Podcasts about mozart

Get Keyser's Book here: https://mitpress.mit.edu/9780262552325/play-it-again-sam/   In his famous Norton Lectures (1976), Leonard Bernstein extolled repetition, saying that it gave poetry its musical qualities and that music theorists refused to take it seriously at their peril. In Play It Again, Sam, Keyser takes Bernstein seriously, exploring the way repetition works in the “sister arts” of music, poetry, and painting. He argues, for example, that rhyme in metrical verse is identical to the way songwriters like Duke Ellington, Billy Strayhorn (Satin Doll), Lorenz Hart (My Funny Valentine), and Richard Rodgers (of Rodgers and Hammerstein fame) constructed their iconic melodies. Furthermore, the form of these tunes can be found in classical compositions, including those of Mozart.   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents? Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/   Read Jason in Unaligned here: https://substack.com/home/post/p-161586946...   New to streaming or looking to level up? Check out StreamYard and get $10 discount!

En entrevista para MVS Noticias con Ana Francisca Vega, Ricardo Salinas, guitarrista, habló sobre Bach, Mozart, Queen y The Beatles... todos suenan en una sola guitarra, en “Piano a Seis Cuerdas Tour 2025”. "Estoy muy contento de hacer un concierto aquí en la Ciudad de México, ya que la gira ha arrancado en muchas ciudades a lo largo de la República Mexicana, pero es el único yo creo que vamos hacer aquí en la ciudad", dijo.See omnystudio.com/listener for privacy information.

Ayako Ohtake, a Sydney-based Japanese soprano singer, hosts monthly music segment called VIVA! Opera for SBS Japanese. For this episode, Ms Ohtake picked 'Sull'aria' from "Le nozze di Figaro" composed by W.A. Mozart. - 7月29日の放送に引き続き、モーツァルト「フィガロの結婚」から、花嫁となるスザンナと伯爵夫人によるソプラノ二人の優雅なソプラノ二重唱をお送りします。

Liegt die Lösung all unserer Probleme im Weltraum? In der Erschließung neuer Planeten? Immerhin erklärt Donald Trump die Kolonisierung des Mars zum Schicksal der Nation. Andere wollen noch weiter hinaus. Wo liegen die Grenzen der Tech Bro Topia? Vens, Hartwig; Schnee, Philipp; Genzmer, Jenny; Mirani, Jaya

Mozart es la banda sonora detrás de seis récord Guinness y más de diez récords mundiales. Es la música que escucha Pablo Fernández antes de enfrentarse a una gran hazaña como puede ser nadar más de 36 horas seguidas o recorrer más de 250 kilómetros en el océano en 24 horas. Todo esto lo hace mientras dirige dos empresas de éxito como contribuye a causas benéficas. Entre mareas y retos imposibles ha demostrado que el verdadero éxito empresarial también requiere la misma resistencia, adaptabilidad y coraje. Pablo Fernández pasa este lunes por los micrófonos de 'Herrera en COPE' para contar su historia. Nació, como muchas otras personas, en un barrio obrero, concretamente en Carabanchel (Madrid). De padre mecánico y madre enfermera, justo cuando Pablo nació, ambos decidieron dejarlo todo para ser misioneros de la Iglesia Católica. Desde entonces, él y su familia han deambulado por el mundo y vivido en ocho ciudades. Una vida de riesgos y aventuras con la misión de ...

In this episode, the hosts reflect on the life and career of Hulk Hogan, discussing his immense influence on professional wrestling and pop culture. They explore the rise of Hulkamania, Hogan's ability to connect with fans, and his transition from WWF to WCW, including the impact of the NWO era. The conversation highlights Hogan's legacy as a wrestling icon and his role in shaping the industry. In this conversation, the speakers reflect on the profound impact of Hulk Hogan on the wrestling industry, discussing his iconic heel turn, the formation of the NWO, and the evolution of wrestling characters. They explore Hogan's legacy, his role in the birth of the Attitude Era, and the significance of WrestleMania in shaping wrestling history. The discussion highlights Hogan's ability to connect with audiences and his lasting influence on future generations of wrestlers.Chris Bey Go Fund Me- https://gofund.me/a09e8a55The Stro's Go Fund Me- https://www.gofundme.com/f/please-help-me-with-travel-and-medical/cl/s?lang=en_US&ts=1748891480&utm_campaign=fp_sharesheet&utm_medium=customer&utm_source=copy_link&attribution_id=sl%3A43195664-340a-4e71-8545-7864003c9b34American Red Cross- https://www.redcross.org/donate/to/donation-to2.html/?alloy_redirect=eyJ2IjoxLCJhZCI6IjYwODk2NjowOjB8MCw2MDg5NjY6MDowfDIsNjA4OTY2OjA6MHwxIn0%3DTap Cancer Out- https://tapcancerout.org/donate/DUBBY Energy-https://www.dubby.gg/discount/LARIAT?ref=kiwbseptUse Promo Code: LARIATHoward and Mozart- www.vocnation.cominfo@stillalariat.comstevezapf@stillalariat.comshowtime@stillalariat.comhound@stillalariat.comscarps@stillalariat.comhttps://www.instagram.com/still.a.lariat/https://twitter.com/Stillalariatpchttps://www.tiktok.com/@still.a.lariat?_t=8kBZPMSeMHu&_r=1https://linktr.ee/istillcallitalariat

Brennan Brown is a stage and screen actor known for portraying complex and multifaceted characters. After graduating from Yale School of Drama, he landed roles on Broadway in revivals of Shaw's Major Barbara, and Stoppard's The Real Inspector Hound and The Fifteen Minute Hamlet, and in leading theatres throughout America. On screen Brennan has worked with such visionary directors including Tim Hooper on HBO's “John Adams”, John Requa and Glenn Ficarra on both of their films, I Love You Phillip Morris, and Focus, State of Play (dir. Kevin Macdonald), Detachment (dir. Tony Kaye), Midway (dir. Roland Emmerich), The Wolf Hour, and Not Okay. He has appeared in dozens of primetime shows most notably as antique dealer Robert Childan on the acclaimed Amazon series “The Man in the High Castle”, Edward Biben on "Mozart in the Jungle", Agent Donnelly on "Person of Interest", and for the past ten seasons as Dr. Sam Abrams on "Chicago Med". He also appears in the upcoming Netflix series “The Beast In Me”. Other appearances on long running shows including ”Madam Secretary","Elementary","The Blacklist",“Damages",“Bull”, "Ugly Betty","The Good Wife”, "Breaking Bad” and others. We chat about being an introvert, flow state, his medallion on circle cinemas walk of fame, moving around a lot as child, sobriety, auditioning, the Man in the High Castle, Chicago Med, perfectionism and wanting to get it ‘right', unlearning, meditation + plenty more! Check Brennan out on: Instagram: https://www.instagram.com/thebrennanbrown ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan

In this week's episode, Derek delves into the enduring keyboard works of Mozart with live CRC performances by pianists Jonathan Biss, Rafał Blechacz, and Barry Douglas with the Camerata Ireland. Adagio in B Minor, K. 540Menuet in D Major, K. 355Jonathan Biss [12/9/2018 performance]Rondo in A Minor, K. 511Rafał Blechacz [4/8/2018 performance]Piano Concerto No. 27 in B‐flat Major, K. 595LarghettoAllegroCamerata Ireland; Barry Douglas, piano/conductor [10/27/2001 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

Stephen Kovacevich is one of the  most celebrated concert pianists of his generation. Since his Wigmore Hall debut in 1961 he has been known for his interpretations of Beethoven, Brahms, Mozart and Schubert. Stephen and I look back over his career and discuss his experiences as a soloist, chamber musician, recording artist and conductor, collaborating with many of the world's leading performers and orchestras. He and pianist Martha Argerich will be performing at the Wigmore Hall in October 2025 in a concert to celebrate his 85th birthday.

The American director and choreographer Kathleen Marshall has been nominated for nine Tony awards, winning three times for Broadway productions of Wonderful Town, The Pajama Game and Anything Goes. She was the first woman to complete a trio of achievements - directing a play, directing a musical and choreographing a musical on Broadway.She also won an Olivier Award for her 2021 production of Anything Goes in London. It was the first big musical to open after numerous Covid lockdowns, and received an ecstatic welcome from audiences and critics alike, hungry to get back into a theatre and enjoy a hugely uplifting show. More recently she has directed Irving Berlin's Top Hat in Chichester. Her musical choices include Mozart, Chopin, Tchaikovsky and Duke Ellington.

Carey & Quirky meet up for another episode of craic, chat, tae & music.Mozart is discussed & how he used to play the pubs!Ozzy Osbourne, God Father of Heavy Metal judged passed away - RIP Ozzy.Loads of craic, chat and laughs in between with a cover song at the end.From Carey & Quirky @ IT'S ALL MUSIC - THANKS FOR LISTENING Hosted on Acast. See acast.com/privacy for more information.

Sir Gregory Doran is the former artistic director of the Royal Shakespeare Company. He spent a total of thirty five years with the RSC directing fifty productions in the UK and abroad. He's been called “one of the great Shakespeareans of his age” and has won multiple awards for his work.Born in 1958, Greg was brought up near Preston and played a number of female Shakespeare roles when he was a young pupil attending an all-boys secondary school. He went on to study English and Drama at Bristol University followed by a stint studying classical acting at the Bristol Old Vic Theatre School. After a few bit parts in TV sitcoms and a spell at Nottingham Playhouse, Sir Greg decided that he would prefer to carve out a career as a director. He went on to stage some of the most critically acclaimed theatre productions – including an all-black cast of Julius Caesar and took Titus Andronicus to South Africa.More recently, he has been touring the globe on his Shakespeare's First Folio tour to look at as many different copies of the texts as possible. He survives his husband, the actor Sir Anthony Sher whom he met in 1987 whilst they were both part of a production of the Merchant of Venice at the RSC in Stratford. Sir Greg lives in London.DISC ONE: Giulio Cesare in Egitto, HWV 17, Act 1: Duetto. "Son nata a lagrimar" (Cornelia, Sesto) Composed by Georg Friedrich Händel and performed by Nathalie Stutzmann (contralto) Philippe Jaroussky (counter tenor) Oreo 55 (Orchestra) DISC TWO: Sicut cervus – The Choir of Preston Catholic College DISC THREE: Born Free - Matt Monro DISC FOUR: It's Raining Men - The Weather Girls DISC FIVE: Diamonds on the Soles of Her Shoes - Paul Simon DISC SIX: J.S. Bach: Cantata "Ich habe genug" BWV 82: I. "Ich habe genug, ich habe den Heiland". Performed by Thomas Quasthoff (bass-baritone), Berliner Barock Solisten, conducted by Rainer Kussmaul DISC SEVEN: Piano Concerto No. 12 in A, K.414: 2. Andante. Composed by Mozart and performed by Alfred Brendel (piano) and Academy of St Martin in the Fields, conducted by Sir Neville Marriner DISC EIGHT: Where the Bee Sucks - Paul Englishby, Royal Shakespeare Company BOOK CHOICE: A 1609 copy of Shakespeare's Sonnets LUXURY ITEM: A shelf of photo albums CASTAWAY'S FAVOURITE: Piano Concerto No. 12 in A, K.414: 2. Andante. Composed by Mozart and performed by Alfred Brendel (piano) and Academy of St Martin in the Fields, conducted by Sir Neville MarrinerPresenter: Lauren Laverne Producer: Sarah Taylor

Immer wieder schreibt die Liebe die ungewöhnlichsten und seltsamsten Geschichten. Warum sollte es in der Kunst anders sein als im wahren Durchschnittsleben? Ungleiche Paare, auch die Musikgeschichte hat einige davon zu bieten, Mozart und Constanze, Gustav und Alma Mahler, das sind nur zwei der Beziehungen, über die wir bis heute tratschen und diskutieren. Der Komponist und das Model. Unser ZOOM blickt in eine weitere spektakuläre Musik-Beziehungskiste.

 If we served others or embraced the role of a servant, we would be far more efficient!Consider the story of the great Portuguese pianist Maria João Pires. One evening, she received a phone call asking her to perform Mozart's Concerto K.466 the next day in Amsterdam—but she misunderstood and prepared K.488 instead, a completely different piece. When she arrived, the conductor informed her that she was expected to play K.488.She protested, “I can't do this; I'm not prepared!”The conductor replied, “But you performed this concerto just a year ago…”Overwhelmed, she nearly left the concert hall in distress. Yet when the performance began, she played the concerto absolutely flawlessly.What happened?I believe many of us have experienced this: a moment when internal resistance shatters, and we accomplish something previously thought impossible.Key Lessons:She surrendered her ego.By admitting she couldn't play the concerto well, she stopped resisting. In that moment, her subconscious—where the entire piece was stored—took over.Repetition alone doesn't guarantee mastery.We often fail despite endless practice because pressure triggers self-sabotage. Forcing memorization is inefficient. Maria João Pires once said, “Repeating something mindlessly until I ‘learn' it is pointless. I practice for 45 minutes, or twice that if I'm enjoying it. Without joy, I can't retain anything.”Overworking harms more than it helps—a fact backed by science.She reconnected with joy.Remembering the pleasure of playing certain passages made her eager to experience that joy again.She played for Mozart, not perfection.Focusing on honoring Mozart—rather than avoiding mistakes—freed her to perform effortlessly.The Takeaway:True mastery comes from releasing ego, embracing joy, and serving something greater than ourselves.My Video: How Inefficient Is Our Ego? https://youtu.be/tamCW0FTETsMy Audio: https://divinesuccess.net/wp-content/uploads/2021/Podcast4/How-Inefficient-Is-Our-Ego.mp3

