Podcasts about mozart

What do Motown, Mozart, and “Dark Side of the Moon” all have in common? The Wisconsin Chamber Orchestra will be paying tribute to all of them in their annual six-week free outdoor concert series. Concerts on the Square is a Madison summer favorite that will attract thousands to the capitol each Wednesday through the end of July. Will you be one of them? To learn more, executive producer Hayley Sperling chats with WCO Music Director Andrew Sewell about what is in store this year, and what you should know before you go.

En el otoño de 2014, un viernes cualquiera, Carlos Alsina y Rubén Amón (junto a David Gistau y Manuel Jabois) le robaron un rato de radio a La Brújula para hablar de otras cosas. Disertaron sobre ‘Interstellar' y de ‘Las uvas de las ira', sobre qué significa ser cultureta en un mundo (con Rajoy en el gobierno y un Felipe VI recién proclamado) en el que empezaban a abrirse paso, lentamente, las plataformas audiovisuales y los libros electrónicos. Así nació La Cultureta hace ya más de diez años, como espacio experimental, y su éxito no tardó en provocar emanciparla y establecerla como contenido independiente y reconocible, "clandestino y autoparódico".Lo celebramos, este viernes de junio de 2025, de la mano de Rubén Amón, Rosa Belmonte, Guillermo Altares y Sergio del Molino. Y lo hacemos colándonos en uno de nuestros lugares predilectos: la sala de conciertos. Junto a piano, violines, clarinetes y timbales, nos adentramos en la historia de las orquestas y sus instrumentos. Y divulgamos una de las pasiones culturetas por antonomasia: la música clásica.¿Cómo nacieron las orquestas? ¿Cómo y por qué fueron incorporando sus diferentes instrumentos y secciones? ¿Y cuáles son las historias de sus propios miembros? Indagamos en todo ello desde la Escuela Superior de Música de Madrid, donde disfrutamos de música en directo (Mozart, Beethoven, Vivaldi) bajo la batuta del director de orquesta Pablo González, con quien también hablaremos y divulgaremos nuestra pasión.

What happens when screen legends Ralph Bellamy and Don Ameche play obscenely wealthy commodities brokers who wager on an insidious, impromptu nature-vs.-nurture experiment that subjects an unwitting Eddie Murphy and Dan Ackroyd to radical reversals of fortune? You get an '80s screwball comedy update of The Prince and the Pauper that also showcases the great Jamie Lee Curtis and Denholm Elliott, along with a host of amusing cameos by the likes of Al Franken, Bo Diddley, and Giancarlo Esposito, all set to an Elmer Bernstein score built on the shoulders of Mozart. And it's a Christmas movie! (Kind of.) Join Javi, Paul and - inscrutably - Producer Brad as they learn more than they ever wanted to about pork belly and concentrated frozen orange juice futures trading, navigate the film's alarmingly casual racism and homophobia (not to mention a painful bit involving a gorilla), and behold the biggest smoked salmon ever to grace the silver screen. For a better understanding of commodities, short selling, and The Eddie Murphy Rule, check out this great episode of Planet Money.Follow us!InstagramBlueskyemail: Multiplexoverthruster@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Myrna Cabello is a Mexican American actress, voiceover artist, and creative based in New York City. Born and raised in Austin, Texas to immigrant parents, she has been immersed in storytelling and performance since childhood—writing plays, songs, and short stories. Myrna Recurs as Silvia, Guillermo's mom, on FX's What We Do In the Shadows, and also as Lucia in the Freevee series Sprung. Her voice can be heard on PBS Kids promos, national commercial spots on Pandora, and the original variety series Myrna & The Bulldog in 3D, which she created with her husband. Most recently, she can be seen as Esperanza on the new Apple TV series Your Friends and Neighbors, which premiered in May 2025. Myrna is also known for her work in New Amsterdam, Bull, FBI: Most Wanted, Jessica Jones, Blindspot, Friday Night Lights, Orange is the New Black, Mozart in the Jungle and Walker Texas Ranger.    Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Join Howard Morgan and Mozart Fontaine as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices

En la emisión de esta semana de Territorio Trail comenzamos con una entrevista muy especial, la de Iratxe García Lizarraga, que comparte su historia desde ser una pionera y referencia en las redes sociales hasta su descenso a los infiernos tras padecer un TCA y una vida adictiva al deporte y el resurgir hasta conseguir tener, en la actualidad, una vida plena. Maite Maiora, recién llegada de participar en la Mozart 100, resume la primera mitad de su temporada. En nuestra sección #PequeñasGrandesCarreras la protagonista es el Ultratrail de los Castillos. Antonio Codina nos acerca lo más destacado del trail en Gran Bretaña en la sección BritTrail y finalizamos con Western Time, el espacio dedicado a la Western States 100 2025.

Choreographing massages to Mozart, enforcing cancellation policies with beloved clients, and shutting down callers seeking "undraped sessions" with Allissa Haines, a massage therapist. What made her cry in her car after one particular house call? And what is "effleurage”?In this episode, Dan recommended The Work of Art by Adam Moss, a book about how artists make their work. Check it out here.IF YOU LIKE THIS EPISODE: Check out what it's like to be a couples therapist, a hair stylist, or a piano teacher.GOT A COMMENT OR SUGGESTION? Email us at jobs@whatitslike.com WANT TO BE ON THE SHOW? Leave us a voicemail at (919) 213-0456. We'll ask you to answer two questions: 1. What's a word or phrase that only someone from your profession would be likely to know and what does it mean? 2. What's a specific story you tell your friends that happened on the job? It could be funny, sad, anxiety-making, pride-inducing or otherwise. We can't respond to every message, but we do listen to all of them! We'll follow up if it's a good fit.

We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition: Aesthetics, History, and the Canon (Oxford University Press, 2025), Dr. Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concertos, and symphonies in detail, Dr. Reece's study exposes the shadowy roles that forgeries have played in shaping perceptions of authenticity, creativity, and the self within classical music culture from the 1790s to the 1990s.Holding a magnifying glass to a wide array of phony works, Forgery in Musical Composition explains how skillful fakers have succeeded in the past while also proposing active steps that scholars and musicians can take to better identify deceptive compositions in the future. Pursuing his topic from case to case, Dr. Reece observes that fake historical masterpieces have often seduced listeners not simply by imitating old works, but rather by mirroring modern cultural beliefs about innovation, identity, and meaning in music. Here forged compositions have important truths to tell us about knowing and valuing works of art precisely because they are not what they appear. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition: Aesthetics, History, and the Canon (Oxford University Press, 2025), Dr. Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concertos, and symphonies in detail, Dr. Reece's study exposes the shadowy roles that forgeries have played in shaping perceptions of authenticity, creativity, and the self within classical music culture from the 1790s to the 1990s.Holding a magnifying glass to a wide array of phony works, Forgery in Musical Composition explains how skillful fakers have succeeded in the past while also proposing active steps that scholars and musicians can take to better identify deceptive compositions in the future. Pursuing his topic from case to case, Dr. Reece observes that fake historical masterpieces have often seduced listeners not simply by imitating old works, but rather by mirroring modern cultural beliefs about innovation, identity, and meaning in music. Here forged compositions have important truths to tell us about knowing and valuing works of art precisely because they are not what they appear. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition: Aesthetics, History, and the Canon (Oxford University Press, 2025), Dr. Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concertos, and symphonies in detail, Dr. Reece's study exposes the shadowy roles that forgeries have played in shaping perceptions of authenticity, creativity, and the self within classical music culture from the 1790s to the 1990s.Holding a magnifying glass to a wide array of phony works, Forgery in Musical Composition explains how skillful fakers have succeeded in the past while also proposing active steps that scholars and musicians can take to better identify deceptive compositions in the future. Pursuing his topic from case to case, Dr. Reece observes that fake historical masterpieces have often seduced listeners not simply by imitating old works, but rather by mirroring modern cultural beliefs about innovation, identity, and meaning in music. Here forged compositions have important truths to tell us about knowing and valuing works of art precisely because they are not what they appear. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition: Aesthetics, History, and the Canon (Oxford University Press, 2025), Dr. Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concertos, and symphonies in detail, Dr. Reece's study exposes the shadowy roles that forgeries have played in shaping perceptions of authenticity, creativity, and the self within classical music culture from the 1790s to the 1990s.Holding a magnifying glass to a wide array of phony works, Forgery in Musical Composition explains how skillful fakers have succeeded in the past while also proposing active steps that scholars and musicians can take to better identify deceptive compositions in the future. Pursuing his topic from case to case, Dr. Reece observes that fake historical masterpieces have often seduced listeners not simply by imitating old works, but rather by mirroring modern cultural beliefs about innovation, identity, and meaning in music. Here forged compositions have important truths to tell us about knowing and valuing works of art precisely because they are not what they appear. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition: Aesthetics, History, and the Canon (Oxford University Press, 2025), Dr. Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concertos, and symphonies in detail, Dr. Reece's study exposes the shadowy roles that forgeries have played in shaping perceptions of authenticity, creativity, and the self within classical music culture from the 1790s to the 1990s.Holding a magnifying glass to a wide array of phony works, Forgery in Musical Composition explains how skillful fakers have succeeded in the past while also proposing active steps that scholars and musicians can take to better identify deceptive compositions in the future. Pursuing his topic from case to case, Dr. Reece observes that fake historical masterpieces have often seduced listeners not simply by imitating old works, but rather by mirroring modern cultural beliefs about innovation, identity, and meaning in music. Here forged compositions have important truths to tell us about knowing and valuing works of art precisely because they are not what they appear. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Records include: Riverboat Shuffle by Isham Jones, A Trumpeter's Lullaby by Leroy Anderson, 3 O' Clock Blues by B.B. King, Tennessee Waltz by Jo Stafford, Mozart's Piano Sonata #12 by Aldo Ciccolini and Our Delight by Tadd Dameron.

In this episode of Transfigured, I sit down with Dr. Jim to delve into a range of pressing intellectual and spiritual topics. We explore his recent writings on his Substack, "Around the Corner," his perspective on the "re-enchantment" narrative currently popular in some online spaces, and a critical engagement with modernism. Using Carlos Eire's book "They Flew" (about the levitating St. Joseph of Cupertino) as a springboard, we discuss the nature of evidence, the moral responsibilities tied to metaphysical claims, and the vital role of institutions (like those in science, medicine, and education) in fostering self-correction and upholding human values. Dr. Jim shares his thoughts on the "scientific image" versus the "manifest image," the limitations of evolutionary biology's common framing, and why he considers himself a "reactionary modern," wary of prematurely discarding the hard-won insights of the Enlightenment and classical liberalism. Join us for a deep and nuanced conversation! We mention Dr. Jim, Sam (Transfigured), David Bentley Hart, Paul Vander Klay, Jonathan Pageau, John Vervaeke, Carlos Eire ("They Flew"), St. Joseph of Cupertino, Ross Douthat, Bart Ehrman, David Hume, Sam Harris, Wilfrid Sellars (Scientific Image vs. Manifest Image), Richard Dawkins, Bach, Mozart, Galileo, Michael Servetus, John Calvin, Rod Dreher, Bethel McGrew, Benjamin Boyce, Jesus Christ, Hermes, Chad (the Alcoholic), Julian, Aristotle (Four Causes), and more.Dr. Jim's Substack "Around the Corner": https://substack.com/@aroundthecorner1Midwest Apologetics Conference (August 22-24, Chicago, IL): https://www.midwestuary.com/Email for scholarship inquiries: info@midwestuary.com

Inside the Music begins its exploration of the music of Mozart, starting with the composer's earlier works as he matured from being a child prodigy. Join Derek, Artistic Director of Capital Region Classical, as he delves into live CRC performances by the Ensemble Haydn-Berlin, Budapest Strings, and pianist Rafal Blechacz.Symphony No. 28 in C Major, K. 200Allegro spiritosoAndanteMenuetPrestoEnsemble Haydn‐BerlinHansjörg Schellenberger, conductor [10/14/2000 performance]Divertimento in F Major, K. 138AllegroAndantePrestoBudapest Strings [11/13/2002 performance]Piano Sonata in A Minor, K. 310Allegro maestosoAndante cantabile con espressionePrestoRafal Blechacz [4/8/2018 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   8/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1937

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   7/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1936

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   6/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1936

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   5/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1934 BERLIN

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   4/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1933

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   3/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1933 GOERING

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   2/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1932

REFRESHER COURSE ON WHAT ACTUALLY HAPPENED IN THE 1930S IN THE LAND OF BACH AND MOZART:   1/8: Takeover: Hitler's Final Rise to Power Hardcover – Deckle Edge, by  Timothy W. Ryback  (Author) https://www.amazon.com/Takeover-Hitlers-Final-Rise-Power/dp/0593537424 From the internationally acclaimed author of Hitler's Private Library, a dramatic recounting of the six critical months before Adolf Hitler seized power, when the Nazi leader teetered between triumph and ruin In the summer of 1932, the Weimar Republic was on the verge of collapse. One in three Germans was unemployed. Violence was rampant. Hitler's National Socialists surged at the polls. Paul von Hindenburg, an aging war hero and avowed monarchist, was a reluctant president bound by oath to uphold the constitution. The November elections offered Hitler the prospect of a Reichstag majority and the path to political power. But instead, the Nazis lost two million votes. As membership hemorrhaged and financial backers withdrew, the Nazi Party threatened to fracture. Hitler talked of suicide. The New York Times declared he was finished. Yet somehow, in a few brief weeks, he was chancellor of Germany.  1931

We welcome return guest Henry Auxenfans for a feature recital. He's joined by Louis Auxenfans on clarinet and pianist Nathan Canfield for Mozart, Glazunov, Perkinson, Fuchs, Franck and Wieniawski. The post LIVE | Henry Auxenfans, 17, violin appeared first on WFMT.

O episódio #603 do Cinem(ação) nos leva direto ao coração da música, da inveja e da genialidade. Rafael Arinelli recebe Pedro Amaro e Diego Quaglia para discutir Amadeus, o clássico de Milos Forman que, mais de 40 anos depois de seu lançamento, continua a nos impressionar.Vencedor de 8 Oscars, Amadeus é muito mais do que uma cinebiografia sobre Mozart. Baseado na peça de Peter Shaffer, o filme mergulha em uma Viena do século XVIII povoada por intrigas, ressentimentos e partituras perfeitas. No centro da narrativa, temos o conflito entre o respeitado Antônio Salieri (vivido por F. Murray Abraham, em performance premiada) e o irreverente Wolfgang Amadeus Mozart (Tom Hulce), numa rivalidade tão fictícia quanto profundamente simbólica.Mas o que faz esse filme atravessar gerações? O episódio explora como Forman subverte as convenções da cinebiografia para colocar no centro da trama temas universais: o peso da mediocridade, a solidão dos gênios e a arte como expressão divina. Tudo isso com uma direção sutil, figurinos luxuosos, uma fotografia barroca e, claro, trilha sonora de tirar o fôlego.Ao longo do papo, refletimos também sobre as liberdades criativas do filme, a construção humanizada dos personagens e como a ficção é usada como espelho da verdade - mesmo que não seja factual. Afinal, é possível odiar alguém por ser tão brilhante quanto você nunca será?Então dá o play e vem com a gente nesse papo profundo e apaixonado por uma das maiores obras do cinema. Porque entender Amadeus é, de certa forma, entender o próprio ato de criar.• 03m21: Pauta Principal• 1h07m27: Plano Detalhe• 1h19m06: EncerramentoOuça nosso Podcast também no:• Spotify: https://cinemacao.short.gy/spotify• Apple Podcast: https://cinemacao.short.gy/apple• Android: https://cinemacao.short.gy/android• Deezer: https://cinemacao.short.gy/deezer• Amazon Music: https://cinemacao.short.gy/amazonAgradecimentos aos padrinhos: • Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Alves Lima• Eloi Xavier• Flavia Sanches• Gabriela Pastori Marino• Guilherme S. Arinelli• Katia Barga• Thiago Custodio Coquelet• William SaitoFale Conosco:• Email: contato@cinemacao.com• Facebook: https://bit.ly/facebookcinemacao• BlueSky: https://bit.ly/bskycinemacao• Instagram: https://bit.ly/instagramcinemacao• Tiktok: https://bit.ly/tiktokcinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir de apenas R$5,00, você terá acesso a vantagens incríveis. E o melhor de tudo: após 1 ano de contribuição, recebe um presente exclusivo como agradecimento! Não perca mais tempo, acesse agora a página de Contribuição, escolha o plano que mais se adequa ao seu estilo e torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Diego): Filme: Prédio Vazio• (Diego): Filme: As Pontes de Madison• (Diego): Série: O Ensaio• (Pedro): Filme: "Amadeus" winning Best Picture• (Pedro): Série: O Estúdio• (Rafa): Newsletter: Rafael SbaraiEdição: ISSOaí

In his later years, Liszt increasingly pursued his favoured causes by using piano transcriptions of other composers' works; and his own symphonic poems appeared as transcriptions from the 1850s. In 1865 Liszt famously complained to Hans von Bülow that “I have better things to do with my time than transcribe, paraphrase, and illustrate, and from now on I will be more discriminating in this recreation.” This declaration, however, was not rigorously pursued, and the lucrative activity continued to support Liszt and his causes all his life. Raymond Bisha introduces a new album of Mozart and Donizetti opera transcriptions by Liszt, performed by Swiss-Russian pianist Konstantin Scherbakov, one of today's most versatile and accomplished artists.

A whistlestop tour of the history of music. Starting from our ancient ancestors beating drums and creating flutes to the lyres of greece, the Gregorian chants of the medieval period, Mozart, Beethoven, jazz, blues and rock and roll. Till today when we are using AI to help us in our creations.

Remember when Mozart in the Jungle won a billion Golden Globes for its first season and nobody knew what it was? We're investigating the Amazon Prime original, which ran for three more seasons after that! Did you know orchestral musicians have sex? That's more or less the premise.

Consider a paid subscription to The Piano Maven podcast via our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenHere's a link to Claudio Arrau's Mozart cycle - https://www.youtube.com/watch?v=3UvgqXHK_HI&list=PLsmSVKWkK9kEEjqHFYLWnxKe11GwPbyGo

3 mil corredores procedentes de 75 países, se hicieron en Salzburgo que se transformó en uno de los principales escenarios del trail running mundial, para recibir la Mozart 100 by UTMB, en donde vivieron una aventura por los senderos a lo largo del paisaje montañoso con un final único en el casco antiguo de la ciudad austriaca, declarada Patrimonio de la Humanidad por la Unesco. La colombiana Ángela Beltran, nació en Manizales, es ingeniera de sistemas y vive hace diez años en Alemania, fue una de las participantes en la distancia de 92.7 KM, en la que tenía un tiempo máximo permitido de 21 horas para terminar ésta exigente prueba de ulltradistancia. ¿Listos? ¡A correr!

Join Howard Morgan and Mozart Fontaine as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Protests against President Trump's immigration policies and deportations are happening across the country. Over the weekend, raids from Immigrations and Customs Enforcement officers sparked massive protests in Los Angeles. President Trump called in the National Guard, and later, the Marines.There have also been protests in New Orleans, with demonstrators demanding the release of people detained in local ICE raids, as well as people held in Louisiana, like Mahmoud Khalil.The Gulf States Newsroom's Drew Hawkins has covered a couple of recent protests in the city. He joins us to discuss them.Last week, Le Petit Theatre debuted “Ain't Misbehavin: The Fats Waller Musical Show.” The musical review of the iconic jazz musician takes viewers into 1920s Harlem with an all-local cast.Cast member and musician Rahim Glaspy joins us to talk about the musical tribute performance.“Too Many Notes,” a classical concert performance from New Resonance Orchestra and Musical Arts Society of New Orleans, kicks off with two performances this weekend. It features the world premiere of New Orleans composer Tucker Fuller's piano concerto with soloist Brian Hsu and Mozart's Jupiter Symphony. Fuller joins us alongside New Resonance Orchestra founder and music director, Francis Scully. __Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber and our assistant producer is Aubry Procell. Our engineer is Garrett Pittman.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR App, and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

ReferencesKant. I 1781 /1787. Ist and 2nd eds. of "Critique of Pure Reason"J Mol Biol. 2020 Aug 15;433(12):166624. Guerra, DJ. 2025 Unpublished lectures in biochemical thermodynamics.Mozart, WA. 1791 Requiem in D Minor Unfinished.https://music.youtube.com/playlist?list=OLAK5uy_nSNY0VtEjG1DYcoE6gg9tibETknwAWeLY&si=RDyroCqgeGIAMBHILennon/McCartney.1969. Golden Slumbers/Carry That Weight/The End Medley. Abbey Road lp. Beatles.https://music.youtube.com/watch?v=LjOl0fG72ZE&si=erY_gDZE0q0u441t

Die Boys sind zurück und zerlegen Roberts Finish beim Mozart 100 in Salzburg!

Este programa está patrocinado por MAURTEN. Puedes conocer todos los productos aquí: https://findyoureverest.es/categoria-producto/marcas/maurten/ En este episodio del Find Your Everest Podcast by Javi Ordieres: - Comentamos la carrera de La Traveserina de Picos de Europa, donde Paula nos cuenta sus anécdotas en carrera. - También hablamos sobre el Campeonato de España vertical y classic por la RFEA. - Nos alegramos muchísimo de la victoria de Pablo Villa en Mozart 100 by UTMB. En la sección de Pregunta de la semana, damos respuesta a "¿Donde escucháis el podcast?” y proponemos la siguiente “Si el Trail fuera tan conocido como el futbol...” En la sección material, hablamos de los TOP ventas, de este mes. Y para cerrar el programa, en la sección de diccionario, Richar nos habla de la importancia de la hidratación. ESPERO QUE OS GUSTE EL PROGRAMA QUE HEMOS PREPARADO! Ya sabéis que podéis apoyarnos, visitando nuestra tienda online de Trail Running en: https://www.findyoureverest.es/ Suscríbete a nuestra newsletter: https://findyoureverest.es/newsletter/

Jed discusses four out-of-print piano box sets that are ripe for reissue:Milosz Magin plays Chopin (Accord, 10 CDs). A link to his Etudes: https://www.youtube.com/watch?v=TzArJYgJqdEAnnerose Schmidt plays Mozart's Complete Piano Concertos (Berlin Classics, 10 CDs). Link to purchase - https://www.amazon.com/Mozart-Piano-Concertos-Wolfgang-Amadeus/dp/B0036ULAY6France Clidat plays Liszt (Decca, 14 CDs). Link to listen to Hungarian Rhapsodies No.s 1-10 - https://www.youtube.com/watch?v=Afo2NTiZz2YRaymond Trouard: Une vie pour le piano (Sony Classical, 11 CDs). Links to purchase - https://www.ebay.com/itm/115569835636, https://www.amazon.com/Raymond-Trouard-Une-Pour-Piano/dp/B0017YZIIW. Link to Grieg Concerto - https://www.youtube.com/watch?v=uGVYdTY_uxM

Who is this Dan Orlando guy? And why is his album so good?!It's episode No. 100 - featuring Philadelphia-area piano-playing singer-songwriter & lead singer Dan Orlando! Dan takes us through his musical journey and we break down the songs & the making of his thrilling debut LP Heritage Trail. Dan makes no bones about where he sets his sights."I do feel like there is a closed highway - that if someone can access it, there is an appetite for another 'Piano Man,'" Dan said in our conversation. "I've always chased that ambition and I haven't been shy about it. I think I'm the next 'Piano Man.'"Download Heritage Trail and Dan's other releases and see for yourself why audiences are taking notice - and why they may be hungry for a hero in this genre.Visit Dan's web site for Dan's live schedule, merch & more. Follow him on social media - @danorlandojrhttps://danorlandojr.com/"In addition to his solo career, Dan is the lead singer of The Lords of 52nd Street, a band featuring original members of the Billy Joel band, which tours across the Northeast. His exceptional talent led him to the prestigious University of Cincinnati's College-Conservatory of Music, where he graduated with a bachelor's degree in jazz piano. Here, he drew inspiration from artists like Keane and Coldplay, admiring their ability to prominently feature piano in a way that resonates with everyday listeners.Dan's exceptional talent led him to the prestigious University of Cincinnati's College-Conservatory of Music, where he graduated with a bachelor's degree in jazz piano. Here, he drew inspiration from artists like Keane and Coldplay, admiring their ability to feature piano prominently in a way that resonated with everyday listeners. Additionally, he idolized Freddie Mercury of Queen for his dynamic stage presence and vocal prowess, while the soulful sounds of Stevie Wonder and Marvin Gaye shaped his musical style.Blessed with perfect pitch and a multi-octave vocal range, Dan has been a professional musician for nearly half of his life. Music is the most honest form of expression for Dan. He often says he gets his emotions out much more clearly through music than through words or body language.Growing up in West Grove, Pennsylvania, Dan's musical journey began early. He knew Mozart before he knew his ABCs and loved his afternoon piano lessons. A pivotal moment came when he discovered Elton John's Goodbye Yellow Brick Road in his father's CD collection. A lightbulb went off! He didn't know piano could rock.Today, Dan's unique blend of pop, rock, R&B, and balladry connects with fans of every genre and generation. His goal is to create music with a timeless quality that people of his generation can't wait to show their grandkids someday.In 2016, Dan stepped into the national spotlight, performing at the “Power of Love” 20th Anniversary Gala, celebrating Tony Bennett's 90th Birthday at the MGM Grand in Las Vegas. As part of an all-star lineup, Dan took the stage with American Idol Season 6 winner Jordin Sparks to sing a medley of Bennett's hits. He has also supported headliners like Andrea Bocelli, Kenny “Babyface” Edmonds, Robin Thicke, and the Blues Brothers."Thanks for listening, subscribing & telling a friend about the Dan Time Podcast! Available on YouTube and wherever you listen to podcasts.dantimepod@gmail.com

Voici le RÉCAP D+ du 9 juin 2025, le flash info du trail signé Distances+ présenté par Nicolas Fréret et Chloé Rebaudo, à écouter en quelques minutes chaque lundi.Au sommaire cette semaine : la Skyrace des Gorges du Tarn où le Français Fred Tranchand a brillé, la victoire nette et sans bavure dans la boue de la championne Neuchâteloise Ariane Wilhem chez elle à la Swiss Canyon Trail, la domination des ultra-traileurs espagnols en Autriche sur la Mozart 100 by UTMB, le sprint après 43 km d'Eliot Retulli et Baptiste Chassagne, l'avant-dernière épreuve du Challenge National de trail long en Ardèche, le championnat du monde de Bretagne au Trail de Guerlédan, la Transju'Trail, la 4e place au classement général de Sarah Bergeron-Larouche au Trail de La Clinique du Coureur au Québec, le record du GR20 en autonomie complète amélioré par Sébastien Raichon en Corse, la fin du tour du monde de l'ultra-traileur XXL et aventurier Thierry Corbarieu aux côtés de son fils, la fin aussi de la traversée de la France en plogging pour Morgane Lelièvre, l'annonce de Mathieu Blanchard qui va s'élancer dans une course transatlantique à la voile avant de courir la TransMartinique en fin d'année, et plus encore...Le Récap D+ est également disponible en format carrousel sur le compte Instagram de Distances+ / @distancesplusLa version originale du Récap D+ est réalisée par Clément Lainé Le design sonore de ce Récap D+ audio est signé Alexandre Ferreira.⚠️ Profitez de la PROMO exceptionnelle réservée à la communauté D+ sur les casques Shokz, les écouteurs à conduction osseuse et/ou conduction aérienne avec le code LBAD+ sur shokz.com(lien direct dans la bio Instagram) Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

En el programa de hoy os traemos dos temas bien diferentes: uno relacionado con los confines de nuestro Sistema Solar y otro con los mitos sobre los efectos de la música. Alberto Aparici nos cuenta las últimas noticias sobre el Planeta Nueve, un hipotético objeto que orbitaría al Sol mucho más lejos que Neptuno. Este planeta nunca ha sido observado, pero las órbitas de otros cuerpos que sí podemos observar sugieren que podría estar ahí, quizá tan alejado del Sol que hasta ahora ha pasado desapercibido a nuestros telescopios. La búsqueda del Planeta Nueve dura ya casi diez años, pero hace un par de semanas se descubrió un cuerpo nuevo que podría dar al traste con todo el programa. ¿Es el Planeta Nueve real o es una sombra que hemos estado persiguiendo en los últimos años? Santi García Cremades, por su parte, nos habla una idea que estuvo muy de moda a finales del siglo XX: que la música de Mozart podía hacer más listos a los niños. Esto generó una auténtica mozartmanía, y durante unos años se hicieron muchas ediciones populares de su música, destinadas a despertar la inteligencia de los más pequeños de la casa. El tiempo demostró que Mozart podía *gustarle* a los niños, pero que ciertamente no les hacía más listos. Hoy, en cambio, Santi nos trae un estudio que sí nos da una pista sobre cómo beneficiar a nuestros bebés. El estudio presenta evidencias de que los bebés se desestresan y ganan atención si sus padres les cantan. No importa que desafinen, no importa que la música no sea muy buena. Lo que necesitan, según parece, es escuchar la voz de sus padres en vivo y en directo. Si queréis aprender más sobre el Planeta Nueve, le hemos dedicado ya algunos programas en esta sección: buscad los capítulos s01e06 y s05e02, en los que os contamos cómo se está intentando buscar este posible nuevo planeta. Este programa se emitió originalmente el 5 de junio de 2025. Podéis escuchar el resto de audios de Más de Uno en la app de Onda Cero y en su web, ondacero.es

Um palerma cibernético, uma invenção portuguesa e picante no Mozart.

Santi García Cremades y Alberto Aparici, nos hablan de los posibles problemas para el planeta nueve, tras el descubrimiento de 2017 OF201. Además, hablan del efecto Mozart y de por qué deberíamos echarlo al cajón de los mitos. 

Join Howard Morgan and Mozart Fontaine as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Imagine a world without Mozart or Michelangelo, Einstein or Edison. Famous for their creativity, a "mysterious force" that psychiatrist and ADHD expert, Ed Hallowell, says is a commonality in neurodiverse people. Neurodiversity is a relatively new term, but the thinking behind it has been going on for a while. There's increasing evidence that what we know today as Autism, ADHD, BipolarDisorder, Schizophrenia, and Dyslexia may have been a way for us to extend our species chances of survival. And yet the thinking around brain variations like ADHD is that it's a deficiency, something that needs to be fixed. Sandra Bourque's two-part series, The Myth of Normal traces the social and cultural response to neurodiversity and whether there's a way back to seeing this way of thinking as an advantage.

Can you be scandalized by a 2000-year-old book? I think I was with Suetonius' Lives of the Caesars, a gripping, gossipy account of the first twelve Roman emperors, from Julius Caesar to Domitian. Written around 120 AD, Suetonius' work (part of The Honest Broker's “Humanities in 52 Weeks” list) blends history with salacious details, offering a vivid, if dark, portrait of power, excess, and moral decline. It's not exactly light beach reading but proved endlessly fascinating for its unapologetic dive into the personal lives of Rome's rulers.Suetonius, born around 70 AD to a Roman knight family, organizes the book into twelve biographies, which I've listed here for easy reference:Julius CaesarAugustusTiberiusCaligulaClaudiusNeroGalbaOthoVitelliusVespasianTitusDomitian. Notably, Galba, Otho, and Vitellius, from the chaotic years of 68-69 AD, were barely recognized as emperors. Each biography sketches the ruler's family background, reign, military campaigns, and personal habits, with Suetonius excelling in the juicy details of their excesses. His vivid prose, like describing Caligula as transitioning from “emperor” to “monster,” reveals the depravity of unchecked power—think murders, incest, and shocking debauchery.The book's strength lies in its storytelling, but its darkness—wanton death, sexual depravity, and a lack of heroism—can be exhausting. The Roman people's hope for better rulers is repeatedly dashed, as seen when Caligula's assassination leads to Claudius, another cruel leader. The complex web of intermarriage and adoptions among the Julio-Claudians is dizzying, with family trees barely helping. Economically, Suetonius notes rising “value” in Roman real estate under Julius Caesar, missing that this was inflation driven by reckless state spending, a recurring issue that strained the empire and its people.Suetonius' perspective, shaped by living through Vespasian, Titus, and Domitian's reigns, adds depth, though his distance from earlier emperors allows for embellishment. This week's music was Mozart's symphonies 39-41, sweetness and light compared to Rome's darkness. This is a year-long challenge! Join me next week for the Koran and the poems of Rumi.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)I misspoke! Gates of Fire was written by Steven Pressfield, not Victor Davis Hansen. Sorry about that!CONNECTTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

durée : 00:28:15 - Les musiciens d'orchestre baroques X - autour de la clarinette (2/4) : Mozart et la clarinette - par : Christian Merlin - Suite de notre série sur les instrumentistes pionniers des orchestres baroques. Emission moins baroques cette fois, tant la clarinette fait une apparition tardive dans l'histoire, ne s'imposant qu'à partir du XVIIIe siècle. Mais du chalumeau au cor de basset, cette histoire a ses virtuoses ! - réalisé par : Marie Grout

Ronald Stevenson was a virtuoso pianist as well as being a prolific composer and arranger whose music is featured on a new album with pianist Peter Jablonski.  In this podcast Peter Jablonski talks about his recent album of some of Stevenson's works, especially his arrangements for the piano of music by composers such as Britten, Purcell, Paderewski, Mozart and Wagner.  As Jablonski says in his interview, Ronald Stevenson was an extraordinary musician who also understood the capabilities of the piano as few composers do.

Die Motette "Exsultate, jubilate": eine Melodie des Himmels, komponiert von einer jugendlichen, unbeschwerten Seele: dem gerade mal 17-jährigen Wolfgang Amadeus Mozart. BR-KLASSIK hat mit der Sopranistin Edith Wiens über dieses Starke Stück gesprochen.

Alma Deutscher, often described as a modern-day Mozart, was a prodigy whose early accomplishments include composing a piano sonata at age six, a short opera at seven, a violin concerto at nine, and her first full-length opera at ten. At twelve, she was profiled on 60 Minutes, and in 2021 began conducting studies in Vienna with Johannes Wildner. Now 20, Alma has just written her first ballet score—a collaboration with Lincoln Jones, founder and director of American Contemporary Ballet (ACB) in Los Angeles. Lincoln joined me on the podcast just over two years ago, offering unique insights into the complexities of running a dance company and the profound art of dance itself. In this episode, Lincoln and Alma discuss their new ballet, The Euterpides, inspired by Euterpe, the ancient Greek Muse of Music. This piece follows the Muse's goddess daughters as they descend to dance with a mortal, exploring the age-old connection between inspiration and craft. We recorded this conversation on Memorial Day to get it out ahead of the ballet's world premiere, which runs June 5–28 in Los Angeles. If you're local (or can make the trip!), you'll also hear about an audience support campaign, offering a rare chance for the public to get involved in bringing this ballet to life. GUEST BIO Alma Deutscher has composed a number of acclaimed orchestral works, including a full-length opera, by the age of 10. Her music has been performed at Carnegie Hall and the Vienna State Opera. She's earned the admiration of classical music luminaries like Zubin Mehta, who called her “one of the greatest musical talents of today.” Lincoln Jones is the founder, director, and principal choreographer of the American Contemporary Ballet in Los Angeles. Their collaboration, The Euterpides, premieres on June 5. Want to hear the whole conversation? Upgrade your subscription here. HOUSEKEEPING

Neste episódio, os professores José Roberto e Danilo Gomes conduzem uma profunda reflexão filosófica sobre o sentido da vida. A partir do pensamento de filósofos como Helena Blavatsky, Platão e outros sábios da tradição, o diálogo aborda a importância de reconhecermos a vida como uma oportunidade única de crescimento interior e superação. Ao longo da conversa, são explorados temas como destino, propósito, a relação com as dificuldades e a maneira como o ser humano pode escolher entre ser arrastado pelas circunstâncias ou caminhar conscientemente por elas. Com exemplos da natureza e analogias como a do surfista diante das ondas, José Roberto destaca a importância do preparo, da consciência e da busca por metas elevadas para uma vida mais plena e significativa. A conversa também aborda o papel da gratidão, o valor dos pequenos gestos cotidianos e o entendimento da morte como uma passagem e não um fim, resgatando ensinamentos das filosofias antigas e propondo uma vida guiada por valores interiores sólidos. Por fim, ressalta-se que o verdadeiro fruto da existência humana é o amadurecimento de ideias firmes e sentimentos profundos que dão base aos nossos valores e orientam uma vida mais digna, fraterna e consciente. Participantes: José Roberto e Danilo Gomes Trilha Sonora: Adagio em Mi Maior, K. 261 – Mozart

In the words of The New Yorker, Charles Neidich “is an artist  of  uncommon merit -- a master of his instrument and, beyond that, an  interpreter  who keeps listeners hanging on each phrase.”        Charles is the artistic  director of the Wa Concert Series at  the Tenri Cultural Institute in New  York, which he founded with his wife, clarinetist Ayako Oshima, in September 2017. This concert series is inspired by the  Japanese concept “wa”—  meaning circle, but also harmony and completeness; each  performance is  thus paired with visual arts and offers a variety of culinary delicacies prepared by Ayako Oshima. In recent seasons, Charles has added conducting to his musical accomplishments. He has led the Cobb Symphony Orchestra and Georgia Symphony in performances of the Franck Symphony in D Minor and Mozart's Clarinet Concerto (also playing the solo clarinet part). Charles commands a repertoire of over 200 solo works, including pieces commissioned or inspired by him, as well as his own transcriptions of vocal and instrumental works. With a growing discography to his credit, he can be heard on the Chandos, Sony Classical, Sony Vivarte, Deutsche Grammophon, Musicmasters, Pantheon, and Bridge labels. His recorded repertoire ranges from familiar works by Mozart, Beethoven, Weber, and Brahms, to lesser-known compositions by Danzi, Reicha, Rossini, and Hummel, as well as music by Elliott Carter, Gyorgy Kurtag, and other contemporary masters. Although Charles became quite active in music at an early age, he opted against attending a music conservatory in favor of academic studies at Yale University, where he graduated with a Bachelor of Arts, cum laude, in Anthropology. In 1975 he became the first American to receive a Fulbright grant for study in the former Soviet Union, and he attended the Moscow Conservatory for three years where his teachers were Boris Dikov and Kirill Vinogradov. Charles Neidich has achieved recognition as a teacher in addition to his activities as a performer, and currently is a member of the artist faculties of The Juilliard School, the Manhattan School of Music, the Mannes College of Music. During the 1994-95 academic year he was a Visiting Professor at the Sibelius Academy in Finland where he taught, performed and conducted. Mr. Neidich is a long-time member of the renowned chamber ensemble Orpheus.