Podcasts about netflix animation

Episode Notes What's it like working at Netflix Animation for years… and never having anything released? In this episode, we catch up with Joshua Lewkowicz, a longtime friend of the show and an assistant/associate editor at Netflix, to unpack the unseen side of the animation industry — the long hours, the creative burnout, and the projects that disappear into studio limbo. Josh talks candidly about the experience of working on unreleased shows, the highs and lows of bouncing between roles, and what it means to feel like your work isn't seeing the light of day. We also dig into why Andor might be the best Star Wars series ever made — and how it succeeds where so many others fall flat — before ending with a wild behind-the-scenes story involving stunt choreography, last-minute prep, and Kel Mitchell's… anatomy. It's a funny and sobering look at the creative grind — from inside one of the biggest studios in the world. 00:00 - Intro 02:39 - Josh Works At Netflix Animation 05:07 - Making Art No One Will See 16:44 - The Artist Struggle 20:10 - Treat It Like A JOB 26:01 - Why go to Disney Land so often? 31:54 - Is Star Wars Land Cool or nah? 40:21 - Andor is GREAT 52:19 - Guillermo del Toro loves Josh 58:31 - The Kel Mitchell Story 01:15:41 - Test Screening our New Film 01:21:13 - GAME TIME: Writers Room Find out more at https://until-you-make-it.pinecast.co

Welcome true believers to X-Men Horoscopes where each week our host Lodro Rinzler is in conversation with a special guest to discuss the X-Men issue that aligns with a significant month and year from their life and what that issue reveals about their future. With us today is the Daniel Kibblesmith, comics writer extraordinaire, fresh from penning a very fun X-Men Hanukkah story entitled "Festival of Fights." We discuss potentially the horniest X-Men issue ever written - Romances (Uncanny X-Men 174) which matches with his birth month and year...what could this possibly mean about Daniel? Also in this episode: Hot Bird likes candy Kitty Pryde eats latkes in a horrifying way and also reads Star Wars comics Cyclops and Daniel are both wife guys Lilandra is a space empress who rules an empire in space and wears a purple swimsuit with matching leg warmers only one throw punch is thrown in this entire issue, but it is an iconic punch more arguments about Cyclops' age Nightcrawler likes to play dress up as a doctor if you get engaged to someone, you should know whether they can cook or not ...and special guest star Jennifer Wright who weighs in on whether Daniel is a good husband! Daniel Kibblesmith is an Emmy-nominated TV writer for Netflix Animation, HBO, and The Late Show With Stephen Colbert, and comics writer for Marvel and D.C. comics and others. He is also the author of the children's book Princess Dinosaur and the all-ages humor book, Santa's Husband. He lives in Los Angeles with his beautiful and brilliant wife and daughter. You can follow Daniel on Instagram here. More of Lodro Rinzler's work can be found here and here and you can follow the podcast on Instagram at xmenpanelsdaily where we post X-Men comic panels...daily. Have a question or comment for a future episode? Reach out at xmenhoroscopes.com

On today's episode, we're recapping our experience at the  NEXT ON NETFLIX event featuring the 2025 slate for the streaming service. We're gonna talk about the event, some of what we saw, and what we're excited. All this, and everything else that happened This week in geek. Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HERE

Episode 150 is another Fantasy/Animation podcast special, this time recorded live at the recent Annecy International Animation Film Festival back in June 2024, where Chris was invited to speak on a panel as part of the Annecy International Animation Film Market (MIFA). Created in 1960, Annecy is one of the most popular and prestigious events in the animation calendar, and stands today as an annual celebration of all things animation, from features and shorts to animated television, advertising, and student films. MIFA is the more industry-leaning arm of the festival, and a place where attendees can meet exhibitors, buyers, and investors, and make contact and discuss animation projects and productions with industry professionals. This episode features a recording of the Animation Without Borders: Navigating the Imperative of Global Appeal panel, moderated by Juliette Rogasik (founder and creative director of Story Critters) and featuring both Sarah Cox (Chief Creative Director at Aardman) and Peilin Chou (Producer at Netflix Animation). Listen as the panel offer their own perspectives on the cross-cultural challenges and opportunities faced by animation productions in reaching global audiences, and what it means to preserve cultural specificity and authenticity in light of increasing internationalisation. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot's 25 Best London Education Podcasts**

