Podcasts about Denmark

Plus, Denmark clamps down on deepfakes by letting people copyright their own features. Learn more about your ad choices. Visit podcastchoices.com/adchoices

INTERVIEW: San Diego FC's 4-goal hero Milan Iloski chatted with teammate/roommate Tommy McGunner and Sam in 2023 about his path to Orange County, his cooking "skills", some truly impressive pranks and big plans for the future in Denmark (now MLS)

After the European football public had caught their breath following the first semi final, most assumed that the finale itself had the potential to be the best of all. Denmark were strong favourites to beat Spain - who were extremely fortunate to still be active in the competition - and set up a beautiful footballing conclusion to an enjoyable tournament. However, many Spanish players believed that luck was with them. Something that can take teams a long way in these things... Rob is with Martyn this week to explain Denmark's sudden rise to prominence, why so many neutrals took them to heart and how Spain broke those hearts in the end. 'Danish Dynamite', which Rob co-wrote with Mike Gibbons and Lars Eriksen is still available in the usual places. If you want weekly exclusive bonus shows, want your episodes without ads and a couple of days earlier or just want to support the podcast, then head over to patreon.com/NessunDormaPodcast where you can subscribe for only $3.99 a month. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ed Finn from Ed Finn Travels

In 1960s Greenland, thousands of young Inuit girls – some barely teenagers – were sent to hospital. Without giving an explanation or obtaining their consent, Danish doctors fitted them with IUDs, a painful procedure that left lifelong scars. In total, more than 4,500 Greenlandic women were victims of this mass forced contraception campaign orchestrated by the Danish authorities. FRANCE 24's Sarah Andersen met with victims now demanding justice. 

Jimbo welcomes Daniel Storey, JJ Bull and Tom Williams into the pod to discuss football, Springsteen and cleats.Both Argentinian clubs are out of the Club World Cup but River Plate go down fighting, literally, as they lose to Inter. We've got almost a full set of last 16 ties to look forward to, including Chelsea's clash with Benfica.Lee Carsley takes England Under 21s to a second successive Euros final as Harvey Elliott shows his worth to potential suitors. They face favourites Germany on Saturday.Elsewhere, Arsenal's transfer activity looks set to heat up, while Lyon are relegated to Ligue 2 due to the state of their finances.Plus the most agonising game in English football history and when Denmark killed the back pass.Produced by Charlie Jones.RUNNING ORDER: • PART 1a: JJ's new album and Tom's old boots (01.00)• PART 1b: The madness of Inter River (08.00) • PART 1c: Elsewhere in the Club World Cup (15.30)• PART 2a: On This Day (23.00)• PART 2b: England Under 21s return to the Euro final (35.00)• PART 3a: Transfer talk (43.00)• PART 3b: Lyon relegated, Pogba joins Monaco (48.00)• PART 3c: Inter Totally Cup - Williams v Eccleshare (56.00) Hosted on Acast. See acast.com/privacy for more information.

In honor of the unjust non-qualification of Red Sebastian at Semi-Final 1 this year, we're taking a look back at some of the songs that make us say, "How did this not qualify?" We get into a little Eurovision history as well as highlighting songs that if not for some twist of fate, might have made it to the big show. Jeremy starts to worry he might have aged out of catsuits, Dimitry reps for his boys who could use some practice, and Oscar thinks that vampires are, in fact, alive.Vote in the Listener Playlist poll: https://forms.gle/h4PZ9u15yaLsGBBp8Watch these performances on YouTube here: https://www.youtube.com/watch?v=s2uiE85oWuo&list=PLd2EbKTi9fyXtvuO83oHkg2BhfYLi466AThis week's companion playlist: https://open.spotify.com/playlist/6DcppmQijCuENFEIN9fKLK The Eurovangelists are Jeremy Bent, Oscar Montoya and Dimitry Pompée.The theme was arranged and recorded by Cody McCorry and Faye Fadem, and the logo was designed by Tom Deja.Production support for this show was provided by the Maximum Fun network.The show is edited by Jeremy Bent with audio mixing help was courtesy of Shane O'Connell.Find Eurovangelists on social media as @eurovangelists on Instagram and @eurovangelists.com on Bluesky, or send us an email at eurovangelists@gmail.com. Head to https://maxfunstore.com/collections/eurovangelists for Eurovangelists merch. Also follow the Eurovangelists account on Spotify and check out our playlists of Eurovision hits, competitors in upcoming national finals, and companion playlists to every single episode, including this one!

Australia is holding firm on its defence spending strategy; A former Western Sydney University student is facing a slew of hacking and fraud charges after allegedly compromising the institution’s systems; A US judge has delivered a partial victory to Meta Platforms in a lawsuit brought by authors over the use of their copyrighted books to train its artificial intelligence system; Prince Joachim of Denmark has opened up about his family's new life in the United States; and Pop superstar Katy Perry and actor Orlando Bloom have reportedly split. The Quicky is the easiest and most enjoyable way to get across the news every day. And it’s delivered straight to your ears in a daily podcast so you can listen whenever you want, wherever you want...at the gym, on the train, in the playground or at night while you're making dinner. Support independent women's media CREDITS Host/Producer: Gemma Donahoe Audio Production: Lu HillBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Bjarke Ingels Group – BIG – is one of Denmark's most internationally acclaimed architecture studios, with high-profile projects across the globe. Not long ago, the firm moved into its own seven-story raw concrete-and-glass headquarters, prominently located on the harbour in Copenhagen's Nordhavn district.  But what happens when a firm like BIG gets the chance to design its own headquarters? What role did sustainability play in the process, and what can the new BIG HQ tell us about the company behind the name? Join us as founder of BIG, Bjarke Ingels, invites host Michael Booth on an exclusive tour of BIG HQ and shares the thinking behind the building's design – and what it's like to be both architect and client.  Let's Talk Architecture is a Danish Architecture Center podcast. Sound edits by Munck Studios.

Antoine Larvol, CTO of Windar Photonics, discusses how their continuous wave LiDAR technology enhances wind turbine performance through optimization and monitoring, increasing AEP and reducing loads, particularly for legacy turbines. Sign up now for Uptime Tech News, our weekly email update on all things wind technology. This episode is sponsored by Weather Guard Lightning Tech. Learn more about Weather Guard's StrikeTape Wind Turbine LPS retrofit. Follow the show on Facebook, YouTube, Twitter, Linkedin and visit Weather Guard on the web. And subscribe to Rosemary Barnes' YouTube channel here. Have a question we can answer on the show? Email us! Welcome to Uptime Spotlight, shining light on wind. Energy's brightest innovators. This is the Progress Powering Tomorrow. Alright, we're here in Phoenix, a CP, clean power, uh, 2025. So I'm, uh. Sitting with Antoine Larvol from, he's a CTO from Windar. Yep. Welcome to the show. Thank you. Uh, we've been, uh, happy enough to get actually to sit inside your booth where it's nice and qui. Quiet and isn't it nice? Yeah. We got glass behind the camera here and people are walking by, walking by, walking by. Um, so this morning, uh, we, we talked yesterday a little bit about what wind photonics does. Yep. Of course, from our, uh, some of our other friends around the world. We've heard about some, some campaigns you've done in the United States, which have been. Really successful. So yeah, congrat good. Congratulations there. Yeah, thank you. Um, and, and as, as a lot of things in the wind industry, Windar, photonics based in Denmark.  Antoine Larvol: Yeah.  Joel Saxum: So you guys, uh, bring it, bring in that Danish [00:01:00]technology. We're here, of course, bringing it to the US market at a CP, the American Clean Power Show. So welcome to the States. Thank you. Um, it's a short one, but a  Antoine Larvol: good one. Yeah, yeah, yeah,  Joel Saxum: exactly. So, so I want to talk a little bit about what Windar photonics and, and it is a LIDAR based sensor, correct?  Antoine Larvol: Yes. Right. So. We do continuous wave base, uh, lidar. Yep. Uh, main product is a two beam version mm-hmm. Where you shoot, uh, at 80 meters in front of the turbine. Mm-hmm. And you basically alternate from one beam to the other. And measure wind speed and direction upfront, the, the turbine among others.  Joel Saxum: Right. So we're talking about, uh, if you, if you're in the wind industry, you've ever seen these lidar units that are put actually, you're the cell mounted, correct? Yes. Okay. Yeah. So, and, and, uh, we're looking more on the optimization, retrofit monitoring side of things. Yeah,  Antoine Larvol: exactly. So we've never been a resource assessment company. Yeah. Or we don't look at power curve verification and stuff like that. We really [00:02:00] focus on. Retrofitting those, existing turbines. And then add value to In terms of information to, the customer, Yeah. With the mon monitoring side of things. Yeah. And, from day one, that's been the goal of Windar Making something cheap, robust. That can just stay there and measure with good availability, wind speed, and direction coming to your turbine.  Joel Saxum: I love it. so we wanna squeeze as much as we can outta these turbines. And you guys are increasing AEP that's, the name of the game. Yeah. Right.  Increasing AEP below rated. and then above rated you decrease loads. Increase uptime. and we basically do that by going on the line of the wind direction. that you then feed to the turbine controller and then we can actually adjust the, yaw position of the turbine according to our information. So I want to talk a little bit, we, we chatted a little bit offline about the, technology behind it, right? Yep. And people in the wind industry, if you're around the wind industry around resourcing or you're around optimization, you've heard [00:03:00] lidar. Yep. You know what I mean? And,

In this episode of Basic Bogeys, TJ sits down for an early-morning chat with Kristian, co-founder of Green Up Golf, all the way from Denmark. The conversation kicks off with a shared appreciation for coffee—which fittingly ties into Green Up's mission: creating sustainable golf products using recycled coffee grounds and biomaterials. Kristian shares the origin story of their innovative eco-friendly tees, developed to address concerns from greenkeepers about the mess and damage caused by traditional wooden and plastic tees. Green Up's goal is to offer durable, high-quality alternatives that perform like conventional products while being far more sustainable. The discussion covers how their products—ranging from tees to pencils—fit into a broader movement of circular, environmentally-conscious design, and how European perspectives on sustainability are driving innovation in golf. Kristian also explains the importance of keeping their products natural in color to maintain the branding and authenticity tied to their coffee-based roots. The episode highlights shared values with brands like Acorn Hills and sparks a fun, thoughtful exploration of how golf, coffee, and sustainability can come together to create meaningful impact on and off the course.GreenUp Golf — a pioneering startup transforming used coffee grounds into sustainable golf products like tees, pencils, and divot tools. With the origins of the idea, born from a background in the coffee industry and a curiosity about waste reduction. We hear how the founder's experience with a major Italian coffee brand helped spark the concept and how they're navigating sourcing, certifications, and scaling the operation.We dive into the logistics of collecting coffee grounds, the hurdles of building a brand before a supply chain, and their vision for localized manufacturing — where golf courses and cafés contribute to the materials used in their own course accessories. The episode also explores the design innovations behind GreenUp's pencils and tees, including reduced graphite waste and the powerful coffee aroma built into the experience.GreenUp's breakout moment came at the 2025 PGA Show, where their product won Best New Product — a massive leap forward in visibility. The founder reflects on what they learned from their first appearance and how they plan to capitalize on that momentum at future shows in the U.S., Japan, and Korea.We wrap with a look at what's next: from golf bag tags to biodegradable plant pots to potential partnerships with major food and beverage brands. It's a conversation full of purpose, ingenuity, and the kind of fresh thinking golf (and the planet) could use a lot more of.https://www.greenupgolf.com/Send us a message and let us know what you thought about this episode! Acorn Hills Clothing Co.BASIC15 for 15% off. Look Good, Feel Good, Do Good!BagBoy - Dynamic BrandsTJ15 at checkout for $15 off a BagBoy Push Cart!The Putter SopBasicBogeys15 for 15% off your order!Smackin' Sunflower Seeds10% off of your order! Thanks for listening. Tune in next Thursday for our next episode! Support the showFollow Basic Bogeys here:Instagram: https://www.instagram.com/basicbogeysTikTok: https://www.tiktok.com/@basicbogeysYouTube: https://www.youtube.com/@basicbogeys?sub_confirmation=1

Navegamos entre nuevas músicas y magníficas reediciones, entre piezas vocales e instrumentales, y entre danzas y sones recogidos. Viajamos con músicas de mil rostros entre Bretaña, Inglaterra, Dinamarca, Noruega, el Épiro, los Cárpatos, Persia y la música klezmer, con artistas también llegados desde tierras ibéricas, itálicas y canadienses. We navigate between new music and magnificent reissues, between vocal and instrumental pieces, and between dances and reflective tunes. We travel with music of a thousand faces across Brittany, England, Denmark, Norway, Epirus, the Carpathians, Persia and klezmer music, with artists also arriving from Iberian, Italian and Canadian lands. - Spontus - Ar lagad blei - Ar lagad bleiz - And Did Those Feet - Acupressure - I am God of Einstein - Gangspil - Læspolkaer - Live at Alice, Copenhagen - Øyonn Groven Myhren & Marit Karlberg - Gøytilsspringar - Tostemt - Hekate - Pål Eilevstøl - Evigheten forestår - Tirilil - Jesus, din søde forening at smage - Tirilil - Pericles & Petros Halkias - I xeniteia - Greek songs & dances of Epirus: Epirotika ca. Early 1960s - Tassos Halkias - Moiroloi Argurokastritiko - Songs and dances of Epirus: His first LP ca. 1962 - Ivan Martishchuk with Oleksa Sukhodolyak - Hutsul kolomyika & kozachok - Carpathian duda bagpipes ca. 1940 - Efrén López, Ciro Montanari & Jordi Prats - Ghateye dad o bidad - Mel - Ladom Ensemble - Firn di mekhutonim aheym - Sofreh tisch - Constantinople, Kiya Tabassian, Benedicte Maurseth, Patrick Graham - Bâz âmadam - Nordic lights in Persian sky 📸 Kiya Tabassian, Benedicte Maurseth (Silje Katrine Robinson)

DB breaks down how to talk to your partner about bringing sex toys into the bedroom to get more pleasure. She shares stats on who's using sex toys, why queer couples are ahead of the game, and easy ways to start the convo with your partner. Plus: top sex toy recs and a playful challenge to try at home. Studies mentioned in this episode: Do Sex Toys Make Me Satisfied? The Use of Sex Toys in Denmark, Norway, Sweden, Finland, France, and the UK The Results of the Magic Wand Wellness Study Are In! Toys for couples mentioned in this episode: Magic Wand Rechargeable: Great for external stimulation during all kinds of play. Works well in both solo and partner contexts. And, yes, our study backs up its pleasure-boosting stats! We-Vibe Chorus: A wearable toy designed for couples to use during penetrative sex. Remote-controlled, adjustable, and great for mutual stimulation. Strap-ons and Harnesses: Incredible for exploring power dynamics, switching roles, and opening up new kinds of connection—great for queer couples and for straight folks who want to learn from queer innovation. ABOUT SEASON 12 Season 12 of Sex Ed with DB is ALL ABOUT PLEASURE! Solo pleasure. Partnered pleasure. Orgasms. Porn. Queer joy. Kinks, sex toys, fantasies—you name it. We're here to help you feel more informed, more empowered, and a whole lot more turned on to help YOU have the best sex. CONNECT WITH US Instagram: @sexedwithdbpodcast TikTok: @sexedwithdbTwitter: @sexedwithdb Threads: @sexedwithdbpodcast YouTube: Sex Ed with DB SEX ED WITH DB SEASON 12 SPONSORS Lion's Den, Uberlube, & Magic Wand Get discounts on all of DB's favorite things here! GET IN TOUCH Email: sexedwithdb@gmail.comSubscribe to our BRAND NEW newsletter for hot goss, expert advice, and *the* most salacious stories. FOR SEXUAL HEALTH PROFESSIONALS Check out DB's workshop: "Building A Profitable Online Sexual Health Brand" ABOUT THE SHOW Sex Ed with DB is your go-to podcast for smart, science-backed sex education—delivering trusted insights from top experts on sex, sexuality, and pleasure. Empowering, inclusive, and grounded in real science, it's the sex ed you've always wanted. ASK AN ANONYMOUS SEX ED QUESTION Fill out our anonymous form to ask your sex ed question. SEASON 12 TEAM Creator, Host & Executive Producer: Danielle Bezalel (DB) (she/her) Producer: Sadie Lidji (she/her) Communications Lead: Cathren Cohen (she/her) Growth Marketing Manager: Wil Williams (they/them) MUSIC Intro theme music: Hook Sounds Background music: Bright State by Ketsa Ad music: Soul Sync by Ketsa and Soul Trap by Ketsa

Radio International - The Ultimate Eurovision Experience is broadcast from Malta's Radio 105FM on Tuesday evenings from 2100 - 0059 hours CET. The show is broadcast live on Wednesday evenings from 1900 - 2300 hours CET on the Eurovision Radio International Mixcloud Channel as well as on the Facebook Page of Eurovision Radio International with an interactive chatroom.         AT A GLANCE - ON THE SHOW THIS WEEK  Interview with the Alchemist (Malta Eurovision Song Contest 2025) Interview with Picked Jacks (San Marino 2023) done at MancHagen 2025 Interview with Margret Berger (Norway 2013) done at the London Eurovision Party 2025 Interview with Maria Sur (Sweden's Melodifestivalen 2023 and 2024) done at the London Eurovision Party 2025  Eurovision Spotlight: Eurovision's Magic Numbers (Vol 2) with Dermot Manning - Number 5 Eurovision News with Nick van Lith from www.escXtra.com Eurovision Birthday File with David Mann Eurovision Cover Spot with David Mann Eurovision Calendar with Javier Leal New Music Releases by Eurovision Artists  Your music requests Picked Jacks (San Marino 2023) at MancHagen 2025   Interview with the Picked Jacks (San Marino 2023):  At the recent edition of MancHagen 2025 in view of the Eurovision Song Contest 2025 the organisers also invited acts that already were on the satge of the Eurovision Song Contest previously such as Picked Jacks who represented San Marino at the Eurovision Song Contest 2023 in Liverpool with the song "Like an animal" which unfortunately did not qualify for the Grand Final and remained in Semi Final 2 at Number 16. Radio International's Salman met and interviewed the group at MancHagen 2025. You can hear this interview on the show this week.    Margret Berger (Norway 2013) with Salman  at the London Eurovision Party 2025 Interview with Margret Berger (Norway 2013): It was in 2013 when Margret Berger represented Norway at the Eurovision Song Contest with the song "I feed you my love" coming 4th in Malmö, Sweden. That particular song contest was won by Emmelie de Forest from neighbouring Denmark with the song "Only Teardrops". In the run up to the Eurovision Song Contest 2025 Margret was invited to the London Eurovision Party 2025 where the rowing reporter of Radio International Salman had the pleasure of meeting and interviewing Margret Berger which you can hear on the show this week. Maria Sur (Melodifestivalen 2023 and 2024)   Interview with Maria Sur (Sweden's Melodifestivalen 2023 and 2024): In 2023 a newcomer to Melodifestivalen in Sweden came from Ukraine and started her career in Sweden. Already her first Melodifestvalen entry was a success. Maria Sur qualified from the Heat into the Grand Final where she finished 9th with the song "Never give up".  In 2024, Maria Sur returned to Sweden's biggest music competition to select the entry to represent Sweden at the Eurovision Song Contest. The song in the running was "When you're gone" coming 7th in the Grand Final of Melodifestivalen 2024, coming second in her Heat.  Maria Sur was invited to perform a the London Eurovision Party 2025 where the Radio International rowing reporter Salman had the pleasure to interview Maria once again and you can hear it on the show this week.    The Alchemist at Malta Eurovision Song Contest 2025   Interview with The Alchemist (Malta Eurovision Song Contest 2025): On Sat. 08 Feb 2025 Miriana Conte and her song "Kant" (now "Serving") was selected by the jury and Maltese public to represent Malta at the Eurovision Song Contetest 2025 in Basel in May. Miriana successfully placed Malta in the Grand Final of the Eurovision Song Contest ranking 17th at the end of the voting sequence. Earlier on in February 2025, Radio International conducted interviews with all the contestants at the Malta Eurovision Song Contest 2025 and more. This week, Radio International will broadcast an interview with a new act to the competition. It is the Maltese group The Alchemist who successfully qualified for the Grand Final of the Malta Eurovision Song Contest 2025 out of Semi Final 2 and then placed 9th with the song "Rubble and Stone" You can watch all the interviews Radio International did at the Malta Eurovision Song Contest 2025  by visiting the Radio International YouTube Channel - or check out our complete coverage of the Malta Eurovision Song Contest - click here.     The Eurovision Spotlight: The Eurovision Song Contest 2025 - Eurovision's Magic Numbers:  With the summer solstice marking the start of the Summer 2025 the Eurovision Spotlight Team Members decided to continue where we left off last year at the end of summer with Eurovision's Magic Numbers. Enjoy this unique way of featuring the songs of the Eurovision Song Contest on the show. Radio International's Irish Voice - Dermot Manning will be starting the new series this week.  Eurovision News, New Song Releases, Birthday File, Coverspot, Eurovision Calendar: Also JP will be joined by David Mann for the Eurovision Birthday File and Eurovision Coverspot.  Nick will be presenting the Eurovision News courtesy of escXtra.com. There will be a lot of the great new releases of Eurovision artists on the show as well as great Eurovision Classics. Javier will be updating us on the upcoming Eurovision events in the Eurovision Calendar and Alain Forrotti gives us already some updates of the National Finals regarding the Junior Eurovision Song Contest 2025 and the Eurovision Song Contest 2026 and more ....   For full details of this week's Show Content and Play List - click here

Conventional wisdom says immigration drives down wages and takes jobs from American workers. But what if that story is fueled by bad economics? Journalist Rogé Karma joins Nick and Goldy to challenge the Econ 101 logic that supercharges anti-immigrant rhetoric—and to explain what the data actually shows. Drawing on research from the U.S., Denmark, and beyond, Karma makes the case that immigrants don't steal jobs—they grow the economy. In a moment when political leaders are pushing mass deportations in the name of “economic populism,” this conversation reveals what's really at stake.  Rogé Karma is a staff writer at The Atlantic. He was previously the senior editor of The Ezra Klein Show at The New York Times. At The Atlantic, he covers economics and economic policy. Social Media: ⁠@theatlantic.com⁠ ⁠theatlantic⁠ ⁠@TheAtlantic⁠ Further reading:  ⁠The Truth About Immigration & The American Worker⁠ ⁠The Most Dramatic Shift in U.S. Public Opinion⁠ Website: ⁠http://pitchforkeconomics.com⁠ Instagram: ⁠@pitchforkeconomics⁠ Threads: ⁠pitchforkeconomics⁠ Bluesky: ⁠@pitchforkeconomics.bsky.social⁠ Twitter: ⁠@PitchforkEcon⁠, ⁠@NickHanauer⁠, ⁠@civicaction⁠ YouTube: ⁠@pitchforkeconomics⁠ LinkedIn: ⁠Pitchfork Economics⁠ Substack: ⁠The Pitch⁠

How do we bridge the skills gap in UK manufacturing while pushing the boundaries of automation technology? In this episode of Tech Talks Daily, I sit down with Mark Gray, UK and Ireland Country Manager at Universal Robots, to explore how collaborative robots, or cobots, are rewriting the rules for companies big and small. Universal Robots, founded by three university professors in Denmark about twenty years ago, brought the world its first cobot and recently celebrated a landmark achievement with the sale of its 100,000th unit worldwide. Mark unpacks how this milestone reflects a shift in how industries from aerospace to pharmaceuticals now approach automation. He shares how the company's easy-to-deploy cobots help tackle the tasks that many workers prefer to avoid, focusing on the dirty, dangerous, and repetitive jobs, freeing human talent for higher-value work. But this conversation goes deeper than robot arms on production lines. Mark's passion lies in addressing the UK's well-documented skills shortage, a topic that resonates with manufacturers across the country. He explains why Universal Robots is investing in free technical training courses for apprentices, aiming to equip young people with practical robotics skills and inspire fresh interest in engineering and manufacturing careers. Based in Sheffield, Mark also reveals how the city's industrial heritage and its connections with institutions like the Advanced Manufacturing Research Centre help nurture a vibrant robotics ecosystem, attracting startups and fostering local innovation. We discuss the growing adoption of cobots by small and medium-sized enterprises, the impact of labour shortages on automation strategies, and how businesses can begin their journey without overhauling entire production lines at once. From practical roadshows to free line-walk audits, Mark outlines the resources available for any company curious about automation. Whether you're a manufacturing leader looking for ways to future-proof operations or a young listener intrigued by robotics as a career, this episode shows how thoughtful investment in skills and technology can shape a more productive and resilient future for the UK and beyond. Could cobots be the missing link between today's workforce challenges and tomorrow's manufacturing success? Let's find out. Here's the link to the Kraftwerk video    

I'd never met a "Positive Energy Coach" before our guest today, but if they're all like her: They radiate happiness and energy that is kind of infectious.   Welcome to the Just Dumb Enough Podcast. A show that acknowledges no one is always an expert, by dispelling misconceptions with real experts.   My guest today is Deborah Mallow. This living ray of sunshine wants us to all be as happy as possible. As a positive energy coach, Deborah always has a smile and a warm outlook, even when we are both suffering from allergies like we were during the interview. ( Https://Www.TheDailyDecisions.Com )  ( https://a.co/d/6JPohmo take you to: Www.Amazon.Com "6 Steps To Fewer Days That Suck: Ditch Unhealthy Habits, Unzip A Happier You" )  Let's smile more than ever!  I know more than anyone how hard it is to be kind towards yourself, but the outcome is just so worth the effort.    In ranking news... June is nearly over, and the global ranks have not changed:  1. The United States, with Florida, California, and Wisconsin at the top.  2. England of the United Kingdom, just barely over Scotland.  3. Canada, with Ontario just barely ahead of British Columbia.  4. Australia, with Queensland and Victoria tied.  5. New Zealand, just ahead of the Netherlands and Denmark.  That's it for this week! Have a great week, a great weekend, and I'll see you all back here next week for another new episode!  Until the next episode, pretty please do all the things to help the show: rate, review, like, and subscribe.  Reach out to DumbEnoughPodcast@Gmail.Com or on any social media if you want to reach me personally.  Most importantly, Stay Dumb!  #Podcast #Education #Happiness #Selflove 

Welcome back to Make Life Less Difficult.My guest today is Michael Ulrich.Michael is a contemplative psychotherapist based in Copenhagen, Denmark, with a background in clinical practice, systems thinking, and integral development. His work bridges traditional therapeutic modalities with emergent, self-organizing ways of relating and healing.In our conversation today, Michael and I explore the ongoing practice of presence—what it means to meet ourselves and others without needing to fix or explain. We speak about narrative and identity, power and subtlety, and what emerges when we listen deeply, even to silence.This dialogue invited me to slow down, to notice the patterns beneath the words, and to trust the wisdom that arises in shared reflection. Michael's insights—both personal and professional—are a powerful reminder of how growth and groundedness can coexist.Michael, thank you for this rich and layered conversation. I'm still unpacking it.To learn more about Michael and his work, you can connect with him here:Michael's LinkedIn: https://www.linkedin.com/in/psykologmichaelulrich/Let's dive in.Make Life Less Difficult~ Support:buymeacoffee.com/lisatilstra

Whether it's people giving themselves goat blood transfusions in an effort to maintain their youth, or yet another influencer telling you to buy XYZ miracle supplements, anti-ageing is big business. In the first part of what will surely become a longer Studies Show series, Tom and Stuart look at the evidence for a few supposed “breakthrough” treatments that can slow down ageing: rapamycin, metformin, winding back the epigenetic clock, and calorie restriction.The Studies Show is brought to you by Works in Progress magazine. This week we talked about their new article on “through running”—the deceptively simple idea of not having trains stop at the edge of town and instead running them right through the centre. It seems obvious if you live in London, but it wasn't always this way. Check out the article for a detailed, nerdy discussion about how we can make trains—and therefore citites—better.Show notes* New meta-analysis on rapamycin and ageing* Website for Bryan “n = 1” Johnson and his related health claims* Our World In Data on life expectancy and about the reasons why it increased* Meta-analysis on methylation and the “biological clock” as a predictor of longevity* The STAP stem cell debacle* 2016 study using Yamanaka factors to slow down ageing in mice* 2023 study of the same idea on wild-type mice, showing a 109% increase in life expectancy* 2014 Scottish study on diabetes, metformin, and life expectancy* Critical letter noting the study's flaws* Failed replication from Denmark in 2022* The NIH's Interventions Testing Program* Older review of calorie restriction and ageingCreditsWe're grateful to Andrew Steele for talking to us for this episode. The Studies Show is produced by Julian Mayers at Yada Yada Productions. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.thestudiesshowpod.com/subscribe

Bonfires, jesters, glass kings, pirate royals. Danish history is weirder than you think. Released for Sankt Hans—Denmark's midsummer celebration of fire and folklore—this episode brings the heat with tales that blur the line between fact and legend. Comedian Adrian Mackinder joins Derek, Brooke, and Conrad to explore everything from a court jester fired by a funnier king, to Hans Christian Andersen's fear of being buried alive. If you're gathering around a fire tonight, this is the perfect episode to spark conversation—and maybe a little disbelief. Listen now.What Are You Doing in Denmark podcast:Instagram: https://instagram.com/waydidpodYouTubeDerek Hartman:IG: https://instagram.com/robetrottingYT: https://youtube.com/c/robetrottingTikTok: https://tiktok.com/@robetrottingFB: https://www.facebook.com/robetrottingBrooke Black:IG: https://instagram.com/brookeblackjustTikTok: https://www.tiktok.com/@brookeblackjustConrad Molden:IG: https://instagram.com/conradmoldencomedyYT: https://youtube.com/c/conradmoldenTikTok: https://tiktok.com/@conradmolden FB: https://facebook.com/conradmoldenhttps://www.conradmolden.dkAdrian Mackinder:http://www.adrianmackinder.co.uk/Instagram:https://www.instagram.com/adrianmackinder/Book: Death and the Victorianshttps://linktr.ee/deathandthevictorianspodcast: History For You:https://open.spotify.com/show/6K2vBAjWoOcPmJUgEcRmxNAdrian's previous episode of WAYDID: https://shows.acast.com/what-are-you-doing-in-denmark/episodes/adrian-mackinderAnn Marie;s WAYDID episode: https://podcasts.apple.com/gh/podcast/83-the-danish-king-who-played-the-dating-game-of-thrones/id1704607322?i=1000693279405

Greetings, Europe, and thank you for listening. It is a wonder at God's mercies, and my privilege, and joy that you are on board with the Free Range Preacher on Prayer, thank you: Albania, Belgium, Bulgaria, Denmark, France, Germany, Hungary, Iceland, Ireland, Italy, Monaco, Netherlands, Poland, Portugal, Romania, Russia, Slovakia, Spain, Sweden, Ukraine, United Kingdom, including, Whales, Scotland, Northern Ireland.Nicodemus comes by night to Jesus in John 3 with a troubling question. But he doesn't ask it. He says: "Rabbi, we know that You have come from God as a teacher; for no one can do these signs that You do unless God is with him." John 2:2Jesus, however, goes straight to the point, "Truly, truly, I say to you, unless one is born again, he cannot see the kingdom of God." John 3:3Since we know:"Even before there is a word on my tongue, Behold, O LORD, Thou dost know it all." Psalm 139:4And"For the word of God is living and active and sharper than any two-edged sword, and piercing as far as the division of soul and spirit, of both joints and marrow, and able to judge the thoughts and intentions of the heart. 13 And there is no creature hidden from His sight, but all things are open and laid bare to the eyes of Him with whom we have to do. Hebrews 4:12-13Our So What?Our Savior calls us to honest, sincere communion with Him. We have no need to hide our deepest desires; after all, He already knows them. "What a man is on his knees before God, that he is and nothing more." Robert Murray M'Cheynee Donation link:https://www.paypal.com/donate/?hosted_button_id=G9JGGR5W97D64Or go to www.freerangepreacheronprayer.com and use the Donations tab.Assistant Editor: Seven Jefferson Gossard.www.freerangepreacheronprayer.comfreerangeprayer@gmail.comFacebook - Free Range Preacher MinistriesInstagram: freerangeministriesAll our Scripture quotes are drawn from the NASB 1977 edition.For access to the Voice Over services of Richard Durrington, please visit RichardDurrington.com or email him at Durringtonr@gmail.comOur podcast art was designed by @sammmmmmmmm23 InstagramSeason 007Episode 056

Send us a textKate takes us back to her early swimming days, competing in the Sydney and Athens Paralympics, and what it felt like to walk away from the pool after years of intense training. She opens up about facing subtle (and not-so-subtle) discrimination as a para-athlete, the identity crisis that followed retirement, and how she unexpectedly found a second wind through teaching and travel.Now back in Sydney, Kate is slowly finding her way again—this time by helping young para-athletes feel seen, valued, and included. Her story is a powerful reminder that endings can also be beginnings, and that it's okay not to have everything figured out.We talk about:What life looked like after the 2000 Paralympics—and why it felt like the floor droppedDiscovering para-swimming by accidentJuggling training with academics (and sleeping through a lot of school)The bittersweet end of her competitive swimming careerTeaching in Germany and Denmark—and losing it all because of a visa issueWhy representation in sport still mattersReconnecting with the water in a new way through open-water swimmingHer hopes for the future of para-sport and grassroots inclusion

This episode covers the UK's Crown Estate's offshore wind investments, drone threats to wind turbines, and Nordex's 40th anniversary. It also highlights TotalEnergies winning a German offshore wind auction and Pemamek's advanced welding capabilities. Sign up now for Uptime Tech News, our weekly email update on all things wind technology. This episode is sponsored by Weather Guard Lightning Tech. Learn more about Weather Guard's StrikeTape Wind Turbine LPS retrofit. Follow the show on Facebook, YouTube, Twitter, Linkedin and visit Weather Guard on the web. And subscribe to Rosemary Barnes' YouTube channel here. Have a question we can answer on the show? Email us! You are listening to the Uptime Wind Energy Podcast brought to you by build turbines.com. Learn, train, and be a part of the Clean Energy Revolution. Visit build turbines.com today. Now, here's your hosts. Allen Hall, Joel Saxum, Phil Totaro, and Rosemary Barnes.  Allen Hall: Well, we're back with another edition of the Uptime Wind Energy podcast. I got Rosemary Barnes in Australia, Phil Totaro in Warm and sunny California, and Joel Saxon in practically hell in temperature in Austin, Texas. I was just down in Dallas, Texas a day ago, and man, is that hot. There's just like a, a certain kind of heat, you know, you need to get indoors pretty quick. Texas heat is really bad right now. Joel Saxum: You know, one thing I didn't know about this area out here west of Austin, like in the Hill country, it's actually really windy out here. Like there's a steady wind all the time that, and you don't hit [00:01:00] wind farms for another like three hours when you had West, like the first ones. But it's like, I lived in Houston and Texas and it was pretty dormant most of the time, but it, there's constant wind here as the temperatures change throughout the day. All the time explains all the wind turbines.  Rosemary Barnes: Yeah, you sound like me when I moved to Denmark and I'm like, why do I have to live in this windy place?  Allen Hall: So we have a birthday to celebrate and no, it's not Rosie's birthday. It's Nord Deck's birthday and it's celebrating their 40th anniversary and they've been around since 1985. And some facts about Nordex that they published really interesting. They have developed 46 different onshore turbine types. Across the two companies, which was Nordex, SE, and Acciona. And That's amazing. So in 40 years, did those two companies now merge together A couple of years ago? Uh, is they have 46 different onshore term designs from 250 kilowatts up to seven megawatt machines. Now Rosemary, I think this kind of high, [00:02:00] and congratulations to Nordex by the way. That's quite an achievement. It does highlight the rate of pace. For wind turbines from the mid eighties up till now. One new turbine a year is a lot.  Rosemary Barnes: Yeah. And it's not the hugest company, right. It's not like they've got a hundred thousand employees developing those, uh, that one new turbine every year. So, yeah. Um. Nobody's been sitting around on their hands at that company.  Joel Saxum: They made it past the, is it, isn't it the rule of thumb, Alan? We talk about businesses like in the states, like if you make it past five years, you're, you're good  Allen Hall: al almost right? So most companies fail within the first year to three years. It's, it's hard to make it to three, then five, then 10. If you can make it across 10, you have something worthwhile. It's gonna stick around for a little bit. And, and Nordics has.  Rosemary Barnes: What's weather guard at?  Allen Hall: Uh, we're at. Almost 2020.  Rosemary Barnes: Whew. An institution.  Allen Hall: An institution. Yeah. We need to beat an institution at this point. And over in the uk, uh, the [00:03:00] UK's Crown Estate. Now this is an important story everyone. The UK's Crown Estate is making major investment commitments, uh,

For those who haven't heard the announcement I posted, songs from this point on will sometimes be split among multiple episodes, so this is the second part of a two-episode look at the song “Who Knows Where The Time Goes?” by Fairport Convention, and the intertwining careers of Joe Boyd, Sandy Denny, and Richard Thompson. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a forty-one-minute bonus episode available, on Judy Collins’ version of this song. Tilt Araiza has assisted invaluably by editing, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Erratum For about an hour this was uploaded with the wrong Elton John clip in place of “Saturday Sun”. This has now been fixed. Resources Because of the increasing problems with Mixcloud’s restrictions, I have decided to start sharing streaming playlists of the songs used in episodes instead of Mixcloud ones. This Tunemymusic link will let you listen to the playlist I created on your streaming platform of choice — however please note that not all the songs excerpted are currently available on streaming. The songs missing from the Tidal version are “Shanten Bells” by the Ian Campbell Folk Group, “Tom’s Gone to Hilo” by A.L. Lloyd, two by Paul McNeill and Linda Peters, three by Elton John & Linda Peters, “What Will I Do With Tomorrow” by Sandy Denny and “You Never Know” by Charlie Drake, but the other fifty-nine are there. Other songs may be missing from other services. The main books I used on Fairport Convention as a whole were Patrick Humphries' Meet On The Ledge, Clinton Heylin's What We Did Instead of Holidays, and Kevan Furbank's Fairport Convention on Track. Rob Young's Electric Eden is the most important book on the British folk-rock movement. Information on Richard Thompson comes from Patrick Humphries' Richard Thompson: Strange Affair and Thompson's own autobiography Beeswing.  Information on Sandy Denny comes from Clinton Heylin's No More Sad Refrains and Mick Houghton's I've Always Kept a Unicorn. I also used Joe Boyd's autobiography White Bicycles and Chris Blackwell's The Islander.  And this three-CD set is the best introduction to Fairport's music currently in print. Transcript Before we begin, this episode contains reference to alcohol and cocaine abuse and medical neglect leading to death. It also starts with some discussion of the fatal car accident that ended last episode. There’s also some mention of child neglect and spousal violence. If that’s likely to upset you, you might want to skip this episode or read the transcript. One of the inspirations for this podcast when I started it back in 2018 was a project by Richard Thompson, which appears (like many things in Thompson’s life) to have started out of sheer bloody-mindedness. In 1999 Playboy magazine asked various people to list their “songs of the Millennium”, and most of them, understanding the brief, chose a handful of songs from the latter half of the twentieth century. But Thompson determined that he was going to list his favourite songs *of the millennium*. He didn’t quite manage that, but he did cover seven hundred and forty years, and when Playboy chose not to publish it, he decided to turn it into a touring show, in which he covered all his favourite songs from “Sumer Is Icumen In” from 1260: [Excerpt: Richard Thompson, “Sumer is Icumen In”] Through numerous traditional folk songs, union songs like “Blackleg Miner”, pieces by early-modern composers, Victorian and Edwardian music hall songs, and songs by the Beatles, the Ink Spots, the Kinks, and the Who, all the way to “Oops! I Did It Again”: [Excerpt: Richard Thompson, “Oops! I Did it Again”] And to finish the show, and to show how all this music actually ties together, he would play what he described as a “medieval tune from Brittany”, “Marry, Ageyn Hic Hev Donne Yt”: [Excerpt: Richard Thompson, “Marry, Ageyn Hic Hev Donne Yt”] We have said many times in this podcast that there is no first anything, but there’s a reason that Liege and Lief, Fairport Convention’s third album of 1969, and the album other than Unhalfbricking on which their reputation largely rests, was advertised with the slogan “The first (literally) British folk rock album ever”. Folk-rock, as the term had come to be known, and as it is still usually used today, had very little to do with traditional folk music. Rather, the records of bands like The Byrds or Simon and Garfunkel were essentially taking the sounds of British beat groups of the early sixties, particularly the Searchers, and applying those sounds to material by contemporary singer-songwriters. People like Paul Simon and Bob Dylan had come up through folk clubs, and their songs were called folk music because of that, but they weren’t what folk music had meant up to that point — songs that had been collected after being handed down through the folk process, changed by each individual singer, with no single identifiable author. They were authored songs by very idiosyncratic writers. But over their last few albums, Fairport Convention had done one or two tracks per album that weren’t like that, that were instead recordings of traditional folk songs, but arranged with rock instrumentation. They were not necessarily the first band to try traditional folk music with electric instruments — around the same time that Fairport started experimenting with the idea, so did an Irish band named Sweeney’s Men, who brought in a young electric guitarist named Henry McCullough briefly. But they do seem to have been the first to have fully embraced the idea. They had done so to an extent with “A Sailor’s Life” on Unhalfbricking, but now they were going to go much further: [Excerpt: Fairport Convention, “Matty Groves” (from about 4:30)] There had been some doubt as to whether Fairport Convention would even continue to exist — by the time Unhalfbricking, their second album of the year, was released, they had been through the terrible car accident that had killed Martin Lamble, the band’s drummer, and Jeannie Franklyn, Richard Thompson’s girlfriend. Most of the rest of the band had been seriously injured, and they had made a conscious decision not to discuss the future of the band until they were all out of hospital. Ashley Hutchings was hospitalised the longest, and Simon Nicol, Richard Thompson, and Sandy Denny, the other three surviving members of the band, flew over to LA with their producer and manager, Joe Boyd, to recuperate there and get to know the American music scene. When they came back, the group all met up in the flat belonging to Denny’s boyfriend Trevor Lucas, and decided that they were going to continue the band. They made a few decisions then — they needed a new drummer, and as well as a drummer they wanted to get in Dave Swarbrick. Swarbrick had played violin on several tracks on Unhalfbricking as a session player, and they had all been thrilled to work with him. Swarbrick was one of the most experienced musicians on the British folk circuit. He had started out in the fifties playing guitar with Beryl Marriott’s Ceilidh Band before switching to fiddle, and in 1963, long before Fairport had formed, he had already appeared on TV with the Ian Campbell Folk Group, led by Ian Campbell, the father of Ali and Robin Campbell, later of UB40: [Excerpt: The Ian Campbell Folk Group, “Shanten Bells (medley on Hullaballoo!)”] He’d sung with Ewan MacColl and A.L. Lloyd: [Excerpt: A.L. Lloyd, “Tom’s Gone to Hilo” ] And he’d formed his hugely successful duo with Martin Carthy, releasing records like “Byker Hill” which are often considered among the best British folk music of all time: [Excerpt: Martin Carthy and Dave Swarbrick, “Byker Hill”] By the time Fairport had invited him to play on Unhalfbricking, Swarbrick had already performed on twenty albums as a core band member, plus dozens more EPs, singles, and odd tracks on compilations. They had no reason to think they could actually get him to join their band. But they had three advantages. The first was that Swarbrick was sick of the traditional folk scene at the time, saying later “I didn’t like seven-eighths of the people involved in it, and it was extremely opportune to leave. I was suddenly presented with the possibilities of exploring the dramatic content of the songs to the full.” The second was that he was hugely excited to be playing with Richard Thompson, who was one of the most innovative guitarists of his generation, and Martin Carthy remembers him raving about Thompson after their initial sessions. (Carthy himself was and is no slouch on the guitar of course, and there was even talk of getting him to join the band at this point, though they decided against it — much to the relief of rhythm guitarist Simon Nicol, who is a perfectly fine player himself but didn’t want to be outclassed by *two* of the best guitarists in Britain at the same time). And the third was that Joe Boyd told him that Fairport were doing so well — they had a single just about to hit the charts with “Si Tu Dois Partir” — that he would only have to play a dozen gigs with Fairport in order to retire. As it turned out, Swarbrick would play with the group for a decade, and would never retire — I saw him on his last tour in 2015, only eight months before he died. The drummer the group picked was also a far more experienced musician than any of the rest, though in a very different genre. Dave Mattacks had no knowledge at all of the kind of music they played, having previously been a player in dance bands. When asked by Hutchings if he wanted to join the band, Mattacks’ response was “I don’t know anything about the music. I don’t understand it… I can’t tell one tune from another, they all sound the same… but if you want me to join the group, fine, because I really like it. I’m enjoying myself musically.” Mattacks brought a new level of professionalism to the band, thanks to his different background. Nicol said of him later “He was dilligent, clean, used to taking three white shirts to a gig… The application he could bring to his playing was amazing. With us, you only played well when you were feeling well.” This distinction applied to his playing as well. Nicol would later describe the difference between Mattacks’ drumming and Lamble’s by saying “Martin’s strength was as an imaginative drummer. DM came in with a strongly developed sense of rhythm, through keeping a big band of drunken saxophone players in order. A great time-keeper.” With this new line-up and a new sense of purpose, the group did as many of their contemporaries were doing and “got their heads together in the country”. Joe Boyd rented the group a mansion, Farley House, in Farley Chamberlayne, Hampshire, and they stayed there together for three months. At the start, the group seem to have thought that they were going to make another record like Unhalfbricking, with some originals, some songs by American songwriters, and a few traditional songs. Even after their stay in Farley Chamberlayne, in fact, they recorded a few of the American songs they’d rehearsed at the start of the process, Richard Farina’s “Quiet Joys of Brotherhood” and Bob Dylan and Roger McGuinn’s “Ballad of Easy Rider”: [Excerpt: Fairport Convention, “Ballad of Easy Rider”] Indeed, the whole idea of “getting our heads together in the country” (as the cliche quickly became in the late sixties as half of the bands in Britain went through much the same kind of process as Fairport were doing — but usually for reasons more to do with drug burnout or trend following than recovering from serious life-changing trauma) seems to have been inspired by Bob Dylan and the Band getting together in Big Pink. But very quickly they decided to follow the lead of Ashley Hutchings, who had had something of a Damascene conversion to the cause of traditional English folk music. They were listening mostly to Music From Big Pink by the Band, and to the first album by Sweeney’s Men: [Excerpt: Sweeney’s Men, “The Handsome Cabin Boy”] And they decided that they were going to make something that was as English as those records were North American and Irish (though in the event there were also a few Scottish songs included on the record). Hutchings in particular was becoming something of a scholar of traditional music, regularly visiting Cecil Sharp House and having long conversations with A.L. Lloyd, discovering versions of different traditional songs he’d never encountered before. This was both amusing and bemusing Sandy Denny, who had joined a rock group in part to get away from traditional music; but she was comfortable singing the material, and knew a lot of it and could make a lot of suggestions herself. Swarbrick obviously knew the repertoire intimately, and Nicol was amenable, while Mattacks was utterly clueless about the folk tradition at this point but knew this was the music he wanted to make. Thompson knew very little about traditional music, and of all the band members except Denny he was the one who has shown the least interest in the genre in his subsequent career — but as we heard at the beginning, showing the least interest in the genre is a relative thing, and while Thompson was not hugely familiar with the genre, he *was* able to work with it, and was also more than capable of writing songs that fit in with the genre. Of the eleven songs on the album, which was titled Liege and Lief (which means, roughly, Lord and Loyalty), there were no cover versions of singer-songwriters. Eight were traditional songs, and three were originals, all written in the style of traditional songs. The album opened with “Come All Ye”, an introduction written by Denny and Hutchings (the only time the two would ever write together): [Excerpt: Fairport Convention, “Come All Ye”] The other two originals were songs where Thompson had written new lyrics to traditional melodies. On “Crazy Man Michael”, Swarbrick had said to Thompson that the tune to which he had set his new words was weaker than the lyrics, to which Thompson had replied that if Swarbrick felt that way he should feel free to write a new melody. He did, and it became the first of the small number of Thompson/Swarbrick collaborations: [Excerpt: Fairport Convention, “Crazy Man Michael”] Thompson and Swarbrick would become a brief songwriting team, but as much as anything else it was down to proximity — the two respected each other as musicians, but never got on very well. In 1981 Swarbrick would say “Richard and I never got on in the early days of FC… we thought we did, but we never did. We composed some bloody good songs together, but it was purely on a basis of “you write that and I’ll write this, and we’ll put it together.” But we never sat down and had real good chats.” The third original on the album, and by far the most affecting, is another song where Thompson put lyrics to a traditional tune. In this case he thought he was putting the lyrics to the tune of “Willie O'Winsbury”, but he was basing it on a recording by Sweeney’s Men. The problem was that Sweeney’s Men had accidentally sung the lyrics of “Willie O'Winsbury'” to the tune of a totally different song, “Fause Foodrage”: [Excerpt: Sweeney’s Men, “Willie O’Winsbury”] Thompson took that melody, and set to it lyrics about loss and separation. Thompson has never been one to discuss the meanings of his lyrics in any great detail, and in the case of this one has said “I really don't know what it means. This song came out of a dream, and I pretty much wrote it as I dreamt it (it was the sixties), and didn't spend very long analyzing it. So interpret as you wish – or replace with your own lines.” But in the context of the traffic accident that had killed his tailor girlfriend and a bandmate, and injured most of his other bandmates, the lyrics about lonely travellers, the winding road, bruised and beaten sons, saying goodbye, and never cutting cloth, seem fairly self-explanatory: [Excerpt: Fairport Convention, “Farewell, Farewell”] The rest of the album, though, was taken up by traditional tunes. There was a long medley of four different fiddle reels; a version of “Reynardine” (a song about a seductive man — or is he a fox? Or perhaps both — which had been recorded by Swarbrick and Carthy on their most recent album); a 19th century song about a deserter saved from the firing squad by Prince Albert; and a long take on “Tam Lin”, one of the most famous pieces in the Scottish folk music canon, a song that has been adapted in different ways by everyone from the experimental noise band Current 93 to the dub poet Benjamin Zephaniah to the comics writer Grant Morrison: [Excerpt: Fairport Convention, “Tam Lin”] And “Matty Groves”, a song about a man killing his cheating wife and her lover, which actually has a surprisingly similar story to that of “1921” from another great concept album from that year, the Who’s Tommy. “Matty Groves” became an excuse for long solos and shows of instrumental virtuosity: [Excerpt: Fairport Convention, “Matty Groves”] The album was recorded in September 1969, after their return from their break in the country and a triumphal performance at the Royal Festival Hall, headlining over fellow Witchseason artists John and Beverly Martyn and Nick Drake. It became a classic of the traditional folk genre — arguably *the* classic of the traditional folk genre. In 2007 BBC Radio 2’s Folk Music Awards gave it an award for most influential folk album of all time, and while such things are hard to measure, I doubt there’s anyone with even the most cursory knowledge of British folk and folk-rock music who would not at least consider that a reasonable claim. But once again, by the time the album came out in November, the band had changed lineups yet again. There was a fundamental split in the band – on one side were Sandy Denny and Richard Thompson, whose stance was, roughly, that Liege and Lief was a great experiment and a fun thing to do once, but really the band had two first-rate songwriters in themselves, and that they should be concentrating on their own new material, not doing these old songs, good as they were. They wanted to take the form of the traditional songs and use that form for new material — they wanted to make British folk-rock, but with the emphasis on the rock side of things. Hutchings, on the other hand, was equally sure that he wanted to make traditional music and go further down the rabbit hole of antiquity. With the zeal of the convert he had gone in a couple of years from being the leader of a band who were labelled “the British Jefferson Airplane” to becoming a serious scholar of traditional folk music. Denny was tired of touring, as well — she wanted to spend more time at home with Trevor Lucas, who was sleeping with other women when she was away and making her insecure. When the time came for the group to go on a tour of Denmark, Denny decided she couldn’t make it, and Hutchings was jubilant — he decided he was going to get A.L. Lloyd into the band in her place and become a *real* folk group. Then Denny reconsidered, and Hutchings was crushed. He realised that while he had always been the leader, he wasn’t going to be able to lead the band any further in the traditionalist direction, and quit the group — but not before he was delegated by the other band members to fire Denny. Until the publication of Richard Thompson’s autobiography in 2022, every book on the group or its members said that Denny quit the band again, which was presumably a polite fiction that the band agreed, but according to Thompson “Before we flew home, we decided to fire Sandy. I don't remember who asked her to leave – it was probably Ashley, who usually did the dirty work. She was reportedly shocked that we would take that step. She may have been fragile beneath the confident facade, but she still knew her worth.” Thompson goes on to explain that the reasons for kicking her out were that “I suppose we felt that in her mind she had already left” and that “We were probably suffering from post-traumatic stress disorder, though there wasn't a name for it back then.” They had considered inviting Trevor Lucas to join the band to make Denny more comfortable, but came to the (probably correct) conclusion that while he was someone they got on well with personally, he would be another big ego in a band that already had several, and that being around Denny and Lucas’ volatile relationship would, in Thompson’s phrasing, “have not always given one a feeling of peace and stability.” Hutchings originally decided he was going to join Sweeney’s Men, but that group were falling apart, and their first rehearsal with Hutchings would also be their last as a group, with only Hutchings and guitarist and mandolin player Terry Woods left in the band. They added Woods’ wife Gay, and another couple, Tim Hart and Maddy Prior, and formed a group called Steeleye Span, a name given them by Martin Carthy. That group, like Fairport, went to “get their heads together in the country” for three months and recorded an album of electric versions of traditional songs, Hark the Village Wait, on which Mattacks and another drummer, Gerry Conway, guested as Steeleye Span didn’t at the time have their own drummer: [Excerpt: Steeleye Span, “Blackleg Miner”] Steeleye Span would go on to have a moderately successful chart career in the seventies, but by that time most of the original lineup, including Hutchings, had left — Hutchings stayed with them for a few albums, then went on to form the first of a series of bands, all called the Albion Band or variations on that name, which continue to this day. And this is something that needs to be pointed out at this point — it is impossible to follow every single individual in this narrative as they move between bands. There is enough material in the history of the British folk-rock scene that someone could do a 500 Songs-style podcast just on that, and every time someone left Fairport, or Steeleye Span, or the Albion Band, or Matthews’ Southern Comfort, or any of the other bands we have mentioned or will mention, they would go off and form another band which would then fission, and some of its members would often join one of those other bands. There was a point in the mid-1970s where the Albion Band had two original members of Fairport Convention while Fairport Convention had none. So just in order to keep the narrative anything like wieldy, I’m going to keep the narrative concentrated on the two figures from Fairport — Sandy Denny and Richard Thompson — whose work outside the group has had the most influence on the wider world of rock music more broadly, and only deal with the other members when, as they often did, their careers intersected with those two. That doesn’t mean the other members are not themselves hugely important musicians, just that their importance has been primarily to the folk side of the folk-rock genre, and so somewhat outside the scope of this podcast. While Hutchings decided to form a band that would allow him to go deeper and deeper into traditional folk music, Sandy Denny’s next venture was rather different. For a long time she had been writing far more songs than she had ever played for her bandmates, like “Nothing More”, a song that many have suggested is about Thompson: [Excerpt: Fotheringay, “Nothing More”] When Joe Boyd heard that Denny was leaving Fairport Convention, he was at first elated. Fairport’s records were being distributed by A&M in the US at that point, but Island Records was in the process of opening up a new US subsidiary which would then release all future Fairport product — *but*, as far as A&M were concerned, Sandy Denny *was* Fairport Convention. They were only interested in her. Boyd, on the other hand, loved Denny’s work intensely, but from his point of view *Richard Thompson* was Fairport Convention. If he could get Denny signed directly to A&M as a solo artist before Island started its US operations, Witchseason could get a huge advance on her first solo record, while Fairport could continue making records for Island — he’d have two lucrative acts, on different labels. Boyd went over and spoke to A&M and got an agreement in principle that they would give Denny a forty-thousand-dollar advance on her first solo album — twice what they were paying for Fairport albums. The problem was that Denny didn’t want to be a solo act. She wanted to be the lead singer of a band. She gave many reasons for this — the one she gave to many journalists was that she had seen a Judy Collins show and been impressed, but noticed that Collins’ band were definitely a “backing group”, and as she put it “But that's all they were – a backing group. I suddenly thought, If you're playing together on a stage you might as well be TOGETHER.” Most other people in her life, though, say that the main reason for her wanting to be in a band was her desire to be with her boyfriend, Trevor Lucas. Partly this was due to a genuine desire to spend more time with someone with whom she was very much in love, partly it was a fear that he would cheat on her if she was away from him for long periods of time, and part of it seems to have been Lucas’ dislike of being *too* overshadowed by his talented girlfriend — he didn’t mind acknowledging that she was a major talent, but he wanted to be thought of as at least a minor one. So instead of going solo, Denny formed Fotheringay, named after the song she had written for Fairport. This new band consisted at first of Denny on vocals and occasional piano, Lucas on vocals and rhythm guitar, and Lucas’ old Eclection bandmate Gerry Conway on drums. For a lead guitarist, they asked Richard Thompson who the best guitarist in Britain was, and he told them Albert Lee. Lee in turn brought in bass player Pat Donaldson, but this lineup of the band barely survived a fortnight. Lee *was* arguably the best guitarist in Britain, certainly a reasonable candidate if you could ever have a singular best (as indeed was Thompson himself), but he was the best *country* guitarist in Britain, and his style simply didn’t fit with Fotheringay’s folk-influenced songs. He was replaced by American guitarist Jerry Donahue, who was not anything like as proficient as Lee, but who was still very good, and fit the band’s style much better. The new group rehearsed together for a few weeks, did a quick tour, and then went into the recording studio to record their debut, self-titled, album. Joe Boyd produced the album, but admitted himself that he only paid attention to those songs he considered worthwhile — the album contained one song by Lucas, “The Ballad of Ned Kelly”, and two cover versions of American singer-songwriter material with Lucas singing lead. But everyone knew that the songs that actually *mattered* were Sandy Denny’s, and Boyd was far more interested in them, particularly the songs “The Sea” and “The Pond and the Stream”: [Excerpt: Fotheringay, “The Pond and the Stream”] Fotheringay almost immediately hit financial problems, though. While other Witchseason acts were used to touring on the cheap, all packed together in the back of a Transit van with inexpensive equipment, Trevor Lucas had ambitions of being a rock star and wanted to put together a touring production to match, with expensive transport and equipment, including a speaker system that got nicknamed “Stonehenge” — but at the same time, Denny was unhappy being on the road, and didn’t play many gigs. As well as the band itself, the Fotheringay album also featured backing vocals from a couple of other people, including Denny’s friend Linda Peters. Peters was another singer from the folk clubs, and a good one, though less well-known than Denny — at this point she had only released a couple of singles, and those singles seemed to have been as much as anything else released as a novelty. The first of those, a version of Dylan’s “You Ain’t Goin’ Nowhere” had been released as by “Paul McNeill and Linda Peters”: [Excerpt: Paul McNeill and Linda Peters, “You Ain’t Goin’ Nowhere”] But their second single, a version of John D. Loudermilk’s “You’re Taking My Bag”, was released on the tiny Page One label, owned by Larry Page, and was released under the name “Paul and Linda”, clearly with the intent of confusing particularly gullible members of the record-buying public into thinking this was the McCartneys: [Excerpt: Paul and Linda, “You’re Taking My Bag”] Peters was though more financially successful than almost anyone else in this story, as she was making a great deal of money as a session singer. She actually did another session involving most of Fotheringay around this time. Witchseason had a number of excellent songwriters on its roster, and had had some success getting covers by people like Judy Collins, but Joe Boyd thought that they might possibly do better at getting cover versions if they were performed in less idiosyncratic arrangements. Donahue, Donaldson, and Conway went into the studio to record backing tracks, and vocals were added by Peters and another session singer, who according to some sources also provided piano. They cut songs by Mike Heron of the Incredible String Band: [Excerpt: Linda Peters, “You Get Brighter”] Ed Carter, formerly of The New Nadir but by this time firmly ensconced in the Beach Boys’ touring band where he would remain for the next quarter-century: [Excerpt: Linda Peters, “I Don’t Mind”] John and Beverly Martyn, and Nick Drake: [Excerpt: Elton John, “Saturday Sun”] There are different lineups of musicians credited for those sessions in different sources, but I tend to believe that it’s mostly Fotheringay for the simple reason that Donahue says it was him, Donaldson and Conway who talked Lucas and Denny into the mistake that destroyed Fotheringay because of these sessions. Fotheringay were in financial trouble already, spending far more money than they were bringing in, but their album made the top twenty and they were getting respect both from critics and from the public — in September, Sandy Denny was voted best British female singer by the readers of Melody Maker in their annual poll, which led to shocked headlines in the tabloids about how this “unknown” could have beaten such big names as Dusty Springfield and Cilla Black. Only a couple of weeks after that, they were due to headline at the Albert Hall. It should have been a triumph. But Donahue, Donaldson, and Conway had asked that singing pianist to be their support act. As Donahue said later “That was a terrible miscast. It was our fault. He asked if [he] could do it. Actually Pat, Gerry and I had to talk Sandy and Trevor into [it]… We'd done these demos and the way he was playing – he was a wonderful piano player – he was sensitive enough. We knew very little about his stage-show. We thought he'd be a really good opener for us.” Unfortunately, Elton John was rather *too* good. As Donahue continued “we had no idea what he had in mind, that he was going to do the most incredible rock & roll show ever. He pretty much blew us off the stage before we even got on the stage.” To make matters worse, Fotheringay’s set, which was mostly comprised of new material, was underrehearsed and sloppy, and from that point on no matter what they did people were counting the hours until the band split up. They struggled along for a while though, and started working on a second record, with Boyd again producing, though as Boyd later said “I probably shouldn't have been producing the record. My lack of respect for the group was clear, and couldn't have helped the atmosphere. We'd put out a record that had sold disappointingly, A&M was unhappy. Sandy's tracks on the first record are among the best things she ever did – the rest of it, who cares? And the artwork, Trevor's sister, was terrible. It would have been one thing if I'd been unhappy with it and it sold, and the group was working all the time, making money, but that wasn't the case … I knew what Sandy was capable of, and it was very upsetting to me.” The record would not be released for thirty-eight years: [Excerpt: Fotheringay, “Wild Mountain Thyme”] Witchseason was going badly into debt. Given all the fissioning of bands that we’ve already been talking about, Boyd had been stretched thin — he produced sixteen albums in 1970, and almost all of them lost money for the company. And he was getting more and more disillusioned with the people he was producing. He loved Beverly Martyn’s work, but had little time for her abusive husband John, who was dominating her recording and life more and more and would soon become a solo artist while making her stay at home (and stealing her ideas without giving her songwriting credit). The Incredible String Band were great, but they had recently converted to Scientology, which Boyd found annoying, and while he was working with all sorts of exciting artists like Vashti Bunyan and Nico, he was finding himself less and less important to the artists he mentored. Fairport Convention were a good example of this. After Denny and Hutchings had left the group, they’d decided to carry on as an electric folk group, performing an equal mix of originals by the Swarbrick and Thompson songwriting team and arrangements of traditional songs. The group were now far enough away from the “British Jefferson Airplane” label that they decided they didn’t need a female vocalist — and more realistically, while they’d been able to replace Judy Dyble, nobody was going to replace Sandy Denny. Though it’s rather surprising when one considers Thompson’s subsequent career that nobody seems to have thought of bringing in Denny’s friend Linda Peters, who was dating Joe Boyd at the time (as Denny had been before she met Lucas) as Denny’s replacement. Instead, they decided that Swarbrick and Thompson were going to share the vocals between them. They did, though, need a bass player to replace Hutchings. Swarbrick wanted to bring in Dave Pegg, with whom he had played in the Ian Campbell Folk Group, but the other band members initially thought the idea was a bad one. At the time, while they respected Swarbrick as a musician, they didn’t think he fully understood rock and roll yet, and they thought the idea of getting in a folkie who had played double bass rather than an electric rock bassist ridiculous. But they auditioned him to mollify Swarbrick, and found that he was exactly what they needed. As Joe Boyd later said “All those bass lines were great, Ashley invented them all, but he never could play them that well. He thought of them, but he was technically not a terrific bass player. He was a very inventive, melodic, bass player, but not a very powerful one technically. But having had the part explained to him once, Pegg was playing it better than Ashley had ever played it… In some rock bands, I think, ultimately, the bands that sound great, you can generally trace it to the bass player… it was at that point they became a great band, when they had Pegg.” The new lineup of Fairport decided to move in together, and found a former pub called the Angel, into which all the band members moved, along with their partners and children (Thompson was the only one who was single at this point) and their roadies. The group lived together quite happily, and one gets the impression that this was the period when they were most comfortable with each other, even though by this point they were a disparate group with disparate tastes, in music as in everything else. Several people have said that the only music all the band members could agree they liked at this point was the first two albums by The Band. With the departure of Hutchings from the band, Swarbrick and Thompson, as the strongest personalities and soloists, became in effect the joint leaders of the group, and they became collaborators as songwriters, trying to write new songs that were inspired by traditional music. Thompson described the process as “let’s take one line of this reel and slow it down and move it up a minor third and see what that does to it; let’s take one line of this ballad and make a whole song out of it. Chopping up the tradition to find new things to do… like a collage.” Generally speaking, Swarbrick and Thompson would sit by the fire and Swarbrick would play a melody he’d been working on, the two would work on it for a while, and Thompson would then go away and write the lyrics. This is how the two came up with songs like the nine-minute “Sloth”, a highlight of the next album, Full House, and one that would remain in Fairport’s live set for much of their career: [Excerpt: Fairport Convention, “Sloth”] “Sloth” was titled that way because Thompson and Swarbrick were working on two tunes, a slow one and a fast one, and they jokingly named them “Sloth” and “Fasth”, but the latter got renamed to “Walk Awhile”, while “Sloth” kept its working title. But by this point, Boyd and Thompson were having a lot of conflict in the studio. Boyd was never the most technical of producers — he was one of those producers whose job is to gently guide the artists in the studio and create a space for the music to flourish, rather than the Joe Meek type with an intimate technical knowledge of the studio — and as the artists he was working with gained confidence in their own work they felt they had less and less need of him. During the making of the Full House album, Thompson and Boyd, according to Boyd, clashed on everything — every time Boyd thought Thompson had done a good solo, Thompson would say to erase it and let him have another go, while every time Boyd thought Thompson could do better, Thompson would say that was the take to keep. One of their biggest clashes was over Thompson’s song “Poor Will and the Jolly Hangman”, which was originally intended for release on the album, and is included in current reissues of it: [Excerpt: Fairport Convention, “Poor Will and the Jolly Hangman”] Thompson had written that song inspired by what he thought was the unjust treatment of Alex Bramham, the driver in Fairport’s fatal car crash, by the courts — Bramham had been given a prison sentence of a few months for dangerous driving, while the group members thought he had not been at fault. Boyd thought it was one of the best things recorded for the album, but Thompson wasn’t happy with his vocal — there was one note at the top of the melody that he couldn’t quite hit — and insisted it be kept off the record, even though that meant it would be a shorter album than normal. He did this at such a late stage that early copies of the album actually had the title printed on the sleeve, but then blacked out. He now says in his autobiography “I could have persevered, double-tracked the voice, warmed up for longer – anything. It was a good track, and the record was lacking without it. When the album was re-released, the track was restored with a more confident vocal, and it has stayed there ever since.” During the sessions for Full House the group also recorded one non-album single, Thompson and Swarbrick’s “Now Be Thankful”: [Excerpt, Fairport Convention, “Now Be Thankful”] The B-side to that was a medley of two traditional tunes plus a Swarbrick original, but was given the deliberately ridiculous title “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”: [Excerpt: Fairport Convention, “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”] The B. McKenzie in the title was a reference to the comic-strip character Barry McKenzie, a stereotype drunk Australian created for Private Eye magazine by the comedian Barry Humphries (later to become better known for his Dame Edna Everage character) but the title was chosen for one reason only — to get into the Guinness Book of Records for the song with the longest title. Which they did, though they were later displaced by the industrial band Test Dept, and their song “Long Live British Democracy Which Flourishes and Is Constantly Perfected Under the Immaculate Guidance of the Great, Honourable, Generous and Correct Margaret Hilda Thatcher. She Is the Blue Sky in the Hearts of All Nations. Our People Pay Homage and Bow in Deep Respect and Gratitude to Her. The Milk of Human Kindness”. Full House got excellent reviews in the music press, with Rolling Stone saying “The music shows that England has finally gotten her own equivalent to The Band… By calling Fairport an English equivalent of the Band, I meant that they have soaked up enough of the tradition of their countryfolk that it begins to show all over, while they maintain their roots in rock.” Off the back of this, the group went on their first US tour, culminating in a series of shows at the Troubadour in LA, on the same bill as Rick Nelson, which were recorded and later released as a live album: [Excerpt: Fairport Convention, “Sloth (live)”] The Troubadour was one of the hippest venues at the time, and over their residency there the group got seen by many celebrities, some of whom joined them on stage. The first was Linda Ronstadt, who initially demurred, saying she didn’t know any of their songs. On being told they knew all of hers, she joined in with a rendition of “Silver Threads and Golden Needles”. Thompson was later asked to join Ronstadt’s backing band, who would go on to become the Eagles, but he said later of this offer “I would have hated it. I’d have hated being on the road with four or five miserable Americans — they always seem miserable. And if you see them now, they still look miserable on stage — like they don’t want to be there and they don’t like each other.” The group were also joined on stage at the Troubadour on one memorable night by some former bandmates of Pegg’s. Before joining the Ian Campbell Folk Group, Pegg had played around the Birmingham beat scene, and had been in bands with John Bonham and Robert Plant, who turned up to the Troubadour with their Led Zeppelin bandmate Jimmy Page (reports differ on whether the fourth member of Zeppelin, John Paul Jones, also came along). They all got up on stage together and jammed on songs like “Hey Joe”, “Louie Louie”, and various old Elvis tunes. The show was recorded, and the tapes are apparently still in the possession of Joe Boyd, who has said he refuses to release them in case he is murdered by the ghost of Peter Grant. According to Thompson, that night ended in a three-way drinking contest between Pegg, Bonham, and Janis Joplin, and it’s testament to how strong the drinking culture is around Fairport and the British folk scene in general that Pegg outdrank both of them. According to Thompson, Bonham was found naked by a swimming pool two days later, having missed two gigs. For all their hard rock image, Led Zeppelin were admirers of a lot of the British folk and folk-rock scene, and a few months later Sandy Denny would become the only outside vocalist ever to appear on a Led Zeppelin record when she duetted with Plant on “The Battle of Evermore” on the group’s fourth album: [Excerpt: Led Zeppelin, “The Battle of Evermore”] Denny would never actually get paid for her appearance on one of the best-selling albums of all time. That was, incidentally, not the only session that Denny was involved in around this time — she also sang on the soundtrack to a soft porn film titled Swedish Fly Girls, whose soundtrack was produced by Manfred Mann: [Excerpt: Sandy Denny, “What Will I Do With Tomorrow?”] Shortly after Fairport’s trip to America, Joe Boyd decided he was giving up on Witchseason. The company was now losing money, and he was finding himself having to produce work for more and more acts as the various bands fissioned. The only ones he really cared about were Richard Thompson, who he was finding it more and more difficult to work with, Nick Drake, who wanted to do his next album with just an acoustic guitar anyway, Sandy Denny, who he felt was wasting her talents in Fotheringay, and Mike Heron of the Incredible String Band, who was more distant since his conversion to Scientology. Boyd did make some attempts to keep the company going. On a trip to Sweden, he negotiated an agreement with the manager and publisher of a Swedish band whose songs he’d found intriguing, the Hep Stars. Boyd was going to publish their songs in the UK, and in return that publisher, Stig Anderson, would get the rights to Witchseason’s catalogue in Scandinavia — a straight swap, with no money changing hands. But before Boyd could get round to signing the paperwork, he got a better offer from Mo Ostin of Warners — Ostin wanted Boyd to come over to LA and head up Warners’ new film music department. Boyd sold Witchseason to Island Records and moved to LA with his fiancee Linda Peters, spending the next few years working on music for films like Deliverance and A Clockwork Orange, as well as making his own documentary about Jimi Hendrix, and thus missed out on getting the UK publishing rights for ABBA, and all the income that would have brought him, for no money. And it was that decision that led to the breakup of Fotheringay. Just before Christmas 1970, Fotheringay were having a difficult session, recording the track “John the Gun”: [Excerpt: Fotheringay, “John the Gun”] Boyd got frustrated and kicked everyone out of the session, and went for a meal and several drinks with Denny. He kept insisting that she should dump the band and just go solo, and then something happened that the two of them would always describe differently. She asked him if he would continue to produce her records if she went solo, and he said he would. According to Boyd’s recollection of the events, he meant that he would fly back from California at some point to produce her records. According to Denny, he told her that if she went solo he would stay in Britain and not take the job in LA. This miscommunication was only discovered after Denny told the rest of Fotheringay after the Christmas break that she was splitting the band. Jerry Donahue has described that as the worst moment of his life, and Denny felt very guilty about breaking up a band with some of her closest friends in — and then when Boyd went over to the US anyway she felt a profound betrayal. Two days before Fotheringay’s final concert, in January 1971, Sandy Denny signed a solo deal with Island records, but her first solo album would not end up produced by Joe Boyd. Instead, The North Star Grassman and the Ravens was co-produced by Denny, John Wood — the engineer who had worked with Boyd on pretty much everything he’d produced, and Richard Thompson, who had just quit Fairport Convention, though he continued living with them at the Angel, at least until a truck crashed into the building in February 1971, destroying its entire front wall and forcing them to relocate. The songs chosen for The North Star Grassman and the Ravens reflected the kind of choices Denny would make on her future albums, and her eclectic taste in music. There was, of course, the obligatory Dylan cover, and the traditional folk ballad “Blackwaterside”, but there was also a cover version of Brenda Lee’s “Let’s Jump the Broomstick”: [Excerpt: Sandy Denny, “Let’s Jump the Broomstick”] Most of the album, though, was made up of originals about various people in Denny’s life, like “Next Time Around”, about her ex-boyfriend Jackson C Frank: [Excerpt: Sandy Denny, “Next Time Around”] The album made the top forty in the UK — Denny’s only solo album to do so — and led to her once again winning the “best female singer” award in Melody Maker’s readers’ poll that year — the male singer award was won by Rod Stewart. Both Stewart and Denny appeared the next year on the London Symphony Orchestra’s all-star version of The Who’s Tommy, which had originally been intended as a vehicle for Stewart before Roger Daltrey got involved. Stewart’s role was reduced to a single song, “Pinball Wizard”, while Denny sang on “It’s a Boy”: [Excerpt: Sandy Denny, “It’s a Boy”] While Fotheringay had split up, all the band members play on The North Star Grassman and the Ravens. Guitarists Donahue and Lucas only play on a couple of the tracks, with Richard Thompson playing most of the guitar on the record. But Fotheringay’s rhythm section of Pat Donaldson and Gerry Conway play on almost every track. Another musician on the album, Ian Whiteman, would possibly have a profound effect on the future direction of Richard Thompson’s career and life. Whiteman was the former keyboard player for the mod band The Action, having joined them just before they became the blues-rock band Mighty Baby. But Mighty Baby had split up when all of the band except the lead singer had converted to Islam. Richard Thompson was on his own spiritual journey at this point, and became a Sufi – the same branch of Islam as Whiteman – soon after the session, though Thompson has said that his conversion was independent of Whiteman’s. The two did become very close and work together a lot in the mid-seventies though. Thompson had supposedly left Fairport because he was writing material that wasn’t suited to the band, but he spent more than a year after quitting the group working on sessions rather than doing anything with his own material, and these sessions tended to involve the same core group of musicians. One of the more unusual was a folk-rock supergroup called The Bunch, put together by Trevor Lucas. Richard Branson had recently bought a recording studio, and wanted a band to test it out before opening it up for commercial customers, so with this free studio time Lucas decided to record a set of fifties rock and roll covers. He gathered together Thompson, Denny, Whiteman, Ashley Hutchings, Dave Mattacks, Pat Donaldson, Gerry Conway, pianist Tony Cox, the horn section that would later form the core of the Average White Band, and Linda Peters, who had now split up with Joe Boyd and returned to the UK, and who had started dating Thompson. They recorded an album of covers of songs by Jerry Lee Lewis, the Everly Brothers, Johnny Otis and others: [Excerpt: The Bunch, “Willie and the Hand Jive”] The early seventies was a hugely productive time for this group of musicians, as they all continued playing on each other’s projects. One notable album was No Roses by Shirley Collins, which featured Thompson, Mattacks, Whiteman, Simon Nicol, Lal and Mike Waterson, and Ashley Hutchings, who was at that point married to Collins, as well as some more unusual musicians like the free jazz saxophonist Lol Coxhill: [Excerpt: Shirley Collins and the Albion Country Band, “Claudy Banks”] Collins was at the time the most respected female singer in British traditional music, and already had a substantial career including a series of important records made with her sister Dolly, work with guitarists like Davey Graham, and time spent in the 1950s collecting folk songs in the Southern US with her then partner Alan Lomax – according to Collins she did much of the actual work, but Lomax only mentioned her in a single sentence in his book on this work. Some of the same group of musicians went on to work on an album of traditional Morris dancing tunes, titled Morris On, credited to “Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield”, with Collins singing lead on two tracks: [Excerpt: Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield with Shirley Collins, “The Willow Tree”] Thompson thought that that album was the best of the various side projects he was involved in at the time, comparing it favourably to Rock On, which he thought was rather slight, saying later “Conceptually, Fairport, Ashley and myself and Sandy were developing a more fragile style of music that nobody else was particularly interested in, a British Folk Rock idea that had a logical development to it, although we all presented it our own way. Morris On was rather more true to what we were doing. Rock On was rather a retro step. I'm not sure it was lasting enough as a record but Sandy did sing really well on the Buddy Holly songs.” Hutchings used the musicians on No Roses and Morris On as the basis for his band the Albion Band, which continues to this day. Simon Nicol and Dave Mattacks both quit Fairport to join the Albion Band, though Mattacks soon returned. Nicol would not return to Fairport for several years, though, and for a long period in the mid-seventies Fairport Convention had no original members. Unfortunately, while Collins was involved in the Albion Band early on, she and Hutchings ended up divorcing, and the stress from the divorce led to Collins developing spasmodic dysphonia, a stress-related illness which makes it impossible for the sufferer to sing. She did eventually regain her vocal ability, but between 1978 and 2016 she was unable to perform at all, and lost decades of her career. Richard Thompson occasionally performed with the Albion Band early on, but he was getting stretched a little thin with all these sessions. Linda Peters said later of him “When I came back from America, he was working in Sandy’s band, and doing sessions by the score. Always with Pat Donaldson and Dave Mattacks. Richard would turn up with his guitar, one day he went along to do a session with one of those folkie lady singers — and there were Pat and DM. They all cracked. Richard smashed his amp and said “Right! No more sessions!” In 1972 he got round to releasing his first solo album, Henry the Human Fly, which featured guest appearances by Linda Peters and Sandy Denny among others: [Excerpt: Richard Thompson, “The Angels Took My Racehorse Away”] Unfortunately, while that album has later become regarded as one of the classics of its genre, at the time it was absolutely slated by the music press. The review in Melody Maker, for example, read in part “Some of Richard Thompson’s ideas sound great – which is really the saving grace of this album, because most of the music doesn’t. The tragedy is that Thompson’s “British rock music” is such an unconvincing concoction… Even the songs that do integrate rock and traditional styles of electric guitar rhythms and accordion and fiddle decoration – and also include explicit, meaningful lyrics are marred by bottle-up vocals, uninspiring guitar phrases and a general lack of conviction in performance.” Henry the Human Fly was released in the US by Warners, who had a reciprocal licensing deal with Island (and for whom Joe Boyd was working at the time, which may have had something to do with that) but according to Thompson it became the lowest-selling record that Warners ever put out (though I’ve also seen that claim made about Van Dyke Parks’ Song Cycle, another album that has later been rediscovered). Thompson was hugely depressed by this reaction, and blamed his own singing. Happily, though, by this point he and Linda had become a couple — they would marry in 1972 — and they started playing folk clubs as a duo, or sometimes in a trio with Simon Nicol. Thompson was also playing with Sandy Denny’s backing band at this point, and played on every track on her second solo album, Sandy. This album was meant to be her big commercial breakthrough, with a glamorous cover photo by David Bailey, and with a more American sound, including steel guitar by Sneaky Pete Kleinow of the Flying Burrito Brothers (whose overdubs were supervised in LA by Joe Boyd): [Excerpt: Sandy Denny, “Tomorrow is a Long Time”] The album was given a big marketing push by Island, and “Listen, Listen” was made single of the week on the Radio 1 Breakfast show: [Excerpt: Sandy Denny, “Listen, Listen”] But it did even worse than the previous album, sending her into something of a depression. Linda Thompson (as the former Linda Peters now was) said of this period “After the Sandy album, it got her down that her popularity didn't suddenly increase in leaps and bounds, and that was the start of her really fretting about the way her career was going. Things only escalated after that. People like me or Martin Carthy or Norma Waterson would think, ‘What are you on about? This is folk music.'” After Sandy’s release, Denny realised she could no longer afford to tour with a band, and so went back to performing just acoustically or on piano. The only new music to be released by either of these ex-members of Fairport Convention in 1973 was, oddly, on an album by the band they were no longer members of. After Thompson had left Fairport, the group had managed to release two whole albums with the same lineup — Swarbrick, Nicol, Pegg, and Mattacks. But then Nicol and Mattacks had both quit the band to join the Albion Band with their former bandmate Ashley Hutchings, leading to a situation where the Albion Band had two original members of Fairport plus their longtime drummer while Fairport Convention itself had no original members and was down to just Swarbrick and Pegg. Needing to fulfil their contracts, they then recruited three former members of Fotheringay — Lucas on vocals and rhythm guitar, Donahue on lead guitar, and Conway on drums. Conway was only a session player at the time, and Mattacks soon returned to the band, but Lucas and Donahue became full-time members. This new lineup of Fairport Convention released two albums in 1973, widely regarded as the group’s most inconsistent records, and on the title track of the first, “Rosie”, Richard Thompson guested on guitar, with Sandy Denny and Linda Thompson on backing vocals: [Excerpt: Fairport Convention, “Rosie”] Neither Sandy Denny nor Richard Thompson released a record themselves in 1973, but in neither case was this through the artists’ choice. The record industry was changing in the early 1970s, as we’ll see in later episodes, and was less inclined to throw good money after bad in the pursuit of art. Island Records prided itself on being a home for great artists, but it was still a business, and needed to make money. We’ll talk about the OPEC oil crisis and its effect on the music industry much more when the podcast gets to 1973, but in brief, the production of oil by the US peaked in 1970 and started to decrease, leading to them importing more and more oil from the Middle East. As a result of this, oil prices rose slowly between 1971 and 1973, then very quickly towards the end of 1973 as a result of the Arab-Israeli conflict that year. As vinyl is made of oil, suddenly producing records became much more expensive, and in this period a lot of labels decided not to release already-completed albums, until what they hoped would be a brief period of shortages passed. Both Denny and Thompson recorded albums at this point that got put to one side by Island. In the case of Thompson, it was the first album by Richard and Linda as a duo, I Want to See the Bright Lights Tonight: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Today, I Want to See the Bright Lights Tonight is widely regarded as one of the greatest albums of all time, and as one of the two masterpieces that bookended Richard and Linda’s career as a duo and their marriage. But when they recorded the album, full of Richard’s dark songs, it was the opposite of commercial. Even a song that’s more or less a boy-girl song, like “Has He Got a Friend for Me?” has lyrics like “He wouldn’t notice me passing by/I could be in the gutter, or dangling down from a tree” [Excerpt: Richard and Linda Thompson, “Has He got a Friend For Me?”] While something like “The Calvary Cross” is oblique and haunted, and seems to cast a pall over the entire album: [Excerpt: Richard and Linda Thompson, “The Calvary Cross”] The album itself had been cheap to make — it had been recorded in only a week, with Thompson bringing in musicians he knew well and had worked with a lot previously to cut the tracks as-live in only a handful of takes — but Island didn’t think it was worth releasing. The record stayed on the shelf for nearly a year after recording, until Island got a new head of A&R, Richard Williams. Williams said of the album’s release “Muff Winwood had been doing A&R, but he was more interested in production… I had a conversation with Muff as soon as I got there, and he said there are a few hangovers, some outstanding problems. And one of them was Richard Thompson. He said there’s this album we gave him the money to make — which was I Want to See the Bright Lights Tonight — and nobody’s very interested in it. Henry the Human Fly had been a bit of a commercial disappointment, and although Island was altruistic and independent and known for only recording good stuff, success was important… Either a record had to do well or somebody had to believe in it a lot. And it seemed as if neither of those things were true at that point of Richard.” Williams, though, was hugely impressed when he listened to the album. He compared Richard Thompson’s guitar playing to John Coltrane’s sax, and called Thompson “the folk poet of the rainy streets”, but also said “Linda brightened it, made it more commercial. and I thought that “Bright Lights” itself seemed a really commercial song.” The rest of the management at Island got caught up in Williams’ enthusiasm, and even decided to release the title track as a single: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Neither single nor album charted — indeed it would not be until 1991 that Richard Thompson would make a record that made the top forty in the UK — but the album got enough critical respect that Richard and Linda released two albums the year after. The first of these, Hokey Pokey, is a much more upbeat record than their previous one — Richard Thompson has called it “quite a music-hall influenced record” and cited the influence of George Formby and Harry Lauder. For once, the claim of music hall influence is audible in the music. Usually when a British musician is claimed to have a music ha

Dr. Mark Saffman is a Professor in the Department of Physics at the University of Wisconsin-Madison. He received is B.Sc. with honors in Applied Physics from the California Institute of Technology. Mark's research focuses on quantum computing. He and his colleagues are trying to build a new kind of computer called a quantum computer that can solve some types of problems that are unreachable for current supercomputers. A quantum computer uses individual atoms and has power that exceeds what you can do with known classical computing approaches. For Mark, physics is a hobby as well as his job. When he's not thinking about physics, Mark likes spending time with his family, including his young kids. Getting outside and enjoying nature is a great way for Mark to relax and unwind. Mark worked as a Technical Staff Member at TRW Defense and Space systems and subsequently an Optical Engineer at Dantec Electronics Inc. in Denmark before going back to graduate school to earn his Ph.D. in Physics from the University of Colorado at Boulder. Next, Mark worked as a Senior Scientist at Riso National Laboratory in Denmark before joining the faculty at the University of Wisconsin, Madison. Mark has received many honors and awards during his career including the Vilas Associate Award from the University of Wisconsin, Madison, an Alfred P. Sloan Fellowship, as well as the Research and Creative Work and the William Walter Jr. Awards from the University of Colorado. In addition, he has been named a Fellow of the Optical Society of America and a Fellow of the American Physical Society. Mark joined us in this interview to talk about his experiences in life and science.

News items read by Laura Kennedy include: Ancient dog DNA reveals connection between dog migration and farming spread into South America (details)(details) New evidence confirms great age of New Mexico footprints (details)(details) Ancient Roman city of Metlosedum found in modern day Melun (details) Noble Viking burials found in Denmark (details)

Making music with code in real time, fancy rsync, an open source real time strategy engine, advanced print debugging, EU-based DNS resolvers, and European government departments moving away from Microsoft and they might stick with Linux and FOSS this time.   Discoveries Strudel rsyncy Spring IceCream DNS4EU   News/discussion Two city governments in Denmark are... Read More

How does tiny, cold Denmark defy the odds to become one of the richest nations? Despite sky-high taxes and a lack of oil wealth, it boasts free education, universal healthcare, and global giants like Novo Nordisk. Unpack the Nordic model, flexicurity, and explore why high taxes haven't crushed growth. Is Denmark's dream sustainable? Watch to find out! Learn more about your ad choices. Visit megaphone.fm/adchoices

video: https://youtu.be/txJomfjAUqI In this episode of Destination Linux, we unpack Denmark's push for digital sovereignty as it swaps Microsoft Office 365 for LibreOffice, question Google's commitment to openness after Pixel-specific code goes missing from the latest Android 16 AOSP drop, and celebrate KDE Plasma 6.4's slew of polish-packed upgrades. Tune in for the big picture on open-source wins, setbacks, and standout releases ... all in one quick-hitting show. Forum Discussion Thread (https://destinationlinux.net/forum) Download as MP3 (https://aphid.fireside.fm/d/1437767933/32f28071-0b08-4ea1-afcc-37af75bd83d6/37a9468e-5809-44e1-8510-e496533c93ce.mp3) Support the show by becoming a patron at tuxdigital.com/membership (https://tuxdigital.com/membership) or get some swag at tuxdigital.com/store (https://tuxdigital.com/store) Hosted by: Ryan (DasGeek) = dasgeek.net (https://dasgeek.net) Jill Bryant = jilllinuxgirl.com (https://jilllinuxgirl.com) Michael Tunnell = michaeltunnell.com (https://michaeltunnell.com) Chapters: 00:00:00 Intro 00:01:26 Community Feedback 00:04:37 Ryan Picks Arch (Again) 00:05:54 Ryan Is Okay, I Guess 00:06:25 Ricing Your System 00:10:00 Sandfly Security 00:13:57 Denmark Switches to LibreOffice 00:19:18 All Six Feet in the Water 00:20:19 Ryan Hates Centipedes 00:21:23 The DL Crew Loves Bees 00:22:41 Google Makes It's Android Open Source Less Accessible 00:32:28 Ryan Tries to Skip Michael's Topic 00:33:08 Ryan Makes Old Man References 00:34:14 KDE Plasma 6.4 Arrives 00:35:46 KDE Plasma 6.4: Flexible Tiling 00:38:34 KDE Fanboy Praises Plasma 00:39:05 KDE Plasma 6.4: HDR Calibration 00:40:30 Framwork has the crew excited 00:45:41 Drop the Extra 'S' 00:46:32 KDE Plasma 6.4: Spectacle Overhaul 00:47:49 KDE Plasma 6.4: System Monitoring 00:48:40 KDE Plasma 6.4: KRunner 00:50:29 KDE Plasma 6.4 Wrap Up 00:52:25 Tip of the Week: Viewing Logs in Linux 00:56:22 Support the Show 01:01:11 Outro 01:01:31 Post Show Links: Community Feedback https://destinationlinux.net/comments (https://destinationlinux.net/comments) https://destinationlinux.net/forum (https://destinationlinux.net/forum) Ryan Is Okay, I Guess https://store.tuxdigital.com/products/ryan-is-okay-i-guess-tee (https://store.tuxdigital.com/products/ryan-is-okay-i-guess-tee) Sandfly Security https://destinationlinux.net/sandfly (https://destinationlinux.net/sandfly) Denmark Switches to LibreOffice https://www.omgubuntu.co.uk/2025/06/denmark-government-replaces-microsoft-with-linux-libreoffice (https://www.omgubuntu.co.uk/2025/06/denmark-government-replaces-microsoft-with-linux-libreoffice) https://www.neowin.net/news/denmark-ditching-windows-and-office-for-linux-as-it-may-not-want-to-rely-on-microsoft-trump/ (https://www.neowin.net/news/denmark-ditching-windows-and-office-for-linux-as-it-may-not-want-to-rely-on-microsoft-trump/) Google Makes It's Android Open Source Less Accessible https://9to5google.com/2025/06/12/android-open-source-project-pixel-change/ (https://9to5google.com/2025/06/12/android-open-source-project-pixel-change/) KDE Plasma 6.4 https://kde.org/announcements/plasma/6/6.4.0/ (https://kde.org/announcements/plasma/6/6.4.0/) Tip of the Week: Viewing Logs in Linux https://destinationlinux.net/424 (https://destinationlinux.net/424) Support the Show https://tuxdigital.com/membership (https://tuxdigital.com/membership) https://store.tuxdigital.com/ (https://store.tuxdigital.com/)

What an interview we have for you this week as Si Ferry sits down with one of the most pivotal and prominent forward players in the 21st Century for Rangers, Peter Lovenkrands!Peter chats through his route to Ibrox from homeland, Denmark and breaking into a star-studded Rangers side under Dick Advocaat before discussing some of his famous moments at the club and his many goals against rivals Celtic including the famous last-gasp winner in the 2002 Scottish Cup Final!We also chat through his struggles for form at Ibrox during his toughest period at the club before then coming alive in the Champions League where his goals against the likes of Porto and Inter Milan saw the side become the 1st Scottish Club to qualify for the Last 16 of the Champions League when they took on Villareal!Peter then discuss his career after Ibrox where he came so close to winning the Bundesliga with Schalke in a team that saw future football royalty break through including the likes of Mesut Ozil, Manuel Neuer and Ivan Rakitic before then joining Newcastle United for a special time in his career where he a built a strong connection with the Geordie fanbase during a difficult personal time in his life!A fantastic conversation with a top man! Enjoy! Hosted on Acast. See acast.com/privacy for more information.

Making music with code in real time, fancy rsync, an open source real time strategy engine, advanced print debugging, EU-based DNS resolvers, and European government departments moving away from Microsoft and they might stick with Linux and FOSS this time.   Discoveries Strudel rsyncy Spring IceCream DNS4EU   News/discussion Two city governments in Denmark are... Read More

What an interview we have for you this week as Si Ferry sits down with one of the most pivotal and prominent forward players in the 21st Century for Rangers, Peter Lovenkrands!Peter chats through his route to Ibrox from homeland, Denmark and breaking into a star-studded Rangers side under Dick Advocaat before discussing some of his famous moments at the club and his many goals against rivals Celtic including the famous last-gasp winner in the 2002 Scottish Cup Final!We also chat through his struggles for form at Ibrox during his toughest period at the club before then coming alive in the Champions League where his goals against the likes of Porto and Inter Milan saw the side become the 1st Scottish Club to qualify for the Last 16 of the Champions League when they took on Villareal!Peter then discuss his career after Ibrox where he came so close to winning the Bundesliga with Schalke in a team that saw future football royalty break through including the likes of Mesut Ozil, Manuel Neuer and Ivan Rakitic before then joining Newcastle United for a special time in his career where he a built a strong connection with the Geordie fanbase during a difficult personal time in his life!A fantastic conversation with a top man! Enjoy! Hosted on Acast. See acast.com/privacy for more information.

Thank you for joining us for our 2nd Cabral HouseCall of the weekend! I'm looking forward to sharing with you some of our community's questions that have come in over the past few weeks…   BM: Hi Dr. Cabral! Would you have any health recommendations (how to help our bodies and especially respiratory system and lungs) for those people (children of 6 years old and adults) who live in areas with constant outdoor air pollution from PM10, PM2.5, Ozone (gases from vehicles, volatile organic compounds)? Specifically, when US AQI ranges from Moderate (51) to Unhealthy (139) and Very Unhealthy (263). We already have indoor air filters with HEPA, keep doors/windows shut, limit being outdoors especially when US AQI is too high.                                                                         Sheena: Hi Dr . C! Thx for taking me question. I'm taking Equilife's Balanced Zinc but live in Canada and currently looking for a comparable one that I can find here. The only one that I found has similar ingredients with zinc traacs biglycinate chelate and copper traacs biglycinate is a thyroid supplement but its also has iodine, ashwaghanda, selenium, l-tyrosine, manganese traacs chelate and bacopa extract (not sure what that is). what are your thoughts on this supplement? anything I should avoid? thanks in advance for answering this and for all that you do!                                                                  Sasha: CBO protocol seems great for any yeast/fungal or bacterial overgrowth. I'm curious how effective it is for people diagnosed with methane SIBO/IMO with archaea and constipated. I have read that allicin is the most effective herb to kill archaea but CBO protocol only has berberine and oregano oil. Wondering if people suffering from methane SIBO should have an additional herbal antimicrobial like allicin added while following the rest of the CBO protocol. Thanks!                                 Anonymous: Hi, I'm wondering about usage of microwaves, I've heard you talk about it on HouseCalls and I understood that microwaving destroys nutrients in food, changes the molecules etc., but asking ChatGPT (and having a long conversation about it), it kept giving me research on how microwaving is actually better than other cooking methods because it supposedly preserves more nutrients, doesn't change the molecular structure of food etc. This made me very confused on the subject.. would you mind explaining what you think based on all this research? Was it paid by manufacturers? If you could dive deep into it and make it into a full episode, that would be great.. Thanks so much for all your work and help!                                                                                                                                                                       Andy: Appreciate you answering questions! My question is what is your thoughts on Denmark banning Ashwagandha?     Thank you for tuning into this weekend's Cabral HouseCalls and be sure to check back tomorrow for our Mindset & Motivation Monday show to get your week started off right! - - - Show Notes and Resources: StephenCabral.com/3425 - - - Get a FREE Copy of Dr. Cabral's Book: The Rain Barrel Effect - - - Join the Community & Get Your Questions Answered: CabralSupportGroup.com - - - Dr. Cabral's Most Popular At-Home Lab Tests: > Complete Minerals & Metals Test (Test for mineral imbalances & heavy metal toxicity) - - - > Complete Candida, Metabolic & Vitamins Test (Test for 75 biomarkers including yeast & bacterial gut overgrowth, as well as vitamin levels) - - - > Complete Stress, Mood & Metabolism Test (Discover your complete thyroid, adrenal, hormone, vitamin D & insulin levels) - - - > Complete Food Sensitivity Test (Find out your hidden food sensitivities) - - - > Complete Omega-3 & Inflammation Test (Discover your levels of inflammation related to your omega-6 to omega-3 levels) - - - Get Your Question Answered On An Upcoming HouseCall: StephenCabral.com/askcabral - - - Would You Take 30 Seconds To Rate & Review The Cabral Concept? The best way to help me spread our mission of true natural health is to pass on the good word, and I read and appreciate every review!  

This week we discussed Iran & USA War, climate Hoax,bilberg group,Ai Massager, Denmark to remove Microsoft,Natural Painkillers, Dirty Electricity and more #awakening #iran #usabombing About my Co-Host:Arnold Beekes Innovator, certified coach & trainer and generalist. First 20 years in technology and organizational leadership, then 20 years in psychology and personal leadership (all are crucial for innovation).============What we Discussed: 00:21 What we are discussing in this weeks show 02:20 USA Bombing in Iran04:00 Why is no One helping Gaza04:50 Who used a Nuclear Bomb06:00 How can a President decide to Bomb a country that did nothing to them.07:10 iran is the Main Oil Supplier to China08:25 What happened the other Countries the US invaded09:30 Why Tump or his sons are not on the front line10:05 Euthanasia in the UK11:45 Why Euthanasia can be a dangerous thing13:15 Do not believe the Drs if you are told someone is Braindead14:30 The Bilderberg Meetings and dangerous Agenda17:00 Journalist allowed to be at bilderberg Mtg but not report19:00 They are always looking for depopulation19:40 Organ donation number 115 on your driving lisence21::35 Iran to Close the Straight of Hormuz24:50 The Climate Hoax on Based on Weather Stations28:10 Ai tools impact your Brain causing you to Underperform32:05 My own experience on my Brain with technology33:55 Get an Ai Massage that is better than a Human36:15 Ai Digital Twins39:25 Mail in a Barrel41:40 Denmark says Goodbye to Microsoft44:25 First Adaptive Skate Park46:50 Flip Phones replace Normal phone to stop digital Addiction49:55 Mexico Bans Junk Food in Schools53:00 Natural Painkillers54:55 Dirty Electricity56:20 Labour and the damage to the babies57:40 The dangers of Radar59:00 The fraud with results59:50 Cell Towers banned on Fire Stations1:00:55 ALS can be caused by TENS and Electrical works  1:03:10 New Podcast by kevin Rose - Less than One1:06:20 How you can help the Show ====================How to Contact Arnold Beekes: https://braingym.fitness/ https://www.linkedin.com/in/arnoldbeekes/===============Donations ⁠⁠ https://www.podpage.com/speaking-podcast/support/ ⁠⁠------------------All about Roy / Brain Gym & Virtual Assistants athttps://roycoughlan.com/------------------

Cycling is good for our health, good for the planet, and it can be an efficient way of moving around busy cities. But despite all the rational arguments for it, in most cities the number of people who get on their bikes is low.CrowdScience listener Hans wants to know whether it's time to change our tactics. Could we persuade more people to cycle if we moved away from focusing on well-intentioned rational arguments and use messages that appeal to our desires and vanity instead? What does the science say? Presenter Caroline Steel is on the case. She meets Winnie Sambu from World Bicycle Relief to learn about why people in countries like Kenya to choose the bike to get around. She heads out on a ride with psychologist Professor Ian Walker from the University of Swansea to find out what barriers there might be to persuading people to cycle. She also takes a lesson from one of the world's top cycling nations as she talks to Marie Kåstrup, a cycling campaigns expert who has advised the Danish government on inspiring cycling and sustaining it in the city of Copenhagen. Also in Denmark, Caroline meets behavioural scientist Dr Pelle Guldborg Hansen who shares his experience in the art of persuasion. Presenter: Caroline Steel Producer: Tom Bonnett Series Producer: Ben Motley

Architecture After the California WildfiresIn this episode, architect and contractor Marcos Santa Ana shares how his journey—from growing up in a family of artists in Woodstock, New York to launching a design-build firm in Los Angeles—shaped his philosophy on resilient, high-performance architecture. Drawing on his international education in Denmark, Spain, and the U.S., Marcos explains how cultural influences and feng shui principles inform the aesthetic and functional qualities of his work at Alloi. He reflects on launching his firm during an economic downturn and how becoming both a licensed architect and contractor allowed him to bridge the gap between design and construction.The conversation dives into the impact of California wildfires on the built environment and how Marcos is helping redefine architecture in fire-prone areas. He details new fire protection systems, the challenges of rebuilding communities, and the evolution of high-performance design in response to climate realities. His certification from the Passive Haus Institute in Germany reinforces his technical approach to reducing energy loss while improving human comfort. Marcos emphasizes the importance of resilience, craftsmanship, and cross-disciplinary knowledge in modern architecture.Beyond the drafting table, Marcos is also a seasoned mountaineer who draws inspiration from high-altitude climbs like Cotopaxi and Mount Eolus—adventures that mirror his passion for pushing personal and professional limits.This week at EntreArchitect Podcast, Architecture After the California Wildfires with Marcos Santa Ana.Connect with Marcos online at www.alloi.us or find him on Instagram, Facebook, and LinkedIn.Please Visit Our Platform SponsorsArcatemy is Arcat's Continuing Education Program. Listen to Arcat's Detailed podcast and earn HSW credits. As a trusted provider, Arcat ensures you earn AIA CE credits while advancing your expertise and career in architecture. Learn more at Arcat.com/continuing-education.Visit our Platform Sponsors today and thank them for supporting YOU... The EntreArchitect Community of small firm architects.

Where in the world am I? Eurail Travel planning   Hi there, I'm Dr. Mary Travelbest. I'm in San Diego now, sharing my best travel ideas and working on another book for you to enjoy: 5 Steps to Solo Travel, Part C. I'm about to launch on a 90-day trip around the world.   Listener Story Spotlight I want to tell you about a listener named Kristen. Kristen loves to travel. She recently received a Fullbright Scholarship and took a trip with her husband and sons to a foreign country, Portugal, for several months. She's full of great travel ideas and will be helpful as I continue to travel and make my adventures more mobile. She's encouraging me to keep going in my travels and is a professor in Southern California. Quick fire FAQ: The FAQ for today is:  Do you find that air travel dries your sinuses? Do you get dry and scratchy throats afterward? Yes, it happens. Let's talk about how to rid yourself of this in advance.    How to avoid the dryness of airline flights? The answer:   My solution is Saline Nasal Spray. I bought the 1.5-oz size for $4.00, which will last my entire trip. Before you get dry sinuses, squirt some in each nostril and then relax as it goes to work. What are the ingredients? Water, sodium chloride, disodium phosphate, benzyl alcohol, sodium phosphate, and benzalkonium chloride. Water and salt. There are three ways to use it: Squeeze twice in each nostril, and it delivers a spray, a stream, and a drop upside down. Take your pick. 60-second confidence challenge   Advice for Active Seniors :  “There is no shame in prioritizing and slowing down vs. overdoing. Most injuries happen when people are rushing. “Go slower, arrive sooner” is a helpful mantra.”  (Ellen McCabe) If you like today's Confidence Challenge, Chapter 2 of my book dives deeper buy it on Amazon or https://www.5stepstosolotravel.com   See Book A for addressing all of these items.   Today's destination is Eurail Travel Planning I said: You are traveling in Europe in the Summer of 2025. You arrive in Athens, Greece, then go to Krakow, Warsaw, Poland, Estonia, Finland, Sweden, Norway, and Denmark, and end in Edinburgh, Scotland, where you leave the EU. You will travel for five weeks. How many days will you want to use the Eurail pass for trains and ferries? Plan the trip, including seat fees and senior discounts with these countries, and suggest other places that would be a good stopping point or worth seeing. I am a solo woman in my prime. Include a mention of the low-cost airlines that I should take when not on the train or ferry.   Answer:   1  Where a Eurail day genuinely saves you money Below is every leg: (a) scenic or pricey at full fare and (b) covered or discounted by the pass if the trip is a low-fare train, like under $10.regional hop, we skip the past day and just pay cash—why burn powder you might need later?    1  Day 3 Athens → Kalabaka  €3 IC seat  Sunset over Meteora cliffs—worth the four-hour train.  2  Day 5 Kalabaka → Thessaloníki  free (regional) No supplement, but one more travel day.  3  Day 9 Krakow → Oświęcim (return) free (regional) Auschwitz day trip; counts once.  4  Day 11 Krakow → Warsaw (EIP)  ~PLN 35 ≈ €8  High‑speed, mandatory seat.  5  Day 13 Warsaw → Gdańsk or Toruń (optional)  PLN 3 ≈ €0.70 Use if you “dive” north.  6  Day 16 Tallinn → Helsinki ferry  deck = free; cabin = ‑20 %  Tallink Silja It counts oas ne travel day.  7  Day 17 Helsinki → Tampere & back  €0–€6 VR seat  Eurail Pendolino; book in app.  8  Day 19 Helsinki o/night ferry → Stockholm  deck = free; cabin –20 % Same Tallink perk.  9  Day 21 Stockholm → Uppsala (return)  €0 (regional) Same‑day out‑and‑back.  10  Day 22 Stockholm → Gothenburg  ≈ €7 SJ seat  Eurail Community 3 h X2000.  11  Day 23 Gothenburg → Oslo  free No reservations.  12  Day 25 Oslo → Bergen  ≈ NOK 50 ≈ €4 seat Bergensbanen panorama.  13  Day 26 Bergen → Flåm train + Nærøyfjord boat  boat covered A rail‑and‑fjord combo.  14  Day 30 Copenhagen → Roskilde day‑trip  ≈ €9 seat  Eurail Vikings have & an easy return.  15  Day 32 Edinburgh → Inverness  £0–£5 seat UK still in the Eurail network.   * Fees are 2ᵈ ‑class, summer 2025 published rates.   Total Eurail travel days = 15 – the cap of the 15‑days‑in‑2‑months Senior Global Pass  2  What about the long, awkward gaps? Why wrestle with two‑day rail marathons when a 90‑minute hop costs less than your hostel?   Segment Suggested airline(s) Typical July fare if bought 3 mo ahead Thessaloníki ✈ Krakow Ryanair, Aegean €55–€85 Warsaw ✈ Tallinn airBaltic, LOT, Ryanair €45–€90 Bergen ✈ Copenhagen Norwegian, SAS €65–€110 Copenhagen ✈ Edinburgh easyJet, Ryanair, Norwegian €40–€80   Question: could you train Thessaloníki→Krakow via Budapest? Yes—but it burns 2‑3 pass days plus €30‑€45 in night‑train supplements. The low‑cost flight is simply cheaper and quicker.   3  Five‑week skeleton itinerary   Week Base & ideas Safety‑first extras for a 65‑yr‑old solo traveler  1 Athens 3 d – dawn Acropolis, Plaka food walk → train to Meteora 2 d (monastery sunsets) → Thessaloníki 2 d for Byzantine walls & waterfront. Central hotels near Syntagma & Aristotelous squares; use the eat taxi app after dark.  2 Fly to Krakow 3 d (+ Auschwitz) → Warsaw 2 d → optional day to Toruń or Gdańsk. Women‑only dorms at Greg & Tom (Krakow) and OkiDoki (Warsaw); trains arrive before dusk.  3 Fly to Tallinn 2 d → ferry to Helsinki 3 d with day‑trip to Tampere—Telliskivi creative city, Suomenlinna flat walks; Bolt taxis for late returns.  4 Night ferry to Stockholm 3 d (+ Uppsala) → train to Gothenburg 2 d → rail to Oslo 2 d. Stockholm hostel “City Backpackers” has curtained bunks; carry Rail Planner live‑trip link to share location.  5 Oslo‑Bergen rail & fjords 3 d → Fly to Copenhagen 3 d (+ Roskilde) → Fly to Edinburgh; finish with Highlands loop 4 d (Inverness, Aviemore hikes) before departure. Fjord cruise boats have good handrails; Scottish B&Bs offer single rooms beside stations.   4  Is the pass still worth it? That's $200-250 saved, plus the flexibility to reroute if wildfires, strikes, or your whims intervene.   5  Quick checklist before you lock it in Buy the Senior Global Pass (15 days/2 months) before prices rise.   Book the four trains with limited seats (EIP Poland, X2000 Sweden, Bergensbanen, Copenhagen reservations) as soon as reservations open—usually 60–90 days in advance.   Use the Rail Planner app to activate travel days on the morning you board; keep two blanks until the very end in case you shuffle plans.   Flights: watch Friday flash sales on Ryanair/Norwegian; they routinely drop

