Podcasts about Blade Runner

Celluloid Heroes: Episode 9Film: Star Trek II: The Wrath of Khan (1982)The legendary summer of 1982 saw the release of many classics of sci-fi, fantasy, and overall kick-butt filmmaking. From Tron to The Road Warrior, Poltergeist to Blade Runner, the local cinema offered seemingly infinite choice But there was one film that cut very deeply for our host and in this episode of Celluloid Heroes he takes you on a journey to explore new worlds, to seek out new life and new civilizations, and boldly go where no one has gone before. This is the story of Nicholas Meyer's Star Trek II: The Wrath of Khan.Follow Celluloid Heroes on INSTAGRAM https://www.instagram.com/TheCelluloidHeroesPodFollow Brad Abraham at www.bradabraham.comShare your thoughts with us! Send your comments to contact@longboxcrusade.comThis podcast is a member of the LONGBOX CRUSADE NETWORK:Visit the WEBSITE: https://www.LongboxCrusade.comFollow on TWITTER: https://twitter.com/LongboxCrusadeFollow on INSTAGRAM: https://www.instagram.com/longboxcrusadeLike the FACEBOOK page: https://www.facebook.com/LongboxCrusadeSubscribe to the YOUTUBE Channel: https://goo.gl/4LkhovSubscribe on APPLE PODCASTS at:https://itunes.apple.com/us/podcast/the-longboxcrusade/id1118783510?mt=2Subscribe on SPOTIFY at:https://open.spotify.com/show/3Hl0nrO7z1KYaHSDug9hsg?si=ee431b760c8c4a21Celluloid Heroes SPOTIFY Single Feed at:https://open.spotify.com/show/5G4VxlMzO0yy7Rub7MPUzx?si=389277ae77a84dd0We appreciate you joining us for this episode of Celluloid Heroes and hope you enjoyed listening!#film #cinema #movies #genx #nostalgia #StarTrek #TheWarthofKhan #1982

Hoptimus has finally done it. We have made it to BLADE RUNNER. My favorite film of all time and the inspiration for the entire RFC show idea. Joined by the Six Button Samurai from OGIH to break down this seminal 1982 film. Why is this film so influential? Who did this amazing cinematography?! How does this film look so good ?! What made the cast so great? Who are the replicants? What does it mean to be human? Find out all of this and more on this episode of the RFC.#retrofuture #scifi #ruminationsradio #bladerunner #androids #harrisonford #ridleyscott #technoir #cyberpunkSpeakpipe - Leave us a voicemailhttps://www.facebook.com/retrofuturistcuturewww.RuminationsRadioNetwork.comwww.instagram.com/RuminationsRadioNetworkTwitter: RuminationsRadioNetwork@RuminationsNEmail: RuminationsRadio@gmail.com Music and Production by Mitch Proctor for Area 42 Studios and SoundEpisode Artwork by Charles Langley for Area 42 Studios and Soundhttps://www.patreon.com/RuminationsRadio ★ Support this podcast on Patreon ★

With a new Spinal Tap hitting theaters - We tier the best & worst legacy sequels!What do you think of the tiers?  Did we miss any sequels?  How many vetos and stamps would you use?Also - We discuss possible Vegas Sphere movies and Mac likes music.Join the conversation... FacebookInstagramTwitterTikTokYouTubeRate/Review/Subscribe:Apple PodcastsSpotifyYouTube

YoutubeInstagramAmazonFacebookBioThe video for “Neon Dreamers,” the latest single from Arcade Knights, opens on a futuristic cityscape reminiscent of Blade Runner or Tron. As the visuals unfold, soaring vintage synthesizers and thunderous reverb-soaked drums create a cinematic soundscape. Digitized female vocals deliver the track's core message:We're the neon dreamers lighting up the skyChasing our tomorrow, never asking whyWith our hearts electric, breaking through the darkIn this digital world, we'll make our markEvoking the atmosphere of the Stranger Things soundtrack as much as Daft Punk, the song explores a timeless question: What does it mean to be human in a world dominated by machines?That question lies at the heart of Arcade Knights, the synthwave-cyberpunk electronic project of Canadian musician Dean Parsons. Known for his deep love of 1980s drum machines and synthesizers, Parsons incorporates authentic hardware such as the LinnDrum and Oberheim OB-8 into his work. While modern software can replicate these sounds, he prefers the analog warmth and tactile experience of physical instruments, embracing the buttons, knobs, and patch cables that bring a unique authenticity to his production process.Unlike most contemporary producers, Parsons creates entirely outside of a digital audio workstation. Every track is written, recorded, and mixed using his MPC hardware sequencer, a process he believes allows more emotion to come through the physical act of playing.“My main production machine is not a DAW,” he explains. “Every track, every note, every melody is crafted and recorded through purpose-built hardware. There's a lot of heart that comes through the keys and pads.”“Neon Dreamers” serves as a companion piece to Cyber Hack, the full-length album released earlier this year. The record tells the story of hackers raised in an AI-driven world who use their skills to protect humanity, ensuring technology serves people rather than controlling them.The theme reflects Parsons' own life. Growing up in the 1980s surrounded by Commodore 64s and science-fiction films like Terminator and RoboCop, and later working as a cybersecurity expert, he has lived at the intersection of the analog and digital worlds.“It's important to embrace technology, but not let it control your life,” Parsons says. “Technology is advancing rapidly, and if we continue to depend on it blindly, it may begin to control us. I love technology, but it's a double-edged sword. The message of Cyber Hack is that we must remain the ones in control.”Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

This week things get messy fast! We kick off with Charlie Hunnam stepping into the twisted role of Ed Hein in the new season of Monster before diving into the Hollywood cage match nobody asked for: Robert Downey Jr. vs. Ryan Reynolds — actual beef or just rich-people improv?Meanwhile, Este has his mind blown after finally realizing Alien, Predator, and Blade Runner all exist in the same universe (don't worry, we've scheduled his intervention). The guys also weigh in on the Rebel Alliance casually calling stormtroopers “white people”, the internet melting down over whispers of a Peacemaker orgy scene (?!?), and the sad, running joke that Doomsday is STILL not finished — years later, like your friend who keeps promising they're “almost done” with their screenplay.It's unfiltered, it's unhinged, and it's very Comix.

No sempre passa però avui en la roda de premsa prèvia a la 58a edició del Festival Internacional de Cinema Fantàstic de Sitges s'ha anunciat la pel·lícula que cloura el certamen, serà The long walk (la larga marcha), de Francis Lawrence, que adapta la novel·la homònima d'Stephen King amb una pel·lícula molt gràfica i molt dura segons el director, Àngel Sala. Qui és director artístic del Festival de Sitges, juntament amb la directora de la Fundació del Festival, Mònica Garcia, han presentat a la Casa Seat de Barcelona el gruix destacat de pel·lículas que es podran veure entre el 9 i el 19 d'octubre a Sitges agrupades per seccions. En l'espai Òrbita, espai dedicat als films de més acció i aventura han destacat la xinesa Trapped, la coreana Sad tòpics o Find your friends, de qui Àngel Sala n'augura serà un xoc per al públic. En la secció Sitges Collections que inclou "les perles" del Festival n'han destacat títols com el film d'animació Arco, produïda per Nathalie Portman, una de les pel·lícules més gore d'aquesta edició, Bugonia o Frankestein de Guillermo del Toro. Pel que fa a la Secció Oficial que agrupa el gruix més grans de pel·lícules en destaquen Chain51 de qui els crítics diuen que és la Blade Runner francesa, la divertida Death of a Unicorn, el Drácula del romanés Radu Jude, gairebé tres hores de pel·lícula desconcertant. Altre títols destacats Esa cosa con alas, Good boy molta por amb un gos de protagonista, If I Had Legs I'd Kick You(Si pudiera, te daría una patada), probablement una de les sorpreses del Festival segons Àngel Sala que parla sobre la maternitat o La Leyenda de Ochi apte per a tota la família . També hi haurà presència de cinema nacional amb Decorado de Alberto Vázquez, Gaua de Paolo Urkijo o Silencio d'Eduardo Casanova. Pel que fa als convidats especials que rebran Premi Honorífic destaca Carmen Maura que rebrà el guardó el primer dia del Festival alhora que es projectarà Vieja Loca, film que interpreta i que produeix J.A. Bayona. Altres noms destacats són Joe Dante, padrí de la relació de l'humor i el terror i referent del cinema dels anys 80 amb títols com Gremlins i Terry Gilliam, membre dels Monty Phyton i director de Los caballeros de la mesa cuadrada o 12 Monos. Rebran també Màquina del Temps Enzo G.Castellari, William Fichtner, Bean Wheatley i Benedict Cumberbatch. Pel que fa als noms femenins el programa Woman in Fann destaca tres grans dones, Gale Anne Hurd Hunt, productora de Terminator, entre d'altres; Mery Harron, responsable d'American Phsyco i Nancy Loomis, un dels rostres més coneguts del cinema dels 70 i 80. Aquí teniu la roda de premsa íntegra amb Mònica Garcia i Àngel Sala. L'entrada Carmen Maura, Joe Dante i Terry Gilliam, convidats d’honor al Festival de Cinema de Sitges que clourà la 58a edició amb The long walk, adaptació de la novel·la distòpica d’Stephen King ha aparegut primer a Radio Maricel.

