Podcasts about elvis

Hello, StraightioLab Listeners! We want to share a new show you might enjoy, CrimeLess: Hillbilly Heist About the show: It’s 1996 in rural North Carolina, and an oddball crew makes history when they pull off America’s third largest cash heist. But it’s all downhill from there. Join host Johnny Knoxville as he unspools a wild and woolly tale about a group of regular ‘ol folks who risked it all for a chance at a better life. CrimeLess: Hillbilly Heist answers the question: what would you do with 17.3 million dollars? The answer includes diamond rings, mansions, velvet Elvis paintings, plus a run for the border, murder-for-hire-plots, and FBI busts. Listen here and subscribe to CrimeLess: Hillbilly Heist on the iHeartRadio App or wherever you get your podcasts!See omnystudio.com/listener for privacy information.

Hello, Amber & Lacy, Lacey & Amber Listeners! We want to share a new show you might enjoy, CrimeLess: Hillbilly Heist About the show: It’s 1996 in rural North Carolina, and an oddball crew makes history when they pull off America’s third largest cash heist. But it’s all downhill from there. Join host Johnny Knoxville as he unspools a wild and woolly tale about a group of regular ‘ol folks who risked it all for a chance at a better life. CrimeLess: Hillbilly Heist answers the question: what would you do with 17.3 million dollars? The answer includes diamond rings, mansions, velvet Elvis paintings, plus a run for the border, murder-for-hire-plots, and FBI busts. Listen here and subscribe to CrimeLess: Hillbilly Heist on the iHeartRadio App or wherever you get your podcasts!See omnystudio.com/listener for privacy information.

Hello, #1 Dad Fans! We want to share a new show you might enjoy, CrimeLess: Hillbilly Heist About the show: It’s 1996 in rural North Carolina, and an oddball crew makes history when they pull off America’s third largest cash heist. But it’s all downhill from there. Join host Johnny Knoxville as he unspools a wild and woolly tale about a group of regular ‘ol folks who risked it all for a chance at a better life. CrimeLess: Hillbilly Heist answers the question: what would you do with 17.3 million dollars? The answer includes diamond rings, mansions, velvet Elvis paintings, plus a run for the border, murder-for-hire-plots, and FBI busts. Listen here and subscribe to CrimeLess: Hillbilly Heist on the iHeartRadio App or wherever you get your podcasts!See omnystudio.com/listener for privacy information.

When life changes in an instant, how do you keep moving forward? In this powerful conversation, Amanda Kloots opens up about losing her husband Nick during COVID, raising her son Elvis as a single mom, and finding the courage to live fully in the face of unimaginable loss. What began as figuring out how to support her son and their future became something deeper — a story of resilience, evolution, and stepping boldly into what's next.Amanda has lived many lives — Broadway dancer, fitness entrepreneur, TV host, author, and now founder of Proper. With each reinvention, she's learned to embrace rejection, trust the signs, lean into curiosity, and keep following what lights her up. In our conversation, she shares the rollercoaster of grief, how she sustains her positivity, her personal approach to manifestation, and the way she talks to her son about his dad with honesty and love.Amanda's perspective on resilience and finding light in the darkest seasons will leave you moved, motivated, and reminded that growth often begins before we feel prepared. If you've ever faced a transition, doubted yourself, or wondered how to keep going in the midst of loss or uncertainty — this episode is for you.Instagram: @wearemorethanmomsPatreon: More Than Moms Guides & Resources Join our IRL LA communitySubscribe to our NewsletterProduced by Peoples MediaInstagram: @wearemorethanmomsPatreon: More Than Moms Guides & Resources Join our IRL LA communitySubscribe to our NewsletterProduced by Peoples Media Hosted on Acast. See acast.com/privacy for more information.

Los precios de productos básicos como café, huevos y carne de vaca suben, y el IPC alcanza un 3%. Se inaugura en Zamora la 28ª edición de Las Edades del Hombre. El monólogo de Fer en 'Buenos días, Javi y Mar' aborda la obsesión por la comida "sana". Amaia Montero regresa a La Oreja de Van Gogh. Oyentes de CADENA 100 comparten anécdotas cómicas sobre fallos informáticos, como averías por hielo o relojes perdidos en lavadoras. Se inaugura en San Sebastián un ordenador cuántico, el más potente de Europa. Un hotel chino predice el tiempo usando un coco colgado en la puerta. Joaquín Sabina, con su canción "Por el bulevar de los sueños rotos", tenía un gato llamado Elvis. Una pareja pierde a su gato en Yellowstone, y este aparece a 1400 km. Las noticias de CADENA 100 están disponibles en la web y la aplicación. María participa y gana 60 euros en el juego de 'Buenos días, Javi y Mar'.

Ep 576: Dylan and Elvis are back for another brand-new special episode! The boys recap Sunday night football between the Chiefs and Lions. The crazy Monday Night double header between the Bills and Falcons and Bears taking down the Commanders. Elvis and Dylan will give out their week 6 NFL Power Rankings and go through their top 10. The boys will preview and break down Thursday Night Football as the Steelers look to keep it rolling vs the Bengals.  Picks and props will be given out.  Also, the NBA season is right around the corner and Elvis will preview the Western Conference and give out his favorite futures with win totals and division winners. So, please make sure you guys hit that like button, subscribe, rate, leave a review and comment below who you'll betting on this week!Watch on youtube: https://www.youtube.com/live/9F2PmZtGYMA?si=UwoDTKXwcpSCZ1iG Listen to the full Podcast: https://podcasts.apple.com/us/podcast/the-dream-wager/id1550381287Props.CashUse code DREAM25 for 25% off your first month's subscription. RATE AND REVIEW THE SHOW ON iTUNES & AUDIO PLATFORMS!#Sports #Podcast #TheDreamWager #NFL #NBA #MLB #SportsBetting #NFLPicks #Steelers #Bengals #NBAFutures Follow The Dream Wager on X@thedreamwager  Follow The Dream Wager on Instagram@thedreamwagerFollow the boys on X Dylan: @rockk24  Elvis: @e_thedreamwager

INTROTease today's topic: “What's your weird flex?”Define “weird flex” — something unique or unusual you can do that most people can'tHosts introduce their own weird flexes:Launa: Can fold a fitted sheetKevin: Will confidently correct factual inaccuracies (especially about Tampa Bay)J.R.: Can expertly back up a boat trailer SEGMENT 1 – Listener Calls: AmandaAmanda from New Port Richey calls inCan back in a 40-foot horse trailer anywhereBut ironically struggles with a boat trailerCurrently towing and navigating a Starbucks parking lotCommentary from hosts:Major props for horse trailer handlingBanter about how tricky boat trailers can beSafety reminder: hands-free driving SEGMENT 2 – Listener Call: Margot and Twins Margot calls in with her 7-year-old twins, Phoebe and CassidyPhoebe: Can do flat flips in gymnasticsCassidy: Can read Braille and has almost finished a whole bookHosts react with excitement and encouragementGratitude to Margot and family for tuning in every morning SEGMENT 3 – Text Responses JR reads listener texts:Can say the alphabet backwardsClaims Elvis Presley is their second cousinVerified with family researchGrandmother and Elvis's grandfather were siblings61 years old and has never had a hangoverHosts react with surprise and amusementCommentary on which flex is the most impressiveSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Our deep-dive on the history behind "Don't Be Cruel" continues through Elvis's television appearances on the Ed Sullivan show, live concerts such as the Louisiana Hayride, the Mississippi-Alabama Fair & Dairy Show, and the USS Arizona Memorial fundraiser, and the revealing insights heard in the Million Dollar Quartet recording. Justin and Olivia catch back up with Otis Blackwell as he rides the success of "Don't Be Cruel" to launch a career writing and arranging for other artists in the late 1950s, and we discuss why Elvis Presley appears as a co-writer on the song. We leapfrog over Elvis's movie career, as "Don't Be Cruel" doesn't show up again until the filming of the '68 Comeback Special but from there we're able to trace its appearances in Elvis's live setlists up to his final concert in 1977. We then discuss a number of covers including ones by Billy Swan, The Judds, Cheap Trick and more before finally closing out with Otis Blackwell as he remembered and paid tribute to Elvis, and finally got his chance to fulfill his lifelong musical dream at the very end of his career.

Riding Shotgun With Charlie #239 Chris Henderson MTR Defense 3 Doors Down, Guitarist   It's great to have friends who have friends! While I was in Memphis doing a show and staying with Zeke Stout, he asked if I wanted to have the guitarist from 3 Doors Down on the show.Besides being a rock star, he also started and runs MTR Defense, making AR style rifles. How am I going to say no? It was a great day for me. I filmed 3 shows in two states in one day. I went to where Elvis was born and where Johnny Cash was buried.    It started by driving out of his neighborhood, where Kelly Clarkson, Taylor Swift, and Johnny Cash all lived. There was lots to cover. We talk about music and firearms, two of my favorite topics!   Henderson traveled around a bit as a kid, but they settled in southern Mississippi. His brother also played and attended my alma mater, Berklee College of Music. Chris wanted to go there, too, but his brother talked him out of it. So he stayed in Escatawpa, Mississippi, and played in all kinds of bands. He also served several years in the Army, Navy and as a Seabee, in the Reserves. This is when he started learning and getting interested in firearms. He was also able to keep practicing and playing guitar.    He's been in 3 Doors Down since 1996, but in 2000, the band really took off with "Kryptonite". Things really changed from playing in clubs with 250-300 people a night to doing much bigger venues. The band really hit it huge for many years, even doing up to 50 gigs a year now.    For his early influences, of course there was Lynyrd Skynyrd. But he also spent a lot of time listening to gospel  and country music. According to him, when you're born in Mississippi, you leave the hospital with a fishing license, a Dale Jr die cast, and a Skynyrd album. As an 18 year old, fresh out of high school, having lots going on, he still made time to practice guitar every day. Without a formal education, he was still able to get a great set of ears and transcribe music. Naturally, this led to writing songs, too.    The conversation really was back and forth. We talked about guns, then music, then back to guns. Some of what he shares is about the process of being a band and who gets credit for writing which part to a song. There's a road story about doing a show in Miami and the transmission of the van just melting and they didn't make the gig. This is when 3DD was just getting recognized.    Around 2016, Chris decided to get into making firearms and selling merch. He joked that it was a hat company that sells rifles. Originally called Middle Tennessee Rifle, he knew there would be pushback from social media, so he decided to call it MTR Defense. They don't make “black rifles”, but they have them cerakoted so they're much more colorful. Hillbilly 223 Urban Finishes does the cerakoting for him. MTR also makes a lot of promotional items, like shirts and hats. They made battle mugs and hats for The GLOCK Store.    Besides making AR styles rifles, he said he makes a 50 cal on the AR platform. They do a lot of custom work on many types of firearms. There's a really good selection at the website, linked below. MTR has their FFL and SOT so they can make and sell lots of fun items. He's running a one man shop with a little bit of help. Most of his days, he's up at 4 am heading to the MTR office.   When I went to meet Chris at his place, he needed to get cleaned up. His son hung out with me. He asked me if I wanted to see his rifle. Of course I said yes. I got to see his toy AR with a scope on it. We sat on the front steps and he pretended to shoot things in the yard. It was fun. In his down time, Chris takes care of his son and four dogs. When his fiance comes to visit, she's got her four dogs, too.  Favorite quotes: “I don't remember not being in this band.” “Chase your dreams. Do it for beer. And see what happens.” “Music comes easy to me. Guns come easy to me. Business does not.” “You forget where you came from. No, I didn't. That's why I'm not there anymore.” “They're there because they're traumatized youth. And they're using the music to heal.”   MTR Defense https://mtrdefense.com/   MTR Store https://mtrdefensestore.com/   MTR FB https://www.facebook.com/mtrdefense/   MTR X https://x.com/MTRDefense   MTR Linktree https://linktr.ee/mtrdefense   Hillbilly 223 Urban Finishes https://hillbilly223.com/ Second Amendment Foundation https://secure.anedot.com/saf/donate?sc=RidingShotgun    Citizens Committee for the Right to Keep and Bear Arms https://www.ccrkba.org/   Please support the Riding Shotgun With Charlie sponsors and supporters.    Self Defense Radio Network http://sdrn.us/   US Law Shield Legal Defense for Self Defense. Use "RSWC" as the discount code and get 2 months for free! https://www.uslawshield.com/   Patriot Mobile Use this link and get one month for free! https://patriotmobile.com/partners/rswc   Or listen on: iTunes/Apple podcasts https://podcasts.apple.com/us/podcast/riding-shotgun-with-charlie/id1275691565

On this episode of The Mark White Show, I am joined by Stacey Givens, co-founder of the Make A Way Foundation, a United Way partner committed to supporting individuals with special needs and their families in Athens and Limestone County. From installing sensory rooms in every local school to launching an indoor adaptive sports program and working with city leaders on an adaptive field, Make A Way is truly changing lives. Stacey also shares about their upcoming patriotic themed Elvis impersonator fundraiser featuring Michael Dean and the Athens High School choir. This is a powerful conversation about inclusion, compassion, and the heart of a community that cares.

