Podcasts about mozart

Deux unes d'hebdomadaires français se répondent cette semaine. Sur chacune, le même visage, celui de Marine Le Pen. Et la même question : que se passerait-il si le Rassemblement national gouvernait réellement ? Les promesses du RN confrontées à la réalité L'Express met en scène Marine Le Pen assise sur un trône doré, entourée de chats, et titre : « Les 100 premiers jours du RN au pouvoir ». Avec ce sous-titre : « Enquête sur le programme qui plomberait la France ». Le dossier passe chaque promesse au tamis du réel. La mesure phare, le référendum sur l'immigration, se fracasse sur l'article 89 de la Constitution. Celui-ci encadre les révisions constitutionnelles et impose qu'avant tout référendum, le texte soit voté dans les mêmes termes par l'Assemblée nationale et le Sénat. Un verrou quasiment infranchissable pour le RN. L'hebdomadaire cite d'ailleurs un proche du dossier, désabusé : « Ce n'est pas la peine de faire croire aux Français qu'on peut consulter sur tout. » Quant à la promesse de Jordan Bardella de réduire de moitié la contribution française à l'Union européenne, ce serait « le fiasco assuré », tranche L'Express. Le parti se heurterait aussi à une difficulté très concrète : il ne parvient pas à recruter les hauts fonctionnaires dont il aurait besoin pour gouverner. Un proche de Marine Le Pen le reconnaît : « On a un vrai sujet sur les ressources humaines… On ne trouve pas de gens qui tiennent la route. » Le Pen-Bardella, un tandem moins solide qu'il n'y paraît Même préoccupation au Nouvel Obs, mais avec un autre angle. Sous le duo Le Pen-Bardella, ce titre : « Les failles cachées », accompagné d'une question : « Pourquoi leur ticket n'est pas si gagnant ». L'hebdomadaire décrit la fébrilité du tandem après la confirmation en appel de la condamnation de Marine Le Pen pour détournement de fonds publics. Jordan Bardella, écrit Le Nouvel Obs, « a vu s'envoler un bail virtuel de cinq ans à l'Élysée et doit se contenter d'un siège éjectable de Premier ministre ». Le vernis commence à craquer, notamment en raison des désaccords qui traversent le duo. Sur les retraites, Jordan Bardella affiche ainsi une posture favorable aux entreprises, tandis que Marine Le Pen défend un départ à 60 ou 62 ans. Un député confie à L'Express que des divergences de ce type, « il y en a des dizaines ». Le dossier du Nouvel Obs se referme sur cette formule d'un vieil ami de la famille : « Marine, quand elle est face à une difficulté, c'est là qu'elle devient vraiment une Le Pen ». Ce qui, note perfidement l'hebdomadaire, ne devrait pas rassurer l'extrême droite, car « les Le Pen ont toujours perdu ». Ces commerces vides qui servent à blanchir de l'argent Sur un tout autre sujet, Le Point publie une enquête sur le blanchiment d'argent. Elle commence par une balade dans Paris, rue de Bagnolet, devant un vendeur de kebabs désespérément vide à l'heure du déjeuner. Pourquoi cet établissement tient-il depuis des années ? Parce que, écrit Le Point, « ce commerce se moque éperdument de vendre des sandwichs » . Il s'agirait en réalité d'une officine de blanchiment. Son propriétaire disposerait d'une fortune en espèces d'origine inavouable, provenant par exemple du trafic de drogue, dont il lui faudrait justifier la provenance, quitte à inventer des clients. S'il déclare avoir servi 250 personnes à 50 euros dans le mois, le fisc n'a aucun moyen de le vérifier. Voilà pourquoi l'échoppe reste ouverte, même vide. La même mécanique serait à l'œuvre dans certains salons de massage, ongleries ou salons de coiffure. Des tickets de loterie gagnants peuvent même être rachetés afin de blanchir des flux financiers. Les autorités traquent ces pratiques, mais les délinquants continuent d'innover. La mort est-elle vraiment une mauvaise chose ? Une dernière question, presque philosophique : « Pourquoi mourons-nous ? » C'est le titre du livre du prix Nobel de chimie Venki Ramakrishnan, interrogé par L'Express. Et si la science permettait un jour de ne plus mourir ? Le scientifique raconte une conversation bien réelle, captée l'an dernier entre Vladimir Poutine et Xi Jinping, au cours de laquelle les deux dirigeants évoquaient leur intention de prolonger leur vie grâce à la recherche. Cette perspective l'inquiète. Jusqu'ici, explique-t-il, « on savait que les dictateurs finissent par mourir, laissant l'espoir que le régime suivant soit différent ». Mais « imaginez un monde où Trump, Poutine ou Xi vivraient pour toujours… Je ne suis pas sûr que ce serait un monde meilleur ». Pour Venki Ramakrishnan, la mort a aussi du bon : « Être mortel nous pousse à accomplir des choses. Mozart n'a vécu que 36 ans, mais il a eu le temps d'écrire 41 symphonies ». Ce dont l'humanité a besoin, conclut-il, ce n'est pas de permettre à quelques puissants de vivre pour toujours, mais d'offrir au plus grand nombre la possibilité de vivre longtemps et en bonne santé. Tout un programme.

Viviane Chassot gehört zu den renommiertesten Akkordeonistinnen überhaupt. Sie hat mitgeholfen, ihrem Instrument auch die klassische Musik zu erschliessen. Damit macht sie die klassische Musik auch jenen Menschen zugänglich, die sonst keinen Bezug zu ihr gehabt hätten. Geboren wird Viviane Chassot in Zürich. Sie wächst in Wollerau auf, wo das Akkordeon eine grosse Rolle spielt. Allerdings nicht im klassischen Bereich, sondern in Form eines Akkordeon-Orchesters, das es bis heute gibt. Viviane Chassot interessiert sich damals mehr fürs Ballett. Und zwar so sehr, dass es auch beruflich eine Option wird. Eine Ausbildung am Opernhaus Zürich wäre möglich. Da hört sie am Radio ein Stück von Johann Sebastian Bach. Gespielt auf einem Akkordeon. Das ändert alles. Vivianne Chassot ist Feuer und Flamme und entscheidet sich – weil in ihrer Familie nur ein Hobby erlaubt war – für das Akkordeon. Längst ist das Hobby Beruf. Viviane Chassot hat Werke von Haydn, Mozart und Rameau eingespielt und aufgeführt und so auch mit Grössen wie Simon Rattle oder Alfred Brendel zusammengearbeitet. Und sie verbindet Klassik, Jazz, neue Musik und Improvisation. Auch darin also eine Brückenbauerin. Von ihrer Pionierarbeit für das Instrument und ihrem differenzierten Zugang zum Klang, von ihrem Weg zum Erfolg und ihren Rückschlägen und Krisen, von ihrer Arbeit mit anderen Musikerinnen und Musikern und ihrer Liebe auch zur Rockmusik erzählt Viviane Chassot im Gespräch mit Gastgeber Michael Luisier. Die Musiktitel: - Meat Loaf: Alive - Joseph Haydn: Holde Gattin, dir zur Seite (Duett Adam&Eva), aus Die Schöpfung (Balthasar-Neumann-Ensemble; Thomas Hengelbrock, Leitung; Dorothee Mields, Eva; Locky Chung, Adam) - Aimee Mann / Rush: Time stand Still - Stefanie Heinzmann: Good - Johannes Brahms: 3. Allegro non troppo, aus Klavierkonzert Nr. 1 d-Moll op. 15 (Maurizio Pollini, Klavier; Berliner Philharmoniker; Claudio Abbado, Leitung) Der Einspieler: Josef Haydn: Presto, aus Klaviersonate e-Moll, Hob 16/34 (Viviane Chassot, Akkordeon) Erstausstrahlung: 23.11.2025

Yetenek doğuştan mı gelir, yoksa sonradan mı gelişir? Deha gerçekten var mı, yoksa kültürel bir efsane mi? Spekülatif'in bu bölümünde Emre Dündar, yetenek kavramını felsefe, nörobilim, sanat tarihi ve eğitim perspektifinden ele alıyor. Antik Yunan'dan günümüze yetenek kavramının dönüşümünü anlatan Dündar; Mozart, Beethoven, Picasso, Leonardo da Vinci, Nietzsche, Schopenhauer, Aristoteles ve Einstein gibi isimler üzerinden deha mitini sorguluyor. Programda çocuklarda yetenek nasıl anlaşılır, üstün yetenekli çocuklar nasıl değerlendirilmeli, genetik mi çevre mi daha etkili, yaratıcılık nasıl gelişir, mutlak kulak (absolute pitch), sanat eğitimi, müzik yeteneği, resim yeteneği, çalışma disiplini ve iradenin başarıdaki rolü gibi birçok konu ayrıntılı biçimde tartışılıyor. Learn more about your ad choices. Visit megaphone.fm/adchoices

Au festival d'Aix-en-Provence, impossible d'échapper à l'un des opéras les plus célèbres du répertoire : La Flûte enchantée de Mozart. Pour cette nouvelle lecture sous les étoiles du théâtre de l'Archevêché, le festival a réuni le chef argentin Leonardo García Alarcón et le réalisateur et vidéaste français Clément Cogitore, qui signe sa première mise en scène pour le festival d'art lyrique. Ensemble, ils transforment ce conte initiatique en un voyage de l'enfance à l'âge adulte, entre mémoire des guerres, promesses de progrès et quête d'humanité. À lire aussi«Accabadora»: la Sardaigne au cœur d'un opéra sur la fin de vie

Au festival d'Aix-en-Provence, impossible d'échapper à l'un des opéras les plus célèbres du répertoire : La Flûte enchantée de Mozart. Pour cette nouvelle lecture sous les étoiles du théâtre de l'Archevêché, le festival a réuni le chef argentin Leonardo García Alarcón et le réalisateur et vidéaste français Clément Cogitore, qui signe sa première mise en scène pour le festival d'art lyrique. Ensemble, ils transforment ce conte initiatique en un voyage de l'enfance à l'âge adulte, entre mémoire des guerres, promesses de progrès et quête d'humanité. À lire aussi«Accabadora»: la Sardaigne au cœur d'un opéra sur la fin de vie

On this Summer Friday, we've put together some of our favorite recent interviews, including: The U.S. fertility rate dropped to another record low in 2025, according to provisional CDC data, marking a 23% drop since 2007. Jill Filipovic, attorney and author of several books, including OK Boomer, Let's Talk: How My Generation Got Left Behind (Atria/One Signal Publishers, 2020),  and Karen Guzzo, director of the Carolina Population Center and a sociology professor at the University of North Carolina at Chapel Hill, explain what's behind the decline, the current Republican and far-right conservative policy plans to try and reverse those trends and what actually works to incentivize a growing population. Alex Mayyasi, a longtime contributor to Planet Money and the author of Planet Money: A Guide to the Economic Forces That Shape Your Life (W. W. Norton & Company, 2026), and Mary Childs, a co-host of NPR's Planet Money, offers insight into making decisions on getting and spending money and why markets work the way they do. Manoush Zomorodi, host of NPR's TED Radio Hour and author of Body Electric: The Hidden Health Costs of the Digital Age and New Science to Reclaim Your Well-Being (Flatiron, 2026), talks about the impact on our bodies of our interactions with our phones and other tech -- and how to stay healthy and stay connected. Stephanie Coontz, director of research and public education at the Council on Contemporary Families and the author of The Way We Never Were; Marriage, a History; and now, For Better and Worse: The Complicated Past and Challenging Future of Marriage (Viking, May 26, 2026), offers historical context for the institution of marriage and examines the attitudes and policies that can strengthen it. Martha Nussbaum, professor of law and ethics at the University of Chicago and the author of The Republic of Love: Opera & Political Freedom (Oxford University Press, 2026), offers her analysis of opera as an arm of the Enlightenment, from Mozart to today.   These interviews were lightly polished up and edited for time, the original versions are available here: Why U.S. Birth Rates Are Dropping Planet Money: The Book Our Bodies & Our Tech Marriage in Context Opera and Democracy   Photo: Labor Day weekend crowds at Rockaway Beach, Queens, New York, September 2020. (Andre Carrotflower, CC BY-SA 4.0, via Wikimedia Commons). Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Beethoven als Hitverwerter: Für sein „Gassenhauer-Trio“ nimmt er einen Opern-Ohrwurm, den damals in Wien alle kennen. Heraus kommt Kammermusik mit Publikumsfaktor – leicht, witzig und trotzdem typisch Beethoven. Von Michael Lohse.

Join John MacDonald in the Community Drive #TheHuttZone on Thursday the 16th of July 2026 at 5pm on Wellington Access Radio 106.1FM for a variety hour of Hutt Valley stories, history, people, music and poetry. We hear about the Regional Stamp, Coin and Post Card Fair coming to Lower Hutt this Saturday from one of its organisers – Bob Gibson. Get some tips and ideas on collecting from an avid thematic collector. There's more in our 2015 history series with centenarian Eileen Smeaton sharing her memories of the Hutt Valley from the 1920s. We've poetry from Wainuiomata's David Smith “If one is lucky” read by Steve Harrison. And there's plenty of local music from Hutt Valley High School – its 2023 Chamber Music entry with Luke Barlow on piano playing Mozart's K478 – Allegro movement, Shona Lang “Glad I'm not a Kennedy”, and SKRAM perform “Piwakawaka”.

In Wien kommt Mozarts deutsches Singspiel "Die Entführung aus dem Serail 1782 zum ersten Mal auf die Bühne. Der Beginn einer beispiellosen Erfolgsgeschichte, über die Grenzen von Zeit und Raum hinweg.

Pablo Villegas i Serena Sáenz: Un Diàleg entre Cordes i Veu sota el Cel de MenorcaEl Festival de Música d'Estiu de Ciutadella esdevé aquest any l'epicentre d'una trobada artística excepcional. Pablo Villegas, aclamat ambaixador de la guitarra espanyola, i la soprano de carrera fulgurant Serena Sáenz, uneixen els seus talents en un recital íntim on la música espanyola i la tradició llatinoamericana dialoguen en perfecta harmonia.Un retorn a les arrels i al corPer a tots dos artistes, aquest concert a Menorca no és una parada més a les seves agendes internacionals. Pablo Villegas recorda amb emoció els seus inicis a l'illa, quan amb tot just 17 anys va oferir els seus primers concerts, guardant des de llavors Menorca com un "secret al cor". Per la seva banda, Serena Sáenz sent l'illa com la seva pròpia llar, havent passat llargues temporades des de la seva infància.Aquest vincle personal es trasllada a l'escenari en un format de càmera que Villegas descriu com un binomi ancestral: la veu i la guitarra, "poetes de l'aire" que expliquen històries universals des dels temps dels trobadors.Vulnerabilitat: El camí cap a l'excel·lènciaPablo Villegas ofereix una visió profunda sobre el procés creatiu. Pel guitarrista, la música és el "llenguatge de les emocions" i una eina per construir ponts en una societat enfrontada. El seu objectiu transcendeix la tècnica; busca inspirar i que el públic vegi reflectida a les notes la millor versió de si mateix.Villegas defensa la vulnerabilitat com la clau que obre el cor de l'oient. En tocar, sovint amb els ulls tancats per interioritzar el so, busca alliberar les notes de la “presó” del pentagrama i tornar-les a l'aire en una experiència tridimensional i transformadora. Segons l'artista, cada nota és una oportunitat per a acariciar Déu i crear un espai atemporal on l'artista i el públic es fonen.Un viatge del Bel Canto al BoleroEl programa dissenyat per a aquesta ocasió destaca per la seva sorprenent versatilitat, una qualitat intrínseca a la guitarra, que històricament ha habitat tant a la cort com al carrer. El recorregut musical comença amb el rigor clàssic de Mozart i els arranjaments de Fernando Sor per a Don Giovanni, passant pel bel cant de Bellini.Tot i això, a la segona part, el duo "es deixa anar la cabellera". Serena Sáenz destaca la importància de connectar amb les arrels a través de la música popular, incloent peces de Tàrrega, Granados i una transició cap a l'ànima llatinoamericana amb tangos de Carlos Gardel i boleros immortals com Bésame mucho o El dia que em vulguis.Compromís amb el futurMés enllà dels escenaris, Serena Sáenz demostra el compromís amb la propera generació d'artistes a través del curs Menorca Lírica. En aquest projecte, joves cantants de diversos països (com el Canadà o Alemanya) acudeixen a l'illa per aprofundir en la tècnica vocal i aprendre a navegar el món professional, veient a Serena un referent d'èxit i constància.Aquest recital al Teatre d'Es Born no és només un concert; és una invitació a un viatge emocional, un "buf de vida" on la tècnica i el sentiment es troben per demostrar que, a la música, les diferències es converteixen en punts d'unió.

Tess Martin is a Rotterdam-based film and visual artist working across animation, installation, and expanded cinema. Her practice explores how time, memory, and place can be revealed through handcrafted animations and site-specific works.Raised across shifting cultural contexts, her work reflects an ongoing interest in how belonging and identity are formed through perception, relation, and memory. Many of her projects exist simultaneously as films and installations, often incorporating sculptural elements and soundtracks to create intimate time-based experiences.Her work has been presented internationally in both film and exhibition contexts, including festivals, museums, and artist residencies across Europe, North America, and Asia.In this episode, we discuss Tess' film 1976: Search for Life.*Errata - I mistakenly identified Holst's Jupiter as the "Surprise" symphony when it's actually Haydn's Jupiter. Holst did write a Jupiter for "The Planets," but it isn't the same piece. Mozart also wrote a Jupiter, but it's not mentioned except here for clarity.

durée : 00:42:50 - Les émissions culturelles de France Culture - par : Chloë Cambreling - Avec "La Flûte enchantée" de Mozart, Clément Cogitore signe sa deuxième mise en scène d'opéra et fait ses débuts au Festival d'Aix-en-Provence, où il retrouve le chef Leonardo García-Alarcón et la soprano colorature Sabine Devieilhe. - équipe : Olivier Bétard, Zoé Couppé, Louis Cosnard, Alice Puydebois, Louan Chailleux - invités : Clément Cogitore Artiste et réalisateur, Sabine Devieilhe Soprano française (1985, Ifs - ), Leonardo García Alarcón Chef d'orchestre argentin Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

La apertura de un período de libertad constituyente es la vía pacífica para romper con los estados de partidos que constituyen políticamente España y la U.E. Conducido por Adrián Perales https://www.ivoox.com/rlc-08-02-2013-la-idea-necesidad-de-audios-mp3_rf_1774252_1.html Música: Andante, concierto para piano nº9 de Mozart. --------- ¡APÓYANOS! - Vía iVoox: haz clic en APOYAR (botón de color azul). - Vía Paypal: https://www.paypal.com/donate?hosted_button_id=Y4WYL3BBYVVY4 - Vía Patreon: https://www.patreon.com/MCRC_es ------------ mcrc.es diariorc.com yonovoto.info

Emmy-winning showrunner John Strauss (Arcane, Mozart in the Jungle) on how TV writers get hired, survive notes, and pitch. Watch the full interview.

In 2018, Mariana Ramirez walked into the pit at Once On This Island as a sub and made history. She became the first female Mexican percussionist to ever perform on a Broadway show.Nobody handed her that moment. She built it.I first published this conversation in March of 2022, and it remains one of my favorites. Most of you weren't subscribed back then, so I'm bringing it back — the story is too good to leave in the archive.Who is Mariana Ramirez?Mariana is an NYC-based freelance percussionist who began her music studies at the National Conservatory of Mexico in Mexico City before earning her Bachelor of Music in Percussion at Rutgers University.That first Broadway sub gig at Once On This Island opened doors. She went on to sub Head Over Heels and Ain't Too Proud: The Life and Times of the Temptations, then hit the road holding the drums/percussion chair on the Once On This Island national tour. Off-Broadway, her credits include Merrily We Roll Along and Fiddler on the Roof in Yiddish, among many others. Today, she is one of just two female Mexican drummer/percussionists performing on Broadway.But her career stretches far beyond the pit.She has performed across Europe, Asia, and Mexico with Mexican traditional music bands, symphonic ensembles, chamber orchestras, and pop bands. You may have caught her on The Late Show with Stephen Colbert, in the series Mozart in the Jungle, or at the NBC Universal Upfronts at Radio City Music Hall.She also founded Percussion Quartet Excelsis, which Jonathan Haas, head of the NYU Percussion Department, praised as one of the most innovative and exciting percussion ensembles of this era of chamber music. Excelsis has performed twice on NPR's From the Top, at the Percussive Arts Society New York Weekend of Percussion, Brooklyn Bound with Sō Percussion, Zeltsman Marimba Festival, and Tippet Rise Music Festival in Montana. The group is endorsed by Sabian Cymbals.As a symphonic percussionist, she has performed with the National Symphony of Mexico, Orquesta de Minería, the first all-women orchestra of Mexico, Dartmouth Symphony, South Florida Symphony, New England Ensemble, Fairfield Orchestra, and most recently with The Dessoff Choir, premiering works for choir and orchestra at Alice Tully Hall.Traditional Mexican music. Broadway pits. Symphony halls. Chamber ensembles. Television. That range is not an accident — it's the career.In this conversation, we talk about:* The Santana concert in Mexico City that made an 11-year-old girl decide, on the spot, what she wanted to do with her life* Her path from the National Conservatory of Mexico to Rutgers to New York* What it took to break into Broadway subbing — and what it meant to be the first* How versatility across genres and settings keeps a freelance career aliveAnd when you're done with this one, keep an eye on your inbox. Up next on the podcast: Spencer Inch. You won't want to miss that conversation.For the complete roadmap to building a career in theater, grab Broadway Bound and Beyond at broadwayboundbook.com.Broadway Bound and Beyond isn't theory. It's twenty-six years on Broadway broken down into what actually works: how auditions really get decided, how reputation gets built or destroyed, how money works in this business, why versatility keeps you employed, and what it takes to last decades instead of one season. If you want the full career picture, the hardcover is at broadwayboundbook.com.If subbing is specifically your way in, the book gets you the mindset and the etiquette, but the Broadway Sub Playbook goes further. It's the actual system: the four-week prep formula, the show-day routine, how to take notes that stick, how to handle a pit you've never sat in before. It's built for one job — getting you ready for that call when it comes — and it's the resource a lot of working subs wish they'd had before their first one.Grab both at signaturebrandworks.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

I return to Countermelody‘s Salut à la France miniseries with a tribute to the Monaco-born French-naturalized tenor, Alain Vanzo (1923-2002). There was simply no more elegant a tenor (or any singer!) in the French operatic repertoire (and beyond) than Vanzo in his glory days in the 1960s and 1970s. I have chosen a setlist which presents him, in his core repertoire (Gounod, Massenet, Lalo), sounding truly exquise, but I also show him in music for which he was less-celebrated, but equally compelling, everything from Mozart, Rossini, and Puccini, to Mascagni and even Giordano, with even more delicious surprises along the way. Special thanks to my friend Olivier, for specifically requesting this episode. In preparing it, I became a Vanzo admirer to an all-out raving Vanzo fan girl. In listening to this, you may well find yourself in the same place that I did! Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

Ohne Vorkenntnisse traut sich nicht jeder in eine Opernaufführung. Genau das versucht das Projekt "Musik auf Rädern" zu ändern - mit einem kostenlosen Angebot unter freiem Himmel. Dieses Jahr steht Mozarts "Entführung aus dem Serail" auf dem Programm.

The Freemasons have existed for centuries, but are they simply a charitable fraternity—or one of the world's most influential secret societies? In this episode of The Rabbit Hole, we explore the documented history of Freemasonry, its rituals, symbols, and secret degrees before diving into the conspiracy theories that have surrounded the organization for generations. Did Freemasons influence the founding of America? Is Washington, D.C. filled with hidden Masonic symbolism? What do the All-Seeing Eye, the U.S. dollar, the Vatican, the New World Order, JFK, Jack the Ripper, and Mozart all have in common? Join me as we separate history from speculation and examine one of history's most mysterious organizations. Merch: https://momstercreations.com/product-category/rabbit-hole/ www.stayskeptical.com Wise Wolf Gold: https://www.wolfpack.gold/?ref=jvujkwgs Sources: https://docs.google.com/document/d/1jcwvgWpPz8GqLxNwpeJM7AHqBJL2O3JWVdE8ggKK7_8/edit?usp=sharing Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

C'est un trésor d'une valeur exceptionnelle : sept pièces pour flûte et harpe, composées en 1778 par Wolfgang Amadeus Mozart (1756-1791), ont été découvertes dans une réserve de la Bibliothèque nationale de France. Une découverte d'autant plus remarquable que le compositeur autrichien affectionnait peu ces deux instruments.C'est en février que François-Pierre Goy, conservateur au sein de l'institution depuis 1995, tombe par hasard sur ces partitions lors d'une vérification de routine. Le musicologue est alors intrigué par plusieurs éléments qui lui rappellent Mozart. L'expertise lève ses doutes : ce cahier est authentifié comme étant de la main du maître, qui l'aurait rédigé à l'âge de 21 ans, alors qu'il est installé à Paris et enseigne la musique à la fille du duc de Guînes.Depuis la découverte, le monde entier s'intéresse à ce trésor retrouvé et les pièces ont été jouées et diffusées, le 22 juin, en première mondiale sur France Musique.Quel est l'itinéraire de ces partitions, vieilles de plus de deux siècles ? Pourquoi Mozart donnait-il des leçons et où en était-il de sa carrière au moment de l'écriture de ces pièces ? Peut-on espérer d'autres découvertes similaires dans le futur ?Dans cet épisode du podcast « L'Heure du Monde », le conservateur François-Pierre Goy raconte avec émotion sa trouvaille et Marie-Aude Roux, journaliste spécialiste de la musique classique au service Culture du Monde, analyse la portée musicale et historique de ces partitions, avant de retracer le parcours de Mozart.Un épisode d'Esther Michon. Réalisation et musiques : Amandine Robillard. Présentation et rédaction en chef : Claire Leys. Dans cet épisode : entretien avec François-Pierre Goy, conservateur à la BNF ; entretien avec Thierry Bodin, expert en autographes musicaux ; archive d'un reportage de TF1 du 26 novembre 2024. Extraits musicaux : interprétation du manuscrit inédit dont les droits sont réservés au département de la Musique de la Bibliothèque nationale de France, l'intégralité de la musique est disponible dans le replay de l'émission « Relax » sur France Musique du 22 juin 2026 ; Die Zauberflöte (« Der Hölle Rache kocht in meinem Herzen ») de W.A. Mozart ; Lacrimosa (Requiem) de W.A. Mozart ; Violin Sonata in G Major, K.301 II.Allegro de W.A. Mozart, Piano Concerto No 23 in A Major, K488 II. Adagio et III.Allegro de W.A. Mozart ; Sonate pour piano No 11 en la majeur, K. 331 (K⁶ 300i), III. Rondo alla Turca de W.A. Mozart ; L'Orfeo, acte 1 de C. Monteverdi ; Konzert in C-Dur für Flöte, Viola da gamba und Cembalo de J.S. Bach.Cet épisode a été publié le 7 juillet 2026. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

De komst van editie 600 van Betrouwbare Bronnen bleek een bron van inspiratie voor veel van onze luisteraars en vrienden van de show. Zij kwamen met reeksen verzoeknummers voor het thema waarin we ons in deze bijzondere aflevering zouden moeten verdiepen. Een kroonaflevering moet immers iets bijzonders zijn. Een aflevering waarin politieke actualiteit, historische wortels en cultuurhistorische verbindingen elkaar de hand reiken. *** Deze aflevering bevat een advertentie van VanHarte&Lingsma. Wil jij jezelf ontwikkelen als mens én als leider? Ontdek jouw training bij VanHarte&Lingsma, School voor Human Leadership. Ga naar www.vanhartelingsma.nl/betrouwbarebronnen Deze aflevering is mede mogelijk gemaakt met donaties van luisteraars die we hiervoor hartelijk danken. Word ook vriend van de show! Heb je belangstelling om in onze podcast te adverteren of ons te sponsoren? Zend ons een mailtje en wij zoeken contact. *** De suggestie van vriend van de show Tim bleek hier een schot in de roos. We nemen je mee naar het jaar 600. Naar de diepe, vroege middeleeuwen die vaak overschaduwd zijn gebleven door de glorie van het Imperium Romanum in de periode daarvoor en de fascinatie van de eeuwen van ridders, kathedralen, kruistochten en Zwarte Dood erna. Toch traden in die jaren rond 600 en in de zevende eeuw mensen naar voren met gebeurtenissen en patronen waarvan wij ook in 2026 nog erfgenamen zijn en de impact volop ondergaan. Zo bereikte paus Bonifatius III in 607 een politieke regeling met zijn politieke baas, keizer Phocas in Constantinopel. Die legde bij decreet vast dat de bisschop van Rome zichzelf als de meest vooraanstaande van alle prelaten mocht zien, als hoofd van de christelijke gemeenschappen in Europa. Zonder die formaliteit hadden we de grote politiek-morele rol van Petrus-opvolgers als Leo XIII en zijn baanbrekende politieke visie niet gekend. En ook niet de opmerkelijke rol van Leo XIV nu als geweten en tolk van kritische stemmen over MAGA en kunstmatige intelligentie. En zelfs het internet vindt zijn oorsprong rond 600. Daarvoor gaan we naar Sevilla, waar in die jaren een toonaangevende geleerde de politiek en de wetenschap een enorme impuls gaf. Daartoe aangedreven door zijn politieke ambitie om in Spanje een vruchtbare en vreedzame integratie van verschillende tradities en herkomst aan te wakkeren. Isidorus van Sevilla werkte decennia aan tientallen wetenschappelijke publicaties en was bovendien een invloedrijk staatsman en kerkelijk prelaat. Zijn twintigdelige 'Etymologiae' werd een bestseller en een van belangrijkste boeken in de tien eeuwen die volgden. Hij bracht daarin alle bestaande kennis bijeen en ordende die in zijn alomvattende wereldencyclopedie als curriculum voor elke school en universiteit tot in de Renaissance. Hij werd een soort eenmans-Wikipedia of zoekmachine. De moslimheersers van Zuid-Spanje vereerden Isidorus minstens zo vurig als de christelijke vorsten, kloosters, universiteiten en andere kenniscentra in heel Europa. Zo werd hij al vroeg de beschermheilige van studenten en maakte in 2002 de Poolse Paus hem beschermheilige van ICT'ers en van het Internet als geheel. Het jaar 600 had in Isidorus een vroege Alexander von Humboldt. De integratie, communicatie en intensieve relaties tussen de volkeren kreeg in de zevende eeuw nog een andere impuls. De naam daarachter was Bumin Khan, leider van de Turkse stammen in Midden-Azië die zich de Göztürken noemden. Hij bracht hen bijeen en veroverde een reusachtig imperium. Zijn heerschappij strekte van Oekraïne en de Krim tot de Muur van China bij Beijing en Mantsjoerije. De Göztürken legden de basis voor de enorme rijken van de Mongolen, de Gouden Horde, het Ilkhanaat in Iran, de Mogol en de wereldomspannende handelsroutes, culturele uitwisseling, commercie en geldverkeer langs de Zijderoute. De erfenis van hun krachtig bewind beheerst nog hun vazallen in het vorstendom Moskou, in de Straat van Hormuz, in China en India. Erfgenaam en wereldheerser Timoer Lenk bevleugelde de fantasie eeuwen later nog. Als operaheld 'Tamerlano' inspireerde hij Händel tot een van diens mooiste opera's. Het fundament voor een wereldomspannende en nog altijd actuele erfenis werd rond het jaar 600 ook gelegd door een koopman uit Mekka. Mohammed was een filosofisch en spiritueel criticus van het veelgodendom van zijn tijd en samenleving. Hij benadrukte de cruciale betekenis van de monotheïstische kerngedachte van jodendom en christendom. Zo werd hij voor zijn volgelingen 'het zegel der profeten'. Hoe zijn traditie en opvolgers na zijn dood die kerngedachte - de Islam - hebben voorgezet is nog altijd relevant en bron van politieke verschillen. Mohammeds invloed op de Europese historie en cultuur sinds 600 is enorm. Van Al-Andalus na Isidorus tot de eeuwen van worsteling met het Huis Habsburg op de Balkan en de Middellandse Zee. Van 'Liever Turks dan Paaps' en 'Alla Turca' muziek en opera's van Mozart tot de dichter Hafez die Johann Wolfgang von Goethe een heel nieuwe bron van poëzie deed ontsluiten. En de komst van Europa rond 600? Daarvoor gaan we terug naar onze eigen streken. Naar Pepijn de Oude uit de streken langs de Maas, Karel Martel en hun politieke manoeuvres die de Merovingische koningen op een zijspoor dwongen en een meer regionalistisch en feodaal Europa liet ontstaan. Hun nazaat Karel bracht daar meer centrale lijn in. Hij sloot een alliantie met een opvolger van Bonifatius III. Keizer en paus zouden samen Europa vorm, gezicht en stijl gaan geven. *** Verder luisteren 574 – Hormuz: eeuwenoud brandpunt van de wereld 567 - De geschiedenis beukt op Europa's deur. Caroline de Gruyter over zondagskinderen in een ruige wereld 561 – Jakub Józef Orlínski en Händel, politiek dier en geniaal musicus 506 – Waarom Leo XIV zich spiegelt aan paus Leo XIII (1810-1903), criticus van kapitalisme en socialisme 500 - Triomf en Tragiek. 400 Jaar Johan de Witt 458 - De gedroomde nieuwe wereldorde van Poetin en Xi 455 - De bufferstaat als historische - maar ongewenste - oplossing voor Oekraïne 315 - Vrouw, leven, vrijheid: oorzaken en achtergronden van het straatprotest in Iran. En: de rijke Perzische cultuur 311 - De wereld volgens Simon Sebag Montefiore 300 - Ethische politiek: het bijzondere Nederland met zijn 'moreel hoogstaande opvattingen' 253 - Poetins bizarre toespraak: hoe de president de geschiedenis van Oekraïne herschrijft 248 - Oekraïne en de eeuwenoude vriendschap tussen Duitsland en Rusland 242 - Adrianus van Utrecht, de Nederlandse Paus 200 - De Heerser: Machiavelli's lessen zijn nog altijd actueel 49 - De koningen van Hispanje die wij altijd hebben geëerd *** Tijdlijn 00:00:00 – Deel 1 00:46:37 – Deel 2 01:09:18 – Deel 3 01:29:14 – Einde See omnystudio.com/listener for privacy information.

The Duke and Duchess of Angoulême finally take centre stage... for possibly the shortest reign in world history. As the last surviving Bourbons of their generation, these mismatched cousins struggled to be the power couple the nation needed. ⚜️ Visit our website ⁠for episode images, score summaries and more! Contact us by ⁠Email⁠, or follow us on ⁠Instagram⁠, our ⁠Facebook Group⁠ or ⁠BlueSky⁠. Make sure you leave us a review on ⁠Apple Podcasts⁠, ⁠Spotify⁠ or wherever you listen. You can also support the show on ⁠Patreon⁠! Join the official Angry Mob and get access to ad-free episodes and bonus content, including our exclusive spinoff series rating the Royal Mistresses. ⚜️ Music used in this episode included a piano rendition of Mozart's "Lacrimosa", perfromed by Soviet pianist Maria Yudina in 1954. Battle Royale's intro/outro music is ⁠"Dansez" by Fasion⁠. Go check out more of their stuff ⁠here⁠. ⚜️ Details of our 5 categories used to rate the French Monarchs can be found ⁠on our website⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fuchs, Jörn Florian www.deutschlandfunk.de, Kultur heute

On Friday, June 19th, the National Library of France announced the discovery of a 44-page notebook containing lessons and compositions written by Wolfgang Amadeus Mozart. The notebook, which belonged to one of the composer's pupils, yielded seven previously unknown works for flute and harp - a musical duo that is not well represented in classical music repertoires. Emi Ferguson, a flute player, composer, and host on WQXR discusses the significance of this discovery and what it may mean for musicians and the classical music world at large. Photo by Kenzo TRIBOUILLARD / AFP via Getty Images: An original fragment from a recently discovered piece of instructional music composed by Mozart. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We got a new Mozart flute piece before GTA6, and this week I'm breaking down how that possibly happened. Tucked away in Paris' Bibliothèque nationale de France, 7 short Mozart pieces for flute and harp were discovered in February 2026. They got their debut performance on the 21st June, so I look at what happened in that time and why it took the French 250 odd years to find them.Grma xListen to the pieces (until 22nd July 2026)https://www.radiofrance.fr/francemusique/podcasts/relax/premiere-mondiale-ecoutez-un-inedit-de-mozart-decouvert-par-la-bnf-5404035Inline G Merch ⭐️www.Inlineg.myshopify.comInline G Patreon ⭐️www.patreon.com/TheInlineGFlutePodcastInline G will ALWAYS be free of charge, but signing up to the Patreon helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit xIntro music: Rhythm=Power by Spodo Komodo. Used with permission. All rights reserved by the creator.Chapters:00:00 - The Story of Mozart's New Flute Work08:04 - A History of the National Library of France14:40 - Why did it take so long to find?19:35 - Reviewing the New Pieces

This week Dalanie and Katie discuss episode 5 of the Amadeus series on STARZ. IN THIS EPISODE: Video episodes are now available on YouTube! Subscribe here: https://www.youtube.com/@classicallyblackpodcast WE HAVE MERCH!: https://www.classicallyblackpodcast.com/store JOIN US ON PATREON!: https://patreon.com/ClassicallyBlackPodcast FOLLOW US ON SOCIAL MEDIA! https://linktr.ee/classicallyblack

Fredrik snackar med Patrik Svensson om Spectre.tui och att dyka ner i saker för att man är intresserad av dem. Patrik berättar om vad Spectre.tui är och hur det kom till, tack vare en lucka mellan uppdrag. På vägen får vi lite koll på hur man ritar i terminaler, vad som är gemensamt med Spectre.console, och varför teckenbredd i Unicode är ett kaninhål. Borde inte alla få möjligheten att bara göra vad de vill då och då? Alla måste inte sträva mot att använda maximalt av universums energi, och de som gör det behöver verkligen inte all den uppmärksamhet och alla de resurser de får. Vi får också en uppdatering av hur det går med Opencli och projektmodellen det använder för att hantera drive by-åsikter och undvika att Patrik blir en flaskhals. Ett stort tack till Cloudnet som sponsrar vår VPS! Har du kommentarer, frågor eller tips? Vi är @kodsnack, @thieta, @krig, och @bjoreman på Mastodon, har en sida på Facebook och epostas på info@kodsnack.se om du vill skriva längre. Vi läser allt som skickas. Gillar du Kodsnack får du hemskt gärna recensera oss i iTunes! Du kan också stödja podden genom att ge oss en kaffe (eller två!) på Ko-fi, eller handla något i vår butik. Länkar Patrik Alla avsnitt med Patrik TUI - terminal-UI Ratatui Charm Bubbletea Elm Retained mode Swiftui Immediate mode Imgui Egui för Rust Spectre.tui Dubbelbuffring DEC VT100 ECMA 48 - kontrollfunktioner för kodade teckenuppsättningar SGR-sekvenser OSC - operating system command Kitty Opengl wcwidth - linuxprogram som räknar ut teckenbredd som Patrik portattill dotnet Mörk - Kristoffers markdownparser i Gleam Curses terminfo VT-sekvenser (ANSI- eller VT-sekvenser) Spectre.console Basinkomst Irlands basinkomst för konstnärer Statlig inkomstgaranti för konstnärer Freddie Wadling Econtalk Adam Smith More everything forever Peter Thiel Artikel som diskuterar att språkmodeller kollapsar om de tränas på genererad data Opencli Mitchell Hashimoto Ghostty Hashicorp Openapi-standarden Titlar Alledeles nyss Mindre och mindre för varje enhet Mitt svpeskäl En kreativ period Mellan uppdrag En kontroll om dagen Jag vet inte alls vad jag ska bygga Allting är stateful Min kvällslektyr Vad stödjer min terminal? Alla borde vara lite arbetslösa någon gång under sitt liv Sju Mozart just nu Sätta dit individen Bryta ner universum och asfaltera det Mer konst Betala av lånet på mitt hus Matematiskt går det inte Jag har blivit en flaskhals En turingkomplett spec Alla har sig som undantag, utan undantag

This week we open at the Nixon Library, where JD Vance told a cheering room that the deep state took down Richard Nixon and that the same machine later came for Donald Trump. We trace who actually leaked Nixon to the press, why a younger right has turned him into a folk hero, and the part nobody in that building wanted to admit. Then we head to Kansas City, where Dutch World Cup fans fell in love with American abundance the same week Democrats confessed they had been hoping the tournament would fail. We close with a man the movement tried to erase. Walter Block joins us on getting purged by the Mises Institute over Israel, his defense of Javier Milei, and where the liberty movement actually lives now.

In 1782, Mozart was corresponding with a fellow composer about the art of composition. Mozart made the point that the true essence of music lies not only in the notes themselves but also in the spaces between them. That thought was echoed a century later by Claude Debussy who said, "Music is the silence between the notes."  Silence is powerful. One part of the power of silence is its ability to define the notes around it. The spaces between the notes create rhythm. Lengthening spaces create a ritardando. Shortening spaces create an accelerando. Actual silence, created by a rest in the music, causes tension that is only relieved, or possibly heightened, by the next note. For us harpists, creating silence as we play is challenging. Our music naturally rings and resonates as each string is played. In those moments when we need to stop the sound, it becomes a physical and intentional act. We create silence on purpose.  But what of those moments between the notes, when we want a note to sustain and to hold the tension into the next one? Do those moments need special attention? I believe they do.  So today, I'd like to explore the two different kinds of silence we harpists have to consider: what each means and what we need to do to observe those silences with artistry and musicianship. And as we get started, here is another quote to let roll around in your mind. It's from Kate Kennedy's book, Cello: A Journey Through Silence to Sound. She writes this: "Silence is the opposite of music, but it is also its lifeblood — the breaths between the phrases, the drama, the anticipation, and the quality of the breathless hush between final note and applause."   Links to things I think you might be interested in that were mentioned in the podcast episode:  Join the Compose for Christmas Challenge Register for the Chrysalis Music Workshop  Harpmastery.com Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com Looking for a transcript for this episode? Did you know that if you subscribe to this podcast on Apple Podcasts you will have access to their transcripts of each episode? LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-268  

Mozart trifft Comedystar: An der Berliner Staatsoper feiert "Die Entführung aus dem Serail" Premiere - Regisseur Andreas Moses überrascht mit Comedian Bülent Ceylan auf der Bühne. Henrike Leißner war vor Ort.

durée : 00:20:04 - par : Noé Da Silva, Marion Joseph, Agathe Guilhem, Rémi Chaurand, Lara Mercier - Les bons gestes sous la canicule, l'aventure extraordinaire d'un biologiste français qui a vécu seul pendant huit mois sur une île déserte de l'océan Pacifique, l'entrée du résistant et historien Marc Bloch au Panthéon et une œuvre inconnue de Mozart retrouvée. - équipe : Marie Plaçais Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

City council delayed a public hearing about Rossdale as it had questions about its duty to consult with Indigenous nations. Plus, the parking requirement at daycares has been reduced, and we discuss how to stop illegal dumping at apartment buildings.(00:00) - Introduction (00:41) - YEG Trivia Night (02:54) - Canada Day ask (03:44) - Ad: Edmonton Opera (04:42) - Rossdale rezoning (19:37) - Daycare parking (26:24) - Illegal dumping (35:00) - Close Here are the relevant links for this episode:Canada DayShare your thoughts on Canada DayRossdale rezoningCouncil delays Rossdale-specific zone decision for more consultationDaycare parkingEdmonton mayor hopes requiring less daycare parking encourages more walking, bikingCouncil reduces parking requirements for child-care spaces to encourage more to enter industryIllegal dumpingEdmonton condo's and apartment's paying extra to clean up illegal dumping, report saysCity looking to pilot big bin project in 2027 to curb illegal dumpingThis episode is brought to you by Edmonton Opera. Set yourself up for a couple of spectacular date nights! The Opera Duo bundles tickets to both mainstage productions in the 2026-27 season: Rossini's The Barber of Seville in November and Mozart's The Magic Flute in February. You'll save 20% compared to single ticket prices, secure your seats early, and have two unforgettable nights of live opera to look forward to. Subscribe todaySpeaking Municipally is produced by Taproot Edmonton. We deliver reliable intelligence about the Edmonton region.Sign up to get The Pulse, our weekday news briefing. It's free!Want to reach the smartest, most-engaged people in the Edmonton region? Learn more about advertising with Taproot Edmonton! ★ Support this podcast ★

"Le Chat Botté" est un conte popularisé par Charles Perrault en 1695. Même s'il n'en est pas l'auteur original mais l'adaptateur puisque c'est un Italien Giovanni Francesco Straparola qui l'a imaginé un siècle et demi plus tôt dans son recueil Les Nuits Facétieuses allègrement pompé par mal d'autres fameux conteurs comme les frères Grimm. Cette histoire de chat rusé, elle a compté à la fois pour deux contemporains, Napoléon Bonaparte et Wolfgang Amadeus Mozart. Napoléon, car quand il était enfant mais déjà avec l'ambition de devenir un grand général, il mit un uniforme et enfila des bottes bien trop grandes pour lui. Comme il avait un l'air un peu ridicule avec ses jambes maigrelettes dans ses grandes chausses, une petite fille lui donna le surnom de Chat Botté. Dans "Ah Ouais ?", Florian Gazan répond en une minute chrono à toutes les questions essentielles, existentielles, parfois complètement absurdes, qui vous traversent la tête.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Send us Fan Mail"One can have perfect pitch at age three, at age five decipher a score seen for the first time, like Mozart. One cannot be a gourmet before 40."

durée : 00:05:18 - Le 13/14 - par : Frédéric Pommier - Elle vient de faire paraître un nouvel album, "Musiques de cinéma", et dirigera la Messe du couronnement de Mozart les 15 juillet à Saintes puis le 17 à Lessay. Au micro de Frédéric Pommier, la cheffe d'orchestre Laurence Equilbey évoque la chanson "Famous Blue Raincoat" de Leonard Cohen. - invités : Laurence Equilbey Cheffe d'orchestre et cheffe de chœur Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:28:18 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Haydn, Mozart et Beethoven sont tous les trois au programme du nouveau disque du Fine Arts Quartet. Nous resterons avec Haydn et ses sonates pour piano, enregistrées par Denis Kozhukhin. - équipe : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:28:18 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Haydn, Mozart et Beethoven sont tous les trois au programme du nouveau disque du Fine Arts Quartet. Nous resterons avec Haydn et ses sonates pour piano, enregistrées par Denis Kozhukhin. - équipe : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Schools have closed in France. A nuclear power plant near Toulouse has been forced to switch off a reactor. Nuclear power plants cannot operate correctly without enough water of the right temperature to cool down reactors. When these temperatures climb too high, the reactors need to be shut down to avoid environmental damage caused by hot water being discharged into local water courses. Also on the programme: the newly discovered manuscript containing composition lessons by Mozart; and the continuing woes of the Lincoln Memorial Reflecting Pool in Washington DC.(Photo: Young people cool off in the Fontaine de l'Observatoire fountain as temperatures rise in Paris Credit: Reuters/Abdul Saboor)

¿Y si perderse cosas fuera una forma de libertad? El filósofo Juan Evaristo Valls Boix plantea esta idea en JOMO. El gusto de perder (Cuadernos Anagrama), un ensayo que reivindica el derecho a decir no en una sociedad obsesionada con la productividad, la hiperconexión y el miedo a quedarse fuera. Frente al conocido FOMO (fear of missing out), el autor propone el JOMO (joy of missing out): la alegría de perderse cosas para recuperar tiempo, atención y libertad.La promoción de la lectura protagoniza otro de los momentos destacados del programa con el reconocimiento a Un país para leerlo, espacio de La 2 galardonado con el Premio Nacional al Fomento de la Lectura 2026. Conversamos con su codirector, Luis Miguel Gómez , así como con Ignacio Elguero, responsable de iniciativas culturales de RTVE e impulsor del proyecto, sobre una iniciativa que ha convertido los libros y sus autores en protagonistas de la televisión pública. La actualidad cultural nos lleva también al Museo Thyssen-Bornemisza, que presenta una gran retrospectiva dedicada a Carmen Laffon, una de las figuras esenciales del arte español contemporáneo, y al ambicioso proyecto internacional para reconstruir el inacabado Don Quijote de Orson Welles, en el que participa la Filmoteca Española. Además, celebramos el hallazgo de una partitura inédita de Mozart descubierta por la Biblioteca Nacional de Francia, repasamos el legado de Nintendo 64 cuando se cumplen treinta años de su lanzamiento y nos acercamos a Manos de pobre, el cómic de Silvia Bezos, ganador del Premio Pang, que reflexiona sobre la desigualdad, la movilidad social y el acceso a la cultura.Escuchar audio

durée : 01:24:42 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - On ne les présente plus : les concertos pour violon de Mozart font l'objet d'une nouvelle intégrale enregistrée par le violoniste chinois Ning Feng. A découvrir ce matin, la musique du compositeur Alexei Stanchinsky ainsi que le "Grupo de los Ocho". - équipe : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:24:42 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - On ne les présente plus : les concertos pour violon de Mozart font l'objet d'une nouvelle intégrale enregistrée par le violoniste chinois Ning Feng. A découvrir ce matin, la musique du compositeur Alexei Stanchinsky ainsi que le "Grupo de los Ocho". - équipe : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Met vandaag: Britse premier Starmer stapt waarschijnlijk morgen op | Adviezen aan de regering voor een beter migratiebeleid | Muziekbundel van Mozart herontdekt in een Fransarchief | Schrijver-dichter Maarten van der Graaff is 38 jaar en wint nu al een oeuvreprijs | Presentatie: Mieke van der Weij

A Note from James:If I could tell my children to read one post of mine, it would be this post.Influence is how they will navigate a world of uncertainty.Robert Cialdini is the most influential person in the world. And by that I mean, he wrote the book Influence, which sold 3 million copies and defines the six critical aspects of all influence.Now he has a new book, Pre-Suasion, going 10x deeper into the concepts of persuasion. I got him on my podcast so I could ask the 1,000 questions I have.Small story from the book:If you name a restaurant “Studio 97” instead of “Studio 17,” people are more likely to tip higher.If you ask a girl for her phone number outside a flower store, triggering feelings of romance, she is more likely to give it to you than if you ask her outside a motorcycle store.And 500 other stories.The environment is just as important as what you say.Before the podcast began, I gave him a book as a gift: The Anxiety of Influence, a history of poetry.What would poetry have to do with influence and marketing?In all art, since the beginning of time, artists have built on the work of the artists of the generation before them.Beethoven depended on a Mozart to be a Beethoven. Picasso depended on a Cézanne. Without Michelson, there would be no Einstein.But poets, for some reason, would deny being influenced.“I never even read Ezra Pound,” shouted one poet at a critic.Poets want to be seen as original.Nobody is 100% original.This is the anxiety of influence.Almost all of our decisions, and even our creativity, are outsourced to the people around us who influence us: peers, teachers, religion, parents, bosses, etc.Our personality is our own particular mishmash of influences.How we deal with that anxiety, how we recognize the influences, learn from them, and build from them, is the birth of all of our creativity.Let me summarize the seven aspects of influence:Reciprocity: If you give someone a Christmas card, they will want to return the favor.Likability: Make yourself trustworthy. For instance, outline the negatives of dealing with you.Consistency: Ask someone for a favor. Now they will say to themselves, “I am the type of person who does James a favor.”Social Proof: If you are trying to get someone to do X, show them that “a lot of your peers do X.” For instance, if you are at a bar and you are a guy trying to meet women, bring your women friends and not your guy friends with you.Authority: “Four out of five dentists say…”Scarcity: “Only 100 iPhones left at this store!”Unity: You and I are the same because of location, values, religion, etc.I've used each of the above in business.They work.They will make you money.The entire purpose of language is to influence.We are not strong animals. We are weak.The language of influence saved us.Probably a word like “Run!” was the first word spoken.A word of influence.And it worked.I'm still running from the things I fear.So speak to influence.Don't speak to call a flower yellow.Speak to breathe spirit into an idea, to be enthusiastic, to convey emotion, to influence.This is the only way to have an impact with your unique creativity.I gave Robert the book as a gift — reciprocity — assuming we would have a great podcast.And we did.But then I thought later, I can't even remember how Robert got on my podcast.I highly recommend his book in the podcast and even in this post.As he got into his car after the podcast in order to go to his next interview, I started thinking:“Hmmm, who influenced who?”Episode Description:Robert Cialdini wrote the book on persuasion — literally. His classic Influence became one of the defining books on why people say yes, how decisions get shaped, and why the smallest cue in the room can change the outcome of a conversation.In this episode from the archive, James talks with Cialdini about Pre-Suasion, the idea that persuasion starts before the actual pitch. It begins with what people notice, what they feel, what is in the environment, and what frame has already been set before the first real ask is made.They talk about flower shops, restaurant names, voting booths, Warren Buffett's shareholder letters, Anwar Sadat's negotiation instincts, and the rabbi who helped save thousands of lives with one sentence. But the episode is not just about marketing. It is about how people make decisions under uncertainty — and how to use influence ethically, whether you are asking for a job, building a business, negotiating a deal, writing a sales letter, or trying to become more trusted.What You'll Learn:Why persuasion often begins before the message — and how small cues in the environment can make people more receptive.How Cialdini's original six principles of influence work: reciprocity, consistency, social proof, scarcity, authority, and liking.Why Cialdini added a seventh principle, unity — the feeling that “we are the same” — and why it can be even stronger than liking.When to use social proof versus authority, and how to decide which kind of evidence matters most in a given situation.Why admitting weakness first can build trust, and how Warren Buffett uses honesty as a persuasion tool instead of a liability.Timestamped Chapters:[00:00] Introduction and episode preview[01:25] Interview begins — James introduces Robert Cialdini and Pre-Suasion[03:12] The flower shop study: why context changes the answer before the question is asked[05:48] Valentine Street and the hidden power of unrelated cues[06:42] Wine stores, voting booths, and fluffy cloud mattresses[08:10] Are humans irrational, or are shortcuts necessary?[10:17] How the pictures on your wall can change what you write[11:36] The six — now seven — principles of influence[12:00] Reciprocity: the Hare Krishna flower example and the power of personalized gifts[16:40] Consistency: Anwar Sadat, Henry Kissinger, and giving people a reputation to live up to[19:30] Cialdini's undercover research with sales organizations[23:30] Social proof: medical no-shows, restaurant menus, and what happens when a message backfires[26:43] Social proof as feasibility: “people like me can do this”[29:07] Authority: when expert endorsement beats crowd validation[33:55] Why companies lose with better products when they fail to frame the decision properly[35:10] Building authority from zero by using honesty and scarcity[37:05] The Avis “We're number two” campaign and the trust value of admitting weakness[38:24] Warren Buffett's shareholder letters and the persuasive power of leading with mistakes[41:30] Unity: Cialdini's seventh principle of influence[44:24] The rabbi, the Japanese tribunal, and the sentence that saved a community[48:30] Applying unity in job interviews, dating, and negotiations[51:10] Loss aversion and how uncertainty changes persuasion[55:00] Why long sales letters can outperform short ones[55:30] Cialdini's practical framework: find what is true, direct attention to it, then make the case[59:00] Fake scarcity and why false urgency destroys trust[65:00] Closing thoughts on ethical influence and genuine specificityAdditional Resources:Robert Cialdini — Influence: The Psychology of Persuasion — Cialdini's classic book on the core principles of persuasion and compliance. Robert Cialdini — Pre-Suasion: A Revolutionary Way to Influence and Persuade — the follow-up book discussed throughout the episode, focused on what happens before the persuasive message itself. Berkshire Hathaway Shareholder Letters — referenced in the episode as a real-world example of trust-building through candor and weakness-first communication. Daniel Kahneman and Prospect Theory — Cialdini references the role of loss aversion and uncertainty in persuasion; Kahneman received the 2002 Nobel Memorial Prize in Economic Sciences for integrating psychological research into economic decision-making. Chiune Sugihara — the Japanese diplomat connected to the story Cialdini uses to explain unity and shared identity. The Avis “We're Number Two” Campaign — discussed as an example of turning a weakness into credibility by being honest before making the positive case.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Matt and Jordan review HBO’s Sundance acquisition Miss You Love You. And while Jordan finds it to be a handsome, moving, and well-acted "filmed play", Matt finds too modest and predictable. For Rec Seg, Matt revisits the grueling, ice-cold dread of corporate culture with a 2019 workplace thriller, while Jordan counters with a classic 1982 Sidney Lumet thriller packed with more twists, turns -- and smooches! Finally, Jordan takes the reins as Dungeon Master for a game called On a Wing and a Prayer. Chapters / Timecodes (Timecodes/chapters may not be precise with ads.) Intro (00:00:00–00:7:27) Miss You Love You (00:7:28–00:26:54) Rec Seg!: (00:26:55–00:43:49) Personalized Recs (00:43:50–01:04:34) Game: On a Wing and a Prayer (01:04:35–01:23:04) Wrap-Up & Credits (01:23:05–01:35:02) Show Notes Now Streaming on Bazooga - A Filmspotting: SVU Archive https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/ Matt's appearances on our sister podcast, The Next Picture Show, discussing Shogun Assassin and The Mandalorian and Grogu. https://www.filmspotting.net/nextpictureshow Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th): https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/ Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvuSee omnystudio.com/listener for privacy information.

In this episode, LA Opera Connects affiliated scholars Dr. Tiffany Kuo and Dr. Kristi Brown-Montesano discuss "The Magic Flute," lighting up the LA Opera stage. They tackle the tough issues of gender raised by depictions of the Queen of the Night. Is she good, or is she evil? Empowered or beholden? Or is it far more complicated than any binary? They also touch on the influence of Freemasonry in Mozart's magical fairy tale, with plenty of musical interludes to whet your appetite. Enjoy, and then get your tickets to "The Magic Flute" at LAOpera.org.

W. A. Mozart: Missa Brevis in G Major, K. 140, II. GloriaCarolina Ullrich, Elvira Bill, Patrick Grahl Cologne Cathedral Vocal Choir & Chamber Orchestra Christoph Poppen, conductorMore info about today's track: Naxos 8.574637Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Boots Riley talks about his new film, ‘I Love Boosters.' It stars Keke Palmer as the leader of a crew of women shoplifters who steal from luxury stores and sell the goods cheap to people who can't afford retail. Riley says he thinks of his work labor organizing, filmmaking and writing hip-hop music as the same project. Also, we'll hear from actor Will Sharpe. He starred in season two of ‘The White Lotus,' Lena Dunham's series ‘Too Much,' and the movie ‘A Real Pain.' Now he plays Mozart in a new adaptation of ‘Amadeus.' TV critic David Bianculli reviews a new special by David Attenborough.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

For most of human history, people went about their daily lives with a worm or two (or fifty) in their guts. Only in the past century, with pharmaceuticals and sanitation practices, have we made significant strides towards deworming the whole of humanity. And that's typically been thought of as a good thing, because having too many worms in your body can–quite literally–suck the life out of you. But is it possible to have… too few worms? Science wonders if deworming ourselves has actually led to an increase in certain chronic diseases. On this episode, we dive into Necator americanus, a.k.a. the American Hookworm, and its mysterious relationship with each of us. We trace the hookworm's 118-year journey from a demonized economic depressant, to its use as a desperate D.I.Y. immunosuppressant, to its potential as a medical treatment for a number of chronic diseases, everything from asthma to MS. We're bringing back two stories  from our 2009 episode Parasites plus new research on hookworms and autoimmune diseases, reported by Molly Webster Special thanks to Ethan Hein for the use of his remix of Mozart's Piano Concerto No. 21. Plus, Doris Pierce, and Dan and Alice Hadley. EPISODE CREDITS:  Reported by - Pat Walters and Molly Webster with help from - {{wREPORTERS}} Produced by - Matt Kielty with help from - Rebecca Rand Fact-checking by - Diane A. Kelly and Edited by  - Arianne Wack EPISODE CITATIONS: Articles -  Effect of experimental hookworm infection on insulin resistance in people at risk of type 2 diabetes (https://pubmed.ncbi.nlm.nih.gov/37495576/) by Giacomin PR et al. Nat Commun. 2023 Jul 26 Signup for our newsletter!! It includes short essays, recommendations, and details about other ways to interact with the show. Sign up (https://radiolab.org/newsletter)! Radiolab is supported by listeners like you. Support Radiolab by becoming a member of The Lab (https://members.radiolab.org/) today. Follow our show on Instagram, Twitter and Facebook @radiolab, and share your thoughts with us by emailing radiolab@wnyc.org. Leadership support for Radiolab's science programming is provided by the Simons Foundation and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.