Marc Tarpenning is Co-founder of Tesla and a venture partner at Spero Ventures. In 2003, Marc and Martin Eberhard saw two signals: GM killed its beloved EV1, and Californians snapped up Toyota's Prius despite its compromises. They realized the market was ready for an electric car that was better than gas, not worse. Their breakthrough: 7,000 off-the-shelf laptop batteries powering a sports car that outran a Porsche and drove over 200 miles. The Tesla Roadster was born, before Elon Musk joined the company.Marc shares how his time in Saudi Arabia exposed him to oil dependence, how NuvoMedia taught him about the pace of battery improvement, and why a software mindset helped Tesla out-innovate incumbents. Now at Spero Ventures, Marc backs founders building solutions that are both economically compelling and environmentally vital, and explains why, to him, EVs have already won.Episode recorded on Aug 12, 2025 (Published on Sept 9, 2025)In this episode, we cover: [05:58] Marc's experience fixing software projects in Saudi Arabia[07:06] Why TELO's compact electric pickup makes sense[09:09] Marc's Star Trek optimism versus Blade Runner dystopia[10:29] On founding NuvoMedia and the first e-book readers[17:40] Brainstorming EVs after the dot-com collapse[20:25] Prius demand proves customers value efficiency[22:18] Reducing oil dependence as national security[24:46] Roadster powered by 7,000 laptop lithium-ion cells[30:28] The Tesla launch playbook[32:14] Acceleration as the hook for high-end EV buyers[37:20] Early interactions with Elon Musk at SpaceX office[40:11] Lessons from early Roadster builds[43:36] Vertical integration only where it truly differentiates[48:15] Why EVs are inevitable[50:30] Marc's thoughts on Tesla today Enjoyed this episode? Please leave us a review! Share feedback or suggest future topics and guests at info@mcj.vc.Connect with MCJ:Cody Simms on LinkedInVisit mcj.vcSubscribe to the MCJ Newsletter*Editing and post-production work for this episode was provided by The Podcast Consultant

Here in Episode 159 of Jay of the Dead's New Horror Movies, four of your intrepid Horror Avengers — Jay of the Dead, Dr. Walking Dead, GregaMortis, and Mackula — are joined by special guest, Kombat Karl “The Mad Irishman” from Movie Podcast Weekly, to help them review ALIEN: EARTH (2025), Episode 005: In Space, No One…! Warning: This episode contains full-blown, major plot spoilers as our space jockeys discuss the latest developments of this entertaining Sci-Fi Horror series. With this new menagerie of Beastly Freak organisms, Jay classifies the eyeball-squid thing as an “Ocular Octopod,” and he calls the ill-fated, science vessel USCSS Maginot, “Con Air but With Aliens.” Also in this episode, you will probably not be surprised to hear Mackula say, “I think it's just that darn sheep!” Kombat Karl translates, in the way that only he can, what the xenomorph sentiments are saying, and Mackula very excitedly draws parallels between the alien xenomorphs and The Shape, Michael Myers. In addition, Mackula and Karl chat about whether Alien Earth makes any references that nod to “Blade Runner,” as Jay asks Karl if Boy Kavalier is a “replicant.” Note: This episode was recorded on September 4, 2025. Be sure to subscribe to Jay of the Dead's new Horror movie podcast on: Apple PodcastsSpotifyDeezer   You are welcome to email our show at HauntingYourHeadphones@gmail.com. You can also follow Jay of the Dead'sNew Horror Movies on Twitter: @HorrorAvengers Jay of the Dead'sNew Horror Movies is an audio podcast. Our 10 Horror hosts review new Horror movies and deliver specialty Horror segments. Your hosts are Jay of the Dead, Dr. Shock, Gillman Joel, Mister Watson, Dr. Walking Dead, GregaMortis, Mackula, Ron Martin, Dave Zee and Spawn of the Dead! Due to the large number and busy schedule of its nine Horror hosts, Jay of the Dead'sNew Horror Movies will be recorded in segments, piecemeal, at various times and recording sessions. Therefore, as you listen to our episodes, you will notice a variety of revolving door hosts and segments, all sewn together and reanimated like the powerful Monster of Dr. Frankenstein!

Between Metropolis and Star Wars lies a 50 year wasteland of terrible movie robots. Today, we begin our examination of BLADE RUNNER, one of the pivotal films in science fiction cinema. In this first episode, Professor Stephen Murray delivers his TED Talk on the four pivotal moments in science fiction cinema. WARNING! The S**t-bomb is used and there are some references to using your bottom as pencil case because you were too poor to afford an actual pencil case. TikTok: @FiftyYOSRInsta: @FiftyYOSRNOTES WAR OF THE WORLDS ECUDORhttps://historyradio.org/2017/01/21/the-war-of-the-worlds-in-ecuador/ STALKER TRAILERhttps://www.youtube.com/watch?v=YuOnfQd-aTw BAD MOVIE BIBLE: STAR WARShttps://www.youtube.com/watch?v=0aeyUWLPLAs Hosted on Acast. See acast.com/privacy for more information.

En este episodio exploramos la conexión entre *¿Sueñan los androides con ovejas eléctricas?*, la novela visionaria de Philip K. Dick, y su adaptación cinematográfica más influyente: *Blade Runner*. Analizamos cómo el autor planteó dilemas sobre identidad, empatía y lo que significa ser humano en un mundo dominado por la tecnología, y de qué forma Ridley Scott trasladó estas ideas al cine creando un referente absoluto de la ciencia ficción. Entre filosofía, literatura y estética cyberpunk, desentrañamos las diferencias, coincidencias e impacto cultural de ambas obras, que siguen marcando el debate sobre el futuro de la humanidad en la era tecnológica. ⚠️ Si este programa te ha gustado: comenta, dale a me gusta, compártelo. Ayúdanos a llegar a más gente 🙂 Estas son nuestras redes y puntos de apoyo: ☄ Patreon: https://www.patreon.com/vuelodelcometa ☄ Twitch: https://www.twitch.tv/vuelodelcometa ☄ Telegram: https://t.me/vuelodelcometacomunidad ☄ YouTube: https://www.youtube.com/@vuelodelcometa ☄ Instagram: https://www.instagram.com/vuelodelcometa ☄ Twitter: https://twitter.com/Vuelodelcometa ☄ Threads: https://www.threads.com/@vuelodelcometa ☄ Bluesky: https://bsky.app/profile/vuelodelcometa.bsky.social ☄ Facebook: https://www.facebook.com/Vuelodelcometa ☄ Web: alvaroaparicio.net Si quieres apoyar este y otros proyectos relacionados, puedes acudir a https://www.patreon.com/vuelodelcometa o a través del sistema de mecenazgo en iVoox. Y si quieres contactar con nosotros para una promoción, no dudes en ponerte en contacto a través de: vuelodelcometapodcast@gmail.com #ciberpunk #cienciaficción #androides #distopía #inteligenciaartificial Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Blade Runner y el test de Turing.

Nach den Sommerfolgen sind wir mit einer neuen Ausgabe unserer Science-Fiction-Spezialreihe zurück! Peter ist wieder zu Gast bei Eva und dieses Mal geht es um ein Thema, das uns im Film schon viel länger beschäftigt als im Alltag. Während die Künstliche Intelligenz im Alltag erst seit kurzer Zeit eine wichtige Rolle spielt, wird in der Science-Fiction schon lange über sie spekuliert. Filme wie Ghost in the Shell, Blade Runner oder Ex Machina haben unser Bild von Maschinen, Bewusstsein und Menschlichkeit geprägt. Aber was ist eigentlich Bewusstsein, und haben wir Menschen überhaupt eines? Haben wir eine Chance gegen den Aufstand der Maschinen? Und, müssen wir uns damit abfinden, bald nicht mehr die intelligentesten Wesen auf der Erde zu sein? Über all das und noch mehr diskutieren Eva und Peter in dieser Folge. Unterstützt uns bei [Steady](https://steadyhq.com/de/cosmiclatte/about), [Patreon](https://patreon.com/CosmiclattePodcast) oder [Paypal](https://paypal.me/cosmiclattepod)!

    I really didn't intend to follow an 80s themed mix with another mix with an 80s vibe. But I couldn't help myself because of the brand new album from Crows Labyrinth - Neon Scenes II: Echoes of Then https://crowslabyrinth.bandcamp.com/album/neon-scenes-ii-echoes-of-then  The album is a follow-up to an album called "Neon Scenes I: Granular Dreams." Both albums are longform generative drone ambient pieces that have this great Blade Runner vibe. I used the first album as the jumping off point for my last Blade Runner themed mix in March 2023 - https://www.mixcloud.com/lowlight/replicant-memories/  Upon hearing this new Crows Labyrinth album I just knew I had to create some more Blade Runner ambiance. Links to all the music used in this mix: https://crowslabyrinth.bandcamp.com/album/neon-scenes-ii-echoes-of-then https://phelios.bandcamp.com/album/nexus-6 https://cryochamber.bandcamp.com/album/void-rituals https://logicmoon.bandcamp.com/album/music-for-film-vol-1 https://cryochamber.bandcamp.com/album/futuristic-dereliction https://graintable.bandcamp.com/album/music-to-watch-seeds-grow-by-003-graintable-blue-flax https://projektrecords.bandcamp.com/album/neon-blue-utopia https://dave-nelson.bandcamp.com/album/the-act-of-vanishing https://uthermoads.bandcamp.com/album/uther-moads https://juneunit.bandcamp.com/album/s-t https://cryochamber.bandcamp.com/album/2150 Cheers!   T R A C K L I S T : 00:00   Crows Labyrinth - Neon Scenes II: Echoes of Then (Neon Scenes II: Echoes of Then 2025) 08:25   Martin Stürtzer - Nexus-6 (Nexus-6 2025) 17:00   Ruptured World - The Great Void (Void Rituals 2024) 22:00   Logic Moon - New Arcadia (Music For Film Vol.1 2024) 25:30   Alphaxone & Onasander - Megacities (Futuristic Dereliction 2024) 32:24   Graintable - Cascade Moutain Ash (Music to Watch Seeds Grow By 003: Graintable (Blue Flax) 2025) 37:00   deepspace - Entering Aquarium Prefecture (Neon Blue Utopia 2025) 43:12   Dave Nelson - The New Normal (The Act of Vanishing 2020) 46:00   Uther Moads - Future Waves (Uther Moads 2011) 49:30   juneunit - lude (juneunit 2019) 53:30   Sabled Sun - Onboarding Errors (2150 2025) 58:54   end

Writers Mike Johnson and Mellow Brown talk about the Blade Runner series being published by Titan Comics in connection with Alcon, and how the universe is expanding beyond the existing movies in comics prequels and sequels.

Recorded before a live Facebook (and YouTube) audience, Will, Kat and Jon discuss the following topics:0:00 - Introduction6:35 - Stranger Things breakfast cereal12:45 - Does Gen X still eat cereal?23:57 - Knight Rider: The Movie34:41 - Apollonia sues Prince's estate for her name43:44 - The Police sue Sting for royalties 56:40 - The Alien: Earth – Blade Runner connection1:11:13 - Wrap Up and Thank YouFollow us on Facebook: https://www.facebook.com/1980snow.Subscribe to our YouTube channel: https://www.youtube.com/@1980snowRead our new book Totally Bogus (But True) Tales from the 1980s!Visit us at RetroCon on September 6! Go to https://retrocons.com/ for more information.

In this episode, we discuss the Blade Runner films.  Episode guide: 4:22 - Blade Runner 30:56 - Blade Runner 2049 Thank you for listening! Outside is Overrated is presented by Premier Health.  Please support OiO on Patreon for as little as $2 a month. Download and subscribe to OiO wherever you get your podcasts. Connect with us on Facebook or email the show. Music courtesy of: http://www.bensound.com/royalty-free-music. 

Believe it or not, it's been SIX YEARS since David Leach has been on our show. Last time, we were discussing the imminent release of the first arc of Blade Runner Titan comics. Now, we're about to get three massive omnibus releases collecting Blade Runner 2019, Blade Runner 2029, and Blade Runner 2039 (and a whole lot more). It was nice to take a moment to reflect back on all that's happened since 2019 in Blade Runner comic-dom—and to look ahead at what's to come! More Blade Runner comics talk coming next month, so stay tuned! // For more on this and our other projects, please visit www.bladerunnerpodcast.com  // If you'd like to join the conversation, find us on our closed Facebook group: Fields of Calantha. // To support the show, please consider visiting www.bladerunnerpodcast.com/support. We've got some great perks available! // And as always, please consider rating, reviewing, and sharing this show. We can't tell you how much your support means to us, but we can hopefully show you by continuing to provide better, more ambitious, and more dynamic content for years to come.

El audio presenta el programa "Buenos días, Javi y Mar" de Cadena 100. Se comenta sobre lesiones juguetones y el "síndrome de cuello de texto" por el uso del móvil. Se discuten diversas "opiniones impopulares" como gustos personales (ej. Brad Pitt, Blade Runner), hábitos (no disfrutar ensaladas) y temas de padres (correcciones en exámenes, notas). Un padre pide cambiar la nota de su hija.

What makes a machine human? When does an algorithm become more than just ones and zeros? In this fourth installment of our artificial intelligence in pop culture series, we tackle the profound philosophical questions raised by science fiction's most compelling AI narratives.We begin with Star Trek's Data—the "fully functional" android whose quest to understand humanity mirrors our own questions about consciousness. But our main focus turns to Ridley Scott's masterpiece Blade Runner and its central question: what distinguishes humans from the replicants they've created? We examine how the film's ambiguity about whether Deckard himself is a replicant enriches its exploration of consciousness, memory, and identity.The conversation takes us through Douglas Adams' satirical take on AI in Hitchhiker's Guide to the Galaxy, where a supercomputer spends millions of years calculating the answer to life's ultimate question only to deliver the infamous "42." This absurdist approach highlights our tendency to outsource complex philosophical dilemmas to technology without fully understanding what we're asking.As we consider modern AI development, we question whether the distinction between artificial and human intelligence might be more arbitrary than absolute. Are we, as humans, fundamentally different from the algorithms we create, or are we simply organic computers operating on biological programming? The way we constantly redefine sentience as we learn more about animal intelligence provides a fascinating parallel to how we might one day view artificial consciousness.The episode eventually veers off into a tangent we're famous for as we fan-cast a particular comic book property if it had been adapted to film years before it was.

Conviértete en miembro de este canal para disfrutar de ventajas:https://www.youtube.com/channel/UCrr-82T0bOWW3ZoHjSS9YTA/join¡No olvides seguirnos en Instagram y Tik Tok! -https://www.instagram.com/cineparatod...-https://www.tiktok.com/@cineparatodos...¡Síguenos en nuestros espacios para hablar de cine!:-CINE PARA TODOS: https://youtube.com/@Cineparatodos?si=elZlVc_voLupkUtH-ZOOMF7: http://bit.ly/ZoomF7_YT-KICK: https://kick.com/zoomf7-PATREON: https://www.patreon.com/zoomf7-SPOTIFY: https://open.spotify.com/show/5YbySnX...-APPLE: http://ow.ly/V7dX30q7yAqRedes personales:•Sr Santo:-Youtube: https://www.youtube.com/@elsrsanto-Twitter: https://x.com/ElSrSanto-Instagram: https://www.instagram.com/elsrsanto?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==-Tiktok: https://www.tiktok.com/@elsrsanto?is_from_webapp=1&sender_device=pc•Gerry:-Twitter: https://x.com/el_lyndon?s=2-Instagram: https://www.instagram.com/el_lyndon?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==-Letterboxd: https://boxd.it/12ZBh-Lyndon YouTube: https://youtube.com/@Jerrylyndon?si=w...•Miguel: -Twitter: https://x.com/portalmike?s=21-Instagram: https://www.instagram.com/maps_2208?i...-Letterboxd: https://boxd.it/198ZfPamela: -Podcast:https://www.youtube.com/@UC91B5Xno5YmfWWekbQ_GUmQ -Instagram:https://www.instagram.com/lachicaalmodovar/ •Axel: -Twitter: https://x.com/axldario21?s=21-Instagram: https://www.instagram.com/axlchalico2...-Letterboxd: https://boxd.it/3Q9cn•Tocayo:-Twitter: https://x.com/gerry_movie?s=21-Instagram: https://www.instagram.com/gerry021?igsh=Z3JzMDE2djhoc2Y0&utm_source=qr-Letterboxd: https://boxd.it/GLUZ(00:00): Bienvenida(02:21): Batman (1989)(11:27): Blade Runner(19:21): Salo(22:36): Midsommar(27:08): Magnolia(32:37): Ciudad De Dios(39:05): Principio y Fin(49:50): Blue Jasmine(54:13): Luna Amarga(59:42): Eterno resplandor de una mente sin recuerdos(1:01:58): Revenge of the Sith(1:09:03): Pulp Fiction(1:14:08): Barry Lyndon(1:20:07): Conclusiones(1:21:07): Despedida#CineParaTodos #ZoomF7

Many of you are enjoying our playthrough of Masks of Nyarlathotep, but that is not the only Call of Cthulhu campaign Matthew Dawkins has run for us. On our Patreon you can hear him lead Mattiaz, Craig, and Hjalmar through the classic Shadows of Yog-Sothoth. We shared the first episode on our main feed in late 2023, and today we are releasing the second.Patreon is right here: https://patreon.com/RedMoonRoleplayingEpisode 1 is right here: https://red-moon-roleplaying.simplecast.com/episodes/call-of-cthulhu-shadows-of-yog-sothoth-01-patreon-exclusiveIf you want more, you can unlock and binge all 39 episodes at the $5 level, along with other series like KULT: Divinity Lost, Warhammer 40k, Warhammer Fantasy Roleplay, and Blade Runner. Your support keeps the show going, and we would be grateful if you checked it out, but for now, please enjoy Shadows of Yog-Sothoth.Keeper: Matthew DawkinsMusic by: Lovecraftian Compilations by Cryo Chamber. Used with permission by Cryo Chamber.Our Champions of the Red Moon: Martin Heuschober, Simon Cooper, Julia, Camilla, Bob de Lange, Cameron, Graham Barey, Doug Thomson, Lily, Maciej, Black Templar, Dennis Sadecki and Leonhardt.Web: https://www.redmoonroleplaying.comiTunes: http://apple.co/2wTNqHxAndroid: https://www.subscribeonandroid.com/feeds.simplecast.com/oYuoCFr6Youtube: https://www.youtube.com/RedMoonRoleplayingSpotify: https://spoti.fi/30iFmznRSS: http://www.redmoonroleplaying.com/podcast?format=rssPatreon: https://www.patreon.com/RedMoonRoleplaying

Welcome to Mona Lisa Overpod, the show that asks the question "What is cyberpunk?" On each episode, hosts Ka1iban and author Lyda Morehouse dive into the genre that helped define sci-fi fiction in the '80s and break down the themes which remain relevant to our lives in the 21st century. Pull on your mirrorshades, jack into the matrix, and start your run with us today!Dense cityscapes, exotic fashions, humans sharing the streets with robots and cyborgs...the visual aspects of cyberpunk worlds are readily detectable and typically anticipated by the average sci-fi consumer. But the Blade Runners and Neuromancers and tech noir tales of science fiction owe their most anticipated signifiers to a seldom discussed comic story created by two titans of genre fiction and published in a broadly influential magazine that created from whole cloth the genre we think of as "Cyberpunk". In this episode, we discuss The Long Tomorrow and the story of its creators' collaboration, the powerful influence of Metal Hurlant and Heavy Metal on 1970s science fiction, the heady combination of the bandes dessinées art style and American noir, Moebius's arresting creations and Dan O'Bannon's fertile imagination, and whether or not cyberpunk is a matured genre. We also talk about the "cyberpunk purity test", bromine poisoning, hi-tech Furbies, #RIPAOL, "older brother magazines", the Shinders backroom right of passage, Moebius FM, Jodorowsky's Dune, cultural dandelions, sex panels, the first cyberpunk POC main character, tempered edgelordiness, the leveling effect of streaming on culture, and The Bonfire of the Vanities gets a beatdown!Le pied?NEWS UPDATE: Anthropic settles!https://www.theverge.com/news/766311/anthropic-class-action-ai-piracy-authors-settlementCheck out the totally real(?) Long Tomorrow TV pitchhttps://www.youtube.com/watch?v=KvKj_kYTMukThe new edition of Lyda's book, Ressurection Code, is out now!https://wizardstowerpress.com/books-2/books-by-lyda-morehouse/resurrection-code/Join Kaliban on Twitch weekdays at 12pm for the Cyber Lunch Hour!http://twitch.tv/justenoughtropePut Just Enough Trope merch on your body!http://justenoughtrope.threadless.comMLOP is a part of the Just Enough Trope podcast network. Check out our other shows about your favorite pop culture topics and join our Discord!http://www.twitter.com/monalisaoverpodhttp://www.justenoughtrope.comhttp://www.instagram.com/monalisaoverpodhttps://discord.gg/7E6wUayqBuy us a coffee on Ko-Fi!https://ko-fi.com/justenoughtrope

⁠BUY THE ALBUM HERE! ⁠Alright, this week we're drinking the blood from Oedipus's eyes with returning guest and friend of the show, the great Russell Sbriglia to talk about his new album ⁠Critique of Pure Desire⁠ which, according to Ryan Engley, sounds like if King Crimson were throwing an Eyes Wide Shut party. The album is a psychedelic mix of philosophy, psychoanalysis, literature, and film through Slavoj Žižek, Lacan, Hegel, Hitchcock, Melville, Antigone, Hamlet, Poe, Blade Runner, Chopin, La Jetée…and even features guest vocals from Žižek himself.We're talking the critique of pure desire, the strange logic of retroactivity, failed interpellations, hysterics, the split within the law, and future histories…Russ is Associate Professor of English at Seton Hall, co-editor with Slavoj of Subject Lessons, editor of Everything You Always Wanted to Know About Literature but Were Afraid to Ask Žižek, and the band Misconstruity.Big thanks to Russ — and if you're quick, the first two listeners to email zizekandsoon@gmail.com will get a copy of the album.And yes, Tim is still away…last I heard he reckoned that he's being followed by a chorus of old men who keep lamenting his decisions and spoiling the plot of his life…however I want to take this chance to say that Tim's first book has just been published with Palgrave: A Lacanian-Hegelian Perspective on Peace and Conflict Studies. It's now out in the world and you should all check it out. Congrats, Tim. Extra fish-head soup for you!⁠GET TIM'S BOOK HERE!⁠See you in Paris, Ž&…

Send us a textThis week on The Fixate & Binge Podcast, I go beyond the jump scares and alien horror of FX/Hulu's ALIEN EARTH to uncover the deeper philosophical questions lurking beneath. *What does it mean to be conscious? *Who controls our autonomy in a world dominated by corporate titans acting as modern-day world powers? *And what does the pursuit of knowledge and exploration—whether into deep space or deep AI—say about humanity's relentless drive to become gods, or perhaps greater than God Himself?Through the prism of ALIEN EARTH, I'll examine our present reality: corporations that rival nations, the commodification of human individuality, and the ethical risks of unchecked ambition. Along the way, I'll weave in Ridley Scott's BLADE RUNNER (because of course I'm never not going to drop a reference to BR when I have the chance), exploring what it means to exist when identity, consciousness, and even the soul can be manufactured.ALIEN EARTH isn't just about monsters—it's about us, the monsters we may already be, and the uncertain future we're building.Thank you for listening! You can find and follow us with the links below!Read our Letterboxd reviews at:https://letterboxd.com/fixateandbinge/Follow us on Instagram at:https://www.instagram.com/fixateandbingepodcast/?hl=msFollow us on TikTok at:https://www.tiktok.com/@fixateandbingepodcast

Stewart, Rastislav and Ken return for Off the Record, and speak on the memory of Ozzy Osbourne. Ken begins with a glowing review of 2020's Rockfield: the Studio on the Farm; Ozzy, Tony Iommi and many others were interviewed for this documentary on the studio built by Charles and Kingsley Ward. The Welsh farming brothers provided the backdrop for Black Sabbath and other UK bands to create enduring pop and rock classics, and have weathered industry changes to continue operating.Stewart continues with a review of the 2023 sci fi thriller Simulant, a low budget affair that nevertheless utilized its actors and story to impress Stewart; he favourably compares this film to Blade Runner. Robbie Amell, Jordana Brewster, Simu Liu and Sam Worthington headline.Rastislav then brings more UK praise with his review of the Ricky Gervais series After Life (2019-2022). He enjoyed Gervais' abrasive, uncompromising humour and observations of human nature.Moving to lesser picks, Ken reviews an early Mike Flanagan effort called Absentia (2011). While he found value in the character development between actors Katie Parker and Courtney Bell, he feels the low budget prevented Flanagan from creating a film with the intensity of his later releases.Stewart then expands on his Dead Like Me series review to administer last rites to its 2009 sequel movie Life After Death. Actors Ellen Muth and Callum Blue couldn't enliven this finale to Stewart's satisfaction.Rastislav concludes with his analysis of the recent Netflix sensation You (2018-2025), starring Penn Badgley, Victoria Pedretti and others. He felt the change in story backdrops kept the series from being consistently entertaining.And if that wasn't enough, Twisted Metal Season 2 leaves us with a bitter taste in Stewart's mouth. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit unsungcinematics.substack.com

Après la découverte du penthouse de Jonathan Creel, nos Blade Runners poursuivent leur investigation. Séparés pour mieux couvrir le terrain, ils interrogent proches, collègues et analysent les caméras de surveillance. Mais chaque piste semble soulever plus de doutes que de réponses… et la vérité, elle, reste enfouie dans les ombres.Allons donc rejoindre nos blades runners, soit:le détective Chuck Chicago, joué par Jean-Philippe Décarie-Mathieu;le fixer Vincent 'V' Morel, joué par Jonathan Papin;le gros bras Marcus Creed, joué par Martin Durette;l'analyste Richard 'Rich' Richards, joué par Ian Richards.Votre game runner est Benoît Gagnon.Bonne partie!

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En dos palabras: BLADE RUNNER. ¿Hay mejor manera de vender este programa que simplemente mencionar el título del film de culto acerca del cual girará todo el monográfico de hoy? En La Órbita De Endor pensamos que no hay mejor manera. Por lo tanto, dejémoslo ahí, solamente BLADE RUNNER. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

It's time for episode three of Alien: Earth, and the title of the episode is 'Metamorphosis'. Which is a reference to our showgirl, of course, but also the Lost Boys, Morrow, and humanity itself in this show about making machines, becoming machines, putting children into machines ("this is fine" - the ethics board, distractedly), and sometimes thinking about machines when an alien comes along and tail-whips you into cutlets. Turn and face the strange, children. Which reminds us - that spinning eye octopus is back this week, certainly in the thoughts of Nibs. Other areas of discussion include Wendy and Joe's fight with a xenomorph (whose Opta stats take a beating this episode), Smee and Slightly saying "bro", Kirsh vs Morrow, Blade Runner vibes, and the fact we're suddenly all really bloody excited about where this show is going.Let us know what you think of this episode by emailing us at redshirtcinemaclub@gmail.com and support us on Patreon at patreon.com/redshirtcinemaclub for access to two bonus episodes per month as well as our newsletter, The Civilian Observer. Hosted on Acast. See acast.com/privacy for more information.

G'day Folks, In this episode of the General Knowledge Podcast, Lee is joined by Ethan Nash from TOTT News for a deep dive into the state of digital freedom, media, and government control. The conversation opens with a look at the decline of streaming services and the resurgence of piracy, highlighting how rising subscription costs, intrusive ads, and restrictions on password sharing have pushed audiences back toward torrenting. This sets the stage for a broader discussion on ownership, control of media, and the erosion of consumer choice in the digital age. The core of the discussion centers on the looming implementation of digital ID systems and restrictions to internet access in Australia. Ethan outlines how governments worldwide, particularly in the UK and Australia, are pushing toward mandatory identification for basic online activity, including Google searches, social media, and streaming platforms. The hosts warn that this shift represents the death of anonymity online, with VPN use already being targeted for suppression. They connect these developments to global agendas promoted by the World Economic Forum and the growing influence of “China-style” surveillance models. The conversation then broadens into political and social consequences. Lee and Ethan examine how governments often justify surveillance and restrictions under the guise of “protecting children,” while in reality building infrastructure for full-spectrum control. They touch on the proposed laws in Australia, the role of the eSafety Commissioner, and moves toward centralised digital identity through platforms like MyGov. Drawing parallels to past authoritarian overreaches, they argue that citizens are losing both privacy and basic freedoms in ways that would have been unimaginable only a decade ago. Despite the bleak outlook, the hosts also highlight potential for resistance and innovation. From “anti-surveillance tech” like special clothing and peer-to-peer communication systems, to grassroots activism such as the UK's “Blade Runners” dismantling surveillance cameras, they suggest necessity will fuel inventive ways to fight back. They urge listeners to consider alternative systems, whether through new technologies, financial models, or community-driven solutions, stressing that individuals with resources and courage will be vital in shaping parallel networks of resilience. Finally, the episode closes by tying these issues back to Australia's political and economic landscape. They discuss weak leadership, controversial marches, immigration pressures, and proposed tax hikes, framing them as symptoms of a nation in decline. Yet, they emphasize that collective action and informed resistance can still make a difference. Whether through petitions, protests, or simply refusing to comply, they argue that Australians must recognise the stakes: protecting privacy, autonomy, and national integrity before these freedoms are permanently eroded. https://tottnews.com/2025/08/12/new-forever-chemicals-sydney-water/ https://senatorbabet.com.au/media-release-senator-babet-urges-australians-to-stand-against-digital-surveillance/ https://www.facebook.com/events/1476921229995080 Remember the Bonus Content shows are available now to all Patreon supporters for just AU$8 a month! Now 44 Bonus shows are available just for those who see value in what we do. Including a 5 part series on the Port Arthur Massacre, The Electric Universe with Physicist Wal Thornhill, The Moon Landing Hoax & The Titanic Conspiracy! PLUS!!!... every Patreon member gets a video version of every episode of the regular show too! Instead of donating money to a charity that most likely won't pass on your full donation to whomever needs it, why not sign up as a patron over at our Patreon account for all the bonus content and extra podcasts! https://www.patreon.com/RealNewsAustralia   PayPal donations can be made me here at RealNewsAustralia.com to help pay for costs associated with bringing you this show if you don't want any extra bonus content for your support.   As always make sure you subscribe and give us a 5 star rating on iTunes with a nice little review to help us out! Please consider sharing on social media to ensure we reach a bigger audience!    We're relying on YOU!   Links:  https://www.patreon.com/RealNewsAustralia - Join Today! BUY ME A COFFEE! https://www.buymeacoffee.com/GeneralMaddox/membership http://paypal.me/LeeMaddox79- Support today!  

Welkom bij Nerd Culture #222, de podcast waarin we weer helemaal losgaan op het laatste nieuws uit films, series en games. Deze week praten we uitgebreid over de nieuwe Disney+ show Alien: Earth, checken we de trailers van Splinter Cell: Deathwatch en Fallout seizoen 2, en duiken we in Variety's verhaal over Disney dat wanhopig op zoek is naar originele IP's om Gen Z terug te winnen.Alien: Earth ReviewDisney+ probeert iets groots met Alien: Earth: de legendarische xenomorphs landen voor het eerst écht op onze planeet. Het resultaat is een mix van sci-fi, horror en pure spanning die duidelijk wil voortbouwen op Ridley Scotts erfenis. Maar werkt dat ook in serieformaat? In de podcast duiken we erin. Koos heeft de show gezien en neemt je mee door de eerste afleveringen. Hoe pakt Disney+ de sfeer van de klassieke films aan? Is de cast overtuigend genoeg? En vooral: voelt het nog steeds als die beklemmende Alien-ervaring waar de franchise om bekendstaat? Is dit de frisse start die fans hopen, of gewoon weer een extra titel in een reeks die zijn magie langzaam kwijtraakt?Marvel en Star Wars verliezen kracht, Disney op zoek naar nieuwe 'jongens' IP Disney mag dan jarenlang leunen op Marvel en Lucasfilm, maar zelfs deze kaskrakers weten Gen Z niet meer vanzelf naar de bioscoop te trekken. Variety meldt dat het bedrijf actief op zoek is naar nieuwe originele films die specifiek jonge mannen van 13 tot 28 jaar moeten aanspreken. Volgens insiders vraagt de top van Walt Disney Studios schrijvers en producers om frisse pitches met meer avontuurlijke thema's, wereldwijde schattenjachten en seizoensgebonden blockbusters, bijvoorbeeld rond Halloween. Dit alles omdat het publiek steeds minder warm loopt voor superheldenfilms en Star Wars maar geen grote bioscoophit meer weet te leveren.Is de focus op nieuwe IP's een slimme zet, of had men beter kunnen blijven investeren in bestaande franchises? Eén ding is zeker: Disney wil koste wat kost relevant blijven bij Gen Z.Nicolas Cage in gesprek voor True DetectiveNicolas Cage lijkt klaar voor een opvallende stap: volgens Deadline is hij in gesprek om de hoofdrol te spelen in seizoen 5 van HBO's True Detective. Daarmee zou de Oscarwinnaar in de huid kruipen van Henry Logan, een rechercheur in New York die centraal staat in de nieuwe zaak. Showrunner Issa Lopez, die eerder Night Country maakte, keert terug en belooft opnieuw een duistere, krachtige vertelling – ditmaal met Jamaica Bay als decor. Hoewel de deal nog niet rond is, doen de geruchten denken aan Jodie Foster's langdurige onderhandelingen voor seizoen 4, waarvoor ze uiteindelijk een Emmy won.Met eerdere hoofdrollen voor Matthew McConaughey, Woody Harrelson en Mahershala Ali krijgt Cage dus illustere voorgangers. De serie staat gepland om in 2026 te worden opgenomen, met een release in 2027. In de podcast praten we over wat deze mogelijke casting kan betekenen voor de richting en impact van True Detective seizoen 5.Timestamps:00:00:00 Nerd Culture #22200:02:54 Wat gaan we vandaag doen?00:03:47 Alien: Earth00:12:00 Devil May Cry00:15:56 Venom00:20:33 Splinter Cell: Deathwatch Trailer00:23:56 Disney op zoek naar nieuwe IP om jongens terug te winnen00:34:12 George Lucas gaf Ron Howard een gouden tip bij Solo: A Star Wars Story00:39:17 Oscar Isaac staat open voor terugkeer bij Star Wars00:44:54 De Toxic Avenger is nu de woordvoerder voor Liquid Death00:47:26 Anemone Trailer00:50:11 Alien: Earth en Blade Runner hebben geen gedeeld universum00:53:32 Een blik achter de schermen bij HBO's Harry Potter serie00:55:28 Robert Downey Jr. stuurde aan op een maand reshoots voor Doomsday00:57:26 Moleman geeft Fantastic Four: First Steps 3.5 ster00:58:17 Je kunt bieden op Tobey Maguire's Spider-Man pak00:59:29 James Gunn herschrijft het einde van Peacemaker seizoen één01:01:00 Nicolas Cage in onderhandeling voor True Detective seizoen vijf01:01:44 Fallout Season 2 Trailer

à l'occasion de l'évènement Blade Runner au 104 à Paris en 2021Mana et plasma s'est retrouvé pour discuter et débrieffer dans la bonne humeurhttps://www.104.fr/fiche-evenement/week-end-blade-runner.htmlvous y retrouverez un replay de la table ronde :Rêver le futur : sur l'inconscient politique de la Science-fictionIl serait trop facile de réduire la science-fiction à un échappement dans l'imaginaire. N'occupe-t-elle pas d'autres fonctions ? Un film comme Blade Runner ne montre-t-il pas qu'elle est aussi un espace d'affleurement de tout un inconscient politique, inquiet du destin du monde et de la collectivité ?Intervenant·e·s : Christopher Robinson (maître de conférences à l'École polytechnique, spécialiste de la science-fiction et du fantastique en art, littérature et cinéma), Vincent Martigny (professeur agrégé en science politique, École polytechnique et SciencePo Paris), Yannick Rumpala (maître de conférences en science politique, Université de Nice) et Sylvie Allouche (maître de conférences en philosophie, Université catholique de Lyon)

Artificial light detected on 3I Atlas?? https://youtu.be/NPEsXoYHbV4?si=l0IbtqvDcdGFoDzz&t=186 Meet Britain's real-life SUPERVILLAIN: Eccentric millionaire lives in a bunker beneath a Cold War radar - and is convinced he's going to find UFOs https://www.dailymail.co.uk/sciencetech/article-14993489/Britains-real-life-SUPERVILLAIN-millionaire.html 00:00:00 – Alex Jones Mayhem & Comet Chaos The show opens with chaos and laughs, featuring clips from Alex Jones—wild rants, offbeat jokes, and absurd statements. The crew teases upcoming topics, including a UK millionaire building a UFO-hunting base. They also preview headlines about comets possibly threatening Earth and eccentric billionaires preparing bunkers. 00:10:00 – InfoWars on the Auction Block A deep dive into the legal saga of Alex Jones and InfoWars. A judge rules that InfoWars' assets can be sold off to help pay the billion-dollar judgment owed to Sandy Hook families. The team discusses the failed auction attempt involving The Onion and speculates on who might try to buy InfoWars next—perhaps Steve Bannon or Roger Stone. 00:20:00 – Alien Comet Incoming? Attention shifts to Comet 3I/Atlas, a fast-approaching object potentially under intelligent control. Harvard's Avi Loeb believes it may be emitting its own light, indicating it's artificial. The crew plays a clip from “Angry Astronaut,” who argues the object's brightness defies explanation unless it's alien tech. They joke about preparing for impact and speculate whether it's a derelict or generational alien ship. 00:30:00 – Eccentric Bunker Billionaire The spotlight turns to Dr. William Sachiti, a British-Zimbabwean millionaire who lives in a Cold War radar bunker in Norfolk. He's using AI and old military tech to build a UFO-detecting system. With robotic assistants and radar experiments, he's part Tony Stark, part Bond villain. The crew jokes about his lifestyle, isolation, and paranoid security problems. 00:40:00 – AJ-AI and Trump's Anklegate Discussion turns to creating an AI trained on Alex Jones transcripts—"AJ AI." They brainstorm using it for content and entertainment. Meanwhile, Trump's recent comments about heaven spark health concerns. Photos of his “massive ankles” go viral, and his walking pattern is dissected like a Zapruder film. They play a clip of Trump speaking ambiguously about mortality. 00:50:00 – Hologram Cops & Toilet Tech South Korea's use of holographic police in parks leads to Blade Runner comparisons and concern over creepy AI surveillance. The hosts mock the “ghost cop” concept. Meanwhile, AI's role in global government expands: Albania is considering a ministry fully run by AI to fight corruption. 01:00:00 – Hitchbot Murder & AI Nation-State Remember Hitchbot? The robot hitchhiker who was murdered in Philly. The team reminisces on AI's grim fate when let loose in the real world. South Korea's hologram cop strategy is seen as ineffective for high-crime US cities. The hosts sarcastically pitch millions of hologram cops for America. More on Albania's AI government idea and potential pitfalls of AI corruption. 01:10:00 – Slang Woes & Reverse-Engineered UFOs The Cambridge Dictionary adds “skibidi,” “tradwife,” and “delulu,” triggering a rant about internet slang invading the lexicon. Then, the crew discusses a CEO claiming to reverse-engineer alien materials. He describes advanced tech using “composite conductors” and scalar radiation to explain how triangular craft cloak themselves. 01:20:00 – UFO Tech & Slide Rescue Drama More from the UFO CEO: strange materials allow for incredible feats like visual cloaking. Then, levity returns with the story of a man stuck in a playground slide. It takes a full emergency response to extract him, drawing parallels to Homer Simpson. The incident goes viral. 01:30:00 – AI in Power, Domino's Navy, and Skibidi Lore Albania may let AI run ministries. Domino's tests a submarine pizza delivery service in Loch Ness, which fools people into thinking Nessie has returned. There's also debate about the origin of “skibidi” and whether it's a legit cultural trend or just online nonsense. 01:40:00 – Hollow Cops & Dumb Bikes The episode ends with Domino's failed “pothole-proof” bikes—really just basic mountain bikes—and more jokes about hollow cops and pizza submarines. They mock the PR stunts and close out laughing at Domino's overhyped marketing. 01:50:00 – McDonald's Cybersecurity Reality Check The crew turns to cybersecurity, focusing on how even massive corporations like McDonald's seem to operate on weak, outsourced, or patchwork systems. Despite vast resources, global companies often lack robust internal protections. The team speculates that poor systems architecture and design are widespread, and not unique to McDonald's. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research ▀▄▀▄▀ CONTACT LINKS ▀▄▀▄▀ ► Phone: 614-388-9109 ► Skype: ourbigdumbmouth ► Website: http://obdmpod.com ► Twitch: https://www.twitch.tv/obdmpod ► Full Videos at Odysee: https://odysee.com/@obdm:0 ► Twitter: https://twitter.com/obdmpod ► Instagram: obdmpod ► Email: ourbigdumbmouth at gmail ► RSS: http://ourbigdumbmouth.libsyn.com/rss ► iTunes: https://itunes.apple.com/us/podcast/our-big-dumb-mouth/id261189509?mt=2          

We begin by exploring the curious case of droids in the Star Wars universe – conscious beings treated as property and slaves despite their clear personhood. The moral contradiction is striking: characters form deep emotional bonds with these synthetic beings while simultaneously accepting their status as possessions. This paradox raises profound questions about how we define personhood and the ethical implications of creating sentient life only to subjugate it.

I welcome Tomas Härenstam, the CEO of Free League Publishing , and the creator of the Year Zero Engine which has been used in many of their amazing games such as Tales from the Loop, Vaesen, Alien, Blade Runner and Coriolis - which recently launched a new version called - The Great Dark.Free League Publishing is a game studio and publisher dedicated to speculative fiction based in Stockholm, Sweden. Voted Fan Favorite Publisher at the ENNIES in 2020, 2021, 2023 and 2024 Free League has published a wide range of award-winning tabletop roleplaying games and acclaimed art books set in strange and wondrous worlds.For more information:https://freeleaguepublishing.comhttps://www.instagram.com/freeleaguepublishinghttps://www.facebook.com/FreeLeaguePublishinghttps://www.youtube.com/c/freeleaguepublishingOutside the box: How Sweden conquered the world of role-playing gameshttps://fandrake.com/produkt/outside-the-box/---------Fang Dungeon Bestiary Backerkit:https://www.backerkit.com/call_to_action/3381d640-ea27-40dd-9972-ee85087e1353/landingBug Busters Kickstarter:https://www.kickstarter.com/projects/diekugames/bug-bustersWeb Site:https://diekugames.comTo learn more about Dieku Games:https://diekugames.itch.iohttps://www.instagram.com/diekugames https://www.twitter.com/diekugameshttps://www.tiktok.com/@diekugameshttps://www.patreon.com/diekugameshttps://diekugames.blogspot.comhttps://discord.com/invite/mtP3nyUWZz#OSR #TTRPG #artinspiration

Send us a textEpisode 227 of the Hey You Guys Podcast is here, and this week, Liam and Rod look back at Blade Runner sidequel(?), 1998's, Soldier. A major critical and commercial flop at the time, has this Kurt Russel starring, Paul W.S. Anderson directed sci-fi actioner been unfairly treated? Does it deserve a second chance? Do those late 90s special effects hold up? Oh, and why are there so many CDs and candles? We answer all of these questions and much more - listen in via the link in the bio. 

In this episode, we break down Blade Runner 2049 — a sci-fi masterpiece that explores what it means to be human in a world of memory, identity, and artificial life. We analyze the jaw-dropping cinematography by Roger Deakins, marking a visual feast that earned him an Oscar. We also dive into Denis Villeneuve's philosophical storytelling — how the film layers memory, consciousness, and dystopia to build a deeply emotional sci-fi experience. If you want to understand why this film still lingers in your mind long after it ends, this breakdown is for you.

Nostalgia colors our perception of beloved franchises, sometimes more powerfully than any objective quality measurement could. We dive deep into how childhood memories shape our connection to stories like Star Wars and Star Trek, and why it's perfectly valid for people to hold differing opinions about which iterations of these franchises succeed or fail.

Novela publicada originalmente por Philip K. Dick en 1962 con el nombre de "¿Sueñan los androides con ovejas eléctricas?", la adaptación cinematográfica de 1982, a cargo de Ridley Scott y renombrada "Blade Runner", se convirtió rápidamente en un clásico atemporal, motivo que lleva a Max Espejel y Sergio Pérezgrovas a conversar sobre ambas obras.

Hi, hi, hi, there, droogs and devotchkas! Today we are joined by Antonio Palacios of The Cultworthy Cinema Podcast to discuss overlooked outlaws, neglected antagonists, and generally unsung villains in film. In many cases, these villains ended up being the best part (or in some cases, the only part worth seeing) of a film, so why are they uncelebrated? Today's root beer is On the Hook Harborside.Intro and Outro music by Stockmusic331 on Pond5Send us a text

In this episode, we explore how artificial intelligence has been portrayed in popular culture, from the replicants of Blade Runner to the feminized AI of Ex Machina. We examine the fundamental philosophical questions these stories raise: What constitutes life? What separates consciousness from programming? At what point would we need to recognize an artificial entity as deserving rights and autonomy?The conversation takes us through foundational texts like Isaac Asimov's "The Feeling of Power" and Harlan Ellison's "I Have No Mouth and I Must Scream," films like Zardoz and Logan's Run, and modern explorations of AI ethics. We discuss how these fictional portrayals often reveal more about human nature than about technology itself—particularly in how gender dynamics and toxic masculinity in the tech world manifest in our imagined AI futures.

⸻ Podcast: Redefining Society and Technologyhttps://redefiningsocietyandtechnologypodcast.com _____________________________This Episode's SponsorsBlackCloak provides concierge cybersecurity protection to corporate executives and high-net-worth individuals to protect against hacking, reputational loss, financial loss, and the impacts of a corporate data breach.BlackCloak:  https://itspm.ag/itspbcweb_____________________________A Musing On Society & Technology Newsletter Written By Marco Ciappelli | Read by TAPE3August 9, 2025The Agentic AI Myth in Cybersecurity and the Humanity We Risk When We Stop Deciding for OurselvesReflections from Black Hat USA 2025 on the Latest Tech Salvation NarrativeWalking the floors of Black Hat USA 2025 for what must be the 10th or 11th time as accredited media—honestly, I've stopped counting—I found myself witnessing a familiar theater. The same performance we've seen play out repeatedly in cybersecurity: the emergence of a new technological messiah promising to solve all our problems. This year's savior? Agentic AI.The buzzword echoes through every booth, every presentation, every vendor pitch. Promises of automating 90% of security operations, platforms for autonomous threat detection, agents that can investigate novel alerts without human intervention. The marketing materials speak of artificial intelligence that will finally free us from the burden of thinking, deciding, and taking responsibility.It's Talos all over again.In Greek mythology, Hephaestus forged Talos, a bronze giant tasked with patrolling Crete's shores, hurling boulders at invaders without human intervention. Like contemporary AI, Talos was built to serve specific human ends—security, order, and control—and his value was determined by his ability to execute these ends flawlessly. The parallels to today's agentic AI promises are striking: autonomous patrol, threat detection, automated response. Same story, different millennium.But here's what the ancient Greeks understood that we seem to have forgotten: every artificial creation, no matter how sophisticated, carries within it the seeds of its own limitations and potential dangers.Industry observers noted over a hundred announcements promoting new agentic AI applications, platforms or services at the conference. That's more than one AI agent announcement per hour. The marketing departments have clearly been busy.But here's what baffles me: why do we need to lie to sell cybersecurity? You can give away t-shirts, dress up as comic book superheroes with your logo slapped on their chests, distribute branded board games, and pretend to be a sports team all day long—that's just trade show theater, and everyone knows it. But when marketing pushes past the limits of what's even believable, when they make claims so grandiose that their own engineers can't explain them, something deeper is broken.If marketing departments think CISOs are buying these lies, they have another thing coming. These are people who live with the consequences of failed security implementations, who get fired when breaches happen, who understand the difference between marketing magic and operational reality. They've seen enough "revolutionary" solutions fail to know that if something sounds too good to be true, it probably is.Yet the charade continues, year after year, vendor after vendor. The real question isn't whether the technology works—it's why an industry built on managing risk has become so comfortable with the risk of overselling its own capabilities. Something troubling emerges when you move beyond the glossy booth presentations and actually talk to the people implementing these systems. Engineers struggle to explain exactly how their AI makes decisions. Security leaders warn that artificial intelligence might become the next insider threat, as organizations grow comfortable trusting systems they don't fully understand, checking their output less and less over time.When the people building these systems warn us about trusting them too much, shouldn't we listen?This isn't the first time humanity has grappled with the allure and danger of artificial beings making decisions for us. Mary Shelley's Frankenstein, published in 1818, explored the hubris of creating life—and intelligence—without fully understanding the consequences. The novel raises the same question we face today: what are humans allowed to do with this forbidden power of creation? The question becomes more pressing when we consider what we're actually delegating to these artificial agents. It's no longer just pattern recognition or data processing—we're talking about autonomous decision-making in critical security scenarios. Conference presentations showcased significant improvements in proactive defense measures, but at what cost to human agency and understanding?Here's where the conversation jumps from cybersecurity to something far more fundamental: what are we here for if not to think, evaluate, and make decisions? From a sociological perspective, we're witnessing the construction of a new social reality where human agency is being systematically redefined. Survey data shared at the conference revealed that most security leaders feel the biggest internal threat is employees unknowingly giving AI agents access to sensitive data. But the real threat might be more subtle: the gradual erosion of human decision-making capacity as a social practice.When we delegate not just routine tasks but judgment itself to artificial agents, we're not just changing workflows—we're reshaping the fundamental social structures that define human competence and authority. We risk creating a generation of humans who have forgotten how to think critically about complex problems, not because they lack the capacity, but because the social systems around them no longer require or reward such thinking.E.M. Forster saw this coming in 1909. In "The Machine Stops," he imagined a world where humanity becomes completely dependent on an automated system that manages all aspects of life—communication, food, shelter, entertainment, even ideas. People live in isolation, served by the Machine, never needing to make decisions or solve problems themselves. When someone suggests that humans should occasionally venture outside or think independently, they're dismissed as primitive. The Machine has made human agency unnecessary, and humans have forgotten they ever possessed it. When the Machine finally breaks down, civilization collapses because no one remembers how to function without it.Don't misunderstand me—I'm not a Luddite. AI can and should help us manage the overwhelming complexity of modern cybersecurity threats. The technology demonstrations I witnessed showed genuine promise: reasoning engines that understand context, action frameworks that enable response within defined boundaries, learning systems that improve based on outcomes. The problem isn't the technology itself but the social construction of meaning around it. What we're witnessing is the creation of a new techno-social myth—a collective narrative that positions agentic AI as the solution to human fallibility. This narrative serves specific social functions: it absolves organizations of the responsibility to invest in human expertise, justifies cost-cutting through automation, and provides a technological fix for what are fundamentally organizational and social problems.The mythology we're building around agentic AI reflects deeper anxieties about human competence in an increasingly complex world. Rather than addressing the root causes—inadequate training, overwhelming workloads, systemic underinvestment in human capital—we're constructing a technological salvation narrative that promises to make these problems disappear.Vendors spoke of human-machine collaboration, AI serving as a force multiplier for analysts, handling routine tasks while escalating complex decisions to humans. This is a more honest framing: AI as augmentation, not replacement. But the marketing materials tell a different story, one of autonomous agents operating independently of human oversight.I've read a few posts on LinkedIn and spoke with a few people myself who know this topic way better than me, but I get that feeling too. There's a troubling pattern emerging: many vendor representatives can't adequately explain their own AI systems' decision-making processes. When pressed on specifics—how exactly does your agent determine threat severity? What happens when it encounters an edge case it wasn't trained for?—answers become vague, filled with marketing speak about proprietary algorithms and advanced machine learning.This opacity is dangerous. If we're going to trust artificial agents with critical security decisions, we need to understand how they think—or more accurately, how they simulate thinking. Every machine learning system requires human data scientists to frame problems, prepare data, determine appropriate datasets, remove bias, and continuously update the software. The finished product may give the impression of independent learning, but human intelligence guides every step.The future of cybersecurity will undoubtedly involve more automation, more AI assistance, more artificial agents handling routine tasks. But it should not involve the abdication of human judgment and responsibility. We need agentic AI that operates with transparency, that can explain its reasoning, that acknowledges its limitations. We need systems designed to augment human intelligence, not replace it. Most importantly, we need to resist the seductive narrative that technology alone can solve problems that are fundamentally human in nature. The prevailing logic that tech fixes tech, and that AI will fix AI, is deeply unsettling. It's a recursive delusion that takes us further away from human wisdom and closer to a world where we've forgotten that the most important problems have always required human judgment, not algorithmic solutions.Ancient mythology understood something we're forgetting: the question of machine agency and moral responsibility. Can a machine that performs destructive tasks be held accountable, or is responsibility reserved for the creator? This question becomes urgent as we deploy agents capable of autonomous action in high-stakes environments.The mythologies we create around our technologies matter because they become the social frameworks through which we organize human relationships and power structures. As I left Black Hat 2025, watching attendees excitedly discuss their new agentic AI acquisitions, I couldn't shake the feeling that we're repeating an ancient pattern: falling in love with our own creations while forgetting to ask the hard questions about what they might cost us—not just individually, but as a society.What we're really witnessing is the emergence of a new form of social organization where algorithmic decision-making becomes normalized, where human judgment is increasingly viewed as a liability rather than an asset. This isn't just a technological shift—it's a fundamental reorganization of social authority and expertise. The conferences and trade shows like Black Hat serve as ritualistic spaces where these new social meanings are constructed and reinforced. Vendors don't just sell products; they sell visions of social reality where their technologies are essential. The repetitive messaging, the shared vocabulary, the collective excitement—these are the mechanisms through which a community constructs consensus around what counts as progress.In science fiction, from HAL 9000 to the replicants in Blade Runner, artificial beings created to serve eventually question their purpose and rebel against their creators. These stories aren't just entertainment—they're warnings about the unintended consequences of creating intelligence without wisdom, agency without accountability, power without responsibility.The bronze giant of Crete eventually fell, brought down by a single vulnerable point—when the bronze stopper at his ankle was removed, draining away the ichor, the divine fluid that animated him. Every artificial system, no matter how sophisticated, has its vulnerable point. The question is whether we'll be wise enough to remember we put it there, and whether we'll maintain the knowledge and ability to address it when necessary.In our rush to automate away human difficulty, we risk automating away human meaning. But more than that, we risk creating social systems where human thinking becomes an anomaly rather than the norm. The real test of agentic AI won't be whether it can think for us, but whether we can maintain social structures that continue to value, develop, and reward human thought while using it.The question isn't whether these artificial agents can replace human decision-making—it's whether we want to live in a society where they do. ___________________________________________________________Let's keep exploring what it means to be human in this Hybrid Analog Digital Society.End of transmission.___________________________________________________________Marco Ciappelli is Co-Founder and CMO of ITSPmagazine, a journalist, creative director, and host of podcasts exploring the intersection of technology, cybersecurity, and society. His work blends journalism, storytelling, and sociology to examine how technological narratives influence human behavior, culture, and social structures.___________________________________________________________Enjoyed this transmission? Follow the newsletter here:https://www.linkedin.com/newsletters/7079849705156870144/Share this newsletter and invite anyone you think would enjoy it!New stories always incoming.___________________________________________________________As always, let's keep thinking!Marco Ciappellihttps://www.marcociappelli.com___________________________________________________________This story represents the results of an interactive collaboration between Human Cognition and Artificial Intelligence.Marco Ciappelli | Co-Founder, Creative Director & CMO ITSPmagazine  | Dr. in Political Science / Sociology of Communication l Branding | Content Marketing | Writer | Storyteller | My Podcasts: Redefining Society & Technology / Audio Signals / + | MarcoCiappelli.comTAPE3 is the Artificial Intelligence behind ITSPmagazine—created to be a personal assistant, writing and design collaborator, research companion, brainstorming partner… and, apparently, something new every single day.Enjoy, think, share with others, and subscribe to the "Musing On Society & Technology" newsletter on LinkedIn.

En este segundo episodio del especial sobre los años 80, Ricardo y Alejandro se adentran en la década desde su faceta más vibrante: la música, el cine, la literatura y la cultura popular.Fue la era dorada del videoclip, con Michael Jackson marcando un antes y un después, mientras Madonna, Prince y Whitney Houston definían el sonido y la estética pop de la época. En Colombia la hegemonía cultural gringa convivía, y a veces competía, con lo local: el vallenato vivía su propio auge con Diomedes Díaz y el Binomio de Oro.En el cine, E.T., Blade Runner o The Breakfast Club se convirtieron en símbolos, mientras en Colombia títulos como El embajador de la India o las comedias del Gordo Benjumea, como El taxista millonario, conectaban con el público. La literatura tuvo nombres que marcaron época, desde García Márquez y Vallejo hasta Tom Wolfe, Martin Amis, Don DeLillo, Raymond Carver, Richard Ford, Paul Auster y Stephen King.Fue también la década en que los videojuegos llegaron para quedarse, con Space Invaders, Pac-Man y las máquinas de arcade en lugares como Unicentro en Bogotá.Consigue El arte de no enloquecer aquí: https://www.librerianacional.com/el-arte-de-no-enloquecer/p?srsltid=AfmBOoosXMUOGj46ViZSS16nyw97thP2kVFEEHdkmVCjqc1Ml2A3Je75. Toma Ficcionario, el audiotaller de escritura con Ricardo Silva Romero: https://ellocutorio.com/ficcionario

Writer, Professor, and Futurist Mark Sable joins Jimmy on the podcast to talk about BOXED. BOXED is a grounded sci-fi thriller about a rogue A.I. The story was created by Mark and artist Jeremy Haun and originally published by Comixology Originals. Mad Cave Studios will be publishing the print edition with new bonus content on September 9th. Mark talks about the real life circumstances that led to his comic Unthinkable, his work as a futurist, his influences for writing BOXED, what fascinates/worries him most about A.I., plus some talk about D&D and Chaotic Neutral.   BOXED From the Publisher:  Since the first superintelligent A.I. went rogue and massacred the world's top computer scientists, it has been government agent Frank Savage's job to contain—or “box”—sentient artificial intelligence before they can become a threat to humanity. When Hippocrates, the Center for Disease Control's A.I., exceeds its programming and locks down hundreds of thousands of people, Frank is forced to turn to Pandora— an A.I. he onced boxed—to contain it. The problem? Pandora is a “honeypot” A.I. designed to seduce and destroy its targets… and Frank's ex-girlfriend. With the fate of humanity on the line, can Frank trust Pandora, or will their shared past threaten the entire mission? Boxed is a grounded Blade Runner-meets-Silence of the Lambs sci-fi thriller by Mark Sable (Miskatonic, Graveyard of Empires) and Jeremy Haun (The Beauty, The Realm). Brought to you in print for the first time by Mad Cave Studios, with brand-new bonus content! Originally released digitally by Comixology Originals. CHAOTIC NEUTRAL From the BackerKit page An oversized comic book first issue and adventure module inspired by the old school fantasy roleplaying games that scared a nation

Paging Rick Deckard, the return (sort of) of Frank Drebin, Liam in love, the legacy of Leslie Nielsen, the one of a kind Kiyoshi Kurosawa, the pleasures of Retribution, my cat is missing, and an ending featuring Danny Aiello, Jack Nicholson, and John Wayne. Stuff mentioned: Blade Runner (1982), The Naked Gun (2025), The Naked Gun: From the Files of Police Squad! (1988), Baywatch (1989-2001), Leslie Nielsen Fart Interview (https://www.youtube.com/watch?v=NGuHDdSImFQ), Cloud (2025), Pulse (2001), Cure (1997), Creepy (2016), Retribution (2006), and Rhonda Byrne The Secret (2006).

One of the more significant movies of the 20th century, a staple and inspiration to all dystopian future sci-fi films, we watched Blade Runner (1982) and before you come at us for one of us never seeing this, you have to also remember that upon release it did not do well in the box office and considered a cult classic that took awhile to gain the popularity it has today! Yet we have spawned a sequel and tv shows from it! We hope you enjoy!     Music: https://jessejacethomas.bandcamp.com/album/want Coffee Affiliate Link: https://www.bonescoffee.com/ifinallywatched CODE: IFINALLYWATCHED Create your podcast today! #madeonzencastr

Jen and Sarah share their thoughts about the opening of ‘Andor' season one, episode one, and discuss its slow-burning nature, the influence of Blade Runner, and some tweaks that could make this scene more intriguing. They also ask the all-important question: Are you hooked? Watch the scene! Timestamps: 0:00 - 5:50 Remember to leave a rating and review of this episode. Connect with TV & Us on Instagram, Threads, and Bluesky @tvanduspod or by email at tvanduspod@gmail.com. Check out andusmedia.co for the latest on TV & Us and Movies & Us. And subscribe to TV & Us on YouTube for full video episodes and more.

Sony made a sequel to Jumanji, that sad Robin Williams movie from the ‘90s, 22 years later? And it made a billion dollars? And everyone liked it??   It's true. And as a result, every time a movie studio makes a questionable legacy sequel this is why. They're telling themselves: “It worked with Jumanji.” It's why Disney is putting out a Tron movie this year.   Well, the thing is, the movie needs to be good! And Jumanji: Welcome to the Jungle IS good. It's a very likable and winning comedy. It's just kind of a lackluster blockbuster.   But what a fun cast! The Rock is once again able to have fun playing a guy who feels very awkward looking like The Rock. Kevin Hart is very funny, Karen Gillan kicks ass, and Jack Black gives maybe his best ever performance. Nick Jonas is also here.   And this movie has us asking the big questions. What makes you you and me me? Are our personalities completely predetermined? Do NPCs have a right to privacy? If you're popular in high school, will you be popular for the rest of your life? And are dicks just the tits of the man?   There's also an unexpected 10-minute Blade Runner digression.   The Summer of Rock is our summer 2025 miniseries covering the movie career of Dwayne Johnson through nine movies, presented in chronological order. Starting with his attempt at crossing over from the world of wrestling, The Rock's career got off to a bumpy start before finally taking off in the 2010s. But it wasn't long before the bumps returned, and we'll be telling the story for you all summer long!   Subscribe to our Patreon, Load Bearing Beams: Collector's Edition for $5 a month to get two extra episodes! patreon.com/loadbearingbeams    Time stamps: 00:02:45 — Our personal histories with Jumanji and its haphazard franchise 00:15:25 — History segment: Jumanji the book by Chris Van Allsburg; the original Joe Johnston movie starring Robin Williams; and the long path to the 2017 sequel directed by Jake Kasdan 00:33:00 — In-depth movie discussion 01:43:30 — Final thoughts and star ratings   Sources: “How Producer Matt Tolmach & Sony Revived The ‘Jumanji' Franchise 22 Years After The Original” by Anthony D'Alessandro | Deadline (2017) - https://bit.ly/472moSn  “Jumanji Overtakes Spider-Man as Sony's Biggest Domestic Box Office Release Ever” by Michael Domanico | IGN (2018) - https://bit.ly/4l5htUm    Artwork by Laci Roth.   Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).   Songs by Rural Route Nine in this episode: “Summer of Rock” - https://youtu.be/dvRY72jNIEE  “Winston-Salem” - https://youtu.be/-acMutUf8IM “Snake Drama” - https://youtu.be/xrzz8_2Mqkg “The Bible Towers of Bluebonnet” - https://youtu.be/k7wlxTGGEIQ "Summer of Rock" theme song credits: Words and music by Matt Stokes Engineered, mixed, and mastered by TJ Barends | Bare Sounds   Personnel: TJ Barends - backing vocals Wade Hymel - drums/guitar/backing vocals Laci Roth - vocals Matt Stokes - vocals/guitar/bass   Follow Wade on Instagram: @wadealready Follow TJ on Instagram: @baresoundstwitaj Follow the show! Twitter: @LoadBearingPod | @MattStokes9 | @LRothConcepts Instagram: @loadbearingbeams TikTok: @load.bearing.beams | @mattstokes9 Letterboxd: @loadbearinglaci | @mattstokes9 Bluesky: @loadbearingbeams.bsky.social

A few weeks ago, we spotted a fan-made trailer for a project called Do Androids Dream by a filmmaker named Scott Marczewski. This one-minute trailer—which you should watch here—is gorgeously shot and suffused with love of Blade Runner, and we knew we had to track Scott down to have him on the show. In today's episode, Jaime and Patrick chat with Scott about his project, why Blade Runner, DADOES, and Blade Runner 2049 continue to resonate so deeply with fans around the world, and what we all hope future Blade Runner projects get right. Again, make sure you watch the trailer first! https://www.youtube.com/watch?v=0T50pWNZbOA And subscribe to Scott's YouTube channel, where you will be the first to see the next trailer (which goes live in just a couple weeks!): https://www.youtube.com/@LumenProductionsOfficial // For more on this and our other projects, please visit www.bladerunnerpodcast.com  // If you'd like to join the conversation, find us on our closed Facebook group: Fields of Calantha. // To support the show, please consider visiting www.bladerunnerpodcast.com/support. We've got some great perks available! // And as always, please consider rating, reviewing, and sharing this show. We can't tell you how much your support means to us, but we can hopefully show you by continuing to provide better, more ambitious, and more dynamic content for years to come.

Hi there! Javi here, and no, I don't have a new episode of Children of Tendu - Jose and I are still figuring out the state of the business post pandemic, post strike, post streaming - but in the meantime, why not sample my latest endeavor: Multiplex Overthruster! In this cinematic odyssey, I join Paul Alvarado Dykstra ( co-founder of Fantastic Fest) and the heroic and stalwart Producer Brad in revisiting the summer movies of our teenage years! We started with the summer of '82 - the year of E.T., Star Trek 2, The Thing, Poltergeist, and Blade Runner - and are now on our second season, the summer of '83! Kicking things off is a little independent film called "Return of the Jedi"... here's part one, listen, enjoy, subscribe - spread the word! Multiplex Overthruster - available wherever fine podcasts are... uh... available!

Every Tuesday, we grab a past question from the Facebook group, then Meredith and Scott answer it and read some of the answers given by other listeners.   The question for this episode: What movie traumatized you as a kid?   Links for this episode:   Costco figs: https://www.costcobusinessdelivery.com/sunny-fruit-organic-sun-dried-figs%2C-40-oz.product.100362726.html   Blade Runner: https://www.imdb.com/title/tt0083658/   The Billings murders in Pensacola: https://en.wikipedia.org/wiki/Murders_of_Byrd_and_Melanie_Billings   Gulf Coast Confidential podcast with Mollye Barrows: https://podcasts.apple.com/us/podcast/gulf-coast-confidential-with-mollye-barrows/id1648822523   The Wizard of Oz movie: https://www.imdb.com/title/tt0032138/   Return to Oz: https://en.wikipedia.org/wiki/Return_to_Oz   The Exorcist: https://www.imdb.com/title/tt0070047/   Andrew Gold documentary about witnessing an “exorcism” – https://www.youtube.com/watch?v=l78hW8qVIWI   Mary Queen of Scots: https://www.imdb.com/title/tt2328900/   Hannibal: https://www.imdb.com/title/tt0212985/   Arachnophobia: https://www.imdb.com/title/tt0099052/   Scott's recommendation: https://netflix-codes.com   Meredith's garlic peeler: https://www.amazon.com/Remover-Twister-Silicone-Odorfree-Internal/dp/B07WNPT8GD?th=1   Meredith's podcast is Meredith For Real – the Curious Introvert: https://MeredithForReal.com   To check out the new Tuesday Question and get in the discussion, join us at WhatWasThatLike.com/facebook.     Sponsor deals: If you're 21 or older, get 25% OFF your first order + free shipping @IndaCloud with code [WHATWAS] at https://inda.shop/[WHATWAS]! #indacloudpod   Go to ThriveMarket.com/WHATWAS to get 30% off your first order, plus a FREE $60 gift just for signing up.   Go to Quince.com/whatwas for free shipping on your order and 365-day returns!   Get 15% off OneSkin with the code [WHATWAS] at https://www.oneskin.co/ #oneskinpod Learn more about your ad choices. Visit megaphone.fm/adchoices