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Ep 575: Dylan and Elvis are back for another brand-new special episode! The boys recap the sixth weekend in the NFL. What they got right, what they got wrong. Dylan and Elvis will preview and break down both games for Monday Night game between the Bills & Falcons and the Bears vs the Commanders. They'll give out their favorite picks and props for both games so, please make sure you guys hit that like button, subscribe, rate, leave a review and comment below who you'll betting on this week!Watch on youtube: https://www.youtube.com/live/-DKuFjJ14jw?si=ScM77pA4HrPHOZhh Listen to the full Podcast: https://podcasts.apple.com/us/podcast/the-dream-wager/id1550381287Props.CashUse code DREAM25 for 25% off your first month's subscription. RATE AND REVIEW THE SHOW ON iTUNES & AUDIO PLATFORMS!#Sports #Podcast #TheDreamWager #NFL #CollegeFootball #SportsBetting #NFLPicks Follow The Dream Wager on X@thedreamwager  Follow The Dream Wager on Instagram@thedreamwagerFollow the boys on X Dylan: @rockk24  Elvis: @e_thedreamwager

Back before the Misfits shirt was a cult wardrobe staple, and long before Metallica covered them, the Misfits were a scrappy New Jersey punk gang chasing horror-movie dreams— led by a frontman who thought he was Elvis possessed by Satan. In this episode of Satan Is My Superhero, we dive into the Danzig era (1977–83)—the fights, the graves, the sticky-floored clubs, and the sound that rewired punk into something darker and bloodier.Want more Danzig chaos? Check out Episode 74: Danzig  for our deep dive on Glenn's steroidal debut album and his post-Misfits misadventures. - Got blasphemous thoughts, hot takes, or questions we should ruin with research? Email us: satanismysuperhero@gmail.com More Sin, Less Filter – Support us and score bonus episodes, bloopers, and Judas' Chaos Machine audiobook series. Satan approves. Join herePlus, we've got a brand-new logo to show off—still irreverent, still badass, just a little shinier. “The Misfits didn't just play shows… they haunted them. Literally.” Sauces: Sources used for each episode are plentiful—let us know if you want the list. Topics covered this episode: Misfits, Glenn Danzig, the Danzig years (1977–83), horror punk, New Jersey punk history, the rise of the Misfits shirt, the Crimson Ghost, the devilock, Metallica covering Misfits, and why every punk fight smells like stale beer and regret. Send us a textSupport the showWelcome, Sinners! We're building a cult — the good kind. No robes, just laughs. Catch every blasphemous episode: Listen Here Wear your heresy: Merch Store Support the pod & unlock Hoots songs: Patreon Your reviews, shares, and smart-ass comments keep the cult alive.

Randy Bachman from The Guess Who and Bachman Turner Overdrive was on the phone with Chaz and AJ this morning. He'll be at the College Street Music Hall later this month, and went through his whole career on the air today. From seeing Elvis for the first time, making the switch from violin to guitar, and how "Takin' Care of Business" took over 7 years to complete.   Photo credit: Reuters

Doctor Max Jacobson, whom the Secret Service under President John F. Kennedy code-named “Dr. Feelgood,” developed a unique “energy formula” that altered the paths of some of the twentieth century's most iconic figures, including President and Jackie Kennedy, Marilyn Monroe, Frank Sinatra, and Elvis. JFK received his first injection (a special mix of “vitamins and hormones,” according to Jacobson) just before his first debate with Vice President Richard Nixon. The shot into JFK's throat not only cured his laryngitis, but also diminished the pain in his back, allowed him to stand up straighter, and invigorated the tired candidate. Kennedy demolished Nixon in that first debate and turned a tide of skepticism about Kennedy into an audience that appreciated his energy and crispness. What JFK didn't know then was that the injections were actually powerful doses of a combination of highly addictive liquid methamphetamine and steroids.Author and researcher Rick Lertzman and New York Times bestselling author Bill Birnes reveal heretofore unpublished material about the mysterious Dr. Feelgood. Through well-researched prose and interviews with celebrities including George Clooney, Jerry Lewis, Yogi Berra, and Sid Caesar, the authors reveal Jacobson's vast influence on events such as the assassination of JFK, the Cuban Missile Crisis, the Kennedy-Khrushchev Vienna Summit, the murder of Marilyn Monroe, the filming of the C. B. DeMille classic The Ten Commandments, and the work of many of the great artists of that era. Jacobson destroyed the lives of several famous patients in the entertainment industry and accidentally killed his own wife, Nina, with an overdose of his formula.https://amzn.to/4okPHoVBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

This was recorded in 2021, just felt like it was a good time to revisit it❤️ What an incredible treat! We visited with our dear friend, JANE ELLIOT (Tracy, GH) and what a blast it was. Incredible stories about GH, ELVIS, MARY TYLER MOORE, just to name a few... Don't miss this incredible episode with one of GH's legends! For Everything Steve and Bradford go to: https://www.stonecoldandthejackal.com/    

Ep 574: Dylan and Elvis are back for another brand-new special episode! The boys recap Thursday Night Football between the Eagles and the Giants. Dylan and Elvis will preview and break down every game for week 6 in the NFL and give out their favorite picks and props. Week 7 of College Football has arrived and the boys will give out their best bets for the weekend. So, please make sure you guys hit that like button, subscribe, rate, leave a review and comment below who you'll betting on this weekend!Watch on youtube: https://www.youtube.com/live/n3L4eZtjEZQ?si=AAGIzyBsVPkfMfu1 Listen to the full Podcast: https://podcasts.apple.com/us/podcast/the-dream-wager/id1550381287Props.CashUse code DREAM25 for 25% off your first month's subscription. RATE AND REVIEW THE SHOW ON iTUNES & AUDIO PLATFORMS!#Sports #Podcast #TheDreamWager #NFL #CollegeFootball #SportsBetting #NFLPicks #CollegeFootballPicks Follow The Dream Wager on X@thedreamwager  Follow The Dream Wager on Instagram@thedreamwagerFollow the boys on X Dylan: @rockk24  Elvis: @e_thedreamwager

DING DONG! Crash headfirst into the world of singing telegrams: bizarre, moving, and absolutely unforgettable. You’ll meet Joy Brooker, whose TikTok serenades bring millions to tears and laughter; Jay Bragg, who blends hospice care and honky-tonk into acoustic telegrams; and Paul Mordoff, a children’s entertainer who joins us on a bench by a lake in a tutu-clad gorilla costume. At the end, Chion puts it all into practice with her boldest assignment yet: surprising Connecticut Public’s very own president and CEO, Mark Contreras, with a song (while wearing an inflatable axolotl costume). Suggested episodes: Meet Prince & Elvis tribute artists who are finding fame, fans, and their own voice Inside the Mascot: The Phillie Phanatic, a Yard Goat, and a mascot maker GUESTS: Joy Brooker: singing telegram performer from Missouri, known for her creative characters and wide social media following Jay Bragg: Nashville-based singer-songwriter, who offers acoustic singing telegrams with vintage charm Paul Mordoff: party entertainer and singing telegram performer based in Monroe, CT, who has been in this business since 1996 Mark Contreras: President & CEO of Connecticut PublicSupport the show: https://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

man wtf, getting got, i was gonna go to cuba.Holler at us -IG: https://www.instagram.com/gengpodcasts/Twitter: https://twitter.com/GenGpodcastMerch: https://generation-g.creator-spring.com/00:00 The Rise of AI and Its Impact on Culture02:55 The Future of Media and AI06:01 AI in Everyday Life and Its Limitations08:54 Humor and AI: The Absurdity of AI-Generated Content11:58 The Future of Robotics and Human Interaction15:50 The Disneyland Incident17:01 Haunted Mansion Tales18:15 The Palisades Fire Arrest20:30 Fan Interaction and Unusual Content21:11 Ripping Packs from the 90s25:44 The Mustard Chronicles26:11 Legends of the Game27:08 Athletic Builds and Their Stories28:38 Pop Culture References in Sports29:23 Racial Questions and Humor33:29 LeBron's Hennessy Announcement36:54 Fan Reactions and Lawsuits39:58 Exploring New Movies and Shows42:14 The Rock's Transformation and Upcoming Films44:59 The Current State of Sports47:21 NFL Insights and Team Performances51:14 Fantasy Football and Player Performances58:15 Injury Updates and Player Performances01:00:13 Fantasy League Strategies and Team Dynamics01:03:13 Upcoming Games and Predictions01:06:32 Fight Night: Oliveira vs. Gamrot01:09:50 Fun Facts and Historical Drafts

Priscilla Presley is facing new tax fraud allegations as part of a bombshell lawsuit filed by two former collaborators. Their attorney, Jordan Matthews, joins Law&Crime's Jesse Weber to discuss the latest developments, including claims about Elvis's estate, Lisa Marie Presley's trust, and alleged false IRS filings.PLEASE SUPPORT THE SHOW:If you're ever injured in an accident, you can check out Morgan & Morgan. You can submit a claim in 8 clicks or less without having to leave your couch. To start your claim, visit: https://forthepeople.com/LCSidebarHOST:Jesse Weber: https://twitter.com/jessecordweberLAW&CRIME SIDEBAR PRODUCTION:YouTube Management - Bobby SzokeVideo Editing - Michael Deininger, Christina O'Shea, Alex Ciccarone, & Jay CruzScript Writing & Producing - Savannah Williamson & Juliana BattagliaGuest Booking - Alyssa Fisher & Diane KayeSocial Media Management - Vanessa BeinSTAY UP-TO-DATE WITH THE LAW&CRIME NETWORK:Watch Law&Crime Network on YouTubeTV: https://bit.ly/3td2e3yWhere To Watch Law&Crime Network: https://bit.ly/3akxLK5Sign Up For Law&Crime's Daily Newsletter: https://bit.ly/LawandCrimeNewsletterRead Fascinating Articles From Law&Crime Network: https://bit.ly/3td2IqoLAW&CRIME NETWORK SOCIAL MEDIA:Instagram: https://www.instagram.com/lawandcrime/Twitter: https://twitter.com/LawCrimeNetworkFacebook: https://www.facebook.com/lawandcrimeTwitch: https://www.twitch.tv/lawandcrimenetworkTikTok: https://www.tiktok.com/@lawandcrimeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Spit Hit for Oct 9th, 2025:On this hilarious episode, we get into some serious toilet talk, realize the world is filled with pee monsters and then head into an Alien Time Capsule draft that goes light years beyond where it should. Re-brand Mondays with some comedy! Subscribe and tell your friends about another funny episode of The Spitballers Comedy Podcast!Connect with the Spitballers Comedy Podcast:Become an Official Spitwad: SpitballersPod.comFollow us on X: x.com/SpitballersPodFollow us on IG: Instagram.com/SpitballersPodSubscribe on YouTube: YouTube.com/Spitballers Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

