Podcast appearances and mentions of Paul Simon

Alert! Alert! On a brand new episode of The Catered Quiz, comedian & songwriter Kyle Gordon joins the program to answer questions about The Ramones and Paul Simon's Graceland. We also talk about Kyle's show in Milwaukee on October 2nd, Planet of the Bass and Spotted Cow. Watch the music video for Kyle's new song Mr. Jambo. Tickets for Kyle's October 2nd at Falcon Bowl are available for purchase here. For more tour dates and information, visit kylegordonisgreat.com.

Performance and Works used with permission from the artist and venue. Jamey Haddad holds a singular position in the world of jazz and contemporary music. His musical voice transcends styles and trends, and the universal quality of his playing has attracted many international collaborations with artists including Yo-Yo Ma, Paul Simon, and Sting. Fresh off of a tour with Paul Simon, Jamey returned to Cleveland for a sold out two-night stand that features Peter Slavov on Bass, Northeast Ohio mainstay Chris Coles on Saxophones, Jamey on Percussion and Pittsburgh Guitarist John Shannon. From June 1st, 2025 it's Jamey Haddad...Live at the Bop Stop.

Send us Fan MailWelcome to Guess the Year: 80s Edition! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1 year off6 points: Call bluff correctly4 points: 2 years off1 point: 3 years off0 point: 4 or more years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 198x, Song 2 - call bluff, Song 3 - 198x, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Ace of Spades by Motorhead (1980)Song 1: Total Eclipse of the Heart by Bonnie Tyler (1983)Song 2: Follow the Leader by Eric B. & Rakim (1988)Song 3: The Boys of Summer by Don Henley (1984)Song 4: Heart of the Matter by Don Henley (1989)Song 5: The Waiting by Tom Petty & the Heartbreakers (1981)Song 6: Right Field by Peter, Paul and Mary (1986)Song 7: Hearts and Bones by Paul Simon (1983)Song 8: Blame it On the Rain by Milli Vanilli (1989)Song 9: Centerfield by John Fogerty (1985)Song 10: The Heart of the Matter by Kenny Rogers (1985)

Maurie and his dad finally got to see Paul Simon together and spent the night singing along to every word, while Roz gets roasted for looking like a cult leader in a linen shirt. Plus, the gang talks to a listener who's heard all 1,500+ podcast episodes, Mocha discovers a $980 Vancouver solarium rental posing as a bedroom, Roz accidentally spoils Wordle, and Maurie chats with the guy selling garbage collected from Taylor Swift and Travis Kelce's wedding

Hile, Cromrades! Take a final Cyberpunk trip with us to 2019... Or 2049? Herein, we discuss the Bladerunner duology! This one is a big 'un, hope you enjoy it! What road will we embark on for our next season? Only time will tell :)   One Things! Luke: Sammon's 'Future Noir: The Making of Bladerunner' Josh: Guntharp's 'The VCR That Dripped Blood: 50 of the Best, Worst, and Most Bizarre (Non-Franchise) Slasher Films of the 1980s' Jon: Stark's 'Parker' novels!   Questions? Comments? Curses? Call us at (859) 429-CROM! Did you know that we're on Facebook? We're posting photos on the Instagrams! Or, check us out on Apple Podcasts! (or your podcast player of choice!) Legal Mumbo-Jumbo Our episode is freely available on archive.org and is licensed under Creative Commons: By Attribution 3.0. http://creativecommons.org/licenses/by/3.0/ 'Tyrant' theme by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0. Outro: "Mother & Child Reunion" by Paul Simon. Music obtained legally; we hope our discussion of this content makes you want to go out and purchase the work! 

My guests today are Tasha Warren and Dave Eggar. Tasha is a 2x Grammy nominated clarinetist and bass clarinetist, and an international performer who has premiered over 100 works worldwide. She's a member of the American Modern Ensemble, Lansing Symphony and Jackson Symphony Orchestra. Dave Eggar is an amazing cellist who is making his third appearance on this podcast, putting him at the top of my frequent flyer list. What's even more impressive is that each appearance has been in a different context - first in his own right as a world class cellist, then as the cellist and QB of the fabulous string quartet that recorded my recent release, “Ma Petite Fleur String Quartet”, and now with Tasha. Oh, and I should mention that he's got 7 Grammy nominations, he's played with Paul Simon among dozens of top artists, and he was the guy who was responsible for the iconic cello work on Coldplay's massive hit, “Viva La Vida”. Okay I think you get the picture. My featured song is “The Buzz”, my latest single. Spotify link. —------------------------------------ The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH TASHA:www.tashawarrenclarinet.com CONNECT WITH DAVE:www.domomusicgroup.com —------------------------------------ ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

We continue our series looking at films and albums from the year 1977 with our best entry yet on the film side. The Oscar winner for Best Picture, Annie Hall was Woody Allen's first attempt at a film based in the real world. regardless of what we think of him now, Allen speaks a lot of truths about the realities of dating and relationships throughout this film. Amber and Robert share memories, thoughts, opinions and laughs as they discuss Annie Hall. Send us Fan MailTwitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcasthttps://www.youtube.com/@DockingBay77podcast