Děťátko osiřelo; jindy jej rodiče opustí uprostřed temného lesa; tatínek si vytesá ze dřeva loutku, jíž se pak směje za její natvrdlost. Máme ve zvyku se na pohádky dívat jako na produkci pro děti, která má svět ukazovat ve vlídném světle. Když však odložíme tento „disneyovský“ předpoklad, možná nám nezbude než seznat, že přinejmenším klasické pohádky ztvárňují ty nejhrůznější obavy. Tematizují bolest ze ztráty nejbližšího, chudobu, strach a hrůzu ze samoty. Ostatně když vznikaly jako literární útvar v šestnáctém a sedmnáctém století, nebyly určeny ani dětem. V učených salónech si je předčítali dospělí. Co je tajemstvím pohádek? Ve své klasické monografii tvrdí Bruno Bettelheim, že ve schematičnosti znázorňují výchozí konfliktnost lidské situace. Všichni začínáme v popelu a teprve postupně a bolestivě se učíme žít. Osvobozujeme se od svých blízkých, přetrháváme staré vazby, navazujeme nové – a hlavně překonáváme strach. Teprve zde se projevuje možná vlídnost pohádek. Situace leckdy působí beznadějně, ale přesto má smysl jednat, být odvážný a riskovat. Asi i proto jsou pohádky příběhy o proměnách. Ty ze zvířat do lidí a zpět bývají ty méně spektakulární. Pozoruhodnější je, jak se ze zbabělého stane odvážný, jak ze skřeta velkorysý člověk. Mexický režisér Guillermo del Toro zachoval ve své adaptaci Pinocchia toto původní jádro „pohádkové“ logiky. Ve filmu z roku 2022 ukazuje, že s vysmívaným Pinocchiem je možná vše v pořádku. Skutečný problém je zapšklý otec Geppetto, který si Pinocchia vyřezal jako náhradu za svého zesnulého syna Karla a nyní se na Pinocchia zlobí, že není zesnulým synem. Del Toro nepromění Pinocchia ve skutečného chlapce. Není třeba. Svou odvahou a dobrosrdečnost dokázal i ve své dřevěné podobě. Pohádkové rozuzlení tkví v tom, že se otravný temný fotr promění v milujícího otce, který věčně zklamávanému Pinocchiovi konečně řekne: „Miluji ti takový, jaký jsi.“ Ač je to nezvyklá interpretace, následuje klasickou pohádkovou logiku. O žebrotě se v původních příbězích hovořilo proto, že chudoba a hlad byly běžnou zkušeností; o opuštěných dětech proto, že se lidé neschopní uživit své děti občas svých potomků vzdávali. Del Torova adaptace jako by pojmenovávala současnou chudobu: uzavíráme se do sebe, svého trápení, a možná tím ztrácíme schopnost být pro druhého blízkým člověkem. I. Proč jsou pohádky často nelítostné? [úvod do 16:47] II. Meme, který se šíří světem a mění naše myšlení [16:47 až 22:55] III. Proč v pohádkách vystupuje tolik mocných žen? [22:55 až 33:30] IV. Pinocchio: Chudá, otravná loutka – a ještě otravnější otec [33:30 až 49:20] V. Co o nás říkají současné pohádky? [49:20 až konec] Bibliografie Giorgio Agamben, Pinocchio, Pinocchio: Les aventures d'un pantin doublement commentées et trois fois illustrées, Paris: Rivages, 2022. Bruno Bettelheim, Za tajemstvím pohádek: Proč a jak je číst v dnešní době, Praha: Portál, 2017. Guillermo del Toro, Pinocchio, Netflix Animation, 2022. Alena Mornštajnová, „Mornštajnová: Po Haně jsem nemohla spát, knihy pro děti jsou terapie, je jim potřeba říct, že svět je laskavý“, in: DVTV, 14. 12. 2024, https://www.dvtv.cz/dvtv/videos/mornstajnova-po-hane-jsem-nemohla-spat-knihy-pro-deti-jsou-terapie-je-jim-potreba-rict-ze-svet-je-laskavy Jack Zipes, The Irresistible Fairy Tale: The Cultural and Social History of a Genre, Princeton: Princeton University Press, 2012.