PLUS ... LOONEY EXPLAINS WHY THE INTERNET IS AN OUTSTANDING HATEFUL PLAYGROUND FOR ADULTS WHO DIDN'T LIKE HIGH SCHOOL TO TAKE OUT THEIR ANGST ON THE POPULAR PEOPLE. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It's Warrior Wednesday on The Other Side of Midnight! Lynn Shaw of Lynn's Warriors joins Lionel to expose the overlooked truth: America is failing its boys. Lionel dives deep into the toxic culture surrounding young men, examining the dangers of "toxic masculinity" and the rise of online rage groups. Lynn details how Big Tech prioritizes profit over children and discusses key legislative efforts like the Kids Online Safety Act (KOSA). Get essential, actionable advice on becoming a "warrior" in your own home and inoculating children against this destruction. Lynn's Warriors is committed to raising awareness and ending exploitation by grassroots mobilization, advocacy, and education. Lionel critiques the current political landscape, arguing that Republicans "don't know how to fight" and often rely on "WWE politics" instead of effective messaging. He aims to be the "psychologist general" in charge of propaganda, exposing how "narrowcasting" obscures the truth about the "shadow government" the real force running the show, controlling image and mood. Topics range from Hollywood's output to fundamental Constitutional issues like the separation of church and state. Lionel argues that the current political climate suggests America is headed for a "civil war" of an internal nature, fueled by those who view white Americans and patriots as the enemy.  Lionel delivers an intellectual "complete and total reset" for listeners, often referring to his methodology as a form of "fecal transplantation" for the mind. Lionel provides strategies for winning the intellectual war, including the necessity to weaponize humor, spotlight the rot of systems with style, and flood the zone with truth. Lionel urges his listeners to move on and not waste time arguing with those who don't know the facts, emphasizing that the goal is to win  Pop culture nostalgia and unpredictable conversations, beginning with the colossal legacy of The Ed Sullivan Show. Discover how the "stiff" host introduced everyone from Elvis (forced to be filmed waist-up) to the Beatles. The show also features hilarious and detailed anecdotes about bizarre Catholic rituals and unexpected calls about cryptic nicknames and the enduring fear of clowns. Learn more about your ad choices. Visit megaphone.fm/adchoices

Author Paula Franklin recently sat down with The Ash Said It Show for an exclusive interview to discuss her raw and riveting memoir, Fear Unraveled: A Journey Through Life, Bikers, Boaters, and the Bible. Blending humor, heartbreak, and spiritual transformation, Paula's book offers a deeply personal look at her unconventional life—from growing up near the Blackstone Rangers in Chicago to finding redemption through faith.

"Many music outlets noticed there was no traditional Summer Song this year. No poppy dance tune that rose to the top of the charts. The Billboard Summer Song chart claimed a number one but it was a down tempo ballad. We will explore what happened and why."

Slow week for buzz, what did we miss? Let us know what you'd like to hear us talk about, who'd you like us to talk to! Email us at SideDishLongmont@gmail.comWe ease in Longmont with some good bad jokes, some talk about Elvis, trees, cookies, and whatever else is on our mind.

Peter Guralnick, an author I've long admired, wrote the definitive Elvis Presley biographies Last Train to Memphis and Careless Love and has returned with The Colonel and the King. Drawing on fresh research and volumes of previously unseen letters, the author casts new light on Colonel Tom Parker, an identity-changing Dutch immigrant who became Presley's manager for life. Guranick's complex portrait of Colonel (not “the Colonel”) will surprise anyone who thinks of him as an all-controlling ripoff artist. Here, Guralnick discusses his own relationship with Parker and bats around questions such as how Colonel's constant deal-making affected Elvis's artistry. Was Colonel exploiting his client or doing what he had to do to keep the free-spending singer afloat? What roles did each of their addictions play in their professional relationship? Guralnick's expertise and enthusiasm on these topics is unrivaled. (Photo by Mike Leahy)

The In-Box: Skeleton Elvis (10/9/25) by 96.5 WKLH

Pop culture nostalgia and unpredictable conversations, beginning with the colossal legacy of The Ed Sullivan Show. Discover how the "stiff" host introduced everyone from Elvis (forced to be filmed waist-up) to the Beatles. The show also features hilarious and detailed anecdotes about bizarre Catholic rituals and unexpected calls about cryptic nicknames and the enduring fear of clowns. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ep 573: Dylan and Elvis are back for another brand-new special episode! The boys recap Sunday night football between the Bills and the Eagles. The crazy Monday Night game between the Chiefs and Jaguars. Elvis and Dylan will give out their week 5 NFL Power Rankings and go through their top 10. The boys will preview and break down Thursday Night Football as the Eagles look to bounce back vs the Giants. Picks and props will be given out. So, please make sure you guys hit that like button, subscribe, rate, leave a review and comment below who you'll betting on this week!Watch on youtube: https://www.youtube.com/live/ugYzxaZj7ns?si=F2jGxD8oBpWgiiL2 Listen to the full Podcast: https://podcasts.apple.com/us/podcast/the-dream-wager/id1550381287Props.CashUse code DREAM25 for 25% off your first month's subscription. RATE AND REVIEW THE SHOW ON iTUNES & AUDIO PLATFORMS!#Sports #Podcast #TheDreamWager #NFL #SportsBetting #NFLPicks #Eagles #Giants Follow The Dream Wager on X@thedreamwager  Follow The Dream Wager on Instagram@thedreamwagerFollow the boys on X Dylan: @rockk24  Elvis: @e_thedreamwager

Olivia and Justin discuss the latest announcements regarding EPiC: Elvis Presley in Concert, including confirmation of an early 2026 theatrical release AND a soundtrack album, read a bit of listener feedback, and give their brief impressions on Priscilla Presley's "Softly As I Leave You" before going into our Songs of the Week. Olivia's up first, prompted by the book, to look at the history behind "Softly" - originally an Italian ballad titled "Piano" and she unpacks how it made its way from Italian singer Mina to English singer Matt Monro and then across the Atlantic. And how exactly did Elvis Presley land on his unique interpretation with an added tragic narrative layer? Then the duo tackle Justin's Song of the Week, the long-awaited "Don't Be Cruel," exploring the history behind songwriter Otis Blackwell's inspirations, how "Don't Be Cruel" fits into the wider story of both country and rhythm & blues that was manifesting as what we now know as rock and roll in the mid-1950s, what appealed to Elvis about Otis's demo, what makes "Don't Be Cruel" potentially Justin's favorite Elvis song... and why the single of Hound Dog and Don't Be Cruel is the perfect 1950s rock and roll single.

Frizz and Bob are cracking open the crypt of music's strangest rumors, shadowy whispers, and full-blown tinfoil-hat territory. Frizz is sipping Ardbeg's Wee Beastie, Bob's got a Dark Apparition Stout from Jackie O's, and we're diving headfirst into the world of music conspiracy theories. From lizard people and faked deaths to government psyops and murder plots hiding in plain sight, we're peeling back the layers of the weirdest stories the music world has to offer. Did Jim Morrison escape to Africa? Was Laurel Canyon a CIA experiment? Does Garth Brooks have friends in low places? Stories so creepy that even Stephen King couldn't have written them... or did he? Lock the doors, dim the lights, and pour a strong one because things are about to get weird.

This week on Skip the Queue, we're stepping into the turret and turning up the tension, as we explore one of the UK's most talked-about immersive experiences.Our guest is Neil Connolly, Creative Director at The Everywhere Group, who have brought The Traitors Live Experience to life. With over 10 million viewers watching every betrayal, backstab and banishment on the BBC show, expectations for the live version were nothing short of murderous.So, how do you even begin to transform a TV juggernaut into a thrilling, guest-led experience? Let's find out who's playing the game… and who's about to be banished…Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on LinkedIn. Show references: The Traitors Live website: https://www.thetraitorslive.co.uk/Neil's LinkedIn: https://www.linkedin.com/in/neil-connolly-499054110/Neil Connolly is a creative leader of design and production teams focused on development, production and installation of live theatre, entertainment, multi-media and attractions for the themed entertainment industry worldwide.Neil began his career as a performer, writer, producer & artist in Londons alternative theatre/art scene. It was during this time Neil developed a love and passion for story telling through the platform of interactive playable immersive theatre.Having been at the vanguard of playable & immersive theatre since 2007, Neil had a career defining opportunity in 2019 when he devised, wrote & directed an immersive experience as part of Sainsbury's 150th Birthday Celebrations. Making him the only immersive theatre & game maker in the world to have HRH Elizabeth Regina attend one of their experiences.In a distinguished career spanning 20 years, Neil has brought that passion to every facet of themed entertainment in the creative direction and production of attractions such as; Handels Messiah, Snowman & The Snowdog, Peppa Pig Surprise Party, Traitors Live, The Crystal Maze Live Experience, Tomb Raider Live Experience & Chaos Karts, an AR go-kart real life battle. Other clients and activations include: Harrods, Sainsbury's, Camelot/The National Lottery, Samsung, Blenheim Palace, Land Rover and Warner Brothers.Neil has worked across 4 continents for many years with private individuals; designing, producing and delivering live entertainment on land, sea & air. A world without boundaries requires freethinking.Neil is currently working with Immersive Everywhere on creative development of show and attraction content for projects across U.K, Europe, North America & Asia. Transcriptions:  Paul Marden: This week on Skip the Queue, we're stepping into the turret and turning up the tension as we explore one of the UK's most talked about immersive experiences.Paul Marden: Our guest is Neil Connolly, Creative Director at The Everywhere Group, who've brought The Traitor's live experience to life. With over 10 million viewers watching every betrayal, backstab and banishment on the BBC show, expectations for the live version were nothing short of murderous. So how do you even begin to transform a TV juggernaut into a thrilling guest-led experience? Let's find out who's playing the game and who's about to be banished.Paul Marden: So, we're underground. Lots of groups running currently, aren't they? How did you make that happenNeil Connolly: Yeah, so now we're two floors under us. There's a lower basement and some other basement. So the building that we are in, there's a family in the 1890s who owned all of the land around Covent Garden and specifically the Adelphi Theatre.Paul Marden: Right.Neil Connolly: And they wanted their theatre to be the first theatre in the UK to have its lights powered by electricity. So they built their own private power station in this building. Like, literally like, all this, this is a power station. But unfortunately for these the Savoy had taken to that moniker, so they quickly built their important institution. The family had this building until the 1980s when the establishment was assumed through the important UK network.Neil Connolly: And then it was sat there empty, doing nothing for 40 years. And so the landlord that is now started redeveloping the building 10 years ago, added two floors onto the top of the building. So now what we're in is an eight-storey structure and we've basically got the bottom four floors. Two of which are ground and mezzanine, which is our hospitality area. And the lower two floors, which are all in the basement, are our experience floors. What we're looking at right now is, if you look off down this way to the right, not you people on audio, but me here.Neil Connolly: Off this side is five of the round table rooms. There's another one behind me and there's two more upstairs. And then I've got some Tretters Towers off to the left and I've got my show control system down there.Neil Connolly: On the floor above me, we've got the lounges. So each lounge is connected to one of the round table rooms. Because when you get murdered or banished, one of the biggest challenges that I faced was what happens to people when they get murdered or banished? Because you get kicked out of the game. It's not a lot of fun, is it? Therefore, for me, you also get kicked out of the round table room. So this is a huge challenge I face. But I built these lounge concepts where you go— it's the lounge of the dead— and you can see and hear the round table room that you've just left. We'll go walk into the room in a while. There's lots of interactivity. But yeah, super fun. Neil Connolly: But unfortunately for these the Savoy had taken to that moniker, so they quickly built their important institution. The family had this establishment until the 1980s when the establishment was considered through the important UK network.Paul Marden: Yeah. So we've got 10 million people tuning in to Traitors per episode. So this must be a lot of pressure for you to get it right. Tell us about the experience and what challenges you faced along the way, from, you know, that initial text message through to the final creation that we're stood in now.Neil Connolly: So many challenges, but to quote Scroobius Pip on this, do you know Scroobius Pip? Paul Marden: No. Neil Connolly: Great, he's amazing. UK rapper from Essex.Neil Connolly: Some people see a mousetrap and think death. I see free cheese and a challenge.Neil Connolly: There's never any problems in my logic, in my thinking. There's always just challenges to overcome. So one of the biggest challenges was what happens to people when they get murdered or banished. The truth of the matter is I had to design a whole other show, which happens after this show. It is one big show. But you go to the Lounge of the Dead, there's more interactivity. And navigating that with the former controller, which is O3 Media and IDTV, who created the original format in the Netherlands, and basically designing a game that is in the world and follows the rules of their game with some reasonable adjustments, because TV and live are not the same thing.Neil Connolly: It takes 14 days to film 12 episodes of The Traitors. Paul Marden: Really? Okay. Neil Connolly: So I was like, how do I truncate 14 days of somebody's life down into a two-hour experience and still deliver that same impact, that same power, that same punch?Paul Marden: Yep.Neil Connolly: But I knew from the beginning of this that it wasn't about time. There is a magic triangle when it comes to the traitors, which is time, space, atmosphere. And time was the thing that I always struggled with. I don't have a Scottish cattle show, and I don't have two weeks. No. So I'm like, 'Cool, I've got to do it in two hours.' So our format follows exactly the same format. We do a breakfast scene, then a mission, then a roundtable banishment, then there's a conclave where the traitors meet and they murder somebody. And I do that in a seven-day structure, a seven-day cycle. But it all happens within two hours around this round table.Neil Connolly: I'm the creative director for Immersive Everywhere. We're a vertically integrated structure in the sense that we take on our own venues. So we're now standing in Shorts Gardens in the middle of Covent Garden. So we've leased this building. We've got a lease that is for a number of years and we have built the show into it. But we also identify the IP, go after that ourselves, we capitalise the projects ourselves. We seek strategic partners, promoters, other people to kind of come involved in that journey. But because we're also the team that are licensing the product, we are also the producers and I'm the creative director for that company. So I developed the creative in line with while also getting the deal done. This is incredibly unusual because other producers will be like, 'Hey, I've identified this IP and I've got it.' Now I'm going to approach a creative agency and I'm going to get them to develop the product. And now I've done all of that, I'm going to find someone else to operationally put it on, or I'm going to find a venue to put it on in, and then I'm going to find my ticketing partner.  But we don't do that. We have our own ticketing platform, and we have our own database, so we mark our own shoulders.Neil Connolly: As well as other experiences too. Back, we have our own creative industry, we are the producers, we are the female workers. So we cast it, we hire all the front of house team, we run the food and beverage, we run the bars. The operations team is our operations team because they run the venue as well as the show at the same time. So that's what I mean. We're a vertically integrated structure, which means we do it, which makes us a very unusual proposition within... certainly within the UK market, possibly the world. It makes us incredibly agile as a company and makes us to be able to be adaptive and proactive and reactive to the product, to the show, to the market that we're operating in, because it's all under one roof.Neil Connolly: This show started January 24th, 2023. Right. It's very specific because I was sitting on my sofa drinking a lovely glass of Merlot and I had just watched... UK Traitors, Season One. Yep. Because it came out that Christmas. Immediately I was like, 'Oh my God, this is insane.' And then I got a text message that particular night from our head of licensing, a guy named Tom Rowe, lovely man. And he was like, Neil, I'm at a licensing event with some friends of mine and everyone's talking about this thing called Traitors. I've not watched it. Have you watched it? Sounds like it might be a good thing. And so I sat back and drank my Merlot. And about five minutes later, I text him back and I was like, Tom, get us that license.Neil Connolly: And then I sent him a bunch of other details of how the show in my head would work, both from a commercial standpoint, but also from a creative standpoint, because I'm a commercially minded creative. Right. So I instantly took out my notebook and I started writing down exactly how I thought the show was going to do, the challenges that we would face and being able to translate this into a live thing. But I literally started writing it that night. And then he watched the first episode on the train on the way home. And then he texted me the next morning and he was like, 'I love it.' What do we need to do? And I was like, 'Get us in the room.' Two days later, we were in the room with all three media who own the format globally.Paul Marden: Okay.Neil Connolly: So we sat down and then they came to see one of our other shows and they were like, 'Okay, we get it now.' And then that was like two and a half years of just building the show, getting the deal done and facing the myriad of challenges. But yeah, sometimes it just starts with the text message.Paul Marden: So they get to experience all the key parts of the TV.Neil Connolly: All the key beats. Like right now, I'm holding one of the slates. They're not chalkboard slates. Again, this is... Oh, actually, this is a good challenge. So in the TV show, they've got a piece of slate and they write on it with a chalkboard pen. This seems so innocuous and I can't believe I'm talking about this on a podcast.Neil Connolly: Slategate was like six months of my life. Not in its entirety, but it was a six month long conversation about how we do the slates correctly. Because we do... 48 shows a day, six days a week. And those slates will crack. They will bash. And they're kind of a bit health and safety standards. I was like, can't have them. Also, they write on them with chalk pens, white ink chalk pens. But in the TV show, you only do it once a night. Yeah.Paul Marden: And then you have a producer and a runner.Neil Connolly: They just clean them very, very leisurely and set them back for the next day. And I was like, no, I've got to do a whole bunch of roundtable banishments in two hours. So we talked a lot about material, about style, literal viewership, because if you take a seat at the table. Yeah. If you're sitting at the table here, you'll notice that we've got a raised bit in the middle. If I turn mine around, the other person on the other side can't see it. So I was like, 'Okay, cool.' So we had to do a whole bunch of choreography. But also, the room's quite dark. Yes. At times, atmospheric. Yeah. In that magic triangle time-space atmosphere. So anything that was darker, or even that black slate, you just couldn't read it. And then there was, and then I had to— this is the level of detail that we have to go into when we're designing this kind of stuff. I was like, 'Yeah, but I can't clean off these slates with the white ink because everyone will have to have like a wet cloth chamois. Then I've just got loads of chamois around my venue that I just don't need.' And so then we're like, 'Oh, let's use real slates with real chalk.' And I was like, 'No, because dust will get everywhere.' I'll get chalk just all over my table. It'll just ruin everything. It'll ruin the technology that's inside the table because there's lots of hidden tricks inside of it. Paul Marden: Is there really? Yeah, yeah, yeah.  Neil Connolly: There's loads of hidden tricks inside the table. So after a while, going through many different permutations, I sat down with Christian Elenis, who's my set designer and my art director. And we were, the two of us were nearly in tears because we were like, 'We need,' and this only happened like.Neil Connolly: I would say two, three weeks before we opened. We still hadn't solved how to do the slate, which is a big thing in the show. Anybody who's seen the show and loves the show knows that they want to come in, they want to write somebody's name on the slate, and they want to spell the name incorrectly.Neil Connolly: Everyone does it on purpose. But I wanted to give people that opportunity. So then eventually we sat down and we were like, Christian, Neil. And the two of us in conversation went, why don't we just get a clear piece of Perspex, back it with a light coloured vinyl. And then Christian was like, 'Ooh,' and I'll make it nice and soft and put some felt on the back of it, which is what I'm holding. And then why don't we get a black pen? And we were like, 'Yeah,' like a whiteboard marker. And then we can just write on it. And then A, I can see it from the other side of the table. Thing one achieved. Two. Every marker pen's got an eraser on the top of it. I don't know why everyone thinks this is important, but it is. That you can just rub out like that, and I'm like, 'There's no dirt, there's no mess, and I can reuse this multiple times, like dozens of times in the same show.' And I know that sounds really weird, but that's the level of design I'm going to need.Paul Marden: I was just about to say, and that is just for the chalkboard. Yeah. Now you need to multiply that. How many decisions?Neil Connolly: How many decisions in each game. But also remember that there are eight round tables in this building. Each round table seats 14 people. And we do six sessions a day. So first ones at 10 a. m. Then we do 12, 2, 4, 6, and 8 p. m. So we do 48 shows a day, six days a week.Paul Marden: I love the concept that these are shows. This is not this is not visitor attraction. This is theater repeated multiple times a day for multi audience is concurrently.Neil Connolly: And I've just spent five minutes describing a slate to you. Yeah. But like, I haven't even got— it's like the sheer amount of technology that is in the show. And again, theatrical, like, look above our heads. Yeah. You've got this ring light above every seat. It's got a pin light. There's also microphones which are picking up all the audio in the room, which again is translating to the lounge of the dead. Every single one of the round table rooms has four CCTV cameras. Can you see that one in the corner? Each one of them is 4K resolution. It's quite high spec, which is aimed at the opposite side of the table to give you the resolution in the TV. In the other room. Then you've got these video contents. This is constantly displaying secret information through the course of the show to the traitors when they're in Conclave because everyone's in blindfolds and they took them off. They get secret instructions from that. There's also a live actor in the room. A live actor who is Claudia? They're not Claudia. They're not pastiches of Claudia. They are characters that we have created and they are the host of The Traitor's Game. Right. They only exist inside this building. We never have them portrayed outside of this building in any way whatsoever.Neil Connolly: They are characters, but they live, they breathe— the game of Traitors, the world of Traitors, and the building that we have designed and constructed here. And they facilitate the game for the people. And they facilitate the game for the people. One actor to 14 people. There are no plants, even though everyone tries to tell me. Members of the public will be convinced that they are the only person that's in that show and that everyone else is a plant. And I'm like, no, because that would be insane.Neil Connolly: The only actor in the room is the host.Paul Marden: 14 people that can sit around this table. How many of them are in the same group? Are you with your friends or is it put together where there are other people that you won't know in the room? If you book together, you play together.Neil Connolly: Yes. Okay, so if you don't book 14 people... Ah, we also capped the number of tickets that you can purchase to eight. Right. So you can only purchase a maximum of eight tickets unless you do want a full table of 14, at which point you have to then purchase a VIP package because you are booking out a whole table for yourselves. The game doesn't work if there's less than 10 people at the table. So there has to be 10, 11, 12, 13 or 14 people sat at a round table for the show to actually happen, for it to work. By capping the number of tickets