Podcasts about Pulitzer Prize

In a relationship, are you a golden retriever or a black cat? Maria is… neither. She’s a human chihuahua. Because they’re fierce, protective of their loved ones, ancient and some might say magical. Today, the story of the chihuahua like you haven’t heard it before. From spirit guides of the great Toltecs and Mexica to their near extermination during colonization, from their TV star role in food advertising to the objectification by Hollywood. You’ll never look at a chihuahua the same way after you listen to this episode. Watch this episode on YouTube. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter.See omnystudio.com/listener for privacy information.

Pulitzer Prize-winning historian Ada Ferrer has spent decades wading through archives in Havana, helping to unearth and weave the untold stories of Cuba’s people and the island. But the most personal and profound source material she has ever found was a box of letters from the brother her mother left behind in Cuba when the family migrated to the US. Ada Ferrer joins Maria Hinojosa to discuss her new book, Keeper of My Kin, which traces her family’s story. They dive into exile, inherited trauma, and how the hostile relationship between the US and Cuba continues to shape the stories of families today. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter.See omnystudio.com/listener for privacy information.

Aug 28, 2026; 6pm; The war in Iran has reached the six-month mark. MS NOW's Jackie Alemany reports and is joined by Pulitzer Prize-winning columnist Eugene Robinson and Bloomberg's Jeff Mason. Plus, Alemany reports on how a growing revolt against Big Tech could shape the upcoming midterm elections. To listen to this show and other MS podcasts without ads, sign up for MS NOW Premium on Apple Podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

[REBROADCAST FROM July 22, 2026] Two-time Pulitzer Prize-winning author Colson Whitehead discusses the final installment in his Harlem Trilogy, Cool Machine, which follows furniture seller and fence Ray Carney in 1980s New York as he gets pulled into one last heist. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Pulitzer Prize-winning novelist Jennifer Egan talks about confidence, luck, and why it takes 35 drafts to get to the finish line. If you'd like to see the video version of Better in Person, you can watch it on YouTube or Apple Podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Dr. Josh, "MacGyver Doc" McConkey, is a Pulitzer Prize nominee, Telly Award winner, combat veteran, and emergency physician. He is an award-winning author of Be the Weight Behind the Spear and The Heart of a Leader, inspiring resilient leadership. Top 3 Value Bombs 1. Leadership isn't about chasing success, it's about serving others. The leaders who become indispensable by taking responsibility for their people ultimately find success follows them. 2. Resilient teams are built through ownership, accountability, standards, empowerment, and trust; not micromanagement. Great leaders develop people who can make sound decisions under pressure. 3. Leadership is a decision, not a position. The greatest legacy isn't the title you hold, but the people you mentor, develop, and empower to succeed long after you're gone. Check out Dr. Josh's website to learn more about his books, leadership philosophy, and speaking engagements - Weight Behind the Spear Sponsors HighLevel - The ultimate all-in-one platform for entrepreneurs, marketers, coaches, and agencies. Learn more at HighLevelFire.com. Nexus Install - Have a high-ticket offer? Nexus Install builds you a custom LinkedIn prospect booking system designed to generate more quality sales calls. Email JLD at John@EOFire.com to learn more.

In this bonus episode, we hear from author Richard Rhodes. His best known book, The Making of the Atomic Bomb, won a Pulitzer Prize. It's about the Manhattan Project, but as Rhodes explains, there's a lot of history leading up to that moment, starting back in the 19th century.*Season 3 of Wild Thing is produced by Laura Krantz and Scott Carney. Editing by Alicia Lincoln. Music and mixing by Louis Weeks.*Find us on social media - @wildthingpod - and on our website https://wildthingpodcast.com/

SPONSORS: 1) HEXCLAD: Find your forever cookware @hexclad and get 10% off at hexclad.com/JULIAN #hexcladpartner 2) TALKSPACE: Head to Talkspace.com and you'll get $80 off of your first month with Talkspace when enter promo code SPACE80. JOIN PATREON FOR EARLY UNCENSORED EPISODE RELEASES: https://www.patreon.com/JulianDorey CLIPPERS DISCORD: https://discord.gg/8QmWEKJ3BT (***TIMESTAMPS in Description Below) ~ Joby Warrick is a 2x Pulitzer Prize-winning journalist, author, and Middle East Expert. Since 1996, Joby has been at the Washington Post, where he currently serves as a National Security Reporter. His newest book is out NOW: The Jackal: The Rise and Fall of Carlos, the World's First Super-Terrorist. JOBY'S LINKS - X: https://twitter.com/JobyWarrick - NEW "CARLOS THE JACKAL" BOOK: https://a.co/d/0fIq94lm FOLLOW JULIAN DOREY IG: https://www.instagram.com/julianddorey/ X: https://x.com/juliandorey JULIAN YT CHANNELS - SUBSCRIBE to Julian Dorey Clips YT: https://www.youtube.com/@juliandoreyclips - SUBSCRIBE to Julian Dorey Daily YT: https://www.youtube.com/@JulianDoreyDaily - SUBSCRIBE to Best of JDP: https://www.youtube.com/@bestofJDP ****TIMESTAMPS**** 00:00 - Joby Warrick Returns, "The Jackal" 10:37 - Iran's Leadership Is MORE Hardline Now 21:45 - Sanctions EMPOWER the IRGC 31:25 - China's Opening & Kushner's Conflicts of Interest 43:22 - Is Israel an Ally or a Burden? 54:44 - The Boy in Gaza Who Lost His Limbs 1:07:54 - The King of Jordan on Greater Israel 1:13:39 - A Terrorist Visiting the WHITE HOUSE 1:23:56 - Assad Falls, Captagon Fills the Gap 1:29:24 - Who Was Carlos the Jackal? 1:40:16 - Getting Carlos to Say YES 1:51:02 - Ninety Minutes With the Man Himself 2:00:28 - The Vienna Attack & His Wild Entrance 2:08:56 - Joby's Writing Regiment and the Physical Timer 2:21:32 - Openings, Cutting Chapters & the But/Therefore Rule 2:38:39 - Telling Vienna TWICE, and Joby's "Curse" 2:48:38 - The Criminal Narcissist Mind at Ease 2:59:55 - His Father Was PROUD, and the Swiss Benefactor 3:09:36 - Kicked Out, Then Terrorism for Hire 3:20:16 - 83 Deaths and ZERO Remorse 3:24:17 - Joby's Work CREDITS: - Host, Editor & Producer: Julian Dorey - COO, Producer & Editor: Alessi Allaman - https://www.youtube.com/@UCyLKzv5fKxGmVQg3cMJJzyQ - In-Studio Producer: Joey Deef Julian Dorey Podcast Episode 467 - Joby Warrick Music by Artlist.io Learn more about your ad choices. Visit podcastchoices.com/adchoices

Here's what happens when a racist, sexist jerk like Jesse Watters trieds to steamroll someone that can actually fight back with facts. Democratic Michigan Senate candidate Abdul El-Sayed sat down with Watters for a heated debate covering gas prices, the Iran war, Sharia law, Colin Kaepernick, gender-affirming care, and more. They had an intense exchange on the issues shaping the 2026 election. We will put it to David Cay Johnston, our Pulitzer Prize, winning investigative journalist and best selling author. The Mark Thompson Show 8/25/26 Patreon subscribers are the backbone of the show! If you'd like to help, here's our Patreon Link: https://www.patreon.com/themarkthompsonshow Maybe you're more into PayPal. https://www.paypal.com/donate/?hosted_button_id=PVBS3R7KJXV24 And you'll find everything on our website: https://www.themarkthompsonshow.com The Mark Thompson Show has an official new Facebook page. Please join! Here's the link: https://m.facebook.com/TheMarkThompsonShow/ Show sponsors: coachellavalleycoffee.com - use code MarkT at check out to save 10%

Bestselling author Richard Russo will be our guest on this week's book show. Russo knows something about small towns and about the people who leave them, the people who stay, and the trouble that follows when someone comes home. Russo is the Pulitzer Prize-winning author of Empire Falls and the author of Bridge of Size, Straight Man, Nobody's Fool, and many others. His latest novel is 'Under the Falls.'

Do great leaders actually matter? Or are they just being carried along by bigger forces – from timing to sheer dumb luck? It's the question that underpins almost every argument about politics, business and sport. And it's one that Jared Diamond, the UCLA professor and Pulitzer Prize-winning author, has spent years trying to answer. He joins Emma Kennedy to reveal when leaders can – and cannot – bring about effective change. • Buy Jared's book Profits, Prophets, Coaches and Kings: (When) Do Leaders Matter? from our affiliate bookshop and you'll help fund the podcast by earning us a small commission for every sale. Bookshop.org's fees help support independent bookshops too.• Get tickets for Origin Story Live! at Islington's Union Chapel on Tuesday, September 1 • Back us on Patreon – www.patreon.com/bunkercastWritten and presented by Emma Kennedy. Producer: James Liddell. Audio production: Robin Leeburn. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. Music by Kenny Dickinson. THE BUNKER is a Podmasters Production.www.podmasters.co.uk Hosted on Acast. See acast.com/privacy for more information.

Have you ever caught yourself saying, "It smells like rain"? It turns out that distinctive scent is very real—and it's not your imagination. Scientists know exactly where it comes from, why some people notice it more than others, and why it can signal that rain is on the way. https://www.smithsonianmag.com/science-nature/what-causes-the-smell-after-rain-180974692/ Love Amazon or hate it, there's no denying it has changed the way we shop—and perhaps the way business itself is done. But how did Amazon become so dominant? What really happened behind the scenes as Jeff Bezos built one of the world's most powerful companies? The story is far more complicated—and far more surprising—than most people realize. Joining me to pull back the curtain is Dana Mattioli, Pulitzer Prize-winning reporter for The Wall Street Journal who has been reporting on Amazon for years. She is author of The Everything War: Amazon's Ruthless Quest to Own the World and Remake Corporate Power (https://amzn.to/4qdwEin). We like to think social media simply documents our lives. But what if it's quietly changing the way we experience them in the first place? Are vacations, birthdays, dinners, and even everyday moments becoming less about living them and more about making them look good on Instagram? Kathryn Jezer-Morton says social media isn't just influencing what we post—it is reshaping our memories, our identities, and the stories we tell about ourselves. Kathryn is a journalist, New York magazine columnist, and author of The Story of Your Life: How Social Media Shapes the Way We Experience Everything (https://amzn.to/3Skz16s). There's something about hotel towels that just feels better. They're softer, fluffier, and more luxurious than the ones hanging in most bathrooms at home. Is it the towels themselves, or is there a simple trick hotels know that most of us don't? The answer may surprise you—and it could make every shower a little more enjoyable. https://www.consumerreports.org/appliances/laundry/how-to-make-your-towels-soft-and-fluffy-again/ PLEASE SUPPORT OUR SPONSORS AIR DOCTOR: Head to ⁠⁠https://AirDoctorPro.com⁠⁠ and use promo code SYSK to get $250 off select AirDoctor air purifiers, including the 3500, 4000, and 5500 models. Plus, you'll receive a free 3year warranty, an $84 value, and AirDoctor's 30-day money back guarantee WAYFAIR: Ready to upgrade your home for way less? Head to ⁠⁠⁠⁠⁠⁠⁠https://Wayfair.com⁠⁠⁠⁠⁠⁠⁠ right now to shop all things home and get your space ready for less.  QUINCE: Elevate your everyday. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://Quince.com/sysk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for free shipping on your order and 365-day returns. Now available in Canada, too! SHOPIFY: It's time to turn those "what ifs" into CHA CHING with Shopify Today! Sign up for your $1 per month trail and start selling today at ⁠⁠https://Shopify.com/realm⁠⁠ INDEED: Get a $75 Sponsored Job credit to help get your job the premium status it deserves at ⁠⁠⁠⁠⁠⁠https://Indeed.com/PODCAST⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Meet Chelsea Conaboy (www.chelseaconaboy.com). Chelsea is a writer, editor and journalist who is the author of Mother Brain: How Neuroscience is Rewriting the Story of Parenthood. Her writing has been published by The New York Times, Mother Jones, Politico, the Boston Sunday Globe magazine, National Journal, The Week, ParentMap, and WBUR. And in 2014, she was part of The Boston Globe staff, that won the 2014 Pulitzer Prize for breaking news, for coverage of the Boston Marathon bombings. She now lives in Maine and runs a media production company with her husband called Strewn Wonder. In this conversation Rachael and Chelsea focus on her book and take a deep-dive into parenthood. They talk about the myths of maternal instinct and about centuries-old stories around parenting that science debunks. Chelsea teaches us about the permanent changes that happen in the brain when one becomes a parent. And they also talk about how having a child can simultaneously open up your world while asking you to focus more energy at home.Chelsea & Rachael recorded this conversation on February 12, 2026. They were both in Maine.• If you'd like more from Rachael Cerrotti: subscribe to the Along The Seam newsletter• Find all the episodes at: www.alongtheseam.com

Daniel Mason is the author of six books of fiction, including The Piano Tuner, the story collection A Registry of My Passage Upon the Earth — which was a finalist for the Pulitzer Prize — and North Woods, which was a finalist for the National Book Critics Circle Award and the Dublin Literary Award. He's also a physician and a professor in Stanford's Psychiatry Department. His latest is Country People, published by Random House and out last month. It's a Good Morning America summer book club pick and a NYT bestseller. It's contemporary, it's hilarious and, for us procrastinators who would rather fall down research rabbit holes than write, it's very relatable. It also gives writers a bunch of craft lessons to sink our teeth into. How to use your text to teach readers how to read your novel. Embedding content into form (this novel is a master class in that). Using different textures and kinds of writing to enhance your storyline, and more. For more information on Writers on Writing and to become a supporter, visit our Patreon page. For a one-time donation, visit Ko-fi. You can help out the show and indie bookstores by buying books at our bookstore on bookshop.org. It's stocked with titles by our guest authors, as well as our personal favorites. And on Spotify, you'll find an album's worth of typewriter music like what you hear on the show. It's perfect for writing. Look for the artist, Just My Type. You can find hundreds of past interviews on our website. (Recorded on August 13, 2026) Host: Barbara DeMarco-Barrett Host: Marrie Stone Music: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

Actor and singer Anthony Ramos is a powerhouse who broke out in Broadway’s smash hit, Hamilton. From theater to the silver screen and even owning a bar in Brooklyn, Ramos is also a proud New Yorker always hungry for his next project. His latest endeavor is an English-language salsa album, infused with Ramos’ signature R&B-style vocals over a bed of Latin percussion and horns. In this interview, Ramos opens up with Maria Hinojosa about his mental struggles over recent years, his creative process around his latest album, and how he has finally found peace with himself. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter.See omnystudio.com/listener for privacy information.

Pulitzer Prize-winning author Joby Warrick joins The Brian Kilmeade Show to discuss his new book, The Jackal: The Rise and Fall of Carlos the World's First Super Terrorist. Warrick details his rare prison interview with Carlos, the crazy CIA-led operation in Sudan that brought him down, and how state-sponsored terrorism from nations like Iran and Russia is making a dangerous comeback. Plus, Warrick shares his analysis on the current state of ISIS, Al-Qaeda, and peace negotiations in Gaza. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Last week, the owner of the Los Angeles Lakers announced he was selling the basketball team for $12.5 billion — the highest price ever paid for a professional sports team. The deal has shocked the sports world and drawn new attention to a growing trend: Big groups of investors have been buying up professional sports teams as the franchises chase skyrocketing valuations. Today, Pablo Torre, the host of “Pablo Torre Finds Out,” explains the deal and how big money is transforming our relationship with the sports we love. Guest: Pablo Torre, a Pulitzer Prize-winning journalist and the host of “Pablo Torre Finds Out.” Background reading:  The deal for the Los Angeles Lakers valued the team at a record $12.5 billion, eclipsing the $10 billion paid for the franchise just last year. The transaction for the Lakers reflects the huge profit potential of major sports franchises. Photo: Logan Riely/NBAE, via Getty Images For more information on today's episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.  Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Thousands are dead, thousands more injured and missing. The earthquakes in Colombia and Venezuela have been devastating. And while there are similarities in the neighboring countries, an expert told us the biggest difference is in the rebuilding phase right now: One country prepared and trained for the response– the other didn’t. And not too far, in the Caribbean, people are going days without running water in Puerto Rico. A problem journalists on the island say could’ve and should’ve been avoided. “There's a lot of frustration, confusion and a resignation.” Listen to the latest here. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter.See omnystudio.com/listener for privacy information.

The 1873 Gründerkrach, the spectacular stock market crash that followed Germany's unification, is one of history's great financial maelstroms. But its most enduring legacy isn't about money. Host Robin Wigglesworth speaks to Pulitzer Prize-winning author Liaquat Ahamed about how the resulting economic malaise fuelled social division and transformed old prejudices into antisemitic conspiracy. It gave birth to ideas that would resurface with catastrophic consequences decades later in the 20th century.Further reading:1873: The Rothschilds, the First Great Depression, and the Making of the Modern World (2026), by Liaquat Ahamed Gold and Iron: Bismarck, Bleichröder, and the Building of the German Empire (1977), by Fritz SternHosts: Gillian Tett and Robin WigglesworthSenior producers: Michela Tindera and Laurence Knight Executive producer: Manuela SaragosaOriginal music and sound design: Breen TurnerBroadcast engineers: Bianca Wakeman and Petros GioumpasisPodcast development: Laura ClarkeFT global head of audio: Flo Phillips Video editors: Josh Divney and Kristen Kenyon at Podcast DiscoveryLearn more at www.ft.com/tsom or get in touch at thestoryofmoney@ft.com Hosted on Acast. See acast.com/privacy for more information.

1213. Pulitzer-Prize-winning dance critic Sarah L. Kaufman goes deeper into her journey from the "Washington Post" copy desk to the world of professional dance criticism. We look at how writing about an art form is the ultimate exercise in verb selection, why our brains physically react to words like "meander" or "zigzag," and how to find the "zing" in your writing by juxtaposing unusual adverbs with everyday actions. This was originally a bonus episode for Grammarpaloozians in April, Learn more at Patreon.com/GrammarGirl.Find Sarah L. Kaufman at sarahlkaufman.comGet Sarah's books, “Verb Your Enthusiasm” and “The Art of Grace”A hearty thank-you to our Keepers of the Commas on Patreon. We appreciate your support!Larry RosenblumMahala RussellGeorge WilsonLaurel PaulLinda CoxBirna Anna Björnsdóttir

How can you get your books surfaced when readers ask an AI what to read next? What are the hallmarks of authors and businesses that last more than a decade in the indie author industry? Ricardo Fayet gives his marketing tips after more than a decade at Reedsy. In the intro, Expanding Your Book's IP through Merchandising [Wish I'd Known Then]; Guide to writers conferences [Kindlepreneur]; Rick Rubin and Stephen Pressfield on resistance and the muse [Tetragrammaton]; Pulitzer Prize winners disclose AI usage [Nieman Lab]; My new rebuilt fiction site JFPenn.com. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Ricardo Fayet is the co-founder and chief marketing officer of Reedsy, a marketplace for writers to find vetted freelancers, author training courses, and lots more. He's also the author of How to Market a Book and Amazon Ads for Authors. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes How AI search actually finds and ranks the books it recommends Why keywords and search volume are disappearing as marketing metrics Building an internet footprint so your book is worth recommending Why Claude leans on Goodreads while ChatGPT and Gemini lean on Reddit Product is more important than marketing, and how to find your comp titles Passion, business sense and resilience in the authors who last You can find Ricardo at Reedsy.com. Transcript of the interview with Ricardo Fayet Jo: Ricardo Fayet is the co-founder and chief marketing officer of Reedsy, a marketplace for writers to find vetted freelancers, author training courses, and lots more. He's also the author of How to Market a Book and Amazon Ads for Authors. So welcome back to the show, Ricardo. Ricardo: Thank you, Jo. It's been a while. Jo: It has been a while. As we were saying, it's been a decade, which is crazy, because you and I see each other at events and things. For anyone who doesn't know you— Tell us a bit more about you, where you're from, and also, what is Reedsy these days and how have things changed? Ricardo: Yes, sure. I think I'm hard to dissociate from Reedsy because my only background really is Reedsy. We started Reedsy right after business school for most of the founders. There are four founders, and I'm one of them. We've been going since 2014, so it's been 12 years. We started around the same time, and you started even earlier than we did, but we've had the chance to meet at quite a few conferences since. I think the main thing we're still known for is our marketplace. Since the very beginning, Reedsy is a curated marketplace where authors can come in and look for editors, cover designers, marketers, ghostwriters, literary translators, author website designers, pretty much any freelancer you would ever need to hire throughout your writing career. That's how we started. That's our main source of revenue and our main business. Since then, as you mentioned, we've also added courses, live events, so we've got a membership under Reedsy Learning. The main thing we're proud of right now is our writing tool, Reedsy Studio, because we've been pouring a lot of engineering talent into it over the past five, six years, and I think it's a really cool writing tool that is 90% free. It also does the formatting, so it's a good alternative to Vellum or Atticus for those who haven't purchased those tools. So there's a lot of things that Reedsy does at this point, which always makes it hard for me to describe what we do. Jo: But you generally serve writers. That's probably the crux of it. Ricardo: Exactly, yes. We're mostly at the production stage. The thing we say is we help authors make beautiful books, right? That's a little bit the tagline that applies to 90% of what we do, though we also help a little bit with the marketing side of things. Jo: And then just tell people where your accent is from. Ricardo: So I'm half French, half Italian from my parents, and I was born in Spain. So depending on my mood and the moment, it might be anywhere from French, Italian, Spanish. It's anyone's guess, really, at this point. Jo: Yes, exactly. You've been part of the indie author ecosystem, as you said, since 2014. You're often at the author conferences, and you stay abreast of everything that's going on. So what are the biggest changes you've seen in the industry since you started out? Like you said, you guys came from business school. You chose to come into the industry at a particular point, and yet things have changed. So what do you think are the biggest changes, and how have you seen authors adapt? Ricardo: It's crazy, the amount of things that happened in the past 10 years. Obviously we came into the industry as a result of Amazon launching Kindle Direct Publishing, and then the Kindle Store becoming one of the number one places where people buy books. That's what enabled self-publishing in the first place as an industry, and obviously we wouldn't exist without self-publishing being a thing. But then I think probably one of the biggest changes that happened was the introduction of Kindle Unlimited and various other subscription models. Perhaps as a response to that, afterwards, I would say direct sales is the other massive change that happened in the industry. The ability for authors to sell direct to their readers via their websites, or running Kickstarters, or basically the ability to reach your customers directly. Now, obviously, artificial intelligence is probably the biggest change of them all, not just in publishing, across every industry, but of course it's going to affect publishing very strongly, or it has already started making big waves. So I would say those are the three main changes that we've seen happening in the industry. Jo: Just interestingly, given that you're French, Italian, Spanish, European— Has the pace of change been the same in mainland Europe? Because you and I have also met up at European conferences, but I just get the sense that each individual European country, the UK included, as I include the UK in Europe, goes at a different speed. Ricardo: No, they definitely do. Our market at Reedsy is all in English. We only have an English website, and I would say 70% of our market is US, then 15% UK, and then Australia, New Zealand, et cetera. We do have clients in continental Europe, but they're mostly going to be American or British expats. A lot of retired people who write books and use Reedsy services. I think the main reason for that is that self-publishing as an industry hasn't really grown in Spain, France, Italy the way that it's grown in the US and the UK, probably because these are countries where book buying habits are a lot more traditional. So all my friends from high school and university in France, they all buy books, they all buy paper books. They all buy from bookstores. They don't really buy from Amazon that much. They love the smell of paper, all these sorts of things. So obviously that makes it harder for indie authors in those countries because they cannot place their books in the places where people buy them, which is traditional brick-and-mortar bookstores, or at least it's much harder. So there is an indie movement in those countries, but it's much smaller. I would say Germany is maybe the exception in Europe, where I've seen more and more full-time indie authors, but I don't think it's a market that's comparable even to the UK. Jo: Interesting. Okay, so let's go to marketing, because you love marketing, you have a newsletter about it, and you have a book, How to Market a Book, same title as mine, and we've found each other in our Also Boughts over the years. You have, however, updated yours several times. 2025 was your last update. Mine was 2016, so yours is definitely the most up-to-date one. So what are your thoughts on how authors can reach readers now? And let's split this into two. Let's start with some tips for new authors who just have maybe one book and are really just starting out. Ricardo: Yes, first of all, sorry for stealing your title. Jo: Oh, you know, it's never been a problem. Ricardo: We were trying to come up with something… I know, I know, I know. But still, we wanted something more original, and then we realised that for SEO purposes, that's the title we should really go for. The good thing is, if you search “how to market a book” on pretty much any retailer, you're going to find your book or mine in any order really, but those are going to be the top two books to this day, thankfully, so I'm good with that. I think in terms of marketing tips for new authors who have just the one book, I'd say, despite all the changes in the industry, the basics of marketing still stay the same. One of my big mantras when it comes to marketing is that product is more important than marketing. So having a great book is going to be more important, in my opinion, than being a great marketer. Having a great product. By that, I generally don't talk about literary value or prose or anything like that, just because I'm not a book critic. I'm not an editor. My opinion on whether a book is good or not is worth zero. From a marketing standpoint, for me, a good book is one that resonates with its intended audience. So the first step for newer authors is to basically figure out who they wrote this book for, right? Have an idea of who their target market is. A great way to do that, without entering into marketing jargon like proto-personas and stuff like that, is to think in terms of comp titles, comparable titles. I think that's probably the base of any marketing, whether traditional publishing houses or indie authors, to think, “Okay, which other books out there are similar to mine?” If your book is completely unique, you have, I would say, 99.9% chance of not selling, because your market doesn't exist, and 0.01% chance of creating your own market and completely dominating it, right? So being unique is not necessarily a bad thing, but I would say 99% of the time, it is. Obviously being unique within an existing niche, within an existing market, that's completely different, but you need to work on some comparable titles. So I would say that's where I would start, and that's one of the things that AI is great at. If you even just plug in your book into an AI chat that has enough context, if you're comfortable doing that of course, or if you plug in a synopsis, like a long synopsis, you can basically ask the AI chats, “Okay, what would be some comp titles?” Either you'll have heard of those books, and you'll think, “Okay, they're good comps,” or you may not have heard of them, in which case I would really recommend buying them and reading them and seeing whether they're comps or not. I think that's where marketing starts. Jo: Yes, and we might come back to that for book discoverability. Well, let's just talk about it now, because I now pretty much use Claude for discovering books as well. I just find that the Amazon search, for nonfiction it works really well, right? As you said, if you want to learn how to market a book, you just search “how to market a book”, and our books are very well titled for that. But for fiction, it's so difficult to find new books and comp titles, especially if you don't write in a clear genre, which I don't. I know lots of people do. So we're writing cross-genre. So in terms of book discoverability, I know you've been looking into SEO for books and all of that. What are your thoughts on how authors can more effectively have their books surfaced if people are using the AIs for finding books? Ricardo: That's a very big topic. That's one of my favourite topics right now. That's what I talk about in my marketing newsletter, and I want to start a Substack on the topic as well, because I think it is the future of book discoverability. As you say, search on Amazon isn't great, and if it's not great on Amazon, you don't even want to imagine on Google Play, Kobo, all these sorts of places, right? If you search on Kobo or Apple Books or Google Play for witch cozy mysteries, the top 10 books are going to have exactly “witch cozy mystery” in the title or the subtitle or the series title, right? Jo: Yes. Ricardo: Search is very simple on those sites, so it's very easy to game, but it's terrible as an experience for readers. So I do think that a big part of search is going to move to AI, and now you have Rufus within Amazon itself that appears as a chatbot and encourages you to talk with it, to ask for recommendations. In the beginning Rufus was really terrible, but now I recommend authors play with it. In general, I recommend when it comes to AI discoverability that authors play with all the AI search tools. So it's going to be Claude, ChatGPT, Gemini, Google's AI Overviews and AI Mode, Rufus within Amazon. Just like we talked about comp titles, right, ask for something like, “What would you recommend for fans of this book? Which other books would you recommend?” Or if you're looking for something specific that describes your book, what books would you recommend on… I think one of your examples was fiction around masonry or something like that, right? Jo: I always say, for example, if you ask for action adventure thrillers on pretty much anywhere, you're going to get 20 books by male authors. For those of us who are female authors, but also who have female main characters, you can then be far more granular. That's just not something that necessarily works on Amazon. So, action adventure thrillers with female protagonists written by female indie authors, which is very specific. That will work in AI, whereas that definitely won't work on Amazon. Ricardo: Exactly. So one of the great things about AI search, and terrible things at the same time, is that the concept of keyword is lost, right? So we title our books How to Market a Book because the keyword that people would search for is “how to market a book”, or “book marketing for authors”. Those were the two keywords that had the biggest search volume if we looked at Google Keyword Planner, or any search tools that give you keyword volume. When it comes to AI search, since it's conversational, and it's very personalised, and it can go as niche as you want, keywords are going to disappear, and search volume as a metric is going to disappear. The search you just told me about, maybe there are 10 people who are going to run it exactly. Most people are going to run variations of that. Since you can go as granular as you want, it's going to be very long phrases, very long sentences. So the whole concept of keywords, search volume, SEO, is going to disappear in favour of what some people call GEO, generative engine optimisation, AIO, AI optimisation, AI search optimisation. There's a bunch of names for it, but it is a different discipline. It still works on the basis of Google SEO because what most of these search engines will do is they're going to search the internet, right? They've been trained on a lot of information, but not all of that information is current. Most of these models have been trained on documents and web pages before 2021. That's why when you used the very early versions of ChatGPT, and you asked it about current events or current books, it didn't find it. It didn't have that information. Now all these models have the ability to search the web, and they do that really effectively. So the first thing they're going to do if you run a search like that is they're going to run dozens of different searches on Google or a similar search engine. Action thriller books with female protagonists. Action thriller books with female protagonists by indie authors. Action thriller books by indie authors. They're going to create what I call a corpus, so a massive document of information with candidates, books that probably meet those criteria that they have found through regular web searches. Then they're going to go through all those books and determine which are the most relevant to recommend, and they'll return with that. Then they'll usually have a verification layer as well, which is, okay, I have these five books that I want to recommend to this user, but I just want to make sure first that they are written by indie authors, that they do have a female protagonist, et cetera. And if I'm not able to verify that, I'll flag it in my answer to them. So there are these three layers. Web search, then ranking of the book candidates, and finally a verification layer, and then they serve you the answer. Obviously, that's really powerful. If that's the way that search is headed, which I firmly believe, then we as authors need to learn how to get our books in there. Jo: Yes. It's so interesting, and I do this all the time. Really niche stuff, like a thriller about anatomical Venuses, which are these models from anatomy museums and stuff like that, with an edge of the supernatural. What is brilliant is that you can find the books that come up. I actually got one that I read and reviewed, and it was fantastic. So I love the more granular thing, but we're really in the very long tail now, right? It feels like you can write a very nuanced book, and it will be surfaced, but only by a few people. So do we have to write our books and then try to not even retrofit them in the way that we used to? We used to try and figure out the seven keywords and all of that kind of thing, and now I almost feel like we just get to be grownups, where you just get to write the book and put it out there, and these things are more intelligent than the search terms. Ricardo: Yes, absolutely. I think in terms of the variety of books that are going to be read and discovered, that's amazing. A little bit like the whole indie publishing movement was amazing, because if you remove the traditional publishing gatekeepers, then suddenly zombie books aren't dead anymore. Zombies are alive again. They've… Jo: Come to life. Ricardo: They've come alive, and so you get a bunch of zombie books again. It's not a small niche audience. It's actually a pretty big niche audience that loves zombie books, and suddenly they have those to consume. This is a little bit similar on a much, much bigger and more granular scale, because anyone can find exactly the kind of book that they're looking for, with the tropes they want, with the type of characters they want, with the type of author they want, and you can basically use any kind of filter. So for discoverability on the side of the reader, that's great. For the authors, it doesn't mean that you can just write whatever you want and then rest, and readers will find them. Because your books still need to have generated a certain internet footprint and a certain review footprint in order to become interesting or recommendable to AI search engines, right? Unless you're the only book that an AI search engine can recommend for that specific search, and yours was very specific, so it might have been the only one. If there are other candidates, the AI search engines are pretty smart. They're going to recommend the candidates that have more reviews, better reviews, or are more famous, that have more, when I talk about internet footprint, more pages talking about them on the internet. That's for me the big finding I've seen. The more pages you have on the internet talking about your book, so that could be book review sites, that could be Goodreads lists, Listopia lists, anywhere on the internet where your book is mentioned, that creates a footprint for it. The more footprints, the more famous your book looks to AI search engines, and so the more worthy of recommendations it is to them. Jo: Yes, and this is one reason why I now ask people, especially when you sell direct, or say you have a Kickstarter and you want reviews, I ask people if they can review on Goodreads. Obviously Goodreads is owned by Amazon, but it is far more searchable by the bots than Amazon is. I sometimes find that Amazon gets blocked. Or Amazon blocks some of the bots, let's put it that way. They might change over time. They own 15% of Anthropic or something. But Goodreads I feel like does get indexed, and I'm not willing to engage on Reddit. I know Reddit is another popular one. Just be very clear on social media, because some people think, oh, I just need loads of influencers to talk about my book, and that will impact the AIs. But I find that social media just almost isn't even there. Ricardo: It depends on which social media. For me, Reddit is a social medium, right? It's a very weird one, but it's obviously the number one social medium used by AI search engines, and it's pretty dodgy stuff with lots of conflicts of interest, because Google has a paid partnership with Reddit. I think Sam Altman has shares in Reddit. So both OpenAI and Google Gemini heavily rely on Reddit for their AI answers, right? If you ask anything from ChatGPT or Gemini, I'd say there are very high chances that in the sources and the citations of the answer, you're going to find Reddit, right? That goes for books as well. Every time you ask for book recommendations, Reddit is going to be big for those two AI search engines. Claude, it's a little bit different. They do have a little bit of a relationship with Reddit, but I don't think it's as big. I found that Claude relies heavily on Goodreads, not Reddit. To me, Goodreads is another social medium at the end of the day, right? It's not the kind of social medium we think of, like… Jo: It's not TikTok. Ricardo: It's not TikTok. TikTok is surfaced a little bit, but not that much. It might become more surfaced in the future, but right now what I've found is, it's really Reddit and Goodreads. Facebook, LinkedIn, but LinkedIn is big for nonfiction topics more than fiction, because there are just not a lot of fiction readers, sorry, talking about their favourite books on LinkedIn. They usually go to other places for that. Jo: Yes, it's really interesting. So obviously TikTok has its own BookTok thing, so some people are finding books on BookTok, and some people like me are finding books through asking Claude, and that's just my overwhelming feeling about the industry. We talked earlier about what's changed. When I started, so 2006, there wasn't even KDP, and then KDP arrives, then you came in 2014, and probably until maybe a few years after that, there was one way to self-publish. Then what's happened since is this kind of splintering. There are so many ways to self-publish. There are so many ways to reach readers. There are so many ways to market. So someone, for example, could sell direct on TikTok Shop, only market through TikTok, and you wouldn't even know that they existed over in another ecosystem, right? So do you feel like that's happened too, this total splintering? Ricardo: Absolutely. I think there are so many different ways in which you can reach your audience now and monetise it as well, that it's absolutely possible. We both know examples of authors who are only visible to their TikTok niche, right? I think the big difference is also monetisation, because earlier you also had different ways of becoming well-known. Like you had Facebook, you had potentially Twitter, back when it was Twitter. Various social media, word of mouth. But where people bought books was Amazon. So that was your monetisation. It was either selling your book on Amazon, or potentially getting KU reads after that when KU launched. Now you can sell on TikTok, you can sell direct, you can run Kickstarters, you can start a Patreon or Substack and make your money through there. There are pretty much infinite ways through which you can monetise your content as a creator. Most of those places will also have a discoverability engine built in, so you can not only sell through there and make money through there, but also grow an audience there. That's probably the biggest competition that Amazon has ever had to face, is this sort of splintering. For us authors and content creators in general, it's amazing, because it's a bunch of different opportunities. Jo: Yes, and I think probably that's circling back to marketing. As we've said, some things have changed, some things stay the same. Is the email list still the number one way to market, do you think, for authors who want a long-term career? Ricardo: I think so. It's just the one thing you really own that allows you to communicate with readers, right? Because even if you build a following on TikTok, TikTok can change. The things we said about Facebook 10 years ago, if you build your Facebook group, Facebook can change, and Facebook changed. Facebook destroyed the reach of pages, and now groups also aren't amazing, et cetera. So the same thing that happened to Facebook can happen to TikTok, can happen to any other social media. Substack is a bit of a hybrid because it is a newsletter, it is a mailing list, but it also has a discoverability engine built in. So I still wouldn't really go all in on Substack. The great advantage there is that you do own the emails, right? So you can move away from it at some point. For me, the email list is the one thing that you are completely in control of. Personally, the main thing I check is my emails every day. I spend more time in my inbox than anywhere else, and I think that's probably the case for most people. So I do think, despite the influx of mails that readers are getting in their inbox, I still think it's one of the most important marketing tools for authors. Jo: Yes, and I still remember when I started my list in December 2008, and I still have people on the list who've been with me that whole time, and have moved email list services several times as well. So I think that's important too. The care of that list too is so important. One of the things that I am annoyed about with Substack, I don't have a Substack, but when I follow some people's, it's always constantly trying to get you to sign up to other people's lists, trying to subscribe you to this or that or the other. I'm like, “That's so annoying.” Now I've found on all these email services they're trying to pair you with other creators and cross-promote and all of this. So it feels like even the email list is becoming a difficult place unless you really protect it. So just protecting your list, I think, and remembering that those are people. Those are people who've bought your books, or people who read your emails. Like people listening to this, these are humans. Sure, some bot might be looking at the transcript, but humans listening to this are individual humans with individual email lists. We tend to forget that, don't we, as you get a bigger list. You think about it as a big number, whereas it's still individual people. Ricardo: Yes, it becomes a number, it becomes metrics, the open rate, the click rate, and all that. But the great thing about email is that you get replies in your inbox. There you remember that they're actual human beings who write you back. I think for readers, the ability to write back to an author and get a response is just amazing, right? If you write to your favourite author and they write back to you, that's the best feeling ever as a reader. So I think email is still one of the best ways to turn your readers into fans and into super fans of your brand, by just interacting with them and answering them. Because yes, you can answer comments on TikTok, Facebook, and all those places, but it doesn't feel the same as an author answering you in your inbox, I feel. So you do get that ability to create a real connection with readers directly through email. Jo: Yes, and I think that trust and the reputation is so important. Just in terms of seeing the authors that you've seen over the years, like I said, you've been going to a lot of the author conferences. You know a lot of the authors in the industry. A lot of people will know you from events. But you've also seen authors come and go, and you've seen vendors come and go. Both of us have seen people arrive, and we'd be like, “Oh, yes, I wonder how long they're going to last.” Then some people do and some people don't. So what are some of the elements that you've noticed about the businesses that last more than a decade? Ricardo: I think they need to solve a genuine problem, or offer a genuinely better solution than one that already exists. I see a lot of businesses come in and they do what another vendor already does, without doing it necessarily better. Those businesses tend to disappear, or linger there, but you don't really hear about them again. When they solve a real need… I still remember when BookFunnel came out, and they've since become massive with one very, very basic thing, which is, “We will take care of delivering your ebook files to readers.” That's how they started, and that's how they became massive. To me at the time, I was like, “That seems like a very small problem,” because I can just email an ebook file. I didn't realise that it was so complicated for a lot of readers to upload files to their Kindle or other devices, and that having a service that takes care of that for you is just massively helpful. I realised that when I published my books, actually. So businesses that solve even micro or apparently very small problems, but they really solve them effectively, they stay. Others that surf on trends, they tend to disappear when the trend disappears. When there's a new marketing trend, and that trend stops working, then those businesses tend to go. Jo: Yes, and what about the authors who last? Because let's face it, most of us don't solve a problem in a different way. Maybe you could say we solve your entertainment problem in a different version to your last book. What about the authors who last long term? What have you noticed about them? Ricardo: Two things. So the first one… Maybe three things. First one is passion. I always say to people who are looking to start self-publishing, I always say that publishing in general is probably one of the worst ways to make money. It's awful. You can pick up any other occupation and it's probably going to be easier to make money. So writers who make a career do it because they need to write, because they have a passion for writing. So a lot of people who come into the industry thinking, “I've heard about all these self-publishing success stories. Surely I can write a book and I can market it. It's not that hard. So that's going to be a great way to make quick bucks,” those generally don't last, because they don't have that genuine passion. The first hurdle they're going to face—and there's going to be a bunch of them along the way—they're going to quit. The second thing is business sense, or business education, the basics of business, right? Thinking in terms of marketing, thinking in terms of who's my reader, unit economics. If I'm selling my books at $3.99, I shouldn't be spending a ton of money. If I just have one book at $3.99, I cannot afford to pay $5 on ads to generate a sale. So those kinds of basic economics or business knowledge, I think, if not a requirement, it's a massive plus. The third thing is resilience. The industry has changed a lot, as you mentioned. There are a bunch of ways now to reach an audience. There are a bunch of ways to make money. It can also be distracting, because you go to one of these conferences and you go back thinking, “Oh, I've got to create my own website, sell direct. I've got to launch my Substack. I have to use Claude Code for my ads,” and three more things, “and I have to set up my TikTok Shop and do TikTok Lives to sell books,” right? Jo: All of those by next week. That's why we go to the conference. Ricardo: Exactly. All those by next week, right? And during that one week after the conference, you have the energy to start implementing all those things, but afterwards you lose that energy and you go back to, “I just want to quit.” So you need to have some sort of resilience, and the business sense of, “Okay, I'm going to try this for the next six months, and I'm going to stick to it, and I'm going to see whether it works or not. And if it doesn't work, I'm not just going to despair. I'm going to try something else.” That goes for marketing tactics, but also goes for books. Most authors I know who make a living writing, they didn't get there with their first book or even their first series. A lot of times I see authors who write a couple of series, and those series do okay. They sell a little bit, but not much, and it doesn't afford them to quit their day job. Then suddenly, based on what they've learned with those first two series and what they've learned potentially going to conferences or listening to podcasts like this, et cetera, they write a third series that's a hit. That's a hit, and that's instantly much easier to market, and that's when they can afford to go full time and write full time, because they've found that sort of product market fit. And product market fit for me is the main thing for marketing in general and for authors in particular. Until you find that, everything is really difficult from a marketing perspective. But finding it usually requires writing more than one book and more than one series, because you're rarely going to get the big lottery ticket on the first try. Jo: Or ever. I think it's really important. I've never had a breakout book, but I've made good money every year. I think, and Hugh Howey said this, that the real story of self-publishing is not the people who make seven figures a year, it's the people who can go on a holiday once a year, or the people who can just put a bit towards their mortgage or whatever. So you may never have a breakout series. I think that's really important, too. Ricardo: That's true. Jo: That's true. You can just keep writing and make all right money and be what we call in the mid-list. Ricardo: Yes, but you've got to keep going. You've got to have that resilience to keep going, probably because it's your passion. Exactly. You're not chasing that seven figure series. You're writing because you need to write. Jo: Yes, and you can't stop, and you get the bug. I think when you're writing that first book, I'm not sure if people understand that you either get the bug or you don't, I think. You've written a couple of books now. Do you think you have the bug, or is it more about the business? Ricardo: I don't have the bug. I definitely don't have the bug. I would've kept writing otherwise. Jo: You're a technologist, right? Ricardo: Yes. I'm more of a technologist, more of a marketer. To write my first book, How to Market a Book, I actually had to write newsletters, because that I can manage, right? One newsletter a week. Now I don't even manage that. I send it once every two weeks when I can even manage that pace. But back then I did one newsletter a week, and that's how I wrote my first book. I then put all these newsletters together, and that was before the age of AI, so I couldn't just dump all that into ChatGPT and tell it, “Create me a book based on that.” I had to do it myself. Jo: Oh, terrible. Ricardo: Terrible, I know. The days when we had to work. No, but that was a really good experiment. The second book, Amazon Ads for Authors, I actually wrote it from scratch, and I didn't love the experience. I loved the finished product, I'm very proud of it, but I didn't enjoy the experience of writing it. Amazon Ads is not the most exciting topic in the world. Even for people like me, who actually enjoy Amazon Ads, it's not super exciting to write about. The fact of having to write that whole book from scratch, I didn't love the experience. So now I do want to write a third book at some point, but I think it'll probably be in the format of the first one. Like, when I finish my series of newsletters on AI search and AI discoverability, I might do a booklet or something around it, but we'll have to see. It's not my favourite thing. It's a good thing I don't need to. Good thing I'm not an author, basically. Jo: No, but I think that's really great to recognise. You actually have written books that support your business, and that is very common for nonfiction writers. That's completely normal for nonfiction authors. So I think that's another important thing for people to recognise, is that the reasons we write are different, the reasons we market are different, and we all have different approaches. As we wind up, and obviously you talked a bit there about how easy it is to generate books with AI, and that is probably one of the biggest things that people are worried about. Now, those of us like you and I have been talking about AI at conferences and things for years now. Neither of us are afraid of it, I think basically because both of us use it, and we're technologists, so we just get on with it. There is so much fear in the community. There's so much negativity. You mentioned Substack, and now they've integrated Pangram, which is renowned for false positives around what is written with AI, and so people are very worried. If we look forward and we look at the next decade, this is not going away. This is going to change a lot of things. So how should authors be thinking about AI, do you think, if they want to prepare for the next decade? Ricardo: I think they need to play around with it, because you and I know that until you actually use it, you don't realise what it's capable of. We've both had these moments of “Oh my God, I'm going to be out of a job,” or “Oh my God, this is incredible,” the kind of things it's able to do. You also realise by using it the things it's not great at, or the things it can be good at but needing a lot of human input. There are courses out there, there are books, there are a lot of things, but for me, the most important thing is to start playing around with it. So you can pick one specific topic to play around with. Either something that you've been meaning to get into for years and haven't done, or something that really annoys you. Looking at the results of your Facebook ads, for example. If you run Facebook ads in the first place, and when you log into your Meta dashboard you cannot make sense of it, take screenshots or download the data, feed it to an AI chat, and talk with it. One of my biggest tips when talking to AI chats is asking them questions rather than asking them for things to do. Because if you just feed it your advertising data and you tell it, “Tell me what I should do,” the chat has no context about what your ads are about, what your goal is, et cetera, et cetera. If you feed it just a screenshot and you say, “Here are my ads. I would like you to help me make sense of them. What do you need to know from me in order to help me with this?” Then it's going to start asking you questions. “Okay, what are you advertising?” They're books. “Okay, what kind of books? Where are you selling? Are your ads going straight to Amazon or retailers, or are they going to your website? If you sell direct, okay, are these conversion ads?” Et cetera, et cetera. So you build that context, and they can help you with it. So that's just one example, but I would pick one thing that you want to test AI with, with zero expectations. Don't expect that by the end of the week you'll have a full system for understanding your Meta ads thanks to AI. You might get to that or you might not, but at least you'll play with it and you'll understand its capabilities, and have a sort of understanding of how it works and how you can potentially use it for other things. I think that's the best way to adapt, because once you play with it, you start thinking. You're walking the dog and you're just thinking, “Ha, I could maybe use it for this thing or that other thing,” and that's how you progressively become more familiar with it. I think there are a lot of worries around AI, but as you say, it's there to stay. So far, I think I was looking at data this morning, and the unemployment rate in the US has stayed stable ever since ChatGPT was introduced two years ago. So there are a lot of narratives out there around how it's going to replace humans, it's going to replace jobs, et cetera, which it might do. I'm not great at predictions usually, but so far it hasn't. What it will definitely do, however, is completely change the way we work. Obviously AI was one of our big reckonings at Reedsy, because we run a marketplace. Our main business model is the marketplace, where authors come in and look for editors, for marketers, for cover designers, for translators, and some of these domains and services are being transformed by AI, right? AI translations are massive right now. We haven't really seen a decline at all on the Reedsy marketplace, but we're prepared for it. It might very well happen, but what we think is happening, or is going to happen, is professionals using AI tools to provide a better output or a faster output or a cheaper output, or all three of these things. So for example, we now have literary translators who say they're open to editing AI translations, right? So you can come in, you can have your book translated with AI, whichever tool or method you choose for that. Then if you want a set of human eyes on it, you can hire a literary translator who's open to working on an AI-translated manuscript, and that's obviously going to be much, much cheaper than paying 10 cents per word from scratch for a literary translator. I'm not necessarily recommending you completely bypass literary translators, or that you go this way, but you have options, right? You have options for different sets of budgets. I think all these human editors, narrators, translators, designers, et cetera, they're not going to disappear, but they might have to reinvent the way they work in the future. Jo: As we all are doing. As you say, for me mostly it's the business side, getting Claude to help me with business stuff. Like even bookkeeping. There are bills that we've all been paying for years that we can now maybe reduce, and reducing costs as well as increasing profit is obviously good business sense. So, interesting times. But just as we wrap up, what are you excited about in what's coming? How do you see Reedsy shaping up in the next decade? What is coming for you and Reedsy? Ricardo: We're really excited about the decade to come, because obviously 10 years for a startup is a long time. I think most startups after 10 years, the founders are gone. Jo: Yes. Ricardo: Or they've exited or they've sold or whatever. We've stayed, we're the same founders, and we're still as excited because I think we have new products, right? We're working on new things. As I mentioned at the beginning of the episode, Reedsy Studio, our writing tool, is probably one of the things we're most excited about, because first, it's getting adopted very fast. It has startup-like growth that we hadn't seen for other products in a long time, and it has very cool technology built in. We probably have a team of 10, 15 engineers now working full time on it and adding a lot of things. So we've added templates for plotting your book, with relationships within different characters and places and magic systems and things like that. We've added writing goals and writing statistics. We still have the free exports. One very cool thing we've added is real time collaboration. So just like Google Docs, you can write in real time with a co-author, or you can get an editor to work in there live with track changes. So you could have an editor working on chapter one while you're writing chapter three, for example. That kind of thing. It's really powerful technology, and that's one of the things we're really excited about for the future. A business, just like authors, we've got to reinvent ourselves. We've got to find ways to keep things exciting and keep motivated, and that is definitely one of them. When adoption goes along with it, then that's obviously super satisfying. Jo: Brilliant. So where can people find you and Reedsy online? Ricardo: So Reedsy you can find at reedsy.com, R-E-E-D-S-Y.com. And there you'll find the whole suite of tools and services. For me, you can find me mostly by email, as I mentioned. That's the one place I check consistently every day, and my email address is ricardo@reedsy.com. So again, R-E-E-D-S-Y.com and ricardo@reedsy.com. You can email me any questions you have about this episode, about AI book discoverability, about marketing, about Reedsy. I always try to answer every email I get, because I think when we started Reedsy, I really appreciated people like you, and some other agents and editors and authors we contacted who were influential in the industry, who actually answered us and took the time to do that. So now I try to answer every email I get, because I feel like we've been very lucky in the beginning to have those people answering our emails, so we should do the same. Jo: Oh, well, thanks so much for your time, Ricardo. That was great. Ricardo: Thank you, Jo. Thanks for having me again.The post Book Marketing, AI Book Discoverability, And Resilience, With Ricardo Fayet first appeared on The Creative Penn.

