Podcasts about primary colours

I think, as has already been mentioned by a number of you, that we need to slow down, not speed up. This is a moment for really slow thinking and to be listening and to be doing deep listening. I like this concept that we use, again in Primary Colours. Instead of thinking of outreach and trying to convince people and tell them about how great the arts are, we need to do in-reach, we need to go into communities and listen to people, go where people are and understand what it is they understand about their cultures, plural. And their art practices plural. And after that process, maybe there's something to be said. - Chris Creighton-Kelly (1h03m05s)A special edition conscient roundtable with Robin Sokoloski, Annette Hegel, Jai Djwa, Owais Lightwala, Sarah Garton Stanley (SGS), Max Wyman, Chris Creighton-Kelly and Claude SchryerKey linkshttps://createcanada.caSave the Arts, Blow Up the Old WaysDoes Canadian culture reflect Canadian identity?Controversy over lemmings painting exposes the real snowflakes at PEI veterinary collegePrimary ColoursEpisode notes generated by Whisper Transcribe AIAction pointsAcknowledge the ongoing nature of crisis and disruption, particularly in the arts sectorFocus on deep listening and understanding the value of art within communitiesDeconstruct and pluralize the concept of Canadian culture, embracing multiplicity and diverse voicesRecognize the importance of both large-scale advocacy and grassroots community engagementSeek out joy and connection as a means of addressing broader systemic challengesStory PreviewWhat does it mean to be Canadian in a rapidly changing world? Artists and cultural leaders gather for a candid conversation about identity, purpose, and the future of art in Canada, revealing both anxieties and surprising sources of hope.Chapter Summary00:00 Introduction to Canadian Culture03:34 Setting the Tone: A Moment of Silence05:11 Reflections on Crisis and Opportunity09:14 Navigating Cultural Identity and Reconciliation12:49 The Role of Arts in Community Building22:10 Art as a Source of Hope and Advocacy30:10 Finding Joy and Connection in Art39:00 The Long Arc of Change and Future Possibilities55:11 Listening and Learning from Communities01:08:01 Closing Reflections on Art and IdentityFeatured QuotesAnnette Hegel: We're coming to the end stages of capitalism and colonialism and we're all trying to kind of fumble in the dark, looking for new ways.Max Wyman: The crisis is not about the plight of the artist. I think it's about what the artist can do to find joy, help people find joy and meaning and grace and courage in a world that right now doesn't seem to offer much of that.Robin Sokoloski: Art is in the relationship.Behind the StoryAmidst rising global tensions and a re-emerging sense of Canadian identity, Claude Schryer convened a diverse group of artists and cultural workers for an open discussion. Inspired by the Create Canada project and recent articles and media exploring the state of Canadian culture, the conversation navigates complex issues of decolonization, regionalism, and the essential role of art in building community. The participants grapple with defining Canadian values and finding actionable ways to foster a more inclusive and vibrant cultural landscape. *END NOTES FOR ALL EPISODESHey conscient listeners, I've been producing the conscient podcast as a learning and unlearning journey since May 2020 on un-ceded Anishinaabe Algonquin territory (Ottawa). It's my way to give back.In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I publish a Substack newsletter called ‘a calm presence' see https://acalmpresence.substack.com. Your feedback is always welcome at claude@conscient.ca and/or on social media: Facebook, Instagram, Linkedin, Threads or BlueSky.I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on March 26, 2025

Are our political leaders the one's shaping our culture and ultimately defining what it means to be Canadian? We explore the topic with Lydia Perovich, Author and contributor to the online publication “The Hub”. Next, trailblazers and pioneers in the ‘Global Energy Transition' sector have descended on Calgary this week for the “Energy Disruptors Conference”. We get details on the conference from Apoorv Sinha, Co-founder and CEO of Carbon Upcycling. Finally, it's a TASTY way to learn more about the Calgary culinary scene and at the same time lend a hand to a local charity in need. We learn all about the delicious “Pasta Feasta” event from Chef Matthias Fong of “Primary Colours”.

On episode 43 of A Culture of Possibility, Arlene Goldbard and François Matarasso talk with France Trépanier and Chris Creighton-Kelly, based in British Columbia. France is a visual artist, curator and researcher of Kanien'kéha:ka and French ancestry; Chris is an interdisciplinary artist, writer and cultural critic born in the UK with South Asian/British roots. Together, they direct Primary Colours/Couleurs primaires, a multi-year arts initiative whose main objective is to place Indigenous arts at the centre of the Canadian arts system through gatherings, public presentations, incubation projects, residencies, research and more aimed at generating new knowledge.

It's been a big week for nostalgic band tours, and we talked all about it. Plus new music, and a guest, Clara in the studio bringing in some cool music picks, plus joining me in the Mic Room to talk about The Horrors (the band, not like... existential horrors. Not the Horrors. The Horrors (band), and their debut album, 2009's Primary Colours.) This week's podcast is horrendously late because I was losing my mind in Montreal at a secret Foo Fighters gig on Monday. Still recovering. Sorry. Music this week by Blur PJ Harvey Baba Ali ĠENN Hak Baker swim school Los Blancos The Last Dinner Party Tara Lily Super Furry Animals The Wytches The Horrors Sons of Rick Find this week's playlist here. Do try and support artists directly, all Bandcamp links above are 100% fresh and ethically sourced. x Do touch that dial and tune in live! We're on at CFRC 101.9 FM in the Kingston area, or on cfrc.ca, Sundays 8 to 9 PM! (Full shows are available in the archive for 3 months from release) Get in touch with the show for requests, submissions, giving feedback or anything else: email yellowbritroad@gmail.com, Twitter @⁠YellowBritCFRC⁠, IG @⁠yellowbritroad⁠. PS: submissions, cc music@cfrc.ca if you'd like other CFRC DJs to spin your music on their shows as well. --- Send in a voice message: https://podcasters.spotify.com/pod/show/yellowbritroad/message

1. https://www.drive.com.au/news/volvo-australia-to-go-electric-only-from-2026/ 2. https://www.bloomberg.com/news/articles/2022-11-09/wheat-grown-indoors-offers-potential-for-global-food-security?leadSource=uverify%20wall 3. https://www.abc.net.au/news/2022-11-17/recycle-collapse-proof-plastic-recycling-system-broken/101666054 4. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7967748/ *** IG @lucky__roland

I go through the new music and music news of April 2022 plus:- Getting paid to talk to the singer of Third Eye Blind- Why all the good music in 2022 is coming out of the UK- If NY or NJ has produced more amazing musicians- Playing four hours of nothing but Alkaline Trio on the radio show- Getting a new car so I can go to concerts again- Future guests for May and beyond & much more!Support the artists heard on this episode -Heart to Gold - Tomhttps://hearttogold.bandcamp.com/album/tom-2Deaf Lingo - Lingonberryhttps://deaflingo.bandcamp.com/album/lingonberryJoyce Manor - 40 oz to Fresnohttps://joycemanor.bandcamp.com/album/40-oz-to-fresnoCheck out the Power Chord Hour radio show every Friday night at 10 to midnight est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.powerchordhour@gmail.comInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_Mg

Joey Cobra makes his fourth appearance on PCH as our first guest of the yearWe talk:- Joeys Top 5 of 2021- Our most anticipated albums of 2022- Releasing too many singles before an album- If bands should change their names when they change their sound- Why playing in a trio makes you up your game- The future of live shows & moreJOEY COBRA LINKS -https://joeycobra.bandcamp.comhttps://linktr.ee/josephgricearthttps://www.instagram.com/joey_cobra_musichttps://www.instagram.com/joseph_grice_arthttps://www.facebook.com/JoeyCobrahttps://www.facebook.com/JosephGriceArtCheck out the Power Chord Hour radio show every Friday night at 10 est on 107.9 WRFA in Jamestown, NY, stream the station online at wrfalp.com/streaming/ or listen on the WRFA mobile appemail me for FREE Power Chord Hour stickers - powerchordhour@gmail.comFacebook - www.facebook.com/powerchordhourInstagram - www.instagram.com/powerchordhour/Twitter - www.twitter.com/powerchordhour/Youtube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_Mg

Kicking off 2022 with my top 10 albums of 2021Support the artists mentioned on this episode -500 Miles To Memphis - Hard To Love -https://500milestomemphis.bandcamp.com/album/hard-to-loveTurnstile - Glow On - https://turnstile.lnk.to/GlowOnSincere Engineer - Bless My Psyche - https://sincereengineer.bandcamp.com/album/bless-my-psycheGlitterer - Life Is Not A Lesson - https://glitterer.bandcamp.com/album/life-is-not-a-lessonLOVEBREAKERS - Primary Colours - https://lovebreakers.bandcamp.com/album/primary-coloursTigers Jaw - I Won't Car How You Remember Me - https://tigersjaw.bandcamp.com/album/i-wont-care-how-you-remember-meThe Dirty Nil - Fuck Art - https://thedirtynil.bandcamp.com/album/fuck-artLiquids - Life Is Pain Idiot - https://liquids1.bandcamp.com/album/life-is-pain-idiotGreg Eklund - Muffled Tears - https://gregeklund.bandcamp.com/album/muffled-tearsPardoner - Came Down Different - https://pardoner.bandcamp.com/album/came-down-differentTop 10 Albums of 2021 Playlist - https://open.spotify.com/playlist/0GyxYXtRZYuqqXgOQYUJfi?si=Vfrh6zKIQteKfSoGtjFlngCheck out the Power Chord Hour radio show every Friday night at 10 est on 107.9 WRFA in Jamestown, NY, stream the station online at wrfalp.com/streaming/ or listen on the WRFA mobile appemail me for FREE Power Chord Hour stickers - powerchordhour@gmail.comFacebook - www.facebook.com/powerchordhourInstagram - www.instagram.com/powerchordhour/Twitter - www.twitter.com/powerchordhour/Youtube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_Mg

Talking new music and music news of December 2021. Plus new music from Punchline, Grade 2 and Superchunk!Check out the Power Chord Hour radio show every Friday night at 10 est on 107.9 WRFA in Jamestown, NY, stream the station online at wrfalp.com/streaming/ or listen on the WRFA mobile appSUPPORT THE ARTISTS PLAYED ON THIS PODPunchline - Holiday Ep - https://punchline.bandcamp.com/album/holiday-epGrade 2 - Graveyard Island: Acoustic Sessions - https://grade2.bandcamp.com/album/graveyard-island-acoustic-sessionsSuperchunk - Wild Loneliness - https://superchunk.bandcamp.com/album/wild-lonelinessemail me for FREE Power Chord Hour stickers - powerchordhour@gmail.comFacebook - www.facebook.com/powerchordhourInstagram - www.instagram.com/powerchordhour/Twitter - www.twitter.com/powerchordhour/Youtube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_Mg 

Dustin's Vinyl Episode 43with Hosts Dustin Chafin, Anthony Kapfer, and Jeffrey Paul This week we're diving into Depeche Mode "Music for the Masses" and The Horrors "Primary Colours" Watch Dustin's Vinyl LIVE every wednesday night at 7 pm EST/3 pm PST on ComedyHub on Twitch: twitch.tv/comedyhub Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week I am joined by Jack and Christian of Birmingham band LOVEBREAKERS. We talk all about their debut record Primary Colours, recording in the United States, touring in the UK with Social Distortion, how the band combines their influences to make their signature sound and much moreFollow LOVEBREAKERS -https://lovebreakers.co.ukhttps://lovebreakers.bandcamp.comhttps://www.instagram.com/lovebreakersband/https://www.facebook.com/lovebreakershttps://twitter.com/LOVEBREAKERSxCheck out the Power Chord Hour radio show every Friday night at 10 est on 107.9 WRFA in Jamestown, NY, stream the station online at wrfalp.com/streaming/ or listen on the WRFA mobile appemail me for FREE Power Chord Hour stickers - powerchordhour@gmail.comFacebook - www.facebook.com/powerchordhourInstagram - www.instagram.com/powerchordhour/Twitter - www.twitter.com/powerchordhour/Youtube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_Mg 

'Welcome to the History of 2021 in Canada seminar. We're going to do a case study today of the second season of the conscient podcast.'Claude SchryerThe setting is an undergraduate university history seminar course called ‘History of 2021 in Canada'. I want to thank my son Riel, student of history, for the idea. It is set in the distant future, where a professor is presenting a ‘case study' based on the second season of the conscient podcast as part of a class on art in 2021. The episode is in two parts, episode 63 is part 1 and episode 64 is part 2. You'll see that they are separated by an event, that you'll hear.There are four people in the classroom: the teacher played by myself, Claude Schryer, a young male student is played by my son Riel Schryer, a young female student, who is online, is played by my daughter Clara Schryer and a female adult student is played by my wife Sabrina Mathews. I want to thank the cast.A reminder that most of the narration is in English, but there are elements and excerpts of the interviews that are in French and some of the narrations as well.Thanks for listening. Here are the excerpts from season 2 in this episode (in order of appearance):e54 garrett (2m50s) (with Claude Schryer speaking)é55 trépanier (4m57)e47 keeptwo (7m27s)e21 dufresne (8m38s)e23 appadurai (11m 26s)e26 klein (11h42s)é60 boutet (17m24s)e40 frasz (19m17s)e42 rosen (20m35s)e45 abbott (22m51s)e53 kalmanovitch (25m42s)e51 hiser (27m08s)e25 shaw (28m45s)e63 in Reaper editing softwareThe cast : Sabrina Mathews as 'adult student', Claude Schryer as 'professor' and Riel Schryer as 'male student', September 2021, Ottawa*The cast: Clara Schryer as 'female student', September 2021, OttawaScript (note: the recording has additional elements that were improvised during the recording)(Sounds of students chatting, arriving in class and sitting down)Teacher: Hello students. Let's start OK. Welcome to the History of 2021 in Canada seminar. How is everyone doing? OK? I see that we have 2 students in class and one online. So, today's topic is the arts and the ecological crisis in 2021… comme vous le savez, le cours Histoire de 2021 au Canada est une classe bilingue, alors sentez-vous à l'aise de parler dans la langue de votre choix. Please feel free to speak in the language of your choice in this class or in writing of any of your assignments. Alright, where shall we begin here? We're going to do a case study today of the second season of the conscient podcast, which ran from March to August 2021. It was produced by an Ottawa based sound artist, Claude Schryer, who is passed away now, but I was very fortunate that his children, Riel and Clara, kindly helped me do some of the research for this class. I want to check if you have all had a chance to listen to the course materials, which were… conscient podcast episodes…  19 reality and 62 compilation. Were you…Male student (interrupting): Excuse me, but can you tell us why did you choose this podcast? Historically speaking, you know, there were other podcasts in Canada in 2021 that also explored issues of art and environment. Why this one?Teacher: That's a very good question. I chose the second season of this podcast because Schryer was exploring the themes of reality and ecological grief, which were timely in 2021 and still are today. Also because it gives us a snapshot of what artists and cultural workers were thinking about in relation to the ecological crisis at that time. It was an interesting year, 2021.  This is when the Sixth IPCC report was released, it's when much of western Canada was on fire, which unfortunately become the norm across Canada, it's also when SCALE, the Sectoral Climate Arts Leadership for the Emergency, which an arts and climate emergency organization, was created and so many other things, It was a pivotal year. I'll start by playing a recording of Schryer himself explaining what season 2 is about in conversation with Ian Garrett in episode 54. Let's give that a listen.Why did I ask that question? The reason is because I was living it myself. I was feeling that accepting reality was necessary for me to move on into a more active, engaged... I had to kind of deal with that. The fact that it's so bad, that if I don't actually accept it - especially the baked in things that we can't change - I can't function and just today, May 25th, I had a really bad dark day. I was crying inside my head about how bad things are and just losing hope and then I read this beautiful piece by Rebecca Solnit, who was saying, that there's some hope out there because the combination of all these efforts. You have been made doing a lot, but when you combine that with so many like millions and millions of people around the world who are making a difference, it will come together and there will be a tipping point towards some kind of... not just an awakening, but action... collective action. That's where we need to go and that's where we are going.Female student (interrupting)OK, mais ce balado a été produit par un homme blanc avec tous les préjugés de l'époque…  Teacher: That's a good point. Schryer had good intentions did carry some unconscious biases in his discourse that were typical of his generation and his times but we're focusing on his guests, who were very interesting, and they come from a wide range of cultural backgrounds, ages, and points of view. Why don't we start with one my favorite quotes from episode 55, because I was able to listen to them all as part of my work for this class. It's by indigenous artist France Trepanier, who was a visual artist, curator and researcher of Kanien'kéha:ka and French ancestry. Trepanier was known in the arts community in particular for a project called Primary Colours which placed Indigenous arts at the centre of the Canadian arts system. This excerpt is in French, so I'll let you listen to the original recording then I'll explain what France was talking about for those who don't understand French, and of course, you can use the simultaneous translation function on your computers as well. Je pense que ce cycle du colonialisme, et de ce que ça a apporté, on est en train d'arriver à la fin de ce cycle là aussi, et avec le recul, on va s'apercevoir que cela a été un tout petit instant dans un espace beaucoup plus vaste, et qu'on est en train de retourner à des connaissances très profondes. Qu'est-ce que ça veut dire de vivre ici sur cette planète? Ce que ça implique comme possibilité, mais comme responsabilité aussi de maintenir les relations harmonieuses? Moi, je dis que la solution à la crise climatique c'est cardiaque. Ça va passer par le cœur. On parle d'amour avec la planète. C'est ça, le travail.Teacher: What Trépanier is saying here is that she thinks that the 500 plus year cycle of colonialism on Turtle Island was coming to an end and we now know that she was right, with the Indigenization of Canadian Culture movement that started around then. People began to understand the true meaning of reconciliation during this era. In this quote Trépanier talks about how it's everyone's responsibility to maintain harmonious relationships in their communities and our need to love the planet. Does anyone have any questions so far? No, then I'll move on to…  Female student (interrupting): Wait, professor, are you saying that indigenous arts and culture were not at the heart of Canadian culture in 2021?  Female adult student: Can I answer that one? Teacher: Sure, please go ahead.  Female adult student: Throughout the early history of Canada the arts and culture scene was  dominated by European art forms and left little space for Indigenous voices. This was part of the colonial structure, but it changed when people started listening to indigenous voices and learning about indigenous culture and languages at school, like I did. This re-education led to massive change in cultural institutions and shift in people's worldview…Teacher: That's exactly right. Thank you for that. Let me give you another example of an indigenous artist from season 2. Suzanne Keeptwo was a Métis writer and teacher who wrote a book in 2021 called We All Go Back to the Land : The Who, Why, and How of Land Acknowledgements. This excerpt is from episode 47:In the work that I do and the book that I've just had published called, We All Go Back to the Land, it's really an exploration of that Original Agreement and what it means today. So I want to remind Indigenous readers of our Original Agreement to nurture and protect and honor and respect the Earth Mother and all of the gifts that she has for us and then to introduce that Original Agreement to non-indigenous Canadians or others of the world that so that we can together, as a human species, work toward what I call the ultimate act of   reconciliation: to help heal the earth.Teacher: We'll come back to more indigenous perspectives at the end of today's class. The next recording I want you to listen to isfromepisode 21 with philosopher Dr Todd Dufresne,who wrote a book in 2020 called The Democracy of Suffering:I think capitalism is over, but the problem is we have nothing to replace it with. Here's when we need artists, and others, to tell us what kind of vision they have for a future that is different than that: a future of play and meaningful work would be one future that I think is not just utopic, but very possible. So, there's a possible future moving forward that could be much better than it is right now, but we're not going to get there without democracy of suffering as we're experiencing it now and will at least over the next 20, 30, 40 years until we figure this out, but we need to figure it out quickly.Teacher: Well, overall, Dr. Dufresne was right. We did go through a lot of physical and mental anguish, didn't we, and we still are, in fact, with the resettlements, the food rations and all of that, but we survived and it's interesting to see that Dufresne was right in predicting that artists would help articulate a vision for the future. Artists have always done this, but it was particularly important at this time when the window of time before irreparable damage… was narrowing. There was a sense at the time that there were only a few years left and they were right. So we'll come to see how this happened a bit later but let's move on now to look at some of the causes of the ecological crisis. Why did this happen and what were some of the underlying conditions? Episode 23 features environmental activist Anjali Appadurai and provides insights on range of social and ecological justice issues. BTW does anyone know why Appadurai is famous in the history of climate activism?Male Student: Wasn't she the one that give that speech in 2011 in South Africa. I saw it on You Tube the other day in my History of Social Equity class. I think I can play it for you from my laptop. Here it is:I speak for more than half the world's population. We are the silent majority. You've given us a seat in this hall, but our interests are not on the table.  What does it take to get a stake in this game? Lobbyists? Corporate influence? Money? You've been negotiating all my life. In that time, you've failed to meet pledges, you've missed targets, and you've broken promises.Teacher: Thanks.That's right. Check out the entire speech when you get a chance. Now let's listen to Anjali in her conversation with Schryer. This except is quite fun because they are doing a soundwalk in a park in Vancouver and you hear some of the soundscapes from that time, like crows and those loud gas-powered vehicles during the conversation that were typical of that noisy era. Of course, it all sounds much different today. Here is an excerpt of their conversation. The climate crisis and the broader ecological crisis is a symptom of the deeper disease, which is that rift from nature, that seed of domination, of accumulation, of greed and of the urge to dominate others through colonialism, through slavery, through othering – the root is actually othering – and that is something that artists can touch. That is what has to be healed, and when we heal that, what does the world on the other side of a just transition look like? I really don't want to believe that it looks like exactly this, but with solar. The first language that colonisation sought to suppress, which was that of indigenous people, is where a lot of answers are held.Teacher: So Appadurai worked closely with fellow activist Seth Klein on a project called Climate Emergency Unit which made a parallel between Canada's effort during World War 2 and the efforts required to achieve the just transition and avoid the worse outcomes of climate change based on Seth's book A Good War : Mobilizing Canada for the Climate Emergency.Female student: Can you tell us more about the…  Climate Emergency Unit? What happened to them? Teacher: Well, I know that they were funded by the David Suzuki Institute and that they had four goals. Let's see if I can remember them, oh, I have them right here: to spendwhat it takes to win, to create new economic institutions to get the job done, to shift from voluntary and incentive-based policies to mandatory measures and to tell the truth about the severity of the crisis and communicates a sense of urgency about the measures necessary to combat it.The unit was dissolved once they achieved those goals or at least were sufficiently advanced to be able to move on to other things.  Female student: (interrupting): That's amazing. Teacher: Yes, it was, but it was an uphill battle, but we are thankful that they persisted, along with thousands of other similar environmental initiatives around the world at that time, and most importantly once they were combined and people worked together as a community and they were able to push us away, and all living beings, from the precipice of catastrophe and towards the recovery that we are experiencing today. Of course, we're still in crisis now but back in 2021, they had no idea whether they would succeed. It was a time of great uncertainty, like the beginning of World War 2 in 1940 when Canada and its allies did not know whether their efforts to fight fascism in Europe would succeed. Let's listen to Seth Klein, leader of the Climate Emergency Unit from episode 26 and his interest in the arts to help rally people to this cause: Here would be my challenge to artists today. We're beginning to see artists across many artistic domains producing climate and climate emergency art, which is important and good to see. What's striking to me is that most of it, in the main, is dystopian, about how horrific the world will be if we fail to rise to this moment. To a certain extent, that makes sense because it is scary and horrific, but here's what intrigued me about what artists were producing in the war is that in the main, it was not dystopian, even though the war was horrific. It was rallying us: the tone was rallying us. I found myself listening to this music as I was doing the research and thinking, World War II had a popular soundtrack, the anti-Vietnam war had a popular soundtrack. When I was a kid in the peace and disarmament movement, there was a popular soundtrack. This doesn't have a popular soundtrack, yet.Female student: Yah, but we have a popular soundtrack now for the climate emergency. I sometimes listen to them on my oldie's playlist on Spotify. Do you know that tune from 2025, how did it go (mumbling words and a song, improvised)?Male student (interrupting): But professor, I have trouble understanding what was their problem? The issues seemed so obvious. All the scientific data was there from the COP reports and much more. Why did they have their heads in the sand?Teacher: That's another good question. Let's look at the social structure at the time. The oil and gas industry were extremely wealthy, and powerful and they were desperate to maintain their grip on power, despite the cost to the environment and life on earth it might be, but to be fair, people were also complicit in this dynamic because they were users of this oil and gas, but also because western society had built a massive infrastructure with essentially nonrenewable resources that was destroying the planet and continued to behave in destructive ways. How can we understand this? Schryer talked to a lot of researchers and thought leaders who provides context and insights. Let's listen to arts researcher Dr. Danielle Boutet. This one is in French. She explains the lack of collective awareness inepisode 60. This one is in French, so I'll give you a summary afterwards. Collectivement, on est inconscient. On cherche à parler de la conscience écologique. On cherche à parler de ça, mais en réalité… S'il y a une psyché collective, ce que je crois, je pense qu'il y a une espèce d'esprit collectif, mais c'est un esprit qui est inconscient, qui n'est pas capable de se voir aller, de se réfléchir et donc pas capable de méditer, pas capable de se transformer, donc soumis à ses peurs et ses pulsions. Je suis assez pessimiste par rapport à ça, mais c'est que le deuil écologique, tout le chagrin et toute la peur est refoulée présentement. Il y a des activistes qui crient dans le désert, qui hurlent, et les gens entendent, mais comme dans un brouillard. Ce n'est pas suffisant pour amener à une action collective. Donc, le deuil il est loin d'être fait, collectivement.Teacher: What Boutet is saying here, is that people in 2021 were collectively unconscious or unaware of the severity of environmental issues. Boutet, who was a leading expert on contemporary art, but also on social issues, explains that people were not capable of changing their ways and that their grief and fears were being repressed. She admits that some activists were screaming out loud, and that some people were listening, but was all in a fog, which she calls un brouillard as she says in French, and that there was simply not enough momentum to bring about collective action. Of course, thankfully, this would change once people finally woke up to reality a few years later. At the time it seemed quite grim.One of the issues at the time was also a lack of agency. Let's listen to researcher and arts strategist Alexis Frasz in episode 40 was very articulate about this:There is a lot of awareness and interest in making change and yet change still isn't really happening, at least not at the pace or scale that we need. It feels to me increasingly like there's not a lack of awareness, nor a lack of concern, or even a lack of willingness, but actually a lack of agency. I've been thinking a lot about the role of arts, and culture and creative practice in helping people not just wake up to the need for change, but actually undergo the entire transformational process from that moment of waking up (which you and I share a language around Buddhist practice). There's that idea that you can wake up in an instant but integrating the awakeness into your daily life is actually a process. It's an ongoing thing.Female student (interrupting): Ok, so I get that it's an ongoing thing but what made the difference then?  Do you really think that something as ephemeral and marginal as art had an impact?  Teacher: Well, yes, actually, it did, and we'll get to that soon but first, I'd like to give you another example of the social dynamic at the time. Speaking of time, how are we doing for time, ok?  Here's an excerpt from episode 42 architect Mark Rosen: The idea of enough is very interesting to me. The idea that the planet doesn't have enough for us on our current trajectory is at the heart of that. The question of whether the planet has enough for everyone on the planet, if we change the way we do things is an interesting way. Can we sustain seven, eight, nine billion people on the planet if everyone's idea of enough was balanced with that equation? I don't know, but I think it's possible. I think that if we've shown nothing else as a species, as humans, it's adaptability and resiliency and when forced to, we can do surprisingly monumental things and changes when the threat becomes real to us.Male student: Ok. I get it. When the threat became real, they changed their ways, out of self interest, I suppose… but I have a question. Schryer talks about reality and grief as the two main topics in season 2, right. Why did he do that? I know that he was a zen buddhist and that are interested in reality, but why did he explore those specific issues?Teacher : Schryer asked each of his 41 guests in season 2 how they viewed reality and ecological grief and he got, well, 41 different answers. I've listened to some of them all as part of my research for this class. One of my favorite responses to Schryer's questions about ecological grief is by filmmaker Jennifer Abbott, who was an activist film maker at this time…Male student (interrupting): I found some info her, let me see, I think she co-director and editor of, um (sound of typing) The Corporation (2003), wow, that became most awarded documentary in Canadian history at that time. She was also Co-Director of a sequel called…  The New Corporation: The Unfortunately Necessary Sequel(2020)Adult student: I've seen both of those films in film studies class. Amazing documentaries. I bet they scared the living… Female student (interrupting) And she was also… director of The Magnitude of all Things (2020) which is kind of a classic of the ecological grief film. Teacher: Yes, that's right. Let's listen to an excerpt from episode 45 where Abbott talks about delusion and brainwashing:The notion of reality and the way we grasp reality as humans is so deeply subjective, but it's also socially constructed, and so, as a filmmaker - and this is relevant because I'm also a Zen Buddhist - from both those perspectives, I try to explore what we perceive as reality to untangle and figure out in what ways are we being deluded? And in what ways do we have clear vision? And obviously the clearer vision we can have, the better actions we take to ensure a more compassionate, just and sustainable livable world. I'm all for untangling the delusion while admitting wholeheartedly that to untangle it fully is impossible.Teacher: Let's move on now to the other main issue in season 2, ecological grief, which, at the time, was defined as psychological response to loss caused by environmental destruction. The term Solastalgia, coined by Australian Glenn Albrecht, was also used at the time. What it basically means is how to deal the emotional charge of environmental loss. Of course, we're still dealing with ecological grief today, but at least now we know that one of the best ways to address loss is through regeneration and rebuilding. But back in 2021, ecological grief was something people were becoming aware of and not able to turn it into a positive force, not at first anyway. I would like to start with musician Dr. Tanya Kalmanovitch.Kalmanovitch is an interesting case because she was both an accomplished musician and a leading climate activist. She was raised in the heart of the oil sands in Alberta in Fort McMurray…Female adult student (interrupting): I've heard some of her recordings. She was a great violist and improvisor. Pretty cool lady. Teacher: Great she was also a performer in a project called the Tar Sand Songbook, that actually became now a classic of the climate art canon. Let's listen to her talk about grief and art in episode 53:Normal life in North America does not leave us room for grief. We do not know how to handle grief. We don't know what to do with it. We push it away. We channel it, we contain it, we compartmentalize it. We ignore it. We believe that it's something that has an end, that it's linear or there are stages. We believe it's something we can get through. Whereas I've come to think a lot about the idea of living with loss, living with indeterminacy, living with uncertainty, as a way of awakening to the radical sort of care and love for ourselves, for our fellow living creatures for the life on the planet. I think about how to transform a performance space or a classroom or any other environment into a community of care. How can I create the conditions by which people can bear to be present to what they have lost, to name and to know what we have lost and from there to grieve, to heal and to act in the fullest awareness of loss? Seeing love and loss as intimately intertwined.Teacher: So you can see that people were struggling with grief, including educators, who were trying to figure out how to support their students, many whom were demoralised and had given up hope… but it's around this time that tools starting being created such as the Creative Green Tools and the Existential ToolKit for Climate Justice Educators. One of Schryer's interviews was with climate educator Dr. Krista Hiser, Let's listen to Hiser from episode 51:There's a whole range of emotions around climate emergency, and not getting stuck in the grief. Not getting stuck in anger. A lot of what we see of youth activists and in youth activism is that they get kind of burned out in anger and it's not a sustainable emotion. But none of them are emotions that you want to get stuck in. When you get stuck in climate grief, it is hard to get unstuck, so moving through all the different emotions — including anger and including hope — and that idea of an anthem and working together, those are all part of the emotion wheel that exists around climate change.Female Student: OK. I understand about not getting stuck in climate grief, but now we're paying the price of their neglect. It makes me very angry to think that they could easily have prevented most of the current climate damage during that critical decade in the 2020s, I don't know, by shifting from fossil fuels to renewable energy, and professor, you say that artists played a key role but how did this… Teacher (interrupting): Thank you.  I hear your anger and I understand and I promise we'll get to the role of artists in just a minute, but before that I would you hear Australian Michael Shaw, who produced a film 2019 called Living in the Time of Dying. He talks about fear and grief but also support structures in episode 25: It's a real blessing to feel a sense of purpose that in these times. It's a real blessing to be able to take the feelings of fear and grief and actually channel them somewhere into running a group or to making a film or doing your podcasts. I think it'simportant that people really tune in to find out what they're given to do at this time, to really listen to what the call is in you and follow it. I think there's something that's very generative and supportive about feeling a sense of purpose in a time of collapse.Teacher: Both Shaw and Schryer were influenced by dharma teacher Catherine Ingram, who wrote an essay in 2019 called Facing Extinction. Here's Schryer reading an excerpt from Facing Extinction in episode 19: Despite our having caused so much destruction, it is important to also consider the wide spectrum of possibilities that make up a human life.  Yes, on one end of that spectrum is greed, cruelty, and ignorance; on the other end is kindness, compassion, and wisdom. We are imbued with great creativity, brilliant communication, and extraordinary appreciation of and talent for music and other forms of art. … There is no other known creature whose spectrum of consciousness is as wide and varied as our own.Teacher: (alarm sounding) Darn. It's an air pollution alarm. You know the drill. We have to go to safe area until the air is breathable again. I'm sorry about this. An unfortunate disruption to our class. Why don't we call it a day and pick this up next week? Male Student: These damned things always go off when things are getting good. I really hope one does not go off next week. Teacher : Now let's get out of this smog. (coughing).Note: this episode continues in e64 a case study (part 2) *END NOTES FOR ALL EPISODESHere is a link for more information on season 5. Please note that, in parallel with the production of the conscient podcast and it's francophone counterpart, balado conscient, I publish a Substack newsletter called ‘a calm presence' which are 'short, practical essays for those frightened by the ecological crisis'. To subscribe (free of charge) see https://acalmpresence.substack.com. You'll also find a podcast version of each a calm presence posting on Substack or one your favorite podcast player.Also. please note that a complete transcript of conscient podcast and balado conscient episodes from season 1 to 4 is available on the web version of this site (not available on podcast apps) here: https://conscient-podcast.simplecast.com/episodes.Your feedback is always welcome at claude@conscient.ca and/or on conscient podcast social media: Facebook, X, Instagram or Linkedin. I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on April 2, 2024

We are joined again by our friends Jack and Christian from LOVEBREAKERS to discuss their newly released album. Produced by Davey Warsop, the album 'Primary Colours' is available everywhere. We talk about the different tracks on the record and what is next for the band. Primary Colours is a fantastic listen and we're seeing big things ahead for the band. Apple Spotify Instagram Twitter Facebook Email

On this episode we are joined by Christian and Chino of Lovebreakers! We talk all about their debut album Primary Colours, the writing and recording process for it, flying out to LA and living and breathing a record. Great stories from meeting the Guns n Roses drummer Frank Ferrer and inviting him to join the band, chatting to Green Day frontman Billie Joe Armstrong to playing D.I.Y shows and dealing with other bands mentalities. All that and so much more! A huge thanks to Matt Hughes from Good as Gold Co for organising this and a bit thanks to Christian and Chino for taking the time to talk with us. Go buy/stream PRIMARY COLOURS here:SpotifyVinylGo to LOVEBREAKERS here:LovebreakersMerchDon't forget you can support the podcast here:DiscordWhatsAppFacebookInstagramThe Hardcore ProjectTwitterYouTube See acast.com/privacy for privacy and opt-out information.

RE-RELEASE: Unfortunately we've been unable to record a new episode this week so here's one from the vaults. Enjoy!Sam and fellow CELLS bandmate Dan celebrate the 10 year anniversary of The Horrors release 'Primary Colours' (NME's Album of the Year 2009) and break it down track by track.We will discuss what led the band to this point, the inspirations it took, meanings behind the songs, any stories behind it, the composition and how The Horrors went from stylish fad to indie darlings.We'll also discuss the recent 10 year tribute they did at the Royal Albert Hall that we attended, the legacy of the album, and also have a natter about Mighty Boosh and Great British Bake Off star Noel Fielding.Buy the album here from Amazon.Remember to sign up to our Patreon page to support the show and get exclusive content - and the chance to dictate what we review next.Please rate and review the show!TwitterInstagramSHOW LINKS:Dan's Dreadful Discs Instagram pageDan Dreadful Discs YouTube channelThe Sonics - The WitchScreaming Lord Sutch - Jack The Ripper Neu - HalllogalloCAN - Mother SkyThe Horrors on The Mighty BooshRip It Up & Start Again BookAphex Twin - WindowlickerThe Horrors - Sea Within A Sea music videoCELLS - Last Great Depression music videoThe Horrors - Who Can Say music videoMy Bloody Valentine - ShallowJay & The Americans - She CriedCELLS - You Never Started NothingDEVO - Beautiful WorldShirelles - Will You Still Love Me Tomorrow Support this show http://supporter.acast.com/anewwinter. See acast.com/privacy for privacy and opt-out information.

This week on The Boys in the Band Podcast we talk about London's iconic indie club scene of the mid-2000s with The Horrors frontman Faris Badwan. The band went on to be nominated for a Mercury Prize for their standout Primary Colours album and toured the world - but it all started with Faris stood in the crowd at a White Heat show in central London on a Tuesday night... We discuss the importance of the London club scene and the community which surrounded it - and how it inspired musicians such as Faris to pick up an instrument or microphone and take to the stage themselves.  Plus - a lot more! From fashion to Faris' art... and new Horrors music on the way.  The Horrors fan? Share your memories of the band with us:  Twitter: @TheBITBpod Instagram: @boysinthebandpod Facebook: The Boys In The Band Podcast Or drop us an Email - boysinthebandpod@gmail.com Written, presented and produced by Peter Smith and Richard Gallagher Pod thumbnail design by Daniel Curtin *Recorded on 26 March 2021* FREE BEER! Our sponsors Beer 52 have a great offer for Boys in the Band Podcast listeners! If you fancy a free case of 8 craft beers go to beer52.com/band and all you have to do is cover the postage costs of £5.95. 

Based in South London, Kit Grill is a producer, label boss and radio host on NTS. Since 2013 he has run his own imprint, Primary Colours, which has acted as an outlet for his own music and that of a few friends. He tends to create material which sits somewhere between the fringes of balearic, ambient, krautrock and downtempo. It nods to pioneers of the infamous 'fourth age' but remains very much rooted in the present and future of electronic music. His radio show also acts as an outlet in which to showcase music which has inspired and influenced him - the material featured is often broad, eclectic and highly listenable. This mix shares a close likeness.

Episode 59 is here and we are joined by Jack and Christian from LOVEBREAKERS. We had a blast doing this one! The boys tell us what is was like coming up in bands in the Birmingham scene and how they came together. In their comparatively short history, they have already booked the main support for the Social Distortion European tour and recorded a full length with Davey Warsop in Los Angeles. You can hear a few singles of the album now, including Chris and Nick's song of 2020 'Family Man'. Primary Colours will be released April 21st via Wiretap Records (US/Canada) and All In Vinyl (UK/EU). thewastingtimepodcast@gmail.com iTunes Instagram Twitter Facebook

We all have had people who are draining mentally, spiritually or emotionally and the solution for them is pretty simple..cut em off. But what if these people are family? Does the same solution still apply? --- Send in a voice message: https://anchor.fm/nash62/message

Primary Colours (1998) starring John Travolta and Emma Thompson // Dave (1993) starring Kevin Kline and Sigourney Weaver. Don't forget to find us on Twitter @plotholespod.

The acronym BIPOC has been around for years-but in the wake of the murder of George Floyd and BLM protests across North America this summer, it's been thrust into the spotlight. Is this hot-button term inclusive or homogenizing? Does it signal solidarity or perpetuate erasure? Pippa and Karina break down BIPOC from a uniquely Canadian perspective with help from Paige Galette, a queer Black artist and organizer from Ontario, as well as France Trépanier, Kanien'kéha:ka artist and co-director of the arts initiative Primary Colours. See omnystudio.com/listener for privacy information.

When the singer Sam Smith came out as non-binary last year it was headline news around the world. After two global number one albums, an Oscar, a Golden Globe, multiple Grammys and 3 Brit awards, the 28-year-old singer is very much an international household name. And yet, as they release their third album, Love Goes, they are still beset by self-doubt. Sam Smith talks to Front Row about fame, heartbreak and songs to put a smile on your face. Turner’s Modern World, a new exhibition at Tate Britain in London, explores how the painter JMW Turner (1775-1851) responded to the momentous events of his day, from technology’s impact on the natural world to the dizzying effects of modernisation on society. Charlotte Mullins reviews the exhibition which also reflects on the artist’s interest in social reform, especially his changing attitudes towards politics, labour and slavery. Satirist Cold War Steve, aka Christopher Spencer, has been described as the ‘Brexit Bruegel’ and ‘A modern day Hogarth’. The collage artist is famous for his provocative look at the state of art and politics, depicting international political figures in uncompromising terms. As the drama surrounding next week’s US presidential election reaches fever pitch, film critic Tim Robey picks his choice of the best portrayals of the contest on film, from Betty Boop for President to Primary Colours. Presenter: Tom Sutcliffe Producer: Julian May Main image: Sam Smith Image credit: Alasdair McLellan

Kit Grill is a London-based producer and a host at NTS Radio, dabbling in various genres, ranging from Krautrock to New Wave to Post-Punk and Ambient. On November 6th, Grill is releasing his new album, titled Ride, on his own Primary Colours imprint, exploring new timbres, textures, and field recordings using the Fairlight CMI digital synthesizer from the early 80s. To celebrate the release, Kit has put together a Headphone Commute Mix featuring an eclectic selection of his favorite tunes, including a few from the album. It’s a unique excursion into the sound from around the world, with appearances of some early electronic music from the likes of Steve Reich, Cocteau Twins & Harold Budd among the contemporaries, such as Mica Levi, GAS, and Windy & Carl. Grill’s new album will be streaming on November 12th from Ten Studios in East London, meanwhile, sit back, and enjoy the show… For a more detailed description, full track listing and more information about this mix, please visit headphonecommute.com

Kit Grill is a London-based producer and a host at NTS Radio, dabbling in various genres, ranging from Krautrock to New Wave to Post-Punk and Ambient. On November 6th, Grill is releasing his new album, titled Ride, on his own Primary Colours imprint, exploring new timbres, textures, and field recordings using the Fairlight CMI digital synthesizer from the early 80s. To celebrate the release, Kit has put together a Headphone Commute Mix featuring an eclectic selection of his favorite tunes, including a few from the album. It’s a unique excursion into the sound from around the world, with appearances of some early electronic music from the likes of Steve Reich, Cocteau Twins & Harold Budd among the contemporaries, such as Mica Levi, GAS, and Windy & Carl. Grill’s new album will be streaming on November 12th from Ten Studios in East London, meanwhile, sit back, and enjoy the show… For a more detailed description, full track listing and more information about this mix, please visit headphonecommute.com

There are two things Harlly, Jeaun and Lawson know to be true. There's no difference between good flan and bad flan, and there is no war.ALSO DISCUSSED* The Babadook (2014)* The Big Lebowski (1998)* Bulworth (1998)* Deep Rising (1998)* Jumanji: The Next Level (2019)* The New Mutants (2020)* Nightwatch (1997)* Primary Colours (1998)* Sphere (1998)* Tenet (2020)* Tiny Creatures: Season 1 (2020)* The Twilight Zone: Season 2 (2020)Reach us on Twitter at: https://twitter.com/IDontKnowWhyWe1Read Harlly and Jeaun's Blog at https://onthebrightsidemedia.home.blog/Read Lawson's Blog athttps://exitthroughthecandycounter.wordpress.com/

Welcome to a new mini episode of the Holmes Movies Podcast! Anders Holmes reviews two presidential election films. One is the political comedy satire from Mike Nichols, Primary Colours. The other is the political melodrama with thriller undertones from George Clooney, The Ides of March. Subscribe to us on Apple Podcasts! Follow us on SoundCloud, podOmatic, TuneIn and Stitcher! Follow our blog: https://holmesmovies.wordpress.com Subscribe to our YouTube channel: https://www.youtube.com/channel/UCiRcGl9fzwz5WD-CdqIst3g Follow Adam's blog: https://bygoneyears.wordpress.com

Stephen Hawking to Prince of Persia, Taiwan to Sweden, Deepest Ocean to Highest Skydive and everything in between.All this and so much more in the next round of trivia training from Pub Quiz Prep.https://www.pubquizprep.com/https://www.youtube.com/channel/UCGPntvGDgKZVvQ6MPeix1eQhttps://www.instagram.com/pubquizprep/?hl=enhttps://twitter.com/PubQuizPrep

Sam and fellow CELLS bandmate Dan celebrate the 10 year anniversary of The Horrors release 'Primary Colours' (NME's Album of the Year 2009) and break it down track by track.We will discuss what led the band to this point, the inspirations it took, meanings behind the songs, any stories behind it, the composition and how The Horrors went from stylish fad to indie darlings.We'll also discuss the recent 10 year tribute they did at the Royal Albert Hall that we attended, the legacy of the album, and also have a natter about Mighty Boosh and Great British Bake Off star Noel Fielding.Buy the album here from Amazon.Remember to sign up to our Patreon page to support the show and get exclusive content - and the chance to dictate what we review next.Please rate and review the show!TwitterInstagramSHOW LINKS:Dan's Dreadful Discs Instagram pageDan Dreadful Discs YouTube channelThe Sonics - The WitchScreaming Lord Sutch - Jack The Ripper Neu - HalllogalloCAN - Mother SkyThe Horrors on The Mighty BooshRip It Up & Start Again BookAphex Twin - WindowlickerThe Horrors - Sea Within A Sea music videoCELLS - Last Great Depression music videoThe Horrors - Who Can Say music videoMy Bloody Valentine - ShallowJay & The Americans - She CriedCELLS - You Never Started NothingDEVO - Beautiful WorldShirelles - Will You Still Love Me Tomorrow Support this show http://supporter.acast.com/anewwinter. See acast.com/privacy for privacy and opt-out information.

Back to the cinema with the outstanding If Beale Street Could Talk and A Private War, with further detail on new exhibitions at the Tate Modern and the latest Cate Blanchett-starring production at the National Theatre. This podcast neatly comes under thirty minutes so you can get your fix of London events in this bitesize […]

You Watch, I Listen has made it to 25 episodes! This week, we review Night Of The Living Dead(original and remake), and The Horror's album Primary Colours. We get a special clip of the Bobo EP from the guys at Lobo Sound! Also discussed - our 25th episode spectacle being just a regular episode, Titanic 2 setting sail, stupid products no one needs, our idea for a Mario Cars movie, a made up news story Ralph thought was real, and much more!

Cette semaine, Léa et Étienne critique le premier EP de aJia, le secret le mieux gardé de la relève R&B britannique, rien de moins! On se gâte aussi avec Primary Colours de The Horrors comme album culte et du SOPHIE, tête d'affiche de la première vague d'artistes pour Pop Montréal. Côté nouveautés, les simples de Emily Burns et Flohio nous font bien danser aussi.

Cette semaine, Léa et Étienne critique le premier EP de aJia, le secret le mieux gardé de la relève R&B britannique, rien de moins! On se gâte aussi avec Primary Colours de The Horrors comme album culte et du SOPHIE, tête d'affiche de la première vague d'artistes pour Pop Montréal. Côté nouveautés, les simples de Emily Burns et Flohio nous font bien danser aussi.

Greetings and welcome to Season 2 episode 3 of Daydream Nation: a Music conversation Podcast! On this episode we discuss The Horrors’ Primary Colours! Be sure to come back in 2 weeks for episode 4, where we will be discussing Jens Lekman’s Night Falls Over Kortedala! Until then, be excellent to each other!

Jordan, Keith and Mariano review the new CD from Soul and R&B vocalist Anthony Hamilton. He started with Comin' From Where I'm From to the new What I'm Feelin'. They also review Primary Colours from pop group Magic! Stay tuned to find out if Magic's new record is really all about the Primary Colours or is it all just Grey?Follow the GSMC Music Podcast at http://www.gsmcpodcast.com/music-podcast.html

Primary Colours - Phil Camden, 10/7/16 5PM by The Chapel

Primary Colours annual Installation Nation show is back at the Indianapolis Art Center ArtsPark this year, filling the grounds, and trees, with temporary outdoor installations. Travis DiNicola spoke with co-chairs Sarah Brodbeck and Megan Reinhardt. The Indiana Repertory Theatre's Janet Allen is celebrating 20 years at the IRT. Sharon Gamble invited Janet to tell us how she landed in Indy and how she keeps her vision fresh. Last week the Indianapolis Art Center's biennial Art from the Heartland exhibition opened, featuring work from contemporary Midwest artists. Travis DiNicola spoke with the Art Center's director of exhibitions Kyle Harrington and art consultant Mindy Taylor Ross.

Travis Dinicola spoke with Patrick Flaherty, President and Executive Director of the Indianapolis Art Center and artist Andy Ball about the 2015 Installation Nation at the Indianapolis Art Center hosted by Primary Colours. Sharon Gamble invited Erika Gibson and DeShong Perry Smitherman to tell us about the organization they co-founded and co-lead, A Girl's Gift. The actor and singer, and slightly creepy Alan Cumming headlines The Cabaret's 2015 Summer/Fall Season with his one-man show Alan Cumming Sings Sappy Songs. Travis DiNicola found about this show, as well as everything the Cabaret at the Columbia Club has planned for the next few months.

The fifth in our lecture series for Hilary Term 2014, given in the JCR at Mansfield College by Joe Klein, renowned American political columnist for Time Magazine.

The fifth in our lecture series for Hilary Term 2014, given in the JCR at Mansfield College by Joe Klein, renowned American political columnist for Time Magazine.

The second in our lecture series for Hilary Term 2014, given in the JCR at Mansfield College by Joe Klein, renowned American political columnist for Time Magazine.

The second in our lecture series for Hilary Term 2014, given in the JCR at Mansfield College by Joe Klein, renowned American political columnist for Time Magazine.

1. Tones on Tail , Burning Skies e.p., Burning Skies2. Tones on Tail , Burning Skies e.p., OK This is the Pops3. Tones on Tail , Burning Skies e.p., When You're Smiling4. Tones on Tail , Burning Skies e.p., You, the Night and the Music5. Leichtenstein, Survival Stratagies in a Modern World, Postcard6. Feild Assembly, Broadsides & Ephemera, Light Speed7. Vivian Girls , Everything Goes Wrong, Before I Start to Cry8. Echo and the Bunnymen, Postpunk Chronicles: Scared to Dance, Do it Clean9. The Horrors, Primary Colours , Scarlet Feilds10. Magazine, Postpunk Chronicles: Scared to Dance, The Light Pours Out of Me11. Kusikia , Kusikia , A Digression12. Colin Newman , A to Z, Alone13. Grand Archives, Keep in Mind Frankenstein, Left For All the Strays13. My Life With The Thrill Kill Kult, Confessions of a Knife, The Days of Swine and Roses14. Genevieve Pasquier, Soap Bubble Factory, Remember

Flipper, Love, Live RealFlipper, Love, Love FightFlipper, Love, Old GravesDum Dum Girls, ep, Dream Away LifeBlank Dogs, Under and Under, The New ThingsMayfair Set, Mayfair Set, Desert FunDog Day , Concentration, RomeThe Horrors, Primary Colours, Scarlet FieldsBlack Dice, Repo, Urban SupremistPink Reason, Cleaning the Mirror, Dead EndKid 606, Wire Tapper 13, Pheonix RiddimMetalux, Victim of Space, Accomplice,throbbing gristle, the third mind movements, not that i amAnimal Collective, Merriweather Post Pavilion, Summertime Clothes