that you book for eight, then that guarantees that strangers will be playing together. And that is the basis of strangers. Yeah, yeah. Like, you need to be sat around a table with people you know, you don't know, that you trust and you don't trust. Yeah. Fact of the matter. And do you see people turning on the others in their own group? Every single time. People think genuinely, and I love this from the public, you would think that if you're turning up as a group of eight and a group of four and a group of two, that the bigger group would just pick everybody off to make sure that someone in their group gets through to the end game.Neil Connolly: I'm sure they think that and they probably plot and plan that before they arrive on site. As soon as this game starts, gloves are off and everyone just starts going for each other. We've been open nearly two months now. I have seen, like, children murdered of their mothers.Neil Connolly: Husbands murder their wives, wives murder their husbands. I've seen, like, three generations—like, we get, because it's so intergenerational, like our lowest, the lowest age that you can play this is 12. Right. And then it's upwards. I've seen three generations of family come in and I've seen grandkids murder their own nan.Neil Connolly: Absolutely convinced that they're a traitor. Yeah, yeah, yeah. 100%. Or they banish them. Like, it's just mental. I've also seen nans, who are traitors, murder their grandkids.Neil Connolly: Like, and this is in a room full of strangers. They're just like, 'No, I'm not going to go for Barbara, who I met two hours ago in the bar. I'm going to go for my own grandson. It's mental.'Neil Connolly: The very, very first thing that I always think about whenever I'm creating an experience or whenever I'm designing a show is I put myself in the position of 'I'm a member of the public.' I have bought a ticketNeil Connolly: What's the coolest thing that I am going to do for my money? What is my perceived value of my ticket over actually what is the value of that ticket? I wanted to give people the experience of knowing what it was like to be sitting in one of these chairs at this table and feeling their heart. The pounding in their chest and I mean, the pounding in their chest, that rush of adrenaline from doing nothing— from sitting in a chair and all you were doing was sitting in a room talking to people and your heart is going.Neil Connolly: Because you're either being accused of being a liar. And trying to defend against it. And trying to defend against it. Or you actually are lying and you're trying to whittle your way out of it. And that feeling is the most alive that you will ever feel. Not ever. Like, I'm sure they're... No, no, no. But, like, give people that opportunity and that experience, as well as, like, access to the world of traitors and the law and everything else. But also, it's like any other theme park ride. People go on roller coasters because the imminent fear of death is always there. Yeah. And you feel alive. You're like, you've got such a buzz of adrenaline. Whereas, arguably, we do exactly the same thing as roller coasters, but in a much more longer-drawn format and multiple times. Yeah. And people do feel alive. When people walk out of the show, you see them go upstairs to the bar, and they are... Yeah.Paul Marden: You've said to me already that you don't use the word 'immersive,' but you know, I'm, I'm, I'm sat. The company is called 'immersive' everywhere. I'm sat behind the scenes. Okay. I'm sat in the room and the room is hugely convincing. It's like the highest fidelity escape room type experience that I've ever sat in. It feels like I'm on set, yeah, yeah. Um, I can totally believe that, in those two hours, you can slip. I sat on a game. It was only a two-minute game at iApple, but I was being filmed by one of the team. But within 30 seconds, I'd forgotten that they were there because I was completely immersed in the game. I can believe that, sitting in here right now, you could forget where you were and what you were doing, that you were completely submerged in the reality of the land that you're in.Neil Connolly: Yeah, 100%. Like, the world does not exist beyond these worlds. And for some people, like, I have my own definition. Everyone's got a different definition of what immersive is. I've got my own definition. But... I can tell you right now, as soon as people enter this building, they're in the bar, they're kind of slowly immersed in that world because the bar is a themed bar. It's done to the same, like we designed and built that bar as well. But as soon as they start descending that spiral staircase and coming into the gameplay floors, into the show floors, they just forget the rest of the world exists. And especially when they sit down at this table, it doesn't matter. I'm sat next to you here, but you could be sat at this table with your loved one, strangers, whatever. The gloves come off and just nothing exists apart from the game that you're about to go through.Paul Marden: You've been open now for a couple of months. More success than you were anticipating, I think. So pre-sales went through the roof? Yes. So you're very happy with the results?Neil Connolly: Yeah, yeah, we were. Yeah, well, we still are.Neil Connolly: We were very confident before we'd even started building the show, like the literal structural build, because we did very well. But then that set expectations quite high because I had a lot of people that had bought tickets and I was like, 'OK, I need to put on a good show for these people. And I need to make sure that they get satisfaction relative to the tickets that they bought.' But I don't feel pressure. I do feel anxiety quite a lot. Creatively? Yeah. I mean, I meditate every day.Paul Marden: But you've created this amazing world and you're inviting people into it. And as a creative, you're opening yourself up, aren't you? People are walking into the world that you've created.Neil Connolly: Yeah, this was said to me. This is not something that I came up with myself, and I do say this really humbly, but it was something that was said to me. It was on opening day, and a bunch of my friends came to playtest the show. And they were like, 'Oh, this is your brain in a building.'Neil Connolly: And I was like, 'Yeah, I hadn't thought about that.' But yeah, it is my brain in a building. But also that's terrifying, I think, for everybody else, because I know what happens inside my brain and it's really quite chaotic.Neil Connolly: But, you know, this I am. I'm so proud of this show. Like you could not believe how proud I am of this show. But also a huge part of my job is to find people that are smarter than me at the relative thing that they do, such as the rest of my creative team. They're all so much smarter than me. My job is vision and to be able to communicate that vision clearly and effectively so that they go, 'I understand.' The amount of times that people on the creative team turn around to me and go, 'Neil, that's a completely mental idea.' If people are saying to me, 'No one's ever done that before' or 'that's not the way things are done.'Neil Connolly: Or we can do that, but we're going to have to probably invent a whole new thing. If people are saying those things to me, I know I'm doing my job correctly. And I'm not doing that to challenge myself, but everything that I approach in terms of how I build shows is not about format. It's not about blueprints. It's not like, 'Hey, I've done this before, so I'm just going to do this again because I know that's a really neat trick.' I go back to, 'I made the show because I wanted people's heart to pound in their chest while they're sitting in a chair and make them feel alive.'Paul Marden: Is that the vision that you had in your head? So you're articulating that really, really clearly. Is that the vision that you sold to everybody on, not maybe day one, but within a couple of days of talking about this? No, it was day one.Neil Connolly: It was day one. Everyone went, that's a completely mental idea. But, you know, it's my job to try and communicate that as effectively and clearly as I can. But again, I am just one man. My job is vision. And, you know, there's lighting design, sound design, art direction, there's game logic. We haven't even gotten to the technology of how this show works yet, or how this room works.Neil Connolly: Actually, I'll wander down the corner. Yeah, let's do that. But, like, there's other, like, lots of hidden tricks. Like, this is one of the games, one of the missions. In the world and the lore of the show, the round table is sacrosanct.Paul Marden: Yes.Neil Connolly: Traitors is the game. The game is in other people. I can do so many missions and there's loads of missions and they're really fun in this show. But the game is in other people. It's in the people sat on the other side of the room. But also I wanted to do a thing where people could interact directly with the set. And so I designed one of the missions to be in the round table itself.Neil Connolly: So there's a course of these moon dials, which you basically have to align through the course of it. And there are sensors built into the table so that they know when they're in the correct position. How you find out the correct position is by solving a very, very simple puzzle and then communicating effectively to a bunch of strangers that you just met.Neil Connolly: And the sensors basically read it all. And when that all gets into position, the lights react, the sound reacts, the video content reacts, the whole room reacts to you. So I wanted to give people something tangible that they can touch and they make the room react to them. Yes, it's. I mean, I've designed, I've got background in escape rooms as well, right? Um, so I've done a lot of that kind of stuff as well. So I wanted people to feel in touch, same, but like, there's more tangible props over here. Um, yeah, that is a model box of the room that we are stood in, yeah. Also, there's an exact replica of it on the other side of it. There are very subtle differences between it, and that informs one of the missions. So that is two model boxes in this roundtable room. There's one of these in every single roundtable room. So there's 16 model boxes of the show that you're stood in on the set. And again, theatre. It's a show. But it's one of the missions, because I wanted people to kind of go, 'Oh, there's a live actor in front of me.' I'm having fun. Oh, look at all these lights and all the sound. Oh, there's a model box over here. That's in theatre land and blah, blah, blah. But that is also a really expensive joke. It's a really expensive joke. And there's other, like, lots of hidden tricks.Neil Connolly: Let's go look at backstage. Yeah, yeah, yeah, absolutely.Neil Connolly: I say backstage, like how we refer to it or how I always go. I use 'I' and 'we' very interchangeably. Like right now you're on the set. Like you're on the stage. Yes. We're just wandering around a long corridor. There are round table rooms off to either side. But like, you know, there's a green room upstairs where the actors get changed, where the front of house team are, where the bar team all are. But as soon as they go out onto the show floor, they're on stage—yes, completely. We'll very quickly have a look at the gallery—yes, show control. Hi, Robbo. Do you mind if I stand in your room for the purposes of the audio? I'm talking to the technical manager, Thomas Robson. We're recording a podcast.Paul Marden: Robbo, oh yeah, okay. My mind is absolutely blown. So you've got every single room up on screen.Neil Connolly: Yeah, so that's great. There's 164 cameras—something like that. But every roundtable room has four cameras in it. Each camera is 4K resolution. So we've got cameras on all of them. We've got audio into those rooms. That's two-way, so that if show control needs to talk directly to them, they just press a button here and they can talk directly to the room itself. Mainly just like, stop misbehaving, we're watching you.Neil Connolly: We've then got cameras into all of the lounges, all of the show spaces, all the front of house, all of the bar areas, the mezzanine and back of house. And then you've got QLab running across all of the different shows. We've got backups on all of these screens. So if one... of the computers goes down, we can very quickly swap it in for a backup that's already running. We've got show control, which is, there's a company called Clockwork Dog, who, they're an amazing company. What COGS, their show control system, is doing is pulling in all of the QLab from sound, all of the QLab from lighting, and also we built our own app. to be able to run the show. So there's a whole logic and decision tree based on the decisions that the public do through the course of the game. So yes, there is a beginning, a middle, and an end in terms of our narrative beats and the narrative story of the show that we're telling people. But also that narrative can go in. Hundreds of different directions depending on the actions and the gameplay that the people do during the course of the show. So, you haven't just learned one show— you have to learn like You have to learn a world, and you have to learn a whole game.Neil Connolly: Like, there's the server, stacks, which we had to build. You had to network and cable the entire building. So we have built an entire new attraction, which didn't exist before. And also we're pulling in information from the front of house system which is also going into the show itself because again, you put your name into the iPad when you arrive on site and then you tick a box very crucially to say, 'Do you want to be selected as a trader? Yes or No.' Because in the game, it's a fundamental rule. If you say no, you cannot be selected as a traitor by the host during traitor selection. That doesn't mean you can't be recruited.Paul Marden: By the traitors later on in the game. So you could come and do this multiple times and not experience the same story because there were so many different pathways that you could go down.Neil Connolly: But also, the game is in other people. Yes. The show is sat on the opposite side of the table to you because, like, Bob and Sandra don't know each other. They'll never see each other ever again. But Bob comes again and he's now playing against Laura. Who's Laura? She's an unknown quantity. That's a whole new game. That's a whole new show. There's a whole new dynamic. That's a whole new storyline that you have to develop. And so the actors are doing an incredible job of managing all of that.Paul Marden: Thanks, Robbo. Thank you. So you've worked with some really, really impressive leading IP, Traders, Peppa Pig, Doctor Who, Great Gatsby. What challenges do you face taking things from screen to the live experience?Paul Marden: Challenges do I face? We're wandering here.Neil Connolly: So we are in... Oh, we're in the tower.Neil Connolly: Excellent. Yep, so we're now in Traitor's Tower. Good time for you to ask me the question, what challenges do I face? Things like this. We're now stood in Traitor's Tower. Paul, let me ask you the question. Without the show lights being on, so we're just stood on a set under workers, what's your opinion of the room that we're stood in?Paul Marden: Oh, it's hugely impressive. It feels like, apart from the fact you've punched the fourth wall out of the telly, it does feel like you're on set.Neil Connolly: It's a really faithful reproduction of the set. So that's kind of one of the challenges is managing the public's expectations of what they see, do and feel on site. So that I don't change the show so that people come and play the game that they're expecting to play. But making reasonable adjustments within that, because TV and live are two very, very different things. So first and foremost was making sure that we get the format right. So the game that people play, which informs the narrative of the show and the narrative structure of the show. Breakfast, mission, round table, conclave. Breakfast, mission, round table, conclave. I've designed a whole bunch of new missions that are in this, taken some inspiration from missions that people know and love from the TV shows, whether that's the UK territory or other territories around the world. And also just other stuff is just clear out of my head. So there's original content in there. paying homage and respect to the world that they've built and allowing ourselves to also play and develop and build out that world at the same time. Other challenges.Neil Connolly: This is not a cheap project. No, no. I mean, the production quality of this is beautiful. Yeah, yeah, thank you. It is stunning. When people walk in here, they're like, 'Oh my God, this is... High end.' I am in a luxury event at a very affordable price.Paul Marden: Thank you. And then we're going back upstairs again. Yes. And in the stairwell, we've got the crossed out photos of all of those that have fallen before us.Neil Connolly: No, not quite. All of the people that are in this corridor, there's about 100 photos. These are all the people who built the show.Neil Connolly: So this is David Gregory. He's the sound designer. This is Kitty, who is Immersive Everywhere's office manager. She also works in ticketing. That is Tallulah and Alba, who work in the art department. Elliot, who's our lighting designer. So all of these people are the people who brought the show to life.Paul Marden: Amazing.Neil Connolly: And we wanted to pay homage to them because some of them gave years of their lives to building the show from literally the inception that I had in 2023. Through to now and others are the people who literally spent months of their life underground in these basements building hand-building this set and so we wanted to pay homage to them so we got all of their photos we did the iconic red cross through it yeah and we stuck them all up in the corridor just because we thought it'd be a nice thing to do.Paul Marden: You're in the business of trading and experiences and that ranges from art exhibitions to touring shows. There's always going to be a challenge of balancing innovation and profitability. What is the formula? What is the magic formula?Neil Connolly: I believe, first and foremost, going back to what I was telling you earlier about us being a collaborative organisation. We are not a creative crack that has been used for the show. We are also the producers of the show. And to make my point again, I'm a commercially minded creative. So I actually sit down with the producers and go, 'Okay, cool.' There are 112 seats in the show.Paul Marden: Yep.Neil Connolly: Therefore, how many shows do we need to do per day? How many shows do we need to do per week? How many shows do we need to do per year? Therefore, let's build out a P &L. And