Donald Trump's political problems are getting harder to ignore — and his options overseas may be shrinking just as fast. A brand-new Reuters/Ipsos poll has Trump's approval at just 33 percent, the lowest of his presidency, with 64 percent disapproving and a remarkable 80 percent of Americans now expecting the Iran war to drag on. Meanwhile, Trump's promised quick resolution with Iran looks increasingly elusive: the negotiating period has expired without a deal, the Strait of Hormuz remains a dangerous sticking point, and Trump is escalating his rhetoric even as his practical choices for ending the conflict appear increasingly limited. We'll look at a president boxed in abroad, battered in the polls at home, and running out of room to maneuver on both fronts. Former CNN anchor Jim Acosta may be pulling a trick from Johnny Carson's Carnac the Magnificent when it comes to predictions. Acosta recently guessed that President Trump would check out of the White House early, before his term is up. Acosta cited trump's issues with cognitive decline, a disasterous job on affordability and the possibility that the Democrats could sweep the midterm elections as reasons for Trump's growing frustration. Acosta also said a major event could force Trump out, like if he is caught overtly trying to steal the midterm elections. Military analysts think a big catastrophe forcing Trump out might not be far off if he continues with his Iran plans. We will put it to our Pulitzer Prize winning author and investigative journalist David Cay Johnston. Find David Cay Johnston: https://substack.com/@davidcayjohnston https://www.dcreport.org/ Christian nationalists are gaining more of a foothold in America with Trump‘s Religious Liberty task force and the promotion of laws that would force public schools to display the 10 Commandments in classrooms. Congressman Jared Huffman will drop by to talk about his new book “No Prophets: The Fight to Save Democracy from Christian Nationalism. The book is being released today. Find it here: https://www.amazon.com/No-Prophets-Democracy-Christian-Nationalism/dp/1324130482 For more on Congressman, Jared Huffman, please check out his sub stack: https://repjaredhuffman.substack.com/ The Mark Thompson Show 8/18/26 Today's Guests Links Prof. David Cay Johnston at RIT, Pulitzer Prize winning Author & Investigative Journalist https://bsky.app/profile/davidcayjohnston.bsky.social Congressman Jared Huffman https://www.commonwealthclub.org/events/2026-08-18/congressman-jared-huffman-fight-save-democracy-christian-nationalism https://huffman.house.gov/ https://wwnorton.com/books/9781324130482 The Rundown- 0:00 Welcome 10:08 Iran and Korea 27:18 David Cay Johnston 1:04:07 Comments 1:05:58 Trump to step down 1:12:05 Congressman Jared Huffman 1:37:51 Comments Patreon subscribers are the backbone of the show! If you'd like to help, here's our Patreon Link: https://www.patreon.com/themarkthompsonshow Maybe you're more into PayPal. https://www.paypal.com/donate/? The Mark Thompson Show has an official new Facebook page. Please join! Here's the link: https://m.facebook.com/TheMarkThompsonShow/ Show sponsors: coachellavalleycoffee.com - use code MarkT at check out to save 10%

Three Tenses: A Transmission from the Nineties by Pulitzer Prize finalist Ed Park is an experimental portrait of the author, pieced together from his early twenties to now. Ed Park, joined us live from B&N Upper West Side to talk about The Village Voice, reconnecting with his younger self, the art of juxtaposition and more with host Miwa Messer. This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books: Three Tenses: A Transmission from the Nineties by Ed Park Personal Days by Ed Park An Oral History of Atlantis: Stories by Ed Park Same Bed Different Dreams by Ed Park Transparent Things by Vladimir Nabokov The Colossus of New York by Colson Whitehead Apex Hides the Hurt by Colson Whitehead Ordinary Notes by Christina Sharpe Alphabetical Diaries by Sheila Heti Amazons by Don DeLillo White Noise by Don DeLillo A Visit from the Good Squad by Jennifer Egan East Goes West by Younghill Kang American Psycho by Bret Easton Ellis Moderation by Elaine Castillo Maus by Art Spiegelman Wittgenstein's Mistress by David Markson AVA by Carol Maso The Rings of Saturn by W.G. Sebald The Anatomy of Melancholy by Robert Burton Inglorious Columbus by Edward P. Vining Grass Roof by Younghill Kang Reader's Block by David Markson

Richard Russo is the author of 11 novels, including most recently, Under the Falls, Somebody's Fool, Chances Are . . . , Everybody's Fool, and That Old Cape Magic; two collections of stories; and the memoir Elsewhere. In 2002 he received the Pulitzer Prize for Empire Falls, which, like Nobody's Fool, won multiple awards for its screen adaptation, and in 2023 his novel Straight Man was adapted into the television series Lucky Hank. In 2017 he received France's Grand Prix de Littérature Américaine. He lives in Port­land, Maine. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Q&A, it's a rare interview with one of America's leading historians. We tour the New York City office and home library of Pulitzer Prize-winning bestselling biographer Robert Caro, who is currently working on the final volume of his 5-volume biography of Lyndon Johnson. During the tour, Mr. Caro talks about his research and writing process on the LBJ series, and the impact of "The Power Broker," his bestselling 1974 biography of NYC Parks Commissioner Robert Moses. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Q&A, it's a rare interview with one of America's leading historians. We tour the New York City office and home library of Pulitzer Prize-winning bestselling biographer Robert Caro, who is currently working on the final volume of his 5-volume biography of Lyndon Johnson. During the tour, Mr. Caro talks about his research and writing process on the LBJ series, and the impact of "The Power Broker," his bestselling 1974 biography of NYC Parks Commissioner Robert Moses. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Pentagon ranks biological warfare as a greater threat than nuclear war — and investigative journalist Annie Jacobsen spent years finding out why. The Pulitzer Prize finalist and New York Times bestselling author of Nuclear War joins Newt Gingrich to discuss her new book, Biological War: A Scenario, which charts the terrifying hours and days following a lab leak at Russia's Vector Institute. Jacobsen reveals how a Soviet-era "super plague" engineered with a euphoria gene could spread across six continents in days, why 3,500 BSL-3 labs worldwide represent a ticking clock, and what COVID failed to teach us about preparedness. Most chillingly, she exposes the classified U.S. government "Devolution Plan" — a secret continuity program designed to preserve the government underground while society collapses above. Her reporting is a warning — and a call to action before the next lab leak makes the scenario real.See omnystudio.com/listener for privacy information.

Texas holds the second-most electoral votes in the nation and is often a testing ground for policies that later manifest across the U.S. But can historically Republican Texas turn blue? And if so, what impact could it have on the rest of the country? We speak to two Democratic contenders hoping to shift the next election. In this episode, Maria Hinojosa speaks with Gina Hinojosa, a Texas State Representative and the Democratic nominee running for Governor of Texas. They discuss key issues like data centers, abortion access and education – and why the outcome of this race has national implications. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter.See omnystudio.com/listener for privacy information.

