Podcasts about Chroma key

This week the hosts talk about: The Mandalorian & Grogu's Budget Revealed — Why is it the cheapest Star Wars movie yet, and what does that mean for the franchise? How Budget Constraints Could Help — Focusing on storytelling, character, and practical effects over spectacle. The Risks of Overusing the Volume — How StageCraft technology might hurt the film's cinematic scale. Chroma Key vs. Volume Debate — Why traditional methods might serve a theatrical Star Wars film better. Andor Season 2 Release Strategy — 12 episodes dropped in just 4 weeks—what's behind the unusual rollout? What This Signals for Star Wars' Future — Is Disney scaling back to rebuild value and avoid franchise fatigue? Get more BACTA TANK discussions every month by subscribing to our Patreon www.patreon.com/rainmandigital

Michael and Lisa Machat are the proprietors of Vampire Vineyards, which sponsored the Dark Shadows Remembrance Weekend this past July. Michael visits the podcast to announce a special Halloween giveaway CONTEST and a discount code at vampire.com for Terror at Collinwood listeners! During the episode, Michael discusses the origins of Vampire Vineyards and Vampire Wine, touches upon his and Lisa's newfound fandom for DS, talks about Lisa's novel A Walk in the Sun, and explores some of the products offered at Vampire.Com and VampireSpirits.Com. Could a Barnabas Collins wine be in our future? Let Vampire Vineyards know of your interest! Penny Dreadful's TeePublic Store – Get your Terror at Collinwood and Shilling Shockers shirts HERE: https://www.teepublic.com/user/pennydreadfulxiii Please consider helping the podcast by donating over at Buy Me a Coffee: https://buymeacoffee.com/terroratcollinwood Vampire Vineyards website: https://vampire.comVampire Vineyards on Facebook: https://www.facebook.com/VAMPIRECOMVampire Spirits website: https://vampirespirits.com Ghastly Phantasms website: https://ghastlyphantasms.com/2024-issues/?fbclid=IwY2xjawF_tZVleHRuA2FlbQIxMAABHaiUcOsAP16vbQOh4X-I0mfZyRbc_RnclsMITZ5n-BC5xpG6NmDcUymtlQ_aem_SZcIMZTpufMaXtA0U6lNgA Chiller Theatre website: http://www.chillertheatre.com Pencil Tip Publishing website – publishers of Chromakey magazine: https://www.facebook.com/penciltippublishing Witch's Dungeon website: https://preservehollywood.org/home Dark Shadows Event Diary book by Amanda Desiree on Amazon: https://www.amazon.com/dp/B0DDWHY71H?ref=ppx_yo2ov_dt_b_fed_asin_title Surfing the Shadows surf rock cover of Bob Cobert's Dark Shadows theme by Johnny D & The Moonlighters: https://www.facebook.com/profile.php?id=61552762765082 TaC logos by Eric Marshall

Eliana Monteiro é mestre em artes cênicas pela Universidade de São Paulo. Diretora do Teatro da Vertigem a 26 anos. Recentemente dirigiu os seguintes espetáculos: Agropeça, a intervenção Florestania na Quadrienal de Praga, Solidão nos Campos de Algodão e Chroma Key. Atua como pedagoga teatral e curadora de festivais. Release: A passagem subterrânea da rua Xavier de Toledo tinha ficado fechada por mais de quinze anos quando o Teatro da Vertigem encenou ali pela primeira vez, em 2008, A última palavra é a penúltima, uma intervenção baseada no texto de Gilles Deleuze “O esgotado”. A passagem, localizada no centro de São Paulo, liga o Viaduto do Chá com a praça Ramos de Azevedo e costumava abrigar pequenas lojas que ofereciam produtos para turistas e locais. Em 2008, as lojas eram apenas vitrinas vazias para passantes inexistentes – uma cápsula do tempo em que os efeitos de implacáveis empreendimentos urbanos liderados pela desigualdade social e por interesses de classe podiam ser imediatamente sentidos. Seis anos mais tarde, 2014, em sua revisão da peça para a 31ª Bienal, o Teatro da Vertigem mostra como as coisas pouco mudaram e, ao mesmo tempo, como novos fatores e forças podem sugerir um futuro diferente. Os atores e as telas de vídeo instalados nas mesmas vitrinas, em sua interação com o público para o qual a passagem novamente estará acessível, pretende lançar no visível o que a cidade tenta esconder, o que ela não mais deseja ver: condições de vida, o esgotamento que resulta do trabalho duro em que se envolve parte dos habitantes da cidade, ou mesmo os próprios indivíduos que ocupam seus espaços. Ficha Técnica: Antônio Araújo diretor artístico Eliana Monteiro diretora artística Guilherme Bonfanti diretor técnico e light designer Roberto Audio ator Miriam Rinaldi atriz e preparação corporal Lucienne Guedes atriz e preparação corporal Sérgio Pardal ator Mawusi Tulani atriz Kathia Bissoli atriz Daniel Farias ator Nicolas Gonzales ator Luís Mármora ator Sérgio Siviero ator e preparação corporal Leticia Maia atriz Emilene Gutierrez atriz Jessica Nascimento atriz Heitor Vallim ator Thiago Di Giovanni ator Laura Vinci direção de arte Erico Theobaldo trilha sonora original Kako Guirado engenharia de som Grissel Piguillem vídeo mapping e operação de vídeo Arianne Vitale Cardoso figurinista Marília Teixeira assistência de cenografia Isabella Neves direção de palco Joana Flor operação de som Kuka Batista operação de vídeo Gabriela Araújo operação de luz Daniel Roque contra-regra Talita Matos assistência figurino Roberta Val e Teatro da Vertigem direção de produção Beatriz Cyrineo produtora Marcelo Leão assistência de produção Idacy Sousa Lopes serviços gerais Dalva Cardoso serviços gerais Canal Aberto – Márcia Marques assessoria de imprensa Amanda Antunes design gráfico

Fala seus Coisados. Mais um "Algo está acontecendo" no ar, com muita vergonha alheia para sua alegria. Nessa semana, junte-se ao "Bluepill" Mateus MoraIs e o "Sojado" Sr. Aranha para expectativas frias e calculistas, nostalgias traumáticas, Rabetas chroma key, Xexeiras Manauaras e Doguinhos em perigo. Então mete o dedo no play três vezes antes que invadam o estúdio e levem tudo que nós temos.

No Eu Tava Lá dessa semana, Braian Rizzo liga pro Zé Renacho, ator, roteirista, criador de conteúdo e um exímio editor, dominador da arte do Chroma Key e que não gosta de usar chinelos. Alura com 30% de desconto na Black Week Alura!

Once more, it's time for a weekly dose of Stuff to Blow Your Mind and Weirdhouse Cinema listener mail...See omnystudio.com/listener for privacy information.

En el episodio de hoy, hablaremos sobre qué es y cómo usar correctamente una chroma key para obtener resultados sorprendentes.Support this show http://supporter.acast.com/wrapitup. Con tu apoyo podemos llegar a más oídos https://plus.acast.com/s/wrapitup. Hosted on Acast. See acast.com/privacy for more information.

Weapon addiction as Zelensky claims Putin chroma key

Franchises like Star Wars and Star Trek have recently received a filmmaking upgrade in the form of The Volume and The AR Wall (respectively). What do these systems do and how could they change filmmaking? See omnystudio.com/listener for privacy information.

Negyvenegy történet a zene erejéről. Kulcsdalok, melyek meghatározták a szerző első ötven évét, kezdve a gyerekkori kedvencektől - Deep Purple, Iron Maiden, Metallica - a különleges példaképeken át - Jimi Hendrix, Robert Cray, Stevie Ray Vaughan, Chris Cornell, Shawn Smith, Dave Matthews - a személyiségformáló zenekarokig, melyekért szakíróként dolgozott - Queensryche, King's X, Dream Theater, Sieges Even, Chroma Key, Tribe After Tribe, Paradise Lost, Viper, Nothing More, Killswitch Engage. A mindenki által csak Josephként közkedvelt Szarka Joseph a Metal Hammer újságírójaként lett ismert, majd átállt a másik oldalra és a Sony Music marketing munkatársaként, később vezetőjeként dolgozott, jelenleg pedig a Hear Hungary és a Keytrack vezetője. A zenetörténeti visszatekintésnek, főhajtásnak álcázott önéletrajz kapcsán beszélgettünk vele inspirációról, rendszerességről, csendről, az emlékek torzulásáról vagy éppen azok felidézhetőségéről. A Wanted podcast adása az NKA Hangfoglaló Program támogatásával készült.

The Queen is absolutely dead. Additionally: A cryptic missive in Paging Dr Lucy, an Oklahoman Great American Hall of Name, French Johnny English, a silent pervert drone, and new segment 'Mysterious Liquid.' *** Story Mode: www.goodreads.com/book/show/54982960-story-mode *** Support our show and get exclusive bonus episodes by subscribing on Patreon: www.patreon.com/BoontaVista *** Email the show at mailbag@boontavista.com! Call in and leave us a question or a message on 1800-317-515 to be answered on the show! *** Twitter: twitter.com/boontavista Website: boontavista.com Merchandise: shop.boontavista.com/ Twitch: twitch.tv/boontavista

Sergio Ariotti"Festival delle Colline"http://www.festivaldellecolline.it/Il Festival delle Colline Torinesi - Torino Creazione Contemporanea si rilancia spostandosi in un periodo inedito: dal 14 ottobre al 14 novembre 2021. La storica rassegna teatrale, sempre organizzata dalla Fondazione TPE - Teatro Piemonte Europa, propone un'edizione d'eccezione con molte novità, che può contare su 19 spettacoli in 32 giorni, 51 recite, 6 spazi in 3 città, 7 prime e gli artisti provenienti da 12 nazioni.Un festival contemporaneo «Je continue à apprendre par cœur Le bateau ivre, qui me prendre beaucoup de temps.» così scrive con ironia Sophie Calle, che nel 2021 dona il segno d'artista al Festival delle Colline Torinesi. Proprio il rapporto con la scrittura poetica caratterizza il mondo figurativo della Calle, la cui personale al Castello di Rivoli, del 2014, rimane indelebile nel ricordo. «Parce que la tentation de la suivre» si legge su un'immagine fotografica della Calle, una linea bianca che incrocia una distesa di sassi e il mare. Frase e immagine diventano un'opera («Ligne Blanche», recentemente in mostra alla Fondazione Merz), i poli di una dialettica, il “segno d'artista”. Anche il Festival ha l'intenzione di seguire una linea: quella della ripresa di attività nel dopo pandemia, in autunno, sperimentando nuove formule e nuovi linguaggi. Fra le novità: la presenza di un Paese ospite, il Belgio; la monografia d'artista, dedicata alla Socìetas, una famiglia d'arte, con spettacoli rispettivamente di Claudia Castellucci, Chiara Guidi, Romeo Castellucci; la contaminazione del teatro con l'arte contemporanea, condivisa proprio con la Fondazione Merz e in collaborazione con la Fondazione Piemonte dal Vivo e il Castello di Rivoli – Museo d'Arte Contemporanea. Il temaSlogan programmatico diventa, dopo quello del viaggio, confini/sconfinamenti. Il Festival delle Colline Torinesi vuole dare spazio alla performance d'arte superando certi steccati rimuovendoli: guardando ad artisti che non utilizzano solo schemi drammaturgici, che cercano spazi nuovi e nuove concettualità e ad artisti che scommettono su altre combinazioni, persino con la moda e il design, come certe sfilate suggeriscono. La volontà di superare confini, di contaminare linguaggi, alternarli, coniugarli, caratterizza da sempre Motus che con Chroma Keys, interpretato da Silvia Caldero-ni, compie una incursione nel cinema, portando il corpo della performer, illusoriamente e illusionisticamente, nelle scene di film proiettati, intarsiati con una vecchia tecnica video (ora rinnovata dal digitale), il Chroma Key appunto. Una esibizione tutta in sospeso tra un mondo a venire e un avvenire senza mondo, tra Hitchcock e Godard, tra Lars Von Trier e l'apocalittico Bela Tarr. Un'operazione che, forse, richiama certe avanguardie storiche. Secondo appuntamento con Motus e spettacolo conclusivo del Festival Tutto brucia: una nuova creazione ri-cavata da Le Troiane di Sartre. Scritta a Roma nel 1964, Le Troiane è un adatta-mento del testo di Euripide, con allusioni all'imperialismo europeo e alla Guerra d'Algeria.Con la performance Rompere il ghiaccio, Filippo Andreatta riflette sul rapporto tra uomo e paesaggio. Il pretesto è la sorte di un ghiacciaio, il Grafferner, sulla frontiera tra Italia e Austria, ma anche la storia d'amore tra Elsa e Enrico, i nonni dell'autore, separati da un confine «mobile», da quel ghiacciaio appunto, che si contrae. Il tutto è volto a dimostrare la natura discutibile, cangiante, di ogni idea di confine. Sunny Sundays è, invece, una performance (con uno stand-up, momenti di narrazione e un fumetto), progettata e realizzata dagli artisti libanesi Rabih Mroué e Lina Majdalanie, di ritorno al Festival dopo qualche anno. Un lavoro in bilico tra finzione e ricognizione storica, con lo spettatore quasi impossibilitato a distinguerle. Secondo appuntamento al Festival con gli artisti libanesi, Borgborygmus (con Lina e Rabih figura l'artista visivo, musicista e autore di fumetti Mazen Kerbaj) presenta il mondo di oggi come un gorgoglio, come il rumore continuo di un fallimento, come un requiem per vivi. Al Castello di Rivoli – Museo d'Arte Contemporanea, il Festival sarà presente con Exhibition: evento performativo di Cuocolo/Bosetti pensato per i musei, che sotto forma di una particolare visita guidata, si interroga sulla natura della fruizione. Dunque anche del teatro e dell'arte, con un gruppo di venticinque spettatori muniti di radio guide che attraversa gli spazi museali guidato dall'attrice-performer.Fanno parte del segmento arte-teatro anche la creazione originale site-specific di Virgilio Sieni, La dimora del volto, dedicata alla mostra di Marisa e Mario Merz realizzata proprio negli spazi espositivi a contatto con le opere e Sonora Desert, installazione interattiva della Compagnia Muta Imago, cioè Claudia Surace e Riccardo Fazi, che indaga, alla Lavanderia a Vapore, il rapporto spettatore-percezione a partire da un viaggio nel deserto di Sonora, al confine tra l'Arizona e il Messico. Vibrazioni sonore, luminose e cromatiche, sono in dialogo con le musiche appositamente composte da Alvin Curran, spesso sulla falsariga di effetti ambientali rielaborati. Il Belgio Paese ospiteRitmo e velocità sono le componenti di All Around, concerto con il batterista Will Guthrie e la coreografa/ballerina danese Mette Ingvartsen, che lavora a Bruxelles. Una performance, la loro, illuminata da neon, che sospinge quasi verso la trance. Tutto in cerchio è il pubblico intorno agli interpreti, come dichiara il titolo. Lin-guaggi differenti racchiusi in un solo evento (teatro, danza, musica e arte) caratterizzano All the Good, nato da un incontro di Jan Lauwers con un veterano della guerra arabo-israeliana, Elik Niv, diventato danzatore dopo un grave incidente e una lunga riabilitazione. Un festival internazionaleAppuntamento internazionale attesissimo è quello con l'ungherese Kornél Mun-druczó e il suo Proton Theatre, alle prese con Imitation of Life (con Lili Monori, Bori Péterfy, Roland Rába, Zsombor Jéger, Dáriusz Kozma). Un atto d‘accusa contro una società contemporanea votata alla discriminazione. Fanno parte del segmento internazionale (oltre ai già citati libanesi Rabih Mroué e Lina Majdalanie, i belgi Needcompany e la danese Mette Ingvartsen) anche gli spagnoli Agrupaciòn Señor Serrano con The Mountain, nel cui filo narrativo compaiono l'alpinista Mallory e i misteriosi interrogativi sulla salita all'Everest, ma anche Orson Welles e Putin. Sempre superlativo nella compagnia catalana l'uso del video.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

You're listening to Danny, on WHAT : DE HEK podcast. This is the place where I share my experience, knowledge and skills.I've been playing around trying to get the right setup for the last few months and I finally feel I'm getting some traction. I am a podcaster and an online educator that provides workshops to help people survive and thrive in business, I would like to share my journey with you.This all started about two years ago when I wanted to record a group of people, in a business networking event, so I could produce a podcast.I've always been a bit of a tech head, any software or hardware that is going to make me more productive and look more professional, I'm in. I'll go and purchase it on my credit card and worry about paying for it later.The problem with being able to record video, and broadcast, is there are so many options available and so many different variables, that you really have to find your own way to get it going correctly. So in saying that, my journey may not be your journey, but I am absolutely sure you will gain a lot of knowledge by reading or listening to this article.A good of friend of mine, Rob Woolley, is currently trying to set himself up as a YouTube educator. He has also been going through some of the trials and tribulations that I experienced at the start, all due respect to Rob, he likes doing things on a budget. He was having problems setting up his green screen and I received this message from him, “I've officially given up on getting green screen perfect, so I'm going to paint my wall as a backdrop I think”. I'll be honest, his message inspired me to write this blog.There is no right way and there's no wrong way of achieving your setup, just remember be good today, rather than perfect tomorrow, because tomorrow never comes.To make this a little bit more logical I think it would be best if I break this into different sections; sound recorder, microphones, green screens, lighting, camera equipment, editing and streaming. One thing I never do with my blogs is add images within the content, however I'm going to make an exception for this post.1) Sound RecorderSo as I said originally, I wanted to record 20 people in a room when I was running a think tank meeting for my business networking company. I did some searching and I read some good reviews about a recording device called a “ZOOM H6”. The reason I went with this, is that it would enable me to run four microphones simultaneously, as well as an additional two microphones that come with the unit. It can be powered with a USB charger, so it was an ideal unit, it was mobile and recorded brilliant sound. It has served me well. I used it for at least 12 months and I still have it, just in case I start doing more mobile interviews. It has a lovely compact carry case too.I started hanging out on a social audio app called Clubhouse. When talking to other podcasters, the industry standard and the unit that you want to get, is a RØDECaster Pro. Funnily enough, this would not be my recommendation if you want to be mobile. However, since I've had the RØDECaster Pro, I've never used my ZOOM H6 again. Recently I switched my recording hardware to the ZOOM PodTrak P8, as this is also a mobile unit and also a desktop sound recorder. I now get the best of both worlds and I love it. I believe it's the best piece of hardware on the market today, especially if your main focus is podcasting.Read More https://www.dehek.com/general/podcast/7-steps-for-creating-your-own-live-streaming-podcast-studio/Support the show (https://www.buymeacoffee.com/dehek)

Stephan erwartet Besuch, er hat aber keine Lust seine Wohnung aufzuräumen. Also bekommen alle Gäste eine Virtual Reality Brille aufgesetzt - jetzt sieht alles sauber aus, nur warum stehen plötzlich Goro und Hwoarang in seiner Wohnung? Pietsch hingegen findet die durch seine VR-Brille nach bester T-800-Manier eingeblendeten Mehrinformationen über seine Nachbarn eher abschreckend ... genau wie optische Feedbacks ... und Displays in Kühlschranktüren. Kann ihn da die Alienware im Laptop noch irgendwie umstimmen? Halbwissen² - Wo liegen bloß die Autoschlüssel? Lob, Kritik oder eigene Themenvorschläge an: halbwissenhoch2@gmail.com

Werbebanden am Spielfeldrand beim Fußball gibt es schon seit Jahrzehnten. Aktuell sehen alle Zuschauer am Fernsehen und im Stadion dieselbe Werbung – egal von wo auf der Welt sie zuschauen. Das Fraunhofer-Institut für Intelligente Analyse- und Informationssysteme IAIS hat eine Technologie entwickelt, die es ermöglicht individualisierte Bandenwerbung zu schalten. Das heißt, wir in Deutschland können andere Werbeinhalte auf den Banden sehen, als die Zuschauer in England, den USA oder in China. Wie das funktioniert und wann die Technik eingesetzt werden kann, erklärt Ulrich Nütten vom Fraunhofer IAIS.

Chromakey Studio Setup | Green Screen Cloth vs Paint | ROSCO Video Paint | Green vs Blue | Movie VFX

Talking to Lightware about new technological advances in the world of production using LED solutions.

Talking to Lightware about new technological advances in the world of production using LED solutions. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Talking to Lightware about new technological advances in the world of production using LED solutions.

Che differenza c'è tra un formato grafico e l'altro e quando vanno usati e perché? Quali file mi devo far consegnare dall'Agenzia Web a fine lavori? Posso inviarti un selfie da mettere sulla pagina "Chi siamo" del sito web?INSTAGRAM: @CercasiaiEMAIL: aaaicercasi @ gmail.comBLOG: silviamarcellini.comTWITTER: @AiCercasiMyfoglio.com è l'app di fatture freemium, sicura e completa già dalla versione non a pagamento. Provala qui:https://www.myfoglio.com/Concorso 2021: inviami un email a aaaicercasi @ gmail.com con indicato cosa fai e perché sei un ascoltatore "specialissimo" e a fine 2021, se mi avrai convinto, potrai vincere un abbonamento myfoglio premium!TinyPNGstrumento di compressione onlinehttps://tinypng.com/WPOptimizeplugin per Wordpresshttps://getwpo.com/Argomenti:-I file sorgenti vanno sempre richiesti e conservati-Immagini vettoriali vs raster-Come funzionano le immagini svg-Differenza tra gif e png-Qualità delle jpg-Come inviare un selfie utilizzabile online-Ottimizzazione delle immagini Web

We sail into the mystic with the possibly answered questions surrounding The Conspiracy of Dyatlov Pass at Death Mountain. Was it a freak avalanche that grotesquely killed 9 Experienced Russian Hikers? Or was it a possibly Yeti attack captured on Film, UFO's, Natural Radiation Madness, or a Secret Military Experiment? Set up your Green Screen and pretend you're a President too, with The Conspiracy Horsemen.  SUBSCRIBE TO THE NEW HAMIN MEDIA GROUP AFFILIATES CHANNEL!  www.haminmediagroup.podbean.com YOUTUBE: https://www.youtube.com/channel/UCnZkzOodkDzBN5wiunvCXkg CHECK OUT OUR SPONSORS!! Vince Russo Bro! Coffee from TheBroasters.com Artisan Greek Olive Oil from zourdosoliveoil.com Pro Wrestling Tees Prowrestlingtees.com/SuperStarSilvio ProWrestlingTees.com/BinHamin ProWrestlingTees.com/StevieRichards ProWrestlingTees.com/SEGShirts ProWrestlingTees.com/GreekGodPapadon   Stevie Richards Fitness StevieRichardsFitness.com

We sail into the mystic with the possibly answered questions surrounding The Conspiracy of Dyatlov Pass at Death Mountain. Was it a freak avalanche that grotesquely killed 9 Experienced Russian Hikers? Or was it a possibly Yeti attack captured on Film, UFO's, Natural Radiation Madness, or a Secret Military Experiment? Set up your Green Screen and pretend you're a President too, with The Conspiracy Horsemen.  SUBSCRIBE TO THE NEW HAMIN MEDIA GROUP AFFILIATES CHANNEL!  www.haminmediagroup.podbean.com YOUTUBE: https://www.youtube.com/channel/UCnZkzOodkDzBN5wiunvCXkg CHECK OUT OUR SPONSORS!! Vince Russo Bro! Coffee from TheBroasters.com Artisan Greek Olive Oil from zourdosoliveoil.com Pro Wrestling Tees Prowrestlingtees.com/SuperStarSilvio ProWrestlingTees.com/BinHamin ProWrestlingTees.com/StevieRichards ProWrestlingTees.com/SEGShirts ProWrestlingTees.com/GreekGodPapadon   Stevie Richards Fitness StevieRichardsFitness.com

Toronto has so many amazing breweries that it's tough to actually hit them all up, and one of those breweries for us is Halo. Known for their impeccable kettle sours, IPAs and stouts, along with their gorgeous branding, they've been a fave every time we hit up a beer bar and finally, while we still never got to the venue itself, we brought them on the podcast.  Owner and Head Brewer Callum Hay joined Cee to talk about his super unique beer history, their spectacular label art, and how he approaches his beer while crushing a few of their faves, including their flagship Pale Ale, Magic Missile, the Black Raspberry variant of their impeccable Shapeshifter kettle sour series, and the amazing Key Lime variant of Chroma Key, their bottle-conditioned, fruited Saison. This was a great chat, enjoy, cheers! BAOS Podcast Subscribe to the podcast on YouTube | Website | Theme tune: Cee - BrewHeads

Por que toda vez que eu uso o chromakey algo sai errado? Vamos entender como devemos usar o famoso fundo verde e discutir por quais motivos precisamos de uma boa iluminação e filmagem no nosso material audiovisual e não apenas um bom tecido. Participantes: Luiz Lima, Designer e Instrutor na Alura Camila Futamata, Editora de … Continue lendo "Chromakey – Layers ponto tech #08"

In questo primo episodio abbiamo parlato di Intro dei Videogiochi: abbiamo chiesto ai nostri ascoltatori quali, secondo loro, sono state le intro videoludiche migliori. Dai tantissimi voti sparsi ne è uscita una classifica prevedibile1. Another World https://www.youtube.com/watch?v=G1EGP2EyWe02. Metal Gear Solid https://www.youtube.com/watch?v=vj6plOoDl_s&ab_channel=Ludo66X3. Final Fantasy 7 https://www.youtube.com/watch?v=JujtlsiqZ-E&ab_channel=StanfordFunkNota di merito per It Came From The Desert per Amiga della CinemaWare https://www.youtube.com/watch?v=qTL-D3AX6H4&ab_channel=Kuokka77Il secondo argomento della puntata è toccato ad Alex che ci ha raccontato la nascita, la vita e la morte del chroma key, ossia l'uso nel cinema, nella televisione e nelle applicazioni multimediali compresi i fammosi giochi in Full Motion Video.In occasione del rilascio del nuovo gioco di Umberto Parisi di PsychoDev Chronicle of Innsmouth: Mountains of Madness in uscita a gennaio, abbiamo approfittato per fare una presentazione prelancio del gioco.Puoi preordinare e acquistare il gioco con uno sconto nella pagina Indigogo del gioco: https://www.indiegogo.com/projects/mountains-of-madness#/In alternativa puoi seguire la pagina Steam del gioco in uscita a gennaio: https://store.steampowered.com/app/962700/Chronicle_of_Innsmouth_Mountains_of_Madness/Se volete giocare al primo capitolo di Chronicle of Innsmouth https://store.steampowered.com/app/420180/Chronicle_of_Innsmouth/Fatevi sotto!Di seguito Puccio Console ci suggerisce due libri legati al mondo del gaming e non soloThe Games That Weren't - Bitmap Books https://www.bitmapbooks.co.uk/products/the-games-that-werentIl mondo di Cyberpunk 2077. Ediz. a colori - Panini https://amzn.to/3gANTpT

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O Homem Invisível, adaptado primeiro em 1933 de uma obra de ficção cientifica de H.G Wells, foi um sucesso em sua época, utilizando de técnicas que depois foram aprimoradas para o Chroma Key, que é muito usada hoje no cinema. Sua história foi atualizada para os tempos atuais, e para as necessidades de narrativas contemporâneas. Venha entender sobre este poder que pode corromper moralmente um homem ou revelar o que sua mente perversa é capaz.

Coming up in the season finale of In Good Company ... What will happen to Bay City Theatre, Lola and everyone else we've come to love? In Good Company is presented by New Conservatory Theatre Center. Learn more about the show and donate to support this work and other programming while our theatre doors are closed at https://www.nctcsf.org/index.php (NCTCSF.ORG). The In Good Company Writers: Jewelle Gomez, Eric Reyes Loo, Laurel Ollstein, Tim Pinckney, and Elyzabeth Gregory Wilder. Director: NCTC Founder and Artistic Director Ed Decker. Cast: Toni Lynn Guidry (Narrator), James Arthur M. (Andre / Dugie / Jasmine), Chris Morrell (Skip Markley / Brick / Manicurist / Skateboarder / TV Newscaster), James Aaron Oh (Kaiser the Playwright), Desiree Rogers (Lola Grant / Frannie), Elena Ruggiero (Bridget / Gaby), Chris Steele (Constance / CJ), Vaho (Javier / Dr. Sorenson / YouTube Knitter). Sound design: Kalon Thibodeaux. Special thanks to Louis Durra for the use of "Ain't She Something" from his Chromakey album.

Last week, Lola, worried about CJ living alone at the theatre, invited them to stay with her family while the theatre struggled to find the best way to respond to the Black Lives Matter movement.  Next, we find Kaiser and Javier together as Kaiser receives news about his productions. In Good Company is presented by New Conservatory Theatre Center. Learn more about the show and donate to support this work and other programming while our theatre doors are closed at https://www.nctcsf.org/index.php (NCTCSF.ORG). The In Good Company Writers: Jewelle Gomez, Eric Reyes Loo, Laurel Ollstein, Tim Pinckney, and Elyzabeth Gregory Wilder. Director: NCTC Founder and Artistic Director Ed Decker. Cast: Toni Lynn Guidry (Narrator), James Arthur M. (Andre / Dugie / Jasmine), Chris Morrell (Skip Markley / Brick / Manicurist / Skateboarder / TV Newscaster), James Aaron Oh (Kaiser the Playwright), Desiree Rogers (Lola Grant / Frannie), Elena Ruggiero (Bridget / Gaby), Chris Steele (Constance / CJ), Vaho (Javier / Dr. Sorenson / YouTube Knitter). Sound design: Kalon Thibodeaux. Special thanks to Louis Durra for the use of "Ain't She Something" from his Chromakey album.

10/10/10 - Getting to know other student organizations/networking with people is a very good thing. I got to meet Lewis Black this way. 10/11/10 - It is possible to give a lecture on your job and bust a Meth Lab at the same time (HTCIA meeting). 10/12/10 - Figured out Spaces on the Mac. 10/13/10 - Learned how to Chroma Key the green screen at SCAN. Hilarity ensued. 10/14/10 - Ultramon doesn't save settings in terms of taskbar placement in scheme files. Sucks for my desktop with stacked dual monitors. 10/15/10 - Heaters can apparently be fixated on ceilings and look like fluorescent lights, or at least that's what they do in the Owl's Nest apartments at Keene. 10/16/10 - Jungle Juice is weird. This episode's music comes from the Free Music Archive. Tracks featured in this episode include: Podington Bear - Giving Tree Jason Shaw - River Meditation Jason Shaw - Running Waters Jason Shaw - Sidewalk Jason Shaw - Travel Light

For a moment it seemed like everything might actually work out for the Bay City Theatre crew, but the murder of George Floyd changed everything. How do we move forward from here? In Good Company is presented by New Conservatory Theatre Center. Learn more about the show and donate to support this work and other programming while our theatre doors are closed at https://www.nctcsf.org/index.php (NCTCSF.ORG). The In Good Company Writers: Jewelle Gomez, Eric Reyes Loo, Laurel Ollstein, Tim Pinckney, and Elyzabeth Gregory Wilder. Director: NCTC Founder and Artistic Director Ed Decker. Cast: Toni Lynn Guidry (Narrator), James Arthur M. (Andre / Dugie / Jasmine), Chris Morrell (Skip Markley / Brick / Manicurist / Skateboarder / TV Newscaster), James Aaron Oh (Kaiser the Playwright), Desiree Rogers (Lola Grant / Frannie), Elena Ruggiero (Bridget / Gaby), Chris Steele (Constance / CJ), Vaho (Javier / Dr. Sorenson / YouTube Knitter). Sound design: Kalon Thibodeaux. Special thanks to Louis Durra for the use of "Ain't She Something" from his Chromakey album.

Lola had to furlough the staff, Frannie confronted Bridget about her virus symptoms, and Javier and Kaiser's romance might be on the rocks. Listen for what's next in Episode 7. In Good Company is presented by New Conservatory Theatre Center. Learn more about the show and donate to support this work and other programming while our theatre doors are closed at https://www.nctcsf.org/index.php (NCTCSF.ORG). The In Good Company Writers: Jewelle Gomez, Eric Reyes Loo, Laurel Ollstein, Tim Pinckney, and Elyzabeth Gregory Wilder. Director: NCTC Founder and Artistic Director Ed Decker. Cast: Toni Lynn Guidry (Narrator), James Arthur M. (Andre / Dugie / Jasmine), Chris Morrell (Skip Markley / Brick / Manicurist / Skateboarder / TV Newscaster), James Aaron Oh (Kaiser the Playwright), Desiree Rogers (Lola Grant / Frannie), Elena Ruggiero (Bridget / Gaby), Chris Steele (Constance / CJ), Vaho (Javier / Dr. Sorenson / YouTube Knitter). Sound design: Kalon Thibodeaux. Special thanks to Louis Durra for the use of "Ain't She Something" from his Chromakey album.

Love is in the air for Lola and Gaby and new couple Kaiser and Javier, but the theatre is strapped for cash and Bridget's "little cough" might be something a lot bigger. What's next? In Good Company is presented by New Conservatory Theatre Center. Learn more about the show and donate to support this work and other programming while our theatre doors are closed at https://www.nctcsf.org/index.php (NCTCSF.ORG). The In Good Company Writers: Jewelle Gomez, Eric Reyes Loo, Laurel Ollstein, Tim Pinckney, and Elyzabeth Gregory Wilder. Director: NCTC Founder and Artistic Director Ed Decker. Cast: Toni Lynn Guidry (Narrator), James Arthur M. (Andre / Dugie / Jasmine), Chris Morrell (Skip Markley / Brick / Manicurist / Skateboarder / TV Newscaster), James Aaron Oh (Kaiser the Playwright), Desiree Rogers (Lola Grant / Frannie), Elena Ruggiero (Bridget / Gaby), Chris Steele (Constance / CJ), Vaho (Javier / Dr. Sorenson / YouTube Knitter). Sound design: Kalon Thibodeaux. Special thanks to Louis Durra for the use of "Ain't She Something" from his Chromakey album.

San Francisco is officially locked down, CJ is living at the theatre and Kaiser the Playwright  has moved in with Javier.  Can the theatre survive?  Will a romance bloom?  Listen for what happens next in Episode 5! In Good Company is presented by New Conservatory Theatre Center. Learn more about the show and donate to support this work and other programming while our theatre doors are closed at https://www.nctcsf.org/index.php (NCTCSF.ORG). The In Good Company Writers: Jewelle Gomez, Eric Reyes Loo, Laurel Ollstein, Tim Pinckney, and Elyzabeth Gregory Wilder. Director: NCTC Founder and Artistic Director Ed Decker. Cast: Toni Lynn Guidry (Narrator), James Arthur M. (Andre / Dugie / Jasmine), Chris Morrell (Skip Markley / Brick / Manicurist / Skateboarder / TV Newscaster), James Aaron Oh (Kaiser the Playwright), Desiree Rogers (Lola Grant / Frannie), Elena Ruggiero (Bridget / Gaby), Chris Steele (Constance / CJ), Vaho (Javier / Dr. Sorenson / YouTube Knitter). Sound design: Kalon Thibodeaux. Special thanks to Louis Durra for the use of "Ain't She Something" from his Chromakey album.

Last week, while the cast struggled with endless rewrites on Kaiser's new play, Bay City Theatre was unexpectedly shuttered by the Mayor and local health authorities. We rejoin everyone as the magnitude of the pandemic begins to become clear to some; not so clear to others. In Good Company is presented by New Conservatory Theatre Center. Learn more about the show and donate to support this work and other programming while our theatre doors are closed at https://www.nctcsf.org/index.php (NCTCSF.ORG). Episode 4 is sponsored by Gibson Dunn. The In Good Company Writers: Jewelle Gomez, Eric Reyes Loo, Laurel Ollstein, Tim Pinckney, and Elyzabeth Gregory Wilder. Director: NCTC Founder and Artistic Director Ed Decker. Cast: Toni Lynn Guidry (Narrator), James Arthur M. (Andre / Dugie / Jasmine), Chris Morrell (Skip Markley / Brick / Manicurist / Skateboarder / TV Newscaster), James Aaron Oh (Kaiser the Playwright), Desiree Rogers (Lola Grant / Frannie), Elena Ruggiero (Bridget / Gaby), Chris Steele (Constance / CJ), Vaho (Javier / Dr. Sorenson / YouTube Knitter). Sound design: Kalon Thibodeaux. Special thanks to Louis Durra for the use of "Ain't She Something" from his Chromakey album.

Artistic Director Lola Grant has made the risky decision to bring Kaiser the Playwright's world premiere to Bay City Theatre. The only problem is that the script has no ending and our turbulent playwright has escaped to drink his troubles away. Listen for what's next in episode three. In Good Company is presented by New Conservatory Theatre Center. Learn more about the show and donate to support this work and other programming while our theatre doors are closed at https://www.nctcsf.org/index.php (NCTCSF.ORG). Episode 3 is sponsored by Gibson Dunn. The In Good Company Writers: Jewelle Gomez, Eric Reyes Loo, Laurel Ollstein, Tim Pinckney, and Elyzabeth Gregory Wilder. Director: NCTC Founder and Artistic Director Ed Decker. Cast: Toni Lynn Guidry (Narrator), James Arthur M. (Andre / Dugie / Jasmine), Chris Morrell (Skip Markley / Brick / Manicurist / Skateboarder / TV Newscaster), James Aaron Oh (Kaiser the Playwright), Desiree Rogers (Lola Grant / Frannie), Elena Ruggiero (Bridget / Gaby), Chris Steele (Constance / CJ), Vaho (Javier / Dr. Sorenson / YouTube Knitter). Sound design: Kalon Thibodeaux. Special thanks to Louis Durra for the use of "Ain't She Something" from his Chromakey album.

As the great Stephen Sondheim once wrote, “Art Isn't Easy”, especially if you're the Bay City Theatre, San Francisco's award winning queer theatre. In Good Company is presented by New Conservatory Theatre Center. Learn more about the show and donate to support this work and other programming while our theatre doors are closed at https://www.nctcsf.org/index.php (NCTCSF.ORG). The In Good Company Writers: Jewelle Gomez, Eric Reyes Loo, Laurel Ollstein, Tim Pinckney, and Elyzabeth Gregory Wilder. Director: NCTC Founder and Artistic Director Ed Decker. Cast: Toni Lynn Guidry (Narrator), James Arthur M. (Andre / Dugie / Jasmine), Chris Morrell (Skip Markley / Brick / Manicurist / Skateboarder / TV Newscaster), James Aaron Oh (Kaiser the Playwright), Desiree Rogers (Lola Grant / Frannie), Elena Ruggiero (Bridget / Gaby), Chris Steele (Constance / CJ), Vaho (Javier / Dr. Sorenson / YouTube Knitter). Sound design: Kalon Thibodeaux. Special thanks to Louis Durra for the use of "Ain't She Something" from his Chromakey album.

With no play and no playwright, what's next for Bay City Theatre? In Good Company is presented by New Conservatory Theatre Center. Learn more about the show and donate to support this work and other programming while our theatre doors are closed at https://www.nctcsf.org/index.php (NCTCSF.ORG). The In Good Company Writers: Jewelle Gomez, Eric Reyes Loo, Laurel Ollstein, Tim Pinckney, and Elyzabeth Gregory Wilder. Director: NCTC Founder and Artistic Director Ed Decker. Cast: Toni Lynn Guidry (Narrator), James Arthur M. (Andre / Dugie / Jasmine), Chris Morrell (Skip Markley / Brick / Manicurist / Skateboarder / TV Newscaster), James Aaron Oh (Kaiser the Playwright), Desiree Rogers (Lola Grant / Frannie), Elena Ruggiero (Bridget / Gaby), Chris Steele (Constance / CJ), Vaho (Javier / Dr. Sorenson / YouTube Knitter). Sound design: Kalon Thibodeaux. Special thanks to Louis Durra for the use of "Ain't She Something" from his Chromakey album.

The drama onstage is nothing compared to what's happening behind the scenes in this original episodic series. Bay City Theatre Artistic Director Lola Grant is performing the ultimate balancing act: running a small, LGBTQ theatre during a pandemic, keeping her family together, and producing a new play- that's still missing an ending. A new kind of podcast for a different kind of world, New Conservatory Theatre Center's In Good Company is a love letter to the resilience of art, artists, and the places they call “home”. Please consider donating to NCTC at https://www.nctcsf.org/donate-now (www.nctcsf.org) to support this work and additional programming while our theatre doors are closed.  Written by Jewelle Gomez, Eric Reyes Loo, Laurel Ollstein, Tim Pinckney, and Elyzabeth Gregory Wilder Directed by NCTC Founder and Artistic Director Ed Decker Cast: Toni Lynn Guidry (Narrator), James Arthur M. (Andre / Dugie / Jasmine), Chris Morrell (Skip Markley / Brick / Manicurist / Skateboarder / TV Newscaster), James Aaron Oh (Kaiser the Playwright), Desiree Rogers (Lola Grant / Frannie), Elena Ruggiero (Bridget / Gaby), Chris Steele (Constance / CJ), Vaho (Javier / Dr. Sorenson / YouTube Knitter) Sound design by Kalon Thibodeaux Special thanks to Louis Durra for the use of "Ain't She Something" from his Chromakey album.

Progressive rock music show LIVE on Progrock.com. Tuesday 1-330pm CST, 7-930pm UK time. Featuring Germany’s Electric Mud and the album Quiet Days On Earth and Auckland, New Zealand’s Outside In and the album Karmatrain, this month’s chosen album’s of Jargon, Mark Rowen, Bastian Per, (final week), plus Jukka Iisakkila, Unitopia, Coma Rossi (latest single), The Multitude, El Eco de las Ánimas, CAIRO MUSIC (lockdown track), VOLA, Nightwish, Chroma Key.

Telestream Wirecast released a Beta version of 13.2. During my weekly show “Wirecast Pros” (on Facebook), I showed off this new version of software. There are still bugs in it, so this is not software you should use in production, yet. I personally have seen a couple crashes during tests. New Features in Wirecast 13.2 […] The post Wirecast 13.2 BETA revamps the Chromakey appeared first on Geekazine.com.

Telestream Wirecast released a Beta version of 13.2. During my weekly show “Wirecast Pros” (on Facebook), I showed off this new version of software. There are still bugs in it, so this is not software you should use in production, yet. I personally have seen a couple crashes during tests. New Features in Wirecast 13.2 […] The post Wirecast 13.2 BETA revamps the Chromakey appeared first on Geekazine.com.

Beeeeenfazejos irmãos! Neste episódio, Cacofonias e Roberto falam sobre: - O sedentarismo total durante a quarentena - Caco descobre maneiras de sair de casa graças ao seu chroma key - O caso PC Siqueira e a dúvida: sabemos o que os nossos amigos andam fazendo por aí? - Coisas desnecessárias que compramos de bobeira graças à internet Entre em contato com a gente no Twitter e no Instagram: @minutosilencio @cacofonias @robertoacdc Agora o Minuto de Silêncio tem seu próprio Ombudsman. Ao fim do episódio, Ulisses Mattos (@ulissesmattos) faz suas críticas às piadas feitas por Caco e Roberto. Nosso agradecimento especial aos amigos Carol Rabello (@carolrabello) e Fabiano ALbergaria (@albergaria), que compuseram a música "Chroma Key". A arte deste episódio é do sensacional Tex Illustration: www.instagram.com/tex.studio Seja um Grande Membro do Clube do Minuto, apoie o nosso podcast e tenha acesso ao grupo exclusivo com os participantes no Telegram, além de sensacionais episódios extras! www.padrim.com.br/minutodesilencio

Muito antes do Chroma Key ou o CGI sequer existir, o mundo do cinema utilizava uma técnica de animação como efeitos especiais única, estamos falando do Stop Motion. E nesse episódio trouxemos alguns dos filmes mais conhecidos da área

Episodio 15: Probando un Chroma Key, Mi band 5, Galaxy Note 20, Facebook Shops

House (Hausu) (1977)Welcome back six-time guest Bryan Bierman to discuss the psychedelic Japanese spookhouse flick House (a.k.a. Hausu) from 1977! On this episode (definitely brought to you by Chroma Key!): Hunter misunderstands Ghost Dad, we sing that famous B-52’s hit song “Refrigeration Shack” and we discuss music we hate, Alf, and Isadora Duncan!

Episode 9 of GETL is here!00:00 - Intro - Welcome to Episode 9!00:34 - South Africa’s Lockdown has been extended.02:07 - The Neanderthal Revelation06:40 - The Laura Buxton Effect11:11 - Every Anus has a unique print, according to science!12:00 - Anal Probes are the future of medicine13:42 - Salvador Dali inspired Anal Print research16:30 - Real world application of Anal print Tech.17:40 - Sony’s DualSense is the new PS5 Controller20:30 - DualSense Features Explained (PS5 V Design)26:56 - State of Twitch’s Community Guidelines29:52 - The Queen in Green: How Memes are Born!31:34 - Actually useful things to do during the Lockdown (Amazon Sesame, Amazon Dark Horse, Harvard, CentrFit, Met Opera)37:50 - Hans & Edward discuss their own Lockdown Plans39:00 - Well done President Ramaphosa39:50 - Outro - Thank you for listening!

In this episode: Supermarionation. Chroma Key. Gianni's Uber Challenge. Amy's experimental project. Ethically sourced nudity. Dodgy housemate experiences. You can't anonymise meth. A $15 tip. Do you translate well digitally? Living on campus. Living in a storage unit. Crunchy Town. Everything you know will turn to dust.

This Clue is much similar to the Checkerboard Key and the Site Change Again ! The Chroma Key Clue https://satoshistreasure.xyz/images/chroma/clue.png Decryption Page https://satoshistreasure.xyz/d392b8593b113b94? WEBSITE https://twitter.com/CiphersToshi/status/1158449219461476352 https://twitter.com/toshitreasure/status/1159108076840132608 PUBLIC KEYS https://docs.google.com/spreadsheets/d/1x5xI_Qh63_PHoxEpM8ObDQRNalG9WKGV9Ewk6RLymb8/edit#gid=0 The Podcast Show itunes: Mixcloud:https://www.mixcloud.com/satoshistreasurehunters/ Spotify: https://open.spotify.com/show/0eZQAPHNNJuDe9kmhGGH7C Anchor.fm- https://anchor.fm/hiroja-shibe Rss Feed- https://anchor.fm/s/c943890/podcast/rss Official Game Information Website: https://satoshistreasure.xyz/ Telegram: https://t.me/satoshistreasure Twitter: https://twitter.com/toshitreasure Reddit:https://www.reddit.com/r/satoshis_treasure/ Not Active Tool: https://satoshistreasure.xyz/ssss --- Support this podcast: https://anchor.fm/hiroja-shibe/support

In this episode, Dom Rabrun draws right on top of Donald Glover's new video that he made in partnership with Adidas, Monique, and Royalty. He discovers the powers of CHROMA KEY within photoshop, and gives out a new assignment. Thanks for watching, and shout out to those of you who are listening on iTunes and Spotify. References: NOS4A2 by Joe Hill https://amzn.to/2VTBBOz Kate Mulgrew ALVVAYS SHOUT OUT TO LEALANI PERFORMING AT COACHELLA! DOMRABRUN.COM PLEASE CONSIDER SUPPORTING DSC WITH A MONTHLY DONATION - https://www.patreon.com/valet FOLLOW DOM ON TWITTER - https://www.twitter.com/domrabrun INSTAGRAM - https://www.instagram.com/domrabrun REDDIT - https://www.reddit.com/r/Domssketchcast/

The Just another Masshole Podcast is a podcast where I (Kyle Raymond), just another masshole comedian, talk about my life, the news of the day, and just about anything I want because it is my show and it is free.   this is the first episode where i do a video and use a green screen. So, if you want to see me learn to do Chroma Key, or green screen for you layman, check out the Just Another Masshole YouTube page. Find the show at https://www.facebook.com/JustAnotherMassholePodcast https://www.instagram.com/just_another_masshole_podcast/ https://youtu.be/kUOyXxgWiTk the show is also listed on Itunes, Stitcher, and Google Play Music E-mail me at justanothermpodcast@gmail.com Kyle Raymond Comedy https://kyleraymond82.wixsite.com/justanothermasshole  

PRUEBA Amazon Music Unlimited GRATIS durante 1 mes, si contratas un año, tendrás un total de 3 meses GRATIS: https://goo.gl/AXniAi ------------------------------ Si os gusta este tipo de contenidos, podéis apoyar nuestro podcast con una aportación en PayPal con el correo "hola@ricky.es" (modo amigo para evitar comisiones) o en https://www.tipeee.com/ApleDecir o https://goo.gl/HVE9e6 ---------------------------- Mis compras de APP baratas en https://goo.gl/gMpMKs ------------------------- Nuestro grupo de Telegram pasa a ser privado, pero puedes unirte libremente en https://goo.gl/TFaynL --------------------------- Mis ofertas más interesantes en https://t.me/ApleDecir Gracias por vuestras valoraciones y reseñas en iTunes Visita http://ApleDecir.com y http://Ricky.es

Horror! Medo! Desespero! Pânico! Chroma Key! No episódio desta semana nos reunimos para falar sobre a produtora Astron 6 e o seu filme Manborg! Produção de 2011. E além de nossa resenha habitual você ouvirá sobre a onda retrô de seriados e filmes que andam acontecendo por aí. Então aumentem seus iPods porque mais um Podtrash está no ar! Duração: 85'24'' Média TD1P: 3,2 ELENCO Almighty, o Estagiário de Chinelos! Bruno "Gunfree" Gunter Demétrius "Anjo Negro" Santos  Douglas Fricke, o Exumador Shin Koheo, o Maratonista nu! ARTE DO BANNER Marcelo Damm EXTRAS DESTE PODTRASH IMDb do Manborg The Editor Father's Day Bio-Cop Escute esta playlist no Spotify! FEEDS E LINKS DO PODTRASH Podtrash na iTunes Store Feed completo do Podtrash Feed sem os Lado B Feed do Lado B Canal do Podtrash no Youtuner Participe do Grupo “Esse Merece um Podtrash” lá no Facebook! Participe do grupo do Telegram dos Ouvintes do Podtrash Conheça a Loja de Camisetas As Baratas! CONTATOS DO PODTRASH podtrash@td1p.com @podtrash Facebook do Podtrash Caixa Postal 34012 – Rio de Janeiro, RJ - CEP 22460-970 CAPA DESTE PODTRASH

Slowing it down to end the show with some shadowy music from Chroma Key, DJ Shadow and Thievery Corporation.

Easy Steps For Video Recording and Chroma keying With Your Home Green Screen Chroma Keying and Green screen technology sounds very technical and that is why many people get confused or even do not understand how to use these techniques within their videos. Think Photoshop – Only for Videos Photoshop has transformed image manipulation and editing for the better. The success behind it is that is allows you to add layers on top of each other and also edit these layers individually enabling you to create visually stunning images. You can create some amazing designs and literally transform your images into works of art. The beauty of being able to edit each specific layer is you can manipulate, edit, crop and even remove the background of one layer and be able to see what is below (or behind) that layer. By using this technique, adding drop shadows and outlines and many of the other features within photoshop you are able to do amazing things with your images. You can also have layers similar to Photoshop, only with video With the correct video editing software, you can add layers, images, remove backgrounds and build up an amazing looking videos with the similar layer options you have available within Photoshop. The process to remove a color or background in a moving video is called Chroma Keying and this software treats each frame as a separate image, removes the selected color and then allows you to see the layer(s) placed below. This enables you to produce some amazing effects within your videos. Are you looking to add extra effects into your videos? Maybe you’re seeking ways to spice up your videos… or feel like your video backgrounds are boring or not exciting enough… Then you can change this very quickly with the use of a green screen and Chroma Keying within your videos. You are here as you are interested in making your videos better, and looking more professional. With the use of a Green Screen, Chroma Keying and inserting different backgrounds into your videos, and possibly photos you can easily do this. This technique is also referred as: Green Screen Video Chroma Keying Blue Screen Color Keying Color Separation Overlay Maybe you have heard of Green Screen and the technology behind it, but didn’t realise you can actually Chroma Key at home with a few simple elements.

Les rencontres francophones video mobile Les applications de montage Pour exploiter les images que vous filmez, il faut des applis. Des applis pour assembler, ordonner, retailler, enchaîner, titrer, animer, sonoriser… Bref pour générer de vrais films. Elles s’appellent iMovie, Kinemaster, Splice, Power Director, ou encore LumaFusion. Ce soir on parle montage qui connaît une petite révolution depuis quelques semaines… Ce dont nous ne parlerons pas (pas plus que les quelques lignes qui suivent) : Les faux monteurs “magiciens” et qui n’ont pas d’intérêts pour les pros Souvenirs, la fonction intégrée à l'application Photos native d'iOS Magisto (Android) Les modules automatiques de Quik iOS, Android et [Adobe Premiere Clip iOS Android 
 Le montage iOS iMovie : la référence vient de prendre un coup de vieux ! Les options synthé (typo) étaient trop peu personnalisables, le son trop difficile à gérer. Mais l’appli a ouvert la voie et reste un moyen simple de produire des sujets complets (voix off, sonore et plans d’illustration) LumaFusion (39,99 €) Un FCPX sur iOS ? Plus doué côté effets (héritage Luma FX) et typo que côté son (pas de fondu audio autrement qu’en bricolant et pas encore l’enregistrement de la voix off). Import possible de fichiers (jpg, png, mp4, mp3… déposés dans un cloud). Et des tutos en préparation sur videonline.info La prise en main de Laurent LumaFusion arrive après deux applications des mêmes auteurs LumaFX (4,99 €) LumaClip (0,99 €) Les autres options MovieSpirit (2,99 €) interface désuète, mais multicouches, effets, key framing, verticalité. L'interface ne fonctionne hélas qu’en mode vertical Filmakr (gratuit, 130 €) belle interface et philosophie de montage différente. De gratuit à 130 € pour la version Premiumy Reel Director II (1,99 €) Une des applications pionnières, simple à prendre en main Splice (gratuit), extrême simplicité et fonctionnement en verticale. Idéal pour “no comment” avec de la typo sur les images et le montage de films en mode portrait. Monopiste. Adobe Premiere Clip (gratuit) Très simple à utiliser et efficace Kinemaster, portage d'Android, en développement sur iOS. La bêta pour iOS arrive semaine prochaine, et la version finale d’ici mars. Vee, tourne, stabilise et monte 
 Le montage sur Android Power Director (6,99 €) simple mais limité pour les plans d’illustration (1 seule couche avec fondu enchainé obligatoire entre les plans) Kinemaster (encore) 3€/mois, 36 €/an D’énormes possibilités entre le Chroma Key et les “layers” (titrage, incrustation, dessin à main levée, animation…). Beaucoup d’effets (pas toujours utiles ni de bon goût) Montage en ligne Montage avec la webapp de Youtube Easy-Movie online avec des gabarits “pro” (immobilier, expert auto…)
 Et la solution City-producer Prometteuse si ce n’était le prix : 2 €/jour. On attend de voir aux rencontres francophones… Radars le stabilisateur à deux poignées Feiyu Tech SPG Plus de Laurent L'estimation du poids d’une vidéo :. Calculateur de taille de video en ligne (anglais) mais uniquement avec des formats à débit constant… Et pour les plus fondus, geeks ou curieux : la bible les secrets de l’image video de bellaïche Olloclip pour iPhone 7, un poil plus imposant que le modèle précédent. Malin : le support se déplie pour se transformer en mini-stand. Nous retrouver Le site de VMP, vmp.fm Sur Twitter Philippe Couve @couve Laurent Clause @laurentclause Guillaume Kuster @_gkuster Les applications pour profiter au mieux des podcasts iOS Overcast Castro Apple podcasts Android Pocket Casts Podcast Republic  

This week we pull up at the Long Island headquarters of The House of Horror Podcast to pick up our buddy Joe and we go on a long ride to discuss the Film Locke, starring Tom Hardy. From there we pick up speed to tackle our new segment, Demonocracy, where we gave the fans on the FIB a chance to vote on the topic and they picked the bands we would like to see score a film! We cruise control through our October film schedule, bang a right to give you all the 411 on purchasing advance tickets for for the Halloween Extravaganza and much more. So reach down between your legs and ease the seat back, turn up the radio, step on the gas and buckle up! Topics discussed: Gamble and Burke, smoking bananas, Jean Michel Jarre, Maximum Overdrive soundtrack, Roky Erickson, the pros and cons of the the new Texas Chainsaw Massacre 4K release, Jose Gonzales, Long Island, Collateral, Tom Cruise, Buried and Frozen, Drive, Steven Knight, Speed?, high concept movies, Stake Land, Her, Edge of Tomorrow, Frank, the expectation of guessing voice actors, Lucio Fulchi’s Door into Silence, The IT Crowd, The Guest, Michael Mann films, Ravenshadow directing a film, Underworld, the type of films we usually review, Low, 7500, Muse, movies like stage plays, Dogville, Lars Von Trier, the agony of driving in a car, Vox, Outside the Cinema Episode 278, Franco Nero, TheHorrorClub.blogspot.com, The Evil Streaks, The Halloween Extravaganza, the three E's in Teeel, The House of Horror Podcast, Professor Jay duping us and not sending a voicemail, Tori Amos, The Dress Barn, Jason Statham and his sweaters and his Netflix presence, Eddie Furlong’s vocal stylings, Japanese pro wrestlers from Korea, Halloween season, expensive Transformers toys, Black Dahlia, The Texas Chainsaw Massacre box set, cool vs lame film collectibles, Mike Patton, The Protomen, small boutique Blu Ray companies, Locke, Chroma Key, Bobby Chaynz’s film Smitten, King Starscream, Tom Hardy, Guillermo del Toro and At the Mountains of Madness, the great Halloween debate, Tiny's synths, Deadites Scoring a film, Power Glove (with two words) and Devin Townsend.Support the show (https://www.patreon.com/trickortreatradio)

http://prochurchtools.com/025 - Shooting video with a green screen can be tricky. How do you setup the lights? What kind of green screen should you use? What are the best post-production tips & tricks? This session of the Pro Church Podcast provides a comprehensive introduction to greens screens and chroma key.

Starring:Host: Robbie FergusonCo-Host: Sasha Dirmeitis Robbie and Sasha unbox and setup a green screen, and then build a virtual set shot in Telestream Wirecast Pro for live chromakey. Read the complete show notes, comment or rate this episode, view pictures and obtain links from this episode at https://category5.tv/shows/technology/episode/353/ Running time: 1 Hour 46 Seconds

In this extended episode, first airing April 1, 2014, Dave Nuttycombe adds a special segment to the podcast, and Bill talks with local filmmaker Aaron Shirley of Old Red Beak Productions on the topic of 4K (or “Ultra HD”) cinematography. If you run into any problems (or have any suggestions), please don’t hesitate to drop us a line at podcast@tohubohu.tv, or visit our website at www.tohubohu.tv.

In this episode, first airing March 8, 2014, Bjorn and Bill apologize for the lateness of the episode, and Bill talks with Kevin Good of Crisis Lab on the topic of green screen videography. If you run into any problems (or have any suggestions), please don’t hesitate to drop us a line at podcast@tohubohu.tv, or visit our website at www.tohubohu.tv.

Students can disappear and seem to catch on fire using a green screen. Check out how this works!

CORIOview C2-6204 4-Window 3G-SDI Processor is based on TV One's exclusive CORIO®2 technology and has four 3G-SDI inputs plus a DVI-I input (for window, cascade or background use) to place up to 4 sizeable windows on a single DVI-I / 3G SDI output. Each window is powered by a CORIO®2 scaler providing full PIP flexibility. 3G-SDI resolutions up to 1080p60 are supported. High performance de-interlacing with motion-adaptive noise reduction are available for interlaced SDI and YPbPr sources. The unit provides a DVI-I output as well as a duplicate 3G-SDI capable output. All settings are stored in non-volatile memory and are retained even when power is switched off. Ten user defined presets (controllable directly from the front panel or external communications) are also available to customize settings for various applications. A built-in LCD and menu system aids quick setup. Functions can be controlled via the front panel Push Buttons, RS-232/ RS-422/RS-485 or Ethernet. Color borders and source labeling are also provided for each window. Four Still Image Stores are built into the unit which can each display one of ten user loadable graphic images to be used in place of an input. The 5th input is available for use as a window source, background to the 4 windows, or as a cascade input from another CORIOview unit - thus adding 4 more windows per unit. The CORIO®tool Suite integrates fully with the unit and most third party control systems interface directly with the entire C2 range of products. Variable Zoom to 10X allows you to enlarge any part of the graphic image to fill the entire computer screen and position controls allow you to move around to any area desired. Variable Shrink to as little as 10% allows fitting multiple images next to each other, with full positional controls. Colored stereo audio bars are available for each window, and show the live audio activity of an SDI source. Advanced Features include Genlock, Chromakey, Lumakey and Mixing. The Key Mode allows any window to be keyed over any other with variable priority / layer control. The keyed image may be faded in and out. The unit is housed in a 1RU case with rack mount ears provided and is powered from a standard 110-240v supply. Ten user defined presets (controllable directly from the front panel or external communications) are available to customize settings for various applications. The 4 scaleable windows can be positioned and layered anywhere on the output monitor. Colored borders and source labelling are also provided for each window. Four Still Image Stores are built into the unit which can each display one of ten user loadable graphic images to be used in place of an input. The fifth input can be used for a background color, unscaled video or for cascading. Features: 4-Window Processor 4x High Quality CORIO®2 Scaling Engines 4x 3G SDI inputs with re-clocked loop-thru 4x Internal Still Image Stores 5th input (DVI-I) for background or cascading multiple units SDI support for SD/HD/3G-SDI 1080p@60Hz DVI-D I/O support to 1920x1200,1080p@60Hz DVI-A I/O support to 2048x2048, 1080p@60Hz Analog supports RGBHV, RGBS, RGsB, YPbPr 10 User-definable Presets for quick setup Motion Adaptive De-interlacing and Noise Reduction Audio monitoring via colored bars Color Borders and Source Labeling Variable Image Zoom to 10X and Shrink to 10% Per-pixel or Percentage Scaling Control Autoset - Automatic Analog Picture Sizing Chromakey, Lumakey, Genlock and Mix Front Panel includes LCD, Menu Control and Quick- Setup features Control via RS-232/RS-422/RS-485, Ethernet or Front Panel CORIO Tool Suite compatible Optional modules (e.g. for Tally input/output) 1RU rack-mount case

Upfree14: Pierlooqup- Meccani$mo