we build a whole business plan based around that.Paul Marden: By having everybody— that you need in the team— makes it much easier to talk about that sort of stuff. It makes it much easier for you to design things with the end result in mind. You don't have a creative in a creative agency going off— feeding their creative wants without really thinking about the practicalities of delivering on it.Neil Connolly: Exactly. So you've got to think like, literally, from the very, very beginning: you've got to think about guest flow. You've got to think about throughput. You've got to think about your capacities. Then you've got to basically build out a budget that you think— how much, hey, how much really is this going to cost? Yeah. Then you build out an entire business plan and then you go and start raising the money to try and put that on. And then you find a venue. I mean, like the other magic triangle, like the traitor's magic triangle is, you know, time, space, atmosphere. That's how you do a show. Like with my producer's hat on, the other magic triangle is show, money, venue.Neil Connolly: The truth of the matter, like I make no bones about it, I can design shows till the cows come home, but I'm always going to need money to put them on and a venue to put them in. Also, I want to stress this really important. I use the words 'I' and 'we' very interchangeably.Paul Marden: It's a team effort.Neil Connolly: You can see that in that corridor. I am not a one-man band. I am the creative director of a company. I am a cog that is in that machine, and everybody is doing... We are, as a team... I cannot stress this enough. Some of the best in the business are doing what we do. And everyone is so wildly talented. And that's just us on the producing side. That's immersive everywhere, limited. Then I've got a whole other creative team. Then we've got operations. Then we've got... It's just mad. It's just mad, isn't it? This is a job. Who would have thought, when you were at school, this was an opportunity? Not my principal or my maths teacher.Neil Connolly: So, sorry, just to balance the kind of economies of scale. That was the question, wasn't it?Paul Marden: Well, we were talking about what is the formula for making that an investment, but you know, the authority here is the effort you've put in to do this feels high, but at the same time, you have to find this thing. There is a lot of investment that goes into the front.Neil Connolly: But that comes back to creatives. Caring and I'm not saying the creatives don't, but I care. I care about building businesses. Yeah, not necessarily like building my own CV, like there's so many projects that across our desks. I'll be like, 'Yeah, that'd be really fun to work on.' But do I think that I can make that a touring product? Can it be a long-running location-based entertainment sit-down product? Can it be an art shop? Like you've kind of got a balance with what do you think is just creatively cool versus what can we do as a company that is a commercially viable and financially stable product? And so all that comes through in terms of the creative, but also in terms of the activities of how we run the building, how this model realizes. Because if you think about it, let's make Phantom of the Opera run in the West End. Yes. The show is very obvious, with many casts on a room, away, fruit team away, terrace, it's a big activity. If they haven't sold half that away, they have to use the whole show and play all those people.Neil Connolly: But if they haven't sold half that away from one of my shows... I only have to activate four of my rooms, not eight of them. Therefore, I don't have to call in four actors. I don't have to call in a bunch of the other front of house team and I can scale in the operations on the back. It's an entirely scalable process. Flexible, yeah, yeah, yeah. Oh, 100%. But also, like, we've got eight rooms here. If we decide to take this to another territory, and that territory demands a much higher throughput, then instead of eight rooms, I can do 20 rooms, 30 rooms. As long as we know that the market is there to be able to kind of get people through it.Neil Connolly: I love this show and I'm so proud of it. The main reason why I'm proud of it is when the show finishes, let's go into one of the lounges. Have you been into one of the lounges?Paul Marden: I've had a nose around a lounge.Neil Connolly: There are different shapes and sizes. We won't go into that one. We'll go into this one down here. That one, that one. It's always such a buzz when you're stood in the bar and the shows kick out, and you see tables and tables of 14 people going up into the bar.Neil Connolly: Area and before they've even gotten a drink, they will run straight over to their friends, families, strangers, whoever they were playing with in that table of 14, and instantly be like, 'Right, I need to know everything that was going on inside your head, your heart, and your soul over the last two hours of my life because this was my experience.'Neil Connolly: And they'll just go, and they'll be like, 'And this is what I was thinking.' And then I thought it was you because you did this and you touched your nose in a weird way. And then I thought you were sending secret signals. And then everyone's like, 'No, that's not what I was doing.' I was just trying to be a normal person. And they were like, 'Well, why did you say that thing?' It sounded super weird. And they're like, 'That's just what I do.' And it's just totally mental. And then they all get a drink from the bar. And we call it the bar tab chat.Neil Connolly: It's another revenue stream.Neil Connolly: I do talk about this like it's a show. And it is a show. You've walked around, do you think it's a show? Completely. I talk to established houses all the time. Like, you know, the big theatres of the land. Organisations that are national portfolio organisations who receive a lot of Arts Council funding. The thing that they want to talk to us about all the time is new audiences. They're like, 'How do I get new audiences through my door?' What can I do? And I'm like, 'Well, firstly, make a show that people want to go and see.'Neil Connolly: Again, they're like, 'But I've got this amazing writer and he's a really big name and everyone's going to come because it's that name.' And I'm like, 'Yeah, that's wicked. That's cool.' And they can all go pay reverence to that person. That's really wonderful. Whereas when you look at the attractions landscape or the immersive theatre landscape or like anything like... Squid Game, or The Elvis, Evolution, or War of the Worlds, which has also laid reality, or any of that kind of stuff, across the landscape, it is nothing but new audiences. Yeah, yeah, yeah. It is nothing but actual ticket-buying audiences.Neil Connolly: And they come from all different walks of life. And what I love is that they do come in to this experience and we hit them with this like secret theatre.Neil Connolly: And they're like, 'Oh my God.' And often it's a gateway to them being like, 'Oh, I didn't realise that.' Maybe I'll go see a Western show or maybe I will go to the National Theatre and see something. Because that's the level of archery. Because those organisations, I love them and I've worked in a few of them, but those buildings can be quite austere, even though they're open and porous, but it's still very difficult to walk through that threshold and feel a part of it.Paul Marden: Whereas coming in here, coming into an event like this, can feel like a thing that they do.Neil Connolly: Because it's the same demographic as theme park junkies. People who love going to theme parks love going to stuff like this because it's an experience, it's an otherness, it's an other nature kind of thing. Because modern audiences want to play and do, not sit and watch. But we all exist in the kind of same ecosystem. I'm not taking on the National Theatre.Paul Marden: Gosh, no. I always talk about that. I think the reason why so many attractions work together in the collaborative way that they do is they recognise that they're not competing with each other. They're competing with sitting on your backside and watching Netflix.Paul Marden: Yeah, yeah.Paul Marden: Our job for all of us is to drag people away from their screens and drag people off of their sofas to do something. And then that's the biggest challenge that we all face.Neil Connolly: I think then that kind of answers the question that you asked me earlier, which I didn't answer. And I'm very sorry.Neil Connolly: is about identifying different pieces of IP. Like, yes, we largely exist in the world of licensing IP. And how do we identify that kind of IP to be able to translate? Not just how do we do it, but like, actually, how do we identify the right thing that's going to... How do you spot the winner? Yeah, exactly. Yeah. And that is one of the biggest challenges to your point of we're talking directly to people who consume arts, culture and media and technology in a slightly more passive way, whether that's just at home and watching Netflix and then bringing that to life. In a very, very different way. If you have a very clear marketing campaign that tells people what it is that they're buying and what they're expected to see or do on their particular night out, because that's what modern people really care about, what they do with their money. Yeah. And they want to have a good night out. And I'm in the business of giving people a good night out. We also happen to be murdering a lot of people in the course of the show.Neil Connolly: Still a good night out. Still a good night out. But I'm in a place where the dead sit. Yeah, exactly. Lounge of the dead. And like, you know, this is a really cool space. Oh, it's just beautiful. You know, we've got the telephone really works. There's lots of information that comes through that. The radio works, that does different things. The TV screen on the wall, that has the actual live feed into the round table room that you've just left. And there's other little puzzles and hints and tricks in this room, which means that after you've been murdered or banished and you come to the Lounge of the Dead, you're still engaged with the game to a degree. You just don't directly influence the outcome of the game. But you're still involved in it. You're still involved in it. It's super fun. Oh, and you can have a drink in here.Paul Marden: I don't let people drink in the round table. Even more important. What's this?Neil Connolly: The dolls, the creepy dolls. What this is, this is the void. Creatively speaking, this is where all the gold goes when people win or lose it. And the creepy dolls are from the TV show. Ydyn nhw'r un gwirioneddol o'r sioe? Felly, gafodd studio Lambert, sy'n gwneud y sioe tebyg, llawer o brops o'r sioe tebyg i ni eu rhoi ar y ddispleiddio yma. Felly, mae gennych chi'r Dolls Creepy o'r lles 3 yno. Rydyn ni'n mynd i fyny. Yn ôl yma, mae'r peintiwch Deathmatch.Paul Marden: Which is from season three.Neil Connolly: And they get the quill and they write the names and got the quill upstairs. We've also got over here, the cards that they used to play the death match with. Excellent.Paul Marden: So you began your career in theatre. How did that evolve into the world of immersive live experiences?Neil Connolly: Life story. I am the son of a postman and a cook. And if you haven't noticed already, I'm from Ireland. There was no theatre in our lives, my life, when I was growing up. And I stumbled into a youth theatre. It's called Kildare Youth Theatre. And the reason why I joined that is because there was a girl that I really fancied.Neil Connolly: She had just joined this youth theatre and I was like, 'Oh, I'm gonna join that as well' and that kind of opened the world of theatre for me. At the same time, I then got spotted by this guy, his name's Vijay Baton, his real name's Om, but he converted to Hare Krishnanism in the 90s. And he set up a street theatre company in Ireland. He just taught me street theatre. So he taught me stilt walk, he taught me juggling, he taught me how to build puppets. And so I spent years building puppets with him and going around Ireland doing lots of different street theatre while I was a teenager. And doing street theatre and doing my youth theatre and then kind of all of that kind of came to a head when I had to decide what I was going to do with my life. I applied to go to drama school. And I applied to two drama schools. One was Radha. Didn't get in. Didn't even get an audition. And the other one was Rose Bruford. And they took me. And the reason why they took me— I probably wasn't even that good. But on the day that I was auditioning to get into Rose Bruford was the same day as my maths exam for my final exams at school. You call them your A-levels, we call them the leaving certificate.Neil Connolly: And while all of my friends were back in Ireland doing their maths exam, I was in an audition room pretending to be a tree or the colour black.Neil Connolly: Who knows? And they kind of went, 'Well, if I fail my maths exam, I don't get into university in Ireland.' Like, it's just a blanket thing. And so I was like, 'I literally sat across the panel' and I was like, 'eggs, basket.' And they were like, 'cool.' So they let me in based off of that. So I got a classical training. Then what happened is I came out of university. I was living with two of my friends, Natalie and Joe. And we had our own little production company called The Lab Collective. And we just started making shows. In weird ways, we joined a company called Theatre Delicatessen. Let's get away from this. Yeah, yeah, yeah.Neil Connolly: So Theatre Deli was a company set up to take over disused spaces in London and convert them into art spaces.Neil Connolly: Basically legalised squatting. It's the same as like a guardianship. But we weren't living in the buildings. We were just putting on shows and we put on art shows, we put on theatre shows. We did Shakespeare for a while. We wrote our own work and we just did lots of really, really cool stuff. And I worked in music festivals, classically trained actor. So I was trying to do shows. I did a lot of devising. I also joined an improvisation group. And kind of through all that mix, like those years at Delhi, which was making these weird shows in these weird buildings, were very, very formative years for us. The Arts Council wouldn't support the kind of work that we were making. We were like, 'Cool, how do we get space?Neil Connolly: How do we get or make money to support ourselves? And what are the shows? There's the magic triangle all over again. Space, show, money. And that's your apprenticeship, I guess, that brings you to here. Yeah, yeah, yeah. And like, again, I make no bones about it. 10 years ago, I was selling programs on the door of the Royal Festival Hall while doing all of that stuff. So in one of the Theatre Daily buildings, we did a show called Heist, which is you break into a building and steal stuff. That's what the public do.Neil Connolly: And a bunch of us did that. I mean, it's so much fun— kind of doing it. And off the back of that, somebody else basically tried to chase down the crystal maze. And then they went away, and then they called me up and they were like, 'Hey, I've got the rights. Do you want to make the crystal maze?' And I was like, 'Yeah, sounds like fun.' So I got involved with that, did that for a while. And then, from there, this is the end of a very long story. I'm so apologised. Yeah, from there, all of those different things that I've done through the course of my life in terms of operations, designing experiences, being a creative, understanding business.Neil Connolly: Building a P&L, building a budget, talking to investors, trying to convince them to give you money. All of that stuff kind of basically came together. And over the last few years, like the wildest ride is that pre-2020.Neil Connolly: We were just a bunch of people doing a bunch of weird things, making weird shows and weird attractions in kind of different ways. And then that year happened. And I don't know what happened, but literally every single major studio, film, TV production, game designer, licensor in the world, suddenly just went— brand extensions, world extensions, and they all just started calling us. And they were like, 'Hi, I've got this thing.' Can you develop it into a thing? Because I need to extend my brand or I want to build a world and extend that for the public. And we were like, 'Yeah, okay, cool.' And we were just lucky, serendipitously, to be in the right place at the right time. To be those people that people can approach. And we're always, we're very approachable.Neil Connolly: As you can tell, I talk a lot. And, you know, so the last five years, it's just been a mad ride.Paul Marden: So look, Neil, it's been amazing. I have had the most fun. Last question for you. What's next? Are you putting your feet up now because you finished this? Or on to the next? Neil Connolly: Very much on to the next thing. So we're already in production with our new show, which is called Peppa Pig Surprise Party. And that is opening at the Metro Centre in Gateshead next year. Oh, how exciting is that? It's very exciting.Paul Marden: So quite a different demographic.Neil Connolly: The demographic for Peppa Pig is two to five year olds. It's been a really fun show to design and create. To go back to a question that you asked me very early on, there is no blueprint, there is no format. I have embraced the chaos tattooed on my arm. And always when I approach things, any new show or any new creative, I am thinking of it from a ticket buying perspective: 'I have paid my money.' What is the coolest thing that I can possibly do with that money? And so therefore, I'm now looking at families and, like, what's the coolest thing that they can do for that ticket price in the world of Peppa Pig?Paul Marden: Let's come back in the new year, once you've opened Peppa Pig, let's go to Gateshead and see that. That sounds pretty awesome to me. I reckon there's a whole new episode of Designing Worlds for two to five-year-olds that we could fill an hour on.Neil Connolly: Oh yeah, 100%. It's a totally different beast. And super fun to design.Paul Marden: Oh mate. Neil, it has been so wonderful having a wander around the inside of your crazy mind.Paul Marden: If you've enjoyed today's episode, please like it and leave a comment in your podcast app. It really does make it so much easier for other people to find us. This episode was written by Emily Burrows from Plaster, edited by Steve Folland, and produced by Sami Entwistle from Plaster and Wenalyn Dionaldo. Thanks very much. See you next week.  The 2025 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsTake the Rubber Cheese Visitor Attraction Website Survey Report

Becky goes back to work, Vicky takes another job opportunity, and the men don't know what to do! What's not going to cut it? Jesse as a stay-at-home dad buying Elvis peanut butter... But, will this new gig bring him happiness?! What about Danny and Vicky's "Casablanca" recreation? There's a lot to dissect and it's all right here on How Rude, Tanneritos! Follow us on Instagram @howrudepodcast & TikTok @howrudetanneritosSee omnystudio.com/listener for privacy information.

This week, I sit down with Chase and Laura from Sun Records — yes, the Sun Records. The birthplace of rock & roll, where Elvis, Johnny Cash, and Roy Orbison first got their start. Presented by LANDR - Click here for an EXCLUSIVE subscription discount: http://landr.com/otherrecordlabels We talk about what it means to protect and evolve a label that helped invent modern music. How do you stay true to Sam Phillips' “perfect imperfection” while still making new records in 2025? This episode is part music history, part masterclass in legacy label management — and 100% inspiring for anyone running or dreaming of running their own label. --- LABELMATES - Our Fall 2025, 6-week Labelmates Sessions start on October 21st. Tuesdays at 4:30PM Eastern. Grab your spot here: http://otherrecordlabels.com/register

I feel like I see more acutely than ever into the backing track of human experience. There is the "outside" of how our lives are going within givens and events, but then there is the "backing track" -- the enabling part, the staying part, the... well, the (kind of) Eternal Part. The two parts, the outside and the backing track, are separate. "Phosphorus" is a word one sometimes uses for this, but listening to an old Beach Boys song from 1973 brought it home so beautifully. You hear a number of "stanzas", and then (at least twice, maybe three times) a keyboard-driven bridge -- a melody that puts you right through the roof emotionally. It summons almost automatically the mood you'd want to have surrounding you when you are dying. Moreover, the voiced imperative at the end, "Sail on, sail on, sailor", is exactly what I need. I don't need someone to help me find 'new purpose', something to plant me in the now again, when my spirits are low. I need, as Meister Eckhart wrote in 1312, to experience the following: "If you are looking for God, go back to where you lost Him." To put that in slightly more horizontal terms -- tho' even its horizontal transcription is really Vertical -- "If you are looking for who you are meant to be, go back to where you really were yourself". Incidentally, that was probably not in connection with your career or your cause. It was more likely in connection with a certain someone. People sometimes think I'm overdoing it when I underline the centrality of romantic connection in life. I don't believe I am. The main reason one underlines that dimension is, well, ... popular music. It's not news to anyone reading this, that 97.5% of all rock songs, from the very beginning (i.e., Elvis and Bo Diddley and Chuck Berry and Link Wray and Joe Meek), concern romantic love. Not 65% or even 85%, but 97.5%. Think about that. I mean, really, let that sink in. Anyway, if you want to find God (i.e., your way forward, as opposed to your way backward -- to inertia, bitterness, and cascading negativity as the years go on), go back to... the song you remember from that time you first came out of yourself. Whether the person you were with when you first heard that song is alive or dead, present or out there (Moody Blues, 1988), that moment is eternal. It is still present. It is still your empirical guide to... the New You. Podcast 406 is dedicated to Sam Everette.

Welcome back to The Pre Nup, the wedding-obsessed podcast designed to help you plan your dream day! I'm your host, Adriana, and each week, I'm joined by the industry's top professionals, celebs, influencers, and friends who are keeping it real about love, marriage, and everything in between. This week, I'm joined by Bachelor alum from Nick Viall's season, Alexis Waters—and she does not hold back. From giving up booze and the diet she swears by before her wedding to planning a Vegas ceremony complete with Elvis, showgirls, and a magician, Alexis proves there's no one right way to get married. Oh, and wait until you hear her bachelorette story that ended with a $7,000 bill. Episode Highlights: - Why Alexis chose a small, intimate Vegas wedding with only 30 guests - The diet that got her glowing before the big day - When your bachelorette turns into the most expensive night of your life - If she was truly looking for love on reality TV - How she met the love of her life just weeks before Bachelor in Paradise This one's hilarious, raw, and full of wedding inspo for anyone planning outside the box. This episode is brought to you by JTV — your one-stop shop for happily ever after. Visit https://www.jtv.com/wedding and get 20% off with code WED20.

DON'T MISS the dental event of the year, November 7-8. Nowak Dental Supplies (https://www.nowakdental.com/) is hosing NOLA Lab Fest (https://www.nolalabfest.com/) in New Orleans, Louisiana. Head over to nolalabfest.com to see the line up and to register. A HUGE thanks to Aidite North America (https://www.aidite.com/) for hosting the podcast at their booth. Come find us and be on the podcast! In this episode, Elvis and Barb welcome Ed Molina, a dental technician and trainer with a fascinating journey from retail work to becoming an influential figure in digital dentistry. Ed shares how his brother and mentors like Dr. Art Mirelez and Fernando Polanco guided him into the dental field, eventually leading him to help pioneer digital workflows and facially driven design systems such as InstaRisa (https://www.instarisa.com/). With a background in both clinical and lab settings, Ed discusses the evolution of his career — from assisting with surgical guides and imaging to mastering Exocad and teaching offices how to transition from analog to digital dentistry. He explains the importance of facial scanning, photogrammetry, and digital workflow efficiency while emphasizing the human side of adapting to new technology in dental practices. Now running his own training business, Ed helps clinicians integrate digital design and facially driven workflows into their practices, balancing his passion for innovation with a strong appreciation for mentorship and collaboration. Looking for a way to unlock the full potential of your digital dentistry workflow. Take it from Elise Heathcote, associate manager of digital services with Ivoclar. This is all about the Cam Academy. They have a new in-person training experience designed specifically for dental technicians. This hands-on course explores the full potential of programmable Cam software, helping you take your digital workflow to the next level. Learn directly from Ivoclar experts, refine your skills and bring new precision and efficiency to your lab. Cam Academy is more than a course. It's your next step in digital excellence. To reserve your spot, visit the Ivoclar Academy website (https://www.ivoclar.com/en_us/academy/learning-opportunities?page=1&offset=12&filters=%5B%7B%22id%22%3A%22dateRange%22%2C%22selectedLowerBound%22%3A%222021-12-09T07%3A30%3A45.534Z%22%2C%22selectedUpperBound%22%3A%222022-06-09T06%3A30%3A45.534Z%22%7D%2C%7B%22id%22%3A%22type%22%2C%22advancedFilter%22%3Afalse%2C%22values%22%3A%5B%22In-house+trainings%22%5D%7D%5D) or contact your local Ivoclar sales representative today. Special Guest: Ed Molina .