So many great singing artists lost to the world of late! Almost a month ago now, the great Welsh tenor Stuart Burrows (07 February 1933 - 29 June 2025) left this mortal coil at the age of 92. Burrows was an artist of extraordinary technique, elegance, and sincerity and it has been an honor and a delight to put together this episode which celebrates his career. Because he was a favorite partner of so many exceptional divas, I decided to focus this episode on Burrows singing duets with some of the most important divas of his era. Included in the episode are Beverly Sills, Gundula Janowitz, Joan Sutherland, Renata Scotto, Leontyne Price, Nelly Miricioiu, Gwendolyn Killebrew, Margaret Price, and Reri Grist, singing Mozart, Massenet, Offenbach, Gounod, Berlioz, Donizetti, Bellini, Verdi, and even some Puccini. “The boys” are represented by José van Dam and Countermelody favorite Donald Gramm. In the late 1970s and 1980s, Burrows was a popular television star in the UK, starring in the eponymous BBC2 series, Stuart Burrows Sings. The episode also features two snippets from that show, one a duet with the beautiful lyric mezzo Diana Montague (whose husband tenor David Rendall died earlier this week). The episode begins with a tribute to the beloved Welsh pop contralto Iris Williams, who died on July 11 at the age of 79. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Senior Times Classical Collection More Musical Masterworks Including works by Haydn, Mozart, Beethoven, Mahler, Schubert, Rossini, Handel and more Introduced by John Low. Produced by Conor O'Hagan

Steve Beck is a virtuoso classical pianist known for his brilliant technique and wide-ranging repertoire. He has performed with the New York Philharmonic and the National Symphony among others. He's a regular at the Mostly Mozart Festival and at Bargemusic, where each Christmas Eve he performs Bach's Goldberg Variations. And he also performs all 32 Beethoven piano sonatas in a single day. My featured song is “African Nights (for Chick)”. ------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH STEVE:www.stevenbeck.me____________________ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------ROBERT'S RECENT SINGLES:“THE CUT OF THE KNIFE” is Robert's latest single. An homage to jazz legend Dave Brubeck and his hit “Take Five”. It features Guest Artist Kerry Marx, Musical Director of The Grand Ole Opry band, on guitar solo. Called “Elegant”, “Beautiful” and “A Wonder”! CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------“DAY AT THE RACES” captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Tonight... On the North American Friends Movie Club.A flawed genius.A jealous rival.And the biggest wigs and hats a human skeleton can sustain.We watched the 1984 period biographical drama film - AmadeusSo slip on a pair of shoes with one big buckle. And take your revenge against a cruel and uncaring god.Because we're the Mozarts of podcasts and our new song starts right now. Hosted on Acast. See acast.com/privacy for more information.

In this engaging conversation, Steve Zapf and Mozart Fontaine delve into the evolution of wrestling, discussing the impact of modern styles on injuries, the significance of celebrity involvement, and the parallels between wrestling and the music industry. They explore the overwhelming amount of wrestling content available today, the importance of match placement, and the diminishing significance of titles in wrestling. The discussion highlights the need for reinvention in both wrestling and music careers, while also addressing the corporate shift in WWE's business model. In this engaging conversation, Mozart Fontaine and Steve Zapf delve into the intricacies of professional wrestling, discussing the importance of money in the business, the psychology behind matches, and the significance of chemistry between wrestlers. They explore the art of card placement, the legacy of great bookers, and the necessity of finding one's wrestling style. The discussion also touches on the importance of credible training, life lessons learned from wrestling, and the need for critical thinking in the industry.Chris Bey Go Fund Me- https://gofund.me/a09e8a55The Stro's Go Fund Me- https://www.gofundme.com/f/please-help-me-with-travel-and-medical/cl/s?lang=en_US&ts=1748891480&utm_campaign=fp_sharesheet&utm_medium=customer&utm_source=copy_link&attribution_id=sl%3A43195664-340a-4e71-8545-7864003c9b34American Red Cross- https://www.redcross.org/donate/to/donation-to2.html/?alloy_redirect=eyJ2IjoxLCJhZCI6IjYwODk2NjowOjB8MCw2MDg5NjY6MDowfDIsNjA4OTY2OjA6MHwxIn0%3DTap Cancer Out- https://tapcancerout.org/donate/DUBBY Energy-https://www.dubby.gg/discount/LARIAT?ref=kiwbseptUse Promo Code: LARIATSlim Burgundy- www.vocnation.cominfo@stillalariat.comstevezapf@stillalariat.comshowtime@stillalariat.comhound@stillalariat.comscarps@stillalariat.comhttps://www.instagram.com/still.a.lariat/https://twitter.com/Stillalariatpchttps://www.tiktok.com/@still.a.lariat?_t=8kBZPMSeMHu&_r=1https://linktr.ee/istillcallitalariat

durée : 01:28:45 - Sabine Meyer, soliste et chambriste exceptionnelle - par : Aurélie Moreau - Pour son nouvel enregistrement du Concerto de Mozart dirigé par Giovanni Antonini, Sabine Meyer a choisi la clarinette de basset, instrument soliste initial (Digital, Alpha Classics). Au programme aujourd'hui, et Schubert, Krommer, Debussy, Milhaud… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Join Howard Morgan and Mozart Fontaine as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices

'Aprite, Presto' from Le nozze di Figaro composed by W.A.Mozart is a lively and dynamic duet between Susanna and Cherubino. It's a short but exhilarating piece that draws you into the chaos, letting you share in the urgency and thrill of the moment. Listen to VIVA! Opera, a monthly content by Sydney-based Japanese soprano singer, Ayako Ohtake. - 躍動感や動きに満ちあふれたデュエットで、スザンナとケルビーノの短い２重唱。大慌ての2人と一緒に、ハラハラしながら楽しめる曲です。(2023年9月26日放送)

How does music, even types you dislike, make wine more enjoyable? Can curated playlists in tasting rooms and wine bars influence how customers drink, eat, and experience wine? What happens when you stop overthinking wine and music and just enjoy? In this episode of the Unreserved Wine Talk podcast, I'm chatting with Susan Lin, a Master of Wine and a Master of Fine Arts in Classical Piano and Musicology. You can find the wines we discussed at https://www.nataliemaclean.com/winepicks   Highlights How does a low-pitched, slow-tempo musical piece impact the perceived fruitiness of wine? What does "timbre" mean in musical terms? How do different musical characteristics influence the perception of wine's effervescence? Did the participants' music preferences correlate with their enjoyment of the wine? What might surprise you about how the wines tasted in silence compared? Why does the influence of sound on our perception tend to go unnoticed? How are some winemakers using music in their wineries? Are there retail applications for Susan's research into the influence of music on the perception of wine? What would be Susan's ideal live concert and wine pairing scenario? What are some of the possibilities in the future for AI-generated music for wine experiences? Is there an interest in similar research on the intersection between dance and wine perception? What future research areas is Susan considering in terms of music and wine perception? What three objects would Susan display in a museum representing her life and passions? If Susan could share a wine with anyone outside the wine industry, who would it be and why? How can you start being more intentional about exploring sensory experiences with wine and music?   Key Takeaways How does music, even types you dislike, make wine more enjoyable? Susan says that in her experiments, the wine that was consistently the worst, least balanced, was the wine tasted without music. Even if somebody said I really didn't like this music, it was a way better wine to them than without music. Even for the wine experts, the wines were much more palatable without music. I think that's why sound can be a very, very powerful thing. Can curated playlists in tasting rooms and wine bars influence how customers drink, eat, and experience wine? Susan has worked with tasting rooms and wine bars to curate their playlists in terms of the experiences that they want their customers to have. You want to have people be a little more relaxed in the morning, but then, you start amping it up for the evening. I put together a complete journey, that sort of sonic seasoning for different expressions of their wines, for big bold red versus for their light, youthful white wines. What happens when you stop overthinking wine and music and just enjoy? Susan says that with the melding of music and wine, there's still so much to learn. Keep trying things. Don't worry about whether it's right or wrong. Just enjoy the experience. Let everything come in sensorially and enjoy that and embrace again the mystery of things. We can't explain everything through data, and that's a good thing.   About Susan R. Lin Susan R. Lin is a Master of Wine and a Master of Fine Arts in Classical Piano and Musicology. Susan's MW research paper ‘Influences of Classical Music on the Sensory Perception of a Brut Non-Vintage Champagne' and subsequent work on the interaction of music and wine have been featured in Decanter, Food & Wine, GuildSomm, and others. Each of Susan's creations is rooted in academic research and inspired by a deep respect for the essence of wine and music.         To learn more, visit https://www.nataliemaclean.com/347.

Aspasia: Brenda Rae Sifare: Vanessa Goikoetxea Ismene: Angela Yam Farnace: John Holiday Arbate: Alexis Peart Mitridate: Lawrence Brownlee Marzio: Charles Sy Conductor: David Angus Boston Lyric Opera September 2024 Broadcast https://parterre.com/2025/07/23/mad-about-mitridate/

Aspasia: Marie Lys Ismene: Lauranne Oliva Farnace: Hongni Wu Sifare: Key'mon Murrah Arbate: Nicolò Balducci Mitridate: Levy Sekgapane Marzio Remy Burnens Orchestre national Montpellier Occitanie Conductor: Philippe Jaroussky Opéra Comédie de Montpellier 12 April 2025 Broadcast https://parterre.com/2025/07/23/mad-about-mitridate/

What Can We Learn from INTERWAR Tanks to Build the Perfect Space Vehicle?Nicholas Moran (The Chieftain) returns to Cold Star Project for an in-depth analysis of interwar tank doctrine development and its applications to modern space defense.Episode Focus: How seven major nations approached mechanized warfare challenges between 1918-1939, examining their strategic constraints, doctrinal solutions, and ultimate battlefield outcomes.Key Discussion Points: Comparative analysis of French, German, Soviet, British, American, Italian, and Japanese tank development philosophiesResource limitations and industrial capacity impacts on doctrineTactical innovation versus established military thinkingPractical applications for contemporary "space tank" or patrol vehicle conceptsTarget Insights: Defense professionals will recognize familiar strategic dilemmas in resource allocation, technological integration, and operational planning. History enthusiasts get detailed examination of lesser-known doctrinal decisions that shaped WWII outcomes.Why This Matters: The same fundamental questions that plagued interwar military planners—mobility versus protection, standardization versus specialization, offensive versus defensive priorities—are now central to space-based defense planning.The Cold Star Project - Season 4, Episode 23Hosted, Directed, and Produced by Jason Kanigan“The real conversations behind the new space economy, defense tech, and policy—straight from the insiders building it.”Google Sheet: "Interwar Tank Doctrine Comparison Table Developed from Nicholas Moran's Analysis"https://coldstarproject.com/morantableThe Chieftain YouTube Channel:    / @thechieftainshatch   Previous interview:    • Nicholas Moran - Tank Research with The Ch...  --Music: W. A. Mozart, Symphony No.38 in D majorAttribution: A Far Cry Music (YouTube Audio Library), no attribution required--Remuneration Disclaimer: We were not remunerated in any way by the guest or their organization if any for this discussion. This show is for educational/commentary and entertainment purposes only and is not meant to be what is termed "professional advice".The Cold Star Project is sponsored in partnership by Cold Star Technologies and the Operational Excellence Society. Jason Kanigan is a member of the board of advisors of the OpEx Society.Cold Star Technologies website: https://www.coldstartech.comOperational Excellence Society website: https://www.opexsociety.orgAbout Jason Kanigan: https://jasonkanigan.com

Your greatest creative work already exists. Right now, in your optimal timeline, the masterpiece you were born to create has been completed. The innovation that will revolutionize your field has been perfected. The artistic expression that will move millions of souls has been brought into full manifestation by the version of yourself who has actualized your complete creative potential. Creative genius is not the ability to pull something magnificent from nothing through raw talent and relentless effort. Creative genius is the capacity to access and channel creative intelligence that already exists in a state of completion beyond the limitations of linear time and individual consciousness. Throughout history, every breakthrough artist, inventor, and visionary has reported the same phenomenon: their greatest works came through them rather than from them. They felt like vessels receiving transmission from a source of intelligence far greater than their individual creative capacity.Mozart described hearing complete symphonies in his mind as if a cosmic orchestra were performing them in another dimension. He didn't compose music so much as transcribe what he heard playing in the field of infinite musical possibility. Tesla could see his inventions operating perfectly in his imagination before he built them, testing and refining them in a mental laboratory that existed beyond physical constraints. Einstein discovered that his most profound insights arrived not through mathematical calculation but through what he called "combinatory play" - a state of receptive consciousness where breakthrough understanding could emerge fully formed. He understood that genius thinking operates according to principles completely different from ordinary analytical reasoning. These masters weren't superhuman. They had simply learned to access a level of creative intelligence that exists beyond individual consciousness. They discovered how to receive completed works from what we now understand as their optimal creative timeline. This represents a fundamental paradigm shift in how we understand the creative process. Instead of seeing creation as the struggle to generate something from nothing, we begin to recognize creation as the art of remembering what already exists in a state of completion in the quantum field of infinite possibility.  

Orli Shaham is one of the brightest stars on the musical stage today. Not only a wonderful pianist and expressive performer, she is one of the sharpest music minds I know. I always learn from talking with her, and it's always fun!

La #SessionLive reçoit l'accordéoniste réunionnais René Lacaille pour la sortie du nouvel album Ti Galé. Aujourd'hui en solo, René Lacaille crée des mélodies qui renvoient au paradis perdu de son enfance musicale. S'il a quitté La Réunion, il y a plus de quarante ans, elle ne l'a jamais quitté, lui. Elle est au cœur de sa musique et transcende toutes les influences. Après l'avoir célébrée sur scène pendant 70 ans, il offre avec modestie un héritage musical magnifié par l'accordéon, instrument maître du séga lontan, dans un album solo longtemps rêvé et enfin réalisé. Accordéoniste, guitariste, percussionniste, saxophoniste, chanteur, auteur, compositeur. René Lacaille est considéré comme une légende vivante de la musique réunionnaise, le « maître des accordéons pé i», la « figure légendaire du séga moderne ». Les représentants de la musique réunionnaise actuelle le considèrent comme leur « Tonton ». Inventeur du « maloya électrique », il a, avec le regretté Alain Peters et leur groupe culte Caméléon, envoûté La Réunion des années 70. Il est né juste après la guerre à Saint Leu, dans une île presque sans écoles, sans docteurs et sans voitures, où une nature sublime, parfois dangereuse, forgeait encore les hommes. Il est le digne descendant d'une famille de ségatiers qui faisait danser dans les bals « La poussière » des années 50-60. Dans sa musique, il y a de l'Africain, du Malgache, du Malbar... Chez lui, on entend aussi du jazz, du blues et de la musique savante (« Mozart est là », dit-il pour rigoler), des sonorités traditionnelles aux plus innovantes. Il est reconnu par des musiciens prestigieux du monde entier, avec qui il collabore (Vincent Segal, Piers Faccini, Rosemary Standley, Bob Brozman...). Car par-dessus tout, dans la musique comme dans la vie, René aime rencontrer, mélanger, pimenter. Chez lui on goûte rougail et cari, et puis on en reprend. Il est générosité et gourmandise. C'est encore mieux si c'est en famille, « èk marmaille ». Titres interprétés au grand studio : - Ti Baba Dodo Live RFI - Papang Zoué Pa Ek Poul, extrait de l'album  - Ek Marmaille Live RFI. Line Up : René Lacaille, accordéon chromatique. Son : Benoît Letirant, Mathias Taylor ► Album Ti Galé (Lamastrock/Do Bwa/Inouïe Dist. 2025). Grand Prix 2024 de l'Académie Charles Cros pour l'ensemble de son œuvre et sa carrière dans la catégorie Musiques du Monde. ► Les 70 ans de carrière au Théâtre Molière à Sète Lamastrock - YouTube - Bandcamp.

La #SessionLive reçoit l'accordéoniste réunionnais René Lacaille pour la sortie du nouvel album Ti Galé. Aujourd'hui en solo, René Lacaille crée des mélodies qui renvoient au paradis perdu de son enfance musicale. S'il a quitté La Réunion, il y a plus de quarante ans, elle ne l'a jamais quitté, lui. Elle est au cœur de sa musique et transcende toutes les influences. Après l'avoir célébrée sur scène pendant 70 ans, il offre avec modestie un héritage musical magnifié par l'accordéon, instrument maître du séga lontan, dans un album solo longtemps rêvé et enfin réalisé. Accordéoniste, guitariste, percussionniste, saxophoniste, chanteur, auteur, compositeur. René Lacaille est considéré comme une légende vivante de la musique réunionnaise, le « maître des accordéons pé i», la « figure légendaire du séga moderne ». Les représentants de la musique réunionnaise actuelle le considèrent comme leur « Tonton ». Inventeur du « maloya électrique », il a, avec le regretté Alain Peters et leur groupe culte Caméléon, envoûté La Réunion des années 70. Il est né juste après la guerre à Saint Leu, dans une île presque sans écoles, sans docteurs et sans voitures, où une nature sublime, parfois dangereuse, forgeait encore les hommes. Il est le digne descendant d'une famille de ségatiers qui faisait danser dans les bals « La poussière » des années 50-60. Dans sa musique, il y a de l'Africain, du Malgache, du Malbar... Chez lui, on entend aussi du jazz, du blues et de la musique savante (« Mozart est là », dit-il pour rigoler), des sonorités traditionnelles aux plus innovantes. Il est reconnu par des musiciens prestigieux du monde entier, avec qui il collabore (Vincent Segal, Piers Faccini, Rosemary Standley, Bob Brozman...). Car par-dessus tout, dans la musique comme dans la vie, René aime rencontrer, mélanger, pimenter. Chez lui on goûte rougail et cari, et puis on en reprend. Il est générosité et gourmandise. C'est encore mieux si c'est en famille, « èk marmaille ». Titres interprétés au grand studio : - Ti Baba Dodo Live RFI - Papang Zoué Pa Ek Poul, extrait de l'album  - Ek Marmaille Live RFI. Line Up : René Lacaille, accordéon chromatique. Son : Benoît Letirant, Mathias Taylor ► Album Ti Galé (Lamastrock/Do Bwa/Inouïe Dist. 2025). Grand Prix 2024 de l'Académie Charles Cros pour l'ensemble de son œuvre et sa carrière dans la catégorie Musiques du Monde. ► Les 70 ans de carrière au Théâtre Molière à Sète Lamastrock - YouTube - Bandcamp.

In his second appearance on Anthony Plog on Music, celebrated biographer and composer Jan Swafford returns for an expansive two-part conversation that dives deep into the very soul of classical music. In his previous interview from 2021, Jan discussed his monumental biographies of Mozart, Beethoven, Brahms, and Ives. But his intellectual and creative output extends far beyond those volumes, and this new set of interviews explores more of his wide-ranging contributions to the world of music.In Part 1, the focus turns to Jan's book Language of the Spirit: An Introduction to Classical Music, a refreshingly vivid and often personal guide to the history of Western music. The discussion begins with a few select quotes that set the tone for Swafford's engaging style—an approach that never shies away from humor, insight, or imagination. Along the way, Tony and Jan take an unexpected detour into a blog post imagining a conversation between Mozart and Picasso's Guernica. As the conversation returns to the content of Language of the Spirit, the two explore key aspects of the Baroque period, including figured bass and the challenges of intonation. The episode concludes with a discussion of three of Jan's own compositions—They That Mourn, Late August, First Snow, and River—offering a glimpse into his creative voice as a composer.Part 2 picks up right where they left off, continuing the discussion of the Baroque with special attention to the genius of Bach and the dramatic flair of Händel. This naturally leads into a thoughtful debate on performance practice, particularly the tension between historically informed performances (HIP) and modern approaches. Jan brings his signature candor and wit to the conversation, questioning what authenticity really means and whether the HIP movement sometimes overreaches. The episode closes on a memorable note, as Jan describes the extraordinary experience of holding the original manuscripts of Mozart's Marriage of Figaro and Brahms's German Requiem in his hands. And in true Swafford fashion, he promises to return again—next time, to tackle the Classical era through to the present day.DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

ReferencesActa Pharm Sin B. 2019 Sep 3;10(3):414–433Mechanisms of Ageing and Development2016. Volume 156, Pages 25-33The Journal of Biological Chemistry 2018.293: 2422-2437.Anal Cell Pathol (Amst).2018; 2018: 787.1814.Mozart, WA. 1788. Divertimento 563 in E flat majorhttps://music.youtube.com/playlist?list=OLAK5uy_lDd2hLSAScEFRzcwXGJxrKjTTrPB9uDu0&si=xoAXTM_V9fYzT_cOTaylor and Baker 1968. "Passing the Time. Cream Wheels of Fire lphttps://music.youtube.com/playlist?list=OLAK5uy_lDd2hLSAScEFRzcwXGJxrKjTTrPB9uDu0&si=xoAXTM_V9fYzT_cOMeade, N. . 1964. "Time is On My Side." Rolling Stoneshttps://music.youtube.com/watch?v=7jStGLgQkSw&si=ufgxy8kPLG6djqWNCroce, J. 1974. "Time in a Bottle"https://music.youtube.com/watch?v=9h1davKgBYM&si=LEy6JDkroVjcT-lU

Tobias Geiser è uno dei trail runner più forti e silenziosi d'Europa.Ha vinto il Grossglockner Ultra-Trail, è salito sul podio alla Mozart 100, ed è entrato nel cuore dei fan con il suo stile leggero e la sua determinazione granitica.In questa intervista si racconta senza filtri: la vita tra le montagne, le strategie per affrontare gare da oltre 100 km, la gestione della mente nei momenti di crisi e il senso più profondo che dà alla corsa.Una chiacchierata autentica, tecnica, ma anche umana.Perché quando corri tra le nuvole, a volte non trovi solo un traguardo… ma una parte di te.

durée : 01:28:52 - Grigory Sokolov, la puissance et la rigueur - par : Aurélie Moreau - Pour Grigory Sokolov, immense pianiste, « l'essence de l'interprétation, c'est l'amour profond que l'on porte à une pièce, assorti à la liberté intérieure de l'interprète. » (L'Humanité). Aujourd'hui : Brahms, Haydn, Mozart, Rachmaninov, Schubert… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Today in honor of Bastille Day, I present an episode featuring the late Gabriel Bacquier, who considered himself an “acting singer” rather than a “singing actor.” He made his first mark as a sublime Mozart singer, from there moving into Verdi baritone parts, and finally as a supremely skilled basso buffo. What is less well-known is that he was also a superb recitalist, and in today's bonus episode, I present him in recordings primarily from the early 1960s, but ranging into the late 1970s, which display his surprising skill in mélodie (for it is rare that one singer excels to the extent that Bacquier does in both opera and song). We hear him in live performances and studio recordings of songs of Fauré, Poulenc, Ravel, Duparc, Satie, and Poulenc, as well as examples from such lesser-known lights as Henri Sauguet, Louis Beydts, Maurice Yvain, and Marc Berthomieu. Bacquier's artistry began with the word as the basis for the shape and form of the music, and this approach proves to be equally valid and successful in song as in opera. Plus that, in the early years of his career, the voice was a thing of extraordinary beauty, whether in full-throated expostulation or the merest hint of a whisper. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

On this episode of Inside the Music, Derek explores works of Mozart following his departure from his home of Salzburg in favor of Vienna. Join us for live CRC performances by the Artemis Quartet and pianist Jonathan Biss.Quartet in G Major, K. 387Allegro vivace assaiMenuettoArtemis Quartet [3/3/2002 performance]Piano Sonata in C Major, K. 545AndanteJonathan Biss [4/15/2009 performance]Piano Sonata in C Minor, K. 457Molto allegroAdagioAllegro assaiJonathan Biss [4/15/2009 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

60 Jahre Musik für einen Gast - über 1500 spannende Persönlichkeiten gaben Einblick in ihren Beruf, ihre Leidenschaften und vor allem in die Musik, die sie geprägt hat. Ein Grund zum Feiern! Dieses Jubiläum begehen wir mit einer Spezialsendung mit Publikum. Zu Gast ist der Schweizer Kabarettist, Liedermacher und Schriftsteller Franz Hohler. Mit seinem unverwechselbaren Stil, seiner feinen Beobachtungsgabe und seinem humorvollen Blick auf die Welt, schafft es Hohler immer wieder, die Menschen zu berühren. Im Gespräch mit Gastgeberin Eva Oertle spricht Franz Hohler u.a. über sein Leben auf der Bühne, über seine Freundschaft zu Mani Matter, über das Älterwerden und über die Liebe zu seinem Cello, das ihn jahrelang bei seinen Bühnenauftritten begleitet hat. Die Musiktitel: 1. Giuseppe Sammartini – «2. Allegro» aus der Sonate für Sopran-Blockflöte und Basso continuo, G-Dur Maurice Steger, Sopran-Blockflöte /Naoki Kitaya, Cembalo 2. Arda String Quartet – W.A. Mozart: «1. Allegro» aus dem Streichquartett Nr. 2, D-Dur 3. Mani Matter - Farbfoto 4. Franz Hohler – Wenn i mol alt bin (wenn ich mal alt bin) 5. Franz Schubert - Nachthelle (Die Nacht ist heiter und ist rein) D 892 Irwin Gage, Klavier / Karl Scheuber, DIR / Schmaz - Schwuler Männerchor Zürich und Orchester Erstsendung 28.04.2024

durée : 00:31:38 - Solaé, le rendez-vous protestant - par : Jean-Luc Gadreau - Rencontre avec la pianiste Anne-Lise Gastaldi - réalisation : Thomas Jost

JÚLIO ETTORE é músico e YouTuber. Ele vai trocar uma ideia sobre o rock nacional dos anos 70. O Vilela sente falta de assistir aos shows do Mozart.

Ep. 692: Cranford | Chapter 14 Book talk begins at 11:49 Will Miss Matty accept help from her loyal friends? And what's this about Martha and Jem... and a lodger? --------------------------------------------------------------- 0:00 Episode start 01:30 July Raffle - Botanical Knits: 12 Designs inspired by trees and foliage by Alana Davos of Never Not Knitting 03.14 - This week's Tea - Gratitude Blend 06:10 - Janine Barchas and Isabel Greenberg's new book “The Novel Life of Jane Austen: a Graphic Biography” 10:20 We had a very Sad chapter 13, which ended with Miss Matty thinking about Martha. :( 11:49 START BOOK TALK Rubric- The Book of Common prayer printed directions for teh service in red. Hens the Rubric (from the Latin word for ‘Red”) signified someting of importance and later came to mean “injunction” or general rule. REALLY??? LATIN FOR RED???? 13:50 - Mammon - Matthew 6:24, Devil of Covetovness or Demon of Greed (medieval and Milton - lowercase) (in hebrew meant money, modern hebrew. = wealth), , unjust worldly gain - ANNOTATION is partly WRONG, But there WAS a Syrian God of Wealth 19:45 - AAah Voo DEER-ray zhuh - Basically Twinkle Twinkle Little Star - the easiest piece of music one could learn to play. Mozart had done one of his 12 variations (though, personally, I'm partial to Tom Lehrer's )  21:25 - She could “trace out patterns very nicely for Muslin Embroidery, by dint of placing a piece of silver-paper over the design to be copied, and holding both against the window-pane, while she marked the scollop and eyelet-holes”. ANNOTATION SAYS “Probably which used scalloped edges and a pattern of holes sewn round with thread like a button-hole.“ 22:55 - a Celestial Globe to learn simple astronomy/constellations 24:35 - - think of , but you have to COUNT THE THREADS in a muslin or light canvas backing. Around 1830 v popular to stitch portraits of royalty (again, at least 10 years out of popularity elsewhere, but still popular in Cranford). Printed, gridded patterrns () 27:05 - Under a glass shade - put a glass dome or CLOCHE over things to keep dust off—would have been REALLY important b/c it was DUSTY back then and only got worse in London as the Century went on (also used in gerdening for heat retention) 27:55 - Couchant - lying down in Heraldry Image from Sodacan, CC BY-SA 3.0 , via Wikimedia Commons 28:35 - East India Tea Company - Founded in 1600 by QE1 and held the chartered right to trade with India and China and IMPORT the tea as a monopoly until 1834 (BTW, Twining's started as a coffee SHOP/Room adding tea in 1717 , bought adjacent building for ladies to take tea(might be Western world‘s oldest dry tea and coffee shop) at No. 216 Strand london in 1706; still operating today - and logo created in 1787 is worlds oldest in continuous use) B/c the EIC's charter was for trade/importing, anyone could SELL the tea. 31:25 - our mites: Biblical times a mite was the lowest denomination of coin in Judea (two mites = one lepta (thin or small in Greek) which was equivalent to a quadran, the smallest Roman coin), (also see re: the Widow's Mite where Christ praises the window who gives her last two mites in the temple) Two mites were worth about 1/64th of a denari - a day's wage for a common worker, toay about 1/8 of a US penny (1 cent) 33:40 - Spills - QUILLING (thank you Aimee!) video of 37:15 - Comfit - nut, seed, etc, covered in sugar coating - link to max miller's video on Post-chapter Notes 1:25:42 - SSA update - Broader information from and - but don't feel the need to read other sources. Here's the actual text of the Bill: Miscellaneous BOOK/WATCH PARTIES coming up in 2025: Last Thursday of every month, 8pm Eastern: Jul—Princess Bride (movie) Aug—The Last Unicorn (book) Sep—The Last Unicorn (movie) Oct—Random Harvest (book) Nov—Random Harvest (movie) Dec—Lamb: The Gospel According to Biff, Christ's Childhood Pal (book)   *CraftLit's Socials* • Find everything here: https://www.linktr.ee/craftlitchannel • Join the newsletter: http://eepurl.com/2raf9  • Podcast site: http://craftlit.com • Facebook: https://www.facebook.com/CraftLit/ • Facebook group: https://www.facebook.com/groups/craftlit • Pinterest: https://www.pinterest.com/craftlit/ • TikTok podcast: https://www.tiktok.com/@craftlit • Email: heather@craftlit.com • Previous CraftLit Classics can be found here: https://bit.ly/craftlit-library-2023   *SUPPORT THE SHOW!* • CraftLit App Premium feed bit.ly/libsynpremiumcraftlit (only one tier available) • PATREON:   https://patreon.com/craftlit (all tiers, below) ——Walter Harright -  $5/mo for the same audio as on App ——Jane Eyre - $10/mo for even-month Book Parties ——Mina Harker - $15/mo for odd-month Watch Parties *All tiers and benefits are also available as* —*YouTube Channel Memberships*  —*Ko-Fi* https://ko-fi.com/craftlit  —*NEW* at CraftLit.com — Premium Memberships https://craftlit.com/membership-levels/ *IF you want to join a particular Book or Watch Patry but you don't want to join any of the above membership options*, please use PayPal.me/craftlit or CraftLit @ Venmo and include what you want to attend in the message field. Please give us at least 24 hours to get your message and add you to the attendee list.     • Download the FREE CraftLit App for iOS or Android (you can call or email feedback straight from within the app) • Call 1-206-350-1642

In this deeply touching episode, Guy talked with Jeralyn Glass, a musician and professor of music, and shared her profound journey of healing through the power of sound. She discussed the transformative role of crystal singing bowls in her life, especially following the tragic loss of her son. The conversation dives into the significance of vibrational frequencies, music as a universal language, and the importance of embodying love and presence. Jeralyn also provides a mini session of healing sounds, illustrating the soothing capabilities of the bowls. This episode is a heartfelt exploration of grief, resilience, and the potential for music to connect us to deeper, spiritual dimensions. About Jeralyn: Jeralyn Glass is an international acclaimed singer, crystal alchemy sound healer, inspirational speaker, musician, and teacher blending a classical career with meditation and transformational high-vibration sound.  She has performed on Broadway and on the Opera and Concert stages of the world, where she is known as a “Mozart singer of the first order.” Jeralyn established her classical music career in Europe, Japan and USA, singing regularly in theaters including the Los Angeles Opera, San Diego Opera, Michigan Opera, Pittsburg Opera,Teatro la Fenice, Zurich Opera, the Operas of Nice, Nantes, Lille, Strasbourg, Marseille, Montpellier, Toulouse, Paris, Antwerp, Amsterdam, Rotterdam, Maastricht, Malaga, Leipzig, Bonn and Munich. Praised as an artist with “glamour and style” by London's Opera Magazine, she has collaborated with a.o. Sir Neville Marriner, Sir Peter Hall, Jonathon Miller, Vladimir Jurowski, Louis Langree. She sang the National Anthem for over 18,000 people in her hometown of Los Angeles and is a well loved Gala performer, having written and sung tributes to Kareem Abdul Jabar and the late Kobe Bryant as well as the former German President Horst Kohler and the former French President Valerie Giscard d'Estaing. Key Points Discussed:  (00:00) - Mum Loses Her Son — Then Uses the Portal of Sound to Bridge Worlds (00:43) - Republishing the Episode (00:57) - Connecting with the Audience (01:09) - Invitation to Retreats and Events (01:27) - Welcoming Jeralyn to the Podcast (01:52) - Jeralyn's Unique Career Path (02:57) - The Power of Music and Sound (05:44) - Jeralyn's Musical Journey (12:35) - Overcoming Grief Through Sound (15:33) - The Healing Power of Crystal Bowls (18:20) - A Mother's Journey Through Loss (19:47) - Spiritual Connections and Energy (27:10) - Finding Purpose After Loss (30:38) - A Mother's Grief and Healing Through Sound (34:03) - A Spiritual Encounter and Signs from Beyond (35:33) - Journey to India and Miraculous Signs (37:24) - Navigating Deep Grief and Finding Light (46:58) - The Sacred Science of Sound (53:14) - Healing Through Sound and Vibrations (01:02:53) - Final Thoughts and Reflections How to Contact Jeralyn Glass:www.jeralynglass.com crystalcadence.com www.sacredrainbowcurrent.com/jeralyn-glass Crystal Cadence by Jeralyn Glass YouTube Channel   About me:My Instagram: www.instagram.com/guyhlawrence/?hl=en Guy's websites:www.guylawrence.com.au www.liveinflow.co''

durée : 00:25:01 - Requiem de Mozart - par : Anne-Charlotte Rémond - Dans cet épisode de Musicopolis, Anne-Charlotte Rémond revient sur les conditions d'écritures de l'ultime "Requiem" de Wolfgang Amadeus Mozart (1756-1791). - réalisé par : Philippe Petit Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

What does it mean to live a life in tune—with yourself, your passions, and your wellbeing? In this episode of Musings on Wellbeing, host Charlie Bresler and his guest, internationally renowned pianist Milica Jelača Jovanović, explore how the pursuit of excellence can both shape and challenge our inner lives. Raised in a family of classical musicians in Yugoslavia, Milica's journey spans elite music schools, intense conservatory training in post-Soviet Moscow, and a new chapter of life in Michigan. Their conversation touches on the delicate balance between ambition and self-care, artistry and identity. Her story is both deeply personal and universally resonant—a reflection on discipline, resilience, and finding meaning through music. Listeners will hear Milica's candid take on how intensive training has shaped her mental and emotional wellbeing, the role of family in grounding her, and why she prioritizes self-improvement over competition.  She also shares the guiding principles behind her teaching style and gives a sneak peek into exciting musical projects on the horizon.  Links: milicajelacajovanovic.com Milica on YouTube @milicajj Music from this episode: Mozart concerto performance with bellinghamsymphony.org  Musing on Wellbeing is sponsored by EH Walkers. Discover more and join EH Walkers at www.ehwalkers.org. Charlie Bresler is a former business executive, co-founder of the nonprofit The Life You Can Save, and a self-described effective hedonist. As a psychologist, Charlie emphasizes the importance of aligning personal pleasure with doing good, rejecting the notion of self-sacrifice in favor of a fulfilling, values-driven life.  

durée : 00:25:12 - Mozart La trilogie Da Ponte : 3. Cosi fan tutte - par : Anne-Charlotte Rémond - Jamais 2 sans 3 ! Dans Cosi fan tutte, Da Ponte tire les ficelles et manipule ses personnages, mais la musique de Mozart en fait évidemment beaucoup plus que des marionnettes. Un opéra jugé immoral mais qui demeure populaire par sa musique, c'est dans Musicopolis, avec Anne-Charlotte Rémond ! - réalisé par : Philippe Petit Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Join Howard Morgan and Mozart Fontaine as they discuss wrestling - yesterday, today, and tomorrow - and take your calls. Visit http://vocnation.com. Full Video Episode Available for only $3/mo at www.vocnation.com! Subscribers also get commercial free audio and video of Wrestling with History featuring Bill Apter and Ken Resnick, In the Room featuring PWI's Brady Hicks and former WCW Star the Maestro, No BS with The Bull Manny Fernandez, and more! VOC Nation takes you behind the scenes of your favorite moments in pro wrestling history. Notable show hosts include legendary pro wrestling journalist Bill Apter, former WWE/TNA star Shelly Martinez, former WWE and AWA broadcaster Ken Resnick, former WCW performer The Maestro, former TNA Impact talent Wes Brisco, Pro Wrestling Illustrated's Brady Hicks, independent pro wrestling and Fireball Run star Sassy Stephie, and more! Since 2010, VOC Nation has brought listeners into the minds of the biggest stars in pro wrestling and entertainment. Subscribe to the podcasts for free on most major directories, and visit http://vocnation.com for live programming. Subscribe to premium - only $3/mo - for commercial full commercial free audio and video episodes. Exclusive access to 50 years of Bill Apter's interview archives is available for a nominal charge. Learn more about your ad choices. Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 00:25:25 - Mozart La trilogie Da Ponte : 2. Don Giovanni - par : Anne-Charlotte Rémond - 1787, Mozart est invité à Prague pour écouter son Figaro "ici, on ne parle que de Figaro, on ne joue, ne chante, ne siffle que Figaro". Quel succès, et quel séjour, puisqu'il repart avec la commande d'un nouvel opéra. Anne-Charlotte Rémond poursuit l'aventure dans Musicopolis ! - réalisé par : Philippe Petit Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Peter Filichia, James Marino, and Michael Portantiere talk about Mozart's Don Giovanni – A Rock Opera, Father Anonymous @ AMT Theater, Angry Alan @ Studio Seaview, and Out of Order @ East Village Basement. “This Week on Broadway” has been coming to you every week since 2009. It is the read more

Sunday, 6 July 2025   For John came neither eating nor drinking, and they say, ‘He has a demon.' Matthew 11:18   “For, he came, John, neither eating, neither drinking, and they say he has a demon!” (CG).   In the previous verse, Jesus gave an example of what “this generation” is like, saying, “We piped to you and not you danced. We bewailed to you and not you breast-beat.” He continues now with, “For, he came, John, neither eating, neither drinking.”   The meaning here is more than just his limited diet, which is recorded in Matthew 3:4 –   “And he, John, had his apparel from camel's hair, and a leathery girdle around his waist, and his food was locusts and wild honey.”   The thought of eating and drinking extends to social life, where eating and drinking are a part of the natural course of human interaction. In other words, John's life was that of a prophet preparing the way for the Lord. He did this in the wilderness, living a life of austerity and isolation.   In this state, someone may have come and said, “I'd like to talk to you about your message, come and join us at our meal tonight.” This is something John would have likely refused, maybe offering them a bowl of dried locusts instead and saying, “Join me here for a meal. This is where I belong.”   John limited his diet and everything that goes along with eating. Parties, feasts, dinner invitations, etc., would all have been shunned by him. Therefore, because of this obscure and difficult to understand lifestyle, Jesus next says, “and they say he has a demon!”   This is what it says about the demoniacs in Chapter 8 –   “And He, having come into the beyond, into the country of the Gergesenes, two ‘being demon possessed,' they met Him, coming out from the tombs – exceedingly dangerous – so too, not anyone capacitate to pass through that way.” Matthew 8:28   They lived in an area shunned by others, cut off from the normal ways of life. Because John was somewhat like this, instead of recognizing him as a prophet and grasping the importance of his ministry, they accused him of having a demon.   Life application: One of the traits that is often seen in people who are exceptional in their field is eccentricity, even to the point of being thought to suffer from mental instability. People with great intellects who have made some of the most profound discoveries in their occupations have been considered unconventional, and their lives troubled.   Van Gogh, da Vinci, Nietzsche, Hemingway, Tesla, Mozart, Bonaparte, Byron, Freud, Einstein, and so many others were, at times, close to being off their rocker. Van Gogh cut off his own ear, something not normally thought of as a sign of sharp mental acuity.   Fortunately for them, their skills in their professions were recognized and they were appreciated, despite their often-bizarre behavior. If you come across someone who seems a tad eccentric or doesn't fit into the traditional paradigm that society has set, don't underestimate him or dismiss him outright. It may be that his focus is so poignantly directed that the normal rules for social behavior don't interest him.   At the same time, he may be as crazy as a loon, so don't just assume that everyone who is odd is a genius.   Lord God, may our judgments about those we encounter always be carefully considered. First and foremost, may we look at each person as an individual who needs Jesus. If we remember this, surely we will see them in a different way than if we judge by mere appearances. Help us to look for Your image in those we encounter. Amen.

On the Overthinking It Podcast, we tackle “Walk Hard: The Dewey Cox Story.” Episode 886: It’s Called Port Wine, Mozart, You Don’t Want Anything to Do With This! originally appeared on Overthinking It, the site subjecting the popular culture to a level of scrutiny it probably doesn't deserve. [Latest Posts | Podcast (iTunes Link)]

He's spent 24 hours immersed in slime, two days buried alive – and showered vast amounts of cash on lucky participants. But are MrBeast's videos simply very savvy clickbait – or acts of avant garde genius? Written and read by Mark O'Connell. Help support our independent journalism at theguardian.com/longreadpod