Library of Congress, the NAACP, Rotary International, Pulitzer Prize Nominated“Your will to succeed remains one of your greatest assets.”Clifton TaulbertAccording to Clifton L. Taulbert, noted author and entrepreneur businessman, he could have failed had he not encountered community builders and entrepreneurial thinkers early on in his life. Taulbert was born on the Mississippi Delta during the era of legal segregation where he completed his secondary education. Though opportunities were few and barriers were plentiful, Taulbert managed to dream of being successful, not knowing the shape that success would take. Today Taulbert is the President and CEO of the Freemount Corporation (a human capital development company) serving clients nationally and internationally-Fortune 500 Companies, small businesses, federal agencies, professional organizations, community colleges and K-12 leadership. Additionally, entrepreneur Taulbert is the President and CEO of Roots Java Coffee-an African-American owned national coffee brand, importing coffee from Africa. To pass his life lessons along, Taulbert shares his entrepreneurial journey with others as a Thrive15.com mentor.He is a Generational Bridge of Segregated Times tio Integrated Times Today.In "The Invitation," Clifton Taulbert returns to the themes of "Once Upon a Time When We Were Colored," his award-winning book and the source of a major motion picture. This new memoir chronicles Taulbert's transformative experience of a supper invitation to a former plantation house in Allendale, South Carolina, where the successful adult confronts his childhood memories and wrestles with the legacies of slavery and segregation that demand to be acknowledged in his present circumstances.Transported back to a setting that looks and feels like the cotton fields and shotgun shacks of his childhood, Taulbert finds himself expected to cross racial barriers that no "colored" man could have broached without dire consequences. "The Invitation" is the story of the man and the little boy inside him wrestling with a past they both know so well, and of stepping into a future that is still being determined.Taulbert is a trustee of the University of Tulsa, has been recognized international by the Sales and Marketing Academy of Achievement, the Library of Congress, the NAACP, Rotary International as a Paul Harris Fellow and has been a recipient of the Jewish Humanitarian of the Year Award and the Richard Wright Literary Award. The Freemount Corporation is located in Tulsa, Oklahoma.© 2026 All Rights Reserved© 2026 Building Abundant Success!!Join Me on ~ iHeart Radio @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23ba

Is it possible for us to ever wholeheartedly trust a machine the way we would a human? According to Charles Duhigg, Pulitzer Prize-winning journalist and New York Times bestselling author of The Power of Habit and Supercommunicators: How to Unlock the Secret Language of Connection, the answer is no. And that's what stops us from being able to emotionally connect with AI chatbots.In this episode of Pioneers of AI, host Rana el Kaliouby and Duhigg dissect what's really happening when people confide in ChatGPT and why real connection depends on reciprocity and vulnerability, two things AI can't offer.Follow Pioneers of AI on all channels: https://linktr.ee/pioneersofaiSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Pulitzer Prize winner Beverly Gage explains how a road trip to the places where history happened can renew your faith in American progress, without ignoring an honest assessment of the nation's past. And the good folks from Atlas Obscura share some of their favorite quirky and unique American roadside attractions. For more information on Travel with Rick Steves - including episode descriptions, program archives and related details - visit www.ricksteves.com.

On today's episode, Beth Golay visits with Pulitzer Prize–winner Richard Russo about his new novel, "Under the Falls" ... his first thriller.

Texas holds the second-most electoral votes in the nation and is often a testing ground for policies that later manifest across the U.S. But can historically Republican Texas turn blue? And if so, what impact could it have on the rest of the country? We speak to two Democratic contenders hoping to shift the next election. In this episode, Maria Hinojosa sits down with Tejano superstar Bobby Pulido, the Democratic nominee in Texas’ 15th Congressional District. They discuss key issues facing voters in South Texas, and why he thinks his “moderate” Democratic policies can win back Latino voters. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter.See omnystudio.com/listener for privacy information.

Why is Bari Weiss promoting Flock cameras? Glenn Greenwald on neocon support for totalitarianism. (00:00) Why Is Bari Weiss and the Free Press Pushing Pro-Flock Camera Propaganda? (16:21) The Establishment Should Be Afraid of the People (20:47) Big Pharma's Zombification of Americans (40:38) The Targeting of TikTok and the Dangerous Feedback Loop (1:04:24) Will AOC Run for President? Glenn Greenwald is a Pulitzer Prize-winning journalist and host of System Update, available on YouTube and your favorite podcast players. His work can be found at greenwald.substack.com. Paid partnerships with: Joi + Blokes: Use code TUCKER for 65% off your labs and 20% off all peptides and supplements at https://joiandblokes.com/tuckerDutch: Use code TUCKER for $50 off your vet care at https://dutch.com/tucker American Financing: NMLS 182334, nmlsconsumeraccess.org. APR for rates in the 5s start at 6.327% for well qualified borrowers. Call 800-685-5696 for details about credit costs and terms. Visit http://www.AmericanFinancing.net/Tucker. Brooklyn Bedding: Get 30% off sitewide with promo code TUCKER at https://brooklynbedding.comBattalion Metals: Shop fair-priced gold and silver at https://battalionmetals.com/tucker Learn more about your ad choices. Visit megaphone.fm/adchoices

Is an electrical substation contributing to injuries on the San Francisco 49ers?? A bunch of people on the internet seem to think so, claiming that electromagnetic field waves could be to blame for players getting hurt. We partner with the Pulitzer Prize-winning journalists at Pablo Torre Finds Out to get to the bottom of it. We talk to Peter Cowan, Dr. Ken Karipidis, and Dr. Zachary Binney. Find our transcript here: https://tinyurl.com/SVPTFO49ERSEMF Watch and subscribe to Pablo Torre Finds Out here: https://www.youtube.com/@PabloTorreFindsOut This episode was produced by Rose Rimler, Wendy Zukerman, Chris Tumminello and Bradley Campbell, with help from the rest of the Pablo Torre Finds Out team and the Science Vs team: Ekedi Fausther-Keeys, Meryl Horn, and Michelle Dang. We're edited by Blythe Terrell. Wendy Zukerman is the executive producer. Fact checking by Marlowe Starling. Video editing and sound mix by Bobby Lord. Music written by Bumi Hidaka, Peter Leonard, Emma Munger and Bobby Lord. Thanks to the researchers we spoke to for this episode including Dr. Joachim Schüz, Dr. Alexandra von Meier, Nekane Sandoval Diez, Prof. Eva Monsma, Dr. Dan Baaken, Professor Frank de Vocht, Professor David Carpenter, Professor Beatrice Golomb, Professor Rodney Croft, Dr. Mitchell Newberry, Professor Tony Blazevich, and Dr. Andrew Ross. Special thanks to Srishti Prabha, the San Jose Public Library, as well as Humdinger Studios in Melbourne, and Wolff Island Studios in New York City.  Science Vs is a Spotify Studios Original. Find us on YouTube at ScienceVsPodcast, TikTok at @wendyzuk and Instagram at Science_Vs. Learn more about your ad choices. Visit podcastchoices.com/adchoices

What role do intelligence services play under a president that does not heed their advice? That's one of the questions Pulitzer Prize–winning reporter Tim Weiner posits in his most recent book, The Mission, which details how the modern Central Intelligence Agency (CIA) has evolved during the era of the global war on terror. Weiner describes the evolution of the missions undertaken by the CIA, which were historically driven by presidential desires to change the world through covert action, and contrasts them with the post-Cold War agency that grapples with trust and reputation in the information era. Weiner also discusses how the delicate interplay between betrayal and trust underwrites intelligence work, the common aim of pursuing secrets that intelligence and journalism share, and why he believes the cumulative effects of partisan purges within intelligence services under President Donald Trump leaves the United States in a dire state of danger. Sir Richard Dearlove and guest co-host Rosanna Lockwood dive into the news stories in geopolitics shaping the world this week: how a secret CIA task force in Cuba may be laying the groundwork for a more American-friendly government, why the construction of a new giant embassy for China is igniting political NIMBY-ism in London, and what US intelligence says about how stray Russian missiles and drones may be Putin's way of testing NATO's resolve.  (03:07) Secret CIA Cuba Task Force (07:24) New Chinese Embassy in London (12:31) Will Putin Test NATO's Resolve? (14:37) Interview with Tim Weiner (15:29) Difficulty of Writing About the CIA (20:07) Human Element of Espionage (22:56) Evolution of the CIA (25:57) Sir Richard's Post-9/11 Intel Recollections (30:08) Journalists, Intelligence, and Secrecy (34:58) Intelligence and Policy (39:59) Modern CIA Missions Under Trump (48:31) Partisan Purges in US Intel Services (54:55) Can Institutional Trust Recover? (58:48) Trump's Potential Paradoxical Legacy (01:02:47) One Decision to Watch (01:03:32) Takeaways, Audience Comments, and Wrap Up  Hosted by Sir Richard Dearlove (former MI6 Chief) and guest co-host Rosanna Lockwood (international journalist). Learn more about your ad choices. Visit megaphone.fm/adchoices

The sports journalist Pablo Torre recently won the 2026 Pulitzer Prize for audio reporting for an investigation on his podcast, “Pablo Torre Finds Out.” Torre talks with the New Yorker Radio Hour's David Remnick about the challenge of investigative reporting in professional sports—where leagues, owners, players, and sometimes even fans don't welcome hard questions. “As much as I am doing that and urging people to join me in the pool,” he says, “it kind of feels like I'm the guy who is the proverbial turd” in that pool. But as private equity invests massive sums in teams, he says, the work is even more necessary—and that fans do care when misdeeds are revealed. On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Bluesky, TikTok and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this week's episode of You Are What You Read, we are excited to welcome the great RICHARD RUSSO. You know Richard's work: Somebody's Fool, Chances Are…, Everybody's Fool, and That Old Cape Magic; two collections of stories; and the memoir Elsewhere, among others. In 2002, Richard received the Pulitzer Prize for Empire Falls, which, like Nobody's Fool, won multiple awards for its screen adaptation, and in 2023 his novel Straight Man was adapted into the television series Lucky Hank. In 2017 he received France's Grand Prix de Littérature Américaine. Richard's new novel, Under the Falls, is out this week. Learn more about your ad choices. Visit megaphone.fm/adchoices

Full shownotes, transcript, and resources here: https://soundbitesrd.com/316                              In this episode, Charles Duhigg, a Pulitzer Prize-winning journalist and author, shares insights on how recent research into GLP1s is transforming our understanding of habit formation, weight management, and behavioral change. Discover practical strategies for leveraging the habit window created by GLP1 therapy and applying the science of identity to foster lasting health improvements. Insights on habits and behavior change can benefit any listener, not just those taking GLP1s. Tune in to this episode to learn about: The science behind habit formation: cues, routines, rewards, and the habit loop How GLP1 medications create a flexible "habit window" for behavior change The role of the basal ganglia in automating habits and reducing reliance on willpower The importance of keystone habits and identity shifts in maintaining weight loss Practical steps for habit diagnosis, change, and maintenance using structured systems like Noom or a Registered Dietitian How to plan for and sustain habits after discontinuing GLP1 therapy The significance of self-monitoring, recognizing failure points, and implementing "if-then" plans The psychological impact of identity reinforcement through behavioral consistency Insights from behavioral experiments: the marshmallow test and habit cues Bonus: Communication science and the "matching principle" for better relationships

The 1873 Gründerkrach, the spectacular stock market crash that followed Germany's unification, is one of history's great financial maelstroms. But its most enduring legacy isn't about money. Host Robin Wigglesworth speaks to Pulitzer Prize-winning author Liaquat Ahamed about how the resulting economic malaise fuelled social division and transformed old prejudices into antisemitic conspiracy. It gave birth to ideas that would resurface with catastrophic consequences decades later in the 20th century.Further reading:1873: The Rothschilds, the First Great Depression, and the Making of the Modern World (2026), by Liaquat Ahamed Gold and Iron: Bismarck, Bleichröder, and the Building of the German Empire (1977), by Fritz SternCredits: Getty Images, AlamyLove listening to The Story of Money? Join Robin and Gillian on Saturday September 5 at Kenwood House Gardens in London, or online as the FT Weekend paper comes to life. Register now at ft.com/festival and enjoy 10% off with code FTPodcast. To enjoy future episodes, be sure to subscribe to The Story of Money wherever you get your podcasts, also on the show's dedicated YouTube channel here: https://www.youtube.com/@FTTheStoryOfMoney Hosts: Gillian Tett and Robin WigglesworthSenior producers: Michela Tindera and Laurence Knight Executive producer: Manuela SaragosaOriginal music and sound design: Breen TurnerBroadcast engineers: Bianca Wakeman and Petros GioumpasisPodcast development: Laura ClarkeFT global head of audio: Flo Phillips Video editors: Josh Divney and Kristen Kenyon at Podcast DiscoveryLearn more at www.ft.com/tsom or get in touch at thestoryofmoney@ft.comRead a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

Learn more about Alpha School at ⁠https://go.alpha.school/howiwrite Andrew Sean Greer won the Pulitzer Prize for his 2018 novel "Less". I had to ask him what it's like to win a Pulitzer Prize. His story about that is my favorite part of the interview. We also talked about his writing process: how he tells great stories, develops great characters, and writes good sentences. He shared his mantras, such as the idea that when you're editing, the editor is the patient, and you, the writer, are the doctor. He also explained why it's better to be honest than witty if you want to write great comedy. About the host Hey! I'm David Perell and I'm a writer, teacher, and podcaster. I believe writing online is one of the biggest opportunities in the world today. For the first time in human history, everybody can freely share their ideas with a global audience. I seek to help as many people publish their writing online as possible. Follow me Apple: https://podcasts.apple.com/us/podcast/how-i-write/id1700171470 YouTube: https://www.youtube.com/@DavidPerellChannel Spotify: https://open.spotify.com/show/2DjMSboniFAeGA8v9NpoPv X: https://x.com/david_perell Learn more about your ad choices. Visit megaphone.fm/adchoices

Visit ihaveadhd.com/notintrouble to preorder your copy of my book AND get some amazing goodies immediately!What does it take to thrive in a career that's fueled by curiosity when your brain is constantly pulling you in a hundred different directions?In this episode, I'm joined by award-winning journalist, author, and storyteller Kevin Williams. Kevin has built an incredible career reporting for outlets including CNBC, The New York Times, and The Washington Post, where his work earned a Pulitzer Prize nomination. He's also the founder of Amish365.com, one of the internet's most widely read resources on Amish life and culture.We discuss what ADHD can look like within Amish culture, how different lifestyles influence the way neurodivergence is experienced, and what surprised Kevin most after years of reporting and building relationships within these communities.If you've ever wondered whether your ADHD curiosity is a liability or a superpower, this conversation will leave you thinking differently.Not So Simple By Kevin WilliamsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

President Trump's latest executive order is aimed at overhauling the nation's childhood vaccination recommendations. He is directing federal agencies to cut the number of vaccines children receive and spread out their shots across more doctor ‘s appointments. Trump's new "gold standard" recommendations consist of only 11 core vaccinations against the most serious diseases, along with the MMR vaccine, which the president hopes will eventually be administered as separate shots rather than as a combined vaccine. Doctors are already speaking out against these changes, saying it means fewer children will be fully vaccinated. The Washington Post is reporting that President Trump had to be smuggled out of Turkey in a catering truck and onto a smaller airplane in an attempt to thwart threats against him. We'll discuss it all with Pulitzer Prize winning author and investigative journalist David Cay Johnston. The Trump administration‘s grifting, scandals and interesting pardon policies have us following the money. We get help in that regard from Dr. Bill Black. He is a law professor and the author of “The Best Way to Rob a Bank is to Own One.” The Mark Thompson Show 8/11/26 Patreon subscribers are the backbone of the show! If you'd like to help, here's our Patreon Link: https://www.patreon.com/themarkthompsonshow Maybe you're more into PayPal. https://www.paypal.com/donate/?hosted_button_id=PVBS3R7KJXV24 And you'll find everything on our website: https://www.themarkthompsonshow.com The Mark Thompson Show has an official new Facebook page. Please join! Here's the link: https://m.facebook.com/TheMarkThompsonShow/ Show sponsors: coachellavalleycoffee.com - use code MarkT at check out to save 10%

“I've not gone back to any of the old places,” reflects the protagonist in the new novel “A Tender Age.” But that is just what the author Chang-rae Lee does, in this, his most personal book yet. Set in the 70s, the story follows an eleven-year-old Korean American boy caught between his doting immigrant parents and a roving pack of neighborhood kids — until one summer changes everything. Lee, a Stanford professor and Pulitzer Prize finalist joins us. Guest:Chang-rae Lee, author, “A Tender Age,” He is also the author of the award-winning novel “Native Speaker” and the Pulitzer Prize-nominated “The Surrendered,” among other works. He is a professor of creative writing at Stanford University. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2022, 18-year-old Lisbeth Bencosme was shot four times on a sidewalk in Harlem. She was a new mom at the time, and it was her faja, a staple postpartum girdle for many Latinas, that would keep her alive until medics arrived. In this episode, we meet Lisbeth, a true badass New Yorker who takes us on her path healing from gun violence and postpartum depression, in a country where there’s little support for either. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.

Melissa Barrera is having quite the year. In April, she made her Broadway debut, landing a dream role as ‘Rose’ in the musical parody Titanique. She’s also an executive producer on the award-winning documentary film Traces of Home, which is set to have its theatrical release this fall. And she’s launching her very own production company. After being dropped from the Scream franchise for speaking out about the ongoing genocide in Gaza, Melissa talks about how she’s learned to take more control of her life and career, and why art should be a safe haven when things in the world feel bleak. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter.See omnystudio.com/listener for privacy information.

James and Al give their take on the Michigan primary and push back against the DSA and their candidates while the future of the party is at stake.  Then, they welcome Pulitzer Prize-winning journalist David Wessel to discuss the resilience of the US economy, the danger Trump has put us in, foreign currency interventions, and the need to address the national debt.  They also welcome IA-03 congressional candidate Sarah Trone Garriott to explore her faith, winning in a Midwestern Red state, the perils of ideological labels when elections are on the line, agricultural politics, and how to create a bigger tent that can win in enemy territory.  Email your questions to James and Al at politicswarroom@gmail.com or tweet them to @politicon.  Make sure to include your city– we love to hear where you're from! More from James and Al:Get text updates from Politics War Room and Politicon.Watch Politics War Room & James Carville Explains on YouTube.James Carville & Al Hunt have launched the Politics War Room SubstackGet updates and some great behind-the-scenes content from the documentary CARVILLE: WINNING IS EVERYTHING, STUPID by following James on X @jamescarville and his new TikTok @realjamescarvilleGet More From This Week's Guests: Sarah Trone Garriott: Twitter | Website | Iowa.gov | Facebook | Instagram | TikTokDavid Wessel: Twitter | Website | Brookings | WSJ | AuthorPlease Support Our Sponsors:Miracle Made:Upgrade your sleep with Miracle Made! Go to TryMiracle.com/warroom and use the code WARROOM to claim your FREE 3-PIECE TOWEL SET and SAVE over 40% OFF.Mint Mobile:Get premium wireless for just $15 per month at mintmobile.com/warroomTrust & Will:Get 20% off when you go to trustandwill.com/WARROOMQuince:Upgrade your summer fashion and get 365-day returns and free shipping on high-quality, stylish, and affordable clothing you'll wear for years to come when you go to quince.com/warroom.  Now available in Canada and the United Kingdom.

New York Times reporter Eric Lipton discusses his Pulitzer Prize-winning investigations into Trump's conflicts of interest and whether he's exploiting the power of the presidency for self-enrichment. Lipton spoke with Terry Gross. Subscribe to our free weekly newsletter Follow us on Instagram Subscribe to our YouTube channel Check out the Fresh Air ArchivesSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Pulitzer Prize-winning novelist Geraldine Brooks set out to profile a government bureaucrat and found something closer to fiction: Jarod Koopman, a fit, tattooed IRS agent who teaches jiu-jitsu three mornings a week, built his own house (including a wine cellar because he also happens to be a certified sommelier), and has personally helped return billions of dollars to American taxpayers while freeing children from exploitation and dismantling criminal empires hiding behind cryptocurrency. Kelly and Geraldine talk about why Jarod turned down the kind of salary the private sector would gladly pay him, and what it costs a country when talented, mission-driven people walk away from public service. This fifth and final episode of our Unsung series is a conversation about what fairness in America actually requires to survive—and why we should be paying much closer attention to the people making sure it does.

Annie Jacobsen is a Pulitzer Prize finalist, investigative journalist, and bestselling author. Her latest book, "Biological War: A Scenario," is out now.www.penguinrandomhouse.com/books/783250/biological-war-by-annie-jacobsen/www.anniejacobsen.com Perplexity: Download the app or ask Perplexity anything at https://pplx.ai/rogan. Learn more about your ad choices. Visit podcastchoices.com/adchoices