Ep 572: Dylan and Elvis are back for another brand-new special episode! The boys recap the fifth weekend in the NFL. What they got right, what they got wrong. Dylan and Elvis will preview and break down the Monday Night game between the Jaguars and Chiefs. They'll give out their favorite picks and props for the game and also take a look at the MLB divisional series. So, please make sure you guys hit that like button, subscribe, rate, leave a review and comment below who you'll betting on this week!Watch on youtube: https://www.youtube.com/live/uhISmn57iNQ?si=K2artjKWalo9zSaF Listen to the full Podcast: https://podcasts.apple.com/us/podcast/the-dream-wager/id1550381287Props.CashUse code DREAM25 for 25% off your first month's subscription. RATE AND REVIEW THE SHOW ON iTUNES & AUDIO PLATFORMS!#Sports #Podcast #TheDreamWager #NFL #MLB #CollegeFootball #SportsBetting #NFLPicks #MLBPicks Follow The Dream Wager on X@thedreamwager  Follow The Dream Wager on Instagram@thedreamwagerFollow the boys on X Dylan: @rockk24  Elvis: @e_thedreamwager

Director Steven Feinartz joins Emily to discuss his new Marc Maron documentary Are We Good?, his initial dream of being Elvis, and how he found his way into the comedy space. We talk all things Tribeca Film Festival, Steven's very memorable appearance on Marc's podcast, and what made him know it was time to call 'cut' on the documentary. So watch a comedy special, get an inflatable guitar, and take a hike as you enjoy this episode of How to Make It.Are We Good? is in theaters now.Subscribe to our YouTube Channel: @HowToMakeItPodcastFollow us on Instagram: @HowToMakeItPodcastFollow Emily: @EmilyCappello_Follow Haley: @HaleyMuralee

Ep 571: Dylan and Elvis are back for another brand-new special episode! The boys recap Thursday Night Football between the Rams and 49ers. Dylan and Elvis will preview and break down every game for week 5 in the NFL and give out their favorite picks and props. Week 6 of College Football has arrived and the boys will give out their best bets for the weekend. So, please make sure you guys hit that like button, subscribe, rate, leave a review and comment below who you'll betting on this weekend!Watch on youtube: https://www.youtube.com/live/ZW_ysx0Ehyo?si=lu_eU6AAJL-fZuNQ Listen to the full Podcast: https://podcasts.apple.com/us/podcast/the-dream-wager/id1550381287Props.CashUse code DREAM25 for 25% off your first month's subscription. RATE AND REVIEW THE SHOW ON iTUNES & AUDIO PLATFORMS!#Sports #Podcast #TheDreamWager #NFL #CollegeFootball #SportsBetting #NFLPicks #CollegeFootballPicks Follow The Dream Wager on X@thedreamwager  Follow The Dream Wager on Instagram@thedreamwagerFollow the boys on X Dylan: @rockk24  Elvis: @e_thedreamwager

Los mal llamados "Clásicos" arrastran la pesada carga de haber durado más de lo que se esperaba y ser la música de las "Grandes Ocasiones” pero, sobre todo, de haber caído en manos de una “élite” envarada, rancia y empingorotada con frecuencia.Se olvida que hunden sus raíces en una civilización avanzada que construye un sofisticado lenguaje de cuyas costuras escapan canciones, melodias y armonías sublimes. Desde las bodegas de Bach, "Whiter Shade of Pale" de Gary Brooker, desde las de Chopin, "Jane B” de Gainsbourgh o desde las del Maestro Rodrigo "Aranjuez mon amour”. Quizás a muchos sorprenda saber que Elvis abría sus conciertos con Strauss y los cerraba con "Can t Help Falling in Love”, inspirada por “Plaisir d amour" de JP Egide (XVIII)."Roll over Beethoven” cantaba Chuck Berry a la llegada del Rock. No tan deprisa, amiguito.

Priscilla Presley met Elvis in Germany aged 14, moving with him to Graceland at 17 before their marriage, but despite the glamour surrounding their lives, Priscilla's experience was marked by emotional complexity. In her new memoir, 'Softly as I Leave You', she reveals how she felt she was “living his life”. Ann Cleeves has written 37 novels, garnering huge critical acclaim. Her work's been translated into more than 20 languages, including television, with adaptations of her work yielding ITV's Vera and the BBC's Shetland. Her latest 'The Killing Stones' sees the return of DCI Jimmy Perez.Vincent Thurkettle gave up a secure job with the Forestry Commission to pursue a life of gold prospecting at age 40 after he calculated his life expectancy was much less than he hoped. He is now best known for discovering Britain's largest gold nugget, 97g, about the size of a small chicken egg in a shipwreck off the coast of Anglesey. Also, Ursula Martin, the woman who decided to walk her way past cancer. 10 years and 10,000 miles on, she's still walking.Plus the inheritance tracks of Davina McCall. Presenter: Adrian Chiles Producer: Ben Mitchell

In this one, Eddie and Jerry talk a new PS5 controller Jerry got, some killer new Marvel Legends, a Star Wars question, Elvis and so much more... Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

The Borax & Chemical Corporation presents...This is Keith Paesel COMEDY (CC) Keith and Adam get super stoned, watch Playoff Baseball and Talk about the Government shutdown, fox News' reaction to bringing back land lines & Bad Bunny doing the Super Bowl. They Jump to 1981 to watch Reagan Talk about Strategic weapons and how it relates to today, they close out round 2 of the Heisler TV League with some great TV goals by the Chicago MED. Jane Goodall Tastes the Blade and we watch a tv clip of her from 1971. The old and corrupt cops of Chicago P.D. snags a goal. After the break Kroshus watches his Girlfriend and him on Price is right. Then its back in time to 1965 for an episode of The Hollywood Palace, 1967 for an episode of Dragnet, and Cowboy in Africa, 1971 for an episode of The New Dick Van Dyke Show, 1977 for News of Elvis' body going back to Graceland, 1982 80' for some Minneapolis & Green Bay news about Reagan and the NEW Hubert H Humphrey metro Dome, 1986 for Hollywood Squares, 1987 and 1988 for some news and Olympics coverage, Back to 1980 for Holmes vs Ali, 1990 for cubs vs Phillies, and Finally to 2001 to see some news from less than a month after 9/11. Plus SO MUCH MORE!!!! Watch the show LIVE at https://www.twitch.tv/thisiskeithpaesel Watch past episodes https://keithpaesel.com https://www.youtube.com/@keithpaesel Subscribe on your favorite podcast app https://keithpaesel.com/feeds Follow Keith and Adam on social media https://tiktok.com/@thisiskeithpaesel https://bsky.app/profile/keithpaesel.com https://facebook.com/keith.paesel.5 https://facebook.com/adam.kroshus Join the discord to Chat and have fun between shows https://discord.gg/j5xq9fqpNk

Als Dean Reed 1961 nach Südamerika kommt, wird der US-Amerikaner als Superstar empfangen. Es ist ein Wendepunkt in seinem Leben: Im eigenen Land nur mäßig erfolgreich, macht er in den folgenden Jahren eine außergewöhnliche Karriere. Er tourt durch die Sowjetunion, zieht in die DDR und beteiligt sich an zahlreichen Protestaktionen gegen die US-Politik. Wir sprechen in der Folge über das Leben von Dean Reed, wie er als Roter Elvis bekannt wurde und warum sein Tod bis heute zu Spekulationen führt. // Erwähnte Folgen - GAG512: Eine kleine Geschichte der Sonnenbrille – https://gadg.fm/512 // Literatur - Stefan Ernsting: Der rote Elvis: Dean Reed, oder, Das kuriose Leben eines US-Rockstars in der DDR, 2004. - Reggie Nadelson: Comrade Rockstar: The Life and Mystery of Dean Reed, the All-American Boy Who Brought Rock 'N' Roll to the Soviet Union, 1991. - Thomas Latter: Red Elvis: The Cold War Cowboy (2022), Doku - Leopold Grün: Der rote Elvis (2007), Doku //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte // Wir sind jetzt auch bei CampfireFM! Wer direkt in Folgen kommentieren will, Zusatzmaterial und Blicke hinter die Kulissen sehen will: einfach die App installieren und unserer Community beitreten: https://www.joincampfire.fm/podcasts/22 //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

It seems that there is not a "List" of great Rock Stars of the 70s,,,,,,,Until now!!!

Ep 570: Dylan and Elvis are back for another brand-new special episode! The boys recap Sunday night football between the Cowboys & Packers. The double header on Monday Night between the Jets and Dolphins and the Broncos and Bengals. Elvis and Dylan will give out their week 4 NFL Power Rankings and go through their top 10. The boys will preview and break down Thursday Night Football as the Rams take on the 49ers. Picks and props will be given out. So, please make sure you guys hit that like button, subscribe, rate, leave a review and comment below who you'll betting on this week!Watch on youtube: https://www.youtube.com/live/hChwyv8THwA?si=EyLbd5esOeMXuJhv  Listen to the full Podcast: https://podcasts.apple.com/us/podcast/the-dream-wager/id1550381287Props.CashUse code DREAM25 for 25% off your first month's subscription. RATE AND REVIEW THE SHOW ON iTUNES & AUDIO PLATFORMS!#Sports #Podcast #TheDreamWager #NFL #SportsBetting #NFLPicks #Cardinals #Seahawks Follow The Dream Wager on X@thedreamwager  Follow The Dream Wager on Instagram@thedreamwagerFollow the boys on X Dylan: @rockk24  Elvis: @e_thedreamwager

Today, Elvis tells us how he's tired of people saying yay without enthusiasm. Froggy gives us some alternatives to use. See omnystudio.com/listener for privacy information.

This week Tom and Julie watch a ton of YOUR clip submissions, including: Hulk Hogan backwards demonic polka, the time Mickey Rooney left Triumph and Conan O'Brien speechless, a Gene Wilder Tootsie Roll commercial, Max the poodle, a man who made $5k while completely toast his bread to the max, and more! Plus, they ask the one question on everybody's mind: how much money would it take for you to be Mickey Rooney for six months?CLIPS FROM THIS WEEK'S EPISODE:-Hulk Hogan Backwards Demonic Polkahttps://www.instagram.com/reel/DMg5CloRCbN/?igsh=MXh0b3ltc29janJqMA%3D%3D-The time Mickey Rooney left Triumph, and Conan O'Brien, speechless.https://www.instagram.com/reel/DOGzv8zkU1U/?igsh=bjZodjNwN2loMmRi-Seaweed Diethttps://sockharbor.com/products/seaweed-diet-sticker-3x4-Elvis bowling ballhttps://www.reddit.com/r/ItemShop/comments/1frzhhu/elvis_presley_bowling_ball_lob_a_bowling_ball/-Gene Wilder Tootsie Roll commercialhttps://www.youtube.com/watch?v=9brGyeXVh7E-The Capri Sun Fruit Snifferhttps://www.instagram.com/p/DBe96TbMs4k/-Max the poodlehttps://www.instagram.com/reel/DMBLJmgvmF8/?utm_source=ig_web_copy_link-Weekend Update: Gil Graham Summer Concert Reviewhttps://www.youtube.com/watch?v=EvJebPXF4Lg-Making $5k while I completely toast my bread to the maxhttps://www.instagram.com/p/DI9NyFIxHca/Patreon is the best way to support Double Threat! Your support keeps the show going and we appreciate it more than we can say. Plus you get weekly bonus episodes, access to monthly livestreams, and more!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WATCH VIDEO CLIPS OF DOUBLE THREAT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠JOIN THE DOUBLE THREAT FAN GROUPS*Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://discord.com/invite/PrcwsbuaJx⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Reddit⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.reddit.com/r/doublethreatfriends/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/groups/doublethreatfriends⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SEND SUBMISSIONS TO⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DoubleThreatPod@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW DOUBLE THREAT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/doublethreatpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DOUBLE THREAT IS A FOREVER DOG PODCAST⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://foreverdogpodcasts.com/podcasts/double-threat⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theme song by Mike KrolArtwork by Joe Frontel00:00 Intro02:54 Hulk Hogan Backwards Demonic Polka21:35 Mickey Rooney left Triumph and Conan O'Brien speechless44:38 Seaweed Diet46:26 Elvis bowling ball46:54 Gene Wilder Tootsie Roll commercial49:47 The Capri Sun Fruit Sniffer51:50 Max the poodle53:34 Weekend Update: Gil Graham Summer Concert Review57:40 Making $5k while I completely toast my bread to the max01:06:19 OutroSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.