Avui parem atenci

This week we'll continue with more great songs of the road and the long steel rails, perhaps in time to inspire your summer travel. We'll hear great music from sources as varied as Jimmy Webb, The Delmore Brothers, Paul Simon, Asleep at the Wheel, and lots more. Follow that road … this week on The Sing Out! Radio Magazine. Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysCountry Cooking / “Farewell Blues” / 26 Bluegrass Instrumentals / RounderUtah Phillips / “Daddy, What's a Train?” / Good Enough / PhiloDiane Patterson / “Open Road” / Open Road / Self-producedGordon Lightfoot / “Me and Bobby McGee” / If You Could Read My Mind / RepriseThe Price Sisters / “Get On the Main Highway” / A Heart Never Knows / RebelPaul Simon / “Train in the Distance” / Heart and Bones / LegacyJohn Hartford and the Hartford Stringband / “Keep On Truckin' / Good Old Boys / RounderJimmy Webb / “By the Time I Get to Phoenix” / Ten Easy Pieces / GuardianThe Delmore Brothers / “Freight Train Boogie” / Freight Train Boogie / AceCountry Cooking / “Orange Mt. Special” / 26 Bluegrass Instrumentals / RounderJudy Collins / “Someday Soon” / Who Knows Where the Time Goes / ElektraJohn Reischman & the Jaybirds / “Wellesley Station” / On That Other Green Shore / CorvusRoustabout / “The Race Between the Ford and the Chevrolet” / Roustabout / Yodel-Ay-HeeAsleep at the Wheel / “Choo Choo Ch'Boogie” / Swing Time / SonyHot Buttered Rum / “Leaving Dallas” / Lonesome Panoramic / Self-producedPure Prairie League / “Kansas City Southern” / Two Lane Highway / RCAPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

durée : 00:24:34 - par : Laurent Valière - « The Capeman » est une comédie musicale dont la musique est composée par Paul Simon, et le livret et les paroles sont de Simon et Derek Walcott. Elle s'inspire de la vie du meurtrier condamné Salvador Agrón . Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

You'd be hard-pressed to find someone else with as much curiosity and vigor at 70 years old about the creation of art as longtime CBS News journalist Anthony Mason. Over his 40+ years with the network, he's shaped an Emmy-winning career around making songwriters of all stripes (from Bruce Springsteen to Phoebe Bridgers) feel comfortable enough to get uncomfortable about their motives, fears and process. And though his CBS schedule hasn't slowed down in the least, he's now launched 'Alchemy with Anthony Mason' — a new long-form interview program on YouTube, featuring conversations with Paul Simon, Nile Rodgers, Hozier and others — as a way of expanding upon the segues and tangents around songwriting that might normally be left on broadcast television's cutting-room floor. Returning to the podcast for his second visit, he discusses today how songwriting is a mechanism for the processing of trauma, and the sentiment of the show's rallying cry, inspired by Wilco's Jeff Tweedy. Watch Alchemy with Anthony Mason on YouTube, sign up for Anthony's newsletter at alchemy.show, and follow the program on Instagram @alchemywithanthony. -- Check out Episode 173 with Anthony from 2023, further back in this feed.

Cindy Pearlman Gaber, senior writer for the New York Times and entertainment columnist for the Las Vegas Review-Journal, joins Bob Sirott to share details about who could possibly be performing at the Taylor and Travis wedding, as well as the recent reunion of Paul Simon and Art Garfunkel. She also talks about John Oliver’s role […]

Tapping the barometer of news to see what's blistering or stormy, which this week includes … … “The Man can't bust our music!”: the crimes and misdemeanours of Clive Davis … the single biggest change in our lifetimes ... when did musicians become ‘artists'? … Johnny Marr's guitar habit … unlimited cash and what we'd spend it on … Madonna smoking at Paris Fashion Week hoping someone would try to stop her … why Dave doesn't own any Arista records … which five Paul Simon songs became film titles? … a Prime Minister who loves ‘Dragon New Warm Mountain I Believe In You' by Big Thief! … 56 year-old takes annual Dark Side of the Moon test: “and I still don't like it!” … are there more registered songwriters or lorry drivers? Plus the biopic boom and birthday guest Andrew Stocks has a senior moment.Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Tapping the barometer of news to see what's blistering or stormy, which this week includes … … “The Man can't bust our music!”: the crimes and misdemeanours of Clive Davis … the single biggest change in our lifetimes ... when did musicians become ‘artists'? … Johnny Marr's guitar habit … unlimited cash and what we'd spend it on … Madonna smoking at Paris Fashion Week hoping someone would try to stop her … why Dave doesn't own any Arista records … which five Paul Simon songs became film titles? … a Prime Minister who loves ‘Dragon New Warm Mountain I Believe In You' by Big Thief! … 56 year-old takes annual Dark Side of the Moon test: “and I still don't like it!” … are there more registered songwriters or lorry drivers? Plus the biopic boom and birthday guest Andrew Stocks has a senior moment.Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Tapping the barometer of news to see what's blistering or stormy, which this week includes … … “The Man can't bust our music!”: the crimes and misdemeanours of Clive Davis … the single biggest change in our lifetimes ... when did musicians become ‘artists'? … Johnny Marr's guitar habit … unlimited cash and what we'd spend it on … Madonna smoking at Paris Fashion Week hoping someone would try to stop her … why Dave doesn't own any Arista records … which five Paul Simon songs became film titles? … a Prime Minister who loves ‘Dragon New Warm Mountain I Believe In You' by Big Thief! … 56 year-old takes annual Dark Side of the Moon test: “and I still don't like it!” … are there more registered songwriters or lorry drivers? Plus the biopic boom and birthday guest Andrew Stocks has a senior moment.Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Tastykakes, Soul Songs and Shining Stars is a rich and passionate record of a life-long obsession with soul music and Rhythm & Blues from music industry stalwart Joe McEwen, legendary A&R man for acts including Elvis Costello, Paul Simon, K.D. Lang, Wilco, Nick Lowe, Built To Spill, Queen Latifah, the Frank Sinatra catalogue, and many others.Tastykakes, Soul Songs and Shining Stars is a labor of love, half a century in the making, for music industry veteran Joe McEwen. A Philadelphia native and legendary A&R executive for Columbia, Sire/Warner Brothers, Verve, and Concord Music Group, McEwen now McEwen gathers a lifetime's worth of encounters, essays, and reveries into one radiant collection-a love letter to the rhythm-and-blues and soul music that shaped him.Its pages are bursting with vivid, compelling, up-front and personal profiles and encounters with a host of important figures: Pops and Mavis Staples, George Clinton, Allen Toussaint, Betty Wright, Michael Jackson, Aretha Franklin, Don Covay, and many more. Alongside these portraits are heartfelt musings spanning the 1960s through the '80s, illuminating the creative processes behind the songs that defined a generation.Interwoven throughout are reflections on basketball, memory, and movement-parallel sources of rhythm, improvisation, and joy. The book culminates in an extended 2024 conversation with esteemed music author and longtime confidant Peter Guralnick (Elvis Presley, Sam Cooke), a fitting finale to a collection that captures the soul of a lifetime in music.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Make Cazarre enchaîné great again de 16h30 à 17h30 en direct du Flora Caffé avec Julien Cazarre & Jean-Christophe Drouet.

