Podcasts about Pulitzer Prize

This week, Latino USA shares an episode from our friends at LAist’s Imperfect Paradise about a new set of citizenship test guidelines. Recently, the federal government pushed out new guidelines for naturalization, changes that are reshaping what it means to become a U.S. American. LAist Higher Education Reporter Julia Barajas takes us inside a citizenship prep class at Pasadena City College to see how these new changes are playing out. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.

In a rural town in south Georgia, sits “El Refugio,” a charming white home with green shutters. For 15 years, thousands have walked through its doors during the hardest moments of their lives. The house serves as a refuge for families of immigrants detained just two miles away at one of the largest immigration detention centers in the U.S.. In recent months, the visits to El Refugio have skyrocketed. We spent 48 hours inside El Refugio, the only hospitality house of its kind in the nation. We meet volunteers who visit with detainees and the families of those held at Stewart Detention Center. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.

Tracy K. Smith, Pulitzer Prize winning poet, former Poet Laureate of the United States from 2017 to 2019, professor of English and of African and African American Studies at Harvard University and the author of several poetry collections and her latest, Fear Less: Poetry in Perilous Times (Norton, 2025), talks about her new book, making the case for reading poetry and sharing her own writing process.

In this Write Big session of the #amwriting podcast, host Jennie Nash welcomes Pulitzer Prize–winning journalist Jennifer Senior for a powerful conversation about finding, knowing, and claiming your voice.Jennifer shares how a medication once stripped away her ability to think in metaphor—the very heart of her writing—and what it was like to get that voice back. She and Jennie talk about how voice strengthens over time, why confidence and ruthless editing matter, and what it feels like when you're truly writing in flow.It's an inspiring reminder that your voice is your greatest strength—and worth honoring every time you sit down to write.TRANSCRIPT BELOW!THINGS MENTIONED IN THIS PODCAST:* Jennifer's Fresh Air interview with Terry Gross: Can't Sleep? You're Not Alone* Atlantic feature story: What Bobby McIlvaine Left Behind* Atlantic feature story: The Ones We Sent Away* Atlantic feature story: It's Your Friends Who Break Your Heart* The New York Times article: Happiness Won't Save You* Heavyweight the podcastSPONSORSHIP MESSAGEHey, it's Jennie Nash. And at Author Accelerator, we believe that the skills required to become a great book coach and build a successful book coaching business can be taught to people who come from all kinds of backgrounds and who bring all kinds of experiences to the work. But we also know that there are certain core characteristics that our most successful book coaches share. If you've been curious about becoming a book coach, and 2026 might be the year for you, come take our quiz to see how many of those core characteristics you have. You can find it at bookcoaches.com/characteristics-quiz.EPISODE TRANSCRIPTJennie NashHi, I'm Jennie Nash, and you're listening to the Hashtag AmWriting Podcast. This is a Write Big Session, where I'm bringing you short episodes about the mindset shifts that help you stop playing small and write like it matters. This one might not actually be that short, because today I'm talking to journalist Jennifer Senior about the idea of finding and knowing and claiming your voice—a rather big part of writing big. Jennifer Senior is a staff writer at The Atlantic. She won the Pulitzer Prize for feature writing in 2022 and was a finalist again in 2024. Before that, she spent five years at The New York Times as both a daily book critic and a columnist for the opinion page, and nearly two decades at New York Magazine. She's also the author of a bestselling parenting book, and frequently appears on NPR and other news shows. Welcome, Jennifer. Thanks for joining us.Jennifer SeniorThank you for having me. Hey, I got to clarify just one thing.Jennie NashOh, no.Jennifer SeniorAll Joy and No Fun is by no means a parenting book. I can't tell you the first thing about how to raise your kids. It is all about how kids change their parents. It's all like a sociological look at who we become and why we are—so our lives become so vexed. I like, I would do these book talks, and at the end, everybody would raise their hand and be like, “How do I get my kid into Harvard?” You know, like, the equivalent obviously—they wouldn't say it that way. I'd be like; I don't really have any idea, or how to get your kid to eat vegetables, or how to get your kid to, like, stop talking back. But anyway, I just have to clarify that, because every time...Jennie NashPlease, please—Jennifer SeniorSomeone says that, I'm like, “Noooo.” Anyway, it's a sociology book. Ah, it's an ethnography, you know. But anyway, it doesn't matter.Jennie NashAll right, like she said, you guys—not what I said.Jennifer SeniorI'm not correcting you. It came out 11 years ago. There were no iPads then, or social media. I mean, forget it. It's so dated anyway. But like, I just...Jennie NashThat's so funny. So the reason that we're speaking is that I heard you recently on Fresh Air with Terry Gross, where you were talking about an Atlantic feature story that you wrote called “Why Can't Americans Sleep?” And this was obviously a reported piece, but also a really personal piece and you're talking about your futile attempts to fall asleep and the latest research into insomnia and medication and therapy that you used to treat it, and we'll link to that article and interview in the show notes. But the reason that we're talking, and that in the middle of this conversation, which—which I'm listening to and I'm riveted by—you made this comment, and it was a little bit of a throwaway comment in the conversation, and, you know, then the conversation moved on. But you talked about how you were taking a particular antidepressant you'd been prescribed, and this was the quote you said: “It blew out all the circuitry that was responsible for generating metaphors, which is what I do as a writer. So it made my writing really flat.” And I was just like, hold up. What was that like? What happened? What—everything? So that's why we're talking. So… can we go back to the very beginning? If you can remember—Jess Lahey actually told me that when she was teaching fifth and sixth grade, that's around the time that kids begin to grasp this idea of figurative language and metaphor and such. Do you remember learning how to write like that, like write in metaphor and simile and all such things?Jennifer SeniorOh, that's funny. Do I remember it? I remember them starting to sort of come unbidden in my—like they would come unbidden in my head starting maybe in my—the minute I entered college, or maybe in my teens. Actually, I had that thing where some people have this—people who become writers have, like, a narrator's voice in their head where they're actually looking at things and describing them in the third person. They're writing them as they witness the world. That went away, that narrator's voice, which I also find sort of fascinating. But, like, I would say that it sort of emerged concurrently. I guess I was scribbling a little bit of, like, short story stuff, or I tried at least one when I was a senior in high school. So that was the first time maybe that, like, I started realizing that I had a flair for it. I also—once I noticed that, I know in college I would make, you know, when I started writing for the alternative weekly and I was reviewing things, particularly theater, I would make a conscientious effort to come up with good metaphors, and, like, 50% of them worked and 50% of them didn't, because if you ever labor over a metaphor, there's a much lower chance of it working. I mean, if you come—if you revisit it and go, oh, that's not—you know, that you can tell if it's too precious. But now if I labor over a metaphor, I don't bother. I stop. You know, it has to come instantaneously or...Jennie NashOr that reminds me of people who write with the thesaurus open, like that's going to be good, right? That's not going to work. So I want to stick with this, you know, so that they come into your head, you recognize that, and just this idea of knowing, back in the day, that you could write like that—you… this was a thing you had, like you used the word “flair,” like had a flair for this. Were there other signs or things that led you to the work, like knowing you were good, or knowing when something was on the page that it was right, like, what—what is that?Jennifer SeniorIt's that feeling of exhilaration, but it's also that feeling of total bewilderment, like you've been struck by something—something just blew through you and you had nothing to do with it. I mean, it's the cliché: here I am saying the metaphors are my superpower, which my editors were telling me, and I'm about to use a cliché, which is that you feel like you're a conduit for something and you have absolutely nothing to do with it. So I would have that sense that it had almost come without conscious thought. That was sort of when I knew it was working. It's also part of being in a flow state. It's when you're losing track of time and you're just in it. And the metaphors are—yeah, they're effortless. By the way, my brain is not entirely fogged in from long COVID, but I have noticed—and at first I didn't really notice any decrements in cognition—but recently, I have. So I'm wondering now if I'm having problems with spontaneous metaphor generation. It's a little bit disconcerting. And I do feel like all SSRIs—and I'm taking one now, just because, not just because long COVID is depressing, but because I have POTS, which is like a—it's Postural Orthostatic Tachycardia Syndrome, and that's a very common sequela from long COVID, and it wipes out your plasma serotonin. So we have to take one anyway, we POTS patients. So I found that nicotine often helped with my long COVID, which is a thing—like a nicotine patch—and that made up for it. It almost felt like I was doping [laughing]. It made my writing so much better. But it's been...Jennie NashWait, wait, wait, this is so interesting.Jennifer SeniorI know…it's really weird. I would never have guessed that so much of my writing would be dampened by Big Pharma. I mean—but now with the nicotine patches, I was like, oh, now I get why writers are smoking until into the night, writing. Like, I mean, and I always wished that I did, just because it looked cool, you know? I could have just been one of those people with their Gitanes, or however you pronounce it, but, yeah.Jennie NashWow. So I want to come—I want to circle back to this in a minute, but let's get to the first time—well, it sounds like the first time that happened where you were prescribed an antidepressant and—and you recognized that you lost the ability to write in metaphor. Can you talk about—well, first of all, can you tell us what the medication was?Jennifer SeniorYeah, it was Paxil, which is actually notorious for that. And at the top—which I only subsequently discovered—those were in the days where there were no such things as Reddit threads or anything like that. It was 1999… I guess, no, eight, but so really early. That was the bespoke antidepressant at the time, thought to be more nuanced. I think it's now fallen out of favor, because it's also a b***h to wean off of. But it was kind of awful, just—I would think, and nothing would come. It was the strangest thing. For—there's all this static electricity usually when you write, right? And there's a lot of free associating that goes on that, again, feels a little involuntary. You know, you start thinking—it's like you've pulled back the spring in the pinball machine, and suddenly the thing is just bouncing around everywhere, and the ball wasn't bouncing around. Nothing was lighting up. It was like a dis… it just was strange, to be able to summon nothing.Jennie NashWow. So you—you just used this killer metaphor to describe that.Jennifer SeniorYeah, that was spontaneous.Jennie NashRight? So—so you said first, you said static, static energy, which—which is interesting.Jennifer SeniorYeah, it's... [buzzing sound]Jennie NashYeah. Yeah. Because it's noisy. You're talking about...Jennie SeniorOh, but it's not disruptive noise. Sorry, that might seem like it's like unwanted crackling, like on your television. I didn't really—yeah, maybe that's the wrong metaphor, actually, maybe the pinball is sort of better, that all you need is to, you know, psych yourself up, sit down, have your caffeine, and then bam, you know? But I didn't mean static in that way.Jennie NashI understood what you meant. There's like a buzzy energy.Jennifer SeniorYeah, right. It's fizz.Jennie NashFizz... that's so good. So you—you recognized that this was gone.Jennifer SeniorSo gone! Like the TV was off, you know?Jennie NashAnd did you...?Jennifer SeniorOr the machine, you know, was unplugged? I mean, it's—Jennie NashYeah, and did you? I'm just so curious about the part