This episode is sponsored by Puori Creatine+ Looking to support your strength, recovery, and cognitive function with clean, high-quality ingredients? You can try Puori Creatine+ and experience the difference yourself. Right now, you can get 20% off your Puori order, including their already discounted subscription. Go to Puori.com/DRG and use promo code DRG. Visit cornbreadhemp.com/drg and use code DRG for 30% off your first order. Visit supermush.com and use code DRG20 to get 20% off. Join thousands getting weekly health insights → https://drchristiangonzalez.com/newsletter/ Most fish oils on the market are contaminated, oxidized, and lack therapeutic value. In this episode, Pure founder Oliver Amstrup reveals the three critical factors that determine fish oil quality: potency (EPA/DHA concentration), purity (absence of heavy metals and toxins), and freshness (low oxidation levels). Learn the at-home test to spot rancid fish oil, what labels to look for, why 83% of protein powders contain dangerous heavy metals, and how European health standards compare to American ones. Oliver also shares insights on raising healthier kids, the transparency crisis in supplements, and why Denmark consistently ranks as one of the world's happiest countries. Hosted by Doctor Christian Gonzalez N.D. Follow Doctor G on Instagram @doctor.gonzalez https://www.instagram.com/doctor.gonzalez/ Timestamps: 00:00 - The Fish Oil Quality Crisis: What Labels Don't Tell You 02:43 - At-Home Test to Spot Rancid Fish Oil (Chew Method) 08:41 - Why Kids in Europe Are Healthier Than American Kids 15:32 - Denmark's Happiness Secret: Safety, Education & Community 22:48 - The Protein Powder Heavy Metal Problem (83% Contaminated) 35:17 - Transparency vs. Marketing: How to Read Supplement Labels 42:15 - Raising Healthy Kids: European vs. American Approaches 52:30 - The Supplement Industry's Dirty Secrets Exposed 58:45 - Building a Transparent Company: Pure's 15-Year Journey

Host Dennis Scully and BOH editor in chief Kaitlin Petersen discuss the biggest news in the design world, including  RH's latest earnings report, a housing market check-in and this year's Elle Decor A-List. Later, Fred Nicolaus joins the show to discuss his findings from the 3 Days of Design festival in Copenhagen, Denmark.This episode is sponsored by LoloiLINKSFred NicolausBusiness of Home

How do you solve a problem like price rises? That's the question central banks around the world are grappling with... and we've seen a flurry of decisions coming out of central banks around the world this week on interest rates. Also, we go to Denmark, where military drones are big business at Europe's biggest flying tech show. Namibia is rolling out the red carpet for investment... And Thailand could be hitting the jackpot as it plans to open casinos to boost tourism. You can contact us on WhatsApp or send us a voicenote: +44 330 678 3033.

The ever-present and always hot button issue here in the US: Immigration. Be it legal, illegal, or historical; we just can't seem to stop arguing over it. For that reason, we're joined today by someone who grew up in a split migrant family, who can give us some honest perspective.   Welcome to the Just Dumb Enough Podcast. A show that acknowledges no one is always an expert, by dispelling misconceptions with real experts.   My guest today is Lupe Christensen. Lupe was without a father or mother for most of her first decade of life; because they were forced to flee their home country to try and provide the minimal quality of life for their children. And as with many immigration topics, so often it is boiled down to what is illegally happening at the southern boarder; but the truth is that American citizens are truly struggling with some of the same problems just trying to bring their legal spouses and children into the states. ( https://a.co/d/7uzcCHq take you to: Www.Amazon.Com "Where Money Grows on Trees: An Immigrant's Journey of Courage, Resilience, and Love" )  Let's change our point of view!  Hopefully this has opened your eyes a bit, if you've never considered the contained lifestyle. I know so many of us today have friends that are immigrants from one country or another, and it can be very hard.    In ranking news... June is halfway over, and the global ranks are updated: 1. The United States, with Florida, California, and Wisconsin at the top.  2. England of the United Kingdom, just barely over Scotland.  3. Canada, with Ontario just barely ahead of British Columbia.  4. Australia, with Queensland and Victoria tied.  5. New Zealand, just ahead of the Netherlands and Denmark.  That's it for this week! Have a great week, a great weekend, and I'll see you all back here next week for another new episode!  Until the next episode, pretty please do all the things to help the show: rate, review, like, and subscribe.  Reach out to DumbEnoughPodcast@Gmail.Com or on any social media if you want to reach me personally.  Most importantly, Stay Dumb!  #Podcast #Education #Immigrant #MigrantCamp #Mexico 

Happy Juneteenth! The show welcomes back Sequoia Holmes of Black People Love Paramore and the Daily Dirty to listen to more Black artists from Eurovision's past, adding on to the series we began last summer. Jeremy's loving that Pip style, Sequoia is a girl-group girlie, and Dimitry's thinking about curly hair... or not.Last year's Juneteenth episode: https://maximumfun.org/episodes/eurovangelists/episode-23-black-people-love-eurovision-paramore/Vote in our listener playlist poll: https://forms.gle/h4PZ9u15yaLsGBBp8This week's companion playlist: https://open.spotify.com/playlist/3DdMQ7DmiqMNDb5hP97nQs The Eurovangelists are Jeremy Bent, Oscar Montoya and Dimitry Pompée.The theme was arranged and recorded by Cody McCorry and Faye Fadem, and the logo was designed by Tom Deja.Production support for this show was provided by the Maximum Fun network.The show is edited by Jeremy Bent with audio mixing help was courtesy of Shane O'Connell.Find Eurovangelists on social media as @eurovangelists on Instagram and @eurovangelists.com on Bluesky, or send us an email at eurovangelists@gmail.com. Head to https://maxfunstore.com/collections/eurovangelists for Eurovangelists merch. Also follow the Eurovangelists account on Spotify and check out our playlists of Eurovision hits, competitors in upcoming national finals, and companion playlists to every single episode, including this one!

Our guest for this episode of A Psychic's Story is a renowned telepathic communicator, TEDx speaker, and the author of four books. You may recognize her voice from The Telepathy Tapes, and now, she's here to dive deeper into what it really means to be telepathic and why this form of psychic communication matters more than ever.From communicating with animals at the age of four to predicting deaths at age six, Ditte's journey has been anything but ordinary. Raised in a strict Christian household in 1980s Denmark, she walked a lonely yet empowering spiritual path – eventually becoming one of Europe's most respected voices in telepathy and clairvoyance.Together, Nichole and Ditte explore:The difference between telepathy and clairvoyance – and how they complement each other.How telepathy works with animals and humans.What the world might look like if more people embraced their psychic, intuitive, and telepathic gifts.What separates ethical practitioners from charlatans?The link between autism, telepathy, and the evolving consciousness of the collective. Ditte also opens up about her passion as a mother to her son Phillip, and how children with autism play a key role in humanity's awakening and evolution.If you're curious about how telepathy can shift the world – this episode will expand your perspective.To find out more about Ditte visit her website ditteyoung.com. Her current teachings are her Animal Telepathy Mastery Course and a Masterclass for Parents. Find her on Instagram @ditteyoung.international. If you would like to connect with Nichole, visit apsychicsstory.com or sign up for The Psychic Club membership.Read about ways to protect yourself against potential scams. Thanks to you, A Psychic's Story is a #2 spiritual and psychic podcast. If you enjoyed this episode, please consider sharing it with someone who would benefit from hearing it or leaving a review wherever you get your podcasts. Your support like this helps A Psychic's Story continue to create meaningful content.A Psychic's Story wouldn't be possible without your support so THANK YOU for listening. If you'd like to further support the podcast, please:SUBSCRIBE in your favorite podcast player.FOLLOW @apsychicsstory on Instagram. BOOK a session with Nichole.SIGN-UP to receive emails, news, alerts and more from A Psychic's Story.BECOME a patron on Patreon to access additional content. SIGN-UP for The Psychic Club membership.This podcast is intended to inspire you on your personal journey to inner peace. The podcast host, co-hosts or guests are not psychologists or medical doctors and do not offer any professional health or medical advice. If you are suffering from any psychological or medical conditions, please seek help from a qualified health professional.Support the show

This week on Drumcode Live we have a live mix from Wehbba recorded at Culture Box in Copenhagen, Denmark.

Love Thai food? It might be thanks to a two-decade long policy on the part of the government of Thailand to promote its food culture abroad, with the express aim of increasing trade and tourism. Ruth Alexander explores how food can be used as a foreign policy tool, influencing not just world leaders but seeking to win the hearts and minds of the public. Academic Sam Chapple-Sokol at George Washington University in the US explains why gastro-diplomacy is such an effective tool for soft power. Jan Wisansing, tourism policy consultant in Bangkok, explains the impact of the Global Thai scheme on international tourism to the country. Ruth speaks to the owners of LumLum Thai restaurant in Copenhagen, Denmark, who have recently received a Thai SELECT award, an official endorsement from the government of Thailand. And writer and historian Ali Domrongchai in the US talks about the impact of this approach on her own family's Thai restaurant in Florida. Producer: Beatrice Pickup. Reporter: Gideon Long in Bangkok(Image: A plate of pad thai, said to be Thailand's national dish, with Thailand's flag in the background. Credit: Getty Images/BBC)

Register for Free, Live webcasts & summits:https://poweredbybhis.com00:00 - PreShow Banter™ — Government Linux04:16 - Denmark is Done with Teams! - Talkin' Bout [infosec] News 2025-06-1605:02 - Story # 1: ‘We're done with Teams': German state hits uninstall on Microsoft17:34 - Story # 1b: Denmark Wants to Dump Microsoft Software for Linux, LibreOffice18:14 - Story # 2: Zero-click AI data leak flaw uncovered in Microsoft 365 Copilot25:50 - Story # 3: Fog ransomware attacks use employee monitoring tool to break into business networks30:25 - Story # 4: Expired Discord Invites Hijacked for Stealthy Malware Attacks34:00 - Story # 5: SmartAttack uses smartwatches to steal data from air-gapped systems40:25 - Story # 6: Mirai Botnets Exploiting Wazuh Security Platform Vulnerability44:47 - Story # 7: Google Cloud and Cloudflare hit by widespread service outages48:04 - Story # 8: UNFI cyberattack shuts down network and leaves Whole Foods and others in limbo50:34 - Story # 9: New SharePoint Phishing Attacks Using Lick Deceptive Techniques51:08 - Story # 10: US-backed Israeli company's spyware used to target European journalists, Citizen Lab finds53:32 - Story # 11: Five Zero-Days, 15 Misconfigurations Found in Salesforce Industry Cloud

In this episode of "Chats and Tatts," host Aaron Della Vadova welcomes esteemed Denmark based tattoo artist Chris Henriksen to the show. Recorded at Gods of Ink in Frankfurt, Germany, the conversation highlights Chris's impressive career in tattooing, particularly his mastery of modern Japanese styles. Aaron praises Chris's exceptional skills, especially his smooth shading techniques, and acknowledges the hard work and dedication that have contributed to his success over 16 years in the industry. The episode dives into the challenges tattoo artists face today, including the impact of social media and economic uncertainties, while also celebrating the artistry and inspiration that Chris brings to the tattoo community. Tune in for an insightful discussion filled with passion for the craft and the journey of a talented tattoo artist. Chat Breakdown:   00:01:20 - Chris's Tattooing Journey 00:02:03 - Finding Tattooing 00:05:03 - Old School Tattooing 00:08:07 - Balancing Family and Career 00:12:06 - Improving Drawing Skills 00:15:00 - Cardio Exercise and Creativity 00:16:02 - Thoughts on Color Realism 00:18:18 - Minimalist and Abstract Tattooing 00:20:03 - Tattoos as Pure Decoration 00:23:14 - What Makes a Great Tattoo 00:25:07 - Composition and Simplicity 00:26:26 - Social Media and Tattooing 00:35:39 - Future Plans and Staying Relevant Quotes: "Everything teaches you something. So everything's perfect in some way in the universe."  "Your tattoo can just be beautiful. It does not have to always represent your grandmother." "I just do a good job, and if I do a good job, that person tells somebody, and they come see me, and that's it. Simple." "All your followers are just leads." "Be smart with the finances so that in 10 years from now, there's more freedom to do those things that you want."   Stay Connected:  Chats & Tatts: Website: http://www.chatsandtatts.com⁠ Tik Tok:⁠ https://www.tiktok.com/@chatsandtatts ⁠ IG:⁠ http://www.instagram.com/chatsandtatts⁠ Chats & Tatts YouTube:⁠ https://www.youtube.com/c/chatsandtatts⁠ Connect with Aaron:⁠   Aaron IG:⁠⁠ http://www.instagram.com/aarondellavedova⁠⁠ Guru Tattoo:⁠ http://www.Gurutattoo.com⁠ Connect with Patrick: IG:⁠ https://www.instagram.com/⁠chrishenriksen

Two political scientists look back at a deadly pandemic and ask, "could we have done even less?"Where to find us: Peter's newsletterPeter's other podcast, 5-4Mike's other podcast, Maintenance PhaseSources:Lawrence Wright's “The Plague Year”The 2019 WHO report                30‐day mortality following COVID‐19COVID-19: examining the effectiveness of non-pharmaceutical interventionsPolicy Interventions, Social Distancing, and SARS-CoV-2 Transmission in the United StatesWhat we can learn from SwedenA review of the Swedish policy response to COVID-19How Sweden approached the COVID‐19 pandemicThe first eight months of Sweden's COVID‐19 strategyThe Swedish COVID-19 Response Is a DisasterExcess mortality in Denmark, Finland, Norway and Sweden during the COVID-19 pandemic Comparing drivers of pandemic economic decline 2020How Sweden approached the COVID-19 pandemicComparisons of all-cause mortality between European countries and regionsJonathan Howard's “We Want Them Infected.”Deaths: Leading Causes for 2021Stay-at-home orders associate with subsequent decreases in COVID-19 cases and fatalities in the United States Did the Timing of State Mandated Lockdown Affect the Spread of COVID-19? US State Restrictions and Excess COVID-19 Pandemic DeathsThanks to Mindseye for our theme song!

President Trump says he wants "a real end" to the fighting between Israel and Iran, not just a ceasefire. He said Iran should have done a deal with the US over its nuclear programme and he is now little inclined to negotiate. Mr Trump has returned early from the G7 summit in Canada because of the Middle East crisis. Meanwhile, Israel says it has killed Iran's military chief of staff, Ali Shadmani, in a strike on central Tehran. Also, the lost papers of a maths genius saved from the shredder and some spectacular finds at a Viking- age burial site in Denmark.(Photo: Iranian Red Crescent Society members search through the rubble for victims after Israeli strikes, at an unspecified location in Iran, in this undated image released 17 June, 2025 and obtained from social media. Credit: Iranian Red Crescent Society/Reuters)