"Ultraman: Rising" is a Japanese-American co-production between Netflix Animation and Tsuburaya Productions, with animation by Industrial Light & Magic; it is the 44th film in the franchise with Shannon Tindle making his feature directorial debut. The film stars Christopher Sean as Ken Sato/Ultraman, along with the voices of Gedde Watanabe, Tamlyn Tomita, Keone Young, and Julia Harriman. The film was released worldwide on Netflix over the summer and received positive reviews for its animation, writing, and voice performances. Next Best Picture was invited to Industrial Light & Magic to interview Tindle, Co-Director John Aoshima, Composer Scot Stafford, and Visual Effects Supervisor Hayden Jones, which you can listen to below. The film is up for your consideration in all eligible categories at the 97th Academy Awards, including Best Animated Feature. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

We're almost done with Animation Month over here at X-Ray Vision, and on today's episode, we are celebrating our Netflix animation faves. Jason and Rosie invite producers Joelle and Carmen on for a round table discussion of their favorites in Netflix animation, Jason discusses Terminator Zero, Rosie discusses Scott Pilgrim (time capsule coming later this week!), Joelle discusses Arcane season one as we await the much anticipated sophomore season, and Carmen discusses Sailor Moon Cosmos! In the who's who, everyone gives their 60 second elevator pitch for an underrated Netflix animated show everyone should know about! Follow Jason: twitter.com/netw3rk Follow Rosie: IG & Letterboxd  Follow X-Ray Vision on Instagram Join the X-Ray Vision Discord See omnystudio.com/listener for privacy information.

In today's episode, Anthony chats with Recording Coordinator at Netflix Animation, Zarah Kulczycki. A previous student at AMAW and casting director working on blockbusters like Top Gun: Maverick - Zarah shares her journey of stepping away from traditional acting and casting and into the world of animation. The pair talk about respecting and embracing when your dreams change, live action vs. the animation process, and the curse of wanting to be famous.

JONATHON E. STEWART is a screenwriter best known for Pixar / Disney's Cars 3, Smallfoot, Angry Birds 2 and 2020 Scooby-Doo reboot SCOOB. With writing partner Eyal Podell, Stewart has written screenplays for Dreamworks, Universal, Warner Bros., Paramount, ABC Studios, STX, Paramount Animation, Sony Animation, Fox Animation, Netflix Animation and served on Pixar's Braintrust from 2013-2014. Stewart's inspired-by-true-LGBTQ-events TV drama pilot Grace sold to ABC Studios in the fall of 2016, and modern update on the Dickens classic Two Cities in fall 2017. In 2012, Podell & Stewart's screenplay Seuss—a biopic about the legendary author—earned the #2 slot on Hollywood's Black List. Stewart is also currently working with New York Times best selling author and lifestyle entrepreneur, Lewis Howes, to develop a feature inspired by world-renowned jazz violinist, composer and educator, Christian Howes. Stewart's venture, NarrativeDrive.org, aims to mentor new, diverse and previously undiscovered voices in screenwriting, ultimately serving to have their work translated to the screen. www.jstew.com https://www.narrativedrive.org/ @JEStew3 Learn more about your ad choices. Visit megaphone.fm/adchoices

Netflix Animation leaks leads to mayhem, Astro bot Controller released, Ready at Dawn closes down. PUBG developer has saved Tango Gameworks. We play Creatures of Ava, Nioh, FC 25 Closed Beta and Borderlands is terrible.

Ousted Disney / Pixar animation boss John Lasseter might not just be in charge of Skydance and Paramount animation -- but he might have a lot of sway over Netflix animation as well. It's being reported that the multi-BILLION dollar Netflix animation deal with Skydance is contingent on John Lasseter being with the company, and it's being rumored that he will "give notes" on ALL Netflix animation projects going forward... ➡️ Tip Jar and Fan Support: http://ClownfishSupport.com ➡️ Official Merch Store: http://ShopClownfish.com ➡️ Official Website: http://ClownfishTV.com ➡️ Audio Edition: https://open.spotify.com/show/6qJc5C6OkQkaZnGCeuVOD1 John Lasseter may have control over Netflix Animation, potentially impacting the creative autonomy of filmmakers and fundamentally changing the animation dynamic. 00:00 John Lasseter may have control over Netflix Animation, potentially bringing in great storytellers and fundamentally changing the animation dynamic. 02:04 Netflix animation may be under John Lasseter's control, as they have struck a deal with Paramount and have movies by well-known animators on the horizon. 04:05 Netflix animation may be under John Lasseter's control, leading to frustration among in-house filmmakers, with a potential shift to Korean shows and anime. 06:02 Disney animators leaving for other studios, indicating issues at Disney possibly related to John Lasseter's control, as Sky Dan becomes main animation department for Netflix with Lasseter possibly having control over Netflix animation. 08:34 Netflix and Skydance are collaborating on animated movies, Disney is producing successful animated films, and the speaker enjoys rewatching classic animated movies on Netflix. 10:49 John Lasseter's potential control over Sky Dan and Paramount animation could impact the multi-billion dollar Netflix animation deal. 12:20 John Lasseter may gain control of Netflix animation, raising concerns about creative autonomy for filmmakers. 13:51 John Lasseter might have control over Netflix animation, so good luck getting away from him. Subscribe for more pop culture news. About Us: Clownfish TV is an independent, opinionated news and commentary channel that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. Disclaimer: This series is produced by Clownfish Studios and WebReef Media, and is part of ClownfishTV.com. Opinions expressed by our contributors do not necessarily reflect the views of our guests, affiliates, sponsors, or advertisers. ClownfishTV.com is an unofficial news source and has no connection to any company that we may cover. This channel and website and the content made available through this site are for educational, entertainment and informational purposes only. These so-called “fair uses” are permitted even if the use of the work would otherwise be infringing. #Netflix #Disney #Animation #News #Commentary #Reaction #Podcast #Comedy #Entertainment #Hollywood #PopCulture #Tech

This is our interview with Shannon Tindle (Director, Writer) and John Aoshima (Co-director) of ULTRAMAN: RISING, as well as the cast: Christopher Sean (Ken Sato/Ultraman), Gedde Watanabe (Professor Sato), and Tamlyn Tomita (Emiko). Shannon and John share more insight into the visual style and the family-centric story, while the cast shares how they were introduced to Ultraman and how they connect with their characters in this film. ULTRAMAN: RISING premieres globally on Netflix on June 14, 2024.Watch these interviews on YoutubeBehind The Geeks | Our Interview with the DIRECTORS of ULTRAMAN: RISINGBehind The Geeks | Our Interview with the CAST of ULTRAMAN: RISING Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HEREJoin Nate on Twitch at - twitch.tv/nateplaysgames

Harry and Rory scroll through their Netflix lists and queue up a selection of six series adapted from or inspired by video games released in recent years. The fuzzy stop-motion charm of Pokémon Concierge! The fresh blood of Castlevania: Nocturne! The meta Ubisoft mash-up of Captain Laserhawk: A Blood Dragon Remix! The eye-popping Cyberpunk: Edgerunners! Takashi Miike takes on Onimusha! And it's King of Iron Fist tournament time once more in Tekken: Bloodline! But amongst all this streaming content, is there anything worth watching? This podcast contains no major spoilers for these shows, but timestamps are as follows: 00:00:00 Intro 00:09:30 Pokemon Concierge 00:18:45 Castlevania: Nocturne 00:31:45 Captain Laserhawk: A Blood Dragon Remix 00:50:30 Cyberpunk: Edgerunners 01:00:10 Onimusha 01:11:20 Tekken: Bloodline 01:20:25 Outro Visit our Website: gamesonfilm.wixsite.com/podcast Follow us on Twitter: twitter.com/GamesOnFilmPod/ Like us on Facebook: www.facebook.com/GamesOnFilmPod/ Music by David Lightfoot www.davidlightfootmusic.com

Businessman and Executive producer and director of uShaka Inkosi YamaKhosi film, Manzini Zungu on the story behind “uShaka Inkosi YamaKhosi” book which is a book adaptation of the award-winning animation film which tells the coming-of-age story of the legendary king Shaka Zulu and his empire will soon be adapted in to a book from the film streaming on Netflix. The book is due to launch on the 4th of July at Exclusive Books Rosebank at 18h00.See omnystudio.com/listener for privacy information.

▶️Episode 287 ➗Guest : @changwei_chen_art is a Visual Development Artist at Netflix Animation from Taipei, Taiwan. ✳️For full version of the podcast you can visit any podcast platform and search "kouryer podcast". For contact: Instagram: @changwei_chen_art Artstation: https://www.artstation.com/willischen 00:00 - Start 02:50 - give a little introduction on how you got into visual arts and design?                               09:30 - what is your main branch of design that you're focusing on? and tell us about your experience from the start till now on it?                                      13:10 - how does your design process usually go anytime you want to start working on a design project?   17:10 - general art chat 25:00 - who are your favorite artists and designers? (that have inspired you the most)   27:50 - what area beside that you're working on your interest to explore and learn? 29:00 - Time capsule #ChenChangWei #ramtindeghat #kouryer #kouryerpodcast .................... Font used in the podcast's graphics by : https://www.instagram.com/jeremynelson42/?hl=en The V1 release of Yeager displayed above is Free for Personal + Commercial Use. Sole ownership and rights to the typeface belong to Jeremy Nelson + Jeremy Nelson Design. Distribution of the typeface is permissible upon request. For further questions and inquiries please contact me directly: jeremynelsondesign.com https://www.jeremynelsondesign.com/case-studies/yeager .................... Intro/outro music by: https://www.youtube.com/@audiolibrary_ Voyage – LEMMiNO (No Copyright Music) - https://youtu.be/2D9ri6EkI7s?list=PLzCxunOM5WFKgw0JTn80AMF4L3TlF4ohH

Leo is a 2023 American animated musical comedy film directed by Robert Marianetti, Robert Smigel and David Wachtenheim (in Marianetti and Wachtenheim's feature directorial debuts), written by Smigel, Adam Sandler, and Paul Sado, and produced by Sandler and Mireille Soria. The second animated feature from Sandler's production company Happy Madison Productions, it stars him in the titular voice role, alongside Bill Burr, Cecily Strong, Jason Alexander, Sadie Sandler, Sunny Sandler, Rob Schneider, Jo Koy, Allison Strong, Jackie Sandler, Heidi Gardner, Robert Smigel, and Nick Swardson. It tells the story of a tuatara longing for the wild and worried about dying who is taken home by different students per the assignment of a strict substitute teacher.Leo was released by Netflix on November 21, 2023 to generally positive reviews.Leo is a jaded old lizard with a heart of gold who's been stuck in the same Florida classroom for longer than he can remember, alongside his terrarium-mate Squirtle the turtle. He's watched generations of students come and go but feels like he's missed out on life. When Leo learns he only has one year left to live, he plans an escape to experience the world. Thanks to a new substitute teacher who task the kids with taking one classroom pet home for the weekend, Leo has a chance to escape. His hilarious attempt to head for freedom and him opening his mouth to break the one simple role that seems to be the theme in the movie, you can't let humans know animals can take, which is pretty dope, like imagine if that was the case in real life, talk about restrain. In Florida, Leo the tuatara and Squirtle the turtle are the class pets of a fifth-grade classroom at Fort Myers Elementary School and are prepared for another year with a new set of students. During a parent-teacher conference night, where the students' pregnant teacher, Mrs. Salinas, announces that she must go on maternity leave, Leo overhears one of the student's parents say that he's old, making him despair that he never accomplished anything with his life. The next day, Ms. Malkin, the students' strict, no-nonsense substitute, arrives and is quickly loathed by the students.Leo is taken home for the weekend by Summer, a girl who is highly talkative. While trying to make his escape, Leo accidentally reveals to Summer that he can talk, and suggests to her that she ask more questions after saying that her constant talking tires everyone out. As a result, Summer becomes more popular among her classmates. Soon enough, the students begin to request that they take Leo home with them, where they share with him their own personal dilemmas, to which Leo offers them life advice. Before long, each of the students have taken Leo home with them and offer them their phones so that they can keep in touch with him.Fed up with the attention Leo is getting, a jealous Squirtle decides to expose Leo by revealing that he can speak to all of them, as he lied that the only ones who could understand him are the ones he was taken home with. Feeling betrayed by this revelation, they decide to disregard him, and Ms. Malkin, having caught on that Leo can talk and that the students' changes in behavior are the result of his advice, decides to take him to her home.While at Ms. Malkin's home, Leo learns that the reason she's grouchy is because she never got to accomplish her dream of being a real teacher, always getting relegated to being a substitute. The next day, the school is having a history fair, and the students manage to win the grand prize of a field trip to Magic Land Park with their reenactments of famous historical figures. When she is praised for her work, Ms. Malkin, wanting to take all the credit, decides to abandon Leo at the Everglades, and proceeds to lie to the students by telling them that he abandoned them, much to their dismay, as they had wanted to apologize to him.As the students head to Magic Land Park, Squirtle catches up with them and reveals that Ms. Malkin lied about Leo, to which she confesses. Upon arriving at Magic Land Park, the students and Ms. Malkin hijack the bus so they can drive to the Everglades. Meanwhile, Leo, while trying to fit in with the wild animals, learns from other lizards that he can live to be more than 75 years old, reinvigorating him. While trying to find a way out, he suddenly encounters a congregation of alligators, but they are successfully scared off when the students arrive and reunite with Leo.On the final day of the school year, the graduating students ask Leo how they could get through middle school without his advice, to which he says that they just have to look out for each other. Ms. Malkin is given a full-time job as a teacher and is promptly assigned to the kindergarteners, with Leo and Squirtle as the class pets. ★ Support this podcast on Patreon ★

Scott Pilgrim Takes Off is an animated television series developed by Bryan Lee O'Malley and Ben David Grabinski for Netflix. The series is based on the Scott Pilgrim graphic novels written and drawn by O'Malley, with the entire main cast from the 2010 film adaptation, Scott Pilgrim vs. the World, reprising their roles, while also serving as a joint sequel/remake to the graphic novel and film. The series was released on November 17, 2023, to critical acclaim.The series, set in Toronto, Canada, serves as an alternate retelling of the original Scott Pilgrim graphic novel series. Like in the original series, Scott Pilgrim, a bassist in an indie band, falls in love with Ramona Flowers, a mysterious delivery girl, attracting the attention of Ramona's seven evil exes. Things take an unexpected turn, however, when Scott loses his battle against Ramona's first evil ex Matthew Patel and is seemingly killed. As everyone's lives, including those of Ramona's evil exes, change drastically as a result, Ramona learns that Scott may still be alive and decides to investigate his disappearance.THIS COULD BE RIDICULOUS CARTOON I HAVE EVER SEEN, AND I HAVE SEEN A LOT OF SHITTY SHOWS, BUT THIS ONE TAKES THE CAKE!This here is a peal of trash in my opinion. 8 episodes, 4 hours down the drain but what the heck do I know.  Apparently, this is an alternative ending to the original 2010 movie. I guess the cool thing is that every actor in the original repriced their role in this shit show, of course, even the original was still as stupid as this. So it's just retelling nonsense. Another cool aspect could be that it's designed like a game, it's got Mario brothers type of coins that pop out when you punch someone to death, and every fight has mortal combat or even street fight vibes.  I guess what's missing is that “finish him” aspect. This shows how impactful the Hollywood strike has been, This cabbage is considered entertaining. Now before I say anything else about this show, Romona is a whore and Scott is a creep who dated a 15-year-old. And could also be mentally disturbed. Dude faked his death and kidnapped himself, to prevent himself from marrying a girl. That's crazy but that's not even the weird part. I mean like if a future version of me kidnapped me and told me my life would be shit if I dated a particular girl, I wouldn't even question him, in fact, I would instead ask him to compel a list of match results of all the world sports so I could make a huge fortune making bets. Now that more logical and positive way to use a time machine, not waste time on some girl. Who's a whore for that matter, hey 7 ex-boyfriends are not a lot of body's. but you should question the type of men she is pulling when she breaks up with them. these fools instead of moving on start a little club, a stupid league of Exes, and their sole mission is to fight and kill Ramona's future love interests I mean how pathetic can you get. Directed by:Abel GóngoraWritten by: Bryan Lee O'MalleyVoices of: • Michael Cera• Mary Elizabeth Winstead• Satya Bhabha• Kieran Culkin• Chris Evans• Anna Kendrick• Brie Larson• Alison Pill• Aubrey Plaza• Brandon Routh• Jason Schwartzman• Johnny Simmons• Mark Webber• Mae Whitman• Ellen Wong{{Michael Cera, Mary Elizabeth Winstead, Satya Bhabha, Kieran Culkin, Chris Evans, Anna Kendrick, Brie Larson, Alison Pill, Aubrey Plaza, Brandon Routh, Jason Schwartzman, Johnny Simmons, Mark Webber, Mae Whitman, Ellen Wong, Scott Pilgrim takes off,scott pilgrim, time travel, future self, 7 evil ex-boyfriends, evil, marriage, cartoon, anime, USA, Canadian, graphic novel, Netflix anime, Netflix, shit show, Ramona, Animation}} ★ Support this podcast on Patreon ★

THE QUEENSTOWN KINGS3 reasons to watch Queenstown Kings.1. It's a family-oriented movie, that focuses on repairing the broken relationship between father and son.2. This is about football, about how a small township team, achieved an impossible dream, all thanks to their prodigal son, who returns home when his father passes.3. Important life lessons, like don't rush things, give a second chance, drugs are bad for you.NOW LET'S GET TO THE PART WHERE I SPOIL THIS MOVIE! ★ Support this podcast on Patreon ★

SLY is a work of art, it doesn't only tell a story of legendary award winning; film director, screenwriter and action hero of the 80's and 90's “SLYVESTER STALLONE.”. He has a career that spans over five decades. If that's that make you a GOAT, I don't know what will. it somehow makes him immortal and mortal at the same time.  The documentary shows, the vulnerabilities of a living legend.it shows his character not the role he played on motion picture but the man. The man behind the lens, the man before the words a written. In his purest moments. It brings out his true essences. The arrogance, the pride, the humility. The human not the millionaire and Hollywood mogul. But just a guy who had a dream, who work hard to make his dream a reality. It's beautiful. Its tear Jucker when you realise how much nonsense Hollywood movies have fallen. it's no longer about heart, passion and making relatable stories. It about making movies flashy and making tonnes of money. Story telling is a dying heart. And it's a wonderful to learn or to experience that Sly wrote, directed and produced, some of his great's moments on the big screen. To believe in yourself even when the odds are pinned against you. When they mock, ridicule you, trip and push you. That you keep on believing. For me that's really the message of this documentary and that no matter how successful you become it will always amount to nothing unless you have family and friends. Because ultimately that's what really matters. The people we love not the things we love. So, to me “Sly'', IT brings out his soul, it gives a detailed description of how much Sylvester Stallone gave it order to bring exceptional characters like Rocky Balboa and John Rambo to life. I only wish the documentary was longer.When I look back at my childhood, I look back with great fondness. It brings me to tears when I think that my father introduced to this wonderful world of movies. So, watching this and seeing sly talked about the trails and the huddlers he had to jump and cross to make these wonderful stories.I think about my father and the VCR, the tapes he rented from blockbuster and those movie rental joints.  The anticipation of waiting for Friday and the weekend because we had no electricity. So, we powered the television with a generator. Slyvester stallion. He was so good. I couldn't separate him from the characters, we'd say, things like (while growing in fact some people still do that to this day.) “The new Rambo movie or rocky movie just came out” even though he was playing a completely different role, he was RAMBO. HE WAS ROCKY. with a whole different story line.he embodied the characters. So, much that they become real. You could almost touch them, while they were on screen. These are the types of films that resonate with the audience so much that, we become so involved in the story, you cry, laugh, jump with joy and you be enraged.whenever the character expresses an emotion. Its almost as if you were there with them. Like you part of the story somehow. I think that's what made Stallone so renowned. To make it even sweeter he wrote and directed it. Wow. Man was …. No man is talented. ★ Support this podcast on Patreon ★

The start of this movie almost lost me as we just had Michael Fassbender ( the protagonist in this film whose actual name is never mentioned  but, he uses various names throughout the movie,  almost Jason Bourne-type of vibes) anyway, Michael delivers a never-ending narration while he waits to execute a hit. But then when I thought about the character, it made sense.  David Fincher's ( the director, in case you wondering who that is) attention to detail throughout the entire movie is immaculate as every little thing plays an important part. This is also a very intelligent and smartly written movie that requires you to think, and for me at least, I really liked this as it made it a fun challenge to figure out certain elements in the film and to always pay attention to details.Plus the movie finds a way to make you feel like you're shadowing a real contract killer the whole time. The main character's narration is a unique touch, even in the normal everyday moments when he's constantly looking over his shoulder. The film's pace has a constant tension, with certain moments where it escalates rapidly into venomous action, yet the action never feels overdone and instead feels hyper-realistic.NOW PAY ATTENTIONI have a theory. This is a perfect misdirection trick the film creators made.You never get to know this unnamed assassin. You never get to know what makes him tick. That's the whole point.As a viewer, we normally project our own moral compass onto what we are watching. We think this is a revenge story. We think we are rooting for this character who is fighting back because his loved ones were attacked. But really,  i don't think that's the point, I think it's something darker.Now listen Throughout the movie, the killer repeats his rules. He never mentions anything personal. Nothing about his home or girlfriend. He doesn't care about anyone. People are not important. He IS a paid killer after all. The Killer tells us his job bores him at the very beginning and hopes for a chance to experiment with more creative ways of killing.He is basically telling us he is craving a challenge. I believe he subconsciously makes the error of botching up the first kill on purpose to liven up things, to see what would happen & push him to the extreme of his abilities. It's as if he has created an excuse to go on a killing spree around the world. By the end, he realizes he loves his job again. This is why he doesn't kill the client as he knows this would destroy future gigs.The final scene is him poisoning his girlfriend's coffee. The girlfriend was his only weakness & vulnerable target. His handlers immediately for her after he botched the job.  NOW he has learned this, now to avoid it from happening again he kills her.. but then again i could be wrong. ANYWAYSIn conclusion, "The Killer" is a must-watch thriller drama film that combines suspense, brilliance, and stellar performances to create an unforgettable cinematic experience. If you appreciate a well-crafted narrative that keeps you guessing until the very end, this film is a must-see. ★ Support this podcast on Patreon ★