of your brain that was watching another part of your brain.Jennifer Senior[Laughing] You know what? I think... oh, that's really interesting. But are you watching, or are you just despairing because there's nothing—I mean, I'm trying to think if that's the right...Jennie NashBut there's a part of your brain that's like, this part of my brain isn't working.Jennifer SeniorRight. I'm just thinking how much metacognition is involved in— I mean, if you forget a word, are you really, like, staring at that very hard, or are you just like, s**t, what's the word? If you're staring at Jack Nicholson on TV, and you're like, why can't I remember that dude's name?Multiple speakers[Both laughing]Jennifer SeniorWhich happens to me far more regularly now, [unintelligible]… than it used to, you know? I mean, I don't know. There is a part of you that's completely alarmed, but, like, I guess you're right. There did come a point where I—you're right, where I suddenly realized, oh, there's just been a total breakdown here. It's never happening. Like, what is going on? Also, you know what would happen? Every sentence was a grind, like...Jennie NashOkay, so—okay, so...Jennifer Senior[Unintelligible]... Why is this so effortful? When you can't hold the previous sentence in your head, suddenly there's been this lapse in voice, right? Because, like, if every sentence is an effort and you're starting from nothing again, there's no continuity in how you sound. So, I mean, it was really dreadful. And by the way, if I can just say one thing, sorry now that—Jennie NashNo, I love it!Jennifer SeniorYeah. Sorry. I'm just—now you really got me going. I'm just like, yeah, I know. I'm sort of on a tear and a partial rant, which is Prozac—there came a point where, like, every single SSRI was too activating for me to sleep. But it was, of course, a problem, because being sleepless makes you depressed, so you need something to get at your depression. And SNRIs, like the Effexor's and the Cymbalta's, are out of the question, because those are known to be activating. So I kept vainly searching for SSRIs, and Prozac was the only one that didn't—that wound up not being terribly activating, besides Paxil, but it, too, was somewhat deadening, and I wrote my whole book on it.Jennie NashWow!Jennifer SeniorIt's not all metaphor.Multiple Speakers[both laughing]Jennifer SeniorIt's not all me and no—nothing memorable, you know? I mean, it's—it's kind of a problem. It was—I can't really bear to go back and look at it.Jennie NashWow.Jennie NashSo—so the feeling...Jennifer SeniorI'm really giving my book the hard sell, like it's really a B plus in terms of its pro…—I mean, you know, it wasn't.Jennie NashSo you—you—you recognize its happening, and what you recognize is a lack of fizzy, buzzy energy and a lack of flow. So I just have to ask now, presumably—well, there's long COVID now, but when you don't have—when you're writing in your full powers, do you—is it always in a state of flow? Like, if you're not in a state of flow, do you get up and go do something else? Like, what—how does that function in the life of a writer on a deadline?Jennifer SeniorOK. Well, am I always in a state of flow? No! I mean, flow is not—I don't know anyone who's good at something who just immediately can be in flow every time.Jennie NashYeah.Jennifer SeniorIt's still magic when it happens. You know, when I was in flow almost out of the gate every day—the McIlvaine stories—like, I knew when I hit send, this thing is damn good. I knew when I hit send on a piece that was not as well read, but is like my second or third favorite story. I wrote something for The New York Times called “Happiness Wont Save You,” about a pioneer in—he wrote one of the foundational studies in positive psychology about lottery winners and paraplegics, and how lottery winners are pretty much no happier than random controls found in a phone book, and paraplegics are much less unhappy than you might think, compared to controls. It was really poorly designed. It would never withstand the scrutiny of peer review today. But anyway, this guy was, like, a very innovative thinker. His name was Philip Brickman, and in 1982 at 38 years old, he climbed—he got—went—he found his way to the roof of the tallest building in Ann Arbor and jumped, and took his own life. And I was in flow pretty much throughout writing that one too.Jennie NashWow. So the piece you're referring to, that you referred to previous to that, is What Bobby McIlvaine Left Behind, which was a feature story in The Atlantic. It's the one you won the—Pul…Pulitzer for? It's now made into a book. It has, like...Jennifer SeniorAlthough all it is like, you know, the story between...Jennie NashCovers, right?Jennifer SeniorYeah. Yeah. Because—yeah, yeah.Jennie NashBut—Jennifer SeniorWhich is great, because then people can have it, rather than look at it online, which—and it goes on forever—so yeah.Jennie NashSo this is a piece—the subtitle is Grief, Conspiracy Theories, and One Family's Search for Meaning in the Two Decades Since 9/11—and I actually pulled a couple of metaphors from that piece, because I re-read it knowing I was going to speak to you… and I mean, it was just so beautifully written. It's—it's so beautifully structured, everything, everything. But here's a couple of examples for our listeners. You're describing Bobby, who was a 26-year-old who died in 9/11, who was your brother's college roommate.Jennifer SeniorAnd at that young adult—they—you can't afford New York. They were living together for eight years. It was four in college, and four—Jennie NashWow.Jennifer SeniorIn New York City. They had a two-bedroom... yeah, in a cheaper part... well, to the extent that there are cheaper parts in...Jennie NashYeah.Jennifer SeniorThe way over near York Avenue, east side, yeah.Jennie NashSo you write, “When he smiled, it looked for all the world like he'd swallowed the moon.” And you wrote, “But for all Bobby's hunger and swagger, what he mainly exuded, even during his college years, was warmth, decency, a corkscrew quirkiness.” So just that kind of language—a corkscrew quirkiness, like he'd swallowed the moon—that, it's that the piece is full of that. So that's interesting, that you felt in flow with this other piece you described and this one. So how would you describe—so you describe metaphors as things that just come—it just—it just happens. You're not forcing it—you can't force it. Do you think that's true of whatever this ineffable thing of voice—voices—as well?Jennifer SeniorOh, that's a good question. My voice got more distinct as I got older—it gets better. I think a lot of people's—writers'—powers wax. Philip Roth is a great example of that. Colette? I mean, there are people whose powers really get better and better, and I've gotten better with more experience. But do you start with the voice? I think you do. I don't know if you can teach someone a voice.Jennie NashSo when you say you've gotten better, what does that mean to you?Jennifer SeniorYeah. Um, I'm trying to think, like, do I write with more swing? Do I—just with more confidence because I'm older? Being a columnist…which is the least creative medium…Jennie NashYeah.Jennifer SeniorSeven hundred and fifty words to fit onto—I had a dedicated space in print. When David Leonhardt left, I took over the Monday spot, during COVID. So it's really, really—but what it forces you to do is to be very—your writing becomes lean, and it becomes—and structure is everything. So this does not relate to voice, but my—I was always pretty good at structure anyway. I think if you—I think movies and radio, podcasts, are, like, great for structure. Storytelling podcasts are the best thing to—I think I unconsciously emulate them. The McIlvaine story has a three-act structure. There's also—I think the podcast Heavyweight is sublime in that way.Jennie NashIs that Roxane Gay?Jennifer SeniorNo, no, no, no.Jennie NashOh, it's, um—Jennifer SeniorIt's Jonathan Goldstein.Jennie NashYes, got it. I'm going to write that down and link to that in our show notes.Jennifer SeniorIt's... I'm trying to think of—because, you know, his is, like, narratives, and it's—it's got a very unusual premise. But voice, voice, voice—well, I, you know, I worked on making my metaphors better in the beginning. I worked on noticing things, you know, and I worked on—I have the—I'm the least visual person alive. I mean, this is what's so interesting. Like, I failed to notice once that I had sat for an hour and a half with a woman who was missing an arm. I mean, I came back to the office and was talking—this is Barbara Epstein, who was a storied editor of The New York Review of Books, the story editor, along with Bob Silver. And I was talking to Mike Tomasky, who was our, like, city politic editor at the time. And I said to him, I just had this one—I knew she knew her. And he said, was it awkward? Was—you know, with her having one arm and everything? And I just stared at him and went one arm? I—I am really oblivious to stuff. And yet visual metaphors are no problem with me. Riddle me that, Batman. I don't know why that is. But I can, like, summon them in my head, and so I worked at it for a while, when my editors were responsive to it. Now they come more easily, so that seems to maybe just be a facility. I started noticing them in other people's writing. So Michael Ondaatje —in, I think it was In the Skin of a Lion, but maybe it was The English Patient. I've read, like, every book of his, like I've, you know— Running… was it Running in the Family? Running with the Family? I think it was Running in the—his memoir. And, I mean, doesn't—everything. Anil's Ghost—he— you know, that was it The Ballad of Billy the Kid? [The Collected Works of Billy the Kid] Anyway, I can go on and on. He had one metaphor talking about the evening being as serene as ink. And it was then that I realized that metaphors without effort often—and—or is that a simile? That's a simile.Jennie NashLike—or if it's “like” or “as,” it's a simile.Jennifer SeniorYeah. So I'm pretty good with similes, maybe more than metaphors. But... serene as ink. I realized that what made that work is that ink is one syllable. There is something about landing on a word with one syllable that sounds like you did not work particularly hard at it. You just look at it and keep going. And I know that I made a real effort to make my metaphors do that for a while, and I still do sometimes. Anything more than that can seem labored.Jennie NashOh, but that's so interesting. So you—you noticed in other people what worked and what you liked, and then tried to fold that into your own work.Jennifer SeniorYeah.Jennie NashSo does that mean you might noodle on—like, you have the structure of the metaphor or simile, but you might noodle on the word—Jennifer SeniorThe final word?Jennie NashThe final word.Jennifer SeniorYeah. Yeah, the actual simile, or whatever—yeah, I guess it's a simile—yeah, sometimes. Sometimes they—like I said, they come unbidden. I think I have enough experience now—which may make my voice better—to know what's crap. And I also, by the way, I'll tell you what makes your voice better: just being very willing to hit Select Alt, Delete. You know, there's more where that came from. I am a monster of self-editing. I just—I have no problem doing it. I like to do it. I like to be told when things are s**t. I think that improves your voice, because you can see it on the page.Jennie NashYeah.Jennifer SeniorAnd also, I think paying attention to other people's writing, you know, I did more and more of that, you know, reverse engineering stuff, looking at how they did stuff as I got older, so...Jennie NashSo I was going to ask a question, which now maybe you already answered, but the question was going to be… you said that you're—you feel like you're getting better as a writer as you got older. And you—you said that was due to experience. And I was going to ask, is it, or is it due to getting older? You know, is there something about literally living more years that makes you better, or, you know, like, is wisdom something that you just get, or is it something you work for? But I think what I'm hearing is you're saying you have worked to become the kind of writer who knows, you know, what you just said—you delete stuff, it comes again. But tell me if—you know, you welcome the kind of tough feedback, because you know that makes you better. You know, this sort of real effort to become better, it sounds like that's a practice you have. Is that—is that right?Jennifer SeniorOh yeah. I mean, well, let's do two things on that, please. I so easily lose my juju these days that, like, you've got to—if you can put a, you know, oh God, I'm going to use a cliché again—if you can put a pin in or bookmark that, the observation about, you know, harsh feedback. I want to come back to that. But yes, one of the things that I was going to keep—when I said that I have the confidence now, I also was going to say that I have the wisdom, but I had too many kind of competing—Jennie NashYeah. Yeah.Jennifer SeniorYou know, were running at once, and I, you know, many trains on many tracks—Jennie NashYeah, yeah.Jennifer Senior…about to leave, so…, Like, I had to sort of hop on one. But, like, the—the confidence and wisdom, yes, and also, like, I'll tell you something: in the McIlvaine piece, it may have been the first time I did, like, a narrative nonfiction. I told a story. There was a time when I would have hid behind research on that one.Jennie NashOoh, and did you tell a story. It was the—I remember reading that piece when it first came out, and there you're introducing, you know, this—the situation. And then there's a moment, and it comes very quickly at the top of the piece, where you explain your relationship to the protagonist of the story. And there's a—there's just a moment of like, oh, we're—we're really in something different here. There's really—is that feel of, this is not a reported story, this is a lived story, and that there's so many layers of power, I mean, to the story itself, but obviously the way that you—you present it, so I know exactly what you're talking about.Jennifer SeniorYeah, and by the way, I think writing in the first person, which I've been doing a lot of lately, is not something I would have done until now. Probably because I am older and I feel like I've earned it. I have more to say. I've been through more stuff. It's not, like, with the same kind of narcissism or adolescent—like, I want to get this out, you know. It's more searching, I think, and because I've seen more, and also because I've had these pent up stories that I've wanted to tell for a long time. And also I just don't think I would have had the balls, you know.Jennie NashRight.Jennifer SeniorSo some of it is—and I think that that's part of—you can write better in your own voice. If it's you writing about you, you're—there's no better authority, you know? So your voice comes out.Jennie NashRight.Jennifer SeniorBut I'm trying to think of also—I would have hid behind research and talked about theories of grief. And when I wrote, “It's the damnedest thing, the dead abandon you, and then you abandon the dead,” I had blurted that out loud when I was talking to, actually, not Bobby's brother, which is the context in which I wrote it, but to Bobby's—I said that, it's, like, right there on the tape—to his former almost fiancée. And I was thinking about that line, that I let it stand. I didn't actually then rush off and see if there was a body of literature that talked about the guilt that the living feel about letting go of their memories. But I would have done that at one point. I would have turned it into this... because I was too afraid to just let my own observations stand. But you get older and you're like, you know what? I'm smart enough to just let that be mine. Like, assume...Jennie NashRight.Jennifer SeniorIt's got to be right. But can we go back, also, before I forget?Jennie NashYeah, we're going to go back to harsh, but—but I would just want to use your cliché, put a pin in what you said, because you've said so many important things— that there's actual practice of getting better, and then there's also wisdom of—of just owning, growing into, embracing, which are two different things, both so important. So I just wanted to highlight that you've gone through those two things. So yes, let's go back to—I said harsh, and maybe I miss—can...misrepresenting what you meant.Jennifer SeniorYou may not have said that. I don't know what you said.Jennie NashNo, I did, I did.Jennifer SeniorYou did, okay, yeah, because I just know that it was processed as a harsh—oh no, totally. Like, I was going to say to you that—so there was a part of my book, my book, eventually, I just gave one chapter to each person in my life whom I thought could, like, assess it best, and one of them, so this friend—I did it on paper. He circled three paragraphs, and he wrote, and I quote, “Is this just a shitty way of saying...?” And then I was like, thank God someone caught it, if it was shitty. Oh my God. And then—and I was totally old enough to handle it, you know, I was like 44, whatever, 43. And then, who was it? Someone else—oh, I think I gave my husband the intro, and he wrote—he circled a paragraph and just wrote, “Ugh.” Okay, Select Alt, Delete, redo. You know, like, what are you going to do with that? That's so unambiguous. It's like, you know—and also, I mean, when you're younger, you argue. When you're older, you never quarrel with Ugh. Or Is this...Jennie NashRight, you're just like, okay, yep.Jennifer SeniorYeah. And again, you—you've done it enough that, you know, there's so much more where that came from.Jennie NashYeah.Jennifer SeniorWhy cling to anything that someone just, I don't know, had this totally allergic reaction to? Like, you know, if my husband broke out in a hive.Jennie NashYeah. So, circling back to the—the storyline of—you took this medication, you lost your ability to write in this way, you changed medications, presumably, you got it back. What did it feel like to get it back? Did you—do you remember that?Jennifer SeniorOh God, yes, it was glorious.Jennie NashReally?!Jennifer SeniorOh, you don't feel like yourself. I think that—I mean, I think there are many professions that are intertwined with identity. They may be the more professional—I'm sorry, the more creative professions. But not always, you know. And so if your writing voice is gone, and it's—I mean, so much of writing is an expression of your interior, if not life, then, I don't know some kind of thought process and something that you're working out. To have that drained out of you, for someone to just decant all the life out of your—or something to decant all the life out of your writing, it's—it's, I wouldn't say it's traumatic, that's totally overstating it, but it's—it's a huge bummer. It's, you know, it's depressing.Jennie NashWell, the word glorious, that's so cool. So to feel that you got back your—the you-ness of your voice was—was glorious. I mean, that's—that's amazing.Jennifer SeniorWhat—if I can just say, I wrote a feature, right, that then, like, I remember coming off of it, and then I wrote a feature that won the News Women's Club of New York story for best feature that year. Like, I didn't realize that those are kind of hard to win, and not like I won... I think I've won one since. But, like, that was in, like, 99 or something. I mean, like, you know, I don't write a whole lot of things that win stuff, until recently, you know. There was, like, a real kind of blackout period where, you know, I mean, but like—which I think, it probably didn't have to do with the quality of my writing. I mean, there was—but, I mean, you know, I wasn't writing any of the stuff that floated to the tippy top, and, like, I think that there was some kind of explosion thereof, like, all the, again, stuff that was just desperate to come out. I think there was just this volcanic outpouring.Jennie NashSo you're saying now you are winning things, which is indeed true. I mean, Pulitzer Prizes among them. Do you think that that has to do with this getting better? The wisdom, the practice, the glorious having of your abilities? Or, I guess what I'm asking is, like, is luck a part of—a part of all that? Is it just, it just happens? Or do you think there's some reason that it's happening? You feel that your writing is that powerful now?Jennifer SeniorWell, luck is definitely a part of it, because The Atlantic is the greatest place to showcase your feature writing. It gets so much attention, even though I think fewer people probably read that piece about Bobby McIlvaine than would have read any of my columns on any given day. The kind of attention was just so different. And it makes sense in a funny way, because it was 13,600 words or something. I mean, it was so long, and columns are 750 words. But, like, I think that I just lucked out in terms of the showcase. So that's definitely a part of it. And The Atlantic has the machinery to, you know, and all these dedicated, wonderful publicity people who will make it possible for people to read it, blah, blah, blah. So there's that. If you're older, you know everyone in the business, so you have people amplifying your work, they're suddenly reading it and saying, hey, everybody read it. It was before Twitter turned to garbage. Media was still a way to amplify it. It's much harder now, so passing things along through social media has become a real problem. But at that moment, it was not—Jennie NashYeah.Jennifer SeniorSo that was totally luck. Also, I wonder if it was because I was suddenly writing something from in the first person, and my voice was just better that way. And I wouldn't have had, like, the courage, you know?Jennie NashYeah.Jennifer SeniorAnd also, you're a book critic, which is what I was at The Times. And you certainly are not writing from the first person. And as a columnist, you're not either.Jennie NashYeah.Jennifer SeniorSo, you know, those are very kind of constricted forms, and they're also not—there are certainly critics who win Pulitzers. I don't think I was good enough at it. I was good, but it was not good enough. I could name off the top of my head, like, so many critics who were—who are—who haven't even won anything yet. Like Dwight Garner really deserves one. Why has he not won a Pulitzer? He's, I think, the best writer—him and Sophie Gilbert, who keeps coming close. I don't get it, like, what the hell?Jennie NashDo you—as a—as a reader of other people's work, I know you—you mentioned Michael Ondaatje that you'd studied—study him. But do you just recognize when somebody else is on their game? Like, do you recognize the voice or the gloriousness of somebody else's work? Can you just be like, yeah, that...?Jennifer SeniorWell, Philip Roth, sentence for sentence. Martin Amis, even more so—I cannot get over the originality of each of his sentences and the wide vocabulary from which he recruits his words, and, like, maybe some of that is just being English. I think they just get better, kind of more comprehensive. They read more comprehensively. And I always tell people, if they want to improve their voice, they should read the Victorians, like that [unintelligible]. His also facility with metaphor, I don't think, is without equal. The thing is, I can't stand his fiction. I just find it repellent. But his criticism is bangers and his memoirs are great, so I love them.Jennie NashYeah.Jennifer SeniorSo I really—I read him very attentively, trying to think of, like, other people whose kind of...Jennie NashI guess I was—I was getting at more... like, genius recognizes genius, that con... that concept, like, when you know you can do this and write in this way from time to time anyway, you can pull it off.Jennifer SeniorYeah, genius as in—I wouldn't—we can't go there.Jennie NashWell, that's the—that's the cliché, right? But, like...Jennifer SeniorOh no, I know, I know. Game—game, game recognizes game.Jennie NashGame recognizes game is a better way of saying it. Like, do you see—that's actually what the phrase is. I don't know where I came up with genius, but...Jennifer SeniorNo, it's fine. You can stick anything in that template, you know—evil recognizes evil, I mean, you know, it's like a...Jennie NashYeah. Do you see it? Do you see it? Like, you can see it in other people?Jennifer SeniorSure. Oh yeah, I see it.Jennie NashYeah.Jennifer SeniorI mean, you're just talking about among my contemporaries, or just as it...Jennie NashJust like anything, like when you pick up a book or you read an article or even listen to a storytelling pack podcast, that sense of being in the hands of somebody who's on it.Jennifer SeniorYeah, I think that Jonathan Goldstein—I mean, I think that the—the Heavyweight Podcast, for sure, is something—and more than that, it's—it's storytelling structure, it's just that—I think that anybody who's a master at structure would just look at that show and be like, yeah, that show nails it each and every time.Jennie NashI've not listened, but I feel like I should end our time together. I would talk to you forever about this, but I always like to leave our listeners with something specific to reflect or practice or do. And is there anything related to metaphor or practicing, finding your voice, owning your voice, that you would suggest for—for folks? You've already suggested a lot.Jennifer SeniorRead the Victorians.Jennie NashAwesome. Any particular one that you would say start with?Jennifer SeniorYeah, you know what? I find Dickens rough sledding. I like his, you know, dear friend Wilkie Collins. I think No Name is one of the greatest books ever. I would read No Name.Jennie NashAmazing. And I will add, go read Jennifer's work. We'll link to a bunch of it in the show notes. Study her and—and watch what she does and learn what she does—that there it is, a master at work, and that's what I would suggest. So thank you for joining us and having this amazing discussion.Jennifer SeniorThis has been super fun.Jennie NashAnd for our listeners, until next time, stop playing small and write like it matters.NarratorThe Hashtag AmWriting Podcast is produced by Andrew Perrella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Queens, a production of Manhattan Theatre Club, runs at New York City Center Stage I through December 7th. For more information, visit www.manhattantheatreclub.com. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

Pulitzer Prize–winning historian Anne Applebaum joins Scott Galloway to explain what's really happening inside today's Ukraine peace talks, why business interests are overtaking diplomacy, and how corruption is reshaping American power at home and abroad. They discuss Europe's response, Russia's strategy, and what this moment signals for the future of democracy. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Pulitzer Prize finalist Sven Beckert joins co-hosts Whitney Terrell and V.V. Ganeshananthan to talk about his new book, Capitalism: A Global History. Beckert describes capitalism as an ongoing process comparable in significance to geological forces; he examines the way it shapes our interactions with the world and notes its presence in every aspect of daily life. He recounts how it has been influenced and defined for the past thousand years by people all over the world, ranging from merchants to CEOs to rebels resisting enslavement. He unpacks capitalism's devastating global effects as well as its role in technological innovation and revolution. He explains that capitalism is a product of not only cities, but also the countryside. Finally, he addresses the idea that capitalism breeds inequality and argues for more nuance in understanding it as a human-made order that can be changed. He reads from Capitalism.To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video versions of our interviews on the Fiction/Non/Fiction Instagram account, the Fiction/Non/Fiction YouTube Channel, and our show website: https://www.fnfpodcast.net/This podcast is produced by V.V. Ganeshananthan, Whitney Terrell, MaryClaire Dunagan, Emani Guerin, and Sarah Feldmann. Sven BeckertCapitalism: A Global HistoryEmpire of Cotton: A Global HistoryAmerican Capitalism: New HistoriesGlobal History, Globally: Research and Practice Around the WorldThe American Bourgeoisie: Distinction and Identity in the Nineteenth CenturyThe Monied Metropolis: New York City and the Consolidation of the American Bourgeoisie, 1850-1896Others:Gravity's Rainbow by Thomas PynchonCapitalism named one of 100 NYT Notable Books for 2025See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz sits down with legendary producer and entertainment executive Suzanne de Passe. From championing the Jackson 5 early in their career to producing Emmy Award–winning miniseries like Lonesome Dove, Suzanne's career is defined by vision, talent recognition, and breaking barriers in Hollywood.An Eclectic, Wonderful Childhood (02:16) Suzanne describes growing up in Harlem, attending the progressive private school New Lincoln, and spending summers in Martha's Vineyard.Suzanne's Superpower (12:46) Suzanne talks about her greatest talent: recognizing the talent of others and knowing what to do with it.The Meeting That Changed Everything (16:22) Through her friendship with Cindy Birdsong of The Supremes, Suzanne met Berry Gordy in 1967, a moment that changed her life forever."One Day, That's Gonna Be Me" (21:19) Standing under the Essex House sign, watching Diana Ross depart in one limo, and the other Supremes in another, Suzanne had a realization: she wanted to be a part of that world.Championing The Jackson 5 (31:39) When Bobby Taylor invited her to hear a young group of brothers sing four songs a cappella, “the hair on the back of my neck flew up,” Suzanne recalls. Despite Barry Gordy's initial resistance to signing another kid act, her relentless advocacy is what finally got the Jackson 5 their Motown audition.Rock and Roll Hall of Fame Induction (38:04) In 2024, Suzanne was inducted into the Rock and Roll Hall of Fame with the Ahmet Ertegun Award, the fifth woman and the first solo living female recipient among male legends.Lonesome Dove (40:28) After optioning Larry McMurtry's unpublished novel for $50,000, Swifty Lazar called with news: it had won the Pulitzer Prize. The resulting CBS miniseries was nominated for 19 Emmys, won 11, and received a Golden Globe and a Peabody Award.Immortal Studio: The Next Chapter (51:17) Suzanne has launched the production company Immortal Studio with partners Madison Jones, Cory Martin, and investor Yang Ben Wang. Focused on premium television, the company already has full seasons scripted and is built to be nimble, artist-friendly, and protective of creative vision — avoiding the industry's usual “fingerprinting process,” where too many people try to leave their mark.Suzanne de Passe demonstrates that recognizing talent, whether in five kids singing a capella or an unpublished western novel, combined with persistence and vision, can build an entertainment legacy that spans decades.Host: Kevin GoetzGuest: Suzanne de PasseProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Suzanne de Passe:Wikipedia: https://en.wikipedia.org/wiki/Suzanne_de_PasseIMDB:https://www.imdb.com/name/nm0210867/Rock and Roll Hall of Fame:For more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

Presidential historian and Pulitzer Prize-winning author Jon Meacham joined Rabbi Cosgrove for a closer look at key moments in America's history at this milestone anniversary at the Stephen R. Volk Inaugural Lecture: The Soul of America: Our Nation at 250. Reflecting on our nation's triumphs, the darker hours, and the moments in between, this nuanced discussion brought our history to life and looked to the past for lessons on the way forward.   Jon Meacham, a Presidential historian and Pulitzer Prize-winning author, is one of America's most prominent public intellectuals. Meacham is the author of multiple bestselling books, including And There Was Light: Abraham Lincoln and the American Struggle, The Soul of America: The Battle for Our Better Angels, Thomas Jefferson: The Art of Power, and His Truth Is Marching On: John Lewis and the Power of Hope. Named a “Global Leader for Tomorrow” by the World Economic Forum, he is a member of the Council on Foreign Relations and a fellow of the Society of American Historians. Meacham regularly appears on MSNBC, CNN, and other news outlets.

For 25 years, Pulitzer Prize-winning photojournalist Lynsey Addario has covered conflicts and humanitarian crises across the globe, from Sudan to Syria. She's been kidnapped twice, thrown from a car, and shelled in war zones more times than she can count. A new Nat Geo/Disney+ documentary called 'Love+War' follows Addario as she is torn in two directions – her all-consuming reporting in Ukraine and her life at home as a wife and mother of two young kids. Addario spoke with Fresh Air contributor, host of Talk Easy, Sam Fragoso. Also, book critic Maureen Corrigan reviews 'Some Bright Nowhere,' by Ann Packer.Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

According to the White House Press Secretary, Defense Secretary Pete Hegseth authorized Admiral Frank Bradley to carry out a second strike on a burning drug boat, already hit by one US mortar, in the Caribbean. Two people were hanging off the boat after it was hit the first time and reportedly did not survive the second strike. Former Defense Secretary Leon Panetta says there is no question the second strike was a war crime. The matter brings to the forefront the question of what constitutes an illegal order and whether Admiral Bradley and those involved in carrying out such killings, have a duty to refuse.We welcome Pulitzer Prize winning author and investigative journalist David Cay Johnston to the show. We'll talk about this and much more.Today, the White House announced Trump Accounts. The investment accounts are said to be away to help young people prepare for the future. Is this the first indicator of privatizing social security? We'll talk to professor Ray Madoff about what these accounts really mean. We'll also discuss her eye-opening new book “The Second Estate: How the Tax Code Made an American Aristocracy.“The Mark Thompson Show 12/2/25Patreon subscribers are the backbone of the show! If you'd like to help, here's our Patreon Link:https://www.patreon.com/themarkthompsonshowMaybe you're more into PayPal.  https://www.paypal.com/donate/?hosted_button_id=PVBS3R7KJXV24And you'll find everything on our website: https://www.themarkthompsonshow.com

Historian Kevin Impellizeri shares a story of a video game controversy to his friends: Elford Stephens, Phil Thomas, and Ryan Weaver. We're taking December off for the holiday, so to help you through the season (and hopefully soften the blow of the recent news that Grand Theft Auto VI won't be coming out until November 2026), here's part one of a remastered edition of our Pulitzer Prize nominated episode on the most infamous mod in gaming history: the Grand Theft Auto: San Andreas "Hot Coffee" mod. Topics discussed include: fans find some steamy secrets, fans rally to Rockstar's defense (only for the company to throw them under a bus), and Jack Thompson leads the charge against Rockstar's hidden pornographic content. For more on Hot Coffee and Rockstar, check out:David Kushner, Jacked: The Unauthorised Behind-the-Scenes Story of Grand Theft Auto (London: Collins, 2012).Simon Parkin, "Who Spilled Hot Coffee?" Eurogamer, December 2, 2012: https://www.eurogamer.net/articles/2012-11-30-who-spilled-hot-coffee. More info, including show notes and sources at http://scandalousgamespodcast.wordpress.com.

If you are tired of your own excuses… If you are tired of starting out strong, only to end up in the exact same place… If you feel like you can't get your life together… If you feel unmotivated and exhausted… That makes complete sense. The end of the year is almost here and you need a little PUSH to get over the finish line. So Mel is giving you the simple reset you need to finish the year with energy and focus. Today, Mel is joined by Pulitzer Prize–winning journalist and bestselling author Charles Duhigg, and he's breaking down the three small habits that will quietly reset your mind and body and change your life with the least amount of effort. The 3 habits are small. They are doable, and they are designed to work when you're tired, unmotivated, and fed up with yourself. There is a reason this episode is dropping right now, on Cyber Monday. It's because you don't need a new pair of leggings or a tech gadget to make your life better. You need just one hour to listen to this episode. Forget complicated routines. Charles gives you the 3 things that work.  You'll discover: -The 3 most important habits to create the most possible change in your life, for the least amount of effort -The mindset trick that makes "getting fit" MUCH easier -The ARC Morning Formula to try tomorrow-The “hot mind” vs. “cold mind” approach and why it matters -How to motivate yourself to change your behavior  You will be able to quietly upgrade everything in your life.  This is not another productivity pep talk. It's a playbook that you can start using today. For more resources, click here for the podcast episode page. If you liked the episode, check out Charles' first appearance on The Mel Robbins Podcast: How to Talk to Difficult People: Proven Strategies to Stop Arguments & Feel Connected AgainConnect with Mel:  Get Mel's #1 bestselling book, The Let Them TheoryWatch the episodes on YouTubeFollow Mel on Instagram The Mel Robbins Podcast InstagramMel's TikTok Sign up for Mel's personal letter Subscribe to SiriusXM Podcasts+ to listen to new episodes ad-freeDisclaimer Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

 November 30, 2025 – Pulitzer Prize-winning journalist and lifetime Long Islander, Bill Bleyer, joins us in the time machine to walk the streets of Gotham past with his book, “The Roosevelts in New York City.” Among his previous books is “Sagamore Hill: Theodore Roosevelt’s Summer White House.” The Roosevelts story in America began with Nicholas Roosevelt, a farmer who arrived four centuries ago and planted the seeds of a distinguished and impactful family ― one with ties to many places in New York City. On East 20th St. stands a recreation of the brownstone where President Theodore Roosevelt was born and developed his love of nature. The twin brownstone next door was where his uncle, Robert Roosevelt, instilled in the future president an interest in conservation, while having multiple affairs and even starting a second secret family with a mistress. The double townhouse on East 65th Street built by Sara Delano Roosevelt still stands, built so that her son, President Franklin Roosevelt, would have a suitable place to raise his family. It also allowed her, as Bill Bleyer says, to keep him tied to her apron strings while she meddled in their lives. Her daughter-in-law — TR's niece, Eleanor Roosevelt — was driven to tears by having to live in a home that was not her own. Bill Bleyer details the unique places in the city where family members lived and worked and unveils the private interactions behind this famous American family. For more interviews on the Roosevelts: David Pietrusza – 1920: The Year of the Six Presidents” David Pietrusza – Roosevelt Sweeps Nation: FDR's 1936 Landslide and the Triumph of the Liberal Ideal Michael Patrick Cullinane – Remembering Theodore Roosevelt: Reminiscences of his Contemporaries Michael Patrick Cullinane – Theodore Roosevelt's Ghost: The History and Memory of an American Icon Winston Groom – The Allies: Roosevelt, Stalin, Churchill and the Unlikely Alliance That Won World War II David Pietrusza – TR's Last War: Theodore Roosevelt, the Great War, and a Journey of Triumph and Tragedy Tim Brady – His Father's Son: The Life of General Ted Roosevelt, Jr. John J. Miller – The Big Scrum: How Teddy Roosevelt Saved Football Kermit Roosevelt – Allegiance David Pietrusza – 1932: The Rise of Hitler and FDR

Marie Curie is the most famous woman in the history of science. She coined the term “radioactivity” and traveled the world to share its secrets. Her story is told in a new book by acclaimed Pulitzer Prize finalist Dava Sobel, but, along the way, she tells the stories of other women who trained in Curie's lab who would pursue their own scientific careers.

This week on No Script: The Podcast, Jackson and Jacob dive into Tina Howe's lyrical memory play Pride's Crossing — winner of the New York Drama Critics' Circle Award for Best American Play and a finalist for the 1997 Pulitzer Prize for Drama. The play centers on 90-year-old Mabel Tidings Bigelow, once the first woman to swim the English Channel from England to France. From her croquet party in Pride's Crossing, Massachusetts, time flows backward and forward as Mabel revisits a lifetime of opportunity seized and missed. Listen in as Jackson and Jacob unpack Howe's impressionistic structure, the challenges of staging Mabel at multiple ages, and the opportunities this script offers directors, actors, and teachers—especially those interested in complex female protagonists, non-linear storytelling, and intimate ensemble work in a “big” memory play. They'll also touch on where Pride's Crossing sits alongside Howe's other major works, like Painting Churches and Coastal Disturbances, in the landscape of contemporary American drama. ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast  ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Thanks so much for listening! We'll see you next week.

This week on Talk World Radio, we are talking about Native Nations: A Millenium in North America with its author Kathleen DuVal who is a Professor of History at the University of North Carolina at Chapel Hill, where she specializes in early American and Native American history. DuVal is a Pulitzer Prize winner and a Guggenheim Fellow. Her website is at kathleenduval.net.

For some years now, mezcal, Mexico’s other national spirit, has been in a cultural spotlight in and out of Mexico—especially here in the U.S. But the unseen devastating consequences of that demand have had a profound impact on the people making it. In this episode of Latino USA, we take a journey to Oaxaca to understand the ancestral connections to mezcal, how the spirit is made, and how to become a better consumer. Because there's “so much tradition, every time you sip, every time you smell, and every time you taste it.” This episode first aired in 2021. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.

Who really took the photo widely known as “Napalm Girl”?  And does it really matter over a half-century later?   In his new Netflix documentary “The Stringer”, Bao Nguyen (“The Greatest Night in Pop”) follows a journalistic team lead by Anglo-American Gary Knight as they seek to show that the real photographer on that day in 1972 in Trang Bang was not the renowned and fêted Pulitzer Prize-winning Nick Ut, of the Saigon AP Bureau, but a “stringer”, Nguyen Thanh Nghe, paid $20 flat and subsequently denied all credit.  And Nguyen argues as well that it does matter not only to Nghe and his family, but also to: the Vietnamese people; the Vietnamese diaspora (who had long lionized Ut); to an America that has still not fully dealt with the war; and to the very nature of truth in an era when technology can both clarify and complicate provenance.   You can stream “The Stringer” on Netflix.   Follow: @baomnguyen on Instagram and X @topdocspod on Instagram and X    The Presenting Sponsor of "Top Docs" is Netflix.

Last Friday Marjorie Taylor Greene announced she was quitting after Trump excommunicated her from MAGA, while the same day Trump welcomed Zohran Mamdani to the White House with open arms and high praise. What's going on with Trump? Harold Meyerson comments - he's editor at large of The American Prospect.Also: Alice Waters, the legendary founder of Chez Panisse in Berkeley, winner of the National Humanities Medal, awarded by Obama, talks about how to make school lunch delicious, affordable, organic, and beautiful - and locally sourced from regenerative farmers. Her new book is A School Lunch Revolution. Plus: The Republicans call it ‘illegal immigration': Pulitzer-Prize winning journalist Sonia Nazario recounts the journey of a 16-year-old Honduran boy who fought immense obstacles and dangers to reach his mother in the US, who he hadn't seen since he was five. Sonia's book is Enrique's Journey. (Originally broadcast in March, 2006)

Adelita Grijalva, the first Latina –and first Chicana– to represent Arizona in Congress was sworn into office… finally. She was the deciding vote pushing for the release of the Epstein files. The Tucson native was an outspoken leader on a school board and longtime civil servant before winning a special election to fill her late father’s seat, Raul Grijalva. She says her progressive values align with his. Congresswoman Grijalva spoke to us about her upbringing and her future in a party where “Democrats being a watered down version of Republicans is not gonna cut it for the American people. Not the people that I've been talking to.” Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.

Diane Seuss is the author of the poetry collections Frank: Sonnets, winner of the Pulitzer Prize and the National Book Critics Circle Award; Still Life with Two Dead Peacocks and a Girl; Four-Legged Girl, finalist for the Pulitzer Prize; Wolf Lake, White Gown Blown Open; and It Blows You Hollow. Her work has appeared in Poetry, the Georgia Review, Brevity, Able Muse, Valparaiso Poetry Review, and the Missouri Review, as well as The Best American Poetry 2014. She was the MacLean Distinguished Visiting Professor in the Department of English at Colorado College in 2012, and she has taught at Kalamazoo College since 1988. Her new poetry collection is Modern Poetry. We talked about aging, John Keats, dogs,  romance, music, objectivity, grief, coldness, and the snarling, flaming bitch of poetry. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pulitzer Prize-winning cultural critic Robin Givhan joins Monica L. Miller, professor and co-curator of Superfine: Tailoring Black Style, the Costume Institute exhibition now on view at The Met, for a conversation about the crossroads of fashion, culture, identity, and art — and the life of the great designer Virgil Abloh, as told in Givhan's new biography, Make It Ours: Crashing the Gates of Culture with Virgil Abloh. The first Black designer to serve as artistic director of Louis Vuitton in the brand's 164-year history, Virgil Abloh's appointment as head of menswear in 2018 shocked the fashion industry. Blurring the lines between luxury and streetwear, Abloh embodied a new way forward for his industry — and in her spellbinding new biography, Givhan shows that Abloh's story is the story of a revolution in fashion and culture, a story that upends a century's worth of ideas about race, class, creativity, and taste. Hear Givhan tell that story — from his early career as an architect to his complex relationship with mentor Kanye West to his meteoric rise and tragic death at 41 of a rare form of cancer — honoring the legacy of a singular creative force whose influence is still rippling through American culture. "Robin's look into the life and work of the late, great, Virgil Abloh is thoughtful, intelligent, honest, and masterfully crafted. Virgil's freethinking and influence on the possibilities of what creativity can be was a tour de force." — Marc Jacobs

00:08 Greg Grandin, Peter V and C. Vann Woodward Professor at Yale, winner of the Pulitzer Prize for General Nonfiction, author of America America: a new history of the new world [originally recorded in May 2025] The post Greg Grandin on America, América [rebroadcast] appeared first on KPFA.

Hi, It's Michele! Send me a text with who you want as a guest!This Year's Holiday Gift List and Book List are sponsored by:  Stone Architecthttps://suno.com/s/VcvQiyV94XdoEMjAoday's episode is sponsored by Stone Architect, the natural-stone sourcing company behind the movement Granite Your Planet™ — inspiring cities, architects, and builders to choose materials that truly stand the test of time.Stone Architect's mission is simple: build for centuries, not landfills.While concrete and manufactured products break down every 7 to 20 years — creating massive CO₂ emissions — natural granite is one of the most sustainable building materials on Earth. It's carbon-light, chemically untouched, and built by nature to last hundreds of years.From major city streetscapes to public parks, waterfronts, and private developments across North America, Stone Architect helps design teams realize projects that are stronger, cleaner, and dramatically more sustainable for our planet.If you believe in smarter materials, lower emissions, and public spaces created with intention — join the movement at stonearchitect.org**Stone Architect — Granite Your Planet™.Build for the next generation.””Link to the blog for text and Images and Gift and Book List:https://inmawomanarchitect.blogspot.com/2025/11/holidaygiftlist-interview-w-alexandra.htmlAlexandra LangeAlexandra Lange is a journalist, design critic, and author. Her essays, reviews and profiles have appeared in numerous design publications including Architect, Harvard Design Magazine, and Metropolis, as well as in The Atlantic, New York Magazine, The New Yorker, and the New York Times. She is a contributing writer for Bloomberg CityLab, and has been a featured writer at Design Observer, an opinion columnist at Dezeen, and the architecture critic for Curbed. In 2025 she was awarded the Pulitzer Prize for Criticism for a series on how urban design and architecture affect children and families.Her last name rhymes with “rang.”Her latest book, Meet Me by the Fountain: An Inside History of the Mall, was published by Bloomsbury USA in 2022. It received positive reviews in the New York Times, the Wall Street Journal, The Atlantic, The Economist, and The Nation, as well as coverage on NPR Marketplace, 99 Percent Invisible, Decoder Ring, and The Brian Lehrer Show.Link to MGHarchitect: MIchele Grace Hottel, Architect website for scheduling a consultation for an architecture and design project and guest and podcast sponsorship opportunities:https://www.mgharchitect.com/

Before you feast, beast! We solve the questions we had, peek in the psychology, and check out real life examples for the Claire Danes thriller, The Beast in Me.Email us: KillerFunPodcast@gmail.comFollow us on Facebook: fb.me/KillerFunPodcastAll the Tweets, er, POSTS: https://x.com/KillerFunPodInstagram: killerfunpodcast

As Treasury Secretary, former Federal Reserve Chairwoman and Chair of the White House Council of Economic Advisers, Janet Yellen is one the most powerful woman in American economic history. Award-winning economics writer and author Jon Hilsenrath joins with insights about her life and work from his book, Yellen: The Trailblazing Economist Who Navigated an Era of Upheaval. He shares how she navigated the sexism in her industry and in politics, her unconventional partnership in marriage and work with Nobel Laureate George Akerlof and why she didn't always "lean in."More about Jon Hilsenrath: He is a senior writer for the Wall Street Journal, where he has been since 1997, reporting from Hong Kong, New York, and Washington, DC. He was a Pulitzer Prize finalist in 2014 for his coverage of the Federal Reserve; part of a team of 2009 Pulitzer finalists for coverage of the global financial crisis; and contributed on-the-scene reporting from the World Trade Center on September 11, 2001, which helped the WSJ win a Pulitzer in 2002. Hosted on Acast. See acast.com/privacy for more information.

This week, what does defense technology look like in 2025? Oz talks to Pulitzer Prize-winning journalist Dexter Filkins about his recent piece in The New Yorker titled “Is the US ready for the next war?” They discuss how the Ukraine and Israel are reimagining what warfare looks like in the 21st century, Silicon Valley’s race toward fully autonomous killer robots, and how it all might affect the potential conflict in Taiwan.See omnystudio.com/listener for privacy information.

A desperate Contact Man races to secure a planetary trade contract, only to discover a world ruled entirely by astrology and fear. When a disastrous landing sends him spiraling into the underworld of Mert, he must outwit fate itself to survive — and change the future. Conquest Over Time by Michael Shaara. That's next on The Lost Sci-Fi Podcast.Before earning the Pulitzer Prize for The Killer Angels, Michael Shaara spent years crafting science fiction rich with energy, sharp humor, and boundless imagination. His sci-fi debut, Orphans of the Void, appeared in 1952 and has already been featured on the podcast. Four years later, in 1956, he returned with today's tale. So open your 69-year-old issue of Fantastic Universe, November 1956, turn to page 80, and enjoy Conquest Over Time by Michael Shaara…Next on The Lost Sci-Fi Podcast, Caught in the fog-choked wilds of Venus, Castle stumbles into a mystery far stranger than the hostile “natives” stalking him through the gloom. His only chance at survival lies in unraveling who — or what — really claims this harsh alien world. First Landing by Roger D. Aycock.Newsletter - https://lostscifi.com/free/Rise - http://Lostscifi.com/rise☕ Buy Me a Coffee http://Lostscifi.com/coffeeFacebook - http://Lostscifi.com/facebookX - http://Lostscifi.com/xInstagram - https://www.instagram.com/lostscifiguy❤️ ❤️ Thanks to Our Listeners Who Bought Us a Coffee$200 Someone$100 Tony from the Future$75 James Van Maanenberg$50 MizzBassie, Anonymous Listener$25 Someone, Eaten by a Grue, Jeff Lussenden, Fred Sieber, Anne, Craig Hamilton, Dave Wiseman, Bromite Thrip, Marwin de Haan, Future Space Engineer, Fressie, Kevin Eckert, Stephen Kagan, James Van Maanenberg, Irma Stolfo, Josh Jennings, Leber8tr, Conrad Chaffee, Anonymous Listener$15 Every Month Someone$15 Amy Özkan, Someone, Carolyn Guthleben, Patrick McLendon, Curious Jon, Buz C., Fressie, Anonymous Listener$10 Anonymous Listener$5 Every Month Eaten by a Grue$5 Denis Kalinin, Timothy Buckley, Andre'a, Martin Brown, Ron McFarlan, Tif Love, Chrystene, Richard Hoffman, Anonymous ListenerPlease participate in our podcast survey https://podcastsurvey.typeform.com/to/gNLcxQlk Hosted on Acast. See acast.com/privacy for more information.

Pulitzer Prize–winning humorist Dave Barry joins Karol to share his journey from small-town Pennsylvania to becoming one of Florida’s most beloved writers. He reflects on how humor has evolved, the art (and nerves) of public speaking, and why laughter matters now more than ever. With his signature wit, Barry offers timeless life lessons—don’t sweat the small stuff, cherish real connections, and never underestimate the power of humor in navigating everyday challenges. The Karol Markowicz Show is part of the Clay Travis & Buck Sexton Podcast Network - new episodes debut every Wednesday & Friday. See omnystudio.com/listener for privacy information.

Dan Houser, lead writer of Grand Theft Auto, on his debut dystopian novel A Better Paradise, about a video game which goes wrong. Renowned director Katie Mitchell on why she is stepping back from opera due to a culture of misogyny. And we hear how Native American artists and musicians are responding to environmental concerns, with artist Neal Ambrose-Smith and Pulitzer Prize winning composer Raven Chacon. Presenter: Kate Molleson Producer: Mark Crossan

Every week, two local newspapers close somewhere in the country. Some 50 million Americans have limited to no access to local news. That may increase with loss of public media funding. What is the future of journalism in an age where truth itself is under attack? Local news is essential because “that's where rebuilding confidence in facts and truth starts,” said VTDigger editor in chief Geeta Anand. We spoke at a public event at the Manchester Community Library on Nov. 11. “If you've actually gone to a meeting and seen a story based on it and met the reporter and it actually seems the article matches what you heard, then you begin to disbelieve the discrediting of journalism that is happening, led by the leaders of our country, which is having a devastating effect on our democracy.”Anand's career as a journalist and author spans the globe. Her stories on corporate corruption in the Wall Street Journal earned her a Pulitzer Prize in 2002, and she was a finalist again in 2003. Her book, "The Cure," about a father's fight to save his kids by starting a company to make a medicine for their untreatable illness, was made into the 2010 movie, Extraordinary Measures, starring Harrison Ford. She was a foreign correspondent for The New York Times and the Wall Street Journal in India. Anand's roots in journalism are in covering local news. She worked at Cape Cod News and then covered local government and courts at the Rutland Herald. In 2018, she became a professor at the UC Berkeley journalism school, where she was dean in 2020. She was at Berkeley until taking over leadership of VTDigger in July 2025. Anand spoke about how local journalism is a critical link in the information ecosystem. “Our coverage right now of immigrants getting picked up and spirited off to other parts of the country -- that's the way the world finds out that these things are happening. Our stories get picked up by national media, and the national media hold our national leaders accountable. We matter to you here in Vermont, but we're also a key part of the web of national and international news.”Anand said that for community and democracy to function, it is critical to support local news. “If we aren't vibrant, if we're not there at the city council meeting or at the school board meeting and telling those stories, government isn't held accountable. It's almost like these things haven't happened if we're not there.”Thanks to Greater Northshire Access Television for recording this conversation. 

FBI Director Kash Patel is being called out for mis-using law enforcement. Patel assigned an FBI SWAT team to protect his girlfriend Alexis Wilkins after she faced online threats. The agents didn't live up to Patel's standards for private security. The agents went to the Georgia World Congress Center where Wilkins was speaking and when they found the venue secured and Wilkins in no danger, they left before the event ended. Patel reportedly tore into the team's commander. It wasn't the only time agents were assigned to watch over Wilkins. Should he have paid for her security himself or should taxpayers assume the cost?We will ask Pulitzer Prize winning author and investigative journalist David Cay Johnston for his thoughts. Does Trump really mean what he says? Linguists Michael Fragomeni and Peter Woods try to make sense of the current political situation.Jefferson Graham joins for Tech Tuesday.The Mark Thompson Show 11/25/25Patreon subscribers are the backbone of the show! If you'd like to help, here's our Patreon Link:https://www.patreon.com/themarkthompsonshowMaybe you're more into PayPal.  https://www.paypal.com/donate/?hosted_button_id=PVBS3R7KJXV24And you'll find everything on our website: https://www.themarkthompsonshow.com

Twenty years ago, a young oncologist started journaling to process his experience treating cancer patients. That cathartic act became the Pulitzer Prize-winning book The Emperor of All Maladies: A Biography of Cancer.Fifteen years after the book was published, how has our understanding of preventing and treating cancer changed? Host Flora Lichtman is joined by author Siddhartha Mukherjee to talk about what we now understand about screening, environmental risks, and rising cancer rates in young people.Read an excerpt of the new chapters added to The Emperor of Maladies on the 15th anniversary of the book's publication. This headline has been corrected from "Multi-Headed" to "Many-Headed" to accurately reflect Siddhartha Mukherjee's statement.Guest: Dr. Siddhartha Mukherjee is a cancer physician and an associate professor of medicine at Columbia University.Transcripts for each episode are available within 1-3 days at sciencefriday.com. Subscribe to this podcast. Plus, to stay updated on all things science, sign up for Science Friday's newsletters.

Brad Onishi sits down with Pulitzer Prize winner Paul Starr to dig into his new book, American Contradiction, and the idea that the United States is less a shining city on a hill and more a city built on a fault line. Starr traces how the nation's promise of liberty has always coexisted with exclusion, hierarchy, and inequality, and how those tensions erupted in new ways during the 1990s. Together they unpack how the end of the Cold War, the rise of culture wars, and the shockwaves of policies like NAFTA reshaped party coalitions, fueled resentment, and set the stage for today's political divide. Starr explains why the 90s were a turning point and how institutional structures like the Senate and Electoral College amplify polarization rather than contain it. The conversation also explores the growing gap between social progress and economic inequality and the challenges facing a Democratic Party trying to represent both progressive activists and working class voters. Bradley and Paul talk about the power of political storytelling, from nostalgia for an imagined past to despair over historical injustices, and how both shape the current moment. Despite everything, Starr ends with a measure of hope that the United States still has the capacity for reinvention and surprise if it can finally reckon with its contradictions and build a more inclusive national story. Subscribe for $5.99 a month to get bonus content most Mondays, bonus episodes every month, ad-free listening, access to the entire 850-episode archive, Discord access, and more: https://axismundi.supercast.com/ Linktree: https://linktr.ee/StraightWhiteJC Order Brad's book: https://bookshop.org/a/95982/9781506482163 Subscribe to Teología Sin Vergüenza Subscribe to American Exceptionalism Learn more about your ad choices. Visit megaphone.fm/adchoices

Tracy K. Smith is a Pulitzer Prize-winning poet, memoirist, editor, translator and librettist. She served as the 22nd Poet Laureate of the United States from 2017-2019. Smith is the author of five poetry collections: Such Color: New and Selected Poems, which won the 2022 New England Book Award; Wade in the Water, which was awarded the 2018 Anisfield-Wolf Book Award; Life on Mars, which won the 2012 Pulitzer Prize; Duende, winner of the 2006 James Laughlin Award of the Academy of American Poets; and The Body's Question, which received the 2003 Cave Canem Prize. Her memoir, Ordinary Light, was a finalist for the 2015 National Book Award in nonfiction. She is the Boylston Professor of Rhetoric and Oratory at Harvard University, and a Susan S. and Kenneth L. Wallach Professor at Harvard Radcliffe Institute. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 2 of "Exposed"  from our friends at San Francisco Public Press, we explore a little-known chapter in San Francisco's nuclear era: human experiments carried out to assess the health effects of radiation. Scientists from the Naval Radiological Defense Laboratory, located at the Hunters Point Naval Shipyard, designed and executed at least 24 experiments that involved gathering data from humans — in some cases, injecting test subjects with radioisotopes or having them ingest fluids laced with trace amounts of radioactive materials. Even football players from the San Francisco 49ers were enrolled as test subjects in these so-called tracer studies. We hear from military veterans who were sent on a mysterious mission to spread radioactive substances onto rooftops at an Army base near Pittsburg, Calif., for an experiment the radiation lab played a role in designing. Some recount experiences of witnessing nuclear bomb blasts in the Nevada desert. We also examine a national pattern of human radiation experiments revealed by Eileen Welsome, the author of a Pulitzer Prize-winning investigation, who shined a light on similar practices conducted by government facilities, hospitals and other institutions.  This miniseries first aired on Making Contact in February 2025. Featuring: Eldridge Jones, served in the military and was part of Operation Stoneman | Merle Votaw, a Navy veteran who participated in Operation Stoneman II | Eileen Welsome, author of "Plutonium Files" | Holly Barker, Anthropologist and professor at the University of Washington who studied the Marshall Islands. Credits: San Francisco Public Press: Reporting: Chris Roberts and Rebecca Bowe  Editing: Michael Stoll and Liz Enochs  Research Editing: Ambika Kandasamy  Web Design: John Angelico Copy Editing: Kurt Aguilar, Michele Anderson and Richard Knee  Archival Research and Illustration: Stacey Carter  Audio Editing: Liana Wilcox, Mel Baker and Megan Maurer  Sound Gathering: Justin Benttinen  Photography: Sharon Wickham, Yesica Prado and Guillermo Hernandez  Graphic Design: Reid Brown  Fact Checking: Dani Solakian and Ali Hanks  Proofreading: Lila LaHood, Noah Arroyo, Zhe Wu and Sylvie Sturm  Special thanks to Alastair Gee and Danielle Renwick at The Guardian and Ben Trefny at KALW Public Radio, and to Laura Wenus and Amy Pyle Making Contact: Host: Salima Hamirani Producers: Anita Johnson, Salima Hamirani, Amy Gastelum, and Lucy Kang Executive Director: Jina Chung Editor: Adwoa Gyimah-Brempong Engineer: Jeff Emtman Digital Media Marketing: Lissa Deonorain Music Credits: Midday, by the Blue Dot Sessions | Sweet Leilani, by Bing Crosby Learn More:  [Exposed full investigation | Exposed Part 2 Making Contact is an award-winning, nationally syndicated radio show and podcast featuring narrative storytelling and thought-provoking interviews. We cover the most urgent issues of our time and the people on the ground building a more just world.

In this episode, Latino USA’s “Selena expert” Maria Garcia sits down with Selena Quintanilla’s sister, Suzette and filmmaker Isabel Castro, to talk about the new Netflix documentary, Selena y Los Dinos: A Family’s Legacy. Suzette opens up about choosing to share the intimate home videos that shaped the film, while Isabel reflects on her artistic vision that brought the documentary to life. Listen in on this behind the scenes look at the life of a woman who defined a generation. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.

Newt talks with Stephen Hunter, a renowned author and former chief film critic for The Washington Post, about his latest book, "The Gun Man Jackson Swagger." This novel is a prequel set in the 1890s, focusing on Jack Swagger, an ancestor of the famous Bob Lee Swagger character. Hunter, who won the 2003 Pulitzer Prize for distinguished criticism, shares insights into his career, including his transformative experience at The Baltimore Sun during the 1970s, where he was part of a movement to modernize the newspaper. Their conversation explores Hunter's writing style, which is heavily influenced by his extensive background in film, resulting in novels that often read like movies. "The Gun Man Jackson Swagger" is described as a tribute to the American Western, filled with cinematic references and innovative portrayals of gunfights. Hunter also discusses the cultural significance of the gunfighter myth and his intent to restore this figure's place in American culture.See omnystudio.com/listener for privacy information.

Nathy Peluso is an Argentinean-born singer, rapper and poet and she’s looking to chart new territory on who gets to choose how women behave. She grew up in Spain where she learned to express herself through poetry. The rhythm of the language quickly gave way to rap and her debut album, ‘Calambre.’ Most recently she worked with Tokischa and with the one-and-only Gloria Estefan. Her new EP “Malportada” is packed with old school salsa vibes. Latino USA’s Maria Hinojosa speaks with Nathy about her new album and taking risks con amor y respeto. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.

"Anything beats writing. Writing is tough," says John McPhee, staff writer for The New Yorker and author of more than thirty books of nonfiction.Hey CNFers, this is Episode 500 of The Creative Nonfiction Podcast, the show where I speak to tellers of true tales about the true tales they tell. There are kilometer stones like 100, 200, 300, and 400, but this one, this is a milestone and it features the writer and journalist who made me want to write narrative nonfiction in the first place: John McPhee.John is a titan, a soft-spoken titan. He is the author of more than 30 books, including A Sense of Where You Are, Levels of the Game, his Pulitzer Prize-winning Annals of the Former World, and the book that made me want to write nonfiction: The Survival of the Bark Canoe. John is 94 years young, still lives in Princeton where he has taught an exclusive masterclass on factual storytelling, a class taken by the likes of David Remnick and the late Grant Wahl, I believe, among countless people who have gone on to write and report with distinction.He's been a staff writer for The New Yorker since the 1960s when William Shawn was the editor. Not long thereafter, he was offered a job to teach at his alma mater Princeton University and he famously edited students' submissions not unlike how Shawn edited him at The New Yorker. He's written about such wide ranging topics from basketball, to tennis, to bark canoes, to Alaska, to lacrosse, to oranges, to myriad topics in geology.John is synonymous with thinking through structure and coming up with unique structures for most of his stories, each one something of a fingerprint: no two are alike and the facts borne out from this intensive, slow reporting dictate the shape of the story he has locked into.His work is methodical and patient. He hangs out. He fills notebook after notebook, rarely uses a recorder, maybe only if there's someone speaking in such technical jargon that there's no way to keep pace. His career has been this wonderful balance of give and take: teach for most of the year and not write; then write and not teach. John is unassuming and gentle and an example of how you can do this work without bombast or pyro and still be riveting and sometimes downright hilarious.So we talk about: The influence of his high school English teacher Olive McKee Living room fighters Writing on spec The notebooks he's used for decades How a lack of confidences is an asset What a good editor does Writing as teaching How having a plan frees you to write The panic of having not written leads to productivity And how proud of his daughters he isParting shot on what it all means at 500 and maybe where I see the show going for the next 500.Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

Pulitzer Prize–winning Washington Post reporters Carol Leonnig and Aaron C. Davis will tell us about their investigation into the subversion of the Justice Department over the last decade, culminating in President Donald Trump upending this cornerstone of democracy. Their new book in "Injustice: How Politics and Fear Vanquished America's Justice Department."

In this episode, Pulitzer Prize–winning historian Eric Foner joins to discuss his book, Our Fragile Freedoms, a new collection of essays exploring a range of topics, including debates over slavery and antislavery, the Civil War and Reconstruction, Jim Crow and the battle to dismantle it, and modern debates over the Constitution and how to teach American history. Jeffrey Rosen, president and CEO of the National Constitution Center, moderates. This conversation was originally streamed live on September 24, 2025, as part of the NCC's America's Town Hall program series.  Resources  Eric Foner, Our Fragile Freedoms (2025)  Eric Foner, The Second Founding: How the Civil War and Reconstruction Remade the Constitution (2019)  Eric Foner, The Fiery Trial: Abraham Lincoln and American Slavery (2010)  Eric Foner, Reconstruction: America's Unfinished Revolution, 1863-1877 (1988)  Richard Hofstadter, Anti-Intellectualism in American Life (1963)  Stay Connected and Learn More Questions or comments about the show? Email us at podcast@constitutioncenter.org  Continue the conversation by following us on social media @ConstitutionCtr   Explore the America at 250 Civic Toolkit  Explore Pursuit: The Founders' Guide to Happiness  Sign up to receive Constitution Weekly, our email roundup of constitutional news and debate  Follow, rate, and review wherever you listen  Join us for an upcoming live program or watch recordings on YouTube  Support our important work: Donate

In another special edition of "Oprah's SuperSoul Conversations," Oprah continues her one-on-one interviews at Harlem's world-famous Apollo Theater. Stephen Colbert, the best-selling author and host of "The Late Show with Stephen Colbert," discusses the nightly intention of his show and his deeply rooted Catholic faith. Broadway genius Lin-Manuel Miranda opens up about his newborn baby, his Pulitzer Prize-winning show, "Hamilton," and the state of his beloved Puerto Rico. "Black-ish" and "Grown-ish" star Yara Shahidi explains why she believes her generation is politically aware and helping to reshape the world we live in. Plus, we share a few laughs with Jessica Williams and Phoebe Robinson, from the podcast "2 Dope Queens," who helped welcome our audience at the Apollo. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today on The Stacks, we are joined by author and Pulitzer Prize-winning playwright Quiara Alegría Hudes to talk about her new novel, The White Hot. This book explores an exhausted young mother's life-changing, “white hot” rage-induced decision to abandon her daughter, break her family's cycle of generational trauma, and discover herself in the process. We chat about why she wanted to write about women leaving home, how she views the audience for her plays versus her books, and how she creates in the face of her own success.The Stacks Book Club pick for November is We the Animals by Justin Torres. We will discuss the book on Wednesday, November 26th, with Mikey Friedman.You can find everything we discuss on today's show on The Stacks website: https://www.thestackspodcast.com/2025/11/19/ep-399-quiara-alegria-hudesConnect with Quiara: Instagram | WebsiteConnect with The Stacks: Instagram | Threads | Shop | Patreon | Goodreads | Substack | Youtube | SubscribeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Join Jim and Greg for the Wednesday 3 Martini Lunch as they applaud ICE for rescuing 30,000 migrant children that the Biden administration lost track of, Texas Rep. Jasmine Crockett absurdly accusing several Republicans of ties to Jeffrey Epstein, and lefties in Maryland pushing a $25 minimum wage that would make the cost of living even worseFirst, they welcome Border Czar Tom Homan's revelation that the Trump administration has located 30,000 of the 300,000 migrant kids the Biden administration lost and never tried to find. Jim also highlights a Pulitzer Prize-winning 2023 investigation showing migrant children being forced into labor for major U.S. companies. Why is there so little political or media outrage?Next, they laugh and fume as Rep. Crockett accuses GOP lawmakers of taking donations from Jeffrey Epstein, only for it to be exposed that none of the contributions came from that Jeffrey Epstein. If Crockett runs for U.S. Senate in Texas and wins the nomination, it will be one of the greatest gifts the GOP ever received.Finally, activists in Maryland want a statewide referendum in 2026 to impose a $25 minimum wage through a constitutional amendment. Jim and Greg explain why the policy would worsen the cost of living and argue that if a higher minimum wage were truly the path to affordability, why not raise it much higher?Please visit our great sponsors:Cancel unwanted subscriptions and reach your financial goals faster with Rocket Money at https://RocketMoney.com/MARTINI Give your liver the support it deserves with Dose Daily.  Save 35% on your first month when you subscribe at https://DoseDaily.co/3ML or enter code 3ML at checkout.  Before you check out for the holidays, do one smart thing for your future with Noble Gold. Open a qualified account and receive TEN 1-oz commemorative Silver Holiday Coins. Visit https://NobleGoldInvestments.com/3ML

Actor Raúl Castillo joins us at the kitchen table. Literally. He goes to Latino USA host Maria Hinojosa’s home to share chips and homemade guacamole. Since his last visit on the show five years ago, a lot has changed for Raúl. He’s gotten married, filmed one of the darkest scenes of his career on HBO’s Task, and will soon join the cast of The Walking Dead. But there are things that remain the same: Raúl’s respect for matriarchs, his rootedness in community and his moral compass. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.

It’s been a year since Donald Trump won the elections. And last week, voters elected candidates that are far from what Trump represents. Democrats made history in New York City, and they won big in places like Virginia, California, and New Jersey—and Latinos and Latinas, as usual, played a big role. But these victories don’t necessarily mean Democrats are poised to sweep in future elections, including the 2026 midterms. A panel of journalists discuss how the elusive so-called Latino vote influenced the most recent elections, and what lessons the Democratic Party should learn. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.

John welcomes four-time Pulitzer Prize-winning investigative reporter Carol Leonnig to discuss her new book with Aaron C. Davis, “Injustice: How Politics and Fear Vanquished America's Justice Department.” Leonnig, a 25-year Washington Post veteran now serving as a senior MSNBC correspondent, explains how Donald Trump's first-term impairment of the DOJ, followed by Merrick Garland's failure to meet the moment after January 6, not only let Trump evade legal accountability but set the stage for his radical second-term subversion of the department's role and the rule of law itself. She also weighs in on Trump's recent spate of pardons and maladroit handling of the Epstein files, as well her own scoop regarding Tom Homan and his cash-filled Cava bag. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

November 12, 2025; 6pm: MSNBC's Ari Melber reports on the damning Epstein emails rocking the Trump White House. Andrew Weissman and Rep. Melanie Stansbury join to discuss. Plus, Pulitzer Prize-winning novelist Jennifer Egan joins to discuss Trump's attack on free speech. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.