy