Podcasts about halloo

Halloo! Herzlich willkommen in der neuesten Folge von Bilbos Butze. In dieser Folge geht es um das neueste Kapitel. Hier werden unsere Hobbits Sam und Frodo vom lieben Gollum durch die Totensümpfe geführt! Die sind gruselig und (wie zu erwarten) ziemlich tot. Ob das ein Spaß wird oder doch eher gruselig mit Angst und geflügelten Reitern?Hör es dir doch an und hab auch viel Spaß dabei!

Halloo lieve Nichtjes en Neefjes!Deze week hebben Sagid en Shay het over Sagid haar New York kriebels en wat ze zo geweldig vindt aan de stad.Ze bespreken hoe ze Lowlands hebben ervaren en hoe Sagid haar grote project is verlopen en nog veel meer! Enjoy! X Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Halloo! Hier geht es schon wieder weiter mit den nächsten Kapiteln vom Hobbit. Inzwischen ist der Drache tot und das Gold im Berg will verteilt sein. Wenn es nach Thorin geht, nur an ihn. Jegliche Argumente der Menschen und Elben prallen an ihm ab. Doch wie reagiert Bilbo nur darauf? Tjaa, das könnt ihr nur erfahren wenn ihr die Folge anhört. Da wird es nämlich erzählt und zusätzlich auch noch gesungen und gelacht. Haha. Viel Spaß!

FOMO ist offiziell im Winterurlaub, aber wir nutzen die Zeit, um euch die FOMO Hosts ein bisschen näher vorzustellen. Am 29. Dezember hat Dena Zarrin ein paar Fragen an Hakan. (00:00) Halloo! (00:40) Bist du ein Gamer, Hakan? (02:27) Was geht backstage bei deinen Konzerten? (03:57) Guten Rutsch an alle Fomies! Wir freuen uns auf 2024 mit euch! Folgt FOMO da, wo ihr eure Podcasts hört und besucht uns auf TikTok. Learn more about your ad choices. Visit megaphone.fm/adchoices

Halloo mikersss!! Kebanyakan dari kita pasti masih bingung nih dan gak tau apa aja kegiatan ekstrakurikuler dan pengembangan diri, apalagi tentang kegiatan apasih yang harus kita lakuin buat pengembangan diri kita? Naah di episode kali ini kita bakal ngebahas tentang kegiatan ekstrakurikuler dan pengembangan diri bareng kak Wilona dan kak Ananda nihhh!! Menarikk bangett kan pembahasan kali ini, yuk langsung aja dengeriinn!!! ✨✨

HALLOO⭐️ ich bin mit finn (@finnchristiansenn)!!!! heute haben wir über SO VIEL zeugs gelabert. unter anderem hat finn uns erst mal etwas über sich als person erzählt- woher kommt er und was macht ihn aus. in seiner schulzeit war finn in LA und hat dort ein auslandsjahr gemacht und so. viel. erlebt. obwohl die zeit in amerika die beste zeit seines lebens war, ist auch viel negatives passiert. in dem jahr wo er dort zur schule ging sind beispielsweise ca. 8 schülerInnen gestorben. des weiteren gab es richtig krasse “project x” highschool parties auf denen finn auch ab und zu mal war. dort unterhielt er sich mit einem typen und minuten danach starb dieser tragischerweise. nichts desto trotz empfiehlt finn es JEDEM ein auslandsjahr zu machen (egal in welchem land), da man sich charakterlich so weit entwickelt. go for it! wir haben auch darüber gesprochen dass finn gern abkürzungen verwendet. zum beispiel “ysl” was bedeutet “why schlechte laune”.. eigentlichen haben wir uns heute hingesetzt um über ein ernsteres thema zu sprechen. vor ein paar monaten waren wir gemeinsam feiern und da sind echt blöde dinge passiert. an dem tag habe ich auch in meine story gepostet, dass ich unbedingt eine podcast folge dazu drehen möchte und tadaaa hier haben wir sie! es ist mir unfassbar wichtig, dass man bei so einem thema nicht still bleibt und darüber spricht, auch wenn man sich dadurch angreifbar macht. nach unserer storytime haben wir “entweder oder” gespielt und hatten super spaß. i love u und ganz viel spaß beim hören! schaut gern bei finn vorbei wenn ihr lust habt! IHR SEID DIE COOLSTEN #yanaclare #clareonair #podcast www.instagram.com/yanaclare www.tiktok.com/@yanaclare

Halloo alle zusammen! Wir melden uns schweren Herzens ein letztes Mal aus Bali! Wir geben euch ein paar neue Updates und beschäftigen uns in der Folge viel mit dem Thema Karma, Spiritualität, Manifestation und delusional sein. Außerdem gehen wir abschließend darauf ein, wie es ist ungewollt sein Privatleben mit Menschen zu teilen, die einen nur von Social Media kennen. Ganz viel Spaß beim hören, wir haben euch lieb

Halloo chingudeul yang ada dimana - mana pastinya barengan dengan gua Aan yang sebelumnya minta maaf banget nih chingu because lama tidak menyapa chingu chingu dengan Korean Topic. But don't worry karena beberapa pertemuan kedepan gua bahas KPop lagi, sejauh ini sih ya banyak banget kabar kalau beberapa Member Group KPop yang bakal Wamil. Penasaran? So Stay With Me Aan & Salwa in Rekor. Penyiar : Farhan Sya'ban Guest Star : Siti Salwa Editor : Alma Arief

Halloo! Ich bin wieder da! Ich freue mich riesig wieder zu Podcasten und dich jede Woche mit in meine Welt zu nehmen. Zum Neustart stelle ich mich nochmal kurz bei dir vor und erzähle dir noch nie so öffentlich erzählte Teile meiner persönlichen Geschichte, die mich zu dem geführt haben wer ich heute bin und was ich tue. Schön, dass du da bist. Danke, dass ich dich inspirieren und berühren darf. In Liebe, Stefanie Folge mir auf Instagram: https://www.instagram.com/stefaniesimoneries/

Halloo sobat ngekos semuanyaa, apakabar nih??? di podcast season 4 episode 2, rana dan fisya hadir untuk membahas topik yang seruu nih di psikologi dan pastinya nggak jauh-jauh dari obrolan kaula muda yaitu mengenai self diagnose. siapa hayoo disini yang sering mendiagnosa diri sendiri tapi habis itu nggak dikonsultasiin ke psikolog atau ke ahlinya?? wah wah padahal itu bahaya loh. untuk tau lebih lanjut, gas dengerin yukk!! timestamps 05.04 Pengertian dan penyebab self diagnose 11.13 boleh tidak menjadikan self diagnose sebagai alasan berperilaku yang merugikan orang lain 14.15 perbedaan self diagnose dengan self awareness 17.03 penyebab self diagnose meningkat di kalangan anak mida 20.45 psikolog itu engga mahal 26.50 melawan stigma masyarakat untuk konsultasi ke psikolog 30.22 dampak dan bahayanya self diagnose 32.53 tips untuk menghindari self diagnose CR Intro opening: Auriga Rahmanda Alfisyahrin #selfdiagnose#psikologis#psikolog

Teie ees on korvpallipodcasti „Pihtas põhjas“ esimene episood, kus Janar Talts astub viiekümnendaid. Nüüdsest on kõik teisiti. Enam ei ole ühtegi verisulis noormeest stuudios niisama kaasa noogutamas, vaid kõik kolm – Gert Kullamäe, Ivar Jurtšenko ja Talts oskavad elukogemuse pinnalt sõna sekka öelda. Saate sissejuhatuseks mõistagi õnnitlused ja laulud. Aga erandkorras, kuna sõda ju endiselt kestab... Selgub, et Kullamäe on kunagine poistekoori mees ja jääb segases, miks ta üldse korvpalli juurde sattus. Esimese teemana tuleb jutuks PAF Eesti – Läti liiga finaalneliku turniir ja sellele eelnenud veerandfinaalid. Tartu Ülikool/Maks&Moorits on pronksiga ülimalt rahul. Raskustega astuti läbi veerandfinaalist, esimest korda Final Fouril, olude sunnil hõrendatud koosseisuga ja ikkagi medalil. Kõigele lisaks alistati pronksimängus kodune suurrivaal BC Kalev/Cramo, mis julgustab vastu rinda tagudes ütlema, et Tartu on hetkel Eesti kõige kõvem korvpalliklubi. Või ikkagi Viimsi/Sportland on kõige kõvem, kes oli veerandfinaalis lähedal liiga võitja BC Prometey kukutamisele? Loomulikult ei jää puudutamata Kalev/Cramo vintsutused ja häving. Häving just Prantsusmaa euromängu mängu vaates, sest see, et Eesti – Läti liiga finaalturniir saab nende jaoks olema ülimalt keeruline, oli selge juba ammu. Mängugraafik, reisid, ka ilma sekeldusteta, jätavad jälje. Kui keegi veel ei tea, siis Cramos mängivad normaalsed inimesed, mitte superkangelased mõnest multifilmist. Kusjuures ka spordimeedias ja ülekannetes räägiti arusaamatul kombel superkangelastest ning sellest, et Riia VEF ei ole liiga tõsine vastane. Halloo, tuleme ikkagi maa peale tagasi! Põhjalikult lahatakse saates veel Euroliigat ja NBA-d, põigatakse USA üliõpilaskorvpalli ning Eesti madalamate liigade juurde. Saate küsimus puudutab Eesti meistriliiga veerandfinaale ja kõlab nii: „Mitmes veerandfinaalpaaris võidab seeria nõrgema asetusega meeskond?“ Vastuseks piisab numbrist, võimalikud variandid on – 0, 1, 2, 3, 4. Vastused, nagu ikka, aadressile pihtaspohjas@delfi.ee, vastata on aega 16. aprillini. Klassikalist PAF auhinnamängu võitjat me sel korral välja ei selgitanud, vaid auhind läks sümpaatia põhjal, loosita, Markko Lehtmele. Palju õnne! Võitjaga võetakse ühendust. Küsisime, mida Kristjan Kangur Eesti – Läti liiga põhiturniiri viimases mängus kohtunik Ranno Konksile ütles, et kohtunik reageeris kahe tehnilisega. Humoorikaid ja vähem humoorikaid pakkumisi laekus 30 ringis. Tänud kõigile, kes viitsisid kaasa mõelda ja oma versiooni juhtunust meile saatsid. Saatest saab teada nii Markko pakutud versiooni kui ka üsna täpse versiooni juhtunust. Head vaatamist ja kuulamist!

Halloo zusammen wir sinds wiieder;) i dere Foug gits no viu vor letzte Foug zum kläre....mir si widermau am fake nius verzeue! Es git paar unagnähmi Erlebniss wo üsi Wahre Gsichtef zum Vorschiin bringe

Halloo zurück in Hagrids Hütte! Wir sind es wieder und wir besprechen mal wieder ein Kapitel aus Harry Potter 7. Ein Kapitel? Hahahaa neeein, gleich zwei! (Spoiler kann es geben) Und was darin nicht alles passiert! Gar nicht mal so viel. Vor allem liest Harry Zeitung und dann sagt er noch Tschüss. Aber es ist auch wundervoll, denn vor allem das Tschüss-sagen ist etwas emotional. Ansonsten wird Quatsch gemacht, abgeschwiffen, Zahlenkokolores betrieben und vieles mehr, was ihr inzwischen alles von Manu und Michel gewohnt seid. Viel Spaß beim Zuhören :) Und nicht vergessen: Halbwissen - das ist unser Motto. Werbung: Babbel: Mit dem Code "Dobby" erhaltet ihr ein Babbel Jahresabo zum Preis von 6 Monaten (Angebot gültig bis 30.04.2023). Einfach auf babbel.com/audio einlösen :) Link: https://go.babbel.com/t?utm_term=generic_v1&bsc=podcast- deu&btp=default&utm_content=Podcast..Dobby..Julep..DEU

Halloo guys, welcome back to Shafira's sad podcast, here I will share a little of my story, I hope you don't get bored listening while I tell it, enjoy it guys. Shafira Iskandar (215121027)

Halloo zusammen mir hei widermau e nöii Foug für di wenige wo immerno zuelose :) Joy het widermau Problem weg ihrne Huustier u der Mario verliert langsam sini Positivität! Viu spass

A quirk of fate brings both Lem and Fanshaw face to face with people from their pasts.  disagreeable reunions bring up disagreeable memories, and show a taste of what makes a man into a gunslinger. Written and Produced by Julie Hoverson Cast List Lemuel Roberts /Deadeye Kid -  J. Spyder Isaacson Clarence Fanshaw -  J. Hoverson ~~~~~~ Grisham - Bill Hollweg  (BrokenSea Audio) Lisette Carmichael - Robyn Keyes Commander Bannington -  Glen Hallstrom Scotty - Mike Campbell Other Voices: Episode 1 Bartender - Rick Lewis Episode 2 Townsfolks - Mark Olson, Candace Behuniak, Big Anklevitch & Rish Outfield (Dunesteef audio magazine) Episode 3 Juliet - Alexa Chipman (Imagination Lane) Glen Hallstrom Episode 4 Bandits - Big Anklevitch & Rish Outfield (Dunesteef audio magazine) Piedmont - Russell Gold Mr. Roberts - Jack Kincaid (Edict Zero) Episode 5 Nanny - Jennifer Dixon Bandits - Big Anklevitch & Rish Outfield (Dunesteef audio magazine) Episode 6 Bandits - Big Anklevitch & Rish Outfield (Dunesteef audio magazine) Mark & Connor Olson Russell Gold Cover Design:  Brett Coulstock Announcer:  Glen "Ole Hoss" Hallstrom Opening theme:  "The Wreck of Old '97" from public domain recording found on archive.org Any incidental music:  Kevin MacLeod (Incompetech.com) Editing and Sound:   Julie Hoverson   No gunshots herald his approach.  No trademark left behind him when he leaves.  The Kid had his fill of notoriety in days gone by - as plenty of empty boots can surely testify.   Some say he rides alone.  That's the Deadeye Kid. ******************************************************************   Auld Lang Syne [DeK4] EPISODE 1 MUSIC 1_ARRIVAL SOUND HORSES, RIVER, BOAT TRAFFIC LEM Largest town I been near in a good passel of time.  I hear tell it started out as a frontier fort, but the frontier moseyed west and left it a-setting behind. FANSHAW Will it be safe? LEM Safe? FANSHAW I had rather assumed you were avoiding larger towns.  For ... notoriety's sake. LEM Meaning I don't want be invited to a necktie party?  'at's part of it, though I'm purty sure I ain't never been posted in this territory.  FANSHAW Is it worth the risk? LEM [shrug noise]  Time to time a man wants a bath and a night in a bed. FANSHAW There are some distinct benefits to being deceased. LEM [laughs]    I don't gotta listen to you bellyaching about aches and pains and sleeping on the ground no more.  Never mind being all prissy and citified about finding you a comf'table bush now and then-- FANSHAW [rolling eyes]  Yes, yes. LEM Sides, I'm outta coffee.  And low on shells.  FANSHAW [teasing] Heavens.  How DO you manage? 2_STROLLING AMB IN TOWN SOUND WALKING ON WOOD LEM Lotta trade hereabouts.  Reckon I'll be able to get what all I need. FANSHAW Lem!  LEM [voice low]    We'll go on over yonder.  [beat] Must still be a fort within spitting distance.  FANSHAW I did notice that the old fortification appears to have become the mansion for an authority of some kind.  LEM Probly best to get my business done and skeddaddle. SOUND SALOON DOOR OPENS, JUST OFF, PEOPLE COME OUT FANSHAW I say.  Isn't it a bit early for a drink? LEM [shrug] Three weeks.  Don't seem early to me. FANSHAW I'll-- LISETTE [off a bit] Clary? FANSHAW [stunned and horrified] Oh god. LISETTE [off a bit] Clary?  I'd know that voice anywhere! LEM Friend o'yourn? FANSHAW [stiff, covering]  Old acquaintance.  Go on ahead! LEM 3_SALOON SOUND HE WALKS INTO SALOON AMB SALOON LEM One here. SOUND DRINK POURED BARTENDER There you go. SOUND COINS SOUND LEM DRINKS GRISHAM [angry growl] Lemuel Roberts. LEM [SPIT-TAKE] SOUND GLASS SLAMMED DOWN BARTENDER Something wrong, fella? LEM [coughing, trying to clear his throat]    Hit like a snakebite. GRISHAM You look at me, you pissant slab of gun leather. BARTENDER [sympathetic] Tarnation.  You need it yonked?  Barber can‑‑ LEM [finally getting clear] No, no.  I kin handle it.  SOUND COINS, GLASS DOWN LEM   And sorry about the-- BARTENDER [dismissive] Ain't no nevermind. SOUND MORE COINS LEM Give me the bottle. GRISHAM Now I found you, you could float a heap o rotgut and won't never drown me! BARTENDER You drink more careful now, you hear? LEM 4_LISETTE AMB OUTSIDE LISETTE [close, laughing] Oh, good lord, look at you!  Mustache and all.  Aren't you a little brigadier? FANSHAW [acknowledging] Carmichael. LISETTE Oh, how formal.  Just like at school.  What have you been up to Clary, dear? FANSHAW "Fanshaw," if you please. LISETTE And we used to be such chums.  However did you end up here? FANSHAW I'm quite sorry to see that you are dead, Carmichael. LISETTE [laughing] Oh, I rather doubt that!  You're only very sad to see that I'm here, aren't you? FANSHAW Would you prefer that I said I am pleased to find that you died, since that would be the only circumstance that could ever have stopped you from tormenting every living soul around you? LISETTE [not amused any more]  At least that would be closer to the truth. FANSHAW Jolly good.  Happy you're dead.  Must get along. LISETTE Don't run off so quickly, Clary!  FANSHAW [long breath of self-control]  LISETTE There's been no one interesting to talk to or listen in on for simply ages.  FANSHAW How unfortunate.  Must rush. LISETTE I noticed you speaking to that fellow. FANSHAW [quiet] Bloody hell.  [up]  I speak to a lot of people. LISETTE I'm sure.  But he replied.  Might I speak with him as well? FANSHAW I-- LISETTE Oh, just watch your face!  You're trying desperately to come up with a lie!  You never could hide anything from me, mustache or no mustache, silly Clary-- FANSHAW Stop calling me that. LISETTE Oh, how I've missed these little moments with my dearest friends - ever since I made the leap.  I shall have to spend a great deal of time with you - and with your rugged looking friend.  FANSHAW [gritted teeth] Jolly good. 5_SALOON2 AMB SALOON SOUND LEM DRINKS, SLAMS DOWN GLASS GRISHAM I know you kin hear me, you toad-bellied worm. SOUND CHAIR SHIFTS, KICKED OUT FROM TABLE LEM [low] Sit. GRISHAM What makes you think I'd sit with you?  You done went and killed me! LEM That's one reason I'm plumb surprised to see you.  You went down all the way to Fayetteville - damn far north o' here. GRISHAM I ... drifted. LEM That's just what's got me hornswoggled.  Ain't no one drifts. GRISHAM Well I did, and I's planning to get you back for what you done, one way or t'other. LEM [sigh] SOUND DRINK POURS 6_PIGS SOUND PIGS LEM Why'd you drag me out to the slaughterhouse? FANSHAW That woman - ghost woman. LEM An old flame? FANSHAW Nonsense!  We knew each other as ... children.  She is-- [changing the subject] She is unlikely to follow us here.  LEM Spect not.  Womenfolks ain't fond of this sort of messy business. FANSHAW [disgusted] Yes... LEM So?  You'd best'a brought me here fer a reason. FANSHAW Lisette Carmichael.  She [hard to say] is a person who likes to know things.  About other people.  She likes to -- LEM Hold a grudge?  Like a noose over yer head? FANSHAW Aptly put.    LEM You cain't have much in the way of dark secrets, though, can you?  Leastways not no more. FANSHAW You might be surprised. LEM Who's she a-gonna tell?  [realizes] Oh.  FANSHAW And while I'm fairly certain you think you could overlook any past indiscretion on my  part, I don't doubt there are a few things that might shock even you.  Lord knows, she's not even above the occasional fabrication. LEM [after a moment]  Did it involve a sheep? FANSHAW What? LEM Whatever it was you done. FANSHAW   It isn't - it's not like that at all. LEM [shrug] Sounds like we should jest ride on out. FANSHAW What? LEM Got my coffee, ain't no reason to lollygag. FANSHAW You would leave?  Over this? LEM I figger you saved m'life more'n once, and ain't much I can do in return.  SOUND WALKING IN MUD LEM Let's get gone before you start a-thanking me. 7_BARN AMB BARN SOUND TACK, HORSES, ETC. LEM You distract her, I'll get the gear.  Come and find me when you feel the pull. FANSHAW Righty-ho.  SOUND LEAVES GRISHAM Running away, eh?  Allus knew you'ure yella. LEM [sigh]  You're lucky ain't no one about but us.  Otherwise, I wouldn't dignify none of that with an answer. GRISHAM You kilt me! LEM We had it out, fair and square.  I never shot no one in-- [breaks off, a bit choked up]  I never din't kill any one not a-gunning fer me.  Not on purpose. SOUND LAST BIT OF TACKING UP GRISHAM Are you saying I was asking fer it? LEM I seem to recall you a-calling me out in the middle of a fairish game of cards.  Yellin blue bloody murder that I should step out and face you. GRISHAM Well, yeah, but I was drunk. LEM I din't do THAT to you neither.  You called me out, without no good reason agin me. GRISHAM [losing some of his bluster] I fancied making a name for myself. SOUND LEM GETS INTO THE SADDLE LEM By shooting the Kid?  You ain't the first. GRISHAM But you still kilt me. LEM And I won't never forget none of it, but you got what you asked for, and not a jot more.  Blame providence if you cain't blame yerself, but don't put this guilt on me.  Hee-yaw! SOUND RIDES OFF 8_DISTRACTION FANSHAW Lisette? LISETTE There you are!  Just like a naughty boy, running off to filthy places to get away. FANSHAW So sorry.  Didn't have much choice.  My friend is quite fascinated by... hogs. LISETTE Did you make a clean breast of it?  Or just warn him not to believe a thing I say?  FANSHAW You don't understand what you're threatening to do - you never did.  LISETTE So bothered over trifles!  How much people change! FANSHAW Ruining someone's life never meant anything to you!  Do you recall poor Selfridge? LISETTE Carmela?  Served her right.  FANSHAW She threw herself off a bridge! LISETTE She also let herself be compromised!  I didn't put her in the family way, and she was the one lying and hiding-- FANSHAW Are you trying to imply that you are somehow in the right?  A champion of truth? LISETTE Shall I point out what it is you are doing that flies in the face of nature? FANSHAW History is replete with-- LISETTE Oh, spare me.  Next you'll be quoting Shakespeare. FANSHAW Very well.  I shan't try and justify myself, but I will point out that whatever I am doing, it cannot be changed.  Being dead, there's not much one can do about such trifles. LISETTE Then why should it be such a catastrophe were I to tell? FANSHAW [beat] You've never had a real friend, only people who fawned on you in order that you would not reveal their shortcomings.  LISETTE [outraged] I--?  You--! FANSHAW Kindly allow me to finish.  There is a certain camaraderie among men that simply does not - cannot - occur once a woman is involved.  Once you put your nose in, I fear it would never be quite the same. LISETTE No doubt.  I'll just go and find your friend now, shall I? FANSHAW [strange gasp, ending on a laugh]  No, but I think I shall. SOUND FANSHAW LEAVING NOISE CLOSING         Auld Lang Syne [DeK4] EPISODE 2 1_MOSEYING AMB OPEN COUNTRYSIDE, nighttime SOUND HORSES WALKING LEM I still cain't reckon how he got so far from where he-- I-- where we had it out. FANSHAW How odd.  Have you ever encountered other ghosts who could travel? LEM Present comp'ny only. FANSHAW And we know the how and why of that.  Perhaps this fellow has a similar... arrangement? LEM How?  And who with?  Ain't no one would carry that ugly cuss a dog's walk, let alone some hundred miles. FANSHAW Well, every one of we "spirits" seems to be a bit different. LEM Like your lady friend back there? FANSHAW [sigh] From her current appearance and [disapproving] "costume", she had fallen on ‑ahem- hard times indeed.  Possibly drifted west - whilst alive - in hopes of making something better for herself.  LEM Lot of people can say that, out this way. FANSHAW [a bit snotty] Frankly I'm not surprised at her misfortune.  When you alienate all those around you, no one will step in to help if things take a turn for the worse. LEM Cain't say I ain't never been that fella. FANSHAW [chagrined] Oh.  MUSIC FOR FLASHBACK NOTE Lem is younger, more cocky, more superior in the falshback - need to really show who he used to be 2_THE OLD KID AMB SALOON LEM Gimme two. SOUND CARDS LEM [pleased noise]  I'll see you and raise-- SOUND CROWD HUSHES GRISHAM [snarling declaration] I hear tell the Deadeye Kid's here in town? LEM [ignoring him, smug] Raise ten. DEALER [shaky] Uh, Kid? GRISHAM Which one o' y'all's sposed to be this weasel? LEM Your call. PLAYER1 [shaky] Um...  I fold. LEM [chuckles] PATRON1 How can he--? Patron2 Shh! SOUND HEAVY SPURRED BOOTS CROSS FLOOR, PEOPLE SCUTTLE OUT OF WAY GRISHAM [heavy menace]  You the deadeye kid? LEM [offhanded] I'm the man playing a nice civil hand of cards.  Mebbe you can hold your hosses there, whistle stomper. GRISHAM Either you come out and face me now, or I swear'n I'm gonna shoot you where you sit. SOUND CHAIRS SCOOTING OUT, PEOPLE LEAVING TABLE LEM [long dramatic sigh]  Now that sounds a mite like a threat. PLAYER1 [muttered] Uh, yeah.  I'm done.  Fergot my wife wants me home. GRISHAM Are you coming, or am I shooting? LEM If everyone's takin' leg, I guess I win by forfeit? DEALER Um, I don't think anyone's gonna argue you on that. GRISHAM You turn around now and face me, you yellow bellied dog! SOUND MONEY BEING SHOVED TOGETHER LEM Give the frog a chance to jump, knuckles.  Cain't just leave all this layin around. SOUND G's GUN DRAWN AND COCKED GRISHAM Now! LEM [to dealer, cocky] You'll look after this til I get back? DEALER .. certainly. GRISHAM I'll do it!  I will! SOUND CHAIR SLOWLY MOVES, LEM'S SPUR-STEPS, STANDS LEM Rightchere in front of all these good folks?  And leave the dealer to clean up the mess?  [tsks]  Let's at least be civilized and take this on outside. 3_EASIER MUSIC BACK TO NOW SOUND HORSES WALKING FANSHAW Seems as if it would be a great deal easier. LEM Whazzat? FANSHAW Shooting someone in the back. LEM And killin a chicken's easier than takin down a buffalo, but ain't a thing to swell over.  Ain't no pride in the easy way.  FANSHAW Backshooting would gain you notoriety just as quickly. LEM It's all about how folks look at you... and how they see you. MUSIC BACK TO FLASHBACK 4_WARMUP GRISHAM Are you stepping? LEM What flavor of tarantula juice got you fit to wake snakes?  Milk?  [insulting that he can't hold his liquor] GRISHAM [furious noise]  I got a pill to run you on, and I'm gonna chew back every moment of it. LEM [to the crowd] Righchere's a rumbustious fellow for you.  SOUND DRINKS DOWN HIS LIQUOR, SLAMS IT DOWN LEM Barkeep?  Have me a shot of top mark waitin. SOUND WALKS OUT, SLOWLY GRISHAM You look at me while I'm a talking to you! LEM [walking out] You say somethin' more wheat than chaff, mebbe I will. 5_RATTLING FANSHAW Were you trying to upset his equilibrium? LEM What's that when it's at home? FANSHAW uh - Throw him off - make him upset and more likely to make mistakes. LEM   Yup.  There's as much head as hand in a proper showdown.  Not that this was one o' them. FANSHAW Why not?  He called you out. LEM He was halfway round on rotgut.  Not a nugget's chance agin me.  Even if he had all his [careful] equilibriums about him. FANSHAW But you stepped out with him?  Even knowing he had no chance? LEM A'course.  He wouldn't take no.  Drunk fellers who ain't gettin their way are as likely to shoot just about anyone.  I reckoned I was a-helpin, putting him down. FANSHAW [a bit touchy] And you couldn't simply injure him or knock him out - he had to die? LEM Ain't no place for fine feelins when there's a man with a gun a-facin you.  And ain't no time to aim all purty and shoot him just so.  You hit hard and put him down, cause if you don't, he'll do it to you.  That's the part you cain't get away from - one or t'other's likely for boot hill, and you GOTTA face it that way. 6_SHOWDOWN MUSIC BACK TO FLASHBACK SOUND OUTSIDE NOW GRISHAM You ready? LEM Why trouble yerself to call me out anyhow?  I kill someone yer riled over? GRISHAM [duh] Yer the Deadeye Kid! LEM [duh] Yep.  [beat] That's your sole entire reason?  You wanna walk in my boots? GRISHAM No faster way to make a name, than laying out a name. SOUND THEY MOVE TO EITHER SIDE OF THE SOUNDSCAPE SOUND GUN BEING CHECKED, LEM LEM And o'course it gots to be a callout.  [digsut, sarcasm] No one wants to be the next Robert Ford.  [man who backshot his friend Jesse James] GRISHAM Come on!  Kick it up, Deadeye!  Less'n yer yellow! SOUND LEM - DIRT PATTERS - checking the wind] LEM [maddenginly cool] Oh.  I'm ripe and ready to drop. SOUND TENSION NOISE, CROWD NOISE, THEN SUDDEN FLURRY OF GUNFIGHT. SOUND G - BODY DROP SOUND LEM - GUN INTO HOLSTER.  A MOMENT.  FEET WALK BACK UP INTO SALOON 7_ENJOY MUSIC BACK TO NOW FANSHAW [relenting a bit] I suppose it's very like being in battle - not a good place to have consideration for the other fellow. LEM Have to ice over that pond.  Hard and cold.  Hard and cold. FANSHAW I- I do apologize for sounding disapproving.  I want to assure you, it's the process that... well... seems so very pointless. LEM [a litle lighter] Men'll be men. FANSHAW But men can behave in a civilized manner!  Look at we Brits. LEM [grunt - half laugh half dismissive] FANSHAW Do you enjoy it? LEM [very mixed feelings] Enjoy? FANSHAW Throughout history there have been men who reveled in killing, in battle. LEM   [musing] There's a fire that burns you at that moment, like bugs in the skin. LEM S'like the best whiskey and the moment you almost fall off a cliff, and being with the love of your life, all at the same damn time.  FANSHAW The thrill of danger? LEM That, but even more so.  If'n you just want danger, you go climbin cliffs or breakin broncs.  This is starin into the eyes of death - death right there and then and ain't no "maybe so" about it.  Kill or be killed.  [beat, then not quite truthful]  Enjoy?    FANSHAW Sometimes a person's strength is in making the right choice, even when it might pain them to do so. LEM I reckon. 8_WINNER MUSIC FLASH BACK AMB INSIDE SALOON, HUSHED SOUND GUNSHOT, OUTSIDE WOMAN [gasps] SOUND [CROWD NOISE, OUTSIDE], THEN OMINOUS BOOTS ON WOOD, SALOON DOOR OPENS SOUND PIANO PLAYS, CHATTER BEGINS AGAIN LEM [voiceover]  there's also this way people have of lookin at you - like yer the best.  Used be I din't see the fear beneath it. SOUND BOTTLE POURS, GLASS SET DOWN BARTENDER Your shot, Mister. LEM [drinks big, then bragging] My second shot in two minutes! SOUND Forced laughter from the crowd, warps out a bit. 9_HUNKER MUSIC BACK TO NOW LEM [brisk] It's coming down dusk.  Need to find a place to hunker fer the night. FANSHAW I shall keep an eye out for-- [dread] oh! LEM Whazzat? FANSHAW Look - the horizon! LEM Signal fires, and a lot of em.  FANSHAW They're a little far off to get a better look at.  We shall... have to return, shan't we? LEM Someone's gotta warn the town.  Whether it's injuns or sumpin else, looks like an ambush on the march. FANSHAW [weakly] Surely the garrison maintains lookouts? LEM Not so much that I saw.  They're purt near closed up shop, from the looks back there.  FANSHAW [heavy sigh]  Right, then.  SOUND DISMOUNT, SHIFTING A FEW THINGS FROM HORSE TO HORSE LEM You worried about your lady friend? FANSHAW She's neither a lady nor a friend.  But whatever she might have to say will matter to none but me.  [change of tone]  We are a couple of hours out. LEM Horses ain't fresh, but I weren't pushin.  We can get back before them out there can get into spittin distance. SOUND MOUNT OTHER HORSE FANSHAW [resigned but determined] Shall we? MUSIC     Auld Lang Syne [DeK4] EPISODE 3 1_WONT SPOOK SOUND READYING FOR BATTLE LEM If'n you got a fresh horse, I kin go scout some fer you. COMMANDER You've done enough already, stranger.  Ain't even your fight. LEM I know where they're at, and I got some idea of where they're likely to be by the time I get back there.  Give me one horse ain't like to spook, and I'll-- COMMANDER I'll have to send a man along with you. LEM That's fine.  Make sure he ain't like to spook neither. 2_LISETTE SOUND [above scene plays out in the background] LISETTE And here I thought you had run away and left me all alone.  FANSHAW [sigh] Why don't we step outside to have this conversation? LISETTE   I like seeing what the "menfolk" are up to.  [frustrated noise] What I wouldn't give to be able to leave this rattletrap town.  I'm still not sure how you did that.  Or why you came back. FANSHAW We had to warn the garrison. LISETTE Always full of suprises, aren't you - and yet still sanctimonious.  Fanshaw, dear old chum.  Are you not afraid of what I might say? FANSHAW Any concern you might cause me is negligible when weighed against the potential danger to others. LISETTE [surprised laugh]  Hah!  All you superior little snobs, with your noses in the air!  And deep down, all just as afraid as the rest of us. FANSHAW I've no idea what you're talking about, and I don't care to find out.  Whatever you plan to do, just get on with it.  We have a job to do. LISETTE Wait! FANSHAW [long sigh]  Yes? LISETTE Shall I wish you "good luck"? FANSHAW I doubt I shall need any.  But I thank you for the sentiment, Miss Carmichael, however grudgingly bestowed. 3_JULIET FLASHBACK JULIET Romeo, doff thy name, And for that name which is no part of thee Take all myself. FANSHAW I take thee at thy word: Call me but love, and I'll be new baptized; Henceforth I never will be Romeo. JULIET What man art thou that thus bescreen'd in night So stumblest on my counsel? ROMEO By a name I know not how to tell thee who I am: My name, dear saint, is hateful to myself-- SOUND POUNDING LISETTE Oh heavens!  Not again! MAN [calling from off] Sorry. SOUND POUNDING STOPS LISETTE Try that scene again from the top.  Romeo? FANSHAW [sigh] Yes? LISETTE Couldn't you try to be a bit more ... masculine? JULIET Oh, I like "him".  So terribly byronic. FANSHAW I'll see what I can do. 4_SCOTTY SOUND PACKING A HORSE SCOTTY Sir? LEM Yeah? SCOTTY Private Scott.  Commander Bennington told me to report to you. LEM [sigh] Right.  You ever shot that for real? SCOTTY O'course. LEM Against a person? SCOTTY Well, against animals. LEM GRISHAM Not everyone can be you. LEM [sighs] SCOTTY Don't you worry!  I ain't afraid! GRISHAM This pullet ain't even got pinfeathers yet.  You get him killed, you gonna adda a notch fer him too? LEM You got a horse, Scott? SCOTTY Everyone calls me Scotty. GRISHAM Later, they'll just call him dead. LEM   Right.  You gotta horse? SCOTTY Over there. GRISHAM [rueful] My damn horse.  Serving in the army like the rest of the idjets.  LEM Well, go and get'im. SCOTTY Right, sir! GRISHAM Ain't he a little young?  You should oughtta throw him back. LEM I'm stuck with him.  And I never kept notches. GRISHAM That ain't what I heered. LEM Lot o' tales goin round - ain't a one of 'em naught but sagebrush smoke. GRISHAM And the tale 'bout how you kilt me? LEM [sharp intake] I don't brag on none o' that no more. GRISHAM So, you think I like being plumb forgot? LEM If I thought tellin about it would ease you on to the next thing, you think I wouldn't? SCOTTY Tell me about what?  Injuns?  [certain] I know all about them. LEM [sigh] 5_SCOUTING AMB CRICKETS SOUND HORSES FANSHAW They're still out of range.  I can just barely catch snippets of sound at my farthest reach, but I'm fairly certain it is not Indians. LEM Hmm? FANSHAW I can make out English and Spanish.  Are we anywhere near the Mexico territories? LEM [quiet] Ain't impossible.  Deserters, mebbe. SCOTTY What ain't impossible? LEM We're gettin close.  Best to go on foot.  SCOTTY These here horses are my responsibility! LEM Best you stay and watch'em, then.  FANSHAW Don't forget the satchel. SOUND CREAK LEM Like I'd forget that. SCOTTY I wouldna gone through your kit or nothin!  I ain't no finger monkey. FANSHAW [laughs]  I ne'er heard that one before. SOUND REMOVING SPURS LEM Ain't that I don't trust you, son, just might need me some things.  If I was you, I'd take them horses up yonder - forge as far into the high rough as you can, but keep where you can see if I come tearin out of there.  You reckon? SCOTTY How'll you find us? LEM I'll find you.  Just be ready.  And don't shoot me. SOUND QUIET FEET ON DIRT 6_JULIET2 FLASHBACK echoey hallway LISETTE [running up] Fanshaw? FANSHAW LISETTE [trying to start a fight] We've been reconsidering your costume.  Those leggings are positively scandalous. FANSHAW [bland] Romeo can hardly appear in bloomers.  Would be rather difficult to climb to the balcony. LISETTE Perhaps plain trousers, then.  [sly] Though I understand you were quite keen on showing off your legs. FANSHAW [rueful] There is a great deal to be said for the freedom of movement.  [dismissive] But a costume is a costume.  I certainly shan't make a fuss. LISETTE [annoyed at not being able to get a rise out of F] Very well. 7_FANSHAW SCOUTS SOUND SLIGHT RUSTLE OF LEAVES LEM [very quiet] Close enough? FANSHAW I'll have a look round.  SOUND FANSHAW LEAVES GRISHAM [very loud] You hiding from something? LEM [reaction noise, quickly stifled] GRISHAM Ooh!  Scairt you, din't I? LEM [whispered] Made me jump damn near out my skin. GRISHAM [smug and evil] Well that's good, then.  Looks like I can get my own back on you. LEM What all do you want? GRISHAM Apart from you in a pine box?  I'm hankerin to be alive agin, but that ain't gon happen. LEM Not likely, nope.  How'd you follow us? GRISHAM What kind of tenderfoot you take me for that I can't follow my own damn horse? LEM [half realizing something] Damn. SOUND FANSHAW COMES BACK FANSHAW Who the devil is this? GRISHAM Who the devil are you? LEM What'd ya find out? FANSHAW A motley crew, but definitely girding themselves for battle.  GRISHAM What kinda girlie man are ya?  Highfaluting slicker talk! FANSHAW [sigh, but determined] They're half mounted already, but I could make out that they're waiting til after midnight, to make certain of finding as many people abed as possible. GRISHAM Put you in a dress, and I bet everyone'd wanna dance! FANSHAW We need to get moving. GRISHAM I think you need a shave, girlie man. SOUND KNIFE FANSHAW [finally breaking concentration] God damn you all to hell! SOUND PUNCH, KNEE TO GROIN LEM [trying not to laugh] GRISHAM FANSHAW Marquis of Queensbury be damned.  We need to go. GRISHAM [different kind of ooooh - like he's falling, or being dragged off] SOUND SUCK NOISE AND GRISHAM VANISHES LEM What'd you do to him? FANSHAW I didn't!  I couldn't-- I... haven't the faintest idea?  8_JULIET3 SOUND TAP ON DOOR LISETTE Fanshaw? FANSHAW Come in. LISETTE I've brought you your hat-- whatever are you doing? FANSHAW I was considering what I might do with my hair.  To create the right ilusion. LISETTE That is what the HAT is for. FANSHAW I prefer not.  It looks like an ottoman on my head.  LISETTE And Romeo does not wear a moustache. FANSHAW Whyever not? LISETTE On the stage, moustaches are only for villains and army colonels! FANSHAW [considering] I might just cut my hair. LISETTE That is the final straw!  Miss Peabody said this would happen. FANSHAW What? LISETTE That you would take too many liberties.  You are out. FANSHAW Out? LISETTE [snidely satisfied] You are no longer a member of this production. 9_DEAD SCOTT SOUND QUIET BOOTSTEPS LEM [very quiet] Scotty? FANSHAW [off a bit] Oh, good god. LEM Do I need to keep quiet? FANSHAW I don't see anyone.  .. hostile. SOUND QUICK, NOISIER FOOTSTEPS SCOTTY [as if waking up] Oooh! LEM What is--  [tragic regret] Ohh. SCOTTY They come in out of nowheres! FANSHAW I don't doubt it. SCOTTY And they took the damn horses, Mister Roberts! FANSHAW I think that just might explain-- SCOTTY And who in blue blazes is this feller? LEM [heavy sigh]  CLOSING       Auld Lang Syne [DeK4] EPISODE 4 1_DROP EVERYTHING SOUND UNBUCKLING, BAG DOWN, ETC. LEM Good thing I had that with me.   Though now I gotta leave it. SOUND SATCHEL DOWN FANSHAW Of course. SCOTTY I'm really sorry about this, sir. LEM I doubt me you coulda stopped it, son.  And you been punished enough. SCOTTY What do you mean?  They musta knocked me out, but I don't even feel it. FANSHAW I'll deal with him. LEM I'll leave you to it.  SCOTTY What are you doing? LEM Gonna haveta hoof it back to town - cain't take naught but my guns.  You gon' be all right? SOUND RUSTLE OF BUSHES FANSHAW Well, we won't be able to do much to stop them if they came across your bag, but that looks like a good hiding place.  Especially in the dark. SCOTTY Can't do anything?  What are you talking about?  FANSHAW Hush, Scotty.  Let Lem get moving and we'll have a good long talk. SOUND BOOTS RUN OFF 2_REBEL CAMP SOUND MANY HORSES, MEN CHATTER, etc. SOUND GRISHAM STUMBLES IN GRISHAM Where the hell?   [Thunder?]!  Goddam rustlers!  SOUND MEN WALK BY LEADER Two horses, two saddles.  I don't like it. SECOND Guerrero had the kid down before we realized.  But if there's another scout, he won't be able to get anywhere - at least not soon enough.   LEADER [thinks, then definite] We must move up the charge. SECOND We're nearly ready.  3_NO HEAVEN SCOTTY [trying not to cry] So that's IT?  I mean this is it?  No nothing left?  No heaven? FANSHAW There are so many things even I don't understand.  I wish I could offer you more in the way of consolation. SCOTTY But don't no one ever pass along? FANSHAW Most do.  And I'm even aware of those who spend some time like this, and then pass on, though there's no easy answer for how or why it happens. SCOTTY And I won't never even get to be with a woman. FANSHAW [uncomfortable] Oh, dear.  That is a shame. SCOTTY What's it like? FANSHAW [dread] What is ... what... like? SCOTTY Being with a woman? FANSHAW ... 4_RUNNING LEM [heavy but measured breathing] SOUND RUNNING FOOTSTEPS - TROT, NOT DASH LEM [muttered] Dammit.  Leastways there's a good moon. 4A_FLASHBACK MUSIC FLASHBACK SOUND NIGHT, DOGS, CHICKENS - ALARUMS SOUND ANGRY MOB, OFF ROBERTS [yelling, off]  Leastways, there's a good moon!  PIEDMONT [up close, heavy breathing, trying to be quiet] ROBERTS [off, yelling]  Spread out!  Don't let that traitor get away!  Where's that rope? PIEDMONT [gasp, then trying to breathe even quieter] SOUND VERY SLOW CREAK, SHUTTING DOOR ON THE NOISE. YOUNG LEM [about 12] Whatchoo doin', mister? PIEDMONT [terrible gasp, smothers a scream] 6_EXPERIENCE FANSHAW My experience is not ... vast, but I have had one or two ... romantic encounters. SCOTTY Well, you're a man of the world, ain't you?  You been all over the place! FANSHAW Oh dear.  [up]  I've spent most of my life deep in study.  I suppose I've always felt there would be time - later - to settle down to a family and all.  SCOTTY Me too.  Not the studying, but the ... "later". FANSHAW [after a moment]  Women are.... soft. SCOTTY [eager] Yeah? FANSHAW And round.  In places where men aren't. SCOTTY But they do got legs, don't they? FANSHAW [flabbergasted]  What? SCOTTY You never don't see none of them out of skirts!  Who knows what they got under there? FANSHAW Well, that I can answer - generally, women are made the same as men.  Arms, legs, heads - well, one head.  You understand. SCOTTY [avid] And bosoms. FANSHAW   Yes, that. 7_VARMINT SOUND RUNNING, LEM'S HEAVY BREATHING UNDER THIS? PIEDMONT Shh!  Don't let anyone know I am here. YOUNG LEM You the varmint they's looking fer? PIEDMONT There is no call to use such language, boy.  Do you know this area? YOUNG LEM I should hope I do!  My pa's Mr. Jorgenson's top man. PIEDMONT [sarcastic] So he's the one leading the search. YOUNG LEM [pride] Yup. SOUND OUTSIDE, THE ROW GETS CLOSER ROBERTS [outside]  Get him, Honeysuckle, there's a good bitch! YOUNG LEM [pride and fear] That's my pa! PIEDMONT But you're not going to tell him I am in here? YOUNG LEM I don't fancy getting whupped.  I ain't sposed to be in the barn at night.  8_YOUNG LOVE FANSHAW I was in love.  When I was very young. SCOTTY Was she really purtty? FANSHAW [sigh] I thought the sun rose and set with my beloved's face.  Have you ever seen hair so fine and blonde that your fingers desperately wanted to touch it? SCOTTY You talk so flowery, I bet all the girls jest love you! FANSHAW Our parents objected.  They said we were too young, and I was packed off to school. SCOTTY What didja do? FANSHAW I waited.  I nursed my deep love, and remained constant, like patience on a rock. SCOTTY You waited on a rock? FANSHAW I waited at school.  I was determined that one day, when we were old enough that no one could object, I would return and we would be joined forever. SCOTTY What happened? FANSHAW I made my way to the object of my affection and...discovered... SCOTTY Yes? FANSHAW That I was the only one who had bothered to wait. SCOTTY She'd gone and -- FANSHAW My "dearest love" had married another.  Had, and I quote "almost forgotten about that summer." SCOTTY Damn!  Women are right terrible. FANSHAW Don't fault women, boy.  There are quite as many constant and sweet-natured females as there are fickle and wicked men.  We all deserve a "heaping helping" of the blame. 8_DISCOVERED SOUND UNDER - LEM WALKING NOW, STILL BREATHING HARD, PACING HIMSELF YOUNG LEM They're fixing to hang you? PIEDMONT YOUNG LEM Why?  What for? PIEDMONT We were on opposite sides in a fight. YOUNG LEM You mean the war?    My pa says why keep slaves when you can hire men for even cheaper and don't have to sell them if'n they don't do the job right. PIEDMONT [incensed] You think your pa knows so much about everything, don't you? YOUNG LEM [a bit afraid] Well, he knows where you are. SOUND DOOR SLAMS OPEN ROBERTS There he is! MAN Get him! PIEDMONT [scream] SOUND SCUFFLE, KNIFE DRAWN YOUNG LEM [gasp, cut off by hand] PIEDMONT I'll kill your boy, just see if I won't! 10_STUCK SCOTTY You said you know about some folks what was like this for a time and then moved along? FANSHAW   We've encountered one or two. SCOTTY How'd it work? FANSHAW Work? SCOTTY I mean, I don't wanna be stuck out here, middle o' nowhere, all by my lonesome, forever! FANSHAW I don't know that I have an answer for you.  I've only been - like this - for a... a couple of years, myself, and haven't seen a fraction of what Lem has. SCOTTY Years?  You been dead for years and ain't moved on? FANSHAW .. help people.  And I get to see the world - [half pleased, half rueful] hmph... in perfect safety.  11_SHOT SOUND LEM RUNNING AGAIN PIEDMONT [panicky, but trying to be placating] I am going to have to ask you to take a step back, sir!  My hand could slip a fraction of an inch, and that's all it would take.   YOUNG LEM [gasp]  Pa? SOUND GUNSHOT SOUND TWO BODY DROPS ROBERTS [cold] You understand we cain't leave that kind of critter running loose, don't you? 12_BUSINESS FANSHAW Some folks stay because they have unfinished business, and once the business is completed, they are able pass on.  SCOTTY Business?  I ain't never been in business. FANSHAW No, no.  For instance, one young man was able to move along once his murderer was uncovered and hung. SCOTTY   I spose that could happen. FANSHAW Or perhaps when the horses have been recovered, since that was your task at the time of your death. SCOTTY [very down] Oh, right. FANSHAW [cheering]  Or, when the town has been warned.  That could very well have been at the forefront of your thoughts. SCOTTY [wailing] Oh no!  FANSHAW Whatever is the matter? SCOTTY What if it's ladies? FANSHAW [careful] What if what is "ladies"? SCOTTY What if I can't never pass on til I been with a lady? FANSHAW [cold, practical] That would be most extremely awkward.  Worry about that once we find out if you can get back to town or not. 13_WHUPPING YOUNG LEM [sniffles a bit] ROBERTS You crying, boy? YOUNG LEM [stifling it] No sir. ROBERTS   Now run and let Mrs. Roberts have a look at that scratch. SOUND A COUPLE OF STEPS, THEN TURN YOUNG LEM [blank] You shot him dead. ROBERTS YOUNG LEM In the dark, and on the draw, and din't even hit me. ROBERTS   [beat]  You asking something? YOUNG LEM What if he'd'a kilt me?  Or what if you did? ROBERTS [long pause]  Life's hard, boy.  You cain't let folks get away with wrongdoing, no matter who they got a grip on. YOUNG LEM SOUND BARN DOOR SWINGS OPEN, COUPLE OF STEPS ROBERTS Lem?  YOUNG LEM [almost a gasp] Yessir? ROBERTS [casual] Don't think I'm not gon' whale you for being in the barn by night, neither. [neeether] YOUNG LEM [quiet, resentful] Yes, sir. 14_CRICKET SCOTTY It ain't fair!  I'm being punished and I ain't never even done nothing! FANSHAW Life is not fair.  Death even less so.  SCOTTY I-- FANSHAW [cutting him off] Still, I expect there must be some sort of answer.  SCOTTY Answer? FANSHAW Very likely, when they take your body back to town, you will accompany it, and there will find what you need to do to pass on. SCOTTY What if they don't take it - me back? FANSHAW Lem will see that they do. SCOTTY   And what about you, Mister Fanshaw? FANSHAW What about me? SCOTTY Don't you get to pass on too? FANSHAW   But you see Scotty, I have no wish to. SCOTTY No?  Why? FANSHAW I still have many things to see.  And I feel like I'm doing good here.  There's a story I read some time back, a sort of fable, about a puppet that comes to life. SCOTTY That's crazy talk. FANSHAW That's why it's a story.  In the tale, a cricket is asked to stay with him and make sure he does the right things. SCOTTY All right.  Wait, a cricket, like a bug? FANSHAW A talking bug, but yes, a bug.  SCOTTY That's just plumb crazy. FANSHAW   [gasp]  Look at the horizon!  I think they are on the move! SCOTTY Is there something we can do? FANSHAW This is one of those times I truly wish there was. CLOSING     Auld Lang Syne [DeK4] EPISODE 5 1_COMING SOUND IN TOWN - HORSES, MEN, READYING FOR BATTLE COMMANDER [commands]  We need more shot at the western boundary!  Get someone over there! SOLDIER Yessir! SOUND FEET RUN OFF SHARPLY SOUND DISTANT APPROACH OF PAINED, SLOW RUNNING SOLDIER2 Sir!  Someone's coming!  On foot! COMMANDER On foot?  SENTRY [off] Halt! LEM [breathless, with long gasps] I can't... If I stop...  I'm gon fall down...  And I gotta get to...  The commander. SENTRY Stop, I say! COMMANDER Let him on through. LEM They're a-movin.  Deserters 'n comancheros.  Have guns.  COMMANDER Why are you-- LEM Kilt Scotty.  Took the horses.  Look sharp. Ungh! SOUND FALLS DOWN COMMANDER Are you all right?  [up] Someone get Doc! LEM I'll be [coughing fit] fine. Jest let me lie till the shakin goes off. 2_SPOOK HORSES SCOTTY We got to do something! FANSHAW And just what do you have in mind?  I've already done all I can, scouting them for Lem.  By the time they come close enough for us to get a look at, they will be moving fast enough that we shall hardly have time to observe. SCOTTY Can't we spook the horses or nothing?  That's what haints do, isn't it? FANSHAW I was with you the entire trip out from town.  Did the horses seem spooked to you? SCOTTY [really down] No. FANSHAW If Lem makes it back in time, there are ways we can help him.  Otherwise, we are merely spectators at this show. 3_TONIC DOC Can you get yourself around this? LEM [still hoarse, puffing] Tonic? DOC [shrug] Mostly brandy.  LEM [rusty chuckle] Thanks, doc. [drinks] LISETTE Oh, goodness.  I believe you are Fanshaw's dear friend.  LEM [coughs] DOC Din't say it was GOOD brandy. LEM [hawks, spits, clear throat]  Hits the spot.  LISETTE [calculating] And not able to walk away.  [cruel chuckle] How perfectly jolly. DOC The commander's gone off to rally the men, but they're like to need you to guide them.  You up fer it? LEM Will be... shortly.  Any chance of a mite to eat?  It's been a powerful long night, and not looking to roll up any time soon. 4_DO SOMETHING SCOTTY He's the only one what can hear us? FANSHAW We've come across... others.  But they are very rare. SCOTTY [yelling] I want to DO something!  I want to help! FANSHAW There is no need to make such a ... a ruckus!  I am in precisely the same predicament! SCOTTY But I-- GRISHAM [off]  Will you two shut up?  They're trying to sneak up on your position! FANSHAW Oh dear.  Come along. SCOTTY Where? FANSHAW To do the only productive thing - gather as much information as possible. 5_SADDLED SOUND MEN READY TO GO SOUND MOUNT UP LEM [sigh of relief, but also soreness]  COMMANDER You doing all right, there, feller? LEM Better saddle than boots.  I fair run the soles offa these. COMMANDER Morning comes, we'll stand you a new set.  Least we can do.  Let's go. SOUND HORSES MOVE OUT LEM Commander? COMMANDER Hmm? LEM Rather than meet them headlong, since ain't no way to know how far they come, might could I suggest a defensive position? COMMANDER This town is not a good place for that.  Too spread out.  And there's no way to get everyone into the fort, not without leaving near everything they own ripe for the picking. LEM Nah - I'm a-thinkin just this side of the bridge, right about halfway out.  Bridge and creek - they ain't much, but if we can catch them this side of it, put their backs to water, and use the treeline for cover-- COMMANDER I like the way you think, hombre.  [up] Company!  [attention!] 6_FIGHT GRISHAM Ain't no way you're taking me by surprise again, you-- ow! SOUND PUNCH FANSHAW [casual] shut up. SCOTTY That was a good'un! But what if he lands one on you - he's awful big! FANSHAW Leave him!  [quiet, moving away]  We can't actually be hurt.  But not everyone realizes that, and many feel the pain, even when there is no reason to.  I learned that the hard way. GRISHAM [off] I'm a-gonna get you! FANSHAW Blast!  He may not be able to harm me, but he can annoy and distract, and make it difficult to get anything constructive done. SCOTTY Maybe - maybe I could keep him from bothering you? FANSHAW How? SCOTTY Well, I been plumb angry since I got kilt, and my momma says sometimes the best way to get over anger, if you don't got no pie, is to-- GRISHAM Kill you, you girly man! SCOTTY [grunt as he punches him] GRISHAM oof! SCOTTY Better'n pie!  You go on, Mr. Fanshaw, and do what you gotta. FANSHAW Good lad. 7_GRANDKIDS LEM [muttered] Fanshaw?    Too far out.  COMMANDER What's the terrain like beyond the bridge? LEM Nothing much to speak of.  Some hills.  A ridge off to the north where first we saw them.  No place fer them to make a stand tween here and there, though. COMMANDER   Cain't let this sort of thing go.  LEM Course not.  COMMANDER You got the extra shot you needed, did you? LEM   Had to leave all o' mine cached back with Scotty. COMMANDER You're sure he's ... dead? LEM I'm afraid I do know dead when I see it. COMMANDER [sad] That's too bad. LEM Kin? COMMANDER   LEM [trying to ease] He went down fightin. COMMANDER That don't give my sister grandbabies. LEM [symp] Nope, it shore don't. 8_PIRATES SOUND MUCH CREEPING FANSHAW Looks like about three score.  Hardly a fair fight, sneaking up on a defenseless town at night.  Like pirates. 8A_FLASHBACK MUSIC FLASHBACK AMB BRIGHT SUNNY DAY NANNY Come along in now, bunny bug. YOUNG CLARA Stop calling me that, nanny!  I'm very nearly 10 years old. NANNY You'll always be my little bunny bug.  Oh!  Whatever is that tea towel doing on your head?  [gasp of fear]  Did you hurt yourself?  Show nanny! YOUNG CLARA No!  I am a pirate. NANNY Do not be so silly.  There are no pirates. YOUNG CLARA Of course there are.  They are in books, so they must be real. NANNY Besides, you cannot be a pirate. YOUNG CLARA Well not just NOW.  When I am bigger, I shall be able to do whatever I want. 9_WASPS COMMANDER Did you see how big a force they had? LEM Not to count them, but it was bigger'n I thought.  At least 30, probably more. COMMANDER [skeptical] Really? LEM They had a dozen cookin fires goin, and you don't make a fire to feed a lone fellow. COMMANDER [considers, then agrees] No, you don't.  LEM 'Sides, better to expect a whole hive of wasps than be surprised by one too many. COMMANDER [chuckles]  Sound thinking.  [up]  Lieutenant! 10_BAG SOUND STILL MUCH MOVEMENT SOUND SCOTTY AND GRISHAM, FIGHTING SCOTTY [pleased] You tired yet, feller?  I ain't even blowed! GRISHAM [tired] You little whippersnapper!  Think you can pull a man's whiskers and walk away! FANSHAW [muttered] There are some distinct benefits to being dead.  More than he will ever know.  [gasp] No. RUFFIAN1 Hey!  I found something! SOUND CREAK OF LEATHER - LEM'S GEAR FANSHAW [worried] Damn!  Lem's bag! RUFFIAN2 What? SECOND Silence! RUFFIAN2 [whispered] bring it - we'll split it later! RUFFIAN1 Split it?  Nonsense!  It's mine, whatever it is! SECOND [whispered] Keep moving! 11_SCOUT AHEAD COMMANDER [ordering, but hushed] Take your men and circle round up thataway.  Get to high ground and cut off retreat. BOB Yessir! LEM If you don't mind, sir, I'us thinkin I might scout on up ahead a mite.  COMMANDER You aren't even being paid to be part of this, fellow, why do you keep risking yourself? LEM [shrug] Someone's gotta.  'sides I had to leave my kit behind, and wanna get it if I can before someone else lays hands on it. COMMANDER Valuables? LEM Nothin worth money, but some things cain't be replaced. COMMANDER [teasing a bit] Go on then, but if you see them coming, you'll come back and tell us first, eh? LEM [chuckle] I reckon. 12_LEAD ROPE SCOTTY Mister Fanshaw!  That fellow just vanished!  Like he flew away, whilst I was a-hittin on him! FANSHAW I fear I shall be gone shortly as well. SCOTTY Why? FANSHAW I am not sure of his reasons, but I must stay with the bag.  Now that it has been found... SCOTTY Why?  Keeping an eye on it? FANSHAW   There's something in there - Oh!  It's moving.  Stay with me as long as you can.  SCOTTY Why can't I--? FANSHAW Shh!  [very hurried] Picture a rope tied to something, say, to you - your body, over there.  And you are on the other end. SCOTTY Like a training rope? [ASK PAT] FANSHAW Basically, yes.  You can go anywhere, within the circle made by that rope. SCOTTY [figuring it out] So you're ... tied to that bag? FANSHAW Yes!  [gasp] Bloody thieves! SOUND FANSHAW SUCKED AWAY 13_BE A BOY YOUNG CLARA I am going to be a pirate!  I shall sail the seven seas and steal all the gold! NANNY Stealing is very wicked.  YOUNG CLARA But you can't be a pirate without stealing!  Then you're just a sailor! NANNY And young ladies do not become pirates.  Young ladies become mommies. YOUNG CLARA Or nannies. NANNY [reassuring] Don't fret yourself, bunny bug.  You shall be a mummy. YOUNG CLARA I should rather be a nanny.  Mummies are boring.  Nannies have things to do. NANNY [sigh] Mummies have things to do too. YOUNG CLARA I don't want to be a mummy, I want to be a pirate!  I want to see the world! NANNY [stern] There are many thing in this world, Clara Fanshaw, that are only meant for boys. YOUNG CLARA Then I want to be a boy! END     Auld Lang Syne [DeK4] EPISODE 6 1_READY SOUND NIGHT, MEN BEING QUIET, HORSES OFF COMMANDER Yer sure you wanna go on out there, all on your own?? LEM I'm best on my own, and I don't want another of yer boys on my conscience. COMMANDER [acknowledging] Scotty. LEM If I can't see my way to get back and warn you quick enough, I'll shoot off twice-- COMMANDER [warning] They'll know you're there. LEM I kin look after myself.  Two shots means it's a-comin, and I spect after that there'ull be plenty more shots to keep y'all busy.  I best get a move on. COMMANDER One thing. LEM Yeah? COMMANDER One of my men swore he'd seen you before. LEM [down] Oh. COMMANDER And that you're the Deadeye kid. LEM I- COMMANDER [overriding, but clearly lying] I told him not to be so credulous.  Deadeye Kid looks nothing like that man that's about to save our town. LEM [realizing] Ri-ight. COMMANDER [serious] Don't make me a liar. LEM I kin only do my best. SOUND WALKS AWAY 2_BLACKGUARDS SOUND COMMOTION, MANY MEN, HORSES, TRAVELING LEADER [loud whisper] We'll leave the horses near the stream and sneak up. FANSHAW RUFFIAN2 [whisper] What's in that bag you found anyways? RUFFIAN1 [whisper] Ain't had no time, but it's shore heavy. RUFFIAN2 [whisper]  Heavy is good!  Mebbe it's gold! RUFFIAN1 Well, I still ain't sharing! FANSHAW Such stimulating conversation.  I wonder how far ahead of these ruffians I can manage to stay.  3_TALLYHO SOUND STEALTHY MOVING THROUGH UNDERBRUSH, STOPS LEM   [angry hmph] They cain't be too damn far off.  And ridin. FANSHAW [distant]  Tally-ho!  LEM [starts to laugh but turns it into a snort] FANSHAW Halloooooo!  Halloo- [suddenly cut off] LEM What the devil?  [shrugs, to himself] Well, you can take care of your own damn self. SOUND RUNNING FEET TAKE OFF 4_STRUGGLE AMB IN THE ATTACK FORCE GRISHAM Now I gotcha sorted out! FANSHAW [muffled noises] SOUND STRUGGLING GRISHAM Oh, no you don't!  SOUND MORE STRUGGLE GRISHAM I finally figgered out cain't do nothing to hurt me.  Long as I ignore it.  But I can still keep a tight grip on you. FANSHAW [noise of effort] GRISHAM [ouch!] Hey!  You bit me!  FANSHAW Keep ahead of them!!!! GRISHAM   [disgusted noise] FANSHAW [to grisham] Damn you all to--[muffled again] GRISHAM Stop with all the wiggling, you stupid--  [stunned!] whatthehell? FANSHAW [noise of effort] SOUND STRUGGLE, BREAKS FREE GRISHAM You're a-- ?  FANSHAW You may be stronger than me, but I am faster. SOUND FANSHAW LEAVES GRISHAM what the hell?  A female? 5_SIGNAL COMMANDER He's been gone a fair piece. SOUND [DISTANT] TWO GUN SHOTS COMMANDER [commanding, but quiet]  They're coming! SOUND [command passes along ranks - GET VOICES] COMMANDER [a bit superior]  I knew that that fellow was no sort of outlaw.  6_PLAN DOS LEADER Shots? SECOND Sir? LEADER   Someone has seen.  Get El puerco and his fellows.  Tell them plan dos. SECOND Plan dos, sir? LEADER They'll circle south and get behind the town.  We get some children in hand, no one will fight any more. SECOND Yessir! SOUND RUNS OFF SCOTTY [torn] I can't just let them-- [plaintive] but what can I do? 7_BUCKETFULL SOUND HORSES APPROACHING NOTE - Lem is lying in wait, letting the group go past, and plans to pick them off from behind. FANSHAW [distant but closer, yelling] Lem!  That dead friend of yours is about - watch out! LEM [muttered] Damn.  And I don' want to go shootin no good horse jest to lay a varmint like that down. SOUND HORSES BEGIN TO PASS LEM [very quietly] 30...?  Nearer fifty.  That's a bucketful of wasps. SOUND SHOTS!  (where the horses went to) LEM [muttered to self] hold on.  SOUND NO MORE HORSES COMING LEM [muttered] almost... GRISHAM There you are! LEM [sharp intake of breath]  That don't work on me twice.  Specially when I been warned. GRISHAM Oh, that girly friend of your'n?  Funny thing about that-- SOUND GRISHAM IS YANKED AWAY LEM Good riddance.  And jest in time. SOUND BEGINS SHOOTING MaN [shot, fall] 8_HOLD THE LINES COMMANDER [roaring now] Hold the lines!  More shot, boy! BOY Yessir! MAN [hit, argh!] COMMANDER Stay low! FANSHAW All seems rather well here.  GRISHAM There you are. FANSHAW Bloody hell. GRISHAM [nasty chuckle] I was just wondring - if I kin grab you, I bet I kin kiss you, little lady! FANSHAW [dodging] I doubt you'll catch me again, now that I'm watching for you, but I will admit that one advantage to being a ghost is that I needn't make an effort to remain upwind of you. SOUND FANSHAW OUT 9_RELOAD SOUND COMMOTION OFF, NOT RIGHT HERE SOUND RELOADING SOUND NEARBY HORSE PFFS LEM That's nine.  SOUND SLAPS GUN SHUT SCOTTY [distant, yelling] Someone!  They're circling round!  There's some fellers as are going south to get behind lines! LEM   [listens for a second]  Fanshaw?  Damn.  SCOTTY [yelling]  Please!  Don't let them hurt nobody in town. LEM [muttered] boy'll yell himself hoarse.  [chuckles]  dead don't get hoarse.  But I gotta get one.  [clucks to horse] SOUND HORSE BLOWS LEM [grunts as he swings into the saddle]  Come on. FANSHAW [a bit distant] Lem? LEM Wazzat?  There you are! FANSHAW Close as I can get just now, and can't stay.  That blighter keeps trying to grab me. LEM Grisham?  FANSHAW The commander seems to be holding well.  The villains have taken heavy losses and are starting to fall apart. LEM   Can you yell to Scotty, let him know I got his message? FANSHAW What message? LEM Just try and tell the boy.  So he can rest hisself.  [to the horse] Geeyah! SOUND HORSE TAKES OFF FANSHAW Scotty?  Can you hear me? 10_YOU STAY COMMANDER Let's clean this up - leave none of them to try and harm the town. CORPORAL Yessir! Should we capture them, or-- COMMANDER This is no time to be peaceable.  They set themselves up to attack a settlement, and we have to take serious measures. SOUND HORSE APPROACHING LEM [distant] Commander! COMMANDER Let him through.  [up, to Lem]  Looks like we've got nearly all of them.  SOUND GUNSHOTS DISTANT COMMANDER A bit of tidying up to do, but-- SOUND HORSE PULLS UP and STOPS LEM [to horse] Whoah!  I overheard a couple at the back, saying they had a force circlin south - dozen men mebbe - to get round any resistance and come up behind.  COMMANDER My god! LEM Horse up a few good men, load em up and come with me. COMMANDER You, boy! BOY Yessir? COMMANDER Bring my horse, quickly! LEM You're needed here, surely? COMMANDER You're the one who needs a rest, mister Roberts.  My corporal, here, will be happy to hear any other suggestions you might have, but I will be leading my men. LEM Sound thinkin.  I have been going a bit. COMMANDER Corporal? CORPORAL [acknowledging] Yes sir. FANSHAW Lem?  I think I got through to Scotty, but there's such a distance.  Poor lad, he merely wants to do his duty. SOUND LEM DISMOUNTS LEM Let's you and I see if we cain't root out a few more of these varmints.  I see purty well in the dark. CORPORAL Excellent!  FANSHAW I'll see what I can turn up. GRISHAM Found you! FANSHAW Oh, damn!  GRISHAM You ain't never getting away from me, you-- FANSHAW [hits out] GRISHAM [ungh!] FANSHAW Have to get him out of here, Lem.  Too distracting. SOUND FANSHAW LEAVES GRISHAM [laughs triumphantly]  Coward!  But I don't suppose I should be surprised. LEM [quietly, but deadly serious] You don't stop making a fuss, I'm gon' kill your horse. GRISHAM What? LEM You sit still and be quiet or that horse yer so attached to is gonna find itself on the wrong end of a bullet.  You hear me? GRISHAM [all the bluster gone]  LEM   I don't fancy killin no animal just fer this, but this here's a battle-- SOUND GUNSHOT LEM [gasp, hit!] Damn! SOUND QUICKDRAW, GUNS BLAZE GRISHAM Hah!  I still gotcha! LEM [weakening, through gritted teeth] Din't no one see them a-sneakin up?  CORPORAL [commanding] Men! SOUND MORE GUNSHOTS LEM [groan] SOUND BODY DROP AS HE COLLAPSES END   NEXT EPISODE BEGINS SOUND FADES IN AND OUT COMMANDER Hold on, there, fellow. LEM [vague] all's well? COMMANDER We got em. LEM My pack? COMMANDER I'll set someone to finding it. FADE OUT DOCTOR Bite down on this.  He's lost a lot of blood. FADE OUT BOOTMAKER I'll have a new pair ready before he'll be walking anywhere on them.  You sure I should even bother--? FADEOUT WOMAN Just a little bit of broth, mister.  You need to get some o'yer strength back. SICKROOM LEM [annoyed moan] FANSHAW You're awake. LEM [quiet]  Anyone--? FANSHAW Not close enough to hear - as long as you stay quiet. LEM   I been shot? FANSHAW At least twice, judging by the bandages.  Once in the chest, once in the leg, I should say.  I should have been watching. LEM [reassuring] Can't leave you to do everythin.   FANSHAW [awkward pause, then stiffly]  Should I ...go? LEM Go?  go where? FANSHAW [covering] I - I mean, leave you in peace.  To rest.  I don't doubt you will still be needing a great deal of it. LEM [straining a bit]  Did you see, did it go alla way through? FANSHAW I don't know, but you were very fortunate - or so the doctor declared. LEM [satisfied]  FANSHAW I'll leave you to your rest, then, shall I? LEM Go or stay, I ain't so wrung out I cain't tell you got somethin on yer mind. FANSHAW LEM Is it that female ghost o'yours yer frettin over? FANSHAW [bracing breath]  LEM [exasperated snort]  Yer worried she said sumpin, izzat it? FANSHAW LEM [playing it up a bit] You furriners and the trifles that plague you. FANSHAW So she did--? LEM [shrug]    So? FANSHAW [surprised] So? LEM You cain't be the first. FANSHAW First? LEM Nor the last, like enough. FANSHAW But it... doesn't... bother you? LEM Well, you don't do it no more. FANSHAW .. don't? LEM 'sides, plenty of little fellers wet up the bed right up til they'us in long pants.  FANSHAW What? END    

A quirk of fate brings both Lem and Fanshaw face to face with people from their pasts.  disagreeable reunions bring up disagreeable memories, and show a taste of what makes a man into a gunslinger. Written and Produced by Julie Hoverson Cast List Lemuel Roberts /Deadeye Kid -  J. Spyder Isaacson Clarence Fanshaw -  J. Hoverson ~~~~~~ Grisham - Bill Hollweg  (BrokenSea Audio) Lisette Carmichael - Robyn Keyes Commander Bannington -  Glen Hallstrom Scotty - Mike Campbell Other Voices: Episode 1 Bartender - Rick Lewis Episode 2 Townsfolks - Mark Olson, Candace Behuniak, Big Anklevitch & Rish Outfield (Dunesteef audio magazine) Episode 3 Juliet - Alexa Chipman (Imagination Lane) Glen Hallstrom Episode 4 Bandits - Big Anklevitch & Rish Outfield (Dunesteef audio magazine) Piedmont - Russell Gold Mr. Roberts - Jack Kincaid (Edict Zero) Episode 5 Nanny - Jennifer Dixon Bandits - Big Anklevitch & Rish Outfield (Dunesteef audio magazine) Episode 6 Bandits - Big Anklevitch & Rish Outfield (Dunesteef audio magazine) Mark & Connor Olson Russell Gold Cover Design:  Brett Coulstock Announcer:  Glen "Ole Hoss" Hallstrom Opening theme:  "The Wreck of Old '97" from public domain recording found on archive.org Any incidental music:  Kevin MacLeod (Incompetech.com) Editing and Sound:   Julie Hoverson   No gunshots herald his approach.  No trademark left behind him when he leaves.  The Kid had his fill of notoriety in days gone by - as plenty of empty boots can surely testify.   Some say he rides alone.  That's the Deadeye Kid. ************************************************************* Auld Lang Syne [DeK4] EPISODE 1 MUSIC 1_ARRIVAL SOUND     HORSES, RIVER, BOAT TRAFFIC LEM    Largest town I been near in a good passel of time.  I hear tell it started out as a frontier fort, but the frontier moseyed west and left it a-setting behind. FANSHAW    Will it be safe? LEM    Safe? FANSHAW    I had rather assumed you were avoiding larger towns.  For ... notoriety's sake. LEM    Meaning I don't want be invited to a necktie party?  'at's part of it, though I'm purty sure I ain't never been posted in this territory.  FANSHAW    Is it worth the risk? LEM    [shrug noise]  Time to time a man wants a bath and a night in a bed. FANSHAW    There are some distinct benefits to being deceased. LEM    [laughs]  Ayup.  I don't gotta listen to you bellyaching about aches and pains and sleeping on the ground no more.  Never mind being all prissy and citified about finding you a comf'table bush now and then-- FANSHAW    [rolling eyes]  Yes, yes. LEM    Sides, I'm outta coffee.  And low on shells.  FANSHAW    [teasing] Heavens.  How DO you manage? 2_STROLLING AMB    IN TOWN SOUND    WALKING ON WOOD LEM    Lotta trade hereabouts.  Reckon I'll be able to get what all I need. FANSHAW    Lem!  Soldiers. LEM    [voice low]  Right.  We'll go on over yonder.  [beat] Must still be a fort within spitting distance.  FANSHAW    I did notice that the old fortification appears to have become the mansion for an authority of some kind.  LEM    Probly best to get my business done and skeddaddle. SOUND    SALOON DOOR OPENS, JUST OFF, PEOPLE COME OUT FANSHAW    I say.  Isn't it a bit early for a drink? LEM    [shrug] Three weeks.  Don't seem early to me. FANSHAW    I'll-- LISETTE    [off a bit] Clary? FANSHAW    [stunned and horrified] Oh god. LISETTE    [off a bit] Clary?  I'd know that voice anywhere! LEM    Friend o'yourn? FANSHAW    [stiff, covering]  Old acquaintance.  Go on ahead! LEM    Right. 3_SALOON SOUND    HE WALKS INTO SALOON AMB    SALOON LEM    One here. SOUND    DRINK POURED BARTENDER    There you go. SOUND    COINS SOUND    LEM DRINKS GRISHAM    [angry growl] Lemuel Roberts. LEM    [SPIT-TAKE] SOUND    GLASS SLAMMED DOWN BARTENDER    Something wrong, fella? LEM    [coughing, trying to clear his throat]  Toothache.  Hit like a snakebite. GRISHAM    You look at me, you pissant slab of gun leather. BARTENDER    [sympathetic] Tarnation.  You need it yonked?  Barber can‑‑ LEM    [finally getting clear] No, no.  I kin handle it.  SOUND    COINS, GLASS DOWN LEM    Another.  And sorry about the-- BARTENDER    [dismissive] Ain't no nevermind. SOUND    MORE COINS LEM    Give me the bottle. GRISHAM    Now I found you, you could float a heap o rotgut and won't never drown me! BARTENDER    You drink more careful now, you hear? LEM    Ayup. 4_LISETTE AMB    OUTSIDE LISETTE    [close, laughing] Oh, good lord, look at you!  Mustache and all.  Aren't you a little brigadier? FANSHAW    [acknowledging] Carmichael. LISETTE    Oh, how formal.  Just like at school.  What have you been up to Clary, dear? FANSHAW    "Fanshaw," if you please. LISETTE    And we used to be such chums.  However did you end up here? FANSHAW    I'm quite sorry to see that you are dead, Carmichael. LISETTE    [laughing] Oh, I rather doubt that!  You're only very sad to see that I'm here, aren't you? FANSHAW    Would you prefer that I said I am pleased to find that you died, since that would be the only circumstance that could ever have stopped you from tormenting every living soul around you? LISETTE    [not amused any more]  At least that would be closer to the truth. FANSHAW    Jolly good.  Happy you're dead.  Must get along. LISETTE    Don't run off so quickly, Clary!  FANSHAW    [long breath of self-control]  LISETTE    There's been no one interesting to talk to or listen in on for simply ages.  FANSHAW    How unfortunate.  Must rush. LISETTE    I noticed you speaking to that fellow. FANSHAW    [quiet] Bloody hell.  [up]  I speak to a lot of people. LISETTE    I'm sure.  But he replied.  Might I speak with him as well? FANSHAW    I-- LISETTE    Oh, just watch your face!  You're trying desperately to come up with a lie!  You never could hide anything from me, mustache or no mustache, silly Clary-- FANSHAW    Stop calling me that. LISETTE    Oh, how I've missed these little moments with my dearest friends - ever since I made the leap.  I shall have to spend a great deal of time with you - and with your rugged looking friend.  FANSHAW    [gritted teeth] Jolly good. 5_SALOON2 AMB    SALOON SOUND    LEM DRINKS, SLAMS DOWN GLASS GRISHAM    I know you kin hear me, you toad-bellied worm. SOUND    CHAIR SHIFTS, KICKED OUT FROM TABLE LEM    [low] Sit. GRISHAM    What makes you think I'd sit with you?  You done went and killed me! LEM    That's one reason I'm plumb surprised to see you.  You went down all the way to Fayetteville - damn far north o' here. GRISHAM    I ... drifted. LEM    That's just what's got me hornswoggled.  Ain't no one drifts. GRISHAM    Well I did, and I's planning to get you back for what you done, one way or t'other. LEM    [sigh] SOUND    DRINK POURS 6_PIGS SOUND    PIGS LEM    Why'd you drag me out to the slaughterhouse? FANSHAW    That woman - ghost woman. LEM    An old flame? FANSHAW    Nonsense!  We knew each other as ... children.  She is-- [changing the subject] She is unlikely to follow us here.  LEM    Spect not.  Womenfolks ain't fond of this sort of messy business. FANSHAW    [disgusted] Yes... LEM    So?  You'd best'a brought me here fer a reason. FANSHAW    Lisette Carmichael.  She [hard to say] is a person who likes to know things.  About other people.  She likes to -- LEM    Hold a grudge?  Like a noose over yer head? FANSHAW    Aptly put.  Yes.  LEM    You cain't have much in the way of dark secrets, though, can you?  Leastways not no more. FANSHAW    You might be surprised. LEM    Who's she a-gonna tell?  [realizes] Oh.  FANSHAW    And while I'm fairly certain you think you could overlook any past indiscretion on my  part, I don't doubt there are a few things that might shock even you.  Lord knows, she's not even above the occasional fabrication. LEM    [after a moment]  Did it involve a sheep? FANSHAW    What? LEM    Whatever it was you done. FANSHAW    No.  It isn't - it's not like that at all. LEM    [shrug] Sounds like we should jest ride on out. FANSHAW    What? LEM    Got my coffee, ain't no reason to lollygag. FANSHAW    You would leave?  Over this? LEM    I figger you saved m'life more'n once, and ain't much I can do in return.  SOUND    WALKING IN MUD LEM    Let's get gone before you start a-thanking me. 7_BARN AMB    BARN SOUND    TACK, HORSES, ETC. LEM    You distract her, I'll get the gear.  Come and find me when you feel the pull. FANSHAW    Righty-ho.  SOUND    LEAVES GRISHAM    Running away, eh?  Allus knew you'ure yella. LEM    [sigh]  You're lucky ain't no one about but us.  Otherwise, I wouldn't dignify none of that with an answer. GRISHAM    You kilt me! LEM    We had it out, fair and square.  I never shot no one in-- [breaks off, a bit choked up]  I never din't kill any one not a-gunning fer me.  Not on purpose. SOUND    LAST BIT OF TACKING UP GRISHAM    Are you saying I was asking fer it? LEM    I seem to recall you a-calling me out in the middle of a fairish game of cards.  Yellin blue bloody murder that I should step out and face you. GRISHAM    Well, yeah, but I was drunk. LEM    I din't do THAT to you neither.  You called me out, without no good reason agin me. GRISHAM    [losing some of his bluster] I fancied making a name for myself. SOUND    LEM GETS INTO THE SADDLE LEM    By shooting the Kid?  You ain't the first. GRISHAM    But you still kilt me. LEM    And I won't never forget none of it, but you got what you asked for, and not a jot more.  Blame providence if you cain't blame yerself, but don't put this guilt on me.  Hee-yaw! SOUND    RIDES OFF 8_DISTRACTION FANSHAW     Lisette? LISETTE    There you are!  Just like a naughty boy, running off to filthy places to get away. FANSHAW    So sorry.  Didn't have much choice.  My friend is quite fascinated by... hogs. LISETTE    Did you make a clean breast of it?  Or just warn him not to believe a thing I say?  FANSHAW    You don't understand what you're threatening to do - you never did.  LISETTE    So bothered over trifles!  How much people change! FANSHAW    Ruining someone's life never meant anything to you!  Do you recall poor Selfridge? LISETTE    Carmela?  Served her right.  FANSHAW    She threw herself off a bridge! LISETTE    She also let herself be compromised!  I didn't put her in the family way, and she was the one lying and hiding-- FANSHAW    Are you trying to imply that you are somehow in the right?  A champion of truth? LISETTE    Shall I point out what it is you are doing that flies in the face of nature? FANSHAW    History is replete with-- LISETTE    Oh, spare me.  Next you'll be quoting Shakespeare. FANSHAW    Very well.  I shan't try and justify myself, but I will point out that whatever I am doing, it cannot be changed.  Being dead, there's not much one can do about such trifles. LISETTE    Then why should it be such a catastrophe were I to tell? FANSHAW    [beat] You've never had a real friend, only people who fawned on you in order that you would not reveal their shortcomings.  LISETTE    [outraged] I--?  You--! FANSHAW    Kindly allow me to finish.  There is a certain camaraderie among men that simply does not - cannot - occur once a woman is involved.  Once you put your nose in, I fear it would never be quite the same. LISETTE    No doubt.  I'll just go and find your friend now, shall I? FANSHAW    [strange gasp, ending on a laugh]  No, but I think I shall. SOUND    FANSHAW LEAVING NOISE CLOSING         Auld Lang Syne [DeK4] EPISODE 2 1_MOSEYING AMB    OPEN COUNTRYSIDE, nighttime SOUND    HORSES WALKING LEM    I still cain't reckon how he got so far from where he-- I-- where we had it out. FANSHAW    How odd.  Have you ever encountered other ghosts who could travel? LEM    Present comp'ny only. FANSHAW    And we know the how and why of that.  Perhaps this fellow has a similar... arrangement? LEM    How?  And who with?  Ain't no one would carry that ugly cuss a dog's walk, let alone some hundred miles. FANSHAW    Well, every one of we "spirits" seems to be a bit different. LEM    Like your lady friend back there? FANSHAW    [sigh] From her current appearance and [disapproving] "costume", she had fallen on ‑ahem- hard times indeed.  Possibly drifted west - whilst alive - in hopes of making something better for herself.  LEM    Lot of people can say that, out this way. FANSHAW    [a bit snotty] Frankly I'm not surprised at her misfortune.  When you alienate all those around you, no one will step in to help if things take a turn for the worse. LEM    Cain't say I ain't never been that fella. FANSHAW    [chagrined] Oh.  MUSIC     FOR FLASHBACK NOTE    Lem is younger, more cocky, more superior in the falshback - need to really show who he used to be 2_THE OLD KID AMB    SALOON LEM    Gimme two. SOUND    CARDS LEM    [pleased noise]  I'll see you and raise-- SOUND    CROWD HUSHES GRISHAM    [snarling declaration] I hear tell the Deadeye Kid's here in town? LEM    [ignoring him, smug] Raise ten. DEALER    [shaky] Uh, Kid? GRISHAM    Which one o' y'all's sposed to be this weasel? LEM    Your call. PLAYER1    [shaky] Um...  I fold. LEM    [chuckles] PATRON1    How can he--? Patron2    Shh! SOUND    HEAVY SPURRED BOOTS CROSS FLOOR, PEOPLE SCUTTLE OUT OF WAY GRISHAM    [heavy menace]  You the deadeye kid? LEM    [offhanded] I'm the man playing a nice civil hand of cards.  Mebbe you can hold your hosses there, whistle stomper. GRISHAM    Either you come out and face me now, or I swear'n I'm gonna shoot you where you sit. SOUND    CHAIRS SCOOTING OUT, PEOPLE LEAVING TABLE LEM    [long dramatic sigh]  Now that sounds a mite like a threat. PLAYER1    [muttered] Uh, yeah.  I'm done.  Fergot my wife wants me home. GRISHAM    Are you coming, or am I shooting? LEM    If everyone's takin' leg, I guess I win by forfeit? DEALER    Um, I don't think anyone's gonna argue you on that. GRISHAM    You turn around now and face me, you yellow bellied dog! SOUND    MONEY BEING SHOVED TOGETHER LEM    Give the frog a chance to jump, knuckles.  Cain't just leave all this layin around. SOUND    G's GUN DRAWN AND COCKED GRISHAM    Now! LEM    [to dealer, cocky] You'll look after this til I get back? DEALER    Uh... certainly. GRISHAM    I'll do it!  I will! SOUND    CHAIR SLOWLY MOVES, LEM'S SPUR-STEPS, STANDS LEM    Rightchere in front of all these good folks?  And leave the dealer to clean up the mess?  [tsks]  Let's at least be civilized and take this on outside. 3_EASIER MUSIC    BACK TO NOW SOUND    HORSES WALKING FANSHAW    Seems as if it would be a great deal easier. LEM    Whazzat? FANSHAW    Shooting someone in the back. LEM    And killin a chicken's easier than takin down a buffalo, but ain't a thing to swell over.  Ain't no pride in the easy way.  FANSHAW    Backshooting would gain you notoriety just as quickly. LEM    It's all about how folks look at you... and how they see you. MUSIC    BACK TO FLASHBACK 4_WARMUP GRISHAM    Are you stepping? LEM    What flavor of tarantula juice got you fit to wake snakes?  Milk?  [insulting that he can't hold his liquor] GRISHAM    [furious noise]  I got a pill to run you on, and I'm gonna chew back every moment of it. LEM    [to the crowd] Righchere's a rumbustious fellow for you.  SOUND    DRINKS DOWN HIS LIQUOR, SLAMS IT DOWN LEM    Barkeep?  Have me a shot of top mark waitin. SOUND    WALKS OUT, SLOWLY GRISHAM    You look at me while I'm a talking to you! LEM    [walking out] You say somethin' more wheat than chaff, mebbe I will. 5_RATTLING FANSHAW    Were you trying to upset his equilibrium? LEM    What's that when it's at home? FANSHAW    uh - Throw him off - make him upset and more likely to make mistakes. LEM    Rattlin.  Yup.  There's as much head as hand in a proper showdown.  Not that this was one o' them. FANSHAW    Why not?  He called you out. LEM    He was halfway round on rotgut.  Not a nugget's chance agin me.  Even if he had all his [careful] equilibriums about him. FANSHAW    But you stepped out with him?  Even knowing he had no chance? LEM    A'course.  He wouldn't take no.  Drunk fellers who ain't gettin their way are as likely to shoot just about anyone.  I reckoned I was a-helpin, putting him down. FANSHAW    [a bit touchy] And you couldn't simply injure him or knock him out - he had to die? LEM    Ain't no place for fine feelins when there's a man with a gun a-facin you.  And ain't no time to aim all purty and shoot him just so.  You hit hard and put him down, cause if you don't, he'll do it to you.  That's the part you cain't get away from - one or t'other's likely for boot hill, and you GOTTA face it that way. 6_SHOWDOWN MUSIC    BACK TO FLASHBACK SOUND    OUTSIDE NOW GRISHAM    You ready? LEM    Why trouble yerself to call me out anyhow?  I kill someone yer riled over? GRISHAM    [duh] Yer the Deadeye Kid! LEM    [duh] Yep.  [beat] That's your sole entire reason?  You wanna walk in my boots? GRISHAM    No faster way to make a name, than laying out a name. SOUND    THEY MOVE TO EITHER SIDE OF THE SOUNDSCAPE SOUND    GUN BEING CHECKED, LEM LEM    And o'course it gots to be a callout.  [digsut, sarcasm] No one wants to be the next Robert Ford.  [man who backshot his friend Jesse James] GRISHAM    Come on!  Kick it up, Deadeye!  Less'n yer yellow! SOUND    LEM - DIRT PATTERS - checking the wind] LEM    [maddenginly cool] Oh.  I'm ripe and ready to drop. SOUND    TENSION NOISE, CROWD NOISE, THEN SUDDEN FLURRY OF GUNFIGHT. SOUND    G - BODY DROP SOUND    LEM - GUN INTO HOLSTER.  A MOMENT.  FEET WALK BACK UP INTO SALOON 7_ENJOY MUSIC    BACK TO NOW FANSHAW     [relenting a bit] I suppose it's very like being in battle - not a good place to have consideration for the other fellow. LEM    Have to ice over that pond.  Hard and cold.  Hard and cold. FANSHAW    I- I do apologize for sounding disapproving.  I want to assure you, it's the process that... well... seems so very pointless. LEM    [a litle lighter] Men'll be men. FANSHAW    But men can behave in a civilized manner!  Look at we Brits. LEM    [grunt - half laugh half dismissive] FANSHAW    Do you enjoy it? LEM    [very mixed feelings] Enjoy? FANSHAW    Throughout history there have been men who reveled in killing, in battle. LEM    Hmmm.  [musing] There's a fire that burns you at that moment, like bugs in the skin. LEM    S'like the best whiskey and the moment you almost fall off a cliff, and being with the love of your life, all at the same damn time.  FANSHAW    The thrill of danger? LEM    That, but even more so.  If'n you just want danger, you go climbin cliffs or breakin broncs.  This is starin into the eyes of death - death right there and then and ain't no "maybe so" about it.  Kill or be killed.  [beat, then not quite truthful]  Enjoy?  No.  FANSHAW    Sometimes a person's strength is in making the right choice, even when it might pain them to do so. LEM    I reckon. 8_WINNER MUSIC    FLASH BACK AMB    INSIDE SALOON, HUSHED SOUND    GUNSHOT, OUTSIDE WOMAN    [gasps] SOUND    [CROWD NOISE, OUTSIDE], THEN OMINOUS BOOTS ON WOOD, SALOON DOOR OPENS SOUND    PIANO PLAYS, CHATTER BEGINS AGAIN LEM    [voiceover]  there's also this way people have of lookin at you - like yer the best.  Used be I din't see the fear beneath it. SOUND    BOTTLE POURS, GLASS SET DOWN BARTENDER    Your shot, Mister. LEM    [drinks big, then bragging] My second shot in two minutes! SOUND    Forced laughter from the crowd, warps out a bit. 9_HUNKER MUSIC    BACK TO NOW LEM    [brisk] It's coming down dusk.  Need to find a place to hunker fer the night. FANSHAW    I shall keep an eye out for-- [dread] oh! LEM    Whazzat? FANSHAW    Look - the horizon! LEM    Signal fires, and a lot of em.  Damn. FANSHAW    They're a little far off to get a better look at.  We shall... have to return, shan't we? LEM    Someone's gotta warn the town.  Whether it's injuns or sumpin else, looks like an ambush on the march. FANSHAW    [weakly] Surely the garrison maintains lookouts? LEM    Not so much that I saw.  They're purt near closed up shop, from the looks back there.  FANSHAW    [heavy sigh]  Right, then.  SOUND    DISMOUNT, SHIFTING A FEW THINGS FROM HORSE TO HORSE LEM    You worried about your lady friend? FANSHAW    She's neither a lady nor a friend.  But whatever she might have to say will matter to none but me.  [change of tone]  We are a couple of hours out. LEM    Horses ain't fresh, but I weren't pushin.  We can get back before them out there can get into spittin distance. SOUND    MOUNT OTHER HORSE FANSHAW    [resigned but determined] Shall we? MUSIC     Auld Lang Syne [DeK4] EPISODE 3 1_WONT SPOOK SOUND    READYING FOR BATTLE LEM    If'n you got a fresh horse, I kin go scout some fer you. COMMANDER    You've done enough already, stranger.  Ain't even your fight. LEM    I know where they're at, and I got some idea of where they're likely to be by the time I get back there.  Give me one horse ain't like to spook, and I'll-- COMMANDER    I'll have to send a man along with you. LEM    That's fine.  Make sure he ain't like to spook neither. 2_LISETTE SOUND    [above scene plays out in the background] LISETTE    And here I thought you had run away and left me all alone.  FANSHAW    [sigh] Why don't we step outside to have this conversation? LISETTE    No.  I like seeing what the "menfolk" are up to.  [frustrated noise] What I wouldn't give to be able to leave this rattletrap town.  I'm still not sure how you did that.  Or why you came back. FANSHAW    We had to warn the garrison. LISETTE    Always full of suprises, aren't you - and yet still sanctimonious.  Fanshaw, dear old chum.  Are you not afraid of what I might say? FANSHAW    Any concern you might cause me is negligible when weighed against the potential danger to others. LISETTE    [surprised laugh]  Hah!  All you superior little snobs, with your noses in the air!  And deep down, all just as afraid as the rest of us. FANSHAW    I've no idea what you're talking about, and I don't care to find out.  Whatever you plan to do, just get on with it.  We have a job to do. LISETTE    Wait! FANSHAW    [long sigh]  Yes? LISETTE    Shall I wish you "good luck"? FANSHAW    I doubt I shall need any.  But I thank you for the sentiment, Miss Carmichael, however grudgingly bestowed. 3_JULIET FLASHBACK JULIET    Romeo, doff thy name, And for that name which is no part of thee Take all myself. FANSHAW    I take thee at thy word: Call me but love, and I'll be new baptized; Henceforth I never will be Romeo. JULIET     What man art thou that thus bescreen'd in night So stumblest on my counsel? ROMEO     By a name I know not how to tell thee who I am: My name, dear saint, is hateful to myself-- SOUND    POUNDING LISETTE    Oh heavens!  Not again! MAN    [calling from off] Sorry. SOUND    POUNDING STOPS LISETTE    Try that scene again from the top.  Romeo? FANSHAW    [sigh] Yes? LISETTE    Couldn't you try to be a bit more ... masculine? JULIET    Oh, I like "him".  So terribly byronic. FANSHAW    I'll see what I can do. 4_SCOTTY SOUND    PACKING A HORSE SCOTTY    Sir? LEM    Yeah? SCOTTY    Private Scott.  Commander Bennington told me to report to you. LEM    [sigh] Right.  You ever shot that for real? SCOTTY    O'course. LEM    Against a person? SCOTTY    Well, against animals. LEM    Right. GRISHAM    Not everyone can be you. LEM    [sighs] SCOTTY    Don't you worry!  I ain't afraid! GRISHAM    This pullet ain't even got pinfeathers yet.  You get him killed, you gonna adda a notch fer him too? LEM    You got a horse, Scott? SCOTTY    Everyone calls me Scotty. GRISHAM    Later, they'll just call him dead. LEM    Scotty.  Right.  You gotta horse? SCOTTY    Over there. GRISHAM    [rueful] My damn horse.  Serving in the army like the rest of the idjets.  LEM    Well, go and get'im. SCOTTY    Right, sir! GRISHAM    Ain't he a little young?  You should oughtta throw him back. LEM    I'm stuck with him.  And I never kept notches. GRISHAM    That ain't what I heered. LEM    Lot o' tales goin round - ain't a one of 'em naught but sagebrush smoke. GRISHAM    And the tale 'bout how you kilt me? LEM    [sharp intake] I don't brag on none o' that no more. GRISHAM    So, you think I like being plumb forgot? LEM    If I thought tellin about it would ease you on to the next thing, you think I wouldn't? SCOTTY    Tell me about what?  Injuns?  [certain] I know all about them. LEM    [sigh] 5_SCOUTING AMB    CRICKETS SOUND    HORSES FANSHAW    They're still out of range.  I can just barely catch snippets of sound at my farthest reach, but I'm fairly certain it is not Indians. LEM    Hmm? FANSHAW    I can make out English and Spanish.  Are we anywhere near the Mexico territories? LEM    [quiet] Ain't impossible.  Deserters, mebbe. SCOTTY    What ain't impossible? LEM    We're gettin close.  Best to go on foot.  SCOTTY    These here horses are my responsibility! LEM    Best you stay and watch'em, then.  FANSHAW    Don't forget the satchel. SOUND    CREAK LEM    Like I'd forget that. SCOTTY    I wouldna gone through your kit or nothin!  I ain't no finger monkey. FANSHAW    [laughs]  I ne'er heard that one before. SOUND    REMOVING SPURS LEM    Ain't that I don't trust you, son, just might need me some things.  If I was you, I'd take them horses up yonder - forge as far into the high rough as you can, but keep where you can see if I come tearin out of there.  You reckon? SCOTTY    How'll you find us? LEM    I'll find you.  Just be ready.  And don't shoot me. SOUND    QUIET FEET ON DIRT 6_JULIET2 FLASHBACK    echoey hallway LISETTE    [running up] Fanshaw? FANSHAW    Carmichael. LISETTE    [trying to start a fight] We've been reconsidering your costume.  Those leggings are positively scandalous. FANSHAW     [bland] Romeo can hardly appear in bloomers.  Would be rather difficult to climb to the balcony. LISETTE    Perhaps plain trousers, then.  [sly] Though I understand you were quite keen on showing off your legs. FANSHAW    [rueful] There is a great deal to be said for the freedom of movement.  [dismissive] But a costume is a costume.  I certainly shan't make a fuss. LISETTE    [annoyed at not being able to get a rise out of F] Very well. 7_FANSHAW SCOUTS SOUND    SLIGHT RUSTLE OF LEAVES LEM    [very quiet] Close enough? FANSHAW    I'll have a look round.  SOUND    FANSHAW LEAVES GRISHAM    [very loud] You hiding from something? LEM    [reaction noise, quickly stifled] GRISHAM    Ooh!  Scairt you, din't I? LEM    [whispered] Made me jump damn near out my skin. GRISHAM    [smug and evil] Well that's good, then.  Looks like I can get my own back on you. LEM    What all do you want? GRISHAM    Apart from you in a pine box?  I'm hankerin to be alive agin, but that ain't gon happen. LEM    Not likely, nope.  How'd you follow us? GRISHAM    What kind of tenderfoot you take me for that I can't follow my own damn horse? LEM    [half realizing something] Damn. SOUND    FANSHAW COMES BACK FANSHAW    Who the devil is this? GRISHAM    Who the devil are you? LEM    What'd ya find out? FANSHAW    A motley crew, but definitely girding themselves for battle.  GRISHAM    What kinda girlie man are ya?  Highfaluting slicker talk! FANSHAW    [sigh, but determined] They're half mounted already, but I could make out that they're waiting til after midnight, to make certain of finding as many people abed as possible. GRISHAM    Put you in a dress, and I bet everyone'd wanna dance! FANSHAW    We need to get moving. GRISHAM    I think you need a shave, girlie man. SOUND    KNIFE FANSHAW    [finally breaking concentration] God damn you all to hell! SOUND    PUNCH, KNEE TO GROIN LEM    [trying not to laugh] GRISHAM    Oooohhhh. FANSHAW    Marquis of Queensbury be damned.  We need to go. GRISHAM    [different kind of ooooh - like he's falling, or being dragged off] SOUND    SUCK NOISE AND GRISHAM VANISHES LEM    What'd you do to him? FANSHAW    I didn't!  I couldn't-- I... haven't the faintest idea?  8_JULIET3 SOUND    TAP ON DOOR LISETTE    Fanshaw? FANSHAW    Come in. LISETTE    I've brought you your hat-- whatever are you doing? FANSHAW    I was considering what I might do with my hair.  To create the right ilusion. LISETTE    That is what the HAT is for. FANSHAW    I prefer not.  It looks like an ottoman on my head.  LISETTE    And Romeo does not wear a moustache. FANSHAW    Whyever not? LISETTE     On the stage, moustaches are only for villains and army colonels! FANSHAW    [considering] I might just cut my hair. LISETTE    That is the final straw!  Miss Peabody said this would happen. FANSHAW    What? LISETTE    That you would take too many liberties.  You are out. FANSHAW    Out? LISETTE    [snidely satisfied] You are no longer a member of this production. 9_DEAD SCOTT SOUND    QUIET BOOTSTEPS LEM    [very quiet] Scotty? FANSHAW    [off a bit] Oh, good god. LEM    Do I need to keep quiet? FANSHAW    I don't see anyone.  Anyone... hostile. SOUND    QUICK, NOISIER FOOTSTEPS SCOTTY    [as if waking up] Oooh! LEM    What is--  [tragic regret] Ohh. SCOTTY    They come in out of nowheres! FANSHAW    I don't doubt it. SCOTTY    And they took the damn horses, Mister Roberts! FANSHAW    I think that just might explain-- SCOTTY    And who in blue blazes is this feller? LEM    [heavy sigh]  Ayup. CLOSING       Auld Lang Syne [DeK4] EPISODE 4 1_DROP EVERYTHING SOUND    UNBUCKLING, BAG DOWN, ETC. LEM    Good thing I had that with me.   Though now I gotta leave it. SOUND    SATCHEL DOWN FANSHAW    Of course. SCOTTY    I'm really sorry about this, sir. LEM    I doubt me you coulda stopped it, son.  And you been punished enough. SCOTTY    What do you mean?  They musta knocked me out, but I don't even feel it. FANSHAW    I'll deal with him. LEM    I'll leave you to it.  SCOTTY    What are you doing? LEM    Gonna haveta hoof it back to town - cain't take naught but my guns.  You gon' be all right? SOUND    RUSTLE OF BUSHES FANSHAW    Well, we won't be able to do much to stop them if they came across your bag, but that looks like a good hiding place.  Especially in the dark. SCOTTY    Can't do anything?  What are you talking about?  FANSHAW    Hush, Scotty.  Let Lem get moving and we'll have a good long talk. SOUND    BOOTS RUN OFF 2_REBEL CAMP SOUND    MANY HORSES, MEN CHATTER, etc. SOUND    GRISHAM STUMBLES IN GRISHAM    Where the hell?   [Thunder?]!  Goddam rustlers!  SOUND    MEN WALK BY LEADER    Two horses, two saddles.  I don't like it. SECOND    Guerrero had the kid down before we realized.  But if there's another scout, he won't be able to get anywhere - at least not soon enough.   LEADER    [thinks, then definite] We must move up the charge. SECOND    We're nearly ready.  3_NO HEAVEN SCOTTY    [trying not to cry] So that's IT?  I mean this is it?  No nothing left?  No heaven? FANSHAW    There are so many things even I don't understand.  I wish I could offer you more in the way of consolation. SCOTTY    But don't no one ever pass along? FANSHAW    Most do.  And I'm even aware of those who spend some time like this, and then pass on, though there's no easy answer for how or why it happens. SCOTTY    And I won't never even get to be with a woman. FANSHAW    [uncomfortable] Oh, dear.  That is a shame. SCOTTY    What's it like? FANSHAW    [dread] What is ... what... like? SCOTTY     Being with a woman? FANSHAW    Ohhh.... 4_RUNNING LEM    [heavy but measured breathing] SOUND    RUNNING FOOTSTEPS - TROT, NOT DASH LEM    [muttered] Dammit.  Leastways there's a good moon. 4A_FLASHBACK MUSIC    FLASHBACK SOUND    NIGHT, DOGS, CHICKENS - ALARUMS SOUND    ANGRY MOB, OFF ROBERTS    [yelling, off]  Leastways, there's a good moon!  PIEDMONT    [up close, heavy breathing, trying to be quiet] ROBERTS    [off, yelling]  Spread out!  Don't let that traitor get away!  Where's that rope? PIEDMONT    [gasp, then trying to breathe even quieter] SOUND    VERY SLOW CREAK, SHUTTING DOOR ON THE NOISE. YOUNG LEM    [about 12] Whatchoo doin', mister? PIEDMONT    [terrible gasp, smothers a scream] 6_EXPERIENCE FANSHAW    My experience is not ... vast, but I have had one or two ... romantic encounters. SCOTTY    Well, you're a man of the world, ain't you?  You been all over the place! FANSHAW    Oh dear.  [up]  I've spent most of my life deep in study.  I suppose I've always felt there would be time - later - to settle down to a family and all.  SCOTTY    Me too.  Not the studying, but the ... "later". FANSHAW    [after a moment]  Women are.... soft. SCOTTY    [eager] Yeah? FANSHAW    And round.  In places where men aren't. SCOTTY    But they do got legs, don't they? FANSHAW    [flabbergasted]  What? SCOTTY    You never don't see none of them out of skirts!  Who knows what they got under there? FANSHAW    Well, that I can answer - generally, women are made the same as men.  Arms, legs, heads - well, one head.  You understand. SCOTTY     [avid] And bosoms. FANSHAW    Yes.  Yes, that. 7_VARMINT SOUND    RUNNING, LEM'S HEAVY BREATHING UNDER THIS? PIEDMONT    Shh!  Don't let anyone know I am here. YOUNG LEM    You the varmint they's looking fer? PIEDMONT    There is no call to use such language, boy.  Do you know this area? YOUNG LEM    I should hope I do!  My pa's Mr. Jorgenson's top man. PIEDMONT    [sarcastic] So he's the one leading the search. YOUNG LEM    [pride] Yup. SOUND    OUTSIDE, THE ROW GETS CLOSER ROBERTS    [outside]  Get him, Honeysuckle, there's a good bitch! YOUNG LEM    [pride and fear] That's my pa! PIEDMONT    But you're not going to tell him I am in here? YOUNG LEM    I don't fancy getting whupped.  I ain't sposed to be in the barn at night.  8_YOUNG LOVE FANSHAW    I was in love.  When I was very young. SCOTTY    Was she really purtty? FANSHAW    [sigh] I thought the sun rose and set with my beloved's face.  Have you ever seen hair so fine and blonde that your fingers desperately wanted to touch it? SCOTTY    You talk so flowery, I bet all the girls jest love you! FANSHAW    Our parents objected.  They said we were too young, and I was packed off to school. SCOTTY    What didja do? FANSHAW    I waited.  I nursed my deep love, and remained constant, like patience on a rock. SCOTTY    You waited on a rock? FANSHAW    I waited at school.  I was determined that one day, when we were old enough that no one could object, I would return and we would be joined forever. SCOTTY    What happened? FANSHAW    I made my way to the object of my affection and...discovered... SCOTTY    Yes? FANSHAW    That I was the only one who had bothered to wait. SCOTTY    She'd gone and -- FANSHAW    My "dearest love" had married another.  Had, and I quote "almost forgotten about that summer." SCOTTY    Damn!  Women are right terrible. FANSHAW    Don't fault women, boy.  There are quite as many constant and sweet-natured females as there are fickle and wicked men.  We all deserve a "heaping helping" of the blame. 8_DISCOVERED SOUND    UNDER - LEM WALKING NOW, STILL BREATHING HARD, PACING HIMSELF YOUNG LEM    They're fixing to hang you? PIEDMONT    Yes. YOUNG LEM    Why?  What for? PIEDMONT    We were on opposite sides in a fight. YOUNG LEM    You mean the war?  Hmph.  My pa says why keep slaves when you can hire men for even cheaper and don't have to sell them if'n they don't do the job right. PIEDMONT    [incensed] You think your pa knows so much about everything, don't you? YOUNG LEM    [a bit afraid] Well, he knows where you are. SOUND    DOOR SLAMS OPEN ROBERTS    There he is! MAN    Get him! PIEDMONT    [scream] SOUND    SCUFFLE, KNIFE DRAWN YOUNG LEM    [gasp, cut off by hand] PIEDMONT    I'll kill your boy, just see if I won't! 10_STUCK SCOTTY    You said you know about some folks what was like this for a time and then moved along? FANSHAW    Yes.  We've encountered one or two. SCOTTY    How'd it work? FANSHAW    Work? SCOTTY    I mean, I don't wanna be stuck out here, middle o' nowhere, all by my lonesome, forever! FANSHAW    I don't know that I have an answer for you.  I've only been - like this - for a... a couple of years, myself, and haven't seen a fraction of what Lem has. SCOTTY    Years?  You been dead for years and ain't moved on? FANSHAW    We... help people.  And I get to see the world - [half pleased, half rueful] hmph... in perfect safety.  11_SHOT SOUND    LEM RUNNING AGAIN PIEDMONT    [panicky, but trying to be placating] I am going to have to ask you to take a step back, sir!  My hand could slip a fraction of an inch, and that's all it would take.   YOUNG LEM    [gasp]  Pa? SOUND    GUNSHOT SOUND    TWO BODY DROPS ROBERTS    [cold] You understand we cain't leave that kind of critter running loose, don't you? 12_BUSINESS FANSHAW    Some folks stay because they have unfinished business, and once the business is completed, they are able pass on.  SCOTTY    Business?  I ain't never been in business. FANSHAW    No, no.  For instance, one young man was able to move along once his murderer was uncovered and hung. SCOTTY    Oh.  I spose that could happen. FANSHAW    Or perhaps when the horses have been recovered, since that was your task at the time of your death. SCOTTY    [very down] Oh, right. FANSHAW    [cheering]  Or, when the town has been warned.  That could very well have been at the forefront of your thoughts. SCOTTY    [wailing] Oh no!  FANSHAW    Whatever is the matter? SCOTTY    What if it's ladies? FANSHAW    [careful] What if what is "ladies"? SCOTTY    What if I can't never pass on til I been with a lady? FANSHAW    [cold, practical] That would be most extremely awkward.  Worry about that once we find out if you can get back to town or not. 13_WHUPPING YOUNG LEM    [sniffles a bit] ROBERTS    You crying, boy? YOUNG LEM    [stifling it] No sir. ROBERTS    Good.  Now run and let Mrs. Roberts have a look at that scratch. SOUND    A COUPLE OF STEPS, THEN TURN YOUNG LEM    [blank] You shot him dead. ROBERTS    Yup. YOUNG LEM    In the dark, and on the draw, and din't even hit me. ROBERTS    Yup.  [beat]  You asking something? YOUNG LEM    What if he'd'a kilt me?  Or what if you did? ROBERTS    [long pause]  Life's hard, boy.  You cain't let folks get away with wrongdoing, no matter who they got a grip on. YOUNG LEM    Oh. SOUND    BARN DOOR SWINGS OPEN, COUPLE OF STEPS ROBERTS    Lem?  YOUNG LEM    [almost a gasp] Yessir? ROBERTS    [casual] Don't think I'm not gon' whale you for being in the barn by night, neither. [neeether] YOUNG LEM    [quiet, resentful] Yes, sir. 14_CRICKET SCOTTY    It ain't fair!  I'm being punished and I ain't never even done nothing! FANSHAW    Life is not fair.  Death even less so.  SCOTTY    I-- FANSHAW    [cutting him off] Still, I expect there must be some sort of answer.  SCOTTY    Answer? FANSHAW    Very likely, when they take your body back to town, you will accompany it, and there will find what you need to do to pass on. SCOTTY    What if they don't take it - me back? FANSHAW    Lem will see that they do. SCOTTY    Oh.  And what about you, Mister Fanshaw? FANSHAW    What about me? SCOTTY    Don't you get to pass on too? FANSHAW    Oh.  But you see Scotty, I have no wish to. SCOTTY    No?  Why? FANSHAW    I still have many things to see.  And I feel like I'm doing good here.  There's a story I read some time back, a sort of fable, about a puppet that comes to life. SCOTTY    That's crazy talk. FANSHAW    That's why it's a story.  In the tale, a cricket is asked to stay with him and make sure he does the right things. SCOTTY    All right.  Wait, a cricket, like a bug? FANSHAW    A talking bug, but yes, a bug.  SCOTTY    That's just plumb crazy. FANSHAW    True.  [gasp]  Look at the horizon!  I think they are on the move! SCOTTY    Is there something we can do? FANSHAW    This is one of those times I truly wish there was. CLOSING     Auld Lang Syne [DeK4] EPISODE 5 1_COMING SOUND    IN TOWN - HORSES, MEN, READYING FOR BATTLE COMMANDER    [commands]  We need more shot at the western boundary!  Get someone over there! SOLDIER    Yessir! SOUND    FEET RUN OFF SHARPLY SOUND    DISTANT APPROACH OF PAINED, SLOW RUNNING SOLDIER2    Sir!  Someone's coming!  On foot! COMMANDER    On foot?  SENTRY    [off] Halt! LEM    [breathless, with long gasps] I can't... If I stop...  I'm gon fall down...  And I gotta get to...  The commander. SENTRY    Stop, I say! COMMANDER    Let him on through. LEM    They're a-movin.  Deserters 'n comancheros.  Have guns.  COMMANDER    Why are you-- LEM    Kilt Scotty.  Took the horses.  Look sharp. Ungh! SOUND    FALLS DOWN COMMANDER    Are you all right?  [up] Someone get Doc! LEM    I'll be [coughing fit] fine. Jest let me lie till the shakin goes off. 2_SPOOK HORSES SCOTTY    We got to do something! FANSHAW    And just what do you have in mind?  I've already done all I can, scouting them for Lem.  By the time they come close enough for us to get a look at, they will be moving fast enough that we shall hardly have time to observe. SCOTTY    Can't we spook the horses or nothing?  That's what haints do, isn't it? FANSHAW    I was with you the entire trip out from town.  Did the horses seem spooked to you? SCOTTY    [really down] No. FANSHAW    If Lem makes it back in time, there are ways we can help him.  Otherwise, we are merely spectators at this show. 3_TONIC DOC    Can you get yourself around this? LEM    [still hoarse, puffing] Tonic? DOC    [shrug] Mostly brandy.  Medicinal. LEM    [rusty chuckle] Thanks, doc. [drinks] LISETTE     Oh, goodness.  I believe you are Fanshaw's dear friend.  LEM    [coughs] DOC    Din't say it was GOOD brandy. LEM    [hawks, spits, clear throat]  Hits the spot.  LISETTE    [calculating] And not able to walk away.  [cruel chuckle] How perfectly jolly. DOC     The commander's gone off to rally the men, but they're like to need you to guide them.  You up fer it? LEM    Will be... shortly.  Any chance of a mite to eat?  It's been a powerful long night, and not looking to roll up any time soon. 4_DO SOMETHING SCOTTY    He's the only one what can hear us? FANSHAW    We've come across... others.  But they are very rare. SCOTTY    [yelling] I want to DO something!  I want to help! FANSHAW    There is no need to make such a ... a ruckus!  I am in precisely the same predicament! SCOTTY    But I-- GRISHAM    [off]  Will you two shut up?  They're trying to sneak up on your position! FANSHAW    Oh dear.  Come along. SCOTTY    Where? FANSHAW    To do the only productive thing - gather as much information as possible. 5_SADDLED SOUND    MEN READY TO GO SOUND    MOUNT UP LEM    [sigh of relief, but also soreness]  COMMANDER    You doing all right, there, feller? LEM    Better saddle than boots.  I fair run the soles offa these. COMMANDER     Morning comes, we'll stand you a new set.  Least we can do.  Let's go. SOUND    HORSES MOVE OUT LEM    Commander? COMMANDER    Hmm? LEM    Rather than meet them headlong, since ain't no way to know how far they come, might could I suggest a defensive position? COMMANDER    This town is not a good place for that.  Too spread out.  And there's no way to get everyone into the fort, not without leaving near everything they own ripe for the picking. LEM    Nah - I'm a-thinkin just this side of the bridge, right about halfway out.  Bridge and creek - they ain't much, but if we can catch them this side of it, put their backs to water, and use the treeline for cover-- COMMANDER    I like the way you think, hombre.  [up] Company!  [attention!] 6_FIGHT GRISHAM    Ain't no way you're taking me by surprise again, you-- ow! SOUND    PUNCH FANSHAW    [casual] shut up. SCOTTY    That was a good'un! But what if he lands one on you - he's awful big! FANSHAW    Leave him!  [quiet, moving away]  We can't actually be hurt.  But not everyone realizes that, and many feel the pain, even when there is no reason to.  I learned that the hard way. GRISHAM    [off] I'm a-gonna get you! FANSHAW    Blast!  He may not be able to harm me, but he can annoy and distract, and make it difficult to get anything constructive done. SCOTTY    Maybe - maybe I could keep him from bothering you? FANSHAW    How? SCOTTY     Well, I been plumb angry since I got kilt, and my momma says sometimes the best way to get over anger, if you don't got no pie, is to-- GRISHAM    Kill you, you girly man! SCOTTY    [grunt as he punches him] GRISHAM    oof! SCOTTY    Better'n pie!  You go on, Mr. Fanshaw, and do what you gotta. FANSHAW    Good lad. 7_GRANDKIDS LEM    [muttered] Fanshaw?  Damn.  Too far out.  COMMANDER    What's the terrain like beyond the bridge? LEM    Nothing much to speak of.  Some hills.  A ridge off to the north where first we saw them.  No place fer them to make a stand tween here and there, though. COMMANDER    Good.  Cain't let this sort of thing go.  LEM    Course not.  COMMANDER    You got the extra shot you needed, did you? LEM    Ayup.  Had to leave all o' mine cached back with Scotty. COMMANDER    You're sure he's ... dead? LEM    I'm afraid I do know dead when I see it. COMMANDER    [sad] That's too bad. LEM    Kin? COMMANDER    Nephew.  LEM    [trying to ease] He went down fightin. COMMANDER    That don't give my sister grandbabies. LEM    [symp] Nope, it shore don't. 8_PIRATES SOUND    MUCH CREEPING FANSHAW    Looks like about three score.  Hardly a fair fight, sneaking up on a defenseless town at night.  Like pirates. 8A_FLASHBACK MUSIC    FLASHBACK AMB    BRIGHT SUNNY DAY NANNY    Come along in now, bunny bug. YOUNG CLARA    Stop calling me that, nanny!  I'm very nearly 10 years old. NANNY    You'll always be my little bunny bug.  Oh!  Whatever is that tea towel doing on your head?  [gasp of fear]  Did you hurt yourself?  Show nanny! YOUNG CLARA    No!  I am a pirate. NANNY    Do not be so silly.  There are no pirates. YOUNG CLARA    Of course there are.  They are in books, so they must be real. NANNY    Besides, you cannot be a pirate. YOUNG CLARA    Well not just NOW.  When I am bigger, I shall be able to do whatever I want. 9_WASPS COMMANDER    Did you see how big a force they had? LEM    Not to count them, but it was bigger'n I thought.  At least 30, probably more. COMMANDER    [skeptical] Really? LEM    They had a dozen cookin fires goin, and you don't make a fire to feed a lone fellow. COMMANDER    [considers, then agrees] No, you don't.  LEM    'Sides, better to expect a whole hive of wasps than be surprised by one too many. COMMANDER    [chuckles]  Sound thinking.  [up]  Lieutenant! 10_BAG SOUND    STILL MUCH MOVEMENT SOUND    SCOTTY AND GRISHAM, FIGHTING SCOTTY    [pleased] You tired yet, feller?  I ain't even blowed! GRISHAM    [tired] You little whippersnapper!  Think you can pull a man's whiskers and walk away! FANSHAW    [muttered] There are some distinct benefits to being dead.  More than he will ever know.  [gasp] No. RUFFIAN1    Hey!  I found something! SOUND    CREAK OF LEATHER - LEM'S GEAR FANSHAW    [worried] Damn!  Lem's bag! RUFFIAN2    What? SECOND    Silence! RUFFIAN2    [whispered] bring it - we'll split it later! RUFFIAN1    Split it?  Nonsense!  It's mine, whatever it is! SECOND    [whispered] Keep moving! 11_SCOUT AHEAD COMMANDER    [ordering, but hushed] Take your men and circle round up thataway.  Get to high ground and cut off retreat. BOB    Yessir! LEM    If you don't mind, sir, I'us thinkin I might scout on up ahead a mite.  COMMANDER    You aren't even being paid to be part of this, fellow, why do you keep risking yourself? LEM    [shrug] Someone's gotta.  'sides I had to leave my kit behind, and wanna get it if I can before someone else lays hands on it. COMMANDER    Valuables? LEM    Nothin worth money, but some things cain't be replaced. COMMANDER    [teasing a bit] Go on then, but if you see them coming, you'll come back and tell us first, eh? LEM    [chuckle] I reckon. 12_LEAD ROPE SCOTTY    Mister Fanshaw!  That fellow just vanished!  Like he flew away, whilst I was a-hittin on him! FANSHAW    I fear I shall be gone shortly as well. SCOTTY    Why? FANSHAW    I am not sure of his reasons, but I must stay with the bag.  Now that it has been found... SCOTTY    Why?  Keeping an eye on it? FANSHAW    No.  There's something in there - Oh!  It's moving.  Stay with me as long as you can.  SCOTTY    Why can't I--? FANSHAW    Shh!  [very hurried] Picture a rope tied to something, say, to you - your body, over there.  And you are on the other end. SCOTTY    Like a training rope? [ASK PAT] FANSHAW    Basically, yes.  You can go anywhere, within the circle made by that rope. SCOTTY    [figuring it out] So you're ... tied to that bag? FANSHAW    Yes!  [gasp] Bloody thieves! SOUND    FANSHAW SUCKED AWAY 13_BE A BOY YOUNG CLARA    I am going to be a pirate!  I shall sail the seven seas and steal all the gold! NANNY    Stealing is very wicked.  YOUNG CLARA    But you can't be a pirate without stealing!  Then you're just a sailor! NANNY    And young ladies do not become pirates.  Young ladies become mommies. YOUNG CLARA    Or nannies. NANNY    [reassuring] Don't fret yourself, bunny bug.  You shall be a mummy. YOUNG CLARA    I should rather be a nanny.  Mummies are boring.  Nannies have things to do. NANNY    [sigh] Mummies have things to do too. YOUNG CLARA    I don't want to be a mummy, I want to be a pirate!  I want to see the world! NANNY    [stern] There are many thing in this world, Clara Fanshaw, that are only meant for boys. YOUNG CLARA    Then I want to be a boy! END     Auld Lang Syne [DeK4] EPISODE 6 1_READY SOUND    NIGHT, MEN BEING QUIET, HORSES OFF COMMANDER    Yer sure you wanna go on out there, all on your own?? LEM    I'm best on my own, and I don't want another of yer boys on my conscience. COMMANDER    [acknowledging] Scotty. LEM    If I can't see my way to get back and warn you quick enough, I'll shoot off twice-- COMMANDER    [warning] They'll know you're there. LEM    I kin look after myself.  Two shots means it's a-comin, and I spect after that there'ull be plenty more shots to keep y'all busy.  I best get a move on. COMMANDER    One thing. LEM    Yeah? COMMANDER    One of my men swore he'd seen you before. LEM    [down] Oh. COMMANDER    And that you're the Deadeye kid. LEM    I- COMMANDER    [overriding, but clearly lying] I told him not to be so credulous.  Deadeye Kid looks nothing like that man that's about to save our town. LEM    [realizing] Ri-ight. COMMANDER    [serious] Don't make me a liar. LEM    I kin only do my best. SOUND    WALKS AWAY 2_BLACKGUARDS SOUND    COMMOTION, MANY MEN, HORSES, TRAVELING LEADER    [loud whisper] We'll leave the horses near the stream and sneak up. FANSHAW    Blackguards. RUFFIAN2    [whisper] What's in that bag you found anyways? RUFFIAN1    [whisper] Ain't had no time, but it's shore heavy. RUFFIAN2    [whisper]  Heavy is good!  Mebbe it's gold! RUFFIAN1    Well, I still ain't sharing! FANSHAW    Such stimulating conversation.  I wonder how far ahead of these ruffians I can manage to stay.  3_TALLYHO SOUND    STEALTHY MOVING THROUGH UNDERBRUSH, STOPS LEM    Nothin.  [angry hmph] They cain't be too damn far off.  And ridin. FANSHAW    [distant]  Tally-ho!  LEM    [starts to laugh but turns it into a snort] FANSHAW    Halloooooo!  Halloo- [suddenly cut off] LEM    What the devil?  [shrugs, to himself] Well, you can take care of your own damn self. SOUND    RUNNING FEET TAKE OFF 4_STRUGGLE AMB    IN THE ATTACK FORCE GRISHAM     Now I gotcha sorted out! FANSHAW    [muffled noises] SOUND    STRUGGLING GRISHAM    Oh, no you don't!  SOUND    MORE STRUGGLE GRISHAM    I finally figgered out cain't do nothing to hurt me.  Long as I ignore it.  But I can still keep a tight grip on you. FANSHAW    [noise of effort] GRISHAM    [ouch!] Hey!  You bit me!  FANSHAW    Keep ahead of them!!!! GRISHAM    Waitaminute.  [disgusted noise] FANSHAW    [to grisham] Damn you all to--[muffled again] GRISHAM    Stop with all the wiggling, you stupid--  [stunned!] whatthehell? FANSHAW    [noise of effort] SOUND    STRUGGLE, BREAKS FREE GRISHAM    You're a-- ?  FANSHAW    You may be stronger than me, but I am faster. SOUND    FANSHAW LEAVES GRISHAM    what the hell?  A female? 5_SIGNAL COMMANDER    He's been gone a fair piece. SOUND    [DISTANT] TWO GUN SHOTS COMMANDER    [commanding, but quiet]  They're coming! SOUND    [command passes along ranks - GET VOICES] COMMANDER    [a bit superior]  I knew that that fellow was no sort of outlaw.  6_PLAN DOS LEADER    Shots? SECOND    Sir? LEADER    Damn.  Someone has seen.  Get El puerco and his fellows.  Tell them plan dos. SECOND    Plan dos, sir? LEADER    They'll circle south and get behind the town.  We get some children in hand, no one will fight any more. SECOND    Yessir! SOUND    RUNS OFF SCOTTY     [torn] I can't just let them-- [plaintive] but what can I do? 7_BUCKETFULL SOUND    HORSES APPROACHING NOTE - Lem is lying in wait, letting the group go past, and plans to pick them off from behind. FANSHAW    [distant but closer, yelling] Lem!  That dead friend of yours is about - watch out! LEM    [muttered] Damn.  And I don' want to go shootin no good horse jest to lay a varmint like that down. SOUND    HORSES BEGIN TO PASS LEM    [very quietly] 30...?  Nearer fifty.  That's a bucketful of wasps. SOUND    SHOTS!  (where the horses went to) LEM    [muttered to self] hold on.  SOUND    NO MORE HORSES COMING LEM    [muttered] almost... GRISHAM    There you are! LEM    [sharp intake of breath]  That don't work on me twice.  Specially when I been warned. GRISHAM    Oh, that girly friend of your'n?  Funny thing about that-- SOUND    GRISHAM IS YANKED AWAY LEM    Good riddance.  And jest in time. SOUND    BEGINS SHOOTING MaN    [shot, fall] 8_HOLD THE LINES COMMANDER    [roaring now] Hold the lines!  More shot, boy! BOY    Yessir! MAN    [hit, argh!] COMMANDER    Stay low! FANSHAW    All seems rather well here.  GRISHAM    There you are. FANSHAW    Bloody hell. GRISHAM    [nasty chuckle] I was just wondring - if I kin grab you, I bet I kin kiss you, little lady! FANSHAW    [dodging] I doubt you'll catch me again, now that I'm watching for you, but I will admit that one advantage to being a ghost is that I needn't make an effort to remain upwind of you. SOUND    FANSHAW OUT 9_RELOAD SOUND    COMMOTION OFF, NOT RIGHT HERE SOUND    RELOADING SOUND    NEARBY HORSE PFFS LEM    That's nine.  SOUND    SLAPS GUN SHUT SCOTTY    [distant, yelling] Someone!  They're circling round!  There's some fellers as are going south to get behind lines! LEM    Damn.  [listens for a second]  Fanshaw?  Damn.  SCOTTY    [yelling]  Please!  Don't let them hurt nobody in town. LEM    [muttered] boy'll yell himself hoarse.  [chuckles]  dead don't get hoarse.  But I gotta get one.  [clucks to horse] SOUND    HORSE BLOWS LEM    [grunts as he swings into the saddle]  Come on. FANSHAW    [a bit distant] Lem? LEM    Wazzat?  There you are! FANSHAW    Close as I can get just now, and can't stay.  That blighter keeps trying to grab me. LEM    Grisham?  Yeah. FANSHAW    The commander seems to be holding well.  The villains have taken heavy losses and are starting to fall apart. LEM    Good.  Can you yell to Scotty, let him know I got his message? FANSHAW    What message? LEM    Just try and tell the boy.  So he can rest hisself.  [to the horse] Geeyah! SOUND    HORSE TAKES OFF FANSHAW    Scotty?  Can you hear me? 10_YOU STAY COMMANDER    Let's clean this up - leave none of them to try and harm the town. CORPORAL    Yessir! Should we capture them, or-- COMMANDER    This is no time to be peaceable.  They set themselves up to attack a settlement, and we have to take serious measures. SOUND    HORSE APPROACHING LEM    [distant] Commander! COMMANDER    Let him through.  [up, to Lem]  Looks like we've got nearly all of them.  SOUND    GUNSHOTS DISTANT COMMANDER    A bit of tidying up to do, but-- SOUND    HORSE PULLS UP and STOPS LEM    [to horse] Whoah!  I overheard a couple at the back, saying they had a force circlin south - dozen men mebbe - to get round any resistance and come up behind.  COMMANDER    My god! LEM    Horse up a few good men, load em up and come with me. COMMANDER    You, boy! BOY    Yessir? COMMANDER    Bring my horse, quickly! LEM    You're needed here, surely? COMMANDER    You're the one who needs a rest, mister Roberts.  My corporal, here, will be happy to hear any other suggestions you might have, but I will be leading my men. LEM    Sound thinkin.  I have been going a bit. COMMANDER    Corporal? CORPORAL    [acknowledging] Yes sir. FANSHAW    Lem?  I think I got through to Scotty, but there's such a distance.  Poor lad, he merely wants to do his duty. SOUND    LEM DISMOUNTS LEM    Let's you and I see if we cain't root out a few more of these varmints.  I see purty well in the dark. CORPORAL    Excellent!  FANSHAW    I'll see what I can turn up. GRISHAM    Found you! FANSHAW    Oh, damn!  GRISHAM    You ain't never getting away from me, you-- FANSHAW    [hits out] GRISHAM    [ungh!] FANSHAW    Have to get him out of here, Lem.  Too distracting. SOUND    FANSHAW LEAVES GRISHAM    [laughs triumphantly]  Coward!  But I don't suppose I should be surprised. LEM    [quietly, but deadly serious] You don't stop making a fuss, I'm gon' kill your horse. GRISHAM    What? LEM    You sit still and be quiet or that horse yer so attached to is gonna find itself on the wrong end of a bullet.  You hear me? GRISHAM    [all the bluster gone]  Yeah. LEM    Good.  I don't fancy killin no animal just fer this, but this here's a battle-- SOUND    GUNSHOT LEM    [gasp, hit!] Damn! SOUND    QUICKDRAW, GUNS BLAZE GRISHAM    Hah!  I still gotcha! LEM    [weakening, through gritted teeth] Din't no one see them a-sneakin up?  CORPORAL    [commanding] Men! SOUND    MORE GUNSHOTS LEM    [groan] SOUND    BODY DROP AS HE COLLAPSES END   NEXT EPISODE BEGINS SOUND FADES IN AND OUT COMMANDER    Hold on, there, fellow. LEM    [vague] all's well? COMMANDER    We got em. LEM    My pack? COMMANDER    I'll set someone to finding it. FADE OUT DOCTOR    Bite down on this.  He's lost a lot of blood. FADE OUT BOOTMAKER    I'll have a new pair ready before he'll be walking anywhere on them.  You sure I should even bother--? FADEOUT WOMAN    Just a little bit of broth, mister.  You need to get some o'yer strength back. SICKROOM LEM    [annoyed moan] FANSHAW    You're awake. LEM    [quiet]  Anyone--? FANSHAW    Not close enough to hear - as long as you stay quiet. LEM    Good.  I been shot? FANSHAW    At least twice, judging by the bandages.  Once in the chest, once in the leg, I should say.  I should have been watching. LEM    [reassuring] Can't leave you to do everythin.   FANSHAW    [awkward pause, then stiffly]  Should I ...go? LEM    Go?  go where? FANSHAW    [covering] I - I mean, leave you in peace.  To rest.  I don't doubt you will still be needing a great deal of it. LEM    [straining a bit]  Did you see, did it go alla way through? FANSHAW    I don't know, but you were very fortunate - or so the doctor declared. LEM    [satisfied]  Good. FANSHAW    I'll leave you to your rest, then, shall I? LEM    Go or stay, I ain't so wrung out I cain't tell you got somethin on yer mind. FANSHAW    Oh. LEM    Is it that female ghost o'yours yer frettin over? FANSHAW    [bracing breath]  Yes. LEM    [exasperated snort]  Yer worried she said sumpin, izzat it? FANSHAW    Yes. LEM    [playing it up a bit] You furriners and the trifles that plague you. FANSHAW    So she did--? LEM    [shrug]  Yup.  So? FANSHAW    [surprised] So? LEM    You cain't be the first. FANSHAW    First? LEM    Nor the last, like enough. FANSHAW    But it... doesn't... bother you? LEM    Well, you don't do it no more. FANSHAW    I... don't? LEM    'sides, plenty of little fellers wet up the bed right up til they'us in long pants.  FANSHAW    What? END

Halloo! Welcome to Z's second birthday selection: 1999's (hidden?) gem Mystery Men! We also touch upon dog breeds, the unfortunateness of Craig Kilborn, the Blair Witch Project & more! [Editor's note: Mike Myers parents were from Liverpool, England. Neither were from Scotland] +++++ Intro: by Professor Ping available on Spotify and Bandcamp Outro: Neil Cicierega performing Full Mouth --- Support this podcast: https://anchor.fm/zandkmoviepod/support

#104 Halloo du Liebe!Heute gehts wieder um meine geliebten Gastgeschenke

Halloo warga kampus.. #SaBar kembali mengudara nih, tema saat ini adalah Tontonan Semasa Kecil

Halloo buddies yang kaya anj yang sedang gabut, kami kembali bercerita tentang kebodohan-kebodohan yang kami perbuat di awal tahun 2022. Dan di isi podcast kali ini ada rencana untuk lebih menghidupkan AAT podcast, ENJOY YAAA!!!

What do you know about the intellectual property laws in the Metaverse? Probably not much, but somebody has to, right? Julie MacDonnell is an intellectual property lawyer by trade, which is a more traditional field, but she’s doing things to disrupt that space. Listen in to learn about Julie’s company, Halloo, what roles that she believes accelerators and incubators have played in her journey and why she recommends them to others, and why she believes that giving back is so important. Topics Discussed in This Episode Where Julie is from and what her upbringing was like When the chip on your shoulder goes from positive to negative The role that accelerators and incubators played in Julie’s journey The importance of taking the right money How to start finding a network Starting relationships with an authentic desire to get to know each other Metaverse IP law Areas of law that young lawyers should be paying attention to right now Why Julie believes that giving back matters Related Links Julie MacDonnell Halloo Quotes From the Show “I’ve got this theory that many problems, business problems even, should be approached through a trauma lens. “Any accelerator program that gives you money and doesn’t take equity, I strongly, strongly encourage.” “The barrier to entrepreneurship is so, so low, because what we’re selling and trading and buying in this space is intellectual property.:

Halloo haloo Warga Kampus, gimana nih kabarnya kali ini Music Discovery balik lagi mengudara dan siap nemenin hari nya Warga Kampus. Kali ini #Fariel, #Hulliyah, dan Abay bakalan ngobrolin soal berita musik terbaru dan lagu lagu yang jadi viral karena TikTok, pasti seru banget kan! Yuk Warga Kampus langsung aja di play :)

Halloo, sahabat ruang pice jumpa lagi kita. Pada episode kali ini kita akan membahas soal doa. --- Send in a voice message: https://anchor.fm/christoforus-petrus-ho/message

Halloo sonniges Hamburg und hallo ihr geilen Zuhörer!Seid ihr hier oder da oder hier und hier? So wie der kleine Junge bei Rossmann, der uns erstmal ein kleinen Ohrwurm mit seiner tollen Gesangseinlage verpasst hat - Vielen Dank dafür ❤️Diese Folge hat kein bestimmtes Thema, sondern nur die Erlebnisse der letzen Woche vor Leahs Urlaub. -seit auch schon gespannt auf die nächste Folge... gibt ordentlich was aus Fuerteventura zu erzählen- Zu den Themen: Leah war mit Toni im Schnitzelhus... Wenn man das überhaupt so nennen kann bei der Einrichtung, aber immerhin gab es Schnitzel. Pauli liebt die Sonne, wenn sie mal da ist, und vergisst dabei völlig wo sie sich gerade befindet... NÄMLICH AUF DER STRAßE -- ALSO FAHR AUCH MAL LOS DU OSCHI!!Und dann kommen noch so ein paar andere Themen! Also hört einfach rein!We love U Für mehr folgt uns auf Instagram: @ultimate__hate ( 2 UNTENSTRICHE )Für Ideen schreibt uns gerne eine Mail @ ultimathate.podcast@gmail.com

Halloo? Halli? Servus? oder doch Glückauf? Wie fängt man an, wie macht man weiter und wie hört man auf? Diesen und anderen tiefgreifenderen Fragen stellen wir uns in dieser Episode zum Thema Kommunikation. Wie schaffe ich eine harmonische Atmosphäre im Ensemble, wie gehe ich mit meinen Kolleg:innen um und was kann eigentlich Kritik? Viel Spaß beim Hören! :-)

Hier ist Dein 1. Adventskalender, der Herzenskost "Hexenküche" ☕

Halloo listenerr kali ini kitaa akan membahas hak istimewa, ternyata yang istimewa bukan hanya kamu tapi hak ku juga istimewa HIYAHIYAHIYA. Kali ini kita bareng Kak Alma mau ngomongin hak istimewa, seistimewa apasih hak ku tuhh ?? dan apakah penting privilege ituu ??. Yukk langsung dengarkann LETSSS GOOOO Nah jangan lupa comment tentang episode ini atau berikan masukan ke kami dengan cara klik link di bawah lalu langsung isi, tenang nama kalian tidak akan terlihat : https://curiouscat.qa/MasskurrP Serta ikuti sosial media kami : Instagram : https://instagram.com/masskurr.podcast?utm_medium=copy_link Twitter : https://twitter.com/masskurr_podcst?s=21 Tiktok : https://vt.tiktok.com/ZSe6BUey2/ Terimakasih selamat mendengarkan, see youu --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/masskurr/message

Halloo listener semuanyaa! Episode 24 ini kita ngundang guest star lagi yang berkecimpung di bidang usaha yaitu @anthooktapianto . Awalnya gak berniat cari untung, eh kecebur juga akhirnya dibisnis-in. Konsepnya unik sih, mereka bikin karya yang bener-bener mengutamakan originalitas produk mereka. Sampai akhirnya, Jana Bijana tertarik buat collab sama brand ini. Yuk dengerin dulu podcastnya!

Halloo ihr Lieben! Es geht weiter mit Harry Potter! Diesmal begrüßen euch Manu und Michel aus dem Finsterald Platz Nummer 12, denn da ist Harry gerade angekommen. Der ist jedoch gar nicht happy darüber, in diesem alten, stinkenden Gruselhaus zu sein, und brüllt seine Freunde an! Trotzdem lernen wir einige neue Sachen kennen, und Manu und der Zahlenspinner haben auch sehr viel Spaß, auch wenn sie wieder einmal nicht alles verstehen und auch abschweifen. Natürlich ist auch Raucher-Harrys Freundin Smoky-G dabei. Viel Spaß! Werbung: Leckere Parfüms und Kosmetik bei: www.parfuemerie-kirner.de Code: Hütte (um euch 5% Rabatt und ein Hütti Geschenk zu sichern)

Halloo ihr Lieben! Es geht weiter mit Harry Potter! Diesmal begrüßen euch Manu und Michel aus dem Finsterald Platz Nummer 12, denn da ist Harry gerade angekommen. Der ist jedoch gar nicht happy darüber, in diesem alten, stinkenden Gruselhaus zu sein, und brüllt seine Freunde an! Trotzdem lernen wir einige neue Sachen kennen, und Manu und der Zahlenspinner haben auch sehr viel Spaß, auch wenn sie wieder einmal nicht alles verstehen und auch abschweifen. Natürlich ist auch Raucher-Harrys Freundin Smoky-G dabei. Viel Spaß! Werbung: www.parfuemerie-kirner.de, Code: Hütte (um euch 5% Rabatt und ein Hütti Geschenk zu sichern!)

Halloo semuanyaa, di episode kali ini kita bakalan ngebahas alasan suatu negara membutuhkan pekerja sosial nihh!!!

Halloo kembali lagi di Basa Basi Bergengsi niihh.. Kali ini kita akan ngobrol - ngobrol bareng dengan Aslab PR nihh. Tidak hanya Aslab Broadcast aja lohh yang mau curhat. Aslab PR pun punya cerita tersendiri nihh tentang pengalamannya sebagai Aslab. Yukk langsung dengerinn aja!!

Halloo kami kembali lagi nihh di Basa Basi Bergengsi.. Skripsi dan juga Tugas Akhir menjadi bagian terberat bagi para mahasiswa selain tugas pastinya ya… Pengerjaan Skripsi maupun Tugas Akhir terasa lebih berat dengan situasi saat Pandemic saat ini. Mau tau sharing dan curhatan apa yang dibagikan disini?! Langsung aja Yuukk dengerin!!

In this episode of Out of the Box, Jess Overton is joined by Clement Halloo, Head of Marketing at self-care app, Fabulous. They discussed Fabulous's growth strategy, the importance of collaboration between Product, Creative, and UA teams, defining a brand vision, and much more.

Halloo, yuk ungkapkan rasa syukur masih bisa bareng sama keluarga. Jangan sungkan untuk menyatakan cinta dan sayang sama anggota keluarga, suami, istri dan anak.

Halloo temen temen semua.. kembali lagi nihh di OBSIUS.. Kali ini kita akan membahas tentang konsep Drama nihh, langsung aja yukk kita dengerin!

Halloo, diese Podcastfolge ist wieder sehr random, weil wir wieder ohne Plan reden und viele Themen einschneiden. Wir finden heraus, dass wir beide lieber in der Stadt als auf der Autobahn fahren. Wie sieht ihr es ? Für Feedback, Anregungen und Fragen schreibt uns gerne auf instagram: Vanessa: https://www.instagram.com/wanderhuan/ oder Stephie: https://www.instagram.com/thcao/ oder per Email unter callshake@outlook.de. Wir würden uns freuen!! :)

Back after a mid-season break, our hosts were joined by Clément Halloo, Head of Marketing at Fabulous.

Whether you are planning to travel beyond the borders of your country or use your professional skills to compete in the global market studying english can help you progressing in life personally and professionally. Learning English allows you to communicate with people of different countries helping you see things from a different prospective and to gain a deeper understanding of another culture.

Halloo! Falls du noch nicht mitbekommen hast: Für mich war es 2020 endlich soweit!

Halloo cerminers, siapa nih yang suka k-pop? Atau yang suka musik barat? Nah pada episode kali ini Deska akan jelasin apa sih bedanya industri musik Korea dengan industri musik Amerika?. Penjelasan dikutip dari https://gensindo.sindonews.com/read/283920/700/8-perbedaan-antara-industri-k-pop-dan-musik-amerika-1609233176?showpage=all (gensindo.sindonews.com)

Halloo guysss bagaimanakah kabarnya pasti baik dong.... Yukk dengerin podcast kitaa kalo ada pertanyaan Dm kitaa yaa di Instagram kitaa , GodBlessYou!! --- Send in a voice message: https://anchor.fm/thenextlevel5/message

Halloo sobat Semesta Dakwah.., kali ini kak Adhin akan membahas tentang hal - hal yang sering terlupakan ketika sedang dalam keadaan lapar atau haus. Ada beberapa hal yang dianjurkan oleh Rasulullah Shallallahu 'Alaihi wa Sallam yang akan dikupas dalam podcast kali ini. Namun, bukan hanya sekedar anjuran.., tetapi ada manfaat dari sisi kesehatannya juga. Nah kira-kira hal apa aja ya yang akan dibahas perihal makan dan minum?? Untuk lebih jelasnya yukk langsung aja kita simak podcast dari kak Adhin, semoga bermanfaat!! Selamat mendengarkan✨

Halloo sobat Semesta Dakwah.., kali ini kak Amirul akan membahas tentang Hari Pahlawan. Dalam perjuangan bangsa Indonesia melawan penjajah, tidak bisa lepas dari andil para ulama, kyai, santri dan masyarakat muslim. Kemerdekaan selalu ada dalam hati mereka disetiap perjuangan mereka untuk bangsa Indonesia. Kecintaan terhadap Islam, keinginan yang kuat dengan didasari keimanan kepada Allah selalu mengiringi mereka hingga mampu membawa bangsa Indonesia kepada kemenangan. Sangat banyak pahlawan muslim yang berperan dalam perjuangan bangsa Indonesia, salah satunya adalah Jenderal Sudirman. Beliau mengajarkan, bahwa kita harus bisa menjadi cahaya yang menerangi kegelapan.., karena sehebat apapun diri kita tidak akan ada artinya kalau kita tidak mempunyai manfaat bagi agama, keluarga dan sesama. Nahh kira-kira gimana ya kelanjutan kisahnya?? Yukk langsung aja kita simak podcast dari kak Amirul..,semoga bermanfaat!! Selamat mendengarkan✨

Halloo sobat Semesta Dakwah.., kali ini kak Rezima akan membahas tentang marahnya Sultan Abdul Hamid II ketika Prancis membuat drama komedi tentang Rasullullah Shallallahu 'Alaihi wa Sallam. Agama Islam memanglah agama yang cinta damai, namun bukan berarti kita sebagai umat Islam hanya diam ketika agama kita dihina,..apalagi yang dihina adalah nabi kita nabi Muhammad Shallallahu 'Alaihi wa Sallam yang merupakan suri tauladan bagi umat Islam. Kalau kita coba flashback sebentar..dulu nenek moyang rela memberikan nyawa mereka tanpa ragu demi kebaikan Islam. Nahh kira-kira bagaimana ya kisahnya?? Untuk lebih jelasnya yukk langsung simak aja podcast dari kak Rezima, semoga bermanfaat!!! Selamat mendengarkan✨

Halloo guyss maap ya udah lama gak upload dan kita sudah naik level ya menjadi The Next Level 5.O. Seperti biasa kalo ada yang mau nanya-nanya boleh yaa bisa Dm/ketemuan langsung GodBlessYou Guyss --- Send in a voice message: https://anchor.fm/thenextlevel5/message

Halloo guyss maap ya udah lama gak upload dan kita sudah naik level ya menjadi The Next Level 5.O. Seperti biasa kalo ada yang mau nanya-nanya boleh yaa bisa Dm/ketemuan langsung GodBlessYou Guyss --- Send in a voice message: https://anchor.fm/thenextlevel5/message

Halloo sobat Semesta Dakwah., kali ini kak Amimah akan membahas tentang standar kecantikan. Era perkembangan teknologi dan social networking, atau era industri 4.0 membawa perubahan besar dikehidupan manusia. Termasuk mengenai standar kecantikan seorang perempuan. Dewasa ini social media memegang peran penting, hingga mampu mempengaruhi definisi standar kecantikan itu sendiri. Dalam masyarakat menganggap standar kecantikan itu kulit putih, wajahnya halus, tubuh langsing, dll. Menjadi hal yang diinginkan bahkan diperjuangkan perempuan untuk mendapatkan definisi standar kecantikan tersebut. Sayangnya, terkadang hal ini menimbulkan dampak negatif bagi perempuan. Padahal lingkup seorang perempuan bukan hanya dari kecantikan fisiknya saja..tapi masih banyak sisi lain dari perempuan yang lebih dari fisiknya. Lalu gimana sih ukuran kecantikan itu?? Ukuran kecantikan menurut setiap orang berbeda, karena cantik itu beragam. Agama Islam sendiri menganjurkan untuk memadukan keindahan jasmani dan rohani..atau dengan kata lain inner beauty dan outer beauty. Terus gimana ya cara memadukannya?? Nahh untuk lebih jelasnya yukk kita simak aja podcast dari kak Amimah, semoga bermanfaat!! Selamat mendengarkan✨

Die Nachrichten aus den USA überschlagen sich in diesen Tagen und so kommen auch wir nicht darum herum, wieder einmal über die Themen Corona und Trump zu reden. Unterbrochen wird unser Gespräch über Twitter und Schadenfreude von einem wichtigen Anruf, bei dem es um Manuels Couch geht. Anschließend widmen wir uns dem Thema Lüften — eine in Deutschland überaus beliebte Tätigkeit, die nur durch unsere "sophisticated window technology" möglich ist. Transkript und Vokabeln Unterstütze den Easy German Podcast mit $2 pro Woche und du bekommst unsere Vokabelhilfe, das volle Transkript und Bonus Material: easygerman.org/membership Darüber redet Deutschland: Twitter und Trump Trending: ‘schadenfreude’ (Merriam-Webster) Twitter accused of double standards over ban on tweets wishing death on Trump (The Guardian) Tweet calling out Twitter's double standard (Twitter) Gamergate controversy (Wikipedia) Schadenfreude über Trump: "Es wirkt, als würde die Welt nach gerechten Regeln funktionieren" (SPIEGEL) Trumps Ausflug: "Sie könnten sterben - für politisches Theater" (SPIEGEL Video) Trumps Videobotschaft aus dem Krankenhaus (Twitter) Stoßlüften Germans embrace fresh air to ward off coronavirus (The Guardian) Wanted Adventure: German Windows Are Amazing (YouTube) Empfehlungen der Woche Rechts, Deutsch, Radikal (Pro Sieben) Halbe Kartoffl Podcast Ep. 17: Mai Thi Nguyen-Kim (VNM): Streberkind, Salami-Theorie & “Schlitzis” Ep. 56: Samy Deluxe (SDN): Bauchgefühl-Perfektionist, Each one Teach one & Safe Spaces Hast du ein Feedback zur Episode? Schreib uns einen Kommentar auf Patreon oder unter den Show Notes! Transkript Intro Cari: [0:15] Halloo! Manuel: [0:16] Halloo, guten Morgen. Cari: [0:18] Guten Morgen, Manuel. So früh schon so gut drauf. Manuel: [0:22] Wer jetzt, ich oder du? Cari: [0:24] Ich dachte, wir beide. Manuel: [0:26] Wir sind beide natürlich gut drauf. Cari: [0:29] Ja, wenn ich an unseren Podcast denke, an unsere vielen Zuhörerinnen und Zuhörer, da kriege ich direkt gute Laune. (Ja, ich auch.) Ja? Und wie war es so bei dir, das Wochenende? Manuel: [0:36] Das Wochenende war gut. Ich habe ein Video gedreht, ja. Cari: [0:49] Da muss man ja noch mal darauf hinweisen: Wir haben auch einen YouTube-Kanal. (Ja.) Wann kommt das raus, das Video?Manuel:[0:57] Nächsten Sonntag.Cari:[0:59] Was ist das Thema? Manuel: [1:01] Darf ich das jetzt schon sagen? Ist das nicht streng geheim? Cari: [1:05] Nee, die Leute können sich ja freuen. Manuel: [1:08] Okay, also das Thema ist — man kann das übrigens sehr schlecht übersetzen, darum geht es auch in dem Video — "your guilty pleasure", also, wie würdest du das üb… (Laster.) Ja, genau. Ich habe auch oft nach so einem kleinen Laster gefragt oder ein Alltagslaster, aber Laster auf Englisch ist eigentlich "vice" und das hat eigentlich, das ist viel, so, heavier, also das ist viel … Ein Laster ist eigentlich was Großes, es ist irgendwie wirklich eine schlechte Eigenschaft. Hm? (Rauchen.) Ja, Rauchen kann je nach Person ein Laster sein oder auch ein "guilty pleasure", wenn man sagt: "Ich sehe das nicht als Laster, ich mache das eigentlich ganz gerne und finde das auch nicht so schlimm, aber fühle mich trotzdem immer so ein bisschen schuldig dabei." Cari: [1:55] Stimmt, das behaupten viele Raucher, dass ihnen das Spaß macht. Das habe ich noch nie verstanden, also schon als ich geraucht habe, habe ich das selber als Sucht verstanden und habe … also, es ist, wenn man das macht, ist es angenehm, also es fühlt sich angenehm an, aber nur, weil man ja die Sucht befriedigt, ne? Es ist ja nicht so, dass rauchen gut schmeckt, also, genauso, wie sich, wenn man mal so eine Zigarette zum ersten Mal probiert hat, genauso beschissen schmeckt es dann auch noch nach der hundertsten Zigarette, aber irgendwann denkt man, "oh, das befriedigt ja gewisse Rezeptoren" oder da kommen gewisse Suchtstoffe und plötzlich empfindet man das als angenehm, wenn man abends Bier trinkt und dazu eine Zigarette raucht, ja. Manuel: [2:38] Ja, da ich noch nie geraucht habe, kann ich da nicht mitreden, aber ich glaube dir das einfach mal. Cari: [2:42] Was hast du denn für Laster, Manuel? Manuel: [2:46] Das erzähle ich in der Abmoderation von dem Video. Da muss man dann einschalten und bis zum Ende schauen, wenn man das erfahren möchte. Cari: [2:53] Kannst du uns nicht eins verraten hier? Twitter surfen.Support Easy German and get interactive transcripts, live vocabulary and bonus content: easygerman.org/membership

Halloo guyss maap ya udah lama gak upload dan kita sudah naik level ya menjadi The Next Level 5.O. Seperti biasa kalo ada yang mau nanya-nanya boleh yaa bisa Dm/ketemuan langsung GodBlessYou Guyss --- Send in a voice message: https://anchor.fm/thenextlevel5/message

Halloo sobat Semesta Dakwah., kali ini kak Arra akan membawakan podcast dengan judul Passion On Business. Disini kak Arra akan membedah beberapa point penting terkait passion dan business. Passion dan business memiliki hubungan yang sangat erat. Passion adalah gairah yang mendorong seseorang untuk menuju sukses, namun jangan jadikan passion sebagai satu-satunya pertimbangan dalam memilih pekerjaan. Merasa tidak bergairah dengan suatu pekerjaan bisa saja terjadi, akan tetapi coba temukan hal apa yang bisa membuatmu kembali bergairah atau tujuan apa yang hendak dicapai. Padukan keduanya dan mulai cintai apapun yang kamu tekuni. Nahh..jadi apakah yang kalian kerjakan sudah sesuai dengan passion kalian?? Untuk lebih jelasnya yukk langsung aja kita simak podcast dari kak Arra, semoga bermanfaat!!! Selamat mendengarkan✨

Hayoo mau dengerin suara siapa nih? Halloo guyss maap ya udah lama gak upload dan kita sudah naik level ya menjadi The Next Level 5.O. Seperti biasa kalo ada yang mau nanya-nanya boleh yaa bisa Dm/ketemuan langsung GodBlessYou Guyss --- Send in a voice message: https://anchor.fm/thenextlevel5/message

Halloo hallooo podcast pertama dari Nata, alias NATAPOD. Di episode pertama ini perkenalan dulu yaa, nanti akan dibikin tema di setiap podcast. Juga akan ada request tema atau Q&A. Semoga kalian sukaa!

Halloo semuanyaa, sudah agak lama kami tidak hadir untuk menghibur kalian yg sebenernya gak terlalu terhibur dengan bacotan kami. Tapi kami hadir kembali di episode 19 ini dan akan terus hadir untuk kalian semua. “Selamat Menikmati”

Halloo listener... Di episode ketujuh ini saya Kemal Faza akan berbincang tentang apa itu ekonomi islam dan peran nya saat krisis. Kali ini saya di temani sahabat saya sejak SMA, Rifqi Fathianto (@rifqifathianto), Lulusan S1 Bisnis Islam dari Universitas Indonesia. Beliau juga terjun dalam industri Ekonomi Islam di Indonesia dan kita akan tanyakan pengalaman dan perspektifnya terhadap topik kali ini. Dibawakan secara kasual dan menyenangkan, mari kita enjoy...!! Kritik dan saran bisa disampaikan email: podcast.biru@gmail.com Twitter or Instagram : @KemFazHas Cheersss..!!!!

Halloo, Shenanites! This week, we discuss the in-between space, the cruelest barb, and pillars. You need them to hold things up sometimes. The launch of Levelhead is IMMINENT, and it’s coming out HOT, so check the batteries in your smoke alarms and get your conspiracy theories in order. Levelhead will be hitting your favorite storefronts TOMORROW, APRIL 30th! Links at https://levelhead.io . Questions answered (abbreviated): - Mopait Flatunk: Twice now, just as I've started up Levelhead, my wife has set off the smoke alarms in the house and forced me jump off the computer to save the family, or at least to get the dog to quit howling. Is this a conspiracy? Is she just trying to get me away so she can play the game? Should I just not let her cook anymore? Or is Levelhead just that SMOKE'N?!?!?!? - Fraser_: How did you decide on Thursday, April 30th to launch Levelhead? - Flyhoppie Axerompa: Sam, a long time ago you spoke about how at the end of Crashlands development you had to pull back on your art skills a bit to make sure the game looks consistent. Did you find yourself doing the same thing for LevelHead? - challosis: Do you have design pillars that you followed for Levelhead? To stay up to date with all of our buttery goodness subscribe to the podcast on Apple podcasts (apple.co/1LxNEnk) or wherever you get your audio goodness. If you want to get more involved in the Butterscotch community, hop into our DISCORD server at discord.gg/bscotch and say hello! Submit questions at https://www.bscotch.net/podcast, disclose all of your secrets to podcast@bscotch.net, and send letters, gifts, and tasty treats to http://bit.ly/bscotchmailbox. Finally, if you’d like to support the show and buy some coffee FOR Butterscotch, head over to http://moneygrab.bscotch.net.

Halloo listener... Di episode keenam ini saya Kemal Faza dan sahabat saya @adnanfadhila, akan mengemukakan opini kami tentang berisik-berisik stafus milenial. Kami membicarakan secara kasual tentang pentingnya stafus milenial sebagai representasi anak muda Indonesia di pemerintahan. enjoy..!! Disclaimer, episode ini direkam pada tanggal 22 April 2020 sebelum mundurnya Andi Taufan Garuda Putra. Kritik dan saran bisa disampaikan email: podcast.biru@gmail.com Twitter or Instagram : @KemFazHas Cheersss..!!!!!

Halloo listener... Di episode kelima ini saya, Kemal Faza, akan membicarakan tentang bisnis aviasi yang sedang diguncang sangat hebat karena pandemi virus corona. Di episode ini saya kembali berbincang dengan sahabat saya @adnanfadhila yang juga sesama aviation enthusiast. Kami membahas dari turunnya jumlah penerbangan sehari secara global hingga kasus terkini di Australia dimana Virgin Australia menyatakan voluntary administration akibat dari jatuhnya bisnis penerbangan di saat ini. enjoy..!! Kritik dan saran bisa disampaikan email: podcast.biru@gmail.com Twitter or Instagram : @KemFazHas Cheersss..!!!!!

Halloo teman teman gimanaa kabarnyaa? Masih dirumah aja kan? Samaa kok kita jugaaa, kita juga tau kalian kangen keluar rumaah tapi kalian kangen cerita horrir gak sih? Nih cerita horrir kedua dari kami semoga mengingatkan kalian pas pertama kali denger podcast bohong yaa, langsung aja deh di play

Halloo litsener... Di episode keempat ini Saya, Kemal Faza dan Adnan Fadhila, akan membicarakan suka duka dan kondisi terkini mahasiswa-mahasiwa Indonesia di Australia. Lahirnya episode ini karena beberapa waktu lalu Perdana menteri Australia, Scott Morisson, mengeluarkan pernyataan untuk para pemegang visa termasuk mahasiswa yang tidak memiliki support keuangan selama 6 bulan ke depan untuk segara pulang. Untuk lebih jelasnya let's enjoy the podcast. Kritik dan saran bisa disampaikan email: podcast.biru@gmail.com Twitter or Instagram : @KemFazHas Cheersss..!!!!!

Halloo, Kami Sri dan Aurel ingin mengajak kalian kenalan sama kita manusia biasa aja

Halloo.. Assalamualaikum semuanya. Di episode kali ini Aku dan teman-temanku membahas mengenai hadis yang dipelajari di SMP/Mts, bagi kalian yang belum atau sudah lulus boleh banget kok untuk menyimaknya karena ini soal Agama. So, penting dong :) Terimakasihhh :)

On this special episode I will read The Idiot Boy by William Wordsworth. This poem was published in the 1798 Lyrical Ballads and it was very controversial. Yet, it is a beautifully written poem. I spend the majority of the time simply reading the poem. I hope you enjoy the reading! At the end I give a small critique of Wordsworth's philosophy, but mostly I defend him and Romanticism from the cliche attacks toward Romanticism.THE IDIOT BOYBy William Wordsworth‘Tis eight o'clock, – a clear March night,The moon is up– the sky is blue,The owlet in the moonlight air,He shouts from nobody knows where ;He lengthens out his lonely shout,Halloo ! halloo ! a long halloo !–Why bustle thus about your door,What means this bustle, Betty Foy?Why are you in this mighty fret?And why on horseback have you setHim whom you love, your idiot boy?Beneath the moon that shines so bright,Till she is tired, let Betty FoyWith girt and stirrup fiddle-fiddle;But wherefore set upon a saddleHim whom she loves, her idiot boy?There's scarce a soul that's out of bed;Good Betty! put him down again;His lips with joy they burr at you,But, Betty! what has he to doWith stirrup, saddle, or with rein?The world will say 'tis very idle,Bethink you of the time of night;There's not a mother, no not one,But when she hears what you have done,Oh! Betty she'll be in a fright.But Betty's bent on her intent,For her good neighbour, Susan Gale,Old Susan, she who dwells alone,Is sick, and makes a piteous moan,As if her very life would fail.There's not a house within a mile,No hand to help them in distress:Old Susan lies a bed in pain,And sorely puzzled are the twain,For what she ails they cannot guess.And Betty's husband's at the wood,Where by the week he doth abide,A woodman in the distant vale;There's none to help poor Susan Gale,What must be done? what will betide?And Betty from the lane has fetchedHer pony, that is mild and good,Whether he be in joy or pain,Feeding at will along the lane,Or bringing faggots from the wood.And he is all in travelling trim,And by the moonlight, Betty FoyHas up upon the saddle set,The like was never heard of yet,Him whom she loves, her idiot boy.And he must post without delayAcross the bridge that's in the dale,And by the church, and o'er the down,To bring a doctor from the town,Or she will die, old Susan Gale.There is no need of boot or spur,There is no need of whip or wand,For Johnny has his holly-bough,And with a hurly-burly nowHe shakes the green bough in his hand.And Betty o'er and o'er has toldThe boy who is her best delight,Both what to follow, what to shun,What do, and what to leave undone,How turn to left, and how to right.And Betty's most especial charge,Was, “ Johnny! Johnny! mind that you“Come home again, nor stop at all,“Come home again, whate'er befal,“My Johnny do, I pray you do.”To this did Johnny answer make,Both with his head, and with his hand,And proudly shook the bridle too,And then! his words were not a few,Which Betty well could understand.And now that Johnny is just going,Though Betty's in a mighty flurry,She gently pats the pony's side,On which her idiot boy must ride,And seems no longer in a hurry.But when the

On this special episode I will read The Idiot Boy by William Wordsworth. This poem was published in the 1798 Lyrical Ballads and it was very controversial. Yet, it is a beautifully written poem. I spend the majority of the time simply reading the poem. I hope you enjoy the reading! At the end I give a small critique of Wordsworth's philosophy, but mostly I defend him and Romanticism from the cliche attacks toward Romanticism.THE IDIOT BOYBy William Wordsworth‘Tis eight o’clock, – a clear March night,The moon is up– the sky is blue,The owlet in the moonlight air,He shouts from nobody knows where ;He lengthens out his lonely shout,Halloo ! halloo ! a long halloo !–Why bustle thus about your door,What means this bustle, Betty Foy?Why are you in this mighty fret?And why on horseback have you setHim whom you love, your idiot boy?Beneath the moon that shines so bright,Till she is tired, let Betty FoyWith girt and stirrup fiddle-fiddle;But wherefore set upon a saddleHim whom she loves, her idiot boy?There’s scarce a soul that’s out of bed;Good Betty! put him down again;His lips with joy they burr at you,But, Betty! what has he to doWith stirrup, saddle, or with rein?The world will say ’tis very idle,Bethink you of the time of night;There’s not a mother, no not one,But when she hears what you have done,Oh! Betty she’ll be in a fright.But Betty’s bent on her intent,For her good neighbour, Susan Gale,Old Susan, she who dwells alone,Is sick, and makes a piteous moan,As if her very life would fail.There’s not a house within a mile,No hand to help them in distress:Old Susan lies a bed in pain,And sorely puzzled are the twain,For what she ails they cannot guess.And Betty’s husband’s at the wood,Where by the week he doth abide,A woodman in the distant vale;There’s none to help poor Susan Gale,What must be done? what will betide?And Betty from the lane has fetchedHer pony, that is mild and good,Whether he be in joy or pain,Feeding at will along the lane,Or bringing faggots from the wood.And he is all in travelling trim,And by the moonlight, Betty FoyHas up upon the saddle set,The like was never heard of yet,Him whom she loves, her idiot boy.And he must post without delayAcross the bridge that’s in the dale,And by the church, and o’er the down,To bring a doctor from the town,Or she will die, old Susan Gale.There is no need of boot or spur,There is no need of whip or wand,For Johnny has his holly-bough,And with a hurly-burly nowHe shakes the green bough in his hand.And Betty o’er and o’er has toldThe boy who is her best delight,Both what to follow, what to shun,What do, and what to leave undone,How turn to left, and how to right.And Betty’s most especial charge,Was, “ Johnny! Johnny! mind that you“Come home again, nor stop at all,“Come home again, whate’er befal,“My Johnny do, I pray you do.”To this did Johnny answer make,Both with his head, and with his hand,And proudly shook the bridle too,And then! his words were not a few,Which Betty well could understand.And now that Johnny is just going,Though Betty’s in a mighty flurry,She gently pats the pony’s side,On which her idiot boy must ride,And seems no longer in a hurry.But when the pony moved his le

Halloo litsener... Di episode ketiga ini Saya, Kemal Faza, akan membicarakan tentang Pesawat Boeing 737 MAX 8 yang beberapa pekan yang lalu terlibat insiden yang kedua kalinya dalam jangka waktu 6 bulan. Kejadian ini menimbulkan banyak pertanyaan karena 737 MAX adalah produk baru dan kedua insiden yang melibatkannya memperlihatkan gejala yang sama sebelum kecelakaan itu terjadi. Untuk lebih jelasnya let's enjoy the podcast. Kritik dan saran bisa disampaikan email: podcast.biru@gmail.com Twitter or Instagram : @KemFazHas Cheersss..!!!!!

Halloo, weight watchers! Folk og vin er tilbake med nok en episode der du lærer deg noe og prøver å ikke kjede deg for mye. Kanskje skal du på joggetur, eller enda verre, må sitte på offentlig transport et eller annet sted med et illeluktende menneske ved siden av deg. Rart de ikke vasker seg...Vi lærer deg å lage enkel, allsidig bbq-sauce som passer til alt og anbefaler noen øl og viner vi mener du ikke må gå glipp av. Ellers har Sigurd fått kjeft av sin far (ingjen) og Ove oppdager nye ting ved svømming som både forskrekker og er fortvilende.

TPH Publisher Piper Klemm and TPH Editor-in-Chief Sissy Wickes discuss the USEF Annual Meeting and sit down with Rebecca Gallagher to talk about her new company View Halloo. Support the show (https://www.patreon.com/user?u=87421)

“ALO kelimesi nereden geliyor?” diye merak edip interneti araştıracak olursanız bazı Türkçe kaynaklarda, Alexander Graham Bell’in sevgilisi “Alessandra Lolita Oswaldo” adının baş harflerinden kaynaklandığı yönünde yanlış bir iddiaya rastlarsınız. Sunay Akın da dahil olmak üzere, bir takım yazarlar bu hikayeye itibar edip gerçekmiş gibi anlatınca, Alessandra Lolita Oswaldo isimli hayali kadın, sadece Türkçe konuşanların inançlarında yaşattığı bir tarihi kişilik haline geldi. Zaten bu ismi Google'da aratırsanız Türkçe sayfalar dışında bir yerde bulamazsınız. Esasında oldukça mutlu bir evliliğe sahip olan Bell ve eşi, uydurulan bu hikayeyi görse muhtemelen çok üzülürdü. Graham Bell’in gerçek aşk hayatı ise şöyle: 1876’da telefonun patentini aldığında bekârdı ve 1877 yılında Bell Telephone Company adlı şirketini kurar kurmaz yıllardır ilişkilerinin sürdüğü ancak Bell’in şirket için paraya ihtiyacı olması sebebiyle bir süredir evlenmeyi ertelediği Mabel Hubbard ile dünya evine girdi. Alexander’ın Mabel’e düğün hediyesi, çiçeği burnunda şirketinin 1497 hissesinden 1487’ydi ki bunun hisselerin %99’una tekabül ettiği düşünülürse kaba tabirle "şirketi hanımın üzerine yapmıştı". Avrupa’da bir yıl kadar süren bir balayı geçiren çiftin toplamda 4 çocuğu ve mutlu bir aile yaşamları oldu. Alessandra Lolita Oswaldo ise hiçbir zaman var olmadı. İşin kötüsü “ALO” efsanesinin yer aldığı mecralarda kullanılan fotoğraf Bell’in hayat arkadaşı Mabel’e aittir. Peki nereden geliyor bu ALO? Muhtemelen Fransızca’dan. Osmanlı Devleti’nde 1840’ta kurulan Posta Nezareti’nin telefonun da kullanıma girmesiyle Posta, Telgraf ve Telefon Nezareti’ne dönüştürüldüğü 1909 yılında, Osmanlı coğrafyasında elitler arasında Fransızca konuşmak pek popülerdi. Zira 19. Yüzyıldan itibaren Avrupalı simsarlar aracılığıyla Osmanlı Devleti’ne hem teknoloji, hem de kültür transferi başlamıştı. Fransızca, özellikle de imparatorluğun son yıllarında, siyasi anlamı da olan bir dil haline gelmişti. Batılılaşma yanlısı aydınlarla azınlıkların oluşturduğu basın bile kimi yayınlarında Fransızca dilini kullanmıştı. Bunun da etkisiyle o dönemde bu topraklara transfer olmuş teknolojilere dair pek çok kelime de Fransızca’dan geçmiştir. Nitekim bugün bu kelimeleri hâlâ Fransızca'da okunduğu şekliyle kullanıyoruz. Örneğin, Lokomotif (locomotive), şimendifer (chemin de fer), kondüktör (conducteur), ray (rail), anten (antenne), radyo (radio) gibi… Doğal olarak o dönemde ülkemizde kullanılmaya başlayan telefon sadece teknolojisiyle değil, kültürüyle beraber ithal edilmişti. Yani “Alo” kelimesi Türkçeye diğer terimler gibi Fransızca’dan geçmişti. Fransızlar resmi telefonlarda kibar bir selamlama ifadesi olarak “allo” kullanırlar. Fransızların telefonda “allo” kullanmasının muhtemel sebebi de, telefonun yaygınlaşmaya başladığı dönemde telefonun anavatanı olan ABD’de de telefon selamlama cümlesi olarak “Hello” kullanılmasıdır. 19. Yüzyıl başlarında diğer Avrupa dillerinden İngilizce’ye “Hullo” olarak geçen, gemicilere ait “bağırma, dikkat toplama” ifadesinin “Hello”ya dönüşmesinde Thomas Edison’un payı vardır. Halloo, hallo, halloa, halloo, hello, hillo, hilloa, holla, holler, hollo, holloa, hollow, hullo şeklinde çeşitlenen kelimenin kökleri 13. Yüzyıl Fransızcası’na kadar gider. İlk icat ettiği ses kayıt cihazına da test amacıyla “Halloo!” diye seslenen Thomas Edison, 1833’te ilk olarak Londra’da bir gazetede kullanılan “Hello”yu, Pittsburgh’taki telgraf müdürlüğüne telefonda kullanılması için önermişti (O sırada Bell’in önerisiyle telefonlar “Ahoy! Ahoy!” diye açılıyordu). Bu öneri hemen kabul edilmiş olsa gerek ki, yarım asır sonra 1889’a gelindiğinde telefon merkez santralinde her telefon "hello" diye açılır, çalışan telesekreter kızlarsa “Hello kızları” (hello-girls) olarak anılır olmuştu. Şu an bu podcast'i dinlediğiniz teknoloji zincirindeki en önemli adımlardan birini atmış olan Graham Bell'e buradan selam gönderelim ve dilimizdeki bu hikayenin özrünü "Bilim A...

Külas on Raadio 2 ühe populaarsema saate hing ja juht Ingrid Peek.

HALLOO!! Hier ist er wieder, euer geistig umnachteter Boulevard- und Lifestyle-Podcast für die Jahre zwischen den Jahren. Diesmal kümmern wir uns um EUCH - DAS LAND, indem wir für eure Bildung und Information sorgen. Nachdem wir bereits den Klimawandel und den Terrorismus abgeschafft haben, setzen wir uns in dieser Folge nun mit ganzer Kraft gegen die einzig verbliebene Geisel der Menschheit ein: Fake-News! Und keine Sorge - Trump steht hier nur aus SEO-Gründen und wird natürlich mit keiner Silbe erwähnt, auch wenn er durch seine ergreifende und einnehmende Art eine Inspiration für UNS - DAS LAND ist. Nachdem wir über den Start der Stubenfliege, das Urinierverhalten von Eisbären, Eimersaufen bei Olympia und die Implikation des Dildos von Margarete Thatcher auf die Frauenwahlrechte philosophiert haben, wenden wir uns den wichtigen Dingen des Lebens zu: Netflix. Mike und Jan geben einen kurzen Review der Serie "Designated Survivor" und "Three Mics". Außerdem thematisieren wir die von Wespen ausgehende Terrorgefahr, sprechen über Pünktlichkeit, Scheinehen, die Zahnfee, typisches Spielzeug der 90er, die Dating-App "Whispar" und Gedankenkontrolle durch Google. Zwischendrin freut sich Dr. Sommer über eine Frage - und noch viel mehr freut er sich natürlich auf eure Fragen, entweder auf seinem Anrufbeantworter unter 03641/5549831 oder an sommer@selbstfindungszerstoerung.de. Und als wäre das noch nicht genug, gibt's zum krönenden Abschluss natürlich wie immer unsere beliebteste Kategorie: den Abspann.

Kay Cannon has written a #1 movie at the box office... twice! Pitch Perfect and Pitch Perfect 2 are movies that can not and should not be ignored. They are fun, funny, smart, heart felt films that are helping along the careers of Anna Kendrick, Haillee Steinfeld, Rebel Wilson and more! But Kay wasnt always a writer, she started out as a sketch and improv performer at The Second City in Chicago, Comedy Sportz and iO Chicago. We talk about her writing process, getting hired to write and produce on the NBC series 30 Rock by Tina Fey, her friendship with Tina Fey, her work on New Girl on FOX and her work on Cristela. We talk about her marriage and divorce from SNL alum Jason Sudeikis, finding new love with her husband, Eban and motherhood, we talk about working in Las Vegas, her favorite musicians - Hall and Oates, auditioning for Saturday Night Live, and much much more! Please listen, Please Share, Please Enjoy!! My website www.ejscott.com Twitter @ejscott @EJPodcast Instagram @ejscott1106 The Choroideremia Research Foundation www.curechm.org

This week we discuss Playstation Vue, PS4 firmware update issues, Just Cause 3 and Destiny 2 announcements and a year of line straddling games. Plus, Carey's thoughts on The Binding of Isaac: Rebirth and Isaiah's impressions of Lego Batman 3: Beyond Gotham!