‘Graceland' was an almighty gamble for Paul Simon, a costly, high-risk departure from the music he'd been making and a complex international venture. And a game-changing, worldwide triumph. When Ashley Kahn taught a course about it at New York University, Simon turned up to contribute. His book ‘Days Of Miracle And Wonder' tells the story of what inspired the album, the way it was recorded and the global reaction when it arrived in 1986. We talk to him here about … … the bootleg cassette of township jive that inspired the Graceland project … fraying relations with Art Garfunkel and Carrie Fisher ... his habit of playing unfinished tracks to people – David Byrne, Philip Glass, Neil Diamond – while singing the vocal into their ear … the extraordinary way he apologised for the failure of One Trick Pony … how Bakithi Kumalo's bass solo on You Can Call Me Al is a palindrome – “first half forwards, second half reversed!” … the advice Quincy Jones gave him about South Africa's cultural boycott … the key role of Roy Halee, engineer and long-time creative collaborator ... the Johannesburg sessions that “started with rhythm and worked backwards” … Kind Of Blue, A Love Supreme, other albums that merit a book to themselves … the details you hear in the tracks' last seconds … and the Grammy telecast that cemented the album's US success. Order copies of ‘Days of Miracle And Wonder' here: https://geni.us/DaysofMiracleandWonderHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

‘Graceland' was an almighty gamble for Paul Simon, a costly, high-risk departure from the music he'd been making and a complex international venture. And a game-changing, worldwide triumph. When Ashley Kahn taught a course about it at New York University, Simon turned up to contribute. His book ‘Days Of Miracle And Wonder' tells the story of what inspired the album, the way it was recorded and the global reaction when it arrived in 1986. We talk to him here about … … the bootleg cassette of township jive that inspired the Graceland project … fraying relations with Art Garfunkel and Carrie Fisher ... his habit of playing unfinished tracks to people – David Byrne, Philip Glass, Neil Diamond – while singing the vocal into their ear … the extraordinary way he apologised for the failure of One Trick Pony … how Bakithi Kumalo's bass solo on You Can Call Me Al is a palindrome – “first half forwards, second half reversed!” … the advice Quincy Jones gave him about South Africa's cultural boycott … the key role of Roy Halee, engineer and long-time creative collaborator ... the Johannesburg sessions that “started with rhythm and worked backwards” … Kind Of Blue, A Love Supreme, other albums that merit a book to themselves … the details you hear in the tracks' last seconds … and the Grammy telecast that cemented the album's US success. Order copies of ‘Days of Miracle And Wonder' here: https://geni.us/DaysofMiracleandWonderHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

‘Graceland' was an almighty gamble for Paul Simon, a costly, high-risk departure from the music he'd been making and a complex international venture. And a game-changing, worldwide triumph. When Ashley Kahn taught a course about it at New York University, Simon turned up to contribute. His book ‘Days Of Miracle And Wonder' tells the story of what inspired the album, the way it was recorded and the global reaction when it arrived in 1986. We talk to him here about … … the bootleg cassette of township jive that inspired the Graceland project … fraying relations with Art Garfunkel and Carrie Fisher ... his habit of playing unfinished tracks to people – David Byrne, Philip Glass, Neil Diamond – while singing the vocal into their ear … the extraordinary way he apologised for the failure of One Trick Pony … how Bakithi Kumalo's bass solo on You Can Call Me Al is a palindrome – “first half forwards, second half reversed!” … the advice Quincy Jones gave him about South Africa's cultural boycott … the key role of Roy Halee, engineer and long-time creative collaborator ... the Johannesburg sessions that “started with rhythm and worked backwards” … Kind Of Blue, A Love Supreme, other albums that merit a book to themselves … the details you hear in the tracks' last seconds … and the Grammy telecast that cemented the album's US success. Order copies of ‘Days of Miracle And Wonder' here: https://geni.us/DaysofMiracleandWonderHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

For more than four decades, Anthony Mason has been one of the most trusted voices in American journalism, bringing curiosity, intelligence, and a steady presence to his reporting for CBS News. As a correspondent and former co-host of CBS This Morning, he's interviewed presidents, cultural icons, and some of the world's most influential artists.Now, Mason is launching a project that feels especially personal. His new series, 'Alchemy,' explores the creative process through intimate, long-form conversations with musicians and artists including Hozier, Paul Simon, and Nile Rodgers. But 'Alchemy' isn't focused on fame, success, or even the work itself. Instead, it asks a deeper question: how does creativity help people transform hardship, uncertainty, and experience into something meaningful?

There is no shortage of books on music and politics, but Anna Harwell Celenza explores an interesting premise in her book On the Record: Music that Changed America (Norton, 2026). Each of the twelve chapters discusses a different instance when music, as Celenza writes, “sparked debates in the halls of Congress.” Arranged basically chronologically, Celenza tackles some of the most powerful and contentious issues in twentieth and twenty-first century American politics. From censorship to copyright law; from the Civil Rights Movement, to foreign policy during Apartheid, Celenza traces the extraordinary moments when music moved Congress, challenged power, and united people around shared ideals. The stories Celenza tells are just as much about music including the intertwined histories of “The Star Spangled Banner” and “Lift Every Voice and Sing” or the making of Paul Simon's album Graceland, as they are about US legislation or American politics. She offers readers a history of America heard through the songs and compositions that changed its course. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

There is no shortage of books on music and politics, but Anna Harwell Celenza explores an interesting premise in her book On the Record: Music that Changed America (Norton, 2026). Each of the twelve chapters discusses a different instance when music, as Celenza writes, “sparked debates in the halls of Congress.” Arranged basically chronologically, Celenza tackles some of the most powerful and contentious issues in twentieth and twenty-first century American politics. From censorship to copyright law; from the Civil Rights Movement, to foreign policy during Apartheid, Celenza traces the extraordinary moments when music moved Congress, challenged power, and united people around shared ideals. The stories Celenza tells are just as much about music including the intertwined histories of “The Star Spangled Banner” and “Lift Every Voice and Sing” or the making of Paul Simon's album Graceland, as they are about US legislation or American politics. She offers readers a history of America heard through the songs and compositions that changed its course. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

There is no shortage of books on music and politics, but Anna Harwell Celenza explores an interesting premise in her book On the Record: Music that Changed America (Norton, 2026). Each of the twelve chapters discusses a different instance when music, as Celenza writes, “sparked debates in the halls of Congress.” Arranged basically chronologically, Celenza tackles some of the most powerful and contentious issues in twentieth and twenty-first century American politics. From censorship to copyright law; from the Civil Rights Movement, to foreign policy during Apartheid, Celenza traces the extraordinary moments when music moved Congress, challenged power, and united people around shared ideals. The stories Celenza tells are just as much about music including the intertwined histories of “The Star Spangled Banner” and “Lift Every Voice and Sing” or the making of Paul Simon's album Graceland, as they are about US legislation or American politics. She offers readers a history of America heard through the songs and compositions that changed its course. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

On the Mike Hosking Breakfast Full Show Podcast for Thursday 18th of June, ANZ's Sharon Zollner gives her pick for what the Q1 GDP number will be. Winston Peters doubles down on his calls for those involved in the MBIE scandal to be arrested. Mike asks Waitomo's Simon Parham whether the Commerce Commission's warning about petrol prices is justified. Dame Noeline Taurua talks through her Silver Ferns' Commonwealth Games squad – and surprises Mike with one of her answers. And global popstar Charlie Puth is coming back to our shores, so he joined Mike to talk his Super Bowl performance and his love of Paul Simon. Get the Mike Hosking Breakfast Full Show Podcast every weekday morning on iHeartRadio, or wherever you get your podcasts. LISTEN ABOVE See omnystudio.com/listener for privacy information.

There is no shortage of books on music and politics, but Anna Harwell Celenza explores an interesting premise in her book On the Record: Music that Changed America (Norton, 2026). Each of the twelve chapters discusses a different instance when music, as Celenza writes, “sparked debates in the halls of Congress.” Arranged basically chronologically, Celenza tackles some of the most powerful and contentious issues in twentieth and twenty-first century American politics. From censorship to copyright law; from the Civil Rights Movement, to foreign policy during Apartheid, Celenza traces the extraordinary moments when music moved Congress, challenged power, and united people around shared ideals. The stories Celenza tells are just as much about music including the intertwined histories of “The Star Spangled Banner” and “Lift Every Voice and Sing” or the making of Paul Simon's album Graceland, as they are about US legislation or American politics. She offers readers a history of America heard through the songs and compositions that changed its course. Learn more about your ad choices. Visit megaphone.fm/adchoices

There is no shortage of books on music and politics, but Anna Harwell Celenza explores an interesting premise in her book On the Record: Music that Changed America (Norton, 2026). Each of the twelve chapters discusses a different instance when music, as Celenza writes, “sparked debates in the halls of Congress.” Arranged basically chronologically, Celenza tackles some of the most powerful and contentious issues in twentieth and twenty-first century American politics. From censorship to copyright law; from the Civil Rights Movement, to foreign policy during Apartheid, Celenza traces the extraordinary moments when music moved Congress, challenged power, and united people around shared ideals. The stories Celenza tells are just as much about music including the intertwined histories of “The Star Spangled Banner” and “Lift Every Voice and Sing” or the making of Paul Simon's album Graceland, as they are about US legislation or American politics. She offers readers a history of America heard through the songs and compositions that changed its course. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

There is no shortage of books on music and politics, but Anna Harwell Celenza explores an interesting premise in her book On the Record: Music that Changed America (Norton, 2026). Each of the twelve chapters discusses a different instance when music, as Celenza writes, “sparked debates in the halls of Congress.” Arranged basically chronologically, Celenza tackles some of the most powerful and contentious issues in twentieth and twenty-first century American politics. From censorship to copyright law; from the Civil Rights Movement, to foreign policy during Apartheid, Celenza traces the extraordinary moments when music moved Congress, challenged power, and united people around shared ideals. The stories Celenza tells are just as much about music including the intertwined histories of “The Star Spangled Banner” and “Lift Every Voice and Sing” or the making of Paul Simon's album Graceland, as they are about US legislation or American politics. She offers readers a history of America heard through the songs and compositions that changed its course. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Send us Fan MailWe bounce between the dark origins of famous songs and the very modern problem of paying premium prices for artists who may not be able to deliver the show you remember. Along the way we argue about Springsteen, tell on ourselves about nostalgia, and try to figure out what “live” even means anymore. • true crime cases that inspired popular songs and why the backstories change the listen • “Nebraska” and the push and pull of separating music from the musician • songs written from the offender's point of view and why artists choose that angle • “Dancing In The Moonlight” as a victim's response to violence and recovery • whether supergroups still work and when they feel like a money machine • summer tour packages, one hit lineups and who is still worth the ticket • backing tracks, lip syncing claims and how to sanity check with live video • legacy band names with no original members and why fans still show up • Paul Simon ticket prices, setlists and the value question for older legends If you like it, shed it. If you like this podcast SHARE it. If you have any ideas or suggestions for the show you can email us at: milkcratesandturntables@gmail.com

The guys discuss 50 Ways To Leave Your Lover by Paul Simon... One of the best songwriters of our generation reduced to a shitty rhyme scheme about cheating on his wife. Bummer.

John Meagher discusses how musicians like Paul Simon, The Beatles and Ry Cooder put world music in the spotlight.

Tim Conway Jr Show Hour 3 (6.5) The World Cup countdown is officially on, and Conway says fans better get ready for sticker shock — with parking prices already looking insane at $150 to $300. Then it is off to the GM Design Center in Pasadena, where the cars of the future are being imagined, customized, and reconfigured. Conway has a few name suggestions for the new Hummer, including the 2026 “F-Off” and the 2027 “F-U.” Plus, Southern California traffic is about to go full nightmare mode. The Angels and Dodgers Freeway Series, Snoop Dogg at F&M Bank Amphitheatre, Qatar vs. El Salvador at BMO Stadium, Rush at the Kia Forum, Mariachi USA fireworks at the Hollywood Bowl, Paul Simon, WeHo Pride, and major freeway lane closures are all hitting at once. Conway also breaks down California’s first “Smart Freeway,” launching on the 15 between Temecula and Murrieta, and how speeding tickets have cost Mark Thompson thousands in car insurance. And in Long Beach, Snoop Dogg kicks off the waterfront amphitheater for 11,000 people — but there is no general on-site parking. Meanwhile, Pasadena residents were told to shelter in place after a mountain lion spent the day roaming the neighborhood before being tranquilized. World Cup countdown, SoCal traffic, traffic nightmare, Snoop Dogg, Long Beach, F&M Bank Amphitheatre, Dodgers, Angels, Freeway Series, WeHo Pride, Hollywood Bowl, BMO Stadium, Kia Forum, smart freeway, 15 Freeway, speeding tickets, car insurance, GM Design Center, Hummer EV, Pasadena mountain lion, viral SoCal news. See omnystudio.com/listener for privacy information.

~Episode 172~The RIAA sued a 12-year-old for downloading Avril Lavigne. Now Spotify wants you to pay extra to remix Paul Simon with AI. Some things never change... at least we found a few great human-created songs this week!Head to the Songs That Don't Suck website to check out this week's songs, join the Patreon (it's Free), and more. Be sure and like, review, and subscribe to the podcast where ever you may be listening, and if you want,  connect with Songs That Don't Suck on social media including ⁠⁠Instagram⁠,  BlueSky, and  Threads.

"Of Ghosts And Gods" The New Jersey-born, Harvard educated David Berkeley is one of modern music's true renaissance men. Now, people throw that term out a tad lazily but in the case of Berkeley, it truly fits. Aside from releasing close to ten perfect albums, including The Confluence, Some Kind Of Cure and Oh Quiet World, Berkeley is an author, a label owner, and he's been a river rafting guide, a band manager, a travel writer and a creative writing teacher. A writer of tremendous depth, focus and sensitivity, much like Paul Simon or Nick Drake, Berkeley has the uncanny ability to slow the world down and hold it still. Informed by actual geography as well as the geography of loss and emotional reconstruction, Berkeley's songbook is a wondrous collection of compositions that gaze out at the map of the human heart with effortless poeticism and grace. He's toured with Billy Bragg, Ben Lee and Gary Jules, appeared on This American Life and played South By Southwest and he's one of the most consistently critically-acclaimed musicians around. He's also one half of the aforementioned transatlantic folk duo Sons Of Town Hall. Along with singer/songwriter Ben Parker, Sons Of Town Hall are hard to describe, but I'm going to try. Under the guises of Parker's George Ulysses Brown and Berkeley's Josiah Chester Jones, Sons Of Town Hall are fictitious 19th Century Victorian-era vagabonds who sing about their travels by way of a kind of magical hand-built raft. Falling somewhere between Coleridge, Lord Byron by way of Simon and Garfunkel's Wednesday Morning, 3AM, Sons Of Town Hall's new album Of Ghosts and Gods is a stirring collection of songs about travel, friendship, following your heart and staying afloat while doing it. www.davidberkeley.com (http://www.davidberkeley.com) www.sonsoftownhall.com (http://www.sonsoftownhall.com) www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers The Podcast: IG + BLUESKY + THREADS: @emberspodcast

Today we are joined by a major player and major pal to both James and Johnny: Mr. Brandon "my middle name is Wolfe" Scott. Brandon is not only James' co-combatant in the impossible way of life (by way of Yukon Blonde) but he has also been chipping away at a very impressive solo body of work these past few years. So, in the wake of his new Paul Simon inspired jam "Back For Me", we sit down with our man Bran for a lovely little chat about it all. 

Toby Gad and Dave Eggar Interview (Eureka Concerts)Legendary German-born songwriter and producer Toby Gad and acclaimed crossover cellist/composer Dave Eggar have each spent decades redefining the boundaries between virtuosity, emotion, and modern popular music. Raised in a jazz-centered musical family in Munich, Gad combined classical piano training with jazz harmony and improvisation before becoming one of the most successful hitmakers of the modern pop era, writing and producing global hits including Beyoncé's “If I Were a Boy,” Fergie's “Big Girls Don't Cry,” and John Legend's “All of Me.” Eggar, a classically trained prodigy and adventurous improviser, built a remarkable career blending classical performance with jazz, rock, folk, film music, and contemporary crossover projects, collaborating with artists ranging from Coldplay, Pearl Jam, Amy Winehouse, Tony Bennett, Paul Simon and his mentor Michael Brecker.Together, their project Eureka Concerts captures the spontaneity and creative freedom that define both artists — a fully improvised musical dialogue where jazz intuition, classical sophistication, cinematic textures, and emotional storytelling collide in real time. The collaboration stands as a rare meeting of two fearless musical minds whose legendary careers continue to evolve through exploration and improvisation.For more info check out  Toby Gad at https://www.tobygad.com/ Dave Eggar https://www.domomusicgroup.com/daveeggar/Eureka Concerts https://open.spotify.com/album/0AqBO1SukqFI6SZ8IMbmni?si=eKdoOacNQMK32wplvahkSQ

What do great art and great sport have in common? Why do the moments that transport us to another dimension in sport and art have such power?On Free State today, Dion reflects on the spiritual experience of seeing Paul Simon and Joe reflects on writing Kerry off.What does the game between the All Ireland champions and Donegal tell us about the summer to come? And what does it tell us about Jack O'Connor? Has he been found out by the new dynamic Gaelic football or were the seeds of Kerry's destruction planted long ago? Hosted on Acast. See acast.com/privacy for more information.

Before you spend money on another rock 'n' roll book, here's seven upcoming releases worth knowing about-from Van Halen, The Clash, Jeff Beck, Alice Cooper, Dave Mustaine, Paul Simon's Graceland, and Soundgarden's Kim Thayil. Find out which titles look essential, which are more niche, and which ones may actually deserve your time and money. Support the showemail Big Rick at:info@rocktalkstudio.com

This week Jonathan is in celebratory mode—and no, it's not only because it's the festival of Shavuot, but because his beloved Arsenal finally won the Premier League, sparking a spontaneous tribal gathering of ‘marauding revellers' in North London. Meanwhile, Yonit and Jonathan unpack the volatile situation with Iran, and ask where President Trump's vague threats of a renewed strike are heading. Then, it's wall-to-wall condemnation for National Security Minister Itamar Ben-Gvir, whose grotesque 56-second video taunting Gaza flotilla detainees was a nightmare for Israel's defenders especially. And Jonathan describes his visit to the Nova exhibition in London, which offers a powerful, heart-rending glimpse of the human faces of the October 7th massacre and the shocking refusal of much of the world to look directly at what happened on that day. Plus: a musical mensch for the ages. Watch us on YouTube: https://www.youtube.com/watch?v=fRENGUF2AAI   ⏱ CHAPTERS: [00:00] Shavuot: Celebrating the Unsung Holiday  [09:20] Iran's Threats and Trump's Unpredictability [17:00] Israeli Politics: Elections and Coalition Dynamics [23:12] Ben-Gvir's Controversial Video: A PR Nightmare for Israel  [29:15] The Political Landscape in Israel [39:02] The Impact of the Nova Exhibition [45:30] Chutzpah and Mench  

Bomethius is the baroque pop project led by Jonathan Hodges, a multi-instrumentalist singer-songwriter based in Chicago. Hodges draws from decades of classical training to craft a mischievous brand of chamber rock that echoes the sounds of Andrew Bird, Low Roar, Paul Simon, Sufjan Stevens, Randy Newman, and Elliott Smith.   Tropopause, Bomethius' second release on Chicago-based indie label Oakley Avenue Records, arrives with the sort of effortlessness that can only be born from experience. Working with the same core of collaborators from his prior record, Borrowed Time, and following years of diligent live performances, singer-songwriter and multi-instrumentalist Jonathan Hodges has opened a new, louder, and more compact chapter of his nearly decade-long baroque pop project.    In a discography that maintains a clear continuity aesthetically and thematically—with each release in conversation with its predecessors—Tropopause serves as a welcoming entry point for new listeners. For one, it's Hodges' most concise statement. A trim-the-fat approach to composition for this album produced a 10-song tracklist and 26-minute runtime, and the lean result is both digestible and direct. There's also a greater clarity to the writing as Hodges covers similar lyrical territory to his most recent releases. “The cycle, against which most of my music is set, borbles on,” he says, but on Tropopause, he's been afforded time and distance from this cycle, which allows for a wider perspective unburdened by still-sharp pains. Like the meteorological term from which it draws its name, the record represents a threshold in one's life and the areas on either side of it—all of which can be best appreciated from a bird's-eye view.     Lastly, Tropopause carries Hodges' most refined and arresting pop earworms to date. Rhythms and guitar lines chug in lead single “Thunderbird.” An explosive Weezer-esque guitar solo closes “I'm Out.” The piano-led “The Clown” hearkens to the playful yet biting ballads of Randy Newman and Fiona Apple. Guest harmonies from Hodges' sister, Caroline, dance through some of the record's quieter moments (“Over,” “Almost,” “Scorched Earth”), and the album ends with what's sure to be one of the most memorable violin pieces in the Bomethius catalog. The closing moments wordlessly represent that barrier between the turmoil below and the lucidity above, as explored by the preceding songs. It's a memorial of divine goodness, a reminder that it doesn't have to be that serious, and a nudge to pet a dog, and go outside, and chase pigeons and squirrels. Sometimes, that's all you need to do.   Tropopause releases June 7th on Oakley Avenue Records.

On a special edition of the Haaretz Podcast celebrating its 500th episode, host Allison Kaplan Sommer speaks to iconic Israeli musician David Broza – the composer of "Things Will Be Better," one of Israel’s best-known peace anthems – on performing in a time of war, chaos and despair in his country. “There’s no rationale to being Israeli,” Broza, 70, said on the podcast. "My mission is to exist as an artist and to be very much aware of where I come from and not just leave it behind and shy away from it." Broza describes himself as being “sad but hopeful,” adding that he “would have to stop singing if I wasn’t hopeful.” Having lived in Francoist Spain in his youth, he observed that how "in fascist governments, the artists are the first ones to be burnt, banned, thrown out... And yet you can't erase the art. We need strength now. We need songs. We need art." Broza’s music crosses cultures and genres – fusing Spanish guitar with contemporary rock and folk music, and emphasizing themes of peace and social justice. He has collaborated widely with top artists including Paul Simon, Sting, Van Morrison and Bob Dylan – and with Palestinian artists. His belief in art to overcome conflict puts him at odds with advocates of boycotts. "I am so adamantly anti-boycott that you can't even believe it. BDS is such a lie. It's bullshit," he declared on the podcast. "Boycott will put an end to any hope for future collaboration. If we stop talking to each other, if we do not communicate with each other, we will never step over the threshold." At the same time, he added, "I don't disregard what's going on. I don't disregard the ultra right-wing government we have here, or the crazy government in America." But his role, he said, is clear – to play the role of the troubadour and sing “to anyone, settlers or leftists.”See omnystudio.com/listener for privacy information.

It was the morning after the 2016 U.S. presidential election, and pianist Lara Downes was catching a flight from California to Kentucky, where she was set to perform later in the evening. “It was a very weird day to be anywhere,” she recalls.That night, she performed songs from her album America Again in Louisville, a city that mirrored the country's own jagged political divide. Coming from California, Downes expected Louisville to feel tense after the election.Instead, she found that the music — curated to explore the “American Dream” through the lens of diverse composers like Florence Price and Morton Gould — created a shared space of mourning and hope that transcended the maps on the news. As she played pieces like Price's “Fantasie Nègre” and Gould's “American Caprice,” Downes had a profound realization."I think I learned in that moment how much all of the emotions that we feel about being American — the affection and the nostalgia and the confusion and the sadness and the anger — all of it really is expressed in the music,” she says. That idea — music as a shared emotional language — continues to shape Downes' work today. In May, she brought an all-star cast of musicians to UC Berkeley's Zellerbach Hall to join her on her newest project, This Land: Reflections on America. Alongside folk icon Judy Collins, poet Tarriona "Tank" Ball, the Austin-based string and bluegrass quartet Invoke, and the Oakland Interfaith Gospel Choir, she performed songs like the traditional African American spiritual “This Little Light Of Mine,” Paul Simon's “America” and Stephen Foster's “Hard Times Come Again No More.”The performance reflects Downes' ongoing effort to explore what it means to be American through music — a question that also led her to create The Declaration Project, a national initiative tied to the upcoming 250th anniversary of the United States. For the project, Downes spent two years traveling the country to ask Americans from all backgrounds what “life, liberty and the pursuit of happiness” means to them today.In this episode of Berkeley Talks, Downes joins NPR's Chloe Veltman in a pre-concert talk to discuss how music isn't just a performance, but a common language to explore the American experience.The May 9 performance and pre-concert talk were part of Cal Performances' Illuminations: Exile and Sanctuary series and marked the final performance of the season. Learn more about Cal Performances' upcoming 2026-27 programming.The musical selections featured in this episode are from This Land: Reflections on America, performed by Lara Downes and guest artists. All music was used with permission. Listen to the episode and read the transcript on UC Berkeley News (news.berkeley.edu/podcasts/berkeley-talks).Photo by Brittany Hosea-Small.Intro music by by HoliznaCC0. Hosted on Acast. See acast.com/privacy for more information.

Emmy award-winning writer Alan Zweibel started out in show business by peddling jokes to Catskills comics at seven bucks a pop, before a chance meeting with Lorne Michaels led to a staff job on the hottest new show on television, “Saturday Night Live.” Alan joined Gilbert and Frank at the George Burns Room at the Friars Club to talk about the earliest days of SNL, co-creating the groundbreaking “It's Garry Shandling's Show” and collaborating with everyone from Gilda Radner to Billy Crystal. Also: Alan heckles Larry David's act, “borrows from” Paul Simon, turns down “Hollywood Squares” and inspires a classic “Seinfeld” episode. PLUS: Totie Fields! Christopher Lee! The subversiveness of “Duck Soup”! Uncle Miltie gets banned! And Gilbert tries (unsuccessfully) to follow The Beatles! Learn more about your ad choices. Visit megaphone.fm/adchoices

It's polling day for this week's news and these are the stories that got our vote … ... Pussycat Dolls, Meghan Trainor and how ‘Blue Dot Fever' is wrecking ticket sales … how can you judge a songwriter with eight collaborators? … Dylan's ‘Judas' moment 60 years later … is everything becoming binary: thumbs-up or thumbs-down? … Grandmaster Flash, Augustus Pablo, George McRea, Tangerine Dream and the times brand new music was invented … when certain dances got you arrested … Alice in Sunderland? See You In My Drums? Shadows' song titles rebooted … the hilarious self-positioning of the NME critics' poll… plus jazz pioneer Buddy Bolden and thrill of imagining the sound of acts who were never recorded.Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

It's polling day for this week's news and these are the stories that got our vote … ... Pussycat Dolls, Meghan Trainor and how ‘Blue Dot Fever' is wrecking ticket sales … how can you judge a songwriter with eight collaborators? … Dylan's ‘Judas' moment 60 years later … is everything becoming binary: thumbs-up or thumbs-down? … Grandmaster Flash, Augustus Pablo, George McRea, Tangerine Dream and the times brand new music was invented … when certain dances got you arrested … Alice in Sunderland? See You In My Drums? Shadows' song titles rebooted … the hilarious self-positioning of the NME critics' poll… plus jazz pioneer Buddy Bolden and thrill of imagining the sound of acts who were never recorded.Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

While films had been made to promote music dating back to at least the 1960s, the music video became a fixture of pop culture in the 1980s. Accelerated by the birth of MTV, MuchMusic, and VH1, music videos in the 80s experienced extraordinary growth in both popularity and artistic creativity. The decade would produce countless iconic music videos, giving renowned artists a second shot at relevancy, launching a whole new wave of aesthetically minded pop stars, and providing unlikely artists a shot at ubiquity with wild conceptual videos. So join the Great Pop Culture Debate as we attempt to name the Best 1980s Music Video!Videos discussed: “Take On Me” by A-HA!; “Thriller” by Michael Jackson; “Like a Prayer” by Madonna”; “Sledgehammer” by Peter Gabriel; “Love Shack” by The B-52s; “Addicted to Love” by Robert Palmer; “Girls Just Want to Have Fun” by Cyndi Lauper; “You Can Call Me Al” by Paul Simon; “Money for Nothing” by Dire Straits; “Hungry Like the Wolf” by Duran Duran; “When Doves Cry” by Prince; “Video Killed the Radio Star” by The Buggles; “(You Gotta) Fight for Your Right (To Party)” by Beastie Boys; “Faith” by George Michael; “I Wanna Dance With Somebody” by Whitey Houston; “Total Eclipse of the Heart” by Bonnie TylerJoin host Eric Rezsnyak and panelists Derek Mekita, John Higgins, and Kate Racculia as they discuss and debate 16 of the most iconic music videos that defined 80s airwaves.For the warm-up to this episode, in which we discuss additional 1980s videos that didn't make the bracket, become a Patreon supporter of the podcast today. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks.EPISODE CREDITSHost: Eric RezsnyakPanelists: Derek Mekita, John Higgins, Kate RacculiaProducer: Bob ErlenbackEditor: Bob ErlenbackIntro & Outro Music: "Dance to My Tune" by Marc TorchSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the fifteen years since Emma Louise wowed us with her debut single 'Jungle', she's shown all sides of herself, singing her story with vulnerability and reflection.Last year, Emma released the collaborative album Dumb with producer Flume. But it's been 8 years since her last solo album, the daring and romantic Lilac Everything. This week, she returns with Sunshine for Happiness, an album that was actually recorded in 2019. Emma Louise joined Zan to talk more about the changes in her life between recording and release and to share her song selections in the theme of 'Before and After'.Emma Louise's song choices:Paul Simon – Still Crazy After All These YearsNick Drake – Pink MoonBruno Mars – Versace on the FloorDijon – The DressAlice Coltrane – Govinda Jai Jai00:51 Introduction to Emma Louise05:27 The theme of Before and After10:15 Paul Simon - 'Still Crazy After All These Years'11:30 Mexico holiday and Nick Drake14:35 Nick Drake - 'Pink Moon'15:45 New album and longlining for things21:55 How a pricey ride home led to discovering Bruno Mars25:26 Bruno Mars - 'Versace on the Floor'27:02 Sneak peak of Djion29:33 Djion - 'The Dress'30:45 Suffering, redemption and recognising the good times37:15 Alice Coltrane – 'Govinda Jai Jai'38:20 Wrap-up and next weeks guestShow notes:If you need someone to talk to, call Lifeline on 13 11 14.Edited by Craig Schuftan.

If you don't know who performed at his first concert, or which animal he fears most, do you really know music legend Paul Simon? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

"Lorne" is an American documentary film directed and produced by Morgan Neville about the creator of Saturday Night Live, Lorne Michaels. The film features exclusive, archival, and interview footage of notorious Saturday Night Live personalities, including Tina Fey, Chris Rock, Conan O'Brien, Maya Rudolph, Andy Samberg, John Mulaney, as well as Jimmy Fallon, Seth Meyers, Kristen Wiig, Mike Myers, and Paul Simon. Being the private individual he is, this is the closest anyone has come to understanding the real Lorne Michaels, or at least, as close as he will still allow. Neville was kind enough to spend some time talking with us about his work and experience making the film, which you can listen to below. Please be sure to check out the film, which will be released in theaters on April 17th by Focus Features. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Space fans are over the moon about the successful launch of Artemis II, Attorney General Pam Bondi lost her job today, and President Trump's primetime speech about the Iran war was all over the map. In this extended interview with Stephen Colbert, legendary musician Paul Simon talks about moving to Europe in the 1960s, busking on the streets of Paris, taking requests at his concerts, and some of the lyricists he most admires. Go to our YouTube channel to see a performance by Paul Simon and grab tickets for this summer's “A Quiet Celebration” tour at tour.paulsimon.com.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices